The latest Field Poll results confirm what I and others here at the Guardian have been saying since the California Supreme Court’s ruling legalizing same sex marriage came down two weeks ago: this long, divisive fight is basically over in California. Gay and lesbian couples will start getting married in a couple weeks and will likely be able to keep doing so forever, as it should be.
California voters simply won’t be willing to write discrimination into the California constitution, particularly after it has now been validated by the high court, the California Legislature (twice), and even gay marriage opponent Gov. Arnold Schwarzenegger has called for respecting the ruling and said he’ll campaign against the fall ballot measure that would outlaw same sex unions.
Those are dynamics that even the best “marriage is between Adam and Eve, not Adam and Steve” campaign are not going to overcome.
SFBG Blogs
Getting past gay marriage
Who loves Bobby and Blumm?

Bobby and Blumm
Everybody Loves
(Morr Music)
By Max Goldberg
Over the last decade, Berlin label Morr Music has carved its niche as a purveyor of delicate down-tempo pop. Bobby and Blumm’s debut, Everybody Loves, is as winsome as it gets, though W.S. Blumm’s electric hollowbody guitar imbues the sweet-nothing melodies with an autumnal glow.
Blumm, a classically trained musician, has himself released three fine solo albums of Burt Bacharach-inspired electro-pop on Morr, but Everybody Loves resulted from his joining up with Swedish vocalist Ella “Bobby Baby” Blixt. The chamber-folk compositions and subdued vocal melodies make Bobby and Blumm seem like the European answer to Massachusetts stalwarts Damon and Naomi.
Blumm’s ultra low-key electronic crackles and Blixt’s confounding English lyrics (“I’m super real / I’m a future present / in the future present”) give Everybody Loves a tentative, dissipating quality, though it’s a beautiful fog while it lasts.
SPORTS: The westies of Red Sox Nation
By A.J. Hayes
A cursory inspection of the sea of fans sporting navy blue and crimson at the Oakland Coliseum this past weekend proved that a) Boston Red Sox fans travel really well. And b) David Ortiz replica jerseys are not limited to “Big Popi” sizes.
Dozens of men, women, teens and toddlers of all dimensions ringed the stadium, spreading New England support from foul pole to foul pole and representing Ortiz, the Red Sox massive slugger. And those not wearing Ortiz’s iconic No. 34 modeled jerseys and t-shits representing the likes of Manny Ramirez, Kevin Youkilis, and Jonathan Papelbon. Sprinkled among them were some retro pieces featuring the numbers of Jim Rice, Carl Yastrzemski and Ted Williams.
No matter how Oakland fared on the field against the visiting Bosox, the Green and Gold bean counters knew in advance they would be big winners at the box office. Boston is the hottest ticket in baseball and the Red Sox currently lead the American League in road attendance with an average of nearly 35,000 fans per road game. Plus, the A’s charge more for their tickets when the world champs come to town. In all the three game set in Oakland series netted 97,592 customers.
But long before the Red Sox won two world championships over the past four seasons, the Red Sox were a big draw in the Bay Area. During the Red Sox inaugural inter-league visit/invasion of San Francisco a few seasons ago, Boston fans famously took over the lower grand stand of the Giants freshly minted ball park.
New England and the Bay Area have their share of bicoastal similarities. Both area have Irish/Italian roots; both have legendary sea ports, each has boho street cred and each region is over-shadowed by neon glitz to the south.
Prior to Saturday evening’s contest at the Coliseum we ventured into the heart of the Red Sox Nation’s west coast capitol and let it’s citizenry speak for themselves.
Ray Remocapozzi, 35, sporting Bosox cap and t-shirt:
“I grew up and live in Reno and try to make it out to the Bay Area every time the Red Sox come in. My mom and dad are originally from the Boston area and my half-brother, who is 18 years older than me, turned me on to the team. When I was growing up he brought me a bunch of Red Sox stuff: caps t-shirts, pennants. Naturally, I rooted for them. This is the second time seen the Red Sox this year and the second time we’ve brought our two-year old daughter (out-fitted in Lil’ Popi tee). Red Sox fans are a tight knit group and we run into the same people year after year. This is Red Sox Nation way out west.”
Do people remember Chevron’s abuses? People do

By Maria Dinzeo
The agenda at Chevron’s annual shareholders meeting will be slightly different this year, as representatives from Nigeria, Ecuador, and Burma descend on the meeting to finally have their say. For years, Chevron has been accused of myriad human rights and environmental abuses, from having nonviolent protestors gunned down in Nigeria to the dumping of toxic waste into Amazon waterways in Ecuador.
Tomorrow, representatives from these countries will voice their concerns directly to shareholders and executives. Amazon Watch Director of Communications Simeon Tegel told us the event was designed to “potentially help shareholders become more active” in pressuring Chevron executives to finally address and rectify Chevron’s abuses.
“One hopes they are human beings too, although sometimes it’s hard to tell. But perhaps they will be motivated to do something, either from pressure from their shareholders or from the kindness of human nature,” said Tegel.
Chevron’s human rights violations are not limited to abuses abroad. Richmond has long felt the sting of Chevron’s environmental negligence, despite the company’s soaring profits. While Chevron promises more energy efficient oil refining methods, they continue to belch toxins into the air over Richmond, and plans for a $1 billion expansion of their Richmond refinery has increased resident’s health and safety concerns.
“Change is a long time coming,” said Rosi Reyes, spokesperson for the Asian Pacific Environmental Network. “Unfortunately, the citizens of Richmond have read through Chevron’s Environmental Impact Report and they feel that there are empty promises. Chevron continues to use equipment that is over 35 years old, and everything in the report points to [Chevron] refining heavier crude oil.”
Reyes said that the City of Richmond’s aims to wean itself of its oil dependent relationship with Chevron: “We want Chevron to put a cap on crude oil and put money into green energy,” she said.
Though contacted repeatedly, Chevron’s Media Relations Department was unavailable for comment.
Although Richmond representatives will not be allowed inside the meeting, they hope to confront Chevron executives through their protest outside. Said Amazon Watch spokesman Mitchell Anderson, “[Chevron] may not be listening, but they will definitely hear us tomorrow.”
Putting the “Van” in “Van Morrison”
By Phil Eil
I was walking down Mission Street the other night, just South of Cesar Chavez, when I saw something that made my heart skip. No, it wasn’t another ex-girlfriend lookalike (they’re everywhere, I swear), it was a 1991 white Toyota Previa — a doppelganger of my first car — parked in front of The Knockout.
The Previa, if you don’t know, was a Toyota minivan produced from 1991 to 1997 (their popularity followed roughly the same arc as Soundgarden’s). With a name derived from the Italian word “to preview” or “to look ahead,” Previa enthusiasts, past and present, agree — the Previa was a visionary feat of engineering.
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Lennar coverage wins awards
Just as San Francisco voters prepare to cast ballots that will determine whether controversial megdeveloper Lennar covers Candlestick and Hunter’s points in 10,000 new homes, the Guardian is being honored for stories that exposed the company’s local misdeeds. A series of stories by Sarah Phelan showed how Lennar (with the support of Mayor Gavin Newsom and other high-profile political allies) failed to monitor or control toxic dust at its Parcel A site on Hunter’s Point, allegedly retaliated against whistleblowers, and bought off allies in its campaign to avoid accountability for its actions. Phelan’s stories are being honored in the Association of Alternative Newsweeklies’ prestigious “Investigation Reporting” category, while Guardian coverage of the MediaNews merger and its facilitation by Hearst Corporation (owner of the Chronicle) is a finalist for AAN’s first-ever Public Service Award. The project was led by staff writer GW Schulz and was supported by a Guardian lawsuit that made public previously secret corporate documents.
Phelan’s stories are also being honored by the San Francisco Peninsula Press Club (at whose June 5 awards banquet finalists will learn whether they won first place or were a runner up), along with stories by three other Guardian writers and editors: Tim Redmond, Steven T. Jones, and Diana Scott.
Targeting immigrants…in a good way

San Francisco celebrated Spanish-speaking cultures over the weekend with fun Carnaval events in the Mission District, and housing activists followed that up by commandeering six billboards and using them to put out messages in Spanish urging voters to reject Prop. 98, which would end rent control and restrictions on conversion of rental properties to condos.
Members of the clandestine coalition who liberated the billboards say immigrants have already had to endure an increase in immigration sweeps and a rising level of anti-immigrant vitriol from the right, so now is the time to fight back against a change in housing laws that would hit low-income immigrants particularly hard.
One member of the coalition who was named, Ruben Salazar, said in a public statement: “What we need now are big, bold reminders shortly before the election to turn out the vote on June 3. Prop 98 is a wolf in sheep’s clothing hiding from public attention and sneaking into law during an off-season election. We decided to take over corporate billboards to loudly expose the hidden agenda of Prop 98 and to reclaim the corporate media for community use.”
RIP Utah Phillips

This in from Red House Records:
“It is with great regret that Red House Records mourns the loss of our friend Bruce ‘Utah’ Phillips who passed away Friday, May 23, at his home in Nevada City, Calif. In a time when words like ‘icon’ and ‘legend’ are bandied
about too freely, Utah was the real deal: a consummate songwriter, labor historian, humorist and towering figure in American folk music. A true original, we will not see his like again and it was our great privilege to have been able to partner with him on a number of record releases. Our deepest condolences go out to Utah’s family and many
friends and the countless fans who will profoundly feel his absence. His family requests memorial donations to Hospitality House, P.O. Box 3223, Grass Valley, CA 95945; (530) 271-7144; www.hospitalityhouseshelter.org.
“Born Bruce Duncan Phillips on May 15, 1935, in Cleveland, Ohio, he was the son of labor organizers. Whether through this early influence or an early life that was not always tranquil or easy, by his twenties Phillips demonstrated a lifelong concern with the living conditions of working people. He was a proud member of the Industrial Workers of the World, popularly known as “the Wobblies,” an organizational artifact of early 20th century labor struggles that has seen renewed interest and growth in membership in the last decade, not in small part due to his efforts to popularize it. Phillips served as an Army private during the Korean War, an experience he would later refer to as the turning point of his life. Deeply affected by the devastation and human misery he had witnessed, upon his return to the United States he began drifting, riding freight trains around the country.
“His struggle would be familiar today, when the difficulties of returning combat veterans are more widely understood, but in the late ’50s Phillips was left to work them out for himself. Destitute and drinking, Phillips got off a freight train in Salt Lake City and wound up at the Joe Hill House, a homeless shelter operated by the anarchist Ammon Hennacy, a member of the Catholic Worker movement and associate of Dorothy Day. Phillips credited Hennacy and other social reformers he referred to as his ‘elders’ with having provided a philosophical framework around which he later constructed songs and stories he intended as a template his audiences could employ to understand their own political and working lives. They were often hilarious, sometimes sad, but never shallow. ‘He made me understand that music must be more than cotton candy for the ears,’ said John McCutcheon, a nationally known folksinger and close friend.
Reinvention does the trick for Verbena’s Scott Bondy

A.A. BONDY
American Hearts
(Fat Possum)
By Todd Lavoie
Fans of the Birmingham, Ala., grunge-rocking outfit Verbena will likely be mightily surprised by the latest move from former lead howler Scott Bondy: the vocalist, having re-named himself A.A. Bondy in the process, swapped the band’s familiar flannel-isms for moody Delta folk-blues on his solo debut, American Hearts, and the results are a hugely successful re-invention for the artist.
Recorded in a converted barn in the quiet Catskills hamlet of Palenville, N.Y. – most famous for its role as an epicenter of the Hudson River school of romantic landscape painting – the album plays intriguing games with concepts of time and place, making over Bondy’s idyllic new home as a Civil War battleground while offering torrents of hellfire-burning Biblical imagery as well. As it turns out, Southern Gothic knows no boundaries.
Bondy’s husky, weather-beaten rasp proves to be an enormously versatile instrument amid the stark atmospherics of this largely acoustic affair, bristling with end-is-nigh menace on the knife-wielding blues of “How You Will Meet Your End,” but still capable of generating ravishingly woozy gospel fervor on the shuffling “Rapture (Sweet Rapture).” The full-length’s complicated balance of despair and spirituality comes to a head on “Vice Rag,” a Jesus-come-hither Delta hoedown punctuated by conflicting pleas of “sweet, sweet cocaine / won’t you all be mine.” American Hearts’s true highlight, however, is the title track: a protest anthem in which Bondy’s Jesus steers clear of the disc’s ever-looming violence and instead fights for peace: “If your God makes war, then he’s no God I know, ‘cause Christ would not send boys to die.”
A triumphant ‘Thirty Seven Isolated Events’ combines butoh, digital imagery at CounterPulse
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Eyeing Blindsight. Photos by Byian Winters and design by Paige Sorvillo.
By Dina Maccabee
It feels a little overblown to say that Thirty Seven Isolated Events, conceived by choreographer Paige Sorvillo with her company Blindsight and presented at CounterPulse with the San Francisco International Arts Festival, is a triumph of independent experimental performance. It’s a relatively lean production, well-scaled to maximize CounterPulse’s somewhat Spartan interior. Still, for this audience member, there were so many successful aspects in what might have been a risky venture that triumph is the word I’ll use.
Though promotion for Thirty Seven Events uses spiffy words like “intermedia,” dance fans wary of fancy gadgets edging out real-life rippling muscles needn’t be scared off. In fact, displacement of human intimacy and desensitization to violence enabled by ubiquitous modern media are the kernels of Sorvillo’s exploration, and they provide a rich source of imagery and metaphor. The Blindsight company members slithered, twitched, and struggled with determination, fluidity, and tight control, sculpting their own flesh into an unforgettable reminder that real human contact, whether caressing or brusque, is utterly irreplaceable.
Sorvillo’s training in contemporary Japanese butoh clearly played into both the conception of Thirty Seven Events as a platform for dealing with fairly abstract emotional material, and in the style and mood of the movement itself. In the opening passage, Sorvillo writhed in a single column of yellow light, seeming to test the power of her joints and limbs against the pull of gravity in an alternately lyrical and frenzied monologue. But as she pointed out in an after-show panel discussion, the ghostly white body paint and gruesome facial contortions are parts of the butoh vocabulary she’s deliberately left out.
Awesome T-Shirts for Cinephiles
By Justin Juul
Have you been to Lost Weekend Video lately? If not, you better run soon. It’s the only place in the city where you can score one of these limited edition t-shirts by local Bay Area artist, Maria Forde. The Herzog/Kinski and Roman Polanski shirts are almost gone, but rumor has it there’s a Sam Peckinpah line coming soon and she may even do a run of Don Siegel prints. Rad!
Lost Weekend Video
1034 Valencia. SF
(415) 643-3373

Memorial Day in Rock Rapids, Iowa, circa 1940s-50s
By Bruce B. Brugmann
When I was growing up in my hometown of Rock Rapids, Iowa,
a farming community of 2,800 in the northwest corner of the state, Memorial Day was the official start of summer.
We headed off to YMCA camp at Camp Foster on West Okiboji Lake and Boy Scout camp at Lake Shetek in southwestern Minnesota. The less fortunate were trundled off to Bible School at the Methodist Church.
As I remember it, Memorial Day always seemed to be a glorious sunny day and full of action for Rock Rapids. The high school band in black and white uniform would march down Main Street under the baton of the local high school band teacher (in my day, Jim White.) A parade would feature floats carrying our town’s veterans of the First and Second World wars, young men I knew who suddenly were wearing their old uniforms. And there was for many years a veteran of the Spanish American War named Jess Callahan prominently displayed in a convertible. Lots of flags would be flying and the Rex Strait American Legion Post and Veterans of Foreign Wars would be out in force. We never really knew who Rex Strait was, except that he was said to be the first Rock Rapids boy to die in World War I and the post was named after him.
After the parade, we would make our way to our picture post card cemetery, atop a knoll just south of town overlooking the lush green of the trees and the fields along the lazy Rock River.
A local dignitary would give a blazing patriotic speech. A color guard of veterans would move the flags into position and then at the command fire their rifles off toward the river. I remember this was the first time I ever saw a color guard in action, with a sergeant who moved his men with rifles into position with strange “hut, hut, hut” commands.
After the ceremony, everyone would go to the graves of their family and friends and people they knew and look at the flowers that would be sitting in bouquets and little pots by the headstones. The cemetery was and is a beautiful spot and many of us who are natives have parents, friends, and relatives buried here. It is one of the wonderful things that connects us to the town, no matter where we end up.
And so this year I got my annual telephone call from the Flower Village florist in Rock Rapids, reminding me two weeks ahead of Memorial Day about the flowers I always place on the graves of my relatives in the Brugmann plot. I always get a kick out of doing business with Flower Village, because it once was in the Brugmann Drugstore building on Main Street that had housed our family store since l902. It later moved across the street to the building that once housed the Bernstein Department store.
I always ask for the most colorful flowers of the moment and the Flower Village people always put them out on the headstones in the Brugmann plot a couple of days ahead of Memorial Day. Then I call Janice Olsen Friedrichsen in Rock Rapids, a second cousin and my date to the junior high school prom, to remind her to pick them up later and use them at her home.
Ours is an unusual plot, because it holds the graves of my four grandparents, my parents, my aunt and uncle and someday my wife and I.
My grandfather C. C.Brugmann and my father C.B.Brugmann spent their entire working lives in Brugmann’s drugstore, which my grandfather started in l902. My father (and my mother Bonnie) came into the store shortly after the depression. My grandfather A. R. Rice (and his wife Allie) was an eloquent Congregational minister who had parishes throughout Iowa in Waverly, Eldora, Parkersburg (just in the news with a terrible tornado), and Rowan. He retired in Clarion. My aunt Mary was my father’s sister and her husband was her Rock Rapids high school classmate, Clarence Schmidt. He was a veterinarian and a reserve army officer who was called up immediately after Pearl Harbor and ordered to report to Camp Dodge in Des Moines within 48 hours. He did and served in Calcutta, India, as an inspector of meat that was flown over the hump to supply the Chinese forces under Generalissimo Chiang Kai-Shek.
Through the years, Elmer “Shinny” Sheneberger, the police chief when I was in school, would say to me, “Well, Bruce, you and I have to get along. We’ll be spending lots of time together someday.” I never knew what he meant until one day, visiting the Brugmann plot, I noticed that the Sheneberger family plot was next to ours. Every Memorial Day, Shinny takes pictures in color of the flowers on the Brugmann and Sheneberger family graves and sends them to me. I send them on to my sister Brenda in Phoenix and the families of the three Schmidt boys John in Cedar Falls, Iowa, and Conrad and Robert in Worthington, Minnesota.
Every year the rep from our American Legion Post puts a small American flag on the grave of every person buried in the cemetery who served in the Armed Forces. Chip Berg, who was three years ahead of me in school, performs this chore every year.
My uncle gets one. And, Chip assures me, I will get one someday. I earned it, I am happy to report, as a cold war veteran in l959-60, an advanced infantryman at Ft. Carson, Colorado, a survivor of two weeks of winter bivouac in the foothills of the Rockies, and a reporter in the Korea Bureau of Stars and Stripes, dateline Yongdongpo. I am proud of the flag already. B3, who never forgets how lucky he is to come from the best little town in the country
P.S. As the years went by, I became more curious about how my uncle Schmitty, as he was known, could leave his three young boys and his veterinary practice in nearby Worthington and get to Fort Dodge so fast and serve throughout the entire war. I asked him lots of questions. How, for example, did he handle his veterinary practice? Simple, he said, “my partner just said let’s split our salaries. You give me half of what you make in the Army and I’ll give you half of what I make in veterinary practice.” And that’s what they did and that’s how the veterinary practice kept going throughout the war. Schmitty returned to a healthy practice, retired in the l960s, and turned it over to his second son Conrad.
P.S. l: Confession: I was not drafted. I enlisted in the federal reserve in the summer of l958, which amounted to the sme thing, two years of active duty, two years of active reserve, and two years of inactive reserve. I did this maneuver so that I could formally say that I beat Elmer Wohlers. Elmer was the local draft board chief who had spent a little time in World War I, “the big one,” as he would say. He had a bit of black humor about his job and we had a running skirmish for years.
Whenever he would see me on the street in Rock Rapids, he would say, ” Bruce, I’m going to get you, I’m going to get you.” And I would reply, “No, no, Elmer, not yet, not yet.” I think he was particularly annoyed when I went off to graduate school at the Columbia University Graduate School of Journalism in New York City. I would send him cards through the years, from a fraternity party at the University of Nebraska, or from a bar in New York City, saying in effect, but with elegant variations, “Elmer, having a wonderful time. Wish you were here.” And so I ended up with an FR for federal reserve starting the number on my dog tags, not a U.S. I still feel good about beating Elmer at his own game.
DEMF: Girl Talk bumrush, Mr. De’s sexy beach, gettin’ Yeke
Marke “too many pills, you’re not 17 anymore” B is at Movement ’08: Detroit’s Electronic Music Festival. Read part one here, and part two here. Apples! Apples everywhere! Downtown Detroit is a laptop orchard. “Mac should really sponsor these things,” said Hunky Beau, freshly arrived on the scene to improve my picture quality. But the answer is that Mac doesn’t have to — those glowing, half-eaten little beauties speak from the booths themselves.
Oh, that Girl Talk. All pics by David Schnur DEMF’s day 2 was so pleasant it hurt, and the crowd was full of neon-festooned hipsters (they have them here too!) eagerly passing time before new old-school rap duo Cool Kids and sample-happy girly boy Girl Talk hit the the Red Bull stage, which overlooked the Detroit River. We passed the time in the sunny company of the great Mr. De’ featuring Greg C. Johnson, whose “Sex on the Beach” from back in the day is a protobooty classic. The crowd was going nuts — Mr. De’ schooled the “ghetto tech” kids on some real sensuality.
Mr. De’ sexing the keyboard
Greg C. Johnson, pleased Cool Kids gave a predictably stunner set — even calling out to Detroit and pumping some rhymes over ancient electro — and then Girl Talk came on and the crowd went bananas. I’ve never really warmed to the Girl Talk phenomenon. We have great mashup artists in SF, and dropping some Public Enemy over a Toto sample is sooo 2005. Still, the man’s a genius when it comes to party music and self-promotion: who knew all you had to do was post several YouTube vids of kids stage diving off your laptop platform and you could be famous? Well, maybe everybody knows that now, but Girl Talk knew it first. And who am I to argue, even when he dropped his pants and mooned the crowd in his boxers for half his set while he leaned over his equipment. But this year is indubitably Richie Hawtin’s year — despite other hometown giants Kevin Saunderson, Carl Craig, Stacey Pullen, and Alton Miller on the roster — so after a few Girl Talk singalongs (oh yes, there was stage-diving) we went over to the Beatport tent to catch the Windsor homeboy in a harder mood tan the previous night, at least until he dropped Mory Kante’s “Yeke Yeke” and the dance floor exploded.
Richie Hawtin: Gettin’ Yeke
On Memorial Day, see “The Visitor”
By Bruce B. Brugmann
On Memorial Day, see the movie now playing called “The Visitor.” We saw it at the Empire theater yesterday and it broke our hearts. It’s an honest poignant indictment of callous Bush detention and deportation policies of illegal immigrants that have largely gone unnoticed in the mainstream media.
A young Syrian “visitor” seeking political asylum is grabbed on the New York subway by the INS, slammed into an anonymous detention building in Queens with 300 or so other “visitors,” treated harshly, kept virtually incommunicado from his mother, partner, and an economics professor who gets pulled into the story and is trying vainly to help. Then the young man is jerked out of the building and sent summarily back to Syria to face probable political persecution. Bang, just like that. All done in INS bureaucratic secrecy, without due process or even the semblance of fairness or justice or sunshine.
Is this what our good service men and women are fighting for?
On Memorial Day, read the dispatch sent to me from Carolyn Schmidt, a free lance writer in Cedar Rapids, Iowa. She writes:
“The NYTimes story is the first piece I’ve seen on the big raid–the nation’s largest, according to reporters– on illegal immigrants at a Postville, IA kosher meat packing plant on Monday, May 12. (The May 24 NYT story was written by Julia Preston and headlined “270 Illegal Immigrants Sent to Prison in Federal Push.”
“St. Bridget’s Catholic Church opened its doors to the family and friends left behind when the INS (now called the ICE) swept into the plant, loaded people on buses, and transported them to the National Cattle Congress grounds in Waterloo.
“Our Cedar Rapids Gazette and the Des Moines Register have had stories about it all this past week and a half, but it is finally making it out to the national media.
The packing plant was abusing many of the workers–not even allowing them to take bathroom breaks, working 14-hour days, and paying them below minimum wage. So far the plant hasn’t been charged with anything, but charges MAY be coming. The Register story indicates that the company’s New York plant has been charged repeatedly.
“The people who are immediately prosecuted, of course, are the workers recruited to come up here and given false documents that they are now being prosecuted for having. Iowa is not the state you think of when the immigration issues are raised, but a similar raid was carried out in Marshalltown in January 2006. The Bush administration has found an easy way to make a statement, evidently. The attorneys representing the immigrants and the judges given this timetable by the feds all seem to be doing the best that they can.
“But running these people through hearings in groups of 10 and 20 does not seem like justice, in spite of what the attorneys say about their clients understanding the charges and being treated fairly. This is the biggest raid and the shortest time to accomplish it in U.S. history. The real culprit is the packing plant that recruited these workers to come here illegally, then abused them and underpaid them because the company knew they couldn’t complain to anyone in authority. So far the company has not been charged with anything. That is the travesty.”
Is this what our brave service men and women are fighting for?
Iowa made history by doing the right thing, voting Obama, and giving him the momentum that has carried him to near victory in the presidential primary. And now the ultimate irony is that the Bush administration, in this critical moment in the campaign, is making the case even stronger for Obama in the state where it all began.
It’s time for a change in Washington. ASAP. Support Obama. And support the GI bill, opposed by Bush and McCain with maddening duplicity and wrongheadedness. This is the bill that would show that this country on this Memorial Day and thereafter really remembers our fighting men and women throughout the years and really supports the troops fighting this Godawful war without end in Iraq for Bush and McCain.
Bruce B. Brugmann, a proud cold war veteran who ended up in l959-60 as a specialist 5th class, writing for Stars and Stripes in Yongdongpo, Korea
DEMF: Moby’s Go-go, Hawtin clogs, DBX shocks ’em, and too high to skate
Detroit native gadabout Marke B. hits Movement ’08: Detroit’s Electronic Music Festival with a handbag full of what-what. Read part one here. The Techno Gods surely had a little laugh on the first (graciously sunny) day of the DEMF. Even though downtown’s sprawling, reinvigorated Hart Plaza on the waterfront – nestled in the shadows of the new casinos pumping serious cash into bigshot pockets and directly opposite the infamous “fist” statue that socks across-the-river Windsor, CA, in the kisser – was brimming with suburban kids and roaming tribes of fun-furred and mohawked candy ravers (love those kids!), and even though Moby (!) headlined, and started his closing DJ set by playing one of his own songs (albeit a remix of his classic “Go”), the old soul of the Detroit underground shone through in quite a few places. (Clarification: Oops my E must have kicked in then. See comment below.)
Waiting for Moby Underground, quite literally. This year, promoter Paxahau Events has reopened the huge concrete-walled basement of the plaza, and has installed the soulful house DJs there, rather than the traditional hardcore noise experimentalists. By two o’clock, heavily muscled dance crews had stripped off their shirts and were throwing down – headspins included – to the sounds of Detroit classicists like Reggie “Hotmix” Harrell and Minx. (That night, freaky Terrence “The Phone Man” Parker and tribal-soulist Stacey Pullen would turn the underground area into a sweaty mass of writhing gay and straight bodies.)
Upside-down to the morning beat
Terrence Parker hits So much for the house – and notably missing so far this year have been the little independent DJ setups sprouting about the plaza like tiny laptop-vinyl mushrooms – what about the four other stages? What about the techno? The main, video-projected-upon VitaminWater stage, where Moby would later thrash about like a puggle to his electroclash-tinged pop-techno throwbacks, got a slowish start with way-cerebral live sub-dub fractal burbles from local DJ-band hybrid trio nospectacle, which included Jennifer A. Paull, one of the few female knob-twiddlers at the fest. (I went with my fabulous mom, who seemed to be briefly into it.) The stage didn’t really seem to catch fire, though, until Canadian techno purist DBX aka Dan Bell hit the stage in the penultimate slot at 9pm. What Detroit techno used to look like: DBX’s “Electric Shock” from a TV dance show (I think “The Scene” in the late ’80s)
DEMF: Cold techno feet as big fest heats up
Native Detroit gadabout Marke B. hits Movement: The Detroit Electronic Music Festival That thing where you return to your hometown and immediately, or at least on the ride home from the ex-urb airport, begin to feel your former soul flood back into you – old or familiar buildings take on some weightier significance in the fading evening light, new buildings even more. And then you’re hooking up with old friends downtown, smoking a bowl or two, generally reminiscing and catching up, and driving around looking for a party, although you wouldn’t mind if you just stayed in the minivan bopping to 20-year-old Balearic beats and laughing your ass off with your BFFs.
The grand, abandoned Michigan Central Train Station, two blocks from my Corktown residence in tha D. (Don’t try to throw a party here, you’ll get srsly busted.) All of which is a belabored way of saying that I didn’t get much afterhours in here in Detroit last night, the “official” pre-party night of Movement: The Detroit Electronic Music Festival, now going on nine years. Sure there were big bonanza advertised shindigs – this festival attracts tens of thousands of globe-hopping techno-lovers to the bowels of the Motor City, no mean feat, that – but for me and my SF fairy-dusted baggage none of them grabbed on all night long. That’s OK: where else in the world but here would you find yourself on a dance floor with legendary DJs Juan Atkins and Eddie “Flashin’” Fowlkes — and 20 other people? Their party “The Fuzion of Science & Techno” had moved from the Detroit Science Center to the grand Majestic Theatre at the last minute, due to what I judge to be poor pre-sales. At first that was cause for a little alarm – the Science Center party is a bit of a tradition, and with a line-up that included Theo Parrish, Mike Clark, Kenny Dixon, Jr, and Alton Miller, the lack of draw was a shocker. Plus, the usual tiny panic hits: is techno really dead? Have the “neo-electro faddists,” as Detroit music journalist Hobey Echlin calls them, taken over and relegated soulful tech-house to another early grave? Aw, hell no, it was just midnight on a Friday in downtown Detroit. We were probably way too early, wot.
SPORTS: The 2008 French Open
By Johnny Ray Huston
When the French Open kicks off this Sunday, there will be a major void in one of its two main events. Earlier this month, three-time women’s defending champion Justine Henin announced her retirement at the age of 25, a move that caught even some of the sport’s main journalistic voices by surprise. Once Henin’s goodbye sunk in, it all began to make a strange sort of sense. Her fantastic game if not personality is respected by all fans — male and female — of the sport, even if she’s remained obscure to casual observers who only recognize the names Federer, Sharapova, and Williams. But because of her short stature and relatively small physique, that same well-respected game was built on a level of effort and commitment that even some of Henin’s greatest opponents might not understand.

Justine Henin reaches
Henin regularly faced and beat players four to nine inches taller and twenty to forty pounds heavier (if not always stronger). A fierce one-handed backhand was her chief weapon, at a time when that shot seems endangered amongst top professionals. In an insightful reaction piece for ESPN, Stephen Tignor of Tennis magazine (a rock journalist cohort at Puncture in the ’90s) wrote about watching Henin in-person at Roland Garros last year. According to Tignor, instead of grunting like so many players or squealing Sharapova-style when she hit the ball, Henin made a different, less audible noise: she gasped. With her fretful, almost panic-stricken looks to coach Carlos Rodriguez between every point of a match, Henin long seemed on the verge of bolting. That’s precisely what she did in the second set of a notorious 2006 Australian Open final against Amelie Mauresmo, when her mid-match forfeit due to stomach pains (which Henin attributed to anti-inflammatories) permanently soured many people’s opinions of her. A few years later, a somewhat more personable Henin’s retirement from tennis while ranked #1 in the world — though amid a string of notable losses — is almost an inverse of that notorious match. She’ll decide when to stop, and how to write her own story.
On the men’s side, Roland Garros is hosting a very different kind of three-time defending champ, the never-say-die 21-year-old Rafael Nadal, who has yet to lose a match at the tournament. Nadal goes into this year’s French Open as the favorite, having won 108 out of his last 110 matches on clay. That status hasn’t been so easy to attain in 2008, though. Nadal entered this spring’s clay season facing perhaps the longest title drought of his young career, as if he’d never quite shook the hangover of his loss to Roger Federer in last year’s painfully-close Wimbledon final. (Since that match, Nadal’s near-peerless record in tournament finals noticeably nosedived.) He’s since won three events, but has had to do so within a compressed time frame that left his feet blistered. His most recent victory at a tournament in Hamburg required him to vanquish the top men’s player of the year so far, Novak Djokovic, in a nearly three-hour three-set marathon that qualifies as one of the best matches of 2008 — then turn around and beat a relatively well-rested Federer the next day.
Nadal vs. Djokovic; May 17, 2008 (highlights)
Lit: Rediscovering Philip Lamantia
An upcoming article will feature Tau by Philip Lamantia and Journey to the End by John Hoffman (City Lights, 138 pages, $12.95), the latest — and 59th — volume in City Lights’ Pocket Poets Series, edited by poet, hip-hop devotee and Guardian contributor Garrett Caples. For now, I’d like to get the word out, if it ain’t too late, about a reading and book party this Sunday. Caples hosts the event, which justifiably celebrates the publication of the lost second book by the influential surrealist Lamantia, who in turn was devoted to the writing of the comparatively obscure Hoffman, who died at the age of 25. Here’s the info, and after the jump, a choice Hoffman poem from the book.
Sun./25, 5 p.m., free
City Lights Books
261 Columbus, SF
(415) 362-8193
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Joe Nation’s friends are bad news II

More on why Joe Nation’s friends are bad news:
The Mark Leno campaign has done an analysis of the independent expenditure campaigns supporting Nation, and there are some truly nasty bad guys in there. Many of them (for example, our old friends PG&E) gave campoaign cash directly to Nation, then gave more money through the IEs.
Check out the list, taken from a Leno press release:
Civil Justice Association of California (CJAC) $342,544
A group of big oil, insurance, banking, chemical, pharmaceutical companies as well as companies involved in the subprime mortgage meltdown. They were co-sponsors of Proposition 64, which was opposed by consumer and environmental advocates and weakened the general public’s ability to pursue lawsuits over unfair business practices and environmental violations. CJAC works to limit their member’s liability when lawsuits are brought against them from consumers, patients, workers or environmental advocates.
* Joe Nation took $1,000 from Pacific Gas & Electric Co., CJAC member
* Joe Nation took $3,600 from California Apartment Association, CJAC member
* Joe Nation took $1,000 from the CA Hospital Association, CJAC member
* Joe Nation took $3,600 from MEDPAC of the CA Association of Physician Groups, sponsored by the CA Association of Physicians Organizations Los Angeles, CJAC member
* Joe Nation took $3,200 from the San Francisco Apartment Association, California Apartment Association is a CJAC member
* Joe Nation took $7,200 from the California Real Estate Political Action Committee, CJAC member
Cooperative of American Physicians $100,000
A group that provides liability insurance for it’s member physicians and advocates to maintain the liability caps up-held in the Medical Injury Compensation Reform Act (MICRA), which capped their liability in malpractice lawsuits at 1975 levels.
* Joe Nation took $3,600 from Cooperative of American Physicians
Californians Allied for Patient Protection (CAPP) $50,000
A group of corporate hospitals, doctors, insurance companies and others in the medical industry whose priority is to maintain the liability caps up-held in the Medical Injury Compensation Reform Act (MICRA), which capped their liability in malpractice lawsuits at 1975 levels.
* Joe Nation took $3,600 from Californians Allied for Patient Protection
* Joe Nation took $3,600 from MICRA California PAC of NorCal Mutual Insurance Company, member of CAPP
Californians for Jobs and a Strong Economy $3,277
A group of insurance companies, financial-services firms, developers, card clubs and biotechnology companies
I still think it’s a two-person race now, with Carole Migden far behind. And I think the best way to stop Nation is to vote for Leno. But whoever you support, don’t vote for Nation.
Hillary: top 20 reasons to hang in
Everybody seems to be pushing Hillary Clinton to drop out of the Democratic presidential primary.
Comedian Will Durst has come up with the 20 top reasons she should stay in, listed in reverse order. B3
Driving to death

With all the understandable concern about global warming lately, we tend to forget that our over-reliance on automobiles also has a more immediate impact: death, lots and lots of death.
Research from the National Highway Traffic Safety Administration already shows that traffic accidents are the leading cause of death for people ages 3-6 and 8-34, and is the third leading cause of death for all Americans after cancer and heart disease, some of which can also be traced back to the automobile.
Today’s Chronicle reports on new research showing that particulate matter, much of it from automobiles, causes far more premature death than previously thought, up to 24,000 annual deaths in California alone. In another piece, the Chron speculates that people might be driving less on Memorial Day weekend, the mother of all road trip holidays, but I still know lots of people who drove down to Lightning in the Bottle and other spots without pausing to consider the externalities.
Yet even after cutting more than $1 billion in transit funding last year, Gov. Arnold Schwarzenegger turned around and did the same thing this year, cuts that would cost the San Francisco Municipal Transportation Agency $37 million in the coming fiscal year. This isn’t just stupid and short-sighted: it’s deadly.
But there are countervailing forces fighting back, from a strong local bicycle movement to this fall’s high-speed rail bond measure to the international car-free movement, whose biggest annual event, the International Carfree Conference, will be held in Portland next month, the first time it has been in the U.S. And the Guardian will be there (arriving by train) with live daily coverage and interviews with leading thinkers and activists. Stay tuned.
No rest for the ‘No Wave’: author Marc Masters chats up his tome

What’s the story behind the music movement that cried, “No”? I recently caught up with No Wave author Marc Masters via e-mail, as he prepared for a series of Bay Area appearances: Saturday, May 24, at Amoeba Music in SF and 21 Grand in Oakland and Sunday, May 25, at Artists’ Television Access in SF.
SFBG: How did the book project come about?
Marc Masters: Black Dog approached me about writing a book about another subject, but for various reasons that fell through. They mentioned they had been considering doing a no wave book for a while. I¹d always liked no wave and wanted to delve further into it, since there have been lots of theories about it when it happened, which bands were part of it, and so on. So I was really excited to get that chance. I was intimated, too – so I contacted Weasel Walter for advice, since he¹s been researching and collecting this stuff forever. When he agreed to help with material and proofreading (and eventually write the foreword), I felt a lot less daunted.
Sonic Reducer Overage 2: block partay, Nothing People and Pets rage through Sunday
Heavy Mochipettin’.
Why not take on two more for the raucous road leading into Memorial Day weekend? Sunday will be hopping…
Mighty Underdogs at Bonneroo 2007.
LIVE ON THE LANE
Expect to get on up to get down when eight bands and artists converge on Maiden Lane for music, live art by Vulcan, food, and bevvies. Performers include the Mighty Underdogs collective with Gift of Gab (Blackalicious), Lateef the Truthspeaker (Latyrx), and Headnodic (Crown City Rockers) (7:30-8:15 p.m.), Bayonics (6:30-7:15 p.m.), Mophono (5:45-6:15 p.m.), Mochipet (8:25-9 p.m.), Ghosts on Tape (9:10-9:45 p.m.),
Maus Haus (5-5:30 p.m.), Ryan Greene (3:30-4 p.m.), and Egadz (4:20-4:40 p.m.). Proceeds benefit the music program at George Washington Carver Elementary in SF. Sun/25, 4-10 p.m., $12 basic entry; $35 all-you-can-eat-and-drink. Maiden Lane between Kearny and Grant, SF. going.com/liveonthelane

NOTHING PEOPLE AND THE PETS
Hypnotic drone-rockers Nothing People find something to celebrate at a free record-release party. Oakland outfit the Pets also tear it up in honor of their own punky release. Sun/25, 5-7 p.m., free. Lucky 13, 2140 Market, SF. (415) 487-1313.
SECA ’08, ‘Bay Area Now 5’ unveiled
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A work from Tauba Auerbach’s book, How to Spell the Alphabet.
By Glen Helfand
New York Times art critic Roberta Smith began her review of the current Carnegie International in Pittsburgh with a pulse-taking statement: “Lately, it seems, biennial exhibitions don’t do much except sit there, looking good and offending no one. Instead of being shows that people ‘love to hate,’ or vice versa, these big, often international affairs now inspire mild interest or resigned indifference.” That statement may resonate a bit more in biennial-intensive towns like Manhattan or Venice, Italy. In San Francisco, where the arts are less widely celebrated, the biennial concerns seem to coalesce around issues of regionalism or the perpetually problematized thing we call “Bay Area art.”
So it seemed fitting that Yerba Buena Center for the Arts and the San Francisco Museum of Modern Art made back-to-back announcements yesterday, May 22, as to the inclusions in, respectively, “Bay Area Now 5” and the “2008 SECA Award” – both the most high-profile exhibitions of artists living and working here. The Yerba Buena folks threw a press lunch, at the fittingly titled new wine bar, the Press Club, and an evening member’s soiree in their theater to celebrate their forthcoming show, actually a triennial, which opens on July 19 and runs through Nov. 16.
In the late period of international biennials, it seems that institutions are upping the ante a bit with higher concepts and more elastic geographical borders. In recent years YBCA has been working with tiers of themes and structures – a standard gallery show plus four guest-curated shows at various venues – that tend to muddle the excitement with structural complications. BAN is no exception. A glance at the press release doesn’t suffice: you’ve gotta look deeper to figure out the scope. “Bay Area Now 5,” which was curated by Kate Eilertsen and Berin Golonu, has the attached subtitle “Inside/Outside,” referring to the not-so-provocative premise that “artists are influenced by their experiences both inside and outside the Bay Area.”
