SFBG Blogs

Whining at the Weekly

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My old pal Andy Van De Voorde is back. Village Voice Media, which owns the SF Weekly and is now pleading poverty, managed to fly Van De Voorde and the two top comany executives, Mike Lacey and Jim Larkin, in to San Francisco for the hearing Friday on our lawsuit. And Van De Voorde, writing as The Snitch, has put forward a remarkable work of journalistic whining.

Oh, dear, says Andy; Judge Marla Miller is prepared to accept the jury’s verdict after a five-week trial and follow the law by issuing an injunction. Requiring the Weekly to follow the law would violate the First Amendment.

There are a couple of key points that he misses.

One is that courts have found consistently over the years that newspapers, despite their First Amendment protections, are also businesses — in some cases, big businesses — and have to follow the same sorts of basic regulations as all other businesses. It costs money to comply with OSHA rules, the National Labor Relations Act, and environmental laws. It’s costing the Guardian (and, I assume, the Weekly) a bit of cash to comply with the city’s new health-insurance law. Should those laws be invalidated because complying with them means I as an editor have less money to spend on reporters and freelancers?

Be serious.

The other point that he misses is that the Unfair Practices Act, the Progressive Era law designed to keep small business from being destroyed by giant predatory competitors, actually promotes the goals of the First Amendment, which, history tells us, include the notion that a broad variety of voices in the marketplace of ideas make for a healthy democracy.

Preventing one large media company from driving a locally owned competitor out of business is a positive result.

See, the Weekly can whine about the First Amendment all it wants, but a jury found that the 16-paper chain, with revenues of some $150 million a year, that owns the Weekly, was trying to silence a First Amendment-protected local San Francisco voice. The Weekly wanted to shut us down, in part because the owners of the chain don’t like what we have to say and the way we say it.

Um, Andy, isn’t there a First Amendment issue there?

If the Weekly now wants to whine about the size of the verdict, let me say for the record that we have warned these folks repeatedly, going back more than five years, that they were violating the law. When we first sent a warning letter, we asked for no damages at all; all we wanted was for the predatory activity to cease. We filed suit only because we had no other choice — and even after years of litigation, the jury found that the below-cost selling continued, up to the moment of the verdict.

And now we have no choice but to ask for an injunction, to do what we tried to do from the start: Make these guys follow the law.

Now the Weekly and its parent, Village Voice Media, have resorted to trying to overturn the Unfair Practices Act and complain about their First Amendment Rights.

Boys: As my late grandfather, the Honorable James C. O’Brien, a New York State Supreme Court judge, used to say, you made your bed — now eat it.

McCain’s next preacher problem

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Okay, John McCain has yet another problem with his connections to crazy bigoted preachers. Check this out.

Burning Man ’08 to be terrifyingly sober

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Burning Man will lose all meaning this summer for thousands of revelers who will attempt to attend the event under a dark cloud of startling sobriety.

That’s because a man named Yacov “Jacob” Yida was sentenced today in federal court for conspiring to smuggle into the United States 500,000 ecstasy pills from Paris to California.

The U.S. Attorney’s Office is claiming that the pills had a street value of about $15 million. If you know anything about the drug war, $15 million is probably a vastly overstated figure, but that’s still a lot of fucking drugs now unavailable to people with bad dye jobs and goggles as accessories.

So now what are you people going to do? Rely on cocaine, booze and pot alone to convince you for two weeks that bolting back and forth across the desert next to a guy in a leather thong who works as a corporate branding consultant by day is a good idea? That surely won’t be enough.

Okay, okay. So we’re being a little cruel. Yida actually arranged the sale all the way back in 2000, according to court records, which means that short-lived void in the black market is long gone.

A confidential source tipped off the feds to Yida’s pending exchange, and when the shipment arrived in the United States, it was intercepted by narcs. Yida fled the country to Mexico before police could nab him, but he was extradited in 2005. He was convicted by a jury in December of 2007 and today sentenced to 121 months in prison.

Guardian poised for legal victory

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Judge Marla Miller appeared poised May 9th to finalize a $15.6 million award to the Bay Guardian and to issue an injunction barring SF Weekly from continuing to sell ads below cost.

In a post-trial hearing on the Guardian’s lawsuit against the Weekly and its chain parent, Miller said she was inclined to rule that some, but not all of the damages a jury awarded to the Guardian in March should be trebled. And she said in a tentative ruling that she was prepared to issue an order forbidding the Weekly from engaging in further predatory behavior.

The ruling hit the front page of Sfgate this afternoon with the headline “SF Weekly loses big, again.”

Electronic Arabic: Jef Stott gets worldly at Bollyhood

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By Vanessa Carr

Jef Stott has been a producer and remixer on San Francisco’s global electronica scene for over a decade. But this Saturday night (5/10) at Bollyhood in the Mission, Stott celebrates the release of his first full-length album – Saracen – on Six Degrees .

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Stott fuses Arabic and Turkish rhythms with both electronic and acoustic beats and textures. What sets him apart from many of his world music peers is that – rather than merely sampling – Stott is a multi-instrumentalist who plays a wide range of instruments. On Saracen, he plays oud (Arabic lutes), saza and cumbus (Turkish lutes), the Persian santur, bass, and percussion. He also invites a number of guest musicians, including well-known Tunisian vocalist MC RAI.

Stellamara, whose blend of Middle Eastern and Balkan sounds and ambient rock awakened his interest in the devotional aspects of music beyond its entertainment value and led him to intensively study the oud under internationally known musicians Hamza El Din and Omar Faruk Tekbilek.

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What is especially remarkable about Stott is his humility, reverence for his teachers and peers, and willingness to talk and think deeply about issues of cultural appropriation in world music.

SFBG: You have a background in heavy metal and art rock. When did you get interested in playing Middle Eastern music?

Jef Stott: [Playing in Stellamara] is when I made the big switch. That is when I picked up the oud, sold all my electric guitar equipment, and really got deeply interested in Arabic, Persian, and Turkish music. I almost abandoned everything I had done up to that point and started on a whole new path.

Dolores Park Movie Night — it’s people!

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By Justin Juul

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Thursday nights usually suck, but they just got a whole lot better. That’s right ya’ll, Dolores Park Movie Night is back in action. Last night’s screening of Soylent Green marked the second show of 2008, but there are plenty more to come. So get your BBQ grills, your mini-kegs, and a blanket; and don’t forget to bring a few bucks for the pot-brownie dude. You might not be able to hear the sound and you probably won’t be able to see the screen much, but you can rest assured you’re going to see some fresh costumes and drink a lot of beer. Plus, popcorn!

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Dolores Park Movie Night
Free from April to October
The Second Thursday of Every Month @ 7:00pm
doloresparkmovie.org

Runnin’ through the Supergrass with “Diamond Hoo Ha”

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By Todd Lavoie

Supergrass, “Diamond Hoo Ha Man”

Perhaps it’s perfectly fitting that the lads in Supergrass — cheeky as they’ve always been — are the ones in the much-ballyhooed Britpop pack having the last laugh after all. Chalk it up to their boyish exuberance, I suppose, or maybe to their steadfast refusal to take themselves too seriously, but the Oxford stompers are now deep into the double-digit years of their career, and still sounding remarkably fresh with each release, while so many of those acts once mentioned in the same breath have either broken up or lost their relevance.

The once-ubiquitous movement, which the British music press essentially heralded as something akin to the second coming of Christ, complete with its share of messianic drama and seething rivalries, had a great run for a while there, beginning around the mid-‘90s and lasting through the turn of the century. Blur, Oasis, Pulp, Suede, Elastica, Sleeper — they were some of the big-hitters at the center of it all, unapologetically celebrating Britishness, flag-drapery and all, through a spirited revisit of ‘60s Mod culture, punk/post-punk jitters, and New Wave electro-romanticism.

When Supergrass showed up, still in their teens and hardly concealing it, the bright-eyed scruffs seemed like the younger, sillier siblings to the art-school grads of Blur and Pulp. I imagine many folks would’ve never guessed at the time of their breakthrough 1995 single “Alright” (yep, as in “We are young/ we run green/ keep our teeth nice and clean/ see our friends, see the sights/ feel alright” — recently snagged by Walt Disney world for their feel-good commercials) that the band would still be going strong thirteen years later. Nothing against them, of course, it’s just that bands sticking together for more than a decade are a bit of a rarity.

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But here they are, and their recently Brit-released sixth album, Diamond Hoo Ha (Parlophone/EMI) – to be released here 6/10 on Astralwerks — is a winner. With the demise of Pulp and Elastica and Sleeper and Suede fading further by the day, and in view of Blur’s highly unlikely on-again/off-again reformation rumors and Oasis’s having long since lost the plot, it looks like Supergrass might strike the double-bonus of longevity and sustained relevance. Hmmm, feel alright, indeed.

More than just Mirkarimi’s kickoff

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Image from sfgreenparty.org

Supervisor Ross Mirkarimi kicks off his campaign for reelection this evening at Yoshi’s Jazz Club in the heart of the Fillmore. The Board of Supervisors’ only Green Party member is popular in his District 5 — made up of the super lefty Haight and crime-plagued Western Addition, where Mirkarimi has shown real leadership in pushing police foot patrols and other reforms — and is expected to cruise to a relatively easy victory.

But today’s event carries a far larger symbolic significance: it is the beginning of a long campaign to create a progressive narrative for San Francisco that counters the centrist and fairly superficial approach of Mayor Gavin Newsom. And that’s a struggle that will carry through this fall’s high-stakes supervisorial elections, into the vote for a new board president in January, and on into the next mayor’s race — all of which could feature Mirkarimi in a starring role.

The new San Francisco Planning Commission

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By Marc Salomon
Sweet turnabout at the Planning Commission last evening. Who of us on the east side can forget the heady days of the dot.com boom, when Willie Brown was running the City like a personal piggy bank for his developer cronies (instead of Newsom who gives it all away and gets nothing in return) which resulted in live work lofts sprouting like bulky tall mushrooms throughout the Mission, SOMA and the 3d street corridor?

The language used to justify these yuppie monstrosities was truly twisted, most of it mouthed by Willie Brown’s short leashed then-Planning Commission president Anita Theoharis. The logic went as follows: we need more housing, so let’s build live work lofts. We can build live work lofts in the districts zoned industrial, where housing is banned, because live work lofts are not housing. This reasoning enriched the builders while impoverishing the community as lofts were not charged for their impacts like housing because, silly, lofts are not housing.

But things have changed now.

Ammiano touts Rush Limbaugh

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Today’s Ammianoliner:

Rush Limbaugh can’t come to the phone right now. He’s on a baby seal hunt. MMMMMMMMMMm. Good eating.

(From the home telephone answering machine of Sup. Tom Ammiano on May 8, 2008). B3

Examiner expanding to Sundays

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Editor & Publisher is reporting that the San Francisco Examiner will be creating a Sunday edition of the paper and also expanding its Thursday edition. Right now it’s published six days a week. It will also be scaling back home delivery of the free paper — residents have been enraged over them piling up on their porches — to Thursday and Sunday.

It seems odd that a newspaper company would be growing its deadwood edition when so many dailies are laying people off and trimming back operating expenses. But one theory says that the Examiner papers, which are also available in Washington and Baltimore, are popular even among younger readers because they’re free, easy to pick up on the way to public transit and contain mostly boiled down local coverage. The company that owns the Examiner, Clarity Media Group, took over the Examiner in 2004 after the Fang family nearly ran it into the ground.

SFIFF notebook: Ludivine Sagnier x 2

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By Jeffrey M. Anderson

That blond firecracker Ludivine Sagnier, 28, turned up at the festival to accompany her new film A Girl Cut in Two, directed by the French new wave filmmaker Claude Chabrol, and she was gracious enough to sit down with me for a chat. Sagnier is happy to talk about her character Gabrielle Deneige (or “Gabrielle Snow” in the English subtitles), a television weather girl who becomes torn between two men, an older, married author and a younger, rich, spoiled brat. But she’s tickled to tell stories about her legendary director.

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Ludivine Savignier times two.

“It was amazing,” she says. “I thought I would never work with him because I didn’t have that high society profile. I wasn’t bourgeoisie enough to work with him. I actually felt like I was suddenly printing my name in the history books. Chabrol is such a monument in France. Not even working with him, but only talking with him was amazing. He would talk to me about Alfred Hitchcock: ‘Oh Alfred asked me if I wanted to shoot a sequence in this movie.’ Suddenly he’s speaking about something that’s far away, that belongs to history, but it’s next door. Those were privileged moments to be able to share all those stories with him.”

SFIFF award winners: Up the Yangtze and Ballast

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The SF International Film Festival’s Golden Gate Awards ceremony took place last night. Below, Jeffrey M. Anderson sounds off on two films that nabbed honors: Best Documentary Feature winner Up the Yangtze, by Yung Chang, and FIPRESCI winner Ballast, by Lance Hammer:

By Jeffrey M. Anderson

The documentary Up the Yangtze is a perfect companion piece to Jia Zhangke’s Still Life. Both deal in specific ways with China’s humongous Three Gorges project, although neither film ever goes into detail as to what the project — which will displace some 2 million people — is supposed to accomplish.


A trailer for Yung Chang’s Up the Yangtze.

Hot Jew-on-Jew action

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We’re getting word of a big standoff going on right now at San Francisco’s Jewish Community Center on California Street, where 30 Jewish activists protesting Israel’s policy toward Palestinians have blockaded the doors during an event celebrating the 60th anniversary of the establishment of the state of Israel. Police have reportedly shown up on the scene of the “No Time to Celebrate” protest, which also includes another 40 or so Jewish and Palestinian supporters, and arrests are expected.

Mayor Gavin Newsom just returned from a trip to Israel, where he told The Jerusalem Post that much of the criticism by Bay Area residents of Israel’s mistreatment of Palestinians and its longstanding military occupation of parts of Syria, Lebanon and Egypt was simply anti-Semitism, something these Semitic anti-war activists just might take issue with.

Tolls going up at Golden Gate

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Officials at the Golden Gate Bridge are pondering a $7 toll. In early April, we brought you a story outlining why the bridge district was facing a $91 million long-term deficit. Part of the reason is that it operates a transit system that’s incredibly expensive. We all love public transit, of course, but the Golden Gate Bridge’s bus and ferry system, we discovered, isn’t all that efficient. (By the way, it took us a damn long time to understand how the feds crunch transit efficiency figures, but once we figured it out, it made a lot of sense.)

We also showed that the district’s overloaded board of directors contained members who received health insurance coverage through the district, but they also obtained it in the towns where they lived and worked as local public officials. One guy even got three layers of health coverage. Inducements to get out of the car, like high gas prices and bridge tolls, in the long run seem like a good idea. But it doesn’t look like higher tolls are going to save the bridge district from its long-term debt and organizational problems.

Lit and Film: Mostly True and Who is Bozo Texino?

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“I hear you callin’, baby, but you ain’t gettin’ me. Not today, anyhow.”

This week’s Guardian features a trio of railroad-related stories. On the Lower Frequencies author Erick Lyle writes about the train-hopping photos of the Polaroid Kidd and the words and images of William T. Vollmann. Cinema Scope chief and film programmer Mark Peranson talks with James Benning about his new movie RR. And Bill Daniel talks about the passions and motivations behind his new book Mostly True, which mixes a wealth of new and vintage print material with excerpts of his beautiful train-tagging movie Who is Bozo Texino?.


The epic account of the improbable discovery of the world’s greatest boxcar artist.

Cutest. Platypus. Ever.

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So — at last! — the platypus genome has been decoded, and it’s apparently a doozie, much like the duck-billed, egg-laying, fur-covered, milk-producing wonder of nature itself.

Even more interesting for me this morning, however, was the discovery that a baby platypus is called a puggle. And that it looks like this:

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Puggle-Aaaaw! Pic from NYtimes.com

May I be the first to cry out “Save the Nature!” at the sight of this adorable creature?

Pics: Reliving Coachella — That Pig! And more

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Fab photog Tommy Brockert‘s Coachella photos keep streaming in …

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The light side of the pig — from Roger Waters’ Pink Floyd flashback set

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Future indie addicts

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London DJ Erol Alkan’s first West Coast appearance blew the crowd away

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The lights at night

Concours d’Vrrroooommm

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While we shine a little frowny face upon fossil fuel burning for the sake of it, we’re suckers for antique motos (and, occasionally, their riders). David Carini checked out the International Concours d’Elegance.

Classic motorcycles sprouted from the lawn of the Ritz-Carlton in Half Moon Bay on Saturday May 3 as enthusiasts, mostly old white men, drooled over immaculate bikes of almost every brand and decade.

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At Legends of the Motorcycle (aka International Concours d’Elegance), an annual event in its third year, contestants enter their meticulously restored motorcycles into one of several categories, from early production models from the turn of the 19th century to modern custom bikes, and then each category is awarded prizes.

Every year, there has been a focus on a particular brand, this time honoring Italian manufacturer MV Augusta and British Norton. As judges toured the golf course-like lawn, these bikes had the chance to rumble alive as many 70+-year-old men stared like children at a new toy under the Christmas tree.

The foggy morning started in the Dainese (a motorcycle apparel and helmet manufacturer) Tent with the unveiling of new safety technology and a collaborative effort with AGV (an Italian helmet) to unveil a limited edition Giacomo Agostini helmet.

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Barbara Walters, chains, and whips

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Today’s Ammianoliner:

Barbara Walters reveals affair and a predliection for chain stores. Chains and whips. mmmmmmmmmmmshe says.

(From the home telephone answering machine of Sup. Tom Ammiano on May 8, 2008). B3

Rising rents in San Francisco

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I’ve accomplished a difficult feat that may become impossible in coming years: I rented a room in a decent neighborhood in San Francisco for $550. It wasn’t easy. Searching Craigslist, spamming my friends, and looking at about 20 apartments over the last couple weeks has been like having another part-time job. And my success story was only the result of finding a tiny room in a rent-controlled four-bedroom apartment where some good friends live.
Rents and the number of apartment-seekers are both on the rise and the number of rental units is falling, a perfect storm hitting low-income San Franciscans who hope to stay in The City.

“The rents are definitely going up on the vacant units, and for various reasons, the supply is declining,” says Ted Gullicksen, executive director of the San Francisco Tenants Union. Some of those reasons include condo conversions (which number 2500 since 2003, according to the latest Planning Department figures), demolitions, temporarily rented SoMa condos taken off the rental market, and would-be home owners driven to rent by foreclosures, still-high prices, and fear that they bottom still hasn’t been reached (check here for some interesting rental data compiled from Craigslist listings).

Another peaker analysis

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Steven Moss, of SF Community Power, an organization that does energy efficiency work with small businesses, sent us an analysis showing we don’t need the peaker power plants.

Check it out. (It’s an Excel file.)

“This is all publicly available data,” Moss told us. “And all the data is right there. People can mess with it any way they want,” he added, encouraging number crunchers to dig into the spreadsheet.

For example, the tab titled “DC Line 72 Trans” was generated “based on Cal-ISO’s claim that 28 percent of transmission is not available,” said Moss. According to their analysis, with the Transbay Cable online, we’d still have a 100-megawatt cushion of extra power.

Moss said the data was collated and crunched by James Fine, an economist for the Environmental Defense Fund, and Richard McCann, of M.Cubed, who doesn’t seem like a slouch either.

Fine told me they did the analysis about a year ago and it came from questioning whether or not the city needed the 400 megawatt Transbay Cable. They assumed we’d have the peakers and factored them in. Now we’re getting the cable but questioning if we need the peakers, so the data’s the same but the question is different. Moss presented this data to the Mayor’s office last week. Mayor Newsom’s support for the peakers seems to have waned a bit recently.

Of Katie Couric and Dan Rather

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One female anchor is losing her job; another, her clothes

By Leslie Griffith

When Katie Couric was given the title of “America’s sweetheart it was a death knell. America relishes devouring its sweethearts.

If the news magazines and newspapers are correct, Katie Couric’s career at CBS, much like Dan Rather’s, is toast. The last chapters of this complex and revealing human drama are not written yet. But the plot, the sub-plots, the dialogue, the public’s perverse interest, and the motivations are nothing if not Shakespearean.

Two years ago, Couric was the first woman to anchor the evening news broadcast on one of the big three networks. On that day, I was called by local reporters for a quote. My own career in television began 26 years ago, about the same time as Couric’s. “It’s about time,” I told the newspaper reporters.

Couric and I have a few things in common. Bay Area viewers watched as I grew up before their eyes just as Katie Couric grew up in full view of the nation. Wives use to say in various ways, “You are the only other woman I will let my husband bring into the bedroom.” The intimacy of television is still very real, but the truth tellers of old are becoming history.

Woolsey endorses Leno

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Just heard from Mark Leno that Lynn Woolsey, the popular Democratic Congressional Rep. from the North Bay, has endorsed him for state Senate. I suspect Woolsey, like many of us, has come to believe that, for better or for worse, this is a two-person race at this point between Leno and Joe Nation.