Energy

Peakers delayed 2 weeks

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At the May 20 meeting, the Board of Supervisors agreed to a two-week hold on a plan to build two combustion turbine “peaker” power plants in the city. (Also known as the CTs.) The delayed legislation was also amended by Sup. Sean Elsbernd, who injected a 90-day due diligence period into the process.

Translation: if the Board, two weeks from now, passes the plan to build the peakers, a 90-day due diligence period kicks in. And if, during that period, the SFPUC general manager finds that another plan meets a certain list of criteria (which are included in the amendments and can be read here), then he can kill the city’s peaker plan and put forth the alternative. The alternative would still have to go through all the permitting and planning processes that the city’s peakers have already weathered, but the city’s peaker project would be dead.

Elsbernd’s amendments contain a list of qualifications that any alternative must meet, including an agreement that Mirant’s Unit 3 would still close (so the company can redevelop that site for some other profitable commercial use), and that any other “proposed project” would improve environmental quality and city control over energy supplies.

The language here is pretty careful: nowhere does it say that a new proposal must be as clean, if not cleaner, than the city’s peakers. Nor does it say it must be owned by the city.

Elsbernd asked for the two week continuance when introducing the amendments, to give the Board more time to get comfortable with them and “to make sure that the CTs are either the right thing or the wrong thing.”

Peskin, describing the motion before them, jabbed that the extra time was for any possible alternative “proposed by PG&E and/or Mirant.”

To which Elsbernd took issue, “Actually, I would disagree with your statement,” he said. “This is not a proposal from PG&E.”

After the item passed, with Sup. Chris Daly citing it as a delay tactic and dissenting, Elsbernd told the Guardian the amendments did not come from the Mayor’s staff. “They came from my pretty little head,” he said. “I asked the city attorney to draft them for me.”

RFK Jr. and NRDC part ways on power plants in SF

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On May 12, Robert F. Kennedy Jr, founder of Waterkeeper, senior counsel for the Natural Resources Defense Council, and as big a wig as Al Gore in the environmental hall of fame, decided to weigh in on San Francisco’s plan to build two fossil fuel-burning power plants. He sent this letter to the Board of Supervisors, Mayor Gavin Newsom, the CPUC’s Mike Peevey, and Gov. Arnold Schwarzenegger, urging them to back away from a future hooked to fossil fuels.

“Given the size and impact of this project, I respectfully urge you to listen to the public interest and environmental groups such as Sierra Club and SPUR that are calling for an independent study to determine whether these power plants are truly required in 2008,” Kennedy wrote.

But, lest you get confused about how emphatically concerned an eco-heavy-hitter like NRDC is about San Francisco’s energy future, the group sent another letter three days later saying they don’t have a position on the controversial issue, and don’t plan on taking one. That letter was signed by Ralph Cavanagh, who handles energy issues for NRDC and has been a champion of decoupling — which utility companies love because it separates the profit-making from the energy-consuming, thus ensuring they still take home a pretty penny while encouraging customers to cut back on energy use.

Craig Noble, spokesperson for NRDC, explained the discrepancy by email, writing, “Bobby wasn’t representing NRDC in his official capacity when he took a position on that particular project. It was unclear to some people that he was speaking as a private citizen, so NRDC released a letter of clarification – we have not looked at this project and therefore have not taken a position.” He also wrote they probably wouldn’t, as they tend to focus on broader policy issues rather than individual projects.

A number of environmental and social justice groups have also allied against San Francisco’s plan to build the peakers, strongly urging city officials to step it up with renewables rather than natural gas, and sending letters with their eco-group stamps all over them. They also met with Newsom to express alternatives to the peakers, according to Josh Arce of Brightline Defense, one of the leaders of the environmental front.

But it wasn’t until Newsom’s staff met with PG&E, the quiet giant of the anti-peaker movement, that the Mayor put the brakes on the power plant’s approval process. After that meeting, Newsom intervened last week at the Board of Supervisors, temporarily pausing the approval process of the peaker plan while he called for the exploration of other alternatives.

PG&E’s peaker-less proposal

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For all those following the latest and greatest in the saga of San Francisco’s energy future, here’s a copy of the proposal PG&E put before Mayor Gavin Newsom’s staff on March 5, and which has been making rounds at City Hall. It outlines (though doesn’t go into too much detail) a number of energy efficiency measures, demand-response targets, and transmission upgrades.

Tony Winnicker, spokesperson for the SFPUC, seemed nonplussed by the plan, and said it only slightly differed from a past anti-peaker proposal from PG&E that Cal-ISO found wasn’t enough for San Francisco to forgo building two new combustion turbine power plants. The new plan includes a line connecting two substations in Potrero and Embarcadero, ultimately making our local grid a little more dynamic. But, said Winnicker, “There’s no indication from Cal-ISO that doing this would allow us to close Potrero without Cal-ISO’s consistent requirement of ‘in city, dispatchable, reliable’ generation.”

Cal-ISO’s Gregg Fishman said the new proposal had pros and cons they’d have to weigh, and introducing a new plan at this point could mean more delays on closing Mirant. “One drawback to a transmission alternative is that building a new major transmission project, instead of installing the peakers, will mean potentially years of delay in the closure of the highly polluting Potrero. Additionally, any new in-city resources, including demand response, would need to be available “around-the-clock” to meet national reliability standards the ISO is required to uphold. Currently, demand response is not available 24/7.”

Don’t know about you, but my Mission district mailbox has been bombarded by scary mailers from PG&E, posing as the Close It Coalition, screaming “NO NEW POWER PLANTS.” They claim environmental reasons but one inside source told me PG&E is “paranoid” about public power. Their 2007 annual report to shareholders includes a section detailing the risks of loosing customers to Community Choice Aggregation or municipalization of electricity services. (See pages 74-76 of this document. I also recommend page 56 for details on the fossil fuel burning power plants PG&E is also building, that are bigger and dirtier than the city’s would be.) Peter Darbee, CEO of the corporation, also expressed his own personal concern about public power at PG&E’s May 14 annual meeting (but you’ll have to tune into tomorrow’s Guardian for details on that.)

Speed Reading

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THE TEN CENT PLAGUE: THE GREAT COMIC BOOK SCARE AND HOW IT CHANGED AMERICA

By David Hadju

Farrar, Straus and Giroux

448 pages

$26

David Hajdu is an antidote to ersatz historiographers. He’s unearthed and analyzed formative but forgotten figures (such as Billy Strayhorn) and moments of 20th-century Americana. In The Ten Cent Plague: The Great Comic Book Scare and How It Changed America, the Columbia University journalism professor turns his attention to Brooklyn and the Lower East Side of the 1940s and early ’50s, when a cadre of young outsiders engendered a new and controversial artistic medium: the comic book.

Hajdu surveys Famous Funnies pioneer Harry Wildenberg, eccentric militant Major Nicholson-Wheeler, Crime Does Not Pay impresario Charles Biro, psychological activist Frederic Wertham, and Superman creator Jerry Siegel. But milquetoast EC Comics owner Bill Gaines, partly responsible for the horror and sci-fi craze that accompanied the atomic age, is at the center of the book’s narrative.

The Ten Cent Plague thoroughly documents the censorship struggles and creative flourishes of a subculture and revolutionary art form, but it lacks the freewheeling energy of earlier histories. For all of his rhapsodizing about the authentic juvenile experience within comics, there is a dearth of playful and existential perspective. Instead, the writing takes on an insipid encyclopedic tone, forcing cohesion on a subject matter renowned for random creativity. Large portions of text come across as just the kind of parental lesson comic book enthusiasts might shun. Nonetheless, Hajdu provides a necessary investigation into the moment when America stepped from a black-and-white past into a Technicolor future. (Erik Morse)

 

UNCREDITED: GRAPHIC DESIGN AND OPENING TITLES IN THE MOVIES

By Gemma Solana and Antonio Boneu

Index Books

313 pages

$55

Initially, Gemma Solana and Antonio Boneu’s survey of credit sequences in movies sported the title The Art of the Title Sequence. But now it is called Uncredited: Graphic Design and Opening Titles in the Movies, a gesture of solidarity toward the legion of graphic artists, particularly in Hollywood, who have designed credits for movies without being acknowledged for their efforts. Early sections of this hardcover slab of imagery and text — which weighs a good five pounds, in case you want to strengthen your biceps — explore the white-on-black and title-as-logo roots of studio movies from the first half of the 20th century. The creators of signature sequences such as the umbrella-twirling opening of Singin’ in the Rain (1952) are praised while remaining anonymous. Even when credits were credited, as with Pacific Title and Art Studio’s splendorous text for Gone with the Wind (1939), it was under a corporate blueprint.

Uncredited‘s latter chapters right those wrongs committed by the film industry by exploring the efforts of Otto Preminger’s and Alfred Hitchcock’s frequent partner-in-design Saul Bass (probably the only credit specialist to receive exhibition and monograph showcases) and his wife Elaine, as well as Jean Fouchet (an influence on Jacques Demy?), Pablo Nuñez (who created the credits for Victor Erice’s 1973 The Spirit of the Beehive), Dan Perri, and others. A climactic section about current trends displays work that uniformly pales in comparison to the work by Arcady, Fernand Léger, and especially Mary Ellen Bute and Jean-Luc Godard in a central chapter devoted to concepts. Uncredited is lavishly, gorgeously illustrated (complete with a DVD) and playfully designed. There are errors galore in the informative text though — a sharper editorial eye was needed. And who exactly is that mysterious “QT” who seems to have provided captions for a number of the illustrations? (Johnny Ray Huston)

 

Yo, bangerz

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Also in this issue:

Rave it tecktonik: Hard electro’s dance du jour

Bang! The clubs, the music, the mixes

Super Ego Must the French rule everything? Is Justice revenge for "freedom fries"?

Anyone who’s recently squeezed themselves into a sliced-up silver Lycra T-shirt, pushed down a pair of Day-Glo Cazals, baby-oiled their coke-spoon anklet charms, and hit the city’s glitzier underground dance floors in the past year knows that the hardcore electro sound of Paris’s laptops — lahptoops? — is everywhere they wanna be. So yeah, this shout-out to the trenchant trend is late, and the French are already being usurped by English, Aussie, and American glam-tech innovators. But I’ve got hungry drag queens at home to feed. Mama can’t afford no glittery off-the-shoulder neon silk-screen slip dry-cleaning bills.

Also, it’s taken a while for the scene to coalesce into something tangible, nightlifewise. "Electro" has always been a catch-all — as long as it emanates from adorably entangled circuitry, the genre’s sound swings wildly from lowdown industrial grind to straight-up booty smack, vocoded howl to shuddering fwump to skittery blizzard of blips. It took French duo Justice, along with a slew of other big-name like-mindeds like MSTRKRFT and Simian Mobile Disco, to crystallize some of electro’s recent, disparate past — amped-up electroclash guitars, nu-rave airhorn screech, Philly and Baltimore cybernetic cartoon sexuality, bubbly London champagne rave, and triple-filtered Daft Punk euro strip-down — into the rock-candy party sound still blowing out woofers all over town, launching a genuine style. At first dismissed as mere Daft Punk knockoffs, these earnest Ableton addicts have transformed electro into this house generation’s gleaming hair metal, complete with fussy headbands, flashing tits, and on occasion, what my bf Hunky Beau terms "the most well-scrubbed mosh pits ever."

The scene is called banger — as in Ed Banger, Justice’s Paris-based label. The sound? Warped arena rock grandeur ripped asunder by fuzzy needles, taut bass arpeggios, pounding 808s with cymbal-crash breakdowns (they’re back!), dirty childlike vocals, and anarchic Prodigy posing to — cover your ears, discriminating queens — pop-rave 2 Unlimited keyboards. Banger kids arrive stripped of quotation marks (excessive goofy accessorizing and ironic retro bombast are out), fronting the tight sheen of perfect online shopping technique, 24-inch waists, Rockstar and rye on tap, wanton pantomimed sex, and a tang of American Apparel ennui. ("I’m on the club soda diet," a model confided matter-of-factly outside one bangin’ banger club. "I need to go to the bathroom and meditate for a minute before I pass out.") If all this sounds more like "da club" then the club, well, that’s the delicious line of tension bangers like to play against.

Banger style has even given rise, in Paris at least, to a dance craze (also back!) called tecktonik. Have you seen this shit? It’s electroclash break dancing — a splash of rave liquid by way of circuit fan–twirling, coupled with random Adderall withdrawal jerks. "Tecktonik" is now a brand-name T-shirt and a haircut, of course.

The above may look iffy on paper, but it works — there’s a blinding energy to the scene, and I’m held positively rapt by some local bangers. My next column will feature a few, as well as some young upstarts taking the bang into fidgety new directions. Let’s riot.

The real energy-policy choice

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EDITORIAL According to City Attorney Dennis Herrera, if San Francisco wants to see the Potrero Hill power plant, which spews pollution over the southeast part of the city, close down next year, the city’s going to have to operate its own fossil fuel plants in the neighborhood. Some environmentalists say that’s not true — that the city could develop enough renewable energy and use existing backup systems to obviate the need for the so-called peaker plants.

Opposition to the plants comes from the Sierra Club, Supervisors Chris Daly and Ross Mirkarimi — and Pacific Gas and Electric Co.

Even for people who spend an inordinate amount of time studying energy policy, it’s a confusing mess of a situation — and San Francisco, of all cities, shouldn’t have to be facing it.

The peaker dilemma exists for a reason: San Francisco has allowed private-sector companies like PG&E and Mirant, which owns the existing Potrero plant, to control the city’s energy systems. The good news is that the fight over the power plants is driving a new move for public power — a move that ought to bring together the public interest activists on both sides of the plant divide.

Sups. Ross Mirkarimi, a peaker foe, and Aaron Peskin, a peaker supporter, plan to introduce a Charter Amendment mandating that the city’s Public Utilities Commission create a plan to establish a retail power agency in San Francisco. The amendment would provide the badly needed kick start to get city officials to act on San Francisco’s historic mandate for a municipal electricity system.

Peskin and Mirkarimi may not agree on the three peaker plants the PUC wants to site at the foot of Potrero Hill, but they do agree that PG&E is up to no good here. The giant private utility desperately wants to keep the city from developing its own electric power plants: the city peakers would be competition for PG&E and would open the door for the city to get more directly into the electricity business. Although the fliers put out by the "Close It Coalition," funded by PG&E, talk about environmental issues, that’s just old-fashioned greenwashing. PG&E is building similar combustion turbine gas-fueled generators all over the state.

Why should this be the city’s only choice?

If there’s going to be a fight over energy policy in San Francisco, it ought to focus on the real long-term questions: Who should control the local grid, and the future supply of electricity, and the decision over how much of the local portfolio should be in renewable resources? Should PG&E continue to hold that power, or should the city take it over?

The movement for public power is exploding all over California. In Marin County, a group called Marin Clean Energy is mounting a sophisticated campaign for a community-controlled power agency that would use 100 percent renewable power. The South San Joaquin County Irrigation District is trying aggressively, against a full-scale PG&E political assault, to buy out PG&E’s distribution facilities and create a new public power system. Stockton is looking at becoming a public power city.

San Francisco is pursuing CCA, but needs to do much more. This is, after all, the only city in the nation that has a mandate under federal law to sell retail electricity.

If the city had created a public power agency years ago, the peakers wouldn’t be an issue. San Francisco would have been able to develop more extensive renewable power sources, create a long-term energy plan, and concentrate on shutting down fossil fuel plants instead of building them.

But whatever the outcome of that fight, it’s time to think about the future — and the future is community-owned energy programs. That’s the choice that ought to be on the ballot in November.

PS: Stop the presses — has Newsom buckled to PG&E? The mayor at the last minute May 13 has orchestrated a delay in the peaker vote — at the behest, we hear, of PG&E, which is begging the mayor to do anything to stop public power. Now he wants to retrofit the Mirant plant. That’s an unacceptable option and needs to be rejected.

Follow that “Balloon”

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After years of Tarantino twists and shot-for-shot shams, homage has gotten a bad name. Let’s call Flight of the Red Balloon something else: a transportation device in which Paris, Albert Lamorisse’s beloved 1956 slice of magical realism The Red Balloon, and a patchwork family float in and out of Hou Hsiao-hsien’s inscriptive view. At 61, the former Taiwanese new wave pacesetter is on a travel kick. After moving to Tokyo to film 2003’s Café Lumière, his tribute to Yasujiro Ozu, the filmmaker next went to Paris, thanks to a commission by the Musée d’Orsay. Flight of the Red Balloon‘s reception at Cannes was lukewarm, but away from that hothouse it’s plainly a masterwork. Mysterious without being opaque, it is as delightful in its particulars as in its overall musical intelligence.

It starts simply, with a boy and a balloon. The red orb reappears periodically in Hou’s film, like a refrain, but this prologue provides the fullest convergence with Lamorisse’s original. A sleepy-eyed child calls out to the air before descending the Metro steps; the camera pans up, catches a first glimpse of the talisman as it lingers behind wind-brushed trees, and then follows it across the rooftops of an overcast Paris.

The balloon retreats, but Hou’s camera stays alight. We soon find the boy, Simon, living in a jumbled apartment with his mother Suzanne (Juliette Binoche), a blustery creative type who voices puppet shows. She has engaged a young Chinese filmmaker as Simon’s nanny: Song Fang (playing herself) is first seen entering Suzanne’s puppet theatre, her oval visage shrouded in the richly-toned shades of black typical of Hou’s collaborations with cinematographer Mark Lee Ping-Bin.

The conflicts within this autumnal story world pass at a remove. Hou wryly observes aspects of Parisian life (a downstairs neighbor unable to ask a simple kitchen favor without detailing his mutton stew, for example), but doesn’t tether his film to such observations. Instead he emphasizes resonant textures: the musical interplay between the relaxed camerawork and Binoche’s breathy, bleached-blond performance; the lyrical enfolding of a child’s half-comprehending, absorbed perspective with that of a foreigner’s; and too many paired scenes and visual echoes to count, including a couple of lovely pirouettes up and down a spiral staircase. Throughout, Hou’s inclusive model of filmmaking draws from painting, music, and puppetry. Whenever he ventures into the mother and child’s apartment, currents of light and color are pitched between minimalism and reverie.

Much like some of this season’s other film highlights (In the City of Sylvia, Alexandra, Paranoid Park), Hou’s latest foregoes plot restrictions for acute ambience and sustained portraiture. I didn’t respond to Flight of the Red Balloon as quickly as I did to the others, but it’s the one I most want to revisit. Diffuse yet deep, Hou’s vision erases the boundaries between his film and the worlds that surround it.

The red balloon of The Red Balloon beckons, but Hou’s film also bears a surprising resemblance to Olivier Assayas’ Irma Vep (1996) in its skipping ellipticism, its depiction of a detached Asian woman swimming amid unkempt Parisians, its utterly free way of withholding story information and averting linearity, and its double-exposed invocation of a past French film classic. Assayas is no stranger to Hou’s work, having made a documentary about the Taiwanese director in 1997 (HHH), but their unique sensibilities impart common materials with entirely different moods. Where Irma Vep radiates frenetic energy, Hou’s profoundly subdued film lingers in the drowsy quiet of afternoon. In this respect, Flight of the Red Balloon also reminds me of another French film about childhood, stasis, and puppet shows: François Truffaut’s The 400 Blows (1959). One new wave shores up another, and an old man’s meditation reflects a precocious debut like so many carefully angled mirrors.

FLIGHT OF THE RED BALLOON

Opens Fri/16 at Bay Area theaters
www.ifcfilms.com

Sweet “Dreams”

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› a&eletters@sfbg.com

Words, words, words. You’ve probably noticed how Shakespeare’s plays are full of them. They skip or loll on the tongue; they tickle or bemuse the ear. Sometimes, and not just for the uninitiated or casually acquainted, they come across with more music than meaning. Well, that "Shakespeherian Rag" goes raga in the international production of A Midsummer Night’s Dream, now taking its San Francisco bow at the Curran Theatre, where among a cast of exclusively Indian and Sri Lankan actors, Elizabethan English vies with seven languages of the subcontinent.

The words, for a change, are therefore not the most important feature of this production — unless you happen to speak one or more of the Indian and Sri Lankan languages on display, which judging by the pockets of laughter that arose at certain moments, some in the opening-night audience clearly did. This incredibly agile, imaginative, and widely praised 2005-6 production, led by UK director Tim Supple (and making its North American debut courtesy of Best of Broadway), foregrounds the play’s action, passion, physical humor, and erotic energy to such a striking degree that it reminds one persuasively of the full scope of Shakespeare’s potency as a dramatist. And the dialogue — if you don’t speak Hindi, for example — still reveals a surprising dramatic and melodic force all the same.

The words also give a thrilling sense of the vast treasure of cultural and linguistic tradition emanating from the subcontinent. At the same time, this is no museum piece; it is a vital blending of theatrical traditions and ideas. The amazingly athletic, even acrobatic cast effortlessly incorporates everything from traditional song and martial dance to Cirquelike aerial work into the enchanted forest–realm of A Midsummer Night’s Dream and Shakespeare’s multilayered story of love’s fickle and darker aspects. As the production’s lone Brit, Supple’s staging is highly original. At the same time, it recalls the use of vertical space in Peter Brook’s legendary 1970 staging. The backdrop is a bamboo scaffold many meters high, initially covered over in a great wavy, ruffled sheet of thick paper that beautifully absorbs and deflects Zuleikha Chaudhari’s rich lighting. Performers come bursting, crawling, and tumbling through this membrane until it’s a mess of tatters.

The acting is physically and emotionally strong. Joy Fernandes, for instance, delivers a particularly memorable turn as the hilariously irrepressible Bottom. Meanwhile, the musicians to the sides of the stage left and right further refine the dazzlingly dynamic action with delicate metallic strains, sweet guitar melodies, or the crashing punctuation of a massive percussion kit.

A MIDSUMMER NIGHT’S DREAM

Through June 1

Tues.–Sat., 8 p.m. (also Wed. and Sat., 2 p.m.); Sun., 2 p.m., $35–$80

Curran Theatre

445 Geary, SF

(415) 512-7770, www.shnsf.com

Big and getting Gigantour

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› a&eletters@sfbg.com

In a few days, a legion of heavy metal maniacs will throng the Event Center at San Jose State University for the third annual Gigantour. Created by Megadeth frontperson Dave Mustaine, the package consists of bands he has handpicked for their ability to deliver high-energy live sets to arena-size crowds. In addition to the venerable thrashers in Megadeth, the tour has included a number of the biggest names in both modern and classic metal such as Lamb of God, Anthrax, Overkill, and Opeth.

The 2008 incarnation of Gigantour has tapped Bay Area greats High on Fire, who seem to be playing in front of bigger audiences with each passing week, and given the youthful Arizonans in Job for a Cowboy their first taste of the big time. While American metal is robustly represented, Mustaine has also called on two European bands that are legendary in their own countries. Subsumed by the banner of Megadeth, Sweden’s In Flames and Finland’s Children of Bodom are holding down the kind of opening slots that have become unfamiliar to them, promoting new albums to each other’s fans and trying to reach that ever-elusive next echelon of success.

In Flames guitarist Jesper Strömblad sounded weary but enthusiastic when reached by phone from Worcester, Mass., where he was preparing to play the first day of the New England Metal and Hardcore Festival, which included the entire Gigantour lineup on its initial night. The group was honored to join the outing, he said, adding, "Megadeth is one of my personal favorite bands."

In Flames was formed by Strömblad in 1990 in Gothenburg, Sweden, a university town that during the ’90s hosted a profusion of melodic death metal, honed into a form so distinctive that it became known as the "Gothenburg sound." Typified by carefully composed neoclassical guitar harmonies, the style was popularized by bands such as At the Gates, Dark Tranquillity, and Soilwork (from nearby Helsingborg), but it reached a creative peak on In Flames’ 1996 full-length, The Jester Race (Nuclear Blast).

In Flames’ new A Sense of Purpose (Koch) hasn’t lost the searing dual leads that define the group, and as Strömblad was right to point out, "You can hear a song from today’s In Flames, or an old song — you can hear it’s us." Creatively, however, the band has been caught in a downward spiral since 2002’s Reroute to Remain (Nuclear Blast), which introduced clean singing, slower tempos, and hollow electronic textures into the band’s repertoire. As Strömblad explained, "playing fast is not necessarily aggressive, or heavy. What we want to put in the music is big dynamics." Those musical contrasts are present, but accompanied by stark differences in quality between the outfit’s modern and classic material.

While In Flames has evolved, Finnish outfit Children of Bodom has mostly stuck to its guns, churning out adrenaline-fueled speed-metal full of catchy neoclassical shredding on the keyboard and guitar. Founded in 1993 in Helsinki, the band takes its name from Lake Bodom, a small body of water in the city’s suburbs that was host to the country’s most infamous triple murder, which claimed the lives of three teenagers on a camping trip in 1960.

The group’s frontperson, Alexi Laiho, is a veritable guitar hero, in addition to being an unrepentant party animal. Finally reached by phone in Baltimore after an initial hangover-thwarted attempt, he insisted that Children of Bodom’s daunting technicality was a natural outgrowth of his songwriting, rather than an attempt to show off. The band’s greatest strength is clear when Laiho and keyboardist Janne Wirman chase each other up and down the scales, and Children of Bodom, at its best, sounds like a demented, amplified string quartet. No surprise, then, when Laiho mentioned the artist the combo listened to for inspiration when recording its groundbreaking early albums: "Mozart."

Children of Bodom’s new Blooddrunk (Spinefarm) certainly cites the ax-master’s love of booze and is a more memorable effort than 2005’s Are You Dead Yet? (Spinefarm). The solos are as incendiary as ever, and the band’s embrace of progressive-rock tendencies has yet to blunt the Vivaldi-style virtuosity of its songs.

Speaking with two bands that have ascended to the metal mountaintop and gotten a look at the downward slope on the other side, it seemed important to ask if this new period of prosperity, exemplified by Gigantour, had a catch. After all, metal has fallen on hard times before, even when it seemed poised to conquer the world for good.

Surprisingly, Strömblad and Laiho provided nearly identical answers. "You always see different styles [of metal]," said the In Flames guitarist. "The genre of metal will always be popular. The different styles can grow big for a while and then go away." Laiho concurred: "Because the metal scene is so big and wide, and has different categories, it’s never going to implode on itself. It’s always going to be evolving." As long as people in Sweden, Finland, and America are willing to forge the next In Flames or Children of Bodom, these two six-string titans will be proven right.

GIGANTOUR

With Megadeth, In Flames, Children of Bodom, Job for a Cowboy, and High on Fire
Mon/19, 5:30 p.m., $37.50

San Jose State University, Event Center Arena

290 S. Seventh St., San Jose

www.ticketmaster.com

Here comes the public power initiative!

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By Bruce B. Brugmann (Scroll down to see the historic Mirkarimi/Peskin/City Attorney resolution)

Today, at the Board of Supervisors meeting, Sups. Ross Mirkarimi and Aaron Peskin introduced
a Charter Amendment mandating that the city’s Public Utilities Commission create a plan to establish a retail power agency in San Francisco and start the process of kicking PG&E out of City Hall and the rest of the city.

The amendment, as our editorial in Wednesday’s Guardian outlines, would “provide the badly needed kick start to get city officials to act on San Francisco’s historic mandate for a municipal electricity system.”

The move is prompted by the battle over whether the city should replace the ruinous Mirant private power plant with city-owned power plants called peakers at the foot of Potrero Hill. PG&E has quietly orchestrated a major political and public relations onslaught to kill the peakers because they would be what PG&E fears most: city-owned public power.

In fact, as Tim Redmond’s blog discloses, PG&E even marched seven lobbyists (yes, seven) into the office of would-be-green Mayor Gavin Newsom, who once personally backed the plan and whose Public Utilities Commission backs the plan. PG&E jacked Newsom around and muscled him into asking for a delay in today’s scheduled power plant vote to give PG&E more time to kill the peakers.

The rationale: some sort of vague and ridiculous idea of retrofitting the Mirant plant and keeping the PG&E uber alles status quo.

IF PG&E ultimately loses the peaker vote (and it will be close), PG&E will most likely run a referendum on the November ballot against this dread move to peaker public power. So the Mirkarimi and Peskin move is aimed at putting a counter initiative on the November ballot and breathing new life into the historic battle to enforce the federal Raker Act (which mandated San Francisco have a public power system) and bringing our own cheap Hetch Hetchy public power to the people of San Francisco. (See Guardian stories and editorials since l969.) The initiative would be timed to take advantage of the expected heavy turnout of Obama forces for the presidential election and for the election of supervisors.

The legislative digest sums up the amendment in a paragraph of City Hall legalese:

The amendment is to “address the need to change electricity production, delivery, and use to ensure environmentally sustainable and affordable electric supplies for residents, businesses, and city departments and to require the Public Utiliies Commmission to comprehensively study and determine the most effective means of providing clean, sustainable, reliable, and reasonably-priced electric service to San Francisco residents, businesses, and city departments.”

The amendment was written and signed by Deputy City Attorney Theresa Mueller and approved as to form by City Attorney Dennis Herrera. It was introduced by the president of the board (Peskin) and a powerful supervisor who is obviously running for board president and mayor (Mirkarimi). These references are important: when the public power movement was reinvigorated in the late l990s, it faced a massive lineup of PG&E stalwarts inside City Hall: City Attorney Louise Rennie, Mayor Willie Brown, the PUC executive director and PUC commission, and all the supervisors with the notable exception of Sup. Tom Ammiano.

Mikarimi led the two famous initiative campaigns as campaign manager in 2000 and 2001, which PG&E defeated with muscle, mutli milliions, and staunch daily paper support. Now, Mirkarimi is inside City Hall in a starring role leading the charge for community choice aggregation (CCA) and now a public power initiative. And the whole thing scares the hell out of PG&E.as never before.
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Hurray! The battle is on!

P.S. PG&E marches in: You can see how PG&E works by seeing who was at the critical May 5 meeting in the mayor’s office. No public power people, nobody from the Sierra Club, and no environmental justice activists who are also opposing the peakers (but for understandable environmental reasons.) But standing tall at the secret meeting were seven PG&E lobbyists, led by Travis Kiyota, and such PG&E friendly folks as PUC Commissioner Dick Sklar (remember him?), Sup. Michela Alioto-Pier, and a representative from the National Resources Defense Council (NRDC).

PG&E and NRDC arranged to have a timely letter on NRDC letterhead, dated May 12 , come to the supervisors from Robert Kennedy Jr., with ccs to Newsom, President Michael Peevey of the California Public Utilities Commission, and Gov. Arnold Schwarzenegger. The letter was of course released to the press and the public on the eve of the vote. PG&E, NRDC, and Kennedy had at least one line right: “Where San Francisco ultimately decides to invest its precious energy dollars is a choice that will send a message to cities around the country.”

The tipoff: nowhere do the PG&E supporters, including the Chronicle editorialists who suddenly took a down-with-the-peakers stand yesterday, nor the Examiner, with a wimpy story today on Newsom’s sudden change of plans, mention those dread three letters that divulge the secret agent at work (PG&E) nor that dread phrase that tells what the secret agent is really up to (killing public power.) C’mon, folks, this isn’t that hard to figure out. Is there some law somewhere that says the local media can’t cover what PG&E is doing to perpetuate the PG&E/Raker Act scandal and once again kill public power? (See “The Shame of Hearst” in previous Guardian and blog items.)

On guard. The pubic power forces are once again moving up to the front lines, muskets at the ready. B3 (who sees the fumes from the Mirant plant every minute of every day from my Potrero Hill office window)

Click here to read Mirkarimi and Peskin’s recent Charter Amendment.

Click here to read Redmond’s recent blog, PG&E offers Newsom a blank check

Click here for this week’s PG&E editorial.

PG&E offers Newsom a blank check

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newsom.jpg pg&e.jpg

Gavin Newsom is a mayor who hates to make the tough decisions, and the proposal for three new power plants in Southeast San Francisco is his worst nightmare.

Newsom’s own Public Utilities Commission is pushing the plan, and he’s backed it in the past. Environmentalists are making a stink about it, and that’s caused the mayor-who-wuold-be-green some headaches.

But the major reason he suddenly decided to ask for a delay in the power-plant vote may have nothing to do with environmental issues at all.

Seven lobbyists for Pacific Gas and Electric, led by Travis Kiyota, visited the mayor May 5th and told him that the giant utility would spend whatever it takes to stop the peakers, a reliable City Hall source tells me. Attending the meeting were Sup. Michela Alioto-Pier and PUC commissioner Dick Sklar, the source said.

According to this source’s account, PG&E offered to pay for more power cables into the city, for an expensive demand-management program … for just about anything that would prevent San Francisco from owning its own power plants.

I couldn’t reach either Sklar or Alioto-Pier this afternoon. But Nathan Ballard, the mayor’s press secretary, confirmed that the meeting took place:

On Monday, May 5, PG&E participated in a meeting to provide substantive
expertise in the areas of energy efficiency, demand response and power
generation and transmission. Along with staff from the Mayor’s Office,
Board of Supervisors, San Francisco Public Utilities Commission, Department
of Environment, the Office of Economic and Workforce Development, CA Public
Utilities Commission (CAPUC), and the National Resources Defense Council
(NRDC), we were able to engage some of the most creative and knowledgeable
experts in the room together as we work to identify alternatives to the
current action plan.

Ballard also said that retrofitting the Mirant plant — leaving the big privately owned polluter in place — was “one of the options on the table.”

As far as I can tell, there were no public-power advocates in the meeting.

So PG&E is still driving energy policy in the Mayor’s Office. How nice.

Another peaker analysis

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Steven Moss, of SF Community Power, an organization that does energy efficiency work with small businesses, sent us an analysis showing we don’t need the peaker power plants.

Check it out. (It’s an Excel file.)

“This is all publicly available data,” Moss told us. “And all the data is right there. People can mess with it any way they want,” he added, encouraging number crunchers to dig into the spreadsheet.

For example, the tab titled “DC Line 72 Trans” was generated “based on Cal-ISO’s claim that 28 percent of transmission is not available,” said Moss. According to their analysis, with the Transbay Cable online, we’d still have a 100-megawatt cushion of extra power.

Moss said the data was collated and crunched by James Fine, an economist for the Environmental Defense Fund, and Richard McCann, of M.Cubed, who doesn’t seem like a slouch either.

Fine told me they did the analysis about a year ago and it came from questioning whether or not the city needed the 400 megawatt Transbay Cable. They assumed we’d have the peakers and factored them in. Now we’re getting the cable but questioning if we need the peakers, so the data’s the same but the question is different. Moss presented this data to the Mayor’s office last week. Mayor Newsom’s support for the peakers seems to have waned a bit recently.

The end of the line

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› a&eletters@sfbg.com

"The film is called RR, but I like to call it ‘Railroad,’ because RR sounds like a pirate movie."

— James Benning

TRAINS A short stretch of celluloid is a representation of a train, one image following the other in rapid succession, connected by essential blocks of black, moving forward in time and space, and, when projected, rotating on a wheel. Cinema began with a train entering a station, shot with a fixed camera, chugging toward the screen. Barring a change of mind or circumstance, the masterful RR will be the last of James Benning’s works shot on 16mm, and how fitting that this 37-year phase closes with the image of a locomotive, pointedly stopped in front of a wind farm outside of Palm Springs, scrapped tires lying in the foreground, the end in a line of 43 trains shot across the United States (and the final frame of 34 extant films).

After a prolific three-year period that has seen Benning produce five crucial works — likely exhausting his stock of 16mm film — while teaching, driving across America, and building a full-scale replica of Thoreau’s Walden Pond cabin, technology has vanquished this last of the old-time filmmakers.

Those familiar with Benning’s landscape films will be comforted by RR‘s fixed camera and continental scope, but the film marks something of a crucial advance. As opposed to the awesome 13 Lakes (2006) — 13 individual lakes, each shot lasting the full 10 minutes of the 16mm cartridge — RR finds Benning adopting another structural principle: the signified (the train) takes over from the signifier (the camera).

Every shot is mesmerizing, yet the film builds, acquiring a cumulative power, as the simplicity of structure gives way to infinite experiences. To some, trains invoke nostalgia; to younger viewers, classical antiquity. To trainspotters, well, RR is Valhalla. And just as Benning’s California Trilogy (2000–01) concerns work and water, RR becomes a film "about" American overconsumption. Benning lets what’s on screen tell the story, with the tumultuous history of railroads and western development only alluded to by songs and words on the soundtrack. Filmed and recorded, as always, by a one-man band, all of its shots captured without permissions or permits, maybe RR is a pirate movie.

SFBG How far back does RR‘s genesis go? Were you into railroads as a kid?

JAMES BENNING Yeah, I like trains a lot. When I was a kid I had a little model train, an American Flyer. When I was a teenager we used to play in the train yards in Milwaukee, and that was fun, because we weren’t supposed to go there. We’d hop on slow freight trains and ride them for like a mile, and then jump off.

SFBG When you started making RR, was there a specific plan? Did you know the exact locations where you wanted to shoot?

JB I was pretty familiar with the major US lines. When I drive from Wisconsin to California, I pass by the lines that run through the Midwest. I know the lines that go up and down the [east] coast from New York to Washington. Other lines I knew through research, by getting a good railroad atlas. I wanted to film according to landscapes, too. I knew I wanted to do a shot across Lake Pontchartrain in Louisiana, and a shot in Mississippi of a train going through the kudzu growth, and [a shot of] this famous park called the Rat Hole in Kentucky. I also used a Web site [www.railpictures.net] that says it has "the best railroad pictures on the Net." It has thousands of still photos by railroad fans.

SFBG Is it accurate to call RR a landscape film?

JB The initial idea was to use railroads to define landscape because they can only go up a 2 percent grade. But as it became apparent to me that the film was going to be about trains more than landscapes, I learned more about different kinds of engines. The second shot is of the only piggyback train — where you take semi trucks and load them onto cars — in the film. Later there’s a RoadRailer, the train that looks like a long white snake. I shot that in the Rat Hole, an area that used to be all tunnels. I was shooting from above, which was the best vantage point [from which] to film it.

For me, the film came to be about consumerism and overconsumption — I could feel the weight of the goods going by me. Especially the oil and automobiles, as I saw a lot of tanker cars and auto trains. They pass each other constantly.

SFBG The mathematical nature of RR is impressive. One comes to realize the number of variables at play — the size and expanse of the train, the number of cars, the colors, the speed, the landscape, the angle where the train comes into the frame and where it leaves. All of these factors pile up.

JB It’s the way I always work: I’ll set up a problem for myself. I basically collaborate with the train in that it’s going to suggest the length of the shot. I thought I could vary the distance the camera was from the train, vary the angle that the train approaches from, and change these angles from shot to shot to build rhythms. The variables make it possible to take this idea that is confining and make it grow. The same thing happens with earlier films like 13 Lakes, where I set up an idea — to shoot a lake with the same amount of sky and water — and the problem is how to show the uniqueness of the lake.

SFBG RR must have been a very different experience from shooting 13 Lakes.

JB That’s true, because in shooting 13 Lakes, I was waiting for the best moment to turn the camera on. In RR, I’m waiting for the train, and hopefully it will correspond with the best moment to turn on the camera.

SFBG One is more your choice, and the other is the train’s choice.

JB Yeah, I enter into this collaboration with the train. It’s going to choose the moment. Of course if I am on a line that has five trains an hour, then I can choose the time of the day. But if I’m at a line that has one train a week, then I’m at the mercy of the train. The one place I shot like that was at the causeway that crosses the spillway outside of Lake Pontchartrain — the Kansas Line. That train comes by once a week. I waited all day, and that train came by at 4 in the afternoon, on a day [when] it was 110 degrees with 100 percent humidity.

SFBG Is everything in RR there as you found it? That last shot with the tires strewn by the tracks seems too good to be true.

JB Yeah, it’s outside of Palm Springs. In the film that Reinhard Wulf made about me [James Benning: Circling the Image (2003)], we stop at the same wind farm. On the soundtrack I talk about going back to places I’ve filmed and seeing how the places change. That area is just littered with stuff, so it wasn’t hard to find a good frame with tires.

SFBG When I saw RR, the audience gasped at that final shot, like they do at the mirrored image of Crater Lake in Oregon in 13 Lakes. It isn’t comparable in beauty. But there is perfection to the composition: the colors of the train match up with the landscape, the blue of the sky and the white of the windmills.

JB The other thing is that as the train gets slower and eventually stops, the sound of the train gives way to the sound of the windmills. There is this slow dissolve between train noise and wind energy that somewhat suggests an alternative way of living, a cleaner energy. After [one] screening, an interviewer said that he found it to be hopeful, but I find it kind of ironic, as it seems too late. The tires lying there like the death of the automobile — the death of our culture, really — and the use of oil, all of that is in play.

SFBG The general perception of RR is that the film’s structure is precisely a function of the length of each train — the shot begins when the train enters the frame and ends when it leaves. But that’s not exactly the case.

JB Most of the time there’s an empty frame, the train enters, it leaves, and then there’s a cut. I would like to have drawn that out. For me the film is very much about time and about waiting, but I didn’t want waiting to become part of the film. I wanted you to realize through the absence of waiting that I had to wait.

SFBG Something else happens within RR. At least twice, maybe three times, there is an optical illusion. After the train leaves the frame what’s left behind seems to vibrate.

JB It happens a lot.

SFBG Were you aware that this would occur?

JB I wasn’t when I made the film, but when I started to project the work print, I was shocked. You don’t need a film to get that optical illusion — you can stand in front of a waterfall, follow the water down, then turn your head. [Likewise,] your eyes will follow the train so that when it’s gone, the effect remains and even kind of warps.

SFBG Most of the trains in the film are freight trains, there are maybe only one or two passenger trains.

JB There are two: one was a commuter train, one was a passenger train. The amount of commuter travel, at least on the West Coast, is minimal — you hardly ever see a train with people in it. Amtrak leases the right to use rails from the companies that operate the freight trains. I’ve taken most of the Amtrak train routes. They’re fun … and slow.

SFBG How long did you shoot?

JB I shot for two and a half years, probably. I had so much fun that I didn’t really want to stop. I still miss it. Sometimes I go back to those same sites and wait for trains, just to have that feeling again.

Small Business Awards 2008: Small Green Business Award

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As soon as you enter the woman-owned Luscious Garage, you know you’re not in your typical stinky, boys-only auto repair shop. The art-lined walls are painted creamy yellow. Plants and open windows — in place of energy-sucking exhaust systems — act as an air filter. The second-hand furniture, all dark wood, gorgeously contrasts with the light walls and green leaves. A corkboard beckons with fliers from other green businesses like Green Cab, which sends its fleet to Luscious for maintenance.

Beauty meets function on the spotless floor made of nonporous cement, not the usual grease-stained epoxy. It won’t absorb toxins, making it easier to clean and maintain. Natural light fills the room with a sunny glow while soft halogen task lighting shines only on the necessary work areas.

More than just the so-called "women’s touch," it is the culture of hybrids, which are exclusively serviced at the shop, that the appearance of Luscious Garage reflects. That culture acknowledges driving as a necessary evil that’s not going to disappear anytime soonbut one that shouldn’t stop us from being environmentally responsible.

The impetus for all this beauty and responsibility came to owner and lead technician Carolyn Coquillette soon after she got degrees in English and physics from the University of Michigan — when her car promptly broke down. "I thought it was stupid that I couldn’t solve the problem because I didn’t have basic car knowledge," she recalls. She began taking auto repair night classes at a community college and eventually took a job at her instructor’s garage. But she was eager to understand more about advanced hybrid technology and followed that interest to California.

Apparently she wants to pass some of that education onto her customers. At Luscious, a technician uploads car information to the shop’s Web site, which customers can access online to track the repairs. Not only does this practice make the services "fully transparent" to the car-illiterate, it allows Coquillette to follow another important green business practice: keeping her garage paper-free.

That’s not all: Luscious Garage brews its own windshield fluid out of vinegar and water and uses re-refined oil in place of crude-refined oil. All linens are washed on site to monitor water, energy, and chemicals, and a gray water system is being set up to water plants. Rags are used to clean residue off the concrete, and a service launders them off-site so that the chemicals are disposed of properly. Containers are refillable and fabrics are repurposed to make durable, reusable floor mats and fender covers.

When it comes to being green, Coquillette sums it up: "People are like, screw it, there’s nothing I can do. But there are small things you can do: make better choices, make greener choices."

Seems like she’s doing some pretty big things too. (Ailene Sankur)

LUSCIOUS GARAGE

459 Clementina, SF

(415) 875-9030

www.lusciousgarage.com

Small Business Awards 2008: Big Box Alternative Award

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Rick Karp’s parents bought the first Cole Hardware at the corner of Cole and Parnassus streets in 1961. Today the family business is still independent, but it now has four city locations.

"I told my wife I’d give it five years," Karp said with amusement, reflecting on how he’s worked in hardware ever since he started helping out after school at age 12 before making it his full-time career in 1975.

After 40-plus years, Cole Hardware has 95 employees and is "green certified" by the San Francisco Department of the Environment. The stores carry earth-friendly products, denoted by a green sticker, so customers can make an informed decision about the products they buy. Each location also uses sustainable, low-energy, and renewable resources in a commitment to taking a green path as a business.

"It’s trying to walk what we talk," Karp said.

On top of its environmental practices, Cole Hardware is an example of local industry successfully fighting big-box store invasion. A few years ago, Karp was active in community efforts to prevent Home Depot from opening on Bayshore Blvd., going so far as to put up money for a legal challenge to the project. He noted that this was a particularly prudent issue for him given the nature of his business — but he didn’t act solely for himself. "The important thing for me is to keep big-box retail out of San Francisco," he said.

Around 1970, Karp joined ACE, a buying cooperative with approximately 4,500 stores worldwide, as a response to such big-box invasions. Membership allows small business owners to buy at high-volume prices and use the savings to provide benefits and fair wages to employees.

"I would typify them as the savior of mainstream America," Karp said, referring to ACE. "You won’t see the demise of the hardware store because of chain stores."

Some thanks need to go to Karp of Cole Hardware for that as well.

COLE HARDWARE

956 Cole, SF

(415) 753-2653

3312 Mission, SF

(415) 647-8700

70 Fourth St, SF

(415) 777-4453

2254 Polk, SF

(415) 674-8913

www.colehardware.com

“Broken Promised Land”

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REVIEW "Broken Promised Land" is a distracting title for Israeli photographer Shai Kremer’s exhibit at the Robert Koch Gallery. Though broken dreams and bombed-out promises are certainly present in the 11 color photographs on display from Kremer’s seven-year project shooting Israel’s militarily disfigured landscapes, it’s ultimately the subtlety of his work that defines its wide-ranging resonance.

Kremer also has shown works from this series at New York City’s Julie Saul Gallery. They grabbed the title "Infected Landscape," part of the name of Kremer’s forthcoming monograph from Dewi Lewis Publishing, advance copies of which are available for perusing at Robert Koch. That name is fine but "Broken Promised Land" might have been more potently called "Earth" — or in Hebrew, "Eretz." Kremer’s exquisitely lit land of riddled targets, separation walls, and military training centers with their sad, flimsy, make-believe villages appears simultaneously abandoned by humanity and swarming with energy, spiritless and ghostly. The edges of the landscapes feel as if they’re about to swallow up entire scenes and spit them out, dispensing with the human elements. Burned Olive Trees and Katyusha Crater, Lebanon War (2006) combines the beauty and timelessness of a Mediterranean hillside village with a scar in the landscape so severe that every glance reveals something different in the foreground: a controlled burn; a clean photograph of an olive grove, mounted on a dirty one; or the destruction wrought by a rocket. Shooting Defense Wall, Gilo Neighborhood, Jerusalem, Israel (2004) displays a wall strangely painted to blend in with the street and landscape.

Kremer, born in 1974, shares a broad affinity with younger Middle Eastern artists such as Oraib Toukan, whose interest in cultural memory is returning significant results. "My goal is to reveal how every piece of land has become infected with loaded sediments of the ongoing conflict," Kremer has stated about the series. Unfortunately, he’s immensely successful.

BROKEN PROMISED LAND Through May 31. Tues.–Sat., 10:30 a.m.–5:30 p.m. Robert Koch Gallery, 49 Geary, fifth floor, SF. (415) 421-0122, www.kochgallery.com

Peaker Plan moving forward

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Early Monday morning about a hundred citizens gathered in front of City Hall to protest the construction of two natural gas-burning “peaker” power plants in the city — one at the airport and one in the Bayview/Portero district. Representatives opposed to the plan, from a coalition of 20 different environmental and social justice organizations, articulated in so many ways that San Francisco should be moving toward green energy and away from fossil fuels.

Then the crowd, about 100 strong, filed inside to speak their minds about it at a Government Audit and Oversight Committee hearing — last stop for the plan before it heads to the full Board of Supervisors. But 10 hours later, only a handful of people were still in the room when the chance to speak was finally given.

The insanely long hearing had a loaded agenda, with topics ranging from funding the airport to defunding Edgewood foster care center, not to mention six separate bits of legislation related to the peaker power plants. The public comment requests were piled high and proceedings slammed to a halt during Item #5 when Stephanie Gates, a rep for Edgewood, fainted to the floor in the middle of her testimony about foster care in San Francisco.

It was well into the evening and most of the audience had left for home or work by the time talk finally turned to the peakers.

CA’s horrible net metering law

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Up until now, net metering has been a sort of mythical to me. I understand how it works – you put up solar panels or wind generators and the utility company rebates you for the power you make – to an extent. You can’t be paid for any extra power you generate. I get that, but I’d never actually seen what it looks like.

Then I checked my mail today and found a letter [PDF] from JB Neilands, a retired UC Berkeley biochemist and past writer for the Guardian who broke the original story about the Raker Act scandal. Six years ago Neilands put solar panels on his Berkeley home, and now PG&E sends him a summary of all the excess power he’s generating for them – that they don’t pay him for. He could have made $122.86 off his panels last year. That’s not a lot, but it certainly would have helped pay back some of the cost of purchasing the panels. Plus it gives you a good feeling about what you’re doing, and that can go a long way.

Instead, how crummy it must feel to get a letter from PG&E detailing the money the AREN’T reimbursing you. As Neilands points out in another letter [PDF]to Assemblymember Lloyd Levine, ten states surveyed by Home Power magazine (gotta be a member to read) found that California is the only one that doesn’t pay people for the extra power they generate.

This is ridiculous. California legislators need to rise above the lobbying of overly powerful utility companies and change this law. This is a disincentive to put up more panels than you need. Energy misers with huge roofs could be selling renewable power into the grid for the rest of us to use, but they’re not going to buy more panels than they need unless the cost can be recouped.

Assemblymember Jared Huffman has introduced legislation to fix this, but it appears PG&E has already gotten to him.

Greening away poverty

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› news@sfbg.com

If the flow of venture capital is any indication, the new green economy is not just coming, it’s about to boom. There’s good reason to be excited about capitalists pouring money into saving the planet. But is it really the panacea that true believers say it is?

The idea behind "social uplift environmentalism" is that the new green economy is strong enough to lift people out of poverty. The argument: millions of "green-collar jobs" — defined as living-wage, career-track jobs that contribute directly to improving or enhancing environmental quality — will be created as the need for green energy, transportation, and manufacturing infrastructure grows.

If green is the new black, eco-populism is the new environmentalism.

But the pesky realists out there question whether the private sector will work quickly or efficiently enough to solve crises as massive as global warming. And many Bay Area activists say they have good reason to be wary of green solutions to problems like inner-city poverty.

In early April, the San Francisco–based Center for Political Education (CPE) brought in prominent environmental and social justice activists to discuss some of these issues. One of the primary concerns about turning blue collars green has to do with doubts about job training programs, which don’t have a great track record.

"People are getting trained for nothing — for an old economy, for jobs that don’t exist," activist Oscar Grande of People Organizing for Environmental and Economic Rights (PODER) told the Guardian.

At the gathering Ian Kim, director of the Green Collar Jobs program at Oakland’s Ella Baker Center, agreed that there have been major problems in job training programs but said that this shouldn’t doom future programs to failure. "Workforce development has been on a starvation diet for the last 10 to 15 years," he said at the CPE event. "It’s easy to do job training really badly. But when done well, it can work."

In a conversation with the Guardian, Jennifer Lin, research director for the East Bay Alliance for a Sustainable Economy, cited Solar Richmond as an example of a small but successful green-jobs program. Lin also acknowledged that it took a while for the first 18 trainees to find employment in solar panel installation.

Another hot topic at the CPE event concerned land use — a scorching topic in our housing-strapped city. Grande said one of the struggles PODER has taken on in the Mission District is preserving industrial lands, the breadbasket for low-income communities. San Francisco’s industrial base has eroded due to factors such as offshoring jobs and dotcom-era condo developments in areas formerly zoned for industry, he said.

One of the biggest questions raised at the CPE event concerned the limits of green capitalism: can an environmental solution be successful if it doesn’t challenge the constant-growth philosophy that created the problem?

"There is a lot of feel-good energy being put in by politicians about this really good [green jobs] program. But they’re not addressing how incredibly enormous the challenges are and the kinds of shifts — like getting all of us out of cars, providing local foods that don’t have to be shipped from thousands of miles away — that need to happen," the CPE’s Fernando Martí told the Guardian.

Kim says that while the climate crisis allows us to critique capitalism in a way that has not been possible for decades, he acknowledges that the work the Ella Baker Center is doing is within a constant-growth framework.

"While it’s important in the radical left to have conversations about capitalism and powering down, that’s not where we’re starting out with green jobs," Kim told the CPE audience.

Mateo Nube, training director for the Movement Generation Justice and Ecology Project, suggested that both short- and long-term goals are important. "We need to build an infrastructure for the transition. We need to rebuild our food production systems in a way that actually takes care of everybody and is sustainable. From that vantage point, the idea of green jobs and a New Deal makes a lot of sense. But in that process, we have to incorporate an understanding that a constant-growth model is suicide."

Endorsements

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>>Click here for the full-text version of this story

Wait, wasn’t the primary election back in February? Yes, it was — in a way. The California Legislature, in an effort to make the state more relevant (that turned out well, didn’t it?) moved the presidential primary several months earlier this year but left the rest of the primary races, and some key initiatives, for the June 3 ballot. There’s a lot at stake here: three contested Legislative races, two judicial races, a measure that could end rent control in California … vote early and often. Our endorsements follow.

National races

Congress, District 6

LYNN WOOLSEY


It’s an irony that the congressional representative from Marin and Sonoma counties is far to the left of the representative from San Francisco, but Lynn Woolsey’s politics put Nancy Pelosi to shame. Woolsey was against the Iraq war from the start and the first member of Congress to demand that the troops come home, and she continues to speak out on the issue. At the same time, she’s also a strong advocate for injured veterans.

Woolsey, who once upon a time (many years ago) was on welfare herself, hasn’t forgotten what it’s like to have trouble making ends meet. She’s a leading voice against cuts in social service spending and is now pushing a bill to increase food stamp benefits. She richly deserves reelection.

Congress, District 7

GEORGE MILLER


George Miller, who has represented this East Bay district since 1974, is an effective legislator and strong environmentalist. Sometimes he’s too willing to compromise — he worked with the George W. Bush administration on No Child Left Behind, a disaster of an education bill — but he’s a solid opponent of the war and we’ll endorse him for another term.

Congress, District 8

NO ENDORSEMENT


Cindy Sheehan, the antiwar activist, is moving forward with her campaign to challenge Nancy Pelosi as an independent candidate in November, and we wish her luck. For now, Pelosi, the Speaker of the House and one of the most powerful people in Washington, will easily win the Democratic primary.

But Pelosi long ago stopped representing her San Francisco district. She continues to support full funding for Bush’s war, refused to even consider impeachment (back when it might have made sense), refused to interact with war critics who camped out in front of her house … and still won’t acknowledge it was a mistake to privatize the Presidio. We can’t endorse her.

Congress, District 13

PETE STARK


You have to love Pete Stark. The older he gets, the more radical he sounds — and after 32 years representing this East Bay district, he shows no signs of slowing down. Stark is unwilling to be polite or accommodating about the Iraq war. In 2007 he announced on the floor of the House that the Republicans "don’t have money to fund the war or children. But you’re going to spend it to blow up innocent people if we can get enough kids to grow old enough for you to send to Iraq to get their heads blown off for the president’s amusement." He happily signed on to a measure to impeach Vice President Dick Cheney. He is the only member of Congress who proudly admits being an atheist. It’s hard to imagine how someone like Stark could get elected today. But we’re glad he’s around.

Nonpartisan offices

Superior Court, Seat 12

GERARDO SANDOVAL


There aren’t many former public defenders on the bench in California. For years, governors — both Democratic and Republican — have leaned toward prosecutors and civil lawyers from big downtown firms when they’ve made judicial appointments. So the San Francisco judiciary isn’t, generally speaking, as progressive or diverse as the city.

Sup. Gerardo Sandoval, who will be termed out this year, is looking to become a judge — and there’s no way this governor would ever appoint him. So he’s doing something that’s fairly rare, even in this town: he’s running for election against an incumbent.

We’re happy to see that. It’s heartening to see an actual judicial election. Judges are technically elected officials, but most incumbents retire in the middle of their terms, allowing the governor to appoint their replacements, and unless someone files to run against a sitting judge, his or her name doesn’t even appear on the ballot.

Sandoval is challenging Judge Thomas Mellon, a Republican who was appointed by Gov. Pete Wilson in 1994. He’s not known as a star on the bench: according to California Courts and Judges, a legal journal that profiles judges and includes interviews with lawyers who have appeared before them, Mellon has a reputation for being unreasonable and cantankerous. In 2000, the San Francisco Public Defenders Office sought to have him removed from all criminal cases because of what the defense lawyers saw as a bias against them and their clients.

Sandoval hasn’t been a perfect supervisor, and we’ve disagreed with him on a number of key issues. But he’s promised us to work for more openness in the courts (including open meetings on court administration), and we’ll give him our endorsement.

State races and propositions

State Senate, District 3

MARK LENO


It doesn’t get any tougher than this — two strong candidates, each with tremendous appeal and a few serious weaknesses. Two San Francisco progressives with distinguished records fighting for a powerful seat that could possibly be lost to a third candidate, a moderate from Marin County who would be terrible in the job. Two people we genuinely like, for very different reasons. It’s fair to say that this is one of the hardest decisions we’ve had to make in the 42-year history of the Guardian.

In the end, we’ve decided — with much enthusiasm and some reservations — to endorse Assemblymember Mark Leno.

We will start with the obvious: this race is the result of term limits. Leno, who has served in the state Assembly for six years, argues, convincingly, that he is challenging incumbent state Sen. Carole Migden because he feels she hasn’t been doing the job. But Leno also loves politics, has no desire to return to life outside the spotlight, and if he could have stayed in the Assembly, the odds that he would have taken on this ugly and difficult race are slim. And if Leno hadn’t opened the door and exposed Migden’s vulnerability, there’s no way former Assemblymember Joe Nation of Marin would have thrown his hat into the ring. We’ve always opposed term limits; we still do.

That said, we’ll hold a few truths to be self-evident: In a one-party town, the only way any incumbent is ever held accountable is through a primary challenge. Those challenges can be unpleasant, and some — including Migden and many of her allies — argue that they’re a waste of precious resources. If Migden wasn’t scrambling to hold onto her seat, she’d be spending her money and political capital trying to elect more Democrats to the state Legislature. But Leno had every right to take on Migden. And win or lose, he has done a laudable public service: it’s been years since we’ve seen Migden around town, talking to constituents, returning phone calls and pushing local issues the way she has in the past few months. And while there will be some anger and bitterness when this is over — and some friends and political allies have been at each other’s throats and will have to figure out how to put that behind them — on balance this has been good for San Francisco. Migden has done much good, much to be proud of, but she had also become somewhat imperious and arrogant, a politician who hadn’t faced a serious election in more than a decade. If this election serves as a reminder to every powerful Democratic legislator that no seat is truly safe (are you listening, Nancy Pelosi?), then the result of what now seems like a political bloodbath can be only positive.

The Third Senate District, a large geographic area that stretches from San Francisco north into Sonoma County, needs an effective, progressive legislator who can promote issues and programs in a body that is not known as a bastion of liberal thought.

Both Migden and Leno can make a strong case on that front. Leno, for example, managed to get passed and signed into law a bill that amends the notorious pro-landlord Ellis Act to protect seniors and disabled people from evictions. He got both houses of the Legislature to approve a marriage-equality bill — twice. During his tenure in the unpleasant job of chairing the Public Safety Committee, he managed to kill a long list of horrible right-wing bills and was one of the few legislators to take a stand against the foolish measure that barred registered sex offenders from living near a park or school. Migden helped pass the landmark community-aggregation bill that allows cities to take a big step toward public power. She’s also passed several key bills to regulate or ban toxic substances in consumer products.

Migden’s record isn’t all positive, though. For a time, she was the chair of the powerful Appropriations Committee — although she gave up that post in 2006, abandoning a job that was important to her district and constituents, to devote more time to campaigning for Steve Westly, a moderate candidate for governor. When we challenged her on that move, she showed her legendary temper, attacking at least one Guardian editor personally and refusing to address the issue at hand. Unfortunately, that isn’t unusual behavior.

Then there’s the matter of ethics and campaign finance laws. The Fair Political Practices Commission has fined Migden $350,000 — the largest penalty ever assessed against a state lawmaker — for 89 violations of campaign finance laws. We take that seriously; the Guardian has always strongly supported ethics and campaign-finance laws, and this level of disregard for the rules raises serious doubts for us about Migden’s credibility.

Sup. Chris Daly posted an open letter to us on his blog last week, and he made a strong pitch for Migden: "While there are only a few differences between Carole and Mark Leno on the issues," he wrote, "when it comes to San Francisco politics, the two are in warring political factions. Carole has used her position in Sacramento consistently to help progressive candidates and causes in San Francisco, while Leno is a kinder, gentler Gavin Newsom."

He’s absolutely right. On the local issues we care about, Migden has been with us far more than Leno. When the public power movement needed money and support in 2002, Migden was there for us. When the University of California and a private developer were trying to turn the old UC Extension campus into luxury housing, Migden was the one who helped Sup. Ross Mirkarimi demand more affordable units. Migden was the one who helped prevent a bad development plan on the Port. Migden stood with the progressives in denouncing Newsom’s budget — and Leno stood with the mayor.

The district supervisorial battles this fall will be crucial to the city’s future, and Migden has already endorsed Eric Mar, the best progressive candidate for District 1, and will almost certainly be with John Avalos, the leading progressive in District 11. Leno may well back a Newsom moderate. In fact, he’s made himself a part of what labor activist Robert Haaland aptly calls the "squishy center" in San Francisco, the realm of the weak, the fearful, and the downtown sycophants who refuse to promote progressive taxes, regulations, and budgets at City Hall. His allegiance to Newsom is truly disturbing.

There’s a war for the soul of San Francisco today, as there has been for many years, and Leno has often tried to straddle the battle lines, sometimes leaning a bit to the wrong camp — and never showing the courage to fight at home for the issues he talks about in Sacramento. We’ll stipulate to that — and the only reason we can put it aside for the purposes of this endorsement is that Leno has never really had much in the way of coattails. He supports the wrong candidates, but he doesn’t do much for them — and we sincerely hope it stays that way.

While Leno is too close to Newsom, we will note that Migden is far too close to Gap founder and Republican leader Don Fisher, one of the most evil players in local politics. She proudly pushed to put Fisher — who supports privatizing public schools — on the state Board of Education.

A prominent local progressive, who we won’t identify by name, called us several months ago to ask how were going to come down in this race, and when we confessed indecision, he said: "You know, I really want to support Carole. But she makes it so hard."

We find ourselves in a similar position. We really wanted to support Migden in this race. We’d prefer to see the state senator from San Francisco using her fundraising ability and influence to promote the candidates and causes we care about.

But Migden has serious political problems right now, baggage we can’t ignore — and it’s all of her own making. Migden says her problems with the Fair Political Practices Commission are little more than technical mistakes — but that’s nonsense. She’s played fast and loose with campaign money for years. When it comes to campaign finance laws, Migden has always acted as if she rules don’t apply to her. She’s treated FPPC fines as little more than a cost of doing business. This latest scandal isn’t an exception; it’s the rule.

Unfortunately, it’s left her in a position where she’s going to have a hard time winning. Today, the election looks like a two-person race between Leno and Nation. And the threat of Joe Nation winning this primary is too great for us to mess around.

Despite our criticism of both candidates, we would be happy with either in the state Senate. We’re taking a chance with Leno; he’s shown some movement toward the progressive camp, and he needs to continue that. If he wins, he will have a huge job to do bringing a fractured queer and progressive community back together — and the way to do that is not by simply going along with everything Newsom wants. Leno has to show some of the same courage at home he’s shown in Sacramento.

But right now, today, we’ve endorsing Mark Leno for state Senate.

State Senate, District 9

LONI HANCOCK


This is another of several tough calls, another creature of term limits that pit two accomplished and experienced termed-out progressive assembly members against each other for the senate seat of termed-out Don Perata. We’ve supported both Loni Hancock and Wilma Chan in the past, and we like both of them. In this one, on balance, we’re going with Hancock.

Hancock has a lifetime of experience in progressive politics. She was elected to the Berkeley City Council in 1971, served two terms as Berkeley mayor, worked as the US Department of Education’s western regional director under Bill Clinton, and has been in the State Assembly the past six years. On just about every progressive issue in the state, she’s been an activist and a leader. And at a time when the state is facing a devastating, crippling budget crisis that makes every other issue seem unimportant, Hancock seems to have a clear grasp of the problem and how to address it. She’s thought through the budget calculus and offers a range of new revenue measures and a program to change the rules for budget passage (two-thirds vote in the legislature is needed to pass any budget bill, which gives Republicans, all but one who has taken a Grover Norquist–inspired pledge never to raise taxes, an effective veto).

Chan, who represented Oakland in the assembly for six years, is a fighter: she’s taken on the insurance industry (by cosponsoring a major single-payer health insurance bill), the chemical industry (by pushing to ban toxic materials in furniture, toys, and plumbing fixtures), and the alcoholic-beverages lobby (by seeking taxes to pay for treatment for young alcoholics). She’s an advocate of sunshine, not just in government, where she’s calling for an earlier and more open budget process, but also in the private sector: a Chan bill sought to force health insurance companies to make public the figures on how often they decline claims.

But she seems to us to have less of a grasp of the budget crisis and the level of political organizing it will take to solve it. Right now, at a time of financial crisis, we’re going with Hancock’s experience and broader vision.

State Assembly, District 12

FIONA MA


We were dubious about Ma. She was a pretty bad supervisor, and when she first ran for Assembly two years ago, we endorsed her opponent. But Ma’s done some good things in Sacramento — she’s become one of the leading supporters of high-speed rail, and she’s working against state Sen. Leland Yee’s attempt to give away 60 acres of public land around the Cow Palace to a private developer. She has no primary opponent, and we’ll endorse her for another term.

State Assembly, District 13

TOM AMMIANO


This one’s easy. Ammiano, who has been a progressive stalwart on the Board of Supervisors for more than 15 years, is running with no opposition in the Democratic primary for state Assembly, and we’re proud to endorse his bid.

Although he’s certain to win, it’s worth taking a moment to recall the extent of Ammiano’s service to San Francisco and the progressive movement. He authored the city’s domestic partners law. He authored the living wage law. He created the universal health care program that Mayor Newsom is trying to take credit for. He sponsored the 2002 public-power measure that would have won if the election hadn’t been stolen. He created the Children’s Fund. He authored the Rainy Day Fund law that is now saving the public schools in San Francisco. And the list goes on and on.

Beyond his legislative accomplishments, Ammiano has been a leader — at times, the leader — of the city’s progressive movement and is at least in part responsible for the progressive majority now on the Board of Supervisors. In the bleak days before district elections, he was often the only supervisor who would carry progressive bills. His 1999 mayoral challenge to incumbent Willie Brown marked a tectonic shift in local politics, galvanizing the left and leading the way to the district-election victories that brought Aaron Peskin, Matt Gonzalez, Jake McGoldrick, Chris Daly, and Gerardo Sandoval to office in 2000.

It’s hard to imagine the San Francisco left without him.

Ammiano will do a fine job in Sacramento, and will continue to use his influence to push the progressive agenda back home.

State Assembly, District 14

KRISS WORTHINGTON


This is another tough one. The race to replace Loni Hancock, one of the most progressive and effective legislators in the state, has drawn two solid, experienced, and well-qualified candidates: Berkeley City Council member Kriss Worthington and former council member Nancy Skinner. We like Skinner, and she would make an excellent assemblymember. But all things considered, we’re going with Worthington.

Skinner was on the Berkeley council from 1984 to 1992 and was part of a progressive majority in the 1980s that redefined how the left could run a city. That council promoted some of the best tenant protection and rent control laws in history, created some of the best local environmental initiatives, and fought to build affordable housing and fund human services. Skinner was responsible for the first local law in the United States to ban Styrofoam containers — a measure that caused McDonald’s to change its food-packaging policies nationwide. She went on to found a nonprofit that helps cities establish sustainable environmental policies.

Skinner told us that California has "gutted our commitment to education," and she vowed to look for creative new ways to raise revenue to pay for better schools. She’s in touch with the best economic thinkers in Sacramento, has the endorsement of Hancock (and much of the rest of the East Bay Democratic Party establishment), and would hit the ground running in the legislature.

Worthington, Berkeley’s only openly gay council member, has been the voice and conscience of the city’s progressive community for the past decade. He’s also been one of the hardest-working politicians in the city — a recent study by a group of UC Berkeley students found that he had written more city council measures than anyone else currently on the council and had won approval for 98 percent of them.

Worthington has been the driving force for a more effective sunshine law in Berkeley, and has been unafraid to challenge the liberal mayor, Tom Bates, and other leading Democrats. His campaign slogan — "a Democrat with a backbone" — has infuriated some of the party hierarchy with its clear (and intended) implication that a lot of other Democrats lack a spine.

"All of the Democrats in the assembly voted for 50,000 more prison beds," he told us. "We needed a Barbara Lee [who cast Congress’ lone vote against George W. Bush’s first war resolution] to stand up and say, ‘this is wrong and I won’t go along.’"

That’s one of the things we like best about Worthington: on just about every issue and front, he’s willing to push the envelope and demand that other Democrats, even other progressive Democrats, stand up and be counted. Which is exactly what we expect from someone who represents one of the most progressive districts in the state.

It’s a close call, but on this one, we’re supporting Kriss Worthington.

State ballot measures

Proposition 98

Abolition of rent control

NO, NO, NO


Proposition 99

Eminent domain reforms

YES, YES, YES


There’s a little rhyme to help you remember which way to vote on this critical pair of ballot measures:

"We hate 98, but 99 is fine."

The issue here is eminent domain, which is making its perennial ballot appearance. Californians don’t like the idea of the government seizing their property and handing it over to private developers, and the most conservative right-wing forces in the state are trying to take advantage of that.

Think about this: if Prop. 98 passes, there will be no more rent control in California. That means thousands of San Francisco tenants will lose their homes. Many could become homeless. Others will have to leave town. All the unlawful-evictions laws will be tossed out. So will virtually any land-use regulations, which is why all the environmental groups also oppose Prop. 98.

In fact, everyone except the Howard Jarvis anti-tax group hates this measure, including seniors, farmers, water districts, unions, and — believe it or not — the California Chamber of Commerce.

Prop. 99, on the other hand, is an unapologetic poison-pill measure that’s been put on the ballot for two reasons: to fix the eminent domain law once and for all, and kill Prop. 98 if it passes. It’s simply worded and goes to the heart of the problem by preventing government agencies from seizing residential property to turn over to private developers. If it passes, the state will finally get beyond the bad guys using the cloak of eminent domain to destroy all the provisions protecting people and the environment.

If anyone has any doubts about the motivation here, take a look at the money: the $3 million to support Prop. 98 came almost entirely from landlords.

This is the single most important issue on the ballot. Remember: no on 98, yes on 99.

San Francisco measures

Proposition A

School parcel tax

YES, YES, YES


Every year, hundreds of excellent teachers leave the San Francisco Unified School District. Some retire after a career in the classroom, but too many others — young teachers with three to five years of experience — bail because they decide they can’t make enough money. San Francisco pays less than public school districts in San Mateo and Marin counties and far less than private and charter schools. And given the high cost of living in the city, a lot of qualified people never even consider teaching as a profession. That harms the public school system and the 58,000 students who rely on it.

It’s a statewide problem, even a national one — but San Francisco, with a remarkable civic unity, is moving to do something about it. Proposition A would place an annual tax on every parcel of land in the city; the typical homeowner would pay less than $200 a year. The money would go directly to increasing pay — mostly starting pay — for teachers. The proposition, which has the support of almost everyone in town except the Republican Party, is properly targeted toward the newer teachers, with the goal of keeping the best teachers on the job past that critical three to five years.

Parcel taxes aren’t perfect; they force homeowners and small businesses to pay the same rate as huge commercial property owners. The way land is divided in the city most big downtown properties sit on at least five, and sometimes as many as 10 or 20 parcels, so the bill will be larger for them. But it’s still nowhere near proportionate.

Still, Prop. 13 has made it almost impossible to raise ad valorum property taxes (based on a property’s assessed value) in the state, and communities all around the Bay are using parcel taxes as a reasonable if imperfect substitute.

There’s a strong campaign for Prop. A and not much in the way of organized opposition, but the measure still needs a two-thirds vote. So for the sake of public education in San Francisco, it’s critical to vote yes.

Proposition B

City retiree benefits change

YES


San Francisco has always offered generous health and retirement benefits to its employees. That’s a good thing. But in this unfortunate era, when federal money is getting sucked into Iraq, state money is going down the giant deficit rat hole, and nobody is willing to raise taxes, the bill for San Francisco’s expensive employee benefit programs is now looking to create a fiscal crisis at City Hall. Officials estimate the payout for current and past employees could total $4 billion over the next 30 years.

So Sup. Sean Elsbernd and his colleagues on the Board of Supervisors have engineered this smart compromise measure in a way that saves the city money over the long run and has the support of labor unions (largely because it includes an increase in the pensions for longtime employees, partially offset by a one-year wage freeze starting in 2009) while still offering reasonable retirements benefits for new employees.

Previously, city employees who worked just five years could get taxpayer-paid health benefits for life. Under this measure, it will take 20 years to get fully paid health benefits, with partially paid benefits after 10 years.

It’s rare to find an issue that has the support of virtually everyone, from the supervisors and the mayor to labor. Prop. B makes sense. Vote yes.

Proposition C

Benefit denials for convicts

NO


On the surface, it’s hard to argue against Prop. C, a measure promoted as a way to keep crooks from collecting city retirement benefits. Sup. Sean Elsbernd’s ballot measure would update an ordinance that’s been on the books in San Francisco for years, one that strips public employees found guilty of "crimes of moral turpitude" against the city of their pensions. A recent court case involving a worker who stole from the city raised doubt about whether that law also applied to disability pay, and Prop. C would clear up that possible loophole.

But there are drawbacks this measure.

For starters, the problem isn’t that big: cases of rejected retirement benefits for city workers are rare. And the law still uses that questionable phrase "moral turpitude" — poorly defined in state law, never clearly defined in this measure, and as any older gay person can tell you, in the past applied to conduct that has nothing to do with honesty. The US State Department considers "bastardy," "lewdness," "mailing an obscene letter" and "desertion from the armed forces," among other things, to be crimes of moral turpitude.

Besides, Prop. C would apply not only to felonies but to misdemeanors. Cutting off disability pay for life over a misdemeanor offense seems awfully harsh.

The law that Elsbernd wants to expand ought to be rethought and reconfigured for the modern era. So vote no on C.

Proposition D

Appointments to city commissions

YES


Prop. D is a policy statement urging the mayor and the supervisors to appoint more women, minorities, and people with disabilities to city boards and commissions. It follows a study by the Commission on the Status of Women that such individuals are underrepresented on the policy bodies that run many city operations.

Despite the overblown concerns raised by local Republicans in the ballot arguments, this advisory measure would do nothing to interfere with qualified white males — or anyone else — getting slots on commissions.

Vote yes.

Proposition E

Board approval of San Francisco Public Utilities Commission appointees

YES


"The last thing we need is more politics at the San Francisco Public Utilities Commission," was the first line in Mayor Gavin Newsom’s ballot argument against Prop. E. That’s ironic: it was Newsom’s recent political power play — including the unexplained ousting of SFPUC General Manager Susan Leal and the partially successful effort to reappoint his political allies to this important body — that prompted this long overdue reform.

The SFPUC is arguably the most powerful and important of the city commissions, controlling all the vital resources city residents need: water, power, and waste disposal chief among them. Yet with the mayor controlling all appointments to the commission (it takes a two-thirds vote of the Board of Supervisors to challenge an appointment), that panel has long been stacked with worthless political hacks. As a result, the panel never pursued progressive approaches to conservation, environmental justice, public power, or aggressive development of renewable power sources.

Prop. E attempts to break that political stranglehold by requiring majority confirmation by the Board of Supervisors for all SFPUC appointments. It also mandates that appointees have some experience or expertise in matters important to the SFPUC.

If anything, this reform is too mild: we would have preferred that the board have the authority to name some of the commissioners. But that seemed unlikely to pass, so the board settled for a modest attempt to bring some oversight to the powerful panel.

Vote yes on Prop. E — because the last thing we need is more politics at the SFPUC.

Proposition F

Hunters Point-Bayview redevelopment

YES


Proposition G

NO


On the face of it, Proposition G sounds like a great way to restart the long-idle economic engine of the Bayview and clean up the heavily polluted Hunters Point Shipyard.

Who could be against a plan that promises up to 10,000 new homes, 300 acres of new parks, 8,000 permanent jobs, a green tech research park, a new 49ers stadium, a permanent home for shipyard artists, and a rebuild of Alice Griffith housing project?

The problem with Prop. G is that its promises are, for the most part, just that: promises — which could well shift at any time, driven by the bottom line of Lennar Corp., a financially stressed, out-of-state developer that has already broken trust with the Bayview’s low-income and predominantly African American community.

Lennar has yet to settle with the Bay Area air quality district over failures to control asbestos dust at a 1,500-unit condo complex on the shipyard, where for months the developer kicked up clouds of unmonitored toxic asbestos dust next to a K-12 school.

So, the idea of giving this corporation more land — including control of the cleanup of a federal Superfund site — as part of a plan that also allows it to construct a bridge over a slough restoration project doesn’t sit well with community and environmental groups. And Prop. G’s promise to build "as many as 25 percent affordable" housing units doesn’t impress affordable housing activists.

What Prop. G really means is that Lennar, which has already reneged on promises to create much-needed rental units at the shipyard, now plans to build at least 75 percent of its housing on this 770-acre waterfront swathe as luxury condos.

And with the subprime mortgage crisis continuing to roil the nation, there is a real fear that Prop. G’s final "affordability" percentage will be set by Lennar’s profit margins and not the demographics of the Bayview, home to the city’s last major African American community and many low-income people of color.

There’s more: The nice green space that you see in the slick Lennar campaign fliers is toxic and may not be fully cleaned up. Under the plan, Lennar would put condo towers on what is now state parkland, and in exchange the city would get some open space with artificial turf on top that would be used for parking during football games. Assuming, that is, that a deal to build a new stadium for the 49ers — which is part of all of this — ever comes to pass.

In fact, the lion’s share of a recent $82 million federal funding allocation will be dedicated to cleaning up the 27-acre footprint proposed for a new stadium. In some places, the city is planning to cap contaminated areas, rather than excavate and remove toxins from the site.

If the environmental justice and gentrification questions swirling around Prop. G weren’t enough, there remains Prop. G’s claim that it will create 8,000 permanent jobs once the project is completed. There’s no doubt that the construction of 10,000 mostly luxury homes will create temporary construction jobs, but it’s not clear what kind of jobs the resulting gentrified neighborhood will provide and for whom.

But one thing is clear: the $1 million that Lennar has already plunked down to influence this election has overwhelmingly gone to line the pockets of the city’s already highly paid political elite, and not the people who grew up and still live in the Bayview.

But there’s an alternative.

Launched as a last-ditch effort to prevent wholesale gentrification of the Bayview, Proposition F requires that 50 percent of the housing in the BVHP/Candlestick Point project be affordable to those making less than the median area income ($68,000 for a family of four).

That’s a reasonable mandate, considering that the city’s own general plan calls for two-thirds of all new housing to be sold or rented at below-market rates.

And if the new housing is built along Lennar’s plans, it will be impossible to avoid large-scale gentrification and displacement in a neighborhood that has the highest percentage of African Americans in the city, the third highest population of children, and burgeoning Latino and Asian immigrant populations.

Lennar is balking at that level, saying a 50-percent affordability mandate would make the project financially unfeasible. But if Lennar can’t afford to develop this area at levels affordable to the community that lives in and around the area, the city should scrap this redevelopment plan, send this developer packing, and start over again.

San Francisco has an affordable housing crisis, and we continue to doubt whether the city needs any more million-dollar condos — and we certainly don’t need them in a redevelopment area in the southeast. Remember: this is 700 acres of prime waterfront property that Lennar will be getting for free. The deal on the table just isn’t good enough.

Vote yes on F and no on G.

Proposition H

Campaign committees

NO


This one sounds just fine. Promoted by Mayor Gavin Newsom, Proposition H is supposedly aimed at ensuring that elected officials don’t solicit money from city contractors for campaigns they are sponsoring. But it lacks a crucial legal definition — and that turns what ought to be a worthy measure into little more than an attack on Newsom’s foes on the Board of Supervisors.

The key element is something called a "controlled committee." It’s already illegal for city contractors to give directly to candidates who might later vote on their contracts. Prop. H would extend that ban to committees, typically run for or against ballot measures, that are under the control of an individual politician.

Take this one, for example. Since Newsom put this on the ballot, and will be campaigning for it, the Yes on H campaign is under his control — he would be barred from collecting cash from city contractors, right? Well, no.

See, the measure doesn’t define what "controlled committee" means. So a group of Newsom’s allies could set up a Yes on H fund, raise big money from city contractors, then simply say that Newsom wasn’t officially aware of it or involved in its operation.

When Newsom first ran for mayor, the committee supporting his signature initiative — Care Not Cash — raised a fortune, and the money directly helped his election. But that wasn’t legally a "controlled committee" — because Newsom never signed the documents saying he was in control.

Prop. H does nothing to change that rule, which means it would only affect campaign committees that a politician admits to controlling. And guess what? Newsom almost never admits that, while the supervisors, particularly board president Aaron Peskin, are a bit more honest.

When Newsom wants to clearly define "controlled committee" — in a way that would have brought the Care Not Cash effort under the law — we’ll go along with it. For now, though, vote no on H.

San Francisco Democratic County Central Committee

The DCCC is the policy-making and operating arm of the local Democratic Party, and it has a lot of influence: the party can endorse in nonpartisan elections — for San Francisco supervisor, for example — and its nod gives candidates credibility and money. There’s been a struggle between the progressives and the moderates for years — and this time around, there’s a serious, concerted effort for a progressive slate. The Hope Slate, which we endorse in its entirety, has the potential to turn the San Francisco Democratic Party into a leading voice for progressive values.

There are other good candidates running, but since this group will have consistent support and is running as a slate, we’re going with the full crew.

13th Assembly District

Bill Barnes, David Campos, David Chiu, Chris Daly, Michael Goldstein, Robert Haaland, Joe Julian, Rafael Mandelman, Aaron Peskin, Eric Quezada, Laura Spanjian, Debra Walker

12th Assembly District

Michael Bornstein, Emily Drennen, Hene Kelly, Eric Mar, Jake McGoldrick, Trevor McNeil, Jane Morrison, Melanie Nutter, Connie O’Connor, Giselle Quezada, Arlo Hale Smith

Alameda County races

Superior Court judge, Seat 21

VICTORIA KOLAKOWSKI


There are two good candidates running for this open seat. Dennis Hayashi, a public-interest lawyer, would make a fine judge. Victoria Kolakowski would make history.

Kolakowski, who works as an administrative law judge for the California Public Utilities Commission, would be the first transgender person on the Alameda bench and, quite possibly, in the entire country. That would be a major breakthrough and important for more than just symbolic reasons: transpeople have extensive interactions with the judicial system, starting with the work to legally change their names; and, all too often, members of this marginalized community wind up in the criminal justice system. Having a sitting TG judge would go a long way toward educating the legal world about the importance of trans sensitivity.

Kolakowski is eminently qualified for the job: as a private intellectual property lawyer and later an ALJ at the CPUC, she’s handled a range of complex legal issues. She currently oversees administrative hearings that are very similar to court proceedings, and she has a calm and fair judicial temperament.

That’s not to denigrate Hayashi, who also has an impressive résumé. He’s spend much of his life in public-interest law, working for many years with the Asian Law Caucus, and he was co-counsel in the historic case that challenged Fred Korematsu’s conviction for refusing to report to a Japanese internment camp during World War II. He’s run the state’s Department of Fair Employment and Housing and was a civil rights lawyer in the Clinton administration.

We’d be happy to see either on the bench, but we’re going to endorse Kolakowski.

Board of Supervisors, District 5

KEITH CARSON


Keith Carson, the leading progressive on the board, has no real opposition this time around. He’s been a voice for protecting the fragile social safety net of the county, and we’re happy to endorse him for another term.

Oakland races

City Attorney

JOHN RUSSO


John Russo, who has made no secrets of his political ambition, failed in a bid to win the State Assembly seat for District 16 in 2006, and now he’s running unopposed for reelection. Russo has voiced some pretty ridiculous sentiments: he told a magazine for landlords in May 2006 that he opposed all forms of rent control and was against laws requiring just cause for evictions. That’s a horrible stand for a city attorney to take in a city with a huge population of renters. But Russo is smart and capable, and he’s one of the few city attorneys who consistently supports sunshine laws. We’ll endorse him for another term.

City Council, District 1

JANE BRUNNER


An attorney and former teacher, Jane Brunner spends a lot of time pushing for more cops; crime is the top issue in the North Oakland district she represents. And while we’d rather see anticrime approaches that go beyond hiring more officers, we appreciate that Brunner takes on the police department over its hiring failures. We also find her far more preferable on the issue than her opponent, Patrick McCullough, a longtime neighborhood activist who has become something of a celebrity since he shot a teenager who was hassling him in front of his house in 2005.

Brunner is one of the council’s strongest affordable housing advocates and has worked tirelessly for an inclusionary housing law. She deserves reelection.

City Council, District 3

NANCY NADEL


Nadel is hardworking, effective, a leader on progressive economic and planning issues, and one of the best members of the Oakland City Council. She asked the hard questions and demanded improvements in the giant Oak to Ninth project (although she wound up voting for it). She’s pushing for better community policing and promoting community-based anticrime efforts, including a teen center in a part of her district where there have been several homicides. She was a principal architect of the West Oakland industrial zoning plan, which she hopes will attract new jobs to the community (although she also pissed off a few artists who fear they’ll be evicted from living spaces that aren’t up to code, and she needs to address the problem). We’re happy to endorse her for another term.

City Council, District 5

MARIO JUAREZ


Somebody has to try to oust Ignacio De La Fuente, and this time around, Juarez is the best bet. A small-businessperson (he runs a real-estate operation with around 60 employees), he has some surprisingly progressive positions: he not only supports inclusionary housing but told us that he wanted to see the percentage of affordable units increased from 15 to 25 percent. He wants to see community policing integrated fully into Oakland law enforcement. He suggested that Oakland look into putting a modest fee on all airport users to fund local education. And he’s in favor of stronger eviction controls and tenant protections.

De La Fuente, the City Council president, has been the developers’ best friend, has run meetings with a harsh hand, often cutting off debate and silencing community activists, and needs to be defeated. We know Juarez isn’t perfect, but his progressive grassroots-based campaign was strong enough to get him the nod of both the Democratic Party and the Alameda County Greens. We’ll endorse him, too.

City Council, District 7

CLIFFORD GILMORE


Neither of the candidates in this race are terribly impressive, but incumbent Larry Reid has been so terrible on so many issues (supporting big-box development, inviting the Marines to do war games in Oakland, supporting condo conversions, etc.) that it’s hard to imagine how Clifford Gilmore, director of the Oakland Coalition of Congregations, could be worse.

City Council, at large

REBECCA KAPLAN


Rebecca Kaplan is exactly what the Oakland City Council needs: an energetic progressive with the practical skills to get things done. As an AC Transit Board member, she pushed for free bus passes for low income youths — and defying all odds, managed to get all-night transit service from San Francisco to the East Bay. She did it by refusing to accept the conventional wisdom that transit agencies on the two sides of the bay would never cooperate. She put the key players together in a meeting, convinced the San Francisco supervisors to allow AC Transit buses to pick up passengers in the city late at night, and put through an effective program to get people across the bay after BART shuts down.

Kaplan is running for City Council on a progressive platform calling for affordable housing, rational development, and community policing. Her latest idea: since Oakland has so much trouble attracting quality candidates for vacancies in its police department, she suggests the city recruit gay and lesbian military veterans who were kicked out under the Pentagon’s homophobic policies. Her proposed slogan: "Uncle Sam doesn’t want you, but Oakland does."

Vote for Rebecca Kaplan.

School Board, District 1

JODY LONDON


The Oakland schools are still stuck under a state administrator; the district, which was driven by mismanagement into a financial crisis several years ago, paid the price of a state bailout by giving up its independence. The school board has only limited authority of district operations, though that’s slowly changing. The state allowed the board to hire an interim superintendent, meaning issues like curricula and programs will be back under local control. So it’s a time of transition for a district that has had horrible problems, and the board needs experienced, level-headed leadership.

We’re impressed with Jody London, a parent with children in the public schools who runs a small environmental consulting firm. She has been active in the district, co-chairing the 2006 bond campaign that raised $435 million and serving on the bond oversight committee. She has a grasp of fiscal management, understands the challenges the district faces, and has the energy to take them on.

Her main opposition is Brian Rogers, a Republican who has the backing of outgoing state senator Don Perata and is a big fan of private charter schools. Tennessee Reed, a young writer and editor, is also in the race, and we’re glad to see her getting active. But on balance, London is the clear choice.

School Board, District 3

OLUBEMIGA OLUWOLE, SR.


Not a great choice here — we’re not thrilled with either of the two contenders. Jumoke Hinton Hodge, a nonprofit consultant, is too willing to support charter schools. Oluwole, who works with parolees, has limited experience with education. But on the basis of his community background (he’s on the board of the Oakland Community Organization) and our concern about Hodge and charter schools, we’ll go with Oluwole.

School Board, District 5

NOEL GALLO


Noel Gallo, the incumbent, is running unopposed. He’s been a competent member of the board, and we see no reason not to support his reelection.

School Board, District 7

ALICE SPEARMAN


Alice Spearman, the incumbent, isn’t the most inspiring member of the board — and she’s known for making some ill-considered and impolitic statements. But her main opponent, Doris Limbrick, is the principal of a Christian school and has no business running for the board of a public school district. So we’ll go with Spearman again.

Alameda County measures

Measure F

Utility users tax

YES


Measure F extends and slightly increases the utility tax on unincorporated areas of the county. It’s not the greatest tax, but it’s not terrible — and it provides essential revenue to pay for services like law enforcement, libraries, and code enforcement. The parts of Alameda County outside any city boundary have been dwindling as cities expand, but the county provides the only local government services in those areas. And, like every other county in California, Alameda is desperately short of cash. So Measure F is crucial. Vote yes.

Oakland Measure J

Telephone-user tax

YES


Measure J would update a 40-year-old tax on phone use that goes for local services. The tax law applies only to old-fashioned land lines, so cell phone users get away without paying. This isn’t the world’s most progressive tax, but Oakland needs the money and Measure J would more fairly share the burden. Vote yes.

Weigh in on the peakers

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The city’s proposal to build two fossil-fuel burning “peaking” power plants on our precious peninsula (one in Portrero/Bayview, the other at the airport) has become a hot topic.

On one side we have Supervisors Michela Alioto-Pier, Chris Daly, and Ross Mirkarimi, allied with PG&E and a host of environmental groups and activists like the Sierra Club, GreenAction, SPUR, and Van Jones, who think building any fossil fuel plants – even if they burn the cleanest fuel available – is a bad idea.

On the other, we have Mayor Gavin Newsom, City Attorney Dennis Herrera, and Supervisors Aaron Peskin and Sophie Maxwell, who believe this is a necessary handshake with the Devil – in order to close down the older, reportedly more polluting Mirant Portrero power plant, the peakers must replace it. (See the $2 million handshake here.) Public power advocates also tend to favor this position as the peakers will be owned by the city and considered a crucial player in energy independence from our local utility monopoly. This is why PG&E, disguised as the CloseIt Coalition, hates the idea.

We can see Mirant’s stack from our Guardian offices, and though we love public power, we hate the idea of replacing one fossil fuel plant with another – particularly if the $250 million for the project could be used to build more city-owned renewable generation for our Community Choice Aggregation power co-op. Last week we ran an editorial suggesting the city explore floating the peakers on a barge, but overall, to build or not to build is the tricky part of this issue. We’ve been watching the back and forth with interest. Follow the jump to read some leading locals weighing in, as well as more data from our research. Feel free to add your own comments, information, and critiques.

Pics: Goats and green at Heron’s Head Park

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By Ariel Soto

The EcoCenter at Heron’s Head Park groundbreaking ceremony was held yesterday, April 22, in San Francisco’s Bayview/Hunters Point. The EcoCenter will be the first LEED-certified building in the southern part of the city and first building to run completely off the grid. Heron’s Head Park was opened in 1999 to provide an open and natural space for the communities nearby, and since then more than 1,200 volunteers have helped restore the area by removing invasive plants and trash and replacing them with native plants. With the continuous support and effort of the Port of San Francisco and Literacy for Environmental Justice (LEJ), the EcoCenter will finally open, giving students the opportunity to learn in hands-on programs about issues such as clean air and water, renewable energy, healthy foods and open space restoration. (To get involved in the Heron’s Head Park project, contact Laurie Schoeman at: lcprojectmanager@lejyouth.org) Here’s some pics from the event.

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The entrance to Heron’s Head Park with the old PG&E plant in the background that’s in the process of being demolished.

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Goats are used in Heron’s Head Park as a natural method of weed control.

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Volunteers gather at Heron’s Head Park before the beginning of the groundbreaking ceremony.

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A Scrophularia californica, or Bee Plant, is just one example of the many native California plants that will be re-introduced into Heron’s Head Park.

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Beautiful Heron’s Head Park.

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Milton Reynolds, a member of Literacy for Environmental Justice, started the day’s events at the groundbreaking ceremony for the new EcoCenter at Heron’s Head Park.

Mad jags

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› kimberly@sfbg.com

SONIC REDUCER "That was just a major experience that I’ll never forget and I never, ever want to have again."

So sayeth 60 Watt Kid’s Kevin Litrow of the mind-render that occurred shortly after he moved to San Francisco from Los Angeles in 2006. "I was contacted — or I might have contacted them. I’m not really sure." He goes on to tell me of being visited one night by a "tornado" of energy that swirled fiercely through his room and knocked him "out of tune," while talking to him in his head. After his guest finally departed, Litrow says he was limping on one side. Finding no corollary for his experience among other UFO reports — "it physically didn’t look like the typically oval-shaped-face kids," he says — he discovered that, nonetheless, the experience "physically and mentally opened some doors." Can the glitch-garnished, knocked-askew psych of Litrow’s band 60 Watt Kid — captured on their intriguing self-titled Absolutely Kosher debut — be partially credited to a brain-tweaking twister from another dimension?

Alien visitations, madness, rehab, and Libya — last week I was lost on a vapor trail, looking down from a star called Planet Hallucinogen Persisting Perception Disorder, and waltzing to a psychogenic fugue only I could hear. But now I’m found. I’m told it’s in the water. One moment you’re staring at the cover of Us Weekly, wondering how onetime pedophile’s-wet-dream Britney Spears came to be transmogrified into Our Lady of Mental Health Issues. The next you’re waking up, kicked to the curb with surgical staples where your kidney once was. The price of gas is high, but tripping — and sometimes falling — through the mind’s eye, gets you even higher. April gusts have blown in a slew of artists, spinning yarns of spirits and out-of-body travels. They lived through this. You will, too.

PROVEN GILTY Free Gold (We Are Free) is the name of Indian Jewelry’s forthcoming recorded game, so surely IJ honcho Tex Kerschen knows how to get baby some bullion. "You’ve got to go and roll the rich," says the Houston experimentalist. "You gotta catch ’em leaving restaurants and saying goodnight to their chauffeurs. Wealth liberation has come to rest in our minds as the answer, since we personally slave for oil barons." Kerschen knows: he says he spent the last year working in a refinery while Indian Jewelry took time off to regroup and record. So Free Gold is simply wishful thinking? "You get pummeled with wealth here in Houston," he explains. "They’re building continuously — literally, gilded fortresses. I’ve had to hang terrible art for terrible people. We decided we’d gild the lily ourselves."

REHABIT IT "It’s nice that people are into it," Kimya Dawson says sweetly about the chart-topping Juno soundtrack that hurled her into the consciousness of the mainstream — or at least that of National Public Radio listeners. "But I’m not really the kind of person who keeps track or cares about numbers and sales. I make music, and it’s just kind of what I have to do. It’s what I’d be doing regardless of who was listening." The Olympia, Wash., artist started crafting tunes as part of Moldy Peaches in 1994, and she’s still writing — albeit with less introspection since the birth of her daughter Panda (she just completed a children’s album). Songwriting has been an outright necessity since she drank herself into a coma and entered rehab more than nine years ago.

"I popped out of rehab, and I was depressed and on medication, and I didn’t know how to function on this planet, and I picked up a guitar, and it made me feel better," Dawson explains. The first Moldy Peaches show happened two weeks after she got out. "It’s always been mutual therapy for me and the people listening to my stuff. I always figured if I stopped doing it I might go crazy."

LIBYA LIBERATION How can a stellar Oakland combo like Heavenly States top their last heroic act as the first US rock band to play in Libya after the lifting of a 30-year travel ban? To start, they spent about a year working on a film about the experience, relying on puppet reenactments and animation, before they woke up and asked themselves, why aren’t we making music? After selling the rights to their Libya adventures (producer Jawal Nga is writing a script tentatively titled Rock the Casbah), the band has come up with their most eclectic and confident recordings to date, Delayer (Rebel Group). The group’s next act? "We got asked to play in Iran at this music festival," vocalist-guitarist Ted Nesseth tells me. "But Genevieve [Gagon] couldn’t sing in public. Then someone e-mailed to say her friend was a journalist living in a North Korean village filled with musicians, so we have to figure out a way to go there and record. There’s absolutely no way any of that crap is going to happen. I think we have a lot of touring to do supporting this album, and then we want to make another one."

SPIRITED "You know," announces Triclops! guitarist Christian Beaulieu, apropos of neither the group’s new CD, Out of Africa (Alternative Tentacles) nor what vocalist John Geek describes as their "bung load of shows," "Sonny [Kay] from GSL recently called me the ghost of Dimebag Darrell."

"It’s really kind of impossible because you were born way before he died," I venture.

"Well, I told my friend I was the ghost of Steve Vai," Beaulieu continues, "and he said, ‘Holy crap! That’s the best news I’ve heard all day: Steve Vai’s dead!’ I’m just trying to figure out how to put a handle on my Telecaster." *

INDIAN JEWELRY Thurs/24, 9:30 p.m., $8. Hemlock Tavern, 1131 Polk, SF. www.hemlocktavern.com

KIMYA DAWSON Fri/25, 8 p.m., $20. Herbst Theatre, 401 Van Ness, SF. www.ticketmaster.com

TRICLOPS! Fri/25, 6 p.m., free. Amoeba Music, 1855 Haight, SF. www.amoeba.com

HEAVENLY STATES Sat/26, 10 p.m., $10. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

60 WATT KID Sat/26, 9 p.m., $25. Independent, 628 Divisadero, SF. www.theindependentsf.com

Les Savy life lessons

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› duncan@sfbg.com

When I call Tim Harrington, he’s in a meeting. It’s 6 p.m. in New York, and for some reason, I guess because he’s Les Savy Fav’s vocalist, I assume this is some kind of band meeting or rehearsal. When I call back in an hour, he’s still in the meeting.

"Do you want me to call back tomorrow?" I ask.

"That’s OK," he says. "I have just declared my professional day over." His professional day, it turns out, ends in a meeting room at VH1 headquarters in Manhattan, not in a practice space in LSF’s native Williamsburg. In addition to doing graphic design at VH1, he’s pushing for "interactive TV-type things," like e-cards you can design online and "schedule times you want them to be on TV so you can tell your friends, ‘Tune in and see that I’m breaking up with you.’"

The job isn’t what I’d expect from a manically animated frontperson, but Harrington, who attended the prestigious Rhode Island School of Design where the band formed in 1995, could give a fuck about giving people what they expect. After three long-players and an EP of dissonant, angular, twin-guitar rock with pop sensibilities and cutting, insightful lyrics — culminating in 2001’s Go Forth on bassist Syd Butler’s French Kiss label — the group took six years to release a new album, last year’s Let’s Stay Friends. The declaration of an official hiatus in 2005 led fans to believe it might be the end.

Instead they opted for restructuring: "It was really hard to explain without sort of tearing the whole thing apart and putting it back together again."

Gone are the incessant van tours; in their place are what he calls "guerilla touring": fly out, play a few select shows, and return to Brooklyn and "real life," which, for Harrington includes a wife and a son, Benji, who’s not yet two. "It’s the best way to tour," he says, "but totally unprofessional."

The outfit’s "unprofessional" attitude, coupled with Harrington’s interactive ideas, led to an online video contest for the Let’s Stay Friends track "The Equestrian," a fetishistic pony-play barnburner: "How many times did you think you could canter past my house / Before I called you to my stable for a little mouth-to-mouth?" In between shots of My Little Pony make-out sessions, the winning video — chosen by YouTube viewers — showcased a pink-haired eight-year-old named Bunny rolling around on the ground and dry-humping a stuffed horse like a prepubescent version of "Like a Virgin"–era Madonna. Was it weird having a little kid lip-synching such an overtly sexual song?

"I love that kind of complicated double energy — the tension of two things competing with each other," Harrington says. "In our live performance that happens a lot." Live, the singer runs around the stage, bearded, bald on top, a little chunky, and manically energetic — often shirtless or changing costumes during a song, perhaps into a sequined cape, while the band plays calmly around him, seemingly oblivious, all the while cranking out fierce squalls of noisy rock that are clearly the force driving the madman in their midst. "I think that people who don’t like us, don’t like us because they’re like, ‘I like one side of it or the other, but I can’t understand how they both can be happening simultaneously.’"

Harrington is not at all the picture of your typical floppy-haired waif of an indie impresario, embarrassed to be on stage and kicking the mic stand. He’s open and enthusiastic on the phone, sounding slightly out of breath, like he just remembered "one more thing" to say. He uses the word "passionate" a lot, and it’s clear that feeling is the key element in his art.

Without taking away from the rest of the group, it’s the cognitive dissonance Harrington creates with his stage presence and lyrics that make Les Savy Fav so powerful. Let’s Stay Friends opens with a track about an only partially fictional band called the Pots and Pans, "who made this noise that people couldn’t stand." Despite their audience’s protests, the unit sticks it out, realizing on some level that they know what’s good for the listeners.

Harrington doesn’t particularly care what you expect, yet he’s not simply adopting a world-weary pose. Instead he’s exhorting you to want more out of music — and out of existence. Nowhere is this idea more apparent than in the album’s final track, "The Lowest Bidder": "We’ve been bought and we’ve been sold / They try but they can’t keep hold / We burn, but we don’t turn to coal / We’re hills all filled with gas and gold / Take the trigger from the lowest bidder / Take the bargain back again." Don’t settle for less.

Listening to Let’s Stay Friends reminds me that there’s more to life than the quotidian world of work meetings, parking tickets, and paying the rent. "Music is the food of love, but reality is waiting for the bus" is a Subhumans lyric I can never seem to forget. For Harrington, reality is passion and waiting for the bus. "An area of interest for me lyrically," he explains, "is to be able to address whatever the harshest and most negative elements are in life and society and defy that, not with a pie-eyed optimism, but with a really cold-hearted optimism.

Don’t expect the world to change. Change yourself. Change your perception of it."

LES SAVY FAV

With the Dodos

Sun/27, 8 p.m., $18

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750, www.gamh.com