SFBG Blogs

The budget stalemate never ends

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Folks in Sacramento are telling me that the state may be without a budget for another month or more. Of course, it’s largely due to the fact that California requires a 2/3rds majority to raise taxes — which means a handful of Republicans, who have signed pledges never to raise taxes, can hold the entire state hostage.

Robert at Calitics has a good line on the need for reform — but there’s no way a Constitutional amendment will happen before 2010. So until then, the Democrats are over a barrel, and eventually will probably have to agree to borrow money to cover the deficit — with no new taxes.

The problem is that, whatever the columnists and critics say, the Republicans have no incentive at all to accept a budget that raises taxes — and they have every incentive not to. Thanks in part to skillful Democratic gerrymanders, the GOP districts tend to be very conservative. And any Republican who breaks his or her pledge and agrees to raise taxes will be targeted for extinction.

It’s an ugly situation, and even Schwarzenegger can’t get the members of his party to move an inch.

How bad will it have to get before the public demands reform? Pretty bad.

Cepeda statue hits a grand slam

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By A.J. Hayes

While some fans and media members quietly grumbled about the non-slugging stance William Behrends chose for his statue depicting the legendary Orlando Cepeda, I think these nascent art critics are missing the brilliant subtlety of the sculptor’s towering piece.

While the nine-foot tall statute – unveiled this past weekend at the Giants China Basin home — fails to glorify Cepeda wielding a bat, Behrends work depicts exactly how Cepeda has chosen to lead his life: standing tall, head held high and never kneeling to adversity.

Cepeda was the first superstar to debut as a San Francisco Giant. He sizzled his first big-league home run in the first major league game ever played in the city and went on to win 1958 Rookie of the Year honors. In 1962, he led the Giants to their first West Coast world series.

The youthful slugger and gregarious man-about-town was arguably the Giants most popular player during the club’s first half-dozen seasons in San Francisco, before a boneheaded trade sent him out of town.

But Cha-Cha has not been without his demons. He served time in a federal penitentiary on a drug smuggling conviction in the mid-1970s, and last year he was arrested after police in Fairfield said they found drug paraphernalia in his automobile. After a lengthy process that dragged his name through the mud, Cepeda was exonerated of the charges.

Smoking ban could hurt nightlife

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By Steven T. Jones and Meghann Myers

San Francisco’s bars and clubs often live in a delicate balance with their neighbors, who can be quick to complain about noise and other nuisances. Bar managers and event promoters say that balance could either be upset or strengthened by legislation coming before the Board of Supervisors in coming weeks.

Groups such as the Entertainment Commission and Outdoor Events Coalition are working on legislation to write the right to party into the city charter (a previous plan to take it to the ballot has been jettisoned in favor of doing it legislatively later this month). But club owner and Entertainment Commission member Terrance Alan is equally worried about another well-intended measure that he fears could have disastrous impacts on nightlife.

The Board of Supervisors will tomorrow consider amending San Francisco’s health code to further restrict smoking in public. If passed, the law would ban smoking in owner-operated bars and restaurants, prohibit smoking within 20 feet of entrances of commercial buildings, and prohibit patrons from smoking on outdoor patios of bars and restaurants.

The result, Alan tells us, could be to send chit-chatting smokers further from the clubs and closer to neighbors who already have the police on speed dial, just waiting for another reason to file complaints.

Pics: 18th Annual Autumn Moon Festival lights up Chinatown

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By Ariel Soto

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There is no such thing as a lull on Grant Avenue in San Francisco’s Chinatown, but this past weekend things were especially active and colorful in observance of the Autumn Moon Festival, a celebration of the beginning of the fall and the hope for a bountiful harvest season. As a photographer for SFBG, I get to cover many such cultural events and happenings (yes, my job is awesome!) and after visiting several of these street festivals this summer, I really think this one takes the cake, possibly a sweet moon cake, for being very authentic and for giving visitors a real taste of the true Chinatown. Musicians played traditional Chinese folk music with a plethora of unique and beautiful instruments, while men competed in a Chinese Chess championship, while munching on steam buns and salted peanuts. Vendors sold everything from orchids, to hair dyes and curry fish balls, and many other items that I really couldn’t identify since all the signs were written in Chinese, which made the festival even more fun and an example of how this was really a celebration for the neighborhood community and not just for the out of town tourists passing through. My two favorite parts of the afternoon were a lavishly dressed singing duo who took the stage to sing and dance and just make everyone smile with their catchy tunes, and the 10-pound bag of dim sum I took home and devoured with a hot cup of tea.

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Girl from the nord country: Hilde Marie Kjersem

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HILDE MARIE KJERSEM
A Killer for That Ache
(Rune Grammofon)


By Erik Morse

Two things for which I am always a sucker – Norway’s cutting-edge Rune Grammofon label and any musician professedly indebted to David Lynch’s ambient craft. While Norwegian chanteuse Hilde Marie Kjersem has both claims to her credit, her debut, A Killer for That Ache, is a quizzical derivation of either the Rune or the Lynch sound. Far from the whizzing and sputtering grandeur of Skyphone’s recent Avellaneda (Rune Grammofon) or the soporific noir of the Lynch-produced Floating into the Night (Warner Bros., 1989), Kjersem’s debut is a mishmash of folky lullabies and thin rockers with little ambience.

Sung entirely in English with a slightly overpronounced tip of the hat to the American standard, Killer includes only a modicum of the Scandanavian mystery that has endeared US indie audiences to artists like Kim Hiorthøy and Lars Horntveth. Despite some hints of a conceptual linkage throughout Killer, any sense of sonic uniformity is absent.

The result is a long divagation into genre picking with varying degrees of success. “Mary Full of Grace” and “Midwest Country” portray an earthy blend of Joni Mitchell, Elliot Smith, and Norah Jones, while tracks like “London Bridge” and “Fantasy” attempt to resurrect the sugary dreampop of the early ’90s. “It is Easy” could very well be an Ani Difranco soapboxer were it not for the calliope and processed clarinet swarming underneath. There are moments of beauty to be found here, but the potential of a Lynchian soundalike in Kjersem’s work are only future-based.


In and out: Hilde Marie Kjersem’s “Fantasy.”

Toronto International Film Festival: Days 3-4

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While San Francisco was having some of its nicest weather of the year, it rained in Toronto. Fortunately, my chief focus was indoors, in the dark, so it didn’t matter, really — soggy socks be damned. I made it to JCVD, Belgian director Mabrouk El Mechri’s surprisingly dignified tribute to Jean-Claude Van Damme, and probably my most-anticipated movie of the 2008 festival. I’d be lying if I said I was totally satisfied with it — there were some hilarious moments, but not many; there were a few action scenes, but also a lot of talking (including Van Damme’s very own emotional monologue). I guess I was expecting something bigger, louder, and more obnoxious (yes, those are code words for “better”), but kudos are due to Van Damme for playing himself — especially since he’s not always portraying himself in a flattering way. That said, if you hunger for fun, tacky, old-school JCVD, you’re better off putting your VHS copy of Hard Target (1993) through its well-worn paces.

McCain’s speech gets an Ammianoliner

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Yesterday’s Ammianoliner:

McCain’s speech runs the gamut of emotion from A to B.

(From the home telephone answering machine of Sup.Tom Ammiano on Saturday, Sept. 5, 2008, the day after the acceptance speech of Sen. John McCain at the Republican National Convention in St. Paul.)

Good going, Tom. You enunciated much better. Editorial aside: Tom was in the office on Friday for an editorial interview on the November election. Instead of being a standup comedian who happens to be a politician, he becomes a sitdown comedian who happens to be a politician. He complained wryly that, because his jokes were appearing regularly on the Bruce blog, that he was under a lot of pressure. Under pressure, he explained, to not only come up with pithy, topical jokes but to do it daily and and to enunciate clearly. We assured him that it was well worth the effort because he was getting his Ammianoliners out on deadline, getting enormous international viewship on the almost famous Bruce blog, and doing it all from the comfort of his Bernal Heights home. Moreover, it would be good training for his move next year to Sacramento as a San Francisco assemblyman.

While the Nation magazine has Calvin Trillin as its Deadline Poet, we have Tom Ammiano as our
Deadline Ammianoliner. B3

Big censored story of the Republican Convention

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By Bruce B. Brugmann (Scroll down for the alternative coverage)

While the Republicans were turning into instant reformers and mavericks inside the convention hall,
outside the St. Paul police were roughing up demonstrators and arresting journalists committing the grave sin of journalism.

Somehow, none of the reformers and mavericks inside referred to the violence outside nor tried to stop it and very few of the mainstream papers or broadcasters thought it worthy of coverage. Fortunately, the press rallied nationwide and, led by the Free Press Organization and the Society of Professional Journalists, collected more than 60,000 protest letters in 72 hours and delivered them to City hall in St. Paul this morning (5/9/2008). The letters called on Mayor Chris Coleman and law enforcement officials to drop all charges.

Toronto International Film Festival: Days 1-2

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If you ask me, there’s no better way to start your Toronto International Film Festival experience than with a film that contains a money shot revolving around a shredded set of intestines. Ohhh yeah, I knew the France-UK-Belgium co-production Vinyan was gonna be intense when I noted the director, Fabrice Du Welz, had also helmed 2004’s Calvaire — one of those don’t-get-off-the-main-road horror flicks that rang more depraved than most. In Vinyan, we meet well-off Euro couple Paul (Rufus Sewell) and Jeanne (Emmanuelle Beart) whose Christmas vacation turned to horror when their young son was washed away in the Indian Ocean tsunami six months prior. Or was he? Semi-convinced that he may instead have been kidnapped, the pair has stayed in Thailand grasping at hope — and in Jeanne’s case, sanity. A Heart of Darkness-style excursion into the wilds of Burma (where’s John Rambo when you need him?) pushes both partners into places of utter terror, both physical and psychological. Vinyan is also the best freaky-little-kids movie I’ve seen in awhile — we’re talking Who Can Kill a Child? (1976) territory here.

SF’s scary new Halloween plan

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Image from SF Party Party

By Steven T. Jones

San Francisco’s latest plan for Halloween, which falls on a Friday this year, is a ridiculously naive recipe for disaster. Even worse, mayoral flak Nate Ballard is still trying to peddle the ludicrous assertion that creating a police state and ending the Castro party early by turning water hoses on the costumed participants is sound civic policy, telling the Chronicle: “We’re optimistic this strategy will deliver a peaceful Halloween for the second straight year.”
I got news for you, Nate, Gavin Newsom, Bevan Dufty and the rest of the nervous nellies who are afraid to throw a decent party: occupation isn’t the same as peace. And it’s certainly counter to San Francisco’s values and economic interests. These people earlier this year hired Laura Fraenza at a ridiculously high six-figure salary to come up with a plan for Halloween and all they could do is propose a no-name concert in the baseball stadium that will appeal to none of the people who are drawn to the Castro each year. Lame, lame, lame.
Between trying to cancel the plan to issue identification cards to city residents, including those without immigration documents (which Newsom has no authority to do under the charter given that the Board of Supervisors created the program on a veto-proof 10-1 vote) and his efforts to end San Francisco’s Sanctuary City status, Newsom’s flirtation with running for higher office has made him scared of his own civic shadow. Toughen up, Mr. Mayor, because we don’t intent to sacrifice San Francisco’s most laudable initiatives and best civic gatherings on the altar of your political ambitions.

Stiglitz: Learning the Lessons of Iraq

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Here is the first column in a series we will be running regularly from Project Syndicate. Project Syndicate, based in Prague, is an international association of newspapers devoted to bringing distinguished voices from across the world to local audiences everywhere, strengthening the independence of printed media in transition and developing countries and upgrading their journalistic, editorial, and business capacities. To learn more about Project Syndicate visit: www.project-syndicate.org

Learning the Lessons of Iraq

By Joseph E. Stiglitz

NEW YORK – The Iraq war has been replaced by the declining economy as the most important issue in America’s presidential election campaign, in part because Americans have come to believe that the tide has turned in Iraq: the troop “surge” has supposedly cowed the insurgents, bringing a decline in violence. The implications are clear: a show of power wins the day.

It is precisely this kind of macho reasoning that led America to war in Iraq in the first place. The war was meant to demonstrate the strategic power of military might. Instead, the war showed its limitations. Moreover, the war undermined America’s real source of power – its moral authority.

Recent events have reinforced the risks in the Bush administration’s approach. It was always clear that the timing of America’s departure from Iraq might not be its choice – unless it wanted to violate international law once again. Now, Iraq is demanding that American combat troops leave within twelve months, with all troops out in 2011.

To be sure, the reduction in violence is welcome, and the surge in troops may have played some role. Yet the level of violence, were it taking place anywhere else in the world, would make headlines; only in Iraq have we become so inured to violence that it is a good day if only 25 civilians get killed.

And the role of the troop surge in reducing violence in Iraq is not clear. Other factors were probably far more important, including buying off Sunni insurgents so that they fight with the United States against Al Qaeda. But that remains a dangerous strategy. The US should be working to create a strong, unified government, rather than strengthening sectarian militias. Now the Iraqi government has awakened to the dangers, and has begun arresting some of the leaders whom the American government has been supporting. The prospects of a stable future look increasingly dim.

That is the key point: the surge was supposed to provide space for a political settlement, which would provide the foundations of long-term stability. That political settlement has not occurred. So, as with the arguments used to justify the war, and the measures of its success, the rationale behind surge, too, keeps shifting.

Meanwhile, the military and economic opportunity costs of this misadventure become increasingly clear. Even if the US had achieved stability in Iraq, this would not have assured victory in the “war on terrorism,” let alone success in achieving broader strategic objectives. Things have not been going well in Afghanistan, to say the least, and Pakistan looks ever more unstable.

Moreover, most analysts agree that at least part of the rationale behind Russia’s invasion of Georgia, reigniting fears of a new Cold War, was its confidence that, with America’s armed forces pre-occupied with two failing wars (and badly depleted because of a policy of not replacing military resources as fast as they are used up), there was little America could do in response. Russia’s calculations proved correct.

Even the largest and richest country in the world has limited resources. The Iraq war has been financed entirely on credit; and partly because of that, the US national debt has increased by two-thirds in just eight years.

But things keep getting worse: the deficit for 2009 alone is expected to be more than a half-trillion dollars, excluding the costs of financial bail-outs and the second stimulus package that almost all economists now say is urgently needed. The war, and the way it has been conducted, has reduced America’s room for maneuver, and will almost surely deepen and prolong the economic downturn.

The belief that the surge was successful is especially dangerous because the Afghanistan war is going so poorly. America’s European allies are tiring of the endless battles and mounting casualties. Most European leaders are not as practiced in the art of deception as the Bush administration; they have greater difficulty hiding the numbers from their citizens.

The British, for example, are well aware of the problems that they repeatedly encountered in their imperial era in Afghanistan. America will, of course, continue to put pressure on its allies, but democracy has a way of limiting the effectiveness of such pressure. Popular opposition to the Iraq war made it impossible for Mexico and Chile to give into American pressure at the United Nations to endorse the invasion; the citizens of these countries were proven right.

But back in America, the belief that the surge “worked” is now leading many to argue that more troops are needed in Afghanistan. True, the war in Iraq distracted America’s attention from Afghanistan. But the failures in Iraq are a matter of strategy, not troop strength. It is time for America, and Europe, to learn the lessons of Iraq – or, rather, relearn the lessons of virtually every country that tries to occupy another and determine its future.

Joseph E. Stiglitz, professor of economics at Columbia University, and recipient of the 2001 Nobel Prize in Economics, is co-author, with Linda Bilmes, of The Three Trillion Dollar War: The True Costs of the Iraq Conflict.

Copyright: Project Syndicate, 2008.
www.project-syndicate.org

Caught up in Damien Jurado

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DAMIEN JURADO
Caught in the Trees
(Secretly Canadian)

By Todd Lavoie

If Damien Jurado ever decided to take a break from music and funnel his creative juices elsewhere – not that I’m encouraging him to – I reckon fiction-writing would be his new calling. The Seattle singer-songwriter has long been a recipient of Raymond Carver comparisons, having built a decade-plus career upon crafting taut, literate tales of quiet alienation and shattering despair that share the same spirit with that of the piercing-stared short-story master.

Having largely foregone the confessional fess-ups of, say, Elliott Smith, Cat Power, or Mark Kozelek, Jurado’s indie folk-rock (and occasionally just full-on, unhyphenated rock) tends to stick with character studies and immersions into the emotional lives of others rather than directing the pen towards the ins and outs of his own heart. Or, so I have gleaned from reading interviews with the man, anyway – ultimately, whatever ratio of storytelling-vs.-autobiography offered up in an artist’s body of work is known to him and him only. In any case, these portraits-in-miniature have not only made for gripping listening over the years – credit duly given to Jurado’s wounded, earhole-snuggling hushes – but they’ve given a solid argument for daydreaming about the possibilities of a literary career for the singer.

Jurado’s latest, Caught in the Trees, probably won’t shoo away any such reveries, either – the disc continues what is now a longstanding tradition of engrossing first-person-narrated fiction set to equally absorbing melodies. According to the press kit, it also took longer to make than any other in his catalog – one that is now nearly double-digits-deep with releases. Whether this was due to outside circumstances or the nature of the songs contained within, I am not sure, but the album does offer plenty of that trademark Jurado intensity.

Get paid $100, if you’re not too liberal

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by Amanda Witherell

After we ran an article on the remarkable coincidences between opponents of the Clean Energy Act and people who take money from PG&E, reader J.J. Hollingsworth sent the following anecdote. Has anyone else had a similar experience?

Hollingsworth wrote:

“Regarding Eric Jaye’s comment, “They’ve pledged enough to educate every voter in San Francisco.”

On August 19th, I received a call from Focus Point Marketing Group which promised to pay me $100 for two hours of my time provided I call back for an interview in order to be a part of a group seminar on August 21st which would address social issues.

I called the lady back and asked what the social issue was about.

She said it was about the administration of public utilities in San Francisco. We established a rapport and I said that the subject would interest me and I checked my schedule and indeed was available for the two-hour seminar at 450 Sansome on August 21st from 6-8 p.m. The pay at $50 per hour was intriguing.

I proceeded with the interview which was a question tree about if I’m registered to vote, how likely I am to vote in November, etc. When we got to the part about whether I consider myself conservative, moderate, or liberal. My answer was, “I guess I’m liberal.” She said something to the effect of, “Well, you are in San Francisco where people are liberal, but unfortunately I can’t sign you up.”

Still intrigued by the $100, I said something to the effect of “Well, let’s mark me down as ‘moderate’ because some people out here think I’m conservative on certain issues.” So we proceeded with the interview. The next question was “What political party are you affiliated with?” I told her that I registered with the Green Party over twenty years ago. (It’s not easy being green and my voting record does not always concur with the Green Party line.)

The sweet lady at the other end of the phone replied, “Ma’am, I can’t win for losin’ here.” And so we left it cordially, and with humor – I could not attend the August 23rd ‘party’ and go home with $100.

My main point here is that despite all the fundraising bravura, I believe PG&E considers at least some of the population here in San Francsico uneducable.”

50,000 letters demand St. Paul drop charges

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By Bruce B. Brugmann

This is the kind of press release I like to get. This is from the Free Press, a national media reform organization, which circulated a petition demanding that St. Paul authorities drop all charges against Amy Goodman and her Pacifica radio crew and all journalists arrested at the Republican convention in St. Paul.

The petitions were gathered in two days. They will be delivered at 10 a.m. on Friday morning to St. Paul City Hall.

September 4, 2008

For Immediate Release

Contact:
Nancy Doyle Brown, Twin Cities Media Alliance, (612) 374-9380
Jen Howard, Free Press, (202) 265-1490, x22 or (703) 517-6273

FRIDAY: Delivery of 50,000 Letters Demanding St. Paul Drop Charges Against Journalists

ST. PAUL, Minn. — On Friday morning, local advocates and independent journalists will deliver more that 50,000 petitions to St. Paul City Hall calling on Mayor Chris Coleman and local law enforcement officials to drop all charges against journalists arrested while covering protests outside the Republican National Convention.

WHAT: Delivery of 50,000 letters demanding charges against journalists be dropped
WHEN: Sept. 5, 10 a.m. CT
WHERE: St. Paul City Hall, 15 Kellogg Blvd.
WHO: Local advocates and independent journalists from KFAI Community Radio, National Lawyers Guild, Twin Cities Daily Planet, Twin Cities IndyMedia, Twin Cities Media Alliance and The Uptake.

On Monday, local law enforcement officials arrested Democracy Now! host Amy Goodman and two producers from her show, Associated Press photographer Matt Rourke and several independent videographers while they were covering protests outside the Republican National Convention. Other independent journalists have also been pepper-sprayed and even held at gunpoint during “pre-emptive” raids aimed at disrupting protesters.

“The targeting and harassment of journalists that we’ve seen during the RNC sends the message that the Twin Cities don’t value the essential role that journalists play in a democracy,” said Nancy Doyle Brown of Twin Cities Media Alliance. “From the pre-convention raids to the ongoing harassment and arrests of journalists, these have been dark days for press freedom in the United States. We’re bringing Mayor Coleman more than 50,000 letters from people across the nation demanding that all charges pending against these journalists be dropped.”

Following the arrests, Free Press, the national media reform organization, circulated a petition demanding that Mayor Coleman and local authorities immediately “free all detained journalists and drop all charges against them” — garnering more than 50,000 signatures nationwide in less than two days. Their call has been echoed by groups including the Society for Professional Journalists, the Reporters Committee for Freedom of the Press, Reporters Without Borders and the National Association of Hispanic Journalists.

Watch the video of Goodman’s arrest: http://www.youtube.com/watch?v=oYjyvkR0bGQ

Watch other journalists being arrested, as recorded by The UpTake: http://theuptake.org/

Moaning for Mon Cousin Belge

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Dressy: A past Mon Cousin Belge performance

Mon Cousin Belge (with Girls, Bridez, and the Passionistas)
Aug. 28, Cafe du Nord


By Lauren Giniger

Man, that rare warm summer night we had last week really messed up my program. It took me forever to get out of the house, and it was all clothing-related indecision, and consequently I missed three groups of the fun four-band lineup at the world-famous-in-San Francisco performer Mon Cousin Belge’s record-release party.

Now it’s true, the hipsters left en masse (really, is there anything they don’t do en masse?) after Girls’ set, but that just left a very enthusiastic core of fans for Mon Cousin Belge’s turn. MCB, much like Obama, benefits from the “enthusiasm factor,” and MCB fans really, really, really love MCB. Emile is a compelling frontman, his theatrics propped on top of a set of powerful pipes, and the band’s music possesses a delicious, glammed-out sensibility.

MCB started their set with slow-burn cover of Roger Miller’s “The Crossing,” and reached a sort of rock fever pitch with “Ugly American” and “Tweaker Bitch.” Emile’s long-lost brother in botched plastic surgery sat in with some guest vocals, and both delivered drama of the hair-metal variety. So many of MCB songs are so great. They’re funny, edgy, and recognizable – who among us doesn’t know a tweaker bitch? While the guitar jangles and the keyboards hark to ’70s anthems, the drums carve out a stripped-down post-punk beat to counterpoint all that top-heavy glam.

Hipsters, next time stick around even if your friends don’t. San Francisco fags and those who love them elevate MCB to cult-band status. I don’t make history, but I dig it.

Look who’s pushing Prop. 8

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Newt Gingrich, that great three-times-divorced defender of family values, has made a new ad for Prop. 8. I wonder who the Yes on 8 people think ol’ Newt still appeals to.

Drop the charges!

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This just arrived from Democracy Now.

=== DROP THE CHARGES – DEMOCRACY NOW! ACTION ALERT – FORWARD WIDELY ===

On the web: http://www.democracynow.org/blog/2008/9/3/call_to_action

*Call to Action on Behalf of DN! Journalists Facing Charges for
Reporting on the Republican National Convention*

Today it is critical that you make your voice heard in the Ramsey
County Attorney and St. Paul City Attorney offices. Demand that they
drop all pending and current charges against journalists arrested while
reporting on protests outside the Republican National Conventions.

The Ramsey County Attorney’s office is in the process of deciding
whether or not to press felony P.C. (probable cause) riot charges
against Democracy Now! Producers Sharif Abdel Kouddous and Nicole
Salazar. Please contact Ramsey County Attorney Susan Gaertner by all
means possible to demand that her office not press charges against
Kouddous and Salazar.

Ramsey County Attorney Susan Gaertner
RCA@co.ramsey.mn.us (cc: dropthecharges@democracynow.org)
651-266-3222

Susan Gaertner for Governor
info@susangaertner.com (cc: dropthecharges@democracynow.org)
(612) 978-8625
(612) 804-6156

The St. Paul City Attorney’s office has already charged Amy Goodman with
misdemeanor obstruction of a legal process and interference with a peace
officer. Contact St. Paul City Attorney John Choi by all means possible
to demand that the charges against Goodman be dropped immediately.

St. Paul City Attorney John Choi
john.choi@ci.stpaul.mn.us (cc: dropthecharges@democracynow.org)
(651) 266-8710

Goodman was arrested while questioning police about the unlawful
detention of Kouddous and Salazar, who were arrested while they carried
out their journalistic duties in covering street demonstrations at the
Republican National Convention.

During the demonstration in which the Democracy Now! team was arrested,
law enforcement officers used pepper spray, rubber bullets, concussion
grenades and excessive force against protesters and journalists. Several
dozen demonstrators were also arrested during this action, as was a
photographer for the Associated Press.

*IMPORTANT*
Be sure to cc: dropthecharges@democracynow.org on all emails so that our
team can deliver print outs of your messages to the St. Paul City
Attorney and Ramsey County Attorney offices.

RELATED

Amy Goodman Arrest

Media coverage of RNC arrests

Free Press campaign

English only, LPGA and the Giants

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By A. J. Hayes

Anyone who’s ever killed a Sunday afternoon by watching golf – personally, you would have to kill me first – or has taken out his or her frustrations out on the little white ball realizes just how much the game relies on communication skills.

After precision putting and booming drives, the key to this Scottish derived sport is the ability to concisely string together words – preferably in English.

After all, how else will be able to properly address the ball?

Actually, the proficient playing of golf requires almost zero verbal skills. As you undoubtedly seen in Caddyshack, the only talking allowed on the links is expressly to be expressly done by loud clothing.

Speaking is completely frowned upon. Players throw fits if a gallery member steps on a twig or happen to have an allergy attack during a back swing. Gotta sneeze? Hold it pal.

After all, supreme concentration and total silence are required to properly hit a stationary ball.

So it came as a bit of surprise when last week officials of the Ladies Professional Golfers Association announced that beginning in 2009 its members will be required to be “conversant” in English or face suspension from the tour.

Huh?

The Jimi Hendrix school plan

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You know why some School Board members and top administrators are walking around with tote bags emblzoned with a pic of Jimi Hendrix?

School Sup. Carlo Garcia, it turns out, has a theory about the district’s new Strategic Plan. As one person who received a bag told us, “He said reading the plan is like the first time you ever hear a Jimi Hendrix song — you don’t know whether you like it or not, but you realize it’s something totally amazing. And after you hear it a few times, you really come to appreciate it.”

Gentle Blythe, the district’s spokesperson, confirmed that that was the theory behind the bags. “He’s said it various different ways, but you have it basically right,” she said.

If you try to think about Arlene Ackerman ever doing or saying something like that, you get a sense of how different (and how much more upbeat) the school administration is under Garcia.

Feinstein won’t run

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By Tim Redmond

I think Randy Shaw is right that Dianne Feinstein won’t run for governor. I don’t think the prospect of her entering the race is having much of any impact on Gavin Newsom right now (except for the possibility that some donors will hold off to see if Feinstein, who they would fear snubbing, is a player or not).

But there’s another element to this: As long as Feinstein is talking about the race, her presence will probably keep some other candiates, especially other women, on the sidelines. If Feinstein has a favorite — her dear friend Rep. Ellen Tauscher?) — she might be able to hold someone like Jackie Speier, who clearly is interested in the job, out of the race for a while.

So there are games aplenty here.

Sonic Reducer Overage: Ratatat, Brian Wilson, Lebowski Fest, Leyna Noel, and mo’

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Commando chic: Ratatat blows ’em up real good with “Mirando.”

More music than one gal can handle – o, frisky Frisco, you never disappoint! Behold the great stuff that didn’t make print – but really should have…

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Finer Things for Leyna Noel. Photo by Alissa Anderson.

LEYNA NOEL AND THE FINER THINGS
Could this be “tea metal” from the Mirah collaborator and Erase Errata drummer. With Clipd Beaks and Past Lives. Thurs/4, 9 p.m., $6. Hemlock Tavern, 1131 Polk, SF. (415) 923-0923.

LEBOWSKI FEST SAN FRANCISCO
The dude abides by Extra Action Marching Band, the Dead Hensons, and Meshugga Beach Party. Fri/5, 8 p.m. doors, $20 advance. Mezzanine, 444 Jessie, SF. (415) 820-9669.

No more bush: Meet Lonni’s Punani

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Intrepid reporter Justin Juul hits the streets each week for our Meet Your Neighbors series, interviewing the Bay Area folks you’d like to know most.

Lonni Kutzen is the owner/operator of Lonni’s Punani, a hair removal boutique in Potrero Hill that specializes in Brazilians and Manzilians (that’s pussies and balls to you and me) — and just scored a Guardian Best of the Bay award. We caught up with Kutzen recently to see what happens when people stop being hairy and start getting waxed.

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SFBG: So what’s your deal?
Lonni Kutzen: My name’s Lonni and I’m an aesthetician here in San Francisco. I do Brazilians and manzilians all day long.

SFBG: What exactly is a Brazilian and why do they call it that?
Kutzen: A Brazilian is the removal of all, or nearly all, of the hair down in your nether regions –butt hair, labia hair, all of it. I’m not really sure why they call it that. If I had to guess, though, I’d say it’s because Brazilian bathing suits are really tiny. I’ve been there three times and you can see everything.

SFBG: Yeah, I guess that’d look pretty gross if all those sexy chicks were rocking full bushes all the time.
Kutzen: Exactly!

SFBG: But you usually leave some hair right? My girlfriend went to Kabuki Springs recently and she said almost every girl had a different haircut down there.
Kutzen: There are a lot of different ways to go about it, but I usually leave my trademark triangle. So if you meet someone with a cute little triangle down there, you know they’ve probably been to Lonni’s Punani.

The redneck vote

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My brother, who runs a small construction company in Putnam Valley, New York, just called with his thoughts on the Palin nomination.

“It might not be that stupid after all,” he told me. “She hunts, she fishes, she has a pregnant 17-year-old daughter, her husband has a DUI and her brother in law tasered his 11-year-old kid … So she’s got the redneck vote. And there are a lot of them.”

That, of course, is what McCain was thinking — solidify the base, and try to attract working-class people in heartland and southern states who have been badly hurt by Bush but might have trouble relating to a Harvard-educated African American.

There’s really no secret about the strategy here: The GOP has used race-based and culture-based fearmongering for years.

Abe-bama pops up in the ‘Loin

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The latest rainbow happening going down in the alley next to Shooting Gallery, 839 Larkin, SF: artist Ron English (who I once interviewed way back when for his billboard modifications throughout the southwest) recently installed this PhotoShop combo – based on an original painting – of Abraham Lincoln and Barack Obama. These murals – up in LA, Seattle, and Denver as well as here – were made to coincide with the November election.