SFBG Blogs

Wear orange for prisoner awareness

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By Vanessa Carr

Bay Area multimedia project Plain Human calls this Tuesday, March 11th “Prisoner Awareness Day.” They ask that people wear orange – the color of most prison uniforms – in an effort to spark daily conversation about imprisonment and its effects on our communities. They also invite the public to participate in a group exercise regiment demonstration/performance outside of City Hall on Tuesday from 3:30 to 4:30 p.m.

“We want to break the silence that we carry as family members and members of communities that are criminalized,” says San Francisco-based artist and Plain Human founder Mabel Negrete.

With a brother in prison, Negrete has personally experienced the rippling effects of incarceration in a family. Negrete worries that her brother, who struggles with mental illness and is one of many inmates who has acquired Hepatitis C inside prison walls, may never be able to return to normal life.

“His condition [since going to prison] has worsened because there is no rehabilitation for him to overcome the isolation of the incarceration,” says Negrete. “I am not sure that he can come out of that. Conditions are such that people cannot improve.”

Plain Human is part of the year-long Prison Project at Intersection for the Arts, which has featured a wide range of programs since it started in early 2007, from multiple gallery installations and a day-long conference in February 2008 featuring Angela Davis as its keynote, to a pen pal project that connects incarcerated and non-incarcerated artists. The Prison Project’s closing exhibition, featuring artwork from both sides of the prison walls, will be on display through March 29, 2008.

The inner life of Annie Leibovitz

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By Ailene Sankur

The best brunch in the city isn’t at J’s Pots of Soul or Boogaloos, my friends. It’s at the Legion of Honor, that elegant neoclassical building perched high atop foggy Land’s End (so Hitchcockian), during the press preview for the Legion’s Annie Leibovitz exhibit. (There is a Sunday brunch for the masses, but I doubt you get your own nametag – or a chat with Ms. Leibovitz — at that one.) A pyramid of martini glasses held fresh fruit salad garnished with sprigs of mint. The coffee was delectable. And the bagels – half the size of normal ones — were adorable! Teeny tiny!

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The photographer

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Brother Philip and Father

Kewl Tun3: Hercules and Love Affair blind us

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NYC socialite Andrew Butler and warble-meister Antony Hegarty of Antony and the Johnsons have teamed up with slinky songstresses Nomi and Kim Ann Foxmann to create Hercules and Love Affair — and have produced killer club tune “Blind” that’s been rocking after-dark boxes from the Transfer to Pink lately.

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(Anyone who caught DJ Frankie Knuckles throwing down his own lush remix of the jam at the final Fag Fridays won’t soon forget it — or Frankie’s entire tearjerking surprise set, either.) When we walked into A Different Light Bookstore in the Castro this weekend to snag a copy of super-faggotty Butt Magazine (featuring local fashion superstar duo Nice Collective showing their junk and the former drummer of local glamsters Mon Cousin Belge pounding the skins naked) and heard this loveliness pumping thru the speakers we knew it had arrived ….

Self-titled album “Hercules and Love Affair” dropped March 10 on EMI/DFA and we can’t get enough of it …

One day at a time, Bubs

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Thank you, David Simon. Newspaper journalism couldn’t have asked for a clearer voice. But it would have been nice to see Frank Pembleton one last time.

Hey napkin-doodler! Win this …

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Yep, it’s that time again — time for the Mama’s Royal Cafe Annual Napkin Art Contest!

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2006 winner!

The fave-rave Oakland cafe is presenting it’s 26th one of these suckers — and your noodle-doodle entry could snag you $400, or any one of 32 other fabulous prizes (including free breakfast.

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2007 First runner up!

All those years of crayoning your placemat could finally pay off … but get to scribblin’ kids, the deadline is March 31. We eagerly await seeing your entry displayed in Mama’s incomparable online napkin art gallery.

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Use only what you need!

Quirkyalone gets quirkytogether

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“It’s okay that I’m alone.”
“But maybe there’s something wrong with me?”
“Maybe I’m just too picky.”
“I’m young, I should be having sex.”
“But I hate having sex with people I’m not really attracted to.”
“Except when I’m traveling.”

Thus were the questions plaguing San Franciscan Sasha Cagen that lead her to coin the term “quirkyalone.” It started as a concept, then became an essay, an online community, and later a book, Quirkyalone: a manifesto for uncompromising romantics (HarperCollins 2004). Above all, quirkyalone is a movement.

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Quirkyalone, Cagen defines, is “a person who enjoys being single (but is not opposed to being in a relationship) and generally prefers to be alone rather than dating for the sake of being in a couple.”

To some, the term “quirkyalone” may conjure the image of an eccentric weirdo who embraces lifelong singledom for lack of dating opportunities. Quite the contrary, Cagen emphasizes: quirkyalones are not loner Jane Eyre-types, she says; they are often active, attractive, extroverts who are simply anti-dull relationships and anti-settling.

Progressive power play for the DCCC

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The word from the San Francisco Elections Office is that all hell has broken loose as the city’s top progressive political leaders file to run for the Democratic County Central Committee in a bold and surprising move to seize control of the political body from moderates like Mayor Gavin Newsom, Rep. Nancy Pelosi, and U.S. Sen. Dianne Feinstein. And the word is that Team Newsom was caught flat-footed, able to get only a couple administration loyalists — Mike Farrah and Catherine Dodd — to file before today’s 5 p.m. deadline.

But the lineup on the left is a who’s who list of top progressives: supervisors Chris Daly, Jake McGoldrick and Aaron Peskin, Public Defender Jeff Adachi, school board members Eric Mar and Kim-Shree Maufis, likely supervisorial candidates Debra Walker and Eric Quesada, mayoral runner-up Quintin Mecke, and McGoldrick’s son Jamie. If elected, they would join incumbent progressives such as Robert Haaland, Michael Goldstein, and Rafael Mandelman.

“I think what you’ll see is a more progressive central committee,” said Bill Barnes, chief of staff for Assembly member Fiona Ma and a progressive member of the DCCC who is also running for reelection.
Control of the DCCC would allow local progressives, most of whom have endorsed Barack Obama for president, to take advantage of the opportunity to push a more innovative political agenda and try to pressure the party to move to the left.

They are also likely to use a coordinated campaign this year to present progressive policy options to San Franciscans just as Newsom is working to sell a Lennar-sponsored development proposal on the June ballot and using a power grab on city committees to try to take control of the public agenda.

Beating the drum for Nation Beat

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By Todd Lavoie

The name might not set your world on fire, but damn these guys are on to something good: Brooklyn’s Nation Beat will bring their one-in-a-billion blend of Brazilian Maracatu, Appalachian roots music, and New Orleans-style funk to the Elbo Room this Saturday, March 8. What – scared at the prospect of such brazen genre-colliding, are you? Ah, don’t be, sweet cheeks. By the time the night’s over, you’ll have long forgotten about silly little things like musical genre-pigeonholing. Honestly, why over-think when you can just follow your feet instead?

First, an explanation to the band’s name. In northeastern Brazil – the birthplace of the percussion-heavy Afro-Brazilian dance/performance style known as Maracatu – practitioners of the genre identify their ensembles with the word nação (“nation”), a reference to the African countries from where they (or their ancestors) originally came. Most groups in Recife – the epicenter of Maracatu – begin their names with the words “Maracatu Nação,” usually followed by some form of geographical reference.

Now, Nation Beat plays a variant of a traditional Maracatu known as “Maracatu de Baque Virado” – literally, “Maracatu of the Flipping Beat” (baque is “beat” in Portuguese). So, the band whittled down the name from these origins and translated it back to English rather than keeping it in Portuguese. What the moniker lacks in flow, it at least compensates for in cultural reverence.

Has Newsom lost his mind?

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It’s one thing for Mayor Gavin Newsom to bash the Board of Supervisors, something we’re likely to see a lot of this year as he angles to get a few more allies on the board this fall. But it’s quite another thing for the city’s top elected leader to urge his business community buddies to sue the city, which is just downright irresponsible and could even be considered official misconduct. And how ironic is it that little miss civility, Sup. Michela Alioto-Pier, is beating the drum for the most uncivil of acts, a civil lawsuit against a city that’s she’s taken an oath to serve and protect. Have these people lost their minds?
Maybe so, because this latest outrage comes just two days after Newsom took a facts-be-damned approach to pushing tidal power, which a study concludes would be an expensive and inefficient boondoggle, but Newsom wants to do anyway, probably because it would make such a whiz-bang press release. His quote to the Chron was priceless: “I don’t care about the arguments against it. I care about the arguments for it.”
George W. Bush couldn’t have said it better himself.

Moth Protest Rally and Hearing

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Opposition to the aerial spraying of Light Brown Apple Moth pheromones continues to grow.

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Hard on the heels of a report that claims the moth threat has been overstated comes the news that Sen. Carole Migden will be heading up a protest rally Monday, March 10 in Sacramento, as well as a hearing March 13 in Marin, about state plans to aerially spray the Bay Area with Light Brown Apple Moth pheromones.

The March 10 rally begins at 11 am, on east side of the Capitol, lawn area, adjacent to fishpond (Area 22).

The rally features Sen. Carole Migden, Assemblymember Jared Huffman (D-San Rafael), Paul Schramski of Pesticide Watch, Emily Levy of the California Alliance to Stop the Spray, John Russo of stopthespray.org and Albany mayor Robert Lieber. Plus a bunch of community activists bearing signs that protest government plans to spray urban area without first proving that the spray is both safe and effective.
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And on Thursday, March 13, Midgen joins forces with Senate Environmental Safety Committee chair Sen. Joe Simitian (D-Santa Cruz) at a oversight hearing in Marin to analyze the state’s LBAM plans.

The March 13 hearing takes place at the Marin County Civic Center, 3501 Civic Center Drive, Room 330, San Rafael from 1-3 PM. It will feature state officials who support the spraying alongside scientists who oppose it, and include an opportunity for the public to comment.
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What does Alpine jazz sound like? Nik Bärtsch’s Ronin comes to Yerba Buena

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By Erik Morse

What was Orson Welles’ scene stealing line in The Third Man? Oh yes, it goes like this: “In Italy, for 30 years under the Borgias, they had warfare, terror, murder, bloodshed – they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had 500 years of democracy and peace, and what did that produce? The cuckoo clock.” Never mind that the contraption in question was actually invented in the Black Forest of Baden-Württemberg or that Welles egregiously absented the Zurich-based dada movement from his glib verdict. But this bitch slap at the Swiss’ expense has now become an ecumenical platitude: nothing cool has ever come from the land of Helvetica.

Well, burn down the chalet and throw out the flugelhorn! Composer-pianist Nik Bärtsch and acoustic quintet Ronin have departed from the craggly bluffs of Switzerland and landed on the snobbish jazz shores of America. Despite establishing themselves in the ’90s, Bärtsch and Ronin only came to prominent attention in 2006 with Stoa, their first release for experimental jazz label ECM.

No doubt playing on the architectural definition of its title, Stoa was a magnificently open affair with tinkling melodies underpinned by floating, Can-style grooves and large swathes of quiet space. In order to christen Ronin’s new direction, Bärtsch dubbed his sound “zen-funk” with tongue most likely placed firmly in cheek. Reviews at the time compared Stoa’s compositional structures to those of Steve Reich and James Brown, and one critic noted it was “digital-age music performed with analog sensibility.” And, in fact, you can hear within the precise bass ostinatos and repetitive keyboard figures the postmodern electro-jazz of Jaga Jazzist or Squarepusher. No small feat for a cadre of musicians reigning from Alpine country.

Heavy metal: the Iron Man trailer

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By Candice Chan

Wicked flipping awesome! The new Iron Man trailer came out last week and is so good I could watch it backwards while doing a headstand and I’d still want more. Let’s hope the movie can live up to the hype that the trailer has sparked. Regardless, though, Tony Stark is the most badass alcoholic ever. Seriously, there is nothing quite as sexy as a dude who can hold his liquor, build impenetrable armor, and blow up a tank all by himself … AT THE SAME TIME. Drool.

Leave Diablo Cody alone!

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Tom Lenk, who played one of my favorite characters in the later seasons of Buffy (Andrew, the geek villain), takes on Chris Crocker and Diablo Cody in what is perhaps my favorite YouTube parody to date. I swear to blog.

Clubs: Gem sweaters, buenos Zizeks, grimy Rupture, divas

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Too too much going on this Saturday March 8, kids, and these are just the above-ground parties! I don’t know how I’m gonna make ‘em all, but we just finished work on the next issue of Scene, our nightlife mag which drops next wednesday in the guardian (look for it!) and I’m ready to party my pumps off. Good thing I always carry an extra pair of bedazzled flats in my Safeway paper bag purse …

Leslie and the Lys, spaz-hop queens straight outta Iowa (via Boston) who recorded the immortal line “Wearing gold spandex pants/ I made a hip-hop album” will be rocking their goddam GEM SWEATERS at an early set (9pm) at the lezbo-rock heavenly Cockblock at Rickshaw Stop for only 10 stinkin’ bucks, which lets you stay the whole evening to hear the adorable DJ Nuxx and friends throw down.

Then it’s off to Kafana Balkan at 12 Galaxies (more info here), the city’s premier Romany dance party, with awesome, way-deeper-than-Balkan-Beatbox DJ Zejlko and friends. If it’s anything like the last one (with crazy pics we featured in the last Scene nightlife magazine) then we may not be able to tear ourselves away ….

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Brass Menazerie at Kafana Balkan

to hit up one of the best-sounding parties at Mezzanine in, like, a week – Zizek featuring DJ/Rupture and Tormenta Tropical.

Live ‘n’ kicking at the Raveonettes

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The Raveonettes
Independent, March 5

By Chris DeMento

Minimalism is a science too often associated with badly played and poorly written rock ‘n’ roll. That inane, barely listenable mush can become noise art in the burning hearts of burrito-munching garage enthusiasts. You know, of course, that burrito means “Hey, you in the little donkey costume.”

Thankfully, the Raveonettes‘ brand of minimalism is by no means a consumptive joke, but the enchilada proper, drowning in truth: three great good chords; a sweetly sexed, girl-on-boy approach to harmonizing whose average results in unfailingly lusty melodies; a trusty, persistently quaternary time signature; and, to my surprise, nary a kickdrum. Sune Wagner, Sharin Foo, and a would-be Taiko drummer – standing in a sleeveless T behind a tom and a snare – created a steady stream of sleepy homage to the early days of rock on Wednesday night. Lingering perhaps a bit too long on their old stuff, they eventually got around to new cuts like “You Want the Candy” and even a Stereolab cover, “French Disko,” to boot. New, old, or other, the music they play comes deadeningly [sic], unmistakably alive in its solemnity.

Their 4’s, 8’s, and 16’s are layered to taste and well loved by the San Franciscans who packed the house, one of whom couldn’t restrain his zealous “Welcome to San Francisco!” between the first and second numbers of what was to be a compact, though nonetheless decorous set. A quiet “thank you” was returned by the 6-foot, superduper-Cholula-hot Foo, who proceeded to slay the same three chords over and over to the indolently unanimous enjoyment of the audience. They even played a song in 6 (or was it 3?) towards the end of the set: good news for fans who’d like to see them expand their horizons just a bit.

Ammiano: Bay Guardian wins

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Today’s Ammianoliner:

Bay Guardian wins suit against Weekly for aggressive panhandling.

(From the home answering machine of Sup. Tom Ammiano on Thursday, March 6, 2008.)

Poking Silver Jews: Why’s Yoni Wolf on jogging for self-esteem and on nudging David Berman

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Why?’s “Dumb Hummer.”

Yoni Wolf of Why? is a card – and full of great tales of adventures here and away. Here’s more from his interview; for the first part, see this week’s Sonic Reducer. Why? also performs tonight at Great American Music Hall.

SFBG: How did you get into jogging? And where do you jog?

Yoni Wolf: I jog in the hills behind Piedmont Avenue usually.

SFBG: What about Mountain View Cemetery?

YW: Everyone seems to know about that shit. I’m not telling anyone exactly where I’m jogging because I look like a fucking idiot. Actually my ex-girlfriend told me an incredible story. This is the girl that a lot of these songs are about and shit.


Why?’s “Rubber Traits.”

Guardian Eye: Rainbows on metal

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We’ve invited fab (and acclaimed!) local photog Darwin Bell to share some of his photos with us throughout the next month, and tell us what the heck he was thinking when he took them.

Metallic Rainbow

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Darwin Bell: “This is the outside of the new(ish) De Young Museum in Golden Gate Park. This is another fascinatingly designed SF building and definitely a challenge to photograph. Because of its size and shape, it is difficult to photograph as a whole, so I favor photographing fragments like this.”

Got moths? Read Dr. Harder’s debunking report

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Dr Daniel Harder, one of the authors of the report into integrated pest management practices in New Zealand, told me that he was motivated to go to New Zealand to carry out research on the Light Brown Apple Moth, because he is the executive director of UC Santa Cruzs arboretum, which has over 10,000 species in its plant collections that are from New Zealand and Australia, and therefore wants to protect these collections.

“We have a long standing relationship with people in those countries and so we called them and asked, ‘what’s up with this insect?'” Harder recalls.

He says USCS’s arborteum uses integrated pest management techniques and was found to have LBAM when inspected last fall.
“We elected not to use organophosphates,” Harder said, noting that while the arboretum sells plants, and likes the revenue from them, it’s not in the same situation as local farms and nurseries, who saw significant revenue loss last fall, if they had been sprayed, compared to farmers and growers who could say they were outside the spray 9and therefore quarantine) zone.

Harder said that the main reason New Zealand controls LBAM, which he says is a “minor pest” is because it’s a trade barrier to shipping to the United States, just as the US now faces quarantines from Canada and Mexico over LBAM’s detection in California.
“China has been considering quarantining California, too” Harder says.

With 17 million people now in CDFA’s proposed spray zone, Harder says “The gorilla in the room is the eradication program, which as proposed, won’t work.”

To read more about the moths in all their fluttering glory, read the report, authored by Harder and Soquel nursery owner Jeff Rosendale, at the website of Assemblymember John Laird, who has been dealing with aerial spraying since last fall, when CDFA did their aerial bombardment of Santa Cruz and Monterey counties.
http://democrats.assembly.ca.gov/members/a27/pdf/HarderNZReportFINAL.pdf

Is the Moth Menace overstated?

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Last week, during my research into this week’s Light Brown Apple Moth story, a couple of sources spoke off the record about research that they intimated will prove that the LBAM risk is overstated. Today that research was released and its authors claim that LBAM is controlled by naturalpredators, a claim based on what the authors describe as a fact-finding tour to New Zealand. (New Zealand is also where the California Department of Food and Agriculture and the US Department of Ag are currently conducting trials on a new, longer lasting, pheromone spray.)
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In a press release sent to the Guardian, Dr. Daniel Harder, botanist and Executive Director of the University of California at Santa Cruz Arboretum, and Jeff Rosendale, a Watsonville grower and horticulturalist, said that during a three-week, 3,000-kilometer fact-finding study in New Zealand, they earned that “80 to 90 percent of LBAM larvae are destroyed by natural predators and never mature.”
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The report’s authors also said they also spoke with current research experts on LBAM in New Zealand’s government agricultural agency, HortResearch.

“The success of New Zealand agriculture and horticulture professionals in controlling LBAM and other leaf-roller pests using Integrated pest management techniques and few or no chemical applications is a model of best IPM practices that can be readily adopted in California to control LBAM,” the report’s authors stated .
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Liam Finn sends hearts a-flutter

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By Todd Lavoie

Sweet sufferin’ divine, I’m smitten! Liam Finn‘s just-released debut, I’ll Be Lightning (Yep Roc), is quite the fully formed, sure-footed opening howdydoo – nothing but pure shiver-me-timbers falsetto flutters and endearing pop-thrills melodies, frequently offered with disarming vulnerability. It’s an honest-to-goodness gem – the musical equivalent of a late-night get-together with an old friend. It’s warm and comfy and familiar, yet still pulsing with the potential to surprise. Most impressive of all, Finn practically orchestrated the whole thing himself: guitars, drums, keyboards, you name it. And apparently our man knows how to work the same go-at-it-alone magic onstage – see for yourselves Friday, March 7, when the veritable one-man-band headlines the Bottom of the Hill.

Diehard Kiwi-pop fans will be quick to point out that I’ll Be Lightning isn’t Finn’s first charge out of the gates: prior to going solo, the 24-year-old son of Crowded House crooner Neil Finn was the lead vocalist of Betchadupa, a New Zealand band specializing in oddball pop. Good luck finding any of their stuff over here in the States, though, and if you do, expect a hefty import-price sticker slapped on the front of that baby. And if we’re going to indulge in any further hair-splitting, I might as well mention that Finn’s solo spin has been available in Australia and New Zealand since August of last year. For most of us, though, it’s a fair bet to say the guy’s only just now sliding within the reach of our radar. Hell, last night I even caught one of his videos on MTV while flipping channels – and I didn’t even think they still played music on MTV anymore!

First off, I’ll address the inevitable question sure to be a-popping in the minds of many: yes, Liam does indeed share a few vocal similarities with his dad, the honeyed tenor gliding atop such timeless swooners as Crowded House’s “Don’t Dream It’s Over,” “Better Be Home Soon,” and “Private Universe,” as well as Split Enz classics such as “I Got You.” Finn the Younger is hardly a dead-ringer for Finn the Elder: Liam appears more willing to show off his rougher edges than Neil ever was, but it doesn’t exactly require much straining to pick up on the likeness, either.

Affordable Housing Initiative on June ballot

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It’s official. The Affordable Housing requirement for the Candlestick Point and Hunters Point Shipyard Mixed Use Development Project Initiative, has qualified for the June 3 ballot.

This means that voters will decide on two BVHP-related measures this summer: the Lennar-led Mixed Use Project for Candlestick Point and the Shipyard, and the community-led Affordable Housing requirement, which demands that 50 percent of housing to be built as part of the Lennar led project, be affordable

Michael Cohen of the Mayor’s Office of Economic and Workforce Development complained, at a SF4Democracy presentation last night. that the community initiative has been drawn up without an economic feasibility report. Cohen also told the Guardian, when I asked about Lennar’s troubled financial picture, that it’s not written in stone that Lennar would be the Candlestick/Shipyard project developer.

Either way, it looks like issues around Lennar’s less than perfect environmental monitoring performance at the Shipyard won’t be going away any time soon.

Sonic Reducer Overage: Michael Pitt, Kira Lynn Cain, Ex-Boyfriends get you outta the house

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Dreamy Dreamer: Michael Pitt breaks out of Pagoda mode to perform solo.

Ah, SF, gotta love your live music. There’s more music than we can shake a stick at in the next few weeks, SXSW or no SXSW. Hark, are a few more ways to get into trouble:

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Kira Lynn Cain

Track The Ideal Hunter (Evangeline), singer-songwriter Cain’s forthcoming album, live as “Class of 2007”’s noirish class act opens for her paramour Jeffrey Luck Lucas and American Music Club player Danny Pearson. Wed/5, 8 p.m. doors, $5. Red Devil Lounge, 1695 Polk, SF. (415) 921-1695.