Berkeley

Rep Clock

David Talbot
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Schedules are for Wed/9–Tues/15 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

AFRICAN AMERICAN ARTS AND CULTURE COMPLEX 762 Fulton, SF; (415) 762-2071. $12-20. Submerged Queer Spaces: Music and Architectural Remains (Dubrowsky), with live music by the Jack Curtis Dubrowsky Ensemble, Fri, 7:30.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. “ANSWER Coalition Film Series:” The Inner Tour (2000), Thurs, 7:30. “Experimental Films and Sounds from the Bay Area,” works by Wiggwaum, Chen Santa Maria, and Jay Korber, Sat, 8.

BRAVA THEATRE 2789 24th St, SF; http://qwocmap.org. Free. “Sixth Annual Queer Women of Color Film Festival,” Fri, 7:30; Sat, 4; Sun, 2.

CAFÉ OF THE DEAD 3208 Grand, Oakl; (510) 931-7945. Free. “Independent Filmmakers Screening Nite,” Wed, 6:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8-13. Sex and the City 2 (King, 2010), call for times, through June 16. “Midnites for Maniacs: She-Roes:” •A League of Their Own (Marshall, 1992), Fri, 6:30; Jennifer’s Body (Kusama, 2009), Fri, 9:30, with screenwriter Diablo Cody in person; The Legend of Billie Jean (Robbins, 1985), Fri, 11:59.

CERRITO 10070 San Pablo, El Cerrito; www.rialtocinemas.com. $7. “Cerrito Classics:” Born Yesterday (Cukor, 1950), Thurs, 7:15.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10.25. Babies (Balmès, 2010), call for dates and times. The Girl With the Dragon Tattoo (Oplev, 2009), call for dates and times. Looking for Eric (Loach, 2010), call for dates and times. Micmacs (Jeunet, 2010), call for dates and times. Touching Home (Miller and Miller, 2009), call for dates and times. The Prisoner of Zenda (Cromwell, 1937), Sun, 7. With Oscar-winning visual effects supervisor Craig Barron and Oscar-winning sound designer Ben Burtt in person to discuss the film’s groundbreaking special effects.

CONTEMPORARY JEWISH MUSEUM 736 Mission, SF; www.thecjm.org. $10. Holy Rollers (Asch, 2010), Wed, 7. With director Kevin Asch and screenwriter Antonio Macia in person.

DECO LOUNGE 510 Larkin, SF; (415) 346-2025, www.decosf.com. Free. “Queer Cinema 101,” Mon, 10. Holly DeVille hosts this weekly show highlighting films that have had an impact on queer culture.

MEZZANINE 444 Jessie, SF; www.sffs.org. $8. “SFFS Film Arts Forum: Far-Flung Films,” Mon, 7.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Icky Flix: Videos by the Residents,” Wed, 7:30. “Brought to Light: Recent Acquisitions to the PFA Collection:” Le bonheur (Varda, 1965), Thurs, 7; The Wild Parrots of Telegraph Hill (Irving, 2005), Sat, 5. “Tales from the Golden Age: Recent Romanian Cinema:” Tales from the Golden Age (various directors, 2009), Fri, 6:30 and Sun, 5; 4 Months, 3 Weeks and 2 Days (Mungiu, 2007), Fri, 9:05. “Akira Kurosawa Centennial:” Red Beard (1965), Sat, 7:15; I Live in Fear (1955), Sun, 7:35.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. When You’re Strange (DiCillo, 2010), Wed-Thurs, 7:15, 9:15 (also Wed, 2). Ride the Divide (Dion and Weeks, 2010), Fri, 7, 9. This show, $10-15. “Burning Man Film Festival,” Sat-Sun, 2. It Came From Kuchar (Kroot, 2009), Mon-Tues, 7:15, 9:15.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. Free-$10.75. “San Francisco United Film Festival,” narrative and documentary films, June 11-17.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Hardcore Manila:” Kinatay (Mendoza, 2009), Sat, 7:30; Sun, 4:30. Pearls on the Ocean Floor (Adanto), Sun, 2. Presented in conjunction with the exhibit “Taravat Talepasand: Drawings.”

Stage listings

David Talbot
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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Die Walküre War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. $15-360. Opens Thurs/10, 7pm. Runs Sun/13, 1pm; June 19, 22, 25, 30, 7pm. Through June 30. San Francisco Opera presents the second installment of Wagner’s Ring cycle, directed by Francesca Zambello.

La Fanciulla Del West War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. $15-360. Opens Wed/9, 7:30pm. Runs Sat/12, Tues/15, June 18, July 2, 8pm; June 24, June 29, 7:30pm; June 27, 2pm. Through June 17. San Francisco Opera presents Puccini’s opera, with Deborah Voigt as Minnie.

Gutenberg! The Musical! Exit Stage Left, 156 Eddy, SF; www.beardsbeardsbeards.com. $20. Opens Thurs/10, 8pm. Runs Thurs-Sat, 8pm. Through June 26. A Theatre Company presents a musical about two writers who scheme to create a Broadway musical about Johann Gutenberg.

KML Goes Undercover Zeum Theater, 221 4th St, SF; www.killingmylobster.com. $10-20. Opens Thurs/10, 8pm. Runs Thurs-Fri, 8pm; Sat, 7pm, 10pm; Sun, 7pm. Killing My Lobster returns with a series of comedic vignette based on the theme of espionage.

BAY AREA

The Drawer Boy Marion E. Greene Black Box Theatre, 531 19th St, Oakl. www.brownpapertickets.com. $10. Opens Sat/12, 8pm. Thurs-Sat, 8pm; Sun, 2pm. TheatreFIRST presents Michael Healey’s comedy about two aging farmers with a family secret.

Speech & Debate Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $34-55. Previews Fri/11, Sat/12, June 16, 8 p.m.; Sun/13, 2pm. Opens June 17, 8 pm. Runs Wed-Sat, 8pm; Sun, 2pm, 7pm; Tues, 7pm. Aurora Theatre closes its 18th season with Stephen Karam’s comedy about three teen misfits connected to a small town sex scandal.


ONGOING

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. Thurs/10, July 8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

All My Sons Actors Theatre of San Francisco, 855 Bush; 345-1287, www.ticketweb.com. $26-38. Wed-Sat, 8pm. Through June 26. Actors Theatre performs Arthur Miller’s masterwork.

Andy Warhol: Good For the Jews? Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through June 20. Renowned monologist Josh Kornbluth is ready to admit his niche is a narrow one: he talks about himself, and more than that, he talks about his relationship to his beloved late father, the larger-than-life old-guard communist of Kornbluth’s breakthrough Red Diaper Baby. So it will not be surprising that in his current (and still evolving) work, created with director David Dower, the performer-playwright’s attempt to "enter" Warhol’s controversial ten portraits of famous 20th-century Jews (neatly illuminated at the back of the stage) stirs up memories of his father, along with a close family friend — an erudite bachelor and closeted homosexual who impressed the boyhood Josh with bedtime stories culled from his dissertation. The scenes in which Kornbluth recreates these childhood memories are among the show’s most effective, although throughout the narrative Kornbluth, never more confident in his capacities, remains a knowing charmer. (Avila)

The Apotheosis of Pig Husbandry SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20-30. Wed-Sat, 8pm. Through Sat/12. SF Playhouse presents the world premiere of William Bivins’ new play, set at the sleazy Lazy Eight Motel, as part of its stripped-down Sandbox Series.

Bone to Pick and Diadem Cutting Ball Theater, Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through June 20. Cutting Ball Theater closes its tenth season with a pair of plays by Eugenie Chan.

Boys Will Be Boys New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through June 26. What happens when you realize you have Gay Attention Deficit Disorder? This comedic musical aims to find out.

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Thurs-Sat, 8pm; Sun, 7pm (no show July 4). Through July 10. Custom Made performs two comedies by Christopher Durang: Sister Mary Ignatius Explains It All For You, and The Actor’s Nightmare.

Forever Never Comes Boxcar Playhouse, 505 Natoma; www.crowdedfire.org. $10-25. Wed-Sat, 8pm. Through June 26. Crowded Fire performs Enrique Urueta’s world premiere "psycho-Southern queer country dance tragedy."

Giant Bones Exit Theatre, 156 Eddy; (650) 728-8098, www.brownpapertickets.com. $15-50. Thurs-Sat, 8pm. Through June 19. Cobbled from the stories of Peter S. Beagle, author of The Last Unicorn, this frolic into the fantasy genre is a multi-corn misstep from writer-director Stuart Bousel. The only good thing about the convoluted plot—which, in addition to the requisite assortment of wizards, dragons, and whatnot has a play-within-a-play dimension featuring a band of caviling actors—is that it is so convoluted you can safely stop paying attention to it almost immediately. For the rest, you will have to endure two hefty acts’ worth of amateurish theatrics, whose look and tone suggest an Interstate mishap between giddy vanloads of Renaissance Fairegoers and Star Trek conventioneers. (Avila)

*Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Thurs, 8pm; Sun, 7pm. Through June 27. On the principle that when you’ve got it you should really flaunt it, San Francisco’s Thrillpeddlers essay their second revival of a musical by the storied Cockettes. Hot Greeks, which premiered in midnight performances at the old Palace Theater in 1972, was the gleefully crazed cross-dressing troupe’s only other fully scripted musical besides, of course, Pearls Over Shanghai.

While not the Oresteia or anything, Hot Greeks is more than an excuse for a lot of louche, libidinous hilarity. Okay, not much more. But it is a knowing little romp — supported by some infectious songs courtesy of Martin Worman and Richard "Scrumbly" Koldewyn — wedding trashy high school romance with the trashy ancient Greece of Aristophanes and the Peloponnesian War. (Avila)

*How I Learned to Stop Worrying and Lost My Virginity SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20. Sun, 7pm. Through June 27. A natural born charmer and a comedic actor with hard-won training behind her, Aileen Clark wins over an audience within about ten seconds. But her stories (co-scripted by John Caldon and ably directed by Claire Rice) turn out to be just as solid: all of them loving, irreverent, and unfailingly hilarious autobiographical accounts of coming of age across three cultures. Born to a Nicaraguan mother and a Scottish father and raised principally in Brazil, Managua and San Francisco, Clark’s perfectly pitched monologue comes liberally spiced with Spanish and Portuguese, sweetened by an affecting but never maudlin honesty, and stirred with a feisty humor clearly a lifetime in the making. As well paced and energetic as this Guerilla Rep and Ann Marie co-production is, it could probably be tightened further by shaving some 10 minutes off the 90-minute run time. Nonetheless, you are not likely to regret a minute of this frank and funny, wise and sassy visit to Aileen’s world. (Avila)

Krapp’s Last Tape Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through July 3. Cutting Ball Theater remounts its strong, recent production of Samuel Beckett’s hour-long solo play, featuring a full-fledged and satisfying turn by a hearty, slyly comic Paul Gerrior as the titular Krapp, reflecting on the fleeting sense of self recorded on reel-to-reel tapes over the course of a long life. Artistic director Rob Melrose approaches the material with supreme assurance and passionate but never stifling fidelity. David Sinaiko provides the recorded voice of the younger Krapp, expertly balancing a passion and unselfconscious pomposity that has Gerrior’s Krapp alternately bemused, euphoric, and wincing through one of Beckett’s most autobiographical and surprisingly affirming pieces. Melrose’s choice use of scenic elements, meanwhile, including the palpably solid 1950s-era tape machine, places Gerrior (suitably odd and natty in costumer Maggie Whitaker’s dapper vest, high-water trousers and white shoes) in a kind of communion with the reel and the real—an affecting and quietly unsettling relationship, pitched against an infinite blackness all around, that has Krapp at one point resting his head gently on the machine as he and the insubstantial voice of his younger self relive a moment of intimacy with a long-gone lover. (Avila)

Marga Gomez is Proud and Bothered New Conservatory Theater Center, 25 Van Ness; 861-8972, www.nctcsf.org. $18-40. Thurs-Sat, 8pm (no show June 25); Sun, 2pm. Through June 26. Gomez performs her GLAAD Media award-winning comedy.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Fri-Sat, 8pm. Through June 26. Starting July 10, runs Sat, 8pm and Sun, 7pm. Through August 1. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Sandy Hackett’s Rat Pack Show Marines’ Memorial Theater, 609 Sutter; 771-6900. $30-89. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 27. From somewhere before the Beatles and after Broadway "Beatlemania" comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The band is all-pro and the songs sound great — DeCosta’s singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don’t just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic. (Avila)

"Something C.O.O.L.: The Summer Cabaret Festival" Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Free-$10. Mon-Tues, 7:30pm; Wed, 8pm. Through June 27. Cabaret singer Carly Ozard presents six diverse showcases (Mon-Tues nights) and hosts open mics (Wed nights) with professional performers.

Speed the Plow Royce Gallery, 2910 Mariposa; 1-866-811-4111, www.speedtheplowsf.com. $28. Thurs-Sat, 8pm. Through June 19. Expression Productions performs David Mamet’s black comedy.

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun/13, June 20, and July 11, 2pm. Through July 11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Fri/11, June 18, 9pm; June 20, 7pm; June 12, 8pm. Through June 20. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

"Fireworks Festival" Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. Through July 3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes "Scoop" Nisker.

God’s Ear Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $15-28. Wed, 7pm; Thurs-Sat, 8pm; and Sun, 5pm. Through June 20. Against a frozen, deceptively empty-looking landscape of perpetual winter, an anguished married couple stagnates in grief over the accidental death of their young son. Estranged by the sorrow and guilt they feel, they spend most of the time apart but not alone: Mel (Beth Wilmurt) stays at home, where she loses herself in obsessive domestic projects while fielding questions from their surviving daughter — the equally traumatized but far more resilient Lanie (Nika Ezell Pappas) — with assists from the Tooth Fairy (Melinda Meeng) and G.I. Joe (Keith Pinto); meanwhile, Ted (Ryan O’Donnell) wanders in his business suit through a string of airports and airport bars commiserating with other lost souls (Joe Estlack and Zehra Berkman). New York-based playwright Jenny Schwartz’s whimsical meditation on the process of grieving is something like The Rabbit Hole as written by Ionesco, fueled by dialogue that makes an overly showy and eventually tedious hysterical poetry of the banalities, clichés, and platitudes spoken by her stricken characters as a kind of prefab linguistic armor — everything and anything to avoid saying something. Director-choreographer Erika Chong Shuch stages the action in this Shotgun Players production with warm energy and imagination, however — and a handful of tuneful, clever songs from composer Daveen Digiacomo — compensating somewhat for the motionless plot. Moreover, Shuch undercuts the play’s maudlin tendencies by moving her able actors and even the stage properties around in swift, comical, aptly dreamlike fashion, as the stunned couple continue their largely separate meanderings, meaningfully spouting "meaningless" lines about bucking up, or settling in, or riding off, etc. The problem is there is not much beneath this frozen surface of clichés beyond more cliché. (Avila)

*In the Wake Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $13.50-71. Tues and Thurs-Sat, 8pm (also Thurs and Sat, 2pm; no matinees Sat/12, or June 17; no show June 25); Wed and Sun, 7pm (also Sun, 2pm). Through June 27.

Brilliantly weaving the political and the personal, New York playwright Lisa Kron takes on the myth and mayhem of American exceptionalism through the prism of a compelling lefty smarty-pants named Ellen (Heidi Schreck) and her "alternative" family circle, as it slowly unravels during the first decade of the 21st century. From her modest Manhattan perch — shared with adoring, wise-cracking longtime boyfriend Danny (Carson Elrod) — Ellen rails against the ineptitude of the Democrats in the face of the rising Right and its season of havoc. But she’s already told the audience she has a problem with "blind spots," much like the country. Projections of headlines and sound bites, intermittently splayed across the fortified proscenium arch, locate the action at precise moments in the dreary political timeline of the last decade, beginning with the 2000 election coup that has put a damper on Thanksgiving festivities (despite inclusion of Pilgrim smocks). Her sister (Andrea Frankle) and sister’s wife (Danielle Skraastad) are there too, along with Ellen’s older friend Judy (Deidre O’Connell), a cranky, deceptively oblivious relief worker just back from a refugee camp in Africa. As time goes by, and Ellen turns to an open relationship with a woman filmmaker (Emily Donahoe), our protagonist’s bedrock assumptions about the natural order of things get sorely tested. Leigh Silverman directs a top-notch cast in a remarkably engaging mix of political dialogue and personal entanglements, written for the most part with stirring intelligence and incisive humor. If the play loses focus and momentum by the second act — despite a wonderfully charged scene between Ellen and Judy that is the play’s most memorable — its wit, real anger and constructive irreverence still make it too good to miss. (Avila)

John Steinbeck’s The Pastures of Heaven Bruns Amphitheater, 100 California Shakespeare Theater Wy, Orinda; (510) 548-9666, www.calshakes.org. $34-70. Tues-Thurs, 7:30pm; Fri-Sat, 8pm (also June 26, 2pm); Sun, 4pm. Through June 27. Cal Shakes kicks off its season with Octavio Solis’ world-premiere adaptation of John Steinbeck’s 1932 novella.

Loveland The Marsh Berkeley, 2120 Allston, Berk; (800) 838-3006, www.themarsh.org. $25-50. Sat/12, June 18, 25, July 2, 9, 7pm; June 25, July 3, 5pm; Sun/13, June 20, July 11, 2pm. Ann Randolph’s comic solo show about an irreverent woman’s trip back to her childhood home in Ohio.

1001 Berkeley City Club, 2315 Durant, Berk; (510) 488-4116, www.justtheater.org. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through June 20. Just Theater performs Jason Groete’s Arabian Nights-inspired tale of post-9/11 life.

Opus Mountain View Center for the Performing Arts, 500 Castro, Mtn View; (650) 463-1960, www.theatreworks.org. $27-62. Tues-Wed, 7:30pm; Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through June 27. TheatreWorks performs Michael Hollinger’s drama, set in the world of chamber music.

Twelfth Night La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through June 12. You’ve got to hand it to Impact Theatre: they make reimagining Shakespeare look so darnned easy. To set a crass comedy about class, obsession, and mistaken identity at "Illyria Studios" in the heart of tawdry Tinseltown seems like such an obvious take, you wonder why it took someone so long to get around to doing it. True, the execution is not as vivacious as last year’s A Midsummer Night’s Dream, but overall, the enthusiastic cast and timeless humor win the night. (Gluckstern)

Woody Guthrie’s American Song Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, www.marintheatre.org. $34-54. Tues, Thurs-Sat, 8pm (also Thurs/10, 1pm; June 20, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Marin Theatre Company presents Peter Glazer’s musical based on the life and times of the legendary songwriter.

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.

PERFORMANCE/DANCE

"Bakla Show II" Thick House, 1695 18th St; www.brownpapertickets.com. Thurs-Sat, 8pm. Through Sat/12. $15-20. Bindlestiff Studio presents this theatrical exploration of queer Filipino identities, inspired by myths and folktales.

"Bay Area Festival of Flamenco Arts and Traditions" Various venues; www.bayareaflamencofestival.com. See website for dates and prices. Performers include Manuela Carrasco, Suspira Flamenco, and Manuel Agutejas.

"Festival of New Voices II: The Next Wave of Solo Performance" Marsh San Francisco, 1062 Valencia; 1-800-838-3006, www.themarsh.org. Wed-Thurs, 7:30pm; Fri, 8pm; Sat, 5, 5:30, 8:30, and 9pm; Sun, 3pm. Sun/13. $7.50-50. Six new full-length works and 11 shorter works make up this solo-performance fest.

"Garage All-Stars 2" The Garage, 975 Howard; www.brownpapertickets.com. Sun/13-Mon/14, 8pm. $10-20. AIRspace presents an evening of queer women choreographers.

"Katya…A One Night Stand" Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Sun/13, 7pm. $17. San Francisco’s red-headed Countess presents her latest cabaret show.

"Live, Love and Rituals" Dance Mission Theater, 3316 24th St; www.dancecontinuumsf.org. Fri/11-Sun/13, 8pm. $20. Dance Continuum SF presents its annual season concert.

"San Francisco Ethnic Dance Festival" Palace of Fine Arts, 3301 Lyon; 474-3914, www.worldartswest.org. Sat-Sun, 2pm (also Sat, 8pm). Through June 27. $22-44. Nearly 600 Bay Area performers representing 20 cultures participate in this 32nd annual festival.

"Ungrateful Daughter: One Black Girl’s Story of Being Adopted into a White Family That Aren’t Celebrities" StageWerx, 533 Sutter; www.stagewerx.org. Thurs-Sat, 8pm. Through Sat/12. $20-25. Lisa Marie Rollins performs her autobiographical show.

Alerts

David Talbot
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0

alert@sfbg.com

THURSDAY, JUNE 10


“This Bridge Called My Back”

Radical Women, an international socialist feminist organization, begins its summer Fiery Feminist Theory Series with selected readings from This Bridge Called My Back: Writings by Radical Women of Color. Home cooked dinner with vegetarian options available at 6:15 p.m. for $7.50.

7 p.m., free

New Valencia Hall

Suite 202

625 Larkin, SF

(415) 864-1278

FRIDAY, JUNE 11


ARCO/BP Boycott Party

Join this peaceful protest calling for the shut down of BP franchises. If you feel helpless as oil continues to kill wildlife and poison the Gulf of Mexico and its shores, make your voice heard with your dollars. Boycott BP and it’s franchises, including Amoco, Castrol, ARAL, ARCO, AM/PM, and Wild Bean Café.

5:30 p.m., free

ARCO Gas Station

1175 Fell, SF

Berkeley Critical Mass

Advocate for the creation of human speed transportation zones while having fun with other members of the bicycling community at this “bike prom” themed critical mass through the streets of Berkeley.

6 p.m., free

Gather at Berkeley BART

Center and Shattuck, Berk.

www.berkeleycriticalmass.org

SATURDAY, JUNE 12

 

Drone Warfare

Join this community forum on the moral, ethical, and legal implications of drone warfare. Use of drones by the U.S. military has increased and is responsible for the deaths of numerous civilians. The U.S. military argues that using drones in sensitive areas reduces the risks to American lives. Hear experts and activists against drone warfare weigh in on this debate.

1:30 p.m., free

Berkeley Public Library

Third Floor Community Room

2090 Kitteredge, Berk.

(510) 845-3815

www.gawba.org

 

Toxic Triangle Hearing

Speak out against the environmental racism and cumulative pollution affecting poor communities in San Francisco, Oakland, and Richmond. Demand action from the Environmental Protection Agency, Bay Area Air Quality Management District, State Department of Toxics, Health Department, Navy, and elected officials.

9 a.m., free

St. John’s Baptist Church

825 Newhall, SF

(415) 284-5600

 

World Naked Bike Ride

Help get the message out about America’s inadequate energy policy, which is harming our economy, the environment, and the planet by catering to oil cartels and increases dependency on oil imports. Go as bare as you dare and arrive early for body paint. Special attention will be paid to protesting BP. Simultaneous worldwide bike rides also scheduled.

Noon, free

Meet at Justin Herman Plaza

Market at Embarcadero, SF

wiki.worldnakedbikeride.org

TUESDAY, JUNE 15

 

Peace Pie Cookbook

CodePink tells the story of women “waging peace” in a new book, Peace Never Tasted so Sweet: Deliciously Sweet and Savory Pie Recipes from Women around the World. Attend this release party and pie-tasting featuring speakers Medea Benjamin, cofounder of CodePink and Global Exchange; recipe contributor Samina Faheem, founder of American Muslim Voice; and recipe contributor Lorene Zouzounis reading poetry.

6 p.m.; free, $5–$10 suggested donation pies

Mission Pie

2901 Mission, SF

www.codepinkalert.org

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

 

Bucharest calling

Jesse Hawthorne Ficks
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Bucharest calling

arts@sfbg.com

FILM In the five years since Cristi Puiu’s improbable epic, The Death of Mr. Lazarescu (2005), a small group of philosophically-inclined filmmakers who were still young during the last days of Ceausescu have been disproportionately responsible for the minor masterpieces of world cinema. None of the Romanian films at Cannes (including Puiu’s follow-up, Aurora) nabbed a prize this year. But the three features in the Pacific Film Archive’s “Tales from the Golden Age: Recent Romanian Cinema” series — Lazarescu, 4 Months, 3 Weeks and 2 Days (2007), and Police, Adjective (2009) — were all heavily garlanded. They gain power when seen in series, where their common syntax comes into focus.

All three films unfold as underground odysseys. A character is tested in a series of trials flowing, directly or indirectly, from the state. In Lazarescu, the eponymous figure is sent upon a Styx-like course of hospitals, accompanied first by reproachful neighbors and then a willful medic. By the time the doctors correctly diagnose his original complaint of the stomach and head, his neurological condition has deteriorated to the point that he can no longer form the words himself. In 4 Months, we trace a young woman’s movements through the city as she ensures a safe course for her friend’s illegal abortion (the film is set two years before Ceausescu’s fall). As more and more is asked of her promise, the film’s handheld style comes to seem charged by irreversibility. In Police, Adjective, we watch a quiet young detective trail a dead-end case: he’s been assigned to gather evidence for a uselessly punitive drug bust of a few teenaged hash-smokers. When he finally refuses to order a raid, he gets an unexpected linguistics lesson from his chief (played with appalling charisma by Vlad Ivanov, the abortionist in 4 Months; in both films he seems the very embodiment of the banality of evil) who dismantles the detective’s logic word by word.

With narratives like case histories, peeling back a social situation until its very marrow is exposed, these films take no shortcuts to empathy. Morality is specifically broached, and each centers on protracted, tangled negotiations carried off by wonderful acting. The apparent detachment of the long-take style is deceptive. In fact, the films’ scenarios are rigorously worked out to express moral quandaries with concern for those on the receiving end. The ostensible real time of the long take is easily distended by exigent circumstances; the decision not to cut gives a taste of the agony, powerlessness, and tension that meet the characters. Indeed, the observational camera is an insinuation, drawing us into the complex ethical mechanics at the level of action and plot. They induce the presence of mind required to dislodge a nasty splinter. It’s difficult to imagine an American documentary taking on health care with an unblinking intransigence on par with Lazarescu, and this, more than the formal style, accounts for critics using the language of ethics and truth to describe the film.

By positioning individual characters at the margins of a centralized bureaucracy, the Romanian films certainly do illuminate untruths. Several of the broad shorts in the new omnibus film, Tales from the Golden Age, threaten to turn the gnomic quality of the Romanian films into shtick, but in the context of the PFA series, these “urban legends from the Ceausescu era” put a gentle historical spin on some of the leitmotifs of the earlier features. The best by far is The Legend of the Air Sellers, a tender 4 Months-meets-John Hughes film in which a teenage girl joins up with a scruffy older guy for a decidedly low-tech scam: they take bottles from local residents under the premises of collecting water and air samples for the state and then redeem the glass for change. The con is revealing of a central paradox of the period: that citizens could be frustrated by the state of things while at the same time credulous that the state would fix them. The girl is a natural capitalist, farming out bottle collecting to unwitting landlords; the boy, for his part, only really wants to watch VHS tapes on a prized video player.

Harun Farocki and Andrei Ujica’s found footage essay-film, Videograms of a Revolution (1992), is the outlier of the series both in terms of age and form, but in its methodical analysis of the Romanian Revolution of 1989 as a paradigmatic modern event, the film draws very close to the social relevance of the recent Romanian films — much closer than the nostalgia-tinged episodes of Tales from the Golden Age. Two sequences in Videograms loom large for the Romanian films in the PFA series. In the first, Ujica’s voice-over identifies an initial spark for the revolution in a moment of intercessional static, when an official camera trained upon Ceausescu’s scripted reality pans to observe a disturbance in the crowd, “more out of curiosity than resolve.” Then there are those bundled shots depicting newly victorious revolutionaries dug in at the political headquarters and TV station (an important location for Police, Adjective director Corneliu Poumboiu’s 2006 film, 12:08 East of Bucharest). Attempting to forge their initial reforms, they flail at the deeply ingrained restraints of institutional language.

Toward the end of Videograms, we watch dramatic embedded footage of ragtag revolutionaries and other civilians taking cover from sniper fire coming from one of the oppressive high-rise buildings that play such a prominent part in the Romanian cinematic imagination. Ujica’s voice-over takes analytical measure of the scene: that the belief in an enemy is a binding legacy, a “recollected habit,” and that the unspoken fear so long deployed by Ceausescu’s regime as “internal tactic of deterrence” will not simply vanish. The new Romanian cinema was surely born in the shadows of this phantom fighting.

TALES FROM THE GOLDEN AGE: RECENT ROMANIAN CINEMA

June 11–June 27, $5.50–$9.50

Pacific Film Archive

2757 Bancroft, Berk.

(510) 642-5249

www.bampfa.berkeley.edu

The best worst I’ve ever had

John Elberling
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The best worst I’ve ever had

By Sam Stander

There are few fandoms so charmingly enthusiastic as the hordes of video-hounds who treasure Troll 2 (1990), by many accounts the worst movie ever made. This past Saturday night, the East Bay took its turn in the publicity blitz for Best Worst Movie, a documentary about the Troll 2 phenomenon, directed by the ridiculous horror flick’s then-child star Michael Paul Stephenson. Stephenson appeared with his costar George Hardy in San Francisco on Friday, but only Hardy was on hand for the Saturday night screenings at Berkeley’s Shattuck Cinemas.

The theater wasn’t full, but many of its seats were filled with Troll 2 diehards — the woman seated to my right sported a green shirt bearing the legend “GOBLIN.” The uninitiated might be wondering what such a shirt has to do with a movie named for trolls; well, Troll 2 doesn’t feature any trolls, but rather a town (called Nilbog) filled with sap-thirsty vegetarian goblins. About ten minutes before the lights went down for Best Worst Movie, one guy in the audience loudly paraphrased Stephenson’s revelatory line from the film, shouting, “Oh no, Nilbog is ‘goblin’ spelled backwards!”

VIDEO: http://www.youtube.com/watch?v=fTfjb8Fgiyg

These were, by and large, not Troll 2 virgins, and their reactions to the documentary were warm and joyful. Even some of Best Worst ‘s most uncomfortable or sad moments drew laughter — Stephenson’s movie impeccably balances the camp-informed following of the film with tenderly observed portraits of the ordinary, extraordinary, and occasionally mad participants in the original film fiasco.

As the credits for Best Worst Movie rolled, George Hardy, who plays Troll 2 ’s father figure, Michael Waits, took to the front of the theater, mic in hand. He’s 55 now, a well-established dentist in Alexander City, Alabama, and after a first wave of engaging with his cultish fans that began a few years ago, he’s back on the road to promote the documentary. On Saturday he gave numerous shout-outs to his cousins and dentist friends in the audience at Shattuck Cinemas, often speaking directly to them.

VIDEO: http://www.youtube.com/watch?v=5tFgZ6DmXmw

Hardy answered questions about the experience with the mostly Italian crew of Troll 2 — “pretty unprofessional, really” — as well as participating in the documentary. For one part of Best Worst, where the core cast returned to the house where much of Troll 2 takes place, he indicated they paid $1500 to clean up the house just so they could enter it.

Hardy spoke in awed tones of a dental patient from 12 years back who had come out of the woodwork for the San Francisco screening the night before — she lived just down the street from the Lumiere Theatre. But the real emotion came when he started to talk about Michael Paul Stephenson, for whom he seems to have a great deal of admiration and love. His light, scatterbrained yet sincere approach to answering the audience’s questions might have been due to tipsiness. “I did have a glass of wine before I came over here,” he admitted.

VIDEO: http://www.youtube.com/watch?v=_OiD6IlBmtk

I asked Hardy if he’s received any other offers for film roles since the resurgence of Troll 2. He pointed out that he has appeared in one other film, Street Team Massacre (2007), but volunteered the fact that he can’t memorize lines.

Hardy said this was something like theater number 78 on the Best Worst Movie tour, but declared Shattuck Cinemas one of the nicest venues. Then it was back to number 77 again, the Lumiere in SF, to do another Q&A and introduce a midnight screening of the offending film itself, Troll 2. That screening was similarly attended by a small knot of fans, but for those in the audience who hadn’t had the pleasure, Hardy offered, “It’s a religious experience, I promise.”

VIDEO: http://www.youtube.com/watch?v=9KCct4RwLNM

Bongtastic!

Andrew Lam
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Bongtastic!

Science: it brought us non-stick saute pans, the Internet, timed traffic lights — and now, once again, it is making our lives better through the advancement of empirical knowledge. Of course, I’m referring to the findings enclosed in the new publication from Berkeley’s Ten Speed Press, Bongology.

Author Chris Stone is hardly one to rest on his laurels. Indeed, he has made significant contributions to the world of science, art, and culinary wisdom. The fruits of his endeavors can easily be referenced by his three publications; Spliffgami, Bongology, and the upcoming Baked: Marijuana Munchies to Make and Bake. A true renaissance man, a man for our time.

In honor of his achievements, I’ve assembled here a top ten list of his most illustrious designs for the scientifically correct consumption of herbals. You too, can be a scientist. By making bongs, people, lots of bongs. (*Insert golf claps)

  1. “Mini Liquor Bottle Vaporizer”: Airplane people, you tell me I can’t bring my pipe on the plane. So, whatever, that’s cool. I’m just gonna smoke out of your in flight service refreshments. Thanks, Dr. Stone! Ba-bam!

  2. “The Party Hookah”: What to do when the entire party wants to get high at once? Emily Post, to my knowledge, has never codified etiquette for the situation. The smart hostess will have at least one of these homemade beauties on hand, which can accommodate five super buddies at once.

  3. “Office Bong”: Again, big ups Doc Stone, this time for helping me understand the world around me. I finally grok the “caffeine addiction” of my Guardian editors. (No one in particular, mind you. Cough Marke B. cough.) This little gem of creativity needs only your standard to-go coffee cup, some everyday office supplies, and a healthy regard for creativity in the workplace.

  4. “Jam Jar Hookah”: God I love precious things. This has immense potential to be, scientifically speaking, the cutest fucking thing ever.

  5. “Earth Pipe”: Dude, I love the Earth. Wanna smoke out of it? No lie people, Dr. Stone (his real name, fancy!) has pioneered a way to use the very dirt beneath your feet to get lifted.

  6. “The Lung”: Actually, the illustration of the finished product of this particular model makes my stomach turn a little. But a large plastic bag inflating and collapsing into a liter bottle is just… so… sciencey — it makes the top ten!

  7. “Teapot Bong”: Granny will love it! I hear this is how they smoke in England.

  8. “Backyard Bong”: Finally, put those watering cans to use! I hear this is how they smoke in Berkeley.

  9. “Recorder Pipe”: Everyone was required to learn “Three Blind Mice” on their recorder in fifth grade. Didn’t they know that music is a gateway drug?    

  10. “The Bathroom Bong”: Don’t get squeamish on me now, people! We’re just delving deep into the realms of science. The first step to deployment of this specimen requires making your toilet cistern air tight. And that’s all I’m authorized to release.  

aaaand my least favorite: “The Mask”: No, no, no! I refuse to put a gas mask on my face and fill it with weed. I don’t care what cutting commentary it is on the futility of war, it’s just freaky and vaguely unsafe.

FREE! 7TH ANNUAL BERKELEY WORLD MUSIC FESTIVAL

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FREE! 7TH ANNUAL BERKELEY WORLD MUSIC FESTIVAL

 The free 7th Annual Berkeley World Music Festival showcases a dizzying range of world music  performances Noon to 9 PM, on Saturday, June 5th in Telegraph Avenue cafes and shops near UC Berkeley, plus featured concert in People’s Park with Zydeco Flames, Kri Darag! (World fuson-Cambodian Pop) and Sekhou Senegal (West African Music & Dance). There’s everything from The Afrofunk Experience, Ancient Future’s Mathew Monfort (Celtic-Raga), Yassir Chadly (Morrocan riffs), Grupo Falso Baiano (Brazilian Choro), Gramaphone & Dynamo (Greek Rebitika-Balkan-Ladino), Quijeremá (New Latino Folk) and Melanie O’Reilly (Gaelic-Jazz) to belly dance, gamelan & more! Festival epicenter is Telegraph at Haste Street where you can pick up an event map & schedule. As if spectacular free live music isn’t enough, Berkeley Poetry Festival and a unique crafts bazaar where local culture meets world arts ‘n crafts run concurrently until 6 pm. Not to be missed is the Ashkenaz AfterFestival Party at 1317 San Pablo Ave near Gilman Str., with $12 cover starring Markus James & the Wassonrai (Africa meets Mississippi rifts).

For more information visit: www.berkeleyworldmusic.org

Viva La Peña

Jesse Hawthorne Ficks
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Viva La Peña

Here’s to you, Salvador Allende. Our governmental baddies-that-were may have helped assassinate you over the copper-nationalizing ways of your democratically elected Chilean presidential administration. But in your passing, you inspired the birth of an East Bay community center focused on the use of art for social awakening. Which we’re happy to tell you continues to be an integral part of our area’s radical cultural milieu to this day. I’m talkin’ about La Peña Cultural Center, which is celebrating its 35th anniversary Sat., June 5 — a day that will henceforth known as La Peña Day in Berkeley.

You should check it out, Mr. A. Oh wait — you’ve long since shuffled off this mortal coil. My bad. Pero no importa, mi amigo, I’ll tell you about it.

Back in 1975, things were much as they are today, with bullheaded “leaders” encroaching on the sovereignty of other countries. Rankled over the turmoil in Chile, Panama, and Nicaragua, a cadre of political activists took over the rent of a defunct French restaurant in Berkeley.

And just what were these hippies and reds up to? The budding La Peña’s aim was to disseminate information about the conflicts in a way that was not just educational but entertaining. “The core was to use art and music, because you can reach more people that way. It’s much more accessible than political speeches,” executive director Paul Chin tells me. Their model was the Chilean peñas where Allende began his political campaign — salons where art, politics, and community flowed comfortably.

I’m having this conversation with Chin in the center’s lobby. On the walls around us is the center’s 35th anniversary mural, painted by local artists collective Trust Your Struggle. It’s a contemporary take on La Peña’s frontal façade on Shattuck Avenue, an eye-popping 3-D work the center is known for. We’re light-years and several generations from the center’s first years, back before the Internet, before Bushes I and II (and Reagan!), before Shakira, even before Ricky Martin.

Back then, Chin tells me, art and music from the developing world was considered less sophisticated than their Western counterparts. So La Peña began bringing in acts from around the world, artists who could communicate the struggle in their own countries. For some, the fact that they were gracing an American stage was a political statement in and of itself. Over the years, a few got famous: Eddie Palmieri, Los Lobos, Julieta Venegas, and Isabel Allende have performed there — even folk legend Pete Seeger played a La Peña-sponsored show at Berkeley Community Theater.

The center has grown, offering art courses for youth and adults, gallery shows that include international and local artists, weekly jam sessions for immigrant communities. It has hosted cultural series in conjunction with numerous community groups, on Arab culture, on the black lesbian experience, on hip-hop. The center has multiple stages and one of the region’s few Chilean restaurants attached to the lobby so “we can provide food for the body as well as the spirit,” Chin said.

It’s a successful exercise in cross-cultural understanding through art. “I’m proud to say that our stage has been reflective of most of the oppressed communities in the U.S.,” Chin said. But it’s an ongoing process. He recounts an incident with a male-dominated weekly drum session that was reported to be excluding women from hitting the skins. The artists were told to let the ladies play or leave. (Happily, they decided the space for their music was more important than their machismo).

The kaleidoscopic lineup planned for La Peña’s 35th anniversary party, which also serves as the celebration for the newly designated La Peña Day, is a fitting tribute to the center’s accomplishments. A Friday night concert of infectious cumbia beats by Chilean musician-activists Chico Trujillo. A free Saturday street festival featuring dancers, classes, and singing. And, later that evening, a performance by Las Bomberas de la Bahia, local percussionists who play classic Puerto Rican bomba music. Las Bomberas, by the way, is an all female group.

¿Te gusta, Señor Allende?

LA PEÑA 35TH ANNIVERSARY CELEBRATION

Chico Trujillo: Fri/4, 8–10 p.m., $15–$18

La Peña Day Street Carnival and Fair: Sat/5, 12–6 p.m., free

Las Bomberas de la Bahia and Rebel Diaz: Sat/5, 9 p.m., $10–$12

La Peña Cultural Center

3105 Shattuck, Berk.

(510) 849-2568

www.lapena.org

 

Vow and later

Jesse Hawthorne Ficks
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Vow and later

FILM A friend recently opined that movies about hitched couples stumbling through matrimony were far less fun to watch than movies about unmarried couples fumbling toward commitment. There is a kernel of truth here. The question "Will they get together?" is certainly more tension-filled than "when will they finally concede defeat?"

Agnès Varda, one of cinema’s smartest and slyest observers of gender relations, disproves my friend’s hypothesis and gives matrimonial ennui a gentle ribbing in two early films: La Pointe Courte (1955), her debut, and Le bonheur (1965). Screening as part of the Pacific Film Archive’s showcase of recent acquisitions, "Brought to Light," both films nominally revolve around married couples negotiating crises. Varda, however, is far more interested in observing marriage as a social contract, one that not only frequently skews in favor of men, but that also isolates both participants from the rest of the world as much as from each other.

Arguably the stylistic precursor to what would become the French New Wave, La Pointe Courte cuts between the everyday tragedies that befall the inhabitants of a small Mediterranean fishing village and the urban married couple visiting their community. The couple complains of looking for something new and fresh (hence the vacation), even as they remain oblivious to the villagers’ dramas happening around them. When the two narrative threads join at the film’s end, at the town’s ritual jousting match, the couple’s resolution to continue on is secondary to their finally coming together with the social whole.

In contrast to the black and white pensiveness of La Pointe Courte, Varda’s third feature, La bonheur, is a cheerful affair about, well, an affair. Infidelity has never looked so painfully pleasant. Filmed in a sunny palette with a soundtrack of Mozart chestnuts, Le bonheur revolves around François and Therese (real-life couple Jean-Claude and Claire Drouot), whose picture-perfect marriage includes two adorable kids and Sunday picnics in the country. Enter Émile, a young woman who catches François’ eye. The two start an affair, and François discovers that he has doubled his happiness. Eventually he comes clean to Therese, who, in the film’s most shocking moment, steps down as his "wife," offering Émile her place.

François tries to be an honest husband and have it both ways, but has to make a choice. He chooses his happiness over Therese and the family he has made with her. Varda doesn’t judge him for it, but she doesn’t really have to: he’s effectively tied the rope to hang himself with. After all, as Varda later remarked about her film, "Happiness is a fruit that tastes of cruelty." Perhaps the problem with marriage, then, is the "happily ever after" part.

LA POINTE COURTE

Sun/6, 5 p.m., $5.50–$9.50

Le bonheur

June 10, 7 p.m., $5.50–$9.50

Pacific Film Archive

2575 Bancroft, Berk

(510) 642-5249

The Daily Blurgh: Gaydar, crafting-as-protest

Jesse Hawthorne Ficks
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The Daily Blurgh: Gaydar, crafting-as-protest

Curiosities, quirks, oddites, and items from around the Bay and beyond

Gaydar may actually exist.

*****
Who do you wanna see at Outside Lands this year? Lord, please let Janelle Monae and Al Green do a duet.

*****
Berkeley does indeed have a Tea Party: “Rogue knitters encamped along the Berkeley-Oakland border with lawn chairs, tea cakes and knitting projects to protest the city of Berkeley’s order that they remove an 8-foot knitted tea cozy they sewed over the T in a public sculpture they believe insults Oakland.”

*****
I’m all for going green and buying local but when you describe your business as, “[a] hipster green lifestyle market… celebrating all things cool about being a green localist,” my head can’t but help hit my desk. Go easy on the buzz-speak people.

*****

Deadly trips at Cow Palace rave.

******

RIP Louise Bourgeois. If you haven’t checked out “Mother and Child,” an exhibit of Bourgeois’ recent, maternally-fixated work currently hanging at Gallery Paule Anglim, please do so. There’s also the arachnid pile-up The Nest in SFMOMA’s sculpture garden and Crouching Spider at Pier 14. Peter Orlovsky, poet and longtime companion to Allen Ginsberg, and iconic actor Dennis Hopper also left this plane over the weekend.

Benefits: June 2-June 8

David Talbot
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Benefits: June 2-June 8

Ways to have fun while giving back this week


Wednesday, June 2

Headlands Center for the Arts Auction
Attend this benefit featuring work by more than 85 contemporary artists with cocktails, hors d’oeuvres, and entertainment.
6:30 p.m., $100
Herbst International Exhibition Hall
The Presidio
385 Moraga, SF
www.headlands.org/auction

“Escape from the Opera House”
Catch “escapees” from Bay Area opera and musical theater companies performing an evening of fun and fine music to benefit the Life After Exoneration Program and the Unrepresented Death Row Prisoner Project. Reception to follow.
8 p.m., $15
First Congregational Church of Berkeley
2345 Channing, Berk.
(510) 486-8006

Thursday, June 3

WGirls Bachelor/Bachelorette Auction
Bid on some of the most eligible bachelors and bachelorettes in the Bay Area at this fundraiser for local charity Oasis for Girls featuring dancing, raffles, an hour open bar, and more.
6:30 p.m., $40
330 Rich, SF
http://wgirls.org

“Where is Tibet?”
Attend this Qinghai Earthquake Benefit featuring a two part presentation of Genny Lim’s “Where is Tibet?” performed by Tsering Bawa, Francis Wong, Lenora Lee, and Genny Lim followed by a slideshow by the Tibetan Association of Northern California on the earthquake devastation in Qinghai.
7 p.m., $10 suggested donation
Berkeley Fellowship of Unitarian Universalists
1924 Cedar, Berk.
(510) 841-4824

Friday, June 4

SummerTini
Kick off the summer at this fundraiser for Episcopal Community Services employment programs featuring live jazz, martinis, and specialty hors d’ oeuvres from Bay Area restaurants.
6 p.m., $75-$100
Galleria at the San Francisco Design Center
101 Henry Adams, SF
www.summertini.org

21 Grand Art Sale
Come early for the best view of everything because as the art is sold, it will come down immediately ready to go home with whomever buys it. Art is donated by nearly 90 different artists and sales will benefit 21 Grand.
7 p.m., free
21 Grand
416 25th St., Oakl.
www.21grand.org

Saturday, June 5

“Even More Glitter”
Enjoy a gallery talk with photographer Daniel Nicoletta, who’s show “More Glitter-Less Bitter” documents San Francisco’s gay, lesbian, bisexual, and transgender communities. Proceeds to benefit the Gay, Lesbian, Bisexual, Transgender Historical Society.
6 p.m., $100
Electric Works
130 8th St., SF
www.sfelectricworks.com

GLAAD Media Awards
The Gay & Lesbian Alliance Against Defamation (GLAAD) will recognize and honor media for their fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender community and the issues that affect their lives. GLAAD will also honor actress Cybill Shepard and filmmaker Lee Daniels.
4:30 p.m., $350
San Francisco Marriott Marquis
55 4th St., SF
www.glaad.org/mediaawards

VisionWalk
This fundraising walk for the Foundation Fighting Blindness brings hundreds of people together to take part in finding preventions, treatments, and cures for people with retinal degenerative diseases.
10 a.m., raise $100 or more for a t-shirt
Golden Gate Park
Music Concourse Bandshell, SF
www.visionwalk.org

Walk for Hope
This year City of Hope has expanded their annual 5k walk to benefit all women’s cancers, so sign up to walk or voluteer today.
9 a.m., $30 registration
Justin Herman Plaza
Market Street and Embarcadero, SF
www.walk4hope.org

“What the World Needs Now…”
Attend this gala fundraiser and opening night for a juried exhibit of children’s art featuring hors d’ oeuvres, wine tastings, an artists’ marketplace, and entertainment by youth performance troupes. The exhibit features artwork by Bay Area children in grades K-12 on the themes of social justice, community awareness, and world peace.
5 p.m., $50
Museum of Children’s Art
538 9th St., Oakl.
www.mocha.org

Sunday, June 6

Scavenger Crawl
Go on a scavenger hunt and pub crawl to build awareness and advocacy for Bay Area non-profits, where clues and puzzles lead you through different restaurants, bars, and retail shops throughout San Francisco. Gift certificate prizes for the winning teams.
2 p.m., $20
Start at Sports Basement
610 Old Mason, SF
www.scavengercrawl.org

Quick Lit: June 2-June 8

David Talbot
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Quick Lit: June 2-June 8

Literary readings, book tours, and talks this week

Maude Barlow, the female farming revolution, Babylon Salon, Mahnaz Afkhami, The Art of Baseball, Nerd Nite, and more.

Wednesday, June 2

Mahnaz Afkhami
Afkhami, exiled from Iran under threat of death during the Iranian Revolution, has worked as a leading advocate for women’s rights internationally for more than three decades. Hear her discuss some of the most pressing issues for women in the Middle East today.
6 p.m., $25
Omni Hotel
500 California, SF
RSVP at 415-543-4669 ext. 27, or email events@imow.org

Talk Softly
Author Cynthia O’Neal reads from her inspiring memoir.
7:30 p.m., free
Books Inc. Castro
2275 Market, SF
(415) 864-6777

Thursday, June 3

The Art of Baseball
Author and journalist Jeff Gillenkirk will read from his novel, Home, Away, about the evolving relationship of a father and his formerly estranged son, that develops at odds with the father’s multi-million dollar contract to pitch for the Colorado Rockies.
6 p.m., free
George Krevsky Gallery
77 Geary, SF
(415) 397-9748

Maude Barlow
Barlow is the Senior Advisor on Water to the President of the UN. Hear talk about how California’s misuse of water may actually be changing the hydrological cycle and contributing to global warming.
8 p.m., $20
Herbst Theater
401 Van Ness, SF
www.cityboxoffice.com

Nancy’s Theory of Style
Author Grace Coopersmith discusses her book that shows that happiness and love, like fashion, aren’t about playing it safe.
7 p.m., free
Books Inc. Berkeley
1760 4th St., SF
(510) 525-7777

Nerd Nite
Gather with other nerds to discuss nerdery of all sorts at this meet-up featuring talks “I Was  a Teenage Ichthyologist” with Bart Bernhardt, “It’s Not Its Size, But How You Work It” with Brady Burgess, and “Is It Fake Money If You Can Buy Real Hookers With It?” with Jennifer Russel.
8 p.m., $10
Rickshaw Stop
155 Fell, SF
www.nerdnite.com

79th Annual California Book Awards
Watch as gold medals are presented to D.A. Powell (Chronic) for poetry, Rebecca Solnit (A Paradise Built in Hell) for nonfiction, Lori Ostlund (The Bigness of the World) for first fiction, Yiyun Li (The Vagrants) for fiction,  Susan Patron (Lucky Breaks) for juvenile, Sherri Smith (Flygirl) for young adult Daniel C. Matt (Translation and Commentary, The Zohar Pritzker Edition, Volume Five ) for contribution to publishing, and Elaine Elinson and Stan Yogi (Wherever There’s a Fight) for Californiana. Silver medal awards will also be given out.
6 p.m., $20
Commonwealth Club
2nd floor
595 Market, SF
(415) 597-6700

Friday, June 4 

Farmer Jane: Women changing the way we eat
Featuring stories about over 30 women farmers, chefs, policy wonks, and educators, author Temra Costa celebrates women’s role in changing how we eat and farm for the better. Hear local food stories, taste delicious foods, and meet the author.
7 p.m., free
Green Arcade
1680 Market, SF
(415) 431-6800

Long Time Passing
Author Susan Galleymore began interviewing mothers across The U.S. and the Middle East about war and its consequences after her son was deployed to Afghanistan in 2003. Hear her read and discuss her book, Long Time Passing: Mothers speak out about war and terror.
7:30 p.m., free
St. Joseph the Worker Church Chapel
1640 Addison, Berk.
(510) 499-0537

Saturday, June 5

Babylon Salon
This installment of the reading and performance series presents poet Rusty Morrison, the true keeps calm biding its story and Whethering, and novelist Tom Barbash, The Last Good Chance and On Top of the World: Candor Fitzgerald, Howard Lutnick, and 9/11, along with writers Deborah P. Bloch, N.A. Jong, and more.
7:30 p.m., free
Cantina SF
580 Sutter, SF
www.babylonsalon.com

The Glorious World Cup
Alan Black presents this guide to the World Cup, filled with tales of the teams, fans, goals, saves, divas, divers, myths, and madness.
3 p.m., free
Borders
400 Post, SF
(415) 399-1633

Jim Nisbet
Hayes Valley resident, sailor, and author Nisbet celebrates his new book, Windward Passage, and the re-issue of his cult classic novel, Lethal Injection.
7 p.m., free
Green Arcade
1680 Market, SF
(415) 431-6800

Monday, June 7

A Soft Place to Land
Susan Rebecca White discusses her new book about sisters whose relationship becomes complicated by resentment, anger, and jealousy.
7:30 p.m., free
Books Inc. Marina
2251 Chestnut, SF
(415) 931-3633

Peter Allen
Hear the Green Party candidate for California Attorney General discuss energy policy as it relates to the tragic oil spill happening in the Gulf of Mexico, and what the spill can teach us when discussing nuclear energy.
7 p.m., free
Green Arcade
1680 Market, SF
(415) 431-6800

Second Nature: The inner lives of animals
Author Jonathan Balcombe, joined by the Berkeley Humane Society, presents his book that shakes human supremacy and opens the door to the inner lives of animals.
7 p.m., free
Books Inc. Berkeley
1760 4th St., SF
(510) 525-7777

Tuesday, June 8

The Accordionist’s Son
Stanford scholar and author Bernardo Atxaga will give a literary reading and discussion. Atxaga is a Basque novelist known for writing in Euskera, a language forbidden in Spain by the Franco regime. He will discuss his early experiences writing in a suppressed language and his identity as both a Spanish and Basque writer.
12:30 p.m., free
111 Minna Gallery
111 Minna, SF
(415) 974-1719‎

“Giacomo Puccini’s The Girl of the Golden West”
Join the San Francisco Opera and the California Historical Society for this presentation on Puccini’s opera about the California Gold Rush.
6 p.m., free
California Historical Society Museum
678 Mission, SF
RSVP at (415) 357-1848, ext. 229, or email kjacobson@calhist.org

The Golden Game: Writers on Soccer
Alon Raab will read and discuss his co-edited book of soccer stories. Share your own soccer stories and legends in celebration of the 2010 World Cup.
6 p.m., free
Unversity Press Books
2430 Bancroft, Berk.
(510) 548-0585

“How to Ride Anywhere and Fix a Flat”
Attend this cycling skills and basic maintenance class that will provide helpful instructions for people who bike in the city and want to learn more about urban cycling.
6:30 p.m., free
REI
840 Brannan, SF
www.sfbike.org

Missing Mentor
Mary Stutts wil discuss her book, Missing Mentor: Women advising women on power, progress, and priorities.
7:30 p.m., free
Books Inc. Alameda
1344 Park, Alameda
(510) 522-2226

The More I Owe You
Hear author Michael Sledge discuss his new book about the beloved poet Elizabeth Bishop, including her life in Brazil and her relationship with her lover Lota de Macedo Soares.
7 p.m., free
Books Inc. Laurel Village
3515 California, SF
(415) 221-3666

Peepshow
Author Joshua Braff will read and discuss his book about a 17 year old boy who chooses to help his father run a porn theater in New York’s Times Square instead of embracing his mother’s Hasidic Jewish sect.
7:30 p.m., free
Booksmith
1644 Haight, SF
www.booksmith.com

Writing on My Forehead
Nafisa Haji presents his bestselling book that meditates on the meaning of family, tradition, and the ties that bind.
7 p.m., free
Books Inc. Opera Plaza
601 Van Ness, SF
(415) 776-1111

On the Cheap listings

David Talbot
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0

On the Cheap listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

THURSDAY 3

Craft Bar Museum of Craft and Folk Art, 51 Yerba Buena Lane, SF; (415) 227-4888. 6pm; $5 includes gallery admission and craft supplies. Explore your crafty creative process at this outdoor craft garden featuring crochet fabric appliquéd jewelry, Asian pop culture emporium Giant Robot launching their new pop-up store, a free-form stitch and bitch area, live music, and refreshments from Trumer Pilsner.

Divisadero Art Walk Divisadero between Geary and Haight, SF; divisaderoartwalk.blogspot.com. 5pm-midnight, free. Spend the night enjoying the best of the Divisadero corridor with art openings, food and drink specials, extended hours for galleries and retails stores, and more.

“Hipster Apocalypse” Café Royale, 800 Post, SF; (415) 441-4099. 8pm, free. Artists Megan Wolfe, Teppei Ando, Kevin Buckley, Mario Delgado, Albert Nguyen, Tamar Solomon, Marcus Thiele, and David Young V imagine a world where alternative culture is pop culture and are showcasing paintings and drawings that focus on the rise of hipster culture in the mainstream and challenge it’s very survival as a culture based on opposing the mainstream. Oh, the irony.

SpaceCRAFT CELLspace, 2050 Bryant, SF; www.cellspace.org. 7pm, free. Check out new works by CELLspace resident artists at this monthly reception featuring performance artists, music, dance, food, and drinks.

FRIDAY 4

SF Underground Market SomArts, 934 Brannan, SF; www.foragesf.com. 11am-Midnight, $2. Taste and purchase food that is being produced in backyards and home kitchens in the Bay Area at this market with live music, food and drinks. The market helps producers without the cash for a commercial kitchen tap into a “homemade community” to get some exposure.

BAY AREA

Oakland Under $100 Temescal Art Center, 511 48th St., Oakl.; (510) 923-1074. 7pm, free. Shop for affordable local art at this community event happening in conjunction with the monthly Oakland Art Murmur featuring local musicians and work by artists Mark Peterson, Allyson O’ Brien, Terrence Dowd, Hollyce Jones, Rachel Hubbard, Alice Worland, and more.

SATURDAY 5

Mujeres Unidas y Activas Family Festival Dolores Park, above the tennis courts, Dolores at 18th St., SF; (415) 621-8140, ext. 310. 1pm, free. Cheer for the participants in the Latino Food Contest, enjoy delicious food, and take part in fun activities for the whole family at this Taste of MUA Family Festival.

National Parks Free Days Participating National Parks in California, for a full list of participating parks, visit www.nps.gov/findapark/feefreeparks. Sat.-Sun, regular park hours. All weekend, the National Park Service is waiving entrance fees, tour fees, and transportation entrance fees on select parks across the United States. Participating California parks include Muir Woods National Monument, San Francisco Maritime National Historic Park, Yosemite National Park, Joshua Tree National Park, Sequoia National Park, and many more.

Nature Fan Fest SF Botanical Garden Recreation Room, Golden Gate Park, SF; RSVP at heydayooks.com. 2pm, free. Celebrate Bay Area nature and the work of John “Jack” Muir Laws at this informational session and party featuring presentations on how to get involved with local organizations like Tree Frog Treks, Bay Nature, and Golden Gate Raptor Observatory, Teacake Bake Shop cupcakes, buttons, books, and more.

Union Street Fair Union between Gough and Steiner, SF; 1-800-310-6563. 10am-6pm, free. Enjoy arts and crafts booths, gourmet food vendors, live music, bistro style cafes, and more at this year’s eco-urban themed Union Street Fair featuring two blocks of green exhibitors, educational displays, and sustainable art.

BAY AREA

Chocolate and Chalk Art Festival Sidewalks along North Shattuck, Berk.; www.anotherbullwinkleshow.com. 10am, free. Sign up for free to be assigned an area of sidewalk to create your best chalk drawing and to be entered to win prizes or purchase a packet of tickets ($10) to sample chocolate treats from participating businesses in the area.

East Bay Open Studios Artist Studios across the East Bay. For more info and to get a map, visit www.proartsgallery.org/ebos. Sat-Sun, various times; free. Gain access to over 400 artists’ studios around the East Bay and peek into the creative process of local artists, socialize with other art lovers, and get a chance to buy works directly.

La Peña Day Prince and Shattuck, Berk.; (510) 849-2568. Noon-6pm, free. Enjoy this street fair and carnival to celebrate La Peña’s 35th anniversary as an open space for community action through the arts featuring cultural dance and music performances that showcase the talents of it’s diverse community, food, art, vendors, and more.

SUNDAY 6

Indie Mart Design & DIY Street Fair Thee Parkside, Wisconsin between 16th and 17th St., SF; www.indie_mart.com. Noon-6pm, $3 suggested donation. Indie Mart is back and bigger than ever with over 100 vendors bringing you locally made and designed, unique goodies, art, and baked treats, live music with Music for Animals, Jonesin’, Magic Magic Roses, and Red, White, and Drunken, stiff drinks, cheap beers & fresh BBQ from Thee Parkside, a demo station brought to you by Workshop, San Franpsycho live printing, Heavy Metal Aerobics, DJs, and more.

BAY AREA

Oral History Project: Our Elders’ Stories Berkeley Fellowship of Unitarian Universalists, 1924 Cedar, Berk.; (510) 841-4824. 2pm, free. Join member of your community for good food and to hear some of recorded stories from the Oral History Project and enjoy the accompanying photo exhibit of participating elders paired with quotes from the project. The recordings will be transferred into the UC Bancroft Library.

 

Stage listings

David Talbot
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0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Abigail: The Salem Witch Trials Temple SF, 540 Howard; www.templesf.com. $10. Opens Thurs/3, 9pm. Runs June 10, July 8, 29, Aug 5, 12, 19, 26, 9pm. Through Aug 26. Buzz Productions, with Skycastle Music and Lunar Eclipse Records, presents an original rock opera based on the Salem witch trials.

"Durang Me!" Next Stage, 1620 Gough; 1-800-838-3006, www.custommade.org. $10-28. Previews Fri/4-Sat/5, 8pm. Opens Tues/8, 8pm. Runs Thurs-Sat, 8pm; Sun, 7pm (no show July 4). Through July 10. Custom Made performs two comedies by Christopher Durang: Sister Mary Ignatius Explains It All For You, and The Actor’s Nightmare.

Forever Never Comes Boxcar Playhouse, 505 Natoma; www.crowdedfire.org. $10-25. Previews Sat/5, 8pm; Sun/6, 5pm. Opens June 9, 8pm. Runs Wed-Sat, 8pm. Through June 26. Crowded Fire performs Enrique Urueta’s world premiere "psycho-Southern queer country dance tragedy."

Krapp’s Last Tape Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Previews Fri/4-Sat/5, 8pm; Sun/6, 5pm. Opens June 10, 8pm. Runs Thurs-Sat, 8pm; Sun, 5pm. Through July 3. Cutting Ball Theater performs Samuel Beckett’s comedy, which the company has previously mounted to wide acclaim.

BAY AREA

John Steinbeck’s The Pastures of Heaven Bruns Amphitheater, 100 California Shakespeare Theater Wy, Orinda; (510) 548-9666, www.calshakes.org. $34-70. Previews Wed/2-Fri/4, 8pm. Opens Sat/5, 8pm. Runs Tues-Thurs, 7:30pm; Fri-Sat, 8pm (also June 26, 2pm); Sun, 4pm. Through June 27. Cal Shakes kicks off its season with Octavio Solis’ world-premiere adaptation of John Steinbecks’s 1932 novella.

Opus Mountain View Center for the Performing Arts, 500 Castro, Mtn View; (650) 463-1960, www.theatreworks.org. $27-62. Previews Wed/2-Fri/4, 8pm. Opens Sat/5, 8pm. Runs Tues-Wed, 7:30pm; Thurs-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through June 27. TheatreWorks performs Michael Hollinger’s drama, set in the world of chamber music.

ONGOING

All My Sons Actors Theatre of San Francisco, 855 Bush; 345-1287, www.ticketweb.com. $26-38. Wed-Sat, 8pm. Through June 26. Actors Theatre performs Arthur Miller’s masterwork.

Andy Warhol: Good For the Jews? Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through June 20. Renowned monologist Josh Kornbluth is ready to admit his niche is a narrow one: he talks about himself, and more than that, he talks about his relationship to his beloved late father, the larger-than-life old-guard communist of Kornbluth’s breakthrough Red Diaper Baby. So it will not be surprising that in his current (and still evolving) work, created with director David Dower, the performer-playwright’s attempt to "enter" Warhol’s controversial ten portraits of famous 20th-century Jews (neatly illuminated at the back of the stage) stirs up memories of his father, along with a close family friend — an erudite bachelor and closeted homosexual who impressed the boyhood Josh with bedtime stories culled from his dissertation. The scenes in which Kornbluth recreates these childhood memories are among the show’s most effective, although throughout the narrative Kornbluth, never more confident in his capacities, remains a knowing charmer. (Avila)

The Apotheosis of Pig Husbandry SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20-30. Wed-Sat, 8pm. Through June 12. SF Playhouse presents the world premiere of William Bivins’ new play, set at the sleazy Lazy Eight Motel, as part of its stripped-down Sandbox Series.

Bone to Pick and Diadem Cutting Ball Theater, Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Thurs-Sat, 8pm; Sun, 5pm. Through June 20. Cutting Ball Theater closes its tenth season with a pair of plays by Eugenie Chan.

Boys Will Be Boys New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through June 26. What happens when you realize you have Gay Attention Deficit Disorder? This comedic musical aims to find out.

The Breath of Life NohSpace, 2840 Mariposa; www.brownpapertickets.com. $25. Thurs/3-Sat/5, 8pm; Sun/6, 5pm. Spare Stage Productions performs David Hare’s drama about a wife and mistress dumped by the same man.

Giant Bones Exit Theatre, 156 Eddy; (650) 728-8098, www.brownpapertickets.com. $15-50. Thurs-Sat, 8pm. Through June 19. Fantasy author Peter S. Beagle (The Last Unicorn) penned the source material for Stuart Bousel’s world-premiere play.

*Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Thurs, 8pm; Sun, 7pm. Through June 27. On the principle that when you’ve got it you should really flaunt it, San Francisco’s Thrillpeddlers essay their second revival of a musical by the storied Cockettes. Hot Greeks, which premiered in midnight performances at the old Palace Theater in 1972, was the gleefully crazed cross-dressing troupe’s only other fully scripted musical besides, of course, Pearls Over Shanghai.

While not the Oresteia or anything, Hot Greeks is more than an excuse for a lot of louche, libidinous hilarity. Okay, not much more. But it is a knowing little romp — supported by some infectious songs courtesy of Martin Worman and Richard "Scrumbly" Koldewyn — wedding trashy high school romance with the trashy ancient Greece of Aristophanes and the Peloponnesian War. (Avila)

*How I Learned to Stop Worrying and Lost My Virginity SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20. Sun, 7pm. Through June 27. A natural born charmer and a comedic actor with hard-won training behind her, Aileen Clark wins over an audience within about ten seconds. But her stories (co-scripted by John Caldon and ably directed by Claire Rice) turn out to be just as solid: all of them loving, irreverent, and unfailingly hilarious autobiographical accounts of coming of age across three cultures. Born to a Nicaraguan mother and a Scottish father and raised principally in Brazil, Managua and San Francisco, Clark’s perfectly pitched monologue comes liberally spiced with Spanish and Portuguese, sweetened by an affecting but never maudlin honesty, and stirred with a feisty humor clearly a lifetime in the making. As well paced and energetic as this Guerilla Rep and Ann Marie co-production is, it could probably be tightened further by shaving some 10 minutes off the 90-minute run time. Nonetheless, you are not likely to regret a minute of this frank and funny, wise and sassy visit to Aileen’s world. (Avila)

Marga Gomez is Proud and Bothered New Conservatory Theater Center, 25 Van Ness; 861-8972, www.nctcsf.org. $18-40. Thurs-Sat, 8pm (no show June 25); Sun, 2pm. Through June 26. Gomez performs her GLAAD Media award-winning comedy.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Fri-Sat, 8pm. Through June 26. Starting July 10, runs Sat, 8pm and Sun, 7pm. Through August 1. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

Sandy Hackett’s Rat Pack Show Marines’ Memorial Theater, 609 Sutter; 771-6900. $30-89. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 27. From somewhere before the Beatles and after Broadway "Beatlemania" comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The band is all-pro and the songs sound great — DeCosta’s singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don’t just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic. (Avila)

"Something C.O.O.L.: The Summer Cabaret Festival" Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Free-$10. Mon-Tues, 7:30pm; Wed, 8pm. Through June 27. Cabaret singer Carly Ozard presents six diverse showcases (Mon-Tues nights) and hosts open mics (Wed nights) with professional performers.

Speed the Plow Royce Gallery, 2910 Mariposa; 1-866-811-4111, www.speedtheplowsf.com. $28. Thurs-Sat, 8pm. Through June 19. Expression Productions performs David Mamet’s black comedy.

The New Century New Conservatory Theatre Center, 25 Van Ness, SF; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; June 13, 20, and July 11, 2pm. Through July 11. New Conservatory Theatre Center performs Paul Rudnick’s bill of short comedies.

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Fri/4, June 11, 18, 9pm; Sun/6, June 20, 7pm; June 12, 8pm. Through June 20. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

"Fireworks Festival" Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. Through July 3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes "Scoop" Nisker.

God’s Ear Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $15-28. Wed, 7pm; Thurs-Sat, 8pm; and Sun, 5pm. Through June 20. Against a frozen, deceptively empty-looking landscape of perpetual winter, an anguished married couple stagnates in grief over the accidental death of their young son. Estranged by the sorrow and guilt they feel, they spend most of the time apart but not alone: Mel (Beth Wilmurt) stays at home, where she loses herself in obsessive domestic projects while fielding questions from their surviving daughter — the equally traumatized but far more resilient Lanie (Nika Ezell Pappas) — with assists from the Tooth Fairy (Melinda Meeng) and G.I. Joe (Keith Pinto); meanwhile, Ted (Ryan O’Donnell) wanders in his business suit through a string of airports and airport bars commiserating with other lost souls (Joe Estlack and Zehra Berkman). New York-based playwright Jenny Schwartz’s whimsical meditation on the process of grieving is something like The Rabbit Hole as written by Ionesco, fueled by dialogue that makes an overly showy and eventually tedious hysterical poetry of the banalities, clichés, and platitudes spoken by her stricken characters as a kind of prefab linguistic armor — everything and anything to avoid saying something. Director-choreographer Erika Chong Shuch stages the action in this Shotgun Players production with warm energy and imagination, however — and a handful of tuneful, clever songs from composer Daveen Digiacomo — compensating somewhat for the motionless plot. Moreover, Shuch undercuts the play’s maudlin tendencies by moving her able actors and even the stage properties around in swift, comical, aptly dreamlike fashion, as the stunned couple continue their largely separate meanderings, meaningfully spouting "meaningless" lines about bucking up, or settling in, or riding off, etc. The problem is there is not much beneath this frozen surface of clichés beyond more cliché. (Avila)

*In the Wake Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $13.50-71. Tues and Thurs-Sat, 8pm (also Thurs and Sat, 2pm; no matinees Thurs/3, June 12, or 17; no show June 25); Wed and Sun, 7pm (also Sun, 2pm). Through June 27.

Brilliantly weaving the political and the personal, New York playwright Lisa Kron takes on the myth and mayhem of American exceptionalism through the prism of a compelling lefty smarty-pants named Ellen (Heidi Schreck) and her "alternative" family circle, as it slowly unravels during the first decade of the 21st century. From her modest Manhattan perch — shared with adoring, wise-cracking longtime boyfriend Danny (Carson Elrod) — Ellen rails against the ineptitude of the Democrats in the face of the rising Right and its season of havoc. But she’s already told the audience she has a problem with "blind spots," much like the country. Projections of headlines and sound bites, intermittently splayed across the fortified proscenium arch, locate the action at precise moments in the dreary political timeline of the last decade, beginning with the 2000 election coup that has put a damper on Thanksgiving festivities (despite inclusion of Pilgrim smocks). Her sister (Andrea Frankle) and sister’s wife (Danielle Skraastad) are there too, along with Ellen’s older friend Judy (Deidre O’Connell), a cranky, deceptively oblivious relief worker just back from a refugee camp in Africa. As time goes by, and Ellen turns to an open relationship with a woman filmmaker (Emily Donahoe), our protagonist’s bedrock assumptions about the natural order of things get sorely tested. Leigh Silverman directs a top-notch cast in a remarkably engaging mix of political dialogue and personal entanglements, written for the most part with stirring intelligence and incisive humor. If the play loses focus and momentum by the second act — despite a wonderfully charged scene between Ellen and Judy that is the play’s most memorable — its wit, real anger and constructive irreverence still make it too good to miss. (Avila)

1001 Berkeley City Club, 2315 Durant, Berk; (510) 488-4116, www.justtheater.org. $15-30. Thurs-Sat, 8pm; Sun, 5pm (no show Sun/6). Through June 20. Just Theater performs Jason Groete’s Arabian Nights-inspired tale of post-9/11 life.

Twelfth Night La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through June 12. You’ve got to hand it to Impact Theatre: they make reimagining Shakespeare look so darned easy. To set a crass comedy about class, obsession, and mistaken identity at "Illyria Studios" in the heart of tawdry Tinseltown seems like such an obvious take, you wonder why it took someone so long to get around to doing it. True, the execution is not as vivacious as last year’s A Midsummer Night’s Dream, but overall, the enthusiastic cast and timeless humor win the night. (Gluckstern)

Woody Guthrie’s American Song Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, www.marintheatre.org. $34-54. Tues, Thurs-Sat, 8pm (also June 10, 1pm; Sat/5 and June 20, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Marin Theatre Company presents Peter Glazer’s musical based on the life and times of the legendary songwriter.

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.

PERFORMANCE/DANCE

"Bakla Show II" Thick House, 1695 18th St; www.brownpapertickets.com. Thurs-Sat, 8pm. Through June 12. $15-20. Bindlestiff Studio presents this theatrical exploration of queer Filipino identities, inspired by myths and folktales.

"Festival of New Voices II: The Next Wave of Solo Performance" Marsh San Francisco, 1062 Valencia; 1-800-838-3006, www.themarsh.org. Wed-Thurs, 7:30pm; Fri, 8pm; Sat, 5, 5:30, 8:30, and 9pm; Sun, 3pm. Through June 13. $7.50-50. Six new full-length works and 11 shorter works make up this solo-performance fest.

"Richmond/Ermet AIDS Foundation presents One Night Only Cabaret" Theatre 39, Pier 39; 273-1620, www.helpisontheway.org. Mon, 7:30. $38-58. This fundraising show features cast members from Broadway musical In the Heights, plus Jai Rodriguez, Marga Gomez, and RJ Helton.

"San Francisco Ethnic Dance Festival" Palace of Fine Arts, 3301 Lyon; 474-3914, www.worldartswest.org. Sat-Sun, 2pm (also Sat, 8pm). Through June 27. $22-44. Nearly 600 Bay Area performers representing 20 cultures participate in this 32nd annual festival.

"Standing in the Current" Dance Mission Theater, 3316 24th St; 273-4633, www.brownpapertickets.com. Fri-Sat, 8pm; Sun, 3pm. $20. Spinning Yarns Dance Collective performs in partnership with Robin Anderson and Chicago-based RE/Dance.

"Ungrateful Daughter: One Black Girl’s Story of Being Adopted into a White Family That Aren’t Celebrities" StageWerx, 533 Sutter; www.stagewerx.org. Thurs-Sat, 8pm. Through June 12. $20-25. Lisa Marie Rollins performs her autobiographical show.

Rep Clock

David Talbot
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0

Schedules are for Wed/2–Tues/8 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $4-10. “CCSF Production Class,” short films, Thurs, 8. “Mike Kuchar: An Evening of Collected Consciousness,” Sat, 8.

CAFÉ OF THE DEAD 3208 Grand, Oakl; (510) 931-7945. Free. “Independent Filmmakers Screening Nite,” Wed, 6:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. Sex and the City 2 (King, 2010), Wed-Thurs, call for times.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10. Babies (Balmès, 2010), call for dates and times. The Girl With the Dragon Tattoo (Oplev, 2009), call for dates and times. Looking for Eric (Loach, 2010), call for dates and times. Touching Home (Miller and Miller, 2009), call for dates and times. Micmacs (Jeunet, 2010), June 4-10, call for times.

DECO LOUNGE 510 Larkin, SF; (415) 346-2025, www.decosf.com. Free. “Queer Cinema 101,” Mon, 10. Holly DeVille hosts this weekly show highlighting films that have had an impact on queer culture.

FILM NIGHT IN THE PARK This week: San Geronimo Community Center, 6350 Sir Francis Drake, San Geronimo; (415) 272-2756, www.filmnight.org. Donations accepted. Napoleon Dynamite (Hess, 2004), Fri, 8.

GAIA ARTS CENTER 2120 Allston, Berk; www.culturedisabilitytalent.org. $5-20. “Culture/Disability/Talent presents: Superfest 2010 International Disability Film Festival,” Fri, 11-5; Sat, noon-5.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. Fast Food Nation (Linklater, 2006), Wed, 7:30.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Brought to Light: Recent Acquisitions to the PFA Collection:” Adventurera (Gout, 1949), Thurs, 7; Lola Montez (Ophuls, 1955), Sat, 8; La Pointe Courte (Varda, 1954), Sun, 5. “Akira Kurosawa Centennial:” Rashomon (1950), Fri, 7; Drunken Angel (1948), Fri, 8:50; Throne of Blood (1957), Sun, 6:50. “Strange Tales of the Whistler:” •The Power of the Whistler (Landers, 1945), and Voice of the Whistler (Castle, 1945), and Mysterious Intruder (Castle, 1946), Wed, 7; •The Secret of the Whistler (Sherman, 1946), and The Thirteenth Hour (Clemens, 1947), Sat, 5:30.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. Hot Tub Time Machine (Pink, 2010), Wed-Thurs, 7:15, 9:25 (also Wed, 2). Green Zone (Greengrass, 2010), Fri-Sat, 7:15, 9:30 (also Sat, 2). The Secret of Kells (More and Twomey, 2009), Sun-Tues, 7:15, 9:15 (also Sun, 2, 4).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. BAVC presents: Life 2.0, plus shorts, Wed, 7:30. Big River Man (Maringouin, 2009), Wed-Thurs, 9:30. La Mission (Bratt, 2009), Wed-Thurs, 7:15. American Radical: The Trials of Norman Finkelstein (Ridgen and Rossier, 2009), Thurs, 7, 9:15.

VICTORIA 2961 16th Street, SF; (415) 863-7576. $10. Pelada (Boughen, Fergusson, Oxenham, and White, 2010), Thurs, 8. VIZ CINEMA New People, 1746 Post, SF; www.thirdi.org. $10-16. “3rd I Films Presents: 3rd I’s Queer Eye:” “Queer South Asian Shorts,” Sun, 5; Freddy Mercury: The Untold Story (Director’s Cut 2010) (Dolezal, 2010), Sun, 7.

VORTEX ROOM 1082 Howard, SF; www.thrillville.net. $10. “Thrillville’s Beatnik Bash!:” •A Bucket of Blood (Corman, 1989), and The Beat Generation (Haas, 1959), Thurs, 8.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. Trash Humpers (Korine, 2009), Thurs-Sat, 7:30; Sun, 2, 4.

Alerts

David Talbot
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0

alert@sfbg.com

THURSDAY, JUNE 3

"Heather Has Cool Mommies"


In honor of Pride month and in light of current events around same-sex marriage, the San Francisco Public Library will be presenting a weekly documentary film series throughout June about LGBT parents. Films include Choosing Children, In My Shoes: Stories of Youth with LGBT Parents, Transparent, Transamerica, and Daddy and Pappa.

Noon, free

San Francisco Public Library

Main Branch

Koret Auditorium

100 Larkin, SF

(415) 557-4400

"Rape, Prostitution, and Trafficking"


Attend this discussion about the issue of consent in the occurrences of rape, prostitution, and trafficking worldwide and the growing international movement for women’s safety. The movement seeks to stop equating prostitution with rape, supports decriminalizing sex work, and opposes the use of trafficking laws to deport immigrant sex workers. Featuring keynote speaker Dr. Rita Nakashima Brock.

5:30 p.m., free

San Francisco Public Library

Main Branch

Latino Hispanic Room B

100 Larkin, SF

(415) 626-4114

FRIDAY, JUNE 4

Nuclear Abolition Day


In preparation for Nuclear Abolition Day on Saturday, Tri-Valley CAREs, United for Peace and Justice, and Peace Action West are organizing a protest at Bechtel Corporation, one of the top profiteers of the war in Iraq. Join protesters worldwide in demanding that governments begin negotiating a Nuclear Weapons Convention to ban all nuclear weapons.

Noon, free

Bechtel Corporation Headquarters

50 Beale, SF
www.trivalleycares.org

Respect for women


Join this conversation about violence against women and the need to foster shared respect and dignity. Featuring Elayne Doughty from Planet Breathe, Carolyn Thomas-Russell from A Safe Place, and Robert W. Plath from Worldwide Forgiveness Alliance. Proceeds benefit these organizations.

7 p.m., $5 suggested donation

Berkeley Fellowship of Unitarian Universalists Hall

1924 Cedar, Berk.

(415) 370-5466

SATURDAY, JUNE 5

Fight for Immigrant Rights


Attend this organizing meeting with the International Socialist Organization to demand amnesty and stop the racist scapegoating that Arizona’s anti-immigration law, AB 1070, encourages. A panel of immigrants’ rights and labor activists discuss what we can do to stop this civil injustice and to build a movement that can win justice and equality for all.

1 p.m., free

Redstone Building

Luna Sea Room, 2nd floor

2926-2948 16th St., SF

http://norcalsocialism.org

SUNDAY, JUNE 6

Grassroots House Collective


Attend this fundraiser for the Grassroots House Collective, a nonprofit community space and meeting place for grassroots organizations and projects like Copwatch, Prisoners Literature Project, Industrial Workers of the World, and more. Bay Area singer-songwriters will present new arrangements and interpretations of their songs.

3 p.m., $15-$25

Grassroots House Collective

2022 Blake, Berk.

www.grassrootshouse.org 2

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 437-3658; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Newsom’s lousy economics

David Talbot
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0

EDITORIAL Every major newspaper in California should have plastered the May 2010 report from the UC Berkeley Center for Labor Research across the front page. The headline: “Governor’s budget will destroy 331,000 jobs.”

It’s a stunning analysis. Ken Jacobs, who heads the center, and two associates used a sophisticated computer program to track exactly how the cuts would play out in the current California economy. If the governor’s proposals are adopted, the job losses would greatly exceed any new job creation, causing the unemployment rate in the state to rise by 1.8 percent.

On the other hand, the study shows, raising taxes on rich people and oil companies would save 244,000 jobs.

So if, as nearly every politician of every party in the state insists, the biggest policy goal in California today is job creation, Gov. Arnold Schwarzenegger is going about it entirely the wrong way.

The good news is that the Democrats in the state Legislature are finally talking seriously about an alternative budget plan that includes about $5 billion in new revenue. The plans by the Assembly and Senate leadership aren’t perfect and will still require significant cuts to cover the budget gap. But after years of cuts-only budgets and a pervasive fear of tax increases in Sacramento, the Democratic proposals are encouraging. (Jerry Brown, the Democratic candidate for governor, shouldn’t worry about associating himself with the plans: two-thirds of Californians favor increased taxes on wealthy people to pay for better public education, according to the most recent Public Policy Institute of California poll.)

So at the very least, the state Capitol — a place not known as a bastion of progressive thought — is going to have an intelligent debate over how to address the budget deficit without further damaging the economy. Yet in San Francisco, Mayor Gavin Newsom continues to cling to a no-new-taxes budget that will devastate community services — and add to the city’s unemployment rate.

That’s just disgraceful.

Every city-employee union has stepped up to the plate and offered concessions. City workers are taking furloughs (actually, pay cuts) and layoffs. They’re giving back scheduled raises. They’re making a good faith effort to be part of the solution — in fact, labor is now pushing for an increase in the hotel tax to help cover the costs of public services.

Newsom isn’t asking any of the wealthy businesses or individuals in town to give anything.

That’s not just bad politics, it’s bad economics.

The Berkeley study acknowledges that raising taxes on the rich and big corporations has an economic impact — an oil severance tax, for example, would raise $1.4 billion a year for the state, reduce economic output by $128 million, and lead to the loss of 400 jobs. A 1.5 percent increase in the top income tax rate for individuals who earn more than $250,000 would bring the state $2.1 billion, and lead to the loss of 13,000 jobs.

But on balance, both of those are a good deal for the state — because cutting that $3.5 billion from the budget would cost the state far, far more than 13,400 jobs. That’s because when you eliminate public sector jobs, particularly lower-paid jobs, there’s a direct, immediate impact on consumer spending. Although a rich person may spend slightly less if he or she has to pay slightly higher taxes, a middle-income worker who gets laid off stops spending much of anything — and the local merchants who relied on that person’s spending see the impact.

In fact, the Berkeley study points out, more than half the jobs that would be lost under Schwarzenegger’s plan would be in the private sector. The same goes for San Francisco: saving jobs requires new revenue solutions. And if Newsom’s budget doesn’t address that, the San Francisco supervisors must.

Newsom’s lousy economics

David Talbot
-
0
Newsom’s lousy economics

EDITORIAL Every major newspaper in California should have plastered the May 2010 report from the UC Berkeley Center for Labor Research across the front page. The headline: “Governor’s budget will destroy 331,000 jobs.”

It’s a stunning analysis. Ken Jacobs, who heads the center, and two associates used a sophisticated computer program to track exactly how the cuts would play out in the current California economy. If the governor’s proposals are adopted, the job losses would greatly exceed any new job creation, causing the unemployment rate in the state to rise by 1.8 percent.

On the other hand, the study shows, raising taxes on rich people and oil companies would save 244,000 jobs.

So if, as nearly every politician of every party in the state insists, the biggest policy goal in California today is job creation, Gov. Arnold Schwarzenegger is going about it entirely the wrong way.

The good news is that the Democrats in the state Legislature are finally talking seriously about an alternative budget plan that includes about $5 billion in new revenue. The plans by the Assembly and Senate leadership aren’t perfect and will still require significant cuts to cover the budget gap. But after years of cuts-only budgets and a pervasive fear of tax increases in Sacramento, the Democratic proposals are encouraging. (Jerry Brown, the Democratic candidate for governor, shouldn’t worry about associating himself with the plans: two-thirds of Californians favor increased taxes on wealthy people to pay for better public education, according to the most recent Public Policy Institute of California poll.)

So at the very least, the state Capitol — a place not known as a bastion of progressive thought — is going to have an intelligent debate over how to address the budget deficit without further damaging the economy. Yet in San Francisco, Mayor Gavin Newsom continues to cling to a no-new-taxes budget that will devastate community services — and add to the city’s unemployment rate.

That’s just disgraceful.

Every city-employee union has stepped up to the plate and offered concessions. City workers are taking furloughs (actually, pay cuts) and layoffs. They’re giving back scheduled raises. They’re making a good faith effort to be part of the solution — in fact, labor is now pushing for an increase in the hotel tax to help cover the costs of public services.

Newsom isn’t asking any of the wealthy businesses or individuals in town to give anything.

That’s not just bad politics, it’s bad economics.

The Berkeley study acknowledges that raising taxes on the rich and big corporations has an economic impact — an oil severance tax, for example, would raise $1.4 billion a year for the state, reduce economic output by $128 million, and lead to the loss of 400 jobs. A 1.5 percent increase in the top income tax rate for individuals who earn more than $250,000 would bring the state $2.1 billion, and lead to the loss of 13,000 jobs.

But on balance, both of those are a good deal for the state — because cutting that $3.5 billion from the budget would cost the state far, far more than 13,400 jobs. That’s because when you eliminate public sector jobs, particularly lower-paid jobs, there’s a direct, immediate impact on consumer spending. Although a rich person may spend slightly less if he or she has to pay slightly higher taxes, a middle-income worker who gets laid off stops spending much of anything — and the local merchants who relied on that person’s spending see the impact.

In fact, the Berkeley study points out, more than half the jobs that would be lost under Schwarzenegger’s plan would be in the private sector. The same goes for San Francisco: saving jobs requires new revenue solutions. And if Newsom’s budget doesn’t address that, the San Francisco supervisors must.

 

Rep Clock

Jesse Hawthorne Ficks
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0

Schedules are for Wed/26–Tues/1 except where noted. Director and year are given when available. Double features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. “Other Cinema:” “New Experimental Works,” Sat, 8:30.

CAFÉ OF THE DEAD 3208 Grand, Oakl; (510) 931-7945. Free. “Independent Filmmakers Screening Nite,” Wed, 6:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. Call for program information.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10. Babies (Balmès, 2010), call for dates and times. The Girl With the Dragon Tattoo (Oplev, 2009), call for dates and times. OSS 117: Lost in Rio (Hazanavicius, 2009), call for dates and times. Touching Home (Miller and Miller, 2009), call for dates and times. Moonlight Sonata (Kayalar, 2009), Wed, 7. Looking for Eric (Loach, 2010), May 28-June 3, call for times.

DECO LOUNGE 510 Larkin, SF; (415) 346-2025, www.decosf.com. Free. “Queer Cinema 101,” Mon, 10. Holly DeVille hosts this weekly show highlighting films that have had an impact on queer culture.

FILM NIGHT IN THE PARK This week: Creek Park, 451 Sir Francis Drake, San Anselmo; (415) 272-2756, www.filmnight.org. Donations accepted. Twilight (Hardwicke, 2008), Fri, 8; On the Edge, Sat, 8.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. The Invisible Forest (Alli, 2008), Wed, 7:30. MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: Heroic Horizons: The View from Australia:” The Sundowners (Zinnemann, 1979), Fri, 6. PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. Theater closed Wed-Fri. “Strange Tales of the Whistler:” •The Whistler (Castle, 1944) and The Mark of the Whistler (Castle, 1944), Sat, 6:30. “Brought to Light: Recent Acquisitions to the PFA Collection:” The Valiant Ones (Hu, 1975), Sat, 8:50; Nausicaä of the Valley of the Wind (Miyazaki, 1984), Sun, 5; Enron: The Smartest Guys in the Room (Gibney, 2005), Sun, 7:15. RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. Fear and Loathing in Las Vegas (Gilliam, 1998), Wed, 2, 7:30, 9:30. The Red Machine (Argy and Boehm, 2010), Thurs, 7:15, 9:30; Avatar (Cameron, 2009), Fri-Mon, 5:30, 8:45 (also Sat-Sun, 2). Call for Tues showtimes. ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. “I Still Wake Up Dreaming! Noir is Dead/Long Live Noir:” •Below the Deadline (Beaudine, 1946), Wed, 6, 8:30, and The Thirteenth Hour (Clemens, 1947), Wed, 7:15, 9:45; Behind Locked Doors (Boetticher, 1948), Thurs, 6, 8:30, and Power of the Whistler (Landers, 1945), Thurs, 7:15, 9:45. Dirty Hands (Kim, 2008), Wed-Thurs, 6:10, 8, 9:50. YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “To the Limit: Pina Bausch on Film:” Dancing Dreams (Linsel and Hoffmann, 2010), Thurs-Sat, 7:30; Bluebeard (1977), Sun, 2.

Stage Listings

Jesse Hawthorne Ficks
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0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For complete listings, see www.sfbg.com.

THEATER

OPENING

“Something C.O.O.L.: The Summer Cabaret Festival” Eureka Theatre, 215 Jackson; www.brownpapertickets.com. Free-$10. Opens Mon/31, 7:30pm. Runs Mon-Tues, 7:30pm; Wed, 8pm. Through June 27. Cabaret singer Carly Ozard presents six diverse showcases (Mon-Tues nights) and hosts open mics (Wed nights) with professional performers.

BAY AREA

“Fireworks Festival” Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $25-35. June 1-July 3, showtimes vary. This performance festival includes work by John Leguizamo, David Sedaris (whose show is already sold out), Dan Hoyle, and Wes “Scoop” Nisker.

1001 Berkeley City Club, 2315 Durant, Berk; (510) 488-4116, www.justtheater.org. $15-30. Previews Fri/28-Sat/29, 8pm. Opens Mon/31, 8pm. Runs Thurs-Sat, 8pm; Sun, 5pm (no show June 6). Through June 20. Just Theater performs Jason Groete’s Arabian Nights-inspired tale of post-9/11 life.

Woody Guthrie’s American Song Marin Theatre Company, 397 Miller, Mill Valley; (415) 388-5208, www.marintheatre.org. $34-54. Previews Thurs/27-Sat/29, 8pm; Sun/30, 2 and 7pm. Opens June 1, 8pm. Runs Tues, Thurs-Sat, 8pm (also June 10, 1pm; June 5 and 20, 2pm); Wed, 7:30pm; Sun, 2 and 7pm. Marin Theatre Company presents Peter Glazer’s musical based on the life and times of the legendary songwriter.

ONGOING

Andy Warhol: Good For the Jews? Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through June 20. Renowned monologist Josh Kornbluth is ready to admit his niche is a narrow one: he talks about himself, and more than that, he talks about his relationship to his beloved late father, the larger-than-life old-guard communist of Kornbluth’s breakthrough Red Diaper Baby. So it will not be surprising that in his current (and still evolving) work, created with director David Dower, the performer-playwright’s attempt to “enter” Warhol’s controversial ten portraits of famous 20th-century Jews (neatly illuminated at the back of the stage) stirs up memories of his father, along with a close family friend — an erudite bachelor and closeted homosexual who impressed the boyhood Josh with bedtime stories culled from his dissertation. The scenes in which Kornbluth recreates these childhood memories are among the show’s most effective, although throughout the narrative Kornbluth, never more confident in his capacities, remains a knowing charmer. (Avila)

The Apotheosis of Pig Husbandry SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20-30. Wed-Sat, 8pm. Through June 12. SF Playhouse presents the world premiere of William Bivins’ new play, set at the sleazy Lazy Eight Motel, as part of its stripped-down Sandbox Series.

Bone to Pick and Diadem Cutting Ball Theater, Exit on Taylor, 277 Taylor; 1-800-838-3006, www.cuttingball.com. $15-30. Opens Thurs/27, 8pm (gala opening Fri/28, 8pm). Runs Thurs-Sat, 8pm; Sun, 5pm. Through June 20. Cutting Ball Theater closes its tenth season with a pair of plays by Eugenie Chan.

Boys Will Be Boys New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-40. Wed-Sat, 8pm; June 6, 23, and 20, 2pm. Through June 26. What happens when you realize you have Gay Attention Deficit Disorder? This comedic musical aims to find out.

The Breath of Life NohSpace, 2840 Mariposa; www.brownpapertickets.com. $25. Thurs-Sat, 8pm; Sun, 5pm. Through June 6. Spare Stage Productions performs David Hare’s drama about a wife and mistress dumped by the same man.

Company Fat Exit Stage Left, 156 Eddy; www.brownpapertickets.com. $20-25. Thurs/27-Sat/29, 8pm. Exit Theatre and Pumpjam Productions perform Bill Levesque’s darkly comic play, set in the Depression-era South.

Eat, Pray, Laugh! Off-Market Theaters, 965 Mission; www.brownpapertickets.com. $20. Wed/26, 8pm. Off-Market Theaters presents stand up comic and solo artist Alicia Dattner in her award-winning solo show.

Echo’s Reach Brava Theater Center, 2781 24th St; 665-2275, www.citycircus.org. $14-35. Fri/28-Sat/29, 8pm (also Sat/29, 4pm); Sun/30, 4pm. City Circus premieres an urban fairytale by Tim Barsky.

*Fishing Shotwell Studios, 3252 19th St; www.fishingtheplay.com. $25. Fri/28-Sat/29, 8pm. David J. Duman’s piquant and entirely palatable satire of San Francisco foodie culture gets a knowing, deceptively casual staging from savvy newcomers OpenTab Productions in association with Footloose. The story, divided scene-wise into a series of short comic morsels, unfolds in a rising seafood restaurant with a recently branded three-star rating, run by an unusually talented but haplessly oafish chef (Matt Ingle) and his bright but bored manager (Laurie Burke) with her eye on getting the hell out of the restaurant world. (Good luck.) They soon begin a semi-torrid affair — much to the suspicion of their prurient young wait staff, comprised of a bright, gay know-it-all waiter (Ben Euphant) and a coarse, cutie bartender sans scruple (Carla Pauli). Other regular occupants include a fussy, sexually frustrated couple (Molly Gazay and Alex Plant) cocky-proud of their entirely sublimated, half-assed knowledge of food and wine. Director Mark Drumm keeps the pace swimming and the performances are uniformly crisp and captivating in this truth-filled night of “dinner” theater served up on a bed of filthy innuendo and rampant promiscuity. (Avila)

Giant Bones Exit Theatre, 156 Eddy; (650) 728-8098, www.brownpapertickets.com. $15-50. Thurs-Sat, 8pm. Through June 19. Fantasy author Peter S. Beagle (The Last Unicorn) penned the source material for Stuart Bousel’s world-premiere play.

*Hot Greeks Hypnodrome Theatre, 575 Tenth St; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Thurs, 8pm; Sun, 7pm. Through June 27. On the principle that when you’ve got it you should really flaunt it, San Francisco’s Thrillpeddlers essay their second revival of a musical by the storied Cockettes. Hot Greeks, which premiered in midnight performances at the old Palace Theater in 1972, was the gleefully crazed cross-dressing troupe’s only other fully scripted musical besides, of course, Pearls Over Shanghai.

While not the Oresteia or anything, Hot Greeks is more than an excuse for a lot of louche, libidinous hilarity. Okay, not much more. But it is a knowing little romp — supported by some infectious songs courtesy of Martin Worman and Richard “Scrumbly” Koldewyn — wedding trashy high school romance with the trashy ancient Greece of Aristophanes and the Peloponnesian War. (Avila)

*How I Learned to Stop Worrying and Lost My Virginity SF Playhouse, 533 Sutter; www.sfplayhouse.org. $20. Sun, 7pm. Through June 27. A natural born charmer and a comedic actor with hard-won training behind her, Aileen Clark wins over an audience within about ten seconds. But her stories (co-scripted by John Caldon and ably directed by Claire Rice) turn out to be just as solid: all of them loving, irreverent, and unfailingly hilarious autobiographical accounts of coming of age across three cultures. Born to a Nicaraguan mother and a Scottish father and raised principally in Brazil, Managua and San Francisco, Clark’s perfectly pitched monologue comes liberally spiced with Spanish and Portuguese, sweetened by an affecting but never maudlin honesty, and stirred with a feisty humor clearly a lifetime in the making. As well paced and energetic as this Guerilla Rep and Ann Marie co-production is, it could probably be tightened further by shaving some 10 minutes off the 90-minute run time. Nonetheless, you are not likely to regret a minute of this frank and funny, wise and sassy visit to Aileen’s world. (Avila)

Marga Gomez is Proud and Bothered New Conservatory Theater Center, 25 Van Ness; 861-6988, www.nctcsf.org. $18-40. Thurs-Sat, 8pm (no show June 25); Sun, 2pm. Through June 26. Gomez performs her GLAAD Media award-winning comedy.

*Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Fri-Sat, 8pm. Through June 26. Starting July 10, runs Sat, 8pm and Sun, 7pm. Through August 1. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Peter Pan Threesixty Theater, Ferry Park (on Embarcadero across from the Ferry Bldg); www.peterpantheshow.com. $30-125. Tues and Thurs, 7pm; Fri-Sat, 7:30pm (also Sat, 2pm); Wed, 2pm; Sun, 1 and 5pm. Through August 29. JM Barrie’s tale is performed in a specially-built 360-degree CGI theater.

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $18-50. Wed/26-Fri/28, 8pm; Sat/29, 5pm; Sun/30, 3pm. Starting July 8, runs Thurs-Fri, 8pm; Sat, 5pm; Sun, 3pm, through Aug 8. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Rhino Boxcar Playhouse, 505 Natoma; 776-1747, www.boxcartheatre.org. $14-25. Wed/26-Sat/29, 8pm. A stark spotlight, a vibrant cellist, masked players, and a chairless theatre space greet audience members attending Boxcar Theatre’s Ionesco adaptation, Rhino. Though encouraged to move about freely, most audience members (the night I attended) settled for turning their otherwise static bodies to follow the action occurring in every corner of the small room. Though a courageous choice in staging, it didn’t quite provide the feeling of the familiar under siege that it could have with more overt interaction with the not-quite-captive-enough public. And while certain of the short snipped scenes were tense and evocative, less subtle imaginings such as the intermittent lockstep marches fell flat. (Gluckstern)

“San Francisco International Arts Festival” Various venues; 1-800-838-3006, www.sfiaf.org. Most shows $25. Through May 31. In its seventh incarnation, the fest hosts dance, theater, and other artists from ten countries.

Sandy Hackett’s Rat Pack Show Marines’ Memorial Theater, 609 Sutter; 771-6900. $30-89. Fri-Sat, 8pm (also Sat, 2pm); Sun, 2pm. Through June 27. From somewhere before the Beatles and after Broadway “Beatlemania” comes this big band cigarettes-and-high-ball nightclub act, recreating the storied Vegas stage shenanigans of iconic actor-crooners Frank Sinatra (David DeCosta), Dean Martin (Tony Basile), and Sammy Davis Jr. (Doug Starks), and sidekick comedian Joey Bishop (Sandy Hackett). The band is all-pro and the songs sound great — DeCosta’s singing as Sinatra is uncanny, but all do very presentable renditions of signature songs and standards. Meanwhile, a lot of mincing about the stage and the drink cart meets with more mixed success, and I don’t just mean scotch and soda. The Rat Pack is pre-PC, of course, but the off-color humor, while no doubt historically sound, can be dully moronic. (Avila)

Speed the Plow Royce Gallery, 2910 Mariposa; 1-866-811-4111, www.speedtheplowsf.com. $28. Thurs-Sat, 8pm. Through June 19. Expression Productions performs David Mamet’s black comedy.

What Mama Said About Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-25. Thurs-Sun, 8pm. Through July 30. Writer-performer-activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

*East 14th: True Tales of a Reluctant Player Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sun/30, June 6, 20, 7pm; June 4, 11, 18, 9pm; June 12, 8pm. Through June 20. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. (Avila)

God’s Ear Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $15-28. Wed, 7pm; Thurs-Sat, 8pm; and Sun, 5pm. Through June 20. Shotgun Players perform Jenny Schwartz’s drama about grief; Erica Chong Shuch directs.

*In the Wake Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, www.berkeleyrep.org. $13.50-71. Tues and Thurs-Sat, 8pm (also Thurs and Sat, 2pm; no matinees Sat/29, June 3, 12, or 17; no show June 25); Wed and Sun, 7pm (also Sun, 2pm). Through June 27.

Brilliantly weaving the political and the personal, New York playwright Lisa Kron takes on the myth and mayhem of American exceptionalism through the prism of a compelling lefty smarty-pants named Ellen (Heidi Schreck) and her “alternative” family circle, as it slowly unravels during the first decade of the 21st century. From her modest Manhattan perch — shared with adoring, wise-cracking longtime boyfriend Danny (Carson Elrod) — Ellen rails against the ineptitude of the Democrats in the face of the rising Right and its season of havoc. But she’s already told the audience she has a problem with “blind spots,” much like the country. Projections of headlines and sound bites, intermittently splayed across the fortified proscenium arch, locate the action at precise moments in the dreary political timeline of the last decade, beginning with the 2000 election coup that has put a damper on Thanksgiving festivities (despite inclusion of Pilgrim smocks). Her sister (Andrea Frankle) and sister’s wife (Danielle Skraastad) are there too, along with Ellen’s older friend Judy (Deidre O’Connell), a cranky, deceptively oblivious relief worker just back from a refugee camp in Africa. As time goes by, and Ellen turns to an open relationship with a woman filmmaker (Emily Donahoe), our protagonist’s bedrock assumptions about the natural order of things get sorely tested. Leigh Silverman directs a top-notch cast in a remarkably engaging mix of political dialogue and personal entanglements, written for the most part with stirring intelligence and incisive humor. If the play loses focus and momentum by the second act — despite a wonderfully charged scene between Ellen and Judy that is the play’s most memorable — its wit, real anger and constructive irreverence still make it too good to miss. (Avila)

Twelfth Night La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through June 12. You’ve got to hand it to Impact Theatre: they make reimagining Shakespeare look so darned easy. To set a crass comedy about class, obsession, and mistaken identity at “Illyria Studios” in the heart of tawdry Tinseltown seems like such an obvious take, you wonder why it took someone so long to get around to doing it. True, the execution is not as vivacious as last year’s A Midsummer Night’s Dream, but overall, the enthusiastic cast and timeless humor win the night. (Gluckstern)

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; (415) 826-5750, www.themarsh.org. $10-50. Sun, 11am. Through June 27. The Amazing Bubble Man, a.k.a. Louis Pearl, performs his family-friendly show.

PERFORMANCE/DANCE

Dan Carbone Dark Room, 2263 Mission; 401-7987. Fri, 10pm, $10. The absurdist writer-performer presents an encore performance of his new works.

Circus Finelli Revue Stage Werx Theatre, 533 Sutter; www.brownpapertickets.com. Wed, 8pm. $10-15. This variety show features music, circus arts, and comedy.

Dionysian Festival Mary Sano School of Duncan Dancing, 245 Fifth St, Studio 314; 357-1817, www.duncandance.org. Sat, 8pm; Sun-Mon, 6pm. $18. The Mary Sano School of Duncan Dancing presents its annual celebration of Isadora Duncan’s birth.

“Formerly Known As: Male Sex Worker Performance” LGBT Center, 1800 Market; www.brownpapertickets.com. Tues, 7pm. $10-20. Kirk Read curates this evening of performance, with Suppositori Spelling, Inbred Hybrid Collective, Adela Vazquez, and more. Scott Wells and Dancers CounterPULSE, 1310 Mission; www.counterpulse.org. Fri-Sun, 8pm (June 19 show, 9:30pm). Through June 19. $22. The high-flying company performs BALL-IST-IC.

Media experiments

Jesse Hawthorne Ficks
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Media experiments

news@sfbg.com

With traditional journalism outlets still struggling through the Great Recession and into an uncertain future, some interesting new media experiments have been popping in San Francisco, including much-anticipated The Bay Citizen, an initially well-funded newsroom that launches this week.

It will join a media landscape filled with a wide range of new ventures: general news websites ranging from the nonprofit SF Public Press to the theoretically for-profit SF Appeal; niche sites such as the popular SF Streetsblog; the Spot.us media funding experiment; and the MediaBugs accountability project. And it isn’t all online — McSweeney’s magazine put out the one-time San Francisco Panorama newspaper in December and SF Public Press plans to print a similar demonstration newspaper next month.

But for all the high hopes and talk of using strategic partnerships and new funding models to overcome economic and readership trends that have hobbled the San Francisco Chronicle and other big media companies, those who run The Bay Citizen and other start-ups still need to prove their worth and sustainability.

Whatever The Bay Citizen becomes, it will break new ground — nobody has ever put this level of money into creating a nonprofit, online-only daily newspaper in a major market, or had such significant media partners, ranging from UC Berkeley’s Graduate School of Journalism to The New York Times, which will run the newsroom’s content as its twice-weekly Bay Area section.

Some people think this is the future of journalism; San Francisco-based financier Warren Hellman, who provided the seed money, thinks it’s worth $5 million or more to get the project off the ground. But since there’s no model out there, the crew at The Bay Citizen will be making it up as they go along. And at this point, even with what most Web publications would consider a huge amount of money, it’s clear that The Bay Citizen will not be replacing the Chronicle any time soon.

Jon Weber, the publication’s editor, knows the world of mainstream daily journalism (he was a writer for the Los Angeles Times); the world of high-paced big-money startups (he ran the Industry Standard); and the world of low-budget fledgling operations (he founded the small online magazine New West). And the first thing he had to figure was exactly what this new online daily was going to look like.

With a staff of just six news writers — and a regional focus — The Bay Citizen can’t try to cover breaking news the way the Chronicle, Examiner, or even Bay City News Service do. So the publication will be different from a traditional daily, with more enterprise reporting and less of the types of features dailies typically offer.

There will, for example, be no daily sportswriter. “There won’t be stories on every game, every day,” Weber told me. “We’ll pick our spots with enterprise reporting.” The Bay Citizen won’t try to compete with the Chronicle on national or international stories, either: “It’s a Bay Area focused site,” Weber said. “That doesn’t mean we won’t cover national stories when they impact the Bay Area. But that’s not part of our beats.”

The reporters will cover land use and environmental issues; health and science; education and social issues; business and finance; crime; and government and politics. The politics reporter won’t be able to cover San Francisco City Hall every day, either — he or she (that’s the one slot still open) will have to stay on top of local and statewide issues.

But what could make the Bay Citizen truly unusual is the extent to which Weber plans to partner with existing local bloggers and nontraditional news outlets. “We hope we can be a supporter of the local media ecosystem,” he said.

That could eventually set The Bay Citizen apart — and provide a new model for daily journalism. The publication has pending agreements with a dozen local Web sites and bloggers, some of them well-established and funded, and some more homegrown efforts. It’s also working with New American Media, which for many years has represented and encouraged ethnic news outlets.

Yet this isn’t exactly a new idea. SF Gate, the Chronicle’s Web site, has been running content from local blogs, including SF Streetsblog, for more than a year. But it doesn’t pay for that content and so far there have been few discernible benefits for either side of the equation.

“That’s been an experiment for us, but I’m not sure we see much of a return,” Streetsblog SF Editor Bryan Goebel told us. “The question is how you make these partnerships sustainable.”

That’s a question he’ll continue to explore with his newest partner, The Bay Citizen, which is promising to pay bloggers $25 for each post they run and to partner with them on larger projects. Although he’s still waiting to see a contract from Weber, Goebel said, “The model Bay Citizen is using could potentially work.”

Goebel needs something that will work. After 16 months in business, he said SF Streetsblog has 14,000 weekly readers and a loyal following among those interested in transportation and urbanism, but it’s funding (primarily from two rich individuals) has dried up to the point where he’s worried about the site’s future.

“I was hired to be the editor, but now the onus is on me to also keep it going,” Goebel said. “If the community likes this valuable resource … then the community needs to step up and support it.”

The Bay Citizen is also relying on that community-supported paradigm, using a four-part plan to pay the bills. At first The Bay Citizen will be heavily dependent on big donations. But Weber wants to see the operation transition to a more independent program that will rely on public broadcasting-style memberships (small donations), sponsorships (read: ad sales), and the sale of original content (syndication).

There’s already been some grumbling in the local blogosphere about Bay Citizen, from noting the outsized salary of the project’s president and CEO Lisa Frazier (a media consultant who led the search and then took the job at a reported $400,000 per year) to concerns about this big venture exploiting small local partners.

Frazier answered the salary question by noting that she has been working on the project for 14 months and emphasizing her business development experience. “This is a difficult problem we’re taking on and we need to put together a sustainable business model,” she told us. “It’s about results and our fundraising response has been fantastic.”

Another eyebrow-raiser is the background of The Bay Citizen’s Chief Technology Officer Brian Kelley, founder of the Web site ReputationDefender, which promises to remove negative items from the Internet searches of its paying clients — an antithetical mission for news organizations that expose the misdeeds of powerful figures.

Kelley downplayed his former company’s role in countering good journalism, telling us, “I do intend to take that knowledge here to promote our online content.”

Weber said the new venture won’t use its considerable initial resources to try to steal the show, and they’re bringing something truly valuable to the local media scene: a paid staff of journalists to counter the steep declines in local news-gathering.

“Listen,” Weber told us, “I was there for five years. I was running a little start-up with no resources. The last thing I want to do is hurt the smaller outfits. We think we can work together in ways that benefit everyone.”

SF Public Press has pursued a model like Bay Citizen’s for two years. But without millions of dollars in seed money, it’s still hobbling along as basically a volunteer newsroom despite getting around $35,000 from San Francisco Foundation, another Hellman-funded enterprise. “It’s an uncertain model. It’s a leap of faith for the writers to get involved with this,” said project manager Michael Stoll.

Yet Public Press is still moving forward with a newspaper (due out June 15) featuring content culled from a wide variety of local partners ranging from the Commonwealth Club and World Affairs Council to local public radio stations, local blogs, and The Bay Citizen. “We’re calling it both a pilot and a prototype,” Stoll said. “We want to get people’s reactions.”

Weber says he’s also eager to see how people react to The Bay Citizen when it launches May 26, because it will need to quickly establish itself. At the rate The Bay Citizen is spending, Hellman’s money won’t last more than a couple of years, and the financier told us he may be willing to put in a bit more, but he’s going to want to see a plan for financial stability that doesn’t involve him underwriting operations forever. It’s an experiment, but one most observers say is worth trying.

“We need to keep experimenting,” Goebel said, “because not every experiment is going to work.”

The Daily Blurgh: Out of Bolivia, park-ing lessons

Jesse Hawthorne Ficks
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The Daily Blurgh: Out of Bolivia, park-ing lessons

Curiosities, quirks, oddites, and items from around the Bay and beyond

Today in animals: Former circus lions from Bolivia plan SF stopover before cold chillin’ the rest of their days away in sunny San Andreas, crocodile mummies are returned to UC Berkeley, and the American Kennel Club allows mutts (aka “All Americans”) to compete in their own category.

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Rescue 911 — not so great from a cell phone.

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What better way to fight the war on terror than to discredit your enemy than by leaking a “video” of his supposed child-raping conquests?

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So, you wanna build a parklet...
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Headline of the day: “‘I am a predator’ – ruin follows him everywhere“

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Crack is whack! (via SFist)

 

May 20: Take Back the Mic

Sasha Cuttler And Mary Magee
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May 20: Take Back the Mic

Tomorrow evening’s kickoff event to Take Back the Mic marks the start of a nationwide community media campaign with music, storytelling, and interactive new media at the Ashkenaz in Berkeley.

Musician and radio host Derrick Ashong, who is organizing the project with author and musician Aaron Abelman, describes Take Back The Mic as “a new youth and young adult centered cultural movement. Via innovative uses of technology coupled with the power of local networks of youth, community organizations, educational institutions and businesses, TBTM will help to develop a new generation of young people armed with the tools to tell their own stories using digital and social media.”

The idea, Ashong told the Guardian, is to bring environmental justice issues to the fore by joining with impacted communities and harnessing new media, music, and the Internet to “share the world through their eyes.” In the Bay Area, the effort has grown out of a partnership between CommuniTree, the Local Clean Energy Alliance, Bay Localize, the Greenlining Institute, the Ella Baker Center, and a number of local environmental and community organizations.

The nationwide campaign will partner with community groups in Los Angeles, Chicago, Boston, and North, NJ to launch similar efforts, says Ashong, a Harvard-educated musician who is originally from West Africa.

The Ashkenaz event will feature Ashong’s band, Soulfège, as well as Audiopharmacy, Seasunz & Ambessa FiyaPowa, the Aaron Ableman Ensemble, Sunru and DJ Divinity, as well as storytelling by representatives from Bay Area social and environmental justice movements. People are encouraged to bring their own recording devices, like Flip camcorders and iPhones, to shoot clips and upload them online for everyone to view. Doors open at 7:30 p.m. and the show starts at 8. It’s $8 before 8 p.m., and $10 to $15 on a sliding scale after that.

The narrative of communities impacted by environmental justice problems “is a very complex and nuanced narrative,” noted Tara Marchant, Manager of the Green Assets Program for the Greenlining Institute, which advocates for green jobs and improved air quality in low-income communities such as East Oakland. “We’re really looking at how the excitement around this movement invites communities who don’t necessarily feel like they’re part of the conversation” to share their narrative with the world, she said.

The Daily Blurgh: Flipper goes commando and Gidget almost loses it (again)

Jesse Hawthorne Ficks
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The Daily Blurgh: Flipper goes commando and Gidget almost loses it (again)

Curiosities, quirks, oddites, and items from around the Bay and beyond

In the near future, Navy Marine Mammals will prevent the next diabolical underwater plot hatched by marine-loving terrorists. In fact, they’re doing it off the coast of California right now. Lest you be worried that these aquatic freedom defenders are “canaries in a coalmine” (but in water!), rest assured that, “None of the animals have been harmed in the anti-terrorist work. They never have to carry potentially catastrophic mines.”

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The sexual history of “Gidget.”

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UC Berkeley plans on asking incoming freshman and transfer students to submit DNA samples swabbed from their inner cheeks, “in an effort to introduce them to the emerging field of personalized medicine.” Yeah right. We know that UCB is going to take a page from Philip K. Dick and use the genetic data to blackmail the students when they attempt to do things like go on hunger strikes or protest budget cuts.

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Boing Boing has a neat-o preview of this year’s Maker Faire.

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Garderobe, a word now extinct, went through a similar but slightly more compacted transformation. A combination of “guard” and “robe”, it first signified a storeroom, then any private room, then (briefly) a bedchamber and finally a privy. However, the last thing privies often were was private. The Romans were particularly attached to the combining of evacuation and conversation. Their public latrines generally had 20 seats or more in intimate proximity, and people used them as unselfconsciously as modern people ride a bus.

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Creepiest headline of the day: Slain woman found in suitcase off Embarcadero 

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Most delicious word of the day: “maize’wiches“

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Piece of Internet wisdom of the day, courtesy of Slog commenter gloomy gus:

“The internet is 45% sadness, 45% anger, and 10% things to soothe the sadness and anger, meaning: cats and advice.”

 

 

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