California

Meister: Let’s truly honor Cesar Chavez

0

By Dick Meister

Dick Meister, a veteran San Francisco journalist, is co-author of “A Long
Time Coming: The Struggle to Unionize America’s Farm Workers.”

It’s way past time that Congress declared the March 31 birthdate of Cesar
Chavez a national holiday. President Obama agrees. So do the millions of
people who are expected to sign petitions being circulated by the United
Farm Workers, the union founded by Chavez.

California, seven other states and dozens of cities already observe Chavez’
birthdate as an official holiday – and for very good reason. As the UFW
notes, “He inspired farm workers and millions of people who never worked on
a farm to commit themselves to social, economic and civil rights activism.
Cesar’s legacy continues to educate, inspire and empower people from all
walks of life.”

80 Chronicle workers apply for voluntary termination

0

The California Media Workers Guild is reporting that more than 80 workers applied for voluntary termination at the San Francisco Chronicle. THe Guild is also warning that because if the large numbers of volunteers, 60-day notices of involuntary layoffs may not be triggered–meaning workers won’t get an extra two months of pay.

SF pot raid clouds federal drug policies

3

pot3.jpg
Story by Steven T. Jones, Photos by Neil Motteram

Yesterday’s federal raid on the locally permitted SoMa medical marijuana dispensary Emmalyn’s California Cannabis Clinic caused confusion about what local growers can expect from an Obama Administration that recently announced that it would no longer be conducting such raids.

Drug Enforcement Administration officials are saying little about the raid, which came on a Wednesday, the day Emmalyn’s gives out free marijuana to poor patients. But the DEA seemed to be trying to dance around the conflict with the public statement, “Based on our investigation, we believe there are not only violations of federal law, but state law as well.”

Assembly member Tom Ammiano, whose Assembly Bill 390 would decriminalize even recreational uses of marijuana, told the Guardian that the raid sends a troubling message and could indicate internal conflicts within the administration.

“It’s a little vigilante for me. They’re obviously try to flex their muscles, probably to have a showdown with the Obama Administration,” Ammiano said of the DEA. “The dispensaries are going to be in the crosshairs of this struggle.”
pot2.jpg

Guild corrects SFBG, invites freelancers to join union

3

Carl Hall, the Chronicle’s California Media Workers Guild representative, just emailed me, regarding my article in today’s newspaper about the future of journalism

Hall wrote to point out that I had inaccurately reported that the Guild has “voted to accept 150 layoffs and accept seniority considerations” at the Chronicle.

But as Hall notes, “Our contract like most guild contracts does not contain any prohibition against layoffs, and there’s not been any requirement that the employer obtain our agreement before laying anyone off. We voted to lift seniority protection against layoff in exchange for severance – that’s the new part. We also voted a number of other changes to reduce costs one way or another.”

“One other detail you might not realize,” Hall continued, “is that the Guild contract already had a provision allowing the management to protect up to 25% of low-seniority employees in a layoff round, meaning they could keep those individuals because of their importance in the operation and lay off more senior employees instead.”

Hall said he was saying all this because he continues to see, “everybody claiming that we voted to accept layoffs, when in fact we did not.”

“The company told us they were prepared to implement layoffs of about 225 of our members, with no severance, or close the paper or sell it, in which case all 500 of us would risk being laid off, with no severance,” Hall explained. “Maybe we could have chosen some suicidal path of bluff-calling or whatever, but our members chose the path we are on — a selfless choice for the senior people who nearly all voted to open themselves up to more individual layoff risk for a mere one year’s pay.”

“As a union however we did not vote to accept 150 layoffs,” Hall stated. “ We expect that number will be laid off because of this management’s short-sighted, destructive business plan and failure to make the Chronicle thrive as a top-quality paper, in print and online. I don’t hold any particular ill will toward the Hearst Corp., and credit them for the patience they have shown over these past few years when they’ve tolerated purported losses far exceeding those being reported elsewhere.”

Hall ended by saying that he was, “encouraging our members and the entire community to focus on what truly matters — quality jobs and quality journalism, and yes we do see a quality connection between the jobs and the journalism. (i.e., no reliance on “volunteers” or low-paid exploited at-will news workers, such as may be the case at the anti-union outfits such as — cheap shot alert! — the SFBG.)

“In a word, here’s the plan,” Hall stated. ” Organize! If you want to start, we will show you how.”

The Guild is holding its first meeting of its newly formed freelancers unit at Noon, Friday April 3. Third-floor conference room, California Media Workers. 433 Natoma Street, San Francisco.

For more information, or to R.S.V.P., check out the Guild’s site here, where you can also watch the video of the Society of Professional Journalists’ March 17 “Conversation about the Chronicle<" in which 15 panelists brainstormed about the crisis currently affecting the newspaper industry,

Recoverysf.org still under construction

1

recoverysf.jpg

I got voice mail from Ron Vinson, chief administrative officer of the SanFrancisco Department of Technology, today, advising me that the City’s website to track Obama’s stimpack dollars is still under construction.

When I checked the link, which is where I downloaded the piechart (shown above) yesterday, as part of my quest to find out just who is being stimulated in San Francisco by these anxiously anticipated federal dollars, sure enough I got that frustrating “the requested URL was not found on this server” message.

Calls to Vinson to find out just when the website might be functional have yet to be returned. So, stay tuned.

In the meantime, you could visit the WhiteHouse’s site, and amuse yourself by clicking on their map of the United States, which claims that 396,000 jobs will be created/saved in California the next two years. I wonder how many of those will be in San Francisco and just who will benefit?

Cat’s cradle

0

› a&eletters@sfbg.com

Independent, slyly defiant, and given to zigzags, the cat is the spirit animal for a certain breed of cinematic gleaners. The films of Warren Sonbert and Chris Marker are packed with the feline kind. A kitty or two shows through the lucid abstractions of Nathaniel Dorsky’s recent work, and Agnès Varda’s La Pointe-Courte (1954) uses the animal as a structural device. Accordingly, Ben Rivers’ This is My Land (2006) opens with a lithe creature snapping its head to face the camera. There are several other such mysterious cameos across the 14-minute film, one of several bricolage studies Rivers has composed of off-the-grid settlers who are themselves catlike in both appearance (the whiskers and quick smile) and manner (gentle wildness).

Rivers must appreciate the cat’s association with the gothic, given his propensity to label his shorts as either horrors or portraits. The London-based filmmaker and programmer comes to town this week for two rare programs split along these lines, though it isn’t as stark a divide as it might first sound. The films are all exquisite documents of overgrown spaces, the kind in which the past is made palimpsest, audible in the creak of floorboards and everywhere apparent in the makeshift and ajar.

There are traces of Murnau, Dreyer, and Herzog in Rivers’ work; the films are welcome demonstrations that Expressionism is nothing so much as a feeling for how the physical world relates to the spiritual one, though musical references are equally revealing. The beards, spirits, and foliage evoke the deep English folk of the Incredible String Band and Roy Harper. In addition, the field recording quilt-work done by Lucky Dragons and the Books provides a useful analogue to Rivers non-sync style. Shot with a wind-up Bolex, Rivers processes the film stock himself, leaving grain and light flecks unpolished, with sound and image each representing an autonomous, well-portioned montage. The films open the same rich interstices of avant-garde, documentary, and ethnography as Apichatpong Weerasethakul’s work, but with an intense intimacy that makes them seem like home movies of the highest order.

The old dark house imagery of Rivers’ gothic curios strike a particularly English chord, but the back-to-the-land portraiture has a special resonance in California. We too know these beards, this tumble of wilderness, this particular migration. If these figures seem to age differently, it’s because their living choices represent a decisive approach to both space and time, something Rivers represents with great cinematic adroitness. The specter of global warming and natural disaster thickens these reclusive reliefs. Rivers has admitted his fondness for ’70s postapocalypse moves, a ripe genre rearticulated in the lunar landscapes and scrapyard play of Ah, Liberty! (2008). Horror, in this context, is a kind of awe. It is inseparable from nature — it is, in fact, nature reclaiming civilization.

"[There are] all kind of wild animals [here], and it’s only because I let it get wild. And that’s my point, but nobody will get it," the central figure of Astrika (2006) explains. Rivers, of course, does get it. The homesteaders’ scattered debris suggests Rivers’ own secondhand materials, improvised objects like a birdfeeder made from a milk container reflect his films construction, and the ethos of self-sufficiency is admired and enacted. The human warmth of his filmmaking emanates from these affinities, which go beyond sympathy to touch the elusive nerve of experience. Rivers’ wind-up camera means that no single shot can exceed 30 seconds. But when the pitter-patter of his images settles on something strange and moving, like a distant view of a horse rolling in the snow, it reminds us that beauty is often a humbling drama of the glimpse.

"THE POETIC HORROR OF BEN RIVERS"

Sat/28, 8:30 p.m., $6

Other Cinema at Artists’ Television Access

992 Valencia, SF

(415) 824-3890, www.atasite.org

"THIS IS MY LAND: BEN RIVERS’ PORTRAITS AND LANDSCAPES"

Sun/29, 7:30 p.m., $10

San Francisco Cinematheque at Yerba Buena Center for the Arts

701 Mission, SF

(415) 978-2787, www.ybca.org

When protesters become ‘terrorists’

0

› rebeccab@sfbg.com

When does passionate protest become a terrorist threat? Is it when activists choose to target someone’s house, or when the subject of the protest feels scared? Why single out animal rights activists for special treatment? And if the definition of terrorism is expanded for them, what group is next in these turbulent times?

These are the questions being raised by the federal prosecution of four local animal rights activists. Joseph Buddenberg, Maryam Khajavi, Nathan Pope, and Adriana Stumpo pleaded not guilty March 19 to charges of using threats and violence to interfere with University of California animal researchers, in violation of the Animal Enterprise Terrorism Act (AETA).

A coalition of civil liberties defense groups have come to their defense, arguing that the law is unconstitutional and that the activists were merely exercising their freedoms of speech and assembly.

AETA specifically protects research institutions, pharmaceutical companies, and other businesses that use animals from individuals who "interfere with" their operations. Anyone using threats, vandalism, property damage, trespassing, harassment, or intimidation to cause someone connected with an animal enterprise to have "reasonable fear of death or bodily injury" can be tried under the law. But critics say the statute is over-broad, arguing that legal activity like boycotts can be construed as a form of interfering with a business’ operations.

"In its abstract form, and now with these arrests, the AETA is a full frontal assault by the U.S. government on the First Amendment," says San Francisco-based attorney Ben Rosenfeld, a member of the National Lawyers Guild. "Everybody, whether they identify with animal rights causes or not, ought to be very alarmed."

According to an FBI affidavit filed by special agent Lisa Shaffer, the activists took part in actions targeting UC researchers who conduct experiments on animals. They didn’t free caged animals, torch laboratories, or slash tires. Instead the defendants were caught picketing, chanting, and creating flyers. And while the complaint cites an alleged assault, it never states that any of the four defendants was responsible. Yet they each face up to five years in prison.

In October 2007, the complaint alleges, the defendants joined a group of protesters outside a UC researcher’s home in El Cerrito where they marched, chanted things like "vivisectors go to hell!" and rang the doorbell. The second incident took place in January 2008, when a group of about a dozen people "wearing bandanas over their nose and mouth" allegedly drove to a number of researchers’ homes in the East Bay. They "marched, chanted, and chalked defamatory comments on the public sidewalks in front of the residences."

The complaint says UC researchers felt harassed, intimidated, and terrified. Heidi Boghosian, executive director of the National Lawyers Guild in New York City, says AETA is flawed in that prosecutions are based on the targets’ reactions, not the protesters’ intent. "Basing prosecutions on the subjective feelings of individuals to whom no harm was inflicted undermines the foundation of criminal law, which punishes those who commit crimes with the intent to do so," Boghosian told us. "Demonstrating — even noisy, angry demonstrating that may be uncomfortable to others — is still protected under the First Amendment."

During the third incident, six bandana-clad protesters allegedly approached the home of a UC Santa Cruz researcher. Her husband heard banging on the glass pane of the door, opened it, and then "struggled with one individual and was hit with a dark, firm object," according to the complaint. The protesters dispersed, and one allegedly yelled, "We’re gonna get you!" Santa Cruz police later seized a vehicle belonging to one of the activists. Bandanas found inside the car were later sampled for DNA, linking them with three of the defendants.

The complaint doesn’t indicate whether any of the four defendants struck the researcher’s husband or yelled a threat. But that hardly matters. "Another flaw of the AETA is its ‘course of conduct’ language," Boghosian said. "If one protester commits a single unlawful act at a protest … but five others were present, all may be charged with engaging in a course of conduct that interferes or attempts to interfere with the operations of an animal enterprise."

Finally, the FBI charges that in July 2008, a stack of flyers listing the home addresses of two UC professors under the headline "murderers and torturers" was discovered at a Santa Cruz cafe. The FBI tapped security camera footage and Internet use logs to link three of the defendants to the stack of flyers.

Several days after the flyers were discovered, a firebombing took place at one of those researchers’ homes — but the federal complaint doesn’t mention it. When asked if there might be a connection, FBI special agent Joseph Shadler told the Guardian that the complaint speaks for itself.

Several civil liberties groups have been wary of AETA since it was enacted. "The law is so overly broad and so vague that no one knows what’s legal and illegal," Odette Wilkins, who is pushing for a repeal of the bill through her organization, the Maryland-based Equal Justice Alliance, told us. "The USA Patriot Act makes it very, very clear what terrorism is. It’s anything that causes mass destruction … or places the entire civilian population in fear. I don’t see how people exercising their First Amendment rights … rises to the level of terrorism. It’s ludicrous."

FBI special agent Schadler sees it differently. "As far as the distinction between free speech protected by the Constitution and what we would consider terrorism, whenever somebody’s purpose is to cause fear to get their point across, that’s terrorism," he told the Guardian. "The definition of terrorism is using threat of violence, or violence, to accomplish a political means. And the threat of violence — when you are actually going out and threatening to hurt people, or causing people to believe that they’re going to be hurt, or actually hurting them to get your movement or your political voice heard — then you are committing terrorism."

Lauren Regan, executive director of the Eugene, Ore.-based Civil Liberties Defense Center, helped create Coalition to Abolish the AETA. "We were working on putting together a civil lawsuit simply challenging the constitutionality of the law when the criminal indictments happened," she explained.

Regan has been on the case since a previous law, the Animal Enterprise Protection Act, was in place. That statute was upgraded to the AETA in 2006 in the wake of aggressive tactics employed by a radical animal rights group, Stop Huntingdon Animal Cruelty (SHAC). "Many felt [the AEPA] was also unnecessary," she told us. "Because there are already statutes for burglary, theft, vandalism, arson [etc]. Any of the crimes that could have fallen within the AEPA were already federal and state crimes."

Sen. Dianne Feinstein cosponsored AETA along with Sen. James Inhofe (R-Okla.), saying it would "ensure that eco-terrorists do not impede important medical progress in California." Before the bill passed, Rep. Dennis Kucinich (D-Ohio) voiced the lone complaint against it. "I am not for anyone … damaging another person’s property or person. But I am for protecting the First Amendment and not creating a special class of violations for a specific type of protest."

No one else was persuaded. The bill was bundled with other legislation deemed to be noncontroversial then passed by voice vote. The American Civil Liberties Union didn’t oppose it after an amendment was added guaranteeing that it wouldn’t restrict First Amendment rights. The ACLU declined to comment for this story.

Regan says broadening the definition of terrorism can stifle important campaigns. She points to the example of a widely publicized video released by the Humane Society last year that showed disturbing footage of downed cows at a beef processing facility. Though it spurred one of the largest beef recalls in history (and saved school kids from consuming an unsafe meat product), the cameraperson could be tried as a terrorist under the AETA, Regan says, because it was necessary to trespass to shoot the film.

She also criticizes the FBI’s excessive use of paid informants. "This has happened across the country — if someone posts a vegan potluck, the FBI is showing up to see who’s there and what they’re doing," she says. Between 1993 and 2003, the FBI’s counterterrorism division increased 224 percent, according to its Web site.

While advocates are quick to point out that there are no documented deaths associated with animal rights activism, the movement has a history of employing firebombs, threatening phone calls, and other creepy tactics in pressing to end animal cruelty — a trend that led to the passage of the domestic terrorism bill.

"The AETA has backfired, causing an increase in underground activism," says Los Angeles-based activist Jerry Vlasak, whose inflammatory language against animal researchers was quoted extensively during the 2006 Congressional hearing on AETA. Vlasak is a media contact for the North American Animal Liberation Press Office, which operates a Web site featuring anonymous "communiqués" sent in by clandestine activists. In a posting dated March 6, a group called the Animal Liberation Brigade takes credit for burning the car of a Los Angeles primate researcher. "We will come for you when you least expect it and do a lot more damanage [sic] than to your property," the message reads. "Where ever you go and what ever you do we’ll be watching you as long as you continue to do your disgusting experiments on monkeys. And a special message for the FBI, the more legit activists you fuck with the more it inspires us since wer’re [sic] the people whom you least suspect and when we hit we hit hard."

Will Potter, a Washington, D.C.journalist who runs a Web site called Green Is The New Red, testified before Congress prior to the passage of the AETA, arguing that the law would not deter underground activists. Instead he predicts it will have a chilling effect on protests staged in broad daylight. "This legislation will … risk painting legal activity and nonviolent civil disobedience with the same broad brush as illegal activists," he said.

That, says Rosenfeld, is precisely what’s happened. "The whole underpinning of a democratic society is that it’s rights-based, and government power is limited and checked by law," he says. "Here we have a complete perversion of that process. The government gives itself this over-broad, sweeping power to go after anyone it wants and then seeks to reassure people that it will only use those laws against the real bad guys."

Monopoly money

0

sarah@sfbg.com

Employees at the San Francisco Chronicle are anxiously awaiting the March 31 deadline that its owner the Hearst Corp. has set for accepting buyout offers, after which the ax could fall on any employee at any time. The California Media Workers Guild has voted to accept 150 layoffs and to end seniority considerations at the city’s major daily.

Hearst claims that amendments to the union’s contract are essential to avoid closing or selling the 144-year-old paper, although the company refuses to open its books, making it impossible to verify claims that the Chronicle is losing $1 million a week. Rather than challenging that corporate prerogative, Speaker of the House Nancy Pelosi wants to explore allowing a local monopoly like MediaNews to buy the Chronicle, the last major Bay Area newspaper MediaNews doesn’t already own through its Bay Area News Group subsidiary.

In a March 16 letter to U.S. Attorney General Eric Holder, Pelosi wrote: "I am confident that the antitrust division, in assessing any concerns that any proposed mergers or other arrangements in the San Francisco area might reduce competition, will take into appropriate account, as relevant, not only the number of daily and weekly newspapers in the Bay Area, but also the other sources of news and advertising outlets available in the electronic and digital age, so that conclusions reached reflect current market realities."

Holder responded March 18, telling reporters, "It’s important for this nation to maintain a healthy newspaper industry. So to the extent that we have to look at our enforcement policies and conform them to the reality that the industry faces, that’s something I’m going to be willing to do."

Sara Steffens, chair of the Guild’s Bay Area News Group East Bay unit, recently raised her concerns about that strategy. "Consolidating some or all Bay Area News Group operations with the Chronicle could prove the financial salvation for our struggling newspapers, potentially guarding against bankruptcies or outright shutdown," she wrote on the union’s Web site. "But it could also pave the way for further job loss and erosion of standards."

Justice department lawyers have in the past ruled against mergers that created newspaper monopolies, but media analyst Alan Mutter believes times have changed. "It’s just a question of who is going to qualify," Mutter told the Guardian.

Retired UC Berkeley journalism professor Ben Bagdikian, author of books critical of media monopolies, said the Chronicle‘s "surprising announcement" that it might have to shut down could be a scam. He notes that this news comes "not long after Hearst and [MediaNews owner Dean} Singleton, who owns all the East Bay dailies, formed a partnership to buy media in other parts of the country.

"Hearst a few years ago — granted, in boom times — gifted the Examiner to the Fang family along with a stunning gift of $56 million to the Fangs to take it and make it into a daily," Bagdikian said. "I think it has never before happened in the news business or any other business to pay someone else to compete with them. It was clearly part of a larger plan to get rid of this operating agreement for exemption from antitrust [laws]."

Other critics believe that large newspapers, which are tied to huge printing presses and gas-guzzling delivery trucks, could become extinct, and that nimbler prototypes that deliver news by mobile phone and integrate social networking on their Web sites could assume the old media’s traditional role as public watchdogs.

Jeff Elder, who is studying the newspaper industry as a Knight fellow at Stanford University, told the Guardian, "You either see a daily newspaper as an old railroad station, a really cool part of the city’s history that you maybe can’t afford to save, or an at-risk public school whose continuance is fundamental to democracy."

Elder, a columnist for the Charlotte Observer, was one of a wide variety of media professionals (including Guardian publisher Bruce B. Brugmann), who gathered March 17 in the San Francisco Public Library to discuss the Chronicle‘s future.

"There is no minimizing that it’s a real sad situation for the people being laid off," Elder said. "But there is a real danger in propping up print products by strengthening monopolies. You’re draining off resources while propping up a business model that is becoming increasingly irrelevant."

The polluting Port

0

› news@sfbg.com

GREEN CITY Manuel Rivas is an independent truck driver working at and living near the Port of Oakland, where diesel exhaust from old idling vehicles has created a serious public health threat.

Officials have long talked about addressing the problem (see "ImPorting injustice," 7/17/07). In the meantime, however, Rivas and his twin boys — whom he has cared for alone since his wife died in a car accident 12 years ago — struggle with respiratory problems on low wages and with no health insurance.

"I’ve spent 21 years working as a truck driver. This is where I’ve spent most of my life, and I don’t have anything from it. You can see for yourself," Rivas tells the Guardian in Spanish, gesturing to his small, rundown house and showing us his empty refrigerator. "We are people, not slaves. We fuel the economy not just here in Oakland, but throughout the country."

Rivas works eight to 10 hours per day and says he takes home about $5.55 per hour after the expenses for his truck. Deregulation of the trucking industry has left drivers, many of them immigrants, as independent contractors with low wages and few benefits.

"We don’t get any vacation time," he said. "We don’t get health insurance. If we get sick, then we have to pay out of our own pockets."

And they do get sick. Diesel exhaust is a toxic air pollutant. The Coalition for Clean and Safe Ports organized an asthma screening in West Oakland last month to address problems around the Port. "Small particulates get breathed into the lower reaches of the lungs and cause irritation and inflammation, an increase in respiratory problems like asthma, chronic obstructive pulmonary disease, and a long term risk of lung cancer," said Dr. Robert Harrison, a UCSF professor who participated in the screenings.

Sandra Witt of the Alameda County Health Department said West Oakland residents are exposed to three times more diesel particulate matter than the rest of the Bay Area, thanks to the Port and nearby freeways.

"We’re driving all day, every day, and at this moment my throat is very dry and it hurts, so I take cough drops," Rivas said. He is concerned that one of his sons recently came down with bronchitis and was unable to play soccer.

Harrison says that children and the elderly are most susceptible to toxic air. "Bronchitis is one of the symptoms of respiratory problems from diesel pollution," Harrison said. One in five children in Oakland has asthma, the highest rate in California.

But treating a large population for respiratory problems is difficult. "There really isn’t any way to treat the community unless you reduce air pollution," Harrison said. "I found that the independent status of truck drivers keeps them vulnerable to health problems."

Port Commissioner Margaret Gordon, a longtime community activist before joining that body in 2007 (see "Port tack," 10/10/07), has pushed the Port to take responsibility for its contribution to the problem. "Diesel is bad in any way it comes. In trucks, trains, ships, cargo, or cabin equipment, it’s bad. But the closest thing to the people of West Oakland are the emissions from the trucks," Gordon said.

Swati Prakash of the Coalition for Clean and Safe Ports hopes that new legislation will alleviate some problems from diesel pollution. "For the first time you have state regulations coming down the pipe," Prakash told us. "The California Air Resources Board has recognized how deadly diesel pollution is."

On Jan. 1, 2010, pre-1994 trucks will not be allowed on Port land and 1994-2003 trucks must be retrofitted to reduce diesel particulate matter by 85 percent. But Rivas can’t afford a new truck, so he and other drivers are hoping to become employees of trucking companies.

The Port’s Comprehensive Truck Management Plan (CTMP), which will address diesel pollution and related issues, is now being drafted and is set to go before the commission for approval in June. Richard Sinkoff, the Port’s director of environmental programs and planning, said staff is working at an accelerated schedule because of the urgency of the issue.

"I think the board really understands that public health is a concern for all of us," Sinkoff said. "Time is always of the essence when dealing with a recognized public health issue."

Pricing women out of health care

0

OPINION While California faces some of the most challenging economic times in recent history, many residents are losing their jobs — and as a result, their health insurance. And businesses of all sizes are struggling to make ends meet, which often means slicing employee benefits.

As more people are forced to turn to the individual market for their health insurance, women in California are at a distinct disadvantage. Under a practice known as gender rating, health insurers are allowed to charge higher premiums based on a person’s gender. Consequently, many women pay higher premiums than men for identical coverage. This unfair and discriminatory practice affects more than 1 million California women who currently purchase their health plans on the individual market — and undoubtedly prices many more women out of health coverage altogether.

A recent survey by the National Women’s Law Center showed huge variations in premiums charged to women and men for the same health care coverage. In some cases, women paid premiums that were slightly higher than what men paid for the same policy. But in other cases, women were charged more than 50 percent more — and as much as 140 percent more — for identical health plans.

Gender rating violates the California Constitution’s equal protection guarantees and goes against the state’s good public policies that favor preventive health care and affordable health coverage for all Californians.

While insurers argue their insurance rate differentials are based on the actual cost of providing health care to women (even for plans that do not include maternity care), gender rating is a relatively new phenomenon. Gender rating was not significantly used by the state’s top insurers until mid-2007, according to a preliminary analysis from the California HealthCare Foundation. Surely the cost of caring for women has not increased exponentially in the past two years, while medical expenses for men have remained stagnant.

In pricing women out of affordable health care coverage in the individual market, we set in motion a series of events that harm women, children, families, and entire communities. Uninsured women are less likely to receive preventive care. They’re most likely to discover, and seek treatment for, serious disease in the later stages of an illness. One serious disease or illness could potentially bankrupt an entire family and pose a health risk to the community. In addition, the costs of caring for uninsured women ultimately fall to either the local or state government, draining already strained public resources.

More than 40 years ago the insurance industry voluntarily abandoned the practice of using race as a rating factor for setting health insurance premiums, despite their arguments that those premiums were also based on actual health care costs. Ten states across the country have already outlawed gender rating, with no negative consequences to the rest of the insured in those states. Without a doubt, it’s time to do the same in California. *


Sen. Mark Leno represents the third Senate District, which includes Marin and parts of San Francisco and Sonoma counties. He is the author of Senate Bill 54, which would prohibit the practice of gender rating in California.

Madam Speaker, I Object!

2

(Scroll down for Reilly’s column)

Clint Reilly’s column ought to be the institutional line in every independent daily paper in the Bay Area and beyond.
However, since there are no independent dailies left and all the Bay Area and most of California dailies are owned by out-of-state newspaper chains, this is not to be. But at least his column appears in the MediaNews/Singleton papers in the Bay Area, thanks to the settlement of his last federal lawsuit challenging Hearst/Singleton collaboration.

Reilly opposes Rep. Nancy Pelosi’s move to gut the antitrust laws to accommodate more Hearst/Singleton collaboration. The Guardian goes a step further and recommends that Pelosi and U.S./ California/San Francisco politicians promote legislation and resolutions at federal, state, and local levels that would bar a daily newspaper in a one-paper town from closing down unless and until the owners offer it for sale at a fair price and give someone else a chance to run it.

And we recommend that, since any Hearst/Singleton collaboration would have national implications, this should happen only in a fishbowl in the glare of the mid-day sun. More: our federal, state, and local politicians should
pull out the stops: subpoena Hearst documents, hold public hearings in Washington and San Francisco, and promote any and all alternatives to another daily paper assassination. Save the Chronicle! B3

Madam Speaker, I Object!

By Clint Reilly

Sanctioning a Bay Area newspaper monopoly in order to rescue the San Francisco Chronicle from bankruptcy is a horrible idea.

Does anyone know what I’m talking about?

Last week, House Speaker Nancy Pelosi sent a letter to Attorney General Eric Holder urging him not to enforce antitrust laws, which would pave the way for the Chronicle and MediaNews – the owner of every other paid-subscription daily newspaper in the Bay Area – to merge operations and have a monopoly over news and opinion in the Bay Area.

RIP, Parkway Speakeasy Theater

0

p267077-Oakland_CA-Parkway_Theatre.jpg

Say it ain’t so! Oakland’s Parkway Theater announced this week that its doors will close Sunday, March 22. According to the theater’s web site:

“After more than twelve years of serving the great cultural crossroad of Oakland, the Parkway Speakeasy Theater will be closing at the end of business day, Sunday March 22, 2009.

From African Diaspora to Thrillville to lesbian fashion shows and educational porn, the Parkway has offered an eclectic array of movies and events. It was the first theater in California to offer food, beer and wine service in a lounge style movie theater. With a nudge or a push from the community, there was little programming the Parkway theater would not try in order to better be a community center and a safe haven for diverse ideas. The Parkway brought Baby Brigade for the shuttered and abandoned parents of newborns, the first international black gay, lesbian, bi-sexual, transgender film festival and Sunday Salon, a free event for cultural and community enhancement. We, at the Parkway Speakeasy Theater, are deeply proud of the Parkway and will profoundly miss serving its community. Thank you for your patronage.”

Fortunately, all is not entirely lost — the Parkway owners still have their Cerrito Speakeasy Theater, which, like the Parkway, has beer and pizza (and sandwiches with cheeky names: “The Zombie Cow,” anyone?) on the menu, along with new films and special events, including the ever-cool monthly B-movie celebration, Thrillville. It’s also very BART-friendly — literally just a handful of blocks and a Bed, Bath, and Beyond parking lot’s length from the station.

The Parkway closes down with a trio of standout films from 2008: The Wrester, Revolutionary Road, and Let the Right One In (your choice — five bucks!), plus a movie about Lucha Libre that looks pretty unmissable (seven bucks for this one). Head over and show your support Sun/22, or hit up the Cerrito in the coming months to make sure it keeps unspoolin’ films and pourin’ pitchers of PBR.

Board asks Obama to oust Russoniello.

1

It’s too bad the SF Examiner doesn’t appear to get why six members of the Board of Supervisors voted this week to ask Obama and Sens. Barbara Boxer and Dianne Feinstein to appoint a new US Attorney for Northern California.

No, it wasn’t just because “current U.S. Attorney Joseph Russoniello has made some anti-Hispanic remarks that have angered numerous minority groups,” as the Examiner implies.

The Board’s vote came about after the year-long pushing of an anti-immigration agenda that included intensified ICE raids, the undermining of San Francisco’s long-standing sanctuary city ordinance, and a Grand Jury investigation of the city’s Juvenile Probation Department–moves that collectively angered immigrant rights advocates nationwide.

And no, it isn’t just the case that these supervisors, who just spent four days in Washington, “can just pick up the phone and make this change happen,” as the Examiner implies.

If you want to connect the dots and understand why the Board members voted the way they did, and who appears to be directing San Francisco’s public safety policy, read this or this or this or this or this.

Finally, Labor starts to come together

2

workers.jpg
By Steven T. Jones

The labor movement, which in recent months has been destroying itself with bitter infighting among various unions, today announced an important accord that could help achieve health care reform and passage of the landmark Employee Free Choice Act.

Service Employees International Union and the California Nurses Association (which recently joined forces with the National Nurses Organizing Committee) jointly announced a “dramatic agreement” to cease recent hostilities, organize and divide up potential new members in health care, support allowing states to create single-payer systems, and work together on political objectives such as the EFCA, which would make it far easier for employees to unionize.

“ We are lining up to make sweeping changes to this country’s broken healthcare system, and as we wait for the starting gun it is imperative that we put the past behind us and move forward by putting all healthcare workers in the strongest possible position to define reform, move legislation and make the new healthcare system operational,” SEIU president Andy Stern said in the statement.

“This agreement provides a huge spark for the emergence of a more powerful, unified national movement that is needed to more effectively challenge healthcare industry layoffs and attacks on [Registered Nurses’] economic and professional standards and patient care conditions,” said CNA/NNOC Executive Director Rose Ann DeMoro.

Meanwhile, the National Union of Healthcare Workers – formed by local labor leader Sal Rosselli and others following divisive battles with Stern’s SEIU – finally has its first 350 official members after organizing four Northern California nursing homes and it hopes to soon add tens of thousands more (most of those current SEIU members) as it prepares for its founding convention in San Francisco on April 25.

California Courts Rain on Sunshine Week

1

Posted March 11, 2009 on the Cal Aware website.

Sunshine Week (March 15-21) is a national celebration of open government, but here in California a court decision has favored the suppression of dissent and cost a long-time open government advocate $80,000.

More than four years ago the people of California went to the polls and, by an overwhelming 83 percent support for Proposition 59, passed a state constitutional amendment guaranteeing the public fundamental access to the meetings and records of their local and state government agencies.

This month, however, despite those constitutional protections, California courts finalized an order that a small public interest non-profit group and its past president must pay nearly $86,000 for merely asking them to protect the public’s right to hear the opinions expressed by its local elected representatives.

Drinking in the dark

1

Text by Sarah Phelan.
Q. “How many Irish does it take to change a light bulb. “
A. “Never mind, we’ll drink in the dark.”

I was reminded of this (potentially racist, but I’m part Irish, so screw it) joke yesterday during a two-hour conversation about the Chronicle that took place, mostly between media people, in the basement of the library, on St Patrick’s Day.

The fact that any reporters showed up to talk about journalism on St Paddy’s Day is a good indicator of just how troubled they are feeling about the state of the news industry.

Normally, reporters would be writing about folks drinking too many Irish car bombs, or, if they weren’t working that night, drinking too many green beers themselves.

Instead, they sat and talked about the challenges facing San Francisco’s main daily newspaper, and the future of journalism in the Internet age.

Now, you’d think this would be easy for a bunch of folks who are used to digging into other people’s business and publishing what they find out, including the for-profit-driven doings of this or that evil corporation.

Only this time, the folks being bullied are the workers at the San Francisco Chronicle, which is owned by Hearst. a privately held corporation. This means the Chronicle won’t be publishing the findings of its own journalists’ findings on this matter. Instead, it’s been running reports that have no bylines and sound like Hearst press releases.

And then there’s the disquieting reality that Hearst has refused to open its books to the unions that represent the workers at the Chronicle. This means that all Hearst’s claims, including the statement that the Chronicle is losing $50 million a year, remain just that: claims, until proven otherwise.

No one is disputing the fact that newspapers have been losing advertising revenue to the Internet. Or that few of us have figured out ways to recapture that revenue. Or that many of us have been laid off, suffered pay cuts and/or seen an end to our careers, even as more people read our stuff than ever.

So, are we going to drink in the dark, or shine some light on the situation?

Personally, I don’t want the Chronicle to die. I want it to improve. And, as an investigative reporter, I want proof that Hearst’s financial claims are real.

Long time Chronicle reporter Carl Hall, the local representative of the California Media Workers Guild, confirmed last night that Hearst refused the Guild’s requests to open its books.

Hall also confirmed that Guild members voted to accept the loss of 150 jobs and the elimination of seniority rather than risking calling Hearst’s bluff over the corporation’s threats to close or sell the Chronicle.

Of course the workers did. They’re newspaper men and women. Like doctors and teachers, they love their jobs, no matter who is running the hospital, school or newspaper.

But I wonder if the rest of the media have fallen down on the job, by not challenging Hearst’s unsubstantiated claims, even as the entire nation is discovering that it has been Ponzi-schemed up the kazoo.

I was heartened to hear Chronicle forum panelist and social entrepreneur Tom Murphy point out that some of the industry’s current problems are related to the newspaper-buying binges that Hearst Corp. and Dean Singleton’s MediaNews indulged in during the past decade.

And it was interesting to hear Oakland Tribune editor Martin Reynolds, which itself got swallowed up by Singleton in recent years, admit that many newspapers chains are in a similar situation to the owners of foreclosed homes: “They are upside down on their mortgages, right now,” Reynolds said.

Connect those financial dots to the fact that readership of the Chronicle is growing online, and you begin to realize that there is a way forward through all this, even if we haven’t figured it all out yet.

As Center for Investigative Reporting cofounder and forum panelist David Weir put it last night, ‘Don’t blame the Internet for journalism’s demise. The Internet is not a choice, it is a fact. It is a technical and historical reality.”

Update on proposed solar power purchase agreement

3

By Rebecca Bowe

The city’s Budget & Finance Committee voted 3 –2 this afternoon to table the discussion about the Recurrent Energy power purchase agreement until April 22.

The 25,000 solar panels that would be installed upon the roof of the Sunset Reservoir could generate enough power to serve 2,500 San Francisco households, Barbara Hale of the San Francisco Public Utilities Commission told the committee. It would increase the city’s solar generation from 2 to 7 megawatts, she said, and it would become California’s largest solar photovoltaic system. But while everyone applauded the idea of going solar, some supervisors said they weren’t comfortable with the terms of the contract with Recurrent Energy.

Supervisor Ross Mirkarimi said he had a problem with the city cementing a 25-year agreement to pay $235 per megawatt-hour, a rate that will escalate at 3 percent per year, when there is uncertainty about how the renewable-energy market will behave. If the going rate for solar power drops significantly in the next two decades, he pointed out, the deal could leave San Francisco locked into paying a high price to a private company.

Swedish fetish

0

Americans have always been lured by the siren call of those blindingly blonde babes and bewitching blue-eyed boys, but what exactly is "it" about Sweden that keeps us wanting more? The country is known for being progressive, well educated, sexually liberal, and neutral in wartime. A Swede even holds the Guinness World Record for spinning the most yo-yos simultaneously (nine).

Sweden has infiltrated American style; I don’t know anyone who doesn’t own at least one thing from Ikea, H&M, or Cheap Monday. These companies convey a sleek, stackable, skinny image. This impression is debunked slightly by the current Yerba Buena Center for the Arts exhibition "Irreverent: Contemporary Nordic Craft Art," a showcase for clothes you can’t wear and furniture you can’t use, such as Frida Fjellman’s chandeliers populated by glass owls and frosted squirrels.

There are also the images Bergmania has left us: stunning and haunting images of long coastlines, 18 hours of daylight in June, and splendid mountain ranges shrouded in December darkness. The snow-white vampires of Tomas Alfredson’s Let the Right One In (2008) proliferate our nightmares. The comic glum chums of Roy Andersson’s You the Living (2007) will soon come calling.

For a country with a landscape that’s roughly equivalent to California and a population of about 9 million, Sweden is an impressive exporter of music — the third largest in the world, bested only by the U.S. and U.K. The boom began in the 1970s with those pop perfectionists, ABBA, who crossed the Atlantic to bliss us out with the melancholy euphoria of 1976’s "Dancing Queen" (their sole U.S. chart-topper, although they were the most commercially successful band of the decade).

Following ABBA’s footsteps and to some degree formula, lesser and at times laughable groups emerged from Sweden in the 1980s to reinforce the bright blonde stereotype. Europe advised us to "Open Your Heart" and Roxette counseled to "Listen to Your Heart." Although these acts managed to break into the mainstream, none attained the same timeless staying power of Agnetha, Benny, Björn, and Anna-Frid, with their teen anthems about sneaking out under mama’s nose and "having the time of your life," and their darker, more adult post-Arrival (Polar, 1976) material.

The 1990s only solidified Sweden’s reputation as a pop paradise. It brought some ludicrous acts, such as Rednex with 1994’s "Cotton Eye Joe." But Ace of Base gave us "The Sign" in 1993, and the Cardigans crafted powerful, lasting songs and even albums. Perhaps most notably, Max Martin made Britney Spears famous by writing and producing her 1998 debut single "… Baby One More Time" and creating many more hits for her and the Backstreet Boys. He also collaborated with Robyn, who has achieved cult and critical success at home and more recently in the U.S. with her own songs.

In the 21st century, Sweden’s international music presence has grown more multifaceted. The Hives brought rock to the American charts in 2000 with "Hate To Say I Told You So," and American indie kids and Kanye West went bananas in 2006 for the whistling jam "Young Folks" by Peter, Björn, and John, whose fifth and newest album Living Thing is set for release this month. The female vocalist on "Young Folks," ex-Concretes member Victoria Bergsman, is now focusing on a solo project, Taken By Trees. Psych-folk-jazz rockers Dungen put out their fourth proper album, helpfully titled 4, last fall. The group’s U.S. label is Kemado, while its sound is increasingly Komeda — as in Roman Polanski’s early film composer Krzysztof Komeda.

The Swedish acts, if not hits, keep coming: last month brought femme foursome Sahara Hotnights’ album of cover versions Sparks (Universal); January delivered delicate folkster Loney Dear’s Dear John (Polyvinyl); and charming, Björk-influenced Maia Hirasawa puts out her second album next week. The beautiful Lykke Li recently played the Fillmore, where her opening act, the Västra Götalands Iän duo Wildbirds and Peacedrums, was to die for. Indie-pop trio the Bell recently played the Independent, and the Dylan-inspired Tallest Man On Earth (a.k.a. Kristian Matsson) breaks free from touring with Bon Iver to headline shows in support of the acclaimed Shallow Grave (Gravitation).

Sweden’s second largest city, Gothenberg, plays host to lovelorn troubador Jens Lekman, Madchester-influenced boy duo the Tough Alliance, and doo-wop dolly El Perro del Mar. Another Gothenberg resident, acoustic singer/songwriter José González, gained popularity in 2003 when his cover of Swedish electro duo the Knife’s "Heartbeats" was set to a Sony commercial in which 250,000 colored balls bounced down the steepest streets of San Francisco.

González’s version of "Heartbeat" resparked interest in the Knife’s original, and brother and sister duo Olaf Dreijer and Karin Dreijer Andersson built on that audience with 2006’s critical fave Silent Shout (Mute). This week, sister Karin introduces her solo recording project, Fever Ray. Like her work with the Knife, the 10 songs on Fever Ray (Mute) couple icy electronic atmospheres with quite literal lyrics — one song even refers to dishwasher tablets.

Whatever the "it" is that has captured the hearts of so many Americans and sent all these acts across the ocean to us, it continues to grow and assume new forms. If you ever make the trek to pop paradise, remember: they refer to Swedish Fish as "winegum candy" in Sweden. It’s kinda like how the French don’t use the term "french fries."

THE TALLEST MAN ON EARTH

with Herman Dune

March 25, 7:30 p.m., $12–$14

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

West ghost

0

› johnny@sfbg.com

This land isn’t your land, or my land, and it wasn’t made for you and me — such is the insightful and incite-full impression one gets from California Company Town, Lee Anne Schmitt’s beautifully photographed, concisely narrated, and ominously structured look at the Golden State and the state of capitalism. Sneak previewing at Other Cinema for one night before it screens in full 16mm glory at the upcoming San Francisco International Film Festival, Schmitt’s labor of love, shot between 2003 and 2008, is a provocative piece of American history. On a semi-buried level, it’s also an extraordinary act of personal filmmaking that subverts various stereotypes of first-person storytelling by women while simultaneously learning from and breaking away from some esteemed directors of the essay film.

Categorically speaking, Schmitt’s left-leaning survey of the American landscape belongs next to recent cinematic people’s histories such as Travis Wilkerson’s An Injury to One (2002) and John Gianvito’s Profit Motive and the Whispering Wind (2007). Her dedicated photographer’s eye for still-life truths of American sightseeing is influenced by Cal Arts filmmaking elder James Benning, while her carefully selective use of archival audio — in particular, radio — makes California Company Town an understated female answer to the gay reading of homophobia in Ohio within William E. Jones’s too-obscure classic of new queer cinema, Massillon (1991).

One by one, California Company Town investigates this state’s ghost towns — doom-laden boomtowns of the past where today, at best, bedazzled modern day cowboys and cowgirls reside and line dance for tourists. Surveying forgotten landscapes that verge on post-human, Schmitt has an eye for signs of the times, whether they be literal ("USA WILL PREVAIL" on a theater’s marquee in Westwood; "Stay out" spray-painted over a "Prayer Changes Things" billboard in Trona) or figurative: spider webs of broken glass; a tree falling through the roof of a house; punk rock kids skateboarding near factory ruins. She pairs these sights with the sounds of speeches by FDR, Eldridge Cleaver, Cesar Chavez, Ronald Reagan, radio testimonials, and — most contentiously — her deceptively flat voice-over, which renders each titular site as a place that looks like a dead end yet has roiling life beneath its stingy, abandoned surface.

California Company Town is a one-woman road movie. A lonely film, but also an act of strong resolve built to last — and, in its original filmic form, slowly decay. Over and over, from Chester to Scotia through to McCloud and even Richmond, Schmitt traces the varied yet similar ways in which private interests crush community and exploit natural resources. In the process, she reveals the ultimate forfeiting of American pride of ownership. Grim stuff, yet presented in a manner that ultimately flouts the dry speechifying of academia, doctrinaire ideologues, and public television pablum-pushers. Schmitt concludes her film with a mute final gesture designed to start arguments.

CALIFORNIA COMPANY TOWN

Sat/21, 8:30 p.m.; $6

Other Cinema at Artists’ Television Access

992 Valencia, SF

(415) 824-3890

www.othercinema.com

CALIFORNIA COMPANY TOWN is also screening April 30, May 2, and May 4 at various venues as part of the Golden Gate Awards Competition in the 52nd San Francisco International Film Festival. www.sffs.org>.

Station leaves the train

0

› steve@sfbg.com

GREEN CITY The Transbay Terminal rebuild is moving forward, but this multi-modal downtown transportation station seems to be pulling away from what was supposed to be its showcase centerpiece — the California High-Speed Rail Project — before it can satisfy the design and capacity needs rail officials require.

San Francisco officials from Mayor Gavin Newsom to Sup. Chris Daly, who sits on the Transbay Joint Powers Authority (TJPA) Board of Directors, all say high-speed rail must be a component of the Transbay Terminal. Yet they were caught off-guard when the California High-Speed Rail Authority (CHSRA) recently made clear that the station would need to handle up to 12 trains per hour, more than double what current station designs can accommodate.

Even as phase one of the station got underway in December (see "Breaking ground," 12/10/2008), it lacked the more than $300 million needed for a so-called train box that would make it easier and cheaper to later bring high-speed rail and Caltrain into what would otherwise be a $4.3 billion bus station and commercial complex.

TJPA officials were struggling with how to secure that money, ideally through federal stimulus funds, when officials from CHSRA and Caltrain told a Feb. 25 Metropolitan Transportation Commission meeting that current designs were inadequate for their needs (see "Stimuutf8g transit, 3/4/09).

While the demand for straight platforms, rather than the curved ones TJPA designed, can be fairly easily addressed, the volume issue is far more significant and costly. During a March 12 TJPA meeting on the issue, engineers said that adding the third floor of trains that would be needed to handle 12 trains per hour would add $1 billion to the cost. Even if no train box is built, TJPA officials say that just the foundation work and deeper dig needed for the higher capacity would add $500–$700 million to the cost of the project’s first phase.

The good news is the federal stimulus package sets aside $8 billion for high-speed rail development, and Transbay Terminal is one of the few shovel-ready projects out there that would qualify for immediate assistance. The bad news is the criteria for attaining those funds won’t be ready by the time TJPA plans to sign its construction contracts in late May.

Delaying the project would not only increase costs and forestall the immediate economic stimulus impacts of the construction, it would also anger bus transit agencies such as AC Transit, which kicked in $57 million to the project. "AC Transit expects the TJPA to meet its commitment to AC Transit and its passengers, as well as keep the construction of phase one on schedule," AC Transit attorney Kenneth C. Scheidig wrote to TJPA March 11.

At the March 12 meeting, TJPA members uniformly reacted with dismay to their dilemma, criticizing CHSRA for its unrealistic demands. Program manager Emilio Cruz said the agency had designed to high-speed rail specifications and only learned in January of the desire for trains to run up to every five minutes during peak hours.

"They were presented without adequate justification for why they need increased frequency," Cruz told the TJPA board as he offered his analysis for why that frequency isn’t needed to handle the 12 million annual riders the system predicts for 2030 and noting that Tokyo — which has far greater volume and density — is the only high-speed rail station in the world to run 12 trains per hour.

CHRSA executive director Mehdi Morshed said Cruz isn’t a rail expert and disputed his analysis, noting that Tokyo and Paris each have multiple stations that together run far more than 12 trains per hour. He also noted that the BART system is at capacity after just 30 years.

"We are building a train that has the capacity to hold not just the riders in 2030, but beyond that," he said. "They are trying to fit the high-speed trains of the future in a very limited space, and we’re telling them that’s not adequate."

Morshed said his agency is still years away from getting into station design, but has been as accommodating as possible with TJPA’s desire to move forward now. Daly and others have pointedly criticized CHSRA and its chair, Quentin Kopp, to which Morshed said, "Sure, we can take all the blame, but how is that going to help San Francisco get its station?"

The rise and fall of a Polk Street hustler

0

› news@sfbg.com

Last June, a small group of costumed 20-something activists from Gay Shame — wielding saxophones, loudspeakers booming electronica, and bullhorns — held a "séance" on Polk Street to "summon the ghosts of Polk Street’s past."

They performed in front of the recently constructed First Congregational Church — what they call "ground zero" for Polk Street gentrification — built over the remains of what they characterize as a gay hustler bar pushed out of the area by Lower Polk Neighbors (LPN), an organization not coincidentally holding its monthly meeting just a few feet beyond the window during the ear-splitting performance.

It was one of many ongoing clashes as new condos, upscale businesses, and trendy "metrosexual" bars replace Polk Street’s SRO apartment buildings, shuttered businesses, and hardscrabble hustler bars.

Protesters blamed the transition on LPN, a "pro-gentrification attack squad" working to transform the city’s "last remaining public gathering place for marginalized queers." New business and neighborhood associations counter that they are only working to beautify, make safer, and "revitalize" the area — a benefit to everyone, including the street’s marginal residents.

But what has been lost in the noise of this high profile, ongoing clash are the stories, needs, and wishes of the very people purportedly at the center of this conflict: the "marginal queers" and the homeless.

I conducted interviews with more than 60 people during the past year, including sex workers, merchants, the homeless, and social service providers — thanks to a grant from the California Council for the Humanities and the sponsorship of the GLBT Historical Society. And I learned that changes on Polk Street stem from a collapse of the area’s community-based economic and social safety nets in the 1990s, combined with the absence of a viable alternative from the city, the neighborhood, or an increasingly affluent gay political establishment.

That trend is illustrated by the story of one such "marginal queer," known on the street as "Corey Longseeker." In a changing neighborhood divided by distrust and tension, it seems that even people from opposing viewpoints are united in their familiarity with a story that has become the stuff of legend: the most beautiful, most successful boy on Polk Street who became the saddest, poorest homeless man in the neighborhood.

Now, during a time of recession and drastic budget cuts to mental health, drug abuse, and HIV-related services, Corey’s story traces the neighborhood’s history and its present challenges.

THEN AND NOW


Corey, now 39, is a constant presence in the neighborhood. He’s always alone when I see him, sometimes sitting on the sidewalk, his head of long stringy hair in his lap, rocking back and forth slightly. Or walking up and down the alleyways, sometimes stooping over and making cupping motions with his arms — picking up imaginary children, I’m later told. Or walking slowly, alone, near City Hall, his arms straight by his side, his body hunched.

"I came to San Francisco because I wanted to be an artist," he told me. He speaks slowly, softly, laboring, with long pauses. "When I first got here, there were a lot more people. We used to play guitars and drink beers or smoke a joint and just hang out and stay out of trouble."

He was diagnosed with schizophrenia, compounded by years of methamphetamine use and complications related from AIDS — a triple diagnosis that is unusually common among homeless people on Polk Street. Corey’s flashes of clarity alternate with moments in which memories blend into different times and places, and seemingly into dreams and fantasy: "I’ve been trying to protect my little self and my little brother and I’m about 500 homicides behind and I don’t know how to bump and grind to pick up the little morsels and the pieces of the people I liked and loved the way I used to know how to." He paused. "So I just keep on."

Dan Diez, now the co-chair of LPN, believes that homeless on the street such as Corey are negatively affecting businesses and residents who "should not have to put up with people sleeping in their doorways." He even talks of moving the homeless to facilities on Treasure Island as one solution. "I think it’s one of the reasons why these condos that have gone up have not been filled."

Corey and Diez may seem to have little in common, but they maintained a close relationship with each other for more than a decade, and Diez felt so close to him that he characterized himself as part of Corey’s "surrogate family."

It was 19 years ago that Diez first laid eyes on Corey, then a fresh-faced 19-year-old who had just moved to San Francisco. Diez, then a city government employee living in the East Bay, was sitting in the Q.T. II, Polk Street’s premier hustler bar — on the very plot of land where protesters later clashed with the LPN meeting.

Corey "wasn’t what I expected someone like a hustler to look like," Diez said. "I cannot tell you, this kid had movie star written all over him. He was extremely clean and very attractive and he just looked like somebody who walked out one of these suburban towns."

Dan befriended Corey, taking him to Burger King, listening to rock music in his car while Corey drew and writing poetry. Dan slipped him $20 bills and took him to movies. With time, he also brought him to the spas to clean Corey up, took care of his laundry, and bought him clean underwear and food.

"A lot of the kids on the street were hustling," Diez said, "but I did not pick up at that time. Corey was the only person I was really interested [in] ‘cuz he was something different. He was a person with a creative bent, which I really admired."

Diez says their relationship was not sexual, though he did enjoy being physically close with Corey. "He was someone I liked being around. It was just really a nice relationship."

In a letter Corey wrote in the late 1990s, he calls Dan one of his "sponcers" [sic], along with another man Diez said is a "multi-multimillionaire" and "very well known in San Francisco." This man bought Corey a car and provided him with plenty of cash and drugs as one of his clients. In Corey’s letter, he says the man "made me into a liveing legand [sic] at the age of twenty two years old by letting me have enough money." Corey listed as his "Boss" a bartender at the Q.T., widely known for facilitating hookups between johns and hustlers, and spoken of warmly by many as being a "big mama" to kids on the street.

By this time, many of the buildings that had held thriving businesses in the ’70s and ’80s were shuttered, leaving sex work and drug sales as a few of the street’s dominant economies. People such as Corey, widely considered to be the most beautiful and lucrative sex worker at the time, were Polk Street’s economic engines.

In fact, Q.T. manager Marv Warren was president of the merchant’s association in the 1990s. The sex trade turned profits on the streets and in the bars. "Most of us didn’t like the idea of these kids hanging out because it didn’t look good," Steve Cornell, owner of Brownies Hardware, recalled. "[But] if there are male prostitutes out there and there are businesses that thrive on that, they’re part of the business association too."

THE BOTTOM LINE


The current conflict on Polk Street has been framed as one between profit-hungry business owners and marginalized queers. But on Polk Street, a coveted bloc of city space long zoned as a commercial corridor, the buck has always been the bottom line.

This is not to discount the deeply emotional ties many have to the area, many who reported escaping abusive families and discrimination to find themselves and their first real family in Polk Street. Just the opposite: the history of Polk Street shows that community and commerce were closely linked.

In the early 1960s, gay men bought up failing shops along the street and created posh clothing stores, record shops, and elegant restaurants. Failing bars and taverns cashed in on gay consumer power. The community combined economic and political power to win major gay rights battles.

Most famously, bartenders formed the Tavern Guild in 1962, the nation’s first gay business association, which combined economic self-interest with charitable support for the nascent gay community. According to historian Nan Alamilla Boyd, the Guild "represent[ed] a marketplace activity that, in order to protect itself, evolves into a social movement."

The Imperial Court, part of the Guild’s fundraising arm, elected Empresses who raised funds for people in the community who needed housing, drug treatment, mental health services, or help with their medical bills. In the ’70s and ’80s, the Polk Gulch was a magnet for young people around the country escaping abusive homes and discrimination, and who therefore did not have the educational or employment background to make it on their own in the city.

Anthony Cabello came to Polk Street from a working class family in Fresno as a teenager in the late 1960s, dining as the guest of an older lover at the posh P.S. Lounge. As a student at a nearby college, he formed lifelong relationships with men on the street who took him to fancy hotels, plays, and dinners. "I did not mind the monetary help, but that wasn’t my primary concern," he said. "I was getting exposed to things that normally, I wouldn’t have the ability to do." He toured Europe in a theater troupe, worked a number of jobs on Polk Street, and now manages the neighborhood’s Palo Alto Hotel, which continues to house people living with AIDS and people of meager means.

Coy Ellison found a safe haven in Polk Street as a teenager in 1978. He did under-the-table work at gay businesses through an unofficial job pool at the street’s bars. That allowed him to avoid being caught by the police and sent back to an abusive home. "There were a lot of people doing that at the time," he said. "Let’s say you needed your apartment painted, was there a kid here who knows how to paint and [the bartenders would] send him off." He later climbed the employment ladder through the bars by working as a bouncer, providing support for new young people coming to the area. He now lives a few blocks away with his partner.

Kevin "Kiko" Lobo moved from San Francisco’s Mission District to Polk Gulch in the early 1980s and found work on the street as a sex worker in bars like the Q.T. "Nobody lost because the bar made money, I got a few drinks, and I met clients." He pooled money with his "street family," made up of teenagers escaping abusive homes and discrimination. On the street, "everything was family," Lobo said. "We all looked out for each other. If you didn’t make any money that day it didn’t mean you were going to sleep on the street." Kiko eventually worked his way into the bar business, becoming a bouncer and later a DJ.

COREY’S STORY


Diez learned that Corey grew up in a deeply religious family in a small town in Minnesota. His mother and father worked in factories, and hunted and fished in the countryside. But "something happened in that family," Diez said. "Either he did something really wrong and they could not put up with him, or they did something wrong and he could not put with up with them, or both — I don’t know." Corey never graduated high school, instead leaving Minnesota for San Francisco.

Corey gave Dan clues as to his move in a series of letters he wrote him from jail, where he was sent on a series of drug charges in the late 1990s. He wrote about three "childhood nightmares" that were "true life stories" and "part of my past survived existence."

He wrote of being part of a "bunch of little gay boys" in high school who "were not allowed to live a normal life one on one with their partners, among lost immediate family, and unforgiven [sic], misunderstanding, or nonaccepting [sic] religious traditional old fashioned folks.

"Our very own parents used to laugh and giggle, and be cruel to us. And no matter how gifted each child was, our parents watched us and made harsh comments, and truly not funny jokes, and then forced us by broken pride, trust, and rejection to survive in Satan’s swamp.

"Some parents are not willing to understand the flower children of the nineties," Corey wrote, but now "I am trying to step out of a nightmare and back into a Dream … [to] kickstart the new flower child era" in San Francisco, "like the hippies once did, so will we rise above once again."

A San Francisco State University study published in Pediatrics in January found that LGBT youth who reported higher rates of family rejection were eight times more likely to report having attempted suicide, and more than three times more likely to use illegal drugs and have unprotected sex, compared with their peers who reported lower levels of family rejection.

Those escaping persecution also appear more likely to be runaways or homeless. While approximately 3-10 percent of the U.S. population identifies as lesbian or gay, 30 percent of youth served by San Francisco’s Larkin Street Youth report that they are lesbian, gay, bisexual, transgender, or intersex.

POLK FALLS APART


By the time Corey arrived in 1990, the twin epidemics of AIDS and methamphetamine addiction were wreaking havoc on Polk Street.

Harvard-educated ethnographer Toby Marotta, who worked on several federally funded research projects in the Polk Gulch, said that by the mid-1980s "the whole southern end of Polk Gulch was being transformed because of methamphetamine use."

Speed was the perfect drug for the early days of AIDS, when people were terrified and confused: it produced feelings of euphoria, a sense of invulnerability, focus, and a desire for sex. But while the drug "produced long mind-escapes" for people who used it, Marotta said, it "completely undercut the personal relationships and social obligations essential to functioning community."

Combined with a national recession and a rash of Polk Street business closures, the economic health of the street, and the support systems enabled by it, suffered a tremendous blow. The money, energy, guidance, and options for street youth employment through local bars and businesses were quickly disappearing.

By the late 1970s, the city’s gay political center had moved to the more affluent Castro District. "For those of us that depended on the street to survive, the money was harder and harder and harder to make," Lobo said. "And that’s what [began] the downward spiral. Some very pretty boys have become very ugly people because of the … loss of the great community."

A large homeless shelter moved onto Polk in 1990, along with much of the hardscrabble Tenderloin population. A different kind of john came to the street, and there was less respect for sex workers, leading to more escape through drug use. Ellison left his work at the bars in the 1990s, when the community of bartenders that had kept violent crime in check on the street broke down. Sex workers increasingly started advertising in newspapers, and later on the Internet.

Corey began using the speed that was rampant on the block, quickly becoming addicted. Diez worried that by continuing to give Corey money, which he used for drugs, he was "keeping him where he was at" instead of helping. "I eventually always gave in because I always wanted to see him have something better," Diez said. "I just enjoyed being with him. Even if we weren’t talking and he was just writing, I just liked him being there. He was company."

As Corey began using more speed, his artwork "became wilder and wilder." He started to lose his teeth, and his blonde hair turned brown. "He went down, I would say, fairly fast," Diez recalled. Spas began to refuse to serve him. He would wander into the street to pick up imaginary children, and began to be more difficult to talk with. "He went into a lot of gibberish or psychobabble," Diez recalled. "He started to look almost Charles Manson-like."

James Harris, a Polk Street community member since 1978, met Corey when he came to the city in 1990. Harris left in the mid-’90s, and when he returned in 2001, he barely recognized Corey. "I just could not believe what I was seeing. What was once a strapping, good-looking, young man had been reduced to this homeless, toothless guy. It freaked me out so bad. It took me a little while to get over it."

Harris has no doubt that Corey’s decline was linked to the breakdown of the Polk community. "If Corey came to Polk Street in 1980, he would have a job as bartender maybe, working somewhere, maybe living in the Castro," he said. "No question about it." Many people who now work in Polk Street businesses and social service organizations started as runaways and sex workers on Polk.

"In the ’60s and the ’70s, it was like a big party atmosphere. I, fortunately was taken under several people wings," said Cabello, the Palo Alto Hotel manager. "Now people don’t have the cash flow, ‘cuz economically times have really changed. People who were out partying and being able to take somebody home and help them find a job are basically waiting in line at Social Security and making sure that their housing is together."

INTO THE SYSTEM


Gay bar patronage decreased citywide in the 1980s and 1990s, the result of AIDS-related deaths, a generational shift, and later the rise of the Internet. The Tavern Guild disbanded in 1995, and by the late 1990s, most of the Polk Street bar owners had either died or retired. Most of the remaining gay bars were remade into upscale heterosexual or mixed drinking establishments, serving new residents attracted by low rents during dot.com era.

Lower Polk Neighbors represented this new bloc of business owners. Diez joined LPN in 2001, when he retired and moved to Pacific Heights. They planted trees, cleaned sidewalks, and successfully pressured the city officials to increase the number of police patrols in the area. In one of their most controversial actions, they opposed the relocation of the RendezVous bar, which they blamed for nurturing the street and hustler population.

Corey and people like him, once the street’s economic engine, were now bad for business. After his string of arrests on drug charges in the late 1990s, Corey always came back to Polk Street after being released. In 1997, he was arrested, diagnosed with HIV while in jail, and sent to a psychiatric hospital.

The most recurrent theme in Corey’s letters from this period were finding love and proving to himself that his love was okay. In a poem, he wrote, "God’s gift a soul /it was not shattered, battered, but whole / … My love from within /was not curse … scattered, tattered, or sin/than [sic] I found I did win /see like yang of yin /by forgiving within /my mind and my kin. I’m forgiving their sins."

When the Rev. Megan M. Rohrer, director of the Welcome Ministry, first met him in 2001, Corey was having "loud, yelling conversations" on the sidewalk outside Old First Presbyterian Church, where he often slept at night. "He was having the conversation of the day he came out to her, and his Mom was always trying to tell him why he couldn’t be gay, and why it was a bad thing. He was always trying to have the conversation that that was who he was, and it was how he loved, and he just kept having the conversation over and over and over, trying to have a different result, which never happened."

The organization formed in the late 1990s as a result of complaints about the increasing number of homeless in the area. Rohrer estimates that 98 percent of the homeless who live in the Polk Gulch and come to the Welcome Ministry have been part of the Polk Street sex work industry. Like Corey, they had aged into the general homeless population.

For four years, Rohrer tried unsuccessfully to place Corey in a hospital or get long-term treatment from the city. Ironically, it was the result of increasing neighborhood complaints that he finally found this. "The neighbors were getting really angry and wanted to get rid of the homeless from the area," Rohrer recalls. In 2005, Corey was arrested on drug charges as part of what she characterized as a sting operation.

The breakthrough came when he was arrested and declared mentally unfit to stand trial for the first time since 1997. The court sent him to Napa State Hospital, a secured mental facility where he was required to take medications. "Finally Corey was getting the mental health services he needed," she said.

In the absence of sufficient social services, this has become standard policing practice, according to Al Casciato, who heads San Francisco Police Department’s Northern Station. "We do not have a front end to the criminal justice system in the health arena that allows us to take these people and put them in a secure facility," he told the Guardian.

"What happens is that we wait until they get in trouble in order to put them in jail to get them off the street and then try to get them into services. We should be trying to get them into services first, but we do not have the capacity to accept everybody into services." Even after police convince a person to use services, during the long waits due to the lack of services, sometimes months at a time, "they fall back into their pattern of either drug abuse, or if they have a mental health issue, their depression starts to spin out again."

Corey was at Napa State for nearly a year on medications. "Corey make some really good strides there," Diez said. "He was also at his artistic high points … he built balsawood airplanes that he gave to children." When he was declared competent to stand trial and sent back to San Francisco, "he was like a completely different person," Rohrer recalled. "He was so with it. He was really clear about what he wanted and where he wanted to go."

But Rohrer spent two months navigating the bureaucracy to get Corey the medication he needed, during which he had slid back into schizophrenia and was no longer willing to take his prescriptions. "It was like watching Corey emerge in this beautiful way and then to disappear," Rohrer said. He’s never been back on medication, and his condition has not improved.

Rohrer was able to find him housing in a nearby SRO hotel through the Homeless Outreach Team, instituted in 2004 as part of Care Not Cash — part of a dramatic move indoors for the homeless in the area. It was an improvement from the streets, on which the supportive "street families" had now broken down. But it’s unclear whether Corey is capable of living on his own, or whether the case managers assigned to him are sufficient.

"They weren’t there," Diez says. "Because I was vacuuming his floor, I was cleaning his sink, I was taking his dirty clothes out. As much as I hate to say it, Corey needs to be in a medical facility where he can have some psychiatric help."

When I visited Corey in his apartment a few months ago, cartoons played on the television, the only piece of furniture other than his bed. His walls were bare and the sink fastened to the wall was clogged with brackish water. The carpet was filthy with cigarette butts and a mouse ran over my feet.

BOTTOMING OUT


Now, with major budget cuts across the board, services are being cut at the time when they are most needed. This will have a tremendous negative impact not only on people like Corey, but also on business owners and service providers in the Polk neighborhood.

The Welcome Ministry will lose big grants next year, Rohrer said. Jennifer Friedenbach, director of the Coalition on Homelessness, says that budget cuts in the works will have a "huge and dramatic impact" on people like Corey and will "devastate" mental health treatment services — with as much as a 44 percent reduction in the publicly-funded mental health treatment system and similar reductions for substance abuse treatment.

Ann R.P. Harrison, director of New Leaf, a mental health organization that serves 1,500 LGBT people a year, says they recently reduced staff hours and the amount of services offered, and, like most nonprofits, are looking at up to a 20 percent budget reduction starting July.

Toby Eastman of Larkin Street Youth, which serves youth under 25, says that $100,000 in HIV prevention services cuts from the Department of Public Health mean "significantly reduced the prevention staff." Eastman expects the cuts to increase next year, at a time when she sees other smaller agencies closing their doors.

Diez and Rohrer take away different lessons from their experiences with Corey. Diez says he has "hardened" about homelessness and has stopped talking with Corey. "I was an enabler for him, which I didn’t like doing but I was always hoping that what I was doing was helping him," he said. "But maybe not. Corey made choices, and maybe they weren’t good choices. And you can’t blame that on the city. It’s gotta go both ways." Once the keeper of Corey’s Social Security card, money, and other personal items, he has now handed that responsibility to Rohrer.

Rohrer sees a failure of the social safety net. "There’s a barrier to getting mental health services that seems like it’s set up so that people will fail," she said. "Places that accept MediCal or city patients can take two months before they can get an appointment. The hospital does not even have the capacity to help those police deem a threat to themselves or others."
"There were gay bars here, and there were affluent men, and that’s not here anymore," Diez said. "The bars are gone, those people who went to those bars don’t come anymore, and Corey’s just a remnant. He’s just existing. He’s surviving. He’s just something that’s eventually going to disappear from the scene."
For now, Corey poses both a challenge for the emerging Polk community and an opportunity for a divided neighborhood to find common ground. He still has dreams, Rohrer says, even if they might not be realistic. "We’re not expecting him to be a Wall Street CEO," she said. "But he’s always going to be stuck in the past if he doesn’t achieve some of his future hopes."
Joey Plaster is curator of "Polk Street: Lives in Transition," an exhibit open through May 31 at the GLBT Historical Society. More information at www.glbthistory.org/PolkProject.

Super Ego: All aboard for Trannyshack Reno, woot

0

By Marke B.

tsreno09a.jpg
Your hostesses Heklina and Renttecca, rolling loaded. Photo by Eric Stein.

Oh lord, is it really that time again already? Time for SF’s crazy drag queens to take their “retarted” acts to a largely unsuspecting hinterland?

I just got wind that homelesslike party Charlie Horse is headed to Fresno (more on that later), and now, here I am posting about the annual Trannyshack bus-terfuck road trip to Reno. Oh hell yeah, there’ll be spastic vogue drops droppin’ in the Mickey D’s.

And really, it’s all about the journey:

Isn’t this the real reason that California might split in two?

So, yes, the much-bemourned Trannyshack is rising from the zombie-swamp, loading a bunch of freaks up onto a couple of busses, and taking over Reno’s bars, hotels, casinos, and sidewalks for a couple of days. It all goes down April 11-12 (Easter weekend). Won’t you join them in a total blackout? Tickets available now!

Full release deets straight from the whorses mouth at www.trannyshack.com and after the jump. Try not to gag on the professionalism!

“The Caretakers”

0

REVIEW As the U.S. continues to blindly race forward, wise eyes look closely at what is left behind. In the case of Bill Mattick’s "The Caretakers," this means uncovering the lives hidden within — and the haunted spirit of — a defunct train station in west Oakland. Surveying the loss that saturates the American West, "The Caretakers" makes a great companion piece to Lee Anne Schmitt’s California Company Town (2008), screening at Artists’ Television Access this week. It also is a kindred spirit to a pair of recent railroad-themed films, Bill Daniel’s Who is Bozo Texino? (2005) and James Benning’s RR (2007). Whether focusing on abandoned landscapes, engaging in cinematic trainspotting, or both, these artists have proven shrewd and prescient (Mattick’s project dates from 2004) about this country’s paths of foolishness. They’ve tapped into the new Depression long before Wall Street would admit it.

Mattick cites the peerless Robert Frank — the subject of a major retrospective coming to SFMOMA this year — as an influence. But while his images bear tonal similarities to Frank’s, people are less likely to occupy his frame of vision. He generates strong atmosphere from mid- and late-afternoon daylight: Stairs on Platform 2004-99 (810) sets aquatic shades of blue and white against the severe shadows of a staircase; the rich green of Distance 2004-186(810) varies from Daniel’s black-and-white treatment of similar subject matter; Paul’s Flowers 2004-108(810) updates Helen Levitt’s fascination with kids’ chalk scrawlings on the streets. Yet a contemporary human story emerged from this largely "empty" setting: that of Willy and Paul, whom Mattick discovered living at the station. They’re an odd couple of sorts: one messy, the other fastidious; one a religious eccentric, the other street-smart and battling addiction. These caretakers exert small acts of control amid society’s debris — things that share their castoff societal status. Mattick’s photography is an act of collaboration with them.

THE CARETAKERS Through April 30. Tues–-Sat., 11 a.m.–5:30 p.m. Corden Potts Gallery at Warnock Fine Arts, 49 Geary, suite 211, SF. (415) 680-5997, www.cordenpottsgallery.com