Facebook RSS Twitter
Sign in Join
  • <-- Back to 48hills.org
Sign in
Welcome!Log into your account
Forgot your password?
Create an account
Sign up
Welcome!Register for an account
A password will be e-mailed to you.
Password recovery
Recover your password
Search
Logo48 hillsIndependent San Francisco News + Culture
Logo48 hillsIndependent San Francisco News + Culture
  • Archive Home
  • Flip-through editions
  • Stories from print sections
    • News & Opinion
      • Alerts
      • Editorial
      • Editors Notes
      • Green City
      • Herbwise
      • The Mix
      • Opinion
      • Techspoitation
    • Arts & Culture
      • Alt.sex.column
      • Art Listings
      • Astrology
      • Club Guide
      • Dance
      • Film Features
      • Film Reviews
      • Gamer
      • Literature
      • Music
      • Music Features
      • Rep Clock
      • Sonic Reducer
      • Stage
      • Super Ego
      • Theater
      • Visual Art
    • Food & Drink
      • Cheap Eats
      • Restaraunts
      • Restaurant Review
    • Special
  • Stories from SFBG.com
    • Bruce Blog
    • Noise
      • Party Radar
    • Pixel Vision
    • Politics Blog
    • Sex Blog
    • SF Blog
    • Video Pick
    • Without Reservations

Trip the light

Facebook
Twitter
WhatsApp
Linkedin
ReddIt
Email
Print
    Pub date August 3, 2010
    WriterMarke B.
    SectionSuper Ego
    IssueVolume 44 Number 44

    marke@sfbg.com

    SUPER EGO Oh, Andy Warhol, your profile Polaroid is, like, 10 days old. We need immediate updation! Curious, though, how we seem to be moving away from digital club photography as mere virtual portraiture suitable for Facebook framing — and more toward an experimental hyperrealism that treats Clubland as a given medium. What better place to try out new effects than on the dance floor? Cabbage patch that F-stop! Here are three photogs who really caught my eye this year, and added a new dimension to club flash.

     

    SADIE MELLERIO

    www.sadiemellerio.com

    “I am captivated by the documentation of performances and people in the new wave, dark synth, and electro music scenes that I care so much about. My objective is to capture all the elements that create the mood of an event: performers, people, lighting, dancing, space, fashion. While I shoot at least one show or club event a week for myself, I have shot professionally for New Wave City, Fringe, Temptation, and Gossip.”

    Dancer at Lords of Acid show, DNA Lounge


    Sean Heskett and Ricky Wayne Garrett of Inferno of Joy (check them out here), Club Gossip, Cat Club

     

    CABURE A BONUGLI (SHOT IN THE CITY)

    “I started off by shooting mostly bands in Austin, which is where I found my love for low light photography. I wanted to capture shows without interrupting the mood. I’ve lived in SF for a year — and with the music scene being so underground, I’ve turned my lens to drag queen performance artists. The lengths some of them go to, and the amount of thought they put into their acts, still blows me away.”


    April Mei Joon at “9/11 in July,” Some Thing, The Stud


    Fireworks outside The Tubesteak Connection, Aunt Charlie’s Lounge

     

    ISAAC BENJAMIN

    “I started studying photography in 1993. It has been a consistent passion of mine since then. I met Juanita More in 2002 and have been working with her since. I currently take portraits of the personalities who attend her and Joshua J’s club Booty Call Wednesdays at Qbar.”


    Mutha Chucka networks at Booty Call


    Gang Gang glamour at Booty Call

    • Writer
    • Marke B.
    Facebook
    Twitter
    WhatsApp
    Linkedin
    ReddIt
    Email
    Print

      48hills.org is the official publication of the non-profit San Francisco Progressive Media Center.
      Contact us: info@48hills.org