Energy

Pics: Air Sex Championships

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Text and photos by Ariel Soto

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I don’t really know where to start. There was the waiter making sweet love to his customer on the table, the robot doing it with electronics, the freaky sex clowns and a hot dog ravishingly screwing a tomato ’til it turned into small packages of ketchup. It was the Air Sex Championships at the Independent on June 24, and all the contestants put every bit of their sexual energy to make the voyeuristic crowd howl and laugh. The highlight of the event was an impromptu last minute addition to the competition named Pandora’s Box, who, without any fancy props or even a costume, stole the show with her exotic and erotic moves that left everyone begging for more.

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Newsom’s poll numbers suck, but ….

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By Tim Redmond

This is not the kind of information a candidate for governor likes to hear, but the Chron reports today that Attorney General Jerry Brown is way ahead of Newsom among Democrats in the race for California’s next governor. Matier and Ross say

The poll by JMM Research of 525 Democratic and decline-to-state voters is the first snapshot since Los Angeles Mayor Antonio Villaraigosa announced last week that he wasn’t running.

With Villaraigosa in the lineup, the numbers read:

— Brown, 33 percent.

— Newsom, 20 percent.

— Villaraigosa, 17 percent.

Take the L.A. mayor out, and it’s:

— Brown, 46 percent.

— Newsom, 26 percent.

Brown does best with the voters over 40, who tend to turn out in bigger numbers on election day. Newsom thrives with the younger crowd, which he hopes to turn out big time, a la Barack Obama.

Geographically, Brown beats Newsom everywhere but the Bay Area.

But let’s be serious here: These early numbers mean exactly nothing. The race is a year and a half away, and this is nothing but name recognition and vague opinions based on current news media reports.

My take: Newsom’s toughest opposition would have been Villaraigosa, and with the L.A. mayor out of the way, he’s really the front-runner. Why? Because this is a textbook campaign — the new against the old, the fresh face against yesterday’s news, the guy who has only a very limited (and carefully crafted) record against the guy who has been around a long time and has done enough in his life to piss off both the left and the right.

I’m not a Newsom fan (in case you hadn’t noticed) and I’ve always liked Jerry Brown personally (although he was a horrible mayor of Oakland and is taking some awful positions). The fact that he’s in his 70s shouldn’t be an issue — he’s healthy, lively, full of energy, and to dis him because of his age is wrong on many, many levels … but that doesn’t mean the Newsom camp won’t (subtly) do it, and it doesn’t mean it won’t work.

I’m talking real, harsh politics here — and I’m betting that Newsom’s team isn’t a bit concerned with these poll numbers.

Bending toward oblivion

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culture@sfbg.com

Gay liberation changed Martin Duberman’s life. In the 1960s, Duberman taught history at Princeton, hardly a bastion of radical thought. Yet he found himself invigorated by nascent counterculture movements and became a champion of the left, penning essays in The New York Times and serving as faculty advisor to the Princeton chapter of Students for a Democratic Society. At the same time, Duberman spent years in intensive psychotherapy in desperate attempts to "cure" his homosexuality. Soon after the emergence of the gay liberation movement, however, he rejected this homophobic vision and embraced a gay identity. His work also became queerer.

Over the years, he has written more than 20 books — biographies, plays, memoirs, history texts, and a novel — on a wide range of topics ranging from antislavery activism to the civil rights movement and Stonewall. His new book, Waiting to Land: A (Mostly) Political Memoir, 1985-2008 (The New Press 352 pages, $26.95), is a combination of diary entries and recollections from the Reagan years to the present. This latest work serves as a window into Duberman’s activist and scholarly careers, as well as his critiques of the mainstreaming of the gay and lesbian movement.

SFBG We’re approaching the 40th anniversary of the Stonewall riots, the symbolic event of early gay liberation, and I’m wondering if you think there’s any of this liberationist spirit left in the gay movement.

Martin Duberman Well, I guess it depends on how you define liberationist. In the early days, gay liberationists were aware of a great many other ills in the society besides their own. Their own were real, and they were well aware of that. But there was a lot wrong, they felt, with the system, and their central goal was to challenge many of the established institutions and values. Today most LGBT people seem to think of themselves — certainly they tell the mainstream — as "just folks," except for this little matter of a separate sexual orientation. That they’re patriotic Americans and they want the same things that everybody else wants, etc.

SFBG In Waiting to Land, you cover this assimilationist turn in the gay movement. You talk about the March on Washington in 1993 where gays in the military became the dominant issue. You also talk about Stonewall 25, which happened one year later in New York City, where one of the biggest fundraising events was held onboard a U.S. aircraft carrier, and where corporate sponsorship arguably overwhelmed any celebration of resistance, history, or culture. Has anything changed in the last 15 years?

MD The early ’70s were still fueled by the countercultural movement of the ’60s, and the early gay movement built on the insights and the demands of, say, the feminist movement or the antiwar movement. I mean there was so much going on in the ’60s, and together it all amounted to a challenge to the so-called experts. There was an across-the-board challenging of many traditional views, so finally that began to seep down, or up — whatever it is — to us. That’s the whole trouble, I think, with the assimilationist turn. It denies our own gay past and our culture and our politics. I mean, they’re willing to throw all that away in order to make stronger the claim that we’re just folks.

SFBG And do you feel like mainstream gay people have become more heterosexualized? I mean in that particular way of embracing long-term committed partnership, monogamy, or now even marriage, as the only type of love or intimacy that’s valid?

MD Yeah. Once again, the banner of lifetime monogamous pair-bonding has been raised. Now some of that is the result of AIDS, in which people were scared to death, so they settled down into so-called permanent relationships. Not everybody. But many more than had done so in the ’70s.

SFBG When you talk about AIDS in Waiting to Land, it punctures the style of your writing. You’ll be writing something that’s more ruminative, and then you’ll have three or four sentences about a friend who died or a series of friends who died, and then you go back into your thoughts about something outside of that.

MD I think that’s right. It’s why I put that subtitle in. I say "mostly political," because when it came to the death of friends, I did talk about my personal feelings, and my sadness, whereas most of the time in Waiting to Land I’m talking about external events or public policies.

SFBG You yourself have played a role as both an insider and outsider in a variety of realms. In Waiting to Land, you deliver scathing critiques of the rigid hierarchies and competitive structures of academia. You talk about the homophobia of the straight left, and you talk about the limited agenda of the gay mainstream. You talk about the exclusiveness of establishment theatre and mainstream media. Yet you’ve also worked inside all these structures. So I’m wondering how these institutions have formed your politics and how you’ve helped to form or transform these institutions.

MD [W.E.B.] Du Bois, the great African American leader, once said something — I think he called it double vision. He said that although he had had a superb education and was accepted by mainstream whites, nonetheless he felt he was a spy in the culture, a spy who was bringing the news about the mainstream back to his own people. And on one level, I have had a very easy time passing — I went to very good schools, I was on the tennis team in high school, etc. Nobody, I think, or very few people, guessed that I was in fact homosexual, and I did my best to play along with that. I was very career-oriented, I was very competitive — I always wanted to be first in my class, win the best prize for an essay, and that’s where most of my energy went throughout my 20s. But then once the counterculture began, I sort of leapt on it. I was immediately sympathetic, and I wrote lots of essays during the ’60s in which I was very strongly on the side of the New Left. And then it took a while longer after that before I realized that of course the same applies to being gay.

SFBG In terms of your role as both insider and outsider, do you feel that that’s helped you to develop stronger critiques of all those institutions, whether on the straight left, in the gay mainstream, or in establishment theater and media?

MD I think so, because I knew the inner workings of many of these mainstream institutions, and so I was able to see the falsity of many of the attitudes, especially toward people who are not middle-class whites. White men, I should say.

SFBG I think one thing you’ve tried very deliberately throughout your career, whether as a writer, an academic, or an activist, is to build movement ties across lines of class, race, gender, and age. In the new book, you talk about trying to bring an awareness of queer and feminist issues into the straight left, and an awareness of race and class into the gay mainstream — and feeling mostly like you’ve failed.

MD I think it’s because the mainstream left is no more receptive — they all claim that, "well of course we believe you people should have your rights, and of course we’re tolerant of your lifestyle." But when it comes right down to it, you cannot get them to hang around long enough to listen to the ways in which queer values and perspectives might inform their own lives. They don’t believe that for a second. And that hasn’t changed at all. At least, if it has changed, I haven’t seen it.

SFBG And what about in terms of the other side of the equation? With the dominant agendas of the big gay institutions centering on marriage, military service, ordination into the priesthood, adoption, and unquestioning gentrification and consumerism, do you think that those particular emphases prevent a deeper analysis of structural issues of racism and classism?

MD Well, of course they do. Mainstream America is still further behind the gay movement in dealing with any of those issues. So when you’re bending your energy to turning into the mainstream, you’re simultaneously burying your awareness of the class and racial and economic divisions that continue to characterize our country.

Mattilda Bernstein Sycamore (mattildabernsteinsycamore.com) is the author, most recently, of So Many Ways to Sleep Badly (City Lights) and the editor of an expanded second edition of That’s Revolting! Queer Strategies for Resisting Assimilation (Soft Skull).

Average Jane

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andrea@altsexcolumn.com

Dear Readers:

I’ve known people who have sex for money, have sex as a hobby, write about (or perform about or do art about or teach about) sex as an avocation, and still have enough interest and energy left over to have the occasional bit of relaxing off-line sex at home with a partner when nobody’s watching or reading along. But I am not one of them. I get bored. There was a play about vibrators here recently and everyone asked me if I was going, but I said, "Eh, I’d rather see Up." I like to cook and read and watch shows about things that have as little to do with (my) real life as possible — high fashion, for instance, the nuttier the better. I like it when the models wear their dresses upside-down and have monkey-fur eyebrows and a teapot on their head. You don’t?

So … I’m a huge fan of Project Runway and a lesser one of its lesser successor, The Fashion Show. Every season, though, there’s some kind of challenge involving "real women" and, while it’s fun to see the contestants, used to dressing compliant stick insects, wrestle with a mouthy client who dares to voice her own, often scandalously après garde opinions (she often just wants to look nice, of all things), it’s appalling to hear what the designers have to say about the non-model bodies. Faced with the task of dressing a modeling agency admin instead of the expected model, one of the Fashion Show wannabes pouted, "She’s very normal. I don’t do normal."

Well too bad for you, darling! Let us return the favor!

So imagine my glee upon discovering a recent study which found that regular men (as opposed to fashion designers of any gender or sexual preference) not only DO do average women, they vastly prefer us. I knew it! All these years of assuring women that jutting hipbones and sunken chests are not only not required to attract guys, they aren’t even preferred, and now I have at least this one study to back me up.

This isn’t about the "something to hang onto" hypothesis, although I do think that men in general do prefer some padding on those they plan to bump up against, and not only to avoid all the bruising. Men who are attracted to women tend to be attracted to women, and women have boobs and butts and that cunning part in between, where it gets smaller.

You’ve probably heard about the alleged universally preferred waist-hip ratio: it’ s 0.7. This shows up constantly in popular-sciencey psych articles about men’s hard-wired preference for female bodies that signal youth, good health, and fertility (they also like symmetry, even skin tone, and teeth) and depresses female readers who wonder if they measure up. Some researchers in Australia decided to take a closer look, and recruited a bunch of guys to rate line drawings of female torsos for attractiveness. (I may have read too much hard-boiled crime fiction to hear about female "torsos" without mentally adding the word "dismembered," but let’s hope the test subjects had not.) From the NewScientist article:

The work, by Rob Brooks at the University of New South Wales in Sydney, Australia, and colleagues, suggests that the popular notion that a waist-hip ratio of 0.7 is the most attractive only holds if the rest of the body is average (Behavioral Ecology, DOI: 10.1093/beheco/arp051 ).

"The orthodoxy says that you will be attractive with a certain waist-hip ratio no matter how the rest of your body varies. Our study shows this is not the case," says [researcher] Brooks…. The men showed a preference for women with a waist-hip ratio of 0.7 — but only if they had an average-sized waist, hips, and shoulders.

When compared with groups of real women, including Playboy centerfolds, Australian escorts advertising on the Internet and average Australian women between the ages of 25 and 44, the latter group most closely matched the preferred body shape.


Strike one for the average Sheila. Isn’t this heartening? Of course women who are substantially smaller or larger than average can still find plenty of ammunition here with which to wound themselves (the men liked average women, after all), and we don’t know for a fact that it applies to non-Aussie men. Even so, it’s something to remember when the heart sinks and the self-loathing rises upon looking in the mirror and failing, once again, to see Kate Moss pouting back at us. Suck it, Kate! Go eat some crisps.

In other heartening news, the editor of British Vogue put fashion designers on notice that she would no longer publish photos of ultra-emaciated models, so they’d better start sending larger clothes. Apparently the samples have been arriving at the magazines in ever-tinier sizes, until even the models we’re used to seeing, who are about 5’10 and 100 to 125 pounds, can’t fit into them. Not that the average size 14 Australian torso is going to be able to squeeze into those Valentinos, but at least it’s a start.

Love,

Andrea

Grade A

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a&eletters@sfbg.com

It was a gathering of tribes with more tattoos and partially shaved heads per square foot than anywhere else in San Francisco. The sartorial imagination at times rivaled the one on stage. In other words, it was the eighth Fresh Meat Festival, celebrating transgender and queer performance, and Project Artaud Theater packed them in.

Announced as the largest festival of its kind in the country, Fresh Meat is the brain- (and heart-) child of Sean Dorsey. A smart organizer and good artist, he programmed a lineup that showcased not only gender but ethnic diversity: a Latino singer, an African American rapper, and a Sri Lankan theater artist, among others. Differences extended to quality; not all the performers were equal in either craft or talent. But this was a theatrically pungent evening whose concurrent themes couldn’t be missed. Joyful affirmation of self and the pain of not fitting in went hand in hand.

The evening opened on a note of female assertiveness. Taiko Ren’s exuberant women embraced those huge drums — for centuries restricted to the male of the species — as their birthright. Planting their hips and focusing their energy into the hard-hitting batons, they set the air humming with overlapping and shimmering resonances. Hip-hop closed the two-and-a-half-hour show. Allan Frias’ high-camp and razor-sharp Mind over Matter Dance Company’s Bring it to Runway exploded the fashion world’s dehumanized body as a clothes-hanger. Seen as manipulated mannequins, the dancers revolted into a brigade of hard-hitting, furiously stepping males and females whose individuality was as strong as their sense of common purpose.

Coming fresh from the Ethnic Dance Festival, the Barbary Coast Cloggers’ footwork and the body slaps in Hambone didn’t sound as finely synchronized as they have in the past. However, the marvelous Wind It Up, to Gwen Stefani’s yodel-infected song, highlighted the sly note of urbanity that’s always present in these dancers’ take on rural traditions. Another reminder that common dance traditions often exclude non-heterosexuals came from North American same-sex ballroom champions Zoe Balfour and Citabria Phillips. Their spacious Ballroom Blitz, a suave and light-as-air foxtrot, went by too fast. I would love to see what else they do.

Most of the solo performers came from Los Angeles. Ryka Aoki de la Cruz’ Alternator Domme was a little heavy-handed in its use of metaphor, but she is witty writer and quick-change artist who times her material — paying for car repairs with a gig in a dungeon — well. In the hilarious excerpt from Ramble-Ations: A One D’Lo Show, D’Lo transitions from a traditional Sri Lankan mother into an Angelino "tomboy". The work dove deeply into the poignancy of not wanting to be put into a gender — or any other kind of — box. Rapper Deadlee’s in-your-face "We Serve it Up Nasty" — with audience participation — was a rebellious rant against homophobia in hip-hop. Yet I wondered whether its transgressive tone didn’t strike a note of simple-mindedness with this audience. StormMiguel Florez has a beautifully flexible voice, yet his family-inspired songs sounded bland. SF’s own Shawna Virago — edgy, elegant, elegiac — premiered a lovely new work dedicated to Sean Dorsey.

Dorsey’s substantial Lou is his finest work yet, and the festival’s highlight. The excerpt (performed beautifully by Dorsey, Juan de la Rosa, Brian Fisher, and Nol Simonse) stood well on its own. Some of the verbal links between memory and history probably could be tightened, but the simple yet eloquent choreography opens up Dorsey’s language and Lou’s life remains simultaneously tender and powerful. As for the next Fresh Meat Festival: less between-the-acts talk and tighter tech, please.

The price of normal

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news@sfbg.com

With a 2010 state proposition on gay marriage in the works and a national gay rally on the Washington Mall being planned for October 10-11 of that year, it’s obvious that more and more of the LGBT community’s resources are being funneled into the battle for marriage equality, while other causes go begging.

Already gay marriage has become a black hole that is sucking untold amounts of money, time, and energy out of our community. In the 2008 election alone, gay marriage supporters raised $43.3 million to defeat Proposition 8, the anti-gay marriage initiative that California voters passed by 52 percent. It may be the biggest chunk of change the community has ever spent for a single fight.

A QUESTION OF PRIORITIES


I’m not against gay marriage. If queer couples want to be as miserable as straight ones, that’s their choice. Marriage is a failed institution. With a 54.8 percent divorce rate nationally and a 60 percent rate here in California, there’s no doubt in my mind that heterosexual "wedded bliss" is more of an oxymoron than a reality.

What’s troubling to me as a queer activist of almost 40 years (much of that time spent on economic justice work) is that, with the tremendous amount of homelessness, poverty, and unemployment in our community, we are spending so much dough on the fight to give a minority of folks — those who opt for tying the knot — rights and privileges that straight married folks have.

Sure, it’s unfair that married straights get tax breaks, not to mention the status of next-of-kin for hospital visits and medical decisions when one partner is ill, and queers don’t. Altogether, married couples have 1,400 benefits, both state and federal, that domestic partners and single people don’t enjoy. It’s a matter of simple justice that the playing field be leveled. Only a right-wing idiot could disagree with that. Now, if only we could fight to give everyone (including singles) those 1,400 benefits.

For me it’s a question of priorities. We are living in scary times. Unemployment is sky-high; millions are without healthcare, including children; foreclosures are robbing homeowners and tenants alike of their housing; and business collapses are leaving a lot of people out in the cold and unable to pay the rent or the mortgage.

DINKS NO MORE


The queer community is no better off.

It’s a popular misconception that queers have a lot of disposable income. The "double income, no kids" (DINK) myth was promoted in the 1980s by gay publishers who wanted to expand their advertising base and their profits. These days, to read many gay publications, you’d think that all queers are going on fabulous vacations and buying expensive clothes, jewelry, and electronic gizmos.

That myth was easily dispelled by a recent study, "Poverty in the Lesbian, Gay and Bisexual Community," published this March by the Williams Institute at UCLA. Like "Income Inflation: the myth of affluence among gay, lesbian, and bisexual Americans," the groundbreaking 1998 study by M.V. Lee Badgett of the Department of Economics at the University of Massachusetts at Amherst, the Williams report found that many members of our community aren’t shopping ’til they drop. They can barely afford to put food on the table.

Nationally, 24 percent of lesbians and bisexual women are poor compared to 19 percent of heterosexual women; 15 percent of gay and bisexual men are poor compared to 13 percent of heterosexual men.

Queers aren’t just low on cash — we’re homeless, too. A 2006 report, "Lesbian, Gay, Bisexual and Transgender Youth: An Epidemic of Homelessness" from the National Lesbian and Gay Task Force and the National Coalition on Homelessness, showed that 20 percent to 40 percent of the 1.6 million homeless youth in America identify as LGBT. In San Francisco, the number of queers in the homeless youth population (estimated at 4,000 by the Mayor’s Office) is "roughly 44 percent," according to Dr. Mike Toohey of the Homeless Youth Alliance in the Haight.

Brian Basinger of the AIDS Housing Alliance says that 40 percent of people with HIV/AIDS, in the city once acclaimed for its care of those with the disease, are either "unstably housed or are homeless." In the Castro, Basinger said, there are only "12 dedicated HOPWA beds" for people with the disease. HOPWA (Housing Opportunities for People with AIDS) is a federal voucher program for low-income people with AIDS that is similar to federal housing assistance program Section 8.

Certain members of our community don’t fare much better in the area of employment. A 2006 survey by the Guardian and the Transgender Law Center reported that 75 percent of transgender people are not employed full-time, and 59 percent make less than $15,299 a year. A mere 4 percent of respondents earned more than $61,200, the then-median income average for San Francisco.

Fifty-seven percent of trangendered people said they suffered employment discrimination, demonstrating the need for the inclusion of "gender identity" in the federal Employment Non-discrimination Act. Human Rights Campaign, a national gay organization, and out Congress member Barney Frank (D-Mass.) cut transgenders out of that legislation the last time it was up before Congress.

It could all get a whole lot worse.

AXING THE FUTURE


Gov. Arnold Schwarzenegger wants to lop at least $81 million from California’s AIDS budget, including money for AIDS drugs, leaving low-income people stranded without their medication. Senior services are also on his cutting block, including $230.8 million from in-home services and $117 million from adult health-care programs. (As we go to press, the state Legislature is working to restore the AIDS money to the budget.)

Mayor Gavin Newsom, in his proposed city budget cuts, is axing $128.4 million from public health and $15.9 million from human services. There’s no doubt these cuts in health and human services will severely affect people with AIDS, seniors, youth, the homeless, and others in our community who can least afford to pay for the city’s budget shortfall.

The millions spent on gay marriage in the past few years could have gone a long way in these lean times. It could have helped make the proposed queer senior housing project, Open House, a reality. With 88 units in the works at 55 Laguna St., the site of the old UC extension, it will be the only such housing for LGBT seniors in San Francisco.

The money also could have funded housing in the Castro for homeless queer youth or people with AIDS. It could have been used as seed money for a much-needed war against poverty in the LGBT community.

A DIFFERENT KIND OF LIBERATION


The queer movement hasn’t always been this obsessed about getting hitched. Forty years ago this week, drag queens and others fought back against the cops who were raiding a gay bar called the Stonewall Inn in New York City’s West Village. Three days of protests led to the creation of the Gay Liberation Front (GLF), a revolutionary group dedicated to the sexual liberation of all people. GLFers weren’t looking to walk down the aisle or form binary couples. In a desire to "abolish existing social institutions," as the NYC branch of GLF said in its statement of purpose, some GLFers explored polyamory (more than one relationship at a time).

That’s why I edited Smash the Church, Smash the State! The Early Years of Gay Liberation, just published by City Lights Books, a collection of writings by former GLF members and other gay liberationists. I wanted to commemorate the 40th anniversary of Stonewall and the birth of GLF with a reminder of who we were and what we did. After all these years, I still don’t want to head to the chapel to get married.

When it really comes down to it, gay marriage is a conservative issue. It’s about wanting to fit in, to be like everyone else. Beyond the important issues of tax breaks and next-of-kin status — and the fact that if any institution exists, it shouldn’t discriminate against queers — marriage is ultimately a means of normalizing binary queer relationships, especially for gay men who have always enjoyed the freedom to be promiscuous. It’s a way to try and rein in our libidos, though the prevalence of extramarital sex among straight couples — 50 percent for women, 60 percent for men, according to a recent issue of Journal of Couple and Relationship Therapy — shows that marriage doesn’t come with a chastity belt.

It also doesn’t come with any guarantees, as researchers discovered in Sweden, where queers were able to contract for same-sex partnerships from 1995 until recently, when full same-sex marriage was instituted. According to a study by the Institute for Marriage and Public Policy, Swedish queers have been divorcing in high numbers, like their straight counterparts, who have a divorce rate that’s just a little higher than the United States.

For queers in Sweden, that’s the price of being normal.

Tommi Avicolli Mecca, who has been a queer activist since he was involved with the Gay Liberation Front at Temple University in Philadelphia in the early 1970s, is editor of Smash the Church, Smash the State! The Early Years of Gay Liberation (City Lights Books).

alt.sex.column: Real men DO do average women

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By Andrea Nemerson. View more alt.sex columns here. Email your questions to Andrea: andrea@altsexcolumn.com.

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Dear Readers:

I’ve known people who have sex for money, have sex as a hobby, write about (or perform about or do art about or teach about) sex as an avocation, and still have enough interest and energy left over to have the occasional bit of relaxing off-line sex at home with a partner when nobody’s watching or reading along. But I am not one of them. I get bored. There was a play about vibrators here recently and everyone asked me if I was going, but I said, "Eh, I’d rather see Up." I like to cook and read and watch shows about things that have as little to do with (my) real life as possible — high fashion, for instance, the nuttier the better. I like it when the models wear their dresses upside-down and have monkey-fur eyebrows and a teapot on their head. You don’t?

So … I’m a huge fan of Project Runway and a lesser one of its lesser successor, The Fashion Show. Every season, though, there’s some kind of challenge involving "real women" and, while it’s fun to see the contestants, used to dressing compliant stick insects, wrestle with a mouthy client who dares to voice her own, often scandalously après garde opinions (she often just wants to look nice, of all things), it’s appalling to hear what the designers have to say about the non-model bodies. Faced with the task of dressing a modeling agency admin instead of the expected model, one of the Fashion Show wannabes pouted, "She’s very normal. I don’t do normal."

Well too bad for you, darling! Let us return the favor!

So imagine my glee upon discovering a recent study which found that regular men (as opposed to fashion designers of any gender or sexual preference) not only DO do average women, they vastly prefer us. I knew it! All these years of assuring women that jutting hipbones and sunken chests are not only not required to attract guys, they aren’t even preferred, and now I have at least this one study to back me up.

This isn’t about the "something to hang onto" hypothesis, although I do think that men in general do prefer some padding on those they plan to bump up against, and not only to avoid all the bruising. Men who are attracted to women tend to be attracted to women, and women have boobs and butts and that cunning part in between, where it gets smaller.

Renegade Rockers Hold Down 26 Years of SF Breakdancing

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By Michael Krimper


Renegade Rockers in action.

When a breakdance battle erupts — whether in a club or gym, or on the block or Youtube — heads heed and take note. In a swirling cypher, b-boys and b-girls display their skills on the floor in a back and forth rhythm, showcasing commando techniques and more daring, original styles to the appraisal of the crowd and their fellow crew members, and of course for themselves.

The electric dance style has come a long way since its formative years in the boroughs of 1970’s New York. The West Coast, and in particular the San Francisco Bay Area, has been at the center of many of the innovations contributing to the dynamic evolution of breakdancing. One of the legendary local crews still active, the Renegade Rockers, have been breaking boundaries since their founding at SF City College in 1983.

That longstanding history informs Renegades’ consistent dedication to the culture. In their upcoming 26th anniversary event, the crew plans to showcase the skills which keep them competitive with the top players of the worldwide breakdance community. “Organizing the Renegade Rockers anniversary events encourages the dance scene to keep pushing the limits and inspires new generations to come,” team captain Wicket tells me. Beyond the high energy battle competitions, the crew plans to spread the love by hosting a series of panel discussions on the history of street dance and workshops covering the basics, from foundational breaking to popping, locking, and rocking.

Nickodemus blazes across globe on ‘Sun People’

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By Michael Krimper

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Fresh for the heat of the summer, Brooklyn based beatsmith Nickodemus — seasoned selector for the acclaimed Turntables on the Hudson party — drops a gem on us. In his inspired sophomore effort, Sun People (ESL Music), Nickodemus delivers a groove pummeling sound collage that expands on the cosmopolitan spirit fundamental to the Afrobeat tradition. He manages to inform Afrobeat’s free-formed jazz sensibility and funkified polyrhythmic arrangements with raw elements of celebratory music from around the world. Swaying jazz horns give way to uplifting blasts of air from Latin American and Balkan brass sections that loosen up the heavy hitting, grounding percussion. This strategy allows the drums to thrust in endless hypnotics without feeling too claustrophobic, a subtle formula for creating holistically sanguine dance grooves. And the fusion feels organic, perhaps due to the lively multinational character and experimental ethos at the very heart of Afrobeat, allowing the music’s dynamic nature to morph, mutate, and evolve in provocative directions.

Collaborations bless nearly every track on the record, giving Sun People an organic, outernational party flavor. Quantic helps to arrange the infectious Latin number , “La Lluvia”, where Richard Shepherd croons joyful bars over congas and drums, wistful vibes, and swaying horn riffs. On “Brookarest”, the name tells it all; New York’s multicultural sound, armed with a drum machine and transformer effects, meets Romania’s hypnotic vocals and boastful, wedding brass band. All the influences converge in “N’Dini”, a monster jam bookending the album (“Sun People” on the jump), simultaneously taking on the cyclic role as closing and opening. The joint is impressively crafted out of, well, the nearly infinite histories bounded within the album; Afro-latin rhythms, dub percussion, blaring Gypsy horns, and electronic inspired bass. Such cross sectioned travels across the globe from Columbia to Guinea to Hungary and everywhere in-between might seem crass in the hands of a less skilled producer, but Nickodemus effortlessly pulls all the pieces together in a simple, innocent cry of joy. The coherent element might just have something to do with the sun, that giant ball of heat and energy, that ultimate source of life, shining above every single one of us on terre nostre. This ain’t world music anymore. Time to get down to sun music my people!

Adventureland, ho

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a&eletters@sfbg.com

SONIC REDUCER I’m in the mood for adventure — and so are you, apparently. Something off the beaten down and battered tourist path, something wild and glee and free to be you and me. And who is "me," anyway — when "me" is perpetually in flux, in free fall, riding the rapids of the collective unconscious? Don’t fear the reaper, the creeper, the negative creeps, the swine flu, the digital, the Burner, the busted, the Man, the dude who defecates on your doorstep (especially if he cleans up after himself like a responsible pooch owner).

Maybe that’s why adventure is the underlying theme, streaming willy-nilly, in talks with two very different guitarists and vocalists, generating very different sounds: Aaron Turner of Isis (and founder of Hydra Head Records) and Charlie Saufley, frontperson for San Francisco’s Assemble Head in Sunburst Sound (see below) You know it’s in the air when players working in such varied modes of music-making as Isis and AHISS start talking about taking it off-road. Ask, for instance, Seattle resident Turner what he looks for as the sole A&R guy (and de facto art director) of Hydra Head, and he says, somewhat reluctantly because, "at the moment we’re trying to cut back on what we take in — sort of because our boundless enthusiasm has led us take on too much. But if I were to summarize what we look for, it’s an adventurous spirit."

Isis’ latest album, Wavering Radiant (Ipecac) feels boundless, too: as clean and deep as a dive into a wooded swimming hole. Richly melodic passages, with unexpected ambient hues, make me picture the band is listening widely, beyond thrash and forebears (and Hydra Head like-mindeds) like the Melvins. From "Hall of the Dead," a layered, seven-minute-plus opus that brings to mind a more symphonic Neurosis or Mono, to "Ghost Key," which is at moments almost frothy and airy in its interplay of electronics and guitar and at others ascending and falling with loud, earthy thunder, the album, engineered by new producer Joe Barresi (who presently happens to be working with Saviours), seems to step back from crushing aggression and toward more nuanced arrangements tinged with post-rock and mathcore elements associated with Dillinger Escape Plan, Explosions in the Sky, and Mogwai.

And now that Isis has made inroads into the Billboard 200 — Wavering Radiant arrived at No. 98 — I wonder whether the group’s sense of adventure may be contagious. "I don’t think our music is inaccessible," Turner muses. "There’s enough melody there, and certainly there’s an energy that a lot of people will latch onto. But when it boils down to it, there’s an element to the music that will make that a stretch in the mainstream realm." Hold on.

ISIS

With Helms Alee and Mamiffer

Tues/23, 9 p.m., $16

Great American Music Hall, 859 O’Farrell, SF

(415) 885-0750, www.musichallsf.com

———–

ASSEMBLE HEAD IN SUNBURST SOUND’S ‘GLORIOUS RESIGNATION’

You’d never suspect Assemble Head in Sunburst Sound was on a similar tip as Isis, but if you chat with guitarist-vocalist Charlie Saufley, he’ll stop what he’s doing — namely caring for his ailing father in Mountain View — and ponder the phenomenon, and yes, the adventurous vibe, of the current psych/stoner rock scene in the Bay Area. "The common thread of this newer generation of what we loosely call psychedelic bands is that I think they’re running with what the first generation forgot," he explains good-naturedly. "A lot of them turned into a cliché, self-indulgent dinosaur bands. Now maybe everyone is carrying on the spirit of what those bands had when they were young and didn’t know better and just fueled by that feeling of creating something new."

New for ASHISS: the kudos it’s fielded for its new When Sweet Sleep Returned (Tee Pee), a successful cosmic-cowboy-derived marriage of Floyd and country-fied Byrds, as Saufley describes it, with a drizzle of Revolver-esque pop. Still, he’s not sure what to make of the attention. "I haven’t stopped aspiring to the dream of making a living doing this. I think someone might sneak through the cracks and break through. Aspirations exist but I do think there’s a glorious resignation, like, ‘Fuck it, I’m not going to see dollar one, so why not do what I want to do. There is that democratization of music creation: people who are really psyched if you put out a record on your own and make 500 of them. But I do also think people rally around that spirit — ‘I’m never going to make money, so I’m just going to be prolific and put it out there.’ It’s the hardcore ethic come to life."

WITH SLEEPY SUN, SPINDRIFT, AND DJ WET BURRITO

Fri/19, 9 p.m., $13

Great American Music Hall

PG&E attacks consumer choice

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rebeccab@sfbg.com

A ballot initiative backed by Pacific Gas and Electric Co. could amount to a death sentence for community choice aggregation (CCA) and expanded public power in California.

Dubbed the Taxpayers Right to Vote Act, the proposed initiative would require a two-thirds majority vote at the ballot before any local government could establish a CCA program, use public funding to implement a plan to become a CCA provider, or expand electric service to new territory or new customers.

The new hurdle would make it very difficult for a local government to move forward with a CCA, while at the same time making it much easier for a utility to defeat public power at the ballot.

Signed into state law in 2002, CCA allows local governments to buy up blocks of power to sell to residents, making it possible for cities and counties to set up alternatives to private utilities such as PG&E and, in many cases, to offer electricity generated by clean, renewable power sources.

The initiative is in its earliest stages, and it likely would not be placed on the state ballot until the June 2010 election. At this point, "it’s unclear how much of a campaign it’s going to be," according to Greg Larsen of the Sacramento public relations firm Larsen Cazanis, a spokesperson for the effort. "It’s a long way off."

That hasn’t stopped local CCA supporters from sounding alarm bells. "Urgent/Bad! PG&E State Ballot Measure To Kill Public Power & CCA," public power activist Eric Brooks wrote in the subject line of a widely disseminated e-mail last week. "It’s red alert time boys and girls," he wrote, saying the proposal "will kill all new Public Power and Community Choice Aggregation projects statewide."

Brooks isn’t alone: everyone the Guardian spoke with who is involved in the creation of San Francisco’s CCA voiced concern that the proposal could kill any future community choice efforts.

The proposed initiative was submitted to the California Attorney General’s office May 28 with the contact listed as the Sacramento law firm Nielsen, Merksamer, Parrinello, Mueller & Naylor, a powerful player with a long history of working with PG&E on ballot initiatives. Larsen confirmed that PG&E had provided the $200 filing fee, the only amount spent so far on the embryonic proposal.

The official proponent of the initiative is Robert Lee Pence, apparently the same person who was listed as an opponent of Proposition 80, a 2005 ballot measure that dealt with utility regulation. Opposition to Prop. 80 was heavily funded by PG&E and other utilities, and the initiative failed by a wide margin.

Pence’s group, Californians for Reliable Electricity, listed Steve Lucas as a contact on 2005 campaign documents. Lucas is also listed as the point person at Nielsen, Merksamer, Parrinello, Mueller & Naylor for questions regarding the Taxpayers Right to Vote Act.

The address listed for the organization is the same as that of Townsend, Raimundo, Besler and Usher — a Sacramento political consulting firm that also has a long history of working with PG&E on political campaigns. When asked about the PR firm’s role in the Taxpayer Right to Vote Act, Larsen acknowledged that they "may be involved as the campaign goes forward," but cautioned that any discussion so far has been preliminary.

The rationale behind the initiative is to protect taxpayers, Larsen said, because CCA programs "are major issues that communities undertake and require millions or billions of public dollars." The proposed initiative, he said, seeks to "ensure that voters — and frankly, their descendents — who will wind up being responsible for these programs have a say." If the measure passes, Larsen added, voters could still approve CCA programs — but with two-thirds of the vote, a supermajority that he contends is "staying in line with many other California requirements."

California Sen. Mark Leno, however, has a very different opinion. "I would hope that Californians would have come to understand that two-thirds vote thresholds are probably more responsible for damage to the state of California in the past 30 years than any other single factor," he said. "To hand a small minority controlling power is anti-democratic. This must be defeated." Leno also said he believes that the initiative would have drastic consequences for CCA programs if it passes.

Meanwhile, local CCA supporters say there is more to this than merely sticking up for taxpayers’ rights. If programs like Clean Power SF — the CCA initiative currently being developed in San Francisco — are fully implemented, then PG&E, which makes good money from its monopoly status, would face some actual competition. Naturally, the powerful utility would have an incentive to eliminate the alternative altogether.

Under the current system, PG&E "has to rely on the elected officials to kill CCA, and its much harder … to do that," says John Rizzo of the San Francisco Bay Chapter of the Sierra Club. But if the Taxpayers Right to Vote Act is enshrined in state law, "they could just pour in money and spread propaganda. Particularly the two-thirds requirement is just outrageous — it basically makes it impossible" to secure approval for any step toward CCA implementation.

"It’s a nasty ballot initiative," Mike Campbell, director of San Francisco’s CCA at the Public Utilities Commission, told us. "I think it’s clearly aimed at the heart of CCA." Campbell added that while he has been in discussion with SFPUC staff and others involved in hammering out Clean Power SF, he wasn’t at liberty to discuss a strategy for fighting the proposed initiative just yet.

Ross Mirkarimi, who chairs the city’s Local Agency Formation Commission — the body tasked with working in tandem with the SFPUC to implement San Francisco’s CCA — called the proposal "heinous — and yet I expect nothing less from PG&E.

"They can try to win by well-funded misinformation blitzkrieg," Mirkarimi noted. "If they’re able to spend $10 million without blinking here in San Francisco [on defeating a public power measure], they’re poised to spend tens of millions on this. As a state battleground, this elevates the fight that much more. We have to act in solidarity with other municipalities. We should be well-armed in repudiation of this effort."

There may be ways to attack the initiative in advance. The CCA legislation bars private utilities from seeking to undermine local CCA efforts. Assembly Member Tom Ammiano told us that the Legislature should look at how PG&E could be blocked from mounting a statewide effort to kill CCAs. "I think there’s some potential there," he said.

Julian Davis, who chaired the Prop. H campaign for public power last year, said he found the proposal very worrisome. "If you shut down community choice, you’re shutting down one of the major vehicles for clean energy," he said. To Davis, the initiative highlights "a disturbing trend of corporate America finding ever-more clever ways of tying the hand of local government in general. You know they’ll dump millions into this," he added. "The ultimate irony here is that none of us have the right to vote on anything PG&E does. None of us has a seat at the PG&E board table. It’s doublespeak."

Rachel Buhner contributed to this report.

Is there hope?

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steve@sfbg.com

GREEN CITY They agree global warming is happening, that it’s caused by the overuse of carbon-based fuels, that its impact on the planet and its myriad life forms will be devastating, and that Congress is failing to properly address the crisis. But the environmentalist and the oil executive disagreed about the most important issue: whether there’s any hope of saving the planet from the worst impacts of climate change.

Chevron CEO David O’Reilly and Sierra Club executive director Carl Pope squared off June 10 at the Hotel Nikko ballroom in San Francisco for a truly historic Commonwealth Club event titled "Drilling for Common Ground." And they did find some, including agreeing publicly to jointly lobby Congress for an energy policy that more quickly phases out coal, the worst of the fossil fuels.

But the more telling exchanges between these two giants highlighted a fundamental disagreement: can we do something about this, or are we simply fucked? And by fucked, I mean doomed to simply accept official predictions of rising seas creating a billion refugees by 2050, the extinction of a million plant and animal species, severe water shortages in California and many other regions, and an unpredictably unstable new world ravaged by severe weather and exotic diseases.

To avoid much of that (but not all — it’s already too late for that), Pope said the scientific community consensus is that we need to stop all coal burning by 2030 (unless emissions can be sequestered, which isn’t technologically possible yet) and reduce our consumption of oil and other carbon-based fuels by 90 percent by the year 2050. "You can’t meet the targets any other way," Pope said.

And he thinks that meeting those targets is not only possible, but it would help the U.S. economy. "The rapid changes in the telecommunications field were good for the economy, and a similar change in the energy field would be good for the economy," Pope said. "We have lots of options if we start moving like it’s a crisis."

But O’Reilly doesn’t think that’s possible. "Even with the best of intentions, we’re only going to get part of the way there," O’Reilly said, quickly adding, "I think we’ll be lucky if we can get 20 to 25 percent by 2050."

At a press conference after the forum, I asked the two men about the implications of only reducing our fossil fuel consumption by 20 percent. Pope cited impacts ranging from "Florida will be a lot smaller" to severe water rationing in San Francisco. "It’s not an acceptable risk to take," he said. O’Reilly didn’t disagree, but he avoided specifics, saying, "I do fear that we have to plan for some adaptations."

It was a remarkable admission, one that most media coverage buried far beneath angles focusing on the common ground they found. But if the oil industry isn’t willing to diligently address the crisis — or worse, if it hinders political efforts to do so, as it has done for decades — does it really matter that it acknowledge the problem?

That core conflict created the sharpest exchange of the forum. "This is the 21st century. We can move much faster than we ever have before," Pope said.

"Well, if you can get the government to move faster, good luck," O’Reilly replied.

"It would help if you would get out of the way," Pope retorted.

Indeed, it is aggressive lobbying by Chevron and its industry trade group, the American Petroleum Institute, that created the energy situation that O’Reilly now finds so intractable. But Pope said he’s happy to work with O’Reilly on policies that support their areas of agreement, which even includes instituting a carbon tax.

Their clash didn’t just focus on global warming; it also focused on the oil industry’s wanton exploitation of people and ecosystems around the world, from propping up despotic regimes and sponsoring human rights abuses in oil-rich countries to leaving toxic messes in Ecuador and elsewhere.

Pope called for the oil industry to set aside 10 percent of its profits to create a global trust fund for dealing with its impacts and for international operating and cleanup standards that would prevent oil companies from exploiting weak or corrupt governments. "Chevron has to come to the table with the global community." Pope said.

O’Reilly never responded directly to the suggestion.

Hightower, One in the Chamber, Futur Skullz

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PREVIEW Hightower is quite possibly the only prog rock group that could be accurately described as "gnarly" (sorry, Van Der Graaf Generator). Proving that complex compositions and unpretentious rock ‘n’ roll aren’t mutually exclusive, the San Francisco power trio mixes unpredictable tempos and spacey guitar shredding with beer- and weed-fueled skate thrash to create a style tailor-made for raging circle pits and blacklight poster stare-downs. With song titles like "Wizardhawk" and "I Am the Wallride," the band celebrates and pokes fun at some of the, er, imaginative concepts of their bell-bottomed forefathers. But even if you think the term "progressive rock" is shorthand for overly complex wanking, Hightower proves the genre can be surprisingly crucial.

I inadvertently stumbled into a show featuring local metal band Futur Skullz about a month ago and was blown away by how LOUD these guys play. There’s nothing about them that isn’t deafening — the thrash-meets-sludge guitar, buzzing bass, crusty-ass vocals, and thundering drums are ready to pummel, but with enough variation to keep their sets interesting. Like Hightower, Futur Skullz combine massive, arena-ready riffs with relatable garage band energy; it’s a case of powerhouse heavy metal filtered through punk rock sensibilities. Oakland-based One in the Chamber’s collage of punk, stoner metal, aggressively jazzy weirdness, and everything in between completes this bill, which should be a revelation to anyone whose nights out have been lacking raw power.

HIGHTOWER, ONE IN THE CHAMBER, FUTUR SKULLZ Sat/20, 9 p.m., $7 (21 and over) El Rio, 3158 Mission, SF. (415) 282-3325, www.elriosf.com

“2012: Super-Bato Saves the World”

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REVIEW Energy must not be conserved in Enrique Chagoya’s universe. From his earlier pieces on paper through his show-stopping work on linen at the turn of the century (Le Cannibale Moderniste, 1999; Aparición Sublime, 2000; Pocahontas Gets a New Passport (More Art Faster), 2000), the experimental printmaker’s mock-specificity and hidden sensitivity — both aspects of a brilliant pictorial stubbornness — leave the whole body buzzing. This is art that gathers energy from its viewers as much as its subjects. An edition of eight fully-functional, gaudy, lusty, but also mystically calm slot machines in the style of souped-up Camaros, "2012: Super-Bato Saves the World" lacks the intentionally confusing expansiveness of Chagoya’s accompanying work on paper, but maybe that’s the point.

Spread out in one area of Electric Works is Histoire Naturelle des Espécies: Illegal Aliens Manuscript I, a 2008 contribution to an ongoing series that explains our country and the world at large, especially the art world, to "others." In this panoramic piece, creationists are represented by an ape kneeling before a paper-like flame, conservatives by a man in monk’s clothing, and neocons by a happy couple between human and ape; all are setting fire to Aztec iconography. Elsewhere art historians lay siege to the museums and emerging media artists visit the world in a UFO. Around the corner, Super-Bato grins.

The date cited by Chagoya doesn’t just mark the next U.S. presidential election — it’s also the end-year of the ancient Mayan 5125 year calendar. In Chagoya’s eyes, the world might have already ended, collapsing in a mockery of a sham. In addition to an obvious affinity with Guillermo Gómez-Peña’s vision (the two have collaborated on some iconic books), Chagoya’s most affecting work here recalls Mildred Howard’s politically charged, lushly wrought assemblage sculptures and intricate installations. Both artists map aesthetic delights on top of the real world. What happens in politics no longer stays in politics.

2012: SUPER-BATO SAVES THE WORLD Through July 2. Electric Works, 130 Eighth St., SF

(415) 626-5496, www.sfelectricworks.com

Stop PG&E’s alarming ballot measure

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EDITORIAL One of the greatest threats to public power in a generation is quietly working its way toward the California ballot.

As Rebecca Bowe reports on page 12, a proposed initiative that would require two-thirds of the voters to approve any sort of public electricity measure, including community choice aggregation (CCA), has been submitted to the state attorney general’s office. And Pacific Gas and Electric Co.’s fingerprints are all over it.

There’s no doubt whatsoever that this measure is designed to derail successful CCA efforts in places like Marin County and San Francisco, where the supervisors are moving forward to set up the equivalent of a buyer’s co-op for electricity. A San Francisco CCA would offer lower costs and much greener power — and would give the city far more control over its energy future.

The measure could also hamper the efforts of existing public power agencies to expand their territories or offer service to new customers.

The state Legislature approved a bill back in 2002 allowing California cities to replace private utility service with CCAs — and the bill included language barring PG&E and the other giant electricity companies in the state from spending money to undermine CCA efforts. In other words, it’s illegal for PG&E to use its immense resources and lobbying clout to try to block San Francisco’s efforts.

And PG&E has spent tens of millions of dollars in San Francisco, Davis, and elsewhere trying to block public-power programs.

So now the utility is going to the state ballot, where a campaign with enough money on an issue that’s sufficiently complicated can often pass. The law firm that filed the initiative papers, Neilsen Merksama (a political powerhouse that represents, among others, PG&E) won’t divulge much about the funding sources — except to say that the filing fee came from … PG&E. So there’s little doubt the measure will have the funds it needs to gather more than 600,000 signatures and mount a campaign of lies and disinformation.

That’s why supporters of CCAs and public power need to rally, now, to start planning to defeat this thing.

Mustering a two-thirds majority at the ballot for almost anything is difficult. Even in liberal San Francisco, bond measures requiring a two-thirds vote often pass only narrowly — and that’s if there’s no opposition. Even the most popular sorts of measures — say, for funding schools or libraries — can go down to defeat if anyone mounts serious opposition.

And PG&E, with its unlimited resources, would have the ability to kill the current CCA plans — or anything in the future that threatens the company’s illegal monopoly.

The two-thirds majority requirement is undemocratic and has paralyzed state government. Two-thirds mandates for new tax measures have made it almost impossible for cities and counties in this state to raise new revenue, even in desperate times like these.

The San Francisco supervisors need to immediately pass a resolution opposing the measure. Assembly Member Tom Ammiano and state Sen. Mark Leno have told us they oppose it, and they should see if there’s any way the Legislature can add language to the CCA bill to bar regulated utilities from spending money to undermine public power statewide. The San Francisco Public Utilities Commission should be talking to public power agencies all over the state and helping organize the opposition. If the measure makes it onto the ballot, the Sacramento Municipal Utility District, the Los Angeles Department of Water and Power, and every other municipal utility agency in the state will need to raise money — millions — and marshal forces against it.

This is a very serious threat, and the time to start defusing it is now. *

P.S.: Mayor Newsom has nominated Anson Moran, the former general manager of the San Francisco Public Utilities Commission, for a seat on the commission. This is a terrible idea. Moran had a notoriously anti-public power record when he was running the agency. In fact, in 1994, he tried to stop the city from bidding on the lucrative contract to supply electricity to the Presidio, saying that going up against PG&E would be "too political." And although he later said he would be willing to bid on the contract, he privately urged then-Mayor Frank Jordan to veto then-Sup. Angela Alioto’s measure pushing for public power at the Presidio. With all the battles over CCA and public power, the last thing the city needs is a PG&E call-up vote on the PUC. The Rules Committee hears the nomination June 18, and should vote to reject him.

Editorial SOS: Stop PG&E’s alarming ballot measure

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And stop Anson Moran, a PG&E callup vote, from getting a Mayor Newsom appointment to the San Francisco Public Utilities Commission. (See footnote) And scroll down to see the Rebecca Bowe story disclosing how the Transbay Cable would bring dirty PG&E power from a PG&E substation in Pittsburg to a PG&E substation at Potrero Hill.

EDITORIAL
One of the greatest threats to public power in a generation is quietly working its way toward the California ballot.

As Rebecca Bowe reports, a proposed initiative that would require two-thirds of the voters to approve any sort of public electricity measure, including community choice aggregation (CCA), has been submitted to the state attorney general’s office. And Pacific Gas and Electric Co.’s fingerprints are all over it.

There’s no doubt whatsoever that this measure is designed to derail successful CCA efforts in places like Marin County and San Francisco, where the supervisors are moving forward to set up the equivalent of a buyer’s co-op for electricity. A San Francisco CCA would offer lower costs and much greener power — and would give the city far more control over its energy future.

Show Diary: Neko Case/Jason Lytle, Peaches, Juan McLean/the Field, Telepathe, Handsome Furs, Au Revoir Simone

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The Field-Juan Maclean 2 sml.jpg
Juan, two, three: the Juan Maclean. Photo by Troy Bayless.

By Kimberly Chun

Impressionistic sketches, hazy watercolor memories of the way I listened last week, before the veil of forgetfulness falls.

Dang, I wish I had a proper camera in hand to get my shutterbug on at Peaches. The lady wasn’t going to let a little vault fire get in the way of her Grand Ballroom performance on June 5: she remains one of the most riveting performers to come out of electroclash on a sheer show-womanship level, and now that she has her live band, the Herms, complete with a leggy, black corseted blond guitar player who obligingly shimmies along to the boss lady’s “Shake your tits, shake your dick,” she’s pretty unstoppable. Essentially – no lie – everyone in the room could not tear their eyes away from Peaches’ ever-shifting spectacle, even if Vault Fire II broke out in the next room.

One-man UK opener Drums of Death made me consider suicide, but Peaches made up for it with a bout of crowd-surfing, a romp at the outer edge of the balcony, a slew of impressive costume changes (she poked fun at herself by coming out onstage in a robe at one point), and plenty of brain-teasing visuals, including a video-projected duet with Shunda K of Yo Majesty for “Billionaire” and a dance with super-shaggy Cousin-Its to the tune of “Talk to Me.”

The next night, June 6, saw Stockholm’s Axel Willner, otherwise known as the Field, hunkered down behind the decks at Mezzanine, opening for the Juan Maclean. Love the dreamy new long-player, though the show drew more from a minimalist techno vein, with assists from Dan Enqvist and Andreas Soderstrom. Still, it was mesmerizing – especially accompanied by video art that spliced images of shipping containers stacks with book piles. I stayed for just a dab of the Juan Maclean, who rocked the Human League-y robotic-pop vibe with mucho energy. Kudos to those who can pull off a nice, big Romulan shoulder pad – I’m scouring the thrift stores for mine soon. The kids were dancing as I departed amid complaints of pop monotony from companion Prof. Fluffy.

Which kind of poison?

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rebeccab@sfbg.com

GREEN CITY The push from city leaders to shut down Mirant’s aging Potrero power plant advanced another step June 2 when the San Francisco supervisors approved an ordinance sponsored by Sophie Maxwell and Michela Alioto-Pier that urges closing the entire facility by the end of 2010 and directs the San Francisco Public Utilities Commission to update a plan charting the city’s energy future.

But the current city proposal for closing the Mirant plant appears to rely entirely on replacing that power with the output of other private fossil fuel plants — in someone else’s backyard.

The city is following the same script as Pacific Gas and Electric Co., which wants to upgrade and expand the lines bringing its own private power into the city — instead of San Francisco generating power of its own.

In fact, Mayor Gavin Newsom has introduced legislation to sell four city-owned combustion turbines that are currently collecting dust in storage in Houston. Obtained as part of a 2003 lawsuit settlement, the turbines were almost employed last year to build four small city-owned power plants to fully replace the Mirant facility — but that plan was ultimately shot down.

The California Independent System Operator (Cal-ISO), a federally regulated body that oversees grid reliability, currently requires Mirant’s dirty San Francisco facility to stay in service to provide in-city generation capacity in case of catastrophic power grid failure. But city officials now say a new underwater power cable from the East Bay could replace Mirant Unit 3, which spews fumes into the Bayview-Hunters Point neighborhood.

Last month, Newsom, Board of Supervisors President David Chiu, City Attorney Dennis Herrera, SF Public Utilities Commission General Manager Ed Harrington and Sups. Sophie Maxwell and Michela Alioto-Pier sent a letter to Cal-ISO making the case that with the installation of the TransBay Cable — which would link the city with generating facilities in Pittsburg — and other planned system upgrades, the entire Mirant facility could be retired by next year.

Maxwell’s ordinance references that letter, and urges PG&E to "develop expeditiously" its transmission-upgrade projects to pave the way for the plant’s closure. Cal-ISO spokesman Gregg Fishman says that so far, it hasn’t reviewed PG&E’s plans.

Joe Boss, a longtime member of the city’s power plant task force, says he has little confidence that Mirant can be shut down without being replaced with new in-city electricity generation. He told us he believes it’s a bad move to sell off the publicly owned combustion turbines.

The TransBay Cable is essentially a 10-inch thick extension cord that would connect a PG&E substation in Pittsburg with another PG&E substation in Potrero Hill. It’s being bankrolled by the Australian investment firm Babcock & Brown, which ran into serious financial trouble during the economic downturn, and its San Francisco branch was bought out last month. Currently under construction, the cable project is being built in tandem with the Pittsburg power company, a municipal utility that would retain ownership of the cable and converter stations. PG&E customers will ultimately pay for power transmitted over the line.

The way the theory goes, once the cable goes live next March, Potrero’s Unit 3 — a natural-gas fired generator that runs about 20 hours a day — could finally be shut down. "But the question is, is it just going to bring dirty power to SF?" asks Sierra Club Energy Board chair Aaron Israel.

Near the Pittsburg end of the cable, there are two gas-fired Mirant-owned power plants, operating since 1972 and 1964.

There are proposals for two new Mirant natural-gas fired power plants in that area as well, plus a 530 MW plant called Gateway owned by PG&E that became operational this year.

So the future looks like this: San Francisco gets rid of a pollution source, and shifts the problem to a poor community 40 miles away. And PG&E and Mirant retain their hegemony over the city’s electricity supplies.

"’Which poison would you like?’ is kind of where the debate is," says Greenaction for Environmental Health & Justice Executive Director Bradley Angel. "We’ve got to keep advocating for a dramatic increase in renewable energy, here and elsewhere," Angel says. But that’s not going to happen with PG&E and Mirant calling the shots.

Post-diva, darling

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markeb@sfbg.com

SUPEREGO "Do you consider yourself a diva?" It’s one of those ridiculously rhetorical nightlife, especially gay nightlife, questions — like "Does this pair of angel wings and neon bob wig make me look dated?" or "Is that muscle queen by the speakers dancing or frantically signaling with both hands for me to call him on his cellular?"

And yet, here I am in the Castro, asking that very question of potential diva-in-training Caroline Lund (www.myspace.com/carolinelund). Lund certainly has all the particulars in place. Freshly released, circuit-friendly remix album of her debut single "Move Your Body"? Snap. A longtime dance presence on San Francisco’s shirtless gay afterhours scene, coordinating riser-writhers at Club Universe in the ’90s and now Wunderland? Snap, snap. Slick video featuring Lund in an array of revealing outfits, gyrating among backup pec-flexers? Of course. And heavy rotation play on Energy, 92.7 FM? Well, not until the Bay’s biggest progressive-pop dance station actually starts playing more local stuff. But soon.

Originally from Ghana, raised in Stockton, and now living in the Haight, the naturally gorgeous Lund even has a beauty pageant past, snagging a Miss San Joaquin sash when she was fresh out of high school ("I scored a few crowns and moved on," she laughs). But despite possessing all the slightly played-out signifiers of divadom, she offers a refreshing departure from the usual hyped-up circuit siren. First, she’s not a wailer. "Move Your Body" is an intensely catchy if unthreatening tune: Lund coos her way through the slinky "Ray of Light"-like slice of 2 a.m. loveliness with understated bravado.

Caroline Lund, “Move Your Body” (teaser)

She’s also disarmingly self-aware. "Look, I’m a track act," she tells me, "and I’ve seen a lot of track acts perform. It’s important not to interrupt the flow of the music with announcements, to flesh it out organically with dancing and costumes that don’t throw off the vibe." I’ll probably choke on an empty poppers bottle before I’ll ever again hear a track act describe herself as a track act. And underneath all the artifice, a real drama queen’s heart beats. The teenage Lund used to sneak out of her parent’s house to attend theater rehearsals, and has an impressive acting resume. "With the new release, I just always loved this type of music — it’s a time in my life to really go for something," she says, her eyes sparkling with resolve.

The bone of contention, of course, has always been divas. My cuticles are still raw from clawing my eyes out in the ’90s, trying to explain to my intransigent friends that house is more than just some lady yowling like a stuck pig to "be yourself" while a hurricane of gym clones twitches and disrobes on the dance floor around you. Not that there’s anything wrong with that scene, but it makes me kind of sneezy, kind of stabby. One could even hear much of the past decade’s underground dance music as a reaction to flagrant vocal house — from electro-clash’s snide, clipped raps, to electro’s Uffie "fuck me" mumbles and dubstep and future bass’s virtual obliteration of the feminine.

Maybe all that was necessary. But now that a diva can be "anyone with a midriff and an attitude" — in the words of DJ Bus Station John, who pretty much reintroduced the sound of women singing to SF’s dance underground with his bathhouse disco revival movement — and Lady Gaga has dominated global charts merely by raiding Grace Jones’ Goodwill bin, can we finally bury the overblown personality-machine and get back to the feeling?

"I’d be honored if anyone called me a diva," Lund says, demurely. "But really, I just want to be part of the energy, not to own it."

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STACEY PULLEN

In the early ’90s, along with seminal Detroit legends like Alton Miller, Kenny Larkin, and Carl Craig, ever-cool innovator Stacey Pullen explored and expanded a strain of the early techno sound, implicit in Derrick May’s first releases, that conjured up complex jazz-fusion-like chord shifts and African drum patterns. The results — oh, I’ll just say it — blew out some serious crania. They also helped establish techno as a distinctly black idiom at a time when its definition was being stretched so far it included sampling the Sesame Street theme song. In the late ’90s, when everyone was trying to make money, Stacey ventured into harder, more Euro-friendly mixes — with mixed results, at least to this Motor City queen’s ear. The man behind Silent Phase and Kosmik Messenger is back in his semi-abstract yet supremely danceable comfort zone, though, and should be worth braving the Temple weekend crowd for. Pack your anti-bachelorette spray and prepare to be seriously moved.

Fri/12, 10 p.m., $20. Temple, 540 Howard, SF. www.templesf.com

———-

THE MARTINEZ BROTHERS

Are Steve and Chris Martinez the great Bronx hope of house? The press hook about the dashing, actual brothers is that they’re incredibly tender: now 20 and 17 respectively, they’ve been tearing up global parties for the past couple years. (Don’t ask how they got past the door guys, nosy.) But the real news is that "house" in their case refers to deeply researched, deeply felt mixes that may be ravenous in scope — Kerri Chandler, Pat Methany, and Slum Village all find their way onto TMB’s decks — but are reviving that endangered species: dancefloor soul. This is not to say they’re fuddy-duddies in training, or that there’s cobwebs on the needles. The energetic duo may not yet be, as many have posited, the new Masters at Work (I’ll need to hear a few more releases from them before I’m willing to join that chorus), but when they give the electro-stutter treatment to Roland Clark’s political a capella "Resist" over DJ Spen’s string-driven throwdown "Gabryelle", the old-school spirits come down. House is alive and finding new children to speak through.

Sat/13, 10 p.m., $10 advance. Mighty, 119 Utah, www.mighty119.com

Economic snapshot for July 2009

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Economic snapshot for July 2009

By Christian E. Weller

We are learning the hard way that Wall Street, the economy, and the labor market are three separate things. While Wall Street enjoyed a bright spring, the economy continues to struggle, and job losses still mount.

The economy may be nearing its bottom, but it hasn’t reached it yet. Job growth won’t resume until the economy has turned the corner for good, no matter what Wall Street hopes for. A strong, sustained economic recovery will take time and public investments in health care, energy independence, public education, and innovation for years to come. These investments will help create and save millions of jobs right now and foster faster productivity growth that can translate into more and better jobs in the future.

Shrinking government

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steve@sfbg.com

Mayor Gavin Newsom released his proposed 2009-10 city budget June 1, proclaiming it far better than doomsayers predicted and emphasizing how he minimized cuts to health and human services that he once said could be as deep as 25 percent in order to bridge a $438 million budget deficit.

"It doesn’t come close to balancing on the backs of our health and human services agencies, as some had feared," Newsom told the department heads, elected supervisors, and journalists who were tightly packed into his office for the announcement event.

But there’s still plenty of pain in a city budget where the General Fund — the portion of the budget local officials can control — would be reduced by more than 11 percent, its only reduction in recent memory. And at a time when every reasonable Democrat in Sacramento has been nearly begging for tax hikes to prevent budget blood, San Francisco’s Democratic mayor proudly proclaimed that there are no new taxes in the budget.

"We didn’t raise taxes, and we didn’t borrow," he said. You can almost hear that line being repeated in the ads he’ll be running as he campaigns for governor.

Newsom proposes slashing the city’s public health budget by $128.4 million, or 8 percent (a total of 400 employees), while the human services budget would take a $15.9 million hit, or 2 percent. "That’s a lot, but by no means is it devastating," Newsom said, noting that he restored some of the deepest cuts that were the subject of alarming public hearings. "I listened to the public comments at the Board of Supervisors… Things got a lot better than the headlines and the hearings."

The proposed budget includes 1,603 full-time-equivalent layoffs, or a 5.8 reduction in the city’s workforce, trimming more than $75.5 million from the general fund budget. In addition, the Department of Health and Human Services is cutting back its workweek to 37.5 hours to further trim costs.

"The smoke hasn’t cleared yet and there’s a lot of devastation in this budget that isn’t being talked about," Sup. John Avalos, who chairs the Board of Supervisors Budget Committee, said at the event. Newsom’s budget will be analyzed and then face its first committee hearing June 17, with approval by the full board required by July 31.

"The mayor told us a lot about what’s in the budget, but not a lot about what’s not in the budget, so we’ll spend a few days figuring that out," board President David Chiu told the Guardian.

The budget was aided greatly by more than $80 million in federal stimulus funds and other one-time revenue sources (such as $10 million from the sale of city-owned energy turbines) that were used to plug this year’s gap and offset cuts by the state and depressed tax revenue.

Although Newsom doesn’t want to raise taxes, licenses and fees would go up 41 percent, increasing revenue by $64 million to $220 million. Some of those proposed fee hikes range from the cost of parking in city-owned garages to admission fees for city-owned facilities such as the Strybing Arboretum. Muni riders will also see fares hiked to $2.

There will also be deep cuts to some key city functions. The Department of Emergency Management would take a 24 percent cut under the mayor’s plan, while the Department of Building Inspection faces a 20 percent cut to expenditures and a 29 percent reduction in staff.

The Planning Department would also take a hit of about 7 percent, with most of that focused on the department’s long-range planning functions, which were slashed by 19 percent to $4.7 million.

But it’s not an entirely austere budget. The police and fire departments have status quo budgets with no layoffs. Travel expenses would increase 13.5 percent to $2.9 million and the cost of food purchased by the city would rise 127 percent to $7 million.

The Mayor’s Office of Economic and Workforce Development — which often uses public funds to subsidize private sector projects — would get a 32 percent increase, to $24.7 million.

It’s unclear how much the Mayor’s Office has shared the budget pain. During the presentation, Newsom said his office’s budget has been cut by 28 percent, but he later clarified that was spread over the five years he has been mayor. Yet even that is tough to account for given that some functions have been shuffled to other departments.

The document shows a proposed 60 percent increase in the Mayor’s Office budget, although the lion’s share of that comes from the Mayor’s Office of Housing’s one-time financial support for some long-awaited projects, including rebuilding the Hunters View housing and support services project for low-income people connected to the Central YMCA, and an apartment project on 29th Avenue for people with disabilities.

Avalos has said he will look to find money by cutting some of the highly paid policy czars and communications specialists added to the Mayor’s Office in recent years, as well as Newsom’s cherished 311 call center and the Community Justice Court he created. Supervisors are also expected to resist Newsom’s penchant for privatization. Newsom proposed to privatize seven city functions, from jail health services and security guards and city-owned facilities, and to consolidate another 14 functions between various city departments.

Newsom pledged to work with supervisors who want to change the budget, continuing the rhetoric of cooperation that he opened the budget season with in January, which supervisors say hasn’t been matched by his actions or the secretive nature of this budget. "This budget is by no means done," Newsom said. "It’s an ongoing process."

In fact, Newsom warned that the budget news could be even worse than his budget outlines. Gov. Arnold Schwarzenegger is talking about new cuts that could total $175 million or more for San Francisco only, although Newsom only included $25 million of that in his budget because it went to the printer on May 22 and the total hit is still unclear. "So," Newsom said, "we’re by no means out of the woods."

Buy your Slayer tickets tomorrow, dude!

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I got word of Live Nation‘s “No Service Fee Wednesdays” promotion before last weekend’s stabfest at the Shoreline Amphitheater, but what are the changes of two stabfests in one season, really? You know there’s at least one big, dumb concert you’re planning on driving to Mountain View to see anyway, so why not pick up your tickets tomorrow (Wed, June 3, starting at 12:01am) and save $10 per ticket in service fees? Note: this deal applies only to lawn tickets, so if you had your heart set on being front-row center for Nickleback, you’re SOL. Which is probably the least of your problems anyway, come to think of it. Note #2: what do those “service fees” pay for, anyway? Isn’t $31 for a concert ticket (on a semi-grassy lawn amid thousands of your rowdiest, most unwashed non-friends) enough to begin with?

Anyway, I digress. Straight from Live Nation’s press release, here are the concerts participating in tomorrow’s no-fees-for-lawn-tickets at the Shoreline “sale.” See you July 11!

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Shoreline Amphitheatre / Mountain View, CA

6/6 Live 105’s BFD featuring 311, The Offspring, Yeah Yeah Yeahs & More
6/13 Great American Food & Music Festival featuring Bobby Flay
6/26 Wild 94.9 Bomb Concert featuring Sean Paul, Ice Cube, Soulja Boy & more
7/4 4th of July Fireworks Spectacular w/ The San Francisco Symphony
7/11 Rockstar Energy Drink Mayhem Festival featuring Marilyn Manson & Slayer
7/13 Coldplay
7/24 Blazed & Confused Tour featuring Slightly Stoopid & Snoop Dogg
7/25 No Doubt with Paramore
7/30 Crue Fest 2 featuring Motley Crue & Godsmack
8/1 The Fray w/ Jack’s Mannequin
8/12 Depeche Mode
8/16 Toby Keith with Trace Adkins
8/20 Vans Warped Tour
9/1 Nickelback with Hinder, Papa Roach and more
9/2 Def Leppard with Poison and Cheap Trick
9/12 The Killers

Sleep Train Pavilion / Concord, CA

7/9 New Kids On The Block with Jesse McCartney and Jabbawockeez

7/11 Love Train – The Sounds of Philadelphia featuring The O’Jays

7/21 No Doubt with Paramore

7/31 Judas Priest with Whitesnake

8/19 Bone Bash X starring Aerosmith and ZZ Top

Sleep Train Amphitheatre / Wheatland, CA

7/10 Depeche Mode at Shoreline Amphitheatre

7/14 Coldplay

7/24 No Doubt with Paramore

8/1 98 Rock Presents ROCKALOTTAPUS feat. Judas Priest, Whitesnake, Tesla and more

8/21 Vans Warped Tour

8/31 Nickelback with Hinder, Papa Roach and more

9/3 Def Leppard w/ Poison and Cheap Trick

PG&E’s latest malevolence

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By Steven T. Jones
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Image of environment justice protest from Greenaction.org

As the Bay Guardian has documented for over 40 years, Pacific Gas & Electric Company has a sordid history of malevolent actions, including illegally cheating San Franciscans out of public power (from its initial violation of the federal Raker Act to its record-setting sums spent to defeat public power initiatives), corrupting local politics, lobbying against higher clean energy standards and consumer empower measures at all levels of government, greenwashing its dirty power portfolio (including the state’s largest nuclear power plant), transferring billions in ratepayer money to its parent company just before its utility declared bankruptcy (the lawsuit over which was recently dropped by Attorney General Jerry Brown, to his shame), screwing the city and ratepayers and then aggressively fighting the myriad resulting lawsuits, and on and on.

But now, we can add to the list mistreatment of its own employees. PG&E has reportedly ended negotiations with its Engineers and Scientists of California Local 20 labor union and announced its intention to unilaterally implement its final offer. The move has enraged both that union and its brothers and sisters on the larger House of Labor, which will be rallying and picketing outside PG&E headquarters at 77 Beale Street tomorrow at noon.