Ever get so overwhelmed by all the awesome events in the Bay Area on a given weekend that you give up on trying to decide between any of them and find yourself just hanging with whomever you can get to come to your house to drink with you and your cats? Or, if you’re feeling really adventurous, venturing 50 yards down the street to watch baseball at the closest bar with a TV?
Haha, me neither! Just kidding; that person sounds like a loser who is definitely not me. ANYWAY, this is one of those weekends where you’re going to have to make some tough calls. It’s called being a grownup. Here we go.
San Franciscans may think they have the market cornered on psychedelia, but things sound a little different in the desert — dusty, moody, lonely, and super atmospheric. All of these are apt words for decker., a Sedona-based “desert folk” act led by singer-songwriter Brandon Decker that won hearts with its soulful live act at SXSW, among other stages. This show at Bottom of the Hill (1233 17th St, SF), which serves as a record release party for the band’s fifth album, Patsy, will actually be a double-helping of soul: Oakland favorites Whiskerman, with multi-instrumentalist Graham Patzner’s vocal chops at the helm, will help open the evening.
Bob Mould, Castro resident and extremely well-spoken guy in addition to being an exceedingly talented guitarist and legendary all-around frontman, is coming home — and his welcome party’s at the Fillmore (1805 Geary, SF) tonight with Cymbals Eat Guitars. Mould’s new record, Beauty and Ruin, has been on repeat in certain headphones; check our interview with him in this week’s paper for more.
The Bay Area Record Fair, aka the best new acronym to come out of the local music scene since possibly ever, is throwing the second edition of its schmooze-fest/record sale/party this Saturday at Thee Parkside (1600 17th St, SF) and the surrounding blocks. This free shindig, thrown by local label Father/Daughter Records alongside promoters Professional Fans, will feature live sets from Happy Diving (whose excellent debut LP is out next month), Hot Flash Heat Wave, Wild Moth, and Flim Flam and The Jet Stars of Three O’Clock Rock. All of that while you swing by tables from more than 30 Bay Area record labels, who’ll be hawking CDs, LPs, t-shirts, stickers, that one weird rare flexi-disk you’ve been looking for forever, etc. The party goes down from noon to 5pm, but $5 gets you early entry (first access to the crates, you fiends) at 11am. RSVP here. Oh, and here’s our review of the last one.
Over on the other side of the Bay, the second annual Oakland Music Festival highlights the best in local-ish hip-hop, funk, R&B, dance and electronic music, with a few folky singer-songwriters in there for good measure. The daylong fest has four stages throughout downtown (21st, 22nd, and Grand Streets between Broadway and Webster) with headliners like rapper Dom Kennedy, beatmaker Esta, soulful singer SZA as headliners, while the legendary Chuy Gomez and hometown heroes Trackademicks and 1-O.A.K hold down the DJ stage. Plus, you know, food, beer, a beautiful day in the East Bay sunshine. Tickets (for $28 or $35, unless you go VIP) right here.
How do you get away with throwing a bonkers dance party on public Ocean Beach in broad daylight? Pipe the music directly into the crowd’s headphones, that’s how. The Silent Frisco crew has found the ultimate underground vibe, above ground, with HushFest. Here’s how it works: Gather at the party spot (imbibe your libations beforehand, please, no drugs or alcohol on the beach), pay $20 for special wireless headphones, and dance in the sand with a huge gaggle of other wildly, silently gesticulating aficianados — all for $20, kicking off at 11am. DJs at this annual event around include genius duo Psychmagik, who rejigger deepest funk-rock memories of the 1970s, Rob Garza of Thievery Corporation, and Fort Knox Five. Yes, you can still yell “woo!” (Marke B.)
The Aislers Set, Cold Beat, and the Mantles at The Chapel (777 Valencia, SF). This here’s an SF triple-threat, with the Brit-influenced, late ’90s/early aughts indie-pop veterans The Aislers Set making their much-awaited return tonight. Hannah Lew’s (ex-Grass Widow) Cold Beat will lend a harder edge to the evening, sandwiched alongside the Mantles’ 60s-tinged dream-pop. Also for $20, we can think of worse ways to stave off the Sunday night blues.