BART

Werk

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Things I’m loving so much lately, besides the way your new used shoes go with your new used hair: The awesome trip-disco movement, with the Lamb + Wolf and Soul Clap duos in the lead — dig Soul Clap’s "Great White Hope IV" mix at www.wolflambmusic.com — which fills out classic soul and R&B slabs with subtle, supple laptop hijinks. Young SF queen Chastity Belle wholeheartedly reviving old-school Liza, Sondheim, and Showgirls drag histrionics — frighteningly accurate! The new Spanish-German techno, revealed by the likes of Edu Imbernon, Coyu, and Niconé, which harnesses minimal techno and microhouse knob-tweaks to ethereal samba and salsa beats. And my favorite thing ever? BART runs all night on Labor Day weekend, so we can work it out on both sides of the Bay quickly, tipsily, and conveniently. Tube it, baby.

STUDIO SF

Two of our loveliest parties, Look Out Weekend and Go Bang!, combine their electro and disco spirits to update the future sounds of yesteryear for right now, with White Girl Lust, Ken Vulsion, and the always perky Sergio of KALX.

Thu/3 and every first Thursday, 9 p.m., $5. Triple Crown, 1760 Market, SF. www.triplecrownsf.com

AGNÈS

Swiss decks heartthrob expands his ravenous-eared range from dubby minimal tech to roots house for a set that’s guaranteed to be full of audio Alpine peaks. He’ll be joined by Jan Kreuger of Berlin’s delicious Panoramabar.

Sat/6, 10 p.m.–6 a.m., $15/$20. EndUp, 401 Sixth St., SF. www.theendup.com

BLESSED

A truly spiritual monthly Oakland affair, from the soulful house sounds of residents Rafriki, Discaya, and Kimani — plus special guest (and personal crush) DJ Ellen Ferrato — to the blessed out crowd of get-downers.

Sat/5, 9 p.m., free. Somar, 1727 Telegraph, Oakl. www.somarbar.com

GEMINI DISCO

It’s been three wild years for the beautiful-yet-intellectual disco kids of mad monthly Gemini, and this champagne celebration with DJs Nicky B. and Derek Love should be a real corker. Lovely Le Dinosaur hosts.

Sat/5, 10 p.m., $5. UndergroundSF, 424 Haight, SF. www.geminidisco.com

DUB MISSION

Woah — DJ Sep’s groundbreaking dub and raga weekly is now officially a classic, celebrating 13 years, and untold influence on the current SF sound, by hosting a rad "dub summit" that includes Twilight Circus Dub Soundsystem and Yossi Fine.

Sun/6, 9 p.m., $15. Elbo Room, 647 Valencia, SF. www.elbo.com

LABOR D’AMOUR

Funky house and techno party mainstays Sunset and Stompy get wild in their inimitably sunny style at Cocomo, filling the giant patio with, yes, "all styles and smiles" — plus the sounds of Sascha Funke, David Harness, and a dozen more.

Sun/6, 2 p.m.–2 a.m., $10/$20. Café Cocomo, 650 Indiana, SF. www.pacificsound.net

PARADISE LIVES!

Even more disco! Honey Soundsystem name-checks the mother of them all, Paradise Garage, with this special installment of its weekly party, calling down the spirits with legendary Trocadero Transfer master DJ Steve Fabus.

Sun/6, 10 p.m.-3a.m., $2. Paradise Lounge, 1501 Folsom, SF. www.paradisesf.com

SIXXTEEN

I’m totally wetting my petite BVDs about the glorious return, after a decade’s absence, of DJs Jenny and Omar’s raucous rock debauch. Peaches Christ hosts, FLAWK hands out drink tickets to flashiest thrashers and best-dressed punk ‘n’ roll runaways.

Sun/6, 10 p.m.–3 a.m., $10. Cat Club, 1190 Folsom, SF. www.sfcatclub.com

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 26

ROCK/BLUES/HIP-HOP

Tia Carroll Biscuits and Blues. 8pm, $15.

Carta, Shuteye Unison, Form and Fate Bottom of the Hill. 9pm, $8.

Casy and Brian, Bad Friends, Dadfag, Ornithology Thee Parkside. 8pm, $7.

David Thorton Blues Band Rasselas Jazz. 8pm, free.

Dodos, Spencey Dude and the Doodles Rickshaw Stop. 9pm, $10.

Dredg, RX Bandits, As Tall As Lions Fillmore. 7:30pm, $20.

Funeral Pyre, Early Graves, Elitist, Cestus, DJ Rob Metal Annie’s Social Club. 8pm, $7.

Middle Distance Runner, Aushua Hotel Utah. 9pm, $8.

Goh Nakamura, Tomo Nakayama, Odessa Chen Café du Nord. 8pm, $10.

100 Suns, Circle of Eyes Tyrant Hemlock Tavern. 9pm, $6.

Phenomenal Handclap Band, Bart Davenport, Tempo No Temp Knockout. 9pm, $7.

JAZZ/NEW MUSIC

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

Cat’s Corner Savanna Jazz. 7pm, $5-10.

"Marcus Shelby Jazz Jam" Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Les Nubians Yoshi’s San Francisco. 8 and 10pm, $26.

Odes Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 8:30pm, free.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Jon Bennett Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Gaucho, Michael Abraham Jazz Session Amnesia. 8pm, free.

Leigh Gregory Plough and Stars. 9pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Club Shutter Elbo Room. 10pm, $5. Goth with DJs Omar, Nako, and Justin.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Lonestar Sound, Young Fyah, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 27

ROCK/BLUES/HIP-HOP

Akron/Family, Howlin’ Rain Rickshaw Stop. 9pm, $10.

Shane Dwight Biscuits and Blues. 8pm, $15.

Fresh and Onlys, Box Elders Knockout. 10pm.

Goddamn Gallows, Frankenstein L.I.V.S., Mutilators, Horror X Annie’s Social Club. 8pm, $7.

Have Heart, Ceremony, Cruel Hand, Shipwreck, Bitter End Thee Parkside. 8:30pm, $12.

20 Minute Loop, Famous, Billy and Dolly Café du Nord. 9pm, $10.

Rats, Back CCs, Pipsqueak Hemlock Tavern. 9pm, $6.

Sex Type Thing Red Devil Lounge. 9pm, $10.

"Weezer Tribute Show" Bottom of the Hill. 9pm, $10. With Trophy Fire, Judgement Day, Matches, and Silian Rail.

JAZZ/NEW MUSIC

Al Coster Trio and jam Savanna Jazz. 8pm, $5.

Beep! Trio Red Poppy Art House. 8pm, $10-15.

Nathan Clevanger Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:30pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Lloyd Gregory Shanghai 1930. 7pm.

Michael Gold Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

Paul Kimura Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 8:30pm, free.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

"New Frequencies @ YBCA: Musicians Respond to Wallworks" Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. 6pm, free with gallery admission ($5-7). With Chris Brown/Mason Bates and David Arend Duo.

Les Nubians Yoshi’s San Francisco. 8 and 10pm, $26.

Stompy Jones Top of the Mark. 7:30pm, $10.

Tri-Cornered Tent Show, AnyWhen Ensemble Luggage Store Gallery, 1007 Market, SF; www.luggagestoregallery.org. 8pm.

FOLK/WORLD/COUNTRY

Bluegrass and Old Time Jam Atlas Café. 8pm, free.

Dunes El Rio. 9:45pm, $5. A North African Dance Band.

Flamenco Thursday Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30; $12. With Carola Zertuche and Company.

"Roots and Ruckus" Hotel Utah. 8pm, $6. With Chloe Makes Music, Samuel Doores, Alynda Lee, Feral Foster, Willy Gantrim.

Tipsy House Plough and Stars. 9pm, free.

Trainwreck Riders, Kerosene Kondors, Autumn Sky Amnesia. 9pm, $8.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.

Bingotopia Knockout. 7:30-9:30pm, free. Play for drinks, dignity, and dorky prizes with host Lady Stacy Pants.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Toppa Top Thursdays Club Six. 9pm, $5. Jah Warrior, Jah Yzer, I-Vier, and Irie Dole spin the reggae jams for your maximum irie-ness.

FRIDAY 28

ROCK/BLUES/HIP-HOP

ALO, Counter Clarkwise, Newfangled Wasteland Mezzanine. 10pm, $20.

Five Eyed Hand Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 10pm, $10.

Good Enough for Good Times Boom Boom Room. 10pm, $15.

*Hammers of Misfortune, Ludicra, Amber Asylum, DJ Rob Metal Great American Music Hall. 9pm, $14.

Insomniacs Biscuits and Blues. 8 and 10pm, $20.

DJ Lebowitz Madrone. 6-9pm, free.

Limbeck, Stitch Up, Mini Mansions Bottom of the Hill. 10pm, $12.

LuckyIAm and Scarub with Conscious Souls, Xienhow, Enzyme Dynamite, Tantrum vs. Fredo Elbo Room. 10pm, $15.

Marilyn Manson Warfield. 9pm, $51.50-71.50.

Mayyors, Lamps, Christmas Island, Wounded Lion Hemlock Tavern. 9:30pm, $8.

"Outside Lands Music and Arts Festival" Golden Gate Park, SF; www.ticketmaster.com. 1pm, $95-595. With Pearl Jam, Incubus, Thievery Corporation, Tom Jones, and more.

Joe Pernice, John Cunningham Café du Nord. 7:30pm, $15.

*Personal and the Pizzas, No Bunny, Ultra Twist, Pipsqueak Annie’s Social Club. 10pm, $7.

Street Sweeper Social Club Independent. 10pm, $25.

2Me Ireland’s 32. 10pm, $5.

Velvet Teen, Ghost, Drowning With Our Anchors, For.The.Win. Thee Parkside. 9pm, $10.

Yellow Dress, Foxtails Brigade Artists’ Television Access, 992 Valencia, SF; www.atasite.org. 8pm, $6.

Wave Array, Goodbye Nautilus Café du Nord. 10pm, $10.

BAY AREA

R. Kelly, Keyshia Cole, Plies, New Boyz, Dorrough Music Oracle Arena, 7000 Coliseum Wy, Oakl; www.ticketmaster.com. 7:30pm.

Turbonegra, Death Valley High, Distance From Shelter, Loudness of the Brethren Uptown. 9pm, $8.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

Equinox Trio Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 8:30pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; 771-6800. 8pm, free.

Mint Condition Yoshi’s San Francisco. 8 and 10pm, $35.

Susanna Smith and band Savanna Jazz. 8pm, $8.

Terry Disley Experience Shanghai 1930. 7:30pm.

FOLK/WORLD/COUNTRY

Seth Augustus Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Cuban Nights Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30; $15. With Fito Reinoso, and Eddie and Gabriel Navia, and utf8 dancing Buena Vista style.

Culann’s Hounds Plough and Stars. 9pm.

Rob Reich and Craig Ventresco Amnesia. 7pm, free.

Tippy Canoe SoCha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Go Bang! Deco SF, 510 Larkin St; (415) 346-2025. 10pm, $5. Recreating the diversity and freedom of the 70’s/ 80’s disco nightlife with DJs Eddy Bauer, Flight, Nicky B., Sergio and more.

High Times in Low Places Slim’s. 9pm, $20. With Opio and Pep Love, Aesop and Bicasso, DJ Fresh Cambo, Understudies, JB Nimble, Venture Capitalists, Poe Jangles and Ro Knew Influence, and DJ Ren the Vinyl Archaeologist.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Loose Stud. 10pm-3am, $5. DJs Domino and Six spin electro and indie, with vintage porn visual projections to get you in the mood.

Lucky Road Amnesia. 9pm, $6-10. Balkan, Bangra, Latin, and Gypsy party with DJ Sister Kate.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Mob Life Rock-It Room. 10pm, $15. With Yukmouth, Gr and Phee and Rhyson Hall, Hugh E MC, and more.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

Suite Jesus 111 Minna. 9pm, $20. Beats, dancehall, reggae and local art.

Teenage Dance Craze Party Knockout. 10pm, $3. Teen beat, twisters, and surf rock with DJs Sergio Iglesias, Russell Quann, and dX the Funky Gran Paw.

SATURDAY 29

ROCK/BLUES/HIP-HOP

GG Amos and the GG3 Riptide. 9pm, free.

Blue Sky Black Death, Boy Eats Drum Machine, Boy in Static Bottom of the Hill. 10pm, $10.

*Boxcar Saints, Kira Lynn Cain Make-Out Room. 7:30pm, $7.

*Calexico, Sergio Mendoza y La Orkesta Independent. 10pm, $25.

*Clipse Mighty. 8pm.

Quinn Deveaux Revolution Café, 3248 22nd St, SF; (415) 642-0474. 8:45pm, free.

Dirtbombs, Sermon, Ty Segall Rickshaw Stop. 10pm, $10.

Eric Friedmann and the Lucky Rubes, Highway Robbers, Small Change Romeos Hotel Utah. 9pm, $8.

Good Enough for Good Times Boom Boom Room. 10pm, $15.

Heavy Hindenberg, Mongoloid, Sex Presleys El Rio. 10pm, $7.

John Lee Hooker, Jr. Biscuits and Blues. 8 and 10pm, $22.

Monsters of Accordion feat. Jason Webley, Stevhen Iancu, Mark Growden, Geoff Berner,

Eric Stern Slim’s. 8pm, $13.

Mt. Vicious, Ifihadahifi, Pegataur Hemlock Tavern. 9:30pm, $6.

Conor Oberst and the Mystic Valley Band Mezzanine. 10pm, $25.

Olehole, Anchor, Atom Age Thee Parkside. 9pm, $6.

"Outside Lands Music and Arts Festival" Golden Gate Park, SF; www.ticketmaster.com. Noon, $95-595. With Dave Matthews Band, Black Eyed Peas, Mars Volta, Jason Mraz, and more.

Rancho Deluxe, Cowlicks, 49 Special Café du Nord. 8pm, $15.

SF Blaze Crew Paradise Lounge. 10pm, $10-12.

Short Fuse, Deadringers, Tyrannosaurus Christ Thee Parkside. 3pm, free.

Slender, Trevor Childs and the Beholders, Corruptors Annie’s Social Club. 9pm, $7.

2Me Ireland’s 32. 10pm, $5.

BAY AREA

*Death Angel, Skinlab, Kaos Uptown. 9pm, $15.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Big B. and His Snakeoil Survivors Verdi Club, 2424 Mariposa, SF; www.tuesdaynightjump.com. 8:30pm, $10.

"Bird and Beckett Bash" Miraloma Clubhouse, 350 O’Shaughnessy, SF; (415) 586-3733. 1pm, $10. With Jimmy Ryan Trio, 77 El Deora, Woe Legion, Chuck Peterson Quintet, Jonathan Richman, and more.

Pascal Bokar and band Savanna Jazz. 8pm, $5.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Jessica Johnson Shanghai 1930. 7:30pm.

Mint Condition Yoshi’s San Francisco. 8 and 10pm, $35.

Ricardo Scales Top of the Mark. 9pm, $10.

FOLK/WORLD/COUNTRY

Candela Ramp Restaurant, 855 Terry Francois, SF; (415) 621-2378. 5pm.

Carnaval Del Sur Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $12.

Jordan Carp Caffe Trieste, 1667 Market, SF; (415) 551-1000. 7:30pm, $10.

Toshio Hirano Rite Spot, 2099 Folsom, SF; www.ritespotcafe.net. 9pm, free.

Erston Pearcy Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Ashley Rains Plough and Stars. 9pm.

Sean Smith Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm, free.

Wholphin DVD Release Party Amnesia. 9pm, $7-10. With live music performances by Jeff Manson and the Lonesome Heroes, and Wholphin DVD magazine screening.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx. Colombia y Panama Elbo Room. 10pm, $5. Cumbia and Latin with DJs Beto, Vinnie Esparza, and Vanka.

Debaser Knockout. 9pm-2am, $5. Hip-hop from the 90s with DJs Jamie Jams, Emdee, and Stab Master Arson.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Keys N Krates Club Six. 9pm, $10. With DJs Franchise, Sake1, and Double A spinning hip hop.

Knocked Up Knockout. 6-9pm, free. With DJ Touchy Feely.

Minimal Dose Jelly’s at Pier 50, 295 Francois, SF; (650) 533-9048. 10pm, $20. With a live performance by Seuil and DJs Alland Byallo, Clint Stewart, and J. Philip spinning techno and house.

TekAndHaus Anu, 43 6th St., SF; (415) 543-3505. 10pm, $5. With DJ Zenith and special guest Brett Johnson spinning house and techno.

Villainy DNA Lounge. 9pm, $10. DJs Party Ben, Tomas Diablo, Dangerous Dan, and Donimo spinning electro, dance, new wave, and indie.

SUNDAY 30

ROCK/BLUES/HIP-HOP

Chris "Kid" Anderson Biscuits and Blues. 8pm, $15.

Alyse Black, Aly Tadros Retox Lounge. 8pm.

George Clinton and Parliament Funkadelic Regency Ballroom. 9pm, $42.50.

Cuban Cowboys, Cordero, Carne Cruda Café du Nord. 7:30pm, $12.

Dungen, Woods, Kurt Vile Bottom of the Hill. 8pm, $14.

Gang Gang Dance, Ariel Pink, Amanda Blank Rickshaw Stop. 9pm, $10.

*"Grind for the Green" Yerba Buena Gardens, Fourth St at Mission; www.grindforthegreen.com. Noon-4pm, free. With Dead Prez, Mistah F.A.B., Fiyawata, and more.

"Indie Abundance Tour" El Rio. 1pm. With Chantelle Tibbs, Deborah Crooks, and Emily Bonn.

Mike Dillon’s GoGo Jungle Boom Boom Room. 10pm, $10.

Minus Five, Baseball Project and Steve Wynn IV Great American Music Hall. 8pm, $16.

*Os Mutantes, Extra Golden Independent. 9pm, $25.

"Outside Lands Music and Arts Festival" Golden Gate Park, SF; www.ticketmaster.com. Noon, $95-595. With Tenacious D, M.I.A., Ween, Modest Mouse, and more.

Space Waves, Dreamtiger, Heavy Water Experiments Hemlock Tavern. 9pm, $6.

JAZZ/NEW MUSIC

Lucid Lovers Harris’ Restaurant, 2100 Van Ness, SF; (415) 673-1888. 6:30pm.

Mint Condition Yoshi’s San Francisco. 8pm, $35.

Savanna Jazz Trio and jam Savanna Jazz. 7:30pm, $5.

FOLK/WORLD/COUNTRY

Fiesta Andina! Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7pm, $12. With Eddy Navia and Sukay.

Forro Brazuca Ramp Restaurant, 855 Terry Francois, SF; (415) 621-2378. 5pm.

Jack Gilder, Kevin Bemhagen, Richard Mandel, and friends Plough and Stars. 9pm, free.

Salsa Sunday El Rio. 4:15pm, $8. With Mazacote.

Uptones, Coup De Ska Amnesia. 8pm, $7-10.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJs Sep and guests Maga Bo and DJ Chicus.

45Club the Funky Side of Soul Knockout. 10pm, free. With dX the Funky Granpaw, Dirty Dishes, and English Steve.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 31

ROCK/BLUES/HIP-HOP

Quinn Deveaux and the Blut Beat Review, Con Brio, Dirty Boots El Rio. 8pm, $5.

Indianna Hale, Old Believers, Red River Hemlock Tavern. 7pm, $6.

JAZZ/NEW MUSIC

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

Quartet San Francisco Yoshi’s San Francisco. 8pm, $14.

FOLK/WORLD/COUNTRY

Gino Napoli Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Paulo Presotto and the Ziriguidum Orkestra, Tribaletricos Elbo Room. 9pm, $7.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Krazy for Karaoke Happy Hour Goes All Night Knockout. 7pm-2am, free. With host Deadbeat.

Mainroom Mondays Annie’s Social Club. 9pm, free. Live the dream: karaoke on Annie’s stage and pretend you’re Jello Biafra.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Punk Rock Sideshow Hemlock Tavern. 10pm, free. With DJ Tragic and Duchess of Hazard.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 1

ROCK/BLUES/HIP-HOP

Bridge, Allofasudden Boom Boom Room. 9:30pm, $8.

Casualties, Krum Bums, Mouth Sewn Shut, Static Thought Thee Parkside. 8pm, $12.

DeatHat, Peculiar Pretzelmen, Corpus Callosum Hemlock Tavern. 9pm, $7.

Tim Easton, Brandi Shearer Café du Nord. 8pm, $12.

*MDC, Poison Control, Bum City Saints Knockout. 10pm, free.

Duke Robillard Biscuits and Blues. 8 and 10pm, $20.

Smile Brigade, Bunny Numpkins and the Kill Blow Up Reaction Kimo’s. 9pm.

JAZZ/NEW MUSIC

Dave Parker Quintet Rasselas Jazz. 8pm.

Everest Yoshi’s San Francisco. 8pm, $14.

Ricardo Scales Top of the Mark. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Mucho Axe, Fogo Na Roupa Elbo Room. 9pm, $7.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJ What’s His Fuck, Taypoleon, and D-Runk.

Drunken Monkey Annie’s Social Club. 9pm-2am, free. Rock ‘n’ roll for inebriated primates like you.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Womanizer Bar on Church. 9pm. With DJ Nuxx. *

BART Police try to halt reform

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By Tim Redmond

When the BART Board’s special committee on civilian oversight of the BART police came up with its draft proposal, it seemed as if the BART cops were going to (reluctantly) go along. It’s not the strongest review possible, and has some real flaws — among other things, the police union gets to pick a member of the oversight panel.

But the reform measure can’t pass without state legislation — BART is a creature of the state, and the law that created the agency didn’t give it the authority it needs to do effective police oversight. The changes aren’t major, but unless the state acts, there’s really no way for BART to implement even a modest plan.

And today, the BART Police union fired off a letter to the board announcing that it — along with the Peace Officers Research Association of California, a powerful statewide law-enforcement lobby — would oppose any state bill authorizing civilian oversight for BART.

The algae solution

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The San Francisco Bay may soon host a dramatic new environmental project that backers say could solve three problems at once: clean wastewater, remove carbon from the atmosphere, and produce biodiesel fuel. Yet it’s gotten remarkably little attention.

"For the most part, people are just ignoring me," says Jonathan Trent, a researcher at NASA Ames Research Center at Moffett Field, who is one of the driving forces behind the project.

The new technology Trent and his colleagues have created is called OMEGA (Off-shore Membrane Enclosures for Growing Algae). The idea is to grow large colonies of freshwater algae in what amounts to large plastic bags floating in the bay.

Wastewater from local sewage plants and carbon sequestered from power plants would provide food for the algae, which then produce oxygen and freshwater along with an oil that can be refined into fuel.

The OMEGAs are giant semi-permeable membranes; the design allows freshwater in but keeps saltwater out.

Using algae for biofuel isn’t new — there are a number of algae farms on land. But they require large amounts of real estate and fresh water and enough electricity to keep the water moving.

In this case, light from the sun provides the energy, and the motion of the waves stirs the algae around.

Trent is looking at ways to collect the freshwater that gets released by the OMEGAs — potentially another major breakthrough for a state desperately short of water.

Trent has shopped his project all over the world and many countries have showed interest, but he believes San Francisco is the perfect fit. "The people of San Francisco really have an enlightened attitude and are aware that something needs to be done to fix the problems we’ve created," he told us. "It’s a great place to demonstrate to the world that this is a feasible technology."

The OMEGA project still faces political hurdles. Trent recently survived an internal audit. And U.S. Rep. Bart Gordon (D-Tenn.) has been critical of federal spending for biofuel projects.

But the scientist isn’t discouraged. "Actually I’m glad we have been audited," he said. "I’ve been able to get attention and show that not only does our system not use water, it actually produces clean water."

On July 29 the project received approval for an $800,000 grant from the California Energy Commission. According to Trent, the approval for the grant was ready for approval months earlier, but Gov. Arnold Schwarzenegger wanted to put it on hold because of the budget crisis.

The CEC grant is coming just in time. A previous grant, from Google, was due to run out at the end of September. "We’re optimistic that if people see that the CEC has invested, maybe others will want to invest," Trent said. "But we need more than just financial resources — we need brain power as well. The next step is to find engineers to really make this a workable option."

Trent would like to get a working model up and running within the next 18 months and hopes to see a full-scale operation in place in five years.

San Francisco may be the first city to host OMEGA. San Francisco Public Utilities Commission staffers have met with Trent and are cautiously optimistic. "Although it is just at the preliminary stages of discussion, it doesn’t dampen our excitement about the project," said Tyrone Jue, spokesperson for the SFPUC. "We have to know what good we will get out of it and if it is feasible in this area."

Environmentalists caution that it’s far from a perfect solution to the planet’s problems. Sierra Club staffer John Rizzo notes that "biofuels themselves are not a good solution. It’s a good bridge, but they are still burned and create carbons that are bad for the planet." In the short term, however, it sure beats drilling for oil off the California coast.

The BART police review plan

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By Tim Redmond

The BART Board has released a final draft of its new police-oversight policy, and you can comment on it at a public meeting tomorrow (Thursday) at 6:30 PM at the Joseph Bort Metro Center Auditorium, 101 Eight St. Oakland.

There’s a lot to digest; you can read the whole thing here (PDF). In essence, the Board would create an 11-member citizen oversight commission and an independent police auditor; the auditor would investigate complaints and the commission would monitor the auditor.

It’s going to be a fairly conservative commission — each of the nine BART Board member gets to appoint one commissioner, and it’s a fairly conservative BART Board. And — in a move that’s pretty shocking — BART wants to allow the police unions to appoint their own rep to the commission. (A final member would be chosen at-large by the entire BART board).

And here’s the big problem: The auditor can’t impose discipline — that’s up to the police chief (who reports, by the way, to the BART general manager, not the BART Board). Nothing weakens civilian oversight more than a police chief who won’t discipline the troops, and I suspect that’s what’s going to happen at BART, where the chief didn’t even bother to show up for most of the community meetings on civilian oversight.

Best of the Bay 2009: Arts and Nightlife

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>>CLICK HERE TO SEE THIS LIST ON ONE PAGE
>>BEST OF THE BAY HOME

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Editors Picks: Arts and Nightlife

BEST BLOODY QUEEN

A gut-spewing zombie drag queen roller derby in honor of Evil Dead 2. An interview with The Exorcist‘s Linda Blair preceded by a rap number that includes the line, "I don’t care if they suck their mother’s cock, as long as they line up around the block!" A virtual wig-pulling catfight with Elvira, Mistress of the Dark. All this and more have graced the proscenium of the Bridge Theater as part of the jaw-dropping (literally) Midnight Mass summertime B-movie fun series, brought to us by the always perfectly horrific Peaches Christ. Her wigs alone are usually enough to scare the jellybean-bejeezus out of us, but Peaches combines live craziness with wince-worthy flicks to take everything over the top. After this, her 12th season of disembowelled joy, Peaches is moving on from Midnight Mass to become a director in her own right — she just wrapped up filming All About Evil with Natasha Lyonne and a cast of local fleshbots. Look for it in your googleplex soon, and know that Peaches still stumbles among us.

www.peacheschrist.com

BEST FLAMIN’ FUN

Kids, really, don’t try this at home. Don’t hook up your two-player Dance Dance Revolution game to a row of flamethrowers. Don’t rig said game to blast your dance competitior with a faceful of fire in front of an adoring crowd if they miss a step. Don’t invest in enough propane to fuel a small jet, a flaming movie screen for projecting all those awkward dance moves onto, and a booming sound system to play all the Japanese bubblegum techno you could ever hope to hear. Leave the setup to Interpretive Arson, whose Dance Dance Immolation game has wowed participants and spectators alike from Black Rock City to Oaktown — and will scorch Denmark’s footsies this fall. Do, however, seek out these intrepid firestarters, and don a giant silver fireproof suit with a Robby the Robot hood. Do the hippie shake to the mellifluous tones of Fatboy Slim and Smile.dk, and prepare yourself to get flamed, both figuratively and literally.

www.interpretivearson.com

BEST PENGUIN PARTY, PLANETARIUM INCLUDED

Penguins are damn funny when you’re drunk. They’re pretty entertaining animals to begin with, but after a couple martinis those little bastards bring better slapstick than Will Ferrell or Jack Black. But tipsily peeping innocent flightless birds — plus bats, butterflies, sea turtles, and manta rays — is just one of many reasons to attend Nightlife, the stunningly rebuilt California Academy of Sciences’ weekly Thursday evening affair. This outrageously popular (get there early) and ingenious party pairs gonzo lineups of internationally renowned DJs and live bands with intellectual talks by some of the world’s best-known natural scientists. Cocktails are served, the floor is packed, intellects are high — and where else can you order cosmos before visiting the planetarium? Another perk: the cost of admission, which includes most of the academy’s exhibits, is less than half the regular price, although you must be 21 or older to attend. Come for the inebriated entertainment, stay for the personal enrichment.

Thursdays, 6 p.m., $8-<\d>$10. California Academy of Sciences, 55 Music Concourse Dr., Golden Gate Park, SF. (415) 379-8000, www.calacademy.org/events/nightlife

BEST LINDY HOP TO LIL’ WAYNE

Retain a fond nostalgia for the 1990s swing revival scene? Swing Goth is the event you’ve been waiting for. Not quite swing and not even remotely goth, Swing Goth gives swing enthusiasts the go-ahead to boogie-woogie to modern tunes at El Rio. This isn’t your grandmother’s fox trot: rock, rap, ’80s, alternative, Madchester, Gypsy punk, and almost anything else gets swung. Held on the first and third Tuesday of each month and tailored for beginners, this event draws an eclectic crowd that includes dudes who call themselves "hep cats," Mission hipsters, and folks who rock unironic mom jeans and Reebok trainers. If you’re new to swing, arrive at 7:30 and take a one-hour group lesson with ringleader Brian Gardner, who orchestrates the event, to get a quick introduction to swing basics before the free dance. Lessons are $5, but no extra charge for ogling the cute dykes who call El Rio their local watering hole. Swing? Schwing!

First and third Tuesdays, 7 p.m., free. El Rio, 3158 Mission, SF. (415) 282-3325, www.swinggoth.com

BEST CELESTIAL TRAJECTORISTS

Who can take a sunburst of boomer rock inspirations — like The Notorious Byrd Brothers–<\d>era Byrds and Meddle-some Pink Floyd — sprinkle it with dew, and cover it with chocolaty nouveau-hippie-hipster blues-rock and a miracle or two? The fresh-eyed, positive-minded folks of Assemble Head in Sunburst Sound can, ’cause they mix it with love and make a world many believed had grown hack and stale taste good. Riding a wave of local ensembles with a hankering for classic rock, hard-edged Cali psych, Japanese noise, and wild-eyed film scores, the San Francisco band is the latest to make the city safe once more for musical adventurers with open minds and big ears. What’s more, the Assemble Head in Sunburst Sound’s inspired new third album, When Sweet Sleep Returned (Tee Pee) — recorded with help from Tim Green at Louder Studios — has fielded much press praise for space-traveling fuzzbox boogie blowouts like "Drunken Leaves" and blissed-out, sitar-touched jangle rambles such as "Kolob Canyon." Consider your mind burst.

www.myspace.com/theassembleheadinsunburstsound

BEST DANCE DYNAMO

You can’t miss him. He has legs like tree trunks and arm muscles that ripple like lava. When he leaps you think he’ll never come down, and his turns suggest the power of a hurricane. He is dancer Ramón Ramos Alayo, Six years ago he founded the CubaCaribe Festival that now packs in dance aficionados of all stripes, and he’s one of the shaping forces behind the wild San Francisco Carnaval celebration. He runs Alayo Dance Company, for which he choreographs contemporary works with Afro-Cuban roots, and he teaches all over the Bay Area — as many as 60 people show up for his Friday salsa classes at Dance Mission Theater. But Ramos is most strikingly unique as a performer. Ramos is as comfortable embodying Oshoshi, the forest hunter in the Yoruba mythology, as he is taking on "Grace Notes," a jazz improvisation with bassist Jeff Chambers. No wonder Bay Area choreographers as radically different as Joanna Haigood, Sara Shelton Mann, and Robert Moses have wanted to work with him.

www.cubacaribe.org

BEST BLUEGRASS AMNESIAC

Toshio Hirano packs a mean sucker punch. At first glance he’s a wonderfully eccentric Bay Area novelty, a yodeling Japanese cowboy playing native songs of the American heartland. Yet upon further inspection, it becomes as clear as the skies of Kentucky that Toshio is the real deal when it comes to getting deep into the Mississippi muck of Jimmie Rodgers-<\d>style bluegrass. Enchanted by the sound of American folk music as a Japanese college student, Toshio soon ventured stateside to spend years traveling and playing from Georgia to Nashville to Austin before finally settling in the Bay Area. Today, Toshio plays once a month at Amnesia’s free Bluegrass Mondays to standing-room-only crowds. Stay awhile to hear him play Hank Williams’s "Ramblin’ Man" or Rodgers’s "Blue Yodel No. 1(T for Texas)." It’ll clear that Toshio’s novelty is merely a hook — his true appeal lies in his ability to show that there’s a cowboy lurking inside all of us.

www.toshiohirano.com

BEST COMMUNITY CHOREOGRAPHERS

A collective howl went up in 1995 when it was announced that the annual festival Black Choreographers: Moving into the 21st Century at Theater Artaud was ending due in part to lack of funding. But two East Bay dancers, Laura Elaine Ellis and Kendra Kimbrough Barnes, actually did something about it, working to ensure that African-American dancers and dance-makers received attention for the range and spirit of their work. It took 10 years, but in 2005, Ellis and Kimbrough Barnes helped launch Black Choreographers Festival: Here and Now, which takes place every February in San Francisco and Oakland. The three-week event is a fabulous way for a community to celebrate itself and to invite everyone to the party. While the choreographers’ range of talent and imagination has been impressive — and getting better every year — the performances are merely the icing on the cake. Master classes, mentoring opportunites for emerging artists, and a technical theater-training program for local high school and college students are building a dance infrastructure the next generation can plug into.

www.bcfhereandnow.com

BEST MADCAP POP MAIDENS

San Francisco can always use another all-female band — and Grass Widow satisfies that need beautifully, cackling with brisk, madcap rhythms and rolling out a happy, crazy quilt of dissonant wails. Drummer-vocalist Lillian Maring, guitarist-vocalist Raven Mahon, and bassist-vocalist Hannah Lew are punk as fuck, of course — in the classic, pre-pre-packaged noncodified mode — though many will instead compare the trio’s inspired, decentered pop to dyed-in-the-bluestockings lo-fi riot grrrl. Still, there’s a highly conscious intensity to Grass Widow’s questioning of the digital givens that dominate life in the late ’00s, as they sing wistfully then rage raggedly amid accelerating rhythms and a roughly tumbling guitar line on "Green Screen," from their self-titled debut on Make a Mess: "Flying low into trees. We exist on the screen. Computer can you hear me? Understand more than 1s and 0s?" Grass Widow may sweetly entreat the listener, "Don’t make a scene," but if we’re lucky, these ladies will kick off a new generation of estrogen-enhanced music-making.

www.myspace.com/grasswidowmusic

BEST PURPLE SING-ALONG

Karaoke is one of those silly-but-fun nightlife activities that always has the potential to be awesome but usually isn’t. The song lists at most karaoke bars suck, the sound systems are underwhelming, and no matter where you go there’s always some asshole bumming everyone out with painful renditions of Neil Diamond tearjerkers. Well, not anymore! Steve Hays, a.k.a. DJ Purple, is a karaoke DJ — or KJ — who has single-handedly turned the Bay Area’s once tired sing-along scene into a mother funkin’ party y’all. DJ Purple’s Karaoke Dance Party happens every Thursday night at Jack’s Club. Forget the sloppy drunks half-assing their way through Aerosmith and Beyoncé songs. DJ Purple’s Karaoke Dance Party is all about Iron Maiden, Snoop Dogg, Led Zeppelin, and Riskay. No slow songs allowed. An actual experienced DJ, Hays keeps the beats running smooth, fading and blending as each person stumbles onstage, and even stepping in for saxophone solos and backup vocals when a song calls for it. And sometimes even when it doesn’t.

Thursdays, 9 p.m., free. Jack’s Club, 2545 24th St., SF. (415) 641-5371, www.djpurple.com

BEST FLANNEL REVIVAL

In this age of continual retro, it comes as a surprise that listening to mainstream ’90s alternative rock can give you, under the right inebriated circumstances, the kind of pleasure not experienced since heroin went out of vogue. Debaser at the Knockout has become one of the best monthly parties in San Francisco, largely because it gives ’80s babies, who were stuck playing Oregon Trail in computer class while Courtney Love and Kat Bjelland were rocking it out in Portland, the chance to live out their Nirvana-era dreams. Debaser promoter Jamie Jams is the only DJ in San Francisco who will spin the Cranberries after a Pavement song, and his inspired mixology is empirically proven to induce moshing en masse until last call, an enticingly dangerous sport now that lead-footed Doc Martens are back in style. Sporting flannel gets you comped, so for those still hung up over Jordan Catalano and the way he leans, Debaser is rife with contemporary, albeit less angsty, equivalents.

First Saturdays, 9 p.m., Knockout, 3223 Mission, SF. (415) 550-6994, www.myspace.com/debaser90s

BEST CRANIUM MONOPOLY SCRABBLE RISK

The shaky economy’s probably put your $60 concert plans on hold and relegated those high-rolling VIP nights to the back burner. So it’s a great time to return to the simpler forms of social interaction, such as shaking some dice and screaming, "Yahtzee, bitches!" or guffawing maniacally every time some poor fool attempts to pass your two hotels on Boardwalk. Fortunately, game night at On the Corner café on Divisadero fills your staid Wednesday evenings with enough card-shuffling, Pop-o-matic popping, I-want-to-be-the-thimble classics to sink your battleship blues. Plus, there’s coffee and beer. Working in collusion with the colossal collection of neighboring Gamescape, On the Corner provides a plethora of gaming options to fit its large tables and vibrant atmosphere. Stratego, Scattergories, and other trivial pursuits are all available, and the 7 p.m.-<\d>to-<\d>closing happy hour includes $2.50 draft beers and sangria specials. The tables fill up quickly, though — arrive early so you won’t be sorry.

Wednesdays, 7–10 p.m., free. 359 Divisadero, SF. (415) 522-1101, www.sfcorner.com

BEST PARTY OF ONE

Perfect moments are never the ones you work hard to create. Too much effort kills the magic. Instead, the moments we treasure are those that steal up on us, slipping past our defenses to reveal, for just an instant, the sublime wonder of the universe. This is precisely what happens during one’s first encounter with the Lexington Street disco ball, innocuously spinning its multifaceted heart out on a quiet neighborly block in the heart of the Mission District. One moment you’re just walking down the street minding your own business — perhaps rehashing the "should have saids" or the "could have beens" in the muddled disquiet of your mind — when suddenly you spot it, the incongruously located disco ball suspended from a low-hanging branch, throwing a carpet of stars across the sidewalk for anyone to enjoy. All is still, but the music in your heart will lead you. Hold your hands in the air, walk into the light, and dance.

Lexington between 20th and 21st streets, SF

BEST BLOCK-ROCKIN’ BIKE

Amandeep Jawa’s bright blue, sound-rigged party-cycle — Trikeasaurus — is our bestest Critical Mass compadre and bike lane buddy, and an essential component of his impromptu FlashDance parties. This three-wheelin’, free-wheelin’, pedal-and-battery-powered funk machine has been bringing the party to the people — and leading spontaneous Michael Jackson tributes — from the Embarcadero to the Broadway tunnel for the past two years. Even if you’re just out for a stroll or a bit of that ephemeral San Francisco "sun"-bathing, when Trikeasaurus comes rolling along you just have to boogie on down the road, bust a move, get your groove thing on, let your freak flag fly, and insert ecstatic cliché here. We can pretend all we want in the privacy of our own hip sancta sanctorum that Destiny’s Child or OutKast will never move us, but somehow when Trikeasaurus comes bumping by, we just can’t help but bump right back. Don’t fight the feeling! Join the 500-watt, 150-decibel velolution today.

www.deeptrouble.com

BEST HOLES FOR YOUR KRAUTROCK SOUL

If you’ve done ketamine, you know what it’s like to get lost in the cosmic K-hole. To those who have entered the mystical D-hole, however, your ketamine story is child’s play. The Donuts dance party, thrown at various times and locations throughout the year by DJ Pickpocket and visual artist AC, provides adventurous club-goers with that most delicious of drugs: donuts, given away free. First timers, be careful: these potent little sugar bombs are highly addictive and can often lead to an all-night binge of ecstatic power-boogie, which can result in terrible withdrawal symptoms. Like many other popular club drugs, donuts are offered in powdered form, though they can also be glazed, which leaves no tell-tale residue around the mouth. But as long as you indulge responsibly, entering the Hole of the Donut is perfectly safe. Amp up your experience to fever-pitch perfection with Donuts’ pulse-pumping Krautrock, new wave, retro disco, and dance punk live acts and beats.

www.myspace.com/donutparty

BEST PLACE TO PARTY LIKE A SLOVENIAN

If there’s one thing all Slovenians have in common, it’s that they know how to deck a muthafunkin’ hall, y’all. It stands to reason then that Slovenians run one of the biggest and best halls in town. The Slovenian Hall in Potrero Hill is available for all your partying needs — birthdays, anniversary bashes, coming-out fests, etc. The rooms inside the hall are spacious and clean, the kitchen and bar spaces are outfitted to serve an entire army, and there are plenty of tables and chairs. But it’s the decor that makes this place unique: Soviet-era and vintage tourism advertisements are sprinkled throughout the place and banners promoting Slovenian pride hang from the ceiling. The hall also hosts live music events — recently an Argentine tango troupe took up residence there, making things border-fuzzingly interesting, to say the least.

2101 Mariposa, SF. (415) 864-9629

BEST FUTURE RAP CEO

Odds are you’ve not yet heard of East Bay teen hip-hop talent Yung Nittlz — but one day soon you will. The ambitious, gifted Berkeley High student has already amassed five albums worth of smooth and funky material that he wrote, produced, and rapped and sang on. In August 2007, when he was just 13, the rapper born Nyles Roberson scored media attention when Showtime at the Apollo auditions came to town and he was spotted very first in line, having camped out the night before. And while Yung Nittlz wasn’t among the lucky final few to be picked, he did make a lasting impression on the judges with his strong performance of the song "Money in the Air" and choreography that included him strategically tossing custom-made promo dollars that he designed and made. The gifted artist also designed the professional-looking cover for his latest demo CD, which suggests fans should request the hit-sounding "Feelin’ U" on KMEL 106 FM. Stay tuned. You’ll likely be hearing it soon.

www.myspace.com/yungnittlz

BEST B-MOVIE SURVIVOR

The crappy economy has ruined many things. It’s the reason both the Parkway and the Cerrito Speakeasy theaters — where you could openly drink a beer you’d actually purchased at the concession stand, not smuggled in under your sweatshirt — closed their doors this year. But even a bummer cash crunch can’t dampen a true cult movie fan’s love of all things B. Deprived of a permanent venue for his long-running "Thrillville," programmer and host Will "The Thrill" Viharo adjusted his fez, brushed off his velvet lapels, and started booking his popular film ‘n’ cabaret extravaganzas at other Bay Area movie houses, including the 4-Star and the Balboa in San Francisco, and San Jose’s Camera 3. Fear not, devotees of film noir, tiki culture, the swingin’ ’60s, big-haired babes, Aztec mummies, William Shatner, the Rat Pack, Elvis, creature features, Japanese monsters, and zombies — the Thrill ain’t never gonna be gone.

www.thrillville.net

BEST GAY FLIPPER ACTION

Much like travel agents, beepers, and modesty, pinball machines are slowly becoming relics of the past. But it’s difficult to understand why these quarter-fed games would fall by the wayside, since they’re especially fun in a bar atmosphere. What else is there to do besides stare at your drink, hopelessly chat up the bartender, constantly check your phone, and try to catch that one cute patron’s eye. At the Castro’s Moby Dick, pinball saves you from such doldrums. Sure, the place has the requisite video screens blaring Snap! and Cathy Dennis chestnuts, and plenty of hunky drunkies to serve as distractions. But its quarter-action collection — unfortunately whittled down to three machines, ever since Theater of Magic was retired due to the difficulty of finding replacement parts — is a delightful retro rarity in this gay day and age. So tilt not, World Cup Soccer, Addams Family, and Attack from Mars fans. There’s still a queer home for your lightning-quick flipping.

4049 18th St., SF. www.mobydicksf.com

BEST BLAST OF JUSTICE

Founded in 2002, the many-membered Brass Liberation Orchestra has been blowing their horns for social justice all over the Bay Area — from the San Francisco May Day March and Oakland rallies for Oscar Grant, to protests against city budget cuts and jam sessions at the 16th Street BART station. Trombones out and bass drums at the ready, this tight-knit organization of funky folk recently returned from New Orleans, where they played to support community rebuilding projects in the Lower Ninth Ward. With a membership as diverse as they come, the BLO toots their horns specifically to "support political causes with particular emphasis on peace, and racial and social justice" — especially concerning immigrants’ rights and anti-gentrification issues. But the most joyful part of their practice is the spontaneous street parties they engender wherever they pop up, and their seemingly impromptu romps through neighborhoods and street festivals. Viva la tuba-lution!

www.brassliberation.org

BEST WITTY WONG

Is your idea of hell being trapped in a room with a white, collegiate, spoken-word "artist" — or worse yet, being forced to wear an Ed Hardy t-shirt? Are you a veteran of the 30 Stockton and the 38 Geary, with the wounds and the stories to prove it? Can you just not help but stare at someone who somehow can’t resist an act of street corner masturbation? Then you’re ready to lend an ear to Ali Wong, the funniest comedian to stomp onto a San Francisco stage in a long time. Some people get offended by Wong, which is one reason she’s funny — comedy isn’t about making friends, and she’s not sentimental. She draws on her family history and writing and performing experience in implicit rather than overt ways while remaining as blunt as your funniest friend on a bender.

www.aliwong.com

BEST SITE FOR SHUTTERBUGS

Take a picture, it’ll last longer. Especially if you take it to — or even at — RayKo Photo Center, a large SoMA space that boasts a studio, a shop stocked with new and used cameras, a variety of black-and-white and color darkrooms, a digital imaging lab (with discount last-Friday-of-the-month nighttime hours), and classes where one can learn the latest digital skills as well as older and arcane processes such as Ambrotype (glass plate) and Tintype (metal plate) image-making. Devoted in part to local photographers, RayKo’s gallery has showcased Bill Daniel’s panoramic yet raw shots of a post-Katrina Louisiana and has likely influenced a new generation of shutterbugs affiliated with groups and sites like Cutter Photozine and Photo Epicenter. One of its coolest and truly one-of-a-kind features is the Art*O*Mat Vending Machine, an old ciggie vendor converted into a $5-a-piece art dispenser. And of course RayKo has an old photo booth, so you can take some quick candid snapshots with or without a honey.

428 Third St., SF. (415) 495-3773, www.raykophoto.com

BEST RAPPING CABBIE

The great myth about cab drivers is that they’re a bunch of underappreciated geniuses who write poetry and paint masterpieces when they’re not busy shuttling drunks around. Most cabbies, however, aren’t Picassos with pine-scent air fresheners. They clock in and out just like we all do, and then they go home and watch reality TV. There are, however, a few exceptions to the rule: true artists who have deliberately chosen the cabbie lifestyle because it allows them the freedom to pursue their passions on the side. MC Mars is such a cabbie. A 20-year veteran on the taxi scene, Mars is also a hip-hop performer, a published author, and an HIV activist. You can check his flow every Wednesday night at the Royale’s open-mic sessions. Or, if you’re lucky enough to hail his DeSoto, you can get a free backseat show on weekends. And don’t forget to pick up his latest CD, "Letz Cabalaborate," available on Mars’ Web site.

www.mcmars.net

BEST FRESH POETICS

The Bay Area knows poetry. And people in the Bay Area who know poetry today realize that the San Francisco Renaissance, the Beats, the Language poets, and even the New Brutalists might inspire contemporary writers, but they don’t own them. You can encounter proof in places like Books and Bookshelves, and read it in publications like Try. As the Bay Area Poetics anthology edited by Stephanie Young made clear in 2006, Bay Area verse is enormous and ever-changing. One year earlier, David Larsen established a space for it in Oakland with his New Yipes Reading Series, which frequently paired poets with filmmakers. He’s since moved to the East Coast, but Ali Warren and Brandon Brown re-energized the concept, simplifying its name to The New Reading Series and refining its content to readings with musical interludes. It’s the best place around to hear Tan Lin and Ariana Reines and confront notions of the self through Heath Ledger. It’s also hosted a kissing booth, for all you wordsmiths who aren’t above romantic trappings.

416 25th St., Oakl. www.newyipes.blogspot.com

BEST HOUSE OUTSIDE

For 15 years, the much-loved and lovable warm weather Sunset parties have shaken various hills, isles, parks, patios, and boats with funky, techy house sounds. Launched by underground hero DJ Galen in 1994, the outdoor Sunset gigs have amassed a huge following of excited party newbies and familiar old-school ravers — and now even their kids. Early on in the game, Galen was soon joined by fellow Bay favorite DJs Solar and J-Bird, and the three — collectively known as Pacific Sound — have kept the vibe strong ever since. This year saw a remarkable expansion on the Sunset fan base: attendance at the season opener at Stafford Lake reached almost 4,000, and Pacific Sound just launched an annual — and truly moving — party on Treasure Island that had multiple generations putting their hands in the air. The recent Sunset Campout in Belden drew hundreds for an all-weekend romp with some of the biggest names in electronic music — true fresh air freshness.

www.pacificsound.net

BEST SECRET OF ETERNAL RAVE
According to murky local legend, sometime in the early ’90s a Finnish archaeologist named Mr. Floppy passed through Oakland on a quest to find an inverted pyramid rumored to hold the secret to eternal life. He didn’t find anything like that, of course, but he did discover a really cool apartment complex run by an obsessive builder named George Rowan. The sprawling place, which housed multiple dwelling units as well as an outdoor dance area and an out-of-use bordello and saloon famously frequented by Jack London in the 1800s, was an interconnected maze of rooms decorated with found objects and outsider art. It was a perfect spot to throw underground raves, which is exactly what Floppy and Rowan did until the day they got slapped with a fire-hazard citation. Nobody really knows what happened to the psychedelic archaeologist after that, although his spirit lives on: Mr. Floppy’s Flophouse has recently re-opened as a venue for noise shows, freaky circuses, and all-night moonlit orgies.
1247 E. 12th St., Oakl

———–

BEST OF THE BAY 2009:
>>BEST OF THE BAY HOME
>>READERS POLL WINNERS
>>EDITORS PICKS: CLASSICS
>>EDITORS PICKS: CITY LIVING
>>EDITORS PICKS: FOOD AND DRINK
>>EDITORS PICKS: ARTS AND NIGHTLIFE
>>EDITORS PICKS: SHOPPING
>>EDITORS PICKS: SEX AND ROMANCE
>>EDITORS PICKS: OUTDOORS AND SPORTS
>>LOCAL HEROES

Problems with the BART police plan

1

By Tim Redmond

The final draft of a civilian oversight plan for the BART police is headed for the full BART Board — and while it’s a whole lot better than what we have now (and BART director Tom Radulovich praises it as “the second strongest police oversight system in the Bay Area”), there are some distinctly funky things about it that the board needs to revisit.

The proposal would create a police auditor, who would investigate complaints of BART Police misconduct and recommend discipline. The auditor would report to an 11-member civilian oversight board, with each of the nine BART directors appointing one member, the full BART board appointing an at-large member — and the BART police unions appointing the final member.

That’s unprecedented, in my knowledge. I don’t think any police union anywhere in California gets to name a representative to the police oversight panel. That part of the plan has got to go.

The other problem: The final decision on discipline will be up to the BART Police chief — and if the chief (as is highly likely) refuses ever to impose effective discipline, then the auditor will be stifled.

Yes, the auditor can appeal — the the general manager, who hires the chief. Not much luck there. Beyond that, it would require a two-thirds vote of the civilian oversight board, AND a two-thirds vote of the entire BART Board, to overrule the chief and impose discipline on a cop.

That sort of supermajority requirement hasn’t worked very well at the state-budget level, and there’s a good reason: It means that a small minority (four of the 11 oversight board members, four of the nine BART Board members) can block any action.

And let’s face it — the BART Board is not a bastion of progressive thought. Just getting a majority of those folks (or their appointees) ever to agree to crack down on police misconduct will be a tough job. Getting two-thirds of both bodies is going to be almost impossible.

And since state law pretty much mandates that all police disciplinary procedures are kept secret, there won’t be any public pressure in any individual cases.

Oddly enough, BART — which is fighting bitterly to stop Assemblymember Tom Ammiano’s bill mandating tough police oversight and has got the measure bottled up — now needs state legislation to make its weaker plan work. BART isn’t currently authorized to hold disciplinary hearings or impose discipline on rank-and-file employees. So this whole issue is going to come up before the state Legislature anyway.

Which means Ammiano will have a chance to push for stronger reforms. Perhaps he could offer a few amendments to the enabling legislation that BART is proposing.

And right now, Ammiano’s office isn’t in the mood to accept the current BART plan. “It’s as if the whole Oscar Grant thing never happened,” Quintin Mecke, Ammiano’s press spokesperson, told me.

Park it on the free way

0

a&eletters@sfbg.com

FREE ISSUE/SONIC REDUCER Free. To be you and me. From sea to shining sea. As the wind, as the air, as information, as that music you downloaded through Lime Wire. Careful with the mellow, but the last time we checked our sparsely filled-out wallets, we all realized we can use a little free these days.

And considering the grand triad of free open-air shows in San Francisco — one encompassing the underground gatherings at Toxic Beach/Warm Water Cove and Potrero del Sol Park and the well-funded and organized massives like Hardly Strictly Bluegrass and Stern Grove (Altamont doesn’t count, grandpaw, ’cause the Speedway is outside city limits), Mission Creek Music and Arts Festival’s first free, all-ages, outdoor concert at Jerry Garcia Amphitheater in John McLaren Park is, honestly, looking pretty awesome.

Full disclosure: I’ve been sitting in at MCMF meetings of late and helping out where I can. But even if I was looking in from the outside, I’d be swayed by the event’s Bay-dominated lineup: Kelley Stoltz, Persephone’s Bees, Bart Davenport, the Moore Brothers, and Leopold and His Fiction, as well as the newly added Birds and Batteries and the Aerosols. Los Angeles’ Dead Meadow will rock the green grasses of the park in the headlining slot, Canada-via-SF combo the Rubies hold down the middle, and Spain’s Xoel Lopez, who some have dubbed the Beck of Spain, teams with chumster Bart Davenport for an intimate turn in the spotlight, but otherwise this local-centric show with an emphasis on psychedelia-tinged indie rock (judging from his freewheeling ways, Garcia might approve) could be considered the leafy spot where the underground meets the overground.

"You can go with a bunch of your friends and hang out and drink wine and enjoy the show," as MCMF producer Kymberli Jensen puts it. She organized the show along with Neil Martinson of SMiLE! "Personally that’s something that’s really appealing for me, and it’s accessible — especially in these hard economic times. People need something to lift the spirit."

And it’s remarkable that it gets done at all, during this nu-depression. Back to those MCMF meetings — rambling affairs consisting of a multitude of eager voices, much wine and snackings, and a slew of passionate opinions. Sponsorship of the fest has been hit particularly hard as a result of the economic meltdown, and few Mission District merchants have coin to spare. As a result, Jensen says MCMF has made a "conscious decision to do fund-raising throughout the year. The economic times have hit everybody — and have hit us very hard. We made a commitment to do this park concert, and many times we were asked to scrap it. But we worked six months on this, so we’re going to do the best we can."

As a result, Jensen and Martinson have put up their own cash to make this free show happen — hoping to recoup some of the costs with a raffle and donations. The dream: that one day of free music extends to two or three next year, with an emphasis on emerging performers and accessibility for music- lovers of all ages and income brackets. Because no one, especially Marlo Thomas, wants great music to become the exclusive reserve of elite patrons able to shell out for cardholder or VIP privileges. After all, MCMF isn’t about the money, as Jensen reminds me. "None of us get paid," the second-year producer explains. "We break even, if that. But we see it as an investment in Mission Creek, and also music in San Francisco."

MISSION CREEK MUSIC AND ARTS FESTIVAL FREE CONCERT

Sat/18, 11:30 a.m.–8 p.m., free

Jerry Garcia Amphitheater

John McLaren Park, Mansell and John F Shelley, SF

www.mcmf.org

—————

FROM FREE TO TWEE

PINK MOUNTAIN

The NorCal/NW avant-indie supergroup of sorts — including John Shiurba, Quasi’s Sam Coomes, Gino Robair, Scott Rosenberg, and Kyle Bruckmann — settles in for a good skronk in honor of its self-titled double-LP/CD on Sickroom. Wed/15, 6 p.m., free. Amoeba Music, 1855 Haight, SF. www.amoeba.com. Also Thurs/16, 9 p.m., $6. Hemlock Tavern, 131 Polk, SF. www.hemlocktavern.com

CAGE

Buttoned-down Cage is still finding his rage on Depart from Me (Definitive Jux). Fri/17, 9 p.m., $16. Great American Music Hall, 859 O’Farrell, SF. www.gamh.com

UNAGI

The SF MC-producer grilled Reinventing the Eel (442) completely on computer. With Melina Jones, Orukusaki, Gigio, Linkletterz, Substitute Teachers, and DJ Animal. Sat/18, 10 p.m., $10. Cafe du Nord, 2170 Market, SF. www.cafedunord.com

THE PAINS OF BEING PURE AT HEART

The new-twee revolution begins with best name to come down the pike since Bobby Joe Ebola and the Children MacNuggits. Tues/21, 7:30 p.m., $12. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

Peskin takes on BART

1

By Tim Redmond

BART’s a system close to meltdown, with a strike possibly looming, a police scandal still lingering and now the San Francisco Airport furious about a surcharge that’s forcing SFO employees to take a shuttle bus into work from Millbrae.

It’s also a political opportunity for somebody to run against James Fang, the last remaining Republican in San Francisco elected office, a BART Board member since 1990, an opponent of effective police oversight and reform — and a big supporter of the BART airport surcharge.

Aaron Peskin, chair of the Democratic County Central Committee, has introduced a resolution blasting BART for the surcharge and blaming it in part on Fang:

Whereas; BART Director James Fang, San Francisco’s only elected Republican, proposed and championed the surcharge as a revenue stream for BART. A BART Director, not subject to term limits, has represented San Francisco since 1990, and is the only San Francisco BART Director not to call for the resignation of General Manager, Dorothy Dugger in wake of the mishandling of the Oscar Grant BART Police shooting on January 1, 2009;

It calls for an end to the surcharge for airport employees — and take a bit of a swipe at a certain local elected board member:

San Francisco Democratic Central Committee supports the Airport in demanding BART reverse the inequitable and punitive surcharge at San Francisco International Airport. The SFDCCC asks San Francisco BART Directors, elected to serve, to lead the way in waiving the punitive fee hurting many minimum wage workers and their families and reexamining the financial relationship with SFO, as BART to the Airport continues to grow in ridership and popularity.

And it suggests that the campaign to elect someone other than Fang in 2010 is well underway. Can you say BART Director Aaron Peskin?

BART strikes looms

3

By Wendi Jonassen
bart_simpson.jpg
BART riders may need to come up with other modes of transportation next week.

A strike by BART employees threatens to shut the system down on Tuesday after weeks of heated labor contract negotiations have gotten nowhere.

At midnight on June 30, BART’s four-year labor contract with five different unions will expire. Workers threaten to strike, effectively shutting down BART and disrupting commutes for thousands as they fight to negotiate a 3 percent increase in pay to accommodate cost of living and better benefits.

But BART management isn’t budging. It wants to balance the $250 million budget deficit by reducing payroll, which its says accounts for 75 percent of the budget, and increasing fares in July and December. BART also wants to work out some outdated work procedures that they say cost time and money.

More train wrecks at BART

0

By Tim Redmond

61709train.jpg

Lots of trouble brewing at BART.

In a conference call yesterday, the unions representing BART workers talked about management’s insistence on a new contract — one that includes major concessions — by the end of June. That’s too soon, the union folks say; the BART proposal is too complicated and the system’s finances too confusing to sort out in just a couple of weeks.

In fact, when I asked the three union reps (Jean Hamilton of AFSCME, Jesse Hunt of ATU and Lisa Isler of SEIU 1021) whether they thought BART, even in these tough times, had enough money to meet the workers’ demands without further fare hikes, they insisted the money was there.

They also said that they won’t accept management’s plan to impose a new contract unilaterally July 1 — which means there could conceivably be a BART strike this summer. That would utterly screw up Bay Area transportation. I don’t think it’s going to happen, and neither, I gathered, did the union reps, but the threat is out there.

Meanwhile, the BART police oversight situation continues to deteriorate.

Editor’s Notes

0

Tredmond@sfbg.com

The long, long battle to get civilian oversight for the BART police is coming to a head, and the BART Board could be voting soon on a proposal. To nobody’s surprise, the battle lines pit the community activists, the progressives on the BART Board, and police-review experts against the BART police and general manager.

In essence, the cops and the GM want to be sure that the police chief or the general manager (who hires and fires the chief) have the final say over any police discipline. The community wants either the BART Board or an independent citizen commission to have the final say.

It’s a crucial issue, as we’ve seen over and over again in San Francisco. Police chiefs don’t tend to be terribly good about taking disciplinary action against the troops; they all started in the rank and file themselves, and they’re close with the others on the "Thin Blue Line," and when one of their own is criticized, they circle the wagons. Most chiefs don’t want any sort of civilian review that undermines their authority.

BART is leaning toward creating an independent police auditor, which could work — but only if the auditor (who would report to the BART Board) has the authority to go over the chief’s head. If the auditor finds evidence of misconduct and the chief won’t file charges, or the chief finds misconduct and imposes discipline so mild it’s pointless, the auditor has to be able to appeal. And the best forum for that appeal is a citizen commission.

At the June 8 meeting of BART’s police policy subcommittee, the two representatives of the police union flat out refused to go along with that idea. So did General Manager Dorothy Dugger, who has never been very supportive of police reform. But a 5-4 majority of the committee, including board members Tom Radulovich and Lynette Sweet, seems in favor of model that at least has the outlines of positive reform.

And if the BART Board — which is not the most progressive institution on the planet (and not the hardest-working or most effective, either) decides to go with the cops on this one, Assembly Member Tom Ammiano will have all the evidence he needs to pass a bill in Sacramento forcing BART to do this right. *

Street Threads: Look of the Day

0

SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Allison, 24th Street BART station

Allison10609.jpg

Tell us about your look: “My friend gave me this t-shirt and the bike cap is my boyfriends.”

Criticism of BART oversight plans grows

0

By Tim Redmond

I’m not the only one criticizing the BART Board’s weak and ineffective proposal for police oversight. The conservative Contra Costa Times weighed in today with a strong editorial saying that the BART proposal doesn’t go far enough and suggesting that BART adopt a San Francisco-style model:

BART should consider putting together a review board similar to what San Francisco has with its police review commission. It has a say over discipline of officers for serious offenses.

At the very least, a BART auditor and review panel should have a strong voice in developing hiring and training policies for BART officers. They also should be trusted to do more than simply offer their opinions regarding discipline of transit officers.

So when the Guardian and the CoCo Times agree on something, it’s pretty clear that a wide range of people with divergent viewpoints want more action than the BART Board has offered. I hope the board members are paying attention.

Street Threads: Look of the Day

0

SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s look: Nikki, 24th Street Bart Station

stNikki_0509.jpg

Tell us about your look: “I turned these overalls into a skirt and put some patches on it that my friends made.”

Madcap laughs

0

a&eletters@sfbg.com

SONIC REDUCER "I told you so" are the sweetest, shortest words in the lexicon of raving visionaries and maligned prophets, but Sir Richard Bishop is far too gentlemanly to resort to such snack-sized snarkery. Still, I’m thinking the world’s attentions and the brothers Bishop and their many projects might finally be harmonically, magically converging as I park myself on a thrift-store coach beside the charming Bishop in the airy, uncannily tidy West Oakland flat he shares with Mark Gergis (Porest, Neung Phak, Mono Pause).

After the 2007 death of Sun City Girl Charles Gocher, attentive underground music fans — who’ve revered the band for its determinedly DIY, cassette-culture cussedness — collectively blinked, rubbed their eyes, and wondered why they hadn’t paid closer attention to the endlessly productive Girls (even now issuing rarities via the new Napoleon and Josephine: Singles Volume 2 [Abduction]). Attention from figures like Bonnie "Prince" Billy (who told me that the Bishop Brothers’ Brothers Unconnected show at Slim’s was the best he saw last year) and labels such as Sub Pop, which talked to the Bishops about doing a best-of, soon followed.

Likewise Sublime Frequencies — the label Richard and Alan Bishop toiled on for years amid accusations that they were ripping off artists, failing to follow academic protocol, and simply not applying enough polish to their rough aesthetic — began to get its due as a groundbreaking disseminator of obscure sonic gems from such far-flung, seldom documented sites as Burma, Laos, and Western Sahara. Richard, who is less involved with the imprint these days, says they’ve become adept at tracking down and paying the performers. Today, the label gets the kind of praise it richly deserves, including a hefty feature by onetime naysayer Clive Bell in Wire. Sublime Frequencies is also producing the first European, non-Mideast tour by breathtaking Syrian folk-pop legend Omar Souleyman, whose Highway to Hassake (Sublime Frequencies, 2006) positively shreds with phase-shifted Arabic keyboard lines and frenetic beats.

Meanwhile Sir Richard is concentrating on his new Oakland life, bathed in the soft light and BART train roar streaming in from the ‘hood. "It seems like it’s alive here — whereas in Seattle it’s kind of dying and not just musically," he says happily. "This is not the best neighborhood, but when I go out the door, I’m alive, and I’m totally aware of what’s going on, and there’s just some cool creative energy to grasp onto."

Guitars and instruments are neatly clustered in an alcove across from a massive TV rigged to catch Mideast channels — perfectly tuned into Bishop’s current obsession with and studies into the music the half-Lebanese musician first heard his grandfather play on old cassettes. Here in Oakland — aided and abetted by the half-Iraqi Gergis and his collection of Middle Eastern MP3s, cassettes, VCDs, and vinyl — he’s been digging deeply into the music of Lebanon, Syria, and Egypt, a homecoming of sorts since Bishop started out studying Egyptology around the time of Sun City Girls’ early ’80s inception.

When Bishop started tracking his fine, even sublime new The Freak of Araby (Drag City) in Seattle, the switch from making a poppy electric-guitar album to one centered on Middle Eastern-related originals and covers was a natural one — a tribute to his latest fave, Egyptian guitarist Omar Khorshid. Bishop scrambled to learn new songs in six days, but he’s pleased with the result, which he’ll fill out live with tour mate Oaxacan as his backing combo. The disc "was very rushed, and I didn’t have time to hash out a lot of the ideas," he says. "There are people who are not going to like it, but that’s okay, it never bothered me before!" And with that, the jolly Sir Richard laughs. *

SIR RICHARD BISHOP AND HIS FREAK OF ARABY ENSEMBLE

Fri/22, 9:30 p.m., $10

Stork Club

2330 Telegraph, Oakl.

www.storkcluboakland.com

FITS AND WIGGLES

OBITS


Drive Like Jehu and Hot Snakes are in the Brooklyn post-punkers’ past, now gathering steam with Sub Pop singles and SXSW blather lather. Wed/20, 9 p.m., $10–$12. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com.

BLK JKS


Don’t fear the guitar solo, all ye Johannesburg black-rockers. Fri/22, 9 p.m., $12. Independent, 628 Divisadero, SF. www.theindependentsf.com

NOMO


Out now with Invisible Cities (Ubiquity), the polyrhythmic Midwestern mind-blowers destroyed all reservations at their last BOH show. Fri/22, 10 p.m., $10–$12. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com.

LADY SOVEREIGN


The pint-sized electro-grime poobabe finds a Cure with "So Human." Sun/24, 9 p.m., $18. Rickshaw Stop, 155 Fell, SF. rickshawstop.com

BART police: It just gets worse

0

By Tim Redmond

Well, maybe that’s a bit misleading: The BART board’s committee on police oversight first proposed a very weak model, but that got shot down at a community meeting last week, and now member Tom Radulovich is proposing a somewhat stronger approach. He wants a BART police commission with professional staff and the ability to investigate misconduct cases. There are still a bunch of issues — the civilian review agency should get all police abuse cases and should have a clear role in recommending discipline. I prefer a San Francisco-style model, which is what Assembly member Tom Ammiano is pushing, and I still think the Legislature needs to move forward on this.

But as Radulovich has looked into how the BART police really operate, he’s learned a lot — and some of it is truly amazing.

For example, he told me, the BART police union contract spells out the terms of allowable discipline for BART cops (which is crazy to begin with), but the result is mind-boggling in its insanity. Right now, by contract, the chief can only impose three types of discipline on an errant cop:
— A letter of reprimand
— A one-day suspension WITH PAY (that is, a paid holiday)
— Termination.

And since it’s very hard to fire a cop, that means there is basically no effective discipline.

In every American police jurisidiction I’ve ever heard of, a cop can be suspended without pay — and in San Francisco, serious offenses lead to 30, 60, or 90 day suspensions.

But if you’re a BART cop, you can screw up pretty badly and nothing at all will every happen to you.

That contract comes up in June, and the BART Board must change it. “This clearly needs to be an issue in the negotiations,” Radulovich told me.

Another looney provision: All of the officers other than the chief have union protection — and the chief can’t fire, demote or in any way control his own commanders. Nobody works at the chief’s pleasure.

So there’s a weak chief reporting to a bad general manager and no effective discipline at all. No wonder the force is such a godawful mess.

BART board wants weak cop oversight

4

By Tim Redmond

Well, the good news is that the BART Board is actually considering civilian oversight for the police department. The bad news is, the committee looking at the issue is only recommending one model, a San Jose-style system that is much weaker than what San Francisco has.

There’s a public meeting to discuss this tomorrow:

Second Public Forum on Civilian Police Oversight set for May 15

WHEN: Friday, May 15, 2009
TIME: 5:00 p.m. – 8:00 p.m.
WHERE: Joseph P. Bort Metro Center Auditorium
101 – 8th Street in Oakland
(across from Lake Merritt BART Station)

Shooting past “sharrows”

0

San Francisco’s bicycle advocates have been focused on winning approval for 56 near-term projects outlined in the city’s bike plan, which would increase the number of miles of bike lanes from 45 to 79, and quadruple the number of city streets bearing "sharrow" markings (see "Street fight," 2/4/09).

But bike-related projects farther out on the horizon could significantly raise the bar for a bikeable San Francisco. Here are a six long-range concepts that could make cycling in the city more safe, enjoyable, and accessible to people who might otherwise be driving solo.

BRIDGING THE GAP


Cyclists who commute between San Francisco and the East Bay have asked an obvious question for years: why must I spend money on BART fares or bridge tolls to get across the bay when I know I’m capable of biking there? When construction of the new east span of the Bay Bridge is finished, cyclists will finally get a bike path — but it will only get them from Oakland to Yerba Buena Island. Luckily, the idea of installing a complementary bike path along the west span to San Francisco is being entertained. It’s expensive (estimates place the cost at $200 million) and complicated (a 2001 feasibility study found there would need to be tracks on both sides of the bridge for balance). But in early April, the Bay Area Toll Authority agreed to spend $1.3 million on an 18-month study so the project could be shovel-ready when funding becomes available.

CAR-FREE MARKET STREET


Market Street is a popular thoroughfare for bicyclists even though much of its design creates tight-squeezes and conflicts with automobiles. For years there’s been talk of making it car-free, an idea once advocated by former Mayor Willie Brown. It was studied in 1997, but never received enough support to move forward, in part because area merchants worry their business would be hurt by restricting motorists. But the latest attempt to quell Market Street traffic may get more traction. Sup. Chris Daly, who also sits on the Metropolitan Transportation Commission, requested a comprehensive study on restricting Market Street traffic and a draft report is expected by early summer. Andy Thornley, program director at the San Francisco Bicycle Coalition, notes that the overarching idea is not to make Market Street exclusive to bikes and pedestrians, but to improve it as a whole. "A car-free Market Street may be the route," Thorney says, "but it’s not the reason."

COLOR ME BIKEABLE


Ask Dave Snyder, transportation policy director at the San Francisco Planning and Urban Research Association (SPUR), what constitutes an ideal bike lane, and he’ll say it has to be safe enough for parents to feel comfortable allowing their eight-year-old to ride a bike there. "That’s a very high standard," he says. "But it’s a correct standard." One approach for safeguarding bike lanes, adopted in New York City and elsewhere, is to color them in. Bike activists have been pushing the idea here, but the monkey wrench in the works is a sort of national bible of traffic symbols that lacks a standard for colored bike lanes. If the city rolls with a concept that’s outside the rulebook, the thinking goes, it could be a liability. But bike advocates hope to incorporate colored bike lines into the standard via a pilot program. In coming months, be on the lookout for more colorful city streets.

THINK INSIDE THE BOX


A bike box is a colored bike zone just before an intersection designed to let cyclists get out in front of traffic at a red light so they can be more visible. SF has two low-profile bike boxes, Thornley notes, but plans are on the horizon to install more. When the city of Portland, Ore. installed them, it produced a video called "On the Move with Mr. Smooth" to promote the concept. Hosted by a greasy character in a neon green shirt, the video makes a big deal about how motorists get a great view when they stop behind the bike-box line. "The bike box," Portland’s slogan proclaims. "Get behind it."

A BLUE-GREEN WORLD


Blue for the water, green for the parks and open space, the Blue Greenway is envisioned as a 13-mile corridor along the southeastern waterfront that would connect a string of existing parks from the Giants’ stadium to Candlestick Point State Recreation Area. "We want to connect not only parks along the Blue Greenway, but connect people to the waterfront," explains Corrine Woods, who is working on the project through the Neighborhood Parks Council. The corridor will serve as the city’s southeastern portion of the San Francisco Bay Trail, a massive interconnected trail network planned by the Association of Bay Area Governments that is envisioned as a 400-mile recreational "ring around the Bay."

BACK ON TRACK


For now cyclists aren’t allowed to bring their bikes — not even the folding kind — on Muni trains or buses (although some buses have bike racks outside). But it’s something the Municipal Transportation Agency has on its radar as a possible policy change, according to spokesperson Judson True. "As we move forward and people become more aware of the benefits of public transit, our vehicles become more and more crowded," True notes. This may be a good problem to have, but it means the agency must work out a strategy to accommodate wheelchair-bound passengers, strollers, walkers, bikes, and other essentials that passengers bring on board. Once the bike-plan injunction is lifted, True says, he expects MTA to approve a pilot program for bikes on Muni. In order to discourage more people from driving, he says, "linking sustainable modes of transportation like biking and transit is key."

Editor’s Notes

0

Tredmond@sfbg.com

The first time the Guardian made an issue of the role small businesses play in the local economy, official San Francisco freaked out.

It was 1985, and only a handful of people were talking about sustainable local economies, about the connection between environmentalism and community-based economics, about how malls and chains stores were ruining America, and how spending money locally would create more jobs, with less waste of energy, than shopping at Wal-Mart or Home Depot.

The Guardian hired MIT economist David Birch to produce a study on job generation in San Francisco. His conclusion: small, locally-owned, independent businesses generated the vast majority of jobs in San Francisco. That directly contradicted the fundamental thesis driving city planning at the time; the planners and the mayor (Dianne Feinstein) argued that high-rise office development was the city’s prime source of new jobs.

The day the study came out, the city planning director (Dean Macris) called in his senior staff and directed them to work all weekend poring over our study and trying to figure out how to discredit it. Feinstein ignored us. The supervisors continued to allow high-rises to sprout, damaging small business and the local economy. The Chamber of Commerce was so disdainful of small business that a group of Fisherman’s Wharf merchants quit in disgust.

Today that battle is over. Done. The argument isn’t even an argument anymore. Everyone, from Mayor Gavin Newsom and the Chamber on down, agrees that locally-owned businesses are the lifeblood of the San Francisco economy. The mayor goes around urging people to "shop local."

But as we suggest in this special issue on San Francisco small business, the city itself isn’t doing such a great job at that. In fact, the public sector in general has been trained for so long to do business with the lowest bidder that the role a major institution like the city and county of San Francisco can play in boosting the local economy has gotten lost.

A 2007 study sponsored by the San Francisco Locally Owned Merchants Alliance shows that if local residents shifted just 10 percent of their purchases from big chains to local businesses, the city’s economy would pick up $200 million and 1,300 new jobs a year. Imagine if City Hall, BART, state agencies, the school district — every public sector agency in this city — did the same. *

Tell BART what you think

2

By Tim Redmond

BART’s holding a public meeting (!) to hear concerns about civilian oversight of the BART police. The place ought to be packed — and the message I would send is that BART can’t be trusted to do its own civilian oversight and ought to support the state legislation by Assemblymember Tom Ammiano.

Show up Saturday, May 2 at 1 pm, John P. Bort Metro Center auditorium, 101 8th Street, Oakland.

Appetite: Hot tamales, banana cookies, $1 martinis, and more

0

tbtb2008.jpg
Hot Tamales on Sun/26. See “Events” below

As long-time San Francisco resident and writer, I’m passionate about this city and obsessed with exploring its best food-and-drink spots, events and news, in every neighborhood and cuisine type. I have my own personalized itinerary service and monthly food/drink/travel newsletter, The Perfect Spot, and am thrilled to share up-to-the minute news with you from the endless goings-on in our fair city. View the previous installment of Appetite here.

———-

NEW OPENINGS

Anthony’s Cookies satisfies your cookie craving all day long
On the same Mission block as Suriya Thai (R.I.P.), is a new cookie kitchen that can help assuage the loss of my favorite Thai. Anthony (who has spent over 10 years perfecting his craft) and his staff give a friendly welcome as they bake, for now offering a half dozen cookies for $5, or $9.25 a dozen, eventually selling them individually. On the blessedly smaller side, they’re warm and about as homemade tasting as they smell. There’s toffee chip, banana (like banana bread in cookie form), cinnamon sugar, whole-wheat oatmeal cranberry, gooey chocolate chip, and maybe my favorite? Cookies and cream. Tastes like home.
1417 Valencia, SF
415-655-9834

www.anthonyscookies.com

Moussy’s brings French cooking classes, movies and Petit Dejeuner to Nob Hill/Polk Gulch
Downstairs from Alliance Francaise, there’s a new stop pre or post AF’s French language classes and film screenings: Moussy’s, an intimate, candlelit cafe for a morning croissant and cappuccino, or lunch time respite, serving salads, baked brie, and pot pies. They’ll soon be offering French cooking classes and film nights, too, ensuring that foodies, expats, bohemian artists, poets and aspiring cooks have a true Parisian cafe hangout.
1345 Bush, SF.
415-441-1802
www.moussys.com

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EVENTS

April 26 – Tamales (and margaritas) By the Bay at Fort Mason
Tamale lovers come out en masse to Fort Mason for Tamales By the Bay. Sample tamales and salsas from Nor Cal’s best in styles from Oaxacan, Yucatecan, Salvadoran to Chilean, and vendors like La Cocina and Rancho Gordo. Margarita Gladiators will be battling it out for best margarita, which you can, of course, also sample, while grooving to live music, demos and a raffle of prizes from JetBlue tix to a bottle of Partida Elegante Extra Añejo Tequila. Arriba!
12-4:30pm, $40
Fort Mason Center, Landmark Building A
Buchanan Street at Marina Boulevard
415-695-9296
www.tamalesbythebay.com

April 27 – Ministry of Rum Festival comes to Hangar One
Consider it a pre-Summer rum fest… Hangar One/St. George’s Distillery, home to beloved Hangar One vodkas and St. George’s incomparable spirits, is the hangar island site for all things rum at SF’s Ministry of Rum Fest. Vendors like Leblon, El Dorado, St. Bart’s and Ron Barcelo educate on their sugar cane spirits, while primo Bay Area mixologists like Martin Cate, founder of Forbidden Island Tiki Lounge, Erik Adkins from Heaven’s Dog, Thad Vogler of Bar Agricole, Brooke Arthur of Range, and Duggan McDonnell of Cantina, showcase rum-based cocktail creations. There’s cheese pairings and door prizes to boot. Though plenty of free parking can be had at the distillery, those on foot or drinking (wait, won’t that be everyone?), are given rides with Bonjour Transportation from Oakland’s 12th St. BART station to the distillery continuously from 6-9pm, $50
2601 Monarch Street, Alameda
www.ministryofrum.com/sf2009.php

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DEALS
Hookah Happy Hours at Sens
In Embarcadero Center 4, spacious Sens restaurant, with regal Bay Bridge and Ferry Building views, started a Hookah Happy Hour for a weekday smoke along with discounted cocktails, wine and beer. For $15, you’ll have your own hookah set up on the patio with choice of apple, strawberry or peach tobacco, so you can puff away the twilight hours.
Monday-Friday 3:30-7:30pm, $15 per person
4 Embarcadero Center
415-362-0645
www.sens-sf.com

$1 Martini Lunch at Palio D’Asti
Palio D’Asti makes it WAY too easy to forget economic (or other) troubles with $1 martinis during weekday lunch. They shake up a martini with your choice of Stoli Vodka or Hendrick’s Gin, so order a Pizza d’Asti (with shaved asparagus, fontina Val d’Aosta cheese and thyme) or Agnolotti di Carciofi (artichoke and mascarpone-filled ravioli with sage and sweet onion ragout) and drink up!
Monday-Friday Lunch
640 Sacramento St.
415-395-9800
www.paliodasti.com

Three course meal at Michael Mina for $55
Michael Mina is special occasion dining (for most of us, anyway) at well over $100 a person, but they’ve jumped into the "specials" pool with an EARLY pre-theatre dining menu available until 6pm, plus a new lounge menu available all night. The first is three courses for $55, offering Mina classics like Ahi Tuna Tartare and unparalleled Lobster Pot Pie (this Mina staple is decadently good), and only $20 extra for three wine pairings from their award-winning list. The lounge menu includes Mina’s playful Lobster Corn Dogs as well as the Lobster Pot Pie, and cocktails so good, they alone are worth a visit.
Tuesday-Saturday, before 6pm
335 Powell Street
415-397-9222
www.michaelmina.net

BART (finally) opens a meeting

3

By Tim Redmond

In the wake of a storm of criticism, here and elsewhere, the BART Board’s police oversight committee has finally started holding open, publicly noticed meetings.

At the first meeting, this morning in Oakland, “they tried to take credit for the public notice, but I reminded them that the only reason they issued a notice is that we’d already emailed it out,” Quintin Mecke, communications director for Assemblyman Tom Ammiano, told me.

So now it’s on the record: Every monday morning, 10 a.m., at BART’s headquarters at 300 Lakeside, Oakland. Feel free to show up and ask why it’s taken 17 years for the board to even begin talking about police oversight.