City Hall

Free Carolyn Knee! Free Carolyn Knee from the unethical clutches of the Ethics Commission!

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By Bruce B. Brugmann

There is a phrase I like to use to describe the power that PG&E has exercised in City Hall since the beginning of time, or at least since the federal Raker Act was passed in l9l3 mandating that San Francisco get public power from its Hetch Hetchy dam.

When PG&E spits, City Hall swims.

That is the phrase I used when I testified Monday night June ll at the Ethics Commission hearing in the infamous Carolyn Knee case. “You’re all swimming in it,” I told the commission.

I was trying to illustrate my key point: that the Commission, which had been created to expose and penalize the campaign and financial muscling of PG&E and the big guys in town, was now picking on the little guy, in this case Carolyn Knee, the woman who volunteered for the thankless job of being the treasurer of two citizens’ groups that put initiatives on the ballot in 200l and 2002 to do what the city had never done. And that was to kick PG&E out of City Hall, enforce the public power mandates of the Raker Act, and bring our own cheap green Hetch Hetchy public power to the residents and businesses of San Francisco. PG&E, the groups maintained, had an illegal private power monopoly and the citizens were forced to take this law and order issue into their own hands and go to war with PG&E.

Beyond the Progressive Convention

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EDITORIAL The Progressive Convention didn’t produce a candidate for mayor, which wasn’t really a surprise: by the time the show opened, it was pretty clear that none of the leading contenders was ready to enter the race that day. And that, of course, will give the mainstream news media plenty of opportunity to say that the San Francisco left is disorganized, discouraged, and unable to mount a challenge to Mayor Gavin Newsom.

But Sup. Chris Daly actually did a very positive thing in pulling this event together. It wasn’t a nominating convention and never should have been, but it did serve as a reminder of the large and growing number of ideas, activists, and elected officials that make up that amorphous bloc known as the San Francisco progressives.

Daly, in a closing speech, noted that he’s heard over and over again how weak the movement is, but reminded the 400 or so attendees that "the state of the progressive movement is strong." Progressives control the Board of Supervisors and the school board. More than half the elected officials in the city generally fit under the progressive banner. And of the successful policy initiatives that have come out of this city in the past two years, almost none were from the Mayor’s Office.

Ten years ago, this event couldn’t and wouldn’t have happened. The city was stuck under the tight rule of a political machine, and only a handful of elected officials dared defy the kingpin, Willie Brown. Although the progressives have come a long, long way, winning a citywide race for mayor when the incumbent has soaring approval ratings and an essentially endless supply of money still isn’t an easy task. So it’s no surprise that there aren’t many takers.

In fact, there are some on the left who argue that it’s best to just give Newsom a pass and focus on the next round of supervisorial elections, in 2008. But that would be a mistake.

For starters, we’re still not convinced of Newsom’s invulnerability. The mayor may have great PR, but he has a lousy record. The city’s facing a long list of serious problems, from the murder rate to the Muni meltdown, and Newsom has done almost nothing to address them. The right candidate could mount a real challenge.

And even if it’s a long shot, San Francisco needs a mayor’s race. Newsom has gone into hiding of late; he won’t face the press, won’t appear before the supervisors to answer questions, and holds only farcical community meetings where all the questions are planted or screened ahead of time. A challenge would force him into the open and give the voters a chance to hold him accountable.

If it’s done right, a campaign could energize the legions of disenfranchised and create the sort of momentum the progressives need to retain control of the Board of Supervisors next year. And it would ensure that the left turn out for the election in November — which will be crucial if some downtown-backed initiatives and an attempt to recall Sup. Jake McGoldrick are on the ballot.

It’s late, and it’s getting very late for a candidate to enter the race, but there’s still a short window of time. Former supervisor Matt Gonzalez is still thinking about a run, and if he’s going to do it, he should be talking now to some of the progressives whose support he’ll need. Frankly, he has some fence-mending to do from his last race and from his decision to leave the board, and he should start that now.

We still think Ross Mirkarimi ought to run, and despite his official reluctance, he still can. A win would shake up city hall like nothing in years; a loss might still position the supervisor well to try again when Newsom is termed out. Daly at this point has taken himself out for family reasons, which is understandable — but he could also mount a strong campaign.

In his convention speech, Mirkarimi kept saying that "somebody" needs to take on the mayor. Ross, Matt, Chris … we’re waiting. *

Selling wi-fi

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› sarah@sfbg.com

Just before a Board of Supervisors committee finally considered Mayor Gavin Newsom’s controversial free wireless Internet plan May 14, supporters of the mayor staged a rally on the steps of City Hall. The event featured African American ministers, Latino students, and Chinese senior citizens demanding that the city hurry up and bridge the digital divide by approving Newsom’s deal with Google and EarthLink.

"Wi-fi for All" was part of an aggressive push for the plan by Newsom’s reelection campaign team — which organized the rally and a letter-writing campaign aimed at supervisors — yet one that has been denounced as a race-baiting fraud by critics who have long argued that the deal does little to put connected computers in the hands of poor folks and that it’s a better deal for the corporate partners than it is for city residents.

"Chinatown is at the bottom of the line," Self Help for Seniors president Annie Chung announced as busloads of seniors stood up and silently waved their "Wi-fi for All" signs on cue.

"Forty percent of the Latino community do not own or have access to a computer," city resident Ricardo Alva added, while Rev. Arnold Townsend thundered, "Everybody who is opposed to this is going home and online."

Yet Newsom’s contract effectively creates a world of first- and second-class cybercitizens. Those who can afford to pay $22 a month can sign up for EarthLink’s premium service, which gives them a competitive and fast connection speed of 1,000 kilobits per second, plus free relay equipment (such as an antenna if they have reception problems). But those who can’t afford to pay get an account that lets Google do free market research in exchange for slow-speed (300 kbps) service that does not cover the $50 to $200 cost of equipment they might need to receive a connection indoors.

A new study by the Office of the Controller finds that 82 percent of city residents use a computer at home and 80 percent of those use it to access the Internet. So the service is aimed primarily at the 20 percent of folks who have a computer but no Internet access, those who might want to drop their existing service, or those who want to Web-surf in parks and other public spaces. The controller’s City Survey 2007 also notes that while more than 80 percent of the north, central, and west regions are connecting to the Internet at home, only 70 percent of the southeastern neighborhoods do so.

"Between 1998 and 2007, Southeast residents bought home PCs at a slower pace," the survey states, observing that whites are "2.1 times more likely to have Internet access than African Americans." Of non–college graduates, "those over 60 years and particularly Latinos, those without access are even less likely now to get online."

So there’s a certain logic to the mayor’s use of the race card, at least until the public scrutinizes whether universality of access, speed, service, equipment, support, and training are guaranteed under his deal. But Newsom has been unwilling to discuss the proposal with the Board of Supervisors or entertain modifying the deal since he emerged from a Google-chartered Bombardier corporate jet with visions of free wi-fi dancing in his head following an economic summit in Davos, Switzerland.

But supervisors have pushed the city’s Department of Telecommunications and Information Services (DTIS) to investigate the feasibility of city-owned wi-fi and high-speed fiber optics. Those reports, finally made available this spring, confirmed what wi-fi experts had been saying all along: municipal wi-fi is feasible, and fiber is a necessary backbone and complementary service in a city whose famed fog and hills make wireless Internet access a spotty proposition at best and a nonexistent one at worst.

Tim Pozar, CEO of United Layer, which installed free Internet at the Alice Griffith housing project, told us, "The extreme difficulty of reaching users inside of buildings makes the Google-EarthLink wi-fi strategy the worst possible model for bringing Internet to low-income communities which don’t have it yet."

Eric Brooks, a member of PublicNet San Francisco, a newly formed coalition of community groups and Internet professionals, dismisses as "ludicrous" the notion that people will cancel cable and DSL to sign up for EarthLink’s premium service, which the controller’s report said would save city residents $9 million to $18 million annually.

"I have dial-up, and I’m on the third floor of my building, so I’m not gonna cancel my dial-up, because the wi-fi won’t be reliable," Brooks says. And Ralf Muehlen, director of SFLan, a nonprofit that already provides free wi-fi Internet access to hundreds of San Franciscans, wonders who is going to want to pay EarthLink $22 a month "when AT&T sells a 50 percent faster service for $20."

Asked about these concerns, Emy Tseng, project director of the city’s Digital Inclusion program, acknowledges that wi-fi is like cell phones and broadcast TV when it comes to spotty, unreliable reception.

"You might get a stronger signal if your window is facing a light pole or if you have a wireless router, like an antenna or rabbit ears," says Tseng, who is currently talking to manufacturers about getting discounts on computers and relay equipment in an effort to reach an estimated 150,000 underserved residents.

According to the Newsom-negotiated contract, EarthLink will pay the city 5 percent of gross revenues from its subscription services, and these funds will allow the city to try to bridge the gaps in the city’s ever-widening digital divide. Brian Roberts of the DTIS says the city anticipates receiving a minimum of $75,000 in digital inclusion funds per quarter if all goes well and at least $200,000 if the deal breaks down.

"Cost is becoming less of a factor as computer equipment prices fall," says Tseng, who is trying to build community-based support programs within neighborhoods. She believes the two-square-mile pilot project required of EarthLink to prove that its network is feasible will be built in underserved neighborhoods, not downtown, as some critics have feared.

Yet the American Civil Liberties Union warns that Newsom’s deal raises unresolved security and privacy concerns. Blogger Sasha Magee of www.leftinsf.com gives Newsom credit for having opened up a serious discussion about digital inclusion and the government’s role in trying to ensure that everyone has access to the opportunities the Internet represents: "To his credit, the contributions of activists and service providers around digital inclusion programs have been listened to," Magee wrote. "What has not been listened to, however, is the input on what the network should be." *

The drug war soldiers on

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› gwschulz@sfbg.com

It’s been five months since the Board of Supervisors passed Sup. Tom Ammiano’s ordinance directing the San Francisco Police Department to make cannabis busts its lowest possible priority.

But is it safe to say San Franciscans can openly smoke, grow, or distribute cannabis without being harassed by law enforcement, as the nighttime talk show hosts and news pundits are fond of pronouncing?

Eric Luce, who’s worked as a public defender in Jeff Adachi’s office for the past four years, doesn’t think so. He’s seen a spike in recent cannabis busts and has eight open cases right now involving small-time marijuana sales.

"They’re being charged every day," Luce said. "This is a fairly new phenomenon, and I think it’s linked 100 percent to getting felony conviction rates up."

One of Luce’s clients, a Salvadoran émigré, already faced a stacked deck without trouble from the police. She’s an HIV-positive, transgender woman with a history of clinical depression. During a string of undercover operations conducted by SFPD narcs throughout March and April, an officer approached the woman (Luce requested that the Guardian not publish her name), asking if she had crack.

No, she said, but she did have a little pot, what turned out to be half a gram, hardly enough for a joint. The officer offered $5 for it, but she declined and turned to leave, declaring that she’d rather just smoke it herself. So he raised his offer to $10. She said yes and was arrested.

More than a month later, she remains in jail, and although she was granted amnesty in the late ’80s and has spent the past 25 years in the United States, Luce said, the arrest threatens her immigration status.

In another recent case, three men were arrested at Golden Gate Park in early March for allegedly selling an eighth of an ounce to an undercover narcotics officer. All told, police claim the trio possessed a half ounce between them. One defendant spent a month in jail for it, and Luce’s client, a homeless man named Matthew Duboise, was only released after Luce persuaded a judge that the officers had searched him illegally.

If Luce’s clients otherwise accept guilty pleas simply to get out of jail, District Attorney Kamala Harris gets to characterize these pleas as felony convictions of drug dealers — a significant distinction during an election year — even as she claims publicly to back the concept of low priority. Like so much about the drug war, Ammiano’s ordinance, joined by a handful of other piecemeal legislative attempts in California to soften prohibition, creates as many questions as it does answers.

How would police officers officially make cannabis a low priority? Could they look the other way without sanction? Does the SFPD even care what city hall decides if federal agents continue to insist through their actions and words that possessing or using cannabis in any form is still against the law?

In recent weeks we contacted the defendants in three additional local cannabis busts, ranging from large to small quantities, but none of them would speak to us even off the record about their cases, fearing a backlash at pending court hearings. So we visited the very unsophisticated criminal records division at the Hall of Justice on Bryant Street for a crude statistical analysis of recent marijuana charges filed in the city.

Using the hall’s record index, we conservatively estimated there were well more than three dozen cases filed by the District Attorney’s Office since the beginning of 2007 involving violations of California’s Health and Safety Code, section 11359, felony possession of marijuana for sale. The tally is just for simple drug charges, and that doesn’t even count cases with accompanying charges, like weapons possession or violent assault.

So where are all these cases coming from?

Sharon Woo, head of the DA’s narcotics unit, points out that Ammiano’s legislation specifically exempts "hand-to-hand sales" in public places and was amended — notably at the 11th hour before its passage — to include such sales "within view of any person on public property." She said most of the cases we identified, like the two mentioned above, involved an SFPD response to grumbling from residents about drug sales in certain neighborhoods. The resulting undercover sweeps net 20 to 50 suspects each time.

"The [Police] Department is really answering a community request for assistance, and we’re prosecuting based on the information they give us," Woo told the Guardian. "When it’s in an open place, a public place, we treat hand-to-hand sales of marijuana as seriously as any other type of crime."

Those are only the cases for which there’s a paper trail. Gary Delagnes, president of the San Francisco Police Officers Association (SFPOA) and a former narcotics officer, told us police in the city are more than likely to simply book confiscated marijuana without filing charges against the suspect to avoid paperwork and the perceived inevitability by the SFPD rank and file that Harris won’t prosecute small-time users or growers, at least not with the zeal they’d prefer.

That means the index we scanned wouldn’t reflect instances in which police simply confiscated someone’s pot — possessed legally or illegally — or cases in which a suspect was never arraigned in court but still endured being ground through the criminal-court system. And it’s worth mentioning that at least under city rules, a qualified medical marijuana patient can possess up to eight ounces of dried cannabis, a considerable amount.

Delagnes says marijuana should be fully decriminalized. "But if somebody calls us and says, ‘Hey, look, there’s a place next door to me, and it stinks like marijuana to high heaven, and I just saw a guy in the backyard with 50 marijuana plants,’ what are we supposed to tell the guy on the phone? ‘Tough shit’?"

What’s remarkable is that San Francisco has been through all this before — 30 years ago. Local voters passed Proposition W overwhelmingly in 1978, demanding that law enforcement officials stop arresting people "who cultivate, transfer or possess marijuana."

Dale Gieringer, director of California’s National Organization for the Reform of Marijuana Laws, said San Francisco all but forgot Prop. W. So how do you prevent the same thing from happening to Ammiano’s ordinance? "You don’t. Law enforcement is unmanageable," Gieringer said. "You have to get state law changed. The only way I know to get state law changed is you … try to build up local support before you finally go statewide, which is exactly what we did with medical marijuana."

Gieringer, who helped Ammiano’s office pen the most recent law, said it was modeled after a similar Oakland version, which explicitly made an exception for street sales. "We were protecting private adult cannabis offenses with the understanding that we didn’t want marijuana sold in the streets, which has been a real problem in Oakland and other places," Gieringer said. "You get all of these neighborhood complaints."

But in another case we reviewed from court records, a suspect named Christopher Fong was pulled over in January near Harold Street and Ocean Avenue and arrested for allegedly possessing five bags of marijuana.

He had a doctor’s recommendation but no state-issued medical cannabis card, according to court records. Under Proposition 215, passed by voters more than 10 years ago, you still don’t need a license to prove to officers you’re a cannabis patient, a fact Woo from the DA’s Office didn’t seem fully aware of during our interview. San Francisco state assemblymember Mark Leno simply created the license system in 2003 to encourage law enforcement to stay off your back with the right paperwork.

So despite each of California’s awkward lurches toward decriminalization, without a complete, aboveground regulatory scheme, users still exist in a form of criminal purgatory, and demand for cannabis still spills onto the street. The most anyone can pray for is being confronted by a cop who happens to be in a good mood that day.

"It still comes down to the discretion of the cop," Ammiano told us.

His law nonetheless quietly represents something that few other decriminalization efforts have in the past: its premise does not hinge on the notion that cannabis possesses medicinal qualities. It simply says taxpayers are weary of spending $150 million statewide each year enforcing marijuana laws and clogging courts, jails, and the probation system with offenders.

The ordinance also includes the formation of a community oversight committee composed of civil liberties and medical cannabis advocates. They’ll be responsible for compiling arrest rates and obtaining complaints from civilians in the city who believe they’ve been unfairly accosted by officers.

"I think [the department] would be more likely to take it seriously if they received a lot of complaints about what they’re doing," said Mira Ingram, a cannabis patient and committee appointee. "So I’m hoping with this committee, we’ll be able to bring all of this stuff out and be a sounding board for people who have problems with [police]."

Ammiano’s office told us the ordinance simply codifies what was already the prevailing attitude in the SFPD’s narcotics unit. But it remains doubtful as to how far the cannabis committee could go in forcing fundamental changes in department culture, especially considering the committee couldn’t punish officers for vioutf8g the lowest-priority law or even for refusing to provide detailed information about individual cases.

"Until we can change that culture, it’s not going to go away," admits Michael Goldstein, another committee appointee. "It would be my hope that … eventually we would have some empowerment to forestall and limit what they do in that regard. But you understand what it takes to completely transform an organization like that. It ain’t gonna happen. I’ve been around [San Francisco] for 30 years."

While Delagnes told us that he’s not altogether opposed to the idea of repealing prohibition, the SFPOA has attacked local officials who publicly support cannabis users, a signal that even after an entrenched, decades-long war against narcotics, the Police Department may be a long way from making marijuana a truly low priority.

Police commissioner David Campos, an aspirant to the District 9 supervisor seat now held by Ammiano, drew fire from the SFPOA when he recently criticized a regular antagonist of the city’s medical marijuana dispensaries, an SFPD sergeant and particularly aggressive drug cop named Marty Halloran.

"Commissioner Campos said Marty Halloran has no business being a police officer," Delagnes angrily told the commission in April. "Oh really? Well, for someone who has obviously dealt with this situation with a complete lack of integrity and has failed to act in a fair, impartial, and objective manner, I believe the opposite is true of Mr. Campos, and perhaps you should not be sitting on this commission."

Does that sound like an end to prohibition looms?

For Luce, the most alarming recent trend is officers finding a homeless street addict as a hook to direct them toward a more prominent dealer. When the arrest occurs, both are charged with felony possession of narcotics for sale.

"That’s not the point of these undercover narcotics operations," he said. "The point of them is to go after hardcore sellers. And what they’re doing is targeting the most vulnerable people out there, these addicts. It’s a way for the police to say, ‘We’re arresting dealers.’" *

Sam Devine contributed to this story.

Fury over sound

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› steve@sfbg.com

Club Six is a popular nightclub that has invigorated the seedy Sixth Street corridor, attracted new businesses nearby, and generally made it safer to walk that area at night. Yet along the way, the expanding club has become a magnet for noise complaints from adjacent residents of single-room-occupancy hotels who are pushing the city to yank the club’s permits and perhaps put it out of business.

The San Francisco Entertainment Commission will hear the case June 5 and decide how to balance a campaign started by a few irritated neighbors and then organized by the Tenderloin Housing Clinic (THC) against concerns that the city is fast becoming less tolerant of nightlife and a vibrant urban culture (see "Death of Fun, the Sequel," 4/25/07).

"The concept of mixed use is going to be put to the ultimate test," Robert Davis, executive director of the commission, told the Guardian. "With the influx of housing in every neighborhood, it takes a careful hand to balance those uses, and that’s what the commission is trying to do."

Club Six is located in an old brick building underneath the Lawrence Hotel, where some residents complain that music rumbles their rooms and keeps them up at night. They blame club owner Angel Cruz. "His music kept getting louder and louder until it was vibrating the rooms up here," said Jim Ayers, the Lawrence Hotel resident who has filed the most noise complaints. "He ignores the law and doesn’t care about this area whatsoever."

Yet Cruz said he’s put more than $1 million into the club since he bought it in 2001, back when the neighborhood was mostly vacant storefronts and junkies ruled the streets. Those improvements include more than $229,000 in sound-accentuation work, mostly focused on the Lawrence Hotel.

"I thought it was a great space that could be developed into something special, which it has become. And this was a turnaround neighborhood," Cruz told us, noting that the space has been a bar since the 1930s and that several new clubs followed him into the neighborhood. "I think we’ve been a good neighbor. Do we make noise? Every club in town makes noise. And if you’re going to shut us down, you should shut down every club in town."

Cruz said the problems began two years ago when Ayers complained about noise from the club and sued him in small claims court, asking for $7,500. Before the case went to trial, Ayers offered to settle the case and stop complaining (Ayers told us he wanted $3,500; Cruz said it was $5,000), but Cruz refused, and the judge eventually awarded Ayers $500.

"He was trying to extort money from me so he wouldn’t keep complaining," Cruz said of Ayers. "He was upset that he only got $500 and told me he would make my life a living hell, which he has."

Ayers maintains that it’s about noise and not money, but he admits that the unsatisfying end to the case prompted him to keep complaining and seek regulatory relief. "He said to me that I can’t do a damn thing to him," Ayers told us. "Well, I say, ‘Mr. Cruz, look what I’ve done now.’"

Since January of last year, Ayers and a few other persistent complainers have triggered regular police visits to the club, organizational and political help from the THC (publisher of www.beyondchron.org, which has written critically of Club Six), and intervention by an Entertainment Commission sound engineer and the City Attorney’s Office.

"We’re concerned that the owner of Club Six is not being a good neighbor," the THC’s Paul Hogarth told us. "We have encouraged tenants to call the police when things are too loud." As a result, Club Six had to do more soundproofing and keep the music set at 88 decibels in the club, a level it has violated a few times, each by less than 10 decibels. Cruz said he’s made a good-faith effort to follow the rules and has worked with various speaker configurations and other experiments.

The complaint by the City Attorney’s Office seeks a 30-day suspension of the club’s entertainment and after-hours permits and charges that "the operation of Club Six has caused harm, and continues to harm, the public health, safety and welfare and has been a strain on police services. Angel Cruz has demonstrated that mere verbal warnings by enforcement officers are insufficient to stop the nuisance caused by the nightclub and has forced the Entertainment Commission to intervene."

But Davis said it will be a difficult decision for the appointed body, which he noted is increasingly being called on to mediate disputes like this all over town.

"One of the mandates of the commission is we want to promote entertainment. Angel is an asset to the community, and we don’t want to drive him out, but we have to act [on the complaints]," Davis said. "It’s based primarily on noise complaints, not whether Angel is popular. He is, and he’s tried to work with the community." *

The public may attend and testify at the Entertainment Commission hearing June 5 at 4 p.m. in room 406 of San Francisco City Hall, 1 Dr. Carlton B. Goodlett Place.

Bikes rule!

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Newsom and me on bikes.jpg
Me and Newsom at last year’s Bike to Work Day
By Steven T. Jones
San Franciscans pedaled past an important milestone during yesterday’s Bike to Work Day: on the morning commute along Market Street, bicycles outnumbered cars for the first time. Traffic engineers counted 647 cyclists riding eastbound on Market near Van Ness from 8-9 a.m., or 54 percent of the total traffic. That number was also a 27 percent increase over last year’s bike tally. Bike advocates were thrilled with the turnout and further elated when Mayor Gavin Newsom, fresh off his ride to City Hall, announced his Bike SF 2010 Milestones. He promised to shepherd the bike plan to completion next year and ensure it studies 50 projects, including some key missing links in the current network. And to reach the plan’s goal of 10 percent of all vehicle trips being by bike by 2010, he promised to create 20 new bike lanes by then, reduce bike collision injuries by 50 percent, and to actively support so-called LOS reform, which could exempt many new bike projects from needing detailed environmental studies. It was a big day for bicycling and great first step to making San Francisco the greenest big city in the country.

Bikes rule!

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Newsom and me on bikes.jpg
Me and Newsom at last year’s Bike to Work Day
By Steven T. Jones
San Franciscans pedaled past an important milestone during yesterday’s Bike to Work Day: on the morning commute along Market Street, bicycles outnumbered cars for the first time. Traffic engineers counted 647 cyclists riding eastbound on Market near Van Ness from 8-9 a.m., or 54 percent of the total traffic. That number was also a 27 percent increase over last year’s bike tally. Bike advocates were thrilled with the turnout and further elated when Mayor Gavin Newsom, fresh off his ride to City Hall, announced his Bike SF 2010 Milestones. He promised to shepherd the bike plan to completion next year and ensure it studies 50 projects, including some key missing links in the current network. And to reach the plan’s goal of 10 percent of all vehicle trips being by bike by 2010, he promised to create 20 new bike lanes by then, reduce bike collision injuries by 50 percent, and to actively support so-called LOS reform, which could exempt many new bike projects from needing detailed environmental studies. It was a big day for bicycling and great first step to making San Francisco the greenest big city in the country.

Artsfest

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Artsfest 2007 Arts Expo Attendees To Create Gaint Peace Sign
Collaborative Art Project Sponsored by MySpace.com

MySpace.com and the Bay Area’s Create Peace Project have teamed up with Artsfest to offer attendees of all ages at the Artsfest 2007 Arts Expo the opportunity to create a giant peace sign made from individually created peace cards.

Based on the idea that ‘what you create will change the world,’ this collaborative community art project is part of a daylong celebration of the arts on Saturday, May 19 from 11am to 6pm in front of San Francisco City Hall (Polk Street at McAllister).

The 32 foot by 32 foot peace sign engages participants to become ‘culture catalysts’ for peace. Furthermore, the sign is designed to travel to peace and community events throughout the summer and Artsfest 2007 organizers are arranging a location for its permanent display in the Bay Area thereafter. In addition to the on-site creation of this artwork, MySpacers can also create online video cards that will be uploaded to a peace card gallery at www.myspace.com/artsfest.

Artsfest 2007 Arts Expo is a free, family-friendly, multi-cultural event that features daylong entertainment including music, dance, theatre, spoken word, visual arts, fashion, food, a beer and wine garden and more. Headliners include the hot alt rock band RubberSideDown, Hot Pink Feathers, Blue Bone Express, Lutsinga Musical Ensemble, Youth Speaks and many others.

As a unifying non-profit organization in the San Francisco Bay Area, Artsfest is a culture catalyst that engages and connects people in the arts, business, media, non-profit, government and the public sectors by producing and promoting art events and services that inspire cooperation, creativity, commerce and a culturally vibrant community.

Visit Artsfest at www.Artsfestsf.org or Create Peace Project at www.createpeaceproject.org.

Who has the best (City Attorney) jeans butt?

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By Sarah Phelan

images-jeans.jpg

In his time, City Attorney Dennis Herrera has been accused of paying too much attention to dress codes, cuff links and time schedules. But on Friday, members of the AIDS/LifeCycle Riders team in his office, along with anyone who has contributed to their 545-mile Trek to Los Angeles fundraising efforts will be allowed to wear jeans. Or, to quote Herrara’s legalese, they will be given “a first-ever, one-day-only ‘dress code dispensation'”.
The blue jeans butt off begins with a 10:00 a.m. photo op on the City Hall steps to celebrate the ten riders who are representing Herrera’s the office in the 545-mile ride from San Francisco to Los Angeles, June 3-9, and the idea is to raise money and awareness for the cause, but you know you’re wondering, er, what kind of jeans Chief Trial Deputy Joanne Hoeper, and her husband, Steve Tomich, ; Deputy City Attorneys Kimberly Bliss, Ronald Flynn (and his partner, Neal Schwartz), Andrew Gschwind, John Kennedy, Kathryn Luhe and Kristine Poplawski; and Investigator Anne Taupier will be wearing. And, of course, who has the best jeans butt. Or is it illegal to say things like that about city attorneys?

Moving the bike plan forward

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EDITORIAL It’s an odd year for Bike to Work Day: San Francisco is in the middle of an ambitious plan to improve the city’s bicycle infrastructure — and it’s utterly stalled. The city can’t add a single new bike rack, can’t add a single bicycle route sign, can’t take a single step to improve bike safety, and can’t move forward on any of the 60 projects that are in the hopper. Every single transportation improvement that involves bicycles is on hold for at least a year.

For that you can thank Rob Anderson, a dishwasher and blogger who thinks bikes are unsafe in the city and recently wrote on his blog that "if the Bike Nut Community (BNC) gets its way on city streets, traffic in the city will be made unnecessarily worse for everyone, with more air pollution as a result, as motorized traffic idles in traffic jams, squeezed into fewer lanes after the BNC creates bike lanes by eliminating traffic lanes and street parking."

The lone antibike nut filed a lawsuit claiming that the city’s bicycle plan lacked adequate environmental review, and in a departing slap at San Francisco, Judge James Warren signed off on an injunction blocking all bike improvements just before he retired. Now the city has to complete its entire plan — at least another year’s work — then complete an environmental impact report (EIR) on it, and then return to court to get the injunction lifted. It’s costing money and time, and it’s making it harder for what should be a safe, healthy, pollution-free method of transportation to pick up more adherents in what ought to be the nation’s most bike-friendly city.

But there’s not a lot anyone can do about Anderson and his pro-car crusade (yes, he says very clearly on his blog, district5diary.blogspot.com, that he’s pro-car and that "cars are a great invention, and they are here to stay"). In another year a judge will toss out this ridiculous injunction, and the city can get on with its planning.

But it’s critical right now that city hall not sit back and wait. The bicycle plan needs to be funded, and the project planning needs to continue moving forward at full speed, so that when the EIR is completed and the city is allowed once again to implement new programs, the projects will be ready to go. This lunatic lawsuit shouldn’t give Mayor Gavin Newsom an excuse to defund bicycle programs for the next year.

The truth is, thousands of additional people have begun to ride bikes to work over the past few years, and that’s had nothing but a positive impact on the environment. Bikes can and should be a central part of the city’s transportation infrastructure. That’s the lesson for Bike to Work Day. *

Out of downtown

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› steve@sfbg.com

It wasn’t going well for Ted Strawser, predictably. The alternative transportation activist faced an uphill battle March 14 trying to convince a San Francisco Chamber of Commerce committee to endorse Healthy Saturdays, a plan to ban cars from part of Golden Gate Park.

Representatives of the park’s museums and Richmond District homeowners had just argued their case against the measure. “Visitors want access to our front door, and we want to give it to them,” Pat Kilduff, communications director for the Fine Arts Museums of San Francisco, indignantly told the group of two dozen business leaders gathered around a large conference table.

Strawser gave it his best shot: he talked about following the lead of other great cities to create car-free spaces; he said, “Golden Gate Park is one of the best parks in the nation, if not the world”; and he made a detailed case for closure. But around the table there were scowls, eye rolls, and other obvious signs that Strawser was being tolerated, not welcomed. Some — including chamber vice president Jim Lazarus — even started to interrupt and argue with him.

Then the man sitting next to Strawser spoke up. “I don’t think this is fair,” he said. And suddenly, everyone in the room shaped up. Strawser’s ally — his only supporter in the room — was somebody no chamber member could or would dismiss. Warren Hellman doesn’t shout or bang the table — but when he speaks, downtown pays attention.

Hellman, a prominent investment banker, told the committee members that he expected them to show the same respect for Strawser that they had for the previous two speakers. The nonsense ended, immediately.

And by the time Strawser turned the floor over to Hellman, the mood had changed. The group listened raptly, smiled, and nodded as Hellman spoke in his usual folksy, familiar, disarming style.

“It’s not a lot of fun when friends fall out,” he began, “because the previous speakers and many of you all agreed on the necessity of the garage [that was built in Golden Gate Park], and we worked together.”

He pointed out that many in the group had promised during the fall 2000 election to support Healthy Saturdays once the garage was built, although Hellman was now the only member of the coalition honoring that commitment. But he didn’t chide or shame his colleagues. That isn’t Hellman’s style.

Instead, he spoke their language. The garage has never been full and needs the money it can charge for parking to repay the bonds. This isn’t a fight that’s going away, since “part of the conflict is because this park is everybody’s park.” But there are “about 100 compromises not acceptable to either side that would move this forward.” And if a solution can’t be found, there will probably be an expensive ballot fight that nobody wants.

“My conclusion is we should attempt this test,” Hellman told the group. Ultimately, when the vote was later taken in secret, the chamber didn’t agree, although it did vote to back a trial closure after the California Academy of Sciences reopens next year.

At the meeting, Hellman openly called for Mayor Gavin Newsom to get involved in seeking a compromise, something Hellman said he had also just requested of the mayor at a one-on-one breakfast meeting. A couple of weeks later Newsom — who had already indicated his intention of vetoing the measure — did broker a compromise that was then approved by the Board of Supervisors.

As usual, Hellman didn’t take credit, content to quietly play a role in making San Francisco a better place.

Healthy Saturdays isn’t the most important issue in local history — but the significance of Hellman’s involvement can’t be underestimated. His alliance with the environmentalists and park advocates might even signal a sea change in San Francisco politics.

Warren Hellman represents San Francisco’s political and economic past. And maybe — as his intriguing actions of recent years suggest — its future.

This guy is a rich (in all senses of the word) and compelling figure who stands alone in this town. And even though his leadership role in downtown political circles has often placed him at odds with the Guardian, Hellman consented to a series of in-depth interviews over the past six months.

“Our family has been here since early in the 19th century, so we had real roots here,” Hellman told us. His great-grandfather founded Wells Fargo and survived an assassination attempt on California Street by a man who yelled, “Mr. Hellman, you’ve ruined my life,” before shooting a pistol and barely missing.

The Hellman family has been solidly ruling class ever since, rich and Republican, producing a long line of investment bankers like Warren.

Yet the 72-year-old comes off as more iconoclast than patrician, at least partly because of the influence of his irreverent parents, particularly his mother, Ruth, who died in 1971 in a scuba-diving accident in Cozumel, Mexico, at the age of 59. “She was entirely nuts,” Hellman said, going on to describe her World War II stint as a military flier in the Women’s Auxiliary Service Pilots and other colorful pursuits. “She just loved people, a little like I do. She collected people.”

Hellman grew up wealthy and cultured, but he also attended public schools, including Grant Grammar School and Lowell High School. In between, the young troublemaker did a stint at San Rafael Military Academy — “reform school for the rich,” as he called it — for stunts such as riding his horse to Sacramento on a whim.

After doing his undergraduate work at UC Berkeley, Hellman got his MBA from Harvard and went on to become, at the age of 26, the youngest partner ever at the prestigious Manhattan investment firm Lehman Bros. He developed into an übercapitalist in his own right and eventually returned home from New York and founded Hellman and Friedman LLC in San Francisco in 1984, establishing himself as the go-to financier for troubled corporations.

“He is really one of the pioneers of private equity,” said Mark Mosher, a longtime downtown political consultant and the executive director of Gov. Arnold Schwarzenegger’s California Commission on Jobs and Economic Growth, on which Hellman sits.

Hellman became what Business Week called “the Warren Buffett of the West Coast,” a man of extraordinary wealth and power. Among other accomplishments, Hellman took Levi Strauss private, recently made billions of dollars in profits selling DoubleClick to Google, and manages the assets of the California public employee retirement funds (CalPERS and CalSTRS), which are among the largest in the world.

Like many financial titans, Hellman has always been a generous philanthropist, giving to the arts, supporting schools in myriad ways, and funding the San Francisco Foundation and the San Francisco Free Clinic (which his children run). He vigorously competes in marathons and endurance equestrian events, often winning in his age bracket. And he has his humanizing passions, such as playing the five-string banjo and creating the popular Hardly Strictly Bluegrass festival.

But he’s also been a prime facilitator of downtown’s political power, which regularly flexes its muscle against progressive causes and still holds sway in the Mayor’s Office and other city hall power centers.

Hellman founded, funds, and is a board member of the Committee on Jobs, which is perhaps the city’s most influential downtown advocacy organization. Hellman and his friends Don Fisher, the founder of the Gap, and Sen. Dianne Feinstein also started SFSOS, which now wages the most vicious attacks on left-of-center candidates and causes.

When the de Young Museum and other cultural institutions were threatening to leave Golden Gate Park, Hellman almost single-handedly had an underground parking garage built for them, in the process destroying 100-year-old pedestrian tunnels and drawing scorn from the left. The Guardian called it “Hellman’s Hole.”

“We at the Bike Coalition very much started out on the opposite side of Warren Hellman,” San Francisco Bicycle Coalition executive director Leah Shahum told us. “We couldn’t have been more like oil and water on the garage issue.”

But over the past two years or so, Hellman’s profile has started to change. He went on to become an essential ally of the SFBC and other environmentalists and alternative transportation advocates who want to kick cars off JFK Drive in Golden Gate Park on weekends, crossing the downtown crowd in the process. He has shared his wealth with progressive groups such as Livable City, which often fights downtown, and has stuck up for edgy fun seekers over more conservative NIMBY types. He has also publicly repudiated the attacks of SFSOS and its spokesperson, Wade Randlett, and withdrawn his support from the group.

Hellman is still a Republican, but a thoughtful and liberal-minded one who opposed the Iraq War and wrote an article for Salon.com in February titled “If the United States Were a Company, Would George Bush Be Our CEO?” (His answer: hell no.) And to top it all off, Hellman sports a few tattoos and even attended 2006’s Burning Man Festival and plans to return this year.

Unguarded and reflective, Hellman’s comments to the Guardian foreshadow the possible future of capitalism and influence in San Francisco and point to potential political pathways that are just now beginning to emerge.

Our first conversation took place at the Guardian office two weeks before the November 2006 election, when it was starting to look like Nancy Pelosi had a good shot at becoming speaker of the House of Representatives.

“I think this election in two weeks is going to be really interesting,” Hellman told us.

This Republican was cheering for the Democrats to win. “They aren’t my kind of Republicans,” he said of the people in power. Hellman didn’t support the war or approve of how the Bush administration sold it, and he wanted Pelosi and the Democrats to hold someone accountable.

“What I’d like her to do is admit that we can’t get out [of Iraq immediately], but start to talk about what the fallout has been. Discuss the enormous cost in human life as well as money, and how it’s possible the war united the Middle East against us,” Hellman said.

The one thing he can’t abide is disingenuousness. Hellman speaks plainly and honestly, and he asked us to keep particularly caustic comments off the record only a few times during almost six hours’ worth of interviews. He was self-effacing about his political knowledge and seemed most interested in working through the problems of the day with people of goodwill.

Asked what he values most in the people he deals with, Hellman said, “It’s authenticity. Do they believe things because they believe in them, or do they believe in things because they’re cynical or they’re just trying to gain something?”

Locally, Hellman has reached out to people with varying worldviews and come to count many friends among those who regularly battle against downtown.

“I love to know people,” he said. “That’s probably the single thing that motivates me. When someone says to me, ‘How can you be friends with [then–head of SEIU Local 790] Josie Mooney?’ I say, ‘Look, I want to know Josie Mooney. And if she’s awful, then we won’t be friends.’ I’m just fascinated by getting to know people. And virtually always, they’re a little like Wagner operas: they’re better than they sound.”

Hellman was the chair of the Committee on Jobs when he got to know Mooney, who chaired the San Francisco Labor Council and was a natural political adversary for the pro-business group, particularly when Hellman was leading the fight to do away with the city’s gross receipts tax, which has proved to be costly for the city and a boon for downtown.

But after that victory, Hellman turned around and cochaired a campaign with Mooney to retool and reinstate the gross receipts tax in a way that he believed was more fair and helped restore the lost revenue to the city.

“We lost, but he put $100,000 of his own money into that campaign,” Mooney told us, noting that the proposed tax would have cost Hellman and Friedman around $70,000 a year. “I think he just thought the city needed the money. It was a substantive point of view, not a political point of view.”

Mooney considers Hellman both a friend and “an extraordinary human being…. He has made a huge contribution to San Franciscans that doesn’t relate to ideological issues. A tremendous thing about Warren is he’s not ideological, even in his political point of view…. On politics, I’d say he is becoming more progressive as he understands the issues that confront ordinary people.”

Mooney is one of the people who have helped bring him that awareness. When they first met, Mooney said, Hellman told her, “You’re the first union boss I ever met.” That might have been an epithet coming from some CEOs, but Hellman had a genuine interest in understanding her perspective and working with her.

“In a sense, I think that was a very good era in terms of cooperation between the Committee on Jobs and other elements of the city,” Hellman said. “Josie and I had already met, and we’d established this kind of logic where 80 percent of what we both want for the city we agree on, and 20 percent [of the time, we agree to disagree].”

Committee on Jobs executive director Nathan Nayman — who called Hellman “one of my favorite people in the world” — told us that Hellman feels more free than many executives to be his own person.

“He’s not with a publicly held company, and he doesn’t have to answer to shareholders,” Nayman said. “He takes a position and lives by his word. You don’t see many people like him in his income bracket.”

Hellman has become a trusted hub for San Franciscans of all political persuasions, Nayman said, “because he’s very genuine. He’s fully transparent in a city that likes to praise itself for transparency. What you see is what you get.”

Hellman expects the same from others, which is why he walked away from SFSOS (and convinced Feinstein to bolt as well) in disgust over Randlett’s scorched-earth style. Among other efforts, SFSOS was responsible for below-the-belt attacks on Sups. Chris Daly, Jake McGoldrick, and Gerardo Sandoval (whom a mailer inaccurately accused of anti-Semitism).

“If all things were equal, I’d just as soon that SFSOS went away,” Hellman said. “SFSOS started doing the opposite of what I thought they would be doing, so it was fairly easy for me to part company with them. What I thought we were doing is trying to figure out ways to make the city better, not just being an antagonistic, nay-saying attack organization. I’m not a huge fan of Gerardo Sandoval, but I thought the attacks on him were beyond anything I could imagine ever being in favor of myself. And it was a series of things like that, and I said I don’t want anything more to do with this.”

Downtown, they’re not always quite sure what to make of Hellman.

“Every once in a while, he does things that irritate people who are ideologically conservative,” Mosher said. “He took an immense amount of heat for supporting the Reiner initiative [which would have taxed the rich to fund universal preschool].”

He’s given countless hours and untold riches to public schools, doing everything from endowing programs to knocking on doors in support of bond measures and often pushing his colleagues to do the same.

“My connection to him has been through the school district, and he’s really been a prince,” Sup. Tom Ammiano said. “He has even stopped calling me antibusiness. He put a lot of his energy into improving public education, and so he shows it can be done.”

Progressives don’t always agree with Hellman, but they feel like they can trust him and even sometimes win him over. “If you get a relationship with him and you’re always honest about the facts and your own interests, he will listen, and that’s pretty remarkable,” Mooney said. “He shows a remarkable openness to people who have good ideas.”

His appreciation for people of all stripes often causes him to reject the conventional wisdom of his downtown allies, who viciously attacked the Green Party members of the Board of Education a few years ago.

“Everybody said, ‘Oh my god, Sarah Lipson, you know, she’s a Green Party member, she’s the furthest left-wing person on the board,’ blah, blah, blah,” he said. “And I phoned her up one day and said, ‘I’d really like to meet you.’ And she’s — leave aside the fact that I think she’s a very good person as a human being, but she’s a very thoughtful, analytic person. Listening to her opinions about things that are happening in the school district, I really respect that. I mean, what do I know about what’s going on in the school district? I know more now than I did then. But just getting to know people, and maybe get them to understand my point of view, which isn’t that penetrating.”

Many of his efforts have received little publicity, as when he saved the Great American Music Hall from closure by investing with Slim’s owner Boz Scaggs and helping him buy the troubled musical venue. “There are things that you and I don’t even have a clue that he has done,” Nayman said.

“He’s an interesting guy,” Mosher said. “He’s one of a dying breed, a liberal Republican. He has a social conscience and wants to use his money to do good.”

Actually, calling Hellman liberal might be going too far. In the end, he’s still very much a fiscal conservative. He doesn’t support rent control, district elections for the Board of Supervisors, taxing businesses to address social problems such as the lack of affordable health care, or limits on condo conversions.

He also opposes the requirement that employers provide health care coverage, which downtown entities are now suing the city to overturn, telling us, “In general, I don’t think it’s a good idea, because I’m still, even in my aging years, a believer that the marketplace works better than other things…. Universal health care I do believe in, but what I worry is that it’s going to be another damned bureaucracy and that it’s not going to work.”

Yet he doesn’t believe wealth is an indicator of worth, saying of his fortune, “It is luck. Most of what you do you aren’t better at than everyone.”

He doesn’t believe in the law of the jungle, in which the poor and weak must be sacrificed in the name of progress. In fact, he feels a strong obligation to the masses.

As he told us, “My mantra for capitalism — and I didn’t invent this, but I think it’s pretty good — is that capitalism won, and now we need to save the world from capitalism.”

Hellman looms large over downtown San Francisco. His Financial District office offers a panoramic view of the Bay Bridge, Treasure Island, the Ferry Building, and the rest of the city’s waterfront. He likes to be personally involved with his city and the companies in which Hellman and Friedman invests.

“Usually I’m directly involved,” he told us in an interview earlier this year. “I’ve always said that I don’t like to go to the racetrack to just look at the horses. The fun of being a principal is that you’re standing at the track and not saying, ‘Gee, that’s a beautiful gray horse.’ You’re saying, ‘Come on, he’s got to win!’ So I’m almost always invariably invested in the companies that we work with, either individually or through the firm.”

Unlike many Wall Street barons who strive to control a company and bring in new executives, flip it for a quick profit, or liquidate it, Hellman said his firm tries to identify solid companies and help facilitate what they do. “We don’t usually take over companies. I always think that we provide a service to help the businesses,” he said. “Our job is kind of the opposite of owning a factory. Our job is to be sure the people who run the business feel like it’s their business.”

Similarly, he thinks capitalists need to feel a sense of ownership over society’s problems, something he thinks is taking root in San Francisco and other economic centers, particularly among the younger generations. “It’s about understanding how much suffering there is on the other side and trying to figure out how that suffering can be alleviated,” he said. “I think it’s partly good economics that as you bring people up, they’re able to do more for society. If nothing else, they’re able to buy more and shop at a Wal-Mart or something — probably someplace you would wildly disapprove of — and buy goods and services. But I don’t think it’s that narrow.”

Rather, he believes that everyone has a little progressive in them, a little desire to cooperatively solve our collective problems rather than pass them off to future generations. He sees a marked change from his days at Lehman Bros.

“Everybody was into making it,” he said, noting that many capitalists then did charity work as a means of attaining social status but focused mostly on the accumulation of wealth. But, he said, the new generation of capitalists seems genuinely interested in improving the world.

“The feeling for giving back in the next generation, in the now 25- to 35-year-olds, it’s just an order-of-magnitude difference than it was for people who are now in their 40s and early 50s,” Hellman said. “I’m very encouraged.”

Yet the flip side is that, in Hellman’s view, downtown doesn’t wield as much power as it once did. Low political contribution limits have made politicians less dependent on downtown money, creating fewer shot callers, while democratizing tools such as the Internet have broadened the political dialogue.

“For the last 30 years we have become an increasingly tolerant city, and that’s great,” he said. “In the old days, [the Guardian] complained about downtown, and yeah, no shit, downtown really did control the city. The benefit was as that slipped away, the city became fairer and more open to argument. So now downtown hardly has any power at all anymore. In a sense, that’s a good thing. Tolerance grew tremendously when the city wasn’t dictated to.”

That tolerance caused street fairs to pop up all over town and festivals such as Hellman’s Hardly Strictly Bluegrass to blossom in Golden Gate Park. Bike lanes have taken space from cars, events such as Halloween in the Castro have gotten crazier, street protests have gotten bigger and more frequent, and people have felt more free to fly their freak flags. And all that freedom eventually triggered a backlash from groups of isolated NIMBYs who complain and often find sympathetic ears at city hall.

“Sometimes you get the feeling in this city that in the land of the tolerant, the intolerant are king,” said Hellman, whose festival has endured noise complaints even though the music is shut off by 7 p.m. “There is a continuing pressure to do away with fun, because fun is objectionable to someone, [but] we need to think about not creating a new dictatorship of a tiny group of people whose views are not in line with the opinion of most of the people of San Francisco…. You should try to balance the good of a lot of people versus the temporary annoyance of a few people.”

Preserving fun and a lively urban culture is a personal issue for Hellman, who plays the five-string banjo and calls his festival “the most enjoyable two days of the year for me.” He helps draw the biggest names in bluegrass music and acts like a kid in a candy shop during the event.

“I feel very strongly that an important part of our culture is built on the type of music and type of performance that goes on at Hardly Strictly Bluegrass,” Hellman said. From parables set to music to songs of struggle and the old union standards, “that kind of music is the conscience of our country.”

He considers bluegrass a vital and historically important form of political communication, more so than many of the upscale art forms that the rich tend to sponsor. “I’m glad that we have first-rate opera, but it’s equally important that we foster the kind of music, lyrics, etc., that support all this,” he said. “Somebody once said that most of the great Western philosophy is buried in the words of country songs. And that’s closer to the truth than most people think. A big passion of mine is to try to help — and people have defined it too narrowly — the kinds of music that I think have a hell of a lot to do with the good parts of our society.”

Perhaps surprisingly for a Republican venture capitalist from the older generation, Hellman also considers the countercultural freaks of San Francisco to be some of the “good parts of our society.” That’s why he attended Burning Man for the first time last year and why, he said, he loved it, as much for the culture and community as for the art.

“I went to Burning Man because as much as possible I want to experience everything,” he said. “I want to just see directly what it’s like. I knew I’d enjoy it. I never doubted that. But what really overwhelmed me is it was 40,000 people getting along with each other. I mean, it’s pretty intense. There were dust storms and the world’s most repulsive sight: nude men over 70 just dangling along. But I never saw an argument. It was 40,000 people just enjoying each other.”

It was most striking to Hellman because of the contrast with the rest of society. As he said, “I’ve never seen this country so divided.”

While Hellman supports Schwarzenegger — calling him “a good advertisement to California” — he has nothing good to say about his fellow Republican in the Oval Office. He calls Bush’s tenure “an absolute four-star disaster.” The invasion of Iraq is the most obvious problem, he said. “Our war policy has slowly veered from being ‘Don’t tread on me’ to we’re going to jump on your neck.”

But his antipathy to certain aspects of the Republican Party began even earlier, when the religious right began to take over.

“I thought we were not that polarized during the Clinton administration. I was somewhat encouraged,” Hellman said. “Maybe there was an undercurrent of strident religious behavior or strident conservatism, but not the conservatism that I think the Republican Party used to stand for, which was fiscal conservatism instead of social conservatism. Somehow, there was this angst in this country on the part of religious people who I guess felt this country was being taken away from them, and they were the kind of stalwart or underpinnings of society. And they took it back.”

But in the wake of that disaster, Hellman thinks, there is an opportunity for reasonable people of goodwill to set the future political course. As Nayman said of Hellman, “He does believe there is a middle way pretty much all the time.”

Politically, that’s why Hellman gravitates toward the moderates of both major parties, such as Schwarzenegger and Newsom. He looks for people who will marry his economic conservatism with a regard for things such as environmentalism and social justice.

“It’s very tough to be a big-city mayor,” Hellman said. “[Newsom is] probably the best mayor we’re entitled to. He’s got this fantastic balancing act.”

Hellman said downtown hasn’t been terribly happy with Newsom for supporting striking hotel workers, getting behind Ammiano’s health insurance mandate, supporting tax measures, and generally letting the Board of Supervisors set the city’s agenda for the past two years.

“Their measure is he has 80-percent-plus popularity, and he ought to spend some of it. Well, they might not agree with what he would spend it on. And he’s been unwilling to spend very much of it. In some parts of the business community there is disappointment with him, but I don’t think that’s right. He didn’t hide what he would be like.”

What Newsom said he would be — a big reason for his popularity — is a mayor for the new San Francisco, a place where the city’s traditional economic conservatism has been tempered by a greater democratization of power and an ascendant progressive movement that expects its issues to be addressed.

“I don’t like people who are intolerant,” Hellman said. “I don’t like people that are telling you something to get some outcome that, if you understood it, you probably wouldn’t want. I like people that are passionate.”

Asked, then, about Sup. Chris Daly, the nemesis of downtown and most definitely a man of strong political passions, he said, “I admire Chris Daly. I disagree with Chris on a lot of things he believes, but there are also probably a lot of things I would agree with Chris on. And I respect him.”

Hellman is the rare downtown power broker who wants to bridge the gap between Newsom — whom he calls a “moderate to conservative establishment person” — and progressives such as Daly, Mooney, and the Bicycle Coalition. The middle ground, he said, is often a very attractive place, as it was with Healthy Saturdays.

“I’m sure you spend time in the park on Sunday, and it’s a hell of a lot nicer in there on Sundays than Saturdays,” Hellman said. But even more important to him, this is about integrity and being true to what Golden Gate Park garage supporters promised back in 2000.

“They were proposing Saturday closing at that time, which I’ve always thought was a good idea,” he said. “And we made a commitment to them, or I thought we made a commitment to them, that let’s not have Saturday closure now, but as soon as the garage was done, we’d experiment with Saturday closure.”

We brought up what Fine Arts Museums board president Dede Wilsey has said of that pledge, that it was under different circumstances and that she never actually promised to support Saturday closure after the garage was completed.

“There’s a letter. She put it in writing,” he said of Wilsey. “She signed a letter on behalf of the museums saying that when the de Young is done, we should experiment with Saturday closings.”

The Bike Coalition’s Shahum said that even when Hellman was an enemy, he was a reasonable guy. But it’s in the past couple of years that she’s really come to appreciate the unique role he plays in San Francisco.

“He showed decency and respect toward us,” she said. “We never saw him as a villain, even though we disagreed completely. Later he really stepped up and has been a leader on Healthy Saturdays. And what I was most impressed with is that he was true to his word.”

Supervisor McGoldrick, who sponsored the measure, echoed the sentiment: “Hellman was certainly a man of his word who acted in a highly principled way.”

So why does Hellman now stand apart from the downtown crowd? Has he parted ways with the economic and cultural power brokers who were once his allies?

No, he said, “I think they parted ways with me.” *

 

Cleaning the sour lake

0

>amanda@sfbg.com

Pablo Fajardo, Humberto Piaguaje, and Guillermo Grefa – three natives of Ecuador – recently made a visit to the Bay Area, but not as mere tourists.

"I’ve come here to inform you, San Francisco, so that you here might know what Chevron does outside the borders of the United States," Fajardo said at a press conference outside City Hall. "They are contributing to the destruction of humanity on a global level."

Fajardo is one of the lead litigators in a 14-year-old civil action lawsuit against Texaco (which was purchased by the Chevron Corp. in 2001) accusing the multinational oil company of business practices that soured the lakes, streams, soil, air, and lives of the residents of Lago Agrio ("sour lake" in Spanish). Texaco was based in this rainforest region for 28 years and operated 343 wells and processing plants that pumped 1.5 billion barrels of oil through a 300-mile exposed pipeline over the Andes. The plaintiffs allege that substandard storage and handling of the oil and its toxic byproducts during those productive years have poisoned an area three times the size of Manhattan.

Chevron contends that it has adequately cleaned up 45 sites and anything beyond that is the responsibility of PetroEcuador, a government-owned company with which Texaco had a partnership for use, ownership, and maintenance of the wells.

Chevron is the sixth largest oil company in the world and the richest corporation in the Bay Area. The San Francisco Chronicle recently dubbed Chevron its "corporation of the year" after the oil company posted $17 billion in profits in 2006.

But by the end of this year, Chevron may have a new distinction: loser of the largest environmental remediation case ever litigated. Even though legal scholars say it’s quite possible the Ecuador court will rule against Chevron, company executives still haven’t set aside any money or fully informed shareholders of this potential liability.

A resident of Lago Agrio since he was 14, Fajardo received his law degree through correspondence school coursework just three years ago, and this is the first case he’s argued. But he’s not alone. His legal team includes New York-based Steve Donziger and a bankroll from Philadelphia’s Kohn, Swift and Graf. The recent trip was also supported by the San Francisco organizations Amazon Watch and Rainforest Action Network.

"This was to put a message to the Bay Area. This is your homegrown oil company," Amazon Watch’s executive director, Atossa Soltani, said. "This is an opportunity to hold them accountable. We need to demand they uphold the values of this community."

While in town, Fajardo invited Governor Arnold Schwarzenegger to tour one of the 600 unlined oil pits that are seeping sludge into the drinking water of 30,000 Lago Agrians.

"I know that you have close ties to this company," Fajardo wrote in a letter to Schwarzenegger. "I have read that Chevron has donated over $600,000 to your campaigns and inaugurations. I have also read that your former chief of staff was a lobbyist for Chevron. However, I have faith because I know you are a man of the environment. You are making California a leader in the United States on almost every environmental issue. You are what they call a ‘green’ governor."

The governor is still reviewing the letter, his spokesperson Aaron McLear said, and has not yet decided on taking a field trip to the country. According to an Associated Press article, at an April 24 press conference Schwarzenegger was asked why he turned down an offer to meet the Ecuadorans. He responded, "Everyone has their own ideas of what it is to be an environmentalist and to protect the environment."

To convey their idea of what it means to be a good corporate citizen, Piaguaje and Grefa busted into the April 25 annual shareholders meeting at Chevron’s headquarters in San Ramon, as guests of Soltani and RAN executive director Michael Brune – who both happen to own a little stock in the company.

As three dozen protesters stood outside the meeting holding a banner that read, "Tell shareholders the toxic truth," the usual crowd of well-heeled investors dressed in prim suits and trim neckties mingled inside.

Two individuals looked a little different. Grefa wore a pale green shirt and a thick rope of multicolored beads around his neck. Beside him sat Piaguaje, in a long red tunic with a traditional headdress covering his black hair. During the question period of the meeting, they addressed Chevron board president David O’Reilly.

"Our fight is not for money," Piaguaje, the Secoya tribe leader, said through a translator. "We want you to give back our lives. We want to live in peace, harmoniously with nature. Above all, we want justice. We will continue to fight until we get justice or we will die in our struggle."

"The problems you have there," O’Reilly responded, "you need to take up with the government. There’s no credible evidence that Texaco did anything wrong."

The plaintiffs argue that Chevron’s $40 million remediation job during the ’90s is an implicit admission of some level of guilt.

Chevron says it’s being attacked for the size of its purse. At the shareholders meeting, company executives proudly reported the company made $17.1 billion last year, will be investing about $15 billion in oil exploration, and is kicking off 30 new capital projects at the cost of $1 billion apiece.

Should the Ecuadoran plaintiffs prevail, the cost of a real cleanup has been estimated at $6 billion – enough to hinder just half a dozen of Chevron’s new oil wells. Chevron contends the figure is grossly inflated. "This $6 billion assessment was made by a consultant hired by the attorneys [on the plaintiffs’ side] who only spent three days there," one of Chevron’s lawyers, Ricardo Veija, told the Guardian.

"He was there for a few weeks, actually," said the environmental scientist at his side, Sara McMillen, who’s consulting for Chevron on the case. She added that the consultants asked other experts to consider the figure. "They actually bust out laughing when they hear that number," she said. "It’s more than the cost of Exxon Valdez."

But Fajardo contends the spills in Lago Agrio are larger than the Valdez tanker spill – 30 times larger, in fact (18.5 billion gallons versus 11 million). He said Ecuadorans are more interested in drinking clean water and being treated like humans than squeezing money from Chevron.

Because of the trial, Fajardo was not allowed to attend the shareholders meeting, but we asked what he would say to O’Reilly if they were face-to-face.

"If I could speak with him," Fajardo said in clear, direct words, as if talking to a child who doesn’t want to listen, "I would tell him that I think human beings are the same. We have the same rights no matter what part of the world we live in. This company has caused great harm. Instead of spending millions of dollars in defense, they could be investing money in cleanup. It’s a question of justice."

Fajardo, his stern brow softening as he considered his words, added, "I’d also tell him I have nothing against him personally. I respect him like I respect every other person." *

Byorn’s legacy

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When the mayor’s former press secretary, Peter Ragone, got busted posting vindictive comments on local blogs under an assumed name (Byorn was one of them), Board of Supervisors president Aaron Peskin had a pretty reasonable take on the matter: spokespeople paid with city money and charged with informing the public about the mayor’s activities should probably not be launching political barbs at perceived detractors of Gavin Newsom (see "The Ethics of Flacks, 3/7/07).

So Peskin drafted a code of conduct for the city’s public information officers to follow. His resolution passed the Rules Committee on April 19 and is now on its way to the full board. Among other things, it asks flacks to "strive to disclose accurate information, not hide it from the public" and to "respond in a timely and professional manner to all inquiries by the press and public." It also directs them to adhere to the code of ethics maintained by the National Association of Government Communicators.

"Public Information Officers are the primary liaisons between the City, its citizens and the media," the resolution states.

Newsom ally Sup. Sean Elsbernd added even stronger language instructing flacks to "make every immediate effort to retract false and misleading statements made by other members of the Public Information Officer’s department," so there’s no confusion about how Byorn and anyone else with a duty to give the public reliable information is supposed to behave.

While addressing the item, Sup. Tom Ammiano couldn’t resist a jab at Byorn, who has since been removed from City Hall and works on the mayor’s reelection team.

"Is there any public comment on this matter? Mr. Ragone? Oh, I guess he’s not here." (Schulz)

Death of fun, the sequel

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> news@sfbg.com

Fun – in the form of fairs, festivals, bars, art in the parks, and the freedom to occasionally drink alcohol in public places – is under attack in San Francisco.

The multipronged assault is coming primarily from two sources: city agencies with budget shortfalls and NIMBYs who don’t like to hear people partying. The crackdown has only intensified since the Guardian sounded the alarm last year (see “The Death of Fun,” 5/24/06), but the fun seekers are now organizing, finding some allies, and starting to push back.

Mayor Gavin Newsom and other city hall leaders have been meeting with the Outdoor Events Coalition, which formed last year in response to the threat, about valuing the city’s beloved social gatherings and staving off steep fee hikes that have been sought by the Recreation and Park, Fire, Public Works, and Police departments.

Those conversations have already yielded at least a temporary reprieve from a substantial increase in use fees for all the city’s parks. It’s also led to a rollback of the How Weird Street Faire’s particularly outrageous police fees (its $7,700 sum last year jumped to $23,833 this year – despite the event being forced by the city to end two hours earlier – before pressure from the Guardian and city hall forced it back down to $4,734).

The San Francisco Democratic County Central Committee will also wade into the issue April 25 when it considers a resolution warning that “San Francisco has become noticeably less tolerant of nightlife and outdoor events.” It is sponsored by Scott Wiener, Robert Haaland, Michael Goldstein, and David Campos.

The measure expresses this premier political organization’s “strong disagreement with the City agencies and commissions that have undermined San Francisco’s nightlife and tradition of street festivals and encourages efforts to remove obstacles to the permitting of such venues and events up to and including structural reform of government permitting processes to accomplish that goal.”

The resolution specifically cites the restrictions and fee increases that have hit the How Weird Street Faire, the Haight Ashbury Street Fair (where alcohol is banned this year for the first time), and the North Beach Jazz Festival, but it also notes that a wide variety of events “provide major fundraising opportunities for community-serving nonprofits such as HIV/AIDS, breast cancer, and violence-prevention organizations that are dependent upon the revenue generated at these events.”

Yet the wet blanket crowd still seems ascendant. Sup. Michela Alioto-Pier now wants to ban alcohol in all city parks that contain playgrounds, which is most of them. Hole in the Wall has hit unexpected opposition to its relocation (see “Bar Wars,” 4/18/07), while Club Six is being threatened by its neighbors and the Entertainment Commission about noise issues. And one group is trying to kill a band shell made of recycled car hoods that is proposed for temporary summer placement on the Panhandle.

That project, as well as the proposal for drastically increased fees for using public spaces, is expected to be considered May 3 by the Rec and Park Commission, which is likely to be a prime battleground in the ongoing fight over fun.

 

FEE FIGHT

Rec and Park, like many other city departments, is facing a big budget shortfall and neglected facilities overdue for attention. A budget analyst audit last year also recommended that the department create a more coherent system for its 400 different permits and increase fees by 2 percent.

Yet the department responded by proposing to roughly double its special event fees, even though they make up just $560,000 of the $4.5 million that the department collects from all fees. Making things even worse was the proposal to charge events based on a park’s maximum capacity rather than the actual number of attendees.

The proposal caused an uproar when it was introduced last year, as promoters say it would kill many beloved events, so it was tabled. Then an almost identical proposal was quietly introduced this year, drawing the same concerns.

“These are just preliminary numbers, and they may change,” department spokesperson Rose Dennis told us, although she wouldn’t elaborate on why the same unpopular proposal was revived.

Event organizers, who were told last year that they would be consulted on the new fee schedule, were dumbfounded. They say the new policy forces them to come up with a lot of cash if attendance lags or the weather is bad.

Mitigating such a risk means charging admission, corralling corporate sponsorship, or pushing more commerce on attendees. This may not be a hindrance for some of the well-known and sponsored events such as Bay to Breakers and SF Pride, but consider how the low-budget Movie Night in Dolores Park might come up with $6,000 instead of $250, or how additional permit fees could strangle the potential of nascent groups such as Movement for Unconditional Amnesty.

The group is sponsoring a march in honor of the Great American Boycott of 2006. On May 1 it will walk from Dolores Park to the Civic Center in recognition of immigrants’ rights. The group wanted to offer concessions, because food vendors donate a percentage of their sales to the organization, but the permit fee for propane use from the Fire Department was too high.

“They couldn’t guarantee they’d make more than $1,200 in food to cover the costs of permits,” said Forrest Schmidt, of the ANSWER Coalition, who is assisting the organizers. “So they lost an opportunity to raise funds to support their work. It’s more than $1,000 taken off the top of the movement.”

ANSWER faced a similar problem after the antiwar rally in March, when the rule regarding propane permits was reinterpreted so that a base charge, once applied to an entire event, was now charged of each concessionaire – quadrupling the overall cost. ANSWER pleaded its case against this new reading of the law and was granted a one-time reprieve. But Schmidt says none of the SFFD’s paperwork backs up a need to charge so much money.

“They kept on saying over and over again, ‘You guys are making money on this,’ ” Schmidt said. “But it’s an administrative fee to make sure we’re not setting anything on fire. It’s essentially a tax. It’s a deceitful form of politics and part of what’s changing the demographic of the city.”

The Outdoor Events Coalition, which represents more than 25 events in the city, agrees and has been meeting with city officials to hash out another interim solution for this year, as well as a long-term plan for financial sustainability for all parties.

“We’re cautiously optimistic,” said Robbie Kowal, a coalition leader and organizer of the North Beach Jazz Festival. But he’s still concerned about what he and the coalition see as a continuing trend.

“The city is changing in some way. It’s becoming a culture of complaint. There’s this whole idea you can elect yourself into a neighborhood organization, you can invent your own constituency, and the bureaucracy has to take you seriously. Neighborhood power can be so effective in fighting against a Starbucks, but when it’s turned around and used to kill an indigenous part of that neighborhood, like its local street fair, that’s an abuse of that neighborhood power.”

 

NIMBY POWER

Black Rock Arts Foundation, the San Francisco public art nonprofit that grew out of Burning Man, has enjoyed a successful and symbiotic partnership with the Newsom administration, placing well-received temporary artwork in Hayes Green, Civic Center Plaza, and the Embarcadero.

So when BRAF, the Neighborhood Parks Council, the city’s Department of the Environment, and several community groups decided several months ago to collaborate on a trio of new temporary art pieces, most people involved thought they were headed for another kumbaya moment. Then one of the projects hit a small but vocal pocket of resistance.

A group of artists from the Finch Mob and Rebar collectives are now at work on the Panhandle band shell, a performance space for nonamplified acoustic music and other performances that is made from the hoods of 75 midsize sedans. The idea is to promote the recycling and reuse of materials while creating a community gathering spot for arts appreciation.

Most neighborhood groups in the area like the project, and 147 individuals have written letters of support, versus the 17 letters that have taken issue with the project’s potential to draw crowds and create noise, litter, graffiti, congestion, and a hangout for homeless people.

But the opposition has been amplified by members of the Panhandle Residents Organization Stanyan Fulton (PROSF), which runs one of the most active listservs in the city, championing causes ranging from government sunshine to neighborhood concerns. The group, with support from Sup. Ross Mirkarimi’s staff, has delayed the project’s approval and thus placed its future in jeopardy (installation was scheduled to begin next month).

“My main concern would be that this is a very narrow strip of land that is bordered by homes on both sides,” said neighbor Maureen Murphy, who has complained about the project to the city and online through the PROSF. “My fear is that there is going to be amplification and more people and litter.”

The debate was scheduled to be heard by the Rec and Park Commission on April 19 but was postponed to May 3 because of the controversy. Nonetheless, Newsom showed up at the last hearing to offer his support.

“Rare do I come in front of committee, but I wanted to underscore … the partnership we’ve had with Black Rock Arts Foundation. It’s been a very successful one and one I want to encourage this commission to reinforce,” Newsom told the commission. “I think the opportunity exists for us … to take advantage of these partnerships and really bring to the forefront in people’s minds more temporary public art.”

Rachel Weidinger, who is handling the project for BRAF, said the organizers have been very sensitive to public input, neighborhood concerns, environmental issues, and the impacts of the project, at one point changing sites to one with better drainage. And she’s been actively telling opponents that the project won’t allow amplified music or large gatherings (those of 25 or more will require a special permit). But she said that there’s little they can do about those who simply don’t want people to gather in the park.

“We are trying to activate park space with temporary artwork,” she said. “Guilty as charged.”

Yet any activated public space – whether a street closed for a fair or a march, a park turned into a concert space, or a vacant storefront turned into a nightclub – is bound to generate a few critics. The question for San Francisco now is how to balance NIMBY desires and bureaucratic needs with a broader concern for facilitating fun in the big city.

“Some people have the idea that events and nightlife are an evil to be restricted,” Wiener said. But his resolution is intended as “a cultural statement about what kind of city we want to live in.” *

 

Take 50

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TAKE 50: SF INTERNATIONAL FILM FESTIVAL

THURS/26

*Golden Door (Emanuele Crialese, Italy/France, 2006). Epic in scope, playful in its stylistic shifts and tonal splices, and sumptuous in its painterly framing and use of light, Golden Door looks on an age-old American saga – an immigrant family’s crossing from the Old World to the new – with startlingly fresh, impassioned eyes. Director Emanuele Crialese (Respiro) turns his sometimes wry, sometimes tender focus on a band of illiterate Sicilian peasants drawn from their dirt-poor village by pre-Photoshop pictures of giant chickens and trees laden with enormous gold coins. Led by an intrepid yet ignorant patriarch (Respiro‘s Vincenzo Amato) and a comical spiritual fixer of a grandmother (Aurora Quattrocchi), the group is joined in steerage by a cryptic gentlewoman (Charlotte Gainsbourg). Ellis Island and its proto-eugenic experiments await – along with dream sequences that fluidly transmit the otherworldly magic of the villagers’ forthcoming American mystery tour. (Kimberly Chun)

7 p.m., Castro. Opening night film and party at City Hall, $85-$125

FRI/27

Black Sheep (Jonathan King, New Zealand, 2006). Something is going baaaaaad in Lord of the Rings country. The usual science experiment-gone-wrong results in the usual creature rampage, as sheep go George Romero on humans at a rural New Zealand ranch. This jolly, diverting, ultimately too-silly horror comedy from neophyte writer-director Jonathan King is duly funny. Still, it overstays its one-joke welcome by a bleat or three. (Dennis Harvey)

10:45 p.m., Kabuki

*A Few Days Later … (Niki Karimi, Iran, 2006). Already a star from her appearances in Tahmineh Milani’s overwrought – but much beloved – melodramas, Iranian actress Niki Karimi looked to the grand master, Abbas Kiarostami, for directing inspiration. In this, her second feature, she beautifully captures a specific brand of avoidance and understatement. She plays Shahrzad, a mousy graphic designer who becomes distracted at work. At home her answering machine constantly squawks about her family’s health and well-being, and her annoying neighbor (Behzad Dorani, from Kiarostami’s The Wind Will Carry Us) keeps parking his giant SUV in her space. To her credit, Karimi never shows the expected hospital scenes, tearful good-byes, or tense confrontations that seem to be looming. Instead, she retreats inside the character’s head and brings the film to a stunningly private conclusion. (Jeffrey M. Anderson)

7:15 p.m., PFA. Also Sun/29, 12:15 p.m., Kabuki; Mon/30, 6:45 p.m., Kabuki

Murch (David and Edie Ichioka, England/US, 2006). Codirector Edie Ichioka is a disciple of legendary film and sound editor Walter Murch (Apocalypse Now, The English Patient), so you know this doc will be nothing less than a glowing portrait. But instead of a simple glorification, it is more an embellished interview (complete with jump cuts during the talking head portions), with Murch using an astounding array of metaphors – besides the obvious "editing is like putting together a puzzle," he also works in painters, sock puppets, kidney transplants, and dream therapy, among others – to explain his approach to his craft. As Murch proves, a talented editor can make a good film great and a great film a masterpiece; it all comes down to an intangible combination of technical skill, sense of rhythm, and artistic instinct. (Cheryl Eddy)

9 p.m., SFMOMA. Also Sun/29, 4:15 p.m., Castro; Tues/1, 1 p.m., Kabuki; May 5, 3:30 p.m., PFA

*Slumming (Michael Glawogger, Austria/Switzerland, 2006). Two arrogant yuppie pranksters (August Diehl and Michael Ostrowski) cruise around verbally pigeonholing others, making playthings of them. Meanwhile, a drunken, derelict poet (Paulus Manker) wanders the streets alternately cajoling and ranting at people. When the pranksters find the poet passed out on a bus station bench, they decide to transport him to a similar spot across the border, without a passport. Director Michael Glawogger (Workingman’s Death) and cowriter Barbara Albert achieve a pleasurable quirky quality with their black comedy, carefully guiding it between the precious and the preachy; they sometimes amusingly present a joke’s payoff before the setup. The film passes easily between immaculate cafes and slush-covered highways, but at its center is Manker’s wonderfully cantankerous performance. (Anderson)

9:30 p.m., Kabuki. Also Sat/28, 1:30 p.m., Kabuki; May 5, 8:30 p.m., SFMOMA; May 7, 6:30 p.m., Aquarius

SAT/28

*All in This Tea (Les Blank and Gina Leibrecht, US, 2006). Tea still has an effete connotation in this country, but David Lee Hoffman is an adventurer of the old order. An unabashed partisan of the fair drink, he regularly travels to China to ferret out farmers and distributors, sampling and savoring the Old World leaves. His dedication is total; we’re hardly surprised when Werner Herzog drops by Hoffman’s Marin home for a spot of tea, because the director is a connoisseur of aficionados, explorers, and cranks. Hoffman is capably eccentric but also unassuming, making All in This Tea a friendly primer. Codirectors Les Blank and Gina Leibrecht bring their usual ethnographic grace to this 10-years-in-the-making project. (Goldberg)

1:30 p.m., PFA. Also Sun/29, 4:45 p.m., Kabuki; May 2, 4 p.m., Kabuki

*At the Edge: New Experimental Cinema (various). Experimental showcases are always an Achilles heel for film festivals big on narrative. They’re often shoehorned with tepid concessions to so-called innovation, although sometimes they yield moments of genuine surprise. This showcase has a bit of both. Paul Clipson’s Super 8 trip of blurred urban lightscapes looks through Stan Brakhage’s kaleidoscope but can’t see beyond it. On the other hand, the sleep of reason produces monsters (slavery, social Darwinism) and some beautiful animation in Atlantis Unbound, in which Lori Hiris morphs her black-and-white charcoal sketches – evoking the mystical art of William Blake or Austin Osman Spare – of 19th-century scientists into slaves, merfolk, and other beings from beyond the pale of the Enlightenment. The banality of evil is also evoked in Xavier Lukomski’s static shots of the serene Drina River Bridge, where, as the voice-over informs us, Bosnians dredged up the victims of genocide. When viewed through a long shot, the horrors of history become more pronounced, given their calm surroundings. (Matt Sussman)

8:30 p.m., PFA. Also Tues/1, 6:15 p.m., Kabuki

*Carved Out of Pavement: The Work of Rob Nilsson On the brink of 70, longtime SF filmmaker Rob Nilsson is astonishingly prolific. No less than four work-in-progress features will be excerpted in this tribute program, including some from the nearly completed "9@Night" series of interwoven fictions made with the Tenderloin Action Group. For all his invention and industry in production, Nilsson hasn’t exactly worked overtime getting his movies seen – except at the Mill Valley Film Festival, where you can count on one or two premiering each fall. The MVFF is copresenting this special show, which will have the filmmaker reviewing a career that stretches back to the mid-’70s SF CineAction collective and 1979’s Cannes Camera d’Or-winning Northern Lights, as well as discussing latter-day digital projects with numerous current collaborators, also present. Excerpts from "9@Night" will also be projected on the SFIFF’s Justin Herman Plaza outdoor screen May 1 to 3. (Harvey)

7 p.m., Kabuki

Fabricating Tom Ze (Decio Matos Jr., Brazil, 2006). Though typically grouped with the explosive Brazilian Tropicalismo movement, Tom Ze has always been too much of an eccentric to fall properly into line. It’s a point made abundantly clear in Fabricating Tom Ze (I still haven’t figured out the title), a generally awestruck doc that makes up for its thin content with plenty of Ze’s indefatigable, abundant speech. Between the interruptions, self-mythologizing, and creative suggestions for the film’s director (all of which Decio Matos Jr. takes), Ze spills over with quixotic, brilliant epigrams on creativity and authenticity. "I have to make a small invention every time I have an idea worthy of becoming music," he reports – as if there were any doubting his inventiveness. (Goldberg)

1 p.m., SFMOMA. Also Tues/1, 8;30 p.m., El Rio; May 6, 3:30 p.m., Kabuki; May 9, 6:30 p.m., Aquarius

*Hana (Hirokazu Kore-eda, Japan, 2006). Hirokazu Kore-eda’s gentle deconstruction of that venerable institution of Japanese film the samurai movie isn’t too much of a departure from his previous features. Hana also focuses on the small, unexpected sense of community that arises out of idiosyncratic responses to tragedy or, in this case, the public’s hunger for it. It’s 1702, and like other underemployed samurai during peacetime, Sozaemon Aoki (Okada Junichi) is restless, as is the general population, which gorges itself on violent revenge plays and romanticized notions of honor. The pensive Sozaemon is bent on carrying out his duty to avenge his father’s death, even if he seems more at home tutoring the kids in the hardscrabble but lively tenement where he lives. His neighbors, who initially tease him about his lack of guts, eventually rally round his failures – and their own lowly status – and celebrate the humble resolve. To paraphrase resident dimwit Mago (Kimura Yuichi), when life gives you shit, make rice cakes. (Sussman)

4:30 p.m., Kabuki. Also May 2, 6:45 p.m.; and May 5, 5:45 p.m., PFA

*The Island (Pavel Lounguine, Russia, 2006). Not to be confused with Michael Bay’s jiggly, blow-’em-up, organ-harvesting gesture toward Logan’s Run. If Andrei Tarkovsky’s movies were lit by God, then The Island sets God to work creating an austere black-and-white landscape of unforgiving snow, rocky shores, hills of coal, and blighted driftwood. By all appearances a mad monk but in this reality a truth-talking, faith-healing saint of sorts, Father Anatoly is doing penance on the island for a wartime act that most reasonable deities would excuse. No such luck for this Russian Orthodox overseer – wearisome monastery politics and the teary negotiations of the sick and injured occupy the sooty savant in this elegantly wrought parable, which puts cheesy stateside Biblesploitation big-budgeters such as The Reckoning to shame. (Chun)

4:15 p.m., Kabuki. Also May 2, 6:45 p.m., Kabuki; May 3, 3:30 p.m., Kabuki

Once (John Carney, Ireland, 2006). A genuine sleeper at Sundance, this small Irish indie charmer will be spoiled only if you swallow all advance hype about its purported brilliance. Sometimes nice is quite enough. Real-life singer-songwriters Glen Hansard and Marketa Irglova play struggling Dublin musicians, one a native busker still living above Da’s vacuum repair shop, the other a Czech emigre supporting her family by selling flowers on the street. Their slow-burning romance is more musical than carnal, climaxing in a studio recording session. Writer-director John Carney’s film manages to play like a full-blown musical without anyone ever bursting into song. Instead, the appealing original folk rock tunes played and sound-tracked here come off as vivid commentary on a platonic (yet frissony) central relationship. (Harvey)

7:15 p.m., Kabuki. Also May 6, 9:30 p.m., Clay

Protagonist (Jessica Yu, US, 2006). Jessica Yu, the Oscar-winning director of the 1996 short documentary Breathing Lessons (she also made 2004’s In the Realms of the Unreal, a haunting look at outsider artist Henry Darger), returns with Protagonist, an initially confusing but ultimately fascinating doc about four men who couldn’t be more dissimilar on the surface. How can the themes of classical Greek tragedy link a Mexican bank robber, a German terrorist, a reluctantly gay Christian, and an aggro martial artist? Yu uses puppet interludes, revealing interviews, and a keen eye for detail as she traces their shared stages of provocation, rage, doubt, catharsis, and so on – proving the journey of an antihero has little to do with setting, be it ancient or modern. (Eddy)

6:15 p.m., SFMOMA. Also Mon/30, 4:15 p.m., Kabuki; Tues/1, 9:15 p.m., Kabuki

*Strange Culture (Lynn Hershman Leeson, US, 2006). The duly strange, as yet unresolved case of SUNY Buffalo art professor Steve Kurtz has spurred local filmmaker Lynn Hershman Leeson’s best feature to date, a documentary-dramatization hybrid. With the man himself still legally restrained from discussing his circumstances, Thomas Jay Ryan plays Kurtz, who as a founding member of the multimedia Critical Art Ensemble had long made work focusing on social justice issues and the intersection between science and government. To create an exhibition on biotechnology, he acquired for carefully safety-measured display some bacteria samples readily available online. When wife of 27 years Hope (played by Tilda Swinton) unexpectedly died of heart failure in her sleep, emergency medical personnel grew suspicious of these unusual art supplies. Soon FBI personnel evicted the distraught widower from his home, quarantined the entire block, and accused him of possessing bioterrorist weapons of mass destruction during an incredibly cloddish investigation. Kurtz’s real-life colleagues and friends were interviewed in a free-ranging yet pointed feature whose actors also step out of character to articulate their concern about the government’s post-9/11 crackdown on dissent, even the rarefied gallery kind. (Harvey)

6 p.m., Castro. Also May 4, 8: 45 p.m., SFMOMA; May 8, 7 p.m., PFA

SUN/29

The End and the Beginning (Eduardo Coutinho, Brazil, 2006). Picking a small town at random and making a film about its residents can be brave filmmaking. It can also be plain lazy, as is the case with Brazilian filmmaker Eduardo Coutinho’s directionless profile of rural Aracas, in the state of Paraiba. Unsurprisingly, people being people, he finds great interview subjects, but he doesn’t bother to connect them to one another or to the town. Only their highly region-specific Catholicism provides any unifying thread. And though Coutinho’s not exactly condescending (beyond some slight Kids Say the Darndest Things baiting of his loonier interviewees), there’s an unspoken mandate to keep things simple: his response to one woman’s enticing hint at her failed law practice is to ask about her sewing. (Jason Shamai)

7:15 p.m., Kabuki. Also Tues/1, 3:30 p.m., Kabuki; May 3, 4 p.m., Kabuki

*Singapore Dreaming (Yen Yen Woo and Colin Goh, Singapore, 2006). With their second feature, Yen Yen Woo and Colin Goh have their hearts in the right place while their eyes are on the prize of capturing a postcolonial city-state clutching at the global economy. The gently humorous, humanist realism of Edward Yang comes to mind while watching this husband-and-wife directorial team’s warm, witty depiction of the everyday lives of a working-class Singapore family who live, dream, bicker in pidgin English and Mandarin, and inhale vast quantities of herbal tea in their high-rise project. Pops buys lottery tickets, hoping to move into a slick new condo. Back from his studies in the States, the pampered son is discovering that in go-go Singapore his degree isn’t quite as covetable as it once was, and the beleaguered daughter is in her final trimester, coping with a demanding yuppie boss and a slacker hubby who yearns to be in a carefree rock band and pees in his father-in-law’s elevator. When disaster strikes, no one is thinking about the matriarch, whose only seeming desire is to properly feed and water her brood, but she ends up providing some unexpected feminist substance, rather than sustenance, under the movie’s wise gaze. (Chun)

8:30 p.m., Kabuki. Also May 4, 1 p.m., Kabuki; May 5, 3 p.m., Kabuki

12 Labors (Ricardo Elias, Brazil, 2006). Part Black Orpheus, part 400 Blows, 12 Labors is a Brazilian feature that revisits the myth of Hercules through the story of a motorcycle messenger’s rehabilitation. A kid from a rough part of Sao Paulo, Heracles gets out of juvie and tries to start a new life. To land a job as a motorcycle messenger, he has a trial day with (you guessed it) a dozen jobs to complete. An artist who never knew his father, he also writes origin stories in comic book form, which mystify his coworkers. Though Heracles’s experiences seem tinted with divinity, he inspires worry on the part of the viewer. Since all good myths have moral purpose, this one finally addresses the very current social issue of juvenile delinquency and rehabilitation in urban Brazil. (Sara Schieron)

9:30 p.m., Kabuki. Also Mon/30, 7 p.m., Kabuki; May 5, 4:30 p.m., Kabuki; May 7, 9:15 p.m., Aquarius

MON/30

*Broken English (Zoe Cassavetes, USA, 2006). "I don’t think Hollywood knows what to do with me," Parker Posey recently opined, despite having a prominent role in Superman Returns. Fortunately for us, Amerindie cinema does still know what to do with her. The SFIFF is hosting a double bill of the pushing-40 actor’s latest, reprising the title figure in Hal Hartley’s Henry Fool sequel Fay Grim and starring in Zoe Cassavetes’s feature debut. Posey is perfect as director-scenarist Cassavetes’s superficially cheery but highly insecure NYC hotelier. Some may think this low-key seriocomedy paces pat single-gal-searching paths – from Helen Gurley Brown’s Sex and the Single Girl to Sex and the City – but in its thoughtful nature and serious treatment of a clinical-depression interlude it roams well outside stock terrain. Even if the fade-out waxes a tad improbably happily-ever-after, Posey’s nuanced performance will make you root for it. (Harvey)

6:30 p.m., Kabuki. Also May 2, 2 p.m., Kabuki

Fay Grim (Hal Hartley, USA/Germany, 2006). A decade ago Hal Hartley made his best movie, the practically epic – by this miniaturist’s standards – Henry Fool. By most estimates it’s been downhill ever since. They love him in France – but perhaps he should never have left Long Island. So it was heartening news to hear he was returning to the world of Henry Fool, better still to know the sequel would revolve around the title character’s scrappy, vulnerable abandoned wife, Fay, who provided one of Parker Posey’s finest hours. She’s still good here, natch, but Fay Grim is all over the map – literally. The convoluted story line journeys from a mild farcical take on espionage thrillers to a murkily serious commentary on world politics. It’s watchable, but once again one gets the sense that with Hartley, the wider his focus, the blurrier it gets. (Harvey)

9:15 p.m., Kabuki. Also May 3, 9:10 p.m., PFA

TUES/1

Congorama (Philippe Falardeau, Canada/Belgium/France, 2006). Quebec writer-director Philippe Falardeau’s story of a revolutionary electric car and a sticky-fingered inventor is part of that ever-widening army of films that plant fairly obvious and poorly integrated details into the first act so that later, when the story is retold from another perspective, they reappear with more context to click Aha!-ingly into place. Though some of the big, unwieldy reveals are a lot of fun in a Lost sort of way, they distract from the more prosaic but more satisfying concerns of the film’s smartly drawn characters. The inventor, for instance, is a not particularly likable person who still has a believably loving, humor-filled relationship with his family. Now talk about a novel concept! (Shamai)

6 p.m., Kabuki. Also May 2, 9:15 p.m., PFA; May 6, 6:30 p.m., Aquarius

Private Fears in Public Places (Alain Resnais, France/Italy, 2006). Alain Resnais’s 17th feature is dreamy and sometimes enchanting, though it doesn’t warrant comparison to the knife-sharp moral plays made during his prime, such as Hiroshima Mon Amour and Last Year at Marienbad. Adapted from a play by Alain Ayckbourn (the two previously collaborated on Smoking and No Smoking), Private Fears in Public Places weaves the love(less) stories of a half dozen Parisians; plotlines intersect, but in light brushes rather than the solemn collisions of Babel and Crash). The artifice Resnais imposes on his film is poetic in miniature – the camera, for example, periodically floats above the set, filming actors as if they were in a dollhouse – but the sum total is stultifying, unhinging an already-adrift narration and making Private Fears in Public Places seem needlessly opaque. (Goldberg)

7 p.m., PFA. Also May 3, 6:15 p.m., Kabuki; May 7, 4 p.m., Kabuki

*Rocket Science (Jeffrey Blitz, USA, 2006). Promising to be the next best coming-of-age cultie with its sure-handed, sharp performances and Freaks and Geeks-like sobriety, Rocket Science finds new agony and indie rock-laced ecstasy in one miserable adolescent’s progress. Or to be specific, one stuttering, 98-pound weakling’s marked, often laugh-out-loud funny lack of progress. The high school years for Hal Hefner (compulsively watchable frail cutie-pie Reece Thompson) seem to be going from bad to sexy once he gets recruited for the school debate team by scarily driven, Tracy Flick-esque champ Ginny (Anna Kendrick). But his travails never quite end even as he attempts to extract nerd revenge and literally find his voice, accompanied by vintage Violent Femmes and hand-clapping quirk pop by Eef Barzelay of Clem Snide. Tapping memories connected to a speech impediment, Spellbound codirector Jeffrey Blitz turns tongue-tied prince Hal’s articulation struggles into the perfect metaphor for every awkward teen’s gropes toward individuation. (Chun)

4 p.m., Kabuki. Also May 4, 6:15 p.m., Clay

Paul Fenn wonders why the Chronicle ran a front page PG&E ad while covering a major CCA story in half a paragraph on page 27

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By Bruce B. Brugmann

I asked Paul Fenn, architect of San Francisco’s community choice aggregation plan and a national expert on CCA power, if the Chronicle/Hearst had contacted him about the announcement of the CCA plan last week (no) and what he thought about its coverage His answer:

“During Earth Day week and the height of the national debate on Climate Crisis, the San Francisco Chronicle failed to show up at a major City Hall press conference on April l7 on a plan to implement the largest municipal solar public works project in history–to be built by the City in San Francisco. The Chronicle blacked out not only the statements of sponsoring Supervisors Ammiano and Mirkarimi, but CCA law sponsor Senator Migden, Assemblyman Leno, and the head of Greenpeace USA, who called the Community Choice Aggregation Plan the world’s leading solution to Climate Crisis.

“Instead of informing its readers about an event that Ross Gelbspan called a ‘globally important event’ and Helen Caldicott called a ‘world leader,’ the Chronicle chose to cover a debate on restricting car access in Golden Gate Park–the equivalent of covering a bar brawl after a declaration of war. All they gave us was half a paragraph on page 27–I could not help noticing a large green PG&E ad on the Chronicle cover page that day.”

Fenn is founder and director of Local Power, an Oakland-based group promoting CCA power. For more information, go to his website at local.org.

A real Earth Week question: What would happen if a Hearst staffer sent up a question to Hearst corporate: Why are we forced to lie for PG&E?

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By Bruce B. Brugmann

Well, there it was, in the same bottom right hand corner of the Chronicle front page where the PG&E ad had been two days before, a story headlined “Green guardians go extra mile to save planet.”

The April 20 story, by Chronicle/Hearst environmental writer Jane Kay, reported that Maya Butterfield, the mother of fourchildren, “drives as little as possible while she waits for a car company to sell a hybrid minivan.”

The story reported that The Rev. Sally Bingham “tells her Grace Cathedral congregants that it’s an insult to the Creator if they don’t take care of the earth.”

The story reported that UC Berkeley student Sam Aarons “lobbied to move the campus toward energy efficiency.”

The story reported that lawyer turned-teacher Will Parish “installed solar panels on his roof and double panes on his windows. He takes short showers, takes his own bags to the store, and eschews bottled water in favor of good old Hetch Hetchy brew.”

Hetch Hetchy brew? What about Hetch Hetchy public power? Imagine, Jane Kay, who has been around the park a time or two, got the term Hetch Hetchy on the Chronicle front page in a story extolling the folks going an extra mile and taking lesser showers to help save the planet. Incredible.

She, and all the others on the Chronicle/Hearst green team, slaving away on green this and green that for Earth Day and the paper’s green coverage, did not mention the real green story: that there is such a thing as Hetch Hetchy public power and that PG&E has an illegal private utility in San Francisco that has been polluting the city, corrupting City Hall, corrupting the Hearst papers for decades, and keeping green public power out of the city. More: that PG&E muscled City Hall and stopped the city from sending its own cheap Hetch Hetchy public power to the city’s own residents and businesses as federal law required. (The federal Raker Act and a U.S. Supreme Court decision mandated that San Francisco must be a public power city, the only city so mandated in the U.S., because it got an unprecedented concession to dam a beautiful valley (Hetch Hetchy) inside a national park (Yosemite) for the city’s water and power supply.

We got the water, but PG@E kept us from getting our own cheap public power and instead PG&E forced the city to buy its expensive private power and decades of anti-green, pro-nuclear and fossil-burning private power. See many Guardian stories since l969).

Get the picture? The Chronicle/Hearst sprinkled friendly references to PG&E throughout their coverage while never mentioning the city’s public power mandates or movements nor any mention of the major Ammiano/Mirkarimi press conference and legislation for a real greening movement, which is community choice aggregation, the first step toward public power.

David R. Baker, who wrote so glowingly about PG@E’s $l0 million victory over public power in Sacramento, noted in his April 20 green piece that “PG&E, for example, offers free energy audits, which look at a shop or office’s total energy use and suggest steps to cut it.”

There were references to the variety of PG&E’s “energy saving resources, including a home energy analyzer,” with a helpful online reference, and the “many programs to help lower electricity use,” again with a helpful online reference. There was even, God save us all, a special top of the page shaded box on page 22 of the April 20 Green special supplement, titled “PG&E’s emissions reduction program.” The end paragraph: “Several other utilities also offer customers ways to help the environment. For more information on programs offered, contact your local utility.” Nobody wanted a byline on this blast of nonsense, so the tag just read “Chronicle staff.”

Get the picture? Repeating for clarity and emphasis: Hearst, as it has for decades, once again polluted its news columns on behalf of PG@E and blacked out any reference to public power, the city’s public power mandates, community choice aggregation, or any of the greening and financial benefits that would flow from a public power city.

Note: this is Hearst corporate policy and I do not blame reporters or editors who are forced to carry on this charade. I just wonder if sometime, somewhere, on some story like this, what would happen if a reporter or editor would send the question upstairs, why are we forced to lie for PG@E?

In any event, I am going to email the questions to Hearst corporate in New York, directly, and via their local executives Publisher Frank Vega and Editor Phil Bronstein. Why can’t Hearst tell the truth about PG@E? Why is Hearst damaging its credility and embarrassing its staff by continuing to coddle PG&E and censor public power?

Bruce B. Brugmann, looking out today from my office window at the bottom of Potrero Hill and seeing the poisonous fumes wafting up and toward the city from the Mirant private power plant, courtesy of PG&E, Hearst, and PG&E-friendly stories purporting to be Earth Day coverage

The power of press pressure

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By Steven T. Jones

The power of the press can be overstated. Over two decades in this business, I’ve written many good words about too many bad situations and watched nothing change. So it’s nice to know that a couple drums that I’ve beaten recently have been heard and heeded by the powers-that-be.

gonzo.jpg

We were the only media outlet actively shaming Mayor Gavin Newsom for not trying to broker a Healthy Saturdays compromise and calling out police Capt. Denis O’Leary for his punitive approach to setting fees for the How Weird Street Faire (issues I also hammered on my TV gig, City Desk NewsHour). And lo and behold, while I was off on vacation for almost a week, both men did the right thing. I’ll discuss the complicated Healthy Saturday’s compromise after the jump, but the latest news on How Weird is that O’Leary capitulated and brought the event fees back to last year’s levels. Event organizers say he got a call from City Hall and that during their last meeting, O’Leary was calling me out by name as a troublemaker and thorn in his side (he still hasn’t returned my call seeking comment). I’m so proud. Whoda thunk this Fourth Estate stuff actually works?

Extra! Extra! PG&E buys the front page of the San Francisco Chronicle. The shame of Hearst. Why people get mad at the media (l9)

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By Bruce B. Brugmann

And so Hearst, after decades of shamefully operating as a PG&E shill and shamefully censoring the PG&E/Raker
Act scandal out of its papers (both in its old Examiner and its new Chronicle), ran a large cheery PG&E ad in the right hand corner of the front page of yesterday’s April l8 Chronicle.

The ad ran without the usual identification “advertisement,” even though it was a pure political ad and part of PG&E’s phony “let’s green the city” campaign. The ad, spiffy and lime-colored,
was classic PG&E greenwashing: “Green is giving your roof a day job. To sign up for PG&E’s solar classes, visit Let’sgreenthiscity.com.”

In a classic of self-immolation, publisher Frank Vega sought to justify the front page ad with a short publishers’ statement on page two. He wrote, “Today, the Chronicle begins publishing front page ads. Our advertisers recognize the value of the Chronicle brand, our audience and the priority of delivering key messages to you, our reader. In the recent past, newspapers such as the Wall Street Journal, the New York Times and USA Today have all announced their willingness to accept advertising in prominent positions.

“The Chronicle is committed to delivering you important news, information and advertising in a variety of new and engaging ways.”

Vega hasn’t been around long, and he may not know the history of Hearst’s obeisance to PG&E and so he may not realize that he was selling the front page to the utility that has created the biggest scandal in American history involving a city. But couldn’t someone over at 5th and Mission fill him in?

Meanwhile, over at City Hall, Hearst’s greenwashing for PG&E barreled along as usual. While Hearst allowed PG&E to take over the front page, the Chronicle was pitching in for PG&E on the news side by blowing off a major press conference and story by Sups. Tom Ammiano and Ross Mirkarimi on their introduction of their community choice aggregation plan. This is a major step toward public power that involves the city buying environmentally sound energy in bulk and selling it to the public at lower prices than what PG&E charges, which PG&E hates. Wyatt Buchanan, obviously new to the issue, buried the news in three dopey lines at the bottom of a supervisors’ roundup story. And he didn’t get the public power point, didn’t explain the plan properly, and didn’t even use the correct name the plan is known by “community choice aggregation.” And then Buchanan reports without blushing, “The plan faces a series of major hurdles before it came be implemented,” not mentioning that the major hurdle is that good ole greenwasher perched on the front page of his paper and spending millions on its greenwashing campaign. Doesn’t anybody over there fill in the virgin reporters about the PG&E crocodiles in the back bays of City Hall?

Let me start with but one point: The Guardian and I have for years documented how Hearst reversed its policy of supporting the building of the Hetch Hetchy dam and public power and has censored its news and editorials on behalf of PG&E since the late l920s. The reason has perhaps been best explained in the book “The Chief:The Life and Times of William Randolph Hearst” by David Nasaw, who is the chair of the doctoral history program at the Graduate Center of the City University of New York. Nasaw writes in his book, published in 2000, that Hearst and his old Examiner, the Hearst flagship paper, were for 40 years promoting “full municipal ownership and control of Hetch Hetchy water and power.” Hearst was opposed by the “business and banking communities, led by (Herbert) Fleishhacker, a board member of several of the bank and power trusts, who hoped to be able to privatize at least some of the Hetch Hetchy resources.” Fleishhacker was also the president of the London and Paris National Bank of San Francisco and Hearst’s chief source of funds on the West Coast.

Thus, Nasaw writes, “the basis for a Hearst-Fleishhacker alliance was obvious. Hearst needed Fleishhacker to sell his bonds, while the banker needed the Hearst newspaper to promote his (privatization) plans for Hetch Hetchy.”
Nasaw outlines the secret deal: Hearst got desperately needed cash. Fleshhacker and PG&E got a Hearst reversal of policy to support PG&E and oppose Hetch Hetchy public power–a policy that has lasted up to yesterday when Hearst sold its front page to PG&E (much too cheaply) and then stomped down an anti-PG&E, public power news story inside.

“No longer would the Hearst papers take an unequivocal stand for municipal ownership,” Nasaw writes, based on Hearst correspondence with John Francis Neylan, his West Coast lieutenant and publisher of the Examiner. “No longer would they employ the language and images that had been their stock in trade.”

And so PG&E bought Hearst in the mid-l920s and Hearst has stayed bought up to this very day. Through the years, as we have developed this theme story, I have asked every local Hearst publisher and many reporters and editors why their pro-PG&E/anti-public power campaign continues on, much to the damage of the paper’s credibility and much to the embarrassment of its staff. Nobody can explain. If anybody can, let me know.
Believe me, there will be much more to come on this issue, in the Guardian and in the Bruce blog.

Postscript: Awhile back, during the latest public power initiative in 2002, Susan Sward and Chuck Finnie did a splendid story on the scandal. But it was a quickie affair and the two reporters and their story were snuffed out, not to be heard from again.

Bruce B. Brugmann, who sees the poisonous fumes of the Mirant Power plant from my office window at the bottom of Potrero Hill, courtesy of PG&E, Hearst, and the San Francisco Chronicle and its greenwashing for PG@E campaigns B3

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Eco trip

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› kimberly@sfbg.com

SONIC REDUCER So you wanna live clean, go green, and leave a low-impact footprint on this embattled Earth — yet you also want to bring the noise, bust a move, and get the rock out? It’s worth wondering about on Earth Day, when everyone seems to be looking to what they can change while the powers-that-be hold their apocalyptic course. Some might argue that a decadent pop lifestyle clashes with the color green — and even those who want to tour consciously must pay a price.

"It is a lot of work," said Oakland musician John Benson, whose veggie oil–fueled bus and curbside shows are a model for ecopunks who want to burn less petroleum and more french fry grease. He has converted vehicles for about five bands so far and plans to attend the Version Festival in Chicago to demo veggie-run vehicles, but Benson and his converts are learning that culling free fuel from oil Dumpsters behind truck stops can be dirty and time-consuming work.

"Bands that are really glamour conscious get really bummed out," he explained. "There’s a time loss and a filth factor, and when you’re on a tour, you’re conscious of making the next show." Also with used oil, "you get dead rats, sweet and sour sauce, and the occasional ball of hair," he added. "You have to be prepared to pull over and pull it out. Be prepared to get your favorite suit covered with rat droppings. It’s a fashion hazard."

Still, creating a cleaner planet doesn’t have to be a filthy business, despite the fact that even green-minded musos such as Smog Veil Records honcho Frank Mauceri admit, "Traditionally, the music industry has not been a green industry. It’s not a business that’s been sensitive to the environment."

Nonetheless, Mauceri, who fought Chicago’s city hall to install an electricity-producing wind turbine and solar panel system atop his new headquarters, and others are trying to buck tradition. San Francisco singer-songwriter Kelley Stoltz’s recent Below the Branches (Sub Pop, 2006) sported a Green-e label, tagging the full-length as the first to be recorded with all-renewable energy purchased through offsets from the Bonneville Environmental Foundation. Pink Floyd guitarist David Gilmour similarly created a climate-neutral solo album, On an Island (Sony, 2006), through an arrangement with the CarbonNeutral Co., planting trees in response to the carbon emissions produced during the disc’s making.

But what can you, humble musicmaker and fan, do? I did a little chatting, Web searching, and non-ozone-depleting cogitating for just a few suggestions on how to green your music enjoyment.

THE TROUBLE WITH CDS Are digital downloads the real green deal for music consumers? Part of Smog Veil’s green initiatives involves eliminating jewel cases and using all-paper Digipaks, eventually moving to solely digital downloads. But the digital divide continues to be an issue — so the nonwired music lover might want to purchase music from bands such as Cloud Cult who have packaged their CDs in 100 percent postconsumer recycled paper with nontoxic soy ink. And those still attached to the shiny plastic discs can turn to Green Citizen (1-877-918-8900) for recycling. Meanwhile old-school DIY-ers such as Benson make a plea for analog: "People are finding bulk tapes in thrift stores and recording over them in the spirit of recycling."

DELIVERY SYSTEM BLUES You’ve proudly purchased that ecofriendly download, yet what to do when the trusty iPod breaks? Apple has a recycling program: any US Apple store will accept old iPods and offer a 10 percent discount on a new player. Nonetheless the highly toxic e-waste generated by all MP3 makes and models continues to worry environmentalists. Cart those busted players to the aforementioned Green Citizen or call pickup artists such as E-Recycling (1-800-795-0993).

LIVE WASTE "Music is a catalyst," Perry Farrell recently told me from London. "It can bring people together and make change fashionable. I’d love to see everyone buying recycled paper and buying hydrogen fuel cell cars." Farrell has done his part with Lollapalooza, which introduced solar-powered stages and came up with fun ways to encourage recycling (audience members gathering the most recyclables have scored backstage passes). Bonnaroo and the Vans Warped Tour have powered stages, generators, and buses with biodiesel. Still, efforts can be as simple as the Green Apple Music and Arts Festival (not to be confused with the SF bookstore). Founder Peter Shapiro is using the fest to promote Earth Day with shows in San Francisco, Chicago, and New York City this year while providing city venues with environmentally friendly paper products, garbage bags, and cleaning materials and offsetting the carbon dioxide emissions produced by the festival, making it the largest carbon-neutral event in the country. He told me that he hopes "we’ll get people to think about it for 30 seconds, maybe go buy an energy-efficient lightbulb, maybe carpool or walk to the next show."

GET IN THE VAN Not all young bands can afford to buy carbon dioxide emission offsets and convert to biodiesel when they go on tour, like Barenaked Ladies, Pearl Jam, Gomez, and Crosby, Stills, Nash and Young — let alone slap their name on a biodiesel company the way Willie Nelson has with BioWillie. But that doesn’t mean musicians have to stop spreading the green love. Someone Still Loves You Boris Yeltsin’s Philip Dickey says his Springfield, Mo., group is aiming to convert its touring van to veggie oil someday, but until they can afford it, they’re trying to do their part. "No one in the band has a car. We all ride bikes when we’re in town, and when we’re touring, there’s five of us in a van. Pollution sucks, and pollution coming out of our van sucks. But it’s not like one person in an SUV. We also have a new song called ‘Bigger Than Your Yard’ about how everyone has to have a car." *

GREEN APPLE MUSIC AND ARTS FESTIVAL EARTH DAY EVENT

With Bob Weir and Ratdog, Stephen Marley, the Greyboy Allstars, and others

Sun/22, 11:30 a.m., free

Golden Gate Park

Fulton and 36th Ave., SF

Other events run Thurs/19–Sat/21

For a schedule, go to www.greenapplefestival.com

SOMEONE STILL LOVES YOU BORIS YELTSIN

Tues/24, 8 p.m., $14–$15

Slim’s

333 11th St., SF

(415) 255-0333

>

Go green!

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PARTIES, EVENTS, AND BENEFITS

"Arcadia: 2007" California Modern Gallery, 1035 Market; 821-9693, www.fuf.net. Mon/23, 6pm, $125-$350. This soiree and art auction — featuring work by more than 100 artists and hosted by Jeffrey Fraenkel, Gretchen Bergruen, and Thomas Reynolds — will benefit Friends of the Urban Forest, a nonprofit organization that provides financial, technical, and practical assistance to individuals and neighborhood groups that want to plant and care for trees.

"Away Ride Celebrating Earth Day" Meet at McLaren Lodge, Golden Gate Park; (510) 849-4663, www.borp.org. Sun/22, 1:30pm, free with preregistration. The SF Bike Coalition and the Bay Area Outdoor Recreation Program join forces to host this moderately paced ride open to all levels of riders. They provide a helmet and a handcycle or tandem bike. You bring a sack lunch and water. Kids also get to decorate their wheels — bike, wheelchair, or skate.

"Biomimicry: The 2007 Digital Be-In" Mezzanine, 444 Jessie; www.be-in.com. Sat/22, 7pm-3am, $15 presale, $20 door, $100 VIP. Turn on, tune in, log out. In the spirit of the 1967 human be-in that epitomized San Francisco’s hippie generation and made Haight Ashbury famous, counterculture artists and activists have been hosting "The Digital Be-In" for 15 years. This year’s combination symposium-exhibition-multimedia-entertainment extravaganza focuses on Biomimicry as it relates to technology, urban development, and sustainability. There’ll be no Timothy Leary here, but the event will feature live music, DJs, projections, and appearances by modern hippie celebs such as Free Will astrologer Rob Brezsny and Burning Man founder Larry Harvey. Or join in the simultaneous virtual be-in in the Second Life online world. The revolution will be digitized.

"Earth Day Fair" Ram Plaza, City College of San Francisco, 50 Phelan; 239-3580, www.ccsf.edu. Thurs/19, 11am-1:30pm, free. View information tables set up by the CCSF and citywide environmental organizations, as well as a display of alternative fuel vehicles.

"EarthFest" Aquarium of the Bay, 39 Pier; 623-5300, www.aquariumofthebay.com. Sun/22, 12-4pm, free. View presentations and engage in activities provided by 20 organizations all dedicated to conservation and environmental protection, with activities including live children’s music, a scavenger hunt, and giveaways.

"McLaren Park Earth Day" John McLaren Park’s Jerry Garcia Amphitheater, 40 John F. Shelley; www.natureinthecity.org. Sun/22, 11am-7pm, free. What would Jerry do? Commemorate the park’s 80th anniversary with an all-day festival featuring birding hikes, habitat restoration projects, wildflower walks, tree planting, an ecostewardship fair, food booths, a live reptile classroom, puppetry, performance, music, storytelling, and chances to make art.

"$1 Makes the World a Greener Place" Buffalo Exchange local stores; 1-866-235-8255, www.buffaloexchange.com. Sat/21, all day, free. Buy something, change the world. During this special sale at all Buffalo Exchange stores, proceeds will benefit the Center for Environmental Health, which promotes greener practices in major industries. Many sale items will be offered for $1.

"People’s Earth Day" India Basin, Shoreline Park, Hunters Point Boulevard at Hawes, SF. Sat/21,10am-3pm. What better place to celebrate Earth Day than with a community of victorious ecowarriors? Help sound the death knell for the PG&E Hunters Point power plant with events and activities including a community restoration project at Heron’s Head Park, the presentation of the East Side Story Literacy for Environmental Justice theater production, and a display about Living Classroom, an educational and all-green facility expected to break ground this year. Want to get there the green way? Take the no. 19 Muni bus or the T-Third Street line.

BAY AREA

"Berkeley Earth Day" Civic Center Park, Berk; www.hesternet.net. Sat/21, 12-5pm, free. Earth Day may not have been born in Berkeley (it was actually the idea of a senator from Wisconsin), but it sure lives here happily. Celebrate at this community-sponsored event, which features a climbing wall, vegetarian food, craft and community booths, valet bike parking, and performances by Friends of Shawl-Anderson Youth Ensemble, Alice DiMicele Band, and Amandla Poets.

"Earth Day Celebration" Bay Area Discovery Museum, 557 McReynolds, Sausalito; 339-3900, www.baykidsmuseum.org. Sat/21, 10am-5pm, free with museum admission. Happy birthday, dear planet. This Earth Day connect your family to the wonders of &ldots; well &ldots; you know, with a variety of special activities, including seed planting and worm composting, birdhouse building, a bay walk and cleanup, and presentations about insects from around the planet. For a small fee, also enjoy a birthday party for Mother Earth with games, face painting, crafts, and cake.

"Earth Day on the Bay" Marine Science Institute, 500 Discovery Parkway, Redwood City; (650) 364-2760, sfbayvirtualvoyage.com/earthday.html. Sat/21, 8am-4pm, $5 suggested donation. This is the one time of year the institute opens its doors to the public, so don’t miss your chance for music, mud, and sea creatures — the Banana Slug String Band, the Sippy Cups, fish and shark feeding, and programs with tide pool animals, to be exact. You can also take a two-hour trip aboard an MSI ship for an additional $10.

"Earth Day Restoration and Cleanup Program" California State Parks; 258-9975 for one near you, www.calparks.org. Sat/21, times vary, free. The best way to celebrate Earth Day is to get involved. Volunteers are needed at California State Parks throughout the area for everything from planting trees and community gardens to restoring trails and wildlife habitats, and from installing recycling bins to removing trash and debris. All ages welcome.

"E-Waste Recycling Event" Alameda County Fairgrounds, 4501 Pleasanton, Pleasanton; 1-866-335-3373, www.noewaste.com. Fri/20-Sun/22, 9am-3pm, free. The city of Pleasanton teams up with Electronic Waste Management to collect TVs, computers, monitors, computer components, power supplies, telephone equipment, scrap metal, wire, and much more. There is no limit to how much you can donate, and everything will be recycled.

"The Oceans Festival" UC Berkeley, Upper Sproul Plaza (near Bancroft and Telegraph), Berk; Fri/20, 5pm-7pm, donations accepted. This event, sponsored by CALPIRG, Bright Antenna Entertainment, and West Coast Performer magazine, is meant to bring awareness to the problem of plastic in our oceans and to raise money, through donations and food sales, for the Algalita Marine Research Foundation. Featuring music and dance performances, as well as presentations by a variety of environmental organizations.

"People’s Park 38th Anniversary Celebration" People’s Park, Berk; www.peoplespark.org. Sun/22, 12-6pm, free. Celebrate the park with poetry, speakers, music, art and revolution theater, political tables, a Food Not Bombs lunch, clowns, puppets, and activities for children.

LECTURES, DISCUSSIONS, AND WORKSHOPS

"Green Capital: Profit and the Planet?" Club Office, 595 Market; 597-6705. Wed/18, 6:30pm, $8-15. Can sustainable business renew our economy and save the planet? Can activists ethically exploit market systems? Environmental pioneers, from corporate reps to conservationists, will bust the myths and reveal realities of profitable environmental solutions at this panel discussion cosponsored by INFORUM; featuring Peter Liu of the National Resource Bank, author Hunter Lovins (Natural Capitalism), Steven Pinetti of Kimpton Hotels, and Will Rogers of the Trust for Public Land; and moderated by Christie Dames.

"An Inconvenient Truth 2.0 — A Call to Action" California State Bldg, 455 Golden Gate. Thurs/19, 6:30-9pm, $5 suggested donation. An updated version of Al Gore’s PowerPoint presentation will be screened by Sierra Club director Rafael Reyes, then followed by a discussion of the impact of global warming and a progress report on national legislation by House Speaker Nancy Pelosi and Sens. Dianne Feinstein and Barbara Boxer.

"The Physics of Toys: Green Gadgets for a Blue Planet" Exploratorium, 3601 Lyon; 561-0399, www.exploratorium.edu. Sat/21,11am-3pm, free with admission. The monthly event focuses on the earth this time around, giving children and adults an opportunity to build pinwheel turbines and other green gadgets. Materials provided.

BAY AREA

"Agroecology in Latin America: Social Movements and the Struggle for a Sustainable Environment" La Peña Cultural Center, 3105 Shattuck, Berk; (510) 847-1262, www.mstbrazil.org. Wed/18, 7:30pm, donations accepted. Get an update on Brazil’s Landless Workers Movement, the alliance between environmental and social justice movements in the Americas, struggles for Food Sovereignty, organized peasant response to global agribusiness, opposition to genetically engineered crops, and more. Featuring guest speaker Eric Holt-Gimernez, executive director of Food First/Institute for Food and Development Policy.

ART, MUSIC, AND PERFORMANCE

"Bio-Mapping" Southern Exposure Gallery, 2901 Mission, SF; (415) 863-2141, www.sf.biomapping.net. Sat/21, 6:30pm, $8-15. Everyone says going green feels good — here’s the chance to prove it. Participate in Christian Nold’s social-art project by strapping into a GPS device and skin censors. Then take a walk or a bike ride while the sensors record your feelings and location. Nold uses the data to make an "Emotion Map" of the city, which you can check out online. (Can’t make Saturday? Nold’s also there Thursdays and Fridays through April 28).

"ReCycle Ryoanji" San Francisco Civic Center Plaza; blog.greenmuseum.org/recycle-ryoanji. Thurs/19, 4-6pm, free. Judith Selby Lang, local students, and visitors to the Asian Art Museum have sewn together thousands of white shopping bags to make their own version of Japan’s most famous and celebrated garden as both an art exhibition and community education project. The 18-foot-by-48-foot scale replica of the raked sand and rock garden can be seen at this reception for the project and on display across from City Hall until Tues/24. (Take that, American Beauty.)

"Green Apple Music and Arts Festival" Venues vary; www.greenapplefestival.com. Fri/20-Sun/22, prices vary. Green Apple combines fun and education with a three-day, ecofriendly music festival in cities across the country. San Francisco’s festival includes shows by Yonder Mountain String Band, New Mastersounds, Electric Six, Trans Am, and others at venues across the city, as well as a free concert at Golden Gate Park. Green Apple provides venues with environmentally friendly cups, straws, napkins, paper towels, and compostable garbage bags, as well as doing its best to make the entire festival carbon neutral.

UPCOMING EVENTS

"San Francisco New Living Expo" Concourse Exhibition Center, Eighth Street at Brannan; 382-8300, www.newlivingexpo.com. April 27-29, admission varies according to day and event. Touting 275 exhibitors and 150 speakers (including Starhawk, Marianne Williamson, Rabbi Michael Lerner, and ganja-guru Ed Rosenthal), the sixth annual version of this event promises to energize, educate, awaken, and expand consciousness. You won’t want to miss the environmental activism panel discussion April 28 at 3pm — or the exhibition hall’s special crystal area.

BAY AREA

"Harmony Festival" Sonoma County Fairgrounds, Santa Rosa; www.harmonyfestival.com. June 8-10, $125 plus $50 per car camping pass. This festival is so green it’s almost blue — in fact, its tagline is "promoting global cooling." There’s a waste diversion effort, a whole Green Team monitoring the EcoStation, compost cans, and tips on how to be an ecofriendly attendee. Plus, it just looks like fun. With Brian Wilson, the Roots, and Common performing and Amy Goodman and Ariana Huffington speaking, how can you miss it?

"Lightning in a Bottle" Live Oak Campground, Santa Barbara; 1-866-55-TICKET, www.lightninginabottle.org. May 11-13. $95-120. It ain’t just a party. It’s a green-minded, art-and-music-focused campout in a forest wonderland. Organized by Los Angeles’s the Do Lab with participation from tons of SF artists, this three-day event is powered by alternative energy, offers ecoworkshops in everything from permaculture to raw foods, and encourages rideshares — including a participant-organized bus trip from San Francisco. Also featuring performances by Freq Nasty, Bassnectar, Vau de Vire Society, El Circo, and other DJs and artists from San Francisco and elsewhere, LIB attempts to change the precedent that festival fun has to be ecologically disastrous.

"Sierra Nevada World Music Festival" Mendocino County Fairgrounds, Boonville; www.snwmf.com. June 22-24, $125 plus $50 per car camping pass. Peace is green, right? I mean, what about Greenpeace? And peace is what this festival, which promotes "conscious" music, is all about. Plus, a range of representatives of environmental and social issues will be tabling at the festival — and registering voters.

BEYOND

"Burning Man" Black Rock City, Nev.; (415) TO-FLAME, www.burningman.com. Aug 27-Sept 3, $250-$280. With its Leave No Trace philosophy and its hippie roots, Burning Man has always been greener than most. But this year it’s getting even more explicitly so with the theme the Green Man, focusing on humanity’s relationship to nature (even though there is no nature on the dry lakebed surface). A pessimist might suggest this year’s theme is just another excuse to waste resources on leaf-themed art cars and that "Leave No Trace" usually translates to "Leave Your Trash in Reno." But an optimist might say this is Burning Man acknowledging and trying to address such issues. Either way, air out your dust-filled tent and pack some chartreuse body paint — it’s going to be an interesting year in Black Rock. *

This November, let’s fix Muni

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OPINION In 2007 quality public transportation is not just a hallmark of a world-class city; it’s our best defense against global warming. In a state where half of all greenhouse gas emissions comes from mobile sources, we have to provide people the real choice to get out of their cars and onto public transit.

Nationwide, public transit use was up 3 percent last year. In San Francisco, Muni’s ridership declined 2 percent. This is a city that understands the threat of global warming, rallies against oil wars, believes in an improved quality of life with fewer cars, and long ago adopted a transit-first policy; the Muni ridership drop is totally unacceptable.

Muni should be attracting new riders, not driving the existing users off the system. A reliable Muni is also a serious social justice issue: 29 percent of San Francisco households get by without a car, mostly because they can’t afford it.

Muni’s meltdown in the 1990s was one of the biggest failures of the Willie Brown administration. The crisis caused voters to amend the City Charter in 1999 and create the Municipal Transportation Agency (MTA), setting explicit standards of service quality and guaranteeing predictable funding. Using new capital from the reauthorization of the sales tax for transportation, Muni was able to replace its bus fleet and restore most of its operability.

However, early in the Gavin Newsom administration, Muni service quickly began to deteriorate. Recently, Muni officials even sought to lower their on-time goals. This month’s opening of the T–Third Street line brought Muni metro service to a near standstill. Muni leadership apparently agreed that the problems were unacceptable — they spent much of their time passing out written apologies to Muni riders. However, these service interruptions are symptoms of deeper, structural problems at Muni. Apologies are not enough. It’s clear that significant additional Muni reform is necessary.

That’s why we are proposing a charter amendment for this November’s ballot to make managers and operators more accountable for their performance and to find new sources of revenue for this struggling system.

The MTA currently lacks the vision, accountability, and resources to deliver the transportation system that San Francisco needs. While Muni’s structural deficit has risen to $150 million a year, Muni officials have been slow to propose revenue options, and we know voters won’t be happy to provide more funding without structural reforms that make those public investments worthwhile. Measured in passengers carried per hour of revenue service, Muni’s current productivity has dropped to a historic low.

We need to make sure Muni’s managers and service planners have the tools to deploy their workforce efficiently, and we need to hold them accountable for delivering promised service.

We don’t know if Newsom will support substantial Muni reforms — but the system has broken down on his watch, and every San Franciscan who relies on Muni and who cares about the environment needs competent leadership from city hall now. *

Chris Daly and Aaron Peskin

Supervisors Chris Daly and Aaron Peskin represent Districts 6 and 3, respectively.

 

The fun keeps dying

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By Steven T. Jones
How Weird Street Faire’s fate got even worse since my last post, with the San Francisco cops now saying the organizers need to cough up $23,833 in fees, to be paid before the May 6 event. What is this, a shakedown? Somebody call a cop. Or maybe someone at City Hall should call off the cops.
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Unfortunately, the city’s punitive approach to its most beloved street fairs and festivals only got worse last night when Recreation and Park Department staff convened members of the Outdoor Events Coalition to say they’re recommending substantially increased special event fees, so big that events like Bay to Breakers, Love Fest and other events could cease to exist. Rec and Park, an increasingly incompetent department that has bungled its way into a $2 million budget deficit, say they need big bucks to cover their costs and wipe out the red ink. Their proposal calls for charging $50,000 to use the Golden Gate Park polo field, $25,000 for Civic Center Plaza, and $12,000 for Mission Dolores Park. And on top of all this, the city has banned booze from the Haight Ashbury Street Faire of all places. Last year, we warned that fun in the city was under siege. Now it’s starting to look comatose.

The fun keeps dying

0

By Steven T. Jones
How Weird Street Faire’s fate got even worse since my last post, with the San Francisco cops now saying the organizers need to cough up $23,833 in fees, to be paid before the May 6 event. What is this, a shakedown? Somebody call a cop. Or maybe someone at City Hall should call off the cops.
banner5.jpg
Unfortunately, the city’s punitive approach to its most beloved street fairs and festivals only got worse last night when Recreation and Park Department staff convened members of the Outdoor Events Coalition to say they’re recommending substantially increased special event fees, so big that events like Bay to Breakers, Love Fest and other events could cease to exist. Rec and Park, an increasingly incompetent department that has bungled its way into a $2 million budget deficit, say they need big bucks to cover their costs and wipe out the red ink. Their proposal calls for charging $50,000 to use the Golden Gate Park polo field, $25,000 for Civic Center Plaza, and $12,000 for Mission Dolores Park. And on top of all this, the city has banned booze from the Haight Ashbury Street Faire of all places. Last year, we warned that fun in the city was under siege. Now it’s starting to look comatose.