SFBG Blogs

Fashion! Fun!

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It’s going to be a two-fer fashion Saturday! First there’s House of Diehl’s “Project Runway” meets “8-Mile” Style Wars at 111 Minna. And at the same time, the Black Rock Arts Foundation is hosting their first annual Fall gathering, featuring fab performers like Fou Fou Ha and Vau de Vire Society as well as fashions by Bad Unkl Sista. How ever to decide which to attend? I say try to make it to both. Find out why after the jump.

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Designs created by previous Style Wars competitors. What can YOU do in 9 minutes?

The earthquake: l989 and 2007. How my old Royal typewriter saved the day and helped get the Guardian out on time

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By Bruce B. Brugmann

Yes, that is correct. I put my trusty old Royal typewriter to work in the deadline emergency of the l989 Loma Prieta quake and it helped get the paper out on time. The rescue confirmed my argument that my typewriter was much more reliable than a computer in an earthquake emergency when the power goes out. But first let me give you some quake context.

Somehow, when the quake hits, I am always on the couch and get the full force of the jolt. Tuesday night, I was sitting on our couch in our West Portal home watching the Democratic presidential debate when the 5.6 quake hit at 8:04 p.m., several hours after our deadline and after our paper was safely in bed at the printers. The quake rattled the room a bit but there was no damage and nothing stirred in the neighborhood. On Oct. l7, l989, I was sitting on a couch in our old Guardian building, at l9th and York Streets in the Mission District, when the quake hit on our final deadline late in the afternoon. We had one page left to finish, a hole on page 4 for the “In this issue” column by Executive Editor Tim Redmond. The truck driver was anxiously standing by to drive the pages, or flats as we called them, four hours up the freeways to our printer in the northern California city of Paradise.

The issue was a classic Guardian investigative story with then Mayor Art Agnos on the cover, holding a blank check from Bob Lurie of the Giants, and a head that read “Blank-Check Mayor.” The subhead read, “If you still think Art Agnos’s downtown stadium is a good deal for the city, you haven’t read the fine print. Jim Balderston exposes the hidden details of a deal that could rival the Candlestick Park Swindle.” Another front page head introduced “Bay Area Censored,” the first annual Bay Area Censored project and six big stories that “were too hot for the local media to handle.” Normal Guardian fare. Obviously, we wanted the issue to come out on time the next morning, even though it was too late for us to do any real quake coverage.

Our building was rattled but there was no damage, though it was a two story unreinforced red brick building.
But the phones went dead, the power went out, our computers were down, and we had to stop work. So the staff poured onto the street, a little scared but in good spirits, to reconnoiter and figure out what to do next.
That meant heading to the Jay ‘n’ Bee Bar, our local pub, down the street a block. Balderston, then our city hall and investigative reporter, caught the spirit of the moment: “We better get down to the bar and get our drinks before the ice melts.”

Joe the Bartender, as he was known, began rolling out the drinks for us with his usual panache (he shook splendid martinis with flourishes, no stirring). The television set was down, but a pub regular from a local machine shop brought in a generator and fired it up.

We watched the tv in growing shock. The news was grim and dramatic. The Marina was burning. The Oakland Bridge had collapsed with cars on it. The Giants/Oakland Athletics World Series game at Candlestick Park was hit and sportswriters suddenly became action reporters and put the story out play by play all over the world. Damage appeared to be extensive all over town and the area and fatalities and injuries were coming in.
We had our own problems. Among them, how to finish up the paper and get the flats in the truck and up to Paradise.

I offered my trusty Royal. Executive Editor Tim Redmond came back to the office and grabbed my typewriter and started batting away on the In This column. “There are times when modern technology just doesn’t make it,” he pecked out. “Like now.

“It’s about 6:45, and the sun is almost gone. I’m catching the last few rays of light through the front windows of the Guardian building, and Patricia (Filingame) is adding the glow of a flashlight to make sure I don’t make any typos.”

Tim typed on and ended up by writing that “By the time the shaking had stopped, there was no electricity at all–not to turn the typesetting machine, not to light up my windowless office…nothing to do but find the one functional office machine in the place, Bruce’s old Royal typewriter.

“We had a bit of trouble with the technological details (manual ribbon winding…) but it actually works. Remarkable.”

The page was pasted up, the flats were bundled into the truck, and the trucker headed out for the Golden Gate Bridge, which had held, and then up the freeway to Paradise and safety.

Balderston led a delegation back to the bar. Sfaffers who lived in the East Bay figured out whether to say in town or go home by way of the San Mateo Bridge, which had held. Julia Loftus, our classified director who lived in Silicon Valley and worried about a dangerous Bay Shore freeway, wingled and wangled her way slowly down the El Camino Real.

I drove Iris Maher, our circulation director, through intersections without lights and volunteer civiian traffic facilitators, to her apartment building on the slope of a Nob Hill illuminated against the sky by the blaze and smoke of Marina fires and God knows what else. People were streaming in and out of the Fairmont Hotel. So we decided to take a look. We spent the rest of the evening sitting on the floor of the lobby, chatting with hotel guests who were exchanging stories about what they were doing when and on what floor when the quake rocked the hotel. I bought a lot of drinks because the hotel wasn’t taking credit cards and the guests wouldn’t go back to their rooms to get cash. Some got a kick out of being part of earthquake history. Most of them were scared to death and trying to figure out how to get out of town fast.

The Chronicle, we heard, had no real backup generator and the word was that its staff was putting out the paper by flashlight. The driver made it to Paradise, the Guardian got printed, and the delivery trucks rolled into town the next morning on schedule over the Golden Gate Bridge. And we even had a few typewritten paragraphs of quake coverage.

And so, through the years between the quake of l989 and the quake of last Tuesday, 2007, I have kept my trusty Royal typewriter behind my desk, always at the ready for emergency duty. It still is. B3

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For the love of Hannah Montana

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By Ben Richardson

I don’t really kick it with many “tweens,” so I was pretty slow on the uptake when it comes to the whole “Hannah Montana” thing. In fact, I had to be informed of her existence by a colleague of mine here at the Guardian: Duncan Davidson.

“What!” he exclaimed one day, sending six-odd high-gauge earrings aquiver and clenching exclamatory muscles beneath his elaborately tattooed forearms. “You’ve never heard of Hannah Montana!?”

Davidson has a daughter situated at the hot-pink epicenter of Hannah Montana’s target demographic, which explains his familiarity with Disney’s newest pop princess. As her legend grows, however, it will be the people in my situation who will have the explaining to do. With the force of Disney’s PR and multimedia machine arrayed behind her, Hannah Montana is gradually turning into a kind of cultural juggernaut, proving once again that if you reach a certain threshold of 12-year-old approval, nothing can stand in your way.

Free bike lights

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It’s always good to get something for nothing, and with daylight savings time ending this weekend, it’s an especially good time to get free lights for your bicycle this evening from 5-7 p.m., courtesy of the Municipal Transportation Agency and the San Francisco Bicycle Coalition. Details and locations in the following press release.

We’re peaking

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Oh, how I wish that the SF Public Utilities Commission meetings brought me to such a brink…

Not so much. But as far as the peaker power plants are concerned there were some interesting developments today. Mayor Gavin Newsom is definitely playing the white knight in this scenario, and he’s now brokering a deal in which the city fronts all the money to build the power plant, skirting the public-private partnership deal that’s been floated to date. According to Jesse Blout, from the Mayor’s Office of Economic and Workforce Development, the city will now be issuing debt to finance the peaker plants and own them outright, rather than have the private company, JPower, act like they own them for 13 years and then hand them over to the city.

In this new deal JPower still operates and manages the three combustion turbines that will be sited in the city. (The airport CT will still be built, owned, and operated by JPower for 30 years before it’s turned over to the city, in order for them to make some $$$) The diff is that the city will own the Potrero plants straight-up, bypassing any sketchy loss of control or assets through the convolutions of a public-private partnership.

The PUC unanimously passed a really wordy resolution on all of this, and also asked Blout to check in with them every couple weeks to make sure all is on track. Blout, meanwhile, promised us a signing ceremony on an agreement that Mirant will shutter as soon as their contract is pulled and given to the city’s power plant instead.

Happy Halloween from Tom Ammiano

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No port a potties in the Castro? No problem. Dress up as an astronaut in diapers.

Happy Halloween.

(From the answering machine of Sup. Tom Ammiano on Halloween Eve, Oct. 3l, 2007) B3

Venezuelan youth explosion!

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An incredible argument against America’s tragic downsizing of school music programs? Why sure! What do you get when you create a national system of youth musical education that reaches 250,000 kids, spawns 120 orchestras, and offers even the poorest kids in the country an opportunity to express themselves and plug into global culture? Well, El Sistema, as the huge and tuneful operation in Venezuela is known, is one. Complete and utter musical bliss in the form of the globe-trotting Simon Bolivar National Youth Orchestra, under the direction of world hotshot 26-year-old conductor Gustavo Dudamel, is another. Check it:

(and before all you neo-cons jump all over the whole national program thing with your musty Soviet-socialist rhetoric, that’s the delightfully heretical Shostakovich they’re playing to cleverly diffuse you, dudes). The Youth Orchestra, which will be playing ol’ Shosty’s 10th Symphony, Bernstein’s West Side Story and some fiesty Latin American selections at Davies Symphony Hall this Sunday Nov 4, get pretty festive too:

Of course, there’s a temptation to romanticize these talented kids as geniuses of the barrios – but in many cases that’s indeed what they are. Come out this Sunday and see where a little inspiration and support can lead ….

Simon Bolivar Youth Orchestra
Sunday, Nov 4, 7pm, $25-$81
Davies Symphony Hall, 201 Van Ness Avenue, SF
(415) 864-6000
www.sfsymphony.org

Toilets on the way to the Castro

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After playing it cagey right up until today’s media coverage, sources say city officials have blinked and ordered 120 portable bathrooms for Halloween in the Castro after all and started to close off some of the streets. Closure of the closest BART and Muni stations will make accessing the neighborhood difficult for outsiders, although the ease of access by San Franciscans on bicycles should, IMHO, improve the average quality of partygoers. See y’all out there.

Bearrifying! Paws for rap horror

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OMFG — you knew it would happen. Girly bear rap-rock AT LAST hits the viral mainstream. And yes, it’s pretty terrifying. Even more terrifying — why is SFBG becoming a clearinghouse for bear musical releases? Because I loves me some scary, furry goodness, that’s why.

JFYI — if you wanna check out some serious bear hip hop — ON THE FUR REALS — check out my sexy homie Bigg Nugg below

Spooked sounds 2: more lost albums and forgotten performances for Halloween

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Pussy Galore – and scares galore.

By Erik Morse

Let’s pick up where the first installment of “Spooked sounds” left off: here are a few more notorious sonic “events,” which constitute a spectral and alternative history in recorded music’s century long canon. The more cryptic, the more incredible and the more emphatic the anecdote, the scarier the sounds. Try playing some of these at your next Halloween party and see just how spooked your guests will get.

PART TWO: THE LATER YEARS (1967-PRESENT)

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Unit Delta Plus and the Beatles – Million Volt Light and Sound Rave, London, 1967

Founded as a cooperative of sorts by electronic musicians Delia Derbyshire, Brian Hodgson, and Peter Zinovieff as early as 1965, Unit Delta Plus was an experimental adjunct to the BBC Radiophonic Workshop during the height of “swinging” London’s musical and multimedia explorations.

Using their knowledge and gear from the BBC days and marrying it to a more edgy, psychedelic sensibility, Unit Delta Plus hoped to accomplish an aesthetic saturation of sight and sound not unlike that being similarly developed at New York’s Exploding Plastic Inevitable or San Francisco’s Fillmore Auditorium. With Zinovieff’s Putney townhouse as their headquarters, the members of UDP began experimenting with complex tape music and primitive EMS synthesizers. By ’66 they held a music festival in Berkshire, reputedly the first ever dedicated solely to electronic music. Although the crowd was composed mainly of academics and musicologists, the festival was a major success and catapulted Unit Delta Plus into the center of the London underground.

Anti-war movement is back

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Guardian photo by Neil Motteram
Apparently, most people aren’t buying the inevitability of the endless Iraq War or the defeatist fatalism expressed by the major political parties and the mainstream media, if Saturday’s massive anti-war march in San Francisco was any indicator. Tens of thousands sent the clear message that we need a new Iraq strategy, one that ends the provocative occupation by American troops as soon as possible. The ANSWER Coalition, which sponsored the event, is trying to marshal the anti-war forces moving toward the next major event in March, when there are calls for a general strike.

Nels Cline at du Nord: so much firepower, so little venue

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By Benedict Sinclair

It’s always nice to get a warm feeling from a show, regardless of the sonic or literal violence you might undergo during it. The bartender at Café Du Nord on Thursday, Oct. 25, was kind enough to hand me my drink with an unusually welcoming smile. Suddenly I overheard a discussion about how beautiful a certain country highway was – the one I’d just happened to grow up on. Ah, home. I’m never sure why, but I get the same feeling from listening to albums that include guitarists Nels Cline (of the Geraldine Fibbers, the Nels Cline Singers, and nowadays Wilco) and Jeff Parker (Tortoise and Isotope 217).

The narrative arc of a Nels Cline solo once seemed to me a bit like a rollercoaster, but considering the sudden, indescribable variations on delay and distortion he tosses around, the amount of 13th chords he employs, and, really, just a plain old spooky control over chaos, I’m more inclined to recall the image of a flickering candle. I’m thinking specifically of the one placed in the center of my table at Café Du Nord, where the Nels Cline Singers played two sets: one as a trio and the other with Parker. I sat, I stared, I heard.

I mean, bassist Devin Hoff and drummer Scott Amendola certainly held their shit down, punctuating Cline’s soaring presence with equal vigor. But I can’t get away from that flame metaphor, the way a practically invisible center produces that glow, refracting in all directions through a bubble glass lamp. It was as if Nels and his sparking fingers lighted the café themselves, that red hue cast over everything perhaps strictly a product of the heat scattering out as this guy poured his soul into unpredictable jazz shredding. Yet the band also fostered many moments where the flickering meant a slight cooling. They’d play pretty, sweet melodies together and still burn it up. The second set was the less out there of the two.

Pip, pip for the Pipettes

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By Chris DeMento

The Pipettes are a UK trio with a Supremes-meets-indie-rock popgirl sexgimmick on a North American tour come two years too late. They wear polka-dot skirts. They are hot. They dance about. They are very sexy. They sing about boys in school uniforms and dance about. They are female vocalists. Let us coordinate our dance in the old-new popstyles and dance the old-new popstyles about very much: www.thepipettes.co.uk, read the “about” page.

On paper, Bimbo’s 365 Club and the Pipettes (Oct. 29) are a decent match. One would think the girls’ bubbly, decadent act should awaken the joint’s muffy ballroom character, bring it out in (retro)fits. Dances with schizoid eyes and dated names, long cigarettes, alcoholism – I saw none of this stuff. What I did see was a priced-to-move vortex of !Fun Brand! unfun that looked like a lot of hard work and sounded mediocre at best, an embarrassing pratfall of a noisewelter. All they wanted to do between numbers was bitch at the soundperson, which only served to draw attention to the unfortunate thin of their overproduced sound. If you want to be heard, just sing louder, ladies.

There is room for escapism in popular music. People need to be moved, taken for the proverbial ride out and away from themselves, given over to suspension of disbelief, even. But at a certain point one needs to separate meaningful escapist art from driveling, crackerjack ridicule and shameless branding, especially when the latter start taking themselves too seriously. “We are the Pipettes” was one of the songs they did – it’s also an album title. The Monkeys, hey, hey, people said they monkeyed around. People also said they sucked ass. People don’t want to be goofy surf-movie extras. Not the smart ones, anyway, not anymore. Sorry to be a killjoy.

Campaign debts hide donors’ identities

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By Sarah Phelan

Moments after this week’s edition of the Guardian went to press, I got through to “notorious campaign attorney Jim Sutton,” as we describe him in this week’s article about campaign finance.

I’d been playing phone tag with Sutton since last week, wanting to ask him about all the accrued funds, or outstanding debts in this year’s election, and their role in hiding the identity of donators from the voting public, until after the election.

A master of the ins and outs of campaign law, Sutton, came across as charming and witty, as he told me about the Sutton Law Firm and its role in political campaigns:

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Jim Sutton

“We are a law firm. We bill for our services—and we fully expect our clients to pay in a prompt way,” said Sutton, pointing to the fact that the City law had been amended, so that candidates have to pay off their debts within 180 days of the election.”

But the amended rule that Sutton refers to does not apply to ballot measure committees—groups that raise and spend money in support of or opposition to specific measures on the ballot.

Mayor moving on peaker deal

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The Board of Supervisors had a little shake-up today in the middle of a conversation on the city’s deal to build a new peaker power plant.

One of the biggest selling points from proponents of the $230 million natural gas fired power plant has been that it will receive the “Reliability Must Run” contract from CA-ISO, the state energy agency that dishes out those kinds of things. Right now the Mirant Potrero plant has that RMR, and city officials and activists have been trying for several years to get that plant to close down because it spews more filth into the air than a newer one would. Without an RMR, which essentially pays the power plant owner to NOT run unless needed during peak energy hours, it becomes financially dicey to keep the lights on, but Mirant has never definitively said they’d pull the plug if the city built its own power plant. Some folks, including us, have expressed concern that we could end up with two power plants.

Supervisor Tom Ammiano was intending to slap a couple of amendments onto the resolution the board heard today regarding the peaker plant, one of which would have urged the PUC to get an iron-clad guarantee from Mirant that they’d shut down. In the middle of the supes grilling the PUC on the peaker contract, Sup. Aaron Peskin interjected with the late-breaking news that Mayor Gavin Newsom was at that very moment negotiating with Mirant for a signed agreement that the plant would shutter for good if their RMR is removed.

Some of the supes seemed a little surprised by the news, if not miffed. (Gav’s got a bit of a thing for trumping.) Rumors outside the chamber were that the Mayor’s office has been working on this for awhile, and part of the negotiation may have to do with some city assistance with cleaning-up of the old power plant site and maybe a little fast-tracking of the permitting process for Mirant to put it to some other, more lucrative use. (Condos, anyone? Anyone around here need another $2 million condo?)

No one from the Mayor’s office got up to speak about it (nor the Mayor himself, though it was his day to shine in front of the supervisors. More on that after Prop E passes.) They haven’t issued a press release yet, and I swung by the press office but no one there knew anything about it. Supes Mirkarimi, Daly, and Alioto-Pier voted still voted against the resolution.

UPDATE:

Sup. Ross Mirkarimi tells us we got it wrong — he introduced the resolution amendments, not Tom Ammiano. Sorry about that — we missed the beginning of the hearing, and got the amendments through a fax from Ammiano’s office. The hearing isn’t up on SFGTV yet, so we’ll take Mirkarimi’s word that the amendments are part of the resolution.

They urge the SFPUC to do two things:
1. secure the closure of Mirant as a condition before operating the peakers. (Mayor’s on that one.)

2. “…stipulate a controlled operating regimen that reduces the usage of the CT’s as renewable in-city generation capacity comes on-line consequent to implementation of City’s renewable energy plan under Community Choice Aggregation and other renewable power sources.” (So, essentially, curb the peakers as we put up the solar panels.)

Also, here are some PDFs which prove the point commenter Eric Brooks makes below that the peakers will spit out about the same amount of pollution as Mirant does now:

Testimony of Bay Area Air Quality Management District’s engineer Barry Young at 10/23 SFPUC hearing

Images that quantify the testimony

SF’s Halloween fears trump transit

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jack.jpgNobody is quite sure what will happen in the Castro for the supposedly canceled Halloween tomorrow night, but some of those who resent the city’s Grinch attitude plan to protest or show up anyway, just for the helluva it. Meanwhile, Sup. Chris Daly and BART director Tom Radulovich have jointly authored a letter strongly condemning the heavy-handed unilateralism that caused BART and Muni to cancel transit service to the area.
Boo!

Today’s Ammianoliner

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No, Mr. Bush. It’s Ron Paul. Not Rupaul.

(From the answering machine of Sup. Tom Ammiano on Tuesday, Halloween Eve, Oct. 30, 2007)

Personal note to Tom: Your enunciation is a tad better. Keep it up. B3

Tracking the Joneses’ rent

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We all know there’s a housing crisis in our city. But that’s one of those big, overarching, culture/society issues that’s hard to wrap your mind around.

How about considering your own, personal housing crisis? Ever wondered if you’re getting gouged on rent as much as your neighbor? Or if there’s actually anyone in this town who pays no more than a third of their income for a closetless room? Well, with www.rentometer.com, you can find out. All you have to do is enter your address, your monthly rent, the number of bedrooms in the unit, and the number of units in the building, and the site will calculate how you measure up to other similar buildings in your area.

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Halloween in Rock Rapids. What really happened on Halloween Eve in l95l in the almost famous town of Rock Rapids, Iowa

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By Bruce B. Brugmann

I was just settling down to get back into the business of blogging (I have been away at an assembly of the Inter American Press Association in Miami and a convention of the California First Amendment Coalition at USC in Los Angeles) when an ominous email from Washington, D.C., popped up on my computer.

At first I thought it was just more fear-mongering out of the Bush administration, but the head did intrigue me, “Millions of children could be exposed to dangerous toys on Halloween.” It was the announcement for a news conference call with reporters on Tuesday, to release a new report on the “toxic trade of deadly Halloween toys,” toys made in China and being recalled for containing dangerous levels of lead in violation of U.S. safety standards. Halloween was the news peg.

Meanwhile, the word was dire back in San Francisco. The mayor and city fathers were warning people to stay out of the Castro, the gay area that annually sees a tumultuous gathering of hundreds of thousands and police in full riot gear. “HALLOWEEN WARNING: KEEP CLEAR OF THE CASTRO,” trumpeted the San Francisco Chronicle in its Halloween morning edition. “City puts word out: There’s no party, just stay home.”

I was astounded. A full year has gone by since I wrote an almost famous blog disclosing in graphic detail, naming names, what really happened on Halloween Eve in 1951 in my almost famous hometown of Rock Rapids, Iowa. As Halloween seems to spin out of control, the story of Halloween in Rock Rapids is worth retelling, as anybody in the almost famous Hermie Casjens gang would argue. And so I am going to do so.

There weren’t any “deadly Halloween toys” nor any toxic trade thereof nor any tumultuous hordes creating a riot situation in Rock Rapids, but there was a bit of targeted hell raising on Halloween. In fact, it was understood that Halloween was the one night of the year when the more adventurous youth of the town could raise a little hell and hope to stay one step ahead of the cops. Or, in the case of Rock Rapids, the one and only cop, Elmer “Shinny” Sheneberger.

Shinny had the unenviable job of trying to keep some semblance of law and order during an evening when the Hermie Casjens gang was on the loose. Somehow through the years, nobody remembered exactly when, the tradition was born that the little kids would go house to house trick and treating but the older boys could roam the town looking to make trouble and pull off some pranks.

It was all quite civilized. The Casjens gang would gather (no girls allowed) and set out about our evening’s business, being careful to stay away from the houses of watchful parents and Shinny on patrol. Dave Dietz and I specialized in finding cars with keys in the ignition and driving them to the other end of town and just leaving them. We tipped over an outhouse or two, the small town cliche, but one time we thought there was someone inside. We never hung around to find out. There was some mischief with fences and shrubs and swings hanging in back yards.

After an evening of such lusty adventures, we would go home about ll p.m. and tell our parents what we had been up to and how we evaded Shinny the whole evening and they would (generally) be relieved. Shinny would just drive around in his patrol car and shine his lights here and there and do some honking. But somehow he never caught anybody nor made any serious followup investigation. And the targets of our pranks never seemed to make police complaints. I once asked Paul Smith, the editor of the Lyon County Reporter, why he never wrote up this bit of zesty small town lore. “Bruce,” he said, “I don’t want things to get out of hand.” During my era, they never did.

Nonetheless, the city elders decided to keep Halloween devastation to a minimum and scheduled a dance in the Community Building, with the misbegotten idea the pranksters would give up their errant ways and come to the dance. The Casjens Gang would have none of this. In fact it was the year of the dance diversion that we made our most culturally significant contribution to Halloween lore in Rock Rapids. We happened upon a boxcar, loaded with coal, parked on a siding a block or so from Main Street, which also served as a busy main arterial highway for cars coming across northwest Iowa.

It is not clear to this day who came up with the idea of rolling the boxcar across Main Street and blocking all traffic coming from both directions. We massed behind the car and pushed and pushed but it wouldn’t budge. Then Bob Babl came up with a brilliant stroke: to use a special lever his dad used to move boxcars full of lumber for his nearby lumberyard. Bob slipped through a fence behind the yard and somehow managed to find the lever in the dark. We massed again, now some 20 or so strong, behind the car and waited for the signal to push. Willie Ver Meer climbed to the top of the car and wrenched the wheel that set the brakes. We heaved in unison and the car moved slowly on the tracks until it reached the middle of Main Street. Willie gave a mighty heave and ground the car to a dead stop, bang, square in the middle of the street. Almost immediately, the cars started lining up on both sides of the car, honking away. Grace under pressure. An historic event. Man, were we proud.

We slipped away and from a safe distance watched the fruits of our labor unfold. Shinny, the ever resourceful police chief, soon came upon the scene. He strode into the dance in the nearby Community Building and commandeered enough of the dancers to come out and help him move the car back onto its siding. We bided our time and then went back and pushed the car once again into the middle of the street. Jerry Prahl added a nice touch by rolling out a batch of Firestone tires onto the street from his Dad’s nearby store. Suddenly, Main Street was a boxcar- blocked, tire-ridden mess. Again, the cars started lining up, honking away. Then we fled, figuring we were now wanted pranksters and needed to be on the lam.

The Casjens gang and groupies have retold the story through the years at our regular get togethers at the Sportsmen Club bar at Heritage Days in Rock Rapids and at our all-Rock Rapids Cocktail Party and Beer Kegger held in the back lawn of the Mary Rose Babl Hindt house in Cupertino. We would jokingly say that the statute of limitations never runs out in Rock Rapids and so we needed to be careful what we said and ought not to disclose fully the involvement of Dave Dietz, Hermie Casjens, Ted Fisch, Ken Roach, Jerry Prahl, Bob Babl, Romain Hahn, Willie Ver Meer, and lots of others, some who were there working in peril, others who declared they were there safely after the fact.

Two years ago, just before Halloween, I was invited back to Rock Rapids to speak to a fund-raising event for the local high school. It was a a crisp clear night just like the night of Halloween in l95l and a perfect setting to tell the story publicly in town for the first time. The event was at the new community building, on Main Street, just a block or so from the old Community Building, and a block or so from the siding where we found the boxcar. I told the audience that Shinny had assured me the statute of limitations had run out in Rock Rapids and that I could now, 54 years later, tell the boxcar- across -Main -Street caper with no fear of prosecution. And so I did, with relish.

Chuck Telford was in the audience and I recalled that he had driven up to us that night, as part of a civilian patrol, and inquired as to what we were doing. When he could see what we were doing, he just quietly drove off. “Very civilized behavior,” I said. Afterward, I told Chuck I would back him for mayor, on the basis of that incident alone. Craig Vinson, then the highway patrolman for the area, came up to me and said he remembered the incident vividly because he was on duty that night and came upon the boxcar blocking the highway with long lines of honking cars. “I got ahold of Shinny that night and told him it was his job to move the boxcar and get it off the highway,” he said. Others said they had gotten a whiff of the story but were never able to pin it down. The high school principal and superintendent didn’t say much and, I suspect, were worried my tale might lead to the Rock Rapids version of the movie “Ferris Bueller’s Day Off.”

For years, I said in my talk, I didn’t think that Shinny ever knew exactly what happened or who was involved in the caper or how we pulled it off, twice, almost before his very eyes. Shinny retired in Rock Rapids and I saw him twice a year when I came back to visit my parents. But I never said anything and he never said anything but finally a couple of years ago I found the right moment and cautiously filled him in. He chuckled and said, “Let’s drink to it.” We did. And we have been drinking to it ever since. He calls me now and then in my office in San Francisco. He always tells the receptionist, “Tell Bruce, it’s Shinny. I’m his parole officer in Rock Rapids.”

Those were the days, my friends. The days of Halloweens without dangerous toys and toxic trade with China and riots on Main Street. B3

The dog days of wine labels

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Intern Chris DeMento likes to keep his pets and his merlots separate.

Some Californians just have too much time on their hands, plain and simple. And soon they will all move to Idaho, and soon I will be riding an eco-friendly Scooby Doo jetpack to CIIS to make a study of the Great White Californian Diaspora. Anyway. . . .

Did you know we have a dog lovers’ wine club out here? Bet you didn’t.Yes, the Dog Lovers’ Wine Club (DLWC), based in California of course, supports dog shelters and rescue operations nationwide. They also get drunk, too, which goes without saying, I guess.

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Believe Me or Not

PG&E dropping the dime

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Last bus to Oakland! The cell phone photographer who sent us this shot said the driver of the rented vans had been hired by PG&E to bus people to City Hall from the East Bay to speak against the peaker power plants

Who got a robo-call last night about the city’s plan for new power plants? Was there something about three new fossil fuel power plants “right in the middle of the city” on your answering machine when you got home?

There was on ours:

“These new plants will further reliance of fossil fuels, add to global warming, and cost up to $500 million. And they aren’t even needed because there’s a green alternative. If you would like to join our efforts to stop the SFPUC, please press 1 or if you’d like more information please press 2. This call was paid for by the Close It Coalition with the proud sponsorship of PG&E. Find out more on closeitcoalition.org.”

PG&E…you’re so tricky. Your press office never has time to return our calls for comment but you’re dialing up half the city as part of your bogus campaign for clean energy.

The SFPUC will be discussing the peakers tomorrow — Wednesday Oct. 31 — at 2:30 in Room 400 at City Hall. Maybe PG&E will bus in some more people to speak against the peakers like they did for the last PUC hearing on Oct. 23.

Our source for that tidbit said he asked the driver of the rented Enterprise vans who had hired him and the response was PG&E and the A. Philip Randolph Institute. We asked APRI’s executive director Guillermo Rodriguez if they bought the vans. He denied it, and said he has complete control over APRI’s two credit cards and neither had been employed for such a task.

Up until two years ago, Rodriguez was Senior Director of Public Affairs for….Holy shit! PG&E. Last year, APRI received $85,000 in grants from PG&E. I wonder what they’re doing with all that money?

Spooked sounds: 12 lost albums and forgotten performances

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Johnny Ace: a blues icon turns into one of rock’s first casualties.

By Erik Morse

With Halloween soon approaching, all the party mixtapes and Goth soundtracks will inevitably be programmed with the scary and spectral. It only seems appropriate, then, to take a look at a history of some of these ghostly recordings, albeit of a slightly different kind.

Twentieth century music must have been possessed from the moment it became electrified, a seemingly endless séance of dead voices stripped of a bodily source and projected into the ether, replayed endlessly through phonographs, radios, tape-players, and iPods. And like other technologized art forms, popular music created a simultaneous narrative stream of folk tales and urban legends that emanated from fan to fan and fed back into the collective experience of “hearing” like the vibrations of an E string squealing against a Vox amplifier. More than a 100 years since Edison recorded the sounds of a nursery rhyme (extra credit if you know which one) in his Menlo Park laboratory, the most famous moments in popular “sound” have played loudly alongside a haunted loop of forgotten breakthroughs and discarded reels remanded to the archives of the preening critic and obsessive fanatic. These ghostly recordings and events may have been buried for ages so there’s no better time than Halloween to go digging them up again.

Never mind Brian Wilson’s infamous Smile, Bob Dylan’s electric turn at Newport ‘65 or Prince’s Black Album, these 12 notorious sonic “events” constitute a spectral and alternative history in recorded music’s century long canon. The more cryptic, the more incredible, and the more emphatic the anecdote, the scarier the sounds. Try playing some of these at your next Halloween party and see just how spooked your guests will get.

Haunting Two Gallants

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By Chris DeMento

Saturday night, Oct. 27, and I’m at the Independent to see Two Gallants. Opening acts Songs for Moms and Blitzen Trapper did well to set the stage for odes. Soft white lights blanched soft white faces, making ghosts of East Coast transplants dressed like goons dressed like Double Dare buffoons. Meanwhile young city-bankers in serial-killer costumes put on cats’ ears for listening. Still a half week shy of Halloween, and it seemed the lot of us, near and far, came quite prepared to be forgetting who we are.

I love rock ‘n’ roll when it smashes lullabies, even as it oozes sap. Two Gallants has me stalking my neighbor a day after the show so he can retell to me events I missed because I was sort of given over, maybe half transfixed.

The duo must have been tired when they hit the stage, road weary, but they hid it well, used it even. It’s not easy to play with lots of energy after a whirlwind two-and-half weeks across the country, unless it’s for a homecoming, which this was, and unless you know how to make it work for you, which they do. I wondered at their transitions – a reggae skeeze, a waltz, then back to indie peristalsis – felt them in my head and in my loins. I don’t know their songs so well but I got lost in them for a while at least.

Swap your tomes, homes

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By Justin Juul

If you’re anything like me, you have a few problems related to books, alcohol, and money. In a nutshell: you have too many shitty books, good beer is expensive, and you are broke. Well don’t freak out. Swap SF, the organization that hosts the Hyperbolic Clothing Swaps at Cellspace, is throwing a book swap (also at Cellspace) this Saturday, November 3rd.

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There’s going to be extremely cheap diamond-label beer and coffee, beats by Poolboy & D and Maer, and a whole lotta books. The idea behind these swap things is that one man’s shit is another man’s gold, so just bring all the books that don’t make you look smart laying on your coffee table and then spend the day frantically searching for one’s that will. You’re bound to find something, and if you don’t, well, at least you’ll cop a buzz and clear some space right?

Leftovers go to charity, so even if you’re just trying to score some books and beer, you’ll still be clocking mad points on the old karma-meter. Be a hero. Be a freeloader. Be a little bit of both at Swap SF’s book party.

Saturday Nov 3, Noon to 3pm
CellSpace
2050 Bryant St. between 18th & 19th
$5 with books, $10 without.