Art

On the Cheap Listings

0

Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 5

“Hidden in Plain Bite: Overlooked Opportunities for Food System Reform” 371 10th St., SF. (323) 828-7040, www.ffacoalition.org. 6:30-9pm, $8-12. Come for this informative and eye-opening discussion that tackles new and innovative measures to reform our dastardly food system. Organic food offerings and a silent auction will follow the talk.

Lemony Snicket The Booksmith, 1644 Haight, SF. (415) 863-8688, www.booksmith.com. 5-8pm, free. Beleaguered children’s book hero Lemony Snicket will be on hand at the Booksmith this evening for a meet and greet promoting his latest effort, entitled Who Could That Be at This Hour?

FRIDAY 7

“Terra e Asfalfo: Around the World on a Vespa” The Emerald Tablet, 80 Fresno, SF. (415) 500-2323, www.terraeasfalto.it. Through Dec. 16. Opening reception: 6-10pm, free. How anyone can travel all around the world on those speedy little cosmopolitan numbers is beyond us. But Italian couple Giorgio Serafino and Giuliana Foresi did it — and the duo will be presenting their travels via this photo exhibit, where pictures of destinations such as Thailand, South Africa, and Italy will be on display.

Mission Holiday Block Party Various businesses on Valencia from 23rd to 14th Sts. and surrounding blocks, SF. www.valenciastreetsf.com. 5-10pm, free. Get half price on sangria at Locanda, 20 percent off clothes and accessories at Five and Diamond (while Shovel Man plays!), check out a George Chen-hosted comedy program at Lost Weekend Video’s CineCave and more at this holiday celebration in Valencia’s neighborly businesses.

“Snapshot” Southern Exposure, 3030 20th St., SF. (415) 863-2141, www.soex.org. Through Dec/20. Opening reception: 7-9pm, free. The Youth Advisory Board of Southern Exposure’s new exhibit explores the relationship between the medium of photography and the notion of memory. An experimental work, “Snapshot” features young artists’ take on fact and fiction through digital manipulation.

“Aloha on Ice” Embarcadero ice rink, Justin Herman Plaza, SF. (415) 392-2235, tinyurl.com/alohaonice. 4-7pm, free. Come bask in the warm aloha spirit at this pop-up luau. You’ll have a number of ways to get tropical at this event, like sampling Hawaiian food, making fresh flower leis, and mugging in a Hawaii-kitsch photo booth. Drink umbrellas and hellacious sunglasses tan not included.

DIY Library Party Mission Bay Branch Library, 960 Fourth St., SF. (415) 626-7512, www.friendssfpl.org. 7-10pm, free for members and friends of members, $35 for membership. The DIY aesthetic has permeated nearly all facets of our contemporary culture, so it’s past time for our local library to get in on the low budget fun. Get engrossed by an impromptu arts and crafts project, and mingle with cocktail-sipping fellow literary fans at this free event.

Hurricane Sandy Benefit Show Modern Eden Gallery, 403 Francisco, SF. www.hope-beyond.com. 6-9pm, free. We on the West Coast are lucky to not have to deal with terrors of hurricanes, which is why we urge to attend this art show benefiting our fellow Americans on the other side of the nation.

SATURDAY 8

East Bay Alternative Book and Zine Fest Berkeley City College, 2050 Center, Berk. eastbayalternativepressbookfair.blogspot.com. 10am-5pm, free. The good folks behind this event decided to go bigger with the third installment of the East Bay Alternative Book and Zine fest. There’ll be workshops on zines, screen-printing, letterpress, and comic illustration in addition to speeches from dozens of local writers.

Vagabond Indie Craft Fair Urban Bazaar, 1371 Ninth Ave., SF. (415) 664-4422, www.urbanbazaarsf.com. Also Dec/9. Noon-6:30pm, free. Etsy addicts take note! Urban Bazaar in conjunction with Etsy and the SF Etsy team will be putting the third annual holiday-themed Vagabond Indie Craft Fair. Come peruse with your keen shopper’s eye the emporium of hip, fun, and crafty items. Also probably a good idea to do some holiday shopping while you’re at it.

Holiday Indie Mart Speakeasy Brewery, 1195 Evans, SF. www.indie-mart.com. Noon-6pm, free. If you’ve never made it out to Speakeasy’s Bayview brew factory, now’s the perfect time. Indie Mart is assembling over 45 vendors, who will come equipped with DIY giftables you’ll be stocked on for your family and friends. Bonus round: today the brewery will unveil its new taproom, designed by Indie Mart creator Kelly Malone and friends.

KPFA Crafts Fair Concourse Exhibition Center, 635 Eighth St., SF. (510) 848-6767 ext. 646, www.kpfa.org/craftsfair. Also Dec/9. 10am-6pm, free–$10. Go to the Vagabond Crafts Fair on Saturday and the KPFA Crafts Fair on Sunday, or vice versa or do a crafts fair crawl by attending both on the same day! Sponsored by the progressive-minded folk at the KPFA 94.1 radio station in Berkeley, this festivity is going all out by bringing craftwork from over 200 local artisans featuring glass, leather, and stone items.

MONDAY 10

Pladra Holiday Launch 5-8pm, free. 111 Minna, SF. www.pladra.com SF flannel company Pladra shows off its latest line of shirts for men and women at this holiday party and trunk show. Everything’s sourced and made in the Bay Area, for a hyperlocal, winter-ready shopping experience.

TUESDAY 11

A Long Day’s Evening Translation City Lights Bookstore, 261 Columbus, SF. (415) 362-1901, www.citylights.com. 7pm, free. Turkish experimental modernists rejoice! Aron Aji has finally translated A Long Day’s Evening by Bilge Karasu for our literary loving. Attend this talk today by Aji to hear how the process took shape.

 

Phantasms

1

marke@sfbg.com

SUPER EGO Scene: Midnight, Tiara Sensation drag pageant, Rickshaw Stop, September. A naked, enormously white-and-purple-bewigged figure in two-foot-high Plexiglass heels, laid across three raised Plexiglass pillars, faces away from us. The pitched down strains of Frank Ocean’s “Pyramid,” his voice syrupped into a slo-mo Judy Garland phantasmagoria, drown us in waves of bass. Sheee’s wooorkiiing at the Pyyyramid toniiiight.

Awkwardly, riskily the figure rises almost to the rafters, its back still to us, spreads its legs, and begins to pull a tangled string of multicolored Christmas lights from her crotch. It performs this deliberately, turning the Rickshaw stage into a pressure cooker of strobe lights, sexual horror, and incipient danger — a strip club where no one can hear you scream. The atmosphere is so tense that when the figure finally turns around to reveal her eyeless, bloody-mouthed, death-pale self, as Ocean’s voice tweaks a level higher, shivers and gasps run right through the audience. Shiva the Great Destroyer, her tits bound with duct tape, a makeshift pouch at her crotch the source of her glittering lights.

It’s an out-of-body look that works. And it’s emblematic of a new glitchy-nightmare drag style (or the reboot of one) that’s bewitching clubgoers.

DIA DEAR

The performer was the amazing Dia Dear, one of a number of recent young arrivals who’ve zapped nightlife to another level by unselfconsciously — and quite organically — raiding the shelves of performance art, horror films, contemporary R&B, club kid history, and the Walgreen’s down the street to create striking personae for themselves, and electrify the city’s drag stages. They’re also so freaking smart it scares me, no Christmas crotch lights required.

Drag as confrontational, sometimes blood-spilling performance art has a long history here, of course, from the Cockettes in the 1970s, through the Popstitute and Club Uranus scenes in the early ’90s, through Trannyshack into the ’00s. It’s currently found a home at the Some Thing party every Friday at the Stud, High Fantasy every Tuesday at Aunt Charlie’s, and the Dark Room monthly party at Hot Spot. Iconic, sensibility-scrambling club kid styles like those of Michael Alig, Desi Monster, James St. James, our own Phatima Rude and Ggreg Taylor, and the ultimate drag inverter-perverter Leigh Bowery are all the rage in this retro-minded, post-Gaga moment. But something about this fresh wave, something about how it’s coming from people with no nightlife background at all, is different. Drag stages have become the affordable breeding ground for committed performance artists, expressing essential truths about our moment. Mere lipsyncing is so last century.

boychild

“I never even knew who Leigh Bowery was until people started mentioning his name this summer,” boychild, another of this new tribe, told me over the phone. (I live next door to boychild, and it’s not rare to find a neon-yellow spray-painted birdcage, a chandelier made of wigs, or an entire store display case sitting outside, waiting to become part of a perspective-shattering outfit or brandished onstage in a cyber-Wiccan, dystopian android ritual.) Like Dia, boychild just started going out to clubs very recently — pretty much arriving out of nowhere, both of them declining to share their pasts — and when she did she was almost fully formed as a stage presence, with a genius sense of makeup and a cerebral agenda.

http://www.vimeo.com/49244470

“Everything I do is a reaction to being categorized: as a person of color, as a female-bodied queer,” she said. “It’s really bad right now, because it’s so hip to be black, “urban culture” is being fetishized to an enormous extent. I feel I encounter so much that makes me angry just existing in this world as a queer creature. My performance and look ties everything to my experience through my body. That’s where I express myself most fluidly, more acutely and vividly than through language.”

“Horror is where I’m coming from and where I exist,” Vain Hein, another performer, told me. Unlike Boy Child and Dia Dear, Vain Hein is open about his past: raised as a Born Again Christian in both Puget Sound and Phoenix, Arizona — “My childhood consisted of traveling between extremes” — he eventually found his way to the San Francisco Art Institute to study New Genres (this is actually a program there!) Vain Hein, who also performs to music he chops and screws at home, most explicitly ties sex to horror in his work — it’s chockful of surprise lactations, menstrual blood, live births, prosthetic triple breasts, and weird asses.

VAIN HEIN (Photo by Eric Harvieux)

“I think a lot about the apocalypse, it’s how I filter and understand the world. Decay, destruction — everything I wear is just what’s at hand around my house, held together with scotch tape and nail glue, the shitty, shitty, shittest things ever that just fall apart during the night, even when I’m not performing. I literally shed my skin.”

Yet even as a queer art student in San Francisco, liberated from fundamentalism, he never went out until last year. “I just had preconceived notions about what going to a gay club involved. Then my friend dragged me to a drag show in the spring, and I was like, ‘I can do this.’ I had studied mostly performance art and video so it was a good fit.”

Being a young queer and not going to the clubs is incomprehensible to me — but of course these 20-somethings grew up with the Internet, where you can be gay by yourself, and which looms like a Poltergeist vortex over their work.

“Oh, the vast blessing of the Internet,” boychild half-laughs. “I wish I was better at it. We’re so bombarded with information and images, just so much shit. That can be great because my generation has all of the past available. But we’ve been drowning in this stream of complete crap, too. I can define myself as a freaky-freak just by how I navigate it. But the power of live performance is channeling all that into immediate emotion, a moment when everyone’s together, something that can’t and should never be documented as just images.”

The charming and soft-spoken Dia Dear, who has become kind of a mother the nascent phantasmic drag scene — even though she, like boychild and Vain Hein, operates mostly outside traditional drag house family structures — says, “I haven’t quite figured out my relationship to the Internet. I feel like it’s a positive tool because it can connect us to the spirit of people who are dead. But it’s also this kind of dark rectangle in the corner that can suck out all your energy. It exists for its own sake. But to be on the Internet now, you have to have a certain level of narcissism and self-interest. A lot like you have to have as a performer. Performance and the Internet should be natural lovers, in a sense. Twisted together …entwined.”

 

DISQUIET NIGHT

This live experimental music concert at the Luggage Store Gallery is the brainchild of one of the brainiest yet approachable people I know, Marc Weidenbaum, who started his fascinating daily music site, Disquiet.com, 15 years ago — way before blogs were invented. His project Disquiet Junto challenges Soundcloud members to respond to a prompt with unique compositions. This round: field recordings of Hurricane Sandy, with Cullen Miller, Subnaught, Jared Smith, and more.

Thu/6, 8pm-10pm, $6–$10 sliding scale. Luggage Store Gallery, 1007 Market, SF. www.luggagestoregallery.org

 

DEE-TOY

Over the past year we’ve been treated to some tasty South African contemporary dance music flavor, from Black Coffee to Die Antewoord. (Somebody please get the Tshetsha Boys out here!) DJ Dee-toy, of Sebokeng Township continues this great microtrend with deep, deep house vibes and off-your-seat Afrofunk jams.

Fri/7, 10pm-4am, $15–$20. Mighty, 119 Utah, SF. afrofunk.eventbrite.com

 

GIGAMESH

Yeah, yeah, the phenomenally successful Minneapolitan remixes pop hits into slick little machines of hummable electro-disco bliss. He is also very, very fun.

Fri/7, 10pm-3am, $15–$20. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

TORMENTA TROPICAL 5-YEAR ANNIVERSARY

This monthly party launched the nu-cumbia sound in SF, splashing some much-needed Latin electronica onto our shores, while introducing global bass to a new generation of underground-minded clubgoers. Some major players have stomped the floor here, and quite a few sonic permutations of TT’s sound have found more mainstream success — but founders Shawn Reynaldo and oro11, who brought their inspiration directly from Argentina, are keeping it crazy and real with a marathon tag-team set in celebration.

Sat/8, 10pm, $5 before 10pm, $10 after. Elbo Room, 647 Valencia, SF. www.elbo.com

 

ACCIDENTAL BEAR!

Gay people won’t stop rapping and blogging, and that’s OK! Our favorite local blogger (and perpetual crush) Mike “Accidental Bear” Enders covers way too much ground online. Now the super-enthusiastic cutie is celebrating two years of cybergossip by hosting a cartoon-colored gay rapstravaganza with Big Dipper, Rica Shay, and MC Crumbsnatcher, plus singer Tim Carr and DJs Medic and Dav-O of Double Duchess. There’ll be a lot of cute gay guys with beards.

Sat/8, 9pm, $3. Truck, 1900 Folsom, SF. www.accidentalbear.com

 

ATTACK OF THE TYPEWRITERS

Writer, drinker, arts-minded political activist, and bon vivant Hiya Swanhuyser is combining her interests in this neato, monthly, potentially wonderfully absurd thingie. Come to the Makeout Room, grab a drink, and then bang out a letter to any politician you have beef with. “One letter = 100 votes,” she says. Cocktails and truth to power, yasss. She’ll bring the actual, clickety-clackety typewriters! You bring the drink-fueled rage!

Tue/11, 6pm-8pm, free. Makeout Room, 3225 22nd St., SF. www.tinyurl.com/typeattack

 

Burning Man’s new Cargo Cult art theme intrigues

5

Burning Man founder Larry Harvey sent burners scrambling to Wikipedia on Friday when he announced the art theme for the 2013 event, “Cargo Cult,” and posed the intriguing question, “Who is John Frum?” It was perhaps the most esoteric and obscure theme ever, but one that I heard only positive reactions to at a couple of burner-populated parties over the weekend, including the Black Rock Art Foundation’s Artumnal Gathering.

The theme draws from stories of indigenous cultures in the South Pacific that have been awed by the advanced technology of American visitors, forming cults and rituals to beckon them and their airplanes back. As an art theme, it then morphs into our own modern fascination with the cargo dropped on us by mysterious visitors, whether they be multinational corporations or extraterrestrial life forms.

As Harvey wrote in a description of the theme that’s well-worth reading, “All we can do is look beyond the sky and pray for magic that will keep consumption flowing.” The base of eponymous Man will be a crudely formed flying saucer, artistically trying to summon back alien visitors and their transformative gifts (that is, if they didn’t already arrive on 12/21/12).

In an interview with the Guardian, Harvey cast the Cargo Cult theme as the first one since 1996’s Hellco, in which a demonic corporation had supposedly taken over Burning Man, to have a theme that he called “satirical,” although he’s quick to say this satire sparks layers of meaning as people ponder it.

“People seem to be imagine this in multiple dimensions and that was the intention,” Harvey said, noting the nods it gives to consumerism, religion, anthropology, metaphysics, and a variety of other disciplines and frames of reference. “You see all kinds of glosses on it.”

He said the kernel of the idea began with a rumination on Polynesian themes, sparked by reading Paul Theroux’s book The Happy Isles of Oceania: Paddling the Pacific. When he hit on the notion of cargo cults, Harvey said the ideas and possibilities of it began to immediately expand in his imagination.

They continued to grow ever outward as he collaborated with others on it, include Stuart Mangrum, a Cachophony Society stalwart who Harvey worked with on the Hellco theme (possibly raising the questions for old-school burners, “Who is John Law?” and might he someday return?), and the architect Lewis Zaumeyer, who designed the Man’s UFO base before he died earlier this year

Harvey said the theme prompt is already triggering lots of creative interpretations. “It’s a spur to invention. People are finding all kinds of ways to riff off of it,” Harvey said of that creative, collaborative spark that he tries to provide. “This is what Burning Man has always been about and what we try to give to the world.”

Unlike past years, when themes such as Fertility, Rites of Passage, Metropolis, and Evolution have been easy to safely ignore, Harvey said the intrigue and excitement around the 2013 theme is causing the event organizers to plan on incorporating references and reminders throughout Black Rock City.

“We want to work this in more thoroughly into the event than we’ve done before,” Harvey said, hoping that it prompts all kind of unpredictable and imaginative manifestations. “The beauty of it is it’s ambiguous even when you look at it in the academic literature.”

Looking up: Apex One’s Mid-Market rooftop street art gallery

0

I was a little devastated when I found that the owner of Ricardo “Apex” Richey’s Market and Sixth Street studio — where he painted his canvases of street art abstractions — had sold the building to a new owner intent on converting the raw space to tech offices. What of the Asian-run garment factories, the rickety elevators? And what, more importantly, of the rooftop that Apex had the run of, where he’d let his street art friends paint huge burners? Over the years, the space had converted into a guestbook of sorts, with murals done by Mona Caron, Neon, Chez.

In our recent interview, which appeared in this week’s paper, Richey told me that the owner had mentioned that though he intended to gut the structure, he may leave the rooftop gallery standing. Hopefully, that’s the case. In the meantime, here’s some shots from those sky-level works — and a few snaps of Richey’s murals from the Sixth Street neighborhood’s past and present. Hopefully whatever ‘hood he finds for his next studio space will benefit just as much from the aerosol artist’s work. 

Chopping spree

2

cheryl@sfbg.com

FILM Unlike the San Francisco Independent Film Festival’s flagship event and its popular DocFest, which more or less put roots down at the Roxie, genre fest Another Hole in the Head spreads its horror, sci-fi, and just plain weird wealth around to various venues. Yeah, the Roxie’s still on its list, but HoleHead also hosts events down 16th Street at the Victoria Theater, and at SOMA’s Terra Gallery and the Vortex Room — the latter an inspired addition, given the Vortex’s reputation as a haven for mondo cinema.

This year, HoleHead opens with a screening of Richard Elfman’s 1982 cult musical Forbidden Zone, presented in — holy Tyrrell! — remastered and colorized form. Elfman will be on hand to answer all your Sixth Dimensional questions, and a party (complete with Oingo Boingo cover band) follows.

Closing night looks to be a decidedly less festive affair, with Austrian director Michal Kosakowski’s unsettling Zero Killed — a feature film spun from his video installation and short film project, Fortynine. From 1996 to 2006, Kosakowski interviewed people about their murder fantasies, then used the tales (suicide bombings, school shootings, dog attacks, dinner-party poisonings, stabbings, shoving people into traffic or letting them slip off cliffs, etc.) as short-film inspiration, starring the storyteller as either perpetrator or victim.

A haunting musical score ups the creep factor, as Kosakowski tracks down each participant (many, but not all, are actors by trade) to interview them about their specific fantasies and other troubling topics, like revenge, torture, and “What is evil?” Zero Killed is a uniquely disturbing mix of fiction and documentary, cutting between horrific, blood-soaked vignettes and clinical talking-head interviews — often featuring the same subject.

There’s plenty of blood gushing forth in slick British standout Axed (listed as “Fangoria presents Axed” on the HoleHead schedule, so that right there should assure you of its splatter cred). When a businessman is, uh, axed from the corporate gig that turned him into an uptight prick long ago, he goes all Jack Torrance on his wife and teenage kids. As you might guess, the titular implement figures prominently in his plans, and Ryan Lee Driscoll’s film spirals from satirical to sadistic as each new body drops.

Changing gears, from in-your-face to perhaps too subtle: posting recently to his Observations on Film Art blog, scholar David Bordwell scrutinized what he called “discovered footage” horror films, with a focus on the Paranormal Activity series. Bordwell took particularly interest in the “rewards and risks” of the genre’s “narrow set of stylistic choices.” In these films, the camera itself occupies a heightened presence within the story. By now, everyone knows the psychological effect that’s supposed to have: if we’re aware of the camera, and it seems like an actual person is filming what we see, the images appear more real — and hopefully, “the reward” translates to genuine shrieks in the dark.

But for every Paranormal Activity sequel that’s seen by millions and rakes in hundreds of millions, there are dozens of copycats. And why not? Found-footage horror is non-traditional filmmaking at its most democratic. It can be made on the cheap, and wobbly production values are de rigueur. Unfortunately, it’s a lot easier to get ahold of a camera than to come up with an original idea, much less one that yields actual moments of fright.

With that said, The Garlock Incident does make an effort to tread new, albeit Blair Witch-y, ground. The set-up is that a group of Los Angeles actors — appealing 20-somethings all — are en route to Vegas for a movie shoot. Also in the van is ambitious director Lily (Ana Lily Amirpour), who obsessively films everything. After taking a spontaneous detour to visit a ghost town with a sinister back story, they discover a couple of maybe-abandoned shacks — and soon realize that getting off the main road was a bad idea. Oh, kids. It’s always a bad idea, especially for city slickers who can’t function without cell service.

Garlock‘s frustrating ending, which I wouldn’t dare spoil even if I fully understood it (even after watching it several times), is a letdown. Until its last act, though, Garlock is actually a pretty interesting look at how quickly relationships can break down when circumstances slide from uncertain to dire. But once you start puzzling over the ending, other doubts surface — like, by what logic would the actors’ audition footage be neatly edited into this roughly-shot, “found” chronicle of wilderness terror?

Speaking of wilderness terror and, alas, unsatisfying finales, retro-styled sci-fi adventure The 25th Reich screeches to a halt with a “to be continued” cliffhanger, just when shit is starting to get mind-blowingly insane. Argh! Fortunately, for the most part, the film — about a group of World War II soldiers who time-travel back and forth, squabbling among themselves as they pursue UFOs and Nazis — works just fine as a stand-alone, though its gleeful reliance on stereotypes (the Jew, the Italian, the Southern redneck, etc.) feels less like a nod to classic war films than a way to avoid actual character development.

The best gimmick centers on Captain O’ Brien, an erstwhile matinee idol not above reciting cornball lines from his own films at crucial moments. That he’s played by Jim Knobeloch — who also appeared in 2012’s other Nazi sci-fi flick, Iron Sky — is a perfect bit of obscure-genre synergy.

It wouldn’t be HoleHead without zombies. Comic The Living Corpse gets the (re-)animated treatment in The Amazing Adventures of the Living Corpse, which follows the titular beastie’s existential crisis after he — oops! — rips apart almost his entire family. Spared is a young son who is sent to a creepy boarding school for orphans, though he’s soon plucked from its halls to apprentice under a mad scientist. Meanwhile, the guilt-ridden corpse — real name: John Romero; memo to creative types: naming anyone “Romero” in your zombie-related whatnot is no longer a novel idea — roams the underworld and the land of the living, meting out occasional supernatural ass-kickings but mostly searching for his long-lost offspring.

The haunted-school scenes (complete with a kids vs. demons showdown) are clever, and the catchy soundtrack has punky flair, but the sheer number of plot threads nearly overwhelms the 82-minute film — maybe cool for fans of the comic, but viewers new to the material might wonder why, say, the “Spectral Protection Society” is elaborately introduced and then discarded. The overall effect is not nearly as fun (or “amazing”) as it should be.

Amazing, however, is one of many gushing adjectives I might use to describe my top pick of the festival: Mike Malloy’s Eurocrime! The Italian Cop and Gangster Films That Ruled the ’70s — a jazzy, lovingly-compiled homage to some of the trashiest, most mean-spirited films ever made. Everyone’s heard of Spaghetti Westerns, but poliziotteschi movies have yet to make a true cult breakthrough (or be remade by Quentin Tarantino, but I’m sure he’ll get there eventually). A groovy-sleazy score and endless clips, posters, and still shots set the tone for Eurocrime!, which gathers some of the genre’s biggest stars (laid-back John Saxon; gracious Franco Nero; bratty Antonio Sabàto) to look back at their years chasing each other across rooftops, brawling in junkyards, and working with directors like Umberto Lenzi (“the screaming-est director I ever met in my life,” according to actor Henry Silva).

The doc, a tad long at 137 minutes, also explores why the films became so popular, despite the fact that their scripts were often ripped wholesale from American “angry cop” films (and, later, from each other) — and why that popularity didn’t last (possible culprits: laughable dubbing, distracting mustaches, brutal violence against women). Newcomers won’t believe that such a world of insane film exists, longtime aficionados will dig the nostalgia, and both camps will enjoy Eurocrime!‘s high-energy appreciation of a genre long overdue for this kind of treatment. 

ANOTHER HOLE IN THE HEAD

Nov. 28-Dec.9, $10-$12

Various venues, SF

www.sfindie.com

All reflected

3

caitlin@sfbg.com

VISUAL ARTS Glossy and matte stripes alternate across the walls and floor of the 941 Geary gallery in the Tenderloin, occasionally illuminated by striking reflections from the exhibition’s 10 hanging canvases. These are perfectly symmetrical morphs of traditional letter-form graffiti, each done in Easter-ready pastels, save for a black-and-white tag that takes up one enormous gallery wall.

“I just want to continue painting different visions I have,” says the creator of this immersive art experience, visual artist Ricardo “Apex” Richey. He got his start tagging the streets of San Francisco in the early 1980s, perfecting his now-revered, precise hand forms inside Muni buses and walls around the city.

“Reflected,” this new solo show, plays on the entrance into the gallery world of an art form once done covertly on exterior walls. He’s taking graffiti and, like artists before him, skewing and reimagining it. “Abstracting the notion of Apex,” he tells me.

>>CHECK OUT OUR SLIDESHOW OF APEX’S ROOFTOP GALLERY AND SOME OF HIS TECHNICOLOR WORKS FROM AROUND THE SIXTH STREET NEIGHBORHOOD

With the current mania for street art-inspired pieces, Apex has been able to make a career of his work. He capitalizes on the legions of graff-nerd followers on his social networks, and his drive to refract and skew the recognizable shape of graffiti in endless ways. The 941 Geary show was inspired by an iPhone app that allowed him to mirror pre-existing works. After speaking with Justin Giarla, founder of 941 and the rest of the White Walls family of urban art galleries, the two decided the idea merited more exploration.

But during the same week “Reflection” opened, Apex’s personal life was morphing as well. After three years in an epic factory-cum-studio on Market and Sixth Street, his building was sold and he was out. Goodbye to its 13-foot ceilings and the rotating, 10-foot high windows that look out on Market.

http://vimeo.com/21421094

And goodbye to the museum he’d been curating upstairs on the roof, where SF street artists Chez and Neon had contributed massive works, among others. Painted vegetation by muralist Mona Caron curled to the sun in a piece one could nearly see from Trailhead, the pop-up cafe down the street in the Renoir Hotel whose back wall, by chance, is graced by a collaboration mural done by Caron and Apex.

If you wander around the Mid-Market neighborhood, it’s not hard to see that Apex spends his nights working in a neighborhood studio. He’s certainly left his mark. The first piece in the area was Yerba Buena Liquors’ sign, years ago. Since then he’s painted all over the place. The corner of Turk, Mason, and Market Streets is graced by a super-burner of his, a phrase coined to describe his pieces that use hundreds of hues of aerosol.

“I would love to stay there,” he tells me at his new FiDi day job (more on that in a sec.) “In that regard, this is kind of sad.” But Apex knew he was in the studio and roof space on borrowed time — rumors had swirled since he first moved in that the building was for sale. He sees the “gradient” of real estate prices, that Sixth Street was an anomaly in a ridiculously expensive city to live in.

“On one hand it sucks, on the other, I understand it. Overall, it’s better for the city.” He’s looking for a new space anywhere in the “industrial band” that loops between his old studio and Potrero Hill, hoping to get lucky with one of the city’s few remaining industrial spaces.

And, as his solo show is testament, he’s not letting the forced move stop him. That day job? He bought a coffee kiosk. The business is about him “trying to be mature,” he says, laughing as he talks about Otis Cafe, the Four Barrel-equipped stand he’s set up in the Otis Lounge nightclub entryway (25 Maiden, SF) where you can now find him weekdays from 7am to 3:30pm.

“This idea popped into my head,” he says. ‘Coffee cart, that’s a low end startup.” The Maiden Lane micro-‘hood lacks designer coffee, and on the day I visit, new regulars are already lining up.

For Apex, the kiosk is just product of a creative mind. “I feel very blessed, fortunate,” he muses. “Like, I’m an idea person. Painting, art allows me to get the most of those ideas to come to light.” The Otis Cafe sandwich board and cart bear Apex’s signature loops of color — a new home in the downtown area for the artist himself.

“REFLECTED”

Through Jan. 5

941 Geary, SF

(415) 931-2500

www.941geary.com

 

Art school confidential

0

arts@sfbg.com

LIT If you’re seeking the perfect present for the music obsessive in your life, consider picking up a copy of David Byrne’s How Music Works (McSweeney’s, 332 pp., $32). A thorough exploration of the many facets of music-making, including music industry contracts, philosophical musings on the art of creation, and the scientific principles of tonality, Byrne’s book can be read like a field guide by aspiring musicians, and as an armchair adventure for those whose knowledge of music begins and ends with Pandora.

Intelligent without being overly-analytical, detailed without being didactic, what Byrne conveys most successfully is his own exuberant curiosity for his chosen topic. Like Bill Bryson’s A Short History of Nearly Everything, in which Bryson painstakingly researched the scientific foundations of the universe in order to be able to make sense of them himself, How Music Works often reads like an earnest inquiry conducted by a passionate amateur. That Byrne comes by his knowledge of the workings of the music industry a little more easily — as an elder statesman of art rock, he has decades of personal experience and anecdotes to draw on — fortunately doesn’t render his presentation self-aggrandizing or abstruse.

Although the title of the book seems to indicate a focus on the principles of music theory, a large bulk of the book actually focuses on the technological processes that music has been subjected to over the centuries — from the invention of the first musical instruments to that of Edison cylinder recorders and eventually MP3 players. In his first chapter, “Creation in Reverse,” Byrne presents the theory that specific music has been created to fit certain acoustical contexts. He examines a variety of musical styles — unamplified, percussive ensembles of West Africa, whose music sounds most optimal when heard outdoors, unconfined; long notes and modal structures of Medieval church music, created to fill the vaulted echo chambers of Gothic cathedrals — speculating on how they evolved first to fit the given architecture, and how architecture subsequently evolved to fit the music, as with Wagner’s uniquely-designed opera house in Bayreuth.

He points out how the architecture of even a respected venue like Carnegie Hall might actually be detrimental to the overall sound of a percussion-heavy, experimental rock band, while later he describes the perfect balance of architectural elements that conspire to support such a band and its satellites.

Organized in ten chapters, each tackling a specific thread of thought, the flow of the book can be likened to that of a rock album: a few obvious hits, a couple of minor throwaways. One of the latter is the chapter entitled “How to Make a Scene,” which is also one of the shortest, a moderately interesting rumination on what it takes to create an identifiable music “scene” in terms of architecture, policy, and business philosophy (his exemplar being the now-defunct CBGB). While it makes some interesting points, it could just as easily be missing from the book and no one would particularly mourn its absence. Another, entitled “Collaborations,” is similarly brief, and its appearance between a chapter on the mechanics of recording and the financial realities of the music business doesn’t make for a smooth transition, tonally or thematically.

On the other hand, chapters such as the two entitled “Technology Shapes Music” (covering both analog and digital) are as thorough as they are fascinating. Beginning with the earliest sound recordings in 1878 to an in-depth user’s guide to the music software that has become the industry standard (even for confirmed oddballs such as Byrne), these chapters offer a thoughtful analysis on not just how music works, but also how it’s worked. Finally, in chapter ten (“Harmonia Mundi”), a mere 302 pages in, Byrne turns to the scientific and spiritual principles of music and music theory. Music, it appears, has been around about as long as human beings have, as fragments of 45,000 year-old flutes and pictorial evidence found in Mesopotamia and Egypt help prove. He veers off into Pythagorian territory by expounding upon the so-called Music of the Spheres, and ventures into tantric philosophy, which asserts that the vibration of the universe is generated by Shakti and Shiva having sex.

The book ends on a note of bittersweet optimism, contemplating a future where human composers could actually become obsolete. It’s a future Byrne claims not to fear — while still expressing admiration for music makers past and present, and gratitude for his own place, in this moment, within their ranks.

Event Listings

0

Listings compiled by George McIntire. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 28

The Guardian presents: GOLDIES Afterparty 111 Minna, SF. www.sfbg.com. 9pm, free. Perhaps you caught the paper a couple weeks ago — you know, the one with all the mega-talented rising art stars? That’d be the Goldies. Tonight, our honorees get their actual awards and to celebrate, we’re throwing a totally free, totally amazing afterparty featuring DJ Bus Station John and performances by Kat Marie Yoas, Mad Noise, and Dr. Zebrovski. Gold attire is encouraged, as are winter formal looks.

Grant 121: The Best of Young Brazilian Novelists Green Apple Books, 506 Clement Street, SF. (415) 387-2272, . 7pm, free. Brazil well on its way to becoming an economic super power, and it’s going to need some adept writers to chronicle its ascent. Scratch that, it already has plenty: Cristhiano Aguiar and Vinicius Jatoba are among their number. The two will be reading about modern Brazilian society from the latest issue of Granta Magazine.

Ferocious Reality Tosca Café, 242 Columbus, SF. (415) 986-9651, . 7-9pm, free. Eric Ames penned Ferocious Reality: Documentary according to Werner Herzog, an examination of more than 25 of Werner Herzog’s films. If you’re a Herzog head or simply curious about his work, come for a conversation and Q&A at this book-signing with Professor Ames.

THURSDAY 29

Collecting 2.0 Contemporary Jewish Museum, 736 Mission, SF. (415) 655-7800, . 6:30-8pm, free–$5. Does the Internet enhance or detract from experiencing art? How has the Internet affected our ability to collect art? These questions and others like them will be at the center of the discourse at this event where curators, gallerists, collectors, and other art world denizens will come together to expound on the Internet’s influence on modern creativity.

FRIDAY 30

SCRAP Art Fair Arc Gallery, 1246 Folsom, SF. (415) 298-7969, . Through January/9. Opening reception: 6:30-9pm, free. One person’s trash is another person’s art supply. Arc Gallery presents its fourth exhibition of creatively-used pieces of scrap taken from landfills and used as tools for art. The show’s purpose, however, isn’t just to say, “hey you can make art out of trash!” Rather, it expands our notion of where art can come from, and promotes reuse.

Call Me Home Gallery Carte Blanche, 973 Valencia, SF. (415) 821-1055, . Through Jan. 23. Opening reception: 6-9pm, free. If you’re a proud San Franciscan, check out this event to make your chest swell and tears surface. “Call Me Home: A Photographic Journey in San Francisco” is presented by the one-year old Carte Blanche Gallery and features the works of five photographers

SATURDAY 1

Paxton Gate Anniversary Party Paxton Gate, 824 Valencia, SF. (415) 824-1872, . 8-10pm, free. The eccentric shop will be celebrating two decades at its Valencia location in carnival-like fashion. Among the fanfare will be contortionists, stilt walkers, and the sounds of “Shovelman” in addition to an open bar of courtesy of Hendrick’s Gin.

Palestinian Gifts Bazaar Middle East Children’s Alliance, 1101 Eighth St., Berk. (510) 548-0542, . Also Sun/2, 10am-5pm, free. Come peruse this superb emporium of elegantly fashioned items from across the Middle East. If you got someone special in your life who lives from things like pure olive oil soap, exotic scarves & shawls, and hand-blown glassware, make sure you circle this event for your holiday shopping to-do list.

SUNDAY 2

Psychotherapy Institute Art Show and Sale Psychotherapy Institute, 2322 Carleton, Berk. (510) 548-2250, . Noon-5pm, free. Support local artists and the advancement of the study of psychotherapy at this art sale benefiting the Psychotherapy Institute of Berkeley. The event, which also celebrates the 40th anniversary of the institute, features work from artists like Joan Alexander, Jim Fishman, and Jane Reynolds.

Readings on Cinema: The Truman Show Pacific Film Archive Theater, 2575 Bancroft, Berk. (510) 642-1124, . 5:20pm, $5.50-13.50. I’m sure we’ve all had the feeling that each one of us is the star of our very own “Truman Show” because if someone else had his or her own Truman show, you’d know about it right? Well this feeling of screens staring at you is what motivated Bay Area film historian David Thomson to pen his latest book, The Big Screen: The Story of the Movies—and What They Have Done to US. In this book event Thomson plans to illustrate the concepts of his book via the existential comedy The Truman Show.

TUESDAY 4

Wood Shoppe Free Concert Series Brick and Mortar Music Hall, 1710 Mission, SF. (415) 371-1631, . 8pm, free. A free concert is like a 72 degree day in the city — you’ve just gotta take advantage. Participating in this free concert series occurring on the first Tuesday of every month is Oakland DIY pop outfit Trails and Ways, music theorist Cayucas, and garage psych-poppers The Tambo Rays.

Stage Listings

0

Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

THEATER

OPENING

A Christmas Carol Geary Theater, 415 Geary, SF; www.act-sf.org. $20-95. Opens Fri/30, 7pm. Runs Tue-Sat, 7pm (no evening performance Dec 6, 11, or 18; also 2pm matinees Sat/1, Dec 8, 12, 15, 21, and 22; Sun, 5:30pm (also 1pm matinees Dec 9, 16, 23); Dec 24, 1pm. Through Dec 24. American Conservatory Theater’s annual holiday performance features James Carpenter as Scrooge.

The Marvelous Wonderettes New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $27-46. Previews Fri/30-Sat/1 and Dec 5-7, 8pm; Sun/2, 2pm. Opens Dec 8, 8pm. Runs Wed-Sat, 8pm; Sun, 2pm (no show Dec 23). Through Jan 13. New Conservatory Theatre Center performs Roger Bean’s 1950s pop-hit musical.

The New California Traveling Jewish Theater, 470 Florida, SF; www.pianofight.com. $20-25. Opens Wed/28, 8pm. Runs Wed, 8pm. Through Dec 19. PianoFight Productions’ female-centric sketch comedy group ForePlays presents an all-new variety show.

Pal Joey Eureka Theatre, 215 Jackson, SF; www.42ndstreetmoon.org. $25-75. Previews Wed/28, 7pm; Thu/29-Fri/30, 8pm. Opens Sat/1, 6pm. Runs Wed, 7pm; Thu-Fri, 8pm; Sat, 6pm; Sun, 3pm. Through Dec 16. 42nd Street Moon performs the Rodgers and Hart classic.

BAY AREA

Big River TheatreWorks, 1305 Middlefield, Palo Alto; www.theatreworks.org. $23-73. Previews Wed/28, 7:30pm; Thu/29-Fri/30, 8pm. Opens Sat/1, 2 and 8pm. Runs Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through Dec 30. TheatreWorks performs the Tony-winning musical based on Mark Twain’s Huck Finn stories.

Dracula Berkeley Community Church, 1802 Fairview, Berk; www.infernotheatre.org. $12-25. Opens Thu/29, 8pm. Runs Thu and Sat-Sun, 8pm; Fri, 9pm. Though Dec 16. Inferno Theatre Company performs Giulio Cesare Perrone’s adaptation of the Bram Stoker classic.

Woyzeck Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $23-35. Previews Thu/29 and Dec 5-6, 7pm; Fri/30-Sat/1, 8pm; Sun/2, 5pm. Opens Dec 7, 8pm. Runs Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Jan 27. Shotgun Players presents Tom Waits, Kathleen Brennan, and Robert Wilson’s tragic musical, based on an unfinished 1837 play by Georg Büchner.

ONGOING

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $30-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

History: The Musical Un-Scripted Theater, 533 Sutter, SF; www.un-scripted.com. $10-20. Thu-Sat, 8pm. Through Dec 22. The Un-Scripted Theater Company performs “an unscripted romp through Western history.”

Hysterical, Historical San Francisco: Holiday Edition Alcove Theater, 414 Mason, Ste 502, SF; www.thealcovetheater.com. $25-40. Fri-Sat and Dec 26-31, 9pm. Through Dec 31. Comedian Kurt Weitzmann takes on San Francisco history, adding some holiday flair along the way.

The Rainmaker Shelton Theater, 533 Sutter, SF; www.sheltontheater.org. $38. Fri-Sat, 8pm. Through Dec 22. Shelton Theatre preforms N. Richard Nash’s classic drama.

Slugs and Kicks Thick House, 1695 18th St, SF; www.therhino.org. $15-30. Previews Wed/28, 8pm. Opens Thu/29, 8pm. Runs Wed-Sat, 8pm; Sun, 3pm. Through Dec 9. Theatre Rhinoceros performs John Fisher’s play about the offstage drama at a college theater company.

Speed-the-Plow Actors Theatre of San Francisco, 855 Bush, SF; www.actorstheatresf.org. $26-38. Wed-Sat, 8pm. Extended through Dec 21. Actors Theatre of San Francisco performs the David Mamet drama.

The Submission New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through Dec 16. New Conservatory Theatre Center performs Jeff Talbott’s drama about a playwright who falsifies his identity when he enters his latest work into a prestigious theater festival.

Superior Donuts Gough Street Playhouse, 1622 Gough, SF; www.custommade.org. $25-30. Thu-Sat, 8pm; Sun, 7pm. Through Dec 2. Consider the doughnut: an infinite ring of fried dough and glaze, simple, unassuming, ubiquitous. Once a staple of on-the-go breakfasts and on-the-road snacking, the doughnut has gone into decline, assaulted on all sides by nutritionists, tastier pastries, and luxury branding. Arthur (Don Wood), the aging protagonist of Tracy Letts’ Superior Donuts, has failed to see the writing on the wall, perhaps for decades, as his family doughnut shop, whose regulars include a feisty bag lady (Vicki Siegel) and a pair of beat cops (Ariane Owens, Emmanuel Lee), struggles to compete with the Starbucks across the street and the changing mores and values of the neighborhood demographic. Enter Franco (Chris Marsol), a likable youthful hustler in desperate need of a job, who sees potential in Arthur’s decrepit shop: poetry readings! Bran muffins! A liquor license! Drawn to each other by mutual loneliness the two warily navigate the waters of friendship, despite their obvious gaps in age, ambition, and fashion sense (Franco to Arthur: “the Grateful Dead aren’t hiring anymore”). Custom Made’s production, directed by Marilyn Langbehn, breathes vibrancy into a gentrifying corner of Chicago, thanks especially to Chris Marsol, whose Franco is bold, intelligent and thwarted, and Don Wood, who plays Arthur like a man frozen in ice, whose eventual thaw speaks to the restorative powers of possibility. (Gluckstern)

The Waiting Period Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Thu-Fri, 8pm; Sat, 5pm. Extended through Dec 8. Brian Copeland (comedian, TV and radio personality, and creator-performer of the long-running solo play Not a Genuine Black Man) returns to the Marsh with a new solo, this one based on more recent and messier events in Copeland’s life. It’s a worthy aim but only a fitfully engaging piece, since as drama it remains thin, standing at perhaps too respectful a distance from the convoluted torment and alienation at its center. (Avila)

BAY AREA

Acid Test: The Many Incarnations of Ram Dass Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Thu-Fri, 8pm; Sat, 5pm. Extended through Jan 5. Lynne Kaufman’s new play stars Warren David Keith as the noted spiritual figure.

It’s a Wonderful Life: A Live Radio Play Marin Theatre Company, 397 Miller, Mill Valley; www.marintheatre.org. $36-57. Tue and Thu-Sat, 8pm (also Sat/1 and Dec 15, 2pm; Dec 6, 1pm); Wed, 7:30pm; Sun, 2 and 7pm. Through Dec 16. Marin Theatre Company performs Joe Landry’s live radio play adaptation of the classic Capra film.

The Kipling Hotel: True Misadventures of the Electric Pink ’80s Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $20-50. Sat, 8:30pm; Sun, 7pm. Extended through Dec 16. This new autobiographical solo show by Don Reed, writer-performer of the fine and long-running East 14th, is another slice of the artist’s journey from 1970s Oakland ghetto to comedy-circuit respectability. Even with some awkward bumps along the way, it’s never a dull thing watching Reed work. (Avila)

The Sound of Music Julia Morgan Theatre, 2640 College, Berk; www.berkeleyplayhouse.org. $15-35. Thu-Sat, 7pm (also Sat, 2pm); Sun, noon and 5pm. Through Dec 2. Berkeley Playhouse opens its fifth season with the Rodgers and Hammerstein musical.

Toil and Trouble La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thu-Sat, 8pm (no show Thu/22). Through Dec 8. For a theater company known for its radical interpretations of the Shakespearean canon, a play such as Lauren Gunderson’s Toil and Trouble, a goofy Generation Why retelling of Macbeth, is a particularly good fit for Impact Theatre. Whittled down to a dynamic three-character chamber play featuring delusionary slackers plotting to turn their MBAs and nebulous SF Giants connections into a bloodless takeover of a remote island nation rather than get crappy café jobs to pay the rent, Toil throws baseball, investors, Wikipedia, fortune cookies, hypothetical sex, and real violence into one cauldron, letting them bubble and froth throughout the piece. The so-crazy-it-might-just-work plan hatched by Adam (Michael Delaney), a relentlessly cheerful narcissist, quickly leads to tension between the three, especially once the potential payout is estimated at 30 million dollars, and before their plot is even finalized, a tenuous, murderous alliance forms between the insufferably wimpy Matt (Will Hand) and the rage-aholic Beth (Jeanette Penley). All three actors play their all-too-familiar characters to the hilt, and Josh Costello’s direction is deft and assured. A surprise twist subverts the expected lull of tragedy, and all is resolved, more or less, in a manner more appropriate to this time and place than Shakespeare’s, though not without some grand sound and fury beforehand, signifying both. (Gluckstern)

The White Snake Berkeley Repertory Theatre, Roda Theatre, 2025 Addison, Berk; www.berkeleyrep.org. $29-99. Tue and Thu-Sat, 8pm (also Nov 29, Dec 13, and Sat, 2pm; no matinee Dec 1; no show Thu/22); Sun, 2 and 7pm. Through Dec 23. In Mary Zimmerman’s The White Snake, nothing is quite as it seems. A mysterious stranger and her faithful servant are, in reality, a pair of shape-shifting serpents, the humble village pharmacy they build (with stolen money) is a front for their magical healing powers, a venerated Buddhist Abbott is actually a small-minded tyrant with a remarkably unholy obsession. Based on a Chinese myth dating to the 10th century, elements of “The White Snake” can be found in other mythologies around the world — from the biblical tempter in the Garden of Eden, to the healer snakes of Asclepius. However, in accordance with the tale’s historical evolution, from horror story to romance, Zimmerman’s treatment focuses mainly on the unusual love affair between Madame White (Amy Kim Waschke) and her karma-selected husband Xu Xian (Christopher Livingston). Weaving together fanciful design (a rainfall of ribbons, parasol puppetry, elegant period costuming and evocative video), elements of Chinese drama (amusingly described by narrators as they take place on stage), and a stirring reflection on the transformative power of love, complete with themes of self-sacrifice and endless fidelity, The White Snake, is a delicately-rendered fairytale which may not offer a way to enlightenment, but certainly clears a path to the heart. (Gluckstern)

Wilder Times Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Dec 9. Aurora Theatre performs a collection of one-acts by Thornton Wilder.

The World’s Funniest Bubble Show Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $8-50. Fri/23-Sun/25, 11am. Louis “The Amazing Bubble Man” Pearl brings his lighter-than-air show back to the Marsh.

PERFORMANCE/DANCE

BATS Improv Bayfront Theater, B350 Fort Mason Center, SF; www.improv.org. $20. “Theatresports,” Fri, 8pm, through Dec 21.

“The Buddy Club Children’s Shows” Randall Museum Theater, 199 Museum Wy, SF; www.thebuddyclub.com. Sun/2, 11am-noon. $8. Juggling and acrobatics with the Keith Show.

“Clas/sick Hip-Hop” Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. Fri/30-Sat/1, 8pm. $15-20. Violinist Daniel Bernard Roumain accompanies hip-hop dancers Rennie Harris, Rokafella, and others.

“Instrument” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Thu-Sun, 8pm. Through Dec 9. $15-20. Monique Jenkinson, a.k.a. Fauxnique, performs her new solo show.

“Life with Laughter” Garage, 715 Bryant, SF; www.975howard.com. Tue/4, 8:30pm. $10-20. comedy, storytelling, spoken word, and music.

“Murderous Little World” ODC Theater, 3153 17th St, SF; www.odctheater.org. Mon/3, 8pm. $15-30. NEXMAP and ODC present the US premiere of Linda Bouchard’s experimental musical theater work, based on poems by Anne Carson and performed by Canadian trio Bellows and Brass.

“The Romane Event” Make-Out Room, 3225 22nd St, SF; www.pacoromane.com. Wed/28, 8pm. $7-10. Comedy with Alex Koll, Johnny Taylor, Leslie Small, Andrew Holgren, Lynn Ruth Miller, and Paco Romane.

San Francisco Comedy College Purple Onion at Kells, 530 Jackson, SF; www.sfcomedycollege.com. $5-15; all shows ongoing. “Laughter Hour,” Thu-Fri, 7pm. “Destini and Yonatan’s Stand-Up Rebellion,” Thu, 8:30. “Comedy Bottle,” Fri-Sat, 8:30pm. “Kells Comedy Saturday,” Sat, 7pm. “New Talent Shows,” Tue-Wed, 7. Also Larkspur Hotel, 524 Sutter, SF. “Rocket Salad,” Sun, 7.

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

BAY AREA

“Hear Me Now” Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. Mon/3, 8pm. $15. Shotgun Cabaret presents cell phone monologues as part of its First Person Singular reading series.

“A Memory from the Future/Un Recuerdo del Futuro” Studio 8, 2525 Eighth St, SF; www.theteadancers.org. Sat/1 and Dec 8, 8pm; Dec 9, 2pm. $20. The Tea Dancers/Ballet de la Compasion perform a bilingual multimedia show.

“Risk for Deep Love” Temescal Art Center, 511 48th St, Oakl; www.eroplay.com. Sat/1, 8pm. Free. “Improvised passions” with performance artist Frank Moore. *

 

Our Weekly Picks: November 28-December 4

0

WEDNESDAY 28

World Party

While The Cure and R.E.M. were soaking up all the mainstream recognition, British singer-songwriter Karl Wallinger quietly churned out some of the most infectiously jangly pop of the 1980s and ’90s under the World Party moniker. Since the release of his magnum opus, Goodbye Jumbo (1990), Wallinger has gone on hiatus numerous times, coming out of the woodwork with a new set of songs, and a fresh cast of supporting musicians, whenever inspiration strikes. It’s been 12 years since his last LP, but with a new career-spanning box set on the way, and a rare US tour to support it, we’ll take whatever we can get. (Taylor Kaplan)

With Martin Harley 8pm, $26 Great American Music Hall 859 O’Farrell, SF (415) 885-0750 www.slimspresents.com


GOLDIES after-party

You read all about the 24th annual Goldie winners — that’s Guardian Outstanding Local Discovery awards! — in the Nov. 14 issue of the paper. Now’s your chance to come celebrate with us and the winners (musicians the Mallard, 5kinandbone5, and WATERS; theater company PianoFight; performers Mica Sigourney and Anna Ishida; filmmaker Jamie Meltzer; visual artist Brett Amory; dance winners Joe Landini and the Garage; and lifetime achievement winners Frank Shawl and Victor Anderson of Berkeley’s veteran Shawl-Anderson Dance Studio. The free party features performers Mad Noise, Kat Marie Yoas, and Dr. Zebrovski, plus tunes by Goldie alumni DJ Bus Station John. Gold attire encouraged! (Cheryl Eddy)

9pm, free

111 Minna Gallery

111 Minna, SF

www.111minnagallery.com

 

THURSDAY 29

Houses

If the 2010 album All Night from Chicago’s Houses seems sunnier and warmer than what you’d expect, given a cliched notion of the windy city, it may be because the album originated while the band was on a sort of idyllic, post-layoff stay in Hawaii. Seemingly lost in a year that was flooded with too many DOA “chillwave” bands, the album — with an air of IDM and standout track “Reds” — deserves a second listen, mainly for the vocal intimacy engendered by Dexter Tortoriello and Megan Messina, partners on and off record who have an immediately apparent rapport that suggests a hybrid sound of Mazzy Star and the xx, with feet on the dancefloor. (Ryan Prendiville)

With D33J, Yalls, Elephant and Castle

8pm, $8–$12

Public Works

161 Erie St., SF

(415) 932-0955

www.publicsf.com

 

Instrument

It’s one of those contradictions that I guess those of us who love live performances are also aware that the minute it happens, it dies. Gone, finished, never to return. It’s what Monique Jenkinson is exploring in her new Instrument, a solo performance piece to which she invited choreographers Miguel Gutierrez, Chris Black and Amy Seiwert — talk about diversity! — to set movement on her, which she then adapted to her own purposes. Somewhere, the late Rudolph Nureyev also entered into the equation. Jenkinson, who lives and breathes live performance, has made the slithery ground of identity a major theme of her dance/theater-making. She is a superb artist and entertainer, with immaculate craft and a fabulous perspective on what it means to be alive today whether as drag queen, fashion maven, opera diva or, perhaps, ballet super star. (Rita Felciano)

Also Nov. 30, Dec. 1-2, Dec. 6-9, 8pm, $20–$30

CounterPULSE

1310 Mission St. SF

$20-30.

www.counterpulse.org

 

FRIDAY 30

 

Rah Rah

“Rah Rah,” is accurately named — even its slower songs have a go-get-em, anthemic feel. At times this comes off as mildly ironic with some nonplussed singing paired with invigorating chord progressions. Our generation does love its irony. Mostly though, Rah Rah is full of wonder and cheer. The Canadian sextet makes good on the team spirit promise with a collaborative effort in which all the band members chip in for songwriting. With everybody switching instruments, singing, and maybe even tossing around balloons (or confetti), the band members bring the mirth wherever they go. (Molly Champlin)

With Travis Hayes

9pm, $10

Thee Parkside

1600 17th, SF

(415) 252-1330

www.theeparkside.com

 

Moodymann

Hailed for his massive influence on the Detroit techno scene he’s contributed to ever since the early ’90s, enigmatic producer Moodymann is that rare EDM artist who milks the album format for all it’s worth. Unlike the majority of his peers, content to churn out standalone tracks for the dancefloor, Moodymann stuffs his propulsive beats with funk and soul flourishes, samples from blaxploitation films, and impossibly lush, glossy synth tones, assembling cohesive LPs that conjure up a seductive, luminous sound-world all their own. Finding common ground between ravers and headphone geeks can be a challenge, but this master makes it look easy. (Kaplan)

With Galen, J-Bird, Solar, Deron

9:30pm, $20

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com

 

SATURDAY 1

Come Out and Play Festival Weekend

The SOMArts gallery and grounds will transform into a playground with games that are as fun as they are artistic in the finale to its month-long “Come Out and Play” exhibit. There will be plenty for the kids, such as the parkour-inspired Sloth Chase, which will force the young ones to get creative in navigating everyday spaces. This is all-ages, so keep an eye out for adult games too, including the mind-bending experiment, Out of Body Labyrinth. It includes video goggles that give the player a third person perspective on his or her movements as they navigate a labyrinth. And then there’s Propinquity, which uses neon lights to measure scores in an experience that is equal parts club and Capoeira. Be sure to register in advance to skip the lines. (Champlin)

Also Dec. 2, 11am–5pm, free

SOMArts

934 Brannan, SF

(415) 863-1414

somarts.org/playsf

 

Bay Brewed Rock and Roll Beer Festival

What pairs better with rock and roll bands than beer? And I’m not talking about half-watching the (admittedly, enticing) dad rock band in the back corner of a pub while nursing a warm Pabst. This second annual Bay Brewed event, again hosted by the Bay Bridged blog, will feature performances by bands you actually want to see live: Bear in Haven, Sonny and the Sunsets, Born Gold, Blasted Canyons, James and Evander, and Trails and Ways. Plus, tickets include endless tasting of the frosty, locally-brewed stuff by 13 SF Brewers Guild breweries, including 21st Amendment and Social Kitchen and Brewery. Added bonus: Seoul on Wheels and Adam’s Grub Truck will be standing by to help you soak up your indulgences. (Emily Savage)

12:30-6pm, $60

Public Works

161 Eerie, SF

(415) 932-0955

www.publicsf.com

 

Opal Dust Opening

Casey Watson works graphite and colored pencil like paint to create rich, intricate floral patterns. This isn’t your typical flower power art though, her pieces combine to create abstract forms evocative of microscopic organic life or macrocosmic activity. The process is poetically described as the “sharp-edged task of portraying a soft exterior.” The exhibit will be on display at Johansson Projects, the fine art gallery with the DIY spirit people always remember from Oakland’s Art Murmur. Also showing will be Rachel Kaye, whose abstract work explores the relationship between fashion and fine art through geometric color fields. If you can’t make it to the reception on Saturday, you can always check out the exhibit at the First Fridays event, Dec. 7 this month. (Champlin)

3pm, free

Johansson Projects

2300 Telegraph, Oakl.

(510) 444-9140

www.johanssonprojects.com

 

Wovenhand  (canceled)

Wovenhand might be one of the only folk-rock bands around whose songs can evoke both the cool grandeur of a cathedral arch and the sweaty tent of a traveling preacher man set up beneath a wide-open prairie sky. Even if the band’s lyrics weren’t deeply rooted in the Christian faith of frontperson David Eugene Edwards, its intense, pounding rhythms, tightly-knit instrumentation and otherworldly vocals would be enough to drive even the most committed atheist to their knees. With The Laughing Stalk, Edwards eschews the occasional diversions of earthly delights and goes straight for the marrow, a nine-song cycle of tormented devotion using the Old Testament (and bone-shaking guitar riffs) as points of departure. Known particularly for the ferocity of their live shows, you will not want to miss these passionate Denverites at Bottom of the Hill — or anywhere else, really. (Nicole Gluckstern)

With Yassou Benedict and Yir

10pm, $12–$14

Bottom of the Hill

1233 17th St., SF

www.bottomofthehill.com

 

MONDAY 3

Death Grips

The easiest explanation for the attention and acclaim this band has garnered — including a hot-off-the-presses of SPIN award for Artist of the Year — would be controversy. We are talking about a group that canceled a tour, leaked its second album of the year onto the Internet (complete with the title, No Love Deep Web, scrawled across one member’s turgid member on the cover) and subsequently got dropped from Epic Records. (Epic Records still exists?) But to get past the ceaseless debate surrounding Death Grips and its currently incomparable hybrid of growling, punk infused rap, just see the band live, like some did last year at 103 Harriet, when barking singer Stefan Burnett and frenetic drummer Zach Hill delivered a memorable, aggressive, and beyond sweaty performance. (Prendiville)

With Cities Aviv

8pm, $20

Slim’s

333 11th St., SF

(415) 255-0333

www.slimspresents.com

 

TUESDAY 4

“The News”

Have you heard the good “News”? Freshly minted Goldie winner Mica Sigourney (as his unforgettable alter ego, VivvyAnne ForeverMORE!) is guest-curating SOMArts’ popular monthly showcase of queer, experimental debut and in-progress works. With Ms. ForeverMORE! at the helm, the event will be a blend of performance art and nightlight, featuring costume designer, accordionist, and queer-identity explorer DavEnd; interdisciplinary performer Cara Rode DeFabio; drag performers Elliot “Christina Christopher Damnit” Orona and Nathan “Nikki Sixx Mile” Rapport; and more. Space is limited, so get your tickets (a steal at just $5!) in advance. (Eddy)

7:30pm, $5

SOMArts Cultural Center

934 Brannan, SF

thenewsperformance.eventbrite.com

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 225 Bush, 17th Flr., SF, CA 94105; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Instrument

0

Presented by CounterPULSE, de Young Museum, and Dancers’ Group:

Instrument, the new solo work by Monique Jenkinson (AKA Fauxnique) exploits the vibrancy of the body in the ever-dying moment of live performance. Created in an experimental collaboration with three choreographers – Miguel Gutierrez, Chris Black, and Amy Seiwert – Instrument enacts, exposes and undermines the roles of dancer as workhorse and choreographer as auteur. The artist’s slippery relationship to authority and authorship is a major theme, as is the dancing body as translator, container of knowledge and preserver of culture. In her unique voice, dancer/performance artist Fauxnique, calls upon ballet star Rudolph Nureyev, performance art heroes of the 60s and 70s, and current discussions about the body as archive to create a collage of iconic movement, historical anecdote, and personal narrative.

For more info and tickets, follow this link.

Thursday, November 29 thru Sunday, December 9 at 8pm @ CounterPULSE, 1310 Mission, SF | $20

The Performant: Game theory

0

Play is a powerful tool in almost every human society. The dynamics of play are found in most forms of human interaction as well as in the foundations of problem-solving and analysis. Play provides a learning-by-doing environment that is difficult to replicate in a classroom. Plus, high-minded assertions aside, play provides something even harder to quantify but no less vital to our development — a vehicle for joy. 

Since 2006, the Come Out & Play Festival crew has been throwing festivals of interactive games, from New York to Amsterdam to San Francisco, providing a space for players of all ages to gather and game. In between wrangling the many details of her innovative brainchild, festival co-founder Catherine Herdlick graciously let me interrogate her via email as to what San Franciscan’s can expect at this year’s festival (which runs through December 2), and on the importance of games in general. 

SFBG: Navigating the festival’s schedule can be daunting, what games do you feel are going to be absolute standouts this year? How many games are represented in total, and how many of them are new or new to the festival?

Catherine Herdlick: There are 35 total games including Art Boy Sin, which we just added. Absolute standouts include Journey to the End of the Night (which happened Nov. 10) as well as Undercover Assassins (Nov. 27)—both are well-established and tuned. Another game that will be amazing is Sloth Chase (Dec. 1), a parkour-inspired game designed by two champion parkour practitioners. 

I’m also really excited to play The Hush (Dec. 2), which is a pervasive game with a different tempo than our usual games. It invites players to moments of silence and reflection. Finally, The Third Person OuterBody Experience Labyrinth (Dec. 2) by local artist Jason Wilson is a really interesting way of navigating yourself and a space.  

SFBG: What prompted the creation of the festival in 2006 and how has it grown since? 

CH: A group of five of us game designers were working together on computer games at Gamelab in NYC in 2006. We were all making different kinds of real world games on the side, staging each of our events as one-offs. We decided to converge and run a festival so that our respective audiences could cross-pollinate. Greg Trefry, who still runs the show in NYC, was able to take the helm and he oversaw the production of the festival as part of his master’s thesis at ITP. When I moved out to SF in 2009 it was a no-brainer to bring the festival with me as there were already so many designers out here that had been involved since the beginning. In terms of playership, we estimate that well over 10,000 players have played at Come Out & Play in NYC or SF. We’ve also directly inspired a bunch of other festivals around the globe in places like London, Bristol, Berlin, Athens, DC, and Pittsburgh. 

SFBG: Gaming is a huge part of your resume. What do games provide its participants that can only be received through gaming? What is the socio/cultural value of games? 

CH: This is a big question. I heard Ian (Kizu-Blair, from Journey to the End of the Night) say he wants to inspire people and that succinctly sums it up for me as well. We created a new tagline for the exhibition and festival this year: “United By Play,” which also sums it up. Games are a great equalizer. Everyone, everywhere plays in some ways at some ages. Being in the ludic space frees up the mind to see things differently. Further, we love seeing spectators transform into producers, not just participants, but the very creators of the experience. Street games and less-digital games tend to have more “grey areas” for house rules and that’s a very interesting social space. 

SFBG: What is your favorite game ever and why? What makes a “successful” game?

CH: It’s successful if I never wonder who designed it and if it leaves enough room for me to express myself in some way. My favorite game? I can’t pick one! If I had to I’d say the first game of Junior Yahtzee I played with my nephew — it was the first game where I didn’t let him win, after watching him learn how the strategy worked. I also love overnight puzzle hunts a lot, Undercover Assassins (gentle use of space), Air Hockey, Zelda, and Super Mario.

Come Out & Play Festival 

Through Dec. 2, free

Various times and locations

www.comeoutandplaysf.org

 

Our Weekly Picks: November 21-27

0

WEDNESDAY 21

Major Powers and the Lo-Fi Symphony

With manic energy and exploratory style, Major Powers and the Lo-Fi Symphony, has garnered a set of reviews likening the band to rock legends, including one extolling on its resurrection of the rock opera genre. With musician blood (Kevin and Dylan Gautschi, sons of Pamela Wood, bass player for Bay Area rock legends Leila and the Snakes) and years of practice (band leader Nicholas Jarvis Powers is a self-taught pianist and songwriter since the age of eight) this trio is well qualified for the praise. And true to the reviews, its intricate arrangements, harmonies, and general flair for the dramatic often channel the spirit of Queen’s Freddie Mercury. As MPATLFS is opening for the upbeat, danceable rock of Solwave, this show should be a great way to kick off your Thanksgiving weekend. (Molly Champlin)

With Solwave, Ressurection Men

$10, 8:30pm

Café Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

Eats Everything

While Eats Everything may seem to have come out of nowhere in 2011 with the release of attention-seeking track “Entrance Song,” that’s a narrative that ignores the fact that Daniel Pearce had been plugging away as a DJ for quite some time. You can hear it in his omnivorous house sound, in which each bubbly two-step and jungle bounce seems to have carefully digested two decades of electronic music. Since his “debut” Eats Everything has released tracks for SF’s Dirtybird as well as high profile mixes for Resident Advisor and the BBC (which identified Eats Everything as a premiere artist in the rising, resurrected, heavy-heavy bass sound of Bristol, UK).(Ryan Prendiville)

With Ryan Crosson, Bill Patrick, KMLN, Little John, Rich Korach, Dax

9:30pm, $10–$15

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com

 

Indigenous People’s Thanksgiving Sunrise Gathering.

In 1969, the Indians of All Tribes group staged an occupation of Alcatraz Island. After the prison closed, 79 America Indians successfully occupied the island for 19 days, demanding that the government return the land to American Indians with sufficient funding to build a university and cultural center. On the holiday that glosses over the bloodshed of Native American and colonial relations, this celebration should be a positive event that gives thanks to Mother Earth, but also recognizes the inequalities that are present in our society. All are welcome to hear the Native speakers talk about remembrance, gratitude, and the fight for equality. There will be performances by All Nations Singers and traditional Aztec, Pomo, and Pacific Island dance groups. Like the end of a vigil or celebration of new beginnings, the event will take place at sunrise, which should be a beautiful sight from the middle of the bay. (Champlin)

4:45am, $14

Alcatraz Island (Pier 33)

1398 Embarcadero, SF

(415) 641-4482

www.treatycouncil.org

 

“The JFK Assassination 49 Years Later”

Another murdered president is getting all the headlines lately, thanks to a splashy new Spielberg film — but the puzzle of John F. Kennedy’s untimely death, dramatized by Oliver Stone’s 1991 JFK, remains fascinating both onscreen and off for historians and (conspiracy) theorists. After you’re stuffed with Thanksgiving treats, waddle over to the Roxie for an epic discussion of all things Dealey Plaza and beyond. The evening is anchored by a JFK screening and features enough special guests to fill a presidential limousine, including CIA agent (and Watergate figure) E. Howard Hunt’s eldest son, Saint John Hunt, and Judyth Vary Baker, author of Me and Lee: How I Came to Know, Love, and Lose Lee Harvey Oswald. (Cheryl Eddy)

4:45pm, $10

Roxie Theater

3117 16th St., SF

jasondove.com/jfk/JFKEVENT.html

 

Henry Rollins

Ah, Thanksgiving. The one time a year you get to set aside all your stress, take the day off, and spend some good quality time with Henry Rollins. Tell your aunties you won’t be bringing the stuffing — you have bigger, less smothering fish to fry. Rollins won’t make you chop anything, take family photos, or leave greasy lipstick marks on your cheek, no — the former Black Flag frontperson is beginning a three-day residency at Yoshi’s to dish up his own smart, searing brand of political commentary and stories from his recent developing world travels. On the road since January of this year, Rollins has taken his Long March tour through nearly every state and dozens of countries before bringing it home to his final destination — California. You’ll laugh, you’ll cry, and you won’t have to help clean up. (Haley Zaremba)

Also Fri/23, Sun/25

7:30pm, $30

Yoshi’s

1330 Fillmore, SF

(415) 655-5600

www.yoshis.com


FRIDAY 23

Delicate Steve

If Vampire Weekend met at Humboldt State instead of Columbia, it might have ended up with a band more like Delicate Steve. Co-opting Afrobeat rhythms, and West African guitar licks a la Tinariwen, and pushing them into jammy, loosely psychedelic territory, the NYC ensemble’s sophomore full-length, Positive Force, hovers continuously between indie rock and white-dude world music, while shrewdly avoiding the pitfalls of both musical traditions. Makes sense, then, that David Byrne signed the band to his Luaka Bop label last year. (Taylor Kaplan)

With Dana Buoy, Raleigh Moncrief

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

Kill Paris

This again; it always seem to end up in a club the day after Thanksgiving. The combination of dealing with bigot relatives and overeating (in that order) inevitably leading to the need to burn some calories. (I guess a gym would work as well, but those don’t have booze.) The consistently solid Opulent Temple DJs at the bottom of this eclectic lineup will definitely put down some solid house sets, but also worth checking out is Kill Paris, an EDM up-and-comer with a near fetish for funky ’80s soul and ’90s R&B. Expect to hear Prince, Montell Jordan, and Blackstreet reworked with the sounds of French electro, dubstep, and the fringes of LA’s beat scene. (Prendiville)

With Big Chocolate, Jelo, Opulent Temple DJs (Tekfreaks, Dutch, Dex Stakker, and more)

10pm, $15–$30

1015 Folsom, SF

(415) 431-1200

www.1015.com


SATURDAY 24

Wienerschnitzel wiener dog regional races

Could it be that we have found the true sport of kings? What, pray tell, could be more noble than stockily limbed canines, running as fast as their angular, low-rise bodies can take them across the lacquered floor of a professional basketball arena? Save your horses and greyhounds, for true athletic prowess we will take the Wienerschnitzel weiner dog races. Today’s winner will receive $250 and more importantly (because what the hell is a dog going to do with $250?), a trip to San Diego to compete against the country’s fastest daschunds. (Caitlin Donohue)

Check-in 11:30am, preliminaries noon, free registration

Finals during Warriors game half-time, admission to game $22–$475

Oracle Arena

7000 Coliseum Way, Oakl.

www.wienerschnitzel.com

 

Richard Cheese and Lounge Against the Machine

There is nothing that Richard Cheese can’t turn into a vocal pop standard, loungifying rock’n’roll, hip-hop, top 40s hits, and everything in between. Previous covers include Nine Inch Nails’ “Closer” and Def Leppard’s “Pour Some Sugar on Me” like you’ve never heard them before (or will again.) The Los Angeles-based cover band and comedic ensemble make a welcome caricature of Las Vegas lounge entertainment, often decked out in tiger striped tuxedos with oversized microphones, and pairing elegant, smooth jazz stylings with blue language and lewd humor. The group has recorded an impressive 10 albums in its 12 years of swank existence. Grab a martini, sit back, and enjoy the ridiculous show. (Zaremba)

With Project: Pimento

9pm, $45

Bimbo’s 365

1025 Columbus, SF

(415) 474-0365

www.bimbos365club.com


MONDAY 26

Zak Kyes

The documentary Helvetica proved that graphic design can be as relevant to your life as the question of whether you should buy Mac or PC. Designer, Zak Kyes will have plenty to say about the unsung importance of things such as font choice and negative space in his lecture at California College of the Arts. In addition, he will discuss how his work has been opening creative avenues between publishing, presentation, architecture, and installation. His collaborations and work across multiple fields won him the prestigious Inform award in 2012, and his resulting exhibition, Zak Kyes Working With… , has been featured in the Museum for Contemporary Art Leipzig, the Graham Foundation in Chicago, and the Architectural Association in London. In our information age, graphic design is useful to anyone who works on a computer, and what better way to learn more about it than from someone who clearly knows his stuff? (Champlin)

Free, 7pm

Graduate Center, CCA San Francisco Campus

1111 Eighth St., SF

(415) 551-9216

www.cca.edu

 

Dethklok

You may be scratching your head, wondering how a cartoon band could headline a real venue. But hey, the Gorillaz did it, and anything pop can do metal can do harder. Dethklok, the band at the center of Adult Swim’s Metalocalypse, has made a habit of touring alongside genuine, esteemed metal bands, providing some humor to an otherwise dark genre. On tour, the men behind the music get to show their faces, performing fan favorites from the show interspersed by comedy sketches poking fun at moshing, headbanging, and the metal community at large. Turns out, metalheads can take a joke. Though the actual fans don’t have to sign “pain waivers” to see Dethklok like they do on Metalocalypse, they probably would if it was requested of them. Brutal. (Zaremba)

With Machine Head, All That Remain, The Black Dahlia Murder

6:30pm, $25

Fox Theater

1807 Telegraph, Oakland

(510) 302-2250

www.thefoxoakland.com


TUESDAY 27

Alice Cooper

Unlike a certain other Republican rocker that has been making headlines as of late, you can ignore Alice Cooper’s quiet politics and still thoroughly enjoy the output of his very loud 40-plus music career — a career that has influenced untold numbers of other shock rock bands and secured him a spot in the Rock and Roll Hall of Fame last year. From writing anthems such as “I’m Eighteen” and “School’s Out” to bringing wild, vaudeville-style theatrics and horror movie imagery to his stage show, Cooper—who hits the city tonight on his “Raise The Dead Tour” — remains one of the greatest icons in the pantheon of rock. (Sean McCourt)

8pm, $37.50–$57.50

Warfield

982 Market, SF

www.thewarfieldtheatre.com

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 225 Bush, 17th Flr., SF, CA 94105; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Gabba gabba buy

0

emilysavage@sfbg.com

TOFU AND WHISKEY’S HOLIDAY GUIDE Before I expound on anything, I’ve got to spit this out: buy local. If you’re going to buy something; in particular, if you’re going to buy actual vinyl records or CDs or books or musical equipment, get them from an independent store in the Bay Area.

Support Aquarius, Amoeba Music, Black Pancake Records, GROOVES, 1-2-3-4 GO!, Recycled Records, Rooky Ricardo’s, Rasputin’s, Streetlight, and the smaller mom-and-significant-other type stores; otherwise, the brick and mortars will slowly die and we’ll be stuck rifling only through the virtual library, which will inevitably lead to a host of other problems (loneliness, fatigue, hive mindedness).

Making it even easier to shop live, Record Store Day has a Black Friday special releases list (Fri/23), which means there will be lots of specialty music and rare editions on the shelves. And yes, some detractors complain of the single-mindedness of asking shoppers to obsess over rare vinyl jewels just one day a year — actual Record Store Day takes place in April — and that most of the items end up online with jacked up prices anyways. I disagree with this mindset, especially around the holidays. That push can make the difference for a struggling independent shop. Keep in mind, this is not advocating for actual Black Friday shopping at Wal-Mart and the like. End rant.

Last year, all I wanted for Chanukah was the Phil Spector box set, each disc enveloped in tiny cardboard sleeves made to replicate the original records in miniature — like dollhouse versions. I got the CDs, and have listened to the Crystals’ “Frankenstein Twist,” on average, once a day for these past 12 months. This year, I’m just not sure what to covet, so I asked around.

From my non-academic study, I found that musicians tend to be of the practical angle when it comes to gifts. They want extra cables, or picks, headphones, or record needles. One mentioned the Fender Champ amp, which is good for thin-walled apartment use, or the $39 Fireye Mini portable headphone amp. Better yet, a gift certificate to a (local) music shop — try spots like Real Guitars (15 Lafayette, SF; www.realguitars.com), SF Guitar Works (323 Potereo, SF; www.sfguitarworks.com) or Starving Musician (2474 Shattuck, Berk; www.starvingmusician.com).

Those one step apart from the musicians, the quintessential music nerds such as myself, on the other hand, tend to desire the ostentatious and/or extraordinary. They want that rare, hard-to-find seven-inch on white vinyl, the oversized coffee table book, or that carefully curated box set.

Or something else entirely: a gift subscription to Turntable Kitchen’s pairing boxes ($25/month, www.turntablekitchen.com) is a particularly cool gift that’s based right here in the Bay. The boxes ship once a month and include dry ingredients, recipes, and limited edition seven-inches, often by local musicians.

Now on to the music shops. The specialty records, box sets, and CDs in general that stuck out to me as great gifts this year — of course dependent on the listener — are Blackbird Blackbird’s covers of Kate Bush on limited edition vinyl with origami, Castle Face Record’s The Velvet Underground and Nico Tribute, and new box sets from the English Beat, and Death Cab for Cutie. That Castle Face Records full album tribute features covers by a who’s-who of revered locals: Kelley Stoltz, Fresh and Onlys, Warm Soda, Ty Segall, the Mallard, and more (www.castlefacerecords.com).

There’s also Record Store Day’s Black Friday exclusives such as the Fat Boys pizza disc — the record looks like a saucy pie and it comes packaged in a cardboard box — Wanda Jackson’s Capitol Rarities, the Asobi Seksu/Boris split seven-inch,”obscure giants of acoustic guitar” trading cards, and a limited deluxe edition of Joey Ramone’s Ya Know?.

For all the Record Store Day Black Friday specials and to check participating Bay Area shops, visit recordstoreday.com/SpecialReleases.

For the Chanukah specific, I’d recommend ‘Twas the Night Before Hannukah: The Musical Battle Between Christmas and the Festival of Lights. It’s another release from the Idelsohn Society for Musical Preservation, generally the best archivists of vintage Yiddish and Jewish-centric music from the past century or so. The 34-track double CD comp includes Chanukah songs by Woody Guthrie, the Klezmatics, and Mickey Katz, along with Christmas tunes performed by Jewish musicians like Lou Reed, Herb Alpert and the Tijuana Brass, and the Ramones.

An added bonus, there will be a ‘Twas the Night Before Hannukah show at Brick and Mortar Music Hall in December (Dec. 15, 9pm, $15–$18, 1710 Mission, SF. www.brickandmortarmusic.com), with live appearance by Luther Dickinson, Sway Machinery, Thao, Steve Berlin, Ethan Miller, and Ceci Bastida.

As for books, there’s a new coffee table beast that I’ve been dying to talk about called The Art of Punk: The Illustrated History of Punk Rock Design (Voyageur Press, 224pp, $40), by Russ Bestley and Alex Ogg. It’s a beautiful hardcover with splashy images showcasing the aesthetics of punk; graphic fliers, posters, album covers, patches, and other imagery from the proto-punk era through the present, including international punk art, hardcore designs, and fringe elements (though aren’t they all?). Interesting, there’s another great book on punk graphics released this fall: Jon Savage’s Punk: An Aesthetic (Rizzoli, 352pp, $55).

As The Art of Punk puts it, “The value of such groundbreaking artwork, which continues to have an impact on music, fashion, design, and media to this day, is even now only becoming fully apparent. The visual legacy of punk is extensive and its graphic codes — symbols of struggle and resistance, but also a complex subcultural visual vocabulary, and more cynically, a means to tap into deeply held antiauthoritarian consumer sentiments by lifestyle branders — still have resonance. “

The books will appeal to anyone that ever spent hours carefully sewing garish back-patches to jackets to represent the music they believed in, or those who stared at album covers so long their eyes crossed, and the imagery has been burned in their brains ever since. Basically, the music nerds we’ve been shopping for here today.

 

SHARON JONES AND THE DAP-KINGS

It’s the swinging, soul-funk group’s first headlining show in San Francisco in more than two years, and in the grand Davies Symphony Hall to boot. The Brooklyn nine-piece Dap-Kings, is of course led by the velvety, luminous Sharon Jones and will likely be belting tracks off 2010’s I Learned the Hard Way LP.

Sat/24, 8pm, $15–$82

Davies Symphony Hall

201 Van Ness, SF

(415) 864-6000

www.sfsymphony.org

 

DICK DALE

Is there anything more exciting than reverb-heavy surf guitar? It warbles through the veins. Last time the King of Surf Guitar, Dick Dale, popped up at the Uptown he roared through all the hits — yes, “Misirilou” was high on the setlist — and then some, rapidly fingering his custom guitar at a blistering speed, his long white hair whipping around him. Trust me, see the 75-year-old maven while you still can.

With Jonny Manek and the Depressives

Sat/24, 9pm, $20

Uptown

1928 Telegraph, Oakl.

(510) 451-8100

www.uptownnightclub.com

 

Music Listings

0

Since club life is unpredictable, it’s a good idea to call ahead or check the venue’s website to confirm bookings and hours. Prices are listed when provided to us. Visit www.sfbg.com/venue-guide for venue information. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 21

ROCK/BLUES/HIP-HOP

Be Grateful, Eleven Boom Boom Room. 8pm, $8.

Gold Fields, Electric Youth (DJ set), popscene DJs Rickshaw Stop. 9:30pm, $13-$15.

Jackie Greene Fillmore. 8pm, $28.50.

Hopie, DJ Ry Toast, DJ Cutso Brick and Mortar Music Hall. 9pm, $5-$8.

J. Boog, Hot Rain, Bayonics Mezzanine. 9pm, $30.

Jeremy Jones Band, Chris James and the Showdowns, Jeff Campbell Bottom of the Hill. 9pm, $8.

John Lawton Trio Johnny Foley’s. 9pm, free.

"Rockin Reggae Thanksgiving" DNA Lounge. 5:30pm, $12, all ages. With Clear Conscience, Dewey and the Peoples, Thanks For Leaving, and more.

Solwave, Major Powers and the Lo-Fi Symphony, Resurrection Men Cafe Du Nord. 8pm, $12.

Todd vs Charles Johnny Foley’s Dueling Pianos. 9:30pm, free.

UFO, Points North Independent. 8pm, $25.

White Panda, 2AM Club Slim’s. 9pm, $16-$19.

Witchburn, All Hail the Yeti Hemlock Tavern. 8:30pm, $7.

JAZZ/NEW MUSIC

Dink Dink Dink, Gaucho, Eric Garland’s Jazz Session Amnesia. 7pm, free.

Ricardo Scales Top of the Mark, 999 California, SF; www.topofthemark.com. 6:30pm, $5.

DANCE CLUBS

Sweater Funk Elbo Room. 9pm, $5-$10. Steppers night with two step soul on vinyl.

Booty Call Q-Bar, 456 Castro, SF; www.bootycallwednesdays.com. 9pm. Juanita MORE! and Joshua J host this dance party.

Coo-Yah! Slate Bar, 2925 16th St, SF; www.slate-sf.com. 10pm, free. With Vinyl Ambassador, DJ Silverback, DJs Green B and Daneekah.

Eats Everything, Ryan Crosson, Bill Patrick Public Works. 10pm, $10.

Hardcore Humpday Happy Hour RKRL, 52 Sixth St, SF; (415) 658-5506. 6pm, $3.

THURSDAY 22

ROCK/BLUES/HIP-HOP.

Dark Sparkle Cafe Du Nord. 9pm, $5.

Todd Dunnigan Johnny Foley’s. 9pm, free.

JAZZ/NEW MUSIC

Stompy Jones Top of the Mark, 999 California, SF; www.topofthemark.com. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Twang! Honky Tonk Fiddler’s Green, 1330 Columbus, SF; www.twanghonkytonk.com. 5pm. Live country music.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $7. Thanksgiving edition with DJ-hosts Pleasuremaker and Senor Oz, DJ Small Change.

All 80s Thursday Cat Club. 9pm, $6 (free before 9:30pm). The best of ’80s mainstream and underground.

FRIDAY 23

ROCK/BLUES/HIP-HOP

As I Lay Dying, Asking Alexandria, Suicide Silence, Memphis Mayfire, Attila Regency Ballroom. 6:30pm, $30.

Body and Soul Johnny Foley’s. 9pm, free.

Charles, Rome Balestrieri, Todd Johnny Foley’s Dueling Pianos. 9pm, free.

Delicate Steve, Dana Buoy, Raleigh Moncrief Rickshaw Stop. 8pm, $10-$12.

Quinn Deveaux and the Blue Beat Review, Brass Menazeri Independent. 9pm, $15.

English Beat, Impalers Bimbo’s. 9pm, $25.

Golden Void, Joel Robinow Band, Phil Manley Hemlock Tavern. 9:30pm, $7.

Jackie Greene Fillmore. 9pm, $28.50.

Katdelic, DJ Fillmore Wax Boom Boom Room. 8pm, $10.

Macarthur, R.O.D., Rossisings, Halley Washington, Skye Green Brick and Mortar Music Hall. 9pm, $10.

Pi Hotel Utah. 9pm, $10.

RNDM feat. Jeff Ament, Joseph Arthur, Richard Stuverud, Line and Circle Great American Music Hall. 9pm, $22.

Wallpaper, Neon Hitch Slim’s. 9pm, $16.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

Black Market Jazz Orchestra Top of the Mark, 999 California, SF; www.topofthemark.com. 9pm, $10.

FOLK/WORLD/COUNTRY

Baxtalo Drom Amnesia. 9pm, $7-$10. Live music, gypsy punk, belly dancing.

Colonel Jimmy and the Blackfish, Misisipi Mike and the Midnight Gamblers, Blank Tapes Cafe Du Nord. 8pm, $13-$15. "Turkey Trot 2012."

Sebastien Giniaux Red Poppy Art House. 8pm, $10-$15.

DANCE CLUBS

Biscuits and Gravy Elbo Room. 10pm, free. With DJs Vinnie Esparza, Asti Spumanti, Johnny Deeper.

Distance, Tunnidge, District, Trap City Mighty. 10pm, $15.

Joe Lookout, 3600 16th St.,SF; www.lookoutsf.com. 9pm. Eight rotating DJs, shirt-off drink specials.

NO-ID Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

Old School JAMZ El Rio. 9pm. Fruit Stand DJs spinning old school funk, hip-hop, and R&B.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Taboo DNA Lounge. 9pm, $20-$25, 18+. With Larry Tee, Brooke Candy, Manics.

SATURDAY 24

ROCK/BLUES/HIP-HOP

American Professionals, Bobbleheads Thee Parkside. 3pm, free.

B-Side Players, LoCura Brick and Mortar Music Hall. 9pm, $9-$15.

"Complete Last Waltz" Warfield. 8pm, $32.50-$55. With members of Dr. Dog, Ween, Gomez, Nada Surf, and more.

Jackie Greene Fillmore. 9pm, $28.50.

Petty Theft, Stung Cafe Du Nord. 9pm, $15.

Richard Cheese and Lounge Against the Machine, Project: Pimento Bimbo’s. 9pm, $45-$65.

New Riders of the Purple Sage, Moonalice Great American Music Hall. 9pm, $25.

Tamaryn, Tropic of Cancer, She’s Independent. 9pm, $15.

Top Secret Band Johnny Foley’s. 9pm, free.

Todd, Charles, Rome Balestrieri, Johnny Foley’s Dueling Pianos. 9pm, free.

Via Coma, Beta State, PK Bottom of the Hill. 9pm, $10.

Vitamin X, Strung Up, Side Effects, Zero Progress Thee Parkside. 9pm, $8.

White Barons, Tiger Honey Pot, Winter Teeth Hemlock Tavern. 9:30pm, $7.

JAZZ/NEW MUSIC

Audium 1616 Bush, SF; www.audium.org. 8:30pm, $20. Theater of sound-sculptured space.

FOLK/WORLD/COUNTRY

Alexander Abreu and Havana D’Primera Yoshi’s SF. 8 and 10pm, $30.

DANCE CLUBS

Bootie SF: Post-Thanksgiving Madness DNA Lounge. 9pm, $10-$15. With Smash-Up Derby, Lucio K, DJ A Plus D, and more.

Church Rickshaw Stop. 9:30pm, $10. With Rusty Lazer (DJ set), DaveO of Double Duchess (DJ set), Trixxie Carr, Dulce De Leche, Honey Mahogany.

Chris Garcia Vessel, 85 Campton Place, SF; www.vesselsf.com. 10pm, $20-$30.

120 Minutes Elbo Room. 10pm.

Paris to Dakar Little Baobab, 3388 19th St, SF; (415) 643-3558. 10pm, $5. Afro and world music with rotating DJs.

Tiefschwarz, Roos and Bo Public Works. 10pm, $20.

SUNDAY 25

ROCK/BLUES/HIP-HOP

Action Bronson Independent. 9pm, $20.

Enrique Bunbury Fillmore. 8pm, $45.

Killswitch Engage, Shadows Fall, Acaro Slim’s. 8pm, $20-$25

Aaron Leese and the Panhandlers Boom Boom Room. 8pm, $5.

Cass McCombs Amnesia. 9pm, $5.

Nasty Christmas, Black Sparrow Press Hemlock Tavern. 6pm, $6.

JAZZ/NEW MUSIC

Donald Arquilla with Tom Shaw Trio Martuni’s. 7pm, $7.

FOLK/WORLD/COUNTRY

"Twang Sunday" Thee Parkside. 4pm, free. With Rocketship, Rocketship.

DANCE CLUBS

Dub Mission Elbo Room. 9pm, free before 9:30pm; $6 after. With DJs Sep, Vinnie Esparza and DJ Mundi.

Jock Lookout, 3600 16th St, SF; www.lookoutsf.com. 3pm, $2.

MONDAY 26

ROCK/BLUES/HIP-HOP

Creepers, Commissure, Loomers, Permanent Collection Elbo Room. 9pm, $5.

Earl Brothers, Kendl and Joe from Blackbetter Bushes Amnesia. 9pm.

FOLK/WORLD/COUNTRY

Uni and Her Ukelele Rite Spot Cafe. 8:30pm, free.

DANCE CLUBS

Death Guild DNA Lounge. 9:30pm, $3-$5, 18+.

Crazy Mondays Beauty Bar, 2299 Mission, SF; www.thebeautybar.com. 10pm, free. Hip-hop and other stuff.

M.O.M. Madrone Art Bar. 6pm, free. DJs Timoteo Gigante, Gordo Cabeza, and Chris Phlek playing all Motown every Monday.

Soul Cafe John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. R&B, Hip-Hop, Neosoul, reggae, dancehall, and more with DJ Jerry Ross.

Vibes’N’Stuff El Amigo Bar, 3355 Mission, SF; (415) 852-0092. 10pm, free. Conscious jazz and hip-hop with DJs Luce Lucy, Vinnie Esparza, and more.

TUESDAY 27

ROCK/BLUES/HIP-HOP

BAUS, Pleasure Gallows, Life Stinks Hemlock Tavern. 8:30pm, $6.

Alice Cooper, Kill Devil Hill Warfield. 8pm, $37.50-$57.50.

Deep Sea Diver, Wild Belle, Showrunners Bottom of the Hill. 9pm, $12.

Sufis Amnesia. 9:30pm.

JAZZ/NEW MUSIC

Jacob Armen Yoshi’s SF. 8pm, $22.

FOLK/WORLD/COUNTRY

Toshio Hirano Rite Spot Cafe. 8:30pm, free.

DANCE CLUBS

Stylus John Colins Lounge, 138 Minna, SF; www.johncolins.com. 9pm. Hip-hop, dancehall, and Bay slaps with DJ Left Lane.

Takin’ Back Tuesdays Double Dutch, 3192 16th St,SF; www.thedoubledutch.com. 10pm. Hip-hop from the 1990s.

On the Cheap Listings

0

Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks.

WEDNESDAY 21

Pre-Thanksgiving Farmers Market Ferry Plaza, SF. www.cuesa.org. 10am-2pm, free. If you want to really impress your incoming family members with a fine and sustainable T-Day spread, then you must head to town’s most swank farmers market to take care of last-minute shopping. Watch for the free recipe booklets staff will be handing out if you need ideas for what to actually do with all those veggies.

THURSDAY 24

Vegetarian/vegan Thanksgiving potluck The Loughborough Center, 1184 Broderick, SF. RSVP at (415) 498-0385. 3pm, $1 donation with food contribution, $10 without contribution. East Bay: Unitarian Universalist Fellowship Church, 1606 Bonita, Berk. RSVP at howarddy@gmail.com or (510) 562-9934. 4pm, $2 donation with food contribution, $12 without contribution. Intentional community is the name of the game at these two animal-free potlucks, sponsored by the venerable SF Vegetarian Society. Cook for your fellow veg-heads this year. Vegan dishes are preferred. Bring utensils and plates to minimize landfill impact. Give thanks for healthy food, and an aware community.

FRIDAY 23

Pizzichillo and Gordon glass art Pizzichillo and Gordon Studio, 2680 Union, Oakl. (510) 832-8380, www.quepasaglass.com. Through Dec/15. Opening reception: 10am-4pm, free. Bruce Pizzichillo and Dari Gordon have been making vibrant and unique pieces of glass artwork since 1980, and are inviting you to peruse this assemblage of their masterpieces, featuring vases, bowls, pitchers, and jewelry. Take note, those of you looking to buy arty gifts for friends, relatives, and anyone you hold dear in your life — this is a great place for local browsing.

Language of Cloth winter pop-up sale The Language of Cloth, 650A Guerrero, SF. (415) 431-7761, www.thelanguageofcloth.com. Open every Friday, Saturday, and Sunday through Dec.30. 10am-6pm, free. If you’re looking for gifts that possess color and personality, look no further than this temporary story in a Mission garage. The man behind the sale is Daniel Gundlach, who is so committed to providing San Francisco with quality textiles he goes on yearly excursions to countries like Thailand and Laos, sometimes spending half the year in Indonesia.

Food Social The New Parish, 579 18th St., Oakl. (510) 409-0651, www.food-social.org. 5-9pm, $5. An event on the opposite of the stress spectrum from Black Friday shopping, FuncheapSF would like you to come by and relax in Oakland’s Uptown neighborhood. A $5 ticket gets you a complimentary beer and a raffle ticket to win prizes such as an iPad Mini. Good food, good music, good vibes, why would you ever hit the mall?

SATURDAY 24

Craftswomen Celebration Herbst Pavilion, Fort Mason, SF. (650) 615-6838, www.celebrationofcraftswomen.org. Sat/24-Sun/25 and Dec. 1-2, 10am-5pm, free. Over 150 female artists display their fine arts and crafts at the 34th year of this fair. Come by to shop, to eat, to listen to live music, and place a bet in the silent auction.

SUNDAY 25

Treasure Island Flea Market Great Lawn, Ave of the Palms, Treasure Island, SF. www.treasureislandflea.com. 10am-4pm, $3. Treasure Island isn’t just some place that hosts a kick ass festival once a year every October, other things happen there too. One of the non-Treasure Island Music Festival happenings is the Treasure Island Flea Market where there’ll be various designers, outdoor exhibits, scavenger hunts, and food trucks present.

Womyn of Color Arts and Crafts Show La Peña Cultural Center, 3105 Shattuck, Berk. (510) 849-2568, www.lapena.org. 10:30am-4:30pm, free. This East Bay center of song, dance, art, and community hosts a gift fair showcasing women of color, for the 18th year in a row.

MONDAY 26

Marbles: Mania, Depression, Michelangelo, and Me The Booksmith, 1644 Haight, SF. (415) 863-8688, www.booksmith.com. 7:30pm, free. Storytelling is a much a part of Ellen Forney as fog is a part of SF weather. Diagnosed with bipolar disorder before her 30th birthday, Forney turned what most people saw as an obstacle into inspiration for her new book and memoir Marbles: Mania, Depression, Michelangelo, and Me. Come hear her talk about her struggles and triumphs with bipolar disorder.

TUESDAY 27

"Native Plants of San Francisco" St. Philip’s Catholic Church, 725 Diamond, SF. (415) 750-9986, www.sanfranciscohistory.com. 7pm, $5. Despite being the second densest big city in the country, San Francisco is blessed with stunning native flora. Native San Franciscan and natural world devotee Greg Gaar would like to inform you on the evolution of our fair city’s beaches, coastal prairies, trees, creeks, lakes, and marshes at his presentation at the St. Philip’s Church, sponsored by the SF History Association.

Nerd Nite The Stork Club, 2330 Telegraph, Oakl. (510) 444-6174, www.eastbay.nerdnite.com. 7pm, $8. Calling all nerds! Calling all nerds! Last month’s East Bay Nerd Nite was so well-received, organizers are presenting an encore of the geekalicious event. At this installment, there’ll be talks by a UC Berkeley low-temperature physicist and a presentation by a chemist on all things luminescent.

The reason for the season

1

culture@sfbg.com

HOLIDAY GUIDE With the presidential election over, we are reminded that though our quest for reproductive rights and LGBTQ equality may continue unabated, making a difference must not be limited to a “Ya Voté” sticker every four years. Here’s a brief list of ways to do good this season, including community gardening, beach cleanups, and gift fairs where you can shop for a good cause.

VOLUNTEER

Outdoorsy types take note. SFGRO (www.sfgro.com) has a mission to elevate the profile of community gardening in San Francisco, and to provide support to local gardeners. You can do your part by helping out in the following areas: composting, garden safety and security, resource material development, administrative tasks, and fundraising. Jump into the mix all over the city: the De Haro, Dearborn, Alioto Mini-Park, Page Street, and Potrero Del Sol gardens all need help.

You can also help out at Hayes Valley Farm (450 Laguna, SF. www.hayesvalleyfarm.com) during it’s last winter. The farm is set to be turned back over to the city next year, at which point founder Jay Rosenburg hopes enough people will have learned agriculture skills at the farm to continue its mission elsewhere. “It will create a big fireworks explosion and everything we’ve created here will break off to little pieces all over town,” he recently told Edible San Francisco.

Help maintain the beauty of the five-mile-long Ocean Beach with the Surfrider Foundation‘s regular cleanups. Bonus: they’ll give you a chance to commune with our sandy spaces in the winter, when the waves are at their most ruggedly beautiful (Next events: Dec. 4 and 18, 10am-noon. Ocean Beach, Stairway No. 17, SF; Dec. 31, 10am-noon. Baker Beach, SF. sf.surfrider.org)

In the North Bay, we suggest you peruse the various opportunities available through Volunteer Marin (555 Northgate Drive, San Rafael. (415) 479-5710, www.volunteermarin.org.) The organization solicits requests from local nonprofits for donations or volunteer time. Its altruistic options include preparing and serving holiday meals, donating food, clothing, or requested gifts, and decorating or wrapping presents.

We are very much proud to say that San Francisco is home to the oldest toy drive in the whole country. The organization responsible for this is our beloved San Francisco Fire Department (www.sffirefighterstoys.org.) Find the nearest fire station to you and be part of the effort to get gifts to over 40,000 disadvantaged children.

Although many homeless shelters tend to fill up their volunteer shifts early on during the holiday season, head to At The Crossroads (Dec. 12, 6-8pm. 333 Valencia, SF. (415) 487-0691, www.atthecrossroads.org), when volunteers are needed to assemble care packages for homeless youth in city.

Kids Enjoy Exercise Now (www.keensanfrancisco.org) is an awesome national organization whose mission is promote physical activity among kids and young adults who have developmental disabilities. KEEN is recruiting people to be volunteer coaches, and those who sign up will be paired with an athlete for hours of fun and games — an easy thing to do that’ll make a big difference in a young person’s life.

And finally, for those of us too lazy or computer-bound to do anything besides point-and-click this holiday season, we present to you Games that Give (www.gamesthatgive.net) Play an online game like solitaire or mini-golf and for every 10 seconds you’re occupied — and viewing the site’s sponsors’ ads — a charity of your choice receives a certain amount of funds.

GIFTS THAT GIVE BACK

One thing people in the Bay Area love to brag about is our access to a wide selection of some of the best wines in the world — which many will be taking full advantage of this holiday season. Sometimes the vast number of options can be anxiety-inducing, which is why we recommend ONEHOPE (www.onehopewine.com), a socially-conscious winery that donates 50 percent of its profits to partner charities and has raised over $750,000 to date.

It’s not only one of the largest events recognizing women’s craft in the nation — the Women’s Building’s Celebration of Craftswomen (Dec. 2, 9am-1pm, free. Fort Mason, SF. (650) 615-6838, www.celebrationofcraftswomen.org) is a great place to satisfy your gift-giving needs. Note: an event as big is this requires all hands on deck — the organization would love your help in admissions, crowd monitoring, relief for exhibitors, plus organizing the raffle and silent auction.

One of our favorite entrepreneurship programs in the city puts together an amazing assemblage of its graduates just in time for your eight crazy nights or stocking stuffing. La Cocina’s Gift Bazaar (Dec. 7, 1-7pm, free. Crocker Galleria, 50 Post, SF. (415) 824-2729, www.giftbazaarsf.com) presents a pageantry-filled flea market dedicated to showcasing foodie goodies and handcrafted/artisan gifts.

This is the first year that the Contemporary Jewish Museum (736 Mission, SF. (415) 655-7800, www.cjm.org) has published a gift catalogue featuring its gift shop’s treasures, like modern-eclectic menorahs — one of which is shaped a cable car — artisan jewelry, and children’s toys. All sales proceeds benefit the museum’s ongoing efforts to bring Jewish art, history, and culture to the Bay Area.

Meals on Wheels (www.mowsf.org) would to invite you and yours to put those creative aptitudes to work brightening the holidays for the elderly and handicapped. Wrap and stuff gifts, and make holidays card for distribution to the group’s meal recipients during the first two weeks of December.

Under $10 gift guide: Thank you for being a friend

0

Serving time as “friend” for the Holiday Guide photoshoot, Guardian intern George McIntire exudes bike-buddy realness

>>CHECK OUT THE REST OF OUR HOLIDAY GUIDE FOR MORE CHEAP GIFTS, THINGS TO DO, ALTERNATIVE CHEER

LED REAR LIGHT, $9.99

Show your bike gang member you care with the gift of safety. What are you, their mom?

Nomad Cyclery, 2555 Irving, SF. www.nomadcyclery.com

PRINT OF MEXICAN OR COLOMBIAN STREET ART, $6

SF artist Lex Mex traveled Latin America with an eye to the walls. Lucky you, the photo prints that came out of that journey are perfect for the street art fanatic on your list.

Artillery Gallery, 2751 Mission, SF. www.artillery-ag.com

MID-CENTURY FILM SOUNDTRACKS, $3-6

That flick you and your bestie watched as artsy college stoners? They’ve got the score at local music mecca Grooves for insta-trips down memory lane.

Grooves, 1797 Market, SF

BEER MAKING SUPPLIES, UNDER $10/POUND

Do not fear the practical present. If homeboy or girl has a beloved hobby, they’ll never be mad about you re-upping supplies for it. Bags of yeast, hops, or grains will sit perfectly with the homebrew enthusiast.

San Francisco Brewcraft, 1555 Clement, SF. www.sfbrewcraft.com

LAUGH LAUGH BEAR SOCKS, $4

What better gift for your emotional rock and partner in crime than off-brand Sanrio socks?

New People, 1746 Post, SF. www.newpeopleworld.com

SFQ BARBEQUE SAUCE, $6.95 FOR NINE OUNCE

Made locally from the same ingredients as true friendship (chocolate and coffee), SFQ was made as an attempt to foster an SF barbeque style. Made with Californian ingredients like Wine Country red wine vinegar, your bud will want to slather on this vegan treat.

Park and Pond, 1422 Grant, SF. www.parkandpond.com

 

Creating our own traditions

0

culture@sfbg.com

HOLIDAY GUIDE Hold onto your butts, sweethearts, ’tis the season. Your kids are about to be out of school, your extended family is about to fly in, and your alone time is about to dwindle down to a nub.

Don’t fear, we’ve got you covered.

This holiday guide is designed specifically for LGBTQ families, sex-positive families, and other parents who don’t fit into the monogamous, heteronormative mold. Why? Most holiday advice directed at families comes with a heaping dose of heterosexism. Plus, feeling isolated from larger community networks — a common experience for parents — is especially prevalent among parents with sexual identities that reside outside the norm. That feeling of not being connected can result in stress on alt-families during the holiday season.

But not this season! This year we’ve got tips, a recipe, and events to keep you loving your queer, kinky, radical-parenting self.

IT TAKES A VILLAGE

The easiest way to stay sane during the holidays is to maximize the friends and family you’ve already got. If you’re not careful, a house full of holiday guests can seriously cut down on the already limited amount of sexytime parents are allotted.

So don’t think that you have to be the one to take your children to the San Francisco Lesbian/Gay Freedom Band’s Dance-Along Nutcracker. Try to get your in-laws to do it, while you squeeze in a quickie with your partner or have a grown-up play date with your friend with benefits. Sure, you still have to wrap the kids’ presents — but you should really have someone unwrap your clothing first.

In this truly unique SF version of the Nutcracker, the audience dances along while the Freedom Band plays Tchaikovsky’s classical suite. Tutus are available for rent on site.

Dec. 8, 2:30 p.m. and Dec. 9, 1pm, $25 for adults, $16 for children and seniors. sflgfb.townalive.com

HOLIDAY HEALING

The best part about being a non-traditional parent is that we create the rituals. Here’s two family-focused events that each seek to empower parents.

At Rad Dad Zine’s 23rd issue release party — celebrating an end-of-the-year issue appropriately titled “Making Family” — parents will do short readings from the zine, followed by a discussion on radical parenting at this kid-friendly community gathering. Parenting norms? Hmph, let’s go poke at stick at them.

Dec. 15, 5-7pm, free. The Holdout, 2313 San Pablo, Oakl. raddadzine.blogspot.com

You’re encouraged to “bring the foods and holiday traditions that make this season meaningful to your family” to the annual Our Family Winter Solstice Party. This year, the LGBTQ group is partnering with San Francisco Recreation and Parks to hold the celebration at the Eureka Valley Recreation Center, where the party will feature a magician, the group’s legendary multi-table gingerbread-making station, and other arts and crafts.

Dec. 16, noon-2:30pm, free. Eureka Valley Recreation Center, 100 Collingwood, SF. www.ourfamily.org

POTLUCK LIKE A MOFO

I encourage potluck-style casual dinners with other families during the holiday season. It doesn’t have to be a big production, and if it’s other parents who are coming over, your house doesn’t even have to be super-clean. (They get it.) Just offering a space to gather is an important contribution, and if it goes well, next time around a different family can host.

At the best family holiday potluck I ever went to, the kids made all the food. My sons were six and seven at the time, and weren’t allowed to use sharp knives or the stove, as was the case for most of the other children in our little after school collective. We found easy, no-cook recipes that they could make with very little assistance from their grown-ups.

The variety of dishes we wound up with was hilarious and festive — probably not the most balanced meal ever cooked, but nutritional concerns took a back seat to the pride the kids felt in sharing food they had made themselves. The hands-down favorite dish of the evening was this little number:

NO-BAKE HOLIDAY ÉCLAIR CAKE

Ingredients:

1 package instant vanilla pudding mix

1 container frozen whipped topping, thawed

3 cups milk

1 package graham cracker squares

1 package prepared chocolate frosting

1 package holiday M&M’s

Directions:

Whisk together the pudding mix, whipped topping, and milk. Arrange as you would a lasagna, with a single layer of graham cracker squares in the bottom of a 13×9 inch baking pan. Drop spoonfuls of the pudding mixture over the crackers, leaving about half in the bowl. Then add another layer of crackers and the remaining mixture. Top with the last of crackers. Spread the frosting over the whole cake, up to the edges of the pan. Place M&M’s on the frosting. Cover, and chill at least four hours before serving.

GIVE THIS GIFT

No holiday guide would be complete without the perfect gift recommendation. I’m bestowing this honor on Santa Rosa-based Calliope Designs’s personalized holiday ornaments. The company has been making them for over 30 years, and its website specifically states how happy it is to make ornaments for LGBTQ families: “We know that families come in all shapes and sizes and are happy to present ornaments to the gay and lesbian partners and families all over the world.” How can you not adore that?

www.calliopedesigns.com

KEEP IT CLASSY

Regardless of if you’re having sex alone or with a partner, your sexuality matters. That can mean prioritizing some grown-up time at one of the great sex-ed classes offered by Good Vibrations. I’ve heard that sometimes attendees leave with a free gift! The only challenge is that classes are during prime “must be at home with the kids” time. How to resolve? Do a childcare swap that includes dinner. One day a week, you host the brood, then later in the week your parent-ally can host. Maybe you can even attend a Good Vibes “Humpday Happy Hour” workshop. Every Wednesday you can find a free sexuality workshop at one of the store’s Bay Area locations. Here are two upcoming classes that I highly recommend:

“The Art of Clitoral Stimulation” Dec. 6, 6:30-7:30pm, free. Good Vibrations, 1620 Polk, SF;”50 Shades of Play” Dec. 12, 6:30-7:30pm, free. Good Vibrations, 603 Valencia, SF. (415) 522-5460, www.goodvibes.com

Airial Clark is the Sex-Positive Parent, an East Bay sex educator who teaches workshops on raising kids outside heteronormative models of family. Read more about her work at www.thesexpositiveparent.com

 

Run over by a reindeer

0

culture@sfbg.com

EVENTS

Union Square ice-skating rink Union Square, SF. www.unionsquareicerink.com. Through Jan. 16, 10 a.m.-11:30 p.m. except for when closed for private parties, $10 for 90-minute session. Sweetheart, the rink is open, grab my hand and try not to twist an ankle as we glide in circles around downtown’s living room.

Westin St. Francis sugar castle Westin St. Francis, Landmark Lobby, 335 Powell, SF. www.westinstfrancis.com. Through Jan. 24, on view 24 hours/day. Don’t lick it. For although this ever-growing sweet behemoth which each holiday season occupies the lobby of downtown’s classic luxury digs with its 1,300 pounds, 20 towers, 30 rooms, and sugar replicas of 2012’s movers and shakers has a hold on our heart, its original dimensions were sugar-spun back in 2005. Incredibly made, undeniably festive, but altogether inappropriate for dietary purposes.

Jack London Square holiday tree lighting Jack London Square, Oakl. www.jacklondonsquare.com. Nov. 30, 4:30-7pm, free. Performances by Disney-approved pop stars! Reindeer petting zoo! Miss California 2012 and a kids dress-up station with costumes from the Oakland Ballet! You’ll be hard-pressed not to find some holiday cheer at this annual lighting of Jack London’s fir tree for the masses.

Oakland-Alameda Estuary Lighted Yacht Parade Visible from Jack London Square, Oakl. www.lightedyachtparade.com. Dec. 1, 5:30pm, free. Let those cheeks get rosy, it’s boat-watching time. This yearly tradition sees the yacht owners of the East Bay putting their aquatic rides on display, stringing bulbs galore across decks and sails.

Festival of lights Union between Van Ness and Steiner, Fillmore between Union and Lombard, SF. www.sresproductions.com. Dec. 1, 3-7pm, free. Wiggle your nose at Santa at this explosion of twinkly tinsel and Cow Hollow reindeer — today Union Street puts on the holiday glitz and lays out the welcome mat. Cudworth Mansion (2040 Union) will be hosting a cupcake-decorating session from 3:30-5:30pm, at which Old St. Nick himself will make an appearance out front.

Golden Gate Park holiday tree lighting McLaren Lodge, 501 Stanyan, SF. www.sfrecpark.org. Dec. 6, 5pm, free. A tradition started by Golden Gate Park grandfather and San Francisco’s first park superintendent John McLaren in 1929, the lighting of the tree returns to Fell Street for the 83rd year in a row. Accompanying fanfare includes live performances, carnival rides, and a visit from Saint Nick.

Great Dickens Christmas Fair Cow Palace, 2600 Geneva, SF. www.dickensfair.com. Fri/23 and Sat.-Sun. Sat/24-Dec. 23, 10am-7pm, $21-25. For an ace weekend drunk this holiday season, toodle over to the Cow Palace. Once ensconced in the warm period embrace of the Dickens Fair, you will have the run of five bars (absinthe!), a multitude of meat pie shoppes, hilarious accents, near-constant stage shows, and the company of “famous Victorians,” including Charles Dickens and Her Majesty, the queen herself.

Family holiday crafts day Randall Museum, 199 Museum Way, SF. (415) 554-9600, www.randallmuseum.org. Dec. 1, 10am-3pm, free admission, activities fees vary. Bring the kiddos to the always-free-admission Randall Museum so they can spend the morning making holiday decorations and gifts. Cap off the morning with a performance by Asian American performance troupe Eth-Noh-Tec and its fusion of ancient and contemporary movement.

Community Hanukkah candle lighting Jewish Community Center, 3200 California, SF. (415) 292-1200, www.jccsf.org. Dec. 8-14, 4:30pm, free. Join up with your neighbors for the Jewish Community Center’s daily lighting of the menorah in the building’s atrium. Attend the Shabbat celebration on Dec. 14 for a family storytelling session, grape juice, hallah, and Hanukkah gelt.

Bill Graham Menorah Day Union Square, SF. www.chabadsf.org. Dec. 9, festivities start at 3pm, menorah lighting at 5pm, free. Each day from December 8-15, a candle will be ceremoniously lit on the Bill Graham mahogany menorah, a gift from the famous San Francisco promoter to his city. But on the 9th, Bill Graham Menorah Day festivities will occupy Union Square, a beautiful beginning to the Festival of Lights in the city.

Public library winter celebration Bernal Heights Library, 500 Cortland, SF. www.sfpl.org. Dec. 12, 6:30-8:30pm, free. The library’s got all kinds of free holiday programming this year, from cupcake-decorating and card-making to a magic show with a winter wonderland theme. Today’s no exception: join the Bernal Heights community for a kid-friendly celebration featuring the Bernal Jazz Quintet, refreshments, and children’s movies.

Frosting the Conservatory Conservatory of Flowers, 100 John F. Kennedy, SF. (415) 831-2090, www.conservatoryofflowers.org. Dec. 15, 11am-3pm, $10. Make your own ginger-greenhouse at this event amid the hothouse blooms of the Conservatory of Flowers. This events gets our thumbs-up for guaranteed toastiness, because being warm and cozy is a pre-req for Christmas cheer.

Jewish Christmas with Broke Ass Stuart The Make-Out Room, 3225 22nd St., SF. www.makeoutroom.com. Dec. 25, 5-11pm, $10. Strip dreidel set to the tune of streaming Woody Allen, Larry David, and Sascha Baron Cohen footage sounds like our kind of Christmas. Such was the vision of DJ Matt Haze and host Broke Ass Stuart, who designed this kitschy extravaganza for all of you (Chosen and Left Behind alike) who can’t stomach staying in on a perfectly good day off. Did we mention there will be a Chinese food buffet?

Kwanzaa celebration Bay Area Discovery Museum, 557 McReynolds, Sausalito. www.baykidsmuseum.org. Dec. 26, 9am-5pm, free. A traditional Kwanzaa altar will greet you upon arriving at the kids museum’s celebration of African-American culture, featuring two performance (at 11am and 1pm) by African Roots of Jazz.

PERFORMANCE

The Christmas Ballet Various times and Bay Area locations. www.smuinballet.org. Nov. 23 — Dec. 23, $25-65. Back by popular demand, the Smuin Ballet Company returns with this annual production, split this year into two acts: “Classical Christmas” and “Cool Christmas.” Both promise eye-opening, energetic entertainment set to eclectic tunes from Elvis to klezmer.

A Christmas Carol American Conservatory Theatre, 415 Geary, SF. (415) 749-2228, www.act-sf.org. Nov. 30-Dec. 24, various times, $20–$160. Stressful election year and rumors of apocalypse tightened those purse strings? Exorcise your inner Scrooge at this classic stage production of Charles Dickens’ terrifying ode to generosity and kindness towards diminutive children.

The Golden Girls: The Christmas Episodes Victoria Theatre, 2961 16th St., SF. www.victoriatheatre.org. Dec. 6-30, Thu.-Sat. 8pm, Sun. 7pm, $30. Our cover girl Cookie Dough co-stars as Sophia Petrillo in this now-traditional SF holiday stage production of the classic sitcom that employs more shoulder pads, even, than the original TV show. You’ll never know a catty elderly network television star until you’ve seen her re-enacted by a drag queen. Buy tickets pronto, the shows usually sell out.

California Revels Oakland Scottish Rite Center, 1547 Lakeside, Oakl. (510) 452-8800, www.californiarevels.org. Dec. 7-9, 13-15. Fridays 8pm, Saturdays and Sundays 1 and 5pm, $20-55. Feast and family are cornerstones of this annual interactive period piece performance celebrating the winter solstice. Hoist your mead and turkey leg and sway to the music, friends, good times will be upon ye here.

The Nutcracker Palace of Fine Arts, 3301 Lyon, SF. www.cityballetschool.org. Dec. 8, 2pm & 7pm; Dec. 9, 2pm, $20. Yes, everyone does The Nutcracker. At this point, it’s like the Rocky Horror Picture Show of ballet. (Would that ballet patrons donned Rat King costumes to attend!) Embrace the tradition, and check out the City Ballet School’s production of a classic.

Charles Phoenix Retro Holiday Show Empress of China Ballroom, 838 Grant, SF. www.charlesphoenix.com. Dec. 12, 8pm, $25. The creator of the Cherpumple, a pie-stuffed cake concoction that rises to the dizzying heights of kitsch, humorist Charles Phoenix celebrates the retro in every occasion. Tonight, he regales the crowd with tales of his favorite SF landmarks, road trips, and yes, feats of food fantasy.

Holiday youth mariachi concert Mission Cultural Center for Latino Arts, 2868 Mission, SF. www.missionculturalcenter.org. Dec. 14, 7:30-9pm, $15. Three mariachi troupes made of young people join forces for this exciting holiday program. The hat-dropping, guitar plucking action will be highlighted by Zenon Barron’s Mexican youth folk dance class.

The Snowman Davies Symphony Hall, 201 Van Ness, SF. (415) 864-6000, www.sfsymphony.org. Dec. 22, 11am, $13.50-57. Even the smallest budding season ticket holder will find this film-symphony presentation of Joe Nesbø’s classic children’s book a welcome boost to their holiday cheer. The animated version of this story of a youg’n’ whose bud is a Frosty-like chap will soar when paired with the world-class musicians of the SF Symphony.

Kung Pao Kosher Comedy New Asia Restaurant, 772 Pacific, SF. www.koshercomedy.com. Dec. 22-25, various times, $44-64. There’s nothing like having dinner on Christmas to up your alterna (or simply, not pan-Christian) cred. Add stand up comedy and you have a winning formula, which is obvious from the longevity of Lisa Gedulig’s annual show. This year features yucks from Judy Gold, Mike Capozzola, and Adrianne Tolsch.

Clairdee’s Christmas Yoshi’s San Francisco, 1330 Fillmore, SF. (415) 655-5600, www.yoshis.com. Dec. 24, 8pm, $20. Everything could use a little soul in lives and the holidays are no exception. Come hear the sounds of soul-jazz vocalist Clairdee, and soak in her ensemble’s rhythmic takes on Christmas standards.

“Holiday Memories” double feature A rare 16mm showing of Dylan Thomas’ A Child’s Christmas in Wales will be accompanied by a screening of The Sweater, a tale of a young hockey player’s passion for the sport, and the dangers that come of wearing the wrong jumper. Dec. 22, 2pm, Exploratorium, 3601 Lyon, SF. (415) 563-7337, www.exploratorium.edu

PEACE ON EARTH

Darkness and Light: A Hanukkah Meditation Retreat Jewish Community Center, 3200 California, SF. (415) 292-1200, www.jccsf.org. Dec. 9, 10am-5pm, $50-60. No prior experience is needed for this day-long workshop on finding the light within during the Hanukkah season. Sitting and walking meditation will be covered — the perfect primer for a month that can try the patience of even the most festive reveler.

Winter solstice ceremony San Francisco Zen Center, 300 Page, SF. (415) 863-3136, www.sfzc.org. Dec. 21, 6:15pm, free. Recharge on the longest night of the year in the peaceful confines of the SF Zen Center. The crowd here promises to be made of meditation newbies, Zen Center students, and all those in-between. It will also be your best bet to avoid jingles and tinsel, if that’s what your body is craving at this point.

Reclaiming’s Sing Up The Sun ritual Inspiration Point parking lot, Tilden Park, Berk. www.reclaiming.org. Dec. 21, 6:30am, free. Wake up before the sun does to greet it on this, the day of the year when it spends the least time out of its bed. A pagan celebration, you’re welcome to bring musical instruments and a warm Thermos of liquid to the community gathering.

GIFTS

Celebration of Craftswomen Herbst Pavilion, Fort Mason Center, SF. (650) 615-6838, www.celebrationofcraftswomen.org. Nov. 24-25, Dec. 1-2, 10am-5pm, $9 or $12 two-day pass. The first edition of this alternative holiday fair took place 34 years ago at the now-defunct Old Wives’ Tales Bookstore on Valencia Street with 22 female makers-of-things. Today, the event fills the Herbst Pavilion, features 150 juried artists and a mini-film festival. It’s still the best place for feminist shopping, some things don’t change.

Holiday Design Bazaar Intersection for the Arts, 925 Mission, No. 109, SF. www.artsedmatters.org. Nov. 30, 5-8pm; Dec. 1, noon-6pm, free. An arts fair with 25 local creators, plus live music and refreshments that may well make a difference in our kids’ art education. The event is a benefit for Arts Ed Matters, a group that is looking to build community support for art in schools.

Creativity Explored holiday art sale Creativity Explored, 3245 16th St., SF. www.creativityexplored.org. Dec. 1-2, noon-5pm, free. Shop at this studio for developmentally-disabled artists and half of your bill will go straight into their pocket — standard practice for Creativity Explored, which has been the real-deal spot for outsider art in San Francisco since 1983.

Paxton Gate holiday party Dec. 1, 3-6pm at Paxton Gate’s Curiosities for Kids, 766 Valencia; 8-10pm at Paxton Gate, 824 Valencia, SF. (415) 824-1872, www.paxtongate.com. One of the city’s most beloved families of taxidermy/kid’s toys/nursery shops, Paxton Gate is turning two decades of age this weekend. What better time to shop there? And what better to get your face painted “Victorian-style” (?!), check out stilt walkers and an accordionist-ballerina duo, and eat snacks during the day at its kids location — then walk two doors down later that night for more circus freakery, door prizes and a Hendrick’s gin open bar at 826 Valencia’s pirate shop?

Palestinian Craft Fair Middle East Children’s Alliance office, 1101 Eighth St., Berk. www.mecaforpeace.org. Dec. 1-2, 10am-5pm, free. Sip Arabic coffee while you paw through painted ceramics from Gaza, children’s book, scarves, West Bank olive oil, and more at this chance to support a nonprofit benefiting craftspeople living in Palestine — a particularly salient cause in this year of war and turmoil.

Bazaar Bizarre Concourse Exhibition Center, East Hall, 620 Seventh St., SF. www.bazaarbizarre.org. Dec. 1-2, 11am-6pm, free. This traveling indie craft fair stocks all the twee and yippee you need to get your gift recipients in your pocket. New in 2012: a mini-version of Forage SF’s Underground market, for all your small biz-sourced holiday edible needs.

Muir Beach Quilters Holiday Arts Fair Muir Beach Community Center, 19 Seascape, Muir Beach. www.muirbeach.com/quiltersfair. Dec. 1, 10am-5pm, Dec. 2 10am-4pm, free. Make a blustery beach journey that has time to spare for handicraft browsing. This annual gift fair stocks locally-made knickknacks by local groups (Muir Beach Garden Club included), and has more than retail opportunities. Hands-on crafts bars will stoke the creative fire of kids and big person shoppers alike.

La Cocina Gift Bazaar Crocker Galleria, 50 Post, SF. www.giftbazaarsf.com. Dec. 7, 1-7pm, free. You’re not going to have problems finding foodie-friendly presents at this fair — but getting them safely to their intended destination sans bite marks might be a problem. La Cocina business incubator program graduates Clairesquares, Onigilly, Love & Hummus Co., Chiefo’s Kitchen, and more will all have their wares for sale.

East Bay Alternative Book and Zine Fest Berkeley City College, 2050 Center, Berk. Dec. 8, 10am-5pm, donations suggested. www.eastbayalternativebookandzinefest.com. For the indie comic nerds on your list, you’ll want to check out this expo of all things zine. Talks by New Yorker illustrator Erik Drooker and Go the Fuck to Sleep author Adam Mansbach spice up the fair’s schedule and there’s rumor of a dance party to take place at day’s end.

KPFA Crafts Fair Concourse Exhibition Center, 635 Eighth St., SF. www.kpfa.org/craftsfair. Dec. 8-9, 10am-6pm, $10. Our public radio station hosts 220 artists and their wares for this no-brainer shopping weekend. Pick up unique wrapables from leather fashion to gourmet snacks to lotions and creams to pamper your loved ones.

Mercado de Cambio/The Po’ Sto’ market and knowledge exchange 2940 16th St., SF. www.poormagazine.org. Dec. 15, 3-7pm, donations suggested. We can pretty much guarantee you that there is no other gift fair that will have better hip-hop music. The Mercado de Cambio organized by POOR Magazine aims to counterbalance the corporatization of our holiday season. Go here for aforementioned live beats, indigenous crafts, Occupy gear, and POOR-published literature.

Renegade Craft Fair holiday market Concourse Exhibition Center, 635 Eighth St., SF. www.renegadecraft.com. Dec. 15-16, 11am-6pm, free. A DIY gift wrap station is one of the attractions at this one stop for cute gift shopping, which makes one of its two yearly appearances in the Bay Area for the holiday season. The Oakland Museum of California will truck out its mobile “we/customize” exhibit, and of course, there will be crafters: over 250 will have booths hawking clothes, accessories, home stuff, kid stuff — most handmade, and most awesome.

 

Tango at Red Poppy Art House: A photographic foray

0

Tango is spicy music. It makes you think of deep red dresses, glasses of rich wine, and warm nights for taking a long walk with your lover. Although we didn’t have one-way tickets to Argentina, an evening with the Redwood Tango Ensemble at the intimate and tiny Red Poppy Art House made the audience feel like they were that much closer to the real deal.

This five-piece ensemble of passionate and talented musicians performed a mixture of well-known and danceable tango pieces, along with a selection of its very own originals, which were sometimes a little more dark and moody, but also very different from traditional tango, posessing a certain home-grown flavor.

To top it off, there was even some tango dancing to accompany the music, showing the beautiful collaboration that tango music can bring between musicians and dancers.

http://www.youtube.com/watch?v=gQ24va21P6c