Beer

Balompie Cafe

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paulr@sfbg.com

Balompié Café looks like many another modest restaurants in the Mission, but it does make a convincing claim to uniqueness, in three parts. The first is the striking name — basically “ball foot” in Spanish. Football by any other name — including “balompié” and “fútbol” — is still … soccer. Somehow soccer’s claim to being the true football is more convincing than our own. In American football, the combination of ball and foot is seldom a presence or factor.

The second part of our triad is Balompié’s identity as a soccer bar. The walls of the otherwise unassuming space are festooned with soccer-club banners from around the world, and flat-panel televisions mounted high on the walls show plenty of action. Some of the patrons scattered around the dining room and at the bar are likely to be watching rapt, while others will be dividing their attention between the screens and the plates of Salvadorean food in front of them — the place’s Salvadoreanness being its third distinguishing characteristic. Salvadorean cuisine resembles its Mexican cousin in broad outline, with corn and beans at the foundation, as they have been for centuries in Mesoamerica. But Salvadorean cuisine has its specialties and special delights.

Torn though some of the other patrons might be between the food and the televised proceedings, there was no contest for us. Soccer is a little too free-form a game to translate comfortably to television; the main impression made on the remote spectator pertains to the green vastness of the playing field. It’s like looking at an image from Google Earth, with tiny figures frantically running around. The food, on the other hand, richly rewards the attention you pay to it. It is as flavorful as any food you’ll find in this city and is also monumentally inexpensive. Balompié has been at its central Mission location since 1987, and in recent years has opened up at a few other spots (one in SoMa, the other in the outer Mission), but it still gives big bang for the buck, and that’s probably never been more valuable than it is now, in this depression-by-any-other-name.

The best-known Salvadorean dish in this country is the pupusa — and I probably should say “pupusas,” since, as with Lay’s potato chips, the singular reference is absurd. (Balompié’s menu codifies this preference for the plural by requiring that you order a minimum of two pupusas; the regular ones are $2.50 each, the fancier sorts $3.50.) Pupusas are basically stuffed flatbreads (made here either from masa or rice flour) that look a lot like small pita breads, and they can be filled with a variety of delectables.

Spinach and cheese reminded me of the Greek pastry pie spanikopita, while chorizo and cheese had the air of a Mexican-style breakfast. In the case of the blander pupusas — the cheese-and-beans combo springs to mind — enhancement is available in the form of an impressively spicy cabbage slaw, a dish of pickled vegetables (including carrot coins, cauliflower florets, and rounds of jalapeño pepper), and a richly tomatoey, though mild-mannered, salsa.

The pupusas are griddled. The corn pies called pasteles ($5.75 for three), on the other hand, are deep-fried and resemble an improbable cross between corn dogs, falafel balls, and Easter eggs. They’re crunchy on the outside and are filled with well-seasoned minced pork. (Chicken and shrimp versions are also available.)

The bigger plates tend to include large swaths of beans and rice — a worthy combination that can assume the proportions of a small landslide. (You can get the beans and rice as discrete entities, with salad, or mixed together and fried as casamiento.) The wonderful garlic chicken ($9.95), for instance, would have been fine on its own. The meat had been sliced into boneless flaps, then cooked — I would guess on the griddle — until the edges were lightly crisped and caramelized. The finishing touch was a fabulously creamy garlic sauce with a hint of lemon ladled over the top.

A chile relleno ($10.75) turned out to be less routine than it sounded. The pepper, a poblano, was familiar enough; the filling, of chopped, spiced beef, was less so. But the real puzzle was a band of mysterious white threads with the texture of pickled radish and a bitter-fruity flavor. That bite took some getting used to but was, in the end, a real enhancement. We quizzed our server, and she brought forth a jar labelled “pacaya,” or date palm — actually a date-palm blossom, pickled in brine. The date palm is a native of Mesopotamia and is one of the world’s most venerable food sources.

This is the sort of interesting food factoid that can get overlooked when Mexico scores on Costa Rica and the tiny figures run around on the surface of their flat green planet while, at Balompié, murmurs of exultation or disappointment ripple through the crowd and more beer is ordered, perhaps a bottle of Regia from El Salvador, a gorgeously smooth golden lager in a vessel like a quart of motor oil. Sort of the beer equivalent of the foot-long hotdog.

BALOMPIÉ CAFÉ

Daily, 8 a.m.–9:30 p.m.

3349 18th St. (also at 525 Seventh St. and 3801 Mission), SF

(415) 648-9199 (558-9668, 647-4000)

Beer and wine

DS/MC/V

Loud but bearable

Wheelchair accessible

 

Events listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 30

Where the Wild Things Are Metreon Theater, 101 4th St., SF; www.826valencia.org. 7pm, $75. Enjoy a special screening of Where the Wild Things Are followed by a Q and A discussion with director Spike Jonze and screenwriter Dave Eggers. All proceeds to benefit 826 Valencia.

THURSDAY 01

BAY AREA

Night Bazaar Jack London Square, Broadway at Embarcadero, Oak; oaklandunwrapped.org. 5:30pm, free. Enjoy this nighttime market organized in the festive tradition of Italian village fairs, German holiday markets, and Moroccan bazaars. Featuring local artisans, merchants, music, ice skating, and more.

FRIDAY 02

Clash of the Heroes Bayfront Theater, Building B, Fort Mason Center, SF; (415) 474-6776. Fri.-Sat. 8pm, Sun. 7pm; $20. Join BATS Improv troupe for a competition between improve teams performing scenes, games, and musical numbers which will be scored by judges.

Gandhi Birthday Poetry Reading Gandhi Statue, San Francisco Ferry Building, foot of Mission and Market Streets, SF; (510) 845-5481. 4:30pm, free. Attend a poetry reading on the bay to celebrate the 140th anniversary of Gandhi’s birth followed by a walk to the Martin Luther King, Jr. memorial in Yerba Buena Gardens.

Oktoberfest By the Bay Pier 48, San Francisco Waterfront, across from AT&T park, SF; 1-888-746-7522. Fri. 3pm-Midnight, Sat. 11am-5pm, Sat. 6pm-Midnight, Sun. 11am-6pm; $30-35. Bring the spirit of Germany to the Bay Area at this festival featuring great beer, German food, and authentic German music. Tickets cover admission and entertainment only.

Redefining the Universe Herbst Theater, 401 Van Ness, SF; (415) 392-4400. Fri. 8pm, Sat. 10am, Sat. 1:30pm; $20-100. In honor of the 400th anniversary of Galileo’s first use of the telescope, Humanities West is presenting a two-day program of lectures, discussions, music, and dance presentations titled, Copernicus, Galileo, and Kepler: Redefining our Place in the Universe.

SATURDAY 03

Fall Garden Festival Strybing Arboretum, San Francisco Botanical Garden, 9th Ave. at Lincoln, Golden Gate Park, SF; (415) 661-1316. 10am, free. Garden lovers and gardeners can enjoy a full day of activities and demonstrations about plants and gardening from local horticultural and conservation organizations.

Heroes of the Environment Green Arcade, 1680 Market, SF; (415) 431-6800. 5pm, free. Hear author Harriet Rohmer discuss her new book Heroes of the Environment: True Stories of People Who Are Helping to Protect Our Planet with special guest Erica Fernandez, the 14 year old who helped stop an offshore mining operation.

Hispanic Heritage Day Mission Branch Library, 300 Bartlett, SF; (415) 355-2800. Noon, free. Celebrate Hispanic Heritage Month at the Mission Branch library with dance and music from Mexico, a presentation about the history of Argentinean tango, bilingual poetry, and more.

LovEvolution Parade starts at Market and 2nd St. and ends at Civic Center Plaza for a dance music festival, SF; www.sflovevolution.org. Parade starts at noon, free; festival from noon-8pm, $10. If you like to dance, people watch, and dress colorfully, check out this celebration of music and love featuring a diverse line up of dance music DJs.

Open Studios Preview SOMArts Main Gallery, 934 Brannan, SF; (415) 861-9838. 7:30pm, $60. Get your Open Studios engine revving by being the first to view the SF Open Studios Exhibition, featuring work from over 400 SF Open Studios artists. Admission includes open bar and creative cuisine.

Original Plumbing Seventh Heart, 1593 Market, SF; www.originalplumbing.com. 3pm, free. Attend the release party for the first issue or Original Plumbing magazine titled The Bedroom Issue. The magazine seeks to document the diversity within the female-to-male transgender community with photos, essays, personal narratives, and more.

Sandcastle Contest Ocean Beach, near Cliff House, SF; (415) 512-1899. 10am, free. This year’s theme, Stories in the Sand: Classic Children’s Books, promises to unearth giant monsters and characters. Participate in the community sandcastle building area for a $5-10 suggested donation and help raise money for the arts in Bay Area schools.

SUNDAY 04

Castro Street Faire Castro at Market, SF; (415) 841-1824. 11am, $5 suggested donation. "Come Get Hitched" at this years Castro Street Fair and enjoy a wedding party, music and dance performances, art, a dating game, and more. Proceeds from admission and vendors go toward charitable causes important to the Castro Community.

TUESDAY 06

Margaret Atwood Herbst Theater, 401 Van Ness, SF; (415) 392-4400. 8pm, $20. Poet, novelist, and social historian Margaret Atwood is hosting an evening of music, performance, and readings from and inspired by her new novel The Year of the Flood.

Noam Chomsky Commonwealth Club, 2nd floor, 595 Market, SF; (415) 597-6700. 6pm, $18. Hear world-renowned intellectual Noam Chomsky discuss how the masses are kept in line and how to remain a freethinking, active citizen.


Appetite: Notoberfest, Ollalieberry Sour, barley beer brats, and more

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

barrelbeer0909.jpg
Barrel-aged beer sounds delicious right now. Photo from www.beerandnosh.com

EVENTS
10/10 Beer & Nosh presents Notoberfest
Jesse Friedman, whose popular blog Beer and Nosh is one of the best out there on the sudsy stuff and accompanying foods, throws an event beer and food lovers shouldn’t miss. But be forewarned… the event is already half sold out though weeks away.

With a cap at 150 people, Friedman told me he plans to keep it a comfortable party with various outposts around the room, flowing with food and beer. In the spirit of collaboration, Jesse assembled quite a line-up. None other than Ryan Farr and the 4505 Meats team prepare a feast with details not completely confirmed, though I hear rumors of grass-fed beef roasted over a fire, malt-studded/malt extract-glazed pork belly (yes!), barley beer brats on a stick, fried croquet on barley & sour apple chutney, and hopped rolled face on a fence(!) Dessert promises to be equally stunning with Humphry Slocombe creating six custom beer ice creams and treats just for this event. Wow.

beersampling0909a.jpg
Sampling the goods with Steve Altamari (Valley Brew), Ryan Farr (4505 Meats), and Jake Godby (Humphry Slocombe). Photo from www.beerandnosh.com

And the beer? Valley Brewing Co. serves their suds: Reinheitsgebot-breaking beers, each non-traditional, modern takes on heirloom styles:

* Luna Blanca – Central Valley Golden Ale
* a tart Olallieberry Sour that’s been fermented using wild yeast
* Brandy Barrel-aged “Collaborative Evil” Belgian Strong Golden Ale
* India Pale Ale
* Bourbon Barrel Russian Imperial Stout
* a rich Valley Brew Skullsplitter Root Beer
* the event’s signature beer, “Notoberfest” Bourbon Barrel Maibock Lager

This collaborative night brings together passionate craftspeople serving one-of-a-kind beers, meats and ice cream. If you need any more reasons to attend, I can’t think of them.
October 10, 1-5pm
$50 pre-purchase; $60 at the door (if not sold out): includes beer, food, commemorative glass and poster (shown on Web site)
Mars Bar
798 Brannan Street
415-621-6277

www.beerandnosh.com/notoberfest

This just in: Dinners from Chef Melissa Axelrod
Read about wine or beer pairing dinners around town from Chef Melissa Claire in my current issue of The Perfect Spot.
www.melissaclaire.com

Appetite: Notoberfest, Ollalieberry Sour, barley beer brats, and more

0

Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

barrelbeer0909.jpg
Barrel-aged beer sounds delicious right now. Photo from www.beerandnosh.com

EVENTS
10/10 Beer & Nosh presents Notoberfest
Jesse Friedman, whose popular blog Beer and Nosh is one of the best out there on the sudsy stuff and accompanying foods, throws an event beer and food lovers shouldn’t miss. But be forewarned… the event is already half sold out though weeks away.

With a cap at 150 people, Friedman told me he plans to keep it a comfortable party with various outposts around the room, flowing with food and beer. In the spirit of collaboration, Jesse assembled quite a line-up. None other than Ryan Farr and the 4505 Meats team prepare a feast with details not completely confirmed, though I hear rumors of grass-fed beef roasted over a fire, malt-studded/malt extract-glazed pork belly (yes!), barley beer brats on a stick, fried croquet on barley & sour apple chutney, and hopped rolled face on a fence(!) Dessert promises to be equally stunning with Humphry Slocombe creating six custom beer ice creams and treats just for this event. Wow.

beersampling0909a.jpg
Sampling the goods with Steve Altamari (Valley Brew), Ryan Farr (4505 Meats), and Jake Godby (Humphry Slocombe). Photo from www.beerandnosh.com

And the beer? Valley Brewing Co. serves their suds: Reinheitsgebot-breaking beers, each non-traditional, modern takes on heirloom styles:

* Luna Blanca – Central Valley Golden Ale
* a tart Olallieberry Sour that’s been fermented using wild yeast
* Brandy Barrel-aged “Collaborative Evil” Belgian Strong Golden Ale
* India Pale Ale
* Bourbon Barrel Russian Imperial Stout
* a rich Valley Brew Skullsplitter Root Beer
* the event’s signature beer, “Notoberfest” Bourbon Barrel Maibock Lager

This collaborative night brings together passionate craftspeople serving one-of-a-kind beers, meats and ice cream. If you need any more reasons to attend, I can’t think of them.
October 10, 1-5pm
$50 pre-purchase; $60 at the door (if not sold out): includes beer, food, commemorative glass and poster (shown on Web site)
Mars Bar
798 Brannan Street
415-621-6277

www.beerandnosh.com/notoberfest

This just in: Dinners from Chef Melissa Axelrod
Read about wine or beer pairing dinners around town from Chef Melissa Claire in my current issue of The Perfect Spot.
www.melissaclaire.com

Sunrise

0

le.chicken.farmer@gmail.com

CHEAP EATS I take back everything I said about Kaiser. Not because the receptionist at the Oakland lab asked if my semen sample was my husband’s, and not because not one sperm was seen in said sample (although both these little details did make me smile) … but because the day after my incendiary diatribe hit the streets, causing widespread rioting or at least a knowing chuckle on the 21 Hayes bus, I got a phone call from an endocrinologist in Martinez.

A Kaiser endocrinologist, mind you.

Who was not a buffoon, mind you.

Rather, he spent more than an hour on the phone with me, which is longer talk-time than I had with my previous endocrinologist in four years, total. Whereas my previous n-doc said, and I quote, "Hormone therapy is not rocket science" (which is true, I admit, but still a pretty dumb thing to say while you are getting someone’s hormones all screwed up).

The new guy, who had researched my entire Kaiser career before he called, got it all back together, my hormones, my head … He knew every single thing about my medical past. He asked me questions no one else had ever asked, about my work, my mom, my kids, my opinions. He even asked me what my questions were, and when I said what they were, he answered them intelligently, patiently, and in detail, in many cases contradicting what other doctors had told me. An hour plus … on the phone!

While I was at work!

I’d never had a medical experience like this, where somebody both seems to care and has the time to do a thorough job of it. After we talked I got a long e-mail from him, putting it all in writing.

While we were talking, he completely rewrote my hormone regimen, likely adding 13 1/2 years to my life (just a guess). He made sure the new, safer prescription would be ready at the pharmacy of my choice by the next day. (It was!) He figured out the probable cause of my eight-week headache, effectively ending it on the spot. And, as if all that weren’t enough, he went ahead and gave me a hysterectomy.

"Excuse me?" I said.

He said he was putting it in the computer that I’d had a hysterectomy — that way I’d stop getting bugged by computerized notices and nurses about my next Pap smear.

To perform such a delicate operation over the phone seemed above and beyond the call of medicine; it bordered on miraculous. Dazzled by my new favorite doctor’s medical prowess, I neglected to mention that I actually love it when nurses try to schedule me for a Pap smear, or ask about my period, or if I’m pregnant — stuff like that. But I’m glad I didn’t say anything, because in retrospect I would gladly trade those fleeting moments of real-girl-glory for the even gloriouser distinction of having had an over-the-phone hysterectomy.

Who wouldn’t want one of those? I mean, Pap smears and periods come and go, but a hysterectomy is forever, even if you have it in a doctor’s office or operating room.

But speaking of carne asada, there’s the Sunrise Restaurant on 24th Street between Shotwell and Folsom. Judging from its name, and the extensive Latino and Americano breakfast choices on the menu, it’s more of a morning place. I went there at sunset, and wished I’d had breakfast for dinner.

The carne asada plate ($9.95) comes with black beans, rice, and salsa. OK: the steak was tough, and there’s nothing you can do about that but shake your head, maybe make a mental note to get something else next time. But: the beans and the rice really really wanted flavor. They didn’t taste like much of anything.

There are things you can do about that, one of which is called salsa. But the little tiny tin of what-they-call-salsa was surprisingly shockingly inedibly yucky.

Meaning: there won’t be a next time. When even the salsa sucks, you are sitting in an irredeemable restaurant. Or, in other words, ugh.

If it wasn’t for good old table top Tapatío, I would have gone away entirely undernourished. As it was, I went away caloried, but not much else. No nice taste in my mouth. No plan of ever returning. No good stories to tell.

SUNRISE RESTAURANT

Mon., Wed.–Thu.: 7 a.m.–8 p.m.;

Fri.–Sun.: 7 a.m.–9 p.m.

3126 24th St., SF

(415) 206-1219

Beer and wine

MC,V

L.E. Leone’s new book is Big Bend (Sparkle Street Books).

Jannah

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paulr@sfbg.com

DINE The brightness of Yahya Salih’s new restaurant, Jannah, belies — or redeems — what went before. Jannah’s immediate predecessor was a place called Gabin, a Korean-inflected karaoke bar that drew some spicy Yelp commentary. Before that, it was Café Daebul, also Korean-influenced, maybe a bit less commentable. Both places were, apparently, on the gloomy, claustrophobic side.

Jannah, by contrast, is all about openness. Huge plate-glass windows look onto the lively Fulton-at-Masonic street scene, while the interior consists of a vast, pillarless dining room embroidered by a bar set off by a half-wall. The main floor is an expanse of wood planks worthy of a basketball court, but the ceiling is a little low, so it would probably have to be Nerf basketball. And BYO hoops.

Salih’s other city endeavor, the four-year-old YaYa (on Van Ness at the western edge of Russian Hill), manages to combine Iraqi and Californian influences to impressive effect, and Jannah does much the same thing, at a lower price point, as befits its quasi-college-town location. (USF and its hordes of collegians on budgets is practically across the street.) All the main courses are $11, and, as if that weren’t enough, the list includes dishes and ingredients you don’t often see, including fesenjoon (the chicken dish associated both with Iraq and Iran) and a version of masgouf, the grilled-fish preparation that is one of the gastronomic signatures of Iraq.

Of course, the menu offers plenty of items that will seem familiar, including that trinity of tasty mushes from the Middle East, tabbouleh, hummus, and baba ghanoush — or, as it is spelled at Jannah, ghnooge. There’s even falafel, but it’s not like the falafel we generally see, chickpea fritters the size and shape of golf balls. Instead the batter is worked into a small disk ($5) and, like a pizza, topped with a tasty Mediterranean mélange of eggplant, roasted red-bell pepper, scallions, red onions, shiitake mushrooms, diced tomatoes, and feta and goat cheeses. The crust, in the best triangle-slice tradition, is sufficiently rigid even at the point to support the toppings without wilting or crumbling, and it’s tasty enough to stand on its own. In an odd way, the pie reminded me of the chickpea-flour tort known as a farinata in Liguria and a socca in the south of France.

Kelecha ($3) are ravioli-like dough pockets, stuffed here with dates, cardamom, and cinnamon and topped with yogurt that’s been coarsened with chopped walnuts and subtly eniched with Parmesan cheese. The menu lists this dish as a starter, with other salads and dips, but it’s also just sweet enough to qualify as a light dessert. The yogurt sauce, in particular, is reminiscent of the cream-cheese frosting often found on carrot cakes.

We did think the variety of pickles ($3) tended a little too much toward saltiness — especially the cauliflower florets. But the plate (which also included radish, cabbage, peppers, and olives) was a festival of slightly surreal colors worthy of the Enterprise cafeteria on the original Star Trek, with lime green, bubble-gum red, and electric yellow being well-represented.

The main courses include an array of phyllo-dough preparations that vaguely resemble pot pies: the principal ingredients are sealed in a pastry crust and baked. In the case of kubsee ($11), the pastry is formed into a squat cylinder, then filled with prawns, scallops, fava beans, chickpeas, and rice. The rather staggering roster of seasonings includes cardamom, cinnamon, cumin, almond, tomato paste, hot pepper, and sun-dried lime, and the whole thing is ringee by a smoky tomato-eggplant purée.

Sun-dried lime, incidentally, is one of those ingredients that’s almost unknown in the occidental kitchen and helps give this kind of cooking a lot of its distinctive aura. To get a better idea of its flavor, you can have it as a lightly sweetened drink, a kind of Middle Eastern limeade whose sunset color won’t give you any sort of clue as to what it’s made of.

The masgouf ($11) features a subtly seasoned, butterflied trout — a freshwater fish (often sustainably farmed now) whose pinkish flesh is reminiscent of salmon. The freshwater angle is appropriate here, since Iraqis tend to grill fish taken from the Tigris and Euphrates rivers, and it also lends the final result a certain similarity to gravlax. The rest of the plate consists of a heap of rice, another of tomato-eggplant compote, and a colorful honor guard of cauliflower and broccoli florets and carrot and yellow summer squash coins, all steamed and arranged around the periphery.

For dessert (assuming you don’t want the kelecha or had them earlier on), how about kahi ($5), a pair of fried pastry triangles, like a child’s set of military hats from the 18th century, bronzed for posterity? They are stuffed with cardamon whipped cream (which has a cheesy-thick texture, neither pleasant nor unpleasant) and are set afloat on a small red sea of raspberry purée, which is nearly an event in itself. Bright, too.

JANNAH

Dinner: Mon.–Thurs., 5–9 p.m.; Fri.–Sun., 5–10 p.m.

Lunch: daily, 11 a.m.–2 p.m.

1775 Fulton, SF

(415) 567-4400

Beer and wine

AE/DC/DS/MC/V

Echoey noisy

Wheelchair accessible

Events listings

0

Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 23

Barback Olympics Ruby Skye, 420 Mason, SF; (415) 693-0777. 8:30pm, free with RSVP at going.com. Twenty San Francisco bars send their best barback gladiators to compete for prizes in a bottle relay, beer restocking race, keg changing competition and many more rigorous activities. Also featuring DJs, performances, and libations.

Queer Mommy/Boy Femina Potens, 2911 Market, SF; (415) 385-5814. 8pm, $8-12 sliding scale. Join in on a community discussion on the often invisible, misunderstood dynamic of Mommy/Boy in the leather, kink, LGBT, and BDSM communities.

BAY AREA

LGBTTIQ in the U.S. Free Speech Movement Café, Moffitt Library, UC Berkeley, 2200 University, Berk; (510) 642-3773. 6pm, free. Hear panelists, who are contributing writers from the recently published book Smash the Church, Smash the State: The Early Years of Gay Liberation , discuss the history of this movement while linking it to current social and legal battles for equality.

THURSDAY 24

Big Book Sale Festival Pavilion, Fort Mason, SF; (415) 626-7500. Thursday – Saturday 10am-8pm, Sunday 10am-6pm; free. Hundreds of thousands of books, DVDs, CDs, and other forms of media are being sold for $5 or less to benefit the San Francisco Public Library.

Women’s Building Celebration Women’s Building, 3543 18th St., SF; (415) 431-1180. 4pm, free. Celebrate the 30th anniversary of the Women’s Building at the open house featuring tours of the historic building, food, entertainment, and storytelling.

BAY AREA

Life of Ramparts Magazine First Congregational Church of Berkeley, 2345 Channing, Berk.; (510) 848-3696. 7:30pm, free. Hear Robert Scheer and Peter Richardson discuss the short and remarkable life of Ramparts magazine (1962-1975), one of the most influential leftist publications of its era.

FRIDAY 25

Ghetto to Gaza POOR Magazine, 2nd floor, Redstone Building, 2940 16th St., SF; (415) 671-0789. 7pm, free. Hear Mutulu Olugbala, also known as M1 from the rap group Dead Prez, share his recent experiences in Gaza, Cairo, and Europe and compare them with ghetto life in Black communities in the U.S.

Ride Too! CELLspace, 2050 Bryant, SF; (415) 648-7562. 8pm, $10-20 sliding scale. Enjoy bikes, beer, and bands at this benefit for CELLspace and the Florida St. Mural Project and neighbor welcome back party for the Bike Kitchen.

Taste of Greece Annunciation Cathedral, 245 Valencia, SF; (415) 864-8000. Fri.-Sat. 11am-10pm, Sun. Noon-9pm; $10, print out a free ticket at www.annunciation.org. Enjoy some authentic fresh Greek food at San Francisco’s only Greek food festival.

SATURDAY 26

Asian American Women Artists SOMArts Cultural Center, Bay Gallery, 934 Brannan, SF; (415) 722-4296. 6:30pm, $15-50 sliding scale. Celebrate the 20th anniversary of the Asian American Women Artists Association at this event featuring three exhibitions with art from Bay Area women, live music, activities, and more.

iB Crafty Workspace Limited, 2150 Folsom, SF; www.market-sf.com. Noon, free. Shop local at this handmade craftmasters and artists showcase. Featuring fashion, jewelry, paintings, cards, housewares, and more.

Tour de Fat Speedway Meadows, Golden Gate Park, SF; www.sfbike.org. 11am-5pm, free. Don’t miss this years bicycle festival featuring a bicycle parade, live music, food, bicycle performances, and more. Proceeds to benefit the San Francisco Bicycle Coalition and the Bay Area Ridge Trails Council.

Trannyshack Boat Cruise Pier 41, Fisherman’s Wharf, SF; visit www.trannyshack.com for info and tickets. 9pm; $45, tickets not available at the dock. Get on board the S.S. Trannyshack 2009 as it sails around the San Francisco Bay with cruise director Heklina presenting a show featuring Dirty Sanchez and the gorgeous ladies of Trannyshack.

BAY AREA

Watershed Environmental Poetry Fest Civic Center Park, downtown Berkeley; (510) 526-9105. Noon, free. Join poets Robert Haas, David Mas Masumoto, Arthur Sze, Carol Moldaw, and many more at this day of poetry, music, and activism.

SUNDAY 27

Folsom Street Fair Folsom between 7th and 12th St., SF; www.folsomstreetfair.org. 11am-6pm, donations appreciated. The 26th Folsom Street Fair offers over 250 exciting, sexy exhibitors and vendors, food, drinks, and artistic and cultural entertainment.

BAY AREA

Last Sundays Fest Telegraph between Dwight and Bancroft, Berk.; www.lastsundaysfest.com. 11am-7pm, free. Take in the culture of the East Bay at the last Last Sundays Fest of the year. Featuring entertainment, culture, recreation, shopping, and dining.

*

Women’s Building turns a spiffy 30

1

By Caitlin Donohue

womens30909a.jpg
Photos by Erik Anderson

Back in January 2008, before Obamarama had reached its most dizzying heights, before the Beer Summit, even before calling Kanye West a “jackass,” our Barry O.’s campaign trail led him to the Women’s Building. El Presidente-to-be picked the site to publicize his plans to aide working class women and families. He couldn’t have chosen a soapbox with better mojo.

womens0909a.jpg

In 1979 the Women’s Building became the first women-run and operated resource center in the country. For the past 30 years, its extravagantly muraled walls have housed a cornucopia of practical tools for some of the most overlooked members of our community: a food pantry for immigrant families, dirt cheap professional legal advice, information on how to obtain a restraining order, even an after-school running program to help build confidence in girls. “This is a safe space for women,” says Corrin Buchanan, Program Director. “Lots of people have come through these doors and left with social services. It’s a place to gather for the community.”

What they do matters

0

johnny@sfbg.com

Something is happening. San Francisco and the greater Bay Area is, even more than usual, home to some bands that hardwire the heart: Grass Widow, Nodzzz, Rank/Xerox, Mayyors, Ty Segall. But more than that, the place we call home is a nexus for a bunch of great new rock albums — ones that just might be classics. Girls’ Album (True Panther/Matador) is the popular one with the media blitz behind it, but the Mantles’ debut is the come-from-behind outsider, the secret star, the crushworthy keeper. You’ll know it when you hear it, from the one-two-three punch of the first trio of tracks: the Byrds-y jangle of "Disappearing Act"; the churning propulsive energy of "What We Do Matters"; and maybe most of all, the brooding balladry of "Look Away," a now-I-see-you-now-I-don’t relationship ode which possesses a kind of offhand melodic and vocal strength that sounds easy to achieve, but obviously isn’t, because so few ever manage to do it.

Those are some of the things that go into The Mantles (Siltbreeze), along with guitar blazes (the climactic "Thin Reminder") and the overall feel of a band as a thriving living thing. What went on outside the album is an entirely different story. The group recorded with Greg Ashley in Oakland, where the adventures often began before they entered the studio. "One day this cracked-out lady walked up and punched this other lady in the face right in front of our car," says drummer Virginia Weatherby. "There’s a giant pile of trash right in front of his [Ashley’s] door," chimes in bassist Matt Roberts. "This one afternoon I showed up and there was a guy by it wearing no shirt and a Yoda mask — it was totally absurd."

Fueled by friendship and romance, the Mantles are relaxed enough to enjoy absurdity, whether it arrives in the form of a shirtless dude in a Yoda mask or entails playing the role of "psychedelic band" and "mid-tempo downer" at a sweltering garage rock party where people are doing cannonballs into a pool. If anything, the group was too relaxed for Ashley’s spontaneous and live-sounding recording process, an achievement of sorts. "You think you have the situation figured out on the third day of recording," says vocalist-guitarist Mike Oliveras, as the group discusses the different facets of Ashley’s home studio and warehouse setup, where graffiti and ciggies floating in glasses of beer are one norm. "Then he [Ashley] comes down with a bounty of nice-looking tomatoes and says, Do you guys want any tomatoes? These are from my garden on the roof."

The Mantles is being released by Siltbreeze, a pairing that should yield interesting results. The pop immediacy of the group’s songs might make them seem a good fit for Berkeley’s Slumberland, even if they tend to rock a bit more vigorously and wildly than many groups on Mike Shulman’s rightfully vaunted label. A standout track like the easygoing, assured "Don’t Lie" — understated yet almost anthemic at the close — is more melodic than most music released by Siltbreeze owner Tom Lax, whose enthusiasm came from hearing the first of the group’s two 7-inch singles to date. "There’s a certain amount of people who will buy it [the album] because it’s on Siltbreeze," Roberts says. "And there’s a certain amount of people who will specifically not buy it because it’s on Siltbreeze."

Fortunately, The Mantles is the kind of album that defies expectations. Its shades of New Zealand-ry (an organ sound and laconic vocal delivery not far from Flying Nun groups such as the Chills and the Verlaines), its Paisley Underground touches (some reviewers have mentioned Steve Wynn and Dream Syndicate), and its better-than-NME‘s-C86-cassette pop appeal seem very au courant, but come across as natural as breathing. Oliveras’ vocal presence is both a weapon and a major reason for this — he’s got more confidence and presence than your average rocker, yet he never falls into cringeworthy or over-the-top rock star gestures. There’s no T.T.H. (tries-too-hard) to his or the band’s approach. This forthright pleasure and assurance might have grown from the group’s recording experiences to date, which range from the experimentation and live takes of Ashley to the precision and attention to detail of Papercuts’ Jason Quever, who produced one of their singles.

Along with friendship and romance, family plays a role in the Mantles’ music — not corny Christian family values, but a bond with family members that’s taken a variety of funny forms during the group’s existence. "At [a show at] Café Du Nord, my mom said she wanted a drink, and when I told her to go to the bar, she said, It’s not my milieu," says Roberts to much laughter. He lists his favorite show to date as one the group did for Oliveras’ family: "There was an audience of six people on patio chairs sitting 20 yards away from us," he says.

"The Mantles: Being Earnest," Oliveras jokes.

The Mantles has the arresting look required of a vinyl-only release, thanks to a stark and handsome design by local musician Nathan Berlinguette, art by Colter Jacobsen, and another family touch: the photo on the album’s cover. As evocative in a nostalgic way as the cover of Night Control’s Death Control (Kill Shaman) is in a 2009 manner, it’s a picture of a man holding a picture — a photo of Jimi Hendrix. The man, standing in front of a gorgeous mountain-lined horizon, is Weatherby’s father. "My dad is beside himself," she says with a smile. "He went to one of our shows recently and was walking around saying, Album Cover Guy’s here. Want to meet the album cover?"

THE MANTLES

Album release party

Oct. 1

Eagle Tavern

398 12th St, SF

(415) 626-0880

www.myspace.com/mantles

Pho la love

0

le.chicken.farmer@gmail.com

CHEAP EATS Don’t worry, I sat down at the conference table in my office in Oakland with Earl Butter, a big bottle of gin, a small bottle of grapefruit soda, a bowl of ice, and two small glasses, and we talked until almost midnight. It’s taken care of. We’re all going to be okay. Even you.

He’d brought a couple bones over from Looney’s Barbecue, around the corner, but I’d already bloated myself on takeout pho from Kang Nam, around the other corner. While we were talking, a mosquito came in through one of the many open windows in my hot hot upstairs apartment, and established itself in the bedroom. Weirdo the Cat blinked.

Earl Butter is a peach. Technically, this isn’t true, but in some respects it’s the perfect way to describe him. He’s soft and furry and sweet, and there’s a little stem sticking out of the top of his head.

He grows on trees, for another example.

One of my favorite things about pho (pronounced pha) is that it’s pronounced pha (but spelled pho). Those crazy Vietnameses! The good thing about getting pho to go (pronounced pha to ga) is that — if all goes well — you will find they have packaged the "rare beef" separately. So it’s raw beef, sliced really very thin, and it cooks in the broth when you put the two together. That’s the idea. But you can always let the broth sit in your bowl, and go to the bathroom, and make a couple phone calls, and check your e-mail, and lecture your cat, and clear off your desk, maybe put a load of laundry in, and then add the beef to the broth. That way it won’t cook so much as warm up a little, and that’s how I like it. Jalapeños, bean sprouts, fresh basil and cilantro …

We go back a long way, me and all those things, but especially Earl Butter. It’s one of those friendships that, in spite of everything — remote control ownership disputes, abandonment issues, actual abandonment, bad advice given (and taken), pork-related deception, petty jealousy, petty thievery of hats, grand theft of an automobile, grand jealousy, strange smells in the bathroom, botched interventions, band blowups, automotive breakdowns, nervous ones, and, you know, everything, tube socks … you get the sense that nothing can stop you, no one can beat you. You go back a long way and you’re going to go forward an even longer way.

Being which as it may, the fucker brings me two cold bones, one spoon’s worth of black-eyed peas, onion rings (and I don’t like onion rings), and a half of a crab-cake with mayonnaise in it. True, I had already eaten, but did he know this?

No. He did not. Wait, maybe he did. I’m trying to remember our phone conversation while I was waiting for my broth to cool off.

Anyway, this isn’t about Earl Butter, or me, or barbecue, or pho, or even my love, Romeo (pronounced Romea), who will be here in five, four, three days. Watch out, everybody. You are about to be absolutely grossed out. If scenes of romantical bliss make you barf, close your eyes, OK? I’ll tell you when to open them.

Really the person I really meant for this one to be about was the mosquito. But you know what? I’m in love, and feeling intoxicated and insane. I’ll let you imagine the cartoonish battle of wits that went down in the bedroom. All. Night. That. Night. And the bloody mess I left on the bathroom door the next morning, when, Popeye-armed and pissed off, I finally found him, or her.

Call me crazy, but I’m going to leave you with a few words about Kang Nam: it’s a both is and isn’t kind of place. Nice track lighting and big, ugly overhead fluorescents. Nice art on the wall and taped-on paper flyers for specials. Of the two waitresspersonpeople I encountered, one was calm, the other running around like a waitressperson with her head still on.

I didn’t see what the hurry was.

I did like my soup. A lot.

KANG NAM PHO HOUSE

Daily: 10 a.m.-10 p.m.

4419 Telegraph, Oakl

(510) 984-0900

Beer & wine

MC/V

L.E. Leone’s new book is Big Bend (Sparkle Street Books), a collection of short fiction.

Metro Cafe

0

paulr@sfbg.com

A half-score (or so) years ago, there came to the border country between the upper and lower Haight a restaurant called Metro Café. The place was an offshoot of Baker Street Bistro, and, like its progenitor, it was rather wonderful and quite affordable. In the mid-aughts the restaurant morphed into Metro Kathmandu, which served a Nepalese-Indian menu. The change was improbable, but the food was just as good in its way. Now, after a too-short run, Metro Kathmandu has disappeared, only to become … Metro Café again.

Actually, it hasn’t altogether disappeared: the look of the dining room remains the same, with a tendency toward red and umber tones and fanciful light fixtures that look like bubbles of colored Plexiglass that someone sawed off the bottoms of. Nor is it quite accurate, perhaps, to speak of the new Metro Café as a return of the original. There are points of similarity, yes, mainly in the emphasis on a three-course prix-fixe menu. At $25, it’s quite a bit more than in the good old days (on the order of $10 more), but what isn’t? It’s still a good deal, especially when you consider that you can have any starter, main dish, and dessert. And no surcharges for the fancier stuff like New York steak or duck confit. I call that sporting.

But the food doesn’t seem to be quite as pointedly French as the last time. The pediment of Chef Jacques Rousseau’s style is unmistakably Gallic — he offers snails, and need we say more? — but the menu is Californian, not French. There are dishes here you’d have a tough time finding in Paris — and not just macaroni and cheese ($8), although Metro’s version is quite tony, with cheddar, Swiss, and Parmesan mingling under a thick crust of garlic-bread crumbs. The only thing missing was a bit of salt, but this was easily added from a shaker already on the table. We liked the serving dish, an earthenware crock in the shape of a paddle.

Equally in a Ameri-Cali, if more elevated, vein was a plate of grilled squid ($6.50), accompanied by white beans, bits of frisee and chopped black olives, and a beguilingly fragrant olive oil infused with preserved lemon. The pieces of squid were beautifully tender — no small trick; squid overcooks and toughens easily — while the lemon oil cast a spell like sunshine over everything.

And I do not think you’d easily find in Paris any preparation to match the baby back ribs ($15), with their glaze of honey, cardamom, and coffee — darkly sweet but also a little smoky, like a demitasse of espresso with a half-cube of sugar. Since pork is naturally sweet, a sly mix of sweetness and smoke produced a complex harmony with the meat. The ribs arrived atop a generous slathering of green lentils, properly cooked al dente.

As for the ultimate French treat, les esgargots ($7): they came discreetly swaddled in pastry pockets that looked like empanadas. There was plenty of garlic on hand and, on the floor of the plate, a garish pool of red-pepper purée; these were quite useful flourishes if you needed some distraction from the advertised main ingredient. But the real main ingredient turned out not to be snails but pastry.

Duck confit ($16) is another quintessentially French dish, and Rousseau’s kitchen handles it with aplomb. The result: tender, juicy meat inside appealingly crisp, golden skin. The potatoes landaise did not particularly impress, however; instead of the traditional Pyrenees-style version, of potato cubes fried with onion, garlic, and ham, Metro offered what appeared to be handful of roasted, and underseasoned, potato quarters. An underseasoned potato is a piteous thing, naked and flabby, even if there’s some red-pepper purée on the plate for consolation.

The dessert list is the most purely French sector of the menu. Tarte tatin? Check. It costs $6 and is distinguished by large chunks of apple that are the shape of Gary Oldman’s strange, puffy hair in Dracula. The apple also retained some of its texture — a plus — but I did suspect the kitchen had used big, sweetish apples (maybe some sort of Delicious) rather than one of the smaller, sourer, denser varieties that, in my experience, work better in this tart.

The one non-French note struck among the desserts involved the chocolate cake ($6), which turned out to be a layered mousse cake that included a stratum of raspberry preserves. Sort of a variation on the Viennese specialty Sachertorte, with the raspberry preserves substituted for apricot. I like these kinds of small flourishes, which go a long way toward lifting the pall of enslavement that can sometimes hang over French-influenced restaurants in our corner of the New World. If, at some point, Metro Café becomes Cosmo Café, I would gladly clink my champagne flute.

METRO CAFÉ

Dinner: Sun.–Thurs., 5:30–10 p.m.; Fri.–Sat., 5:30–11 p.m.

Brunch: Sat.–Sun., 9:30 a.m.–2:30 p.m.

311 Divisadero, SF

(415) 552-0903

www.metrocafe311.com

Beer and wine

AE/MC/V

Moderately noisy

Wheelchair accessible

Appetite: Root beer floats, grilled moist melts, shrimp creole, and more

0

Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

justforyou0909.jpg

DEALS
Just for You’s new happy hour and New Orleans inspired bites
Despite this past weekend’s thunderstorms, our Summer is still in its early stages – Just for You Cafe commemorates an SF Indian Summer (and their nostalgia for New Orleans, which I acutely share) with new menu items and Wednesday through Friday happy hour specials. There’s $4.50 Root Beer Floats made with Nawlins’ own Abita Root Beer and our Mitchell’s Ice Cream. And it wouldn’t be an ode to the South without Red Beans and Rice ($4.50, $2 to add Louisiana hot sausage), Hush Puppies ($4) or a Creole Sampler ($6) of red beans and rice, jambalaya, and shrimp creole. Heineken and Miller beers are $2 and there’s Chicken Empanadas ($2.25) or Crispy Chicken Tacos ($2.95) for a veer off the New Orleans’ path.
Wednesdays-Fridays, 4:30-6:30pm
732 22nd Street
415-647-3033
www.justforyoucafe.com/specials

————

AmericanBox.jpg

NEW OPENING
Fish & Farm launches American Box
Gourmet lunches from top notch chefs continue to proliferate downtown, with Fish & Farm now in the mix, launching American Box. Executive chef, Chad Newton, created a menu that, similar to the flagship restaurant, is farm-fresh, local, sustainable. Eat from changing menu items, like a "Chop" Salad ($9) with Molinari salami, a Double Taco Box ($7), or a Grilled Moist Melt Box ($8, a rye, cheddar, pickle, caramelized onion sandwich), to go or in Fish & Farm’s dining room. Save room for cookies or brownies for dessert.
Monday-Friday, 10:30am-1:30pm
Cash only
339 Taylor Street
415-474-3474

www.americanboxlunch.com

————-

EVENTS
Test your blind wine tasting skills at Press Club all month
So the Governator himself has dubbed September California Wine Month (isn’t every month?) No matter… I like the sound of Press Club‘s Blind Tasting throughout the month – to test or improve your tasting skills, as the case may be. In Press Club’s roomy underground environs, $17 will get you pours of three wines, each selected from some of Nor Cal’s best wineries. If you’re feeling comfortable, submit your guesses as to each wine in the blind tasting and be entered to win a $50 private tasting for two.
20 Yerba Buena Lane
415-744-5000

www.pressclubsf.com

Appetite: Root beer floats, grilled moist melts, shrimp creole, and more

0

Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

justforyou0909.jpg

DEALS
Just for You’s new happy hour and New Orleans inspired bites
Despite this past weekend’s thunderstorms, our Summer is still in its early stages – Just for You Cafe commemorates an SF Indian Summer (and their nostalgia for New Orleans, which I acutely share) with new menu items and Wednesday through Friday happy hour specials. There’s $4.50 Root Beer Floats made with Nawlins’ own Abita Root Beer and our Mitchell’s Ice Cream. And it wouldn’t be an ode to the South without Red Beans and Rice ($4.50, $2 to add Louisiana hot sausage), Hush Puppies ($4) or a Creole Sampler ($6) of red beans and rice, jambalaya, and shrimp creole. Heineken and Miller beers are $2 and there’s Chicken Empanadas ($2.25) or Crispy Chicken Tacos ($2.95) for a veer off the New Orleans’ path.
Wednesdays-Fridays, 4:30-6:30pm
732 22nd Street
415-647-3033
www.justforyoucafe.com/specials

————

AmericanBox.jpg

NEW OPENING
Fish & Farm launches American Box
Gourmet lunches from top notch chefs continue to proliferate downtown, with Fish & Farm now in the mix, launching American Box. Executive chef, Chad Newton, created a menu that, similar to the flagship restaurant, is farm-fresh, local, sustainable. Eat from changing menu items, like a "Chop" Salad ($9) with Molinari salami, a Double Taco Box ($7), or a Grilled Moist Melt Box ($8, a rye, cheddar, pickle, caramelized onion sandwich), to go or in Fish & Farm’s dining room. Save room for cookies or brownies for dessert.
Monday-Friday, 10:30am-1:30pm
Cash only
339 Taylor Street
415-474-3474

www.americanboxlunch.com

————-

EVENTS
Test your blind wine tasting skills at Press Club all month
So the Governator himself has dubbed September California Wine Month (isn’t every month?) No matter… I like the sound of Press Club‘s Blind Tasting throughout the month – to test or improve your tasting skills, as the case may be. In Press Club’s roomy underground environs, $17 will get you pours of three wines, each selected from some of Nor Cal’s best wineries. If you’re feeling comfortable, submit your guesses as to each wine in the blind tasting and be entered to win a $50 private tasting for two.
20 Yerba Buena Lane
415-744-5000

www.pressclubsf.com

No gag

0

andrea@mail.altsexcolumn.com

Andrea is currently on vacation. This column originally ran in June 2006.

Dear Andrea:

About getting past my gag reflex while giving blow jobs: I have no idea of what’s the best way to practice this. I’ve tried bananas, but honestly that was just weird. I never bothered trying to deep-throat my ex because he was happy with a hand job. The new boyfriend has expressed much interest in it, and I think trying to deep-throat without practice first would be really awful. Any books on this? Recommended dildos? Anything?

Love,

Willing but Worried

Dear Will:

Indeed, but first let’s get our terms straight: Are you confutf8g the standard-issue blow job with the X-treme sport called "deep-throating" (taking the penis all the way into the throat), or has the boyfriend specifically requested the latter? "Deep-throating" has long had its place in the lexicon, but it has not replaced and ought not to replace "blow job," "giving head," or "going down on." They are not at all the same thing.

If all you two are interested in is mouth-penis contact, you shouldn’t need a textbook or a night of, you should pardon the expression, "cramming." You can practice a bit with nothing fancier or more banana-flavored than your own finger or a Popsicle stick, just to determine how far back you can tolerate an oral foreign body before you need to expel it. It does get easier with practice. Once you graduate to the real thing, you will find that the more control you take over the process (you do the moving, he just lies there being happy he has a penis), the less gaggy you will feel. If it still feels overly intrusive or out of control, wrap your hand (spit into it generously first, as though sealing a bargain) around the base and move this in concert with your mouth. Some men can easily detect the difference but many don’t care — friction is friction, after all, and warm, wet, and deep are usually good enough without having to get all picky about it. Most men enjoy a blow job, period, and few — I cannot say "none," but let’s not get distracted by the corner cases — get off on making girls gag or produce involuntary Roman showers.

If you can imagine yourself practicing on a dildo and not immediately collapse in giggles, you’re ahead of the game and I give you my blessing. Buy something realistically sized and inexpensive (jelly rubber, probably), pretend it’s attached to your boyfriend (the sillier the color the harder this is to carry off, I imagine) and see how deep, fast, et cetera, you can go without gagging. Keeping your neck straight and head slightly back are supposed to help, although the often recommended lie-on-your-back-with-your-head-off-the-edge-of-the-bed position strikes me as ill advised at best, since we are trying to avoid panic here, and what could be more panic inducing than having your airway and vocal capability cut off while somebody straddles your chest? Try lying prone or crouching, with the dildo upright as though projecting jauntily from your boyfriend’s pelvis as he lies on his back, and practice opening your throat as though chugging a beer or saying "Ah."

You may find, in time, that you really can control your gag reflex. The feedback provided by a real live boyfriend, though, in the form of appreciative gasps and groans, is a motivator the likes of which mere plastic, no matter how colorful, will never achieve. Not, at any rate, with today’s technology. Androids and replicants haven’t yet started rolling off the assembly lines and into our toy boxes.

Faking it with inanimate objects will only get you so far; if you really want to learn, you’re going to have to try it on the real thing. I don’t know your boyfriend, but I bet he’d be game for a little experimentation. Just make sure that the session is approached as an experiment, and that neither of you brings to it unrealistic expectations of immediate, spectacular success. Nobody’s born knowing how to do this sort of thing, at least not until those replicants get here.

If you two get this far and wish to — oh heck, there’s no better way to put this — go a little deeper, there’s good information to be found in instructional videos and DVDs, like the ones Nina Hartley puts out, and in books such as Violet Blue’s The Ultimate Guide to Fellatio, which contains nifty tips like how to keep your lipstick perfect throughout, as well as, yes, bona fide deep-throating techniques. I think deep-throating is overrated, myself, but then, I only borrow a penis and ought to defer here to those who possess them full time.

One last word of warning: Yes, there can be a somewhat unpleasant surprise at the end of a successful blow job. Inform him that he is responsible for early warning and withdrawal, no "whoopsies" allowed. This probably ought to be considered nonnegotiable at the beginning, subject to later review.

Love,

Andrea

See Andrea’s other column at carnalnation.com

Red Crawfish

0

paulr@sfbg.com

The color of cooked crawfish isn’t red, exactly — more a garnet. If it were a wine, it would be a medium-bodied pinot noir. Certainly it would never be mistaken for cooked lobster, which (pace Red Lobster) isn’t red at all, but more of an inflamed orange. You see plenty of crawfish being rushed from the evening kitchen at Red Crawfish in the Tenderloin; the crustaceans make the journey in shallow white bowls and reach tables full of eager patrons who’ve fitted themselves out with plastic bibs in anticipation of mess.

Red Crawfish, like the Green Hornet, has something of a dual identity. By day it’s a quasi pan-Asian place tending toward Chinese and Vietnamese favorites. But as the sun sets, it dons a Cajun guise, and a menu filled with familiars like five-spice chicken and beef noodle soup suddenly develops a bayou section that includes (besides crawfish) treats such as gumbo and Cajun fries.

The dual-identity restaurant is a rare phenomenon, but not an unknown one. Some years ago there was a spot on lower Haight Street that appeared to be an all-American café by day but turned into a Senegalese joint on certain nights of the week. And, in the present moment, we have Coffee Bar, which daytimers know as a coffee bar but becomes host to Radio Africa Kitchen several nights a week. Red Crawfish is close kin to these spots, but it has the additional charm of joining compatible, if unlikely, cuisines without fusing them. The Cajun dishes remain Cajun and the Asian dishes Asian, but they do make a nice harmony: a communion of spiciness.

The cathedral in which this union takes place is unprepossessing, in true Tenderloin fashion. The dining room is deep and very narrow — a half-storefront — with a long mirror along one wall to give the illusion of greater spaciousness. Ceiling fans do offer a hint of New Orleans. But the furniture, though plain, is well-made, the tabletops are clean, and you are greeted and seated promptly when you step through the door.

The Cajun dishes are dialed up according to the patron’s preferred level of heat (on a four-step scale) and style of seasoning. For the seafood combo ($13.99), for instance, you choose among lemon-pepper, garlic butter, and red crawfish flavor palettes. The last turned out to be a deep red, slightly oily, iridescent soup flecked with dried chili and giving a faint charge of fruity acidity; had it been spiked with a mild vinegar? In this shallow pond frolicked shrimp (partly shucked), oysters (fully shucked), and chunks of calamari and white fish. The second-lowest level of heat ("spicy") proved to be more than sufficient, while the pre-shucking, while probably indicative of slackerdom on our part, also made the dish much easier to eat and enjoy and at the same time limited the mess. That’s a lot of upside.

Cajun fries ($3.99 for a semi-gigantic plate) were fine but ordinary. We did detect a faint dusting of cayenne pepper on them, but not enough to make a serious impression. Better, for flavored-up starch, were the garlic noodles ($6.50). They would have gone brilliantly with the gumbo ($10.99), but the gumbo was somewhat late in arriving. In fact, it arrived last and, like a folk act following a death-metal group, its luster was at first somewhat dimmed by the potency of the seafood combo that preceded it.

But the gumbo found traction after a bite or two and was thick and satisfying even without rice — or garlic noodles. The thickener was okra, whose flavor has a ghostly bite, and the result wasn’t particularly pretty: a bowlful of lumpy gray-green sludge. The lumps, though, consisted of delectables such as shrimp, chicken, and pork, and added enough heft to make the gumbo into a (potential) meal in itself.

An unexpected rival for meal-in-itself (although not heart-healthy) honors might be the beignets ($4.50), a quartet of deep-fried pastries shaped like little top hats and served with a pair of massive ice-cream torpedoes. The ice cream was vanilla, and the torpedoes were cross-hatched with chocolate sauce, and that alone would have been enough for two people — even two hungry, greedy people bewitched by the crunchy fattiness of the beignets. (To describe these as "deep-fried" does not quite capture the reality.)

In sunshine — or fogshine, as the case may be — the restaurant slips into east Asian character. Salt and pepper calamari ($5.50) are batter-fried and presented with a nuoc nam-based dipping sauce whose sharpness helps cut the grease. Mixed vegetables with tofu ($5.95) sets a low mountain of broccoli florets, carrots, cabbage, and tofu cubes on a huge pediment of white rice. The vegetables are crisp and fresh; the soy-heavy brown sauce, a little bland. Five-spice chicken ($7.50), on the other hand, with egg rolls and vermicelli, is enhanced with mint, which brings both color and sweet breath to the rescue. That color is green, by the way. *

RED CRAWFISH

Sun.–Fri., 10 a.m.–10 p.m.; Sat., 5–10 p.m.

611 Larkin, SF

(415) 771-1388

Beer and wine

MC/V

Moderately noisy

Wheelchair accessible

Hot sex events this week: September 2-8

0

Compiled by Molly Freedenberg

PaulfestaStill2_0909.jpg

This yummy image may be a still from next week’s Erotic Film Festival, but it makes us want to get frisky a little early. Check out some bare torsos this week at Nipple Play at Powerhouse.

————-

>> Nipple Play
First Wednesday means time to take off your shirt, pull out some cash, and enjoy drink specials like the $3 Pink Nipple Cocktail or the $1 Twisted Nipple Shot.

Wed/2, 9pm. Free.
Powerhouse
1347 Folsom, SF
(415) 552-8689
www.powerhouse-sf.com

————-

>> Open Eyes Queer Film Night
Get ready to rock out to some seriously gay music videos in this month’s installment of local artist’s provocative, critical, and/or engaging films curated by Stephanie Yang (and enhanced with discussion, popcorn, and beer).

Fri/4, 7:30pm. $10-$15.
Femina Potens
2199 Market, SF
www.feminapotens.org

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>> School of Shimmy: Red Hots Burlesque Showcase
Graduates of Dottie Lux’s popular burlesque series perform alongside SF veterans.

Fri/4, 7:30pm. $5.
El Rio
3158 Mission, SF
www.redhotsburlesque.com

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>> Jeeti Singh Art Exhibit at Madame S
FP Edge and Madame S present body image in a new light with an exhibition of artwork by painter Jeeti Singh, whose subjects face their insecurities.

Runs Sept. 7-Dec. 12, 11am-7pm.
Madame S
385 Eighth St, SF
www.fpedge.com

————-

>> Ask Our Doctors: the Prostate
With a little know-how, you can have lots of prostate fun – either on your own or with a partner. Dr. Charlie Glickman will tell you everything you need to know to get started on this overlooked and undervalued pleasure spot.

Tue/8, 6:30pm. Free.
Good Vibrations Valencia Store
603 Valencia, SF
(415) 522-5460
www.events.goodvibes.com

————-

Liberty Cafe

0

paulr@sfbg.com

Not all restaurants have authors — central figures that breathe their essence into a place — but the ones that do tend to be special. They are also uniquely vulnerable, for if that central figure disappears, a restaurant can be left adrift without its animating force, like a fully-rigged sailing ship on a breezeless sea.

In January, Cathie Guntli, the founder and guiding light of the Liberty Café, died. She opened the place in Bernal Heights in 1994, in a woody Victorian storefront space along then-backwatery Cortland Avenue, and the restaurant quickly established itself as one of the city’s new neighborhood jewels. It was the Firefly of Bernal.

Since Guntli’s death, Liberty Café has passed into new hands associated with Hard Knox Café and Sally’s. So far the change in ownership is not visible; the restaurant looks the same and the general new-American tenor of the food is familiar. The menu still features the famous chicken pot pie. The real changes can be found outside the restaurant; Bernal Heights was a sleepy little hill town 15 years ago, but it isn’t anymore. The commercial district along Cortland has bloomed with shiny new restaurants in recent years, and Liberty Cafe, which began as an outpost or beacon of sorts, no longer holds that distinction. These days, in fact, its homey Victorian look seems almost quaint.

The restaurant has long adhered to a no-reservations policy. This can complicate patrons’ planning, but it does help keep tables full, particularly if there is a steady stream of passersby on foot and a loyal clientele. Liberty enjoys both advantages, and it isn’t hard to see why: it’s kid-friendly and modestly priced, and it’s in the middle of a walk-friendly zone.

Still, there are signs of stress. The dining room strikes me as slightly understaffed; although Liberty Café is barely bigger than tiny, with 32 seats divided between two rooms, you can almost see the front-of-house staff — a single server, maybe two, aided by a couple of bussers — panting to keep up. People must be met and greeted, summoned from the wait list, and then seated. The no-reservation system is an efficient way of filling tables, but it adds an extra step or two to the service, and that is enough to stretch the staff.

The food is a quirky mix of modesty and elegance, although the balance now tips more toward the former. As if in compensation, portions are quite generous. If you like caesar salad, for instance, you’d have trouble finding a better deal than Liberty’s ($7): a looming plateful of immaculately crisp romaine spears tossed with croutons and tabs of Parmesan cheese under a light fall of grated Parmesan — like the first snow of winter. No anchovies, though, alas.

The house-baked breads and dinner rolls flow out to the tables in a steady stream. While they are tasty and satisfying on their own if smeared with a bit of softened butter, they’re also useful if you happen to have ordered soup. The soup ($7 for a broad bowl) changes daily; it could be of portobello mushroom, a thick pottage tasting intensely of the earth and decorated only with a sprinkling of Parmesan cheese. I had mixed feelings about this soup; there was no doubting the purity of its flavor, but it looked like mud. A bit of colorful festooning wouldn’t have hurt.

There was plenty of color on a plate of seared ahi ($18): purplish fish in thin slabs, pale-green chunks of ripe avocado, brilliant red pear tomatoes, halved and very ripe. The tuna had been well-coated with cracked pepper for some extra jolt, and the dish as a whole fluently spoke the language of summer. But the tomatoes and avocado didn’t seem quite coherent; they were meant to be a salad, but they behaved like junior-high boys and girls reluctant to mix at a dance.

Impressive coherence was achieved with the vegetarian pot pie ($13), a meatless version of the chicken pot pie. Under a disk of golden pastry (a treat in itself) lurked a potpourri of cauliflower florets, carrots, and lentils in a thick mushroom slurry. The effect was surprisingly autumnal (on a warm night, no less), and at first I hoped for and missed the flavor of curry, but the milder flavor accreted bite by bite in a swelling crescendo. Even so, I couldn’t finish it. Two fairly hungry people could share one and come away happy, and I call that value. They could also probably share — but might end up fighting over — the exceptionally tasty country-fried pork chop ($17), slathered with white gravy and served with cheesy grits and bacon-braised kale.

Given Liberty Café’s bakery chops, the pies — I speak now of the dessert kind — are generally estimable. Cherry ($7), for instance, featured an avalanche of wondrous sour cherries the color of a good red Bordeaux and with just enough sweetness to qualify as a dessert. If not a slice of pie, then perhaps some butterscotch pudding ($7), served in a goblet and deeply tasty despite some feathery remnants of scalded milk. It was good but could have been, should have been better. And for now, that’s the way it is at Liberty Café. *

THE LIBERTY CAFÉ

Dinner: Tues.–Sun., 5:30–9:30 p.m.;

Fri.–Sat., 5:30–10 p.m.

Lunch: Tues.–Fri., 11:30 a.m.–3 p.m.

Brunch: Sat.–Sun., 10 a.m.–2 p.m.

418 Cortland, SF

(415) 695-8777

www.thelibertycafe.com

Beer and wine

AE/DS/MC/V

Noisy

Wheelchair accessible

Fall fairs and festivals

0

AUG 28-30

Outside Lands Music and Arts Festival Golden Gate Park, SF; www.sfoutsidelands.com. 12-10pm, $89.50-$225.50. SF’s best alternative to That Thing in the Desert is back for its second year, with headliners Pearl Jam, Dave Matthews Band, and Tenacious D playing for you and two thousand of your closest friends.

BAY AREA

Eat Real Festival Jack London Square, Oakl; eatrealfest.com. Fri, 4-9pm; Sat, 10am-9pm; Sun, 10am-5pm. Free. Buy from your favorite street food vendors, sample microbrews at the Beer Shed, or shop in the market for local produce at this sister event to La Cocina’s Street Food Festival.

AUG 29-SEPT 20

SF Shakespeare Festival Presidio’s Main Post Parade Ground Lawn, between Graham and Keyes; www.sfshakes.org. Sat, 7:30pm; Sun, 2:30pm, free. The genius of Shakespeare in SF’s most relaxed setting.

SEPT 1-30

Architecture and the City Times, locations, and prices vary. www.aiasf.org/archandcity. The American Institute of Architects San Francisco chapter and the Center for Architecture + Design host the sixth annual fest, featuring home tours, films, exhibitions, dining by design, and more.


SEPT 5-6

BAY AREA

Millbrae Art and Wine Festival Broadway Avenue between Victoria and Meadow Glen, Millbrae; (650) 697-7324, www.antiquesbythebay.net. 10am-5pm, free. The Big Easy comes to Millbrae for this huge Labor Day weekend event.

SEPT 6

BAY AREA

Antiques and Collectibles Faire Alameda Point, Alameda; www.antiquesbythebay.net. 9am-3pm, $5. California’s biggest and best antiques and collectibles extravaganza is back with 800 outdoor booths, with something for everyone.

SEPT 9-20

Fringe Festival Exit Theatre, 156 Eddy; 931-1094, www.sffringe.org. Times and prices vary. An ever-changing collection of unusual and lively experimental theater pieces will be showcased over the course of 18 days.

SEPT 12-13

Chocolate Festival Ghirardelli Square; www.ghirardellisq.com. 1pm, free. Indulge in chocolate delicacies, sip wine, and enjoy chocolate-inspired family activities at this annual event benefiting Project Open Hand.

Power to the Peaceful Festival Speedway Meadow, Golden Gate Park; www.powertothepeaceful.org. 9am, prices vary. Michael Franti and Guerrilla Management present the 11th annual festival dedicated to music, arts, action, and yoga. With Alanis Morrisette, Sly & Robbie, a special after party at the Fillmore, and workshops all day Sunday.

BAY AREA

Mountain View Art and Wine Festival Castro Street between El Camino Real and Evelyn Ave, Mountain View; (650) 968-8378, www.miramarevents.com. 10am-6pm, free. More than 200,000 art lovers will gather for the 38th installment of one of America’s top art festivals, featuring crafts, live music, food, and drink.


SEPT 13

Brews on the Bay Jeremiah O’Brien at Pier 45; 929-8374. Times, locations, and prices vary. www.aiasf.org/archandcity. The American Institute of Architects San Francisco chapter and the Center for Architecture + Design host the sixth annual fest, featuring home tours, films, exhibitions, dining by design, and more.


SEPT 17-21

BAY AREA

Symbiosis Gathering Camp Mather, Yosemite; www.symbiosisgathering.com. $180, includes camping. This synesthesia of art, music, transformational learning, and sustainable learning is quickly becoming one of NorCal’s favorite fall festivals. This year’s headliners include Les Claypool, Yard Dogs Road Show, Bassnectar, and the Glitch Mob.


SEPT 19-20

Autumn Moon Festival 667 Grant; 982-6306, www.moonfestival.org. 11am-6pm, free. Chinatown’s annual street fair features continuous Asian entertainment, lion dances, costumed artisans, cultural demonstrations, arts and crafts, and food vendors.


SEPT 27

Folsom Street Fair Folsom Street between Seventh and 12 St; www.folsomstreetfair.org. 11am-6pm, free. The world’s largest leather event covers 13 city blocks with entertainment, vendors, and plenty of spectacle.


OCT 2-5

Hardly Strictly Bluegrass Speedway Meadow, Golden Gate Park; www.strictlybluegrass.com. Check website for times. Free. Natalie MacMaster, Emmylou Harris, Aimee Mann, Neko Case, and many more perform for free in Golden Gate Park.

OCT 3

LovEvolution Civic Center Plaza; www.sflovevolution.org. 12pm, free. The event formerly known as Love Parade may have a new name, but the music, color, and fun remains.

OCT 3-4

World Veg Festival San Francisco County Fair Bldg, Lincoln and Ninth Ave; 273-5481, www.sfvs.org/wvd. 10am-6pm, $6. The San Francisco Vegetarian Society and In Defense of Animals present the 10th annual award-winning festival featuring lectures, cooking demos, vegan merchandise, and entertainment.

OCT 4

Castro Street Fair Castro at Market; www.castrostreetfair.org. 11am-6pm, free. The festival founded by Harvey Milk returns with the theme "Come Get Hitched in the Center of the Gay Universe," in an effort to keep the embers burning in the fight for equal rights.

OCT 9-17

Litquake Locations vary; Times vary, most events free. To commemorate its 10-year anniversary, the storytelling festival kicks off with the "Black, White, and Read" ball and continues with nine days of lit-themed programming.

OCT 11

San Francisco Decompression Indiana Street; www.burningman.com. Break our your still-dusty Burning Man costumes and welcome hard-working BMORG staff back to "Real Life" with this BRC-themed street fair and festival.

OCT 15

West Fest Speedway Meadows, Golden Gate Park; www.2b1records.com. 9am-6pm, free. 2b1 Multimedia Inc., the Council of Light, and the original producer of Woodstock 1969 team up to celebrate Woodstock’s 40th anniversary with a free show featuring Country Joe, Denny Laine, Alameda All Stars, Michael McClure, and tons more.

OCT 16

WhiskyFest San Francisco Marriott, 55 Fourth St; 896-1600, www.maltadvocate.com. 6:30-9:30pm, $95. America’s largest whisky celebration returns to SF for the third year with more than 200 of the world’s rarest and most expensive whiskies.


OCT 17

Potrero Hill Festival Potrero Hill Neighborhood House, 953 De Haro. 9am-5pm. This benefit for the Potrero Hill Neighborhood House features a jazz brunch catered by students of The California Culinary Academy and continues with a street fair along 20th Street between Missouri and Arkansas.


OCT 17-18

Treasure Island Music Festival Treasure Island; www.treasureislandfestival.com. Fri-Sat, 11am. $65-$249. The Bay Area’s answer to Coachella (minus the camping, heat, and Orange County douchebags) is back, this year featuring The Flaming Lips, The Decemberists, Yo La Tengo, The Streets, and about 100 other indie favorites and up-and-comers.

BAY AREA

Half Moon Bay Art and Pumpkin Festival Main Street at Highways 1 and 92, Half Moon Bay. 9am-5pm, free. Jim Stevens and Friends will return to the world famous festival featuring music, crafts, parade, and children’s events.

OCT 23-24
Exotic Erotic Expo Cow Palace, 2600 Geneva; www.exoticeroticball.com. Fri, 2-10pm; Sat, 12-6pm; $20. Part Mardi Gras, part burlesque, and part rock concert, this two-day fest is a celebration of human sexuality and freedom of expression, with its crowning event the Exotic Erotic Ball on Saturday night.
NOV 2
Day of the Dead Starts at 24th and Bryant, ends at Garfield Park; www.dayofthedeadsf.org. 7pm, free. Celebrate this traditional Latin holiday – and SF institution — with a procession and Festival of Altars.
NOV 13-15
SF Green Festival San Francisco Concourse Exhibition Center, 635 Eighth St; www.greenfestivals.org Fri, 12-7pm; Sat, 10am-7pm; Sun, 11am-6pm. $15-$25. A joint project of Global Exchange and Green America, this three-day event features the best in green speakers and special events.
NOV 27-DEC 20
Great Dickens Christmas Fair Cow Palace Exhibition Halls, 2600 Geneva; www.dickensfair.com. Fri-Sun, 11am-7pm. Check website for ticket prices. Channel Charles Dickens’ Victorian London with this 90,000 square-foot theatrical extravaganza.

Excitement! Dread! Blatant Oscar baiting!

0

cheryl@sfbg.com

Let’s be honest, film fans: summer 2009 hasn’t exactly been an exercise in awesome. Early entries like X-Men Origins: Wolverine and Terminator Salvation were disappointing; hyped projects like Public Enemies and Brüno offered some entertainments, but overall felt kinda meh. The Hangover, Up, Harry Potter and the Half-Blood Prince, and Star Trek may have been mostly deserving of their $250 million-plus hauls, but think how many poor suckers emptied their wallets at the sublimely awful Transformers: Revenge of the Fallen, which has raked in a bone-rattling $400 million so far. (That’s a lotta robot balls.)

But in Hollywood, there’s always hope. District 9 kicked ass, and Inglourious Basterds — while not Quentin Tarantino’s masterpiece, not by a forehead-carving longshot — at least provoked spirited debate among filmgoers who’ve been chomping on flaccid fare like GI Joe for months. What follows is a selective list of upcoming releases (dates are subject to change), including some surefire Oscar contenders, though I’m still holding out hope for a dark horse Drag Me to Hell nomination or two.

Sept. 11: In behind-the-scenes Vogue doc The September Issue, the devil wears Prada and busts fashionista chops while getting her magazine’s most important issue to press. Anna Wintour takes off her sunglasses! She cooly dismisses headlines, underlings, feathers, and an ugly pink-and-black ensemble! Director RJ Cutler (producer of 1993’s The War Room) gets the ever-so-glamorous dirt. Also out today: The Hills fembot Audrina Patridge brings her ceiling eyes to the big screen in horror flick Sorority Row; and mumblecore master Andrew Bujalski rolls out his third feature, after 2002’s Funny Ha Ha and 2005’s Mutual Appreciation.

Sept. 18: In a clash of the zeitgeists, Transformers thespian Megan Fox stars as a demonic high schooler in the Diablo Cody-scripted Jennifer’s Body. Irony is, like, so hot, y’know? For The Informant!, Steven Soderbergh returns from indieland to "from the director of Ocean’s Eleven, Twelve, and Thirteen" mode. His newest is the tale of a goofy, whistleblowing agribusinessman played by a fat-and-mustachioed Matt Damon.

Sept. 25: Proud, profiteering misogynist Tucker Max — a figurehead in the "fratire" literary movement — cowrote the script for I Hope They Serve Beer in Hell, based on his book (in turn, based on his blog), which kinda looks like a crasser spin on The Hangover. Fame updates the 1980 high school song-and-dance classic, a remake that actually makes sense given the popularity of the High School Musical series and all those bajillions of televised talent contests.

Oct. 2: Judging by its trailer, Zombieland could be the greatest movie ever made. Also: British footy drama The Damned United, with a script adapted by Frost/Nixon (2008) screenwriter Peter Morgan; and the latest from Michael Moore (the self-explanatory Capitalism: A Love Story) and the Coen brothers (A Serious Man, a ’60s-set black comedy that features no major movie stars).

Oct. 16: At long-friggin’-last, the Cormac McCarthy adaptation The Road — starring Viggo Mortensen and directed by John Hillcoat (2005’s The Proposition )— comes shuffling down the postapocalyptic highway. Spike Jonze’s Where the Wild Things Are squares off for its twee-off with Wed Anderson’s Fantastic Mr. Fox (out Nov. 13).

Oct. 23: Lars von Trier’s Antichrist shocked Cannes — will it make a splash here, opposite Saw VI (oh yeah, they made a sixth one)? Meanwhile, cult cinema fans won’t want to miss the return of Thai martial arts wizard Tony Jaa in Ong Bak 2. Hold on to your Buddha heads! Finally, when Michael Jackson died, he left behind enough rehearsal footage to fill a backstage doc, named This Is It after his never-launched tour. Celebration or cash-in?

Nov. 6: Jon Ronson’s The Men Who Stare at Goats is one of my favorite books. If George Clooney and co. mess this one up, I might have to lock them in a small room and blast the Barney theme until they crack.

Nov. 13: Precious: Based on the Novel Push By Sapphire was raved-about at Sundance, with stars like Mo’Nique and Mariah Carey de-glamming for art. On the complete other end of the spectrum, disaster expert Roland Emmerich masterminds the end of the world (again) with 2012.

Nov. 20: The Twilight Saga: New Moon opens. Look, enough people care about this that I don’t have to.

Dec. 11: Three heavyweights, three very different target audiences. Disney unveils its first-ever African American animated heroine in The Princess and the Frog (about time, Mouse House); Clint Eastwood directs Morgan Freeman as Nelson Mandela in the rugby-themed Invictus; and Peter Jackson takes on Alice Sebold’s bestseller The Lovely Bones, starring Atonement (2007) fabulist Saoirse Ronan as the doomed Susie Salmon.

Dec. 18: I was stoked about James Cameron’s Avatar. Then I saw the trailer. Hmm.

Dec. 25: Now that Guy Ritchie’s no longer married to Madonna, will his filmmaking talent return? With hot property Robert Downey Jr. starring, Sherlock Holmes could be revisionist-tastic. And, strictly for Christmas Day masochists, there’s Alvin and the Chipmunks: The Squeakquel.

Baby Blues BBQ

0

paulr@sfbg.com

Who needs the fleshpots of Sodom — or for that matter SoMa — when we can find all the flesh we can handle at barbecue restaurants? All right, it’s not quite the same thing, but close. The real issue pertains to the restaurants. San Francisco isn’t much of a barbecue town; we are a village of pastels, and barbecue is a primary color.

We are also a realm of hipsters, and where there are hipsters, it follows that there might also be hipster barbecue. If you were to start sniffing around for something in this line, you would do well by beginning along those blocks of Mission just south of Cesar Chavez, where Bernal Heights and the Mission mix and mingle and hipsters are known to congregate. Your divinations of hipster habitat would soon lead you to a building with some old Rexall Drug signage still affixed, even as profound change arrived late last year.

You have found — eureka! — Baby Blues BBQ (outpost of a small SoCal chain), which doesn’t especially look like a barbecue joint either outside or inside but does sound like one. It’s filled with a well-mannered raucousness, not to mention touches of kitsch, among them an alabaster cow’s head mounted above the bar like a trophy from some strange safari. Also above the bar: a flat-screen TV showing rodeos in which young men are thrown from bucking, heaving bulls with serious-looking, Pamplona-worthy horns. It seemed to me that the people sitting at the bar were riveted by these dust-ups, but maybe this just proves the Warholian dictum that people would rather watch something than nothing.

Elsewhere on the floor — the layout is an archipelago of trapezoids — people seem more interested in the food than the rodeo. If you don’t find high-def rodeo footage to be particularly appetite-kindling, you might well be relieved, as I was, to find yourself among people who are tucking with real application into impressive platters of ribs, chicken, brisket, and so forth. (There are two communal tables, for the communal-minded.)

Some of the best flavors to be found at Baby Blues involve the side dishes, or, in menu-speak, "fixins." They’re $3.50 each, a la carte; they also come two (of your choice) to a dinner platter and, as a quartet (also of your choosing), make up their own dinner platter. Among the best of these are the "blues on a cob" — an ear of shucked corn, roasted and then slathered with poblano-chile butter and crumblings of mild white cheese — and the macaroni and cheese, which features fat tubes of pasta (perhaps ziti) in an intense cheese sauce under a lid of broiled bread crumbs.

We were somewhat less impressed by the coleslaw, which suffered from wateriness. Not enough mayo? The cabbage was fresh and crisp, though. And the baked beans were more looks than flavor. The roll call included black, pinto, and kidney beans — as in a three-bean salad — but the overall affect was a mild, tang-less sweetness. The wonderful, smoky-dark cornbread, presented as a brownie-like square with nicely crusted edges, did provide some balance and extra texture here.

As for the flesh: it’s served in ample portions that nonetheless don’t overwhelm. It is one of life’s dismaying facts that too much good food, or any food, can turn the delight of eating into the curse of bloat, and this danger is especially high, in my experience, at places that traffic in heartiness. Barbecue certainly qualifies. But Baby Blues has its portion sizes expertly calibrated.

A half-rack of Memphis-style long bone pork ribs ($17.95) featured meaty slats, cooked with a strong hint of smoke and left with plenty of juiciness. The sauce slightly failed to amaze, I must say. It lacked presence and (probably a related issue) seemed to have been thinly applied. In fairness, it must be said that too much sauce can be as bad as too little and can leave one with the impression that a cover-up has been attempted. Baby Blues has nothing to hide, ribs-wise.

Beef brisket ($13.95) is one of the classic cuts of tough but tasty meat. Here it’s braised in beer, which lends a pleasant sourness, and served in shreds, like a disintegrating garment. Its nearest relation might be ropa vieja, a Cuban dish of shredded flank steak. Shredding tough cuts before serving them is wise; it not only makes the customer’s job easier but adds a final layer of insurance that any remaining toughness demons have been exorcised.

Desserts are of the down-home school. We reached a split decision on a peach pie ($5) littered with blueberries; Dr. No thought it wasn’t sweet enough, but I liked the homemade-ness of it, including the fine, flaky pastry. But we both loved the banana mousse ($5), which was like a gelato that managed to stay solid at room temperature and was enhanced by pulverized vanilla cookies. There was also plenty of it, so, like spackle, it helped fill any last gaps left by the savory dishes. We did get up feeling a pound or two heavier.

BABY BLUES BBQ

Mon.–Thurs., 11:30 a.m.–10 p.m.;

Fri.–Sat., 11:30 a.m.–11 p.m.; Sun., noon–10 p.m.

3149 Mission, SF

(415) 896-4250

www.babybluessf.com

Beer and wine

AE/DS/MC/V

Quite noisy

Wheelchair accessible

Appetite: Prop 8 dogs with curry ketchup, Yucatecan sandwiches, peach shrubs, and more

0

Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

appstreetfooda.jpg

EVENT
Saturday, 8/22 – SF Street Food Festival
Head to Folsom, between 25th and 26th, in front of La Cocina, for a one-day street food fest featuring some our city’s best… and, yes, presented by La Cocina. Each vendor playfully submits a "Bite", or amuse bouche-like appetizer, a "Forks and Fingers" main dish, and a beverage (order all, one, mix and match). Kasa Indian, La Mar, Delfina, Poleng, Heaven’s Dog/Out the Door, Aziza, Laiola, El Buen Comer, Bi-Rite Creamery and more, show off a diverse range of eats in street fare format… and nothing is priced over $8. Stop by for a bite, or stay for hours of indulgence. There’s passes (from $25-150) giving you a whole range of tasting options. While listening to street musicians or taking in street art, sip a peach/sage shrub from Absinthe. Head over to the beer/wine/spirits garden with Chaac Mool’s Yucatecan milk and cinnamon braised pork sandwich in hand. Snack on Estrellita’s Salvadoran plantain cake before a funnel cake with strawberries and cream from Endless Summer Sweets. Bid in the Silent Auction with some pretty sweet items like "Chef for a day at Chez Panisse" or "Pig Butchery in your home with Ryan Farr". Nice. Note that this is a sister event to the upcoming Eat Real Festival happening in Oakland August 28-30. Celebrate and support San Fran’s dynamic food and drink and ever growing street food community all while benefiting La Cocina… sounds like a perfect Saturday.
Sat/22
11am-7pm
Folsom between 25th and 26th, SF.

www.sfstreetfoodfest.com

————

zogs.JPG
Photo by Virginia Miller

NEW OPENING
Zog’s Dogs in FiDi
Whether you work downtown or not, it’s worth getting a meal from brand new Zog’s Dogs, opened by Jesse Herzog (hence the "zog") who still works his day job but started this stand out of sheer passion for dogs and sausages. Meat runs in his blood… his family line goes back to 1850 in SF where his ancestors started their own butcher shop. Zog’s grills plenty of dogs (including corn dogs), kielbasa, German frankfurters, hot links… all $3-$4.40. But let’s talk about the specialty menu. For an ‘upgrade’ of $5-$6, there’s The Matrix, where bacon is cleverly layered inside the bun rather than wrapped around the dog (never fear: they’ve got it that way, too), so it maintains its crispiness while still imparting piggy flavor. The Prop 8 Dog is two dogs in one bun. Need I say more? The aptly named Moral Conundrum is a quite satisfying veggie dog wrapped in bacon… so you will have to make a moral decision on this one. If I had to choose, I love the garlicky herbs redolent in The Bobo organic sausage, nicely nestled in a wheat bun. But I especially enjoyed the scorching Mexico, which, with a Mission district nod, is wrapped in bacon, smothered in grilled onions, jalapenos and a touch of mayo. The usual mustards, onions and relishes are there to add on, but I couldn’t stop pumping their Curry Ketchup.
Monday-Friday 10am-6:30pm
Saturday 11am-4p
1 Post, SF.
415-391-7071

www.zogs-dogs.com

Appetite: Prop 8 dogs with curry ketchup, Yucatecan sandwiches, peach shrubs, and more

0

Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

appstreetfooda.jpg

EVENT
Saturday, 8/22 – SF Street Food Festival
Head to Folsom, between 25th and 26th, in front of La Cocina, for a one-day street food fest featuring some our city’s best… and, yes, presented by La Cocina. Each vendor playfully submits a "Bite", or amuse bouche-like appetizer, a "Forks and Fingers" main dish, and a beverage (order all, one, mix and match). Kasa Indian, La Mar, Delfina, Poleng, Heaven’s Dog/Out the Door, Aziza, Laiola, El Buen Comer, Bi-Rite Creamery and more, show off a diverse range of eats in street fare format… and nothing is priced over $8. Stop by for a bite, or stay for hours of indulgence. There’s passes (from $25-150) giving you a whole range of tasting options. While listening to street musicians or taking in street art, sip a peach/sage shrub from Absinthe. Head over to the beer/wine/spirits garden with Chaac Mool’s Yucatecan milk and cinnamon braised pork sandwich in hand. Snack on Estrellita’s Salvadoran plantain cake before a funnel cake with strawberries and cream from Endless Summer Sweets. Bid in the Silent Auction with some pretty sweet items like "Chef for a day at Chez Panisse" or "Pig Butchery in your home with Ryan Farr". Nice. Note that this is a sister event to the upcoming Eat Real Festival happening in Oakland August 28-30. Celebrate and support San Fran’s dynamic food and drink and ever growing street food community all while benefiting La Cocina… sounds like a perfect Saturday.
Sat/22
11am-7pm
Folsom between 25th and 26th, SF.

www.sfstreetfoodfest.com

————

zogs.JPG
Photo by Virginia Miller

NEW OPENING
Zog’s Dogs in FiDi
Whether you work downtown or not, it’s worth getting a meal from brand new Zog’s Dogs, opened by Jesse Herzog (hence the "zog") who still works his day job but started this stand out of sheer passion for dogs and sausages. Meat runs in his blood… his family line goes back to 1850 in SF where his ancestors started their own butcher shop. Zog’s grills plenty of dogs (including corn dogs), kielbasa, German frankfurters, hot links… all $3-$4.40. But let’s talk about the specialty menu. For an ‘upgrade’ of $5-$6, there’s The Matrix, where bacon is cleverly layered inside the bun rather than wrapped around the dog (never fear: they’ve got it that way, too), so it maintains its crispiness while still imparting piggy flavor. The Prop 8 Dog is two dogs in one bun. Need I say more? The aptly named Moral Conundrum is a quite satisfying veggie dog wrapped in bacon… so you will have to make a moral decision on this one. If I had to choose, I love the garlicky herbs redolent in The Bobo organic sausage, nicely nestled in a wheat bun. But I especially enjoyed the scorching Mexico, which, with a Mission district nod, is wrapped in bacon, smothered in grilled onions, jalapenos and a touch of mayo. The usual mustards, onions and relishes are there to add on, but I couldn’t stop pumping their Curry Ketchup.
Monday-Friday 10am-6:30pm
Saturday 11am-4p
1 Post, SF.
415-391-7071

www.zogs-dogs.com

The Corner

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paulr@sfbg.com

For the evolution-minded, the past is a living presence, and such all-American phrases as "start from scratch" or "clean-sheet design" cause anxiety. In our culture of disposability and revolution, the past is about as attractive as a worn-out razor blade — and we know what happens to them. So to find a new restaurant that simultaneously manages to be contemporary yet respectful of the past gives quiet delight. The restaurant is the Corner; it opened last spring and is indeed right at the corner of 18th and Mission streets, adjoining its older sibling, Weird Fish.

The Corner is better-looking than Weird Fish, which is by no means homely. Both are boxy and tall, but the Corner has a cozy mezzanine that not only looks upon the bustling bar below (part of the place’s identity is as a wine bar) but at the long south wall, a piecework of glass blocks, transom windows, and tall drapes through which the deepening twilight filters. There is even sidewalk seating for the al fresco-minded — brushed-aluminum tables nestled against an Art Deco exterior of black glazed-ceramic tiles that look original to the building (once a Chinese grocery) — or for those who find the noisiness of close quarters indoors to be intrusive. Like me. The mezzanine has the feel of a private room, but it can get nearly as loud up there as on the main floor. You’re not quite on the balcony of the Saint, circa 1980, but close.

The food is the sort you could eat every day, an assortment of Cal-Ital dishes prepared with a light touch. Restaurant food can be debilitating — too many calories, too much attention-seeking — so to find a restaurant whose cooking navigates the tricky passage between humble or indifferent on the one hand and grandiose on the other is a gift. The Corner’s style has an obvious root in the accomplished home kitchen, but the techniques are sharper, the effects intensified. These are among the major reasons for going out to eat in the first place.

And prices, it must be said, are astonishingly moderate for what you get. I’ve had plenty of cauliflower soups in recent years, but at most places even a cup would cost you more than $3.95. Here it buys you a broad bowl, and the cauliflower is purple, and the base of the soup is deep and rich — beef stock? Vegetarians would scream, of course, but using beef stock is the sort of simple touch that can subtly enhance certain dishes.

No one would mistake the Corner for a vegetarian restaurant. The menu includes a gratifying plate of charcuterie ($10), with sizzling coins of andouille sausage, slices of salami, and tissue-like sheets of coppa and prosciutto. This is a meaty array, and there is surprisingly little in the way of filler beyond a dab of mustard, a few bread rounds, and a small heap of pickled-onion shreds.

There’s also a wonderful leg (and thigh) of Muscovy duck ($10.95), given a bewitching, vaguely oriental treatment of star anise and Turkish dates, and a similar section of chicken ($9.95), herb-roasted, with goat cheese worked under the skin in place of butter. I wouldn’t have expected this substitution to succeed, mainly because goat cheese can be sharp and bossy, but under the spell of the heat, all the parts seemed to melt into a harmony.

Also ruled by the spirit of harmony (and even veganism!) was a plate of bruschetta ($5.95): toasts adorned with almost indecently ripe red tomatoes, basil, garlic, and olive oil. This venerable combination is about as Italian as Italian gets; it needs no improvement and can’t be improved upon. The mac and cheese ($3.95), on the other hand, could have used a tweak or two. It was served in what looked like a small paella pan, so we award a point there for presentation, but it was seriously undersalted and, even when brought up to salt snuff, didn’t distinguish itself. Given the renaissance in restaurant mac ‘n’ cheese in recent years, often involving the use of such premium cheeses as Gruyère, the Corner’s version was curiously disappointing.

The comfort-food redeemer turned out to be a cherry crumble ($5), made with seasonal sour cherries that had been judiciously handled: sweetened just enough to qualify them as a dessert, and baked just enough so they didn’t lose their shape or texture. The bits of pastry added crunch interest, with a softening pillow of whipped cream on top. The crumble was served in a vessel that resembled a coffee cup with no handle, and this turned out to be just the right size for sharing by two people: several ample bites each, and done. Beautiful.

Servers have a lot of ground to cover — up and down stairs, in and out doors — and they do it ably. Water glasses are reliably refilled, and plates come and go in a smooth rhythm. And how about a not-small glass of good tempranillo for $5? Even plonk costs more than that now at most places, while glasses of better wine often run near or over $10. I have been patiently awaiting a revolution on this matter; could the Corner’s $5 tempranillo be the shot heard ’round the city?

THE CORNER

Dinner: Mon.–Thurs., 4 p.m. midnight;

Fri.–Sat., 4 p.m.–1 a.m.

2199 Mission, SF

(415) 875-9258

www.thecornersf.com

Beer and wine

MC/V

Noisy

Wheelchair accessible

Events listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

THURSDAY 20

Beer for Singles San Francisco Brewing Company, 155 Columbus, SF; (415) 507-9962. 7pm, $10. Meet some new single beer loving friends while tasting beers and enjoying free appetizers.

Catalyst for Creative Encounters Museum of African Diaspora, 685 Mission, SF; (415) 358-7200. 6pm, $5-10. This kickoff of a new series of community think tanks for MoAD’s audience and supporters is titled, "Blowing up: Crossing thresholds of commercial, critical, and personal success." Twenty short presentations will outline what it means to "blow up."

Sex Workers Writing Workshop Center for Sex and Culture, 1519 Mission, SF; (415) 255-1155. 5:30pm, free. Join Gina de Vries for this writing workshop for people who work or have worked in all areas of the sex industry to share their writing and get honest, non-judgmental feedback.

FRIDAY 21

Breast Cancer Emergency Fund Awards City Forest Lodge, 254 Laguna Honda, SF; www.frantix.net. 7:30pm, $20. This semi-formal cocktail party to benefit the Breast Cancer Emergency Fund will honor survivors and community supporters with hor d’oeuvres, entertainment, and a silent auction. The Emergency Fund provides financial assistance to low-income people in San Francisco and San Mateo County who are in treatment.

Vintage European Posters Firehouse Building, Fort Mason, SF; www.vepca.com. Fri-Sat 10am-6pm, Sun 11am-5pm; free. View original works of European advertising art created over more than a century on topics such as cycles, food and wine, travel, transportation, and military recruiting.

BAY AREA

Wild Parrots of Telegraph Hill Dance Palace, 503 B St., Point Reyes Station; (415) 663-1542. 7:30pm, $10. See a special screening of the 2003 film and join award-winning filmmaker Judy Irving and author Mark Bittner for a discussion after.

SATURDAY 22

American Indian Market and Powwow Julian Ave., between Mission and Valencia, SF; (415) 865-0964. 10am, free. Celebrate American Indian culture with arts and crafts, powwow dancers, drum groups, singers, spoken word, food, refreshments, and educational games and activities for children and adults.

BAY AREA

Hopalong Benefit Hopalong Animal Rescue, Parking lot on the corner of 2nd and Webster, Oak; (510) 267-1915. 10am-3pm, free. Hopalong Rescue is moving to a new location and selling dog and cat supplies for a bargain, such as toys, leashes collars, beds, and more. All proceeds go to Hopalong’s Medical Fund.

SUNDAY 23

Family Winemakers of California Festival Pavilion, Fort Mason, SF; 1-877-772-5425. 3pm, $60. This event features a chance to taste high-end wine from 360 family-owned California wineries, giving presence to small, boutique wineries.

Rock Make Treat between 17th and 18th St., SF; www.rockmake.com. 11am-7pm, free. Celebrating the Bay Area’s arts and DIY community, featuring 15 bands on two stages, and handicrafts, visual arts, and fashion vendors. *