By Jeffrey M. Anderson
Tonight, I’m off to see Roy Andersson‘s You, the Living and then Frank Black‘s live accompaniment to 1920’s The Golem. Three years ago at SFIFF, I saw Frank Borzage’s 1927 Street Angel with a live score by the American Music Club, and it was one of the great movie nights of my life. I hope this one comes close.
Word has it that Roy Andersson’s You, the Living blows — in the best possible sense
The Golem will soon be hit with a wave of Frank Black’s sonic mutilation