SFBG Blogs

Lollapalooza day two: Wilco’s Nudie suits, Rage ‘n’ storming the castle, and SamRon hangs with LiLo

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It ain’t broke: Broken Social Scene. All photos by Angela Smith.

By K. Tighe

Day Two, Aug. 2, of Lollapalooza posed an interesting question: how big of a Wilco fan am I? You see, the schedule of a festival was built to split the day’s sold-out, 75,000-plus crowd, between two headlining stages on opposite ends of Grant Park: Wilco takes the North End, with Rage Against the Machine bringing up the South. Initially, I considered this one a no-brainer: this is Wilco headlining a sold-out show in their hometown – end of debate.

My cohort and I claimed prime territory during Broken Social Scene’s 6:30 set. BSS’s set was unsurprisingly incredible, laced with rock ‘n’ roll guitar moves, boundless energy, and even some political banter, “You’re not just voting for America, you’re voting for the world.” From our prime BSS ground we could here Sharon Jones and the Dap Kings loud and clear – and we even had a great view thanks to the jumbo screen flanking the PlayStation 3 stage.

Jones gave another sassy showing, pulling men up from the audience to croon to – and to horrify security a bit. Jones even chose to tell us a bit about her history, but first, “I gotta take my shoes off. You know what? Let me get these earrings off, too.”

Breaking: Leno endorses Sanchez

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Just got word that state Assemblymember (and Senator-elect) Mark Leno is going to endorse School Board member Mark Sanchez for supervisor in District 9. “We’ve got his endorsement,” Sanchez just told me by phone. “We’re putting out the press release today.”

That makes two Green Party members the Democratic lawmaker is backing; he’s also endorsed Ross Mirkarimi in D5. Good for Leno not to let the irrational fear of Greens that so many Democrats harbor influence him; this is, after all, a nonpartisan race.

It’s a tough choice in D9 — Sanchez, Police Commission member David Campos and housing activist Eric Quezada are all good progressives and any of the three would be a great supervisor. Quezada, I think, never had much of a chance with Leno; he’s pretty close to Sup. Chris Daly, who was a strong backer of Carole Migden in the bitter Migden-Leno senate race. Campos is close to Sup. Tom Ammiano, who was neutral in the Leno-Migden brawl — but Campos, who is on the Democratic County Central Committee, voted for Aaron Peskin as chair. Leno’s candidate (and he was pusing him hard) was Scott Weiner, who narrowly lost.

Quezada also ran for DCCC, but didn’t win.

Sanchez, as a Green, was able to stay out of both the Migden-Leno fight and the Peskin-Weiner contest. Oddly enough, not being a Democrat may have helped him here.

Campos, by taking the stand he thought was right and voting for Peskin (despite immense pressure), may have scotched any chance of getting Leno’s endorsement. “That’s politics,” he told me. Yes, it is.

(UPDATE: Sanchez corrects me: He endorsed Leno for state Senate months before the election. So the Leno endorsement is even less of a surprise.)

Cindy Sheehan’s ballot push

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Cindy Sheehan wants to challenge Nancy Pelosi , which is a fine idea, but she’s having a bit of trouble getting enough signatures to make the ballot. I quote from a press release:

The percentage of “valid” signatures that the SF Department of Elections are allowing is getting
lower and lower as we get closer to our goal.

We turned in 1932 on Monday and they invalidated 49% of the signatures.

We turned in 425 yesterday and they invalidated 78% of them.
The thing about that, is that I personally checked every signature in that batch, and I came up
with a 55-60 percent valid rate.

We figure at this rate, we need to turn in 3000 by tomorrow at 5pm.

HELP! HELP! HELP! We have 24 hours……

If you want to help Sheehan make the ballot, you can stop by her campaign office at 1260 Mission St (open 24 hours) or call 415 621 5027.

The flak over Newsom’s hack

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The word that Gavin Newsom is taking to campaign consultant Garry South is suddenly big talk on the blogs.

It started that way a growing number of political stories are starting these days, with an enterprising blogger catching someone in what was supposed to be a private meeting. In this case, Zuma Dogg of Los Angeles spied Gavin Newsom at a Starbucks (with his SUV parked in a fire lane) chatting with the prominent (and notorious) South.

Now Newsom is getting denounced on Calitics and is facing an (admittedly insider) threat that some progressives may abandon him as he moves to the political center.

A couple of thoughts on this.

1. Garry South isn’t running Newsom’s campaign. That’s still the job of Eric Jaye. In fact, Jaye tells me that South hasn’t been hired yet: “We’re taling to him,” Jaye said. “We’re putting together a team. But nobody’s been hired yet.” Not saying that Jaye is going to advise against a move to the center or anything, but if South does come on, it will be as a senior advisor.

2. I get the problems with Garry South, and I’m not defending him here, but anyone who thinks Newsom will run for governor as a San Francisco progressive hasn’t been paying attention to the mayor’s history and career. He ran for mayor the first time as a pro-business moderate, and that’s how he’ll run for governor. He won’t deny promoting same-sex marriage (which, frankly, won’t be a big issue in the Democratic primary anyway and can only help him) and will try to be an environmentalist (isn’t everyone these days?), but he won’t be talking about raising taxes on the rich. Isn’t going to happen.

3. What this really means is that Newsom’s “exploratory” campaign is getting a little less exploratory and a little more serious. No doubt Jaye has been doing polls to see if Newsom’s record would fly in a statewide race, and no doubt he’s found that his man can be sold to the voters will the proper packaging. And now Team Newsom is getting into gear. Even Jaye admitted that “the exploratory campaign is stepping up its efforts.”

So look for Newsom to pay even less attention to City Hall and even more to vote-rich Southern California in the next few months.

Not the smartest protester

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I completely agree with the cause, and I applaud the boldness of the woman who was staged a mock hanging at the Chinese consulate. Great TV, drew attention to Tibet, everything a good demonstration should do, and I’m sorry she got hurt and there ought to be an investigation and all that ….

But I must say: Climbing on the roof of the Chinese consulate was not the brightest move.

Under international law, that’s sovereign Chinese territory. And the U.S. and China are not exactly on perfect friendly terms these days. I bet there’s all kinds of fancy spy equipment and electronics on that roof, and there may be a way into the consulate from up there, and no nation likes people sneaking into or climbing around on their embassies and consulates.

Can you imagine what the Marine guards would do if a Chinese protester climbed onto the roof of the U.S. embassy in Beijing?

Nyendak Wangden is lucky she didn’t get shot.

The Weekly’s publisher knows nothing

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Fromson tries the Sgt. Schultz defense

By Tim Redmond

The publisher of the SF Weekly, who harshly criticized the professional qualifications of his Bay Guardian counterpart during our predatory-pricing trial, said yesterday under oath that he knows almost nothing about his business.

Josh Fromson testified in a sworn deposition as part of the Guardian’s efforts to collect on the $17 million that the Weekly and its parent company, Village Voice Media, owe us after a jury verdict in a five-week trial.

Guardian attorney Robert Pollak was attempting to find out where the company’s resources are. The so-called debtor’s exam is a common procedure in civil cases, and the company that owes the money is supposed to provide honest information about its finances.

Fromson provided almost nothing. In fact, if the Weekly’s top local executive, who claims to run everything except the editorial department at the paper, was telling the truth, he is astonishingly lax in his understanding of his job.

Fromson testified that he was responsible for all of the business activities of the Weekly, that he oversaw everything except editorial. That’s typical for a newspaper publisher.

But from then on, his answers were – to be kind – a bit hard to believe.

Fromson started off by saying that he didn’t know who his boss worked for.

He said his immediate supervisor was Jim Larkin, who is listed on the Weekly’s masthead as the chief executive officer of Village Voice Media. Nowhere in any of the thousands of pages of lawsuit documents was there any suggestion that Larkin was anything but a VVM employee, and to my knowledge nobody at VVM has ever suggested that either.

When Fromson was asked, almost as a matter of course and for the record, who Larkin’s employer was, he said:

“I don’t know.”

That became a refrain in a deposition that Fromson clearly didn’t take seriously. He spent much of it leaning back in his chair and chewing gum.

And by the end, it became clear that Fromson – again, if he’s telling the truth – doesn’t know whether his company owns or leases its office equipmemt, doesn’t know what bank his company uses for its accounts (although he signs the checks), doesn’t know what his weekly expenses are, doesn’t know whether there’s enough money in the bank to cover the checks he signs, doesn’t know who the paper owes money to, doesn’t know who deposits the checks the Weekly gets from its advertisers, doesn’t know whether any records of those deposits exist or where they are … in short, he doesn’t know any of the basic financial information that the publisher of any newspaper I’ve ever heard of is responsible for knowing.

Some examples of Fromson’s purported ignorance:

Pollak asked him if he knew what type of corporate form the SF Weekly took.

“I don’t know,” he said. (That’s pretty lame, considering that the Weekly’s corporate structure was laid out in detail in the lawsuit.)

Pollak asked whether the Weekly owned the desks, chairs, computers and other equipment in the office.

“I don’t know,” Fromson said.

“Who would know that?” Pollak asked. “I don’t know right off hand,” Fromson said.

Pollak asked what happens to the money that the Weekly collects from its advertisers (does it get deposited in a bank account, for example?).

Fromson: “I don’t know.”

What bank does the SF Weekly use for its accounts?

“I don’t know.”

When you sign the rent check each month, what bank is it drawn on?

“I don’t pay attention.”

What are your average expenses each week?

“I don’t know.”

What bank account are the operating expenses paid through?

“I don’t know.”

Who decides which bills get paid and when?

“I don’t know.”

Pollak asked for documents showing deposits in bank accounts. Fromson said they don’t exist. He asked if Fromson ever checked the balance in the company’s account; Fromson said he didn’t. “When you write a check,” Pollak asked, “how do you know there’s money in the account?”

Fromson: “I don’t.”

When clients send checks to the SF Weekly, Pollak asked, who takes the deposit to the bank?

“I don’t know.”

When that person gets a receipt for the deposit, where is that filed?

“I don’t know.”

You get the picture.

During the trial, Fromson took the stand and launched a harsh attack on Guardian co-publisher Jean Dibble, who oversees the paper’s finances, saying she didn’t go out on sales calls (which he was proud to say he does).

But after today, I have to wonder:

Can a sophisticated operation like VVM really have a publisher who doesn’t know which bank he uses, who doesn’t know if there’s money to cover the checks he signs, who doesn’t keep track of the deposit receipts, who seems to have no knowledge of the most important aspects of his job?

Is Josh Fromson really that dumb and incompetent?

Or was his sworn testimony, perhaps, a bit short of the truth, the whole truth and nothing but the truth?

Sweet on the Bellrays

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THE BELLRAYS
Hard Sweet and Sticky
(Anodyne)

By Todd Lavoie

Who exactly, pray tell, are these foolish Southern California boys who keep playing careless games with Lisa Kekaula’s heart? As the don’t-mess-with-me diva at the forefront of the BellRays’ unbridled soul/punk whirlwind, Kekaula has been bearing witness to the trials and tempests of love for nearly two decades, and Hard Sweet and Sticky finds the R&B shredder fighting yet another round of bedroom drama.

Here, on their eighth album, the Riverside band’s familiar Tina Turner/MC5 union is as fuzzy and furious as ever, but it is their willingness to veer beyond the usual garage bluster that makes the disc such a tremendous leap forward. Articulating matters of the heart with broader range than ever before, the BellRays have released the defining album of their career thus far.

For those who have always sought righteous liberation from the group’s combustible marriage of Kekaula’s soul-belting vocals with skuzzy ’69-Detroit chug-o-ramas, fret not: “Psychotic Hate Man” throttles as much as the title suggests, and the roughneck-bass and chanted hey’s of “Pinball City” make for certain manic nirvana.

“Wedding Bells,” however, is atmospheric noir-blues winnowed by Kekaula’s moist-eyed sighs and whispers, and the post-break-up move-on of “Blue Against the Sky” is ravishing straight-up soul, without a feedback swell in sight. The smoothness prize, though, goes to “The Fire Next Time,” a satin-and-silk slice of deception stroked by erotic ripples of come-hither jazz guitar but tempered by Kekaula’s knowing, regretful murmur: “How can I love you if you’re the hurting kind?”

Photo Issue Q&A: Jessica Rosen

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The cover image of this week’s Photo Issue comes from Jessica Rosen. While it reflects Rosen’s recent shift toward collage — which she also is using to create one-of-a-kind handbags and books — it only represents one facet of her work to date. Rosen’s website presents sections devoted to some of her earlier projects. Her vivid portraiture is defined by a striking use of color and shadow, and by a cooperative, perhaps even collaborative, bond with her subjects. I asked her about all of these things recently via email.

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From Jessica Rosen’s series “The Beach,” at www.jessicarosen.com

SFBG: Brazil is important to your photography to date. How did this come to be?
Jessica Rosen: To some degree, the location of my images is incidental. For about three years I was living between New York City and Rio de Janeiro. New York became my day job and Rio became my studio. Working in Brazil was simply a process that functioned really well for me.
Many of my photographs are rooted in a very specifically Brazilian setting, but I feel like I was exploring the same ideas that I had always been interested in. I was thinking a lot about cultural constructs of gender and sexuality and how those play out in the formation of subjective identity. I was also really interested in sex workers because I feel that this work becomes a very literal performance of sexual and gender stereotypes. And more importantly, the specificities of this performance are a reflection of more general cultural systems.
It’s not that those ideas could be exemplified only using Brazilian subjects. I mean, I could have been working with American sex workers and created different images that would have addressed the same ideas. In fact I have done projects of this nature in New York City. But Brazil was a great place to explore my interests.

My bike accident: The city’s fault?

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That was my first thought, sprawled on the pavement in the middle of a northbound lane on Van Ness Avenue: is this the city’s fault? Shouldn’t there be a goddamn bike lane here by now? And is the belated CEQA study that’s stalling the city Bike Plan the real antagonist here?

Here’s what happened: I was leaving a public meeting at 25 Van Ness and heading toward City Hall, just a few blocks north. The most expeditious route is to stay on Van Ness, which is horribly unfriendly to bikes, full of fast cars and funky pavement – but I was only going a couple blocks. I was riding in the far right line, but had to move out into the second lane to get around a bus stop. That left me straddling the white line between the two lanes. The pavement here, I’ll remind you, is full of potholes and cracks that like to grab the skinny, slick tires on my Univega. I swerved right, around one of these cracks, just as a car decided to accelerate past me in that right lane. The side of the car hit the side of me and we dragged along together for several yards until it passed me and I collapsed on the pavement. Fortunately, traffic behind us stopped, as did the driver of the car that hit me.

Despite exploding immediately into tears, which I’m prone to do when bitchslapped by death…

Newsom: a hands free honeymoon

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Today’s Ammianoliner:

Mayor brings cell phone on hands free honeymoon.

(From the home telephone answering machine of Sup.
Tom Ammiano, running unopposed for the state assembly, on Wednesday, Aug. 6, 2008.) B3

Sandoval, Dufty, Daly attack MOH

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The Mayor’s Office of Housing has come under attack for failing to construct enough inclusionary affordable housing units and for not doing enough financially to help folks facing foreclosures.

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Map of SF foreclosures, as of December 2007.

The charges come as D 11 Sup. Geraldo Sandoval and D 6 Sup. Chris Daly seek to amend off-site inclusionary affordable housing requirements.

The amendments would allow that twenty-five percent off off-site units may be built outside the currently required one-mile radius from a developer’s market rate project.

They would also provide that off-site units cannot be located in industrially-zoned areas, or within one-quarter of a mile of developments containing 200 or more publicly-owned and operated affordable housing developments.

“The fact that not one affordable housing development has been promoted by the Mayor’s Office of Housing or the non-profit sector, in District 11 tells me that something is wrong,” said Sandoval, whose district includes the Outer Mission and the Excelsior and is home to the highest foreclosure rate in the City.

Sandoval noted that when he proposed an emergency fund last year to fight foreclosures, MOH opposed the idea.

“That program went nowhere,” Sandoval observed.
“And every time I have tried to get a non-profit housing developer into District 11, they do not and have not got any help from the Mayor’s Office of Housing,” he added.

Noting that the proposed amendment also amounts to a small program (Twenty-five percent of a 25 percent mandate is a small subset,) Sandoval said, “I can’t understand why the Mayor’s Office of Housing is so eager to oppose it. This is about fairness.”

MOH’s Doug Shoemaker countered that the amendments are “a solution in search of a problem.”

Shoemaker reminded the Board why the supervisors updated inclusionary affordable housing legislation a few years ago to make sure that offsite units were built within a one- mile of developers’ market rate sites.

“It was because affordable units were being built where no one wanted it, under freeways, the far end of city, and remote from retail, services and transportation,” Shoemaker recalled.

“Our main concern,” he said, “is that development will end up being built under the cloverleaf of 101 and 280. Developers seek lowest land prices. They are rational. They seek cost savings.”

Sup. Maxwell sided with Shoemaker, noting that the legislation that Daly and Sandoval seek to amend was put together less than 18 months ago.

“The poorest people need to be where the infrastructure and schools are,” Maxwell said.

Sup. Tom Ammiano also opposed the amendments.
“It takes away a lot of the choices we have,” he said

But Sup. Bevan Dufty supported Daly and Sandoval’s efforts, noting that he’s been seeking more affordable housing in his district in the last years, with almost no success.

“To me this is not a mandate that 25 percent [of these affordable units] has to be a mile away.” Dufty said.

Claiming that if developers proposed inaccessible offsite units, the Board would not support it, Dufty added, “But a little bit of flexibility isn’t a bad thing.”

“This is such a modest proposal. I can’t believe we’re denying it,” Sandoval lashed out.

Sandoval observed that thanks to the MOH opposition to the Board’s proposed $2 million revolving foreclosure fund, all the City has, on the foreclosure front, is a task force and a comprehensive report.
“That’s not the same thing as helping people, “ he said. “If this passes, we might be able to.”

MOH contends it’s been busy trying to put infrastructure in place, so it can help people access the federal foreclosure package that President Bush just signed into law.

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Nationwide foreclosure rate “heat” map.

In the end, the Board kicked Sandoval and Daly’s amendments back to committee.

“Perhaps some massaging is in order,” Daly acknowledged.

Lollapalooza day one: Radiohead, Cat Power, Duffy, Gogol, rock-wine pairings

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I was somewhere around the Loop on the LSD when the hangover began to take hold…All photos by K. Tighe.

By K. Tighe

For concert attendees, Lollapalooza doesn’t start until Friday morning, Aug. 1, but for intrepid journalists and their diligent plus-ones, there are kickoff parties, sponsor events, and Chinese dinners that all lead up to the main event. Thursday afternoon, I found myself in the Crystal Ballroom of the Blackstone Hotel, listening to a Sonoma winemaker attempt to explain about the inner workings of my brain and memory. Delving into the deeper recesses of clinical psychiatry and viticulture preferences might not seem like a rock ‘n’ roll time, but believe me it was.

“This is the place where cocaine and chocolate live,” Clark Smith was explaining to a room full of food, wine, and music journalists the topic of euphoria, a buzz word in his recent study: that wine is able to carry emotion in the same way that music can.

From his research, he’s discovered that certain vintages taste differently when paired with certain songs, a phenomenon he proved to us by piping tracks from Lolla artists into the ballroom and making us sip, sip, then sip some more. From my afternoon at the Blackstone, I discovered that Cat Power makes a Pinot Grigio soar, Dr. Dog does wonders for Pinot Noir, and the Love Theme from Superman can make even Sutter Home White Zin taste like a million bucks. I left the hotel drunk (I wasn’t spitting, as proper wine tasting calls for) and starving. My cohort and I dove into some Chinese grub in Wicker Park before heading to the Venus zine kickoff party at the Debonair Social Club. Mates of States were manning the DJ booth, and I was taking care of the bottle service at our booth, alternating nips from the bottle of merlot in my bag (goes great with Stephen Malkmus).

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Did Obama play the “race card?”

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By Bruce B. Brugmann

You really don’t have to be watching the presidential race that closely to understand the charge of the McCain campaign that Barack Obama, the first African American to have a serious chance to be president, “played the race card.”

It was and is nonsense. I liked the analysis by the media organization FAIR, a media advocacy organization. FAIR stands for Fairness & Accuracy in Reporting. I’m glad to see FAIR quoted David Gergen on “This Week” as a “rare exception to the media’s uncritical coverage of McCain’s claims.” Gergen:

“There has been a very intentional effort to paint him a somebody outside the mainstream, other. He’s not one of us. It’s below the radar screen. I think the McCain campaign ahs been scrupulous about not directly saying it. But it’s the subtext of this campaign. Everybody knows it. There are certain kinds of signals. As a native of the South, I can tell you, when yoiu see this Charlton Heston ad, ‘The One,’ that’s code for “he’s uppity.” He ought to stay in his place.’ Everybody gets that who’s from a Southern background.”

Click here to read FAIR’s (Fairness and Accuracy in Reporting) article titled, Media Fall for ‘Race Card’ Spin: Outraged press ignores McCain’s ties to GOP race-baiting tradition.

Photo Issue Q&A: Heather Renee Russ of Cutter Photozine

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By Johnny Ray Huston

Every photo has a story, and the one behind Ace Morgan’s in this week’s Photo Issue is worth telling. “I was documenting and photographing my friend Chris in Detroit who was a male-to-female prostitute,” Morgan tells Sara Seinberg in the first issue of Cutter Photozine, where the image is part of a section devoted to his work. “Chris’ lover was this guy named Tony. And so Tony was in the pictures, too…Months down the road, the headlines in the Detroit Free Press said Tony was the Highland Park Serial Killer.”

One of ten artists or groups in this year’s Photo Issue, Cutter Photozine views San Francisco from the same candid, instinctive perspective that Morgan brought to Detroit’s streets. Along with Seinberg, Alison O’Connell, Jesse Rose Roberts, and Cole Blevins, Heather Renee Russ is on Cutter‘s staff. I recently emailed her to ask about influences, experiences, pros, cons, and the future.

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Photo of Jimmy Shotwell by Heather Renee Russ

SFBG: What zines and photo magazines do you like? How about favorite photographers?
Heather Renee Russ: Hamburger Eyes. Scam zine by Erick Lyle. The Fader. Ration zine by Arwen Curry. Sad Kids. Mega Words. Emergency by Ammi Emergency.

Kicking back with Pacifika

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Pacifika
July 21, Yoshi’s San Francisco

By Kevin Lee

I caught the Vancouver group Pacifika when they dropped into Yoshi’s San Francisco for a relaxed, intimate set on July 21. The cozy confines and friendly crowd helped spur the improvisation-friendly band, known for their sophisticated acoustic downtempo. Peruvian-born Silvana Kane, who sung mostly in Spanish, impressed with her breathy tones and guttural inflections that have drawn comparisons to chanteuses Bebel Gilberto and Shakira. Early on, the crowd bathed in the lush warmth of “Sol” and the acoustic pop of “Sweet,” where syllables took on a viscous quality, dripping out of Kane’s lips.

Performing from their new CD, Asunción (Six Degrees), Pacifika kept things loose by playing off the cuff. Through the soaring “Paloma,” the serene and tranquil “Chiquita,” the contemplative intonations from “Más y Más,” and the yearning from “Libertad,” the quartet – which includes guitarist Adam Popowitz, bassist Toby Peter, and percussionist Elliot Polsky – displayed a stylish variety of musical directions and exhibited a playfulness between tracks. While balancing acoustic, classical, and electronic guitars, Popwitz still found time to shake it to the delight of the audience.

When the crowd wooed the band back onstage for an encore, Kane coyly responded, “An encore’s a difficult thing to define.” The band followed with the unreleased “Cruces,” a vigorous and emphatic track that had the crowd nodding with pleasure. Upon its final chords, Popowitz began strumming again, while a surprised Kane took it in stride. Recalling the passing of her grandmother eight years ago (as she did on a previous track “Cuatro Hijas”), Kane launched into “Vida Lleña,” a moving tribute and the highlight of the night.

“See you at the debates, bitchez”

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OK, fine. I’m sorry, but I had to. The thing that hurts is that I’m actually weighing voting for her after the past week … once I finish this Glamour.

But the real question is: When will Britney respond?

Dinosaur tattoos are the new tramp stamp: Meet Sam Kehl

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Intrepid reporter Justin Juul hits the streets each week for our Meet Your Neighbors series, interviewing the Bay Area folks you’d like to know most.

Sam Kehl is a singer/producer/DJ from Seattle who I randomly met on a camping trip in Morrow Bay. He was wearing a pink hat, a leather jacket, and really really cool sneakers, which was odd because all his friends were decked out in REI gear. Obviously the dude had never been camping before, and I don’t think he’ll ever go again. I mean, a man can drink whiskey and use his shoes for a pillow right here at home can’t he?

I’ve gotten to know Sam pretty well over the past few months and although he may suck at camping, I can say without a doubt that he rules at being weird. Oh and his music is really rad too. Check him out at The Eagle Tavern on August 7th at 10pm where he’ll be performing as both Samuelroy and Samnation. Listen to his tunes here. X-Ray Press and No New York will also be performing.

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SFBG: So what’s your deal?
Sam Kehl: Hi, my name is Samuel Kehl. It’s spelled K-E-H-L. So I’m not related to the face products, Kiehl’s, or whatever. Sometimes people put me on flyers and spell my name like the face product. I hate that. Kehl is a German name, but I’m from Seattle.

SFBG: Why did you move to San Francisco?
Kehl: Well, San Francisco has a particular history of being queer and open-minded and there’s always been a lot of electronic music here. Seattle just got boring and I had already lived in New York so I decided to check out SF, mostly for the music.

SFBG: Any bands in particular?
Kehl: Well, I know there’s a lot of really really early experimental stuff here and all those Drum-&-Base people like UFO and DJ Abstract. There are others too, but I can’t remember. And um, Safety Scissors, Eats Tapes. Tiger Beats records. OK, so, not all the people I like are from SF, but I had already done New York and Seattle and I’m petrified of LA, so, well, I came here to do my music.

SFBG: So what’s up with your music anyway? How’d you develop your sound?
Kehl: I’ve been doing music for a really long time and I’ve been deejaying for exactly ten years. I don’t have any musical training, but I had choir and I sang in college. Oh and I played cello too. So I had all these different musical interests and then bands like the Postal Service and The Blow came out and I was like oh God, why don’t I do that? Why don’t I sing and make electronic music? Most of the electronic music that had vocals at that time was really bad. I was more into bands like Plaid and Aphex Twin, and Boards of Canada, like Warp Records stuff, you know? It didn’t really have vocals, but then those other bands came out, and I was like, Oh of course. What the hell? I should do that.

Local Artist of the Week: Lauren DiCioccio

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LOCAL ARTIST Lauren DiCioccio
TITLE Mount Rushmore: The Four Presidents (hand embroidery on organza and pleather, 2008)
THE STORY “These embroideries are life-size sculptural re-creations of 35mm slides I have collected. I am drawn to slides as precious objects: the fragility of the translucent material and the intimacy of scale of a palm-size slide are particularly endearing. I hope to capture this tenderness in my sculptures. To make these little pieces, I embroider directly onto bridal organza, a delicate translucent material, and allow the excess threads to pour out the back and hang down the wall.
BIO DiCioccio’s current work employs tedious handiwork to investigate the beauty of commonplace mass-produced media objects (newspapers, magazines, office papers, writing pads, plastic bags, 35mm slides) in lamentation of their approaching obsolescence. She received a BA from Colgate University in 2002 and now lives in Woodside.
SHOW “Lauren DiCioccio, Aliza Lelah,” through Aug. 16. 11 a.m.–5:30 p.m., Mon.–Sat., Jack Fischer Gallery, 49 Geary, Suite 440, SF. (415) 956-1178, www.jackfischergallery.com
WEB SITE www.laurendicioccio.com

Sonic Reducer Overage: Staycation nation with Projekt Revolution, Sam McPheeters, Balmorhea, more

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Busta Rhymes busts a move in “Dangerous” – and at Projekt Revolution at Shoreline this week.

As summer fades into a hazy, chilly miasma of Blood Marys, Krautrock beats, and high gas prices, the time has come to make the rounds at those lingering shed shows, avant-punk readings, burbling throwdowns.

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A.Skillz
Sunset Promotions showcases the UK hip-hop-breakbeat turntablist, surfacing at Mighty for his first show in SF in four years. With Murphstar, AnTenNae, and Motion Potion. Fri/8, 10 p.m., $10-$15. Mighty, 119 Utah, SF. www.sunsetpromotions.net


“I’m my own worst enemy”: Linkin Park’s “Given Up.”

Projekt Revolution
A revolution in WTF! pairings begins here: Linkin Park, Chris Cornell, Bravery, Ashes Divide, Busta Rhymes, Hawthorne Heights, and Street Drum Corps. Hey maybe it’s time to check those damn assumptions; you’re breaking both your back – and mine. Sat/9, 2 p.m., $34-$77. Shoreline Amphitheatre, 1 Amphitheatre Parkway, Mountain View. www.ticketmaster.com


Born free: Born Against back in the day.

Sam McPheeters
Take another, literary look at the local underground. The hardcore legend of Born Against fame reads from his new magazine, alongside Sarah Cathers of 16 Bitch Pileup (who will render love horoscopes from rock lyrics), Erika Anderson of Gowns (who will perform an exorcism), Tara Tavi of Amps for Christ (who will play traditional Chinese music and screen a documentary on the subject), and George Chen of KIT and Club Sandwich (who will do stand-up comedy). And yep, there’s even more. Sun/10, 7 p.m., $6-$10, 21 Grand, 416 25th St., Oakl.

Balmorhea
Austin, Texas, ambient bohos dream in elegant, string- and banjo-shaded colors. With Lazarus and Tiny Vipers. Mon/11, 8:30 p.m., $12. Cafe du Nord, 2170 Market, SF. www.cafedunord.com

Extra! Extra! Exposing PG&E’s Big Lies

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By Bruce B. Brugmann

For connoisseurs of PG&E’s Big Lies in political campaigns, the company’s early massive carpet bombing against the Clean Energy Initiative is most revealing. They are panicked.

Most likely, PG&E will not attack the fundamental premise of the pioneering measure (after all, clean and renewable energy is in this year). But, as our editorial this week notes, PG&E’s theme is to try and scare voters into thinking that the Clean Energy Act is too risky and too expensive in these difficult times. (The last time out, PG&E just used the phrase “too risky, too costly.”)

And they use just plain Big Lies, repeated endlessly in mailers, ads, astroturf campaigns. The reason they often get away with the ads is that they spend millions of dollars to push them and the local media retails them allegro furioso and does little to correct them. and even, in the case of the San Francisco Chronicle, just leaves the initiative out of the news and has yet to do a decent story or insert the local clean initiative angle on their energy stories.
For example, take David Baker’s otherwise creditable front page story in the Saturday (Aug. 2) Chronicle, “”Utiliies To Miss Energy Deadline, PUC says providers are failing to harness 20% from sun, wind.”

Baker doesn’t says nothing about the initiative, which sets ambitious goals for renewable energy. He didn’t quote its sponsors (Sups. Ross Mirkarimi and Aaron Peskin). He didn’t talk to any of the campaign leaders (chair Julian Davis, the Sierra Club’s John Rizzo et al). He didn’t point out that other studies, including one for the California Energy Commission, gave higher marks to public utilities. Why did he ignore the hottest issue on the fall ballot that tied directly into his story? I put the question to him in an email. No answer.

The point: since the local mainstream media don’t correct PG&E’s Big Lies, we’ll do so on a regular basis. .
Let us know if you spot one we haven’t covered. On guard, B3

P.S. A Potrero Hill martini to Matthew S. Bajko, who corrected a PG&E whopper in the Bay Area Reporter blog.
He noted that PG&E got “glowing media coverage” for its $250,000 shareholder donation to the campaign to defeat Proposition 8, the anti-gay marriage ban on the November ballot. The news, he said, was “just the latest in a string of pink steps the company hs taken this summer.”

However, he reported that the pro-gay moves “strike some San Francisco officials as suspect, as the company is locked in a fierce battle with state and local officials over two similar clean energy bills on the fall ballot.”
Some are questioning “PG&E’s altruism in the marriage fight” to shield it from the company’s “homophobic smear campaign” this spring against openly gay Assemblyman Mark Leno in his successful primary victory and that PG&E was behind the mayor’s ouster of Susan Leal as general manager of the PUC.

And he did what Chronicle reporters have not done: called the Clean Energy Campaign for comment. Spokesperson Julian Davis had a good one, “I think addition to greenwashing, PG&E is engaged in gay washing.”

Aloha SF! Aloha Fest chills out — pics

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By Ariel Soto

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Twirling hips, shaved ice and the aloha spirit filled the Precidio this weekend for the 14th Annual Aloha Festival. Hula dancers of all ages took to the stage to perform the fluid and precise dance famous of the tropical islands of Hawaii. Everyone seemed to be wearing flowers in their hair (appropriate not only for a Hawaii festival, but also perfect for a San Francisco event) and even a few canine friends got into the aloha mood. Visitors to the festival enjoyed munching on authentic Hawaiian fare and browsed amongst the numerous booths selling everything from bolts of blooming cloth, to cookies packed with macadamia nuts and even hula dancing dolls. What a perfect way to welcome in the misty Indian summer of an SF August than with such a sunny celebration as the Aloha Festival!

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Lennar sued by shipyard artist

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Serpentinite is California’s state rock. It can contain naturally-occuring asbestos.

Shipyard artist Jack Hain says he just wants his rocks back. Serpentinite rocks, that is.
And getting these rocks back appears to be the crux of the case that Hain has filed in Superior Court against Lennar. That and the question of whether it’s OK to move materials from one part of shipyard to another.

But unlike the other shipyard-related cases involving Lennar, Hain isn’t worried about possible health risks from the serpentinite, which can contain naturally-occuring asbestos.
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Veins of chrysotile, or other members of the asbestos family, can run through serpentinite rock, making it a toxic health hazard, if crushed, dug or otherwise quarried and excavated.

That’s because, says Hain, he wasn’t crushing or grading the rocks, but simply moving them across the yard.

Hain sued Lennar Communities and Lennar BVHP on May 15, 2008 in Superior Court, a month before residents sued the developer and two of its shipyard subcontractors, CH2M Hill and Gordon N. Ball, and five weeks before Lennar sued one of its subcontractors, CH2M Hill, for failure to monitor and control asbestos dust.

But unlike those suits, which center around Lennar’s failure to protect the community from naturally-occurring asbestos, while digging into a hillside full of serpentinite, Hain’s suit centers around the fact that Lennar removed three serpentinite rocks from an art work that Hain was building outside his studio in Building 116 on Parcel B of the Shipyard. (That’s the parcel where the Navy is currently proposing revisions to its original plan for radiological, soil and groundwater clean up.)

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Map of areas under radiologically investigation at Hunters Point Shipyard.

PG&E’s gaywashing

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Nice piece in the BAR by Matthew Bajko about PG&E’s efforts to make nice to the queer community — just as the company faces a huge battle over a Clean Energy Act that could lead to public power.

There’s no question that PG&E needs to do some work buffing its popularity in the LGBT community, particularly after funding a homophobic mailer attacking Assemblymember Mark Leno.

“I think in addition to greenwashing, PG&E is now engaged in gay-washing, given their inappropriate attacks on Assemblyman Mark Leno,” Davis told the Bay Area Reporter last week. “I think there is pretty resounding resentment in the gay community for PG&E’s tactics. It is kind of obvious they are trying now to court favor in a community they offended with their unsavory tactics.”

I think Leno has another good point: PG&E is going to spend maybe $10 million fighting the Clean Energy Act — and is giving all of $250,000 to support same-sex marriage:

“I would think our community might feel we have been significantly shorted by their $250,000 contribution,” said Leno.

We’ll see more of this — PG&E giving money to environmental groups, PG&E giving money to neighborhood groups and nonprofits, PG&E giving money to politicians …. whatever it takes to buy favor for a corrupt utility that can’t even make the basic state goals for renewable generation.

SPORTS: Roberto Kelly has plenty to tell the kids

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By A.J. Hayes

Roberto Kelly had all the ear-marks of a pre-fab Yankee Legend when he broke in with the Bronx Bombers in the late 1980s.

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As a NY Yankee

Scouts drooled over the young center fielder, touting him as the next great “Five-Tool Player.” Kelly hit for high average; whacked home runs; he was a graceful fielder; possessed a killer arm and ran like the wind.

In other words, the Panama native – who is currently a San Francisco Giants coach – was stacking up to be the next Joe DiMaggio or Mickey Mantle.

In his first game in the majors in 1987, a 22- year old Kelly walked out to center field at Yankee Stadium and was greeted by 45,347 fans. Despite knocking knees, Kelly brashly stole two bases and scored a run in New York’s 4-0 win over the visiting Royals. The speedy outfielder quickly became a fan favorite.

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As a Cincinnati Red

“The first day I made it to the big leagues was unbelievable,” Kelly told us recently. “You’re talking about a kid coming from Panama who didn’t know if he was going to make it, and then you walk out and see a packed Yankee Stadium. It was that defining moment for your career.”

It didn’t seem outlandish at all to believe that that Kelly world star for the Yankees for the next dozen seasons and end his career in pinstripes – just as Mr. Coffee and the Mick had done before him.

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As an Atlanta Brave

Well, technically all that did occur – but it didn’t exactly play out as scripted.