SFBG Blogs

Bicyclists told to blame CEQA, not the city

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Bicyclists expressed their outrage, politicians offered their support, and bureaucrats said they’d do what they could to speed up the slow-moving environmental work on the city’s Bicycle Plan, which a judge says the city must complete before making any bicycle system improvements.
But for those seeking near-term relief to a stalemate expected to last at least another year found little solace during yesterday’s Land Use Committee hearing on the latest Bike Plan delays. Instead, they were offered a culprit: the California Environmental Quality Act.
The 38-year-old law was the basis for the legal challenge that led to a court injunction against new bike projects, and all involved with the plan note how perverse it is for the state’s premier environmental law to be holding up efforts to promote bicycling, an unqualified environmental good.
“It’s truly ironic that an activity that is inherently environmentally friendly is being challenged under an environmental law,” Planning Director John Rahaim, who moved here from Seattle last year, said at the hearing.

Squatumentary: A Q&A with Hannah Dobbz

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By Liam O’Donoghue

Hannah Dobbz’s Shelter: A Squatumentary screens at 8 p.m. tonight at Artists’ Television Access. A 45-minute exploration of squatting in the East Bay between 2004 and 2007, it shares a bill with Sabrina Alonso’s self-explanatory 28-minute Mischief at 16th and Florida. I recently discussed the the pros and cons and politics of squatting with Dobbz, a freelance writer, editor and filmmaker.

SFBG What is your definition of squatting?
Hannah Dobbz Squatting could be using an abandoned building for a project or just for sleeping. It could be using an abandoned lot for gardening. Generally speaking, squatting is utilizing any unused space.

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Hannah Dobbz

SFBG Is there anything that could be described as a “squatting scene” in the Bay Area?
HD Hard to say, since it’s so secretive and clandestine. If people are squatting, they usually don’t want everybody to know. They might need to sneak in at night and leave early in the morning. Not all squats can be used as community spaces.
The most well-known squat was probably Hellarity in Oakland, which is featured in the film. Another squatter featured in the film is Steve DiCaprio, who is working on Banana House and another house now, but that’s more of a private project — not really part of a scene. There is definitely a community of people who would consider themselves squatters (former or current), but using the word ‘scene’ is not really applicable.

America, meet your new gay bachelor

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Yes, the meat is in! But first, let us pause for some sad news. Estelle Getty, beloved Golden Girl, has passed on to that pastel lanai in the sky. (queer tear.)

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Yet we move on … to myPartner.com‘s crowning, last week, of America’s Most Eligible Gay Bachelor. It was inevitable, I guess, and my inbox has been absolutely flooded of late with what the more or less cynical among us would regard as desperate capitalization on the whole legal same-sex marriage thing. But I must admit that myPartner is a tad genius. It set itself up before the California Supreme Court ruling as a matchmaking site for gays looking for “long-lasting relationships” — kind of a Bizarro Manhunt, except that Manhunt’s recently evolved into the gay MySpace (it’s no longer crossing the line to know what your bff’s dick looks like, zomg). It all seemed a bit confusing initially, especially since the promotional materials featured hot shirtless guys rolling around in bed and promised the possibility of “making connections” on business trips out of town. Slutty! Hedging their bets! But when that ruling came down, myPartner was perfectly positioned to pimp its romantic fantasy wares, and boy did it jump on that shit with this nationwide Most Eligible Gay Bachelor contest. Good for them.

But enough of that — let’s get to the goods. Here he is ladies and gentlemens, after 35,000 big gay online votes (that’s 350,000 in heterosexual votes!) and a live runoff in San Diego during Pride Week, your new husband on the hoof (with foof) is …. Abel Lima, Mr. Rhode Island, who, oddly perhaps, resides right here in San Francisco!

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Just look at that smile! He won $25,000.
Photo by Tara Luz Stevens.

Abel was the winner, out of five finalists, based on high ratings in the category of “mind,” “body,” and “soul.” No word on how he did in the quantum mechanics portion of the contest. Coming in 2020: Most Eligible Gay Widower contest. It’s the Golden Girls all over again!

To scope the other contestants — rather handsome I must say, although I’m still into Polk Street hustlers badly in need of dentistry — click here.

Sigur Ros’ latest evokes ice palaces, processionals

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SIGUR ROS
Med Sud I Eyrum Vid Spilum Endalaust
(XL)

By Ian Ferguson

Almost a decade has passed since Sigur Ros’ 1999 release Ágætis Byrjun (Fat Cat/Smekkleysa) established itself as a masterful work. Arriving after two other acclaimed albums, the band’s Med Sud I Eyrum Vid Spilum Endalaust (XL), sounds like its most celebratory release to date – a triumphant recording fittingly produced by a group whose name translates as “Victory Rose.”

The first track boldly opens the disc. Evoking images of a Roman military parade, four guitar chords, panned alternately across the right then left speaker, count down to youths cartwheeling and dancing in pristine white togas, singing “lalalala” in high falsetto. Picture them spreading flower petals for the approaching processional, as Sigur Ros delivers a hard-driving drum pulse and soldiers, fists beaten against shields, boots stamped in time upon the ground, march double-time. Lead vocalist Jon Thor Birgisson sings above all this — the returning hero, chariot-borne, composed, able to silence his soldiers, or excite their enthusiasm. The sound supports him as much as a parade would its hero, home to claim his triumph.

The following track, “Inní mér syngur vitleysingur,” continues the theme, opening with an Olympic horn fanfare sample taken from faded analog tape so pale that the first track, “Gobbledigook,” stands out in brilliant contrast. The first song sounds so gloriously triumphant that it speaks more to the band’s past achievements than to the rest of the album, which establishes the timbre of its voice in the second track. Appropriate to Sigur Ros’ homeland, it’s a timbre of ice.

SOS: Clean Energy Rally: Tuesday, ll a.m., City Hall Steps

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Please join us on Tuesday July 22nd at 11am on City Hall steps rally the Board of Supervisors
in support of putting the San Francisco Clean Energy Act on the November Ballot.

The measure will put San Francisco at the forefront of the fight against global warming and put
San Francisco in control of its energy future.

I hope to see you there. All the best,

Julian , campaign chair

WHAT: Environmental and social justice organizations, including the Sierra Club,
ACORN, San Francisco Tomorrow, and the San Francisco Green Party,
will join with State Assemblymember Mark Leno, Supervisors Ross
Mirkarimi, Aaron Peskin and Tom Ammiano, and other civic leaders, to
celebrate the Board of Supervisors placing the San Francisco Clean
Energy Act on the November 2008 ballot.

The Clean Energy Act will enable San Francisco to take control of its
energy future and adopt clean electricity mandates for the City of 51% by
2017, 75% by 2030, and 100% by 2040; setting groundbreaking new clean
energy standards for the nation and the planet.

WHO: Assemblymember Mark Leno, Supervisors Mirkarimi, Peskin and
Ammiano, School Board President Mark Sanchez, Representatives of
environmental and community based organizations.

WHERE: San Francisco City Hall – Polk Street Steps

WHEN: 11 am, Tuesday, July 22, 2008

The battle is on, on guard, B3

Janet Jackson’s ‘wardrobe malfunction’ revisited

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A clip of Janet Jackson’s offending “malfunction.”

By Laura Mojonnier

Associated Press reported today that a US federal appeals court dismissed a $550,000 indecency fine issued to CBS after Janet Jackson’s infamous “wardrobe malfunction” during the 2004 Superbowl halftime show.

According to the AP, the three-judge panel ruled earlier today that the Federal Communications Commission “acted arbitrarily and capriciously” when issuing the fine, as “CBS’s broadcast of a nine-sixteenths of one second glimpse of a bare female breast” did not meet the commission’s long held standards for “actionable indecency.”

Sports: Jersey Boys will be boys

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By A.J. Hayes

They haven’t been teammates since Jimmy Carter’s swansong year in the White House, but when John “The Count” Montefusco and Ed “Ho-Ho” Halicki got together this past weekend and saucily ribbed each other like a couple of high schoolers – one might have suspected the tart-tongued former Giants pitchers were still Candlestick Park locker mates.

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“So when we got on the plane I flushed Ed’s socks down the toilet!” John Montefusco, on one of his Giants days pranks

Though they haven’t spent much time together since 1980, Halicki and Montefusco have a world in common.

Each former pitcher was born in New Jersey in 1950. They were both signed by Giants scout Buddy Kerr in 1972 and made their major league debuts with San Francisco two seasons later in 1974. Each was a classic clubhouse prankster.

And each ace threw no-hitters for the Giants. Halicki, fired his, a 6-0 win over the New York Mets at Candlestick Park on August 24, 1975. The Count, earned his no-no, a 9-0 domination of the Braves in Atlanta on September 29, 1976.

No Giant has pitched a no-hitter since Montefusco’s bicentennial year masterpiece.

In between bites of mini-pizzas, pigs- in- blankets and other hors d’oeuvres and reacquainting themselves with former teammates such as Jim Barr, Mike Sadek, Tom Griffin and Elias Sosa – Ho-Ho and the Count told us what it was to be a Giant in the 1970s.

Montefusco, on hiding Halicki’s socks in St. Louis:

Ed had just beat St. Louis on the road in 1977 and we were headed to the airport to fly back to San Francisco. Ed had a date that night back in the city and boy, was he dressed to kill. He was hot and all sweaty and was the last one to come out of the locker room and he’s yelling ‘I can’t find my socks!’ He’s looking all around and going, ‘someone took my fucking socks!’ – so he ended up putting on these bright orange sanitaries (baseball socks) that we started wearing as part of the uniform that season – so he’s all dressed to kill, but he’s got on these orange socks… well he gets on the bus and the guys start screaming at him ‘cause he was late getting on the bus and Bill Madlock is sitting there laughing at him.

Ed goes up to Madlock and screams “you better give me back my fucking socks!”

Beauty is the new Joan the Policewoman

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JOAN AS POLICEWOMAN
To Survive
(Cheap Lullaby/ Reveal)

By Todd Lavoie

Joan Wasser, the heartstring-hitting sharpshooter behind the Joan as Policewoman tag, has offered a simple but irrefutable platform for the elegant, emotionally direct songwriting, one that made her 2006 debut, Real Life (Reveal), such a blindsiding experience: “Beauty is the new punk rock.”

It’s an ear-tugging slogan, to be sure, but the album’s ravishing arrangements and carefully nuanced confessionals offered the goods to back up her capital-lettered claim. Whirling bits of soul music, punk and post-punk attitude, and AM-radio singer-songwriter pop into shimmering string-and-piano-centered structures that felt comfortingly familiar and yet still difficult to compare, Wasser easily won over seekers of challenging, interactive pop music with swooners such as “Feed The Light” and “We Don’t Own It.”

With relatively few contemporaries guided by a similar aesthetic, the easiest point of comparison might be Antony and the Johnsons. In fact, the aforementioned’s Antony Hegarty even joined Wasser on what could arguably be Real Life’s most riveting highlight, the fiery duet “I Defy.” Otherwise, the list of artists who could truly be considered kindred spirits is a mighty short one; fittingly enough, two of them, fellow sensitive souls Rufus Wainwright and David Sylvian, both appear on To Survive, the latest Joan as Policewoman venture.

Ta-ta and smack-smack, Trannyshack

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As many if not all know by now, Trannyshack, revered weekly trash-drag temple of glittery gore from the planet Thrift Town, is ending after 12 years of tranny antics (trantics?). Head honchette Heklina revealed to me the exact reasons why in a candid interview back in early February — and I didn’t even have to score her any hot sex with quadriplegic Desert Storm veterans in return! She’s magnanimous. I’m scoopy. We traded memories.

Right now, Trannyshack’s counting down to its close with a series of four command performance nights featuring fave messy queens from the present and past. That will be followed by a ginormous, absolutely ginormous, Trannyshack Kiss-Off Party at the Regency Center on August 23. This shindig will double as this year’s famed Trannyshack Pageant as well, and will encompass appearances by Lady Bunny, Justin Bond, Lady Miss Kier, Ana Matronic, and more. I smell glorious disas-tears.

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Let’s leave this off with the incredible Glamamore’s (NSFW maybe!) performance of Bjork’s “Pagan Poetry.”

Weekly comments too good to pass up: “butt-to-nut”

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Damn, we just can’t pass this one up. A commenter over at the SF Weekly‘s blog posted a message agreeing with Benjamin Wachs that there are some fine folks in the Midwest contrary to what so many San Franciscans seem to believe. I won’t speak for rest of the newsroom here, but I agree with Wachs, too. I grew up in Tulsa and resent any implication that Oklahomans are somehow dysfunctional because popular pundits have encouraged the country to divide each state into two colors and thus make broad assumptions about millions of people. But there’s a problem. Read the comment closely:

Posted at: July 17, 2008 10:54 AM

Dan says:
When San Francisco got too expensive in the late 90s, the ex and I took our freelancing selves to a small town in the Midwest. The generalizations made by the coasters were always amusing to read; our small town of about six thousand was populated by other refugees from big towns, artists and radicals and iconoclasts made it something of a weekend destination and arts center. These people had real cultural connections and credentials but very little of the pretension you’d find at, say, the Lexington (which, more than likely, is jammed butt to nut with a bunch of people who are actually from the Midwest and would be mortified if you found out). I found that we did travel more than when we lived in California. But that was mostly because we were still making San Francisco wages but paying small town Midwestern rent.

Wait. Huh? Wha? Are you talking about the Lexington in the Mission? You’ve been there before, right? Are you sure your parenthetical description of it is, uh, accurate? You’re right about one thing, however. The Lexington, like so many other places in town, contains a lot of refugees from elsewhere who may actually be proud of where they came from but couldn’t stand being treated like second-class citizens there anymore.

Judge denies SF Weekly motion for new trial

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Judge Marla Miller July 18th rejected attempts by the SF Weekly and its chain owner to overturn the Bay Guardian’s victory and $16 million jury award in a predatory pricing case.

The ruling on the defendants’ post-trial motions marked the end of the first full round of this legal fight and sets the stage for a shift to the California Court of Appeal. All that remains to be decided by Judge Miller is the Guardian’s upcoming motion for attorneys’ fees, which are expressly allowed to a prevailing party under the California Unfair Practices Act.

SF Weekly and Village Voice Media had asked Miller to overturn the jury verdict or order a new trial, and the company lawyers spent hours July 8th arguing that the evidence presented in a five-week trial didn’t justify the jury’s decision. And they claimed, in a laundry list of challenges, that Miller had issued improper jury instructions and erred in admitting evidence at trial.

Defense attorneys James Wagstaffe and H. Sinclair Kerr also tried to get the judge to overturn the 16-paper chain’s liabilty for any damages awarded by the jury. That would have left the Weekly as the only guilty party. VVM had admitted in earlier post-trial proceedings that the Weekly has a negative net worth and alone would be unable to pay the Guardian anywhere near $16 million.

Miller, with little comment, denied those requests.

In her “order denying defendants’ motion for new trial” Miller stated:

“To the extent that the motion for New Trial is based upon the grounds of insufficiency of the evidence to justify the verdict (Civil Procedure Code #657(6) and excessive damages (Civil Procedure Code #657(5) the court has weighed the evidence and is not convinced from the entire record, including reasonable inferences therefrom, that the jury clearly should have reached a different verdict. To the extent that the motion for New Trial is based upon errors at law which Defendants contend occurred at the trial and were excepted to by them (Civil Procedure #657(7), the Court finds these contentions lack merit.”

The defendants have said they plan to appeal.

The case centered around the Guardian’s charge that the Weekly had for years violated California’s Unfair practices Act by selling advertising space below the cost of producing it for the purpose of injuring the locally owned, independent competitor.

Evidence presented at trial showed that the Weekly had consistently lost money, as much as $2 million a year, since New Times, now known as VVM, bought the paper in 1995.

The chain later bought the East Bay Express, and transformed it from a profitable paper to one that consistently lost money. Between the Weekly and the Express, VVM has lost some $25 million in San Francisco.

The evidence also showed that VVM’s executive editor, Michael Lacey, had vowed to put the Guardian out of business, and that Weekly advertising and business staff were instructed to try to take business away from the Guardian by below cost pricing, whatever the sacrifice in revenue and profits.

And while the VVM lawyers mounted a convoluted legal argument to claim that the parent company wasn’t legally liable for any damages, the trial showed that the senior executives at the Phoenix-based chain were not only aware of the predatory strategy but were active participants in enabling the Weekly to carry out its pervasive program of below-cost sales..

In fact, two senior officers, CFO Jed Brunst and Controller Jeff Mars, testified on the stand or in pretrial depositions that the SF Weekly would have gone out of business years ago if the chain hadn’t made a policy of shipping large sums of money from headquarters into the San Francisco operation to subsidize below-cost sales.

After the trial, jurors said they were convinced that VVM sought to destroy local competition. Juror Kerstin Sjoquist, a local business owner and graduate student, said in an interview that “it felt overly predatory on the part of the Weekly” and that “the predatory intent trickled down from the top.”

Although the VVM lawyers have 60 days to file their notice of appeal, there’s already some indication of what the chain will try to argue to the higher court. Even before the trial started, Andy Van De Voorde, VVM executive associate editor, who flew in from Denver to cover the trial for the Weekly, argued in his blogs that the California Unfair Practices Act was out of date and irrelevant. Referring to the act as a “depression era law,” (actually, the act dates back to 1913, California’s Progressive Era), Van De Voorde suggested that modern competitive markets made such a law pointless.

The law bars any business from selling a product or service below cost with the intent to harm a competitor or destroy competition. That prohibition has been upheld by many appellate court decisions, some as recent as the 21st century. The state Legislature has reviewed and even amended that part of the state code many times in recent decades, but has declined to make any fundamental changes in the protections afforded by the Unfair Practices Act.

And the trend toward chain ownership and consolidation of businesses in everything from coffee shops to bookstores and hair salons would seem to suggest that the need for a law protecting independent local merchants from predatory chains is greater than ever today.

That’s certainly true for the news media: One company new owns almost every daily newspaper in the Bay Area.

Both before and after the trial, the VVM lawyers also argued that a ban on predatory pricing would violate the Weekly’s First Amendment rights. If the paper was forced to live within its means – that is, to raise ad rates and stop relying on big subsidies from the chain – Weekly managers might have to cut the size of the staff, thus reducing editorial coverage, the lawyers argued.

Two judges – first Richard Kramer, who handled pre-trial rulings, and later Miller – rejected that argument wholesale.

As the Guardian’s lawyers argued, newspapers have always had to follow basic business regulations – even when they might cost money that could have gone to editorial staffing. No newspaper has ever seriously tried to claim that labor laws, or environmental laws, or workplace-safety laws, or tax laws were a First Amendment violation.

Still, those claims may appear again in the appellate briefs.

Meanwhile, the costs to VVM and the Weekly will continue to rise: If the verdict is upheld on appeal, the chain will have to pay interest on the jury award, which is now accruing at about $4,300 a day. And at this point the Guardian has an additional statutory right to recover reasonable attorney’s fees, which could add a substantial amount to the current judgment of more than $16 million

The Guardian’s lawyers are Ralph Alldredge, Richard Hill and E. Craig Moody.

You can read the Guardian’s key legal brief on the post-trial motions here. For a detailed history of the case, click here

DCC vote: Does Peskin have it?

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Chris Daly and Robert Haaland are reporting that Aaron Peskin has lined up the votes to become the next chair of the San Francisco Democratic Party.

It’s been a long and contested fight, and Daly now says it’s over, and that Scott Wiener, Peskin’s opponnent, should essentially drop out.

But Wiener has no intention of backing down; in fact, he just told me by phone that he disagrees with Daly’s claim.

“It’s pure spin,” he said. “I have more committed votes than Aaron does.”

Peskin remains confident that he’ll prevail at the July 23 meeting and that more than half of the 34 voting members are lined up behind him. As for Wiener’s comment, he said: “On Wednesday night, one of us will be right and one of us will be wrong.”

Of course, neither side is releasing a list of names, since there’s still intense lobbying going on behind the scenes.

Should be a wild meeting.

Erykah Badu: ‘Kiss my placenta!’

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Scribbling scion Erykah Badu. Photo by Marc Baptiste.

By Jamilah King

Miss Erykah Badu recently wrote those fabulously succinct words to anyone who had the nerve to question the honor of her motherhood. Amid rumors that she’s pregnant for a third time, this time by Jay Electronica, (Andre 3000 and DOC were the fathers of her first two), some folks threw criticism her way for having a third child “out of wedlock.” (What the fuck does this mean, anyway?)

Badu sounded off on Okayplayer, saying:

“HOW DARE YOU DISRESPECT THE QUEENDOM…AND MY CHILDREN AND MY INTELLIGENCE. What is Marriage? Who Is The Judge? i am an excellent mother and resent all of the negative comments and insults on my character. I AM COMPLETE WITH OR WITHOUT A PARTNER AND WILL ALWAYS BE …I PUT MUCH TIME AND THOUGHT INTO HAVING AND RAISING MY CHILDREN. IVE HAD THE HONORS OF HAVING 2 HOME BIRTHS AND 2 WONDERFUL PARTNERS BY MY SIDE… F*CK OFF… WHO NEEDS YOU ….CERTAINLY NOT ME … KICK ROCKS … CALL TYRONE … PACK LIGHT …. BITE ME…and if this post is not clear, kiss my placenta”

Read the entire response here. It doesn’t surprise me at all that one of the most innovative mainstream musicians of our time – who happens to have dated and/or had children with similarly skilled artists – gets attacked because she’s a black woman who dates black men and creates hip-hop. She has two kids who are never paraded around in the media, a relatively quiet private life and continues to make dope ass music. Funny how white celebrities like Angelina Jolie can adopt brown babies from orphanages around the world, move to so-called exotic countries to give birth to biological kids, put out a slew of lackluster films, and be heralded as Wonder Mom.

Ammiano on McCain’s gay adoption stance

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Today’s Ammianoliner:

Hey McCain, adopt this!

(From the home telephone answering machine of Sup. Tom Ammiano.) B3

Bad news for SF bicyclists causes bad blood at City Hall

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Advocates for bicycling, walking, and the creation of more carfree spaces were already in full battle mode this week over challenges to Sunday Streets, Mayor Gavin Newsom’s plan to close the Embarcadero to cars for four hours each on Aug. 31 and Sept. 14. Then came word that the Bicycle Plan — which the city must complete in order to lift a two-year-old court injunction against any bike-related projects — is falling behind schedule once again.

The two unrelated setbacks will be the subjects of a pair of hearings at City Hall on Monday, events likely to fill their respective hearing rooms with angry bicyclists, angry business people, and angry political proxies of all stripes.
First up is a 10 a.m. hearing at the Board of Supervisors Government Audit and Oversight Committee on a pair of measures by Sup. Aaron Peskin: one a resolution calling for detailed economic studies before the Sunday Streets events, the other an ordinance that would require board approval for new athletic events that require street closure.

Then the San Francisco Bicycle Coalition has scheduled a 12:30 rally on City Hall steps before the 1 p.m. Land Use Committee hearing, which will include an update on the Bike Plan progress that was requested by Sup. Gerardo Sandoval after learning that work on the plan has fallen months behind schedule due consultants missing deadlines and other bureaucratic delays.

A new poverty index

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This is so obvious that San Francisco ought to be signing on right away (and pushing the speaker of the house to make is happen).

Grupo Fantasma sounds gold to us

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GRUPO FANTASMA
Sonidos Gold
(Aire Sol/ High Wire Music)

By Todd Lavoie

Freshly sparkled with Prince’s glittering purple seal of approval, Austin’s tireless Latin funk orchestra Grupo Fantasma pushes onward with their crowd-amassing trajectory on Sonidos Gold, a floor-burning 12-track collection of hip-shakers and provocative grooves.

Having recently enjoyed a much-deserved surge of international exposure – thanks largely to Prince’s ringing endorsement and the high-profile supporting-band gigs that followed – the 10-member soul machine arrives more confident than ever on this, their fourth album. The disc might also be the most faithful in capturing the joyous, body-liberating ebullience of the band’s live performances. (And while we’re on the subject of their shows: You must see them, case closed. I caught Grupo with a former Austinite friend at Slim’s here back in February, and they were complete and utter sweat-soaking bliss.)

Sonidos Gold exudes plenty of room-filling warmth, and guitarist Adrian Quesada’s production plunks the listener directly on the dancefloor, right in the sweet spot between the hot-pepper horn section and the mighty rumble of congas and timbales. While I’m sure these folks picked up some tricks from Prince on the road, I’m beginning to wonder if maybe the Purple One himself might be taking a few notes as well…

Tough love for the McCain campaign

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By Bruce B. Brugmann

A tip of the Potrero Hill martini glass to Bob Scheer for his superb column in the Chronicle outlining the damming role of former Senator Phil Gramm as Senator John McCain’s campaign co-chair. And a tip of the Potrero Hill martini glass to the Chronicle for running this excellent column and for his column regularly from Creators Syndicate. Key question: Why does it take Scheer, a columnist not on the campaign trail, to lay out this critical line on Gramm and his Senate leadership as chair of the powerful senate banking committee to engineer “passage of legislation that effectively ended the major regulatory restraints applied to the financial industry in response to the Great Depression.”

Scheer raises the critical question for McCain and the Republicans:

“Why in the world would you designate as your key economic adviser someone who left the Senate to become an officer of the UBS bank that is at the very center of this mess, a former senator who not only secured highly paid employment with a banking giant that benefited from legislation he helped pass, but who then lobbied Congress for even more of the deregulatory breaks that got the bank into such deep trouble?”

Another question for the rest of the mainstream media: Why does it take Scheer, former Ramparts editor who did the pioneering stories on the origin of the Vietnam War, to raise these obvious questions that ought to have been investigated and dramatized about McCain rather than the daily minutia that keeps popping up on the cable and TV shows and in the daily newspapers? Why isn’t an authentic, liberal, political reporter asked to appear on any of the talk shows or on any programs commenting on the campaign? B3

Click here to read, How about ‘tough love’ for bankers? by Robert Scheer.

New film celebrates Burning Man

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Tis the season in San Francisco to get ready for Burning Man…and apparently for the release of films about the beloved and bemoaned event. Unlike another recent film that takes a critical look at the shortcomings of the event and its leadership, “Burning Man: Voyage to Utopia” is a celebratory tribute to the event and its central players, particularly founder Larry Harvey and temple builder David Best.
Filmmaker Laurent Le Gall, whose work premieres Friday at the Castro Theater (followed by afterparty at Cafe Flore), gives viewers an inside look at the 2003 event, starting pre-playa with the Temple crew and other attendees, through the arrival of the first dozen people on the playa, and continuing to the Temple burn that culminates the event and brings emotional closure to some of the film main characters, who came from France to attend the event.
Unlike in Oliver Bonin’s “Dust & Illusions,” where Harvey’s disconcerting intransigence during his interviews reinforced accusations of a leadership vacuum, Le Gall shows Harvey at his creative best: engaged, inspiring, playful, cerebral and capable of dropping thought-provoking rhetorical bombs whose impact lingers long after the conversation ends. And Best comes through as the amazing artist and individual that he is.
This is a sweet film, maybe too sweet for many jaded old burners. But at a time when tens of thousands of Bay Area residents are busily preparing for their annual pilgrimage to the playa next month, it’s a film sure to get many people’s juices flowing.

Local Artist of the Week: Noah Beil

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LOCAL ARTIST Noah Beil
TITLE San Francisco, California, 2008
THE STORY Beil’s series “Berms and Drumlins” explores man’s alteration of the landscape. From Ohlone shell mounds to gold mining sediment changing the bay shoreline, the Bay Area has long been subjected to deliberate and unintentional modifications by its inhabitants. This photograph was taken on Treasure Island, a man-made environment built entirely on landfill.
BIO In his landscape photographs, Beil compares natural and man-made features and searches for subtle embellishments to the earth’s surface that may not be readily apparent. He questions whether the reshaping of the earth should be considered destructive or decorative. He lives in Oakland.
SHOW “Eighteen Months: Taking the Pulse of Bay Area Photography.” Thurs/17 through September 19; Wed.-Sat., noon-5 p.m. San Francisco Arts Commission Gallery at City Hall, 1 Dr. Carlton B. Goodlet Place, SF. (415) 554-6080. Opening reception Thursday, July 17, 5:30 – 7:30pm. www.sfacgallery.org.
WEB www.noahbeil.com

SF Weekly bashes the left — and misses the point

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I’m not surprised that Matt Smith is once again looking for ways to bash the left, and that the SF Weekly is once again looking for ways to attack public power. But Smith’s latest piece is really screwy.

His thesis seems to be that the public-power movement is supporting the move to build city-owned power plants at the foot of Potrero Hill. Actually, that’s completely wrong.

There’s a measure headed for the fall ballot called the Clean Energy Act that would, among other things, move the city toward public power. But it has very little to do with the battle over the power plants.

The two cosponsors of the Clean Energy Act, Ross Mirkarimi and Aaron Peskin, are on opposite sides of the power-plant issue. And even a cursory read of the Guardian blogs demonstrates that the activists are by no means of one mind on this.

The whole idea that the peakers were a public-power plot is pretty laughable, since NONE of the leading public-power activists had anything to do with the idea in the first place. (And later, when it came out of the SFPUC — which again, has NEVER been a bastion of public-power activism) some of us liked the idea and some of us didn’t.

And the Peskin measure that Smith talks about has nothing to do with public power either.

Sonic Reducer Overage: Long Winters, Edgetone, Martin Luther’s Rebel Soul, the Buckets, and more

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The Long Winters try on a nouvelle vague guise.

What to do, when not sailing down a Mission Creek or taking a shine to Diamond Days? A few more shows for you…

The Buckets
‘Member alt-country? Well, it remembers you. And one of SF’s ’90s-era main proponents the Buckets returns with a double CD to celebrate. With the Great Auk and Sister Exister. Thurs/17, 8:30 p.m., $10. Cafe du Nord, 2170 Market St., SF. (415) 861-5016.

The Long Winters
The new Putting the Days to Bed (Barsuk) dares to reach for the epic amid country-rock guitars. Thurs/17, 9 p.m., $15. Independent, 628 Divisadero, SF. (415) 771-1422.


Joseph Arthur

Author, Arthur! You can’t stop the music: the singer-songwriter has unleashed four EPs leading up to the forthcoming album, Temporary People (Lonely Astronaut). Fri/18, 9 p.m., $20. Great American Music Hall, 859 O’Farrell, SF. (415) 885-0750.

The challenge to Newsom…and all of us

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Photo from Portland’s recent ciclovia by Steven T. Jones

It’s not easy to create carfree spaces in automobile-obsessed California, even temporary ones, as Mayor Gavin Newsom is starting to learn. His proposal to create a carfree “ciclovia” along the Embarcadero from Bayview to Chinatown was already scaled back from his original proposal of three consecutive Sundays in August to the recently approved plan for four-hour events on Aug. 31 and Sept. 14.
Merchant groups from Pier 39 and Fisherman’s Wharf lost their minds, screaming with fears of lost business even though motorists will still be able to access their tourist traps by car, and they’ll be joined by thousands of people pedaling, walking and skating past their businesses during prime breakfast and lunch hours. And now members of the Board of Supervisors have added their voices to this shrill chorus.
I knew there would be outrage, and there has been opposition in every city where it’s been tried (and it’s ultimately become popular everywhere it’s been tried). Unfortunately, Newsom has a history of caving in to overentitled motorists. So the challenge now for Newsom — and for all of us concerned about climate change, public health, and the promotion of sustainable forms of transportation — is to do what’s right in the face of fearful proponents of the status quo.
Because creating eight hours per year of carfree space along the San Francisco waterfront is the least we can do.

The return of The Americans

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In the 1950s, while Robert Frank was shooting photos for The Americans (Steidl, 180 pages, $39.95 ), a Southern sheriff told him he had “an hour to leave town.” If Frank took even one photo before splitting, then few people have ever made better use of 59 minutes and 59 seconds. The Americans turns 50 this year, and to celebrate its birthday — and perhaps to more perceptively rue the lack of change in this country — it has been republished in a new edition. This version corrects cropped images from past editions and presents deep tri-tone scans of vintage prints. Frank revised the book’s design. He selected its paper and its thread-stitching. He also conceived a new dust jacket that is closest in spirit to the book’s famed 1959 Grove Press and 1969 Aperture manifestations. As ever — maybe more than ever — The Americans is a scary beauty.

A Frank exhibition will be coming to SFMOMA. For now, here are some photos from Steidl’s version of The Americans.

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