April 1

Rep Clock

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Schedules are for Wed/30–Tues/5 except where noted. Director and year are given when available. Double and triple features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. “Other Cinema:” April Fool’s special with books and films about pranksters, Sat, 8:30.

BIG UMBRELLA STUDIOS 906 1/2 Divisadero, SF; www.bigumbrellastudios.com. $1. “This is No Joke: These Movies Were Really Made:” •The Room (Wiseau, 2003), and Troll 2 (Fragasso, 1990), Fri, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. “Sing-a-long:” The Wizard of Oz (Fleming, 1939), Wed-Thurs, 7 (also Wed, 2). •Pee-Wee’s Big Adventure (Burton, 1985), Thurs, 7:30, and Edward Scissorhands (Burton, 1990), Thurs, 9:20. The African Queen (Huston, 1951), Sat-Sun, 2, 4:30, 7, 9:20.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-15. Certified Copy (Kiarostami, 2010), Wed-Thurs, call for times. Phil Ochs: There But For Fortune (Bowser, 2010) Wed-Thurs, call for times. Winter in Wartime (Koolhoven, 2009), call for dates and times. The Storm That Swept Mexico (Teles and Ragin, 2011), Thurs, 7. Trophy Wife (Ozon, 2010), April 1-7, call for times.

GOETHE-INSTITUT SAN FRANCISCO 530 Bush, SF; (415) 263-8760. $7. “From the Wild West to Outer Space: East German Films:” Hot Summer (Hasler, 1968), Thurs, 7.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. “Re-Imagining Gaza,” short films produced by Palestinian youth, Wed, 7.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. “CinemaLit Film Series: French Twist:” Irma Vep (Assayas, 1996), Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. “Film 50: History of Cinema: Fantasy Films and Realms of Enchantment:” The City of Lost Children (Jeunet and Caro, 1995), Wed, 3:10. “Radical Light: Alternative Film and Video in the San Francisco Bay Area:” “Different Tongues: Film in Dialogue With Music, Literature, and Dance,” Wed, 7:30; “Preserving the Avant-Garde at PFA,” Sun, 3. “Behind the Scenes: The Art and Craft of Cinema: Patricia Woodbridge on Art Direction:” “Lecture by Patricia Woodbridge” followed by I Am Legend (Lawrence, 2007), Thurs, 7; Shutter Island (Scorsese, 2010), Sun, 5:30. “Under the Skin: The Films of Claire Denis:” Beau travail (Denis, 1999), Fri, 7; Trouble Every Day (Denis, 2001), Fri, 8:30; Wings of Desire (Wenders, 1988), Sat, 8:30. “Afterimage: Filmmakers and Critics in Conversation: Patricio Guzmán with Jorge Ruffinelli:” Salvador Allende (Guzmán, 2004), Sat, 6:30.

PARAMOUNT 2025 Broadway, Oakl; 1-800-745-3000, www.ticketmaster.com. $5. Pillow Talk (Gordon, 1959), Fri, 8.

RED VIC 1727 Haight, SF; (415) 668-3994; www.redvicmoviehouse.com. $6-10. The Mystery of Kaspar Hauser (Herzog, 1974), Wed, 2, 7, 9:20. Kaboom (Araki, 2010), Thurs-Sat, 7:15, 9:15 (also Sat, 2, 4). Black Swan (Aronofsky, 2010), Sun-Mon, 7, 9:20 (also Sun, 2, 4:15). The Housemaid (Im, 2010), April 5-6, 7:15, 9:20 (also April 6, 2).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Queen of the Sun: What Are the Bees Telling Us? (Siegel, 2010), Wed-Thurs, 7, 8:45. “Men and Machine Guns:” Ninja Turf (Park, 1985), Fri, 7:30; Miami Connection (Park, 1987), Fri, 9:15. Orgasm, Inc. (Canner, 2009), April 1-7, 6:45, 8:30, 10 (no 8:30 show Sun/3; also Sat-Sun, 1:30, 3:15, and 5).

SAN FRANCISCO MUSEUM OF MODERN ART 151 Third St., SF; www.sfmoma.org. $10. “San Francisco Cinematheque:” “Radical Light: In Search of Christopher Maclaine: Man, Artist, Legend,” Thurs, 7.

SAN FRANCISCO MAIN LIBRARY 100 Larkin, SF; www.sfpl.org. Free. Bicycle Bride (Zee, 2010), Sun, 2.

VORTEX ROOM 1082 Howard, SF; www.myspace.com/thevortexroom. $5 donation. “Thursday Film Cult:” •Some Girls Do (Thomas, 1969), Thurs, 9, and The President’s Analyst (Flicker, 1967), Thurs, 11. YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. “Human Rights Watch Film Festival:” In the Land of the Free (Jean, 2009), Thurs, 7:30. “Iran Beyond Censorship:” Close-Up (Kiarostami), Fri-Sat, 7:30; Crimson Gold (Panahi, 2003), Sun, 2; White Meadows (Rasoulof, 2009), Sun, 4. “San Francisco Cinematheque:” “Two Together One: Stanton Kaye and Jim McBride,” Fri, 7; “Two Together Two,” Sat, 7. These events, $10. “Fearless: Chinese Independent Documentaries:” Karamay (Xu, 2010), Sun, 1.<\!s>*

5 Things: March 29, 2011

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>>EYES OUT FOR LIL’ ONES What does a San Francisco look like where everyone is safe to ride their bikes? Well, a lot like next Thursday, April 7, we hope. That’s the day that 3,000 (at least) schoolkiddos will be hopping their two-wheelers to over 40 different schools. The San Francisco Safe Routes to School program is still looking for volunteer bike chaperones and mechanics to help families for the day, who wants to put on their teacher’s hat?


Betabrand’s Greed Pants: but one of many ways to support your local manufacturers

>>MADE YOU LOOK What do a Dogpatch bike bag factory, a fancy men’s shirt maker, SF’s biggest beer brand, and a socially-conscious print shop have in common? They’re all members of SFMade, a business association comprised of companies that manufacture their goodies inside city limits. Need to know more? The NYT gave them a sterling writeup in the op-ed section this past Sunday. 

>>SKOOL SOMEBODY East Bay Free Skool‘s starting a newsletter for adherents to its circus skill-sharing-Spanish learning-urban studying sessions for the shallow-pocketed, yet deserving-of-education masses. And the skool longs for your voice to be represented within its Xeroxed reams! Holler at eastbayfs@gmail.com if you’ve got a tale to tell from a class you’ve gone to/taught at, submissions due by Friday, April 1. 

>>LISTEN UP SLACKERS SF’s own Jenny Blake, a Career Development Program Manager at Google – something like an internal cheerleader and guidance counselor for the Google masses – launches her book today, Life After College: The Complete Guide to Getting What You Want. Check out her blog to glower at the hundreds of pics in which Blake looks consistently clean and well-fed (something many of us post-collegiate-types still strive for), or simply check out her promo video – it’s filmed in front of the Bay Bridge, and there are some nice birds in the background. 

>>GETTING STOKED FOR TOMORROW’S PET ISSUE After our slow loris scare yesterday we’re all on edge of the abuse of animals in adorable videos, but this one seems okay:

Dogboarding from DANIELS on Vimeo.

5 Things: March 25, 2011

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>>I DREAMED MY BIKE HAD FENDERS… Should the rain keep up you will need a weekend project and more pots to catch the surprising amount of leaks a Victorian can accumulate in 100-odd years. But we’ve got you on the project: dream catcher 101, courtesy of ridiculously intriguing Portland style blogger Jena Coray. Ms. Coray’s site, Modish, can be depended on for ravishing vintage photographs interspersed with cute-as-a-button used uniform jackets, locally made jewelery, and snippets on that most haute of Portland pastimes, gardening. Nightmares begone!

>>MOUSE IS IN THE HOUSE Caught live painting at the Fillmore’s Craft Brewers Conference event last night: famous psychedelic poster artist Stanley Mouse, who was creating canvasses of bizarre creatures knocking back suds — only slightly less bizarre than the bearded creatures knocking back suds that surrounded him, talking about how they “used to spend soo much time looking at those posters back in the Dead days, man.” Mouse had a copy of his 1992 book out on a nearby table: Freehand: The Art of Stanley Mouse. It looked. Awesome.

>>BUN YOU Can the tasty, inexpensive Vietnamese sandwiches known as bahn mi, responsible for those lunchtime lines outside  Saigon Sandwich in the Tenderloin, make the journey uptown? We’ll find out on April 1 when Bun Mee opens on Fillmore Street in Pac Heights, right next to the MAC cosmetics bar and directly across from preppy magnet the Grove. Even more pertinent: will the new location put an end to honest Vietnamese classics like head cheese and pork belly, or if it will fit in with its surrounding environs by Frenchifying and Californicating its menu with items like duck confit and braised rabbit bahn mi?     

>>SQUID SCIENCE Few things gross us out – er, awaken our awe of nature – more than the slinky, writhing column that is the squid. And so it is with great trepidation and masochistic glee that we await  Wendy William’s new book Kraken: The Curious, Exciting, and Slightly Disturbing Science of Squid. Apparently, the fish (are they fish? Mollusks? We don’t even know) might be able to help us out with that whole solving Alzheimer’s thing. She comes to the Booksmith to talk about the thing on April 27. Shiver. 

>>BREAD OR DEAD We love Acme, we adore Arizmendi — but sorry y’all, the Honey Whole Wheat Bread from Edith’s Baking Co. Modesto is like the filet mignon of baked goods. Seriously, we want to use a steak knife on that toasted goodness, it’s that thick and rich. You can grab a weighty loaf at the Heart of the City Farmers Market in the Civic Center all day on Wednesdays and Sundays.   

 

Hot sexy events: March 9-15

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Hole-y moley, it’s time to say sayonara to Chaps, compadres – again. After assuming the name of the classic leather bar that called the DNA Lounge’s address home in the ’80s, Chaps II (as the 1225 Folsom location is formerly called) is switching identities to Kok Bar SF. Is the new moniker a sly wink to the once-was Kokpit bar of San Francisco gone by? Or have we perhaps been spending too much time at the new GLBT History Museum? Regardless, Saturday the 19th will be Chaps last night open before it metamorphs into Kok, which will reopen April 1 at 9 p.m. for cruising good times. 

Luck OH! the Irish

Alameda County Leather Corps event on Sunday notwithstanding, I’m a bit disappointed in the dearth of St. Patty’s themed sex events this year. C’mon, Mission Control, where was your call for leprechaun-themed codpieces and pots-of-gold augmented cleavage? Missed opportunites. Luckily, a brave band of gingers have taken up the call for Irish fun times — check out Powerhouse’s Patty’s themed “party for the dirty gentleman,” where you are cordially invited to kiss someone’s Blarney stones. 

Weds/9 10 p.m.-2 a.m., $3

Powerhouse

1347 Folsom, SF

(415) 552-8689

Facebook: Luck OH! the Irish

 

Bawdy Storytelling: Jackpot!

Dixie De La Tour’s monthly story-on-stage series has gathered up fetish photographer Charles Gatewood, musician Catie Magee, videogame developer Agent Orange, and others to recount their tales of getting what they thought they really wanted – from a meeting with their fave porn star to a women’s-only sex party – and the resulting epiphany/chagrin/orgasm.

Weds/9 8 p.m., $10

The Blue Macaw

2565 Mission, SF

www.bawdystorytelling.com


Radical Polyamory

It’s one thing to figger out that what your love life is missing is a trip to the polyamory buffet. But it’s an entirely separate challenge to move confidently with that choice through the vanilla, monogamy-normalized world. This workshop with sex activist Julianne Carroll focuses on just that, blithely hopping about from the best ways to approach relationship agreements, confronting jealousy, emotional safety, to changing the world. 

Weds/9 6-8 p.m., $20-25

Good Vibrations

1620 Polk, SF

(415) 345-0500

www.goodvibes.com 


The Art of 8 Limbs

Leave your bag of tools at home this time, kinky community. Disciple, local expert in kinky grappling and cell popping, will be teaching this class in utilizing one’s own body as an implement in body impact play and striking. And just to make sure you’re not inflicting pain on unsuspecting parties, part of the night will be devoted to stretching exercises you can perform before you put the techniques into play.

Thurs/17 8-10 p.m., $20

SF Citadel

1277 Mission, SF

(415) 626-2746

www.sfcitadel.org 


Strap-ons and Smut

Add to your repetoire as a lover with this dual-mission educational evening. Rain DeGrey (she’s everywhere this week – check out Sun/13 for more of her) will be wielding her strap-on for the good of your sex life, and erotic writing educator Jenn Cross explores the art of the slutty love letter. The event at Mission Control is part of Femina Poten’s program there while the art-sex gallery remains physical location-less. 

Thurs/10 7-9 p.m., $15

Mission Control 

www.missioncontrolsf.org


Von Gutenberg Fetish Ball

Calling all latexuals: Von Gutenberg, purveyor of fine electric pink latex cigarette girl costumes and webmaster of all things tight and shiny is holding its extravaganza dress-up weekend, featuring three days of costumed craziness, taped nipples, and pumping beats to writhe to.

Thurs/10-Sat/12, $95 for weekend pass

Various venues, SF

www.vongutenbergblog.com


Give up the Bootie! Anal Play 101

No need to shy from the ass – here’s a class that take you through the paces of rimming, enemas, butt plugs, prostate massage, and more. Rain DeGrey, BDSM educator, rigger, and fetish model, takes you through the paces of one of her favorite pastimes. 

Sun/13 2-5 p.m., $20-40

The Looking Glass Dungeon

Jack London Square, Oakl.

www.myspace.com/thelookingglassdungeon

mail@thelookingglassarts.com 

 

Schoolyard bully

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news@sfbg.com

The San Francisco Unified District is facing scrutiny over its decision to move a charter high school into Horace Mann Middle School for the 2010-11 school year. Parents and teachers at Horace Mann and even members of the Board of Education were not informed of this decision until it was finalized last month, sparking questions about how this decision could have been made without communicating to all the parties involved.

This is the third time in recent years that the district has moved charter schools into public school facilities without notifying employees and parents before a decision is reached. In 2008, the district decided to relocate Excelsior Middle School to International Studies Academy High School, notifying parents of the move just months before the school year started. The charter school City Arts and Technology took over Excelsior’s site and was notified of the move a month before Excelsior parents.

In another case from 2008, district officials made a decision to co-locate Denman Middle School with Leadership High Charter School, again without informing the community of its decision until it was finalized. Now the charter school Metro Arts and Technology High School is moving from Burton High School in the Bayview District to Horace Mann in the Mission.

San Francisco Board of Education member Jill Wynns didn’t know about Metro’s move until parents brought up the issue at the June meeting. She said it’s hard to let the community know about impending decisions because balancing community involvement and trying to avoid “public hysteria” is a difficult task. “Our commitment is to involve the community, but they are not allowed to make the decisions,” Wynns told the Guardian. “We want them to know, but the decision is not up to them.”

Still, Horace Mann teachers said that the district’s habit of not notifying the community of its decisions isn’t fair, especially since Metro parents knew about the move months before they did. “The process is really disrespectful to the parents and it’s happening consistently to the disempowered,” a Horace Mann teacher who asked not to be named for fear of retribution, told us. “This is happening to schools with high amounts of people of color and low socioeconomic statuses.”

Envision Schools, the Oakland-based organization managing two charter schools in San Francisco, including Metro, wrote a letter to Superintendent Carlos Garcia on Oct. 15 requesting to move Metro to another facility, citing lack of natural light in its classrooms, lack of offices and spaces for administration, inadequate science labs, and lack of an identifiable school front entrance. Metro is protected under Proposition 39, a law voters approved in 2000 mandating that school districts must accommodate charter schools with facilities comparable to those used by other students.

Wynns said part of the problem is that Prop. 39 gives charter schools too much power. “The regulations are all biased in favor of the charter schools, and the charter schools rights are paramount,” Wynns told us. “We had Metro in a facility that, in my opinion, was more Prop. 39 compliant than the facility they will be going to now. And now we are going to crowd them in a middle school.”

Board members who criticize the deal say that the district didn’t follow district policy in this case. Wynns said that while some members of the board were under the impression that Metro was staying at Burton or that Horace Mann was only a consideration, district officials had already made the decision that Metro was moving to Horace Mann without notifying the board — a violation of board policy.

In an April 1 memo, the district finalized the offer for Horace Mann and then took the offer back and offered the Burton site in an April 30 memo. Metro lawyer Paul Minney responded in a May 11 memo, demanding co-location at Horace Mann and threatening legal action. The district responded by reinstating its initial offer of Horace Mann in a May 28 memo.

“Districts have a legal obligation to provide all charter schools with appropriate space to run a quality educational program. Consideration has to be given to determine if a designated school site is able to share facilities without having a significant impact on either school’s day to day operations,” district spokesperson Gentle Blythe told the Guardian. “In the case of Mann and Metro, the decision to co-locate was a matter of pending litigation and the ideal process was usurped by legal constraints.”

Board member Rachel Norton said that much of the miscommunication was the result of informal conversations between Envision Schools CEO Bob Lenz, Superintendent Garcia, and Horace Mann Principal Mark Sanchez about the impending move. In an e-mail dated March 11, Lenz contacted Garcia about their upcoming March 17 meeting and stated that Sanchez thought a partnership between Metro and Horace Mann would be “revolutionary.” According to board policy, negotiations are made between Director of Charter Schools Mary Richards and the head of the affected charter school. Although these informal conversations aren’t a violation of board policy, Norton said that these conversations created miscommunication.

Lenz wouldn’t comment on Norton’s remarks, but said, “It’s most important to look at how the district and Envision Schools could be good partners together. Rather than look back, we look forward to participating in a transparent process with the district going forward with the Prop. 39 process.”

According to Horace Mann teachers, Garcia and Sanchez claimed they were not aware that they had agreed to a final, binding offer, although correspondences suggested otherwise. E-mails dated March 30 included final offer copies of facilities for Metro to Garcia and Sanchez, who did not return our calls seeking comment by press time.

“I’m not quite sure who knew what, when,” Norton said. “I think it’s pretty clear that people were notified about the final offer that went out. Whether or not they saw that notification is another question. I’m certainly not accusing anyone of lying, but I think that there were just two levels of understanding because it wasn’t a clear process.”

“Its hard to believe that as previous president of the school board, Mark [Sanchez] did not know that this was a final offer,” a Horace Mann teacher said. “This has put a huge strain on the relationship with the staff and the principal.”

Despite tensions within Horace Mann staff, newly appointed Metro Principal Nick Kappelhof said he’s looking forward to the next school year. “I view this as an opportunity to partner in ways that’s not common in other co-locations,” Kappelhof told us. “Our philosophies are aligned and we’re excited to learn from them. I see it as a rich opportunity between staff and a great community.”

Metro has a one-year lease with Horace Mann and will occupy eight classrooms in the sixth-grade annex building and five rooms in the main building. Although many parents have fears about these middle school and high school students interacting, staff members at Horace Mann and Metro plan on organizing different bell schedules and designating separate areas for the two groups.

As the school year draws nearer, Horace Mann staff hopes for ways to get past this messy situation. “I hope Envision doesn’t feel the need to retaliate against the public school system, and that they think twice before they threaten a lawsuit because it’s easy and it’s the first thing they go to,” a Horace Mann teacher told us. “I hope there are lessons learned on both sides about how to do this successfully in the future. I think it can be a positive experience — co-location doesn’t have to be hard.”

But Wynns and Norton fear Metro will pressure the district to let the charter school remain at the site, whether or not students and parents there now think it’s a good fit. “I will be very surprised if their Prop. 39 request [for facilities following this school year] will not say Horace Mann — and I believe [it] will,” Wynns said of Metro.

“I want us to do everything in our power to protect ourselves against that happening [Metro extending its stay at Horace Mann],” Norton said. “I don’t know precisely what that would be, but I think we have to take steps to make it clear that the site is unavailable for them next year.”

With an uncertain future, Horace Mann will open its doors to Metro this month, becoming either another example of a growing partnership or another public facility fallen prey to charter school takeover, depending on one’s perspective.

The shit show’s extended run

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By Brady Welch

You really can’t make this shit up, people. Since we last reported on the shit show which had gone cross-bay all the way to Alice Waters’ backyard, further accusations have been lobbed, acid press releases have issued forth, and now there’s even a “legal complaint” against, get this, the UK’s Guardian newspaper.

Francesca Vietor, executive director of the Chez Panisse Foundation and vice president at the center of the San Francisco Public Utilities Commission, the agency at the center of this mess, has filed contested a story in the Guardian,” with that paper including the line “This article is the subject of a legal complaint made by Fransesca Vietor” at the top of its article online. What seems to be at issue is a line that states that the SFPUC’s giveaway “was overseen” by Vietor. While that’s exactly the claim that the Organic Consumers Association has made on its website and in press releases, its probably more accurate to say she was a member of the board that oversees the agency that oversees the program.

In an April 1 statement by the Chez Panisse Foundation (issued the day of the OCA’s original but sparsely attended protest), the organization claimed that, “Ms. Vietor has never promoted the SFPUC program. In fact, as soon as [the OCA] brought the program to her attention, Ms. Vietor asked the staff of the SFPUC to do three things,” which the statement lists as putting the program on hold, conducting additional testing, and issuing a public call for alternative solutions. The first has been put into effect (a fact curiously absent from today’s belated San Francisco Chronicle story on the subject), but as far as we can tell, the last two are still waiting to happen.

Nevertheless, while we’re willing to grant Vietor the benefit of the doubt regarding her initial ignorance about the giveaway program (and then successfully suspending it), what’s still troubling is that it was an outside advocacy group that had to bring the program to her attention in the first place. She’s the vice president of the SFPUC after all, and the compost giveaways were a very public campaign.

It’s one thing if Berkshire Hathaway CEO Warren Buffet claims he didn’t know Fruit of the Loom, a Berkshire-owned company, was using, say, endangered albino chimpanzee pelts in its trademark tighty-whities (which we’re not saying, so put down that lawsuit, Warren). But it’s quite another when the VP of the SFPUC board of commissioners (and executive director of the Chez Panisse foundation, as well as former director of the SF Department of the Environment) didn’t know about her agency’s program to greenwash sewage sludge and give it to the city’s gardeners. We’re not saying Vietor lied. We’re just suggesting that maybe she should have read her company emails. Or at least picked up the newspaper.

The Chez Panisse Foundation, for their part, has asked for a public apology for what they take to be the slanderous charges of the Organic Consumers Association. But if we know the OCA, and we’ve talked to them many times on the phone, this is unlikely to happen.

As far as we’re concerned, the most important thing in the matter is that the program be suspended—something which the OCA, the Center for Food Safety, and apparently, Vietor herself, all sought, and succeeded in doing. The second most important thing is putting all the issues and stakeholders out in the open, which if nothing else, our continued reporting of the story has attempted to do. And while this shit is beginning to get a little bit old, and perhaps less odorous, the Guardian will continue to keep you posted.

Judge sets hearing on contempt order for SF Weekly’s bank

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Superior Court Presiding Judge James McBride April 1 granted a motion by the San Francisco Bay Guardian to set a hearing for the Bank of Montreal, the lead bank for the SF Weekly and its parent chain, to show cause why it should not be held in contempt of court for interfering with a judge’s order in the Guardian’s attempt to collect on its $2l million plus judgment in a 2008 predatory pricing trial.


McBride set the hearing for April 30 and said that he would not hear the case but would assign another judge to hear it.


He said at the beginning of his remarks that the Guardian in its briefs had established a prima facie case for a hearing.
After hearing oral arguments from Guardian attorneys Richard Hill and Jay Adkisson, and Bank of Montreal attorney
Dan Falk, McBride ruled in favor of the Guardian’s motion.


The motion addresses the latest twist in the efforts by the Weekly’s parent company, Village Voice Media, to duck payment of the judgment. For more than two years, since a jury ruled in the Guardian’s favor, VVM and the Weekly have been hiding behind a complex corporate structure and a cozy relationship with a banking syndicate and have refused to pay the debt.


The Guardian has seized two of the Weekly’s vehicles and the rent that subtenants pay the Weekly, and on March 9th, Court Commissioner Everette A. Hewlett Jr. ordered the Weekly to turn over half of its ad revenue to the Guardian.


The Guardian contacted the Weekly’s advertisers and advised them of the order. But, according to the Guardian brief, “after BMO received notice of the 9 March 2010 order, it began contacting all of the advertisers subject to the Assignment Order and instructed them to disregard that order and make payments directly to BMO.”


The Bank of Montreal, which heads a banking syndicate that has helped finance VVM’s expansion over the years, argues that VVM owes $77 million on a loan, and on March 12th, the syndicate declared the loan in default. That, the bank argues, means that BMO gets all of VVM’s money and that the Guardian is second in line.


However, the chain was valued just two years ago at $191 million, and under California law, BMO is required to marshal the assets of VVM – that is, to do an inventory of what the company owns and what it’s worth – so that other debtors can be paid.


“I have three times requested in writing to BMO that they marshal the assets of SF Weekly LP and New Times Media LLC, however BMO has never responded,” Adkisson stated in his court filing.


Hewlett has already said in open court that “it is possible that [BOM is] in contempt of court.”


The Guardian will be back in court April 14th asking that a receiver be appointed to take control of SF Weekly’s finances.


The banks in the syndicate that are holding the VVM debt (as of March, 2009) are Bank of Montreal, U.S. Bank, Wells Fargo, WestLB AG, Rabobank, BNP Paribas, and Brown Brothers Harrimann. You can read Adkisson’s filing here (PDF)

Sit-lie: A city planning issue?

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The City Planning Commission will be taking up the proposed sit-lie law April 1. No, that’s not an April Fool’s joke — city planners are going to take testimony and weigh in on the proposal to ban sitting on the sidewalks. Why is this a planning issue? Well, Commissioner Michael Antonini asked for a hearing to see what other cities do (and he’ll probably push the commission to endorse the law) — and Commissioner Christina Olague wanted to see what impact the law would have on the city’s Pavement to Parks program.

It’s a serious question: A Planning Department staff report (PDF) discusses the issue in some depth, noting that the General Plan suggests that “parts of wide sidewalks can be turned into children’s play areas and sitting areas for adults.” General Plan policy 26.1 calls on the city to “consider the sidewalk as an important element in the citywide open-space system.” After all, streets and sidewalks take up 25 percent of all the land in San Francisco — far more than the parks.

And the Planning Department has been moving actively in the past year to turn more bits of pavement into temporary urban parks, places that used to be streets or sidewalks where people are now encouraged to …. sit. “It is unclear if the ordinance would apply to the temporary plazas and informal seating crated by Pavement to Parks,” the report concludes.

So expect some sparks to fly here, and for a heated debate if the commission tries to take action supporting or opposing the law.

 

Alice Waters protested for supporting using human waste as compost

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By Brady Welch

In a story that continues to amuse and fascinate, it appears that the human biosolids compost shit show we wrote about last week has left town… and ended up in, of all places, Alice Waters’ own backyard garden. That’s right: the seasonal, local, and cage-free proprietor of Berkeley’s fabled Chez Panisse has emerged as a staunch and unlikely defender of fertilizing your garden with sewage sludge compost, which San Francisco officials have recently discontinued giving away because of environmental concerns.

It all started when the Organic Consumers Association found out that Francesca Vietor, executive director of Chez Panisse’s non-profit arm promoting safe and healthy food for kids, was the same Francesca Vietor who is vice president of the SFPUC Board of Commissioners, which had until very recently been pawning off toxic compost made from human waste contaminated with industrial chemicals and heavy metals.

The news was like finding Mom (Chez Panisse) in bed with a Hells Angel (the SFPUC).

But we understand organizational slip-ups happen, and we trusted Waters to do the right thing, issue an apology, and figure out what to do with Vietor. But it turns out that the Bay Area’s advocate for a slow food economy that is “good, clean, and fair,” has decided instead to stand in defense of a system that is, frankly speaking, fast, cheap, and out of control.

On March 23, OCA National Director Ronnie Cummins wrote a letter to Waters asking how this could be. The letter reads, in part:

“Considering that the sludge was given to several local schools for use on their educational gardens, your work with the Edible Schoolyard should especially elicit your concern. This is certainly in direct opposition to the standards that Chez Panisse Foundation and the Edible Schoolyard encourage and uphold. It seems to us a clear conflict of interest that Francesca Vietor should serve as both the Executive Director of the Chez Panisse Foundation and the Vice President of the PUC.”

Waters wrote back March 30:

“I have been involved with the organic garden movement for 40 years. I believe in the transparency of public institutions and count on the government to offer the highest standards outlined by the Organic Consumers Association and other reliable advocates. I look forward to reviewing the science and working with the SFPUC to ensure the safety of composting methods.”

Well, the science is already in, and as we reported, it isn’t pretty; and more, our public institutions aren’t that transparent either, especially when it comes to sewage sludge compost. So on April 1, the OCA plans to hold a protest at noon to commemorate Chez Panisse Café’s 30th anniversary and perhaps remind the East Bay bastion of sustainability why diners have patronized them for so long.

Introducing Fossil Fools Day

0

“The fossil fools ain’t no joke – but that doesn’t mean we can’t fight them with one,” say activists at www.fossilfoolsdayofaction.org as they announce plans to pull pranks April 1.

Citing destabilization of the global climate, and the inconvenient truth that communities from Alaska to Alberta to Appalachia are being destroyed by dirty energy extraction and combustion, super hurricanes, droughts, Rising Tide North America charges that in December 2009, politicians in Copenhagen, “sold us out to the fossil fools, corporate lobbyists and big banks.”

“Now we’re left with ‘green capitalism,’ carbon market shenanigans and continued assaults on our communities and ecosystems,” Rising Tide states. ” If we’re going to stop climate change, the only real solution is to keep fossil fuels in the ground.”

They are promising to convert the usual April Fool’s Day jokery into Fossil Fool’s Day, by “pulling some pranks that pack a punch.”

In the Bay Area, some of these self-described clowns plan to pay a visit to Chevron “to send a message that fooling around with fossil fuels is fooling around with our future.”

Rising Tide North America spokesperson Sarah Hampton told the Guardian that interested parties are invited to meet at 6:45 am, April 1 at Ashby BART station in Berkeley “to make noise and theater and educate the local public about our demands to Chevron and the atrocities that Chevron is responsible for globally.”

“We are not announcing where we will be going,” Hampton clarified. “But if folks want to get involved, they are welcome to meet at Ashby BART station, dressed like clowns and bringing musical instruments, as long as they are not planning to be violent.”

Zion I is home and grown

1

Marriage, jobs, cars— ten years can be a stretch for a lot of things in our world, but the hip-hop created by Zion I is still fresh after a decade, the signs of wear and tear only showing on the albums themselves. Producer AmpLive and emcee Zumbi make up the Bay Area duo—playing Thurs/1 at the Rickshaw Stop and Fri/2 at the Independent— who have just returned from a 35-city tour around the country. Zumbi says they’re officially “ready to vibe with the hometown crowd.”

“The tour was great, but I need to get my life and routine back together,” Zumbi said over the phone while prepping for his regular show on Oakland’s Youth Radio. Sharing the bill with Cali-raggae stars Rebelution and Soja, the laid-back hippy crowd proved to be quite different than the fans Zion I usually sees when they share the stage with other hip-hop artists. 

 

“A lot less ego and a lot more energy,” he said, noting that the tour consistently had an average of one to three thousand people in the audience. “Usually on a tour, it fluctuates. Some nights are big and others just have 50 people. The consistency brought out a lot of energy. Every night was so exciting— never a drag.”

 

His favorite stop on the tour was definitely New Orleans. The massive amounts of reconstruction throughout the city reminded him a lot of where he calls home— West Oakland. 

 

“The old Victorian houses, next to the new condos and all the construction. New Orleans was like my neighborhood three times over. It was nuts.”

 

Zion I

 

Back on his home turf, Zion I is the same cat you met back in the late ‘90s: prominently loaded with thick, luscious beats from AmpLive’s unpredictable bag of tricks and smooth, conscious lyrics from the mouth of Zumbi. Funk, soul, D&B, and space vibes remain as they have throughout Zion I’s career, but their sixth and most recent release, The Takeover (Gold Dust Media, 2009), really hits home by honing in on these qualities. Sharp hooks, anchored melodies and beats that bump make this album congruent with Kanye-style hits. 

 

“We switched up our process and did lots of revisions on this album. We’d change up one song like two, three or four times. I’d write three or four raps for each beat,” he said, which is quite a contrast to the previously process: Amp would make the beat, Zumbi would write the rhyme and they’d record. 

 

Such a drastic change in work ethic doesn’t just come out of nowhere. 

 

“Well, we’ve been in this for ten years…” he starts out. “And Amp just got married and had baby. And we both just bought houses.” The truth comes out: they’ve grown up. And so has their music. “We’re ready to take on more responsibilities. This is where we are. We are grown men with something to say.”

 

Zumbi considers each song like a journal entry, a story in each song that reflects where these two men have been, what they’ve seen and the thoughts the journey has inspired. 

 

And he wraps it up in one perfect statement: “One of the most beautiful things in life is to watch an artist evolve.”

 

 

Zion I


Thurs/April 1

Rickshaw Stop 

155 Fell St, SF

9pm, $18/20

www.rickshawstop.com

 

Fri/April 2

Independent

628 Divisadero Street, SF

9pm, $18/20

www.theindependentsf.com


Let’s hear it for the Boy Boy

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arts@sfbg.com

MUSIC One morning, I woke up to a call from a woman named Tasha. “Messy Marv wants to speak to you,” she says. Uh-oh, I think, what’d I do? Mess isn’t the kind of guy who calls just to chop it up. “He wants you to write an article,” she says. This isn’t my usual method, but given the difficulty of touching down with the Fillmore District native, I’ll tape first and ask questions later. Mess has largely been out of state since getting out of jail (for a weapons charge) in late 2007, and his absence has inspired controversy in the Moe, so I’m wondering if he wants to address it.

But Mess has other things on his mind when he phones from Miami.

“Let’s talk about 400,000 units independently,” he begins, an impressive tally of cumulative sales in the Bay. Mess’s fanbase extends well beyond the region; he’s been featured on discs by the likes of Killer Mike and Tech9ine, Snoop Dogg shouts him out on Malice in Wonderland (Doggystyle/Priority, 2009), and he provided a 20-year-old Keyshia Cole her first real exposure on his third album, Still Explosive (M Ent., 2001). Cole’s returning the favor by recording a single with Mess, “Luv Somebody,” for his album, The Cooking Channel, slated for July 7.

But even this isn’t what he wants to talk about. Right now Mess is all about his corporation, Scalen, LLC, whose name derives from one of Mess’ aliases, Messcalen. Scalen began as Mess’s record label, which he recently rebranded Click Clack Records to signify its integration into the new company whose other divisions include Scalen Films and Scalen Clothing.

“The beginning of my career was all music,” Mess says. “But now I’m a CEO.” In the era of Jay-Z and P. Diddy, most rappers have aspired to their own corporations. Yet in the perpetually underfunded Bay, such dreams tend to remain unrealized. But Mess, who’s been moving units since age 15, appears to be realizing the goal. Scalen Films already has two DVDs in the can for release later this year: Gigantic, a documentary on Mess’ life, and All Gas No Breaks, his dramatic debut. He’s shopping his reality show, Mr. Ghetto Celebrity, whose trailer can be seen on his Web site, scalenllc.com. He’s got dudes like Big Boi wearing Scalen t-shirts and plans to launch two lines in the fall: Cupcakes (for women) and Slick Talk (for men). But the most immediate project is a 12-disc, limited edition set of Mess’s back catalog, Project Suppastarr, due April 1. Priced at $50 and including a Scalen shirt and autographed posters, the project is designed “to give the consumers something for their money.” (“It’s a $340 value,” he claims on his Web site infomercial.)

As we wrap up, I ask Mess about the Fillmore controversy. Two Fillmore rappers formerly on Click Clack Records, Young Boo and M-Kada, have released a harsh diss video, “Last of Us,” challenging Mess’ hood credentials. It’s included on Where’s Messy Marv? (Homewrecka Ent., 2010), an entire DVD devoted to Mess bashing. All this is on top of a major beef last year with his childhood friend and collaborator, San Quinn, which, despite being quashed, has left lingering ill-will in Fillmore. Mess, however, just laughs at the turmoil.

“You grow out of situations,” he says. “This is based on me growing up, and a lot of people don’t understand that. I just look at it like promotion — they my street team. I’m not paying for once.”

Nonetheless, Mess wants to leave the drama behind, going so far as to rebrand himself as the Boy Boy Young Mess for this new stage of his career. “I’ve transformed into another person. I’m a whole new entertainer, man, father. I’ll still always be ‘Messy Marv.’ But a lot came with that name, so I’m going to leave it where it is.”

A 40-year Last Gasp that’s getting stronger

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By Cécile Lepage

Last Gasp, San Francisco’s landmark independent and underground publisher, is turning 40. To celebrate this feat – in four decades, Last Gasp has spawned more than 300 comics and 250 books – it is throwing a party and an art show Thurs/April 1 at 111 Minna Gallery.

Who dared wager, in the mid-1970s, that Last Gasp would survive the withering of the underground comix scene? Head shops, the main outlet for unedited explicit sex-, drug-, and violence-ridden content (the “x” in comix stands for X-rated), were being prosecuted and forced to shut down due to anti-drug paraphernalia laws. Comics stores favored the more mainstream adventures of masked men in tights. Finally,“there wasn’t the same appetite for comics anymore,” according to Colin Turner, associate publisher to his dad Ron, who founded Last Gasp. No matter: the small venture outlived its peers by continually adapting, tuning to consumer demand and catering to bookstores’ standards and their stapled-leaflet scorn. Over the years, Last Gasp branched out into artist monographs, coloring pads, music-related books and graphic novels.

Yet, browsing its odds-and-ends catalogue, one gets the sense that Last Gasp hasn’t compromised its bizarre and satirical bent. Sure, it might carry such mundane items as coloring books, but beware of the twist! Gangsta Rap Coloring Book flaunts 48-pages of line drawn gangsta rappers. As for Tee Corinne’s Cunt Coloring Book, well, the title says it all. Last Gasp may have diversified, but it never reneged on complete artistic license, the hallmark of underground comix.

Today, Last Gasp thrives in the areas of lowbrow art and pop surrealism. Lowbrow is an umbrella label for “art forms that are popular and wonderful, that people love, but that aren’t respected in the fine art world”, according to Colin. It ranges from tattoos and Kustom Kulture to street art and graffiti – artistic expressions rooted in pop culture that take place on canvases ranging from car exteriors to skin..

As for pop surrealism, the genre emerged from cartoon-y visuals only to reclaim traditional old master painting craftsmanship. Artists such as Scott Musgrove, Camille Rose Garcia and Mark Ryden colonize canvasses with impeccably-rendered phantasmagorical creatures and weird visions. Neglected for years by art institutions, the loose-knit community of lowbrow artists is gradually being endorsed by upscale galleries and museums, a shift that once again attests to Ron Turner’s prescient flair. Back in the day, he promptly discerned underground comix’ wide appeal and cultural relevance, supporting the work of then-young and aspiring artists such as R. Crumb, Bill Griffith, and Spain Rodriguez, all of whom matured into cult or mainstream icons.

It could be said that Ron Turner got sidetracked into publishing. In the late 1960s, the Fresno native enrolled in the SF State psychology department. The Peace Corps volunteer, freshly returned from a stint in Sri Lanka, was thrust into the Bay Area countercultural upheaval and its myriad of grassroots movements. As a Berkeley Ecology Center activist, he figured that he could raise funds by releasing an environmentally-oriented comic book.

“I thought the graphic approach would engage teenagers, help them thwart authority figures, and provide answers to ecological concerns”, Ron recalls. With the mentorship of Gary Arlington, the San Francisco Comic Book Company owner who was selling Zap Comix under the counter, he compiled and printed 20,000 copies of Slow Death Funnies 1. By that time, his Ecology Center accomplices had dispersed, and their successors only agreed to redeem 10 copies of the title. “My garage was filled with 19,990 Slow Death Funnies 1 and I had to find a way to get rid of them”, he laughs.

This task proved easier than one might initially presume: with his good-humored nature, Turner unloaded his goods at 200 locations, not just head shops but also universities, hairdressers and even a leather jacket store. Eventually,Last Gasp reprinted the comic and sold around 45,000 copies. After this initiation, the socially-aware Turner satyed in the business because “it was a kooky way to shed some light on issues that needed attention.”

Last Gasp’s second publication was the all-woman feminist first It Ain’t Me Babe. “At the time, I was living alone with my newly-born daughter and I was drawing comics,” says Trina Robbins, who put together the title. “But you wouldn’t know it, because the 98% male underground comix industry had shut me out. I heard that Ron was looking for material for a women’s liberation comic book. I phoned him. The next day he visited me, wrote me a check for $1,000 — which in those days was quite an amount of money — and voilà!”

The 1975 book Amputee Love probed another rarely addressed topic, the sexual life of a crippled couple. “UC medical centers purchased some copies to sensitize nurses to the fact that amputation does not mean death of sexuality,” says Ron Turner. Other notable contributions to unconventional subject matters include Anarchy (1978) and Cocaine Comix (1976).

According to Ron Turner, cartoonists hold the highest rank in creativity because they can communicate their vision the most clearly: “Most art is some form of propaganda. The artist wants to sell you on his vision and what it leads to.” Turner’s fascination with human behavior conditioning stems from his psychology studies.

At 70, Ron Turner still sports a hippie hairstyle: a white hair ponytail and an eccentric plaited beard running down to the navel of his buddha-like belly. Comix aficionados regard him not only as a pillar but also as a guardian angel. “Last Gasp is unique in that it’s a publishing house and also a distributor. It has kept many smaller and larger presses afloat,” explains Cartoon Art Museum curator Andrew Farago.

Niched in a corner room of Last Gasp’s Florida Street offices, Turner’s personal collection of popular art is an eclectic mix of original drawings and paintings, side show banners, circus items and vinyl sculptures. “Are these for real?”, hollers a guy named Charlie, who is lending a hand in preparing the anniversary art show. He has uncovered a pile of four framed paintings that serial killer John Wayne Gacy made while on death row. Lowbrow art is definitely not for the fainthearted.

Alerts

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alert@sfbg.com

WEDNESDAY, MARCH 31

Ecology Emerges


Join panelists Sam Schuchat (California Coastal Conservancy), Kristen Schwind (Bay Localize), and Harold Gilliam (SF Chronicle, SF Examiner) to discuss Bay Area-based experiments that shaped national and international ecological movements. The forum is part of the Ecology Emerges lecture series, a discussion series focusing on the history of Bay Area ecological activism.

6 p.m., free

San Francisco Main Library

Koret Auditorium

100 Larkin, SF

www.shapingsf.org

THURSDAY, APRIL 1

CounterPULSE Artists in Residence


See new works from CounterPULSE’s Winter 2010 artists in residence. Kendra Kimbrough Barnes examines the effects of incarceration on families in a dance piece and Jose Navarrete and Violeta Luna address the ill effects of water privatization in a production that includes dance, performance art, music, installation, and video.

8 p.m., $15–$20

CounterPULSE

1310 Mission, SF

(415) 626-2060

FRIDAY, APRIL 2

Women in Black vigil


Join this weekly vigil to protest Israel’s occupation of Palestine and continued U.S. funding of the Israeli Army. Make a statement that Jerusalem should be a shared capitol for all people of Israel and Palestine by calling or faxing the Consul General at the Israeli Consulate at (415) 844-7501 or fax (415) 844-7555.

Noon, free

Bancroft at Telegraph, Berk.

(510) 548-6310

SATURDAY, APRIL 3

Pacific Center community meeting


Attend an informational meeting about the future of the Pacific Center, the third-oldest LGBTQ Community Center in the U.S. as its supporters consider options for relocating in July when their landlord plans to sell the building they’ve occupied since 1973. Protesters of the center will be present to demand that the Pacific Center offer more services to homeless people in the queer community.

11 a.m., free

Pacific Center

2712 Telegraph, Berk.

(510) 548-8283

Plant your activism


Attend this roundtable discussion about the use of plants and chemicals from around the world, prohibited or not, and how they have influenced cultures past and present.

1:30 p.m., free

Long Haul

3124 Shattuck, Berk.

(510) 540-0751

SUNDAY, APRIL 4

Homes Not Jails rally


Make a statement that people’s rights should come before property rights at this rally and march to a building takeover site in support of seizing vacant houses for people living on the streets.

Noon rally, march to follow; free

Rally at 24th St. at Mission, SF

www.homesnotjailssf.org

TUESDAY, APRIL 6

Save Emeryville Child Development Center


Attend this Emeryville city council meeting where members will vote on the proposed plan to outsource ECDC’s services and fire all of ECDC’s teachers. ECDC has been providing children four months old to pre-K with a state-subsidized neighborhood program for 31 years.

6 p.m., free

Emeryville City Hall

1333 Park, Emeryville

Contact members at (510) 596-4376 2

Mail items for Alerts to the Guardian Building, 135 Mississippi St., SF, CA 94107; fax to (415) 255-8762; or e-mail alert@sfbg.com. Please include a contact telephone number. Items must be received at least one week prior to the publication date.

Lawsuit could expose SFPD-ABC collaboration

43

Imminent legal actions against San Francisco, its Police Department, and the California Department of Alcohol Beverage Control could reveal whether a pair of undercover agents went rogue in harassing nightclubs and aggressively busting parties or whether they were acting at the direction of top officials.

Attorney Mark Webb – whose work on a racketeering lawsuit against the policing agencies was the subject of cover stories in the Guardian and the SF Weekly – told us that on Monday, he plans to file that racketeering claim against the city (which will then become a lawsuit if the city rejects it, as it routinely does) and a related lawsuit in Superior Court involving the rough, unnecessary arrest of bartender Javier Magallon and harassment of Mike Quan, owner of The Room, Playbar, and Mist. Narrated surveillance video associated with the case was posted on YouTube yesterday.

Central figures in the lawsuit are SFPD Officer Larry Bertrand and ABC agent Michelle Ott, plain-clothes partners in an aggressive crackdown on nightlife over the last year. Webb said he plans to immediately seek police records and communications and to depose Bertrand and Ott to try to determine who ordered the crackdown, why, and when higher-ups became aware of their aggressive tactics.

“I would like to know if Bertrand is being sent places or if he’s just a lone wolf, and the CADs will show that,” Webb said, referring to computer-assisted dispatch reports that track activities and communications involving individual officers. Those and other records that Webb can access through the court-ordered discovery process could finally shed light on what’s behind the crackdown.

Webb had sought to have Mayor Gavin Newsom mediate this dispute before the cases were filed, saying the racketeering lawsuit will be expensive and divisive, and all the nightlife community really wants is an end to the harassment and assurance that it wouldn’t restart once the media attention passes. And Webb did have conversations with top Newsom aide Mike Farrah and with Nicolas King, Newsom’s liaison to the SFPD, but neither indicated that Newsom was willing to get personally involved. Newsom spokesperson Tony Winnicker also told us Newsom preferred to let Police Chief George Gascon handle the matter.

So Webb said he now plans to move forward with litigation. “If they’re not answering the call at City Hall, let’s get into the arena,” Webb told us.

Webb is an experienced litigator who has won multi-million judgments and who started his career in New York City helping prosecute Racketeer Influenced and Corrupt Organizations (RICO) Act cases against the mob, and now he plans to use RICO laws against what he says is a city-state enterprise to interfere with lawful nightlife activities in San Francisco.

“Webb gets it. It’s a weird mentality, the really good trial attorneys, and Webb is that,” said attorney Mark Rennie, who has spent decades working with the city’s entertainment industry and has helped advise Webb on the case.

Among the parties involved in the RICO claim are those involved in Webb’s other lawsuit against the city, as well as Club Caliente, its owner Maurice Salinas, Azul, its owner John Bauer, New York nightclub owners Phillipe Rieser and David Brinkley, Vessel, and Siobhan Hefferman, who was arrested by Bertrand and Ott at a private party. Others may be added soon.

Great American Music Hall, Slims, and DNA Lounge also claim to have been harassed by the ABC and have been involved in several meetings that led up to Webb’s lawsuit, but they’re not taking part in the lawsuit yet, partially because they fear retribution from the ABC.

“I probably would have jumped in, but I don’t want to walk into a hearing suing the ABC,” Slims and GAMH general manager Dawn Holliday told us, referring to Slims’ April 1 appeals hearing stemming from noise complaint citations triggered by one particularly cranky neighbor.

DNA Lounge, which has regularly documented the harassment campaign on its blog, decided to wait with the other two clubs before joining the suit. “We thought it was important to stand as a community and there were too many venues that were worried about retribution from the police or ABC if they joined the suit,” DNA general manager Barry Synoground told us. 

But Synoground said he’s anxious to see what Webb’s suit unearths, noting that Bertrand and Ott haven’t been visible in recent weeks as complaints against them went public, and saying he thinks Commander James Dudley and other top SFPD brass are really driving this crackdown: “We may have taken one of his tools off the street, but he’ll find another.”

Synoground said most SFPD officers are very professional and they have no problem working with them, but Bertrand and Ott have unnecessarily and aggressively interfered with their business. Holliday goes even further in praising the SFPD, saying she has a good relationship with Bertrand and everyone in Southern Station, blaming her clubs’ troubles on the ABC and the unwillingness of top city officials to stand up for them.

So the internal SFPD communications, and those between the city and the ABC, could prove revealing. “On April 17, I can send out subpoenas to the cops and I can take Bertrand’s deposition 30 days from Monday,” Webb said, citing statutory response periods.  

Webb expressed confidence in his case and said the police shakedowns and harassment fit well with the RICO statute, which has been used against a wide variety of enterprises over the years, including government agencies.

In fact, an American Bar Association book, “Civil RICO: A definitive guide,” by Gregory P. Joseph, seems to support Webb’s confidence. “Any person injured in his business or property by reason of a violation of Section 1962 of this chapter may sue therefore in any appropriate United States district court and shall recover threefold the damages he sustains and the costs of the suit, including reasonable attorney fees.’ This simple sentence has generated an avalanche of litigation,” the book begins.

It makes clear the intent of Congress that RICO laws “shall be liberally construed to effectuate the remedial purposes” of targeted individual seeking protection from harassment. A 1981 U.S. Supreme Court ruling (U.S. vs. Turkette) made clear even legitimate enterprises such as government agencies could be sued, and a 1994 ruling (NOW vs. Scheidler) settled a long dispute over whether the racketeering needed to be economically motivated, finding that it doesn’t.

Racketeering was defined by Congress as simply committing any of a long list of “predicate acts,” which include violence or the threat of violence, kidnapping (including false arrest), extortion, physical interference with business, malicious prosecution, and abuse of authority, all of which Webb says apply in his case. He is also reviewing the Guardian’s Death of Fun coverage from the last four years to find more examples of predicate acts involving the SFPD.

The hardest part of proving his case could be to show that it interfered with interstate commerce, although Webb said that’s met by efforts by Bertrand and Ott to prevent Rieser and Brinkley from transferring a liquor license from New York. But “Civil RICO” also said caselaw has established that “RICO requires no more than a slight effect upon interstate commerce,” citing the 1989 case U.S. vs. Doherty.

Like many who have had run-ins with Bertrand and Ott, Webb said he’s anxious to see what he finds in discovery: “What’s fascinating about this is you can uncover the whole system.”

Rep Clock

0

Schedules are for Wed/24–Tues/30 except where noted. Director and year are given when available. Double features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. "Other Cinema:" Live A/V synthesis with Shimomitsu, Softserve, Cyrus Tabar, and more, Sat, 8:30.

BALBOA 3630 Balboa, SF; (415) 221-8184. $6.50-9. "Creature Features:" Horror Express (Martin, 1972), Thurs, 7.

CAFÉ OF THE DEAD 3208 Grand, Oakl; (510) 931-7945. Free. "Independent Filmmakers Screening Nite," Wed, 6:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. Alice in Wonderland (Burton, 2010), through April 1, 1, 4, 7, 9:45.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10. The Art of the Steal (Argott, 2009), call for dates and times. The Girl With the Dragon Tattoo (Oplev, 2009), call for dates and times. The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (Ehrlich and Goldsmith, 2009), call for dates and times. A Prophet (Audiard, 2009), call for dates and times. They Came to Play (Rotaru, 2008), Wed, 7:30. With film subjects, pianists Ken Iisaka and Esfir Ross, performing live.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. "Loaded Visions," short videos by Antero Alli, Wed, 7:30.

MARINES MEMORIAL THEATRE 609 Sutter, Second Flr, SF; (415) 771-6900, www.marinesmemorialtheatre.com. $5-18. The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (Ehrlich and Goldsmith, 2009), Fri, 6:30. Event includes post-screening discussion with film subject Ellsberg and former U.S. Congressman Pete McCloskey.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. "CinemaLit Film Series: Star Power, A Month of Meryl Streep:" The Hours (Daldry, 2002), Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. "Life, Death, and Technicolor: A Tribute to Jack Cardiff:" A Matter of Life and Death (Powell and Pressburger, 1946), Thurs, 7; Black Narcissus (Powell and Pressburger, 1947), Sat, 8:35. "Joseph Losey: Pictures of Provocation:" Eve (1962), Fri, 7; Time Without Pity (1957), Fri, 9:20; Accident (1967), Sun, 5:45. "Celebrating Chekhov:" Uncle Vanya (Konchalovsky, 1970), Sat, 6:30; Ward No. 6 (Shakhnazarov with Gornovsky, 2009), Sun, 4. "What’s It All Mean: Films by William T. Wiley and Friends:" "Films by Wiley and Friends (1963-71)," Tues, 7:30.

PIEDMONT 4186 Piedmont, Oakl; (510) 464-5980. $5-8. "Cult Classics Attack 5:" A Clockwork Orange (Kubrick, 1971), Fri-Sat, midnight.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. The Road (Hillcoat, 2009), Wed-Thurs, 7, 9:20 (also Wed, 2). Inglourious Basterds (Tarantino, 2009), Fri-Sat, 8 (also Sat, 2, 5). The Room (Wiseau, 2003), Fri-Sat, midnight. An Education (Scherfig, 2009), Sun-Mon, 7:15, 9:20 (also Sun, 2, 4). The Imaginarium of Dr. Parnassus (Gilliam, 2009), March 30-31, 7, 9:30 (also March 31, 2, 4:30).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Closed for renovation until April 1.

SAN FRANCISCO CINEMATHEQUE Ovila Amphitheater at USF, 2130 Fulton, SF; www.sfcinema.org. Free. Ukranian Time Machine (Uman, 2008), with filmmaker Naomi Uman in person, Mon, 8.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. "Human Rights and Film:" Promised Lands (Sontag, 1974), Thurs, 7:30; American Radical: The Trials of Norman Finkelstein (Ridgen and Rossier, 2009), Sun, 2.

Rep Clock

0

Schedules are for Wed/17–Tues/23 except where noted. Director and year are given when available. Double features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. "Other Cinema:" "Extreme Animation," works by Paper Rad, Nate Boyce, Martha Colburn, and more, Sat, 8:30.

BERKELEY FELLOWSHIP OF UNITARIAN UNIVERSALISTS 1924 Cedar, Berk; (510) 841-4824. Awakening from Sorrow: Buenos Aires 1997 (Epperlein and Knoop, 2009), Fri, 7.

CAFÉ OF THE DEAD 3208 Grand, Oakl; (510) 931-7945. Free. "Independent Filmmakers Screening Nite," Wed, 6:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. Alice in Wonderland (Burton, 2010), through April 1, 1, 4, 7, 9:45.

CENTER OF LIGHT 2944 76th Ave, Oakl; (510) 207-6593. Free. The Age of Stupid (Armstrong, 2009), Fri, 7:30.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10. An Education (Scherfig, 2009), call for dates and times. The Art of the Steal (Argott, 2009), call for dates and times. The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers (Ehrlich and Goldsmith, 2009), call for dates and times. North Face (Stölzl, 2008), call for dates and times. A Prophet (Audiard, 2009), call for dates and times. The Girl With the Dragon Tattoo (Oplev, 2009), March 19-25, call for times. Live! (Guttentag, 2007), with director Bill Guttentag in person, Sun, 7.

FOUR STAR 2200 Clement, SF; www.thrillville.net. $10. "Thrillville:" •Monsturd (Popko and West, 2003) and Retardead (Popko and West, 2008), Thurs, 7:30. Local cult classics with filmmakers and cast in person, plus live music by Meshugga Beach Party.

GOETHE-INSTITUT 530 Bush, SF; www.goethe.de/sanfrancisco. $7. "New German Cinema:" Parkour (Rensing, 2009), Wed, 6:30.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. The Secret of Oz, Wed, 7:30.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. "CinemaLit Film Series: Star Power, A Month of Meryl Streep:" A Cry in the Dark (Schepisi, 1988), Fri, 6.

ODDBALL FILMS 275 Capp, SF; (415) 558-8117, info@oddballfilm.com. $10. "India Films: The Naked Eye," Fri, 10. "Under the Sea: Maritime Movies from the Archives," Sat, 10.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. "Film 50: History of Cinema:" Last Year at Marienbad (Resnais, 1961), Wed, 3. "Joseph Losey: Pictures of Provocation:" The Servant (1963), Sun, 5; These Are the Damned (1965), Sun, 7:20. San Francisco International Asian American Film Festival, Wed-Sat. See film listings for schedule.

PARAMOUNT 2025 Broadway, Oakl; 1-800-745-3000, www.oebs.org. $20-65. "The Mighty Wurlitzer: Music at the Movies:" The General (Keaton and Bruckman, 1926), Fri, 8; Sun, 2.

PIEDMONT 4186 Piedmont, Oakl; (510) 464-5980. $5-8. "Cult Classics Attack 5:" The Neverending Story (Petersen, 1984), Fri-Sat, midnight; Sun, 10am.

PLAYHOUSE THEATER 40 Main, Tiburon; www.tiburonfilfestival.com. "Tiburon International Film Festival," March 18-26. Check web site for program information.

RED POPPY ART HOUSE 2698 Folsom, SF; www.redpoppyarthouse.org. $8-12. Marina of the Zabbaleen: Portrait of a Child Recycler (Wassef, 2008), Sun, 7.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. Night of Lust (Bénazéraf, 1963), Wed-Thurs, 7:15, 9:30 (also Wed, 2). Fantastic Mr. Fox (Anderson, 2009), Fri-Mon, 7:15, 9:15 (also Sat-Sun, 2, 4). The Road (Hillcoat, 2009), March 23-25, 7, 9:20 (also March 24, 2).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Closed for renovation until April 1.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. "Human Rights and Film:" Petition (Zhao, 2009), Thurs, 7:30. "2009 British Television Advertising Award Winners," Sat-Sun, 2, 4 (also Sat, 6, 8).

Rep Clock

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Schedules are for Wed/3–Tues/9 except where noted. Director and year are given when available. Double features are marked with a •. All times are p.m. unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $10. "Disposible Film Festival": Artist Spotlight: Buttons Vol 2 by Red Bucket Films," Fri, 8; "Artist Spotlight: Ben Slotover and Peter Waldeck," Sat, 2; "Artist Spotlight: Alex Itin," Sat, 3:30; "Disposible Film Workshop," Sun, noon. "Other Cinema: Cinéma Abattoir," Sat, 8:30. Co-presented by San Francisco Cinematheque.

CAFÉ OF THE DEAD 3208 Grand, Oakl; (510) 931-7945. Free. "Independent Filmmakers Screening Nite," Wed, 6:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $7.50-10. The Red Shoes (Powell and Pressburger, 1948), Wed-Thurs, 7, 9:40 (also Wed, 1:30, 4:15). Alice in Wonderland (Burton, 2010), March 5-April 1, 1, 4, 7, 9:45. No screenings March 11 or 14.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-10. Broken Embraces (Almodóvar, 2009), call for dates and times. An Education (Scherfig, 2009), call for dates and times. Fish Tank (Arnold, 2009), call for dates and times. North Face (Stölzl, 2008), call for dates and times. "The Cinema of Jan Troell:" TBA, Wed, 7; As White as Snow (2001), Thurs, 7; Here is Your Life (1966), Fri, 7; The Emigrants (1971), Sat, 2; The New Land (1972), Sat, 7. The Most Dangerous Man in America: Daniel Ellsgerg and the Pentagon Papers (Ehrlich and Goldsmith, 2009), March 5-11, call for times. "Oscar Night America," Sun, 3:30. Live Academy Awards telecast; this event, $55.

ELMWOOD 2966 College, Berl; (510) 433-9730, www.rialtocinemas.com. $10. Until the Light Takes Us (Aites and Ewell, 2008), March 5-11. Call or check website for times.

EXPLORATORIUM 3601 Lyon, SF; www.exploratorium.edu. $15. "After Dark: Distortion," psychedelic animation by local filmmaker Kerry Laitala and "visual music" by the late musicologist Harry Smith, Thurs, 6.

GOETHE-INSTITUT 530 Bush, SF; www.goethe.de/sanfrancisco. $7. "Michael Haneke: Cinema of Provocation:" The Piano Teacher (2001), Wed, 6:30.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. Money as Debt: Part One, Wed, 7:30.

MECHANICS’ INSTITUTE 57 Post, SF; (415) 393-0100, rsvp@milibrary.org. $10. "CinemaLit Film Series: Star Power, A Month of Meryl Streep:" The French Lieutenant’s Woman (Reisz, 1981), Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, www.bampfa.berkeley.edu. $5.50-9.50. "Film 50: History of Cinema:" Rashomon (Kurosawa, 1950), Wed, 3. "Jan Troell in Person:" Everlasting Moments (2008), Thurs, 7. "Love Letters and Live Wires: Highlights from the GPO Film Unit (1936-1939)," Fri, 7; Tues, 7:30. "Joseph Losey: Pictures of Provocation:" M (1951), Fri, 8:40 and Sat, 6:30; The Big Night (1951), Sat, 8:45; The Boy With Green Hair (1948), Sun, 3.

RED VIC 1727 Haight, SF; (415) 668-3994. $6-10. The Beaches of Agnès (Varda, 2008), Wed, 2, 7, 9:20. Precious: Based on the Novel Push By Sapphire (Daniels, 2009), Thurs-Sat, 7, 9:20 (also Sat, 2, 4:20). The Muppet Movie (Frawley, 1979), Sun-Mon, 7:15, 9:20 (also Sun, 2, 4). 35 Shots of Rum (Denis, 2008), March 9-10, 7:15, 9:25 (also March 10, 2).

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $5-9.75. Leonard Cohen: Live at the Isle of Wight 1970 (Lerner), Wed-Thurs, 6:40, 8, 9:30. My Son, My Son, What Have Ye Done (Herzog, 2009), Wed, 8:50. Precious: Based on the Novel Push by Sapphire (Daniels, 2009), Wed, 6:45. "Disposible Film Festival: Competitive Shorts," Thurs, 8. Check website for Fri-Tues program information.

SAN FRANCISCO CINEMATHEQUE Dolby Screening Room, 100 Potrero, SF; www.sfcinema.org. Free. "Hey! A Dean Snider Birthday Celebration, Part One," Wed, 7:30. New Nothing Cinema, 16 Sherman, SF; www.sfcinema.org. Free. "Hey! A Dean Snider Birthday Celebration, Part Two," Wed, 8:30. San Francisco Museum of Modern Art, 151 Third St, SF; www.sfcinema.org. $5 or free with museum admission ($12). "75 Years in the Dark: Material and Illusion," Thurs, 7.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; (415) 978-2787, www.ybca.org. $6-8. "Human Rights and Film:" 8 (Various directors, 2009), Thurs, 7:30.

Air district offers last-minute help to Oakland truckers

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By Steven T. Jones
smallporttruckers.jpg
Truckers at the Port of Oakland often wait hours for a load, the older trucks spewing unhealthy levels of particulate matter and other pollution the whole time.

Just as low-income truckers were about to be shut out of the Port of Oakland on Jan. 1, the Bay Area Air Quality Management District and California Air Resources Board have come up with another $3 million to help them comply with strict new emissions control standards that are designed to improve the unhealthy air in West Oakland.

As we reported on Dec. 16, hundreds of truckers who had qualified for the retrofit assistance program were facing a loss of livelihood when that $22 million fund ran out of money. Now, with the infusion of an additional $3 million, 580 truckers will get $5,000 each to offset the cost of new filters that can cost $15,000 or more. Those who qualify will get their compliance date pushed back to April 1.

“While the new emissions regulations for Port trucks embraces Oakland’s goals of reducing environmental impacts, my office has been working collaboratively to provide the much-needed support for the truckers trying to comply with such regulations,” Oakland Mayor Ron Dellums said in a prepared statement. “This announcement is a significant step in the right direction.”

The Guardian has long covered the issue of how to balance the health needs of the truckers and residents of West Oakland – which has high rates of asthma and other respiratory ailments because of the long lines of idling dirty diesel trucks – with the economic realities of independent truckers, whose average incomes have plummeted since then-President Ronald Reagan deregulated the trucking industry.

Judge tosses Newsom’s political payback suits against Minister Muhammad

14

Text and photos by Sarah Phelan

ministermohammadreduxa.jpg

For several years, Minister Christopher Muhammad (at lectern) has been trying to get Mayor Gavin Newsom to temporarily stop work at the Hunters Point shipyard, until the children at Muhammad’s school and members of the surrounding Bayview community get asbestos dust-related health tests.

The city’s health department claims there is no health problem related to the dust and that there are no tests available, other than autopsies.
But thanks to Lennar’s failure to properly install and maintain air monitors, there is no data available to prove exactly what levels of dust the community was exposed to, when the developer’s massive grading project began at the shipyard in 2006.

Since then, air monitors at the site have repeatedly recorded exceedances that, the city claims, have triggered protective shutdowns, though often these shutdowns did not occur as fast as the community would like. And the ongoing exceedances have raised additional questions about the cumulative risk to public health and safety of all these dust clouds, where exactly the dust is coming from, and what exactly it contains.

Under new EPA administrator Lisa Jackson, the community’s request for additional assessments of the dust situation is reportedly being reviewed. But meanwhile, Muhammad’s refusal to shut up about the dust, has clearly angered Mayor Gavin Newsom, who recently said, via his spokesperson Nathan Ballard, that he supported a lawsuit that was filed against Muhammad and his group’s school, via the San Francisco Housing Authority, allegedly to recover unpaid back rent.

It was Chronicle columnists Phil Matier and Andy Ross who first asked whether the lawsuit that the San Francisco Housing Authority recently filed against Muhammad and the Nation of Islam’s Center for Self-Improvement, which operates the K-12 school next to the shipyard’s Parcel A in the Bayview, was “pay up or pay back”.

“You decide” the duo wrote on April 1, when they broke the news that the San Francisco Housing Authority had filed a lawsuit against Muhammad, alleging irregularities at the school, shortly after Muhammad and other activists showed up at Newsom’s gubernatorial town halls, asking loud and embarrassing questions about asbestos dust at the shipyard.

But the M&R column has remained deafeningly silent about the outcome of that lawsuit, even though Ross phoned the Nation of Islam’s lawyer Richard Drury minutes after the judge threw out not just one, but all three lawsuits that the SFHA had filed against Muhammad. That was over a week ago, on June 16.

So, does this mean the Chronicle only wants to write about stuff that they can spin to make Newsom look good and Muhammad bad? You decide.

It also turns out that it cost the city very little to file what appears to have been a series of frivolous lawsuits as payback for the Minister’s ongoing questions about asbestos dust: the city used in-house counsel at the Housing Authority, and the City is exempt from filing fees.

Reached by phone, Muhammad’s attorney Drury said he felt all three the lawsuits were “payback” against Muhammad for his attempts to try and get help from Newsom around ongoing issues with dust and asbestos at the shipyard.

“When the Minister didn’t get Newsom’s help, he attended a town hall meeting—and shortly afterwards, the San Francisco Housing Authority sued the Minister for breach of contract, payment of rent and unlawful detained,” Drury said. “In other words, the San Francisco Housing Authority is trying to evict a K-12 school, where 70 percent of the kids were failing in the public school system, and where 80 percent of the center’s graduates go to college.”

TICed off

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news@sfbg.com

San Francisco tenants who are supposed to be protected by city and state laws are now facing eviction as a result of real estate speculators working hand-in-hand with banks in a scheme that has been implicitly endorsed by federal regulators and the courts.

Kaushik Dattani, whose company owns multiple properties throughout San Francisco, won a summary judgment to use the Ellis Act to evict four families from their rent-controlled apartment. Judge Charlotte Woolard’s April 21 ruling, denying the low-income Mission District families a jury trial, could leave the 12 longtime residents — seniors, disabled, single mothers, and children — homeless within a couple of weeks.

In August 2007, court records show Dattani secured an 18-month, interest-only $1.3 million loan from Circle Bank of Marin to buy the Victorian building at 19th and Lexington streets. The loan included an agreement that he would pull the units from the rental market using the Ellis Act, renovate the building, and sell the five Victorian units as tenants-in-common (TICs).

Traditionally banks haven’t offered loans to individual TIC owners, but Circle Bank of Marin was one of the first banks to start offering such "fractional" loans in 2005, a practice that created a strong market for TICs, loan officer Mark Skolnick (who says he’s an independent contractor and not a bank employee) told the Guardian.

In making the loan to Dattani, court documents show Skolnick predicted a 42 percent profit, which would require all five TIC units to be sold for $3.3 million. But according to Tenderloin Housing Clinic attorney Steve Collier, Dattani has not yet paid off the balloon payment — due April 1 — putting the building at risk of getting handed over to the bank, emptied of residents.

Kevin Stein, associate director of the California Reinvestment Coalition, said the lending scheme is contrary to the federal Community Reinvestment Act, which encourages banks to meet the credit needs of the low-income communities. "It’s within the Federal Deposit Insurance Corp.’s power to say these kinds of loans that result in the displacement of low and moderate income tenants are not helping to meet the community’s credit needs," he said, noting that the FDIC has refused to get involved.

Others argue the importance of creating home ownership opportunities in a city where about two-thirds of residents rent.

"Here we have what looks like a condo, feels like a condo, but it’s a TIC. It’s a way of creating affordable housing," Skolnick said. "Some people lose their home, some people gain a home. The TIC platform is proving to be a very affordable option for this different subset of people."

But for the subset of people being displaced using the Ellis Act — a state law intended to allow existing landlords to get out of the rental business, not to encourage real estate speculation — the affect can be devastating in a city where little new rental or affordable housing is being built.

"They just come in out of nowhere and they see this place, buy it and kick everyone out. There’s no soul there," said Luise Vorsatz, who lived in the house for 30 years before being evicted.

This is not Dattani’s first Ellis Act eviction (when the Guardian contacted Dattani for comment, he hung up on us). In 2000, he hired infamous antitenant lawyers Wiegel & Fried to evict senior Alma Augueles from her flower shop in the Mission. In 2007, he evicted a group of tenants living above Revolution Café on 22nd and Bartlett streets. That building has sat empty for over a year, something that could also happen with his new property given the slumping real estate market.

Under the Ellis Act, if the unit go back on the rental market within five years, the evicted tenants have first priority at their old rent level, but that’s up to the tenants to enforce. "It’s possible the landlord won’t be able to sell and will end up renting it at higher rents," Ted Gullicksen, executive director of the San Francisco Tenants Union, told us.

"They don’t look at the fact that we have pride of tenancy—that we have lived here all these years," said 23-year resident Ronny Ruddrich, who raised her children here and walks to her job as a Noe Valley shoe store manager for the past 22 years. "He drives up in his Mercedes and shows no respect whatsoever."

Going nuclear

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news@sfbg.com

April Fool’s Day is known as a day for practical jokes designed to embarrass the gullible.

But Assembly Member Tom Ammiano’s legislative aide Quentin Mecke says the April 1 letter that Ammiano and fellow Assembly Members Fiona Ma and state Sen. Leland Yee sent Mayor Gavin Newsom urging him not to support a proposal to bury a radiologically-contaminated dump beneath a concrete cap on the Hunters Point Shipyard was dead serious.

In their letter, Ammiano, Ma, and Lee expressed concern over that fact that federal officials don’t want to pay to haul toxic and radioactive dirt off the site before it’s used for parkland. They noted that an "estimated 1.5 million tons of toxics and radioactive material still remain" on the site.

A 1999 ordinance passed by San Francisco voters as Proposition P "recognized that the U.S. Navy had for decades negligently polluted the seismically-active shipyard, and that the city should not accept early transfer of the shipyard to San Francisco’s jurisdiction, unless and until it is cleaned up to the highest standards," the legislators wrote. "Given the information we have, a full cleanup needs to happen," Mecke told us.

But Newsom’s response so far suggests he may be willing to accept the Navy’s proposal.

WAR WASTE


From the 1940s to 1974, according to the Navy’s 2004 historical radiological assessment, the Navy dumped industrial, domestic, and solid waste, including sandblast waste, on a portion of the site known as Parcel E. Among the materials that may be underground: decontamination waste from ships returning from Operation Crossroads — in which atomic tests in the South Pacific went awry, showering Navy vessels with a tidal wave of radioactive material.

"We have serious questions about the city accepting what is essentially a hazardous and radioactive waste landfill adjacent to a state park along the bay, in a high liquefaction zone with rising sea levels," the letter reads. "We understand that the Navy is pushing for a comparatively low-cost engineering solution which the Navy believes will contain toxins and radioactive waste in this very unstable geology. We hope that you and your staff aggressively oppose this option."

Keith Forman, the Navy’s base realignment and closure environmental coordinator for the shipyard, told the Guardian that the Navy produced a report that did a thorough analysis of the site.

The Pentagon estimates that excavating the dump would cost $332 million, last four years, and cause plenty of nasty smells. Simply leaving the toxic stew in place and putting a cap on it would cost $82 million.

Espanola Jackson, who has lived in Bayview Hunters Point for half a century, says the community has put up with bad smells for decades thanks to the nearby sewage treatment plant. "So what’s four more years?" Jackson told the Guardian.

Judging from his April 21 reply to the three legislators, who represent San Francisco in Sacramento, Newsom is committed only to a technically acceptable cleanup — which is not the same thing as pushing to completely dig up and haul away the foul material in the dump.

He noted that during his administration federal funding for shipyard clean-up "increased dramatically, with almost a half-billion dollars secured in the last six years." Newsom also told Ammiamo, Ma, and Yee that the city won’t accept the Parcel E landfill until both the state Department of Toxic Substances Control and the federal Environmental Protection Agency "agree that it will be safe for its intended use."

The intended use for Parcel E-2 is parks and open space, said Michael Cohen, Newsom’s right-hand man in the city’s Office of Economic and Workforce Development. The Navy won’t issue its final recommendations until next summer. "That’s when regulatory agencies decide what the clean up should be, whether that’s a dig and haul, a cap, or a mix of the two, " Cohen explained.

TRUCKS OR TRAINS?


Part of the Navy’s concern is the expense of trucking the toxic waste from San Francisco to a secure landfill elsewhere — someplace designed to contain this sort of material (and someplace less likely to have earthquakes that could shatter a cap and let the nasty muck escape).

David Gavrich and Eric Smith say the Navy is looking at the wrong solution. Gavrich, founder of the shipyard-based Waste Solutions Group and the San Francisco Bay Railroad, which transports waste and recyclables, and Eric Smith, founder of the biodiesel-converting company Green Depot, who shares space with Gavrich and a herd of goats that help keep the railyard surrounding their Cargo Way office weed-free, say the military solution is long-haul diesel trucks. But, he observes, the waste could be moved at far less cost (and less environmental impact) if it went by train.

Saul Bloom, executive director of Arc Ecology, a nonprofit that specializes in tracking military base reuse and cleanup operations, would also like to see the landfill removed, even though he’s not sure about the trucks vs. train options.

"We don’t have confidence about having a dump on San Francisco Bay," Bloom said. "I’m concerned about the relationship between budgetary dollars and remediation of the site. I’m concerned that the community’s voice, which is saying they’d like to see the landfill removed, is not being heard."

Mark Ripperda of EPA’s Region 9 told us that community acceptance is important, but a remedy must also be evaluated using nine specific criteria.

"A remedy must first meet the threshold criteria," Ripperda said. "If it passes the threshold test, then it is evaluated against the primary balancing criteria and finally the modifying criteria are applied."

Noting that he has not received any communication from either the Assembly Members or the Mayor’s Office concerning the Parcel E-2 cleanup, Ripperda said that "the evaluation of alternatives considered rail, barge, and truck transport, with rail being the most favorable transportation mode for the complete excavation alternative. However, the waste would still be transported and disposed into a landfill somewhere else and the alternatives must be evaluated under all nine criteria."

Ripperda said it’s feasible to remove the worst stuff — the "hot spots" — and cap the rest. "A cap will eliminate pathways for exposure and can be designed to withstand seismic events," he told us. "The landfill has been in place for decades and the groundwater data shows little leaching of contaminants."

Meanwhile Newsom has tried to redirect the problem to Ammiano, Ma, and Yee, saying he seeks their "active support in directing even more state and federal funds" toward cleaning up the shipyard. He made clear he wants to move the redevelopment project forward — now.

Sen. Mark Leno is carrying legislation that includes a state land swap vital to the city’s plans to allow Lennar Corp. to build housing and commercial space on the site.

But while Cohen claims the aim of the land trade is to "build another Crissy Field," some environmentalists worry it will bifurcate the southeast sector’s only major open space. They also suspect that was the reason Leno didn’t sign Ammiano’s April 1 letter.

Leno says that omission occurred because Sacramento-based lobbyist Bob Jiroux, who Leno claims drafted the letter, never asked Leno to sign. (Jiroux refused to comment.)

Claiming he would have signed Ammiano’s letter given the chance, Leno described Jiroux as a "good Democrat" who used to work for Sen. John Burton, but now works for Lang, Hansen, O’Malley, and Miller, a Republican-leaning lobbying firm in Sacramento whose clients include Energy Solutions, a Utah-based low-level nuclear waste disposal facility that stands to profit if San Francisco excavates Parcel E-2.

Ammiano dismisses the ensuing furor over Energy Solutions as a "tempest in a teapot.

"I signed that letter to Newsom because of the truth that it contains," Ammiano said. "Sure, there’s crazy stuff going on. But within the insanity, there’s a progressive message: the community wants radiological contaminants removed from the shipyard."

Hot sex events this week: April 1-7

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Compiled by Molly Freedenberg

threeway_0309.jpg
Will U and U be my Valentine? Learn how to ask at Negotiating Successful Threesomes.

————-

>> Clothes-On Sex! Resurrecting the Art of Frottage
Indulge your inner teenager and recapture those days of long, carefree make-out sessions – the days before “The Sex” started to overshadow everything. Sex and relationship educators Nellie Wilson and Reid Mihalko host this fun, informative, sassy, and arousing class on outtercourse.

Thu/2, 7-9:30, $30
Center for Sex and Culture
1519 Mission, SF.
sexandculture.org

———-

>> 91/2 Years Behind the Green Door
Simone Corday reads and signs her memoir about her first-hand experiences stripping at the Mitchell Brothers’ O’Farrell Theater, the place Hunter S. Thompson referred to as “the Carnegie Hall of public sex.”

Fri/3, 7pm, free
Good Vibrations
603 Valencia, SF.
www.goodvibes.com

———-

>> Negotiating Successful Threesomes
Is three company or a crowd? Do it right and three’s just a downright good time. Reid Mihalko helps those interested in M-F-M, F-M-F, F^3, M^3, or any combination of three consenting adults figure out techniques, common mistakes, and how to negotiate boundaries with live demonstrations and lots of laughs.

Sat/4, 7-10pm, $30
Center for Sex and Culture
1519 Mission, SF.
sexandculture.org

Agit-aggregator

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› a&eletters@sfbg.com

SONIC REDUCER Due to April 1 budget cuts, the original content in this space has been replaced by a selection of music news items from the wire.

MADONNA ADOPTING COUNTRY OF MALAWI


LILONGWE (Rutters) — Madonna announced her plans to adopt the entire southern African nation today after local friends told her that her adopted Malawian children, David and Mercy James, were lonely and needed companionship. In 2006 some Malawian activists attempted to block David’s adoption, but this time many are endorsing the idea of a high-flying life attached to a parent with a global pop brand. "We had no idea she would take her name so literally," opined a High Court clerk. "Nevertheless, I’m looking forward to meeting my nanny and hanging with the backstage crew at mom’s next arena show."

MICHAEL JACKSON STARRING IN LATEST TWILIGHT INSTALLMENT


LOS ANGELES (APE) — In a surprise move, Twilight heartthrob Robert Pattinson has been dropped from the lead role of vampire hottie Edward Cullen. His replacement: the King of Pop. Producers believe that despite his age and HIStory, Michael Jackson has the tween idol beat in the unnatural skin pallor department. "He’s much more believable as a vampire," said one source.

CHRIS BROWN PICKED LAST FOR DANCING WITH THE STARS


LOS ANGELES (FuxNews) — Just weeks after Chris Brown was charged with felony assault, commercial endorsements were suspended, and his music withdrawn from radio stations, the Putf8um recording artist took another backhand blow to his ego: he was snubbed by the entire cast of the popular TV show and picked last in a very special dancer’s-choice episode. "Sure, the guy can cut a rug," said an unnamed contestant. "But everyone saw those unauthorized TMZ pics of his last cut-up partner. Performers always say, ‘Break a leg.’ I don’t want to take that chance."

KANYE WEST: ‘YEAH, I HAVE AN AUTO-TUNE IMPLANT — SO WHAT?’


NEW YORK CITY (Eek! Online) — "It’s just another tool in the studio," hip-hop artist Kanye West said. "Now I don’t even need to touch a computer to get my sound." Emboldened by the success of the operation, West’s surgeons plan to remove a part of the G.O.O.D. Music founder’s brain and install an entire suite of Pro Tools plug-ins.

JONAS BROTHERS BUSTED IN HUMAN ANTI-GROWTH HORMONE STING


WYCKOFF, N.J. — (EmptyV.com) In an effort not to become Hanson or New Kids on the Block, Kevin, Nick, and Joe Jonas have been taking massive amounts of HAH in an effort to retain their tween demographic, allege Wyckoff police after a 4 a.m. raid on the Jonas family McMansion. "Our management told us we were taking flaxseed oil," Kevin said. "They claimed it was pixie dust," added Joe.

ALL-GIRL INDIE ROCK GROUP TAKE HAIR BAND EFFORT TO NEW LEVEL: WITH BEARDS


PORTLAND, Ore. (Ditchfork) — As one of the most pervasive trends in indie rock, beards have stood the test of time and triple-blade, pivoting shavers. One all-girl combo, however, is proving that they can play that game too: this week the Portland-based Her Suit obtained beard transplants at the O’Hare Baldness Clinic outside Chicago. The number of friends on the band’s MySpace page has risen tenfold, particularly among the follically challenged.

MP3S FOUND TO CAUSE CANCER, NEW VINYL FORMAT CONSIDERED ‘ANTI-CARCINOGEN’


SAGINAW, Mich. (AFPEE) — Scientists have determined a link between heavy use of iPods and other MP3 players and increased risk of cochlear cancer. The same team of scientists also determined a simple preventive measure: a protective vinyl coating applied to the actual MP3 players. "Vinyl is not only better," said one researcher. "It makes everything better."

NO JOKE

BRUCE SPRINGSTEEN AND THE E STREET BAND


How prescient is Working on a Dream (Columbia), when employment seems like a figment of the imagination for so many? Wed/1, 7:30 p.m., $38–$95. HP Pavilion, 525 W. Santa Clara, San Jose. www.livenation.com

GREAT LAKE SWIMMERS AND KATE MAKI


Still, sweet waters run deep: GLS drifts softly and drowsily, with nods to country music’s storytelling tradition, whereas ex-neuroscience student Maki teamed with Howe Gelb for On High (OW OM, 2008) and gently noggin-rattling arrangements that go beyond the solo acoustic guitar. Fri/3, 9 p.m., $12. Bottom of the Hill, 1233 17th St., SF. www.bottomofthehill.com

LILA DOWNS


The Oaxaca native sifts together Fleetwood Mac and Lucinda Williams covers with an original, "Shake Away" — and a bared bellybutton — that seem like a Mesoamerican bid for Shakira’s Latin-crossover crown. Sat/4, 9 p.m., $30. Fillmore, 1805 Geary, SF. www.livenation.com

LILY ALLEN


It’s her, it’s us: one of the first pint-sized, powerhouse MySpace stars chips away at detractors with the "darker, faster" It’s Not Me, It’s You (Capitol). Sat/4, 9 p.m., $30–$32. Warfield, 982 Market, SF. www.goldenvoice.com

AHMAD JAMAL


"Darn that Dream" seems so far away, yet the 78-year-old mastermind with the keys keeps working for the ineffable, last with It’s Magic (Dreyfus, 2008). Sat/4, 8 p.m., $20–$75. Herbst Theatre, 401 Van Ness, SF. www.sfjazz.com

BURMESE


According to member Weasel Walter, Mike, Mark, Mike, and Tissue have come out of hiding, not to play blistering noise from their new 10-inch, but to cover the Circle Jerks’ Group Sex (Frontier, 1980), fore to aft, instead. With the Human Quena Orchestra and Geronimo. Sun/5, 9 p.m., $7. Hemlock Tavern, 1131 Polk, SF. www.hemlocktavern.com