Cocktails

Music Listings

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Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 30

ROCK/BLUES/HIP-HOP

Big Bones and Chris Siebert Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Cellar Doors, Spyrals, POW! Bottom of the Hill. 9pm, $8.

Dandelion War, Caledcott Elbo Room. 9pm.

Jeremy Jones Band Boom Boom Room. 8pm, $5.

Judy Experience, Miss Massive Snowflake, Little Debbie Brick and Mortar Music Hall. 9pm, $5-$8.

Keith Crossan Blues Showcase Biscuits and Blues. 8pm, $15.

Rin Tin Tiger, Lower 48, Standard Poodle Cafe Du Nord. 8:30pm, $8.

Spanish Channel Hotel Utah. 8pm, $7.

Testament, Overkill, 4Arm, Butlers Fillmore. 6:45pm, $32.50.

Mycle Wastman, Austin Jenckes Yoshi’s SF. 8pm, $20.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 8pm, $40-$45.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

Craig Ventresco and Meredith Axelrod Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com. 7pm,free.

FOLK/WORLD/COUNTRY

Timba Dance Party Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 10pm, $5. Timba and salsa cubana with DJ Walt Diggz.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

Martini Lounge John Colins, 138 Minna, SF; www.johncolins.com. 7pm. With DJ Mark Divita.

Obey the Kitty: Miss Kittin, Justin Milla, Dang Dang Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $10.

THURSDAY 31

ROCK/BLUES/HIP-HOP.

Roem Baur Hotel Utah. 9pm, $10.

Ben Fold Five, Nataly Dawn Warfield. 8pm, $42-$45.

Bill Champlin Yoshi’s SF. 8pm, $24.

Dengue Fever, Maus Haus Independent. 8pm, $8.

Fox and Woman, Brooke D, Indianna Hale Amnesia. 9pm, $7-$10.

Kyle Glass Band, Adversary, Shaufrau Brick and Mortar Music Hall. 9pm, $10-$15.

John Nemeth Biscuits and Blues. 8 and 10pm, $20.

Radar Bros, Michael Zapruder Hemlock Tavern. 8:30pm, $10.

Struts, New York City Queens, Wicked Mercies Thee Parkside. 9pm, $8.

Aly Tadros 50 Mason Social House, SF; www.50masonsocialhouse.com. 9pm.

Team Candy, Cure for Gravity, Hope Chest Bottom of the Hill. 9pm, $10.

Urban Cone, In the Valley Below, Tom Odell Rickshaw Stop. 9pm, $12.

JAZZ/NEW MUSIC

Ralph Carney’s Serious Jazz Project Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, free.

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 8pm, $40-$45.

Two Sides of Joshua Raoul Brody Lost Church, 65 Capp, SF; www.thelostchurch.com. 8pm.

FOLK/WORLD/COUNTRY

Bluegrass and old time jam Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 8-10pm, free.

Irvin Dally, Aly Tadros Hotel Utah. 9pm, $10.

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $10. With Senor Oz and Pleasuremaker.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

Base: Worthy, Ambey Reyn Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Darling Nikki Slate Bar, 2925 16th St, SF; www.slate-sf.com. 9pm, free. Queer dance party.

Ritual Dubstep Temple. 10pm-3am, $5. Trap and bass.

Tropicana Madrone Art Bar. 9pm, free. Salsa, cumbia, reggaeton, and more with DJs Don Bustamante, Apocolypto, Sr. Saen, Santero, and Mr. E.

FRIDAY 1

ROCK/BLUES/HIP-HOP

Aristocrats Biscuits and Blues. 8 and 10pm, $30.

Tommy Castro and the Painkillers, Paul Thorn Slim’s. 9pm, $20.

Bart Davenport, Hot Lunch, Lenz, Puce Moment, DJ Neil Martinson Cafe Du Nord. 9pm, $8-$10.

Destroyer (Kiss tribute), Butlers, Cruella Great American Music Hall. 9pm, $12.

Funkin’ Fridays with Swoop Unit Amnesia. 6pm.

Hammond Organ Soul Blues Party Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

He’s My Brother She’s My Sister, Sioux City Kid, Song Preservation Society Independent. 9pm, $15.

Jrod Indigo 50 Mason Social House, SF; www.50masonsocialhouse.com. 10pm, $5.

Chris M, Nathan Temby, Greg Zema Johnny Foley’s Dueling Pianos. 9pm, free.

Mister Loveless, Churches, Birdmonster Bottom of the Hill. 9pm, $15.

Rappin’ 4-Tay, Black C, Cellski, Berner Brick and Mortar Music Hall. 9pm, $5-$8.

Porter Robinson, Seven Lions, Penguin Prison Warfield. 9pm, $30-$40.

Robert Walter’s Brand New Slang Boom Boom Room. 8pm, $15.

Warm Soda, Cocktails, DSTVV Hemlock Tavern. 9:30pm, $6.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

Leela James: In the Spirit of Etta Yoshi’s SF. 8pm, $30; 10pm, $25.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 7 and 9:30pm, $40-$45.

Neurohumors, SF Latin Jazz Society Connecticut Yankee. 9pm, free.

FOLK/WORLD/COUNTRY

Canyon Johnson Plough and Stars. 9pm, $6.

Kardash Red Poppy Art House. 8pm, $10-$15.

Lagos Roots AfroBeat Ensemble Elbo Room. 10pm.

DANCE CLUBS

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs including Stepwise, Steve, Claude, Santero, and Elembe.

Twitch DNA Lounge. 10pm, $5-$8. With Max and Mara, Vice Device, resident DJs Justin, Omar, and more.

SATURDAY 2

ROCK/BLUES/HIP-HOP

Back Pages Johnny Foley’s. 9pm, free.

Marco Benevento, Mike Dillon Independent. 9pm, $16.

Jules Broussard Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

Chris Cain Biscuits and Blues. 8 and 10pm, $20.

Dos Four, Mestiza, DJ Walt Digz Brick and Mortar Music Hall. 9pm, $7-$10.

Adam Green and Binki Shapiro, Rage of Light Wilderness Chapel, 777 Valencia, SF; www.thechapelsf.com. 9pm, $15-$18.

Paul Kelly, Kail Baxley Cafe Du Nord. 9pm, $17-$20.

Mad Maggies 50 Mason Social House, SF; www.50masonsocialhouse.com. 7pm, free.

Reckless Kind Riptide. 9pm, free.

Shady Maples, Goodnight Texas, Heavy Guilt Bottom of the Hill. 9:30pm, $10.

Nathan Temby, Chris M, Jason Marion Johnny Foley’s Dueling Pianos. 9pm, free.

Two Gallants, Akron/Family Fillmore. 9pm, $22.50.

Ultimate Bearhug, Josh Hoke Amnesia. 9pm.

Robert Walter’s Brand New Slang Boom Boom Room. 8pm, $15.

Wood Brothers, Seth Walker Great American Music Hall. 9pm, $22-$25.

Wounded Lion Hemlock Tavern. 9:30pm, $8.

Zeparella, Gretchen Menn Band, Stars Turn Me On Slim’s. 9pm, $16.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Keiko Matsui Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 7 and 9:30pm, $40-$45.

FOLK/WORLD/COUNTRY

Kafana Balkan sixth anniversary, Inspector Gadje Rickshaw Stop. 9pm, $15.

Craig Ventresco and Meredith Axelrod Atlas Cafe, 3049 20th St, SF; www.atlascafe.net. 4-6pm, free.

DANCE CLUBS

Bootie SF: West Coast DJ Battle DNA Lounge. 10pm, $15. With DJs Tripp, ShyBoy, Destrukt, and more.

Cockfight Underground SF, 424 Haight, SF; (415) 864-7386. 9pm, $7. Rowdy dance night for gay boys.

Foundation Som., 2925 16th St, SF; (415) 558-8521. 10pm, $5-$10. DJs Shortkut, Apollo, Mr. E, Fran Boogie spin Hip-Hop, Dancehall, Funk, Salsa.

Haceteria Deco Lounge, 510 Larkin, SF; www.decosf.com. 9pm, free before 11pm, $3 after.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Saturday Night Soul Party Elbo Room. 10pm, $5-$10. With Lucky, Paul Paul, Phengren Oswald, and more.

Swank: Pheeto Dubfunk and Friends Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

SUNDAY 3

ROCK/BLUES/HIP-HOP

DJ Horizons Hemlock Tavern. 10pm, free.

Hammond Organ Soul Blues Party Royal Cuckoo Organ Lounge, 3202 Mission, SF; www.royalcuckoo.com. 7:30pm, free.

JAZZ/NEW MUSIC

Cyril Guiraud American Quartet Bliss Bar, 4026 24 St, SF; www.blissbarsf.com. 4:30pm, $10.

Kally Price Old Blues and Jazz Band Amnesia. 8pm, $5.

FOLK/WORLD/COUNTRY

Brazil and Beyond Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 9pm, free.

Vieux Farka Toure, Markus James Yoshi’s SF. 7pm, $25.

Cieran Marsden and Friends Plough and Stars. 9pm, $6.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, $6. With DJ Sep, Maneesh the Twister

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 4

ROCK/BLUES/HIP-HOP

Love Dimension, SXO, Victoria Victrola and the Vaudevilles Bottom of the Hill. 9pm, $8.

JAZZ/NEW MUSIC

"Cool Music – Clear Water" SF Conservatory of Music, 50 Oak, SF; www.leftcoastensemble.org. 8pm, $15-$30.

FOLK/WORLD/COUNTRY

Roy Schneider Osteria, 3277 Sacramento, SF; www.kcturnerpresents.com. 7pm.

DANCE CLUBS

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

Death Guild DNA Lounge. 9:30pm, $5. With Decay, Joe Radio, Melting Girl.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 5

ROCK/BLUES/HIP-HOP

Alvon Biscuits and Blues. 8 and 10pm, $15.

Suzanne Cronin and Friends Plough and Stars. 9pm, $6.

Hey Ocean! Cafe Du Nord. 8pm, $8.

JRo Project Boom Boom Room. 8pm, $5.

Benjamin Francis Leftwich, We Became Owls, Owl Paws Bottom of the Hill. 9pm, $12.

Painted Palms, Yalls, Doom Bird, Ears of the Beholder (DJ) Brick and Mortar Music Hall. 9pm, free.

Rec-League, Illusion of Self, Genie, Zig Zag Robinson, Cozmost, DJ Mr Bean Elbo Room. 9pm, $7.

Replica, Diehard, Light, New Flesh Knockout. 9:30pm, $6.

Sean Smith Amnesia. 9:30pm.

Stan Erhart Band Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Terry Disley’s Mini-Experience Burritt Room, 417 Stockton, SF; www.mystichotel.com. 6-9pm, free.

"Three Men and a Baby…Grand!" Rrazz Room, 1000 Van Ness, SF; www.liveattherrazz.com. 8pm, $35.

FOLK/WORLD/COUNTRY

Chris Amberger and Aaron Garner Cafe Divine, 1600 Stockton, SF; www.cafedivinesf.com. 7pm,free.

Brazilian Zouk Bissap Baobab, 3372 19th St, SF; www.bissapbaobab.com. 8:30pm, $5-$12.

Ultra World X-Tet Yoshi’s SF. 8pm, $15.

A shot of warmth

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virginia@sfbg.com

APPETITE Let’s be clear: the Bon Vivants crew’s newly opened Trick Dog in the Mission — featuring a cocktail menu modeled after a Pantone swatch book — is the hot food and drink destination of the moment (see my early review on the Pixel Vision blog at SFBG.com). But slipping at the bar at these three restaurants, ranging from elegant to festive, offers some of SF’s best cocktails with incredible bites on a long winter’s eve.

 

RICH TABLE

It’s impossible to get a reservation at Rich Table, one of the most buzzed about restaurants in the country right now, but I find seats at the bar open up often on a Monday, and arriving when they open at 5:30pm is ideal.

With new bar manager Jason “Buffalo” LoGrasso (from Quince and Cotogna), already lovely cocktails expand from four-five offerings to seven on the regular and four on the dessert menu. After tasting every LoGrasso cocktail ($10), I’m in love with the Carnegie Martini. Inspiration is genius — a pastrami sandwich from Carnegie Deli, where my Dad took me for my first reuben as a teenager. LoGrasso combines elements of the ultimate sandwich into a clean, refreshing whole. Wisely using St. George’s Dry Rye Gin as a base, caraway comes in the form of Combier’s Doppelt Kummel Extra liqueur, an aromatic caraway liqueur redolent of cumin. LoGrasso adds drops of mustard oil and a pickle.

Other heights include a lively Shivered Timbers, red with pomegranate touched by ginger and cinnamon, evoking rhum agricole but using Smith & Cross Pot Still Rum. Top aperitif? Figaro Chain — bright, stimulating Swan’s Neck vodka, Averna, lemon, and ginger. Dessert cocktails shine, too. Rich Coffee is a harmonious blend of Fernet, Sightglass coffee, and pistachio cream. Carthusian Hot Cocoa sings with chocolate, Green Chartreuse, mint, and pineapple marshmallow.

Eat with: doughy, savory doughnuts ($7) topped with shaved dried porcini, the clincher being thick raclette dipping sauce. Amuse bouche “Dirty Hippie” elevates granola to gourmet with cool buttermilk panna cotta doused in pumpkin seeds, sprouts, and spices. Divine tajarin ($27) egg noodles (a Piedmont pasta style) in house cultured butter under shaved Perigord black truffles dissolve in the mouth. Sigh.

199 Gough, SF. (415) 355-9085, www.richtablesf.com

 

MICHAEL MINA

Carlo Splendorini has crafted some of the most elegant, balanced cocktails anywhere. In my travels sampling cocktails the world over, it’s rare to experience the precision and finesse Splendorini brings to drinks ($11-14). Prime example: the way barrel-aged Bols Genever and Beefeater Gin seamlessly weave with pine-y notes of Clear Creek Douglas Fir eau de vie, the earthiness of sencha green tea, brightened by tart yuzu, lemon, and grapefruit foam. This combination could easily go wrong, but it’s exquisitely layered. Similarly, Yamazaki 12-year Japanese whiskey, chamomile tea, and a spoonful of Yellow Chartreuse over a shiso leaf dramatically cast against a giant ice cube in a wine glass make a striking sipper.

Eat with: oysters brilliantly accented by drink sauces (Pimm’s Cup, Elderflower Fizz, Bloody Mary) instead of the usual mignonette, or a meaty Monterey bay abalone ($21) grilled over shiitakes, tokyo turnips, mirin-scented rice in a miso broth. A more affordable bar bite: Mina’s signature ahi tuna tartare starter ($19) doused in ancho chile, sesame oil, and mint is $10 during happy hour.

252 California St., SF. (415) 397-9222, www.michaelmina.net

 

HOG & ROCKS

With new chef Robin Song (formerly of Haven and Plum) on board, there are elevated touches to Hog & Rocks’ ever-approachable food, like a special of perch crudo ($14), delicate with nasturtium, puffed rice, minced Manila clams, and blood orange. This suits bar manager Michael Lazar’s robust yet refined cocktails just fine. Chef Song’s amuse bouche of buckwheat gougeres topped with warm, salty lardo is divine with Lazar’s Miller’s Meyer ($11), a vivid winter cocktail of Martin Miller’s Gin, Meyer lemon syrup, and herbaceous Elisir M.P. Roux liqueur lending whispers of anise, verbena, and lavender. My drink of choice is house Willett bourbon, a bracing 130 proof but cut with water. Rye spice and sweet corn notes meld perfectly in Lazar’s Old Fashioned with orange and Angostura bitters.

A refreshing Cider Press Buck ($11) showcases one of the most edible garnishes around: a spiced Arkansas black apple (preserved via Cryovac). This delicious garnish evolves with the seasons, atop Old Fitzgerald bourbon, lime, ginger, and Wandering Aengus dry pear cider, confirming the current cider craze. The Buck pairs with H&R’s always pleasurable ham platters ($16), now with Monte Nevado Jamon Serrano from Spain, Greci and Foizani Proscuitto from Italy, and a stunningly smoky ham exemplifying all I love best in Southern hams, Edwards Surryano from Virginia.

3431 19th St., SF. (415) 550-8627, www.hogandrocks.com

Subscribe to Virgina’s twice-monthly newsletter The Perfect Spot, www.theperfectspotsf.com

 

Banchan, ramen, and squid innards

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virginia@sfbg.com

APPETITE Authentic Asian cuisine of every category is one of California and the Bay Area’s strengths, with constant new openings, including Richmond’s mellow Daigo Sushi (www.daigosushi.com) and Szechuan outpost Chili House (www.chilihousesf.com). These three spots stand out for one (or a few) reasons.

 

MUGUBOKA

Passing Muguboka many a time over the years, I meant to visit but never did until recently. What I found: a humble, all-day respite serving an impressive array of free and abundant banchan (mini-dishes accompanying a Korean meal), like myeolchi bokkeum (crispy mini-anchovies), and bottomless tea — making even upper teens-priced entrees a deal. Dining alone, I attempted to finish the banchan… and fail.

There’s a plentiful selection of soups and stews featuring tofu or Korean sausage, and dishes like go dung uh gui (broiled salted mackerel), or hae-mool pajeon, those ever-fabulous seafood and green onion Korean pancakes. I finished with a complimentary, cool pour of sujeonggwa, a sweet Korean punch alive with cinnamon, ginger, peppercorns, and dried persimmon.

Best dish: Muguboka serves a mean hae-mool (seafood) dolsot (stone pot) bibimbop ($16.95), the scorching stone pot arrives with sizzling rice, egg, squid, shrimp, mussels, and veggies, with nori on top. Best suited for: A mellow setting with copious amounts of Korean food. Expect two meals for the price of one.

401 Balboa, (415) 668-6007

 

RAMEN SHOP

Here’s my early word on Rockridge hotspot Ramen Shop, opened at the beginning of the year and packed since day one with long waits (no reservations). A short, ever-changing menu offers three types of ramen, one dessert, and a handful of appetizers so it’s possible to try the entire menu in one visit.

Chez Panisse alums Sam White, Jerry Jaksich and Rayneil De Guzman already have a hit on their hands, if crowds are any indication. Although early online comments have been trending towards the “frustrated to spend $16 on a bowl of ramen” kind, this is quality ramen — house-made noodles, salt-cured eggs, ultra-fresh ingredients. Meyer lemon infuses shoyu ramen ($15) with bright dimension, while spit-roasted chashu (literally pork roast, often known as char siu) adds heft to particularly flavorful spicy miso ramen ($15).

But my favorites aren’t of the ramen variety. Meyer lemon shows up again in a unique kimchi of house-pickled Napa cabbage ($5) to winning effect, a spirited contrast to chili. Then, wild nettle fried rice steals the show (see “best dish” below). Another surprising winner? Liquor. It’s a rarity to see cocktails with ramen. Straightforward, refreshing mezcal, and rye-based punches ($10) make fine ramen companions, as does a classic hi-ball ($12) of Hibiki 12-year Japanese whiskey with soda. A nutty-tasting black sesame ice cream sandwich ($5) with brown sugar cookies is the right finish.

Best dish: Easy… wild nettle fried rice ($9) interlaced with Monterey Bay squid and Llano Seco pork is as comforting as it is gourmet. Best suited for: The joyous convergence of ramen and Japanese whiskey — and for those with time on their hands.

5812 College Ave., Oakl. (510) 788-6370, www.ramenshop.com

 

ROKU

Since JapaCurry’s Jay Hamada opened Roku in October at the busy Market and Octavia intersection, it’s been imilarly bustling inside. Groups of friends down Japanese beer and fried chicken in the form of karaage ($7) or chicken nan ban ($8), the latter a specialty of Kyushu, Hamada’s Southern Japanese hometown island. Unframed vintage Japanese posters hanging on wood walls impart a warm atmosphere, as do hearty house-made noodles and dishes like mochi bacon yakitori.

During opening weeks, I went straight for dishes I’ve never tried, including shio-kara ($4): room temperature, fermented squid swimming in its own innards. Salty and gummy, it is, as the menu states,”an acquired taste.” Likewise, hotate butter ($12) topped with vivid orange tobiko (fish roe) is unexpected. Scallops are sautéed in butter, but unlike most of our Westernized experiences with the succulent bivalve, the stomach and membrane skirt are left around the scallop flesh. Call it umami, call it funky, the taste is more accurately both. Look elsewhere for better well-known izakaya favorites — Roku’s rare dishes with bold flavor make it interesting.

Best dish: a surprisingly good seafood salad ($13) in an izakaya, laden with red king crab and smoked salmon, tobiko, boiled eggs, yellow bell pepper, and tomatoes over romaine, bright in a yuzu wasabi dressing. Best suited for: The hardcore who want authentic dishes they won’t find on typical menus. Also for groups of friends.

1819 Market, SF. (415) 861-6500, www.rokusf.com

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

 

Appetite: Jumping at Trick Dog

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The Bon Vivants (Josh Harris, Scott Baird, Jason Henton) need little introduction in the drink world, from humanitarian work with their Pig & Punch events — they’re featured in the latest issue of Imbibe magazine — to unforgettable Bon Vivants’ parties. Last Sunday, I walked through the unfinished space of their long-awaited bar Trick Dog. Though it appeared there was much left to be done, in 24 short hours the bar was looking all grown up and open for business, welcoming a slew of early birds and industry folk at 3pm on January 7th.

Trick Dog buzz is already at fever pitch. The two-level space, designed by the Bon Vivants (they recently launched The Bon Vivants Design–Build) along with Wylie Price Design, boasts thoughtful details like iron banisters from the original Warfield and a seating area upstairs overlooking the action for those who want to sit and dine. The space is both industrial and warm, named after the vintage trick dog piggy banks spotted around the bar.

While cocktails are the Vivants’ expertise, listed on a brilliant menu resembling a Pantone paint color guide-swatch (designed by Camille Robles Ramble & Ride), there’s food from Chef Chester Watson, like a salt cod-wrapped Scotch egg and dreamy, minty Fernet ice cream laden with toasted cacao nibs. Soon I will have worked my way through the menus but for opening day, I tasted half of the 13 Pantone color-named cocktails ($10-$12), each a winner. There are also $8 highballs (like amaro & Moxie soda), $7 alcohol-free drinks, $35 punches to share, and $8 “Neat with a Side” options, like George Dickel #12 Tennessee whiskey with dill pickle gelée.

Behind the bar, lined with Vivants’-designed sliding bottle shelves, a tight team of bartenders is already busy attending to opening week crowds. Here are my opening day highlights and cocktails in photos.

TRICK DOG, 3010 20th Street at Florida, 415-471-2999, open 3pm-2am daily (brunch coming soon) 

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

 

We go together

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APPETITE A celebratory or comforting drink is just what we crave at this time of year. When it comes with an excellent bite, even better. Here are a few of the most noteworthy drinks, winter cocktail menus, and dishes in SF as 2012 passes into 2013.

 

AME

It’s not a cocktail, and its blowfish base has long been known as dangerous… but in skilled hands, is entirely safe. Ame Restaurant in The St. Regis serves this fugu (blowfish) fin sake, the most adventurous drink on order this winter. Yes, it’s infused with an actual toasted fugu fin resting in the bottom of a ceramic mug ($15 for 6 oz.), filled with warm Honjozo-style “Karatamba” sake from Japan’s Hyogo prefecture. In Japan, this torafugu is considered to be of the highest quality, the fins traditionally roasted and steeped in warm sake. I couldn’t miss a chance to taste the rarity when it came on the menu a few weeks ago — and it will be available through February 2013. On a brisk, clear winter’s night, it warmed me from within with rich, layered, funky, even umami notes.

Eat with: Sit at Ame’s small bar with a mug of blowfish fin sake accompanied by Ame’s now classic Lissa’s Staff Meal ($16.50), an artful bowl of cuttlefish noodles, appropriate soft and muscled, tossed with brightly fresh sea urchin and quail egg in soy and wasabi.

In the St. Regis Hotel, 689 Mission, SF. (415) 284-4040, www.amerestaurant.com

 

BLACKBIRD

Launched on December 17, Blackbird’s winter menu offers the most sophisticated, satisfying cocktails in the Castro. Owner Shawn Vergara has been filling this needed niche on Market Street since opening Blackbird in 2009. This brand-new menu features some of Blackbird’s best drinks yet. I adore Italy’s sexy, sparkling red wine, Lambrusco. Here it’s a vibrant aperitif with pear-infused gin in the Poached Pear ($8), balanced by honey and lemon. Crimson King ($9) is another rosy, cool sipper of hibiscus-infused brandy, house pistachio orgeat, cranberry, and lemon. My tops on the new menu just might be Harvest Moon ($10). It’s a Bols Genever and Nocino (green walnut liqueur) base, sweetened with maple and pumpkin butter, balanced by lemon and Angostura bitters, softened with egg whites.

Eat with: Blackbird’s six different bar jars smeared on crispy crackers make for playful snacks, whether you opt for the smoked trout or deviled ham jars. I lean towards the pimento cheese jar laden with piquillo peppers and cheddar.

2124 Market, SF. (415) 503-0630, www.blackbirdbar.com

 

15 ROMOLO

Running through the first week of January, 15 Romolo’s Sherry Christmas! explores the wonders of sherry in cocktails that don’t taste merely of sherry. The impressive range is no surprise from what has consistently remained one of the best cocktail menus in San Francisco — with damn great food, too. The menu features all sherry styles from fino to oloroso, which act as shining stars or subtle unifiers. Manzanilla sherry subtly backs gin in Gardner’s Delight ($10) next to celery bitters, Dolin blanc vermouth, lemon, and a house thyme shrub — a lively “delight”. White Elephant ($9) illumines white port, sherry vinegar. and spiced liqueur with manzanilla sherry, a dash of absinthe tying this refresher together. Typically when I see rye whiskey, Cynar, and amontillado sherry together, I expect a musky, fall-spiced drink. In the case of a Solstice Sour ($10), these elements are mixed with a light hand, touched with lemon and cinnamon syrup, a cocktail that manages to capture winter in an almost spring-like way. Here’s hoping these sherry beauties stay on past January.

Eat with: Chef Justin Deering added on a few Spanish inspired dishes to accompany sherry cocktails or half bottles of sherry, like gambas a la plancha (shrimp in garlic and lemon), juicy albondigas (beef-pork meatballs), and sherried mushrooms ($5-8).

5 Romolo Place, SF. (415) 398-1359, www.15romolo.com

 

JASPER’S CORNER TAP

Bar manager Kevin Diedrich and crew produced another all-star cocktail menu this season at Jasper’s Corner Tap. One of the most unusual, savory drinks you’ll run into anywhere is Diedrich’s Genki ($13), inspired by a dish he recently had at Makoto in DC. With a base of Del Maguey Vida mezcal balanced by Partida Blanco tequila and Combier orange liqueur, Diedrich adds Togarashi syrup, lime, egg white and Matcha salt. Genki is simultaneously spicy, perky, refreshing.

Though there’s many a joy (don’t miss the creamy-but-light, floral Rum Shaker, seamlessly mixing Bacardi 8 Rum, Shipyard Pumpkin Ale, lime, pumpkin syrup, cream, egg white, orange flower water), one of the most playful drinks is a bottled Here Comes the Fuzz! ($11). Charred peach is infused in Jasper’s house bourbon, bottled with Manzanilla sherry (sherry dominates this season!), honey, lemon, pomegranate molasses, peach bitters and Angostura Bitters. Fizzy and vivacious, charred peaches and sherry imbue a gorgeous, nutty hue.

Eat with: With the invigorating drinks above, a trio of deviled eggs ($8 or $4 each) is appropriately light but satisfying. Though deviled eggs seem to be everywhere the last couple years, this trio stays fun with heirloom tomato caprese, “Caesar salad”, chipotle-romesco.

401 Taylor, SF. (415) 775-7979, www.jasperscornertap.com

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I sell a rat

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STREET SEEN Like many of his Bay Area art world peers, the beret-wearing rat that Banksy stenciled on the side of Haight Street’s Red Victorian hotel in 2010 was in Miami for Art Basel week.

But sadly, our stenciled friend wasn’t available for air-kisses. The rodent-adorned chunk of wall hung behind a velvet rope and its own security guard in the VIP lounge at Context, a new-this-year contemporary wing of the sprawling Art Miami art fair.

The rodent was one of five reappropriated Banksy walls being shown in an exhibition that was controversial even by the standards of Basel week’s art-star-big-money whirligig. A local weekly newspaper helpfully pointed out that the wheelings-and-dealings in Miami during Basel involve art worth roughly the GDP of Guyana. (Check out the Guardian’s Pixel Vision blog for our full report on the week’s best showings, scenes, stilettos.)

The galleries documented the removal of the West Bank murals with this promotional video (?)

It’s not clear how the rat got there. (SEE OUR UPDATE ON THE HAIGHT STREET RAT HERE) Red Vic owner Sami Sunchild wouldn’t comment when I called her to ask, besides to decry the art as vandalism on her property. But given that I had just seen the Banksy rodent presiding over $15 cocktails and Asian noodle salads in Miami, one imagines that somewhere along the way, she realized that the unauthorized art had its audience. The wall appears to be in the possession of a gallery in the Hamptons that has already run afoul of Banksy, the cheeky-mysterious Bristol-born street artist whose immense popularity has helped explode the street art genre.

“When artists like Picasso traded paintings with his barber for haircuts, or when he gave them as gifts to friends, he did not do so with any intention other than that they enjoy those works and view them as a sign of his appreciation,” Hampton-based gallery owner Stephen Keszler wrote me in a rather irate email when he learned of my intentions to write about his exhibit. “Now Picasso’s works sell at auction for millions of dollars, and not a single collector cares about the original intention.”

In addition to the Bay’s rat-friend, Keszler’s show included “Stop and Search” and “Wet Dog,” two Palestine walls that had been completed during Banksy’s trip to the West Bank to focus international attention on a region that the artist calls “the world’s largest open-air prison.”

Their price tags hovered around $400,000 at Keszler’s Southampton gallery this summer, though now they are said to be off the market. Although the gallerist has insinuated to the media that the walls might be destined for a museum, he may just be waiting until some decidedly negative reactions to their attempted sale die down. “We have no doubt that these works will come back to haunt Mr. Keszler,” Pest Control, Banksy’s representative agency, said in a statement largely credited with scaring off potential buyers for the walls.

Keszler’s camp refused to give me any detail of how the walls were acquired, or who owns them now — though they assured me the process was legal. The online art marketplace Artnet has reported that the pieces were removed by some Bethlehem entrepreneurs who tried to sell them on eBay before Keszler, in a project with London’s Bankrobber gallery, picked them up. The gallerists say they’re preserving the murals, and making them available to a larger audience.

Selling Banksys has become a veritable cottage industry — In Easton, England, a couple attempted to hawk a stencil for hundreds of thousands of dollars, with the house it was painted on thrown in for good measure — complicated by the fact that the artist doesn’t sign or authenticate his illegal street art.

Gallery owners should hardly be surprised when attempts to capitalize off of public art are taken to task, particularly works as site-specific and political as the Bethlehem walls. They should stay away language like that which appeared at the “Banksy Out of Context” exhibit in Miami: “The exhibition aims to provide public access to these walls and create a platform where they can be reevaluated as artworks in themselves.”

Because an event that costs $20 to enter is hardly more public than the streets of Palestine. And maybe separating the walls from their intended audience allow some people to better evaluate their artistic meaning — but only those who need a hefty pricetag to recognize creativity.

 

Dishing 2012

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virginia@bayguardian.com

APPETITE The past year saw a number of openings I hope will be around for years to come — here is my list, in order, of my favorites. As ever, my goal is to include more affordable spots alongside midrange or upscale openings, considering range and uniqueness. It being December, I cannot strictly cover the calendar year so, with each choice open at least two months, the opening date range goes back to October 2011 for a full year.

 

1. AQ

The one California restaurant nominated for Best New Restaurant in the US at this year’s James Beard Awards, AQ is my top selection for “the whole package.” While I find the food at the next two restaurants listed below equally inspiring, AQ combines food from talented young chef Mark Liberman, reinvented in delightfully surprising ways (think flavors of a pastrami sandwich turned on its head as shaved lamb heart “pastrami” with zucchini bread and house Thousand Island dressing), alongside an inventive cocktail list and accomplished bar staff. I’m still dreaming of this summer’s Maeklong Market Cocktail with a base of peanut-infused mekhong — a sugar cane, molasses, and rice-based Thai spirit — creamy with coconut milk, lime and kaffir lime leaves. As if this weren’t enough, the wine list shines and decor is the crowning touch in a two-level space with sexy downstairs lounge for private parties, plus greenery, glassware, and a bar top that changes with the season. When I’m asked (constantly) where to go by locals and visitors, AQ easily fits the bill for delicious, forward-thinking cuisine with warm service: a destination for both food and drink, with thoughtful attention to the environs.

1085 Mission, SF. (415) 341-9000, www.aq-sf.com

 

2. STATE BIRD PROVISIONS

Since Bon Appetit named State Bird Provisions best new restaurant in America this year, none of us can get a reservation in the small, modest space with pegboard and stone walls (like dining in a funky family garage). What makes State Bird so special, besides efficient, engaging service and husband-wife team Stuart Brioza and Nicole Krasinski’s genuine welcome (they often greet diners themselves as they pass by the kitchen in the entrance), is that it’s something truly different. Affordable, unique, and imaginative plates flowing out dim sum-style on carts and trays, ever playful and satisfying — a prime example of what makes SF’s dining scene so exciting right now.

1529 Fillmore, SF. (415) 795-1272, www.statebirdsf.com

 

3. RICH TABLE

From another husband-wife duo, Evan and Sarah Rich’s Rich Table could easily be number one for food alongside State Bird and AQ. All three restaurants boast an uncommon vision in their cooking — Rich Table’s is one of an upscale nature in comfort food garb. Presentation can be exquisite, but the dishes gratify and assuage rather than feel fussy. Getting past the (worthy) din about those sardine-laced potato chips to start, pastas are unexpectedly one of the restaurant’s highlights, a duck lasagne layered with braised duck, light béchamel, and tart Santa Rosa plums, easily standing out as one of the best dishes of the year. Though short and sweet, the 4-5 cocktails on offer (now being updated by brand new bar manager Jason “Buffalo” LoGrasso from Cotogna) are clean, simple-yet-vivid stars in their own right.

199 Gough, SF. (415) 355-9085, www.richtablesf.com

 

4. ICE CREAM BAR

A neighborhood diner and soda fountain, Ice Cream Bar deserves accolades for bringing us the kind of soda fountain menu unmatched in the country, yet sure to be copied. Recipes and practices date back to the 1800s with modern sensibility, showcased in drinks like the Bonne Vie No. 2, a citrus-garden delight of basil leaves, basil ice cream, and pink grapefruit, its sour-fresh qualities glorified with citric acid. There are boozy fountain drinks (like a perfect Angostura Phosphate), ice cream (the tart cherry remains my favorite), and darn good sandwiches (egg salad and tuna) on house brioche, with the soda fountain manned by gifted, friendly soda jerks who live and breathe the history of the craft.

815 Cole, SF. (415) 742-4932, www.theicecreambarsf.com

 

5. PLÄJ SCANDINAVIAN RESTAURANT AND BAR

With the food world in Scandinavian mode the last few years (the cuisine to take over where the El Bulli world of Spain ruled for so long), it’s a shame we haven’t had much Scandinavian food to speak of here, particularly of the nouveau wave à la Fäviken or Noma. Pläj (pronounced “play”) is gourmet-traditional Scandinavian fare with modern sensibilities from chef-owner Roberth Sundell, a Stockholm native. In the mellow Inn at the Opera, it’s a respite of a dinner with sincere service, shining particularly bright with seafood in the menu’s Fjord section. Herring trios, Swedish meatballs, Norwegian salmon belly gravlax and rounds of aquavit… I’ve been waiting for this one and hope it opens the door for more.

333 Fulton, SF. (415) 294-8925, www.plajrestaurant.com

 

6. CRAFTSMAN AND WOLVES

Don’t just call it a bakery. Craftsman & Wolves is a heightened sort of cafe where baked goods push boundaries and desserts are works of art. William Werner’s artistic eats, alongside sandwiches and salads, Sightglass Coffee, Naivetea, and dreamy drinking caramel made with salted butter, ensure this is an extraordinary addition to the SF food scene, standing apart from other cafes. Skylights, brick and clean lines make for a modern cafe setting, while items like the Rebel Within, an herb, cheese, sausage-studded muffin with a sous vide egg hidden inside, are already cult classics.

746 Valencia, SF. (415) 913-7713, www.craftsman-wolves.com

 

7. AND 8. TIE: SARU SUSHI AND ELEPHANT SUSHI

This sushi duo isn’t perfect, nor will either be the best sushi meal of your life. But in their infancy, they both represent the ideal neighborhood sushi outposts: friendly, laid back, almost hip, with spanking fresh fish and consistently interesting maki, nigiri, sashimi, tasting spoons (at Saru), and sizzling mango seabass (at Elephant). With a glass of sake, try firm-yet-silky squid in yuzu juice at Saru or bananas draped beautifully over Elephant’s Boom Box roll with scallop, avocado, and cucumber. Those lucky souls who live near either restaurant have themselves exemplary neighborhood sushi bars at which to unwind.

Saru: 3856 24th St., SF. (415) 440-4510

Elephant: 1916 Hyde, SF. (415) 440-1905, www.elephantsushi.com

 

9. MISSION BOWLING CLUB

Mission Bowling Club (MBC) is significant: until now no bowling alley served food this good. Hipster, even upscale for a bowling alley, the open, industrial space, large front patio, and downstairs and upstairs dining rooms (the latter oversees the action) add up to a striking setting for Anthony Myint — he of Mission Chinese Food and Mission St. Food, no less — to unleash his beloved Mission Burger, a rich, granulated patty, lathered in caper aioli. Entrees like blackened salmon on a potato latke marked by salmon roe, cucumber, and horseradish are listed alongside a juicy sausage corn dog dipped in habanero crema. Bowling never tasted this sublime.

3176 17th St., SF. (415) 863-2695, www.missionbowlingclub.com

 

10. FUSEBOX

Despite being open only three days a week for lunch, with just-added Saturday night dinner service (reserve ahead!), FuseBOX is my favorite East Bay addition this year because of its unique approach to Asian cuisine. Such limited hours in a remote West Oakland block makes it a meal you have to work to get to, but the fusion of Korean and izakaya-style Japanese from Sunhui and Ellen Sebastian Chang is a welcoming, tiny haven (with large front patio) for creative Asian fare often in bite-size format allowing ample tasting. There are rotating robata bites or kimchee from bok choy to kale, interesting panchan/banchan (mini-dishes often accompanying a Korean meal), hamachi tartare topped with lime caviar, Tokyo po boys, and an unforgettable bacon mochi. And who else offers kimchee and coffee service with Korean beignets?

2311A Magnolia, Oakl., (510) 444-3100, www.fuseboxoakland.com

 

HONORABLE MENTION

Gioia Pizzeria (2240 Polk, SF. (415) 359-0971, www.gioiapizzeria.com) for bringing Berkeley’s best NY pizza to SF; CatHead’s BBQ (1665 Folsom, SF. (415) 861-4242, www.catheadbbq.com) for some of the better BBQ in our city (“real deal” Southern BBQ being difficult to come by outside of the South); Abbott’s Cellar (742 Valencia, SF. (415) 626-8700, www.abbotscellar.com) for one of the best beer menus anywhere and elevated food to accompany it in a sleek-rustic dining room; Orexi (243 West Portal, SF. (415) 664-6739, www.orexisf.com) for daring to bring satisfying Greek food to our Greek-deficient dining scene; St. Vincent (1270 Valencia, SF. (415) 285-1200, www.stvincentsf.com) for a wine and beer geek’s dream menu partnered with forward-thinking interpretations of regional American dishes; Machka (584 Washington, SF. (415) 391-8228, www.machkasf.com) for a chic take on Turkish food.

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Appetite: 10 best spirits launched in 2012

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Each year holds a range of interesting spirits released from around the globe. As the craft spirit industry continues to explode, there were many exciting newcomers this year. Here are some of the best of what’s crossed my desk in 2012.

FORD’s GIN ($27) –  The 86 Company is a new venture from spirits and cocktail world stars Simon Ford (former International Brand Ambassador for Plymouth Gin), Jason Kosmas and Dushan Zaric (owners of New York’s Employees Only bar, authors of Speakeasy). Just last month, they released Caña Brava Rum (a Panama rum, aged 3 years), Aylesbury Duck Vodka, and Ford’s Gin. It’s the gin I’ve been mixing with at home in every kind of cocktail from a basic gin and tonic to complex Ramos Gin Fizz.

The gin’s bright citrus-juniper properties shine in each – and the price is right. Master Distiller Charles Maxwell, of Thames Distillers, worked with Ford to develop Ford’s Gin, made with nine botanicals, including juniper, coriander, cassia, jasmine, bitter orange, grapefruit peel. A nice, local connection (and environmental plus): distilled gin is shipped in bulk to and bottled by our own Charbay in Napa, cut with fresh Mendocino County water.

HIGH WEST CAMPIRE WHISKEY ($54) – Though I’ve been partial to Balcones Brimstone when it comes to a wild and wooly American smoked whiskey (in Balcones’ case, a corn whiskey smoked with Texas scrub oak), High West’s new Campfire continues in that rugged vein,  smoky with Old West charm. Bourbon, rye and smoky single malt are blended together in a spicy, woody, sweet, floral whole that makes me crave BBQ.

IMBUE PETAL & THORN Vermouth ($27) – From Portland and the creators of bittersweet vermouth Imbue (Derek Einberger, Neil Kopplin, and Jennifer Kilfoil), Imbue’s Petal & Thorn is a gorgeously bitter gentian liqueur using homegrown beets for color, alongside cinnamon and menthol – a truly unique elixir that’s lovely with soda on the rocks, in twists on classic cocktails like the Negroni, and on its own.

TEMPUS FUGIT KINA L’AVION D’OR ($35) – Fresh off the heels of its unparalleled Crème de Menthe and Crème de Cacao last year, Tempus Fugit does it again with Kina L’Avion D’or. Reminiscent of Lillet and Cocchi Americano but with a more intense flavor punch and elegant bitter quotient, it’s made from a hundred year old recipe from a Swiss distillery… a shining beauty in the quinquina family of aperitifs, distinct with quinine bite. http://www.tempusfugitspirits.com

1512 SPIRITS Poitín ($39)Poitín is a rare Irish spirit made in this case from potatoes and barley (the word poteen refers to small pot stills in which the liquor is historically made). Clear, bold and light, it evokes cucumber and summer, with the spirit of an eau de vie and robustness of a white whiskey. There’s nothing quite like it.

WAHAKA MADRE CUISHE MEZCAL ($80) – New to the US this year, Wahaka Mezcals are solid across the line, from an affordable Espadin Joven ($30) to an award winning Tobala ($80). I especially appreciate the earthier Madre Cuishe ($80), made from the wild agave plant of the same name, evoking fresh earth, cigar ash, citrus even fresh, green vegetables. If you get a taste of their Real Matlatl Tobala Mezcal ($125), it’s blissfully like sucking on a stone, intensely earthy, fascinating – for the mezcal aficionado.

CHATEAU de LAUBADE BLANCE ARMAGNAC ($55) – From a Gascon, family-run Armagnac house established in 1870, this clear, refined Armagnac has more in common with an elegant grappa or pisco than beautifully rough and ready Armagnacs. Airy yet substantial with pear and floral notes, the lack of color is due to it being an unaged Armagnac. The purity of the base, made from 100% Folle Blanche grapes, shines. Consider it the cleaner, lighter side of brandy.

LEOPOLD BROTHERS FERNET ($35) – First tasting Leopold Brothers’ Fernet straight from the vat as it was fermenting when I visited their family-run Denver distillery in Sept. 2011, its release this year yielded a lighter, layered fernet-style amaro, where ginger, mint, cacao and floral notes peek out alongside the menthol bitterness Fernet is known for – the brothers (Todd and Scott) added sarsparilla root and molasses for a distinctly American touch.

GLENFIDDICH MASTER MALT Edition ($90) – This limited-edition whisky was released in September from the classic distillery, one of only four in Scotland still owned and run by the same family since the 1800′s. At 18,000 bottles, it’s small production for Glenfiddich, celebrating their 125th anniversary. Malt Master Brian Kinsman crafted this double-matured whisky, which spent roughly 6 to 8 years in used Bourbon barrels, then 4 to 6 years in sherry casks. Sherry characteristics hit first but don’t overpower, with accompanying brine and spice.

FOUR ROSES 2012 Limited Edition SINGLE BARREL BOURBON ($90)  – A bracing bourbon at 100-114 proof, depending on the barrel, with only 3600 bottles released, Master Distiller Jim Rutledge has personally selected these uncut, unfiltered 12 year bourbon barrels for special release this year, among the more noteworthy whiskey tastes of 2012.
 
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Comfort, au courant

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virginia@bayguardian.com

APPETITE San Francisco doesn’t lack for comfort food. The last decade’s wave of twists on hearty, familiar fare has insured most neighborhoods aren’t without elevated burgers and grown-up childhood favorites. Two new restaurants, opened in September, continue and update the trend.

 

COMPANY

Guerrero and 22nd Street has long been one of my favorite corners. Whether enjoying a pint at the Liberties, a cocktail at retro fabulous bar Lone Palm, or house charcuterie at Beast and the Hare, at this intersection I feel transported, encouraged to linger and take in my surroundings, as if in Europe. In Company’s big picture windows, vintage red chairs and retro lamps make the space even more welcoming than it was before, as Tao Cafe. Lunch is idyllic: a book, a sandwich, and a bowl of soup becomes a way of spoiling myself.

Dinner is likewise mellow, families and couples confirming a local vibe. It’s clear in early months that while Company may not be revolutionary destination dining, chef-owners Karen Hoffman (from Four Seasons Newport Beach and Jardiniere) and Jason Poindexter (Four Seasons Chicago and San Francisco) offer tranquil surroundings and well-executed food. The ubiquitous upscale burger is there: “Breadand Butter” burger ($14), a patty of ground chuck and oxtail, topped with Madeira-glazed pioppini mushrooms and decadent triple creme brie. At lunch, vegetarian stands up to burger and pork offerings: grilled eggplant and house ricotta panini ($11) is layered with rapini/broccoli rabé and romesco sauce. Smoky eggplant and ricotta are in harmony: warm, luxurious, almost healthy. A bowl of squash soup, savory with duck confit, brightened by citrus reduction, is $8 but as an add-on cup to a lunch entree is merely $3.

At dinner, salads are vivid, unlisted vegetables one night in a “crisp vegetable salad” ($9) being beets, cucumber, and avocado over sweet gem lettuce, tossed with feta and toasted pine nuts in a basil mint vinaigrette. House-cured salmon salad ($11) is likewise fresh and silky, with cucumber and beets in yogurt dill dressing. Crispy confit chicken wings ($9) are especially tender, accented with heat (and color) from red jalapenos and fried mint leaves. Syrah-braised short ribs ($23) are cooked in harissa, evoking Middle Eastern intrigue over whipped garnet yams and charred rapini.

With four beers on draft, like intense peach notes of Widmer Bros. BRRR Seasonal Red Ale from Portland ($6), and a shorter wine list (heavy on France, Italy, California), there are cocktails sans hard liquor from Assistant General Manager Russell Morton. While I don’t get excited about soju and wine cocktails, preferring robust spirits to mild soju, Morton elevates an amaretto sour into an almond cherry sour ($6), keeping house amaretto tart rather than too sweet, with lemon, cherry bitters, and brandied cherries.

1000 Guerrero, SF. (415) 374-7479, www.companysf.com

 

JAMBER

Midwestern brother-sister duo Jess and Matt Voss opened Jamber, serving gourmet pub food from Chef Peter Baker with California-only wines and beers, all on tap. The siblings’ care shows in hand-assembled tables, chairs made from wine barrels, wines selected from wineries they personally visited, a hip, industrial vibe warmed by woods and graffiti art in the loft-like space with a walled front patio.

Wines (happily, there are options: 2.5 oz. and 5 oz. glasses, 1/2 or full jugs), like Darcie Kent Gruner Veltliner from Monterey or a Margerum Grenache Blanc from Santa Barbara, flow easily from taps, with beers such as Almanac’s Farmhouse Ale or a hibiscus saison, Pacific Brewing Lab’s Nautulis. In my visits, there’s a relaxed welcome from staff best experienced sitting at the rustic wood bar. Jess’ bacon jam recipe is a highlight: a savory, textured pleasure of a spread, no matter what it’s served with. Mr. Meatloaf ($15) is the star, a hefty, tender slab of buffalo meatloaf wrapped in bacon, accompanied by mashed potatoes and roasted carrots. I often find myself bored by big hunks of ground meat. Not so here. Jamber’s meatloaf is about as good as meatloaf gets.

Two more standouts: PB & Jam ($11) is a hunk of pork belly layered in a sandwich with peanut butter and that Jamber bacon jam. Most starters, like pretzels and fried mozzarella, are on the heavy side; the top one is easily Parmesan rosemary mashed potater tots ($8) — warm mashed potatoes oozing out of lightly fried breading — with, yes, Jamber bacon jam. After a decent mac ‘n cheese ($10) or freshly generous salads ($7–$9), a pot pie ($12–$14), namely ratatouille, sounded brilliant but was a soggy, funky mash of vegetables in flavorless crust. Likewise, the beet Jamburger ($10, there is a veal-beef burger for $12) made me sorry I took the vegetarian path. Despite fresh bread, it tasted like slices of beet on a bun rather than the creative beet-veggie patties I’ve had that never replace a “real” burger but can be a worthy sandwich on their own.

Despite a couple difficult dishes, there’s enough here to love at this all-day SoMa spot for a drink and a filling bite.

858 Folsom, SF. (415) 273-9192, www.jambersf.com

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Phantasms

1

marke@sfbg.com

SUPER EGO Scene: Midnight, Tiara Sensation drag pageant, Rickshaw Stop, September. A naked, enormously white-and-purple-bewigged figure in two-foot-high Plexiglass heels, laid across three raised Plexiglass pillars, faces away from us. The pitched down strains of Frank Ocean’s “Pyramid,” his voice syrupped into a slo-mo Judy Garland phantasmagoria, drown us in waves of bass. Sheee’s wooorkiiing at the Pyyyramid toniiiight.

Awkwardly, riskily the figure rises almost to the rafters, its back still to us, spreads its legs, and begins to pull a tangled string of multicolored Christmas lights from her crotch. It performs this deliberately, turning the Rickshaw stage into a pressure cooker of strobe lights, sexual horror, and incipient danger — a strip club where no one can hear you scream. The atmosphere is so tense that when the figure finally turns around to reveal her eyeless, bloody-mouthed, death-pale self, as Ocean’s voice tweaks a level higher, shivers and gasps run right through the audience. Shiva the Great Destroyer, her tits bound with duct tape, a makeshift pouch at her crotch the source of her glittering lights.

It’s an out-of-body look that works. And it’s emblematic of a new glitchy-nightmare drag style (or the reboot of one) that’s bewitching clubgoers.

DIA DEAR

The performer was the amazing Dia Dear, one of a number of recent young arrivals who’ve zapped nightlife to another level by unselfconsciously — and quite organically — raiding the shelves of performance art, horror films, contemporary R&B, club kid history, and the Walgreen’s down the street to create striking personae for themselves, and electrify the city’s drag stages. They’re also so freaking smart it scares me, no Christmas crotch lights required.

Drag as confrontational, sometimes blood-spilling performance art has a long history here, of course, from the Cockettes in the 1970s, through the Popstitute and Club Uranus scenes in the early ’90s, through Trannyshack into the ’00s. It’s currently found a home at the Some Thing party every Friday at the Stud, High Fantasy every Tuesday at Aunt Charlie’s, and the Dark Room monthly party at Hot Spot. Iconic, sensibility-scrambling club kid styles like those of Michael Alig, Desi Monster, James St. James, our own Phatima Rude and Ggreg Taylor, and the ultimate drag inverter-perverter Leigh Bowery are all the rage in this retro-minded, post-Gaga moment. But something about this fresh wave, something about how it’s coming from people with no nightlife background at all, is different. Drag stages have become the affordable breeding ground for committed performance artists, expressing essential truths about our moment. Mere lipsyncing is so last century.

boychild

“I never even knew who Leigh Bowery was until people started mentioning his name this summer,” boychild, another of this new tribe, told me over the phone. (I live next door to boychild, and it’s not rare to find a neon-yellow spray-painted birdcage, a chandelier made of wigs, or an entire store display case sitting outside, waiting to become part of a perspective-shattering outfit or brandished onstage in a cyber-Wiccan, dystopian android ritual.) Like Dia, boychild just started going out to clubs very recently — pretty much arriving out of nowhere, both of them declining to share their pasts — and when she did she was almost fully formed as a stage presence, with a genius sense of makeup and a cerebral agenda.

http://www.vimeo.com/49244470

“Everything I do is a reaction to being categorized: as a person of color, as a female-bodied queer,” she said. “It’s really bad right now, because it’s so hip to be black, “urban culture” is being fetishized to an enormous extent. I feel I encounter so much that makes me angry just existing in this world as a queer creature. My performance and look ties everything to my experience through my body. That’s where I express myself most fluidly, more acutely and vividly than through language.”

“Horror is where I’m coming from and where I exist,” Vain Hein, another performer, told me. Unlike Boy Child and Dia Dear, Vain Hein is open about his past: raised as a Born Again Christian in both Puget Sound and Phoenix, Arizona — “My childhood consisted of traveling between extremes” — he eventually found his way to the San Francisco Art Institute to study New Genres (this is actually a program there!) Vain Hein, who also performs to music he chops and screws at home, most explicitly ties sex to horror in his work — it’s chockful of surprise lactations, menstrual blood, live births, prosthetic triple breasts, and weird asses.

VAIN HEIN (Photo by Eric Harvieux)

“I think a lot about the apocalypse, it’s how I filter and understand the world. Decay, destruction — everything I wear is just what’s at hand around my house, held together with scotch tape and nail glue, the shitty, shitty, shittest things ever that just fall apart during the night, even when I’m not performing. I literally shed my skin.”

Yet even as a queer art student in San Francisco, liberated from fundamentalism, he never went out until last year. “I just had preconceived notions about what going to a gay club involved. Then my friend dragged me to a drag show in the spring, and I was like, ‘I can do this.’ I had studied mostly performance art and video so it was a good fit.”

Being a young queer and not going to the clubs is incomprehensible to me — but of course these 20-somethings grew up with the Internet, where you can be gay by yourself, and which looms like a Poltergeist vortex over their work.

“Oh, the vast blessing of the Internet,” boychild half-laughs. “I wish I was better at it. We’re so bombarded with information and images, just so much shit. That can be great because my generation has all of the past available. But we’ve been drowning in this stream of complete crap, too. I can define myself as a freaky-freak just by how I navigate it. But the power of live performance is channeling all that into immediate emotion, a moment when everyone’s together, something that can’t and should never be documented as just images.”

The charming and soft-spoken Dia Dear, who has become kind of a mother the nascent phantasmic drag scene — even though she, like boychild and Vain Hein, operates mostly outside traditional drag house family structures — says, “I haven’t quite figured out my relationship to the Internet. I feel like it’s a positive tool because it can connect us to the spirit of people who are dead. But it’s also this kind of dark rectangle in the corner that can suck out all your energy. It exists for its own sake. But to be on the Internet now, you have to have a certain level of narcissism and self-interest. A lot like you have to have as a performer. Performance and the Internet should be natural lovers, in a sense. Twisted together …entwined.”

 

DISQUIET NIGHT

This live experimental music concert at the Luggage Store Gallery is the brainchild of one of the brainiest yet approachable people I know, Marc Weidenbaum, who started his fascinating daily music site, Disquiet.com, 15 years ago — way before blogs were invented. His project Disquiet Junto challenges Soundcloud members to respond to a prompt with unique compositions. This round: field recordings of Hurricane Sandy, with Cullen Miller, Subnaught, Jared Smith, and more.

Thu/6, 8pm-10pm, $6–$10 sliding scale. Luggage Store Gallery, 1007 Market, SF. www.luggagestoregallery.org

 

DEE-TOY

Over the past year we’ve been treated to some tasty South African contemporary dance music flavor, from Black Coffee to Die Antewoord. (Somebody please get the Tshetsha Boys out here!) DJ Dee-toy, of Sebokeng Township continues this great microtrend with deep, deep house vibes and off-your-seat Afrofunk jams.

Fri/7, 10pm-4am, $15–$20. Mighty, 119 Utah, SF. afrofunk.eventbrite.com

 

GIGAMESH

Yeah, yeah, the phenomenally successful Minneapolitan remixes pop hits into slick little machines of hummable electro-disco bliss. He is also very, very fun.

Fri/7, 10pm-3am, $15–$20. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

TORMENTA TROPICAL 5-YEAR ANNIVERSARY

This monthly party launched the nu-cumbia sound in SF, splashing some much-needed Latin electronica onto our shores, while introducing global bass to a new generation of underground-minded clubgoers. Some major players have stomped the floor here, and quite a few sonic permutations of TT’s sound have found more mainstream success — but founders Shawn Reynaldo and oro11, who brought their inspiration directly from Argentina, are keeping it crazy and real with a marathon tag-team set in celebration.

Sat/8, 10pm, $5 before 10pm, $10 after. Elbo Room, 647 Valencia, SF. www.elbo.com

 

ACCIDENTAL BEAR!

Gay people won’t stop rapping and blogging, and that’s OK! Our favorite local blogger (and perpetual crush) Mike “Accidental Bear” Enders covers way too much ground online. Now the super-enthusiastic cutie is celebrating two years of cybergossip by hosting a cartoon-colored gay rapstravaganza with Big Dipper, Rica Shay, and MC Crumbsnatcher, plus singer Tim Carr and DJs Medic and Dav-O of Double Duchess. There’ll be a lot of cute gay guys with beards.

Sat/8, 9pm, $3. Truck, 1900 Folsom, SF. www.accidentalbear.com

 

ATTACK OF THE TYPEWRITERS

Writer, drinker, arts-minded political activist, and bon vivant Hiya Swanhuyser is combining her interests in this neato, monthly, potentially wonderfully absurd thingie. Come to the Makeout Room, grab a drink, and then bang out a letter to any politician you have beef with. “One letter = 100 votes,” she says. Cocktails and truth to power, yasss. She’ll bring the actual, clickety-clackety typewriters! You bring the drink-fueled rage!

Tue/11, 6pm-8pm, free. Makeout Room, 3225 22nd St., SF. www.tinyurl.com/typeattack

 

9 bottles (and some cherries) under $20

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HOLIDAY GUIDE True party pros know how to work the holiday season without going broke. The rest of us needs tips from people in the know — a designation which Amanda Womack definitely falls under. Womack is a store manager at of one of the town’s best liquor stores, Cask (17 Third St., SF. (415) 281-6486, www.caskstore.com), and she graciously gave us her top picks for cheap-o merrymaking. The list includes some quality cocktail berries that Womack assures us fly off the shelves this time of year.

St. George gins, 200ml for $9 “Choose from three different versions (Botanivore, Terroir, Dry Rye) of these gins, which are made in Alameda with many of their botanicals sourced locally from Northern California and Mt. Tam.”

Reyka Icelandic Vodka, 750ml for $19 “This vodka is made from the purest Icelandic spring water in Borganes, and filtered through lava rock. It’s great in cocktails or on the rocks.”

Cocchi Americano, $19 “Similar to Lillet Blanc, this aperitif wine is herbaceous and softly sweet. It pairs wonderfully with food and is served chilled.”

Jelinek Fernet, $19 “For the Fernet lover in your life — and there are many in SF — this is a great alternative brand that is mellowed out in flavor and mixes well in cocktails.”

Meletti Amaro, $18 “Enjoy as a digestif after your holiday festivities. Meletti features notes of ginger, cinnamon, and saffron.”

Weller Special Reserve Bourbon, $18 “If you’re a Pappy Van Winkle fan, you’ll love this whiskey from Buffalo Trace Distillery. It uses a similar wheat recipe, and is from the same supplier at a great price.”

Johnny Drum Kentucky Straight Bourbon, $18 “A brand you don’t see every day. At 80 proof this is an excellent bourbon for sipping neat.”

Old Overholt Rye, $17 “A classic lightly spiced rye that’s versatile in cocktails and great for sipping.”

Bank Note Blended Scotch, $18 “Featuring a smoky flavor profile, this scotch makes excellent hot toddies.”

Luxardo Marasca Cherries, $16 “To top off a perfect cocktail use these beautiful (and hard-to-find) Italian cherries.”

 

Hot sexy events: Queer calendars, hot bikes, and Dita

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Orientalism to-do aside (who does she think she is, Gwen Stefani?), making eye contact with Dita Von Teese for an extended period of time is an experience I highly recommend.

Von Teese, after all, is “the siren of our times,” as host Lady Rizo told the crowd last night at Big Daddy’s Antiques, where Cointreau is hosting a few nights of cocktails and burlesque amid the whimsical, weird towers of Big Daddy’s old things-for-sale. Last night, a performance by the Cointreauversial Von Teese headlined the event preview, which also featured a vast swath of cocktails shaken up the brand’s “master mixologist” Kyle Ford. You can check out the show, minus Dita, for free with RSVP today Wed/14 and tomorrow Thu/15.

Ask her if her shit stinks,” whispered my escort for the evening. 

I didn’t. But the soft-spoken Von Teese and I managed to cover a few other topics during our brief chat next to a wall of glowing Cointreau bottles. For example, what the most over-the-top feminine woman today considers to be the most masculine thing about herself (“my ability to paralell park. No, my collection of vintage autos. I drive a 1953 Cadillac on a daily basis.”), how she survived the vitriolic election season (“I have a girlfriend who keeps me informed. I fill out my ballot with her. Everything turned out fine in the end…”), and the sexiest thing she’s seen in 2012 — a question for which the seasoned star, surprisingly, had no pat answer for (“you mean, that I can tell you about?”)

But eventually, she hit upon it. “I’ve seen a lot of sexy moments within my show [her revue, “Strip, Strip Hooray!” which features curvy burlesquer Dirty Martini and Perle Noir]. We have a lot of diverse body shapes.”

Does she ever get blowback from fans for featuring fat girls in her shows? (We are talking about fat girls, amiright?) Not, Von Teese told me, from people who have actually watched “Strip, Strip Hooray!”

“But I have had them go, wow, I’ve never seen anything like that.”

… Which was exactly what I was thinking from my front row spot watch Von Teese do her jaw-dropping thing, first in a sequined South Pacific-style two-piece, then a feathered fan, then nothing much of anything — a string of sparkles, pasties, and a coy smile. 

La Maison Cointreau Big Daddy’s Antiques 1550 17th St., SF. www.lamaisoncointreau.com. Wed/14-Thu/15 6-9:30pm, free. RSVP for time slot

Bawdy Storytelling: Gender Bender

GenderFork founder Sarah Dopp created an online place to celebrate transgender, genderqueer, and androgynous folks, which is pretty much the perfect resume for a reader at tonight’s Bawdy. The XXX storytelling series explores the nooks and crannies of gender variance. Dopp will be joined by sex educator Reid Mihalko, performer Lily Black, and more at this last Oakland Bawdy for the forseeable future. 

Wed/14 7-10:30pm, 

The Uptown

1928 Telegraph, Oakl.

www.bawdystorytelling.com

“Everyday Pervertibles: DIY Kink”

When Sister Eden Asp asks you to find pervy uses for a quotidian object, you do it. Porn stars Leo Forte and Element Eclipse may be particularly suited for the task, which means that tonight’s event, at which they’ll share their sexual imaginations, will be a must-attend for anyone who is looking to learn about kink play that’s safe, sane, sexy. 

Wed/14 7-9pm

Center for Sex and Culture

1349 Mission, SF

www.sexandculture.org

Q-Were calendar release parties

Chicagoan photographer Patience Meeks has pulled together this gorgeous 12-monther of queer women just in time for your early holiday shopping (you’re doing that, right?) To celebrate, her team has organized parties on either side of the Bay at sexy hot spots, where they’ll be selling the calendar and mingling with its fans. 

Oakland: Thu/15 6pm, free

Feelmore510 

1703 Telegraph, Oakl.

www.feelmore510.com

San Francisco: Fri/16 8:45pm, free

Lexington Club

3464 16th St., SF

www.lexingtonclub.com

Progressive International Motorcycle Show

Leather aficionados will vroom vroom for this weekend expo of the burliest, sexiest two- and three-wheeled numbers in the industry. Among the vehicles that will be available for you to cast your voyeuristic eyes all over will be: first person from this country to win the Grand Prix motorcycle racing world championship Kenny Roger’s bikes and Honda’s 2013 bikes, appearing for the first time in public.

Fri/16 3pm-8pm; Sat/17 9:30am-8pm; Sun/18 9:30am-5pm, $15 day pass

San Mateo County Event Center

2495 South Delaware, San Mateo

www.motorcycleshows.com

The Godless Perverts Story Hour

How many times has Jesus poked his meddling beard into your bedroom? We all know that God and his son have no place in your sexual doings. This fact will be celebrated at tonight’s reading, featuring confirmed blasphemers Maggie Mayhem, Greta Christina, David Fitzgerald, Chris Hall, Dana Fredsti, Anthony O’Con, Simon Sheppard, and M.Christian. Earthly lechers, rejoice. 

Sat/17 7pm, $10-20

Center for Sex and Culture

1349 Mission, SF

www.sexandculture.org

Appetite: Latest in New Orleans dining

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Returning to my beloved New Orleans, a city I’ve explored extensively via a path laden with jazz, Dixieland, Zydeco, Ramos Gin Fizzes, Sazeracs, Cajun and Creole food, there were ever more finds, both new and classic. The sweltering humid heat of July during Tales of the Cocktail is not ideal weather to fill up on po boys and boudin, but I managed, and in so doing, savored more of the soul of this most soulful of places.

Though I returned to modern day favorites like Cochon (rabbit and dumplings, boudin and fried alligator, thank you) or ordered appetizers and drinks at the bar at brand new Criollo in the Hotel Monteleone, following are restaurants I’d add to my already long, Nola neighborhood lists – and only one real disappointment.


Best New Restaurant: Maurepas Foods

Visiting six new hot openings this trip, Maurepas Foods, open since the beginning of the year, was easily the best. I approached the restaurant in the midst of a warm, sultry downpour of summer rain in the mellow, ruggedly hip Bywater neighborhood. Maurepas offers high value (everything is $3-17) in gourmet, quality food prepared with care – of the caliber I’m used to at home in SF. It’s also more playful and forward-thinking than higher priced restaurants around town. Salvaged chandeliers, reclaimed woods, the rustic look of a former printing house, all fit in the neighborhood, while the space is colorful, bright with windows, peaceful during late afternoon. Cocktails shine, artisan but affordable – more on that next issue when I cover the latest in Nola cocktails.

Chef-owner Michael Doyle (formerly of Uptown’s Dante’s Kitchen), keeps the food as funky and fun as the artwork lining the walls with his already beloved goat tacos ($8) accompanied by pickled green tomatoes and cilantro harissa on housemade tortillas. I get good goat tacos at home in Cali. and these are winners. A special of the day, lightly fried soft shell crab, feels nearly decadent in creamy curry, while Summer is glorified in peaches and peppers ($8) tossed in lemon balm with mint and coriander. A green onion sausage ($8) from Mid-City deli favorite Terranova is grilled, served alongside arancini (fried Italian rice balls) and figs with black pepper mustard.

I left Maurepas aglow from the hospitable service, confident I’d eaten at what is not just the Crescent City’s best new restaurant, but one of Nola’s best overall, downhome as it is refreshingly current.

Best Po Boy: Parkway Bakery and Tavern

Like any great regional dish, few agree on who makes it best. Which is why, when it comes to po boy sandwiches in New Orleans, I have to a try a few each visit, checking off the long list of those commonly deemed “best” (past favorites include Domilise’s). This trip, I learned from a local while riding the St. Charles streetcar that longtime Parasol’s owners had moved nearby to Tracey’s Irish Restaurant due to a rent hike, the local said. I rerouted there for a hearty (if a bit dry, despite being “dressed”) beef po boy. Nearby, I also visited the adorable Grocery (not to be confused with legendary Central Grocery in the Quarter) known for their “pressed po boys”, or basically panini. Though I loved the friendly sandwich shop, I couldn’t help but wish for a real Cubano when trying their Cuban sandwich.

But the top po boy thus far – of any of my New Orleans visits – may be obvious: I finally made it to Mid-City’s Parkway Bakery & Tavern. A classic since 1911, po boys have been served here since 1929. Lines are long (and slow) with plenty of menu items. But it’s the Parkway Surf & Turf ($8.10/11.30), slow cooked roast beef and fried shrimp in gravy, that’s a game changer. A local tipped me off to this one, rightly affirming there’s no reason to choose beef or shrimp po boys when you can have both. Adding remoulade and horseradish from the condiments table, I avoided the dryness that seems to plague many a beloved po boy. I could not stop sighing in ecstatic glee with each meaty, shrimp-y bite.

Church Brunch: Redemption

Setting outshines the food, at least at Sunday brunch, but sweet service and friendly locals who chatted with me as I dined solo with a book, a bourbon milk punch and chicory coffee, made my meal at the new Redemption in Mid-City a rewarding excursion via streetcar.

The striking, converted church setting is certainly the main attraction. High ceilings, wood rafters, and a stained glass glow imparted a lasting impression, although alligator sausage on waffles ($9 starter) could be amazing if perfected. Pricier dinner entrees ($22-$33) run the seafood to steak gamut with New Orleans influence.

Classic Ice Cream Parlor: Angelo Brocato

If you’re hitting up Parkway Tavern or Redemption in Mid-City, classic ice cream parlor, Angelo Brocato, is not a far trek from either.

Though I find flavors more interesting at La Divinia Gelateria, Creole Creamery or Sucre, I love Angelo Brocato’s history as a family-run, Sicilian sweets outpost since 1906. Refreshing mint ice cream soothes on an oppressive Summer day.

Best New French Quarter Watering Hole: SoBou

Even if the name SoBou (refering to South of Bourbon Street) feels forced, this newcomer (opened in July just a couple weeks before I twice visited) from New Orleans’ restaurant legends (Commander’s Palace Family of Restaurants) shows promise of succeeding on numerous fronts. Though the place can get obnoxiously loud, it’s multi-roomed, casual, festive, whether at individual or communal tables. A friendly bar staff, run by bar chef Abigail Gullo from NYC, beer taps actually at individual tables in the front room (dangerous!), and a menu from executive chef/partner Tory McPhail and Juan Carols Gonzalez are all reasons to go.

I’ll highlight cocktails next issue, but on the food front, playfulness reigns with blessedly local touches, like a Cajun queso ($5), essentially a pimento cheese fondue with pork cracklins’ to dip, and crispy oyster tacos ($7), a delight of fried oysters, compressed pineapple ceviche, mirliton (aka chayote or pear squash, the poster child of Southern vegetables), and Cajun ghost pepper caviar. The best bite of all?  Butternut duck “debris” beignets in chicory coffee ganache with foie gras fondue. Ridiculous.

My initial take is SoBou works best as a bar hangout (cocktails or beer) with crowd-pleasing bites and with its convenient locale and all day hours it’s just what the Quarter needed.

Sustainable Louisiana Seafood: Borgne

Obviously all of John Besh’s restaurants can’t be August http://www.theperfectspotsf.com/wp02/2010/09/15/wandering-traveler-34/… nor would I want them to be. The great New Orleans’ chef‘s latest is Borgne, with Executive Chef Brian Landry in the kitchen. It’s a bustling, almost cafeteria-like ode to Louisiana seafood, sustainable whenever possible. While the place feels short of greatness and a couple dishes disappointed, it’s a fine lunch outpost for a beer or a solid cocktail and the likes of three deviled blue crabs ($20), hollowed out and stuffed with their own meat, or skewered duck (misleadingly called poppers – $9), wrapped in jalapeno and bacon.

After-Hours Hangout: Delachaise

For late night goose fat fries ($6) with satay peanut sauce for dipping, smoked salmon johnny cakes ($13), and flank steak bruschetta ($10), alongside a bar-length chalkboard marked with an array of beer, wine and spirits (Campari-based aperitifs are a good way to go here, like a Negroni or Americano), Delachaise, with its magical, white light-draped front patio, is a couple steps above a dive and an ideal nighttime hangout with friends in the Garden District.

Business District Coffee Break: Merchant

Though I must be honest and say dry, bland crepes were a letdown, the clean, white design of 2011 newcomer Merchant in the CBD (Central Business District) makes for an inviting breakfast hangout. Serving Illy coffee, the space feels half chic Rome cafe, half Bay Area, as the design was, in fact, inspired by Apple in Silicon Valley.

Though Illy would be far from the most respected bean choice where I come from (more classic Italian chain than modern day coffee haven), what makes Merchant special as a coffee stop is that there’s nothing else around like it. Third Wave coffee hasn’t really hit New Orleans and though there is something strong to be said for a New Orleans iced coffee laced with chicory even from chains like PJs and Community Coffee, there’s a massive gap when it comes to sources for hardcore coffee aficionados. At least Merchant is trying to narrow the gap on the Italian side with a custom-build XP1 espresso machine and appropriately robust coffee.

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com 

Get a taste of science at the Bay Area Science Festival

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The second annual Bay Area Science Festival is helping people take a bite out of science – literally – by bringing it out of the lab and into the kitchen.  Enjoy 70-plus culinary and mixology-focused events throughout the 10-day festival from Santa Rosa to San Jose. 

The most notable of these is TV personality and celebrity chef Alton Brown’s “Ten Things About Food I Feel Pretty Sure About” presentation showcasing the laboratories that exist within our own kitchens. Get tickets for that here. October 27 at 7pm @ The Castro Theatre, 429 Castro, SF | $35

Also, Commonwealth Club’s INFORUM series will be mixing things up by showcasing the chemistry of cocktails with “The Science of Distilling” where Bay Area mixologists will entertain cocktail enthusiasts thirsty for an outside-of-the-test-tube approach to cocktails. Drinks will be served by robot-barkeeps called “barbots”. Get those tickets here. Tuesday, October 30 from 6:30-9pm @ 111 Minna, SF | $25 members/$40 non-members

The Bay Area Science Festival starts Thursday, October 25 and ends on Saturday, November 3. For a complete schedule, visit this link.

Win tickets to The Quickies presented by Good Vibrations

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Check out Good Vibrations’ Erotic Short Film Competition at the haunted Castro Theatre with Peaches Christ and Dr. Carol Queen!

Your favorite adult toy store presents the hottest films of all flavors from around the world all in seven minutes or less. Funny, romantic, hardcore, straight, gay, lesbian, queer, or kinky, these international films go far beyond mainstream porn in a hilarious and stimulating presentation MC’d by your hosts Peaches Christ and Dr. Carol Queen.  Lube up for laughs at the pre-party in the Castro Theatre mezzanine featuring cocktails, nibbles, sexy prizes, live music and bawdy burlesque, followed by the screening where the audience chooses who gets $1,500 and glory! Spooky, sexy costumes encouraged!

Get more info here. Purchase tickets here. To win a pair of tickets, email your full name to sfbgpromos@sfbg.com with “quickies” in the subject. Winners will be chosen by 5pm on Wed/24.

Friday, October 26 at 7pm 8pm (7pm doors) @ Castro Theatre, 429 Castro, SF | $10

Rum tales

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virginia@sfbg.com

FEAST Rum has had a rough and tumble history. It was the Royal Navy’s spirit of choice, and on a grim note, benefited from association with the slave trade. Consider the story of Admiral Horatio Nelson, whose body was preserved in a cask of rum after his death in the Battle of Trafalgar en route back to England. Upon arrival, the cask was empty of liquid, the rumor being his crew drank it in hopes of ingesting Nelson’s courageous spirit. From this comes one of rum’s many nicknames, “Nelson’s blood.” The act of imbibing it is often dubbed “tapping the admiral.”

Despite its dark days, rum thrives as the spirit of the Caribbean where, along with Latin America, the majority of the world’s supply is produced. The liquor is associated with island breezes, relaxation, the good life. From airy white rum to the sweet, spiced variety, there’s more complex rum variances than one might initially suspect.

Though no hard and fast rules apply to all rum, here’s a quick rundown of categories:

Light/silver/white rums are often smooth, sometimes sweet, mixable rums ideal for cocktails, made from both sugarcane and molasses. Typically aged briefly, they maintain a colorless look from being aged in stainless steel or neutral oak, or from having their color filtered out.

Gold/amber rums are typically medium-bodied, generally aged in wood barrels. They are the halfway point between light and dark rums.

Dark rums are molasses-based, aged in charred barrels. They are at times quite sweet and silky, at other times complex, best for mixing or sipping.

And there is a wealth of other categories. Spiced rums have, yes, spices and even caramel added. Flavored rums are infused with a wide range of tastes. Overproof rums are high proof spirits that exceed the standard 40 percent ABV. Premium rums are essentially a more refined category of sipping rums. Cachaça is, more or less, a Brazilian rum made solely from sugarcane juice.

In addition to styles, regions determine rum characteristics. The Spanish-speaking Caribbean (namely Cuba, the Dominican Republic, Puerto Rico) and South and Central America are most highly regarded for their smooth añejo style. English-speaking islands (like Barbados, Belize, Jamaica, Saint Kitts, Trinidad) are best known for full, dark rums, including demerara rums made from natural, unrefined demerara sugar. French-speaking Caribbean islands (including Haiti, Guadeloupe, Saint Martin, Martinique) are famed for agricultural rums (rhum agricole), produced solely from sugar cane juice, which are refined, complex, even grassy and funky.

RUM BARS

Where to find good rum in the Bay Area? One of the greatest selections available anywhere, the standard-setting menu at Smuggler’s Cove offers over 200 rums, with flights and pours grouped by style and region. The bar even has a Rumbustion Society encouraging (and rewarding) exploration. Smuggler’s honors the roots of tiki (Don the Beachcomber and Trader Vic’s paraphernalia abound) in its intimate, three-level layout. The cocktail menu is extensive, with sections on Cuban cocktail favorites from Havana’s glory days to modern interpretations of tiki drinks.

650 Gough, SF. (415) 869-1900, www.smugglerscovesf.com

Newly-opened Tradition offers booths (called “snugs”) with themes like New Orleans, Pre-Prohibition, and Scotland, each boasting vintage ads, signs, and barware in keeping with the motif. An artistic menu is likewise themed around each category. One theme is exotic/tiki, that page bearing mostly rum-based cocktails. For a unique rum experience, there’s an extensive house-blended and barrel-aged spirits program, including all manner of spirits finished in house barrels, like Flor de Caña rum in pinot noir or sweet vermouth barrels, imparting unexpected wine notes to the rum.

441 Jones, SF. (415) 474-2284, www.tradbar.com.

Though not a rum bar per se, Bar Agricole, with its impressive modern design and a bar flanked with dramatic photography, is named after French Caribbean rums and boasts a strong rum selection. Agricole perfects classic rum drinks — chat with bartenders about which version of the classic daiquiri you might want to try, they’re well-versed on each. Imbibe lesser-seen classics like a Martinique Crusta from Charles Baker’s Gentleman’s Companion, this particular recipe dating back to 1840 of agricole, lemon, bitters, and Maraska, a Croatian maraschino liqueur.

355 11th St., SF. (415) 355-9400, www.baragricole.com.

For dive bar rum and cheap rum punch, try Hobson’s Choice in Haight-Ashbury (www.hobsonschoice.com). Other notable tiki bars include the transporting East Bay classics, Forbidden Island (www.forbiddenislandalameda.com) and Oakland’s Conga Lounge (www.congolounge.com), not to mention out-of-the-way Tiki Haven (www.tikihavensf.com) in SF’s Outer Sunset.

BEST RUM COCKTAILS THIS YEAR

Brand new to the bar’s fall menu is frothy, light beer and rum beauty, Jasper’s Rum Shaker (a cheeky reference to the 1990s rap song, “Rump Shaker”): Bacardi 8 Rum, Shipyard Pumpkin Ale, lime, pumpkin syrup, cream, egg white, and orange flower water recall a classic Ramos Gin Fizz. Also new to the menu is bartender Taylor White’s Haymaker, which allows Appleton Reserve Rum to shine in a fabulously musty, spiced way with Combier orange liqueur, chai tea infused Punt Mes vermouth, Angostura, and orange bitters.

401 Taylor, SF. (415) 775-7979, www.jasperscornertap.com

An after dinner sipper this summer was AQ’s Senegal at Dusk ($10), a mixture of Lemon Hart rum, coffee and a blissful cardamom banana cream. At Tradition, Kona Kope stands out from an entire book of cocktails. Sweet Diplomatico Reserva Exclusiva rum and barrel-aged spiced rums intermingle with coffee syrup and a touch of coconut cream, evoking lively coffee-tinged tropical breezes. For a milky rum stunner, try Smuggler’s Cove’s Jamaican Milk Punch, reminiscent of traditional Brandy Milk Punch, smooth, frothy, spiced.

1085 Mission, SF. (415) 341-9000, www.aq-sf.com

The Lower Haight joint might not be a rum bar, but Maven’s Nauti’ Mermaid is a winner, mixing Jamaican rum, lime, orange, coconut, and housemade hazelnut orgeat, substituting orgeat’s typical almond base for hazelnuts.

598 Haight, SF. (415) 829-7982, www.maven-sf.com

In downtown Berkeley, Comal’s Black Daiquiri is a refreshingly unique expression, mixing Pampero Aniversario rum, Averna, lime, sugar, and Chiapan coffee tincture for a tart, bitter, sweet, and robust imbibement. Coffee notes don’t dominate, but add a hint of earth and body.

2020 Shattuck, Berk. (510) 926-6300, www.comalberkeley.com

RECOMMENDED RUMS

One of my all-around favorite rums is Brugal 1888 ($54.99), from five generations of family distillers in the Dominican Republic. First aged in American white oak barrels, then finished in Spanish oak, it’s a blend of rums aged five to 14 years that hits the nose with spice, coffee, dried fruits. Tasting it yields notes of bourbon-like caramel, wood, spice, a hint of earth, a complex finish. An affordable sipping rum is Appleton Estate Reserve 12 year ($34.99) from Jamaica, blended by female master blender Joy Spence. It’s bright and bold, but also nutty and buttery. If you can get your hands on Appleton 21 year, it’s a beauty. Fascinating grassy notes, nuts, orange blossom, molasses.

Ron Zacapa 23 year ($37) is a Guatemalan classic, smooth with toffee and spice and crafted by a female master blender Lorena Vasquez. Diplomatico Reserva Exclusiva ($35) is lushly sweet with caramelized brown sugar, a spice-redolent Venezuelan dark rum. Botran Solera 1893 Gran Reserva ($24), a Guatemalan añejo rum, is an affordable, different side of the sweet coin. A blend of five to 14 year old rums, is balanced, not cloying. It tastes of caramelized banana and coconut.

Shellback is a new release of two affordable ($17 per bottle) Barbados-blended rums, ideal for cocktails. The silver is clean, with vanilla smoothness and whispers of tropical fruit, while the spiced is medium-bodied with cinnamon bark, ginger and clove oils, nutmeg, cassia.

Possibly my top white rum, Banks Five Island ($25.99) is rife with character, funk, and elegance — a blend of rums from five islands (hence the name), it’s reminiscent of the Asian-Indonesian sugarcane spirit Batavia Arrack. Banks recently released Banks 7 Golden Age Blend ($30), 23 rums sourced from seven places. It’s a complex as that would imply, dry, nutty, tropical, and rich.

Rhum agricole is my favorite style of rum — it’s often funky, grassy, complex, elegant. I adore the floral, fresh spirit of Clement Martinique Rhum Blanc ($30) and its VSOP ($35), which exhibits spice, coconut, apple, earth. I’m already a fan of the brand’s elegant rhum agricoles from Martinique, and they just released a fresh, smoky six year old ($56), not to mention a cinnamon, wood, and vanilla-inflected 10 year ($73). For a splurge, I adore the unique, cask strength (though still reasonably under 100 proof) 10 year Rhum J.M. Millesime 1997 ($130), which unfolds with toasted nut, lemon, sage, cinnamon.

FURTHER EDUCATION

Started by rum expert and all-around great guy Ed Hamilton, Ministry of Rum is a key resource for all things rum. Find reviews and discussions on just about every rum in existence, plus glossaries, rum basics, and rum events worldwide, including the annual Ministry of Rum tasting held in the Bay Area.

www.ministryofrum.com.

Rum For All is a project started by F. Paul Pacult (publisher-editor of Spirits Journal) and industry expert Sean Ludford. Their website is an online resource of rum primers, select producer profiles, and cocktail recipes. I recently went to their touring seminar when it was in SF, which offered an impressive range of rums to sample side-by-side — which is, of course, the best way to get educated.

www.rumforall.com.

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

Feast 2012

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FEAST 2012 Fall arrives, daisy dukes disappear. This can only mean one thing: it’s time to start eating again. Our guide to autumnal appetite will help you do just that, of course. Marke B. will get you hyped for crab season here in the Bay, George McIntire found some of the most useful local apps for finding haute plates (and goblets). Caitlin Donohue sussed out the Marin-Sonoma Cheese Trail, and Virginia Miller shares her knowledge on all things rum and chocolate. And more! Read on, get hungry. 

>>5 LOCAL FOOD APPS Swipe your way to good eatin’

>>WEDGE ISSUES Happy days on the Sonoma-Marin Cheese Trail

>>TRUFFLE TOUR Yes, chocolate. From fudge at your fingertips to artisan producers, worldwide

>>CLAWS FOR CONSIDERATION Do you know where your Dungeness is? A quick guide, from retail to restaurants

>>CANTONESE COUNTRY COUSIN An interview with the author of The Hakka Cookbook

>>FRESH Food trucks and restaurants new in 2012 — a list of the best by our food writer Virginia Miller 

>>RUM TALES Bars, cocktails, favorite bottles, and the facts you need to be an educated sipper

Fresh

0

AFFORDABLE

Aria Korean American Snack Bar (932 Larkin, SF. (415) 292-6914)

Cat Head’s BBQ (1665 Folsom, SF. (415) 861-4242, www.catsheadbbq.com)

Craftsman and Wolves (746 Valencia, SF. (415) 913-7713, www.craftsmen-wolves.com)

Gioia Pizzeria (2240 Polk, SF. (415) 359-0971, www.gioiapizzeria.com)

Hot Press (2966 Mission, SF. (415) 814-3814, www.hotpresssf.com)

Ice Cream Bar (815 Cole, SF. (415) 742-4932, www.theicecreambarsf.com)

Marcella’s Lasagneria and Cucina (1099 Tennessee, SF. (415) 920-2225, www.marcellaslasagneria.com)

Market and Rye (68 West Portal, SF. (415) 564-5950; 300 De Haro, SF. (415) 252-7455, www.marketandrye.com)

Mission Bowling Club (3176 17th St., SF. (415) 863-2695, www.missionbowlingclub.com)

903 (903 Cortland, SF. (415) 678-5759)

MID-RANGE

Abbott’s Cellar (742 Valencia, SF. (415) 626-8700, www.abbotscellar.com)

The Corner Store (5 Masonic, SF. (415) 359-1800, www.thecornerstore-sf.com)

Elephant Sushi (1916 Hyde, SF. (415) 440-1905, www.elephantsushi.com)

FuseBOX (2311A Magnolia, Oakl. (510) 444-3100, www.fuseboxoakland.com)

Honor Kitchen and Cocktails (1411 Powell, SF. (510) 653-8667, www.honorbar.com)

Local’s Corner (2500 Bryant, SF. (415) 800-7945, www.localscornersf.com)

Machka (584 Washington, SF. (415) 391-8228, www.machkasf.com)

Namu Gaji (499 Dolores, SF. (415) 431-6268, www.namusf.com)

Orexi (243 West Portal, SF. (415) 664-6739, www.orexisf.com)

Pläj Scandinavian Restaurant and Bar (333 Fulton, SF. (415) 294-8925, www.plajrestaurant.com)

Rich Table (199 Gough, SF. (415) 355-9085, www.richtablesf.com)

Saru Sushi (3856 24th St., SF. (415) 440-4510)

State Bird Provisions (1529 Fillmore, SF. (415) 795-1272, www.statebirdsf.com)

St. Vincent (1270 Valencia, SF. (415) 285-1200, www.stvincentsf.com)

FOOD TRUCKS

Adam’s Grub Truck (428 11th St., SF. (650) 440-7956, www.adamsgrubtruck.com)

All Good Pizza (1605 Jerrold, SF. (415) 846-6960, www.allgoodpizza.com)

Casey’s Pizza (www.caseyspizza.com)

Cosmic American Voodoo Van (2250 Jerrold, SF. (415) 341-7203)

Del Popolo (www.delpopolosf.com)

Old World Food Truck (www.oldworldfoodtruck.com)

 

Appetite: Portland cocktailing

5

More than 50 places in one week…  I may not have covered all of Portland this May, but I certainly made a dent. So much so that my Portland reviews are broken up in a four part series. Soaking wet half the week, I biked out to neighborhoods East, West, and North with my usual (if grumpy, cold, and irritable) tenacity to dig in and taste the soul and breadth of a place rather than its veneer. Join me as I drink, and eat, my way through the rainy town up north.

As cocktail bars are required to serve food in Portland, cocktails and food are intertwined – and strong – at many a locale. Though I separate out cocktails and restaurants, there are numerous places where both are worth making your way to so you’ll see some restaurants listed here and in next issue’s Portland restaurant article.

Brendan Wise of Beaker & Flask filled me in on a couple cocktail projects launching just after my visit: Corazon from Chris Israel (chef-owner at Gruner, which I review next issue), and the Beaker & Flask team created a drink menu for popular PIX Patisserie http://www.pixpatisserie.com/ featuring cocktails and sherries to go with their sweets.

RIFFLE NW

Visiting Riffle NW in its opening week, I was struck immediately with fresh seafood, friendly service and some of the best drinks of my Portland week. It was opened by Dave Shenaut (former president of the Oregon Bartender’s Guild) with bartenders Emily Baker (formerly of Rum Club), and Ricky Gomez (formerly of Teardrop Lounge) – SF bartender Brandon Josie of Bloodhound recently moved to Portland to take over as bar manager for Gomez who is moving on to a new project. Riffle’s spare, modern decor displays seafaring inspiration in wood ceiling panels made of reclaimed shipping docks, while the name refers to a rocky shoal or sandbar below the surface of a waterway.

I came for the drinks but was not disappointed in the food. Black bass tartare ($10) is punctuated with dill, squid Carbonara ($17) is meaty with guanciale, while an overflowing, fresh crab roll ($21), and a huge cut of rare Copper River sockeye salmon ($32) is grilled, its salty skin subtly sweet with a bourbon maple glaze.

Emily Baker offered the best service of my entire time in Portland. After I was there a couple hours, we began talking industry connections and drink, but long before she knew I was a writer, she went out of her way to ascertain our taste preferences and make sure we were comfortable at the bar.

On the menu, a Riffle Collins ($11), made of gin, lemon, lime, celery, absinthe, salt, is the perfect starter, garden bright, light and appropriately savory with celery and salt. Room D ($9) delighted with rye whiskey, the spice of Becherovka, while quinine and citrus imparted punch.

Off menu, Baker suggested and created just what I was craving: Art of Choke (a Violet Hour creation by Kyle Davidson), mixing Cynar, mint, Bacardi white rum, and Green Chartreuse. Herbaceous, bitter, and vibrant, it hit all the right notes. Similarly, a Self Starter (a Jamie Boudreau drink) balanced Lillet with Old Tom gin, absinthe and Orchard apricot. Not too musky but crisp, sweet, boozy. All around, hand cut ice perfects each drink.

It was a treat sampling Jack Rudy Tonic from Charleston, a bottle I noticed on ice behind the bar and had to inquire about. A small batch syrup (available in SF at Bi-Rite Market), it makes a lovely tonic, set apart with lemongrass and orange peel.

CLYDE COMMON

So much has been said about Clyde Common and Jeffrey Morgenthaler since opening that it’s almost needless to point it out as a Portland “best”. In fact, for one who almost never repeats places in the same trip (ever with an aggressive agenda), I returned to Clyde Common three times in one week. Morgenthaler was only there one of three stops, offering cheeky, impeccable service. But service was warm and accommodating both evenings I dropped in – only during a weekday visit did I experience lackluster, abrupt service from one bartender.

Cocktails are a reasonable $7-9. Morgenthaler’s famed barrel aged cocktails ($10)  – his Negroni and one of my all time favorite cocktails, an Old Pal – rotate but were completely out all three visits. What pleased most were his bottled and carbonated cocktails ($8).

Though I’ve seen a lot of these the past year  – one was a basic Americano (Campari, Dolin Sweet vermouth, water and orange oil) – the Broken Bike was possibly my top drink on the menu, fizzy and vivaciously bitter with Cynar, white wine, water, lemon oil. Both were well balanced, refreshing and more importantly, fun.

Elsewhere on the menu, a Kingston Club exhibited subtle balance of fruit and herbaceous notes with Drambuie, pineapple, lime, Fernet, Angostura, and orange peel. The Nasturtium cocktail was unexpectedly too sweet for me, Domaine de Canton ginger liqueur hitting heavier than the Dolin Blanc vermouth and Bonal. A Spiced Dark & Stormy is a brilliant idea – and went down all too easy. Rum (Gosling’s dark, in this case) infused with Chinese five-spice, a spicy, house-brewed ginger beer, finished with lime, made for another winning drink.

Clyde Common was the Portland bar that for me most upheld its reputation: centrally located, serving understated drinks, strong on precision.

BEAKER & FLASK

It goes without saying that Beaker & Flask, opened by Kevin Ludwig of Park Kitchen, has been one of Portland’s hottest cocktail bars since debuting in 2009. Despite large groups in the spacious restaurant, bar seats free up often, even on a weekend, and we were able to chat, unhurried, with the bartenders, lingering over drinks.

Menu cocktails ($9) like a soft, woody Walk in the Woods (Old Tom Gin, Stone Pine liqueur, lemon, sage syrup, egg white) and elegant Cricket Club (Pimm’s, rose port, Bonal, amargo bitters, cucumber soda) please but going off menu in the hands of talented Chicago transplant Brandon Wise (now President of Oregon Bartenders Guild) and Neil Kopplin, who also makes Imbue Vermouth, is where the real action is.

Wise mixed a Rose Americano cocktail, bright with Martin Miller’s Westbourne Gin and grapefruit, earthy-sweet with Amontillado sherry. Kopplin goes with a recipe from neighboring Rum Club, the Begonia, utilizing his Imbue vermouth, aged Novo Fogo cachaca, Benedictine and velvet falernum. Sweet, spiced apple notes hit first, with a beautifully subtle bitter on the finish.

Seek out Neil’s new product, Petal & Thorn, a gorgeous gentian liqueur using homegrown beets for Campari color, cinnamon, menthol, and other intriguing elements.

RUM CLUB

Depending on which direction you’re approaching, enter Rum Club either on the front or back side of Beaker & Flask. The cozy bar is roughly one year old, conceived by Beaker & Flask’s Kevin Ludwig and Michael Shea of Doug Fir. Affordable $5-10 cocktails, chic wallpaper, low wood ceiling, the bar in the center, and a small patio you can smoke in if you’re nowhere near the door, make it an appealing place to gather with friends until the wee hours.

Though packed and noisy, I was won over by well-crafted drinks like the Hi-Lo Split ($8), vivid with Old Grand-Dad Bonded whiskey, Cynar, lemon, passion fruit syrup, grapefruit bitters – a stunner, actually. Also by Road to Ruin ($8), with a rye whiskey base, dry vermouth and bitters, set apart by cardamom notes from Cardamaro Amaro and texture from lemon oil.

TEARDROP LOUNGE

Despite the widespread respect garnered for this chic, centrally located bar in downtown Portland, Teardrop Lounge was the one disappointment of my bar excursions. It’s long hyped as being one of PDX’s best, and depending on the bartender, I’m sure it could be. The space centers around a dramatic round bar, open air windows ushering in a gentle breeze on a nice day. Even with well-prepared drinks, I found touristy clientele and disinterested bartenders during my visit soured the experience.

The menu reads well, including a glossary of terms educating non-cocktail geeks on terms like oleo-saccharum (a traditional punch base of lemon peels macerated in sugar to extract oils) and Batavia Arrack (an early 16th century, palm sugar-distilled spirit tasting of spice, citrus, anise – often used in punches).

There’s sections of House Cocktails, Classics (like Sky Rocket from 1919 or a Morning Glory Fizz – from the Savoy Cocktail Book, 1933), and one called Friends highlighting bartenders’ drinks from other cities, including SF locals: Kevin Diedrich’s Whiskey Wallbanger and Ryan Fitzgerald’s Rodriguez).

Though intriguing, a Wanderlust ($12), made of Banks white rum, a house sherry blend, Marolo chamomile grappa, medjool date bitters, orange bitters, and flamed absinthe was musky sweet without the hoped-for layers jumping out. However, Of Praise for Tulips ($9), was a brightly elegant aperitif, floral with Clear Creek pear brandy, dry and bitter with Cocchi Americano, Dolin Dry vermouth, Barenjager, Boston bitters and Pacifique absinthe.

THE DRIFTWOOD ROOM

They had me at ’70s wood-paneled walls, cocktails ($9-12) named after classic actors (e.g. Sydney Poitier, Elizabeth Taylor), and old school, Rat Pack bar vibe. When asking bartenders at “mixology” havens around Portland where they liked to drink off hours, more than one of them said The Driftwood Room. Granted, it’s in Hotel deLuxe (opened in 1912 – the bar opened in the ‘50s) and forget catching a cab from the hotel any time after 11:30pm when the train isn’t running (apparently, neither are cabs), but for a mellow, retro vibe with boozy-but-crafted drinks, Driftwood is a welcome respite.

Both Bittersweet Symphony ($10 – Temperance bourbon, Punt e Mes vermouth, Pelinkovac http://www.wineglobe.com/13047.html, Peychaud’s and Angostura bitters) and Old Tom Cocktail ($11 – Ransom gin, Agwa de Bolivia coca leaf liqueur, Krogstad Aquavit, lime juice, barrel aged bitters) pack a punch while maintaining balance.

CIRCA 33

Another bartender off-hours favorite is Circa 33 in Southeast Portland. For me, flat screens and sports interfered with a vaguely retro, laid back vibe. A library-like wall of American whiskey and bottles line the back wall with wood ladder for easy access. Easy-going bartenders can create cocktail classics, even if they don’t know them. I requested a simple but perfectly classic Old Pal, executed solidly per instruction. It’s the hidden back bar that draws industry folk, an intimate space ideal for conversation.

KASK

Though not overwhelmed with creative vision at Kask, the newer sister bar to neighboring Austrian restaurant Gruner, I enjoyed the corner casual chic in a small space with welcoming bartenders. Here can linger with friends, actually hear each other, and savor solid cocktails ($9-12).

Though my favorite drink was an off menu Del Maguey mezcal/citrus creation, I tasted the gamut, from Rabo de Galo, utilizing Novo Fogo’s barrel aged cachaca (a spirit popping up often on Portland menus), Gran Classico, Carpano Antica sweet vermouth, and Brazilian coffee bitters. The Black Lodge covered the whiskey/vermouth/bitter side with Wild Turkey Rye, Punt E Mes sweet vermouth, Combier Rouge, Cynar, Regan’s orange bitters, while another off menu creation, Leather Canary (a Chevy Chase reference), mixed up that profile with tart/sour: Combier Pamplemousse  – a grapefruit liqueur, rye whiskey, Gran Classico, Punt E Mes vermouth.

Kask’s service and relaxed vibe make it one of the better hangouts for cocktailians in my downtown Portland explorations.

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot

The ‘heightened sensitivity’ blues

74

OPINION 

“No one can deny that there is presently a particular sensitivity around domestic violence issues, and this may have been a contributing factor in their decision in this instance. I want to emphasize that I respect this heightened sensitivity and I will not criticize those allies of mine that have chosen to withdraw support.”

– Oct. 17 press statement from District 5 candidate Julian Davis

This is not a Julian Davis hit piece. Just as much as any young progressive in this town, I know the guy. He’s not a bad guy.

He can be a boor. But to be fair, he’s only doing what he’s been taught to do in this era of the San Francisco City Hall progressive scene.

Lemme take it back to my first assignment covering politics for the Bay Guardian (indulge me.) I was a culture intern.

I was assigned to the Democratic County Central Committee election-night party at the Great American Music Hall. I had the early shift, because those hours of the evening are boring enough to entrust to an intern with little background knowledge of the San Francisco political scene. While I was there, gamely interviewing the only person I recognized from the newspapers (a man who I’ve been told ad nauseum is a leader of the San Francisco progressive movement), a shrill -– to appropriate a term usually coded for women and gays –- elderly, straight male blogger approached us and inquired loudly if I was the politician’s escort.

Now, I am pro-sex worker. But as a young woman who was performing an important task for the first time, when a dinosaur implies that you are at a stone-dull political happening to solicit sexual favors for money -– well I’m sorry, brothers and sisters, but I was there to interview people for a newspaper. I don’t think this man’s query, shouted as it was over the crowd, implied a high degree of sex-positivity.

The progressive leader seemed unfazed. Who knows, maybe it happens all the time. He briefly made introductions and ninja-moved into the social melée, leaving me with old blogger, who commenced interrogating me rudely, on camera, from a distance close enough that I could smell him. It wasn’t a superlative scent.

Perhaps Kay Vasilyeva felt similarly six years ago when she went to Bill Barnes, who was serving as campaign manager for Chris Daly, the San Francisco progressive deity at whose campaign event she says the most egregious incident with Davis took place.

Davis groped her, she told Barnes. He told her she could report the incident to the police, and when questioned about the incident by Fog City Journal last week, he said “my memories that are most clear about that campaign were the political side of what was going on, not about the interpersonal issues.”

I’ve told my election night story a couple times over the last week since it stands out clearly as the moment I knew, for sure, I would never get involved in San Francisco politics.

More than one of my friends told me I was asking for this humiliation, what with having identified myself as a Guardian reporter. I’ll admit, that perhaps I could have expected such diminutive behavior. The paper’s, like, “controversial.” All the same, I told those friends, as respectfully as possible, to fuck off.

In the wake of the Ross Mirkarimi and Julian Davis debacles, and in the wake of reaction to said debacles (decidedly the more catastrophic happenings, even compared with the acts themselves), many are realizing that the dominant face of SF progressivism is that of a self-absorbed, hierarchy-enforcing man.

Perhaps some are making the cognitive leap to wonder about why we’re not exactly overwhelmed with progressive females in elected office.

Could it be that through sloppily coded language like that used in Davis’s email, the Barnes response, and my election night incident, an environment is systematically being created that no intelligent young women would ever sanely choose to take part in?

Tell me I’m too soft for politics. Sure you’re right. Tell me it’s equal opportunity assholery. Probs. Tell me that’s just how it is.

I’ll tell you this: being progressive is about more than voting in favor of rent control and raising teacher’s wages. Being pro-choice is not the end of one’s involvement in women’s issues. You can have all the right politics on paper, but if you make those who are different from you feel like shit when you’re two cocktails into election night, take a seat, wrench your eyes from their tits, and let someone else take the lead, because you’re the reason why the progressive movement, the labor movement, et. al., are stale and worn.

Convince all the young women and other people who are not the face of power in this country that they have no place and they will find a different place, and your slate will be all the dumber for it.

Beware, boorish men, when you blame the current spate of sexual abuse unmaskings on “political climate” or “interpersonal issues.” Denigrate actual justice as a “trend” or “gossip” and you will most certainly find yourself fighting for something that you really, really don’t want — the increased infirmity of the movement you claim to hold so dear.

“Heightened sensitivity” getting you down? Hit up a pharmacy, I bet they have a cream for that.

Appetite: Tasting spirits

0

An array of new liquor tastes, and a Whiskyfest recap

NAVY STRENGTH GIN REACHES US SHORES

Unforgettable: my journey to the south of England town of Plymouth and its legendary distillery with Master Distiller Sean Harrison. Possibly the most beautiful distillery I’ve yet visited. I relished drinking Plymouth Navy Strength ($34.99) while in the UK, a bracing version of their classic gin at 57% ABV/114 proof, the preferred gin of the British Royal Navy.

Though still smooth like Plymouth gin, Navy Strength packs a greater botanical punch, enlivening cocktails. The good news is it finally arrived to the US merely weeks ago in September so drink up.

It’s radiant in a classic Pink Gin (2 parts Plymouth Navy Strength, 3-4 dashes of Angostura bitters, lemon twist to garnish), which I enjoyed in the hills above Plymouth made by Harrison using fresh drops of reservoir water from the reservoir we enjoyed tea alongside.

www.plymouthgin.com

RECAPPING WHISKYFEST 2012

This year’s WhiskyFest was another memorable one. The hilarious Martin Daraz of Highland Park and the uber cool Beer Chicks, Christina Perozzi and Hallie Beaune (their book, The Naked Brewer, just released), killed it with their laughter-packed seminar. There wasn’t enough room for all who wanted to attend their tasting pairing Highland Park whiskies, all the way up to the glorious 30 year, with well-chosen craft beers selected by the Beer Chicks – a number of pairings went shockingly well together. This seminar should definitely return next year, giving all those who missed it a chance to partake of the joys.

Digging further into the independent distillery line of BenRiach whiskies with international Brand Ambassador Stewart Buchanan was a highlight, whether the affordable steal of 10 year Curiositas, a robust, elegant 1995 Pedro Ximenez Cask #7165 (at cask strength, 52.3%) or the otherworldly, perfectly balanced 25 yr. The BenRiach line is a nuanced alternative to an Islay Scotch. Though peaty, these whiskies corner balance, letting the peat shine alongside other layers.

On the American side, the standout was St. George’s 30th Anniversary XXX Single Malt Blend, a layered blend of whiskies from three generations of St. George distillers, Jörg Rupf, Lance Winters, Dave Smith. This new release (only 715 bottles) is a rare blend of whiskies: Winters’ first single malt distillation, his 1999 single malt aged in Rupf’s pear brandy barrels, a small portion of Lot 12 whiskey, and a whiskey distilled in 2007, aged in a port cask made of French oak. Pear notes shine in this bright whiskey as does ginger, butter, banana, hazelnut and orange peel.

Another Scotch standout was Classic Malts’ Glen Spey 21 year, a limited edition whisky maintaining a lively profile in spite of age from bourbon casks with notes of coconut, caramel, toffee.

THE FIRST SF CRAFT SPIRITS CARNIVAL

Held this past weekend in the massive Fort Mason, the first SF Craft Spirits Carnival was yet another opportunity for the consumer and industry to sample a wide range of international spirits. Though burlesque felt off in the middle of the vast space, acrobatics were more in line as we explored a US craft spirits-heavy selection with a good mix of Scotch, tequila, rum and the like from around the globe surrounded by gorgeous Bay and Golden Gate Bridge views.

While a number of my usual favorites were there (Highland Park, St. George, Old World Spirits, Charbay, Rhum Clement), there were quite a few new releases to taste. Charbay started importing beloved Tapatio tequila earlier this year, one of the best values out there for quality tequila, and at the Carnival, poured Tapatio’s just-imported Reposado and Anejo tequilas. Finally in the States, both are green, bright beauties thankfully allowing the agave to dominate over barrel wood.

Local distiller Don Pilar just released a refined Extra Anejo (aged a minimum of three years). Though I am typically not a big Extra Anejo – or sometimes even Anejo – fan when it masks agave properties with too much oak, Don Pilar manages complexity with agave liveliness.

Greenbar Collective’s http://www.greenbar.biz/ (aka Modern Spirits) spiced rum ($30) from downtown Los Angeles could have been too sweet – as their fruit liqueurs were for me – but the spiced rum is subtle, nearly dry, aromatic with allspice, clove, cinnamon, vanilla, and orange zest, redolent of fall.

Michter’s from Kentucky (I’ve long appreciated their 10 year bourbon and their rye) poured their two brand new releases out this month, a decent Sour Mash (86.6%) aged over 4 years, mixable more than sippable, and a robust, cask strength (114.2%) 20 year single barrel bourbon, aged over 20 years with a definite rye spice, although they can’t disclose any information whatsoever on the grain make-up or distilling location.

The tasting highlight of the weekend belonged to Rhum Clément. Already a fan of their elegant rhum agricoles from Martinique, I was pleased to see they just released a fresh, smoky 6 year old ($56), and a cinnamon, wood, vanilla-inflected 10 year old ($73), both aged in virgin and re-charred oak.

In addition, Rhum Cément Cuvee Homere is aged in French Limousin barriques and re-charred bourbon barrels, smooth with tastes of biscuits, almond butter, hazelnut, chocolate, black pepper, while the stately, pricey Clément XO Rhum, is a Cognac-reminiscent treat blending rhums from highly regarded vintages, like 1952, 1970, 1976, complex with fruitcake, toffee, tobacco, leather. My favorite ended up being a cask strength (though still reasonable under 100 proof) 10 year old Rhum J.M. Millesime 1997, unfolding with toasted nut, lemon, sage, passion fruit, white pepper, cinnamon.

Subscribe to Virgina’s twice-monthly newsletter, The Perfect Spot, www.theperfectspotsf.com

Boozy shakes

1

virginia@sfbg.com

APPETITE A wave of old fashioned soda fountains serving alcoholic and non-alcoholic treats alongside quality food is hitting various parts of the country, with two notables in San Francisco.

I’ve already written about the incredible, one-of-a-kind Ice Cream Bar (815 Cole, SF. 415-742-4932, www.theicecreambarsf.com). Reviving the lactart, phosphate, and traditional sassafras root beer, it reaches past the 1950s all the way back to the 1890s. Recent changes at the family friendly shop include the launch of a food menu of comfortable diner fare and the gain of a beer and wine license.

An egg salad sandwich — made with slices of thick, house-baked brioche and served with a pickle and roasted vegetable salad or house-made sweet potato chips, as with all sandwiches here — is soft and lively, with chives, arugula, and the clincher: pimento cheese. My favorite, the tuna melt, evokes childhood, elevated by Gruyere cheese, organic tomatoes, and arugula.

There’s one “must” on the new alcoholic section of the soda fountain menu: a classic Angostura phosphate. Fizzy with acid phosphate, gum foam and soda, a heavy pour of Angostura Bitters makes for a spiced beauty, conjuring fall and winter simultaneously. Can’t Stop is a notable dessert of butterscotch syrup, whole egg and cream, effervescent with Drakes Bay Hefeweizen (adding notes of grain and hay), topped with a musky Carpano Antica vermouth float.

Joining Ice Cream Bar in the fountain revival is the new Corner Store (5 Masonic Ave., 415-359-1800, www.thecornerstore-sf.com), in the old Hukilau space, from 330 Ritch business partners Miles Palliser and Ezra Berman. Old-fashioned in ethos, contemporary in style, this all-day restaurant and fountain serves sodas, candy, beer, wine, and gourmet food. The airy space and outdoor sidewalk patio nod to an era gone by. The menu seems straightforward, but dishes become more intriguing at second glance.

Chef Nick Adams (Salt House, Town Hall) elevates the umpteenth roasted beets plate ($8) with Greek yogurt, candied almonds, purslane, and radicchio in honey vinaigrette: it’s sweet, nutty, earthy, and creamy. Likewise, house smoked salmon ($10) goes well beyond the usual piece of salmon with potato pancake. An herb-laden egg salad flanks a crisp potato pancake, multiple slices of silky, fresh salmon, and mound of lettuce.

Whether a burger ($12) laden with aged cheddar, pickled red onions, pickles and bacon jam, or a fried green tomato sandwich ($9) with burrata and avocado at lunch, items between bread are done right here. Thoughtful $16 entrees are a steal compared to similar dishes at greater cost elsewhere in town, like Snake River pork loin ($16), co-mingling with fennel, marble potatoes, and pancetta, invigorated with shishito peppers and a zippy nectarine mostarda. A side of house brioche dinner rolls ($3) with honey butter and sea salt makes it homey.

Hans Hinrichs (25 Lusk, Foreign Cinema) helms a soda fountain menu of cocktails ($10), boozy shakes ($10), and sodas ($8), using local or American craft spirits whenever possible. Though not the journey through soda fountain history you’ll find at Ice Cream Bar, Hinrichs creates drinks that make you feel like a kid again… with booze.

The Muir Trail is a tribute to local nature, both in name and the use of St. George Terroir Gin, the Bay Area’s native gin. Hinrichs allows the gin to shine alongside tart huckleberry puree (huckleberry juice is infused with a sachet of spices, thinning it out with port wine reduction), dry vermouth, lemon, and bitters. Sans alcohol, Lone Mountain Egg Cream is dulce de leche and sea salt, creamy with milk, perky with seltzer, plus a number of bottled classic sodas like Cheerwine and Dang! Butterscotch Beer ($4).

Spirits-laden shakes induce cravings. 50/50 — spiced rum, orange marmalade, vanilla ice cream — is textured and rich with rum and marmalade, accented by strips of candied orange peel. My youthful favorite, a Grasshopper, is a minty dream with Tempus Fugit’s unparalleled Creme de Menthe and Creme de Cacao, vanilla ice cream, and a hint La Sorciere absinthe to perk up the mint.

Probably my favorite of all three boozy shakes is the Manhattan. Tasting like a real Manhattan, punchy with bourbon, sweet vermouth, cherry syrup, creamy with vanilla ice cream, bourbon shines though Hinrichs uses no more than one ounce of base spirit plus half-to-one ounce of any other liqueur in any given shake. It’s a perfect combination.

 

Rich Table

3

virginia@sfbg.com

APPETITE Not since State Bird Provisions and AQ opened towards the end of 2011 have I been as excited about an opening. Evan and Sarah Rich’s new Rich Table is, kinks and all, even in the first month, well-rounded and satisfying. With efficient, informed service, reasonably priced wine list, few but well-crafted cocktails, a comfortable dining room with rustic-urban decor, and most importantly, a number of exquisite dishes, Rich Table is primed for greatness.

The Riches, a husband-and-wife chef duo, both worked at Bouley in New York and Coi here in San Francisco. Evan was also at Quince, Sarah at Michael Mina — and the couple hosted memorable pop-up dinners at Radius last fall. This fine dining pedigree infuses their mid-range menu. At other restaurants, dishes don’t often surprise beyond a menu reading. But here numerous dishes are more fascinating than their descriptions suggest. At AQ, dishes are works of art unfolding in layers of unexpected flavor. At Rich Table, there’s an approachable comfort elevated with refined nuances.

On the light bites side, everyone (and I mean everyone) has been buzzing about paper-thin potato chips ($7) with sardines interwoven through the center, dipped in horseradish cream. I’m a big sardine fan : these are not overrated, worth ordering every time. I brushed past Castelvetrano olives ($5) as common — thankfully a dining companion ordered them on one visit. Brightened by celery leaves and preserved lemon, the olives pop.

On an early visit, popcorn soup ($10) tasted like buttery, pureed popcorn in a bowl. Yuzu kosho (a fermented paste of chili peppers and yuzu rind) perks up the creamy bowl. Outstanding squid dishes ($14) morph with seasonal ingredients. The first incarnation wowed, the plump squid lively with watermelon yet simultaneously savory in black olive vinaigrette, dotted with crispy onions. This sweet-tangy, fresh-grilled dish was such a joy, I couldn’t help but be a little let down by its successor: squid with figs, crisp onions and lardon draped across the top. The breezy luminosity brought by the melon felt a bit weighted down with figs, though still a winning dish. Crushed peas ($14) with California yellowtail and saltine crackers to scoop up is vivaciously fresh, but comes in a slight (i.e. miniscule) serving.

The menu is not easily categorized nor a copycat of anyone, but is packed with pleasures peeking out in unforseen places. Case in point? The pasta. I could come here for pasta alone (one dinner I ordered all four pasta dishes on the ever-changing menu). None shines more than a divine duck lasagna ($19). A smile crosses my face just thinking of delicate, melting sheets of pasta, layered with braised duck, light béchamel, and tart Santa Rosa plums. It’s a glorious pasta dish with no equal in this town… or in any other. Other pasta dishes may not reach these heights but each is worthwhile, even excellent, whether rigatoni bolognese ($18) elevated by bone marrow and crispy kale or beets, or spaghetti ($18) tossed with Jimmy Nardello peppers and clams.

On the entree front, lichen-poached rabbit ($25) is heartwarming as it is gourmet, mingling with cippolini onions, radicchio leaves and broccoli raabe. Pork belly panzanella ($24) is the classic Italian bread salad of tomato, basil, cucumber and toasted bread cubes tossed with fatty pork belly, though I took to a hearty tomato-braised oxtail on toast ($25) even more. While accompanying grilled octopus and collard greens seemed disparate, the meaty toast alone makes it worthwhile, as satisfying as Southern BBQ.

Sarah Rich’s desserts (all $8) maintain the comfort-meets-craft spirit of the restaurant from a bright melange of chilled melon to caramelized olive oil cake in strawberries, a heightened strawberry shortcake. Panna cotta lovers shouldn’t miss Sarah’s silky rendition with changing seasonal accents.

Wines are priced by glass, carafe or bottle, conveniently grouped in three white and three red price categories, with strong options like 2010 Christian Moreau Chardonnay from Burgundy, or a 2011 COS Frappato from Sicily. The cocktail list ($10 each) is short — no more than four or five at a time — and I’ve sampled six different ones. While some fare better than others (the Barn Wood, with Buffalo Trace bourbon and bitters, was a bit too musky-sweet from stone fruits), most offer understated elegance, actually different than other cocktail menus in simple purity.

The star is the lush, green Big Night, which looks like a healthy, green veggie drink, but is subtly smoky Del Maguey Vida mezcal mixed with nasturtium and ginger, topped with an edible flower. It’s clean, strong, memorable. As is Land’s End, the Riches’ answer to a martini, using the incomparable St. George Terroir Gin, dry vermouth and foraged Monterey cypress. On the light, soft side, Let’s Go is a refreshing sipper of Encanto pisco, coconut water and lime.

Sarah, Evan, and the engaged staff serve a warm vibe at their table in Hayes Valley — and an ever unexpected menu that focuses simultaneously on flavorful comfort and elegant simplicity.

RICH TABLE

199 Gough, SF.

(415) 355-9085

www.richtablesf.com

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