Moaning for Mon Cousin Belge

Pub date September 4, 2008
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Dressy: A past Mon Cousin Belge performance

Mon Cousin Belge (with Girls, Bridez, and the Passionistas)
Aug. 28, Cafe du Nord


By Lauren Giniger

Man, that rare warm summer night we had last week really messed up my program. It took me forever to get out of the house, and it was all clothing-related indecision, and consequently I missed three groups of the fun four-band lineup at the world-famous-in-San Francisco performer Mon Cousin Belge’s record-release party.

Now it’s true, the hipsters left en masse (really, is there anything they don’t do en masse?) after Girls’ set, but that just left a very enthusiastic core of fans for Mon Cousin Belge’s turn. MCB, much like Obama, benefits from the “enthusiasm factor,” and MCB fans really, really, really love MCB. Emile is a compelling frontman, his theatrics propped on top of a set of powerful pipes, and the band’s music possesses a delicious, glammed-out sensibility.

MCB started their set with slow-burn cover of Roger Miller’s “The Crossing,” and reached a sort of rock fever pitch with “Ugly American” and “Tweaker Bitch.” Emile’s long-lost brother in botched plastic surgery sat in with some guest vocals, and both delivered drama of the hair-metal variety. So many of MCB songs are so great. They’re funny, edgy, and recognizable – who among us doesn’t know a tweaker bitch? While the guitar jangles and the keyboards hark to ’70s anthems, the drums carve out a stripped-down post-punk beat to counterpoint all that top-heavy glam.

Hipsters, next time stick around even if your friends don’t. San Francisco fags and those who love them elevate MCB to cult-band status. I don’t make history, but I dig it.