• No categories

Stage

Stage listings

0

Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For the complete listings, go to www.sfbg.com.

THEATER

OPENING

Mirrors In Every Corner Intersection for the Arts, 446 Valencia; 626-2787, www.theintersection.org. Opens Thurs/25. Runs Thurs-Sun, 8pm. Through March 21. Intersection for the Arts, Campo Santo, and the Living Word Project present the world premiere of Chinaka Hodge’s provocative show exploring race and identity from new perspectives.

BAY AREA

Beebo Brinker Chronicles Brava Theater Center, 2781 24th St; 641-2822, www.brava.org. $20-$30. Opens Thurs/25. Runs Thurs-Sun and March 6, 8pm, through March 13. The regional premiere of Kate Moira Ryan and Linda S. Chapman’s play adapted from a series of pulp novels.

Concerning Strange Devices from the Distant West Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $13.50-$27. Berkeley Rep presents a sexy and intriguing new show from Naomi Iizuka.


ONGOING

Animals Out of Paper SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Wed/24-Fri/26, 8pm; Sat/27, 3 and 8pm. SF Playhouse presents Rajiv Joseph’s quirky comedy.

Bay One Acts Festival Boxcar Theatre, 505 Natoma; 776-7427, www.threewisemonkeys.org. $12-$24. Dates and times vary. Through March 13. Three Wise Monkeys presents eleven short plays by Bay Area playwrights, including Cris Barth, Stuart Bousel, and Lauren Yee.

Beauty of the Father Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $30. Thurs-Sat, 8pm. Through March 13. Off-Broadway West’s season opener offers the Bay Area a first look at the somewhat messy but ultimately rewarding 2006 drama by Cuban American Pulitzer Prize–winner Nilo Cruz ("Anna in the Tropics"). Set in contemporary Andalusia, in the south of Spain, it’s the story of an aging painter named Emiliano (Durand Garcia) whose best friend and near-constant companion is the ghost of Federico García Lorca (Michael Carlisi), poet and playwright long ago murdered by the fascists during the Spanish Civil War. Emiliano also lives with his mostly platonic sweetheart (Jeanette Sarmiento), whom he plans to marry after she divorces his other housemate, a young Moroccan immigrant named Karim (Chris Holland) who is tied to her for the green card but is also Emiliano’s sometime lover. When his long-estranged ex-wife back in the U.S. dies, he invites his grown daughter (Natasha Chacon) to come live with him, feeling the urge "to father her" again. She arrives for an indefinite stay instead, shedding the gloom of her mother’s death in the embrace of life under the Andalucian sun—and a smitten Karim in particular. There’s some piquancy to the unraveling of this romantic ménage, and real poetry in the language and perspective afforded through the magical realistic presence of Lorca, but despite Cruz’s muscular writing and ambitious thematic canvas, the drama flags at points and sometimes seems unsure of where it would take us or even the proper tone or color to employ. Nevertheless, artistic director Richard Harder helms a strong cast, which helps make the going worthwhile. (Avila)

Don’t Feel: The Death of Dahmer Mama Calizo’s Voice Factory, 1519 Mission; mcvf.org. $20. Thurs/25-Sat/27, 8pm.For most of us, Jeffrey Dahmer is a set-up and punch line in one, a byword for the macabre phenomenon of serial killing, as mundane as cereal eating (at least in pop culture terms). He’s the inhuman incarnate, hiding behind boyish white male normality. But what does it mean to us that he was also homosexual? That’s an animating question behind Evan Johnson’s "Don’t Feel: The Death of Dahmer," whose great power lies in its rigorous seriousness, the skill and depth it brings to its subject that makes it unexpectedly complicated, fascinating, terrible, tragic—an altogether human and social drama, centered on a terrifyingly isolated figure, but including many others from immediate family to those of us in the room listening to Dahmer’s shy, earnest, enraged postmortem testimony. The eerie, shadowy setting, perfectly augmented by Sean Malroy’s buzzingly jarring soundscape, has Dahmer still in his orange penitentiary garb, his forehead soaked with blood from the fatal blow received from a fellow inmate nicknamed Christ. The impressive result of writer-performer Johnson’s DIY residency at Mama Calizo’s Voice Factory, beautifully directed by Eric Wilcox, "Don’t Feel" humanizes its subject without recourse to crass sentiment or apology. And Johnson’s supple, multifaceted performance is passionately committed, deft and fearless. It’s a riveting communion with the dead, in several directions at once, and it will leave you troubled and moved. (Avila)

Eat, Pray, Laugh! Off-Market Theaters, 965 Mission; www.brownpapertickets.com. $20. Wed/24, 8pm. Off-Market Theaters presents stand up comic and solo artist Alicia Dattner in her award-winning solo show.

Eccentrics of San Francisco’s Barbary Coast: A Magical Escapade San Francisco Magic Parlor, Chancellor Hotel Union Square, 433 Powell; 1-800-838-3006. $30. Fri-Sat, 8pm. Ongoing. This show celebrates real-life characters from San Francisco’s colorful and notorious past.

Fabrik: The Legend of M. Rabinowitz Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $20-$45. Thurs/25-Sat/27, 8pm; Sun/28, 2 and 7pm. The Jewish Theatre San Francisco presents a Wakka Wakka Productions presentation of this story of a Polish Jew who immigrated to Norway, told with hand-and-rod puppets, masks, and original music.

The Gilded Thick House, 1695 18th St. www.thegilded.com. $18-$30. Thurs, 7pm; Fri-Sat, 8pm; Sun, 2pm. Through March 7. The Curiouser Group presents a new musical by Reynaldi Lolong.

The Greatest Bubble Show on Earth Marsh, 1062 Valencia. (800) 838-3006, www.themarsh.org. $7-$50. Sun, 11am. Through April 3. The Amazing Bubble Man returns with his extraordinary family-friendly show.

Hearts on Fire Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Wed-Sat, 6pm; Sun, 5pm. Through May 16. Teatro ZinZanni celebrates its 10th anniversary with this special presentation featuring Thelma Houston, El Vez, and Christine Deaver.

*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Sat, 8:30pm; Sun, 7pm. Through April 11. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. Randolph plays loner Frannie Potts, a rambunctious, cranky and libidinous individual of decidedly odd mien, who is flying back home to Ohio after the death of her beloved mother. The flight is occasion for Frannie’s own flights of memory, exotic behavior in the aisle, and unabashed advances toward the flight deck brought on by the seductively confident strains of the captain’s commentary. The singular personality and mother-daughter relationship that unfurls along the way is riotously demented and brilliantly humane. Not to be missed, Randolph is a rare caliber of solo performer whose gifts are brought generously front and center under Matt Roth’s reliable direction, while her writing is also something special—fully capable of combining the twisted and macabre, the hilariously absurd, and the genuinely heartbreaking in the exact same moment. Frannie Potts’s hysteria at 30,000 feet, as intimate as a middle seat in coach (and with all the interpersonal terror that implies), is a first-class ride. (Avila)

Mahalia Lorraine Hansberry Theatre, 450 Post; 474-8800, www.lhtsf.org. $18-$40. Thurs/25-Sat/27, 8pm; Sun/28, 4pm. Lorraine Hansberry Theatre presents the inaugural production of Tom Stolz’s gospel musical.

Oedipus el Rey Magic Theatre, Building D, Fort Mason Center; 441-8822, www.magictheatre.org. $20-$55. Days and times vary. Through March 14. Luis Alfaro transforms Sophocles’ ancient tale into an electrifying myth, directed by Loretta Greco.

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through April 24. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

*The Position Studio 250, 965 Mission; www.applyfortheposition.com. $20. Thurs/25-Sat/27, 8pm; Sun/28, 7pm. From the ready pen of local playwright William Bivins comes a witty dystopic thriller too good not to be (essentially) true: In the USA’s not-too-distant future, after "the Great Downturn," there’s 80% unemployment, the population lives by scavenging, despair is in the water and air, and there are no more dogs (those little four-legged ambassadors of hope). But there are still one or two job openings in the ultra-powerful, totemic, life-giving corporate universe of The Concern. A search narrows the candidates down to six (types played with palpable soul by Kate Jones, Asher Lyons, Gabi Patacsil, Eric Reid, Dan Williams, and Laura Zimmerman). They’re flown to an exclusive island, paradisial in its accommodations, totalitarian in its panoptic surveillance and haughty obscurantism. Greeted by icy hot Mrs. Radcliffe (Jessica Cortese) and her deliriously agreeable man-servant Baylian (a joyously loopy Even Winchester)—both nattily futuristic in coordinated turquoise outfits—the candidates learn there are no rules but two over the course of the evaluation, and no clue to what’s being evaluated. The contest begins and, in PianoFight’s high-spirited low-budget production, it makes no difference how familiar the themes or scenario. Adeptly suggesting classics new and hoary, from "Survivor" and "The Apprentice" to "The Most Dangerous Game," "The Position" never feels merely derivative, let alone dull or predictable. It’s inspired, rebellious lovemaking with our doom-clouded moment, engrossingly directed by PianoFight’s Christy Crowley. (Avila)

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs-Fri, 8pm; Sat, 5pm. Through April 18. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Suddenly Last Summer Actors Theatre, 855 Bush; 345-1287, www.actorstheatresf.org. $15-$35. Thurs-Sat, 8pm. Through March 27. Actors Theatre presents one of Tennessee Williams’ finest and most famous plays.

Tick, Tick&ldots;Boom! Eureka Theatre, 215 Jackson. (800) 838-3006, www.therhino.org. $15-$30. Wed/24-Sat/27, 8pm; Sun/28, 3pm. "Rent" creator Jonathan Larson’s small autobiographical musical theater piece receives a modestly scaled but enthusiastic, generally sound staging from Theatre Rhinoceros and director Christopher Herold. The play, set in 1990 and written as Larson was still struggling to make a name for himself, revolves around the protagonist’s (Scott Gessford) impending 30th birthday and the crisis of confidence it triggers, as girlfriend (Holly Nugent) drifts away and best friend (Brian Yates Sharber)—in a supreme wake-up call to the heretofore self-absorbed artist—gets diagnosed with AIDS. The music—despite some sour notes and body mic problems on opening night—comes across most forcefully, especially one or two devilishly clever songs, but the storyline is thin and hard to care too much about on its own (it’s real dramatic power coming from the knowledge we have of Larson’s poignant end a few years later, dying on the eve of "Rent"’s phenomenal take-off). (Avila)

What Just Happened? The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $20-$50. Fri-Sat, 8pm. Through March 13. The Marsh presents Nina Wise’s improvisation-based sow about personal and political events which have transpired over the previous 24 hours.

What Mama Said About ‘Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-$25. Thurs-Sun, 8pm. Through July 30. Writer/performer/activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

Wicked Orpheum Theatre, 1182 Market; 512-7770, www.shnsf.com. $30-$99. Tues, 8pm; Wed, 2pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Ongoing. Assuming you don’t mind the music, which is too TV-theme–sounding in general for me, or the rather gaudy décor, spectacle rules the stage as ever, supported by sharp performances from a winning cast. (Avila)


BAY AREA

An Anonymous Story by Anton Chekhov Berkeley City Club, 2315 Durant, Berk; (510) 558-1381, centralworks.org. $14-$25. Thurs-Sat, 8pm; Sun, 5pm. Central Works presents a new play adapted from the Checkhov novella.

Coming Home Thrust Stage, Berkeley Repertory Theatre, 2025 Addison; (510) 647-2917, www.berkeleyrep.org. Wed/24, 7pm; Thurs/25-Sat/27, 8pm; Sun/28, 2 and 7pm. $33-$71. The rags to riches fantasy of the small town girl who hits the big time after abandoning her hometown for the brighter lights of a big city is one of the most well-worn yet perennially beloved plotlines. Less popular are the tales of the girls who return to their hometowns years later still in rags, their big city dreams crumbled and spent. Such a tale is Athol Fugard’s Coming Home, a cautious sequel to Valley Song, which follows Veronica Jonkers (a versatile Roslyn Ruff) to her childhood home in the Karoo, her own small child in tow and little else. The tragedy of her ignominious return is further compounded by her secret knowledge that she is HIV-positive, and her young son’s future therefore precarious. The slow-moving yet tenacious script stretches over a period of four years, following both the progression of Veronica’s dread decline in health, and the flowering intellectual development of her son, Mannetjie (played by Kohle T. Bolton and Jaden Malik Wiggins), who keeps his "big words" in his deceased Oupa’s pumpkin seed tin. Almost superfluous appearances by the ghost of Oupa (Lou Ferguson) are made enjoyable by Ferguson’s quiet mastery of the role, and Thomas Silcott parlays great empathy and range in his performance as Veronica’s irrepressible childhood companion and circumstantial caretaker Alfred Witbooi. (Gluckstern)

*East 14th Laney College Theatre, 900 Fallon St, Oakl. www.east14thoak.eventbrite.com. $10-$50. Fri/26-Sat/27, 8:30pm. Also at the the Marsh Berkeley in March. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. It returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland between two poles of East 14th Street’s African American neighborhood: one defined by his mother’s strict ass-whooping home, dominated by his uptight Jehovah’s Witness stepfather; the other by his biological father’s madcap but utterly non-judgmental party house. The latter—shared by two stepbrothers, one a player and the other flamboyantly gay, under a pimped-out, bighearted patriarch whose only rule is "be yourself"—becomes the teenage Reed’s refuge from a boyhood bereft of Christmas and filled with weekend door-to-door proselytizing. Still, much about the facts of life in the ghetto initially eludes the hormonal and naïve young Reed, including his own flamboyant, ever-flush father’s occupation: "I just thought he was really into hats." But dad—along with each of the characters Reed deftly incarnates in this very engaging, loving but never hokey tribute—has something to teach the talented kid whose excellence in speech and writing at school marked him out, correctly, as a future "somebody." (Avila)

The First Grade Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Wed/24-Sat/27, 8pm; Sun/28, 2 and 7pm. Aurora Theatre Company presents the world premiere of Joel Drake Johnson’s new play.

*Learn to be Latina La Val’s Subterrnean, 1834 Euclid, Berk. impacttheatre.com. $10-$20. Thurs-Sat, 8pm. Impact Theatre continues its 14th season with the world premiere of Enrique Urueta’s play.


DANCE

"The Butterfly Lovers" Palace of Fine Arts Theatre; 392-4400, www.cityboxoffice.com. Wed, 7:30pm. $35-$70. Chinus Cultural Productions and China Arts and Entertainment Group present the U.S. premiere of China’s Romeo and Juliet, performed by the Beijing Dance Academy Youth Dance.

"Intercontinental Collaborations" CounterPULSE, 1310 Mission; (800) 838-3006, www.counterpusle.org. Thurs-Sun, 8pm. Check for ticket prices. This evening features the U.S. premiere of Claire Cunninghma’s award-winning solo and a preview excerpt of Jess Curtis/Gravity’s Dances for Non-Fictional Bodies.

"Olympus Rising" Dance Mission Theater, 3316 24th St. www.dancewright.com. Sun, 7pm. DanceWright Project appears in the Black Choreographers Festival to preview an excerpt from this sci-fi rock ballet.

"When Dreams are Interrupted" City Hall Rotunda. Wed, noon. Purple Moon Dance Project presents a special performance of this inspiring work about the forced removal of Japanese Americans in San Francisco.


BAY AREA

"Ecstatic Dance" Sweets Historic Ballroom, 1933 Broadway, Oakl; 505-1112, info.ecstaticdance@gmail.com. Sun, 9:30am; Wed, 7pm. Ongoing. Move however you feel inspired with this freeform journey of movement.

"here, look" Shawl-Anderson Dance Center, 2704 Alcatraz, Berk; (510) 654-5921, www.shawl-anderson.org. Fri-Sat, 8pm; Sun, 6pm. The Shawl-Anderson’s Dance Up Close/East Bay Series, ahdanco, presents an evening of new works by Abigail Hosein.

"Saints and Angels" Temescal Arts Center, 511 48th St, Oakl. www.danceelixir.org. Fri, 6:30 and 9pm. Dance Elixir presents an evening of beautiful, austere, athletic, and comic contemporary dance.


PERFORMANCE

"All Star Magic & More" SF Playhouse, Stage 2, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 7pm. Ongoing. Magician RJ Owens hosts the longest running magic show in San Francisco.

30th Anniversary Celebration of New Works African American Art and Culture complex, 762 Fulton; 292-1850, www.culturalodyssey.org/tickets. Thurs-Sat, 8pm; Sun, 3pm. Through March 14. $20. In celebration of Black History Month and National Women’s Month, Cultural Odyssey presents a festival featuring The Love Project, The Breach, and Dancing with the Clown of Love.

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. $17-$20. The Theatresports show format treats audiences to an entertaining and engaging night of theater and comedy presented as a competition.

Bijou Martuni’s, 4 Valencia; 241-0205, www.dragatmartunis.com. Sun, 7pm. $5. The eclectic live cabaret showcase features a night of love songs in honor of Valentine’s Day.

"Black History Month Blacktacular&ldots; Black!" StageWerx Theatre, 533 Sutter. Thurs-Fri, 8pm. $20-$50. W. Kamau Bell aims to finally figure out what the big deal is about BHM.

Don Carbone and Rick Shapiro Dark Room, 2263 Mission; 401-7987, darkroomsf.com. Sat. The Bay Area absurdist writer/performer shares an evening with the comic.

"La Cenerentola" Legion of Honor; 972-8930, www.pocketopera.org. Sat-Sun, 2pm. Also March 7 in Napa. $31-$37. Pocket Opera presents Rossini’s twist on Cinderella.

"The Cinderella Principle" Yerba Buena Center for the Arts, 701 Mission; 978-2787, www.ybca.org. Thurs-Sat, 8pm. $20-$35. Robert Moses’ Kin presents the world premiere of this show with Hush and Toward September.

"The Legendary Lions vs. the Fists of Fury" Southern Exposure, 3030 20th St; 963-2141, www.soex.org. Fri, 8pm. Free. Mike Lai presents a one-night performance that juxtaposes traditional and contemporary Chinese culture.

PianoFight Studio 250 at Off-Market, 965 Mission; www.painofight.com. Mon, 8pm. Through March 29. $20. The female-driven variety show Monday Night ForePlays returns with brand new sketches, dance numbers, and musical performances.

"Talk to Me" The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. Wed, 7:30pm. $10-$15. The Marsh presents a performance of Hernan Ximenez’ funny and riveting play.

"Unscripted: unscripted" Off-Market Theater, Studio 205, 965 Mission; 869-5384, www.un-scripted.com. Thurs-Sat, 8pm. Through March 13. The Un-Scripted Theater Company kicks off its eighth season with an improvised improv show.

"Six" Commonwealth Club, 595 Market. www.magictheatre.org. Mon, 6pm. Free. Magic Theatre presents the Martha Heasley Cox Virgin Play Series, this time featuring a piece by Zohar Tirosh-Polk.


BAY AREA

"Come Home" La Pena, 3105 Shattuck, Berk; (510) 849-2568, www.lapnea.org. Sat, 8pm. $15-$18. In celebration of Black History Month, La Pena Cultural Center presents Jovelyn Richards in her solo performance theater piece.

"Once Upon a Mattress" Julia Morgan Center for the Arts, 2640 College Ave, Berk; (510) 595-5514, www.ymtcberkeley.org. Feb 26, and 27, 7:30pm; Feb 21, 27, 2pm; Feb 28, 3pm. $10-$20. Young Musical Theater Company presents the Broadway classic.

Upright Citizens Brigade Pan Theater, 2135 Broadway, Oakl; www.pantheater.com. Fri, 8 and 9:10pm. Ongoing. $14-$18. Upright Citizens Brigade Touring Co. brings the NYC funny to Oakland with this improve comedy show with guest performing troupes.


COMEDY

Annie’s Social Club 917 Folsom, SF; www.sfstandup.com. Tues, 6:30pm, ongoing. Free. Comedy Speakeasy is a weekly stand-up comedy show with Jeff Cleary and Chad Lehrman.

"All Star Comedy and More with Tony Sparks" SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm. Ongoing. SF’s favorite comedy host brings a showcase of the Bay’s best stand-up comedy and variety.

"Big City Improv" Shelton Theater, 533 Sutter; (510) 595-5597, www.bigcityimprov.com. Fri, 10pm, ongoing. $15-$20. Big City Improv performs comedy in the style of "Whose Line Is It Anyway?"

Brainwash 1122 Folsom; 861-3663. Thurs, 7pm, ongoing. Free. Tony Sparks hosts San Francisco’s longest running comedy open mike.

Club Deluxe 1511 Haight; 552-6949, www.clubdeluxesf.com. Mon, 9pm, ongoing. Free. Various local favorites perform at this weekly show.

Clubhouse 414 Mason; www.clubhousecomedy.com. Prices vary. Scantily Clad Comedy Fri, 9pm. Stand-up Project’s Pro Workout Sat, 7pm. Naked Comedy Sat, 9pm. Frisco Improv Show and Jam Sun, 7pm. Ongoing.

Cobbs 915 Columbus; 928-4320.

"Comedy Master Series" Blue Macaw, 2565 Mission; www.comedymasterseries.com. Mon, 6pm. Ongoing. $20. The new improv comedy workshop includes training by Debi Durst, Michael Bossier, and John Elk.

"Danny Dechi and Friends" Rockit Room, 406 Clement; 387-6343. Tues, 8pm. Free. Danny Dechi hosts this weekly comedy showcase through October.

"Frisco Fred’s Comedy Hour" Chancellor Hotel in the Luques Restaurant, 433 Powell; 646-0776, www.comedyonthesquare.com. Sat, 7 and 8:30pm. Through March 27. $25. Frisco Fred presents this fun-filled hour of comedy, magic, crazy stunts and special guests.

"The Howard Stone Show – 100th Show Celebration" SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm. $20. The Playhouse presents an off-beat comedy talk show hosted by Howard Stone and featuring the Danny Detchi Orchestra.

"Improv Society" Shelton Theater, 533 Sutter; www.improvsociety.com. Sat, 10pm, ongoing, $15. Improv Society presents comic and musical theater.

Punch Line San Francisco 444 Battery; www.punchlinecomedyclub.com.

Purple Onion 140 Columbus; (800) 838-3006, www.purpleonionlive.com. Featuring Brent Weinbach and Will Franken Thurs.

Rrazz Room Hotel Nikko, 222 Mason; 781-0306, www.therrazzroom.com.

"Raw Stand-up Project SFCC, 414 Mason, Fifth Flr; www.sfcomedycollege.com. Sat, 7pm, ongoing. $12-15. SFCC presents its premier stand-up comedy troupe in a series of weekly showcases.

"SF State Comedy Night" Creative Arts Building, McKenna Theatre, San Francisco Stat University; 338-2467, creativearts.sfsu.edu. Sat, 7:30pm. $35-$70. Ronnie Schell brings comedy back to the campus for the 10th annual comedy night.


BAY AREA
"Comedy Off Broadway Oakland" Ms. Pearl’s Jam House, 1 Broadway, Oakl; (510) 452-1776, www.comedyoffbroadwayoakland.com. Thurs-Fri, 9pm. Ongoing. $8-$10. Comedians featured on Comedy Central, HBO, BET, and more perform every week.
"Sick Comedy" Berkeley Central Library, 2090 Kittredge, Berk; (510) 981-6100. Sun, 2pm. Free. See four professional comedians tell stories of the emotional and mental challenges brought on by illness.

SPOKEN WORD
"Black History Month Open Mic" Revolution Books, 2425 Channing Way, Berk; (510) 848-1196. Thurs, 7pm. Free. The theme is "What does liberation look like?" for tonight’s performance and discussion.
"Grateful Tuesday" Ireland’s 32, 3920 Geary; 386-6173, www.myspace.com/thegrasshoppersongs. Tues, 8pm. Ongoing. Grasshopper hosts this weekly open mic featuring folk, world, and country music.

Stage Listings

0

Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For the complete listings, go to www.sfbg.com.

THEATER

OPENING

Bay One Acts Festival Boxcar Theatre, 505 Natoma; 776-7427, www.threewisemonkeys.org. $12-$24. Dates and times vary. Opens Thurs/18. Runs through March 13. Three Wise Monkeys presents eleven short plays by Bay Area playwrights, including Cris Barth, Stuart Bousel, and Lauren Yee.

The Gilded Thick House, 1695 18th St. www.thegilded.com. $18-$30. Opens Thurs/18. Runs Thurs, 7pm; Fri-Sat, 8pm; Sun, 2pm. Through March 7. The Curiouser Group presents a new musical by Reynaldi Lolong.

Mahalia Lorraine Hansberry Theatre, 450 Post; 474-8800, www.lhtsf.org. $18-$40. Previews Thurs/18-Fri/19. Opens Sat/20. Runs Thurs-Sat, 8pm; Sun, 4pm. Through Feb 28. Lorraine Hansberry Theatre presents the inaugural production of Tom Stolz’s gospel musical.

Suddenly Last Summer Actors Theatre, 855 Bush; 345-1287, www.actorstheatresf.org. $15-$35. Opens Thurs/19. Runs Thurs-Sat, 8pm. Through March 27. Actors Theatre presents one of Tennessee Williams’ finest and most famous plays.

What Just Happened? The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $20-$50. Opens Fri/19. Runs Fri-Sat, 8pm. Through March 13. The Marsh presents Nina Wise’s improvisation-based sow about personal and political events which have transpired over the previous 24 hours.

 

BAY AREA

An Anonymous Story by Anton Chekhov Berkeley City Club, 2315 Durant, Berk; (510) 558-1381, centralworks.org. $14-$25. Previews Fri/19. Opens Sat/20. Runs Thurs-Sat, 8pm; Sun, 5pm. Central Works presents a new play adapted from the Checkhov novella.

*East 14th Laney College Theatre, 900 Fallon St, Oakl. www.east14thoak.eventbrite.com. $10-$50. Opens Fri/19. Runs Fri-Sat, 8:30pm. Through Feb 27. Also at the the Marsh Berkeley in March. Don Reed’s solo play, making its Oakland debut after an acclaimed New York run, is truly a welcome homecoming twice over. It returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland between two poles of East 14th Street’s African American neighborhood: one defined by his mother’s strict ass-whooping home, dominated by his uptight Jehovah’s Witness stepfather; the other by his biological father’s madcap but utterly non-judgmental party house. The latter—shared by two stepbrothers, one a player and the other flamboyantly gay, under a pimped-out, bighearted patriarch whose only rule is “be yourself”—becomes the teenage Reed’s refuge from a boyhood bereft of Christmas and filled with weekend door-to-door proselytizing. Still, much about the facts of life in the ghetto initially eludes the hormonal and naïve young Reed, including his own flamboyant, ever-flush father’s occupation: “I just thought he was really into hats.” But dad—along with each of the characters Reed deftly incarnates in this very engaging, loving but never hokey tribute—has something to teach the talented kid whose excellence in speech and writing at school marked him out, correctly, as a future “somebody.” (Avila)

Learn to be Latina La Val’s Subterrnean, 1834 Euclid, Berk. impacttheatre.com. $10-$20. Previews Thurs/18-Fri/19. Opens Sat/20. Runs Thurs-Sat, 8pm. Impact Theatre continues its 14th season with the world premiere of Enrique Urueta’s play.

 

ONGOING

Animals Out of Paper SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Feb 27. SF Playhouse presents Rajiv Joseph’s quirky comedy.

Beauty of the Father Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $30. Thurs-Sat, 8pm. Through March 13. Off Broadway West Theatre Company presents Nilo Cruz’s Pulitzer Prize-winner.

Bright River Brava Theater Center, 2781 24th St; (800) 838-3006, thebrightriver.com. Thurs/18-Sat/20, 8pm. From the imagination of Tim Barsky comes a journey through a dystopian uderworld.

Eat, Pray, Laugh! Off-Market Theaters, 965 Mission; www.brownpapertickets.com. $20. Wed, 8pm. Through Feb 24. Off-Market Theaters presents stand up comic and solo artist Alicia Dattner in her award-winning solo show.

Eccentrics of San Francisco’s Barbary Coast: A Magical Escapade San Francisco Magic Parlor, Chancellor Hotel Union Square, 433 Powell; 1-800-838-3006. $30. Fri-Sat, 8pm. Ongoing. This show celebrates real-life characters from San Francisco’s colorful and notorious past.

Fabrik: The Legend of M. Rabinowitz Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $20-$45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through Feb 28. The Jewish Theatre San Francisco presents a Wakka Wakka Productions presentation of this story of a Polish Jew who immigrated to Norway, told with hand-and-rod puppets, masks, and original music.

Fiddler on the Roof Golden Gate Theatre, 1 Taylor; 512-7770, www.shnsf.com. $30-$99. Wed/17-Sat/20, 8pm; Wed/20, Sat/21, 2pm. Harvey Fierstein, who played Tevye in the recent critically acclaimed Broadway production, reprises the role as part of the Best of Broadway series.

Fiorello! Eureka Theatre, 215 Jackson; 392-4400, www.cityboxoffice.com. $10-$30. Sat/20, 2pm. The San Francisco Arts Education Project celebrates the ninth year of its musical theater company with three weekend performances of Broadway’s Pulitzer Prize winning play.

The Greatest Bubble Show on Earth Marsh, 1062 Valencia. (800) 838-3006, www.themarsh.org. $7-$50. Sun, 11am. Through April 3. The Amazing Bubble Man returns with his extraordinary family-friendly show.

Hearts on Fire Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Wed-Sat, 6pm; Sun, 5pm. Through May 16. Teatro ZinZanni celebrates its 10th anniversary with this special presentation featuring Thelma Houston, El Vez, and Christine Deaver.

*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Sat, 8:30pm; Sun, 7pm. Through April 11. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. Randolph plays loner Frannie Potts, a rambunctious, cranky and libidinous individual of decidedly odd mien, who is flying back home to Ohio after the death of her beloved mother. The flight is occasion for Frannie’s own flights of memory, exotic behavior in the aisle, and unabashed advances toward the flight deck brought on by the seductively confident strains of the captain’s commentary. The singular personality and mother-daughter relationship that unfurls along the way is riotously demented and brilliantly humane. Not to be missed, Randolph is a rare caliber of solo performer whose gifts are brought generously front and center under Matt Roth’s reliable direction, while her writing is also something special—fully capable of combining the twisted and macabre, the hilariously absurd, and the genuinely heartbreaking in the exact same moment. Frannie Potts’s hysteria at 30,000 feet, as intimate as a middle seat in coach (and with all the interpersonal terror that implies), is a first-class ride. (Avila)

Oedipus el Rey Magic Theatre, Building D, Fort Mason Center; 441-8822, www.magictheatre.org. $20-$55. Days and times vary. Through Feb 28. Luis Alfaro transforms Sophocles’ ancient tale into an electrifying myth, directed by Loretta Greco.

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through April 24. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

*The Position Studio 250, 965 Mission; www.applyfortheposition.com. $20. Thurs-Sat, 8pm; Sun, 7pm. Through Feb 28. From the ready pen of notable local playwright William Bivins comes a witty dystopic thriller too good not to be (essentially) true: In the USA’s not-too-distant future, after “the Great Downturn,” there’s 80% unemployment, the population lives by scavenging, despair is in the water and air, and there are no more dogs (those little four-legged ambassadors of hope). But there are still one or two job openings in the ultra-powerful, totemic, life-giving corporate universe of The Concern. A recent search has narrowed the candidates down to six (types played to perfection, while imbued with palpable soul, by Kate Jones, Asher Lyons, Gabi Patacsil, Eric Reid, Dan Williams, and Laura Zimmerman). They’re flown to an exclusive island, paradisial in its accommodations and distance from dismal American society at large, totalitarian in its panoptic surveillance and haughty obscurantism. Greeted by the icy hot Mrs. Radcliffe (Jessica Cortese) and her deliriously accommodating man-servant Baylian (a joyously loopy Even Winchester)—both nattily futuristic in coordinated turquoise business wear—the candidates find there are no rules but two over the course of the evaluation, and no explanation of what they might be evaluated on. The contest begins and, in PianoFight’s low-budgeted but high-spirited production, it makes no difference how familiar might be the themes or the scenario—very adeptly riffing on classics new and hoary, from “Survivor” and “The Apprentice” to “The Most Dangerous Game”—”The Position” never feels merely derivative, let alone dull or predictable. Instead, it’s inspired, rebellious lovemaking with our doom-clouded moment, realized by an engrossing cast unerringly directed by PianoFight’s Christy Crowley. Assume nothing, not even “the position,” unless it be that of butt-to-seat—this is a great ride. (Avila)

Ramona Quimby Zeum: San Francisco Children’s Museum, 221 Fourth St; (510) 296-4433, aciveartstheatre.org. $14-$18. Sat/20-Sun/21, 2 and 4:30pm. Active Arts Theatre for Young Audiences presents a theatrical production based on the novels of Beverly Cleary.

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs-Fri, 8pm; Sat, 5pm. Through April 18. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Red Light Winter Next Stage, 1620 Gough; (800) 838-3006, custommade.org. $18-$28. Thurs/18-Sat/20, 8pm. There’s a moment in the second act of Red Light Winter that eerily recalls the plotline of Fugard’s Coming Home, currently playing the Berkeley Rep, but unlike Fugard, playwright Adam Rapp can’t help but to ratchet up the despair without tempering it with a shred of hope, and the resultant script comes off more like misery porn than an authentic exploration of the human spirit. You can’t fault the fearless cast of Custom Made Theatre’s production of it for the script’s overall flaws though; they inhabit their characters wholly, firing off volleys of “dude-speak” “nerd-speak” and “unrequited love-lament” without a hitch, imbuing each scene with subtle quirk and nervous tension. Steve Budd, as Davis, channels the restless energies of a hedonistic jackass (whose brash exterior sadly does not hide a heart of gold), and the neurotic, OCD sorrows of the hopelessly heartbroken Matt are brought to acutely uncomfortable life by Daveed Diggs. But it is the shape-shifting, name-changing, unreliable Christina (powerfully rendered by Britanny K. McGregor) who remains the play’s greatest enigma and bears the brunt of Rapp’s punishing pen, like the weary subject of a Tom Waits ballad, minus the comfort of a redemptive moment, or even just a bottle of whiskey. (Gluckstern)

Rent Southside Theatre, Fort Mason Center; www.jericaproductions.com. $25-$35. Fri/19, 8pm; Sat/20-Sun/21, 2 and 8pm. The Royal Underground presents A Jerica Productions Company rendition of Jonathan Larson’s Tony Award and Pulitzer Prize-winning rock opera.

Tick, Tick … Boom! Eureka Theatre, 215 Jackson. (800) 838-3006, www.therhino.org. $15-$30. Wed-Sat, 8pm; Sun, 3pm. Through Feb 28.Theatre Rhinoceros presents Jonathan Larson’s rock musical.

What Mama Said About ‘Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-$25. Thurs-Sun, 8pm. Through July 30. Writer/performer/activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

Wicked Orpheum Theatre, 1182 Market; 512-7770, www.shnsf.com. $30-$99. Tues, 8pm; Wed, 2pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Ongoing. Assuming you don’t mind the music, which is too TV-theme–sounding in general for me, or the rather gaudy décor, spectacle rules the stage as ever, supported by sharp performances from a winning cast. (Avila)

 

BAY AREA

Antigone Live Oak Theatre, 1301 Shattuck, Berk; (510) 649-5999, www.aeofberkeley.org. $12-$15. Fri/19-Sat/20, 8pm. Actors Ensemble of Berkeley presents Jean Anouilh’s adaptation of the ancient Greek tragedy.

Coming Home Thrust Stage, Berkeley Repertory Theatre, 2025 Addison; (510) 647-2917, www.berkeleyrep.org. Tues, 8pm; Wed, 7pm; Thurs-Sat, 8pm; Sun, 2 and 7pm. Through Feb 28. $33-$71. The rags to riches fantasy of the small town girl who hits the big time after abandoning her hometown for the brighter lights of a big city is one of the most well-worn yet perennially beloved plotlines. Less popular are the tales of the girls who return to their hometowns years later still in rags, their big city dreams crumbled and spent. Such a tale is Athol Fugard’s Coming Home, a cautious sequel to Valley Song, which follows Veronica Jonkers (a versatile Roslyn Ruff) to her childhood home in the Karoo, her own small child in tow and little else. The tragedy of her ignominious return is further compounded by her secret knowledge that she is HIV-positive, and her young son’s future therefore precarious. The slow-moving yet tenacious script stretches over a period of four years, following both the progression of Veronica’s dread decline in health, and the flowering intellectual development of her son, Mannetjie (played by Kohle T. Bolton and Jaden Malik Wiggins), who keeps his “big words” in his deceased Oupa’s pumpkin seed tin. Almost superfluous appearances by the ghost of Oupa (Lou Ferguson) are made enjoyable by Ferguson’s quiet mastery of the role, and Thomas Silcott parlays great empathy and range in his performance as Veronica’s irrepressible childhood companion and circumstantial caretaker Alfred Witbooi. (Gluckstern)

The First Grade Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Tues, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Feb 28. Aurora Theatre Company presents the world premiere of Joel Drake Johnson’s new play.

DANCE

Akram Khan Company YBCA, 700 Howard; 978-2787, ybca.org. Thurs-Sat, 8pm. $22-$27. YBCA presents bahok, a profound meditation on national identity.

“The Butterfly Lovers” Palace of Fine Arts Theatre; 392-4400, www.cityboxoffice.com. Wed, 7:30pm. $35-$70. Chinus Cultural Productions and China Arts and Entertainment Group present the U.S. premiere of China’s Romeo and Juliet, performed by the Beijing

Dancemakers’ Forum San Francisco Conservatory of Dance, 301 Eighth St. Sun, 2pm. Free. Alyce Finwall Dance Theater hosts this workshop and showing of works-in-progress.

“It Never Gets Old” The Garage, 975 Howard; (510) 684-4294, dancetheatershannon.org. Thurs, 7pm. $25-$250. Dance/Theater Shannon presents an evening length performance exploring how different relationships provide context to intentions of touch.

“When Dreams are Interrupted” City Hall Rotunda. Wed, noon. Through Feb 24. Purple Moon Dance Project presents a special performance of this inspiring work about the forced removal of Japanese Americans in San Francisco.

 

BAY AREA

“Ecstatic Dance” Sweets Historic Ballroom, 1933 Broadway, Oakl; 505-1112, info.ecstaticdance@gmail.com. Sun, 9:30am; Wed, 7pm. Ongoing. Move however you feel inspired with this freeform journey of movement.

“here, look” Shawl-Anderson Dance Center, 2704 Alcatraz, Berk; (510) 654-5921, www.shawl-anderson.org. Fri-Sat, 8pm; Sun, 6pm. Through Feb 28. The Shawl-Anderson’s Dance Up Close/East Bay Series, ahdanco, presents an evening of new works by Abigail Hosein.

“Saints and Angels” Temescal Arts Center, 511 48th St, Oakl. www.danceelixir.org. Fri, 6:30 and 9pm. Through Feb 26. Dance Elixir presents an evening of beautiful, austere, athletic, and comic contemporary dance.

 

PERFORMANCE

“All Star Magic & More” SF Playhouse, Stage 2, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 7pm. Ongoing. Magician RJ Owens hosts the longest running magic show in San Francisco.

30th Anniversary Celebration of New Works African American Art and Culture complex, 762 Fulton; 292-1850, www.culturalodyssey.org/tickets. Thurs-Sat, 8pm; Sun, 3pm. Through March 14. $20. In celebration of Black History Month and National Women’s Month, Cultural Odyssey presents a festival featuring The Love Project, The Breach, and Dancing with the Clown of Love.

“Barbary Coast Comedy” Shine, 1337 Mission. www.barbarycoastcomedycom. Sun, 7:30pm. Ongoing. $5. The popular weekly production spotlights the best comedians in the Bay Area.

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. $17-$20. The Theatresports show format treats audiences to an entertaining and engaging night of theater and comedy presented as a competition.

Bijou Martuni’s, 4 Valencia; 241-0205, www.dragatmartunis.com. Sun, 7pm. $5. The eclectic live cabaret showcase features a night of love songs in honor of Valentine’s Day.

City Solo Off-Market Theaters, 965 Mission. www.brownpapertickets.com. Sun, 7pm. $20. Off-Market Theaters presents an all new show featuring a culturally diverse collection of the finest solo artists in the Bay Area.

“Cora’s Recipe for Love” EXIT Theatre, 156 Eddy; 673-3847, www.theexit.org. Fri-Sat, 8pm. $15-$25. Sean Owens’ wacky alter ego returns to address love and longing through the eyes of Gas and Gulp regulars.

“Fauxgirls!” Kimo’s Penthouse Lounge, 1351 Polk; 885-4535, www.fauxgirls.com. Sat, 10pm. The producers of En Drag present this female impersonation revue.

“Happy Forever: The Life and Death of an Italian Cat” Dark Room Theater, 2263 Mission; 401-7987. Tues, 7, 8, and 9pm. $10. Dark Room Theater presents a play by Spy Emerson and narrated by Hal Robins.

“Hot Summer Night” Eureka Theatre, 215 Jackson. www.therhino.org. Mon, 7pm. Donations accepted. Theatre Rhinoceros and Grooviness Productions presents a reading of Jerry Metzker’s impertinent and queerified adaptation of Shakespeare’s Midsummer Night’s Dream.

“Kids of Emily and Walt” Make-Out Room, 3225 22nd St; 647-2888, www.makeoutroom.com. Thurs, 7pm. Jack Foley, Sharon Doubiago, Whitman McGown, Margery Snyder, Marvin Hiemstra, and Ingrid Keir present a night of poetry and music honoring Walt Whitman and Emily Dickinson.

“Le Petit Mort: The Sex Show” Verdi Club, 2424 Mission; 861-9199, www.verdiclub.net. Mon, 7pm. $15-$25. Porchlight presents stories from Bawdy Storytelling Series maven Dixie de La Tour and more.

“The Lieutenant Governor from the State of Confusion” Rrazz Room, Hotel Nikko, 222 Mason; 781-0306, www.therrazzroom.com. Mon, 8pm. $25. Will Durst is back with his quiver chock full of fresh topical barbs.

“No Holds Barrio” Magic Theatre, Fort Mason Center; 441-8822, www.magictheatre.org. Fri, 10pm. $25. Luis Alfaro performs an evening of poetry, performance, and tequila slamming.

PianoFight Studio 250 at Off-Market, 965 Mission; www.painofight.com. Mon, 8pm. Through March 29. $20. The female-driven variety show Monday Night ForePlays returns with brand new sketches, dance numbers, and musical performances.

“Unscripted: unscripted” Off-Market Theater, Studio 205, 965 Mission; 869-5384, www.un-scripted.com. Thurs-Sat, 8pm. Through March 13. The Un-Scripted Theater Company kicks off its eighth season with an improvised improv show.

 

BAY AREA

“Death as a Salesman” Jellyfish Gallery, 1286 Folsom. Deathasasalesman.org. Humanist Hall,, Oakl. Sat, 7:30pm. Also March 12-13 in San Francisco. Teahouse Productions presents Douglass Truth’s one-woman show.

“Eve Ensler: I am an Emotional Creature” King Middle School, 1781 Rose, Berk; (510) 644-6280, www.mlkmiddleschool.org. Thurs, 7pm. $12-$15. KPFA Radio 94.1 presents the bestselling author of The Vagina Monologues .

“Once Upon a Mattress” Julia Morgan Center for the Arts, 2640 College Ave, Berk; (510) 595-5514, www.ymtcberkeley.org. Feb 20, 26, and 27, 7:30pm; Feb 21, 27, 2pm; Feb 28, 3pm. $10-$20. Young Musical Theater Company presents the Broadway classic.

Upright Citizens Brigade Pan Theater, 2135 Broadway, Oakl; www.pantheater.com. Fri, 8 and 9:10pm. Ongoing. $14-$18. Upright Citizens Brigade Touring Co. brings the NYC funny to Oakland with this improve comedy show with guest performing troupes.

 

COMEDY

“4 Ever Laughing with the Nutballs” SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm. $20. SF Playhouse presents refreshingly offbeat alternative comedy including impressions, stories, sound effects, and videos.

Annie’s Social Club 917 Folsom, SF; www.sfstandup.com. Tues, 6:30pm, ongoing. Free. Comedy Speakeasy is a weekly stand-up comedy show with Jeff Cleary and Chad Lehrman.

“All Star Comedy and More with Tony Sparks” SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm. Ongoing. SF’s favorite comedy host brings a showcase of the Bay’s best stand-up comedy and variety.

“Big City Improv” Shelton Theater, 533 Sutter; (510) 595-5597, www.bigcityimprov.com. Fri, 10pm, ongoing. $15-$20. Big City Improv performs comedy in the style of “Whose Line Is It Anyway?”

Brainwash 1122 Folsom; 861-3663. Thurs, 7pm, ongoing. Free. Tony Sparks hosts San Francisco’s longest running comedy open mike.

Club Deluxe 1511 Haight; 552-6949, www.clubdeluxesf.com. Mon, 9pm, ongoing. Free. Various local favorites perform at this weekly show.

Clubhouse 414 Mason; www.clubhousecomedy.com. Prices vary. Scantily Clad Comedy Fri, 9pm. Stand-up Project’s Pro Workout Sat, 7pm. Naked Comedy Sat, 9pm. Frisco Improv Show and Jam Sun, 7pm. Ongoing.

Cobbs 915 Columbus; 928-4320. Thurs, 8pm; Fri, 8 and 10:15pm. $20.

“Comedy For a Cause” San Francisco Comedy college, 414 Mason. Clubhousecomedy.com. Wed, 8pm. $15-$50. The best comedians in the Bay Area have come together to raise money for the Bonnie J Addario Lung Cancer Foundation.

“Comedy Master Series” Blue Macaw, 2565 Mission; www.comedymasterseries.com. Mon, 6pm. Ongoing. $20. The new improv comedy workshop includes training by Debi Durst, Michael Bossier, and John Elk.

“Danny Dechi and Friends” Rockit Room, 406 Clement; 387-6343. Tues, 8pm. Free. Danny Dechi hosts this weekly comedy showcase through October.

“Frisco Fred’s Comedy Hour” Chancellor Hotel in the Luques Restaurant, 433 Powell; 646-0776, www.comedyonthesquare.com. Sat, 7 and 8:30pm. Through March 27. $25. Frisco Fred presents this fun-filled hour of comedy, magic, crazy stunts and special guests.

“Galeria de la Laughter: Comedy Showcase” Galeria de la Raza, 2857 24th St; (209) 740-7522, www.galeriadelaraza.org. Wed, 8pm. $5. Evert Villasenor, Nato Green, Jabari Davis, Aundre the Wonderwoman, and Tony Sparks join up for socially conscious comedy.

“Improv Society” Shelton Theater, 533 Sutter; www.improvsociety.com. Sat, 10pm, ongoing, $15. Improv Society presents comic and musical theater.

Punch Line San Francisco 444 Battery; www.punchlinecomedyclub.com. Featuring Jim Jeffries Wed-Sat.

Purple Onion 140 Columbus; (800) 838-3006, www.purpleonionlive.com.

Rrazz Room Hotel Nikko, 222 Mason; 781-0306, www.therrazzroom.com.

“Raw Stand-up Project SFCC, 414 Mason, Fifth Flr; www.sfcomedycollege.com. Sat, 7pm, ongoing. $12-15. SFCC presents its premier stand-up comedy troupe in a series of weekly showcases.

BAY AREA “Comedy Off Broadway Oakland” Ms. Pearl’s Jam House, 1 Broadway, Oakl; (510) 452-1776, www.comedyoffbroadwayoakland.com. Thurs-Fri, 9pm. Ongoing. $8-$10. Comedians featured on Comedy Central, HBO, BET, and more perform every week.

Stage Listings

0

Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

The Greatest Bubble Show on Earth Marsh, 1062 Valencia. (800) 838-3006, www.themarsh.org. $7-$50. Opens Sun/14. Runs Sun, 11am. Through April 3. The Amazing Bubble Man returns with his extraordinary family-friendly show.

Ramona Quimby Zeum: San Francisco Children’s Museum, 221 Fourth St; (510) 296-4433, aciveartstheatre.org. $14-$18. Opens Sat/13. Runs Sat-Sun, 2 and 4:30pm. Through Feb 21. Active Arts Theatre for Young Audiences presents a theatrical production based on the novels of Beverly Cleary.

Tick, Tick&ldots;Boom! Eureka Theatre, 215 Jackson. (800) 838-3006, www.therhino.org. $15-$30. Previews Wed/10-Fri/1Opens Wed/10. Runs Wed-Sat, 8pm; Sun, 3pm. Through Feb 28.Theatre Rhinoceros presents Jonathan Larson’s rock musical.


ONGOING

Animals Out of Paper SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Feb 27. SF Playhouse presents Rajiv Joseph’s quirky comedy.

Beauty of the Father Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $30. Thurs-Sat, 8pm. Through March 13. Off Broadway West Theatre Company presents Nilo Cruz’s Pulitzer Prize-winner.

Bright River Brava Theater Center, 2781 24th St; (800) 838-3006, thebrightriver.com. Thurs-Sat, 8pm; Sun, 7pm. Through Feb 20. From the imagination of Tim Barsky comes a journey through a dystopian uderworld.

Eat, Pray, Laugh! Off-Market Theaters, 965 Mission; www.brownpapertickets.com. $20. Wed, 8pm. Through Feb 24. Off-Market Theaters presents stand up comic and solo artist Alicia Dattner in her award-winning solo show.

Eccentrics of San Francisco’s Barbary Coast: A Magical Escapade San Francisco Magic Parlor, Chancellor Hotel Union Square, 433 Powell; 1-800-838-3006. $30. Fri-Sat, 8pm. Ongoing. This show celebrates real-life characters from San Francisco’s colorful and notorious past.

Fabrik: The Legend of M. Rabinowitz Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $20-$45. Thurs-Sat, 8pm; Sun, 2 and 7pm. Through Feb 28. The Jewish Theatre San Francisco presents a Wakka Wakka Productions presentation of this story of a Polish Jew who immigrated to Norway, told with hand-and-rod puppets, masks, and original music.

Fiddler on the Roof Golden Gate Theatre, 1 Taylor; 512-7770, www.shnsf.com. $30-$99. Tues-Sat, 8pm; Wed, Sat, and Sun, 2pm. Through Feb 21. Harvey Fierstein, who played Tevye in the recent critically acclaimed Broadway production, reprises the role as part of the Best of Broadway series.

Fiorello! Eureka Theatre, 215 Jackson; 392-4400, www.cityboxoffice.com. $10-$30. Sat-Sun, 2pm. Through Feb 20. The San Francisco Arts Education Project celebrates the ninth year of its musical theater company with three weekend performances of Broadway’s Pulitzer Prize winning play.

Frankie and Johnny in the Clair de Lune Royce Gallery, 2901 Mariposa; (866) 811-4111, www.frankieandjohnnysf.com. $28. Thurs/11-Sat/13, 8pm. Royce Gallery presents Terrence McNally’s award-winning play.

Hearts on Fire Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Wed-Sat, 6pm; Sun, 5pm. Through May 16. Teatro ZinZanni celebrates its 10th anniversary with this special presentation featuring Thelma Houston, El Vez, and Christine Deaver.

Oedipus el Rey Magic Theatre, Building D, Fort Mason Center; 441-8822, www.magictheatre.org. $20-$55. Days and times vary. Through Feb 28. Luis Alfaro transforms Sophocles’ ancient tale into an electrifying myth, directed by Loretta Greco.

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through April 24. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs-Fri, 8pm; Sat, 5pm. Through March 6. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Red Light Winter Next Stage, 1620 Gough; (800) 838-3006, custommade.org. $18-$28. Thurs-Sat, 8pm. Through Feb 20. There’s a moment in the second act of Red Light Winter that eerily recalls the plotline of Fugard’s Coming Home, currently playing the Berkeley Rep, but unlike Fugard, playwright Adam Rapp can’t help but to ratchet up the despair without tempering it with a shred of hope, and the resultant script comes off more like misery porn than an authentic exploration of the human spirit. You can’t fault the fearless cast of Custom Made Theatre’s production of it for the script’s overall flaws though; they inhabit their characters wholly, firing off volleys of "dude-speak" "nerd-speak" and "unrequited love-lament" without a hitch, imbuing each scene with subtle quirk and nervous tension. Steve Budd, as Davis, channels the restless energies of a hedonistic jackass (whose brash exterior sadly does not hide a heart of gold), and the neurotic, OCD sorrows of the hopelessly heartbroken Matt are brought to acutely uncomfortable life by Daveed Diggs. But it is the shape-shifting, name-changing, unreliable Christina (powerfully rendered by Britanny K. McGregor) who remains the play’s greatest enigma and bears the brunt of Rapp’s punishing pen, like the weary subject of a Tom Waits ballad, minus the comfort of a redemptive moment, or even just a bottle of whiskey. (Gluckstern)

Rent Southside Theatre, Fort Mason Center; www.jericaproductions.com. $25-$35. Fri, 8pm; Sat-Sun, 2 and 8pm. Through Feb 21. The Royal Underground presents A Jerica Productions Company rendition of Jonathan Larson’s Tony Award and Pulitzer Prize-winning rock opera.

*The Wave The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $7-$50. Sat/13-Sun/14, 2pm. The Marsh Youth Theater’s teen troupe propels a wholly worthwhile, surprisingly sophisticated world premiere musical, directed with loving attention by Cliff Mayotte, and written by Marsh stage veteran Ron Jones ("Say Ray"), after his own infamous experience as a young history teacher at Palo Alto’s Cubberley High School in 1967. In a year marked by the Summer of Love, an annihilating war in Vietnam, and a Civil Rights Movement that saw, among much else, Cubberley’s first "integrated" student body, Jones (played by Mark Kenward) crafted a lesson plan on the Holocaust that called for the creation of his own authoritarian movement, dubbed the Third Wave. Students—and teacher—soon found their susceptibility to a sense of belonging and the acquisition of power altogether intoxicating, enough to forgo some basic human decencies, and the experiment went infamously out of control, ending Jones’s career as a history teacher where it began. But the lesson—that fascism is a modern social danger present to all and not confined to some aberrant past—has never subsided. Indeed, the real wave proved to be the story’s powerful resonance worldwide for over four decades—inspiring multilingual treatments in articles, literature, teleplays, and films, including a 2008 German drama and a forthcoming English-language doc. There’s palpable heart and a knowing freshness to the staging of this adept musical, however, which features a rewarding score (from David Denny, Kathy Peck and MYT creative director Emily Klion, under the sharp direction of Frederick Harris), bright choreography (by Patricia Lam), and memorably spirited performances by a diverse, versatile cast. It won’t be surprising to see a version of "The Wave" reach Broadway in the near future, but it’s real power lies in the kind of community project beautifully realized right here at the Marsh. (Avila)

What Mama Said About ‘Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-$25. Thurs-Sun, 8pm. Through July 30. Writer/performer/activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

Wicked Orpheum Theatre, 1182 Market; 512-7770, www.shnsf.com. $30-$99. Tues, 8pm; Wed, 2pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Ongoing. Assuming you don’t mind the music, which is too TV-theme–sounding in general for me, or the rather gaudy décor, spectacle rules the stage as ever, supported by sharp performances from a winning cast. (Avila)


BAY AREA

Antigone Live Oak Theatre, 1301 Shattuck, Berk; (510) 649-5999, www.aeofberkeley.org. $12-$15. Fri-Sat, 8pm. Through Feb 20. Actors Ensemble of Berkeley presents Jean Anouilh’s adaptation of the ancient Greek tragedy.

Coming Home Thrust Stage, Berkeley Repertory Theatre, 2025 Addison; (510) 647-2917, www.berkeleyrep.org. Tues, 8pm; Wed, 7pm; Thurs-Sat, 8pm; Sun, 2 and 7pm. Through Feb 28. $33-$71. The rags to riches fantasy of the small town girl who hits the big time after abandoning her hometown for the brighter lights of a big city is one of the most well-worn yet perennially beloved plotlines. Less popular are the tales of the girls who return to their hometowns years later still in rags, their big city dreams crumbled and spent. Such a tale is Athol Fugard’s Coming Home, a cautious sequel to Valley Song, which follows Veronica Jonkers (a versatile Roslyn Ruff) to her childhood home in the Karoo, her own small child in tow and little else. The tragedy of her ignominious return is further compounded by her secret knowledge that she is HIV-positive, and her young son’s future therefore precarious. The slow-moving yet tenacious script stretches over a period of four years, following both the progression of Veronica’s dread decline in health, and the flowering intellectual development of her son, Mannetjie (played by Kohle T. Bolton and Jaden Malik Wiggins), who keeps his "big words" in his deceased Oupa’s pumpkin seed tin. Almost superfluous appearances by the ghost of Oupa (Lou Ferguson) are made enjoyable by Ferguson’s quiet mastery of the role, and Thomas Silcott parlays great empathy and range in his performance as Veronica’s irrepressible childhood companion and circumstantial caretaker Alfred Witbooi. (Gluckstern)

The First Grade Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Tues, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Feb 28. Aurora Theatre Company presents the world premiere of Joel Drake Johnson’s new play.

Rosencrantz and Guildenstern Are Dead Marion E. Green Black Box Theatre, 531 19th St, Oakl; www.theatrefirst.com. $10-$30. Thurs/11-Sat/13, 7:30pm; Sun/14, 2pm. Tom Stoppard’s sensational first play will probably never have the impact it had in 1966—partly because it proved so influential—but TheatreFIRST’s generally sturdy production wades in enthusiastically and the results remain ultimately, if more quietly, contagious. In a cheeky, knowing meld of Beckett and Shakespeare, Stoppard crafts a heady as well as deeply silly existential comedy, told from the perspective of two hapless minor characters in Hamlet—the somewhat interchangeable and finally expendable Rosencrantz (Kalli Jonsson) and Guildenstern (Michael Storm)—whose sealed fate is signaled by a changeless sky (manifest in Rick Ortenblad’s scenic design), coins that only come up heads, and their inexplicable inability to leave the stage. Nevertheless, our bemused protagonists—preoccupied with nameless anxiety, word games, and endless summarizing—are the last ones to figure it all out. Leave it to a roving thespian (the excellent Andrew Hurteau) and his amusing caravan of out-of-work players, strutting and fretting along, to gradually drop some knowledge on our heroes. If the first act runs slow and rough, Mary Cavanaugh’s firm direction, graceful choreography, and shrewd use of live and recorded music contribute to a general warming by acts two and three. Meanwhile, the play’s bandying of philosophical ideas and fertile metaphors ensures the monkey business does not escape some poignancy by the end. (Avila)

DANCE

"The Butterfly Lovers" Palace of Fine Arts Theatre; 392-4400, www.cityboxoffice.com. Tues-Wed, 7:30pm. $35-$70. Chinus Cultural Productions and China Arts and Entertainment Group present the U.S. premiere of China’s Romeo and Juliet, performed by the Beijing

"It Never Gets Old" The Garage, 975 Howard; (510) 684-4294, dancetheatershannon.org. Fri-Sun, 8pm. $15-$20. Dance/Theater Shannon presents an evening length performance exploring how different relationships provide context to intentions of touch.

"Love Everywhere" Various locations; www.dancersgroup.org. Fri, 12pm; Sun, 9 and 11am. Erika Chong Shuch Performance Project presents this new, large-scale work as part of Dancers’ Group’s ONSITE series.


BAY AREA

"Ecstatic Dance" Sweets Historic Ballroom, 1933 Broadway, Oakl; 505-1112, info.ecstaticdance@gmail.com. Sun, 9:30am; Wed, 7pm. Ongoing. Move however you feel inspired with this freeform journey of movement.


PERFORMANCE

"All Star Magic & More" SF Playhouse, Stage 2, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 7pm. Ongoing. Magician RJ Owens hosts the longest running magic show in San Francisco.

30th Anniversary Celebration of New Works African American Art and Culture complex, 762 Fulton; 292-1850, www.culturalodyssey.org/tickets. Thurs-Sat, 8pm; Sun, 3pm. Through March 14. $20. In celebration of Black History Month and National Women’s Month, Cultural Odyssey presents a festival featuring The Love Project, The Breach, and Dancing with the Clown of Love.

"Assuming the Ecosexual Position" The Lab, 2948 16th St. 864-8855, www.thelab.org. Sat, 8pm. $7-$10 Acclaimed performance artist and sex educator Annie Sprinkle and her partner Elizabeth Stephens explore, generate, and celebrate love through art during this special event that includes an erotic cake contest. Bring your own!

BATS Improv Theatre Bayfront Theater, Fort Mason Center, B350 Fort Mason; 474-6776, www.improv.org. Fri-Sat, 8pm. $17-$20. The Theatresports show format treats audiences to an entertaining and engaging night of theater and comedy presented as a competition.

Bijou Martuni’s, 4 Valencia; 241-0205, www.dragatmartunis.com. Sun, 7pm. $5. The eclectic live cabaret showcase features a night of love songs in honor of Valentine’s Day.

"Bee’s Knees" Bollyhood Café, 3372 19th St. Thurs, 7pm. $3. This night of poetry, storytelling, and music celebrates performers who are post-democratic, humanist, sensual, and dedicated artists in the tradition of Walt Whitman.

"Best Feeding" EXIT Theatre, 156 Eddy; 673-3847, StageWerx Theatre, 533 Sutter. www.brownpapertickets.com. Fri, 8pm. $15. W. Kamau Bell presents this comedy written and performed by Martha Rynberg.

"Cora’s Recipe for Love" EXIT Theatre, 156 Eddy; 673-3847, www.theexit.org. Fri-Sat, 8pm, through Feb 20. $15-$25. Sean Owens’ wacky alter ego returns to address love and longing through the eyes of Gas and Gulp regulars.

"Emergency Cabaret Relief: Haiti" Community Music Center, 544 Capp. Sfcmc.org. Mon, 7pm. $15-$20. Accidentally Double Booked Presents Jessica Coker, Soila Hughes, and Leanne Borghesi in a benefit for Partners in Health.

"How We First Met" Herbst Theatre, 401 Van Ness; 392-4400, www.howwefirstmet.com. Sat-Sun, 8pm. $25-$40. Real audience stories are spun into a comedy masterpiece in this one-of-a-kind show, now in its 10th year.

"I Heart Hamas: And Other Things I’m Afraid to Tell You" Off Market Theaters, 965 Mission; www.ihearthamas.com. Thurs-Sat, 8pm. $20. An American woman of Palestinian descent, San Francisco actor Jennifer Jajeh grew up with a kind of double consciousness familiar to many minorities. But hers—conflated and charged with the history and politics of the Middle East—arguably carried a particular burden. Addressing her largely non–Middle Eastern audience in a good-natured tone of knowing tolerance, the first half of her autobiographical comedy-drama, set in the U.S., evokes an American teen badgered by unwelcome difference but canny about coping with it. The second, set in her ancestral home of Ramallah, is a journey of self-discovery and a political awakening at once. The fairly familiar dramatic arc comes peppered with some unexpected asides—and director W. Kamau Bell nicely exploits the show’s potential for enlightening irreverence (one of the cleverer conceits involves a "telepathic Q&A" with the audience, premised on the predictable questions lobbed at anyone identifying with "the other"). The play is decidedly not a history lesson on the colonial project known as "the Israeli-Palestinian conflict" or, for that matter, Hamas. But as the laudably mischievous title suggests, Jajeh is out to upset some staid opinions, stereotypes and confusions that carry increasingly significant moral and political consequences for us all. (Avila)

"Justin Bond: Close to You" Castro Theatre, 429 Castro; 863-0611, www.thecastrotheatre.com. Sun, 8:15pm. $35-75. Accompanied by a lush 10-piece orchestra, the Tony nominee recreates sweet sounds from your favorite Carpenters hits. The evening also features the Thrillpeddlers as special guests.

"The Lieutenant Governor from the State of Confusion" Rrazz Room, Hotel Nikko, 222 Mason; 781-0306, www.therrazzroom.com. Mon, 8pm. Through Feb 22. $25. Will Durst is back with his quiver chock full of fresh topical barbs.

"Life Unfolding" NOHspace, 2840 Mariposa; www.brownpapertickets.com/event/95864. Fri-Sat, 8pm. $20-$100. This benefit performance for the Tamalpa Institute features the works of Dohee Lee, G Hoffman Soto, Iu-Hui Chua, and special guest artists.

"Love Bites: All That Jazz" Women’s Building, 3543 18th St; womensbuilding.org. Fri-Sat, 8pm. Through Sat. $15-$30. The Lesbian/Gay Chorus of San Francisco presents its seventh annual Anti-Valentine’s Day cabaret and musical extravaganza.

"Marga’s Laugh Party" Café Du Nord, 2170 Market; 861-5016, www.cafedunord.com. Wed, 8pm. $10. DJ Chelsea Starr spins and host Marga Gomez presents some of the hottest acts in comedy.

"MediaARTS 2010: Algo-rhythms of heart/break/beats" Ninth Street Independent Film Center, 145 Ninth St; www.mediaarts2010.com. Fri, 7pm. $10-$20. Ninth Street Independent Film Center presents an exhibition of the intersection of emerging technology, performance, and the moving image attempting to compute what it means to love and lose.

"Mortified: Doomed Valentine’s Show" Make-Out Room, 3225 22nd St.; www.makeoutroom.com. Thurs-Fri, 8pm. $12-$15. Share the pain, awkwardness, and bad poetry associated with love as performers read from their teen angst artifacts.

"On the Periphery of Love: A Solo Performance Festival with Valentine’s Day Implications" StageWerx Theatre, 533 Sutter. www.stagewerx.com. Fri-Sat, 8pm; Sun, 7pm, $15-$30. StageWerx presents five new visions of romance, featuring work by Martha Rynberg, Thao P. Nguyen, Zahra Noorbaksh, Bruce Pachtman, and Paolo Sambrano.

PianoFight Studio 250 at Off-Market, 965 Mission; www.painofight.com. Mon, 8pm. Through March 29. $20. The female-driven variety show Monday Night ForePlays returns with brand new sketches, dance numbers, and musical performances.

"Salute to the World Soccer Cup" Cocomo Café Club, 650 Indiana. 334-0106, www.friendsofbrazil.org. Sat, 9pm. $30. The Bay Area Brazilian Club cast their mystic and joyous spell for the 43rd Carnaval Ball.

"Strange Love" Actors Theatre, 855 Bush; 345-1287, www.natashamuse.com. Sun, 6:30pm. $10. The Valentine’s Day edition of "A Funny Night for Comedy" features Will Franken, Wegent and Page, and host Natasha Muse.

"Things We Made" Off-Market Theater, 965 Mission; www.thingswemade.com. Sat, 10:30pm. Ongoing. $20. The longest-running alternative comedy show premieres an all-new weekly show in its new home.

"Wegent and Page Draw the Line" The Dark Room, 2263 Mission; 401-7987, www.darkroomsf.com. Fri-Sat, 8pm, $10. Sammy Wegent and Allison Page present new comedic material about breaking up, breaking down, and breaking barriers.

Gas and Gulp regulars.


BAY AREA

Upright Citizens Brigade Pan Theater, 2135 Broadway, Oakl; www.pantheater.com. Fri, 8 and 9:10pm. Ongoing. $14-$18. Upright Citizens Brigade Touring Co. brings the NYC funny to Oakland with this improve comedy show with guest performing troupes.

"The Vagina Monologues" La Pena Cultural Center, 3105 Shattuck Ave, Berk; (510) 849-2568, www.lapena.org. Thurs, 8pm. Also Sun at The Warehouse. V-Day East Bay presents a two-night benefit reading of Eve Enselr’s award-winning play.

"Whipped" La Pena Cultural Center, 3105 Shattuck Ave, Berk; (510) 849-2568, www.lapena.org. Fri. $8-$12. Mango w/ Chile presents true life stories of love through music, spoken word, theater, dance, burlesque, drag, and video.


COMEDY

Annie’s Social Club 917 Folsom, SF; www.sfstandup.com. Tues, 6:30pm, ongoing. Free. Comedy Speakeasy is a weekly stand-up comedy show with Jeff Cleary and Chad Lehrman.

"All Star Comedy and More with Tony Sparks" SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm. Ongoing. SF’s favorite comedy host brings a showcase of the Bay’s best stand-up comedy and variety.

"Big City Improv" Shelton Theater, 533 Sutter; (510) 595-5597, www.bigcityimprov.com. Fri, 10pm, ongoing. $15-$20. Big City Improv performs comedy in the style of "Whose Line Is It Anyway?"

Brainwash 1122 Folsom; 861-3663. Thurs, 7pm, ongoing. Free. Tony Sparks hosts San Francisco’s longest running comedy open mike.

Club Deluxe 1511 Haight; 552-6949, www.clubdeluxesf.com. Mon, 9pm, ongoing. Free. Various local favorites perform at this weekly show.

Clubhouse 414 Mason; www.clubhousecomedy.com. Prices vary. Scantily Clad Comedy Fri, 9pm. Stand-up Project’s Pro Workout Sat, 7pm. Naked Comedy Sat, 9pm. Frisco Improv Show and Jam Sun, 7pm. Ongoing. Valentine’s Day special features Reggie Steele and JJ Johnson.

Cobbs 915 Columbus; 928-4320. Thurs, 8pm; Fri, 8 and 10:15pm. $20. Featuring "Arabs Gone Wild," including Dean Obeidallah, Aron Kader, and Maysoon Zayid. Also Robert Schimmel with Mark Pitta on Sat and Sun.

"Comedy Master Series" Blue Macaw, 2565 Mission; www.comedymasterseries.com. Mon, 6pm. Ongoing. $20. The new improv comedy workshop includes training by Debi Durst, Michael Bossier, and John Elk.

"Danny Dechi and Friends" Rockit Room, 406 Clement; 387-6343. Tues, 8pm. Free. Danny Dechi hosts this weekly comedy showcase through October.

"Frisco Fred’s Comedy Hour" Chancellor Hotel in the Luques Restaurant, 433 Powell; 646-0776, www.comedyonthesquare.com. Sat, 7 and 8:30pm. Through March 27. $25. Frisco Fred presents this fun-filled hour of comedy, magic, crazy stunts and special guests.

"Improv Society" Shelton Theater, 533 Sutter; www.improvsociety.com. Sat, 10pm, ongoing, $15. Improv Society presents comic and musical theater.

"Legwork!" Mama Calizo’s Voice Factory, 1519 Mission; www.brownpapertickets.com/event/96616. Fri, 8pm. New comedic work from Beth Lisick and Tara Jepsen, Kirk Read, and Erin Markey.

Punch Line San Francisco 444 Battery; www.punchlinecomedyclub.com. Featuring Grant Lyon on Wed and Dana Gould Fri-Sat.

Purple Onion 140 Columbus; (800) 838-3006, www.purpleonionlive.com.

Rrazz Room Hotel Nikko, 222 Mason; 781-0306, www.therrazzroom.com.

"Raw Stand-up Project SFCC, 414 Mason, Fifth Flr; www.sfcomedycollege.com. Sat, 7pm, ongoing. $12-15. SFCC presents its premier stand-up comedy troupe in a series of weekly showcases.

BAY AREA

"Comedy Off Broadway Oakland" Ms. Pearl’s Jam House, 1 Broadway, Oakl; (510) 452-1776, www.comedyoffbroadwayoakland.com. Thurs-Fri, 9pm. Ongoing. $8-$10. Comedians featured on Comedy Central, HBO, BET, and more perform every week.

"Identity Crisis Tour" Oracle Arena, 7000 Coliseum Way, Oakl; (510) 569-2121, www.coliseum.com. Sun, 5pm. $45.50. Celebrate Valentine’s Day with Jeff Dunham.

SPOKEN WORD
"Grateful Tuesday" Ireland’s 32, 3920 Geary; 386-6173, www.myspace.com/thegrasshoppersongs. Tues, 8pm. Ongoing. Grasshopper hosts this weekly open mic featuring folk, world, and country music.
"Literary Death Match" Elbo Room, 647 Valencia. Fri, 6:30pm. $5-$10. A lineup of all-star judges pit writers against each other.
"Writers with Drinks" Make-Oput Room, 3225 22nd St; www.writerswithdrinks.com. Sat, 7:30pm. $5-$10. Charlie Jane Anders hosts this spoken word variety show, this time featuring Vikram Chandra, Cherie Priest, James Rollins, Andrew Porter, and Derek Powazek.

Stage

0

Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Beauty of the Father Phoenix Theatre, 414 Mason; (800) 838-3006, www.offbroadwaywest.org. $30. Opens Fri/5. Runs Thurs-Sat, 8pm. Through March 13. Off Broadway West Theatre Company presents Nilo Cruz’s Pulitzer Prize-winner.

Fabrik: The Legend of M. Rabinowitz Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $20-$45. Previews Thurs/4-Sat/6. Opens Sun/7. Runs Thurs-Sat, 8pm; Sun, 2 and 7pm. Through Feb 28. The Jewish Theatre San Francisco presents a Wakka Wakka Productions presentation of this story of a Polish Jew who immigrated to Norway, told with hand-and-rod puppets, masks, and original music.

Fiorello! Eureka Theatre, 215 Jackson; 392-4400, www.cityboxoffice.com. $10-$30. Opens Fri/5. Runs Fri/5-Sat/6, 7:30pm, Sat-Sun, 2pm. Through Feb 20. The San Francisco Arts Education Project celebrates the ninth year of its musical theater company with three weekend performances of Broadway’s Pulitzer Prize winning play.

Hearts on Fire Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Opens Thurs/4. Runs Wed-Sat, 6pm; Sun, 5pm. Through May 16. Teatro ZinZanni celebrates its 10th anniversary with this special presentation featuring Thelma Houston, El Vez, and Christine Deaver.

Oedipus el Rey Magic Theatre, Building D, Fort Mason Center; 441-8822, www.magictheatre.org. $20-$55. Opens Thurs/4. Days and times vary. Through Feb 28. Luis Alfaro transforms Sophocles’ ancient tale into an electrifying myth, directed by Loretta Greco.

ONGOING

Akin EXIT Theatre, 156 Eddy; 673-3847, www.theexit.org. $15-$25. Thurs/4-Sat/6, 8pm. The realization that no-one who shares the family bloodline could be exactly classified as mentally stable, becomes more apparent with each explosive accusation and murderous intention, and the definition of love as crisis carries the show to its abrupt, presumed fatal conclusion. (Gluckstern)

Animals Out of Paper SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Feb 27. SF Playhouse presents Rajiv Joseph’s quirky comedy.

Bright River Brava Theater Center, 2781 24th St; (800) 838-3006, thebrightriver.com. Thurs-Sat, 8pm; Sun, 7pm. Through Feb 20. From the imagination of Tim Barsky comes a journey through a dystopian uderworld.

Eat, Pray, Laugh! Off-Market Theaters, 965 Mission; www.brownpapertickets.com. $20. Wed, 8pm. Through Feb 24. Off-Market Theaters presents stand up comic and solo artist Alicia Dattner in her award-winning solo show.

Fiddler on the Roof Golden Gate Theatre, 1 Taylor; 512-7770, www.shnsf.com. $30-$99. Tues-Sat, 8pm; Wed, Sat, and Sun, 2pm. Through Feb 21. Harvey Fierstein, who played Tevye in the recent critically acclaimed Broadway production, reprises the role as part of the Best of Broadway series.

Frankie and Johnny in the Clair de Lune Royce Gallery, 2901 Mariposa; (866) 811-4111, www.frankieandjohnnysf.com. $28. Thurs-Sat, 8pm. Through Feb 13. Royce Gallery presents Terrence McNally’s award-winning play.

The Real Americans The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs-Fri, 8pm; Sat, 5pm. Through March 6. The Marsh presents the world premiere of Dan Hoyle’s new solo show.

Red Light Winter Next Stage, 1620 Gough; (800) 838-3006, custommade.org. $18-$28. Thurs-Sat, 8pm. Through Feb 20. Custom Made presents the Bay Area premiere of Adam Rapp’s Obie award-winning and Pulitzer nominated play.

Rent Southside Theatre, Fort Mason Center; www.jericaproductions.com. $25-$35. Fri, 8pm; Sat-Sun, 2 and 8pm. Through Feb 21. The Royal Underground presents A Jerica Productions Company rendition of Jonathan Larson’s Tony Award and Pulitzer Prize-winning rock opera.

A Round-Heeled Woman Z Space, Theater Artaud, 450 Florida; (800) 8383-3006, www.zspace.org. $20-$50. Wed/3, 7pm; Thurs/4-Sat/6, 8pm; Sun/7, 5pm. Cagney & Lacey alumni Stephen Macht and Sharon Glass reunite as lovers in a new play by Jane Prowse.

The Wave The Marsh, 1062 Valencia; 826-5750, www.themarsh.org. $7-$50. Fri-Sat, 8pm; Sun, 2pm, through Sun/7. Also Feb 13-14, 2pm. The Marsh presents its Teen Troupe in the world premiere of this musical by Ron Jones.

What Mama Said About ‘Down There Our Little Theater, 287 Ellis; 820-3250, www.theatrebayarea.org. $15-$25. Thurs-Sun, 8pm. Through July 30. Writer/performer/activist Sia Amma presents this largely political, a bit clinical, inherently sexual, and utterly unforgettable performance piece.

BAY AREA

Antigone Live Oak Theatre, 1301 Shattuck, Berk; (510) 649-5999, www.aeofberkeley.org. $12-$15. Fri-Sat, 8pm. Through Feb 20. Actors Ensemble of Berkeley presents Jean Anouilh’s adaptation of the ancient Greek tragedy.

Coming Home Thrust Stage, Berkeley Repertory Theatre, 2025 Addison; (510) 647-2917, www.berkeleyrep.org. Tues, 8pm; Wed, 7pm; Thurs-Sat, 8pm; Sun, 2 and 7pm. Through Feb 28. $33-$71. This cautious sequel to Valley Song follows Veronica Jonkers (a versatile Roslyn Ruff) to her childhood home in the Karoo. (Gluckstern)

*East 14th Marsh Berkeley, 2120 Allison, Berk; (800) 838-3006, www.themarsh.org. $20-$50. Fri/12, 9pm; Sat/13, 8pm. Don Reed’s solo play returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story. (Avila)

The First Grade Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Tues, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Feb 28. Aurora Theatre Company presents the world premiere of Joel Drake Johnson’s new play.

Phèdre American Conservatory Theatre, 415 Geary, SF. 749-2228, www.act-sf.org. $10-$82. Wed/3, 2 and 8pm; Thurs/4-Fri/5, 8pm; Sat/6, 2 and 8pm; Sun/7, 2pm. You’d be forgiven for forgetting that the story of Phèdre is a steamy tale of sexual intrigue, betrayal, and unspeakable desires, at ACT’s tepid production of it. True, a classical tragedy merits being given the classical treatment, and who better to render it than a cast of Shakespearean actors imported from Stratford(Ontario)? But when “classical” is interpreted as merely bloodless, it makes one long for the rougher beasts of post-modernism. Even worse, not content to fully invest in classicism, by staging the play in ancient Greece, director Carey Perloff tries to create a sense of timelessness through design, but only succeeds in distraction. Among the puzzling design elements include period costumes from the 17’th century, a set of futuristic industrial pillars fashioned out of what appear to be vacuum cleaner hoses, and stage direction heavy on grand entrances and hurried exits out through the audience. These confusing elements combined with stiff-limbed monologues, imbalanced delivery (Tom McCamus as Theseus easily out-elocutes the rest of the cast to no good effect), and a complete lack of sexual chemistry between any of the principles, make this a Phèdre best left to its own tragic consequences. (Nicole Gluckstern) Ramona Quimby Julia Morgan Center for the Arts, 2640 College Ave, Berk; (510) 296-4433, activeartstheatre.org. $14-$18. Sat/6-Sun/7, 2pm. Active Arts Theatre for Young Audiences presents a theatrical production based on the novels of Beverly Cleary.

Rosencrantz and Guildenstern Are Dead Marion E. Green Black Box Theatre, 531 19th St, Oakl; www.theatrefirst.com. $10-$30. Thurs-Sat, 7:30pm; Sun, 2pm. Through Feb 14. Tom Stoppard’s sensational first play will probably never have the impact it had in 1966—partly because it proved so influential—but TheatreFIRST’s generally sturdy production wades in enthusiastically and the results remain ultimately, if more quietly, contagious. In a cheeky, knowing meld of Beckett and Shakespeare, Stoppard crafts a heady as well as deeply silly existential comedy, told from the perspective of two hapless minor characters in Hamlet—the somewhat interchangeable and finally expendable Rosencrantz (Kalli Jonsson) and Guildenstern (Michael Storm)—whose sealed fate is signaled by a changeless sky (manifest in Rick Ortenblad’s scenic design), coins that only come up heads, and their inexplicable inability to leave the stage. Nevertheless, our bemused protagonists—preoccupied with nameless anxiety, word games, and endless summarizing—are the last ones to figure it all out. Leave it to a roving thespian (the excellent Andrew Hurteau) and his amusing caravan of out-of-work players, strutting and fretting along, to gradually drop some knowledge on our heroes. If the first act runs slow and rough, Mary Cavanaugh’s firm direction, graceful choreography, and shrewd use of live and recorded music contribute to a general warming by acts two and three. Meanwhile, the play’s bandying of philosophical ideas and fertile metaphors ensures the monkey business does not escape some poignancy by the end. (Avila)

Stage listings

0

Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Black Nativity Marines’ Memorial Theatre, 609 Sutter; 474-8800, www.lhtsf.org. $30-$40. Previews Wed/16-Thurs/17. Opens Fri/18. Runs Wed-Fri, 8pm; Sat, 2 and 8pm; Sun, 4pm. Through Dec 27. Lorraine Hansberry Theatre presents its award-winning holiday gospel musical.

A Merry FORKING! Christmas Off-Market Theaters, 965 Mission; (800) 838-3006, www.pianofight.com. $20. Opens Thurs/17. Various days and times. Through Jan 2. Playwright Daniel Heath and PianoFight team up again for a fully scripted play in which the audience votes on how the plot will proceed.

Mr. YooWho’s Holiday NOHspace, 2840 Mariposa; 621-7978, theatreofyugen.org. $10-$15. Opens Fri/18. Runs Fri, 8pm; Sat, 3pm; Sun, 3pm; through Jan 3. Moshe Cohen and NOHspace co-present this one-man holiday show that takes the audience on a ride full of wonder and laughter that transcends generational barriers.

Yes Sweet Can Dance Mission Theater, 3316 24th St; 273-4633, sweetcanproductions.com. $15-$20. Opens Fri/18. Days and times vary. Through Jan 3. Sweet Can Productions presents this astonishing 60-minute show featuring acrobatics, aerial work, hula hoops and other combinations of traditional circus and physical theater.


ONGOING

The 39 Steps Curran Theater, 1192 Market; 551-2020, www.shnsf.com. $35-$80. Tues, 8pm; Wed, 2 and 8pm; Thurs, 8pm; Fri-Sat, 2 and 8pm; Sun, 2pm. Through Jan 3. The SHN Best of Broadway series kicks off with Alfred Hitchcock’s Tony Award-winning whodunit comedy.

Beautiful Thing New Conservatory Theatre Center, 25 Van Ness; 861-8972. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 3. New Conservatory Theatre Center performs Jonathan Harvey’s story of romance between two London teens.

*Better Homes and Ammo (a post apocalyptic suburban tale) EXIT Stage Left, 156 Eddy; www.brownpapertickets.com/event/86070. $15-$19. Thurs/17-Sat/19, 8pm. Toting bible and AK-47, a shlubby but seemingly affable right-wing libertarian (B. Warden Lawlor) has led his nuclear family down into the survival pit beneath his ammo store just in time to escape the nuclear disaster above ground. Months into this millennial camping trip, mom (Molly Benson) dreams of starring in her own vaguely militant cooking show, while restive older brother (James Tinsley) and dippy but nubile little sister (Cassie Powell) turn their own hormonally charged dreams into a budding daytime romance (well, one of them’s adopted anyway). Can the center hold, with mere anarchy loosed above? "Since when," asks mom of her spouse, "have you resorted to lies and manipulation to maintain your authority?" Good question. He’d balk at the comparison—and the French—but basically, L’estat? C’est pah. The loathsome Bush years inspired this first full-length comedy from writer-director Wiley Herman, but its themes of fear mongering as social control, authoritarian excess, apocalyptic doom, and brother-sister whoopee are evergreens. The pacing can flag, the dramatic conventions can feel too familiar, but the writing has merit and a fair amount of laughs, while the cast warm to their parts with conviction and charm. All in all a promising debut from Herman, and if the world doesn’t end first we can expect better ammo down the line. (Avila)

The Bright River Climate Theater, 285 9th St; (800) 838-3006, thebrightriver.com. $15-$25. Runs Thurs-Sat, 8pm; Sun, 7pm. Through Dec 27. Climate presents this mesmerizing hip-hop retelling of Dante’s Inferno by Tim Brarsky.

A Christmas Carol American Conservatory Theater, 415 Geary; 749-2228, www.act-sf.org. $14-$102. Days and times vary. Through Dec 27. A.C.T. presents the sparkling, music-infused celebration of goodwill by Charles Dickens.

Cinderella African American Art and Culture Complex, 762 Fulton; (800) 8383-3006, www.african-americanshakes.org. $20-$30. Days and times vary. Through Dec 27. The African-American Shakespeare Company presents an enchanting production of the classic fairytale, re-set on the bayous of Louisiana.

Cotton Patch Gospel Next Stage, 1620 Gough; (800) 838-3006, www.custommade.org. $10-$28. Thurs/17-Sat/19, 8pm. Custom Made presents Harry Chapin’s progressive and musically joyous look at the Jesus story through a modern lens.

Dames at Sea New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 17. NCTC presents the Off-Broadway musical hit.

*East 14th Marsh, 1062 Valencia; 1-800-838-3006, www.themarsh.org. $20-35. Fri/18, 9pm; Sat/19, 8:30pm. Don Reed’s solo play, making its local premiere at the Marsh after an acclaimed New York run, is truly a welcome homecoming twice over. It returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland between two poles of East 14th Street’s African American neighborhood: one defined by his mother’s strict ass-whooping home, dominated by his uptight Jehovah’s Witness stepfather; the other by his biological father’s madcap but utterly non-judgmental party house. The latter—shared by two stepbrothers, one a player and the other flamboyantly gay, under a pimped-out, bighearted patriarch whose only rule is "be yourself"—becomes the teenage Reed’s refuge from a boyhood bereft of Christmas and filled with weekend door-to-door proselytizing. Still, much about the facts of life in the ghetto initially eludes the hormonal and naïve young Reed, including his own flamboyant, ever-flush father’s occupation: "I just thought he was really into hats." But dad—along with each of the characters Reed deftly incarnates in this very engaging, loving but never hokey tribute—has something to teach the talented kid whose excellence in speech and writing at school marked him out, correctly, as a future "somebody." (Avila)

Eccentrics of San Francisco’s Barbary Coast: A Magical Escapade San Francisco Magic Parlor, Chancellor Hotel Union Square, 433 Powell; 1-800-838-3006. $30. Fri-Sat, 8pm. Ongoing. This show celebrates real-life characters from San Francisco’s colorful and notorious past.

Fun-derful Holidaze The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$12. Sat-Sun, 2pm. Through Jan 3. The Marsh presents Unique Derique in a fun-filled feast of frivolity for all ages.

I SF South of Market home stage, 505 Natoma; (800) 838-3006, www.boxcartheatre.org. Thurs-Sat, 8pm. Through Dec 19. Boxcar Theatre presents an improvised unabashed stage poem to all things San Francisco.

Katya’s Holiday Spectacular New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$32. Days vary, 8pm, through Jan 2. NCTC presents a special winter cabaret starring Katya Smirnoff-Skyy.

Let It Snow! SF Playhouse Stage 2, 533 Sutter; 677-9596, www.sfplayhouse.org. $8-$20. Thurs/17-Fri/18, 8pm; Sat/19, 3 and 8pm. The Un-scripted Theater Company lovingly presents an entirely new musical every night based on audience participation.

The Life of Brian Dark Room Theater, 2263 Mission; 401-7987, darkroomsf.com. $20. Fri/18-Sat/19, 8pm. The Dark Room Theater presents a movie parody turned into a theatrical parody.

Ovo Grand Chapiteau, AT&T Park; (800) 450-1480, www.cirquedusoleil.com. $45.50-$135. Tues-Thurs, 8pm; Fri-Sat, 4 and 8pm; Sun, 1 and 5pm. Through Jan 24. The U.S. premiere of Cirque du Soleil’s latest extravaganza, written and directed by Deborah Colker, dependably sports several fine acts enmeshed in a visually buzzing insect theme. Highlights include a delighting set of juggling ants, twirling huge wedges of kiwi with their synchronized tootsies, very adorable and almost unbelievably deft; a mesmerizing and freely romantic airborne "Spanish Web" duet; and a spider traversing a "slackwire" web with jaw-dropping strength, balance and agility. The whisper-thin plot, thin even by Cirque standards, is nearly summed up in the title (Portuguese for "egg"). A very large "ovo" takes up most of the stage as the audience enters the tent. This is miraculously replaced in a flash by a smaller, though still ample one lugged around by one of three clowns (by the standards of past years, not a very inspired or absorbing bunch these three), and then snatched away amid a throng of insect types. An endoplasmic reticulum, or something, hovers a floor or two high toward the back of the stage, where the live band churns the familiar trans-inducing Euro-beats. The baseline entertainment value is solid, though the usual high jinx and overall charm are at somewhat lower ebb compared with recent years. (Avila)

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through Jan 23. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Santaland Diaries Off Market Theater, 965 Mission; (800) 838-3006, www.brownpapertickets.com/event/89315. $25. Mon-Sun, 8 and 10pm. Through Dec 30. Combined Artform and Beck-n-Call present the annual production of David Sedaris’ story, starring John Michael Beck and David Sinaiko.

Shanghai San Francisco One Telegraph Hill; 1-877-384-7843, www.shanghaisanfrancisco.com. $40. Sat, 1pm. Ongoing. To be Shanghaied: "to be kidnapped for compulsory service aboard a ship&ldots;to be induced or compelled to do something, especially by fraud or force". Once the scene of many an "involuntary" job interview, San Francisco’s Barbary Coast is now the staging ground for Shanghai San Francisco, a performance piece slash improv slash scavenger hunt through the still-beating hearts of North Beach and Chinatown, to the edge of the Tendernob. Beginning at the base of Coit Tower, participants meet the first of several characters who set up the action and dispense clues, before sending the audience off on a self-paced jaunt through the aforementioned neighborhoods, induced and compelled (though not by force) to search for a kidnapped member of the revived San Francisco Committee of Vigilance. It’s a fine notion and a fun stroll on a sunny afternoon, but ultimately succeeds far better as a walking tour than as theatre. Because the actors are spread rather thinly on the ground, they’re unable to take better advantage of their superior vantage by stalking groups a little more closely, staging distractions along the way, and generally engaging the audience as such a little more frequently. But since Shanghai San Francisco is a constantly evolving project, maybe next time they’ll do just that. (Gluckstern)

She Stoops to Comedy SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Jan 9. SF Playhouse continues their seventh season with the Bay Area premiere of David Greenspan’s gender-bending romp.

Under the Gypsy Moon Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Wed-Sat, 6pm; Sun, 5pm. Through Jan 1. Teatro ZinZanni presents a bewitching evening of European cabaret, cirque, theatrical spectacle, and original live music, blended with a five-course gourmet dinner.

Who’s Afraid of Virginia Woolf? Actors Theatre of SF, 855 Bush; 345-1287, www.actorstheatresf.org. $26-$40. Thurs-Sat, 8pm; Sun, 2pm. Through Jan 23. Before throwing around terms like "dysfunctional, bi-polar, codependent," to describe the human condition became fodder for every talk show host and reality TV star, people with problems were expected to keep them tight to the chest, like war medals, to be brought out in the privacy of the homestead for the occasional airing. For George and Martha, the sort of middle-aged, academically-entrenched couple you might see on any small University campus, personal trauma is much more than a memory—it’s a lifestyle, and their commitment to receiving and inflicting said trauma is unparalleled. The claws-out audacity of mercurial Martha (Rachel Klyce) is superbly balanced by a calmly furious George (Christian Phillips), and their almost vaudevillian energy easily bowls over boy genius Biologist, Nick (Alessandro Garcia) and his gormless, "slim-hipped" wife Honey (Jessica Coghill), who at times exhibit such preternatural stillness they seem very much like the toys their game-playing hosts are using them as to wage their private war of attrition; their nervous reactions, though well-timed, coming off as mechanical in comparison to the practiced ease with which Klyce and Phillips relentlessly tear down the walls of illusion. But thanks to George and Martha’s menacing intensity, and self-immoutf8g love, this Virginia Woolf does not fail to hold the attentions of its audience captive, despite being a grueling (though never tedious) three-and-a-half hours long. (Gluckstern)

Wicked Orpheum Theatre, 1182 Market; 512-7770, www.shnsf.com. $30-$99. Tues, 8pm; Wed, 2pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Ongoing. Assuming you don’t mind the music, which is too TV-theme–sounding in general for me, or the rather gaudy décor, spectacle rules the stage as ever, supported by sharp performances from a winning cast. (Avila)


BAY AREA

Aurelia’s Oratorio Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $33-$71. Tues, Thurs, Fri, and Sat, 8pm; Wed, 7pm; Sun, 2 and 7pm. Through Jan 24. It’s such a relief during the Nutcracker-Christmas Memory-Carol-In Wales season to catch a show that creates a wonderland without the winter. Not a beat is lost as Aurélia morphs from bored vamp trapped in a chest of drawers to tempest-tossed refugee on the high seas (and higher rafters) to befuddled homemaker with a penchant for the topsy-turvy, sometimes pursued by the excellent Jaime Martinez, whose knockout, drag-down street brawls with his recalcitrant overcoat are just one example of the physical wit that permeates the piece. Aurélia’s housekeeping skills are another—she happily arranges her flowers upside-down and sprinkles her laundry hung on the line with a big watering can, while outside her window, an upside-down taxi cab awaits her fare. Each minute vignette shines on its own merits—a woman dissolving into sand, a poignant Indonesian-style shadow-puppet encounter behind a curtain of lacy "snow" (ok, they snuck in the winter after all), a musical interlude in a clock shop—tied loosely together by a design heavy on lush red velvet and modestly versatile black-and-white. Aurélia’s Oratorio combines the best of mime, acrobatics, dance, and design, to create a circuitous, circus revel guaranteed to transport and to charm. (Gluckstern)

The Coverlettes Cover Christmas Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $25-$28. Mon-Sat, 8pm; Sun, 7pm. Through Dec 27. Aurora Theatre Company rocks the holiday season in the style of 1960’s girl groups.

The Stone Wife Berkeley City Club, 2315 Durant, Berk; 730-2901. $15-$20. Fri-Sat, 8pm; Sun, 6pm. Through Dec 20. The Berkeley City Club presents this award-winning play written and directed by Helen Pau.

*The Threepenny Opera Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $18-$30. Thurs-Sat, 8pm; Sun, 5pm. Through Jan 17. Wednesday performances begin Jan 6. Shotgun Players present Bertolt Brecht’s beggar’s opera.


DANCE

"The Christmas Ballet" Yerba Buena Center for the Arts, 700 Howard; 978-2787, www.smuinballet.org. Wed-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Through Dec 27. $18-$56. Michael Smuin presents an unexpected holiday show featuring dancers in ’50s poodle skirts, feather boas, wide-brimmed hats, and panama suits and music from Mozart to Elvis Presley.

"DANCEfirst!" The Museum of the African Diaspora, 685 Mission; 358-7200, www.seethinkdance.com. Thurs, 6pm. $5-$10. Three local choreographers enlist their favorite house DJs to offer wildly unique perspectives on this rhythmic phenomenon.

"A Queer 20th Anniversary" Locations vary. www.circozero.org. Various days and times, Dec. 9 – Jan. 31. Zero Performance presents a retrospective of two seminal pieces performed by Keith Hennessy and company, including a restaging of Saliva at the original site under a freeway South of Market.

Mark Foehringer Dance Project/SF Zeum Theater, 221 Fourth St; 433-1235, www.tixbayarea.org. Sat-Sun, 11am and 2pm. $25. The dance project presents a unique rendition of The Nutcracker at Zeum, featuring the Magik*Magik Orchestra performing live.

"The Nutcracker" Mercy High School Theater, 3250 19th Ave; 731-2237, www.sanfranciscoyouthballet.org. Sat, 2 and 7pm; Sun, 2pm. $22-$24. San Francisco Youth Ballet Theatre presents its 9th annual production of the holiday classic.

Yaelisa’s Caminos Flamencos Cowell Theatre, Fort Mason; www.caminosflamencos.com. Fri-Sat, 8pm; Sun, 3pm. Check Web for price. This show features Yaelisa’s husband and artistic partner, 10-year-old Roberto Granados, Paco Borrego, Jesus Montoya, and Felix de Lola.


BAY AREA

"The Hard Nut" Zellerbach Hall, UC Berkeley, Berk; cpinfo.berkeley.edu. Days and times vary, through Sun. $36-$62. Mark Morris Dance Group and Berkeley Symphony Orchestra present this retelling of The Nutcracker.


PERFORMANCE

"Amahl and the Night Visitors" Randall Museum, 199 Museum Way; 826-8670. Sun, 3pm. Free. The Ina Chalis Opera Ensemble presents this one-hour Christmas opera by Gian-Carlo Menotti.

"Bijou" Martuni’s, Four Valencia; 241-0205, www.dragatmartunis.com. Sun, 7pm. $5. An eclectic weekly cabaret.

On Broadway Dinner Theater 435 Broadway; 291-0333, www.broadwaystudios.com. Thurs-Sat, 7pm. Ongoing. SF’s most talented singers, artists, and performers combine interactive shows with dining and dessert.

"A Cathedral Christmas" Grace Cathedral, 1100 California; 392-4400, www.cityboxoffice.com. Sat-Sun, 3pm; Mon, 7pm. $15-$50. Celebrate the season with the Choir of Men and boys with orchestra, featuring their signature performances of favorite carols, along with sacred masterpieces and yuletide classics.

"A Chanticleer Christmas" St. Ignatius Church, 650 Parker; 392-4400, www.chanticleer.org. Sat, 8pm. Check Web for ticket prices. The internationally renowned 12-man a cappella singing ensemble returns home with its critically acclaimed holiday concert.

"Electrofunkadelica & the BB Kink Show" Space Gallery, 1141 Polk; www.spacegallerysf.com. Thurs, 8pm. Shaunna Hall presents this live show and art exhibit.

Fauxgirls! Kimo’s Penthouse Lounge, 1351 Polk; 695-1239, www.fauxgirls.com. Sat, 10pm. Free. This revue features San Francisco’s finest female impersonators.

Full Spectrum Improvisation The Marsh, 1062 Valencia; 564-4115, www.themarsh.org. Tues, 7:30pm. $10-$15. Lucky Dog Theatre performs in its ongoing series of spontaneous theatre shows.

"The Greatest Bubble Show on Earth" The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$10. Sun, 11am. Through Dec 27. The Marsh Presents Louis Pearl, the Amazing Bubble Man, in this fun show suitable for all ages.

"Handel’s Messiah with American Bach Soloists" Grace Cathedral, 1100 California; 392-4400, www.cityboxoffice.com. Thurs-Fri, 7:30pm. Check Web for ticket prices. ABS conductor Jeffrey Thomas leads America’s best specialists in early music in this special concert.

"Home for the Holidays" First Unitarian Universalist Church, 1187 Franklin. 865-ARTS, www.sfgmc.org. Check Website for ticket info. Wed-Thurs, 7:30pm. Also special show at Castro Theatre on Dec 24. San Franciso Gay Men’s Chorus presents the 20th anniversary of a classic SF tradition.

"A Judy Garland Christmas" Rrazz Room, Hotel Nikko, 222 Mason; (866) 468-3399, www.therrazzroom.com. Tues, 8pm. $30. Connie Champagne brings her remarkable portryal of Judy Garland to the Rrazz Room.

"Monday Night ForePlays" Studio250, Off-Market, 965 Mission; www.pianofight.com. Mon, 8pm. $20. PinaoFight’s female-driven variety show extends into December with new sketches, dance numbers, and musical performances.

"Nocturnal Butterflies" Z Space at Theater Artaud, 450 Florida; (434) 535-2896, www.avykproductions.com. Thurs-Sat, 8pm. Check Web for price. Erika Tsimbrovsky/Avy K Productions presents this multimedia dance performance dedicated to Vaslav Nijinsky.

"Old English Christmas Feast" Mark Hopkins Hotel, 999 California; (510) 887-4311, www.ggbc.org. Sun, 4pm. $135. The Golden Gate Boys Choir present their annual fundraiser. (The choir also will perform for free in the hotel lobby on Monday, 11:30am.)

Porchlight Reading Series Verdi Club, 2424 Mariposa. Mon, 8pm. $12. The theme for this month’s installment is "toys," featuring stories by people who’ve played with them, dated them, and been disappointed by them.

"San Francisco Girls Chorus Annual Davies Hall Holiday Concert" Davies Symphony Hall, 201 Van Ness; www.sfgirlschorus.org. Tues, 7:30pm. $22-$58. San Francisco Girls Chorus presents the 27th annual, 300-voice holiday musical extravaganza.

Shadow Circus Creature Theatre Climate Theater, 285 9th St; www.musicboxseries.com. Wed, 8pm. $10-$13. San Francisco’s most belligerent puppetry troupe returns with a cornucopia of holiday mayhem.

"Trannyshack Star Search Competition" DNA Lounge, 375 11th St; www.dnalounge.com. Sat, 10pm. $15-$20. Heklina and Peaches Christ present the 11th annual competition where virgin drag queens compete for a title.

"Veils and Apparitions" The Garage, 975 Howard; 975howard.com. Fri-Sat, 8 and 10pm. $10-$15. Enter a poetic landscape, where boundaries bend between the folds of the human psyche in this evening of new works by a collective of artists.

"Wake the F@#k Up America: Holiday Edition" Herbst Theatre, 401 Van Ness; 392-4400, www.cityboxoffice.com. Fri, 8pm. Call for ticket price. The Kinsey Sicks, America’s favorite dragapella beautyshop quartet, bring their new holiday musical comedy to the Herbst Theatre.


BAY AREA

"The Christmas Revels" Scottis Rite Theater, 1547 Lakeside, Oakl; (510) 452-8800, www.calrevels.org. Fri, 7:30pm; Sat-Sun, 1 and 5pm. $12-$50. Experience the music, dance, and folklore of 19th century Bavaria with this beloved Bay Area holiday tradition.

"Garage Door Nativity" First Congregational Church of Berkeley, 2345 Channing Way, Berk; (510) 848-3696, www.fccb.org. Fri-Sun, 7:30pm. $5-$10. The church presents a poignant, humorous, and unique take on the Christmas narrative told without spoken words.

"Hubba Hubba Revue" Uptown, 1928 Telegraph, Oakl; www.hubbahubbarevue.com. Mon, 10pm. Ongoing. $5. Scantily clad ladies shake their stuff at this weekly burlesque showcase.

"It’s a Wonderful Life" Julia Morgan Center for the Arts, 2640 College Ave, Berk; www.berkeleyplayhouse.org. Tues, 6:30pm. $10-$25. Berkeley Playhouse presents a staged version of the 1946 classic radio play, complete with live sound effects, microphones, and commercial jingles.

"Reality Playings" Temescal Arts Center, 511 48th St, Oakl; (510) 526-7858, www.temescalartscenter.org. Fri, 8pm. Free. Frank Moore will conduct improvised passions of musicians, actors, dancers, and audience members in a laboratory setting.

"Winter Solstice" Studio 12, 2525 Eights St, Berk; www.studio12flys.org. Mon, 7pm. $20-$25. Studio 12 presents musical performance, dance performance, and a winter solstice altar for this celebration of the longest night of the year.


COMEDY

Annie’s Social Club 917 Folsom, SF; www.sfstandup.com. Tues, 6:30pm, ongoing. Free. Comedy Speakeasy is a weekly stand-up comedy show with Jeff Cleary and Chad Lehrman.

"Big City Improv" Shelton Theater, 533 Sutter; (510) 595-5597, www.bigcityimprov.com. Fri, 10pm, ongoing. $15-$20. Big City Improv performs comedy in the style of "Whose Line Is It Anyway?"

Brainwash 1122 Folsom; 861-3663. Thurs, 7pm, ongoing. Free. Tony Sparks hosts San Francisco’s longest running comedy open mike.

Club Deluxe 1511 Haight; 552-6949, www.clubdeluxesf.com. Mon, 9pm, ongoing. Free. Various local favorites perform at this weekly show.

Clubhouse 414 Mason; www.clubhousecomedy.com. Prices vary. Scantily Clad Comedy Fri, 9pm. Stand-up Project’s Pro Workout Sat, 7pm. Naked Comedy Sat, 9pm. Frisco Improv Show and Jam Sun, 7pm. Ongoing.

Cobbs 915 Columbus; 928-4320.

"Comedy Master Series" Blue Macaw, 2565 Mission; www.comedymasterseries.com. Mon, 6pm. Ongoing. $20. The new improv comedy workshop includes training by Debi Durst, Michael Bossier, and John Elk.

"Comedy on the Square" SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm, through Dec. Tony Sparks and Frisco Fred host this weekly stand-up comedy showcase.

"Comedy Returns" El Rio, 3158 Mission; www.koshercomedy.com. Mon, 8pm. $7-$20. Comedian/comedy producer Lisa Geduldig presents this weekly multicultural, multi-everything comedy show.

Danny Dechi & Friends Rockit Room, 406 Clement; 387-6343. Tues, 8pm. Ongoing. Free.

"Improv Society" Shelton Theater, 533 Sutter; www.improvsociety.com. Sat, 10pm, ongoing, $15. Improv Society presents comic and musical theater.

Punch Line San Francisco 444 Battery; www.punchlinecomedyclub.com. Check Website for times and prices.
Purple Onion 140 Columbus; 1-800-838-3006, www.purpleonionlive.com. Call for days and times.
Rrazz Room Hotel Nikko, 222 Mason; (866) 468-3399, www.therrazzroom.com.
"Raw Stand-up Project" SFCC, 414 Mason, Fifth Flr; www.sfcomedycollege.com. Sat, 7pm, ongoing.
BAY AREA
"Comedy Off Broadway Oakland" Washington Inn, 495 10th St, Oakl; (510) 452-1776, www.comedyoffbroadwayoakland.com. Fri, 9pm. Ongoing. $8-$10. Comedians featured on Comedy Central, HBO, BET, and more perform every week.

Stage listings

0

Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

The 39 Steps Curran Theater, 1192 Market; 551-2020, www.shnsf.com. $35-$80. Previews Wed/9. Runs Tues, 8pm; Wed, 2 and 8pm; Thurs, 8pm; Fri, -Sat, 2 and 8pm; Sun, 2pm. Through Jan 3. The SHN Best of Broadway series kicks off with Alfred Hitchcock’s Tony Award-winning whodunit comedy.

Cinderella African American Art and Culture Complex, 762 Fulton; (800) 8383-3006, www.african-americanshakes.org. $20-$30. Previews Thurs/10. Opens Fri/11. Runs Sat/13, 3 and 8pm; Sun, 3pm; Dec 19, 8pm. Through Dec 27. The African-American Shakespeare Company presents an enchanting production of the classic fairytale, re-set on the bayous of Louisiana.

Dames at Sea New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$40. Previews Wed/8-Fri/11. Opens Sat/12. Runs Wed-Sat, 8pm; Sun, 2pm. Through Jan 17. NCTC presents the Off-Broadway musical hit.

Fun-derful Holidaze The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$12. Opens Sat/12-Sun/13. Runs Sat-Sun, 2pm. Through Jan 3. The Marsh presents Unique Derique in a fun-filled feast of frivolity for all ages.

Katya’s Holiday Spectacular New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$32. Previews Wed/9-Thurs/10. Opens Fri/11. Runs various days, 8pm, through Jan 2. NCTC presents a special winter cabaret starring Katya Smirnoff-Skyy.

BAY AREA

Aurelia’s Oratorio Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $33-$71. Opens Wed/9. Runs Tues, Thurs, Fri, and Sat, 8pm; Wed, 7pm; Sun, 2 and 7pm. Through Jan 24. Berkeley Rep presents Victoria Thierree Chaplin’s dazzling display of stage illusion.

The Coverlettes Cover Christmas Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $25-$28. Opens Tues/15. Runs Mon-Sat, 8pm; Sun, 7pm. Through Dec 27. Aurora Theatre Company rocks the holiday season in the style of 1960’s girl groups.

The Stone Wife Berkeley City Club, 2315 Durant, Berk; 730-2901. $15-$20. Opens Fri/11. Runs Fri-Sat, 8pm; Sun, 6pm. Through Dec 20. The Berkeley City Club presents this award-winning play written and directed by Helen Pau.

ONGOING

Beautiful Thing New Conservatory Theatre Center, 25 Van Ness; 861-8972. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 3. New Conservatory Theatre Center performs Jonathan Harvey’s story of romance between two London teens.

Better Homes and Ammo (a post apocalyptic suburban tale) EXIT Stage Left, 156 Eddy; www.brownpapertickets.com/event/86070. $15-$19. Thurs-Sat, 8pm. Through Dec 19. No Nude Men Productions presents the end-of-the-world premiere of sketchy comedy veteran Wylie Herman’s first full length play.

The Bright River Climate Theater, 285 9th St; (800) 838-3006, thebrightriver.com. $15-$25. Runs Thurs-Sat, 8pm; Sun, 7pm. Through Dec 27. Climate presents this mesmerizing hip-hop retelling of Dante’s Inferno by Tim Brarsky.

A Christmas Carol American Conservatory Theater, 415 Geary; 749-2228, www.act-sf.org. $14-$102. Days and times vary. Through Dec 27. A.C.T. presents the sparkling, music-infused celebration of goodwill by Charles Dickens.

Cotton Patch Gospel Next Stage, 1620 Gough; (800) 838-3006, www.custommade.org. $10-$28. Thurs-Sat, 8pm; Sun, 7pm. Through Dec 19. Custom Made presents Harry Chapin’s progressive and musically joyous look at the Jesus story through a modern lens.

*East 14th Marsh, 1062 Valencia; 1-800-838-3006, www.themarsh.org. $20-35. Fri, 9pm; Sat, 8:30pm. Through Dec 19. Don Reed’s solo play, making its local premiere at the Marsh after an acclaimed New York run, is truly a welcome homecoming twice over. It returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland between two poles of East 14th Street’s African American neighborhood: one defined by his mother’s strict ass-whooping home, dominated by his uptight Jehovah’s Witness stepfather; the other by his biological father’s madcap but utterly non-judgmental party house. The latter—shared by two stepbrothers, one a player and the other flamboyantly gay, under a pimped-out, bighearted patriarch whose only rule is “be yourself”—becomes the teenage Reed’s refuge from a boyhood bereft of Christmas and filled with weekend door-to-door proselytizing. Still, much about the facts of life in the ghetto initially eludes the hormonal and naïve young Reed, including his own flamboyant, ever-flush father’s occupation: “I just thought he was really into hats.” But dad—along with each of the characters Reed deftly incarnates in this very engaging, loving but never hokey tribute—has something to teach the talented kid whose excellence in speech and writing at school marked him out, correctly, as a future “somebody.” (Avila)

Eccentrics of San Francisco’s Barbary Coast: A Magical Escapade San Francisco Magic Parlor, Chancellor Hotel Union Square, 433 Powell; 1-800-838-3006. $30. Fri-Sat, 8pm. Ongoing. This show celebrates real-life characters from San Francisco’s colorful and notorious past.

I Heart Hamas: And Other Things I’m Afraid to Tell You Off Market Theaters, 965 Mission; www.ihearthamas.com. $20. Thurs/10 and Sat/12, 8pm. An American woman of Palestinian descent, San Francisco actor Jennifer Jajeh grew up with a kind of double consciousness familiar to many minorities. But hers—conflated and charged with the history and politics of the Middle East—arguably carried a particular burden. Addressing her largely non–Middle Eastern audience in a good-natured tone of knowing tolerance, the first half of her autobiographical comedy-drama, set in the U.S., evokes an American teen badgered by unwelcome difference but canny about coping with it. The second, set in her ancestral home of Ramallah, is a journey of self-discovery and a political awakening at once. The fairly familiar dramatic arc comes peppered with some unexpected asides—and director W. Kamau Bell nicely exploits the show’s potential for enlightening irreverence (one of the cleverer conceits involves a “telepathic Q&A” with the audience, premised on the predictable questions lobbed at anyone identifying with “the other”). The play is decidedly not a history lesson on the colonial project known as “the Israeli-Palestinian conflict” or, for that matter, Hamas. But as the laudably mischievous title suggests, Jajeh is out to upset some staid opinions, stereotypes and confusions that carry increasingly significant moral and political consequences for us all. (Avila)

I SF South of Market home stage, 505 Natoma; (800) 838-3006, www.boxcartheatre.org. Thurs-Sat, 8pm. Through Dec 19. Boxcar Theatre presents an improvised unabashed stage poem to all things San Francisco.

Jubilee Eureka Theatre, 215 Jackson; 255-8207, www.42ndstmoon.org. $34-$44. Wed/9, 7pm; Thurs/10-Fri/11, 8pm; Sat/12, 6pm; Sun/13, 3pm. 42nd Street Moon presents this tune-filled 1935 musical spoof of royalty, revolution, and ribald rivalries.

Let It Snow! SF Playhouse Stage 2, 533 Sutter; 677-9596, www.sfplayhouse.org. $8-$20. Thurs-Fri, 8pm; Sat, 3 and 8pm. Through Dec 19. The Un-scripted Theater Company lovingly presents an entirely new musical every night based on audience participation.

The Life of Brian Dark Room Theater, 2263 Mission; 401-7987, darkroomsf.com. $20. Fri-Sat, 8pm. Through Dec 19. The Dark Room Theater presents a movie parody turned into a theatrical parody.

*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs/10, 8pm; Sat/12, 5pm. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. Randolph plays loner Frannie Potts, a rambunctious, cranky and libidinous individual of decidedly odd mien, who is flying back home to Ohio after the death of her beloved mother. The flight is occasion for Frannie’s own flights of memory, exotic behavior in the aisle, and unabashed advances toward the flight deck brought on by the seductively confident strains of the captain’s commentary. The singular personality and mother-daughter relationship that unfurls along the way is riotously demented and brilliantly humane. Not to be missed, Randolph is a rare caliber of solo performer whose gifts are brought generously front and center under Matt Roth’s reliable direction, while her writing is also something special—fully capable of combining the twisted and macabre, the hilariously absurd, and the genuinely heartbreaking in the exact same moment. Frannie Potts’s hysteria at 30,000 feet, as intimate as a middle seat in coach (and with all the interpersonal terror that implies), is a first-class ride. (Avila)

Ovo Grand Chapiteau, AT&T Park; (800) 450-1480, www.cirquedusoleil.com. $45.50-$135. Tues-Thurs, 8pm; Fri-Sat, 4 and 8pm; Sun, 1 and 5pm. Through Jan 24. The U.S. premiere of Cirque du Soleil’s latest extravaganza, written and directed by Deborah Colker, dependably sports several fine acts enmeshed in a visually buzzing insect theme. Highlights include a delighting set of juggling ants, twirling huge wedges of kiwi with their synchronized tootsies, very adorable and almost unbelievably deft; a mesmerizing and freely romantic airborne “Spanish Web” duet; and a spider traversing a “slackwire” web with jaw-dropping strength, balance and agility. The whisper-thin plot, thin even by Cirque standards, is nearly summed up in the title (Portuguese for “egg”). A very large “ovo” takes up most of the stage as the audience enters the tent. This is miraculously replaced in a flash by a smaller, though still ample one lugged around by one of three clowns (by the standards of past years, not a very inspired or absorbing bunch these three), and then snatched away amid a throng of insect types. An endoplasmic reticulum, or something, hovers a floor or two high toward the back of the stage, where the live band churns the familiar trans-inducing Euro-beats. The baseline entertainment value is solid, though the usual high jinx and overall charm are at somewhat lower ebb compared with recent years. (Avila)

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through Jan 23. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Pulp Scripture Off Market Theater, 965 Mission; www.pulpscripture.com. $20. Sat/12, 10:30pm; Sun/13, 4pm. Original Sin Productions and PianoFight bring the bad side of the Good Book back to live in William Bivins’ comedy.

Rabbi Sam The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $25-$50. Sat/12, 8pm. Charlie Varons’ runaway hit show returns to the Marsh.

“ReOrient 2009” Thick House, 1695 18th St; 626-4061, www.goldenthread.org. $12-$25. Thurs/10-Sat/12, 8pm; Sun/13, 5pm. Golden Thread Productions celebrates the tenth anniversary of its festival of short plays exploring the Middle East.

Santaland Diaries Off Market Theater, 965 Mission; (800) 838-3006, www.brownpapertickets.com/event/89315. $25. Mon-Sun, 8 and 10pm. Through Dec 30. Combined Artform and Beck-n-Call present the annual production of David Sedaris’ story, starring John Michael Beck and David Sinaiko.

Shanghai San Francisco One Telegraph Hill; 1-877-384-7843, www.shanghaisanfrancisco.com. $40. Sat, 1pm. Ongoing. To be Shanghaied: “to be kidnapped for compulsory service aboard a ship&ldots;to be induced or compelled to do something, especially by fraud or force”. Once the scene of many an “involuntary” job interview, San Francisco’s Barbary Coast is now the staging ground for Shanghai San Francisco, a performance piece slash improv slash scavenger hunt through the still-beating hearts of North Beach and Chinatown, to the edge of the Tendernob. Beginning at the base of Coit Tower, participants meet the first of several characters who set up the action and dispense clues, before sending the audience off on a self-paced jaunt through the aforementioned neighborhoods, induced and compelled (though not by force) to search for a kidnapped member of the revived San Francisco Committee of Vigilance. It’s a fine notion and a fun stroll on a sunny afternoon, but ultimately succeeds far better as a walking tour than as theatre. Because the actors are spread rather thinly on the ground, they’re unable to take better advantage of their superior vantage by stalking groups a little more closely, staging distractions along the way, and generally engaging the audience as such a little more frequently. But since Shanghai San Francisco is a constantly evolving project, maybe next time they’ll do just that. (Gluckstern)

She Stoops to Comedy SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Jan 9. SF Playhouse continues their seventh season with the Bay Area premiere of David Greenspan’s gender-bending romp.

Under the Gypsy Moon Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Wed-Sat, 6pm; Sun, 5pm. Through Jan 1. Teatro ZinZanni presents a bewitching evening of European cabaret, cirque, theatrical spectacle, and original live music, blended with a five-course gourmet dinner.

Who’s Afraid of Virginia Woolf? Actors Theatre of SF, 855 Bush; 345-1287, www.actorstheatresf.org. $26-$40. Thurs-Sat, 8pm; Sun, 2pm. Through Dec 19. Before throwing around terms like “dysfunctional, bi-polar, codependent,” to describe the human condition became fodder for every talk show host and reality TV star, people with problems were expected to keep them tight to the chest, like war medals, to be brought out in the privacy of the homestead for the occasional airing. For George and Martha, the sort of middle-aged, academically-entrenched couple you might see on any small University campus, personal trauma is much more than a memory—it’s a lifestyle, and their commitment to receiving and inflicting said trauma is unparalleled. The claws-out audacity of mercurial Martha (Rachel Klyce) is superbly balanced by a calmly furious George (Christian Phillips), and their almost vaudevillian energy easily bowls over boy genius Biologist, Nick (Alessandro Garcia) and his gormless, “slim-hipped” wife Honey (Jessica Coghill), who at times exhibit such preternatural stillness they seem very much like the toys their game-playing hosts are using them as to wage their private war of attrition; their nervous reactions, though well-timed, coming off as mechanical in comparison to the practiced ease with which Klyce and Phillips relentlessly tear down the walls of illusion. But thanks to George and Martha’s menacing intensity, and self-immoutf8g love, this Virginia Woolf does not fail to hold the attentions of its audience captive, despite being a grueling (though never tedious) three-and-a-half hours long. (Gluckstern)

Wicked Orpheum Theatre, 1182 Market; 512-7770, www.shnsf.com. $30-$99. Tues, 8pm; Wed, 2pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Ongoing. Assuming you don’t mind the music, which is too TV-theme–sounding in general for me, or the rather gaudy décor, spectacle rules the stage as ever, supported by sharp performances from a winning cast. (Avila)

BAY AREA

*FAT PIG Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Wed/9-Sat/12, 8pm; Sun/13, 2 and 7pm. Playwright Neil LaBute has a reputation for cruelty—or rather the unflinching study thereof—but as much as everyday sociopathy is central to Fat Pig, this fine, deceptively straightforward play’s real subject is human frailty: the terrible difficulty of being good when it means going decidedly against the values and opinions of your peers. Aurora Theatre’s current production makes the point with satirical flair and insight, animated by a faultless ensemble directed with snap and fire by Barbara Damashek. A conventionally handsome businessman named Tom (a brilliantly canny, vulnerable and sympathetic Jud Williford) falls for a bright, beautiful woman of more than average size named Helen (Liliane Klein, radiantly reprising the role after a production for Boston’s Speakeasy Stage). It’s the most important relationship either has had. Alone together they’re very happy. At work, however, Tom contends with relentless pressure from his coworkers, Carter (a penetrating Peter Ruocco, savoring the sadism of the locker room) and onetime dating partner Jeannie (Alexandra Creighton, devastatingly sharp at being semi-hinged). As ambivalent as Tom is about both, he feebly attempts to hide his new love from them. The separation of public and private selves leads to conflict, and the plot will turn on how Tom resolves it. Needless to say, the title’s inherent viciousness points not at Helen—by far the most advanced personality on stage—but at those who would intone the phrase as well as those, like Tom, who tacitly let it work its dark magic. (Avila)

*Large Animal Games La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs/10-Sat/12, 8pm. Impact Theatre co-presents (with Atlanta’s Dad’s Garage) the world premiere of a new play by Atlanta-based Steve Yockey. The 75-minute comedy mingles three separate subplots among a group of friends, all refracted through a mysterious lingerie shop run by an affable, somewhat impish tailor (Jai Sahai) offering new skins for exploring inner selves. There’s the spoiled rich-girl (Marissa Keltie) horrified to discover her perfect fiancé’s (Timothy Redmond) secret penchant for donning feminine undergarments; a pair of best friends (Cindy Im and Elissa Dunn) who fall out over the sexy no-English matador-type (Roy Landaverde) one brings home from a Spanish holiday; and there’s an African American woman (Leontyne Mbele-Mbong) who goes on an African safari as the logical extension of her obsession with guns. Briskly but shrewdly directed by Melissa Hillman, the agreeable cast knows what to do with Yockey’s well-honed, true-to-life repartee. The play has a touch of the magical dimension familiar to audiences who saw Skin or Octopus (both produced by Encore Theatre) but it operates here in a less self-conscious, more lighthearted way, while still nicely augmenting the subtly related themes of animal-lust, competition, self-image and possession cleverly at work under the frilly, scanty surface. (Avila)

“Shakes ‘Super’ Intensive + Bronte Series” Berkeley Unitarian Fellowship, 1924 Cedar, Berk; (510) 275-3871. $8. Mon/14, 7:30pm. Subterranean Shakespeare presents weekly staged readings of classic Shakespeare plays, followed by a staged reading of Jon O’Keefe’s complete play about the Bronte sisters.

*The Threepenny Opera Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $18-$30. Thurs-Sat, 8pm; Sun, 5pm. Through Jan 17. Wednesday performances begin Jan 6. Shotgun Players present Bertolt Brecht’s beggar’s opera.

DANCE

“Dance Along Nutcracker” Yerba Buena Center for the Arts Forum, 701 Mission; 978-2787, www.dancealongnutcracker.org. Sat, 2:30 and 7pm; Sun, 11am and 3pm. $16-$50. The San Francisco Lesbian/Gay Freedom Band plays at this family-friendly holiday show, featuring performances interspersed with audience dancing.

“Double Dance Bill” ODC Dance Commons, 351 Shotwell; www.odctheater.org. Sat-Sun, 8pm. $15-$18. ODC Theater presents world and local premieres by Kate Weare Company and project agora.

“Fiesta Flamenca” Baobab Village, 3372 19th St; 970-0362, www.latania-flamenco.com. Sun, 7:30pm. $15. Bollyhood Café presents this monthly evening with La Tania and Cuadro Aljibe, Roberto Zamora, and Roberto Aguilar.

Funsch Dance Experience Legion of Honor, 34th Ave and Clement; 902-5371, www.funschdance.org. Sun, 4pm. The nine dancers of Christy Funsch’s company present Funsch Solos Volume II: Water Solos, performances that take place outside around the water fountain.

“Lightning Never Strikes the Same Place Twice” SOMArts Cultural Center, 934 Brannan; www.sffs.org. Sat-Sun, 8pm. $15-$18. San Francisco Film Society presents the KinoTek program Catherine Galasso, a multimedia dance, theater, and projected video performance.

Lily Cai Dance Company Cowell Theater, Fort Mason Center; 345-7575, www.fortmason.org. Thurs, 8pm. $28-$35. The dance company and Melody of China present an evening of contemporary dance and music.

“A Queer 20th Anniversary” Locations vary. www.circozero.org. Various days and times, Dec. 9 – Jan. 31. Zero Performance presents a retrospective of two seminal pieces performed by Keith Hennessy and company, including a restaging of Saliva at the original site under a freeway South of Market.

Mark Foehringer Dance Project/SF Zeum Theater, 221 Fourth St; 433-1235, www.tixbayarea.org. Dec 12, 13, 19, and 20, 11am and 2pm. $25. The dance project presents a unique rendition of The Nutcracker at Zeum, featuring the Magik*Magik Orchestra performing live.

Presidio Dance Theatre Junior Company Palace of Fine Arts Theatre, 3301 Lyon; www.presidiodance.org. Sun, 3pm. $35-$100. Sherene Melania presents the company’s annual benefit holiday show.

“The Revolutionary Nutcracker Sweetie” Brava Theater, 2781 24th St; 273-4633, www.dancemission.com. Sat, 2 and 7pm; Sun, 2 and 6pm. Dance Brigade’s Dance Mission Theater’s Youth Program takes Clara on a magical journey with the Freedom Fighting Nutcracker.

“The Velveteen Rabbit” Novellus Theater, Yerba Buena Center for the Arts, 700 Howard; 978-2787, www.ybca.org. Through Sun. $10-$45. This year’s installment of a favorite Bay Area holiday tradition features dancing by ODC/Dance, recorded narration by Geoff Hoyle, design by Brian Wildsmith, and a musical score by Benjamin Britten.

BAY AREA

“The Hard Nut” Zellerbach Hall, UC Berkeley, Berk; cpinfo.berkeley.edu. Days and times vary, Dec 11-20. $36-$62. Mark Morris Dance Group and Berkeley Symphony Orchestra present this retelling of The Nutcracker.

PERFORMANCE

“All of Me” Marines Memorial Theatre, 609 Sutter; 771-6900, www.marinesmemorialtheatre.com. Fri-Sat, 8pm. $47.50-$77.50. Linda Eder kicks off the Rrazz Concert Series with an evening of signature songs and holiday favorites.

“Amahl and the Night Visitors” Community Music Center, 544 Capp; 826-8670. Sun, 11:30am. Free. The Ina Chalis Opera Ensemble presents this one-hour family-friendly Christmas opera by Gian-Carlo Menotti.

“Bijou” Martuni’s, Four Valencia; 241-0205, www.dragatmartunis.com. Sun, 7pm. $5. An eclectic weekly cabaret.

On Broadway Dinner Theater 435 Broadway; 291-0333, www.broadwaystudios.com. Thurs-Sat, 7pm. Ongoing. SF’s most talented singers, artists, and performers combine interactive shows with dining and dessert.

“A Cathedral Christmas” Grace Cathedral, 1100 California; 392-4400, www.cityboxoffice.com. Sat-Sun, 3pm; Dec 21, 7pm. Through Dec 21. $15-$50. Celebrate the season with the Choir of Men and boys with orchestra, featuring their signature performances of favorite carols, along with sacred masterpieces and yuletide classics.

“A Chanticleer Christmas” St. Ignatius Church, 650 Parker; 392-4400, www.chanticleer.org. Sun, 8pm. Check Web for ticket prices. Also performances Sat in Oakland, Tues in Petaluma, Wed in Berkeley, and Dec 19 in San Francisco. The internationally renowned 12-man a cappella singing ensemble returns home with its critically acclaimed holiday concert.

“A Christmas Memory” Theatre Artaud, 450 Florida; 552-4100, www.therhino.org. Mon, 7pm. Check Web for price. Theatre Rhinoceros in collaboration with Word-for-Word presents Truman Capote’s humorous and heart-breaking tale.

“Cora’s Holiday Hotpad” EXIT Theatre, 156 Eddy; 673-3847, www.theexit.org. Thurs-Sat, 8pm. $15-$20. EXIT Theatre’s writer/performer-in-residence Sean Owens returns as Cora Values.

“An Evening with Lucie Arnaz” Rrazz Room, Hotel Nikko, 222 Mason; (866) 468-3399, www.therrazzroom.com. Wed-Sun, 7pm. $45-$50. The daughter of Lucille Ball and Desi Arnaz brings her new show to SF.

Full Spectrum Improvisation The Marsh, 1062 Valencia; 564-4115, www.themarsh.org. Tues, 7:30pm. $10-$15. Lucky Dog Theatre performs in its ongoing series of spontaneous theatre shows.

“Ghosts Walks” Yerba Buena Center for the Arts Forum, 701 Mission; www.ybca.org. Thurs, 7:30pm. Free. As part of the San Francisco Mime Troupe 50th Anniversary Exhibition Birthday Bash, the mime troupe will revive Ghosts, seen only once at the December 1981 opening of the Moscone Center.

“The Greatest Bubble Show on Earth” The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$10. Dec 13, 20, and 27, 11am. The Marsh Presents Louis Pearl, the Amazing Bubble Man, in this fun show suitable for all ages.

“Mission Dolores Basilica Choir’s 18th Candlelight Christmas Concert” Mission Dolores Basilica, 3321 16th St; 621-8203, www.missiondolores.org. Sun, 5pm. $15-$25. The choir will perform a stirring and inspiring experience that promises to be the perfect way to usher in the season.

“Monday Night ForePlays” Studio250, Off-Market, 965 Mission; www.pianofight.com. Mon, 8pm. Through Dec 21. $20. PinaoFight’s female-driven variety show extends into December with new sketches, dance numbers, and musical performances.

New Zealand Choir and Orchestra St. Mary’s Cathedral, 1111 Gough; 567-2020 ext 213, www.cathedral.org.nz. Tues, 7:30pm. 50 members of the Choir and Orchestra of the Cathedral of the Blessed Sacrament, Christchurch, New Zealand, will present Part One of Handel’s Messiah.

“Nocturnal Butterflies” Z Space at Theater Artaud, 450 Florida; (434) 535-2896, www.avykproductions.com. Thurs-Sat, 8pm. Check Web for price. Erika Tsimbrovsky/Avy K Productions presents this multimedia dance performance dedicated to Vaslav Nijinsky.

“The Whirling Dervishes” Palace of Fine Arts Theatre, 3301 Lyon; 563-6504, www.palaceoffinearts.org. Fri, 8pm. $25-$45. California Institute of Integral Studies presents these master musicians from Turkey led by Jelaleddin Loras.

“Tony and Tina’s Wedding” Hornblowre Cruises. 788-8866, www.hornblower.com. $25-$129. Fri, 7:30pm. Hornblower hosts the popular Italian-wedding themed dinner theater show.

BAY AREA

Cantare Con Vivo Merritt College Student Lounge, 12500 Campus Drive, Oakl; www.cantareconvivo.org. Sat, 5 and 7:30pm. $50. The 23-voice Cantare Chamber Ensemble will present an array of Christmas art songs, soothing lullabies, and festive carols while listeners enjoy a catered dinner by candlelight.

“The Christmas Revels” Scottis Rite Theater, 1547 Lakeside, Oakl; (510) 452-8800, www.calrevels.org. Fri, 7:30pm; Sat-Sun, 1 and 5pm. Through Dec 20. $12-$50. Experience the music, dance, and folklore of 19th century Bavaria with this beloved Bay Area holiday tradition.

“Clerestory: Cancion de Navidad” St. Mark’s Episcopal Church, 2300 Bancroft, Berk; clerestory.org. Sat, 8pm. (Also Sun in SF). $10-$17. The Bay Area’s acclaimed male vocal ensemble performs festive Christmas songs and familiar carols from Spain and the Americas.

“Hubba Hubba Revue” Uptown, 1928 Telegraph, Oakl; www.hubbahubbarevue.com. Mon, 10pm. Ongoing. $5. Scantily clad ladies shake their stuff at this weekly burlesque showcase.

“Let Us Break Bread Together” Paramount Theatre, 2025 Broadway, Oakl; (510) 836-1981, www.oebs.org. Sun, 4pm. $10-$40. Oakland East Bay Symphony presents its annual holiday concert.

“Old Chestnuts, New Fire!” St. Paul’s Episcopal Church, 114 Montecito, Oakl; 979-5779, www.stpaulsoakland.org. Sun, 4pm. $19-$30. San Francisco Choral Artists present a tantalizing alternative to traditional December choral concerts.

“Special Centennial Christmas Concert” First Church of Christ, Scientist, 2619 Dwight, Berk; www.1stchurchberkeley.org. Sun, 2:30pm. Free. Organist William Ludtke, three soloists, the chamber choir, and hand bell quartet will celebrate Bernard Maybeck’s masterpiece church building with a full scale Christmas concert.

“Traditional Marimba” La Pena Cultural Center, 3105 Shattuck, Berk; (510) 849-2568, www.anaitmar.com. Sat, 7:30pm. $12-$15. Singer Ana Nitmar and Guatemalan Folkoric Dance Groups perform traditional marimba music at this event also featuring a nativity scene exhibit and holiday drinks.

COMEDY

Annie’s Social Club 917 Folsom, SF; www.sfstandup.com. Tues, 6:30pm, ongoing. Free. Comedy Speakeasy is a weekly stand-up comedy show with Jeff Cleary and Chad Lehrman.

“Big City Improv” Shelton Theater, 533 Sutter; (510) 595-5597, www.bigcityimprov.com. Fri, 10pm, ongoing. $15-$20. Big City Improv performs comedy in the style of “Whose Line Is It Anyway?”

Brainwash 1122 Folsom; 861-3663. Thurs, 7pm, ongoing. Free. Tony Sparks hosts San Francisco’s longest running comedy open mike.

Club Deluxe 1511 Haight; 552-6949, www.clubdeluxesf.com. Mon, 9pm, ongoing. Free. Various local favorites perform at this weekly show.

Clubhouse 414 Mason; www.clubhousecomedy.com. Prices vary. Scantily Clad Comedy Fri, 9pm. Stand-up Project’s Pro Workout Sat, 7pm. Naked Comedy Sat, 9pm. Frisco Improv Show and Jam Sun, 7pm. Ongoing.

Cobbs 915 Columbus; 928-4320. Fri-Sat, 8 and 10:15pm. $22.50. Featuring Greg Giraldo from “Friday Night Stand-Up” and “Root of All Evil.”

“Comedy Master Series” Blue Macaw, 2565 Mission; www.comedymasterseries.com. Mon, 6pm. Ongoing. $20. The new improv comedy workshop includes training by Debi Durst, Michael Bossier, and John Elk.

“Comedy on the Square” SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm, through Dec. Tony Sparks and Frisco Fred host this weekly stand-up comedy showcase.

“Comedy Returns” El Rio, 3158 Mission; www.koshercomedy.com. Mon, 8pm. $7-$20. Comedian/comedy producer Lisa Geduldig presents this weekly multicultural, multi-everything comedy show.

Danny Dechi & Friends Rockit Room, 406 Clement; 387-6343. Tues, 8pm. Ongoing. Free.

“Improv Society” Shelton Theater, 533 Sutter; www.improvsociety.com. Sat, 10pm, ongoing, $15. Improv Society presents comic and musical theater.

Punch Line San Francisco 444 Battery; www.punchlinecomedyclub.com. Check Website for times and prices.

Purple Onion 140 Columbus; 1-800-838-3006, www.purpleonionlive.com. Call for days and times.

Rrazz Room Hotel Nikko, 222 Mason; (866) 468-3399, www.therrazzroom.com."

“Raw Stand-up Project” SFCC, 414 Mason, Fifth Flr; www.sfcomedycollege.com. Sat, 7pm, ongoing. “Scott Capurro” SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. Sun, 7:30pm. $20. The stand up comic and star of She Stoops to Comedy presents this one-night-only event.

BAY AREA “Bill Santiago’s The Immaculate Big Bang” La Pena Cultural Center, 3105 Shattuck, Berk; www.billsantiago.com. Fri, 8pm. $10-$12. Comedian Bill Santiago goes in search of God. “Comedy Off Broadway Oakland” Washington Inn, 495 10th St, Oakl; (510) 452-1776, www.comedyoffbroadwayoakland.com. Fri, 9pm. Ongoing. $8-$10. Comedians featured on Comedy Central, HBO, BET, and more perform every week. SPOKEN WORD Anselm Berrigan with Norma Cole City Lights Bookstore, 261 Columbus; 362-1901, www.citylights.com. Thurs, 7pm. The poet will read from Free Cell. “Does the Secret Mind Whisper” Koret Auditorium, 100 Larkin. Sun, 1pm. Free. Justin Desmangles hosts a celebration of the life, mission, and legacy of poet Bob Kaufman. Writers with Drinks Make-Out Room, 3225 22nd St; www.writerswithdrinks.com. Sat, 7:30pm. $3-$5. Charlie Jane Anders hosts this monthly event, this time featuring Dan Fante, Joshua Mohr, Mark Coggins, Mollena Williams, and Seanan McGuire.

Stage Listings

0

Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Picks. For the complete listings, go to www.sfbg.com.
THEATER

OPENING

Better Homes and Ammo (a post apocalyptic suburban tale) EXIT Stage Left, 156 Eddy; www.brownpapertickets.com/event/86070. $15-$19. Opens Thurs/3. Runs Thurs-Sat, 8pm. Through Dec 19. No Nude Men Productions presents the end-of-the-world premiere of sketchy comedy veteran Wylie Herman’s first full length play.
A Christmas Carol American Conservatory Theater, 415 Geary; 749-2228, www.act-sf.org. $14-$102. Previews Thurs/3-Sun/6. Opens Tues/8. Days and times vary. Through Dec 27. A.C.T. presents the sparkling, music-infused celebration of goodwill by Charles Dickens.
Dames at Sea New Conservatory Theatre Center, 25 Van Ness; 861-8972, www.nctcsf.org. $22-$40. Previews Fri/4-Dec 11. Opens Dec 12. Runs Wed-Sat, 8pm; Sun, 2pm. Through Jan 17. NCTC presents the Off-Broadway musical hit.
I <Heart> SF South of Market home stage, 505 Natoma; (800) 838-3006, www.boxcartheatre.org. Opens Thurs/3. Runs Thurs-Sat, 8pm. Through Dec 19. Boxcar Theatre presents an improvised unabashed stage poem to all things San Francisco.
Santaland Diaries Off Market Theater, 965 Mission; (800) 838-3006, www.brownpapertickets.com/event/89315. $25. Opens Wed/2. Runs Mon-Sun, 8 and 10pm. Through Dec 30. Combined Artform and Beck-n-Call present the annual production of David Sedaris’ story, starring John Michael Beck and David Sinaiko.

Bay Area
Aurelia’s Oratorio Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; (510) 647-2949, berkeleyrep.org. $33-$71. Previews Fri/4, Sat/5, Sun/6, and Tues/8. Opens Dec 9. Runs Tues, Thurs, Fri, and Sat, 8pm; Wed, 7pm; Sun, 2 and 7pm. Through Jan 24. Berkeley Rep presents Victoria Thierree Chaplin’s dazzling display of stage illusion.
The Threepenny Opera Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $18-$30. Previews Thurs/3-Fri/4. Opens Sat/5. Runs Thurs-Sat, 8pm; Sun, 5pm. Through Jan 17. Wednesday performances begin Jan 6. Shotgun Players present Bertolt Brecht’s beggar’s opera.

 

ONGOING

Bare Nuckle Brava Theater, 2781 24th St; 647-2822, www.brava.org. $15. Thurs/3, 8pm. Brava Theater presents a solo theater performance written and performed by Anthem Salgado and directed by Evren Odcikin.
Beautiful Thing New Conservatory Theatre Center, 25 Van Ness; 861-8972. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 3. New Conservatory Theatre Center performs Jonathan Harvey’s story of romance between two London teens.
Cotton Patch Gospel Next Stage, 1620 Gough; (800) 838-3006, www.custommade.org. $10-$28. Thurs-Sat, 8pm; Sun, 7pm. Through Dec 19. Custom Made presents Harry Chapin’s progressive and musically joyous look at the Jesus story through a modern lens.
*East 14th Marsh, 1062 Valencia; 1-800-838-3006, www.themarsh.org. $20-35. Fri, 9pm; Sat, 8:30pm. Through Dec 19. Don Reed’s solo play returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland. (Avila)
I Heart Hamas: And Other Things I’m Afraid to Tell You Off Market Theaters, 965 Mission; www.ihearthamas.com. $20. Thurs and Sat, 8pm. Through Dec 12. Jennifer Jajeh’s play is decidedly not a history lesson on the colonial project known as “the Israeli-Palestinian conflict” or, for that matter, Hamas. But as the laudably mischievous title suggests, Jajeh is out to upset some staid opinions, stereotypes and confusions that carry increasingly significant moral and political consequences for us all. (Avila)
Jubilee Eureka Theatre, 215 Jackson; 255-8207, www.42ndstmoon.org. $34-$44. Wed, 7pm; Thurs-Fri, 8pm; Sat, 6pm; Sun, 3pm. Through Dec 13. 42nd Street Moon presents this tune-filled 1935 musical spoof of royalty, revolution, and ribald rivalries.
Let It Snow! SF Playhouse Stage 2, 533 Sutter; 677-9596, www.sfplayhouse.org. $8-$20. Thurs-Fri, 8pm; Sat, 3 and 8pm. Through Dec 19. The Un-scripted Theater Company lovingly presents an entirely new musical every night based on audience participation.
The Life of Brian Dark Room Theater, 2263 Mission; 401-7987, darkroomsf.com. $20. Fri-Sat, 8pm. Through Dec 19. The Dark Room Theater presents a movie parody turned into a theatrical parody.
*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs, 8pm; Sat, 5pm. Through Dec 12. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. (Avila)
“The Me, Myself and I Series” Brava Theater, 2781 24th St; 647-2822, www.brava.org. Days, times, and ticket prices vary. Runs through Thurs/3. Four different tales from theatre/performance artists like D’Lo, Jeanne Haynes, Rachel Parker, and Anthem Salgado will surprise and awaken your imagination.
Ovo Grand Chapiteau, AT&T Park; (800) 450-1480, www.cirquedusoleil.com. $45.50-$135. Tues-Thurs, 8pm; Fri-Sat, 4 and 8pm; Sun, 1 and 5pm. Through Jan 24. Cirque du Soleil presents its latest big top touring production.
Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through Jan 23. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.
Pulp Scripture Off Market Theater, 965 Mission; www.pulpscripture.com. $20. Sat, 10:30pm; Sun, 4pm. Through Dec 13. Original Sin Productions and PianoFight bring the bad side of the Good Book back to live in William Bivins’ comedy.
“ReOrient 2009” Thick House, 1695 18th St; 626-4061, www.goldenthread.org. $12-$25. Thurs-Sat, 8pm; Sun, 5pm. Through Dec 13. Golden Thread Productions celebrates the tenth anniversary of its festival of short plays exploring the Middle East.
She Stoops to Comedy SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Jan 9. SF Playhouse continues their seventh season with the Bay Area premiere of David Greenspan’s gender-bending romp.
“Stateless” Jewish Theatre, 470 Florida; 292-1233, www.tjt-sf.org. $15-$18. Thurs/3-Sat/5, 8pm; Sun/6, 7pm. Zeek presents poetry, hosted by Dan Wolf and Joanna Steinhardt.
Who’s Afraid of Virginia Woolf? Actors Theatre of SF, 855 Bush; 345-1287, www.actorstheatresf.org. $26-$40. Thurs-Sat, 8pm; Sun, 2pm. Through Dec 19. Before throwing around terms like “dysfunctional, bi-polar, codependent,” to describe the human condition became fodder for every talk show host and reality TV star, people with problems were expected to keep them tight to the chest, like war medals, to be brought out in the privacy of the homestead for the occasional airing. For George and Martha, the sort of middle-aged, academically-entrenched couple you might see on any small University campus, personal trauma is much more than a memory—it’s a lifestyle, and their commitment to receiving and inflicting said trauma is unparalleled. The claws-out audacity of mercurial Martha (Rachel Klyce) is superbly balanced by a calmly furious George (Christian Phillips), and their almost vaudevillian energy easily bowls over boy genius Biologist, Nick (Alessandro Garcia) and his gormless, “slim-hipped” wife Honey (Jessica Coghill), who at times exhibit such preternatural stillness they seem very much like the toys their game-playing hosts are using them as to wage their private war of attrition; their nervous reactions, though well-timed, coming off as mechanical in comparison to the practiced ease with which Klyce and Phillips relentlessly tear down the walls of illusion. But thanks to George and Martha’s menacing intensity, and self-immoutf8g love, this Virginia Woolf does not fail to hold the attentions of its audience captive, despite being a grueling (though never tedious) three-and-a-half hours long. (Gluckstern)
Bay Area
*Boom Marin Theatre Company, 397 Miller Ave, Mill Valley; 388-5208, www.marinthetre.org. $31-$51. Thurs/3-Sat/5, 8pm; Wed/2, 7:30pm; Sun/6, 7pm. Marin Theatre Company presents the Bay Area premiere of Peter Sinn Nachtrieb’s explosive comedy about the end of the world.
*FAT PIG Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Tues, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Dec 13. Playwright Neil LaBute has a reputation for cruelty—or rather the unflinching study thereof—but as much as everyday sociopathy is central to Fat Pig, this fine, deceptively straightforward play’s real subject is human frailty. (Avila)
*Large Animal Games La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm. Through Dec 12. Impact Theatre co-presents (with Atlanta’s Dad’s Garage) the world premiere of a new play by Atlanta-based Steve Yockey. (Avila)

PERFORMANCE

“An Old Fashioned Christmas” Old First Church, 1751 Sacramento; 474-1608, www.oldfirstchurch.org. Sat, 4pm. $12-$15. The internationally acclaimed Ragazzi Boys Chorus performs haunting and mysterious classics alongside sing-along carols.
Anonymous 4 Herbst Theatre, 401 Van Ness; 398-6449, www.performances.org. Thurs, 8pm. $32-$42. The a cappella group performs medieval English carols and American Christmas songs.
“Body Music Festival” Various SF and East Bay venues. www.crosspulse.com. Through Sun, various times and prices. Keith Terry and Crosspulse present the second annual six-day global event featuring concerts, workshops, teacher trainings, and open mics.
“A Brass and Organ Christmas” Grace Cathedral, 1100 California; 749-6364, gracecathedral.org. Mon, 7pm. $15-$50. The best of Bay Area brass brings down the house in this annual holiday fest.
Golden Gate Boys Choir and Bellringers Cristo Rey Monastery, 721 Parker; www.ggbc.org. Sun, 2pm.  Free. The Golden Gate Boys Choir and Bellringers perform a special Christmas concert.
“KML’s Holidays with Class” Intersection for the Arts, 446 Valencia; killingmylobster.com. Fri-Sun, 8pm. $15. Killing My Lobster presents a staged reading of holiday-themed comedic sketches written by alums of KML’s writing classes.
“Joy to the World!” MCC, 150 Eureka; www.brownpapertickets.com/event/85853. Fri, 8pm. $20. Gay Asian Pacific Alliance presents GAPA Men’s Chorus in a global, multilingual holiday concert featuring Likha Pilipino Folk Ensemble and the Likha Rondalla string ensemble.
“Left Coast Leaning Festival” Yerba Buena Center for the Arts Forum, 701 Mission; 978-2787, www.ybca.org. Thurs-Sat, 8pm. $10-$35. Youth Speaks’ Living Word Project and YBCA present a three-day festival celebrating West Coast dance, theater, and music.
Magnificat St. Mark’s Lutheran Church, 1111 O’Farrell; www.magnificatbaroque.com. Sun, 4pm. $12-$35. Magnificat invites you to explore the new music of the Early Baroque.
“Return of the Sun” San Francisco Jewish Community Center, 3200 California; 292-1233, www.jccsf.org. Sat, 11 and 2pm. $15-$22. Brenda Wong Aoki, Mark Izu, and World Arts West present a masterful blend of dynamic storytelling, music, and dance.
“Rockin’ the Gay 50s” Victoria Theatre, 2961 16th St; www.gracelandgirls.com. Sat, 8pm. Sun, 2pm. $8-$20. The Graceland Girls present this funny satire on gay adolescence in the 50s, the way many wish it had been.

Stage listings

0

Stage listings are compiled by Molly Freedenberg. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Jubilee Eureka Theatre, 215 Jackson; 255-8207, www.42ndstmoon.org. $34-$44. Opens Wed/25, 7pm. Runs Wed, 7pm; Thurs-Fri, 8pm; Sat, 6pm; Sun, 3pm. 42nd Street Moon presents this tune-filled 1935 musical spoof of royalty, revolution, and ribald rivalries.

The Life of Brian Dark Room Theater, 2263 Mission; 401-7987, darkroomsf.com. $20. Opens Fri/27, 8pm. Runs Fri-Sat, 8pm. Through Dec 19. The Dark Room Theater presents a movie parody turned into a theatrical parody.

Ovo Grand Chapiteau, AT&T Park; (800) 450-1480, www.cirquedusoleil.com. $45.50-$135. Opens Fri/27, 4 and 8pm. Runs Tues-Thurs, 8pm; Fri-Sat, 4 and 8pm; Sun, 1 and 5pm. Through Jan 24. Cirque du Soleil presents its latest big top touring production.


ONGOING

Bare Nuckle Brava Theater, 2781 24th St; 647-2822, www.brava.org. $15. Nov 29, 3pm; Dec 1, 7pm; and Dec 3, 8pm. Brava Theater presents a solo theater performance written and performed by Anthem Salgado and directed by Evren Odcikin.

Beautiful Thing New Conservatory Theatre Center, 25 Van Ness; 861-8972. $22-40. Wed-Sat, 8pm; Sun, 2pm. Through Jan 3. New Conservatory Theatre Center performs Jonathan Harvey’s story of romance between two London teens.

Cotton Patch Gospel Next Stage, 1620 Gough; (800) 838-3006, www.custommade.org. $10-$28. Thurs-Sat, 8pm; Sun, 7pm. Through Dec 19. Custom Made presents Harry Chapin’s progressive and musically joyous look at the Jesus story through a modern lens.

*East 14th Marsh, 1062 Valencia; 1-800-838-3006, www.themarsh.org. $20-35. Fri, 9pm; Sat, 8:30pm. Through Dec 19. Don Reed’s solo play, making its local premiere at the Marsh after an acclaimed New York run, is truly a welcome homecoming twice over. It returns the Bay Area native to the place of his vibrant, physically dynamic, consistently hilarious coming-of-age story, set in 1970s Oakland between two poles of East 14th Street’s African American neighborhood: one defined by his mother’s strict ass-whooping home, dominated by his uptight Jehovah’s Witness stepfather; the other by his biological father’s madcap but utterly non-judgmental party house. The latter—shared by two stepbrothers, one a player and the other flamboyantly gay, under a pimped-out, bighearted patriarch whose only rule is "be yourself"—becomes the teenage Reed’s refuge from a boyhood bereft of Christmas and filled with weekend door-to-door proselytizing. Still, much about the facts of life in the ghetto initially eludes the hormonal and naïve young Reed, including his own flamboyant, ever-flush father’s occupation: "I just thought he was really into hats." But dad—along with each of the characters Reed deftly incarnates in this very engaging, loving but never hokey tribute—has something to teach the talented kid whose excellence in speech and writing at school marked him out, correctly, as a future "somebody." (Avila)

Eccentrics of San Francisco’s Barbary Coast: A Magical Escapade San Francisco Magic Parlor, Chancellor Hotel Union Square, 433 Powell; 1-800-838-3006. $30. Fri-Sat, 8pm. Ongoing. This show celebrates real-life characters from San Francisco’s colorful and notorious past.

*First Day of School SF Playhouse, 533 Sutter; sfplayhouse.org. Check Website for dates and prices. Through November. Good sex comedy should surprise you with how long it can keep its premise up and satisfying. By that measure, Billy Aronson’s new farce, First Day of School, is a humdinger. But it gets A’s in other departments too, like playing well with others, and having something interesting to say when the panting stops. SF Playhouse’s world premiere packs a very solid, comically lithesome bunch of actors on its intimate middle-class, middle age, middle school sofa, where unexpectedly open-minded married couple Susan (Zehra Berkman) and David (Bill English) have forthrightly invited some fellow parents home for some "other people" action on the first day of school—the only calendar day not completely scheduled, managed, harried and over-determined in anyone’s modern suburban calendar. Susan has asked Peter (Jackson Davis), instantly reducing him to a quivering bowl of horny and guilt-laden jello, while good-natured hubby David has coaxed an equally neurotic lawyer-mom, Alice (Stacy Ross), over to his son’s room down the hall. David is temporarily flummoxed, however, by the social challenge of having his first choice, the vivaciously self-righteous Kim (Marcia Pizzo), change her mind and show up after all. Parents today&ldots; It’s all winningly helmed by Chris Smith, whose last effort with SF Playhouse, Abraham Lincoln’s Big Gay Dance Party, was another world premiere with inspiration extending well beyond the title. (Avila)

I Heart Hamas: And Other Things I’m Afraid to Tell You Off Market Theaters, 965 Mission; www.ihearthamas.com. $20. Thurs and Sat, 8pm. Through Dec 12. An American woman of Palestinian descent, San Francisco actor Jennifer Jajeh grew up with a kind of double consciousness familiar to many minorities. But hers—conflated and charged with the history and politics of the Middle East—arguably carried a particular burden. Addressing her largely non–Middle Eastern audience in a good-natured tone of knowing tolerance, the first half of her autobiographical comedy-drama, set in the U.S., evokes an American teen badgered by unwelcome difference but canny about coping with it. The second, set in her ancestral home of Ramallah, is a journey of self-discovery and a political awakening at once. The fairly familiar dramatic arc comes peppered with some unexpected asides—and director W. Kamau Bell nicely exploits the show’s potential for enlightening irreverence (one of the cleverer conceits involves a "telepathic Q&A" with the audience, premised on the predictable questions lobbed at anyone identifying with "the other"). The play is decidedly not a history lesson on the colonial project known as "the Israeli-Palestinian conflict" or, for that matter, Hamas. But as the laudably mischievous title suggests, Jajeh is out to upset some staid opinions, stereotypes and confusions that carry increasingly significant moral and political consequences for us all. (Avila)

Let It Snow! SF Playhouse Stage 2, 533 Sutter; 677-9596, www.sfplayhouse.org. $8-$20. Thurs-Fri, 8pm; Sat, 3 and 8pm. Through Dec 19. The Un-scripted Theater Company lovingly presents an entirely new musical every night based on audience participation.

*Loveland The Marsh, 1074 Valencia; 826-5750, www.themarsh.org. $15-$50. Thurs, 8pm; Sat, 5pm. Through Dec 12. Los Angeles–based writer-performer Ann Randolph returns to the Marsh with a new solo play partly developed during last year’s Marsh run of her memorable Squeeze Box. Randolph plays loner Frannie Potts, a rambunctious, cranky and libidinous individual of decidedly odd mien, who is flying back home to Ohio after the death of her beloved mother. The flight is occasion for Frannie’s own flights of memory, exotic behavior in the aisle, and unabashed advances toward the flight deck brought on by the seductively confident strains of the captain’s commentary. The singular personality and mother-daughter relationship that unfurls along the way is riotously demented and brilliantly humane. Not to be missed, Randolph is a rare caliber of solo performer whose gifts are brought generously front and center under Matt Roth’s reliable direction, while her writing is also something special—fully capable of combining the twisted and macabre, the hilariously absurd, and the genuinely heartbreaking in the exact same moment. Frannie Potts’s hysteria at 30,000 feet, as intimate as a middle seat in coach (and with all the interpersonal terror that implies), is a first-class ride. (Avila)

"The Me, Myself and I Series" Brava Theater, 2781 24th St; 647-2822, www.brava.org. Days, times, and ticket prices vary. Runs through Dec. 3. Four different tales from theatre/performance artists like D’Lo, Jeanne Haynes, Rachel Parker, and Anthem Salgado will surprise and awaken your imagination.

Pearls Over Shanghai Hypnodrome, 575 Tenth St.; 1-800-838-3006, www.thrillpeddlers.com. $30-69. Sat, 8pm; Sun, 7pm. Through Jan. 23. Thrillpeddlers presents this revival of the legendary Cockettes’ 1970 musical extravaganza.

Pulp Scripture Off Market Theater, 965 Mission; www.pulpscripture.com. $20. Sat, 10:30pm; Sun, 4pm. Through Dec 13. Original Sin Productions and PianoFight bring the bad side of the Good Book back to live in William Bivins’ comedy.

Rabbi Sam The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $25-$50. Sat, 8pm; Sun, 7pm. Through Dec 12. Charlie Varons’ runaway hit show returns to the Marsh.

"ReOrient 2009" Thick House, 1695 18th St; 626-4061, www.goldenthread.org. $12-$25. Thurs-Sat, 8pm; Sun, 5pm. Through Dec 13. Golden Thread Productions celebrates the tenth anniversary of its festival of short plays exploring the Middle East.

Shanghai San Francisco One Telegraph Hill; 1-877-384-7843, www.shanghaisanfrancisco.com. $40. Sat, 1pm. Ongoing. To be Shanghaied: "to be kidnapped for compulsory service aboard a ship&ldots;to be induced or compelled to do something, especially by fraud or force". Once the scene of many an "involuntary" job interview, San Francisco’s Barbary Coast is now the staging ground for Shanghai San Francisco, a performance piece slash improv slash scavenger hunt through the still-beating hearts of North Beach and Chinatown, to the edge of the Tendernob. Beginning at the base of Coit Tower, participants meet the first of several characters who set up the action and dispense clues, before sending the audience off on a self-paced jaunt through the aforementioned neighborhoods, induced and compelled (though not by force) to search for a kidnapped member of the revived San Francisco Committee of Vigilance. It’s a fine notion and a fun stroll on a sunny afternoon, but ultimately succeeds far better as a walking tour than as theatre. Because the actors are spread rather thinly on the ground, they’re unable to take better advantage of their superior vantage by stalking groups a little more closely, staging distractions along the way, and generally engaging the audience as such a little more frequently. But since Shanghai San Francisco is a constantly evolving project, maybe next time they’ll do just that. (Gluckstern)

She Stoops to Comedy SF Playhouse, 533 Sutter; 677-9596, www.sfplayhouse.org. $30-$40. Tues, 7pm; Wed-Fri, 8pm; Sat, 3 and 8pm. Through Jan 9. SF Playhouse continues their seventh season with the Bay Area premiere of David Greenspan’s gender-bending romp.

Tings Dey Happen Marines Memorial Theater, 609 Sutter; 771-6900, www.marinesmemorialtheatre.com. $35-45. Check website for schedule. Through Sun/29. Dan Hoyle’s solo show about his year studying the West African oil frontier returns for a limited run.

Under the Gypsy Moon Teatro ZinZanni, Pier 29; 438-2668, www.zinzanni.org. $117-$145. Wed-Sat, 6pm; Sun, 5pm. Through Jan 1. Teatro ZinZanni presents a bewitching evening of European cabaret, cirque, theatrical spectacle, and original live music, blended with a five-course gourmet dinner.

Who’s Afraid of Virginia Woolf? Actors Theatre of SF, 855 Bush; 345-1287, www.actorstheatresf.org. $26-$40. Thurs-Sat, 8pm; Dec 6, 2pm. Through Dec 19. Actors Theatre of SF presents Edward Albee’s classic.

Wicked Orpheum Theatre, 1182 Market; 512-7770, www.shnsf.com. $30-$99. Tues, 8pm; Wed, 2pm; Thurs-Fri, 8pm; Sat, 2 and 8pm; Sun, 2pm. Ongoing. Assuming you don’t mind the music, which is too TV-theme–sounding in general for me, or the rather gaudy décor, spectacle rules the stage as ever, supported by sharp performances from a winning cast. (Avila)


BAY AREA

*Boom Marin Theatre Company, 397 Miller Ave, Mill Valley; 388-5208, www.marinthetre.org. $31-$51. Tues, Thurs-Sat, 8pm; Wed, 7:30pm; Sun, 7pm. Through Dec 6. Marin Theatre Company presents the Bay Area premiere of Peter Sinn Nachtrieb’s explosive comedy about the end of the world.

*FAT PIG Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. $15-$55. Tues, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Through Dec 13. Playwright Neil LaBute has a reputation for cruelty—or rather the unflinching study thereof—but as much as everyday sociopathy is central to Fat Pig, this fine, deceptively straightforward play’s real subject is human frailty: the terrible difficulty of being good when it means going decidedly against the values and opinions of your peers. Aurora Theatre’s current production makes the point with satirical flair and insight, animated by a faultless ensemble directed with snap and fire by Barbara Damashek. A conventionally handsome businessman named Tom (a brilliantly canny, vulnerable and sympathetic Jud Williford) falls for a bright, beautiful woman of more than average size named Helen (Liliane Klein, radiantly reprising the role after a production for Boston’s Speakeasy Stage). It’s the most important relationship either has had. Alone together they’re very happy. At work, however, Tom contends with relentless pressure from his coworkers, Carter (a penetrating Peter Ruocco, savoring the sadism of the locker room) and onetime dating partner Jeannie (Alexandra Creighton, devastatingly sharp at being semi-hinged). As ambivalent as Tom is about both, he feebly attempts to hide his new love from them. The separation of public and private selves leads to conflict, and the plot will turn on how Tom resolves it. Needless to say, the title’s inherent viciousness points not at Helen—by far the most advanced personality on stage—but at those who would intone the phrase as well as those, like Tom, who tacitly let it work its dark magic. (Avila)

*Large Animal Games La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $10-20. Thurs-Sat, 8pm (no show Nov 26). Through Dec 12. Impact Theatre co-presents (with Atlanta’s Dad’s Garage) the world premiere of a new play by Atlanta-based Steve Yockey. The 75-minute comedy mingles three separate subplots among a group of friends, all refracted through a mysterious lingerie shop run by an affable, somewhat impish tailor (Jai Sahai) offering new skins for exploring inner selves. There’s the spoiled rich-girl (Marissa Keltie) horrified to discover her perfect fiancé’s (Timothy Redmond) secret penchant for donning feminine undergarments; a pair of best friends (Cindy Im and Elissa Dunn) who fall out over the sexy no-English matador-type (Roy Landaverde) one brings home from a Spanish holiday; and there’s an African American woman (Leontyne Mbele-Mbong) who goes on an African safari as the logical extension of her obsession with guns. Briskly but shrewdly directed by Melissa Hillman, the agreeable cast knows what to do with Yockey’s well-honed, true-to-life repartee. The play has a touch of the magical dimension familiar to audiences who saw Skin or Octopus (both produced by Encore Theatre) but it operates here in a less self-conscious, more lighthearted way, while still nicely augmenting the subtly related themes of animal-lust, competition, self-image and possession cleverly at work under the frilly, scanty surface. (Avila)

"Shakes ‘Super’ Intensive + Bronte Series" Berkeley Unitarian Fellowship, 1924 Cedar, Berk; (510) 275-3871. $8. Mon, 7:30pm, through Dec. 14. Subterranean Shakespeare presents weekly staged readings of classic Shakespeare plays, followed by a staged reading of Jon O’Keefe’s complete play about the Bronte sisters.

Tiny Kushner Berkeley Repertory Theatre, Thrust Stage, 2025 Addison, Berk; (510) 647-2949, berkeleyrep.org. $27-$71. Fri/27, 8pm; Wed/25, 7pm; Thurs/26 and Sat/28, 2 and 8pm; Sun/29, 2 and 7pm. Berkeley Rep presents the West Coast premiere of Tony Kushner’s series of short scripts.

The Wizard of Oz Julia Morgan Center for the Arts, 2640 College Ave, Berk; (510) 845-8542, www.berkeleyplayhouse.org. $19-$28. Berkeley Playhouse presents this adaptation of the classic musical theater piece.


DANCE

"Heart of the Mission Dance" Abada Capoeira Center, 3221 22nd St; www.missiondance.net. Sun, 9:30am. Ongoing. $13. Join a new 5-rhythm ecstatic dance company for a revitalizing world-music-inspired Sunday morning dance journey every week.

"The Velveteen Rabbit" Novellus Theater, Yerba Buena Center for the Arts, 700 Howard; 978-2787, www.ybca.org. Through Dec 13. $10-$45. This year’s installment of a favorite Bay Area holiday tradition features dancing by ODC/Dance, recorded narration by Geoff Hoyle, design by Brian Wildsmith, and a musical score by Benjamin Britten.


PERFORMANCE

BATS Improv Theatre Bayfront Theater, Fort Mason Center; 474-6776, www.improv.org. Fri-Sat, 8pm. $17-$28. This three-round improv competition pits two teams squaring off each night and performing improvised games, songs, or scenes.

"Bijou" Martuni’s, Four Valencia; 241-0205, www.dragatmartunis.com. Sun, 7pm. $5. An eclectic weekly cabaret.

"Body Music Festival" Various SF and East Bay venues. www.crosspulse.com. Dec 1-6, various times and prices. Keith Terry and Crosspulse present the second annual six-day global event featuring concerts, workshops, teacher trainings, and open mics.

On Broadway Dinner Theater 435 Broadway; 291-0333, www.broadwaystudios.com. Thurs-Sat, 7pm. Ongoing. SF’s most talented singers, artists, and performers combine interactive shows with dining and dessert.

"Concerto Italiano" Herbst Theater, 401 Van Ness; 864-3330, www.sfopera.com. Sat, 7pm. $30-$55. The San Francisco Opera Orchestra will perform a concert in honor of the 30th anniversary of Museo ItaloAmericano.

Full Spectrum Improvisation The Marsh, 1062 Valencia; 564-4115, www.themarsh.org. Tues, 7:30pm. $10-$15. Lucky Dog Theatre performs in its ongoing series of spontaneous theatre shows.

Golden Gate Boys Choir and Bellringers Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. Mon, 7:30pm, free. Aurora Theatre Company presents the second meeting of the season with a reading of Tennesse Williams’ Cat on a Hot Tin Roof and a discussion of Neil LaBute’s Fat Pig.

"The Greatest Bubble Show on Earth" The Marsh, 1062 Valencia; (800) 838-3006, www.themarsh.org. $7-$10. Nov 27-29 and Dec 6, 1pm. The Marsh Presents Louis Pearl, the Amazing Bubble Man, in this fun show suitable for all ages.

"Kickin’ Off the Holidays Dance Party" Zeum, 221 Fourth St; www.zeum.org. Sun, 1 and 3pm, $18. Candy and the Sweet Tooths celebrate their CD release with two concerts of their popular repertoire plus two new holiday songs.

"Otello" San Francisco Opera War Memorial House, 301 Van Ness; 864-3330, sfopera.com. Wed, 7:30pm; Sun, 2pm. Through Dec 2. SF Opera presents Giuseppe Verdi’s classic, directed by Nicola Luisotti.


BAY AREA

"Aurora Script Club" Aurora Theatre, 2081 Addison, Berk; (510) 843-4822, auroratheatre.org. Mon, 7:30pm, free. Aurora Theatre Company presents the second meeting of the season with a reading of Tennesse Williams’ Cat on a Hot Tin Roof and a discussion of Neil LaBute’s Fat Pig.

"Hubba Hubba Revue" Uptown, 1928 Telegraph, Oakl; www.hubbahubbarevue.com. Mon, 10pm. Ongoing. $5. Scantily clad ladies shake their stuff at this weekly burlesque showcase.


COMEDY

Annie’s Social Club 917 Folsom, SF; www.sfstandup.com. Tues, 6:30pm, ongoing. Free. Comedy Speakeasy is a weekly stand-up comedy show with Jeff Cleary and Chad Lehrman.

"Big City Improv" Shelton Theater, 533 Sutter; (510) 595-5597, www.bigcityimprov.com. Fri, 10pm, ongoing. $15-$20. Big City Improv performs comedy in the style of "Whose Line Is It Anyway?"

Brainwash 1122 Folsom; 861-3663. Thurs, 7pm, ongoing. Free. Tony Sparks hosts San Francisco’s longest running comedy open mike.

Club Deluxe 1511 Haight; 552-6949, www.clubdeluxesf.com. Mon, 9pm, ongoing. Free. Various local favorites perform at this weekly show.

Clubhouse 414 Mason; www.clubhousecomedy.com. Prices vary. Scantily Clad Comedy Fri, 9pm. Stand-up Project’s Pro Workout Sat, 7pm. Naked Comedy Sat, 9pm. Frisco Improv Show and Jam Sun, 7pm. Ongoing. Note: Clubhouse will host no classes or shows Nov. 24-26.

Cobbs 915 Columbus; 928-4320. Featuring Henry Cho Fri-Sat, 8pm and 10:15pm.

"Comedy Master Series" Blue Macaw, 2565 Mission; www.comedymasterseries.com. Mon, 6pm. Ongoing. $20. The new improv comedy workshop includes training by Debi Durst, Michael Bossier, and John Elk.

"Comedy on the Square" SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm, through Dec. Tony Sparks and Frisco Fred host this weekly stand-up comedy showcase.

Danny Dechi & Friends Rockit Room, 406 Clement; 387-6343. Tues, 8pm. Ongoing. Free.

"Improv Society" Shelton Theater, 533 Sutter; www.improvsociety.com. Sat, 10pm, ongoing, $15. Improv Society presents comic and musical theater.

"The Howard Stone Comedy Variety Talk Show" SF Playhouse, 533 Sutter; 646-0776, www.comedyonthesquare.com. Sun, 8:30pm. $10. Comedy on the Square presents this twisted talk show featuring Kurt Weitzmann and unique one-man band the Danny Dechi Orchestra.

Punch Line San Francisco 444 Battery; www.punchlinecomedyclub.com. Check Website for times and prices. Featuring W. Kamau Bell Fri-Sat.

Purple Onion 140 Columbus; 1-800-838-3006, www.purpleonionlive.com. Call for days and times.

"Raw Stand-up Project" SFCC, 414 Mason, Fifth Flr; www.sfcomedycollege.com. Sat, 7pm, ongoing. $12-15. SFCC presents its premier stand-up comedy troupe in a series of weekly showcases.


BAY AREA
"Comedy Off Broadway Oakland" Washington Inn, 495 10th St, Oakl; (510) 452-1776, www.comedyoffbroadwayoakland.com. Fri, 9pm. Ongoing. $8-$10. Comedians featured on Comedy Central, HBO, BET, and more perform every week.
"Heretic’s Potentially Offensive Comedy" Live Oak Theatre, 1301 Shattuck, Berk; www.hereticnow.com. Sat, 8pm. $15. The work of Benjamin Garcia, Erin Phillips, and Clay Rosenthal is featured in this night of bizarre and hilarious comedy.

SPOKEN WORD
"Japanese Fairy Tales: Powerful Unattainable Women" Hillside Club, 2286 Cedar Street, Berk; (510) 644-2967, www.hillsideclub.org/blog. Mon, 7:30pm. $5. Marie Mutsuki Mockett presents her new novel Picking Bones From Ash, inspired by a Japanese fairy tale.

Pick: Swan Lake

0

BALLET As a kid I got assaulted by a swan. I hadn’t let go of a piece of bread fast enough. The creature rushed at me with the wings of a dragon, a neck of steel, and a beak that hit like a hammer. So when Matthew Bourne, in his version of Swan Lake, turned Petipa’s demure elfin princesses into ferocious attack birds, I knew what he was talking about. Bare-chested male swans in feathered pants may be Bourne’s most spectacular contribution to this fabulous 1995 Swan Lake, but they are not the sole reason to see this truly original and radical rethinking of the world’s most popular ballet. By refocusing the story on the prince and that Queen Mom of his, Bourne at last came up with an answer to what has bothered many of us about the traditional tale: What’s the matter with that dork of a prince who can’t tell the black from the white swan? While the show is uproariously funny