Comics

Tying one on with Dave Attell

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Dave Attell had my dream job. In the Comedy Central series, Insomniac, from 2001-2004, Attell took the typical travel show concept and gave it a degenerate edge, showcasing the people and places that come alive in towns across the country after midnight. The show was a smash hit in its own right… but I think he’s tired of talking about it now. So more importantly, he’s a super sharp stand up comedian with a rather dead pan manner and a knack for making hecklers feel like fools. He rocks the USO circuit on the regular, but he’s doing a civilian show on a stage near you shortly (Fri/12 & Sat/13, Cobb’s Comedy Club). He asked me to let y’all know that he’ll be performing new materials- so all the real comedy fans, come out and play.

San Francisco Bay Guardian: So we’re all really stoked you’re coming to San Francisco…

Dave Attell: I love SF. That’s where I started headlining. That’s probably where I’m going to end headlining, too. I have nothing but good thoughts about SF- even though now that it’s all fancy and PC it’s not as fun anymore, everyone knows that.

SFBG: How long have you been doing standup?

DA: Twenty years.

SFBG: Oh yeah, some change has gone down then. The thing I keep reading about you is that you’re a comedian’s comedian. What does that even mean?

DA: It means you can’t act. I can’t. I’m a horrible actor. I like jokes, I like writing jokes. But yeah, I don’t really know what that means. It’s a compliment, I hope.

SFBG: Has your comedy matured/grown over time? New themes?

DA: That’s a great question and the answer is no. Being in your mid forties and still talking about drinking and porn, I’d say the answer is no. I’m a good comic, not a great comic.

SFBG: Who, in your eyes, are?

DA: There are so many great comics. Everyone says Richard Pryor, George Carlin, which is true. The longer I do comedy, I realize it’s hard to always come to the table enthused. Bill Hicks, who was an amazing, important part of SF comedy. He was another guy who was ahead of the curve. But I’m nothing like those guys, I go for dirty humor. I can spread the word about them, though! There’s so many new guys- and I know people don’t like dragging their ass out to a new club, but that’s how it’s supposed to be done, club experiences. Cobb’s is a club where you do that, where you can bring out the new material, it’s great. Every year or so I check in at Cobb’s. 

SFBG: I have to tell you, I have a not so secret dream to be a travel show host. I loved Insomniac, was that a fun project to work on?

DA: Yes. But I’m too old to be a travel show host, I’m a has been. I encourage you to go out and do it, though. We need to see a woman’s perspective. I would go to the Middle East. It’s rough out there, but there’s a few places where you can party. Abu Dhabi and Dubai. It’d be a lot of money, but…

SFBG: Dubai! All I always hear about are those apartment islands they’ve built in the shape of the continents.

DA: Well their economy is in the shitter too, so they’re not building land masses anymore. It’s weird for people who fear God to act like God. Building the earth, isn’t that his job?

 

“I realize it’s hard to always come to the table enthused.” 

SFBG: Were the cities featured ones you were familiar with before the show? How’d you scout the locations and people you talked to?

DA: I mean, it wasn’t magic. It was hit a bar, talk to folks, get a couple shots, roll out. The part no one talks about is the late night jobs. There’s a lot of shows that focus on different jobs now, but I think we were unique on that.

SFBG: Were there any jobs you featured that you could see yourself doing?

DA: Not the coal mine. I hate being trapped. The coal miners have these sleds that go into the mountain, and then after twelve hours they pull them out. I have serious claustrophobia, couldn’t do that. I’m not a big fan of the water either, so not the ocean jobs. Of course, [we did the show] back when there still were jobs.

SFBG: I hear you are a fixture on the USO circuit. What’s that like?

DA: Ah good, a new topic. I’ve done four shows in Iraq, five in Afghanistan. I don’t know if they’re going to want me back, I’m kind of dirty. But really, it’s hard for the troops because it’s really boring, but really, really dangerous. You get a perspective on what these people do and how cool they are. Everybody talks about how “amazing” they are, but they keep it low key, do their jobs, and then come back for more- some of these guys are doing second, third tours of duty. The Olympics, they fill you with pride, but the army… it does, more.

SFBG: Lots of different acts do the USO tour, right? Were you traveling with, like, a bunch of cheerleaders as well?

DA: Being in the USO, you get to see a lot of other acts. The last one I did was with Billy Ray Cyrus. We never would have met otherwise. The thing is there’s USO stuff going on all over the world and the people that do it are really, really cool. The USO has a small budget, its not a government thing, it’s privately funded. I mean, I’m really a nobody in that scene. Robin Williams, Dane Cook, they do it. That’s amazing. The troops, they’re in the dirt, the mud- and all of sudden they look up, and there’s a star.

SFBG: Do you have family that were in the military?

DA: My dad was in the Navy, he told me some great stories. He wasn’t a career man though. Retail was his real calling, him being a Jew.

SFBG: How’d you get into the USO gig?

DA: Why wouldn’t I? I’m too old to fight. I’m lucky to have the opportunity to go over there and do it. These are the times we live in. This is what we do during a war on terror, whether it’s wrong or right. It comes down to; either we have to end the war or I need to get more material.

SFBG: Or we need to get the draft going, new audiences, right?

DA: Right. What we should do, all the people that lose on the Biggest Loser, we should send out there. We should say ‘you can go on this show, but if you lose you have to go to war.’

SFBG: Or how about all the reality shows! There’s your draft.

DA: Right.

 

And so! Dave Attell and I = Problem. Solved.


Fri/12 & Sat/13, 8 p.m. & 10:30 p.m., $35.50

Cobb’s Comedy Club

915 Columbus, SF

(415) 928-4320

www.cobbscomedyclub.com

A brief meditation on erotic comics (slightly NSFW)

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The Kinky Comic Carnival was held at S&M cafe Wicked Grounds a couple Saturdays ago. Comic book fanatics, stimulated by both caffeine and visual erotica, swarmed in unexpected numbers to meet local creative talents that included Ted Naifeh (Courtney Crumren), Justin Hall (Glamzonia, the Uncanny Super Tranny), Serena Valentino (Gloom Cookie), Greta Christina (Best Erotic Comics), Tristan Crane (How Loathesome), and Storm (Princess Witch Boy). The crowd was a mix of committed comicphiles, local kink enthusiasts, passerbys intrigued by the fuss, and confused SOMA-ites who just wanted their coffee.

The eroticism of a comic book is a rather ambivalent one. First, to eroticize a comic book character requires a leap of imagination that most people cannot take; I blame it on the lack of a third dimension. Second, at face value, comics just don’t seem that sexual in the age of gonzo porn. The Victorians liked their quaint pornographic drawings, but then came the moving picture and the drawings became antiquated collector’s items, ancient history. Finally, we are warned that those who read comics after a certain age invariably morph into basement-dwelling creeps. The belief persists that comics block production of potent growth hormones and can prolong an adolescence like nothing else. (They should market that.)

Fans of the genre couldn’t disagree more. For them, the syncretism of X-rated adult content with G-rated comic form represents an appealing erotic alternative to the constraints of real life. Comic book fans like comic books because they represent an escape from mundane 3-D reality. Because their fantasies exist outside the literal world, comic book porn — the exaggerated drawings, crazy sound effects (in a Justin Hall comic, fellatio is accompanied the onomatopoetic “BAM!”), and benevolent deux ex machina who always gets the good guy/gal laid — could not be further from everyday sex. Unharnessing the Id? You don’t have to be a comic book collector to acknowledge the tantalizing possibilities.

Shopping

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BEST INDEPENDENT BOOKSTORE; BEST USED BOOKSTORE

Green Apple

With thousands of dirt-cheap books, CDs, and DVDs, Green Apple is worth visiting for the witty staff picks alone.

506 Clement, SF. (415) 387-2272, www.greenapplebooks.com

Best Independent Bookstore runners up: Books, Inc., City Lights

Best Used Bookstore runners up: Dog-Eared Books, Aardvark

BEST COMIC BOOK STORE

Isotope

Mainstream comics are represented at Isotope, but its raison d’être is small-press, independent, and self-published varieties.

326 Fell, SF. (415) 621-6543, www.isotopecomics.com

Runners up: Whatever, Al’s Comics

BEST MAGAZINE SELECTION

Fog City News

Nibble designer chocolates while you sift through a staggering selection of magazines, including more than 700 foreign titles.

455 Market, SF. (415) 543-7400, www.fogcitynews.com

Runners up: Issues, Farley’s

BEST SPECIALTY BOOKSELLER

Borderlands

This Mission District shop, specializing in fantasy, horror, and science fiction, hosts an author nearly every week.

866 Valencia, SF. (415) 824-8203, www.borderlands-books.com

Runners up: Babylon Falling, Get Lost

BEST PLACE TO BUY VINYL; BEST PLACE TO BUY CDS

Amoeba Music

A Bay Area institution, Amoeba features a formidable vinyl collection and bargain bins overflowing with cheap used CDs.

1855 Haight, SF. (415) 831-1200; 2455 Telegraph, Berk. (510) 549-1125; www.amoeba.com

Best Place to Buy Vinyl runners up: Grooves, Open Mind

Best Place to Buy CDs runners up: Rasputin, Streetlight Records

BEST PLACE TO RENT MOVIES

Le Video

Conceived when the Parisian owner couldn’t find the cult and foreign films she craved, Le Video is known for its large, eclectic inventory.

1231 Ninth Ave., SF. (415) 566-3606, www.levideo.com

Runners up: Lost Weekend, Faye’s

BEST CLOTHING STORE (WOMEN)

Ambiance

Ambiance junkies love the store’s dedicated staff and massive selection, stretching across several budget octaves and featuring brands like Free People, BCBG, and Betsey Johnson.

1458 Haight, SF. (415) 552-5095; 3985 24th St., SF. (415) 647-7144; 1864 Union, SF. (415) 923-9797;

Runners up: Crossroads Trading Co., Brownies Vintage

www.ambiancesf.com

BEST CLOTHING STORE (MEN)

Indie Industries

The pared-down Berkeley storefront features prints, graphic tees, hoodies, and dresses by in-house artisans, plus anime-inspired kitsch.

2003 Milvia, Berk. (510) 549-3285, www.indieindustries.com

Runners up: Cable Car Clothiers, Five and Diamond

BEST CLOTHING STORE (KIDS)

Chloe’s Closet

Visit Chloe’s for the big selection, sweet Bernal Heights location, and homey atmosphere that’s earned it accolades four years running.

451 Cortland, SF. (415) 642-3300, www.chloescloset.com

Runners up: Little Fish, Pumpkin

BEST LOCAL DESIGNER


Nicacelly: Best Local Designer
GUARDIAN PHOTO BY MATTHEW REAMER

Nicacelly

Nicacelly’s designs are as colorful and eclectic as San Francisco itself — imagine a schizophrenic geisha sightseeing in Thailand while moonlighting as a hip-hop DJ. You can find her styles at True, Upper Playground, and Density, among other locations.

www.nicacelly.com

Runners up: Linda Pham, Sunhee Moon

BEST VINTAGE CLOTHING STORE

Brownies Vintage

Brownies has an unusual specialty: deadstock vintage that’s never been washed or worn. The unassuming shop also carries new styles by local and independent designers.

2001 Milvia, Berk. (510) 548-5955, www.brownies-vintage.com

Runners up: La Rosa, Painted Bird

BEST THRIFT STORE

Thrift Town

Thrift Town’s not your tame little vintage boutique — it’s a massive beast of a thrift store, with a huge selection and dizzyingly low prices.

2101 Mission, SF. (415) 861-1132, www.thrifttown.com

Runners up: Community Thrift, Out of the Closet

BEST SHOE STORE

Shoe Biz

If Kelly of YouTube fame were to shop at any of these footwear outlets, he/she could have only one response: these shoes rule.

1446 Haight, SF. (415) 864-0990; 877 Valencia, SF. (415) 550-8655; 3810 24th St., SF. (415) 821-2528,

www.shoebizsf.com

Runners up: Gimme Shoes, Rabat

BEST FURNITURE STORE

Propeller

Propeller mixes whimsy, beauty, and function in its showroom, featuring items like ceramic deer-head wall hangings, a chair made to look duct-taped, and dishes that look like they’re in motion.

555 Hayes, SF. (415) 701-7767, www.propellermodern.com

Runners up: Zonal, Monument

BEST VINTAGE FURNITURE STORE

Monument

Perfect for buying your home’s centerpiece item or simply getting inspiration, Monument has an impressive selection of modern and deco furniture.

572 Valencia, SF. (415) 861-9800, www.monument.1stdibs.com

Runners up: The Apartment, X-21

BEST FLEA MARKET

Alemany Flea Market

Smaller than Alameda’s but more charming, the Sunday Alemany market is a haven for hipsters seeking ironic art, vintage housewares, old tools, and antique art-projects-to-be.

100 Alemany, SF. (415) 647-2043

Runners up: Alameda, Ashby

BEST HARDWARE STORE

Cole Hardware

Friendly staff, an impressive selection, and convenient locations have made this independently owned shop a Bay Area favorite since 1920.

956 Cole, SF. (415) 753-2653; 3312 Mission, SF. (415) 647-8700; 70 Fourth St., SF. (415) 777-4400

2254 Polk, SF. (415) 674-8913; www.colehardware.com

Runners up: Brownie’s, Cliff’s

BEST INDEPENDENT TOY STORE

Ambassador Toys

A wonderland of toys, puzzles, coloring books, vintage race cars, collectible dolls, and other unique gifts for kids, Ambassador further charms shoppers with free gift wrapping.

186 West Portal, SF. (415) 759-8697; 2 Embarcadero Center, lobby level, SF.

(415) 345-8697, www.ambassadortoys.com

Runners up: The Ark, Mr. Mopps

BEST SHOP FOR PARENTS-TO-BE

Natural Resources

Encouraging mindfulness in pregnancy and child rearing, Natural Resources is an eco-boutique as well as an educational resource.

1367 Valencia, SF. (415) 550-2611, www.naturalresourcesonline.com

Runners up: Day One, Chloe’s Closet

BEST PET SHOP

Bernal Beast

Locals love Bernal Beast’s courteous staff, merchandise selection, unique treats (antlers as a chew toy!), and fantastic raw food section.

509 Cortland, SF. (415) 643-7800, www.bernalbeast.com

Runners up: Best in Show, Noe Valley Pet Co.

BEST QUIRKY SPECIALTY STORE

Paxton Gate

A more eclectic selection of bones, stones, taxidermy, rare plants, and oddball collectibles than Paxton’s could only exist in a gothic novel.

824 Valencia, SF. (415) 824-1872, www.paxtongate.com

Runners up: Heartfelt, Wishbone

BEST SPORTING GOODS STORE

Sports Basement

Whether it’s yoga mats, running shorts, tennis rackets, or basketballs you need, this is the place to get them — and often at warehouse prices.

1590 Bryant, SF. (415) 575-3000; 610 Mason, SF. (415) 437-0100; www.sportsbasement.com

Runners up: See Jane Run, Lombardi’s

BEST PLACE TO BUY CAMPING GEAR

REI

It’s difficult to find a retailer with a better selection of outdoor gear, from trek shoes to white-water rafting oars — and the return policy for members is unmatched.

840 Brannan, SF. (415) 934-1938, www.rei.com

Runners up: Sports Basement, Wilderness Exchange

BEST PLACE TO BUY BIKES AND GEAR

Mike’s Bikes

Mike’s does sell bikes and gear, but it’s best known and loved for its knowledgeable, reliable, and friendly service staff.

1233 Howard, SF. (415) 241-2453, www.mikesbikes.com Valencia Cyclery, American Cyclery

BEST ECO-FRIENDLY RETAILER

Rainbow Grocery

Featuring organic produce at good prices, natural bath and body products, and a selection of vegan, vegetarian, gluten-free, and other specialty items, Rainbow pleases a full spectrum of shoppers.

1745 Folsom, SF. (415) 863-0620, www.rainbowgrocery.org

Runners up: Elephant Pharmacy, Spring

Shopping — Editors Picks

BEST SUI, SHARP AND SWEET


Sui Generis: Best Sui, Sharp and Sweet
GUARDIAN PHOTO BY SAMANTHA BERG

Despite the vast numbers of stylish males who haunt our fair burg, shopping for menswear in San Francisco can be a real downer. You’re either pummeled with dopey high-end “designer” street labels à la G-Star or forced to piece together a credible look from scattershot resale sources — not a bad option in itself, except that every other subculturally fashion-conscious Y-chromosomer is usually elbowing you out of the way to get to the good stuff. Enter Sui Generis, a boutique of impeccably vetted men’s vintage wear on Church Street (another location, featuring dressier consignment duds, recently opened on Market Street). The Generis gentlemen hand-select a dossier of ultrasharp hand-me-down duds that poke the up-on-it eye with longing — rare and perfect tees, plaids of fondest dreams, jeans that scream “do me,” fedoras, scarves, footwear, more — and force us to re-evaluate our look every time we glance up at its display windows. A good thing, then, that Sui’s also manageably affordable. And one-of-a-kind cache is part of the value: no chance of running into your twin from Rolo or Nomads, here.

218 Church, SF. (415) 436-9661; 2265 Market, SF. (415) 437-2265, www.myspace.com/suigeneris_sfo

BEST PLACE TO FIND RARE NUTS

Sure, Valencia Cyclery has a whole store full of bikes, locks, tools, lubricants, and clothes at their 1077 Valencia showroom, but what makes them so magical is the 1065 Valencia repair shop. They opened in 1985, which means if you need a roller cam on an early Suntour mountain bike brake, a rebuild kit for a Sturmey Archer 3 speed hub, or just a hard-to-find nut with an odd thread pitch, you’re stoked. The back rooms have shelves and drawers full of every imaginable wingding and doohickey for your two-wheeled best friend — and if what you need isn’t there, the manager will order it. The mechanics are actually people you’d trust to work on your bike, not ham-handed hacks with their thumbs on backwards. And best of all, they explain things in plain English, not cooler-than-thou biker-ese.

1065 and 1077 Valencia, SF. (415) 550-6600, www.valenciacyclery.com


Sara Brownell and Nici Williams of
Brew Holster Cult: Best Beer Helmet
GUARDIAN PHOTO BY SAMANTHA BERG

BEST BEER HELMET UPGRADE

You’d think hipsters would’ve come up with an answer to beer helmets ages ago. But it wasn’t until saucy AC/DShe rock ‘n’ roll vixens Nici and Sarah began to face technical tippling difficulties at their shows — including drenched T-shirts and wet amps — that the Brew Holster was born. The studded leather gun sling, created by the girls in their backyard chop shop, kept the rockers’ drinks close and off their clothes while still looking badass. So how to join the Brew Holster Cult? Simply buy one off the Web site and wear it to backyard BBQs, outdoor concerts, all-night barhops, or wherever you need to rock out with your cock out or jam out with your clam out — without losing your booze. Brew it to it!

www.brewholstercult.com

BEST FARM-FRESH FASHION

Quaint, antique- and decor-store-lined Jackson Square got a little chicer — and a little more fashionista-friendly — when Carrots moved into the gracious hood. Sisters Melissa and Catie Grimm named their sublime boutique, tongue firmly placed in cheek, after the petite veggies that built their family’s business, Grimmway. Yet we couldn’t be further from the farm amid Carrots’ lofty yet elegant, European-inspired mix of antiques and industrial decor touches. Visitors are welcome to sip an espresso beneath the zinc 19th-century chandelier while browsing the wares of such covetable young designers as Thakoon, Stella McCartney, Narcisco Rodriguez, Vanessa Bruno, and Peter Som. Men can also find fashion respite courtesy of such desirables as Band of Outsiders, Obedient Sons, and Rag & Bone. The free mini carrot-cake cupcake isn’t your only reward for stopping by and discovering the ideal piece.

843 Montgomery, SF. (415) 834-9040, www.sfcarrots.com

BEST ONE-STOP MAELSTROM OF METAL

Chances are, if you’re at all familiar with the Bay Area metal scene, you’ve crossed paths with Shaxul, proprietor of Shaxul Records. In addition to distributing and releasing local and rare metal albums, Shaxul hosts a monthly radio show on KUSF (all-metal, natch) and runs a snug storefront on Haight Street, boldly perched opposite the megasize Amoeba Records. The walls are black and decorated with all manner of posters and T-shirts (including a particularly rad High on Fire tee that is sold out on every Internet vendor you might think of). The shelves are packed with vinyl (them things you put on a record player, kids!), CDs, DVDs, and more. And you ain’t gonna find no wimpy selections here: Shaxul almost exclusively stocks bands with names that’d scare your grandma, with brutal sounds to match. Both current (Saros, Hammers of Misfortune, Asunder) and classic (Death, Exodus, Testament) acts are well represented. Emo kids stay home! Everyone else, horns up.

1816 Haight, SF. (415) 831-5334, www.shaxulrecords.com

BEST VOODOO NOSE CANDY

Helen Keller once said, “Smell is a potent wizard that transports you across thousands of miles and all the years you have lived.” Which may be true, but she forgot to add that it can also be used to accumulate money, secure a long life, and get back at your ex for blowing your housemate. The aromatic candles, incense, and powders at Yoruba Botanica, a Santeria store in the Mission District, have been imbued with a potent form of South American sorcery, so choose your scents wisely. You don’t want to mistakenly buy a death candle for your arthritic grandmother, or some romance dust for your creepy bi-curious roommate. A consultation with one of the women who run Yoruba Botanica will ensure you get the correct smell for your purposes. And for a small fee, they’ll take you in back, read your fortune, and maybe even tell you how to score more ass.

998 Valencia, SF. (415) 826-4967

BEST NOMADIC HIPSTER BOUTIQUE

The Mission Indie Mart, a roaming thrift store, local design showcase, and barbecue that takes place monthly in backyards and at dive bars throughout the Mission District was dreamt up by Kelly Malone, a tattooed hipster chick with three lifelong obsessions: DIY fashion, hard drinking, and good times. Sadly, while her hobbies did wonders for her social life, they caused quite a stir at the Gap, where Malone had been working for more than 10 years. So she set up her own business. Her brainchild has become a staple of Mission dwelling: a monthly opportunity to mingle with artists, musicians, fashion designers, misfits, and fall-down drunks like the founder herself, whose hourly announcements at MIM evolve throughout the day from straightforward information to inebriated performance art. Her best line to date: “The bathrooms are in the back, the T-shirts are in the corner, and the vodka is in my belly. Now come on stage and let’s get naked, bitches. Wooo!”

www.indie-mart.com

BEST BONBON BAR

Charlie’s chocolate factory may be pure fiction, but Miette Confisserie is pure magic. This Hayes Valley confectioner, sister to the Ferry Building’s Miette Patisserie, brings European decadence and childlike devotion to the candy-shop concept. Walls are lined floor-to-ceiling with apothecary jars filled with imported boiled sweets, Dutch licorice, saltwater taffy, fine chocolates, and buttery caramels — all of which can be packaged in custom boxes tied with satin ribbons. But you don’t have to take your treats home. Miette hosts children’s birthday parties, complete with ballerinas, storytelling, and pony rides. Not a breeder? Adults can play too, with private evening fetes featuring champagne and cotton candy. Either option is ideal, considering Miette’s decor is as winsome as its sweets: if the perfectly salted walnut shortbread doesn’t charm you, the black-and-white checkerboard floor surely will.

449 Octavia, SF. (415) 626-6221

BEST WAY TO LEAVE A PARTY WITHOUT YOUR CLOTHES

Alternative economies sound nice in political lectures at the University of California, Santa Cruz, but they rarely thrive in real life. Sure, there are little free markets that crop up in cities across the world, but they’re usually full of questionable scavengers, dirty hippies, and slumming rich kids temporarily rebelling against “the Man.” And then there’s the stuff they trade — the idea that one man’s trash is another man’s treasure just doesn’t hold water when you see the usual pile of broken plates, outdated VCRs, and defunct Web site promo T-shirts. But thanks to the hipsters behind SwapSF, one experimental trade economy seems to be working. Their secret? Alcohol and music, of course. SwapSF is a seasonal warehouse party that charges $5 and a bag of clothes for entry. It’s a small price to pay for access to dope beats, an open bar, and all the cool togs your friends bought and never wore.

www.swapsf.com.

BEST FRENCH WINE WAREHOUSE

Many people are frightened of French wine, particularly the indecipherable and austere-looking labels — but not you. When your friend goes to a Halloween costume party as an uncorked bottle of Château d’Yqem, you are savvy enough to be amused. You are also savvy enough to know where to find deals on French (and other European) wines — which can still be found despite the dollar’s collapse against the euro: The Wine House. The warehousey setting on the northern foot of Potrero Hill assures you that it’s not ambience or fancy shelving you’re paying for. The staff is knowledgeable, helpful, and friendly. And there are plenty of offerings from Burgundy, Bordeaux, and lesser-known winegrowing regions, especially those in the south of France. Many wines are priced near $5 a bottle, making them competitive with Trader Joe’s plonk. Best of all are regular case discounts, from 10 percent on up, along with occasional case specials (often on fine Côtes du Rhône) even more drastically discounted.

129 Carolina, SF. (415) 355-9463, www.winesf.com

BEST ECO-SPOT FOR NOE TOTS

Ensure the longevity of both your children and the world they’ll grow up in at Mabuhay Kids, an eco-friendly baby boutique in Noe Valley named for the Filipino phrase for “long life.” Sporting eco-friendly, safe, and stylish attire from global and local designers, Mabuhay (pronounced “ma-boo-hi”) is a must for JAKC’s organic baby blankets, Stubby Pencil Studio’s soy crayons, and much more. Why trick out your toddlers with gun-toting G.I. Joes or sweatshop OshKosh B’Gosh overalls when you can provide them with sustainably harvested rubber tree tricycles or duds from Ses Petites Mains, who make organic French fashions for little ladies? In light of massive baby product recalls, this is a shop whose wares you can trust — whether your moppet’s got ’em on her bod or in his mouth. Plus, for Noe dwellers, it’s just one biodiesel stroller ride away.

195 Church, SF. (415) 970-0369, www.mabuhaykids.com

BEST MASTERS OF MYSTERY

A bookstore that sells mysteries shouldn’t be clean and well-lighted. It should look and smell and feel like it came out of the dark streets of Victorian London. And although the San Francisco Mystery Bookstore isn’t by any means dingy or dank, it’s got that wonderful cluttered feel of a place owned by someone who loves books and tolerates a bit of chaos. There are paperback mysteries everywhere — in the shelves, on the windowsill, stacked up by the cash register, tucked away in the back. They’re brand-new, used, or very old and valuable. There are selections by famous authors and some by writers you’ve never heard of. And best of all, the people who work there are as obsessed with whodunits as we are — they seem to have read everything by everybody and are happy to talk, recommend, critique, or chat. Or are they?

4175 24th St., SF. (415) 282-7444, www.sfmysterybooks.com

BEST BARGAIN BEATER MOTORCYCLES


Bike Yard: Best Bargain Beater Motorcycles
GUARDIAN PHOTO BY SAMANTHA BERG

The Bike Yard is every would-be sick boy’s dream come true: a used bike dealership, run by Francisca Feribert, a petite German mechanic who repairs totaled motorcycles and sells ’em cheap. Surrounded by ivy-covered brick warehouses and highway overpasses, the Yard feels like a piece of the country plopped down on the east side of Potrero Hill. Motorcycles and scooters in various states of repair look like they’ve been poured into the cyclone-fenced lot, where they’ve washed up against the sides of a gypsy caravan-style wagon, a small, corrugated metal workshop, racks of tires, and a tattered, sun-bleached Winnebago — all protected by Feribert’s guard goose, Helga. This licensed dealership even handles registration and sells helmets, so you can get riding as soon as you’ve got the scrill. Plus, beaters are especially good for first-timers, who need not wreck a $1,000 ride the first time they drop it.

851 Tennessee, SF. (415) 821-3941, www.bikeyardsf.com

BEST BANANA REPUBLIC REPLACEMENT

If you like Banana Republic’s simple, well-fitting, flattering clothes but not its reputation for using child labor and cutting down old-growth forests, you’ll love Sunhee Moon. This independent local designer with a “less is more” attitude uses such high quality fabrics and tailored, classic designs that you’ll hardly bat an eyelash at the price tags (tops run between $48 and $118). Women of all body types can find basics in simple, solid colors that somehow manage to maintain a hip, San Francisco-style sensibility. These are cute, modern clothes for home-based creative types who want to feel a bit dressed up, or for professionals working in the Financial District — who are probably the people who can afford to shop here regularly. But if you’re sick of ill-fitting T-shirts and corporate-shopping guilt, an occasional splurge at Moon is well worth the sacrifice.

2059 Union; 3167 16th St.; 1833 Fillmore, SF. (415) 922-1800, www.sunheemoon.com

BEST ORGANIC GUYLINER

Whether you’re headed to Club Meat at DNA Lounge, a Fall Out Boy concert, or simply a party full of squares where you’ll be the token “edgy” guy, there’s nothing to make a man feel sexy like a smudge of black kohl around the eyes. But who wants to defile his delicate emo lids with chemical-laden mainstream makeup? Not you. That’s where Pharmaca Integrative Pharmacy comes in. This Cole Valley cosmetic emporium features shelf after shelf and wall after wall of beauty products that won’t take a toll on either the planet or your face. There’s even a male makeup artist to give you tips, as well as a dizzying array of browsing-friendly herbal remedies, magazines, and health-related tchotchkes to occupy your friends who refuse to wear guyliner. Oh, and ladies can shop here too.

925 Cole, SF. (415) 661-1216, www.pharmaca.com

BEST MID-SHOPPING RESPITE

Any savvy shopper knows you have to refuel midday if you want to hit all the sales before closing. But there’s no need to resort to food courts and burger stands. Tucked away down Claude Lane, just blocks from Union Square, is Café Claude. Dining at the clandestine café is like spending an afternoon in Paris — arguably the best shopping city in the world — and has similarly replenishing effects (without the price or carbon footprint of a flight to France). Sit inside to enjoy a daily special amid the zinc bar, period travel posters, and vintage tables all rescued from an actual Parisian café. Or refuel with soupe l’oignon, salade Niçoise, and charcuterie et fromage on the petite heated patio. Weary shoppers can also enjoy a full bar and daily happy hours from 4 to 6 p.m. After all, you might need a glass of Sancerre — or a shot of St. Germain — before you take a second glance at your receipt from Neiman Marcus.

7 Claude Lane, SF. (415) 392-3505

BEST BAGPIPE EMPORIUM

It’s likely you’ve never stepped inside Lark in the Morning, unless you’re a musician with highly specialized needs. (Bagpipe reeds? Musical saws? Chinese opera gongs? It’s got ’em.) Time to change that! Though it does most of its business via mail order and its Web site, Lark recently moved from tourist-choked Fisherman’s Wharf to cozier digs in the Mission District, where the diverse inventory of ethnic instruments covers the walls, fills floor space, and hangs from every available ceiling hook. Adventurous beginners (including kids) and pros alike can find what they need here. And unlike certain big-chain instrument stores, Lark is staffed by musicians who are excited to share their knowledge with fellow artists, budding and otherwise. Just don’t test-drive anything by playing “Smoke on the Water” or “Dueling Banjos” — the staff might have to pull a Wayne’s World on you and request a song they aren’t subjected to on a daily basis.

1453 Valencia, SF. (415) 922-4277, www.larkinthemorning.com

BEST HOUSEWARMERS FOR POETS

Like Coleridge’s “Kubla Khan” vision of a sunny pleasure dome filled with caves of ice, Rare Device, that bright little Hayes Valley shop on Market Street, exhibits gorgeous and amazing things. Things, (as the poem says, of course), of rare device. This San Francisco find is actually the sister of a Brooklyn establishment running under the same moniker, and both focus on designer objets d’art from around the world. Stop by once and your list of must-gets could go something like this: Japanese tea cups carved from single blocks of wood, a mouth-blown wine glass with an inverted stem, and a linen silk-screened pillow for your dreamy head. Things you must give as gifts range from the perplexing knitted bowl with a porcelain center to the mind-blowingly obvious bottle opener that says “open.” Well, how else are you going to pop the lid of that milk of paradise at the next housewarming party?

1845 Market, SF. (415) 863-3969, www.raredevice.net

BEST “SECRET” GARDEN

In Frances Hodgson Burnett’s The Secret Garden, it is the magic of nature, experienced privately, that transforms Mary and Colin into blossoming children. Though Vines Café is not officially a secret, the quaint coffee house and gallery’s proximity to the typically quiet Thomson’s Nursery next door seems to have a similar effect on patrons. Sitting on the patio of the converted Victorian, one might find time standing still: hummingbirds hover midair to drink nectar from red-flowered pineapple sage while bees and butterflies flit from the lavender to the lemon geraniums to the foxglove plants below. ‘Tis a place that seems built for writing in a diary, reading a fanciful novel, or sketching a whimsical landscape. And if contemplation isn’t your thing, you can occupy yourself by browsing Vine’s antique jewelry gallery upstairs or choosing which petunias you’ll take home with you. Just don’t tell Mr. Craven where you got ’em.

1113 Lincoln, Alameda. (510) 522-8489

BEST BOOKSTORE FOR ASPIRING ACTIVISTS


Babylon Falling: Best Bookstore for Aspiring Activists
GUARDIAN PHOTO BY SAMANTHA BERG

Mark Twain said, “The man who does not read good books has no advantage over the man who cannot read,” which means that if you ever want to actually learn anything from books, you’re gonna have to get some decent lit. But you don’t need to waste your time surfing on Amazon or searching through library stacks (gasp!) — the rebel academics at Babylon Falling have already done all the work for you. If you really want to learn how to be as subversive as Che Guevara or Chuck D, pop into Babylon and check out its selection of revolutionary literature, graphic novels, art, and music. Babylon also carries a huge assortment of toys, artwork, clothing, and DVDs to complement its collection of more than 3,000 book titles. Plus, it hosts readings, art shows, and signings by literate revolutionaries from the Bay Area and beyond. Babylon will never fall if its citizens learn to read good. You can quote us on that.

1017 Bush, SF. (415) 345-1017, www.babylonfalling.com

BEST DIRT CHEAP DESIGNER DUDS

Jeremy’s is what all fashion discounters should aspire to be — fluorescent lights, foul dressing rooms, and lack of mirrors be damned. Brick-lined, filled with well-weathered wood and retro fixtures, built like an aging beauty of a department store, and chock-full of full-tilt high fashion and fun bargains, Jeremy’s is catnip to the clothes fiend who has all the desires of an haute couture client but few of the funds. It’s all here, kids: Prada, Dolce & Gabbana, Missoni, McQueen, Chanel, Marc Jacobs, Marc Jacobs, Marc Jacobs — all well-edited and last season or older. You wouldn’t guess it, of course. The men’s collections are similarly high style, though often much more pecked over. Pity the poor manly fashionisto in search of a deal elsewhere — you’ll find them here. Also worth perusing are the always delightful collections of unique shoes and boots, junior lines (often culled from Anthropologie and its ultracute, vintage-inspired brand), and accessories, jewelry, bags, and housewares. Items come and go, but, man, do they speed out of the store when Jeremy’s all-store sales are in full effect.

2 South Park, SF. (415) 882-4929; 2967 College, Berk. (510) 849-0701, ww.jeremys.com

BEST DANDY NANCIES

Toss the tacky Axe body spray, lose that horrid Aveda sheen, forget dropping oodles of dough on some designer-brand swill that looks better in its fancy bottle then on your handsome man-skin — Nancy Boy products are the real deal when it comes to male image enhancement. Manufactured locally and distributed from a lovely shop in Hayes Valley that also functions as a gallery of rare and covetable glassware, the all-natural line for men features several enormously popular products for local luxury lovers, including an inimitable signature replenishing shave cream infused with natural steam-distilled extract of fresh cucumbers (“not some ‘idea of cucumber’ concocted in some chemistry lab,” the makers assure us), a wildly fab lavender laundry detergent, and myriad other beauty products — not just for metrosexuals and A-gays! They work on scruffy hipsters and women too! — that we never thought we’d come to depend on so much. An extra treat: co-founder Eric Roos’ occasional hilarious, politically satirical newsletter that keeps us in stitches. Who knew beauty could be so spot-on?

347 Hayes, SF. (415) 552-3802, www.nancyboy.com

BEST BOUTIQUE FOR HEP CATS (AND DOGS)

Jeannine Giordan believes that pet stores are places humans should want to shop in, and that pet food should be made of ingredients animals actually want to eat. So radical! So revolutionary! And, in the case of Giordan’s brand new pet boutique Hazel and Gertie’s, so cute! Housed on the bottom floor of a Victorian on 22nd Street, the shop is clean, airy, and punctuated by tastefully, carefully collected displays of products for four-legged friends, from beds for your beagle to collars for your chartreux. Most impressive, though, is the selection of pet foods, including healthy, organic items by California Natural, Innova, Newman’s Own, and Wysong and raw food by San Francisco–based smallbatch. But Hazel and Gertie’s — named for Giordan’s dogs — is more than just a store. It’s also the outpost for Giordan’s dog-walking business, Gooddog, as well as a self-serve washing station (tub, water, towel, apron, and all-natural soap provided for $15). Giordan even gives referrals for other pet-related services.

3385 22nd St., SF. (415) 401-9663, www.hazelandgerties.com

BEST CUSTOM BOOKBINDERY

You refuse to get your wedding dress off the rack, so why buy your guestbook at Target? Especially when Kozo Arts can make you a custom book as special as your ceremony? This small bindery in Cow Hollow specializes in Japanese-style journals, invitations, scrapbooks, photo albums, and guest books, all handmade by one of Kozo’s five artisans. You choose from a wall of gorgeous screen-printed Chiyogami papers, pick a matching imported silk binding fabric, and order the size and page count you want — and you soon have a one-of-a-kind volume for documenting your once-in-a-lifetime event. The small, charming shop on Union Street also has a selection of premade books in its most popular styles, including journals decorated with pink and white flowers and bunnies, a basic red cherry blossom print, and various colored backgrounds embossed with Japanese parasols that are great as gifts. And don’t miss the scrap bin, full of beautiful leftover papers and fabrics perfect for DIY projects.

1969A Union, SF. (415) 351-2114, www.kozoarts.com

BEST GARDEN OF FASHION


Porto: Best Garden of Fashion
GUARDIAN PHOTO BY SAMANTHA BERG

We can’t decide which we like better: the imported Italian fashions Porto sells or the building it houses them in. It’s undeniable that the clothes for women are chic, distinctive, and well made. We love the asymmetrical details on Sathia tees and dresses, the fun and flirty sportswear by Deha, the innovative skirts and tops from MC Planet, and the unique detailing on everything by Vasalli. But we especially love how the shop is tucked away from the bustle of Union Street down a long corridor, and how natural light floods the airy, two-story building. Add the adjacent rooftop garden, where Porto’s friendly, helpful owner might let you sip bubbly between purchases, and you might forget about the clothes altogether. That is, until you check out the fabulous sale racks. One visit here and you’ll never need Urban Outfitters again.

1770 Union, SF. (415) 440-5040, www.portoboutique.com

BEST MODERN MOROCCAN STYLE

If you like the bold colors, interesting shapes, and exotic romance of Moroccan design, but don’t want your home to look like a college dorm or a swingers’ lounge, you’ll love Tazi. This Hayes Valley showroom is stocked full of Moroccan furniture, textiles, clothing, and accessories — all with a sleek, modern edge. Think mosaic patio tables, bright sofas, metalsmithed lanterns, leather poufs (ottomans), and antiqued doors — most handmade, and all of unmatched quality. Though the Linden Street studio specializes in working with retailers, bars, and restaurants, the staff will also happily help individuals supplement their wardrobe with a gorgeous leather purse, or solve complicated spatial issues with mix-and-match furniture pieces. Plus, Blue Bottle’s just down the street. You can’t get that in Morocco.

333 Linden, SF. (415) 503-0013, www.tazidesigns.com

BEST BIKE CLOTHES FOR BABES

When Sheila Moon started racing bicycles in 1993, very few companies made cycling clothes designed to fit women. “I started asking friends in bike shops if women’s clothing would be a good idea, and they all looked at me like I was crazy,” she said. Moon went for it anyway. Now, after six years in business, she’s distributed in 32 states, plus Canada, and her extensive line includes caps, jerseys, shorts, and knickers for women and men, with separate styles for professional cyclists and regular ol’ riders. She’s moved her SoMa design studio to a live/work loft in Oakland, but everything is still stitched and shipped from San Francisco. Locals can find styles like her women’s riding britches on her Web site and at shops like Sports Basement, City Cycle, and Mojo Bike Café. And daily commuters should keep an eye out: Moon’s got even more bike-to-boardroom threads in her fall line. (Hint: skirts!)

www.sheilamoon.com

Nightlife and Entertainment

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BEST REP FILM HOUSE

Red Vic

From rock docs to cult classics, this Upper Haight co-op’s schedule has kept its cozy couches filled with popcorn-munching film buffs since 1980.

1727 Haight, SF. (415) 668-3994, www.redvicmoviehouse.com

Runners up: Castro, Roxie

BEST MOVIE THEATER

Balboa Theater

Packing the house with film festivals, second-run faves, indie darlings, and carefully chosen new releases, this Richmond gem offers old-school charm with a cozy neighborhood vibe.

3630 Balboa, SF. (415) 221-8184, www.balboamovies.com

Runners up: Castro, Kabuki Sundance

BEST THEATER COMPANY

Un-Scripted Theater Company

The Un-Scripted improv troupe elevates comedy from one-liners and shtick to full-fledged theatrical productions with a talented cast and eccentric sensibilities.

533 Sutter, SF. (415) 869-5384, www.un-scripted.com

Runners up: ACT, Shotgun Players

BEST DANCE COMPANY

Hot Pink Feathers

Blurring the line between cabaret and Carnaval, this burlesque troupe drips with samba flavor (and feathers, of course).

www.hotpinkfeathers.com

Runners up: DholRhythms, Fou Fou Ha!

BEST ART GALLERY

Creativity Explored

The cherished nonprofit provides a safe haven for artists of all ages, abilities, and skill levels while making sure that great works remain accessible to art lovers without trust funds.

3245 16th St., SF. (415) 863-2108, www.creativityexplored.org

Runners up: 111 Minna, Hang

BEST MUSEUM

De Young

Golden Gate Park’s copper jewel boasts stunning architecture, one hell of a permanent collection, and an impressive schedule of rotating exhibitions.

50 Hagiwara Tea Garden Drive, SF. (415) 750-3600, www.famsf.org/deyoung

Runners up: Asian Art Museum, SF MOMA

BEST MIXED-USE ARTS SPACE

CellSPACE

From aerial circus arts to metalsmithing, fire dancing to roller-skating parties, CellSPACE has had its fingers all over San Francisco’s alternative art scene.

2050 Bryant, SF. (415) 648-7562, www.cellspace.org

Runners up: SomArts, 111 Minna

BEST DANCE CLUB

DNA Lounge

DNA scratches just about every strange dance floor itch imaginable — from ’80s new wave and glam-goth to transvestite mashups and humongous lesbian dance parties.

375 11th St., SF. (415) 626-1409, www.dnalounge.com

Runners up: Temple, 1015 Folsom

BEST ROCK CLUB

Bottom of the Hill

San Francisco’s quintessential “I saw ’em here first” dive, Bottom of the Hill consistently delivers stellar booking, cheap drinks, and great sound.

1233 17th St., SF. (415) 621-4455, www.bottomofthehill.com

Runners up: Slim’s, The Independent

BEST HIP-HOP CLUB

Club Six

Six blurs the line between high and low, offering an upstairs lounge in which to see and be seen and a basement dance floor for those who want to show off their b-boy prowess.

60 Sixth St., SF. (415) 531-6593, www.clubsix1.com

Runners up: Poleng, Milk

BEST JAZZ CLUB

Yoshi’s

Nothing says “Bay Area” quite like Yoshi’s masterful combo of classic cocktails, inventive maki rolls, and world-class jazz acts.

510 Embarcadero West, Jack London Square, Oakl. (510) 238-9200; 1330 Fillmore, SF. (415) 655-5600; www.yoshis.com

Runners up: Jazz at Pearl’s, Biscuits and Blues

BEST SALSA CLUB

Cafe Cocomo

Smartly dressed regulars, smoking-hot entertainment, and plenty of classes keep the Cocomo’s floor packed with sweaty salsa enthusiasts year-round.

650 Indiana, SF. (415) 824-6910, www.cafecocomo.com

Runners up: El Rio, Roccapulco

BEST PUNK CLUB

Annie’s Social Club

The club maintains its cred by presciently booking on-the-rise punk and hardcore bands and adding a sprinkle of punk rock karaoke, photo-booth antics, and ’80s dance parties.

917 Folsom, SF. (415) 974-1585, www.anniessocialclub.com

Runners up: Thee Parkside, 924 Gilman

BEST AFTER-HOURS CLUB

Endup

Where the drunken masses head after last call, the aptly named Endup is probably the only club left where you can rub up against a fishnetted transvestite until the sun comes up. And after.

401 Sixth St., SF. (415) 646-0999, www.theendup.com

Runners up: Mighty, DNA Lounge

BEST HAPPY HOUR

El Rio

“Cash is queen” at this Mission haunt, but you won’t need much of it. El Rio’s infamous happy hour — which lasts five hours and begins at 4 p.m. — consists of dirt cheap drinks and yummy freebies.

3158 Mission, SF. (415) 282-3325, www.elriosf.com

Runners up: Midnight Sun, Olive

BEST DIVE BAR

500 Club

A mean manhattan might not be the hallmark of a typical dive, but just add in ridiculously low prices, well-worn booths, and legions of scruffy hipsters.

500 Guerrero, SF. (415) 861-2500

Runners up: Broken Record, Phone Booth

BEST SWANKY BAR

Bourbon and Branch

Mirrored tables, exclusive entry, fancy specialty cocktails, and a well-appointed library root this speakeasy firmly in “upscale” territory.

501 Jones, SF. (415) 346-1735, www.bourbonandbranch.com

Runners up: Red Room, Bubble Lounge

BEST TRIVIA NIGHT

Brain Farts at the Lookout

“Are you smarter than a drag queen?” Brain Fart hostesses BeBe Sweetbriar and Pollo del Mar ask every Wednesday at 7:30 p.m. at this gay hot spot. Maybe.

3600 16th St., SF. (415) 431-0306

Runners up: Castle Quiz (Edinburgh Castle), Trivia Night (Board Room)

BEST JUKEBOX

Lucky 13

Bargain drinks, a popcorn machine, and Thin Lizzy, Hank 3, Motörhead, and Iggy on heavy rotation: Lucky 13 never disappoints.

2140 Market, SF. (415) 487-1313

Runners up: Phone Booth, Lexington Club

BEST KARAOKE BAR

The Mint

It may be nigh impossible to get mic time at this mid-Market mainstay, but once you do, there are hordes of adoring (read: delightfully catty) patrons to applaud you.

942 Market, SF. (415) 626-4726, www.themint.net

Runners up: Encore, Annie’s Social Club

BEST CLUB FOR QUEER MEN

Bearracuda at Deco

Bears at the free buffet, bears on the massage table — bears, bears everywhere, but mostly on the dance floor at this big gay biweekly hair affair in the Tenderloin.

510 Larkin, SF. (415) 346-2025, www.bearracuda.com

Runners up: The Cinch, The Stud

BEST CLUB FOR QUEER WOMEN

Lexington Club

With a pool table, a rotating gallery of kick-ass art, and regular rock DJ nights, this beer-and-shot Mission dive has been proving that dykes drink harder for more than a decade.

3464 19th St., SF. (415) 863-2052, www.lexingtonclub.com

Runners up: Cockblock, Wild Side West

BEST CLUB FOR TRANNIES

Trannyshack

Say hello, wave good-bye: Heklina’s legendary trash drag mecca hangs up its bloody boa in August, but it’s still the best bang for your tranny buck right now.

Stud, 399 Ninth St., SF. (415) 252-7883, www.trannyshack.com

Runners up: AsiaSF, Diva’s

BEST SINGER-SONGWRITER

Curt Yagi

Multi-instrumentalist Curt Yagi has been making the rounds at local venues, strumming with the swagger of Lenny Kravitz and the lyrical prowess of Jack Johnson.

www.curtyagi.com

Runners up: Jill Tracy, Kitten on the Keys

BEST METAL BAND

A Band Called Pain

If you didn’t get the hint from their name, the Oakland-based A Band Called Pain bring it hard and heavy and have lent their distinct brooding metal sound to the Saw II soundtrack and Austin’s SXSW.

www.abandcalledpain.com

Runners up: Thumper, Death Angel

BEST ELECTRONIC MUSIC ACT

Lazer Sword

Rooted in hip-hop but pulling influences from every genre under the sun, the laptop composers seamlessly meld grime and glitch sensibilities with ever-pervasive bass.

www.myspace.com/lazersword

Runners up: Kush Arora, Gooferman

BEST HIP-HOP ACT

Beeda Weeda

Murder Dubs producer and rapper Beeda Weeda may make stuntin’ look easy, but he makes it sound even better: case in point, his upcoming album Da Thizzness.

www.myspace.com/beedaweeda

Runners up: Deep Dickollective, Zion I

BEST INDIE BAND

Ex-Boyfriends

San Francisco outfit and Absolutely Kosher artists the Ex-Boyfriends dole out catchy power pop with a shiny Brit veneer and a dab of emo for good measure.

www.myspace.com/exboyfriends

Runners up: Gooferman, Making Dinner

BEST COVER BAND

ZooStation

A mainstay at festivals, parties, and Slim’s cover-band nights, ZooStation storm through the U2 catalog (they take on more than 140 of the band’s tunes).

www.zoostation-online.com

Runners up: AC/DShe, Interchords

BEST BAND NAME

The Fucking Ocean

Fuck Buttons, Holy Fuck, Fucked Up, Fuck, indeed: the time is ripe for band names that can’t be uttered on the airwaves, and the Fucking Ocean leads the pack. George Carlin would be so proud.

www.myspace.com/thefuckingocean

Runners up: Stung, Gooferman

BEST DJ

Smoove

Ian Chang, aka DJ Smoove, keeps late hours at the Endup, DNA Lounge, 111 Minna, Mighty, and underground parties all over, pumping out power-funk breaks.

www.myspace.com/smoovethedirtypunk

Runners up: Jimmy Love, Maneesh the Twister

BEST PARTY PRODUCERS

Adrian and the Mysterious D, Bootie

Five years in, the Bay’s groundbreaking original mashup party, Bootie, has expanded coast-to-coast and to three continents. This duo displays the power of tight promotion and superb party skills.

DNA Lounge, 375 11th St., SF. (415) 626-1409, www.bootiesf.com

Runners up: NonStop Bhangra crew, Mike Gaines (Bohemian Carnival)

BEST BURLESQUE ACT

Twilight Vixen Revue

Finally, someone thinks to combine pirates, wenches, classic burlesque, and foxy lesbians. This all-queer burlesque troupe has been waving its fans (and fannies) since 2003.

www.twilightvixen.com

Runners up: Sparkly Devil, Hot Pink Feathers

BEST DRAG ACT

Katya Ludmilla Smirnoff-Skyy

Gorgeous costumes, a glamorous backstory, and a jam-packed social calendar are reasons enough to catch this opera diva, but it’s her flawless mezzo that keeps fans hurling roses.

www.russianoperadiva.com

Runners up: Charlie Horse, Cookie Dough

BEST COMEDIAN

Marga Gomez

One of America’s first openly gay comics, San Francisco’s Marga Gomez is a Latina firebrand who’s equally at home performing at Yankee Stadium or Theatre Rhinoceros.

www.margagomez.com

Runners up: Robert Strong, Paco Romane

BEST CIRCUS TROUPE

Vau de Vire Society

Offering a full-on circus assault, the wildly talented and freakishly flexible troupe’s live show delivers plenty of fire performances, aerial stunts, and contortionism.

www.vaudeviresociety.com

Runners up: Teatro Zinzani, Pickle Family Circus

BEST OPEN MIC NIGHT

Hotel Utah

One of the city’s strongest breeding grounds for new musical talent, Hotel Utah’s open mic series opens the floor for all genres (and abilities).

500 Fourth St., SF. (415) 546-6300, www.hotelutah.com

Runners up: Queer Open Mic (3 Dollar Bill), Brain Wash

BEST CABARET/VARIETY SHOW


Hubba Hubba Review: Best Cabaret/Variety Show
PHOTO BY PATRICK MCCARTHY

Hubba Hubba Revue

Vaudeville comedy, tassled titties, and over-the-top burlesque teasing make the Hubba Hubba Revue the scene’s bawdiest purveyor of impropriety.

www.hubbahubbarevue.com

Runners up: Bohemian Carnival, Bijou (Martuni’s)

BEST LITERARY NIGHT

Writers with Drinks

This roving monthly literary night takes it on faith that writers like to drink. Sex workers, children’s book authors, and bar-stool prophets all mingle seamlessly, with social lubrication.

www.writerswithdrinks.com

Runners up: Porchlight Reading Series, Litquake

BEST CRUSHWORTHY BARTENDER

Laura at Hotel Utah

Whether you just bombed onstage at open mic night or are bellied up to the Hotel Utah bar to drink your sorrows away, the ever-so-crushworthy Laura is there with a heavy-handed pour and a smile. She’s even nice to tourists — imagine!

500 Fourth St., SF. (415) 546-6300, www.hotelutah.com

Runners up: Chupa at DNA Lounge, Vegas at Cha Cha Cha

Nightlife and Entertainment — Editors Picks

BEST CREEP-SHOW CHANTEUSE

There’s just something about the inimitable Jill Tracy that makes us swoon like a passel of naive gothic horror heroines in too-tight corsets. Is it her husky midnight lover’s croon, her deceptively delicate visage, her vintage sensibilities? Who else could have written the definitive elegy on the “fine art of poisoning,” composed a hauntingly lush live score for F.W. Murnau’s classic silent film Nosferatu, joined forces with that merry band of bloodthirsty malcontents, Thrillpeddlers, and still somehow remain a shining beacon of almost beatific grace? Part tough-as-nails film fatale, part funeral parlor pianist, Tracy manages to adopt many facades yet remain ever and only herself — a precarious and delicious balancing act. Her newest CD, The Bittersweet Constrain, glides the gamut from gloom to glamour, encapsulating her haunted highness at her beguiling best.

www.jilltracy.com

BEST CINEMATIC REFUGE FOR GERMANIACS

Can’t wait for the annual Berlin and Beyond film fest to get your Teuton on? The San Francisco Goethe-Institut screens a select handful of German-language films throughout the year at its Bush Street language-school location. For a $5 suggested donation, you can treat yourself to a klassische F.W. Murnau movie or something slightly more contemporary from Margarethe von Trotta. Flicks are subtitled, so there’s no need to brush up on verb conjugations ahead of time. And the Bush Street location is within respectable stumbling distance of many Tendernob bars, not to mention the Euro-chic Café de la Presse, should your cinematic adventure turn into an unexpected Liebesabenteuer. Unlike SF filmic events offering free popcorn, free-for-all heckling, or staged reenactments of the action, Goethe-Institut screenings need no gimmickry to attract their audiences — a respectable singularity perhaps alone worth the price of admission.

530 Bush, SF. (415) 263-8760, www.goethe.de

BEST UNFORCED BAY AREA BALKANIZATION

Despite all the countless reasons to give in to despair — the weight of the world, the headline news, those endless measured teaspoons — sometimes you just have to say fuck it and get your freak on. No party in town exemplifies this reckless surrender to the muse of moving on better than the frenetic, freewheeling proslava that is Kafana Balkan. No hideaway this for the too-cool-for-school, hands-slung-deep-in-pockets, head-bobber crowd. The brass-and-beer-fueled mayhem that generally ensues at Kafana Balkan, often held at 12 Galaxies, is a much more primitive and fundamental form of bacchanal. Clowns! Accordions! Brass bands! Romany rarities! Unfurled hankies! The unlikely combination of high-stepping grannies and high-spirited hipsters is joined together by the thread that truly binds: a raucous good time. Plus, all proceeds support the Bread and Cheese Circus’s attempts to bring succor and good cheer to orphans in Kosovo. Your attendance will help alleviate angst in more ways than one.

www.myspace.com/kafanabalkan

BEST GOREY BALL

There’s no doubt about it — we San Franciscans love to play dress-up. From the towering Beach Blanket Babylon–esque bonnets at the annual Sisters of Perpetual Indulgence Easter Sunday to the costumed free-for-all of All Hallows Eve, the more elaborate the excuse to throw on some gay apparel, the more elaborate the apparel. This makes the annual Edwardian Ball tailor-made for San Francisco’s tailored maids and madcap chaps. An eager homage to the off-kilter imaginings of Edward Gorey, whose oft-pseudonymous picture books delved into the exotic, the erotic, and the diabolic within prim and proper, vaguely British settings, the Edwardian Ball is a midwinter ode to woe. From the haunting disharmonies of Rosin Coven to the voluptuous vigor of the Vau de Vire Society’s reenactment of Gorey tales, the ball — which now encompasses an entire three-day weekend — is a veritable bastion of dark-hued revelry and unfettered fetish.

www.myspace.com/edwardianball

BEST PROGRESSIVE LOUD ‘N’ PROUD

We love Stephen Elliott. The fearless writer, merciless poker opponent, and unrepentant romantic’s well-documented fall from political innocence — recounted in Looking Forward to It (Picador, 2004) and Politically Inspired (MacAdam/Cage, 2003) — has kept him plunged into the fray ever since. Like most other ongoing literary salons, Elliott’s monthly Progressive Reading Series offers a thrilling showcase of local and luminary talent, highlighting up-and-comers along with seasoned pros — shaken, stirred, and poured over ice by the unflappable bar staff at host venue the Make-Out Room. All of the proceeds from the door benefit selected progressive causes — such as, most recently, fighting the good fight against California state proposition 98. Books, booze, and ballot boxing — a good deed never went down more smoothly or with such earnest verbiage and charm.

www.progressivereadingseries.org

BEST UNDERAGE SANDWICH

When it comes to opportunities to see live independent music, most Bay Area venues hang kids under 21 out to dry. Outside of 924 Gilman in Berkeley and the occasional all-ages show at Bottom of the Hill, the opportunities are painfully sparse. But thanks to members of Bay Area show promotion collective Club Sandwich, the underground music scene is becoming more accessible. Committed to hosting exclusively all-ages shows featuring under-the-radar local and national touring bands, Club Sandwich has booked more than a hundred of them since 2006, ranging from better-known groups like No Age, Marnie Stern, and Lightning Bolt to more obscure acts like South Seas Queen and Sexy Prison. Club Sandwich shows tend to cross traditional genre boundary lines (noise, punk, folk, etc.), bringing together different subcultures within the Bay Area’s underground music scene that don’t usually overlap. And the collective organizes shows at wildly diverse venues: from legitimate art spaces like ATA in San Francisco and Lobot in Oakland to warehouse spaces and swimming pools.

www.clubsandwichbayarea.com

BEST BEER PONG PALACE

Pabst Blue Ribbon, American Spirits, track bikes, tattoos, stretchy jeans, slip-ons, facial hair, Wayfarers. Blah, blah, blah. If you live in the Mission — and happen to be between 22 and 33 years old — you see it all, every night, at every bar in the hood. Boooring. If you’re sick of all the hipster shit, but not quite ready to abandon the scene entirely, take a baby step over to the Broken Record, a roomy dive bar in the Excelsior that serves gourmet game sausage, gives away free beer every Friday(!), rents out Scrabble boards, and isn’t afraid to drop the attitude and get down with a goofy night of beer pong or a bar-wide foosball match. The cheap swill, loud music, and street art will make you feel right at home, but the Broken Record’s decidedly Outer Mission vibe will give you a much-needed respite from the glam rockers, bike messengers, “artists,” and cokeheads you have to hang out with back in cool country.

1166 Geneva, SF. (415) 255-3100

BEST VOLUPTUOUS VISIBILITY

Every June, the Brava Theater quietly morphs into the center of the known universe for queer women of color. And what a delectable center it is. Over the course of three days, the Queer Women of Color Film Festival, produced by the Queer Women of Color Media Arts Project, screens more than 30 works by emerging filmmakers for a raucously supportive audience — an audience that happens to be cute as all hell. In fact, some would call the festival the cruising event of the year for queer women of color. Of course, the films are worth scoping too. Students of QWOCMAP’s no-cost Filmmaker Training Program create most of the festival’s incredible array of humorous and sensitive films, which explore topics such as romance and family ties. For festivalgoers, this heady mixture of authentic representation, massive visibility, and community pride (all screenings are copresented with social justice groups) is breathtakingly potent. It’s no wonder a few love connections are made each fest. Want just a little more icing on that cake? All screenings are free.

(415) 752-0868, www.qwocmap.org

BEST DANCE-FLOOR FLICKS FIX

The San Francisco Film Society is best known for putting on America’s oldest film fest, the San Francisco Film Festival. But the organization also hosts a TV show, publishes an amazingly vibrant online magazine, and throws a slew of events throughout the year under its SF360 umbrella, a collection of organizations dedicated to covering film in San Francisco from all angles. There’s SF360 movie nights held in homes across the city, Live at the Apple Store film discussions, and special screenings of hard-to-see films held at theaters throughout the Bay Area. But our favorite SF360 shindig is its monthly SF360 Film+Club Night at Mezzanine, which screens underground films to a room of intoxicated cinephiles who are encouraged to hoot, holler, and at times — like during the annual R. Kelly Trapped in tha Closet Singalong — flex their vocal cords. Past Film+Club screenings have included a B-movie skate-film retrospective, prescreenings of Dave Eggers’s Wholphin compilations, and an Icelandic music documentary night, at which, we’ll admit, we dressed up like Björk.

www.sf360.org

BEST HORIZONTAL MAMBO ON HIGH


Project Bandaloop: Best Horizontal Mambo on High
PHOTO BY TODD LABY

Normally when one mentions doing the horizontal mambo, nudges and winks ensue. But when Project Bandaloop gets together to actually do it, the group isn’t getting freaky, it’s getting wildly artistic — hundreds of feet up in the air. The aerial dance company creates an exhilarating blend of kinetics, sport, and environmental awareness, hanging from bungee cords perpendicular to tall building walls. The troupe is composed of climbers and dancers, who rappel, jump, pas de deux, and generally do incredibly graceful things while hoisted hundreds of feet up in the air. Founded in 1991 and currently under the artistic direction of Amelia Rudolph, Project Bandaloop’s company of dancer-athletes explores the cultural possibilities of simulated weightlessness, drawing on a complete circumferential vocabulary of movement to craft site-specific dances, including pieces for Seattle’s Space Needle and Yosemite’s El Capitan. (Once it even performed for the sheikh of Oman.) Now, if there were only a way to watch the rapturous results without getting a stiff neck.

(415) 421-5667, www.projectbandaloop.org

BEST YODELALCOHOL

From the sidewalk, Bacchus Kirk looks like so many other dimly lit San Francisco bars. Yet to walk inside is to step into a little bit of Lake Tahoe or the Haute-Savoie on the unlikely slopes of lower Nob Hill. With its raftered A-frame ceiling, warm wood-paneled walls, and inviting fireplace, the alpine Bacchus Kirk only needs a pack of bellowing snowboarders to pass as a ski lodge — albeit one that provides chocolate martinis, raspberry drops, and mellow mango cocktails rather than hot cocoa, vertiginous funicular rides, and views of alpenhorn-wielding shepherds. This San Francisco simulation of the après-ski scene is populated by a friendly, low-key crowd of art students, Euro hostelers, and diverse locals — no frosty snow bunnies here — drawn by the congenial atmosphere, the pool table, and that current nightlife rarity, a smoking room. Tasty drinks and lofty conversation flow freely: if you leave feeling light-headed, you won’t be able to blame it on the altitude.

925 Bush, SF. (415) 474-4056, www.bacchuskirk.org

BEST COCKTAILS WITH CANINES

Plenty of bars around town call themselves pooch-friendly — as if a pampered shih tzu housed in a Paris Hilton wannabe’s purse, its exquisitely painted paw-nails barely deigning to rest atop the bar, represents the be-all and end-all of canine cocktail companionship. The Homestead, however, goes the extra mile to make four-legged patrons of all shapes and sizes at home with its “open dog” policy. Permanently stationed below the piano is a water dish, and the bar is stocked with an ample supply of doggie treats. At slack times, the bartenders will even come out from behind the bar to dispense said treats directly to their panting customers. Talk about service! As for the bipeds, they will undoubtedly appreciate the Homestead’s well-worn 19th-century working-class-bar decor (complete with a potbellied stove!) and relaxed modern-day atmosphere. It’s the perfect spot to catch up with old friends — either furry or slightly slurry — and make a few new ones.

2301 Folsom, SF. (415) 282-4663

BEST VISA TO MARTINI VICTORY


Bartender Visa Victor: Best Visa to Martini Victory
PHOTO BY NEIL MOTTERAM

When überfancy personalized cocktails started popping up all over town, it was only a matter of time before we of the plebeian class started demanding our fair share. Looking to be poured something special, but can’t afford a drink at Absinthe? Want to sample a few stupendously constructed tipples in the Bourbon and Branch vein with limited ducats? Score: Visa Victor the bartender has what you want. Once a journeyman slinger, Visa has started filling regular shifts — typically Wednesdays and Sundays — at Argus Lounge on Mission Street. What he offers: his own DJ, a well-populated e-mail list of fans, and an array of unique ingredients including rare berries, savory herbs, and meat. Yes, meat — his recent bacon martini turned out to be not just an attempt to tap into the city’s growing “meat consciousness” but damn good to boot. And hey, we didn’t have to take out a phony second mortgage to down it.

BEST JAZZ JUKE

Pesky Internet jukeboxes are everywhere: any decent night out can be ruined by some freshly 21-year-old princess bumping her “birthday jam” incessantly. The old-school jukebox, on the other hand, has the oft-undervalued ability to maintain a mood, or at least ensure that you won’t be “bringing sexy back” 27 times in one evening. Aub Zam Zam in the Upper Haight maintains an exceptional jukebox chock-full of timeless blues, jazz, and R&B slices. Selections include Robert Johnson, Miles Davis, Louis Armstrong, Bessie Smith, Taj Mahal … the list of smooth crooners and delicate instrumentalists goes on and on. This is in perfect keeping with Aub Zam Zam’s rep as a mighty fine cocktail lounge, established in the 1940s. New owner Bob Clarke has made the place a lot more welcoming than it was in the days of notoriously tyrannical founder Bruno, who proudly boasted of 86ing 80 percent of the Zam Zam’s would-be customers. But Clarke’s kept at least one thing from Bruno’s days besides mouthwatering drinks: his favorite juke jams.

1633 Haight, SF. (415) 861-2545

BEST FUNNY UH-OH

It’s hard to tell if the entity known as Something with Genitals is a comedy act or a cultural experiment designed to monitor human behavior under unusual circumstances. Take, for example, the night one member of this duo, sometimes trio, of dudes made his way through the crowded Hemlock Tavern on cross-country skis. When he finally maneuvered himself onto the stage, the lights went out and the show was over. Sometimes no one gets onstage at all. Instead the audience gets treated to one of the group’s ingeniously simple short films, which are way better at summing up every one-night stand you’ve had than a regular joke with a punch line. Check out their video on MySpace of a guy who strikes up a conversation with a shrub on some Mission District street, invites it to a party, offers it a beer, asks it to dance, shares some personal secrets and heartfelt dreams, then proceeds to drunkenly fuck it, and you’ll wonder if they’ve been reading your diary. Funny uh-oh, not funny ha-ha.

www.myspace.com/somethingwithgenitals

BEST WEIRD EYE FOR WEIRD TIMES

Even if you’re not in the market for stock footage — the chief focus of Oddball Film + Video, which maintains an archive crammed with everything from World War II clips to glamour shots of TV dinners circa 1960 to images of vintage San Francisco street scenes — you can still take advantage of this incredible resource. Director and founder Stephen Parr loves film, and he loves the unusual; lucky for us, he also loves sharing his collection with the public. RSVPs are essential to attend screenings at the small space, which in recent months has hosted such programs as “Shock! Cinema,” a collection of hygiene and safety films (Narcotics: Pit of Despair) from bygone but no less hysterical eras, and “Strange Sinema,” featuring yet-to-be-cataloged finds from Oddball’s ever-growing library (a 1950s dude ranch promo, an extended trailer for 1972 porn classic Behind the Green Door). Other past highlights have included programs on sex, monkeys, India, and avant-gardists and nights with guest curators like Los Angeles “media ecologist” Gerry Fialka.

275 Capp, SF. (415) 558-8117, www.oddballfilm.com

BEST SWEET ISLE OF ROCK

It doesn’t get much sweeter, in terms of massive multistage music gatherings soaked with mucho cerveza and plenty of sunshine: looking out over the bay at our sparkling city from the top of a Ferris wheel as Spoon gets out the jittery indie rock on the main stage below. That was the scene at last year’s inaugural two-day Treasure Island Music Festival, a smooth-sailing dream of a musical event presented by the Noise Pop crew and Another Planet Entertainment. The locale was special — how often do music fans who don’t live or work on the isle ever get out to that human-made spot, a relic from the utopian era of “We can do it!” engineering and World’s Fairs. The shuttles were plentiful and zero emission. The food was reasonably priced, varied, and at times vegetarian. About 72 percent of the waste generated by the fest was diverted to recycling and composting. Most important, the music was stellar: primo critical picks all the way. This year’s gathering, featuring Justice, Hot Chip, and the Raconteurs, looks to do even better.

www.treasureislandfestival.com

BEST WHITE-HOT WALLS

Pristine walls couldn’t get much more white-hot than at Ratio 3 gallery. Chris Perez has a nose for talent — and an eye for cool — when it comes to programming the new space on Stevenson near SoMa. The curator has been on a particular roll of late with exhibitions by such varied artists as psychedelia-drenched video installationist Takeshi Murata, resurgent abstractionist Ruth Laskey, and utopian beautiful-people photog Ryan McGinley, while drawing attendees such as Mayor Gavin Newsom and sundry celebs to openings. Perez also has a worthy stable of gallery artists on hand, including local legend Barry McGee (whose works slip surprisingly well among recent abstract shows at the space), rough-and-ready sculptor Mitzi Pederson, op-art woodworker Ara Peterson, and hallucinatory dreamscape creator Jose Alvarez. Catch ’em while the ratio is in your favor.

1447 Stevenson, SF. (415) 821-3371, www.ratio3.org

BEST ON-SCREEN MIND WARP

When edgy director of programming Bruce Fletcher left the San Francisco Independent Film Festival (IndieFest), fans who’d relied on his horror and sci-fi picks were understandably a little worried. Fortunately, Fletcher’s Dead Channels: The San Francisco Festival of Fantastic Film proved there’s room enough in this town for multiple fests with an eye for sleazy, gory, gruesome, unsettling, and offbeat films, indie and otherwise. There’s more: this summer Dead Channels teamed up with Thrillpeddlers to host weekly screenings at the Grand Guignol theater company’s space, the Hypnodrome. “White Hot ‘N’ Warped Wednesdays” are exactly that — showcasing all manner of psychotronica, from Pakistani gore flick Hell’s Ground to culty grind house classics like She-Freak (1967). Come this October, will the Dead Channels fest be able to top its utterly warped Hump Day series? Fear not for the programming, dark-dwelling weirdos — fear only what’s on the screen.

www.deadchannels.com

BEST BACKROOM SHENANIGANS

Everyone knows when Adobe Books’ backroom art openings are in full swing: the bookstore is brightly lit and buzzing at an hour when most other literature peddlers are safely tucked in bed, the crowd is spilling onto the 16th Street sidewalk, and music might be wafting into the night. Deep within, in the microscopic backroom gallery, you might discover future art stars like Colter Jacobsen, Barbra Garber, and Matt Furie, as well as their works. Call the space and its soirees the last living relic of Mission District bohemia or dub it a San Francisco institution — just don’t try to clean it up or bring order to its stacks. Wanderers, seekers, artists, and musicians have found a home of sorts here, checking out art, bickering over the accuracy and comprehensiveness of the time line of Mission hipster connections that runs along the upper walls, sinking into the old chairs to hang, and maybe even picking up a book and paging through.

3166 16th St., SF. (415) 864-3936, adobebooksbackroomgallery.blogspot.com

BEST HELLO MUMBAI


DJ Cheb i Sabbah at Bollyhood Café: Best Hello Mumbai
PHOTO BY NEIL MOTTERAM

India produces more movies than any other place on the planet, although you’d scarcely know it from the few that make it stateside. But the American Bollywood cult is growing, and Indian pop culture is dancing its eye-popping way into San Francisco’s heart with invigorating bhangra club nights and piquant variations on traditional cuisine. Bollywood-themed Bollyhood Café, a colorful dance lounge, restaurant, and bar on 19th Street, serves beloved Indian street food–style favorites, with tweaked names like Something to Chaat About, Bhel “Hood” Puri, and Daal-Icious. The joint also delights fans of the subcontinent with nonstop Bollywood screenings and parties featuring DJs Cheb i Sabbah and Jimmy Love of NonStop Bhangra. The crowd’s cute, too: knock back a few mango changos or a lychee martini and prepare to kick up your heels with some of the warmest daals and smoothest lassis (har, har) this side of Mumbai.

3372 19th St., SF. (415) 970-0362, www.bollyhoodcafe.com

BEST POP ‘N’ CHILL


Sheila Marie Ang at Bubble Lounge: Best Pop ‘N’ Chill
PHOTO BY NEIL MOTTERAM

When people get older and perhaps wiser, they begin to feel out of place in hipstery dive bars and tend to lose the desire to rage all night in sweaty dance clubs. But that doesn’t mean they don’t want to party; it just means they’d rather do it in a more sophisticated setting. Thank goddess, then, for Bubble Lounge, the Financial District’s premier purveyor of sparkling social lubricant. For a decade, this superswanky champagne parlor has dazzled with its 10 candlelit salons, each decked out with satin couches, overstuffed chairs, and mahogany tables. BL specializes in tasters, flights, and full-size flutes of light and full-bodied sparkling wines and champagnes. But if poppin’ bub ain’t your style, you can always go the martini route and order a specialty cocktail like the Rasmatini or the French tickler — whatever it takes to make you forget about the office and just chill.

714 Montgomery, SF. (415) 434-4204, www.bubblelounge.com

BEST REGGAE ON BOTH SIDES

Reggae may not be the hippest or newest music in town, but there are few other genres that can inspire revolutionary political thought, erase color lines, and make you shake your ass all at the same time. Grind away your daily worries and appreciate the unity of humanity all night long on both sides of the bay — second Saturdays of the month at the Endup and fourth Saturdays at Oakland’s Karibbean City — at Reggae Gold, the Bay Area’s smoothest-packed party for irie folk and dance machines. Resident DJs Polo Moquuz, Daddy Rolo, and Mendoja spin riddim, dancehall, soca, and hip-hop mashup faves as a unified nation of dub heads rocks steady on the dance floor. Special dress-up nights include Flag Party, Army Fatigue Night, and the Black Ball, but otherwise Reggae Gold keeps things on the classy side with a strict dress policy: no sneakers, no baseball caps, no sports attire, and for Jah’s sake, no white T-shirts. This isn’t the Dirty South, you know.

www.reggaegoldsf.com

BEST MEGACLUB REINCARNATION

Its a wonder no one thought of it before. Why not combine green business practices with a keen sense of after-hours dance floor mayhem, inject the whole enchilada with shots of mystical spirituality (giant antique Buddha statues, a holistic healing center) and social justice activism (political speaker engagements, issue awareness campaigns), attach a yummy Thai restaurant, serve some fancy drinks, and call it a groundbreaking megaclub? That’s a serviceably bare-bones description of Temple in SoMa, but this multilevel, generously laid out mecca for dance music lovers is so much more. Cynical clubgoers like ourselves, burnt out on the steroidal ultralounge excesses of the Internet boom, cast a wary eye when it was announced that Temple would set up shop in defunct-but-still-beloved club DV8’s old space, and feared a mainstream supastar DJ onslaught to cover the costs. Temple brings in the big names, all right, but it also shows much love for the local scene, giving faves like DJ David Harness and the Compression crew room to do their thing. The sound is impeccable, the staff exceedingly friendly, and even if we have to wade politely but firmly through some bridge and tunnel crowd to get to the dance floor, we can use the extra karma points.

540 Howard, SF. www.templesf.com

BEST BANGERS AND FLASH


Blow Up: Best Bangers and Flash
PHOTO BY MELEKSAH DAVID

Disco, house, techno, rave, hip-hop, electroclash … all well and good for us old-timers who like to stash our pimped-out aluminum walkers in the coat check and “get wild” on the dance floor. But what about the youth? With what new genre are they to leave their neon mark upon nightlife? Which party style will mark their generation for endless send-ups and retro nights 30 years hence? The banger scene, of course, fronting a hardcore electro sound tinged with sweet silvery linings and stuttery vocals that’s captured the earbuds and bass bins of a new crop of clubbers. Nowhere are the bangers hotter (or younger) than at the sort-of weekly 18-and-over party Blow Up at the Rickshaw Stop, now entering its third year of booming rapaciousness. Blow Up, with resident DJs Jeffrey Paradise and Richie Panic and a mindblowing slew of globe-trotting guests, doesn’t just stop with killer tunes — almost all of its fabulously sweat-drenched, half-dressed attendees seem to come equipped with a digital camera and a camera-ready look, as befits the ever-online youth of today. Yet Blow Up somehow leaves hipper-than-thou attitude behind. Hangovers, however, often lie ahead.

www.myspace.com/blow_up_415

BEST SCRIBBLER SMACKDOWN

It may not be the Saudi tradition of dueling poets, in which two men swap lines until one can’t think of any more couplets (and is severely punished), but the Literary Death Match series, put on by Opium magazine, is San Francisco’s excellent equivalent, though perhaps less civilized. Try to remember the last poetry reading you attended. Tweedy professors and be-sweatered Mary Oliver acolytes, right? Literary Death Match is not this mind-numbing affair. It’s competitive. It’s freaking edge-of-your-seat. And everyone’s drunk. Readers from four featured publications, either online or in print, do their thing for less than 10 minutes, and guest “celebrity” judges rip participants apart based on three categories: literary merit, performance, and “intangibles” (everything in between). Two finalists duke it out to the literary death until one hero is left standing, unless she or he’s been hitting up the bar between sets. Who needs reality television when we’ve got San Francisco’s version — one in which literary aspirations breed public humiliation, with the possibility of geeky bragging rights afterward?

Various locations. www.literarydeathmatch.com

BEST MISTRESS OF MOTOWN

Drag queens — is there nothing they can’t make a little brighter with their glittering presence? Squeeze a piece of coal hard enough between a perma-smiley tranny’s clenched cheeks and out pops cubic zirconium, dripping with sparkling bon mots. Yet not all gender illusionists go straight for ditzy comic gold or its silver-tongued twin, cattiness. Some “perform.” Others perform. And here we must pause to tip our feathery fedora to she who reps the platinum standard of awe-inspiring cross-dressing performance: Miss Juanita More. No mere Streisand-syncher, class-act Juanita dusts off overlooked musical nuggets of the past and gives them their shiny due. Despite punk-rock tribute trends and goth night explosions, Juanita’s focus stays primarily, perfectly, on that sublime subcultural slice of sonic history known formerly as “race music” and currently as R&B. Her dazzling production numbers utilize large casts of extras, several acts, and impeccable costumery that pays tribute to everything from Scott Joplin’s ragtime to Motown’s spangled sizzle, dirty underground ’70s funk to Patti LaBelle’s roof-raising histrionics. When she’s on spliff-passing point, as she so often is, her numbers open up a pulse-pounding window into other, more bootyful, worlds.

www.juanitamore.com

BEST AMBASSADORS OF DREAD BASS

That cracked and funky dubstep sound surged through Clubland’s speakers last year, an irresistible combination of breakbeats energy, dub wooziness, sly grime, intel glitch, and ragga relaxation. Many parties took the sound into uncharted waters, infusing it with hip-hop hooks, Bollywood extravaganza, roots rock swing, or “world music” folksiness. But only one included all those variations simultaneously, while pumping local and international live acts, fierce visuals, multimedia blowouts, and an ever-smiling crowd of rainbow-flavored fans: Surya Dub, a monthly lowdown hoedown at Club Six. The Surya crew, including perennial Bay favorites DJ Maneesh the Twister and Jimmy Love, and wondrous up-and-comers like Kush Arora, Kid Kameleon, DJ Amar, Ripley, and MC Daddy Frank on the mic, describes its ass-thumping sound as “dread bass,” which moves beyond wordy genre description into a cosmic territory the rumble in your eardrums can surely attest to. Surya Dub keeps it in the community, too, helping to promote a growing network of citywide dubstep events and spreading their dread bass gospel with parties in India.

www.suryadub.com

BEST HELLA GAY BEST OF THE BAY

Very few things in this world are gay enough to warrant the Nor Cal Barney modifier “hella,” but for tattooed karaoke-master Porkchop’s sort-of-monthly series at Thee Parkside, Porkchop Presents, the term seems an understatement. At least three times a season, the mysterious Porkchop gathers her posse of scruffy boozehounds and butt-rockin’ hipsters to the best little dive bar in Potrero for a daylong celebration of the gayest shit on earth. Past events have included Hella Gay Karaoke, Hella Gay Jell-O Wrestling, a Hella Gay Beer Bust, and the all-encompassing nod to gaydom, Something Hella Gay, an ongoing event during which gay folks go drink-for-drink to see who’s the gayest of them all. Join Porkchop and her crew of lowbrow beer snobs at Thee Parkside for arm wrestling competitions, tattoo-offs, and hella gay sing-along battles. You probably won’t win anything because the competition is so stiff and the rules are so lax, but you can rest assured that the smell of stale cigarettes, cheap beer, and sweaty ass will stay in your clothes for at least a week after the show. And that’s all that really matters, isn’t it?

Events listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 14

Jungle Effect Commonwealth Club, 2nd floor, 595 Market, SF; (415) 597-6700. 6pm, $15. Hear about the experience of Daphne Miller, MD, as she traveled to five countries around the world where common diseases, such as diabetes, heart disease, cancer, and depression, are rare to learn about how nutrition and indigenous foods can prevent chronic illnesses.

THURSDAY 15

Old Growth Redwoods San Francisco Public Library, Richmond Branch, 351 9th Ave., SF; (415) 557-4277. 6:30pm, free. Learn about the beauty, delicate ecosystem, and challenges we face to preserve California’s old growth redwood forests at this slide show and discussion with William Walsh, development director of the San Francisco Bay chapter of the Sierra Club.

Passage of Tibet’s Salween River KoKo Cocktails, 1060 Geary, SF; (415) 885-4788. Listen to extreme traveler, author, and NPR commentator Craig Childs recount his experience in the first expedition to descended the upper Salween River in Tibet. Featuring breathtaking images and exclusive video footage.

Wild Imagination Contemporary Jewish Museum, 736 Mission, SF; (415) 655-7800, litquake.org. 6pm, free. Hear children’s books authors Daniel Handler, of the Lemony Snicket series, Lisa Brown, and Jonathan Keats explore the privilege of writing for and about children. In conjunction with Litquake and the current exhibition, There’s a Mystery There: Sendak on Sendak.

BAY AREA

Indigenous Permaculture Ecology Center, 2530 San Pablo, Berk.; (510) 548-2220 ext.233. 6:30pm, $5-50. Learn about the methods and practices that traditional farmers from New Mexico use to steward land in order to create sustainable, self-sufficient communities.

SATURDAY 17

Alternative Press Expo Concourse Exhibition Center, 620 7th St., SF; (619) 491-2475. Sat. 11am-7pm, Sun.11am-6pm; $10 , $15 both days. Attend fun and informative programs focused on special guests and various aspects of independent and alternative comics, including some of the top creative talent working in comics today.

Potrero Hill Festival Brunch at the Potrero Hill Neighborhood House, 953 DeHaro; street fair 20th St. between Missouri and Arkansas, SF; www.potrerofestival.com. Brunch 9am, street fair 11am; brunch $10, fair free. Enjoy a traditional New Orleans Jazz Brunch made by students of the California Culinary Academy before heading over to a street fair featuring local vendors selling wares, arts, and crafts, live music, and activities for kids.

SOEX Grand Opening Southern Exposure, 3030 20th Street, SF; (415) 863-2141. 4-10pm, free.

Celebrate Southern Exposure’s new location and the Bay Area artist community by attending their inaugural exhibition, Bellwether, and letting loose at a block party on Alabama between 19th and 20th St. Block party to feature outdoor seating, food from local street food vendors, and music.

Theater Chili Cook Off San Francisco LGBT Community Center, 1800 Market, SF; (415) 255-7846. 2pm; $1 for tastes, $30 all you can eat. Support Bay Area theater organizations while chowing down on some traditional, vegetarian, or "anything goes" chili and vote for your favorite. Featuring live music.

Vegan Bake Sale Ike’s Place, 3506 16th St., SF; vegansaurus.com. 11am, free. Buy baked goods from over 40 bakers. including Violet Sweet Shoppe, Bike Basket Pies, and Fat Bottom Bakery. Proceeds from this delicious and conscientious sale to benefit Give Me Shelter Cat Rescue.

SUNDAY 18

Festival De Los Volcanes Horace Mann Middle School, 3351 23rd St., SF; (415) 642-4404. 10am, free. Join in on this second annual Central American cultural celebration featuring prominent local musicians, poets, rap artists, and community leaders.

Futurism Brava Theater Center, 2781 24th St., SF; (415) 647-2822. 4pm, 6pm, 7:30pm; $10, $15 for both programs. SFMOMA, Italian Cultural Institute, UC Berkeley, YBCA, and SF Center for the Book are teaming up to present a program in the tradition of the 100 year old avant-garde Futurism movement, which aims to combine every art medium. Enjoy a series of short live performances and films unique to this tradition at the Brava Theater. To find out about other Futurism programs happening throughout the Bay Area visit, www.sfmoma.org.

MONDAY 19

Gregory Maguire Jewish Community Center of San Francisco, 3200 California, SF; (415) 292-1233. 8pm, $10-18. Step inside the mind of Gregory Maguire, best-selling author of Wicked: The Life and Times of the Wicked Witch of the West, which became the basis for the Tony Award-winning musical, Wicked.

Joyce Carol Oates Herbst Theater, 401 Van Ness, SF; (415) 392-4400. 8pm, $20. See Joyce Carol Oates, author of 39 novels, including three forthcoming books, in an interview with KQED’s Michael Krasny as part of a literary series benefiting the 826 Valencia College Scholarship Program.

Reel Fabulous New Conservatory Theater Center, Decker Theater, 25 Van Ness, SF; (415) 861-8972. 7:30pm, $30. Catch the one-night-only benefit starring Bay Area Emmy-winning producer, columnist, critic, and historian Jan Wahl titled, Reel Fabulous: LGBT in Hollywood. The performance will feature stories and clips from films directed by, written by, or starring LGBT artists and technicians.

Veterans Stories Project Oakland Veteran’s Hall, 200 Grand, Oak; (925) 684-4424. 10am, free. Contribute your Pearl Harbor and WWII stories for an online museum project designed to collect and preserve the personal recollections of U.S. wartime Veterans. Homefront civilians who worked in support of the armed forces are also invited to contribute.

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Writers Issue: Eric Haven

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By Johnny Ray Huston

Lots to enjoy about Eric Haven’s The Aviatrix (Buenaventura Press, 32 pages, $4.95): killer anteaters, male masochism, surveillance run amok, a tiny but buxom beauty named Protona, a large monster named Melgor, noxious human odors that might even make George Kuchar blush, and a truly imaginative mind taking advantage of the kind of hilarious and radical shifts in perspective that can only happen in the frames of a comic strip. In conjunction with the appearance of a Haven comic in this week’s Writers Issue, I recently asked the Bay Area resident about his characters, his interesting day job, and his past connection to this rag.

SFBG You have a long-ago connection to the Guardian. Can you tell me the details?
Eric Haven Almost exactly 20 years ago, I entered the Guardian‘s annual cartoon contest. I won first place in the “best comic strip parody” category, and was quoted in the accompanying article as saying, “I hope to be a professional comic book artist by the time I’m 24!” or some such nonsense. I was incredibly naive and thought I could make money with my comics. Ha!

SFBG What books and artists did you like growing up, and today? What are your favorite B-movies?
EH In terms of comics, I was a Marvel zombie growing up. I would pick ’em
up for 10 cents each at a used bookstore in town. Their covers were torn off but I didn’t care… I could go in with a couple bucks and come out with a stack of comics.
Nowadays I tend to read stuff by single creators… not produced by a system which divides the chores among writers, pencilers, letterers, and colorists. I’ve recently enjoyed reading Prison Pit by Johnny Ryan, the “Sulk” series by Jeffrey Brown, and The Red Monkey Double Happiness Book by Joe Daly.
My favorite B-movies are ones where you can see budget constraints. Attack of the Crab Monsters, It Conquered the World, The Colossus of New York, etc. If it looks like the creature was cobbled together in someone’s garage, out of spare parts and supplies found in the attic, and then shot in someone’s back yard, I love it.

SFBG Tales to Demolish seems to cover any range of time and place, from prehistoric eras to present-day Oakland. Are there particular settings or periods you prefer rendering or are you drawn to drawing all manner of realms?
EH I enjoy rendering weird topographies, whether it’s ice-strewn glacial sheets or ancient dinosaur-infested forests or the wilds of my own kitchen. I’ve recently become obsessed with the history of Upstate New York, and have begun work on a comic which has many pages devoted purely to its geography and geology.

SFBG If the Aviatrix came across and read The Aviatrix, what would she think and have to say? How about Protona — what would her view of the book be?
EH The Aviatrix is well aware what’s going on, as I feel her looking over my shoulder when I draw. Who knows what she thinks? She’s inscrutable, unknowable. Protona would wonder why I drew her so tiny.
She’s actually not that small… close, though.

Now read this

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From Jack London Square to Jack Kerouac Alley, Dashiell Hammett Street to Armistead Maupin backroom, the Bay’s geography is dotted with ready reminders of its old-school literary heritage. (Meet us on your hover bike at the intersection of Violet Blue Way and Calle Mission Mission in the bloggable future.)

And yet — movie trailer narrator voice here — in a silicon age of textual blah-blah and publisher hype, of writers with a capital "W" and writers with basic HTML, of our virtual reality’s underlying coders and an invigorated zine interest in for-your-eyes-only … well, whatever, word. The pleasures of the text surround us, and a flock of new voices is always chirping in the wings.

We wanted to take advantage of the happy confluence of two major Bay literary events — celebrity-studded reading avalanche LitQuake (Oct. 9-17, www.litquake.org) and the thrilling, youth-oriented showcase Living Word Festival (Oct. 8-18, www.youthspeaks.org) — to highlight some writers participating in each, and a few local others we dig, like poet Arisa White, comics artist Eric Haven, and the cheeky Peter magazinesters. We also toss in the winners of our LIT123 contest. Garnishing our locavore word salad is our cover image from Steve Rotman’s excellent new San Francisco Street Art (Prestel Publishing, 91 pages, $14.95). Grab your silver metafork and dig in.

>The monster: An excerpt from El Monstruo by John Ross

>>Bon voyage! An excerpt from Termite Parade by Joshua Mohr

>>Bay writes: Winners of our first LIT123 contest

>>Word alive: Selections from fresh young voices

>>A poem by Arisa White

>>Fine quintet: Four provocative haikus and a tanaka

>>An interview with comics artist Eric Haven

>>An interview with street art photographer Steve Rotman

>>The men behind Peter magazine

Spank-tastic ambiguous nymphs butter the muffin

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By D. Scot Miller

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EROTIC COMICS 2: A GRAPHIC HISTORY FROM THE LIBERATED ’70S TO THE INTERNET
Tim Pilcher
(Abrams ComicArts)

The lord works in mysterious ways.

My impassioned plea to the publishers of Best Erotic Comics 2009 to please expand their tasty tome inspired something in the ether, and my request for a bigger erotic comic collection as come to me in the form of Erotic Comics 2: A Graphic History from the Liberated ’70s to the Internet.

Tim Pilcher, author of Erotic Comics: A Graphic History from Tijuana Bibles to Underground Comix has pulled together a comprehensive and illuminating retrospective on the genre, its relevance, and how it has both mirrored and transformed our sexuality.

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Barry Blair’s hot ambi-nymphs

From the pre-code days of Wally Wood’s Weird Sex Fantasy and the tantalizing soft-core of the early days of Heavy Metal Magazine, Pilcher brings both sub-genres and individual artists into focus, creating a time-line that not only examines the art, but the supporters and detractors of pornography, free-speech, and free-love.
Alan Moore — the genius behind Watchmen, V is for Vendetta, and (along with partner Melinda Gebbie) the $75 slip-covered piece of indulgent psycho-sexual sensuousness that is The Lost Girls — writes a pro-porn polemic worthy of The New Yorker (or this fine blog) that catapults us into high-weirdness and beyond.

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Moore and Gebbie’s Blake-meets-Darger sextravaganza, The Lost Girls

Like many of you out there, for the longest time I thought adult comics were reserved for 40-year-old virgins.

Erotic comics extra: Harry and Dickless Tom

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By Justin Hall. Check out his awesome guide to erotic comics in this week’s Sex Issue here. Below is another extra special one-hander.

HARRY AND DICKLESS TOM
Brad Rader
(self-published)
www.flamingartist.com

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This erotic graphic novel is both brilliant and completely unique. I certainly don’t know of any other gay porn comic that features such huge, well-drawn, splash pages of vaginas.

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Two homophobic truckers are crossing the country screwing fags in truck stops and then beating them up, when the Goddess decides to teach them a lesson. Tom wakes up one morning with his dick replaced by a vagina, and his relationship with his buddy Harry, himself, his family, and the rest of the world is changed instantly. His new pussy humanizes him and when he finally gets his dick back, he finally knows how to really use it.

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Harry and Dickless Tom is a very personal book by an extremely talented cartoonist. “My sole erotic release [when I was young],” writes Rader, “was my jerk-off sketchbooks. I would draw in them for hours, making love to the pages with pen and ink, pouring my angst, lust and longing into images I hoped and feared the world would someday see, and that I might somehow realize.” Rader has worked on everything from Batman to King of the Hill, and he puts his considerable illustration abilities to use with this book, drawing each section of it in the style of a different famous cartoonist. It starts off with an homage to Herge’s Tin Tin and winds up imitating Milton Caniff’s Terry and the Pirates. In every style, though, Rader makes sure that his odd cast of characters stay sexy, especially Tom, the balding, bespectacled, daddy muscle bear with a pussy. Check it out at Raders’ site www.flamingartist.com.

Erotic comics extra: The 40 queers of Ali Baba

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By Justin Hall. Check out his awesome guide to erotic comics in this week’s Sex Issue here. Below is an extra special one-hander.

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ALI BABA Y LOS 40 MARICONES
“Ali Baba and the Forty Faggots”
Nazario
(La Culpula, 1993)

Nazario, the godfather of underground Spanish comics and a dissident artist during the dark times of Franco, is best known for Anarcoma, his deadly, cock-loving, tranny detective. But while her adventures are truly breathtaking in their bizarre, violent and sexy extremes, Ali Baba is the work of a more mature and sophisticated cartoonist. Like similar underground, gay, pervert artists John Waters and Almodovar, the early works are exciting, but the later stories are better made.

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Ali Baba is a series of interlocking stories about the goings-on at the Ali Baba bar and the three apartments above it, all filled with outrageous maricones based on the denizens of Nazario’s home Barcelona. The artwork is wonderful, incredibly detailed and textured but cartoony all the same. Unlike most erotic cartoonists who draw the same man of their dreams over and over, Nazario is clearly interested in many flavors of menfolk, from young twinks to hairy daddies to chubby fems to square-jawed hunks, all of them having good, hot sex. Sex in his hands is primal, captivating and uncontrollable, and his characters dive right in.

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Unfortunately, Nazario’s comics are hard to come by in English. There have been a few attempts at translations, but all of them are well out of print. He’s still kept in circulation by Spanish comics publisher La Cupula, however, so check out their collection at www.lacupula.com.

Creamin’ for comics

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culture@sfbg.com

Erotic comics are a special breed of porn. Unlike prose, they can show as well as describe. Unlike photos, they’re narrative. Unlike film, they have a limitless special effects budget. Comics are capable of everything from gritty, realistic detail to "yowza!" flights of fancy — perfect for the demands of erotica.

And yet good erotic comics seem in short supply. Despite a venerable history that stretches from the Tijuana Bibles of the 1920s to the wild antics of the underground comix movement in the ’60s and ’70s, porn comics have languished of late. Alternative and independent comics have been trending more toward asexuality. And gay male erotic cartoonists are only now struggling out of the shadow of Tom of Finland, whose comics of square-jawed, fascist-reminiscent leathermen and bikers have dominated gay erotic art in the same way that Tolkien’s imagination bound and gagged fantasy writers for generations.

Once you start digging, however, it’s remarkable the gems you can find. The fact that comics are so marginalized creates a kind of purity to the art form. Cartoonists aren’t motivated by fame and fortune, but rather by their passion for their stories and their art. The same is doubly true for erotic cartoonists, whose work is often an evolution of the naughty pictures they drew compulsively while growing up.

Here are a few of the most unusual, hot, and fun recent erotic comics collections to get your juices flowing.

BEST EROTIC COMICS 2009

Greta Christina, Editor

(Last Gasp)

www.lastgasp.com

A man stimulates the orifice of a bound mermaid with a twig, an infertile professor convinces a student to impregnate his wife, a dominatrix hires a gay masseur to fuck her boyfriend, a sadistic dom pisses all over her girlfriend, King Kong and Godzilla have hot sex in the ruins of Tokyo.

Best Erotic Comics, an annual collection of the best and brightest of kinky comics, is yet another reason to be proud of our sexy Bay Area, published as it is by legendary, local institution Last Gasp. Editor Greta Christina has assembled an impressive collection of literary smut comics that run the full gamut of sexual interests, from octopus sex to airplane sex. It’s especially refreshing to see straight porn side by side with gay and lesbian imagery — it allows the reader to understand sexuality as a spectrum of possibilities, and to see how hot the fantasies of others can be.

PRIDE

Gengoroh Tagame

(G-Project, 2007)

www.tagame.org

Odd as it may seem, the best bear comics porn in the world is coming out of Japan, a country with a noticeable lack of big, hairy men. Clearly the exotic has its erotic charms. Unlike yaoi — the popular manga genre in which female cartoonists create stories of gay male romance and sex for an audience of girls and women — bara is gay manga created by actual gay male creators and usually does not feature the yaoi breed of androgynous boys with big eyes and floppy hairdos, but rather burly, hypermasculine men.

No one is better at portraying these than Gengoroh Tagame, arguably the world’s greatest, living erotic cartoonist. His universe is populated with the hottest muscle bears outside of the Lone Star’s patio during Folsom Street Fair weekend, and they have a tendency to be tied up, humiliated, and fucked senseless. Pride is a recent trilogy of books from the master, detailing the gradual transformation of a cocky, hirsute hunk into an obedient slave by a buff, bearded professor. The books are full of all sorts of S-M shenanigans, with our hero being put through the paces, from extreme bondage and piercings to fistings and scat play. Tagame has yet to be translated into English, but he’s such an accomplished cartoonist that his work can still be thoroughly enjoyed.

SMALL FAVORS

Colleen Coover

(Eros Comix, 2002)

www.eroscomix.com

While lesbian imagery exists in various straight publications, there is an unfortunate dearth of true lesbian erotic comics. Colleen Coover’s Small Favors is a notable exception. Coover is an excellent cartoonist and clearly has a great time illustrating her two heroines, Annie and Nibbil, having wild, fun, and juicy sex.

Annie is accused of masturbating too much by her own conscience and is assigned a finger-tall guardian to stop her from getting jiggy with it too often. Fortunately, this tiny watcher winds up being a nympho herself, and jumps Annie at her first opportunity, leading to comics’ best introduction line ever: "Ummm … Hi, Annie! My name’s Nibbil! Gosh, I hope you don’t mind me fucking myself on your nipple!"

WANKY COMICS

BiL Sherman

(Self-published)

www.wankycomics.com

Occasionally you’ll stumble across some underground, barely-distributed mini-comic, put together by the creator with a photocopier and a stapler, that will take your breath away. BiL Sherman’s Wanky Comics is bizarrely brilliant, completely original, and about as underground as you can get.

While the subject matter of the stories in WC ranges wildly from horny unicorns and space-age sex clones to an inexplicably naked superhero and his quest for love, Sherman has a distinctive style that unifies the series. He draws like a thirteen-year-old with OCD and a hard-on, filling his pages with burly, hairy men. Each chest hair is lovingly and obsessively drawn, and the faces are rugged and expressive.

Sherman is unafraid to get both funny and surreal, a refreshing trait in porn comics. The "Mike Thorn and the Nine Satanic Statements," episode, for example, is a blow-by-blow illustration of a scene on a porn set, while the text underneath the images is taken directly from Anton Levey’s Satanic Bible, creating a strangely disconnected, campy, yet beautiful juxtaposition.

BIRDLAND

Gilbert Hernandez

(Eros Comix, 1992)

www.eroscomix.com

Hernandez is one of the creators, along with brothers Jaime and Mario, of Love and Rockets, arguably the single greatest American comic book. Rarely does such a world-class, literary cartoonist turn his talents to porn. Luckily, however, the highly prolific Hernandez created Birdland, a voyeuristic foray into the lives of strippers, bodybuilders, and horny aliens — and one of the classics of erotic comics.

Birdland introduces characters such as Fritz, the large-breasted, brainy psychiatrist with a lisp and a passion for guns, which Hernandez later incorporated into L&R. But while L&R certainly never shies away from sexual material, Birdland is unabashedly erotica, with copious cum shots filling the pages.

Though Hernandez identifies as straight, Birdland is in many ways pansexual erotica, with every type of coupling depicted. The final scene, in which the characters have a giant orgy in a spaceship, is one of the most oddly liberating and transcendent sex sequences ever conceived. After reading it, anything seems possible.

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A GUIDE TO PORN CARTOONISTS AT THIS YEAR’S FOLSOM STREET FAIR

The Folsom Street Fair on Sun/27 is all about community, and one of the ways it demonstrates this is by donating a block of booth space to queer erotic artists, many cartoonists. This year’s little section of the Fair, at 11th Street and Folsom, is very exciting. Here’s some highlights.

Chuck Connor and Sean Platter: the duo’s Demonic Sex series pulls no punches with its depictions of satanic transformations and sexual hells. www.triplesixcomics.com

Dave Davenport and Justin Hall: An accomplished tattoo artist, Davenport uses his illustration chops to create horny werewolves, skate punk ghosts, and other wholesome characters in Hard To Swallow, co-created with Justin Hall (that’s me!). www.hardtoswallowcomics.com

Steve MacIsaac: As the co-creator (along with Dale Lazarov) of Sticky, MacIsaac offers sex-positive stories instead of the rape fantasies that often dominate gay porn. www.stevemacisaac.com

Bradley Rader: Harry and Dickless Tom is the story of two homophobic truckers who screw and then beat up fags. It turns surreal when one wakes up with a vagina. www.flamingartist.com

Sean Z: Sean’s Myth is a superb fantasy comic with complex plots, gorgeous color work, and big-dicked vampires. www.sean-z.com

See www.folsomstreetfair.org/art for more kinky artists.

‘Best Erotic Comics’: please get bigger

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By D. Scot Miller

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BEST EROTIC COMICS 2009
Last Gasp, 1995
Edited by Greta Christina

The cover art by Junko Mizuno alone makes Last Gasp’s Best Erotic Comics 2009 worth the price of admission. His gothic-Sanrio-sex-kittens getting into all kinds of weird mischief, involving sleeping-spray and whips among other things, is just one example in this well-pieced and well-paced collection.

There’s something for everyone in this one, but I have my favorites:

Cephelapod Products weighs in with an homage to the bawdy “just for larfs” period of the 1940s and ’50s, and returns with the look and feel of the 60’s underground “Zapp” comic days that is so dead-on that I feel like I’m in the back of the record shop.

Toshios Saeki reaches even further back to early Japanese erotica to do that sexy double-entendre thing with the word “fantasy.” Saeki does the best tentacles in the biz, and he creates passionate embraces that make even the most supernatural seem like the most natural.

A long-time favorite of mine, Christy C. Road, brings “Reclaim Yourself: Revolution On A Battery Operated Phallus,” which it actually is. Whether it’s a bicycle or a buttplug, Road’s lines, color and emotion feel like liberation to me. Delicious, shameless sex is part of the revolution, better believe it. Even/especially when you’re by yourself.

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Belasco’s Brothers of New Essex

In that same vein, Belasco (best known for his “Brothers Of New Essex” graphic novel) opens “Th’Floodgates,” the most poignant, concious, and healing story in the book. Comic book sex can be about sex as a healing energy of succor and an expression of love too. Who knew?

But it ain’t all love-taps in here. Best Erotic Comics 2009 is rough, soft, frightening, and soothing with each turn of the page. Whips, guns, pixies, paronoia, and perverison inter-mingle here, if the thunder don’t get you, the lightning will. Are these truly the best erotic comics 2009 had to offer? Hardly. With manga and web-based comics being published everyday, it’s time for Last Gasp to consider making 2010’s edition much, much bigger.

Zine it like you mean it

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johnny@sfbg.com

INTERVIEW Nestled in the corner of the old New College building, true seekers will find Goteblüd. Matt Wobensmith’s zine emporium keeps the building’s dedication to countercultural self-publishing alive. As characterful as it is small, Goteblüd places shelves of photocopied DIY writings amid a brown shag paneling motif that wittily references the cat-scratch antics found within Ed Luce’s comic Wuvable Oaf, the store’s main link to contemporary publications. Currently the space also hosts "Yes I Am, But Who Am I Really?," a showcase of queer zine and queer punk memorabilia: zines, photos, and letters (including a pissy postcard from Henry Rollins) create a terrific one-of-a-kind wallpaper, while t-shirts for bands hang from the ceiling, as if asking to be filled by new rebellious bodies. After scoping out the show, I recently asked Wobensmith about Goteblüd’s origins, its contents, and its future plans.

SFBG How did Goteblüd come about?

MATT WOBENSMITH I’ve been collecting zines since I was a teen. In the past few years, I’ve heard people say things like "I just threw out four boxes of zines," and I say to myself: That is wrong! Why do people think old zines are worthless? They’re priceless. So I began to take zines off peoples’ hands, and started putting them in storage boxes. After a while, this pastime became more of an obsession as I tried to fill gaps in the collections by actively buying from people. When I found the space, I knew it was time to launch a vintage zine store.

SFBG A book titled Queer Zines (Printed Matter, 180 pages, $25) was recently published. As someone who played a major role in an important period of the queer zine and queer punk movements, what did you think of it?

MW I was active in the queer punk and then homohop music scenes for a while, but that’s kind of history. It’s through this weird zine collecting thing that I find myself faced with my past again.

I saw the Queer Zines book that accompanied the show Printed Matter did in New York City last year. It was inspiring and also satisfying that this era of self-publishing was finally getting more exposure. I don’t know who I’d be without some of those zines!

At the same time, I felt that the queercore phenomenon was different from the larger queer zine genre. It’s focused around music and music culture, had lots of young people, and was connected to a radical subculture loosely based on punk rock. The name of the show is paraphrased from a Team Dresch song: "Yes I Am, But Who Am I Really?" It’s a slight dig at Melissa Etheridge, but ultimately sums up the struggle for identity and purpose and survival.

Also, it’s a scene where women played an enormous role in shaping the dialog and aesthetics. The influence of the riot grrrl movement was not insignificant, either. Some people attribute queer zines to things like Straight to Hell or [William S.] Burroughs, but these zines are far more likely to have been inspired by radical music figures: Black Flag, Throbbing Gristle, the Shaggs, Yoko Ono, female rockers, as well as good old 1980s hardcore. In many ways, queercore was an alternative to an alternative. And it had a soundtrack.

SFBG Looking back at the materials in the current show, what surprises you — what do you see anew now, years later, or wish was more present in current society or social currents?

MW What I really value in old zines is this incredible sense of urgency. There’s some insane, obsessive person trying to reach out and find like-minded people, so they make a zine. It’s a search for kindred souls, and an almost desperate bid for creative and intellectual validation. It can be fun, but is ultimately quite serious. It has a lot of integrity. I love that spirit and dedication.

That same feeling is totally lacking in today’s culture. The Internet has released much of the pent-up need to connect, to find information, to really put effort into communication. Today’s pop culture is also highly self-aware and navel-gazing, and people seem more obsessed with mundane actions of others — via tweets, social networking, whatever — than creating original ideas and taking risks. Old zines have original ideas and risks in spades.

SFBG What kinds of zines will people find in Goteblüd?

MW We try to carry a wide assortment of popular and unknown zines; the more DIY, the better. Though we do have some indie glossies, we carry tons of underground music, pop culture, art, skateboarding, graffiti, lowrider, comic, and experimental zines from the past four decades. We try to focus on older stuff because it’s harder to find and it gets people excited. We are always buying and trading too. I love when people challenge me to find a certain zine for them, and I have it!

SFBG One section of Goteblüd is devoted to Ed Luce’s Wuvable Oaf comics and paraphernalia. What do you like about Wuvable Oaf, and what plans do you have in connection with the comic?

MW Ed’s work, in one word, is fun. It’s also really smart and has no small amount of sharp observations on human behaviors and interactions. It’s a "post-bear" comic, but we hate the b-word. It’s set in a city that looks suspiciously like San Francisco and we all write the stories together. We try to juxtapose big and small, human and animal, and we love to show people in awkward situations. It’s not ironic; it’s loving and earnest.

The comic fits into the store — oddly — as it is an encapsulation of so many different sensibilities. Ed’s constantly referencing his icons of fashion, bad horror movies, and music — particularly Morrissey. I think it’s like a gayer Love and Rockets but that doesn’t begin to do it justice. Our next issue will spotlight our house cartoon band, Ejaculoid, and we’ll be releasing a limited edition record of their music — which is "disco grindcore."

GOTEBLÜD is at 766 Valencia in SF and is open weekends only from noon–5 p.m.

Sonic Reducer Overage I: Polly, Poirier, Tomine, Ade, and more

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By Kimberly Chun

Going out? Staying out? There’s so damn much out there – consider this Sonic Reducer Overage, the Wonder Years/Part I. Look for the sequel in the next day or two.

Poirier
Jump and shake it like the riddim possess ya. The man’s Caribbean and South Asian sonics keep it sweaty on his Soca Sound System EP. With Daedelus. Thurs/18, call for time and price. Mighty, 119 Utah, SF. (415) 626-7001. www.mighty119.com

Miike Snow
He has a nice chunky mohawk, but the Swede is “Still an Animal.” With Esser. Thurs/18, 10 p.m., $10-$12. Popscene, 330 Ritch, SF. www.popscene-sf.com

Seth and Adrian Tomine
Sacto native, onetime Berkeley resident, ex-zine maker, and now Optic Nerve graphic novelist and New Yorker illustrator Tomine returns to the scene of so many of his yarns, to talk about his Shortcomings and 32 Stories, now both out on paperback on the esteemed indie publisher Drawn and Quarterly. Seth – famed for his Palookaville comics – tags along for moral support (I kid because I love). Thurs/18, 7:30 p.m., free. Park Branch Library, 1833 Page, SF. (415) 863-8688. www.booksmith.com

Local Artist of the Week: Mike Kuchar

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LOCAL ARTIST Mike Kuchar

TITLE Myth Men

BIO Mike Kuchar, cinematographer, painter, writer, and brother of George Kuchar, was born in New York City. He began making 8 mm movies in the 1950s, switching over to 16 mm film production in 1960, and continues now, producing short motion pictures in the video and digital formats. He has also done illustrations for various erotic publications, including Manscape, Gay Heartthrobs comics, First Hand, and Meatmen.

SHOW "Dark Americana," through May 9. Tues.-Sat., 11 a.m.-6 p.m. Baer Ridgway Exhibitions, 172 Minna, SF. (415) 777-1366.

WEB www.baerridgway.com

Appetite: Caffeinated Comics, Chocolate Salon, Masa’s at a discount, and more

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Chocolate time! See “events” below

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with finding and exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine. I started with my own service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city. View the last installment of Appetite here

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NEW RESTAURANT & CAFE OPENINGS

Caffeinated Comics, the breakfast of champions
Four Barrel coffee, free wi-fi, comic books and donuts? Could this possibly all be in one place? It is now with Caffeinated Comics, SF’s first comic book/coffee shop rolled into one. The Outer Mission shop is a bright red, orange and yellow space where you can sift through superhero memorabilia or check out DC or Marvel’s latest comic books, all while sipping a high-quality espresso. (Note: there’s also affogatos using neighbor, Mitchell’s, legendary ice cream). CaffCom’s applied for green certification with green lighting, building materials and energy efficient freezers and fridges. Holy caffeinated geekdom, Batman.
Caffeinated Comics
Weekdays 7am-6pm
Weekends 9:30am-5pm
3188 Mission Street
415-829-7530
www.caffcom.com

Livin’ La Dolce Vita at Pizzanostra
Jocelyn Bulow of the Chez Papa and Chez Maman restaurant group and Italian chef, Giovanni Aginolfi (who was cooking pizzas in Nice, France, prior to coming to SF), join forces for a new pizzeria/osteria on Potrero Hill called Pizzanostra. Aginolfi placed sixth in the World Pizza Championship and now we can get ’em right here. There are two themes to this restaurant: a pizzeria serving Aginolfi’s famed pies, and an osteria with a menu of antipasti, foccacias, salumi, pastas, gelatos and Italian wines. The outdoor sidewalk terrace will be a huge hit on sunny days for filling up on bruschetta topped with eggplant, prosciutto, mozerella and tomato, a salad of celery hearts and fennel, or pizzas covered in lamb sausage and egg or clams and prawns. This is la dolce vita realized.
Pizzanostra
300 De Haro Street
415-558-9493
www.pizzanostrasf.com

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EVENTS

March 17: Screening and Iyemon Cha Tea Reception as part of the Asian American Film Fest
Asian film screening and tea tasting sound good? Iyemon Cha is a one-of-a-kind organic bottled green tea made at the historic Fukujuen tea house in Kyoto, Japan. Only recently available in our city, the tea and complimentary appetizers will be served at an exclusive pre-screening reception you have to sign up for online. At the reception you’ll meet the director, Dave Boyle, and cast of that night’s film, “White on Rice.” Consider it a culturally fun education in tea and Asian film.
5:30pm reception at Bar Bistro; 6:45pm Film Screening
Free for pre-screening reception but must register on website ahead of time
Film screening, $10: www.festival.asianamericanmedia.org/2009.
Sundance Kabuki Theatre
1881 Post Street
www.iyemonchaevents.com

March 21: Spend your Saturday at the Third Annual SF International Chocolate Salon
The SF International Chocolate Salon is back for it’s annual showdown of over fifty gourmet chocolate vendors covering 30,000 square feet of ground. Let’s see, spending a Saturday sampling rich chocolates, velvety wines and all things chocolate? Can do. There’s chef and author talks, demos, chocolate fashion and body painting (?!) and wine pairings, so you won’t be bored. I would concur with the well-known adage, “I never met a piece of chocolate I didn’t like”, and this event will surely confirm it.
10am-6pm
$20 advance; $25 at the door
Fort Mason Center: Herbst Pavilion
99 Marina Boulevard
www.sfchocolatesalon.com

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DRINK NEWS

Adesso opens in Oakland – finally, a sports bar for cocktilians
Jon Smulewitz of longtime Piedmont Ave. Italian restaurant, Dopo, just opened an Italian-chic sports bar (yes… chic, Italian and sports). Adesso may have a Foosball table and flat screens, but it also has 15 drinks assembled by Jay Kosmas of New York City’s Employees Only, an industry insiders’ culinary cocktail hang-out. In a casual, mod space, imbibe cocktails or Italian wines while pulling up a seat at the bar… salumi bar that is. You heard right: salumi bar and foosball, all in one place.
4395 Piedmont Avenue
Oakland, CA 94611
510-601-0305

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DEALS

sens031609a.jpg
Sens gets special

Sens: $19 lunch special with entree, dessert and a 12 oz. beer
Sens, Embarcadero’s Mediterranean Rustic Chic restaurant overlooks Embarcadero Plaza from big, picturesque windows. I enjoy the fresh dishes but find the place pricey in general, though I have a reason now to return for their new $19 lunch special, with soda or 12 oz. beer, entree and dessert. The menu rotates weekly with recent dishes including a lamb and feta meatball sandwich on rosemary ciabatta with sweet potato chips and mesclun greens and a lush chocolate bread pudding for dessert. Sounds like my kind of lunch hour.
Monday-Friday 11:30am-2:30pm Lunch; 3-7:30pm Happy Hour; 5:30-10pm Dinner
Saturday 5pm-11pm
4 Embarcadero Center, Promenade Level
415-362-0645
www.sens-sf.com

Masa’s makes fine dining affordable
Masa’s is one of SF’s most revered fine dining destinations for more than 25 years, but set menus run $105 for six courses or $155 for nine courses per person. Yeah… definitely a special occasion splurge at best. But Masa’s is feeling the economic times, too, responding with something they’ve never done before: offer a three course menu for $55 on Tuesdays, Wednesdays and Thursdays for early bird diners. Exec chef, Gregory Short, serves dishes like roasted beets en terrine or potato agnolotti with fava beans and black trumpet mushrooms. Pastry chef, John McKee, won’t leave you hanging on dessert either, with delectables like a fleur de sel caramel bon bon or Winter citrus tart. An ideal chance to try out this upscale dining mecca at a “discount”.
Tuesdays, Wednesdays, Thursdays 5:30-6:30pm
$55 three-course menu; $30 for three wine pairings
648 Bush Street
415-989-7154
www.masasrestaurant.com

Naked kiss: Curt McDowell paints the town

0

By Johnny Ray Huston

mcdowellcomica.jpg
Curt McDowell, from Buzzy’s Adventures (Zip-A-Tone), ca. 1968-70. Courtesy estate of Curt McDowell

One of the things that I appreciate most about Curt McDowell’s art is its shamelessness. It is shameless in a lively, funny, righteous, even virtuous manner that should embarrass prudish American moralists. “An uneven dozen broken hearts,” a show of the late filmmaker’s paintings and drawings, is a revelatory pleasure because of how directly it conveys McDowell’s lust for and love of simple revelry. A scrapbook of photos and drawings attests to McDowell’s appetite for asses and fascination with faces, but ultimately, it’s a testimonial to a sexuality that shirked labels as it stripped off clothing. A collaged wall of comics and portraits brings one in close contact with McDowell’s rich sense of community — one that blurred love and friendship, and mixed family members with figures of imagination.

McDowell’s untamed and uncensored spirit couldn’t be more refreshing today, when pornography (whether commodified or autobiographical) is endlessly subcategorized. But while McDowell’s big heart and healthy libido make for predictable discoveries, his serious talent as a painter comes as a surprise. As a filmmaker, McDowell blazed his own path with short works such as 1971’s self-explanatory yet unexpectedly rich Confessions and 1980’s equally direct Loads. (In 1972’s Ronnie, he merges porn and biographical portraiture with unmatched potency.) His most famous work is the two-and-a-half hour pornographic epic Thundercrack! (1975). It turns out he was just as fierce and skillful with a paintbrush or a set of Magic Markers as he was with a camera.

mcdowellbeatlesa.jpg

One of the show’s centerpieces is Untitled (the Beatles in autopsy), a nearly life-size oil-on-canvas naked and dead portrait of the Fab Four from 1968 that deserves a spot in the rich museum of cryptic Beatles iconography and perhaps even within the hall of pop art classics.

Appetite: Caffeinated Comics, Chocolate Salon, Masa’s at a discount, and more

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By Virginia Miller

chocolate0316a.jpg
Chocolate time! See “events” below

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with finding and exploring its best food-and-drink spots, deals, events and news, in every neighborhood and cuisine. I started with my own service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city. View the last installment of Appetite here

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NEW RESTAURANT & CAFE OPENINGS

Caffeinated Comics, the breakfast of champions
Four Barrel coffee, free wi-fi, comic books and donuts? Could this possibly all be in one place? It is now with Caffeinated Comics, SF’s first comic book/coffee shop rolled into one. The Outer Mission shop is a bright red, orange and yellow space where you can sift through superhero memorabilia or check out DC or Marvel’s latest comic books, all while sipping a high-quality espresso. (Note: there’s also affogatos using neighbor, Mitchell’s, legendary ice cream). CaffCom’s applied for green certification with green lighting, building materials and energy efficient freezers and fridges. Holy caffeinated geekdom, Batman.
Caffeinated Comics
Weekdays 7am-6pm
Weekends 9:30am-5pm
3188 Mission Street
415-829-7530
www.caffcom.com

Livin’ La Dolce Vita at Pizzanostra
Jocelyn Bulow of the Chez Papa and Chez Maman restaurant group and Italian chef, Giovanni Aginolfi (who was cooking pizzas in Nice, France, prior to coming to SF), join forces for a new pizzeria/osteria on Potrero Hill called Pizzanostra. Aginolfi placed sixth in the World Pizza Championship and now we can get ’em right here. There are two themes to this restaurant: a pizzeria serving Aginolfi’s famed pies, and an osteria with a menu of antipasti, foccacias, salumi, pastas, gelatos and Italian wines. The outdoor sidewalk terrace will be a huge hit on sunny days for filling up on bruschetta topped with eggplant, prosciutto, mozerella and tomato, a salad of celery hearts and fennel, or pizzas covered in lamb sausage and egg or clams and prawns. This is la dolce vita realized.
Pizzanostra
300 De Haro Street
415-558-9493
www.pizzanostrasf.com

———

EVENTS

March 17: Screening and Iyemon Cha Tea Reception as part of the Asian American Film Fest
Asian film screening and tea tasting sound good? Iyemon Cha is a one-of-a-kind organic bottled green tea made at the historic Fukujuen tea house in Kyoto, Japan. Only recently available in our city, the tea and complimentary appetizers will be served at an exclusive pre-screening reception you have to sign up for online. At the reception you’ll meet the director, Dave Boyle, and cast of that night’s film, “White on Rice.” Consider it a culturally fun education in tea and Asian film.
5:30pm reception at Bar Bistro; 6:45pm Film Screening
Free for pre-screening reception but must register on website ahead of time
Film screening, $10: www.festival.asianamericanmedia.org/2009.
Sundance Kabuki Theatre
1881 Post Street
www.iyemonchaevents.com

Keeping their cool

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>>Click here for our complete SFIAAFF coverage

Did Asian American hipsters arrive with the cinematic appearance of Mr. Miyagi or Gregg Araki? The moment Hipster Bingo included an "über-hot Asian hipster (female)" square? Face it, we are everywhere — bubbling up from every microniche to make zines, play in bands, draw comics, and chafe against those model-minority, math-geek stereotypes, ready to rage against the Man’s machine.

According to You Don’t Know Jack: The Jack Soo Story, it all started with the star of Flower Drum Song (1961) and late-1970s TV series Barney Miller. Oakland-raised Goro Suzuki got his start as the life of the Tanforan and Topaz internment camps, evolving into a popular crooner-comedian in the Midwest where he attempted to sidestep prejudice by shortening Suzuki to the more Chinese Soo. He hit the Hollywood big time with his scene-stealing nightclub owner Sammy Fong and his beloved Detective Sgt. Nick Yemana, a role showcasing an understated wit that seems to define Asian cool. Alas, The Slanted Screen (2006) director Jeff Adachi concentrates so hard on Soo’s hipster cred, reinforced by pals like George Takei, that the drumbeat gets a bit deafening in this valuable if flawed doc, which fails to truly reveal the man behind the parts.

That’s the flip side of cool — the more you stress on it, the more elusive it is. On the opposite side of the spectrum: the 1990s-ish iconoclastic, workaholic breed of Asian hip obsessively worked by David Choe in Dirty Hands: The Art and Crimes of David Choe. Exhaustively documenting the Los Angeles-born artist for eight years as he matures before our eyes, director Harry Kim charts the growth spurts: from mischievous tot to shoplifter and graf artist to porn illustrator to street-art superstar to spiritual penitent after a stint in a Tokyo jail. The filmmaker doesn’t seem to know quite when to stop, but then neither does his subject: an obviously intelligent, playful talent who specializes in compulsively analyzing himself and pushing himself to the limits of the law, his work, and his own (r)evolution as a human being. So driven in his pursuit of edge-skating experiences that he comes off as less hipster than haunted, Choe and his Bukowskian tendencies, Vice aesthetics, and "deep" thoughts rivet long after the bodily fluids and sensory overload murals congeal.

YOU DON’T KNOW JACK: THE JACK SOO STORY

Sun/15, 2:30 p.m., and March 18, 7 p.m., Kabuki

DIRTY HANDS: THE ART AND CRIMES OF DAVID CHOE

Sat/14, 9:30 p.m., Castro

Tues/17, 4:30 p.m., Kabuki
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THE SAN FRANCISCO INTERNATIONAL ASIAN AMERICAN FILM FESTIVAL March 12–22. Main venues are the Castro, 429 Castro, SF; Sundance Kabuki, 1881 Post, SF; Pacific Film Archive, 2575 Bancroft, Berk; and Camera 12 Cinemas, 201 S. Second St., San Jose. Tickets (most shows $11) are available at www.asianamericanmedia.org. For this week’s schedule, see film listings.

Naked kiss

0

› johnny@sfbg.com

One of the things that I appreciate most about Curt McDowell’s art is its shamelessness. It is shameless in a lively, funny, righteous, even virtuous manner that should embarrass prudish American moralists. "An uneven dozen broken hearts," a show of the late filmmaker’s paintings and drawings, is a revelatory pleasure because of how directly it conveys McDowell’s lust for and love of simple revelry. A scrapbook of photos and drawings attests to McDowell’s appetite for asses and fascination with faces, but ultimately, it’s a testimonial to a sexuality that shirked labels as it stripped off clothing. A collaged wall of comics and portraits brings one in close contact with McDowell’s rich sense of community — one that blurred love and friendship, and mixed family members with figures of imagination.

McDowell’s untamed and uncensored spirit couldn’t be more refreshing today, when pornography (whether commodified or autobiographical) is endlessly subcategorized. But while McDowell’s big heart and healthy libido make for predictable discoveries, his serious talent as a painter comes as a surprise. As a filmmaker, McDowell blazed his own path with short works such as 1971’s self-explanatory yet unexpectedly rich Confessions and 1980’s equally direct Loads. (In 1972’s Ronnie, he merges porn and biographical portraiture with unmatched potency.) His most famous work is the two-and-a-half hour pornographic epic Thundercrack! (1975). It turns out he was just as fierce and skillful with a paintbrush or a set of Magic Markers as he was with a camera.

One of the show’s centerpieces is Untitled (the Beatles in autopsy), a nearly life-size oil-on-canvas naked and dead portrait of the Fab Four from 1968 that deserves a spot in the rich museum of cryptic Beatles iconography and perhaps even within the hall of pop art classics. John has his left arm over Paul’s shoulder while a diminutive Ringo, lying on his side, is nestled into Paul in a manner suggestive of a child seeking comfort. George is isolated — he’d be looking off in the other direction from the other three if his eyes were open, but like theirs, his are closed in eternal drowsiness. The languid full-frontal sexuality of the painting is tonally different from the sexual high jinx in McDowell’s movies. Melancholy emanates from the image, as much due to its dark colors as its subject matter. And there’s an eerily prescient element: the late John’s and George’s names are visible on their corpses’ ID tags, while Paul’s and Ringo’s remain obscured.

"[Curt’s] beefcake was hot off the streets and the cheesecake was equally tart and titilutf8g," McDowell’s closest peer George Kuchar writes with quintessential alliterative brio in a note for the show. "All of this was served in a blue plate special that was generously filled with obsessions immune to none." Anyone who has a heart won’t be immune to "an uneven dozen broken hearts," another inspiring act of queer revivalism by curator Margaret Tedesco.

CURT MCDOWELL: AN UNEVEN DOZEN BROKEN HEARTS

Through March 29

[2nd floor projects]

www.projects2ndfloor.blogspot.com