WEDNESDAY 2
MUSIC
Holcombe Waller
Six years after releasing Troubled Times, Holcombe Waller reemerges from a chrysalis of artistic incubation with Into the Dark Unknown — the album-length culmination of an eponymous theater piece. The butterfly is an apt metaphor for this sylph-like spirit, whose androgynous, four-octave voice and slight build match a melancholy limned by sharp, poetic imagery. Excepting an occasional lyric like “you are the unicorn,” Waller’s male-Sarah-McLaughlin meets-Sufjan-Stevens style is still somehow just the right side of soppy: intimate and delicate, sweeping and epic, his songs are sometimes musically and thematically intense and focused, sometimes just gossamer strings of notes. Waller wrote the score for David Weissman’s We Were Here and has been funded by the Rockefeller Foundation and Doris Duke Charitable Trust — big, solid accomplishments that tether the ethereal artist to critical acclaim. (Emily Appelbaum)
8 p.m., $16
Swedish American Hall
2170 Market, SF
(415) 861-5016
THURSDAY 3
Dance
Merce Cunningham Dance Company
This is it: the last time to see the famed Merce Cunningham Dance Company in the Bay Area before it disbands this December. MCDC’s performances in Berkeley are part of “The Legacy Tour,” celebrating the work and life of the dance world giant. The work of the late Merce Cunningham, which includes collaborations with John Cage, Robert Rauschenberg, and other major artists, is a meaty slice of dance history. Don’t miss this chance to see the carriers of Cunningham’s genius perform historic remountings Pond Way and Antic Meet, along with Sounddance and the Bay Area premiere of Roaratorio. (Julie Potter)
Thurs/3–Sat/5, 8 p.m., $22–$48
Zellerbach Hall
Bancroft at Telegraph, UC Berkeley, Berk.
(510) 642-9988
FILM
“The Lucky Monkey Bike Film Festival”
Bike enthusiasts everywhere, roll up your pant legs, put on your helmet, and ride to the inaugural day of this mini film festival inspired by Margret and H. A. Rey, the creators of Curious George, who escaped France on bikes during World War II. The fest kicks off with 1948 Italian neorealist classic The Bicycle Thief, with short films before and after. On the second day, watch 2003’s The Triplets of Belleville and 1979’s Breaking Away, plus more shorts. Free valet bike parking provided by the San Francisco Bike Coalition. (Jen Verzosa)
Thurs/3, 5 p.m.; Sun/6, 11 a.m., free with museum admission ($5–$10)
Contemporary Jewish Museum
736 Mission, SF
(415) 655-7800
EVENT
“Natural Wonders: 59th Pacific Orchid Exposition”
Families can be quirky, crazy, and brutal. But nothing beats the Orchidaceae, the planet’s second-largest and most highly evolved plant fam. Some orchids mimic rotting flesh to attract carrion-eating flies that pollinate the flower as they breed on its thick, waxy petals. Another trickster species resembles a lady bee — complete with textures that stimulate male bee genitalia and emitting odors of horny females — on which real male bees futilely hump, getting the pollination job done once again. Other orchids have trap doors; some produce erotic oils for insects to perfume their own six-legged courtship; and one is the source of vanilla. See more than 150,000 of these sexy plants at the largest orchid show in the country. Bring a date! (Kat Renz)
Thurs/3, 6:30–10 p.m.; Fri/4, 10 a.m.–6 p.m.;
Sat/5, 9 a.m.–6 p.m.; Sun/6, 10 a.m.–5 p.m., $14–$40
Fort Mason Center
Marina at Laguna, SF
(415) 665-2468
FRIDAY 4
DANCE
Stephen Petronio Company
The Stephen Petronio Company is one of the few modern dance ensembles (ODC is another) that still employs its dancers full time. But wow, does Petronio work them. He packs his choreography with high-velocity ideas that he then hurtles at us in dense, shifting combinations that can be exhausting to watch. Then again, that’s one of the reasons that Petronio’s choreography is so thrillingly alive. For his newest work, I Drink the Air Before Me — thank you Mr. Shakespeare — Petronio foregoes the mixed-program format for a single, full-evening piece. Music is by contemporary composer Nico Muhly; Petronio’s costume is by photographer Cindy Sherman. (Rita Felciano)
Fri/4–Sat/5, 8 p.m., $30–$50
Novellus Theater
Yerba Buena Center for the Arts
701 Mission, SF
(415) 978-ARTS
MUSIC
Crystal Castles
Since 2005, producer and multiinstrumentalist Ethan Kath and vocalist Alice Glass — better known as the Canadian electro pop duo Crystal Castles — have stolen the hearts of hipsters everywhere. The band’s name is also the result of some good-natured theft: Kath took the name from She-Ra’s hideout in the He-Man and the Masters of the Universe cartoon spin-off. It’s also the name of an Atari video game, which is fitting given that part of its sound is generated by a keyboard modified with an Atari 5200 sound chip. Despite its copycat name, Crystal Castles’ low-res sound is a radically unique collision of experimental noise and pop. Renowned for its frenzied live shows, Crystal Castles’ 8-bit video game-like tunes will make you do the robot. (Verzosa)
With Suuns
9 p.m., $26–$28
Warfield
982 Market, SF
MUSIC
Drive-By Truckers
Now with 15 years under its belt, country rock outfit Drive-By Truckers is enjoying the most notable stretch of its career. A changing lineup has seen members come and go — most recently with the departure of group veteran, Jason Isbell — but the Truckers’ consistency has never wavered. The Big To-Do (2010), an album full of the band’s trademark tales of blue-collar malaise and sly humor, was its highest-charting yet and helped spotlight a band whose fanbase is quickly evolving beyond its tightly-knit core. Drive-By Truckers is known to thrive in the live setting, turning its (relatively) more compact album tracks into sprawling, three guitar jams full of Skynyrd-esque Southern rock. (Landon Moblad)
Fri/4-Sat/5, 9 p.m., $25
Fillmore
1805 Geary, SF
(415) 346-6000
MUSIC
Free the Robots
The initial installment of the Low End Theory last month proved that the L.A. monthly beat showcase could work in SF, buoyed by residents Gaslamp Killer, Daddy Kev, Nobody, D-Styles, and Nocando. This time around, Flying Lotus is sure to draw a crowd — but also worth noticing is Free the Robots. Last year’s debut LP Ctrl Alt Delete was full of spaced-out jams, layered bass beats, and tight samples (check that sexy strut of Baris Manco’s “Lambaya Puf De” on “Turkish Voodoo.”) The groove on “Turbulance” will lift you, rock you back and forth, and make you play the air-Moog. (Ryan Prendiville)
With Matthewdavid, Dose One, and Shlohmo
10 p.m., $20
103 Harriet, SF
DANCE
Devotion
In a return to the Bay Area, Sarah Michelson, who made her first work at ODC Theater 20 years ago as part of its long-running Pilot Program, brings Devotion, a collaboration with Richard Maxwell, artistic director of the New York City Players. Performed by Michelson’s dynamic dance company and Maxwell’s veteran actors, this narrative dance theater work entails extreme physical limits and experimental storytelling, and incorporates Philip Glass’ “Dance IX” — the same music Twyla Tharp used for her masterpiece In The Upper Room. Come see Michelson’s stark, simple, ironic work mix with Maxwell’s legendary voice. (Potter)
Fri/4–Sun/6, 8 p.m., $15–$18
ODC Theater
3153 17th St., SF
(415) 863-9834
SATURDAY 5
MUSIC
Too $hort
Though he’s been dabbling in Dirty South styles and collaborating with crunk mainstay Lil Jon since his 1999 comeback, it’s pretty impossible to associate Too $hort with anything other than West Coast hip-hop. The king of dirty rap broke out in 1988 with the release of Life Is … Too Short, which helped put Oakland on the scene and has since worked its way up to double platinum standing. A chance to hear his laid-back flow amid the tight bass lines and funk grooves of his live band is not to be missed. (Moblad)
8 and 10 p.m., $28
Yoshi’s San Francisco
1330 Fillmore, SF
(415) 655-5600
MONDAY 7
MUSIC
Diamond Rings
Canadian singer-songwriter John O’Regan (of the D’Urbervilles) reinvigorates a formula that’s classic, combining androgyny and pop music. Although Diamond Rings’ music borrows liberally from a range of influences (Do I hear strains of Technotronic’s “Pump Up the Jam” in “Show Me Your Stuff”?) with personal lyrics and an affecting baritone voice, O’Regan’s sound manages to be distinct and to break through YouTube novelty act territory. Diamond Rings headlines with the louder-than-life guitar and drums duo P.S. I Love You, which absolutely destroyed my eardrums at the Hemlock earlier in the year. (Prendiville)
With P.S. I Love You, A B and the Sea
8 p.m., $12
Rickshaw Stop
155 Fell, SF
(415) 861-2011
TUESDAY 8
FILM
Truck Farm
Sure, you want well-grown veggies — but you’re a staunch city-dweller, organic produce doesn’t make the food stamp budget, and the landlady ix-nayed a rooftop garden. In New York City, filmmakers Curt Ellis and Ian Cheney (who cocreated and appeared in 2007’s acc documentary King Corn) had similar issues. Until they realized their 1986 Dodge pickup held the 40-square-foot answer. The truck-bed-cum-garden-bed not only brings the farm to the city, it provides weekly food boxes to 20 families. Get the dirt at this outdoor screening of Truck Farm, a 50-minute doc the pair made about their program, accompanied by a discussion on urban farming (proceeds benefit Green Planet Films’ screening series). And will someone please ask how to replicate this without getting a stack of parking tickets? (Renz)
7 p.m., $20–$45
Unwind on Union
1875 Union, SF
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