SFBG Blogs Archives — Page 419 of 597 — San Francisco Bay Guardian Archive 1966

Ariel Pink teams with Vivian Girls

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February 2, 2009

ariel pink green.jpg
Haunted ‘n’ flaunted: Ariel Pink’s Haunted Graffiti.

This in from the Ariel Pink people:

“On paper it wouldn’t really seem like these two bands, Ariel Pink‘s Haunted Graffiti and Vivian Girls, would have that much in common, but the two bands have struck up a friendship that has resulted in a 13-date tour this spring, which will end with both bands making their first appearances at Coachella. Both bands have other upcoming tour dates, Vivian Girls will open a string of dates for M. Ward, including an appearance at the Apollo, and will be playing SXSW. Ariel Pink’s Haunted Graffiti will tour in March with Canadians Duchess Says and have a couple one-off shows in L.A. with Animal Collective and Gang Gang Dance.”

Theory of devolution: Ariel Pink’s “Politely Declined.”

Super Ego: Hearts for queer Arab dancers

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February 2, 2009

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By Marke B.

I just got word about another installment of the fantastic BiBi party, happening this Saturday night at Club Six. BiBi’s the number one top happening for queer folks of SWANA (Southwest Asian–Northern African) descent — ladies, the ladies who go are fucking gorgeous — and their admirers. DJs Emancipacion, Josh Cheon of Honey Soundsystem, and Massood wil bring their exhilarating blend of traditional and contemporary Arab, Persian, Indian, and Latin hits, because basically if it’s brown, they’re down. Palestinian hip-hop duo NaR will be performing, as will fave-rave dancer Cherry Gallette. Part of the proceeds will benefit Middle-East Children’s alliance.

Lucky for club kids like me (who also happens to be a big queer Arab!) the party will take place at the same time as dread bass monthly Surya Dub’s huge 2-year anniversary bash that I wrote about in my last Super Ego clubs column, also at Club Six in the basement and main room for a separate fee. All-night belly dancing, Palestinian hip-hop, and bowel-shaking dubstep beats? I’m all over it.

BiBi
Sat/7, 9pm-afterhours, $10/$15
Club Six
60 Sixth St., SF.
www.clubsix1.com
www.myspace.com/bibisf

Read more SFBG Noise blog clubs coverage here and more Super Ego clubs columns here.

Jewish vinyl: co-author Josh Kun’s book inspires new exhibit at Contemporary Jewish Museum

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February 2, 2009

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By Michelle Broder Van Dyke

The records highlighted in Roger Bennett and former Guardian music columnist Josh Kun’s 2008 book, And You Shall Know Us by the Trail of Our Vinyl (Crown, 240 pages), are delectable nuggets and kernels of history that, chronologically compiled together, tell the story of five generations of Jews in America. And You Shall Know Us by the Trail of Our Vinyl – the inspiration for a new exhibition at the Contemporary Jewish Museum in San Francisco – anecdotally informs the reader of a massive and swift movement from tradition to modernity, city to suburb, and poverty to affluence, through the music and album art of 12-inches rediscovered in the basement bins of thrift stores in Boca – as Bennett puts it, “the place Jewish vinyl goes to die” – and other parts of the U.S.A.

The text reflects what one might expect from a coffee-table book yet contains a wealth of information dealing with important shifts in Jewish American history, complemented by the ridiculous to awe-inspiring images that adorn more than 400 LP covers: cantorial images of beards and flowing robes of yore morph into visions of Israeli disco fever and mambo interludes at Bar Mitzvahs. Pointing to the permeability of communities and the fluidity of identity, the authors look to, for instance, a Jewish Latin craze with such gems as Bagels and Bongos (Decca, 1959) and Mazel Tov, Mis Amigos (Riverside, 1961).

Super Ego: Let’s pARTy

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February 1, 2009

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By Marke B.

2k9’s gallery party season is heating up — last Saturday, I jetted from the art-fag-elite-packed Jonathan Solo opening at Catherine Clark Gallery to the huge “What’s the Big Idea?” shindig at YBCA, just in time to see thousands of expressive-oriented types raise their hands and clap along with the NonStop Bhangra troupe as they showed them how to punch the the air, Punjabi-style.

Next up on the big calendar is this Friday eve’s “Parlor Games” at the de Young, celebrating that museum’s ongoing Yves St. Laurent exhibit, hosted by one of the SF underground’s most scintillating performers/choreographers, Fauxnique.

Fauxnique and friend — arty, non?

Fauxnique was one of Trannyshack’s darlings (her revival of her Elton John “Butterfly” tribute number, complete with full ballet corps and huge outspread wings, brought the house down at last year’s Trannyshack Kiss-Off party. She’s the top female drag queen in town — not drag king, but drag queen, as in faux queen. Yes, it’s confusing.) From 7:15-7:45 in the Piazzoni Murals Room, there’ll be charades, musical chairs and a “Proust Questionnaire,” and Fauxnique and some ultra-chic friends will perform numbers meant to invoke both the asthmatic Parisian author/drama queen’s social demimonde and Laurent’s delicate and lovely designs.

mills college music

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February 1, 2009

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Because the Bay Guardian is the go-to source for Bay Area audiences, I thought your readers would be interested to know about the latest happenings at Mills College with the opening of its new concert hall and exciting all-star contemporary music festival.

From February 21-April 5 Mills will celebrate their rich music legacy with a six-concert festival, Giving Free Play to the Imagination. An elite group of musicians who have helped shape contemporary music around the world, Pauline Oliveros, Terry Riley, Roscoe Mitchell, Joan Jeanrenaud, Muhal Richard Abrams, the Arditti Quartet, and Fred Frith, among others, will perform pieces of their own design, including several world-premiere pieces, and of Mills composers past and present. At this time Mills will also celebrate the reopening of the Mills Concert Hall, a venue that has inspired audiences for more than 80 years. Oliveros will play the first sounds in the Hall on February 21.

Mills College is the international leader in contemporary music, which is why musicians from around the world come to Mills, and how Mills has become an incubator for the evolution of contemporary music, with the likes of Dave Brubeck, John Cage, Pauline Oliveros, Burt Bacharach, Darius Milhaud and Phil Lesh among students and faculty. As the Bay Guardian has covered Mills’ music in the past, I think your readers would be interested to know about this exciting festival, the Bay Area’s latest greatest concert venue, and what’s new in the world of Mills as its musicians inspire communities in the Bay Area and around the world.

Please let me know if we can arrange an interview with Mills music leadership or the performers to help you build your story. A summary of the Festival program is below, with further details available at www.mills.edu/musicfestival.

Best regards,

Victoria Terheyden

MacKenzie Communications, Inc.

600 California Street, Suite 1590

San Francisco, CA 94108

Tel: 415.403.0800 ext. 30
Fax: 415.403.0801

www.mackenziesf.com

Media Contacts:

Quynh Tran, Mills College

Media Relations Manager

510.430.2300

qtran@mills.edu

Victoria Terheyden

MacKenzie Communications, Inc.

415.867.2516

vterheyden@mackenziesf.com

Mills College Celebrates 80 Years of Musical Innovation with

Giving Free Play to the Imagination Music Festival

OAKLAND, CA—Feb. 3, 2009. Mills College celebrates 80 years of musical innovation as it reopens the historic Mills Concert Hall after an extensive 18-month renovation with a music festival featuring some of the world’s leading contemporary musicians. The six-concert series, Giving Free Play to the Imagination, runs from February 21 through April 5, 2009.

Musical innovators such as Pauline Oliveros, Terry Riley, Joan Jeanrenaud, Roscoe Mitchell, Muhal Richard Abrams, the Arditti Quartet, and Fred Frith, among many others, will celebrate Mills College’s leadership in defining contemporary music.

At the heart of the aesthetic and educational mission of music at Mills is a tradition of experimentalism. Breaking free from preconceived notions about music, Mills composers and performers embrace new sounds and musical forms while pursuing creative, exploratory, and individual approaches to music. It is this unique approach that has made Mills College the destination for sonic pioneers. And it is why some of the top names in contemporary music—Darius Milhaud, Dave Brubeck, Joëlle Léandre, Phil Lesh, John Cage, Anthony Braxton, and Pauline Oliveros, to name just a few—have been part of the faculty and student population at Mills.

“Because of our long history of support for an experimentalist tradition across barriers of genre, cultural identity, or perceived hierarchy, Mills is uniquely placed to cultivate, appreciate, and celebrate musical pioneers,” said Fred Frith, head of the Music Department and internationally known composer, multi-instrumentalist, and improviser.

Mills music faculty, students, and visiting artists from varied musical traditions come from as far away as Argentina, China, France, and Turkey to study musical forms from electronic music to classical performance to jazz improvisation.

“Ever since renowned French classical composer and Mills’ professor Darius Milhaud encouraged soon-to-be-renowned jazz pianist composer and Mills’ student Dave Brubeck to ‘be himself,’ our students have been discovering how to ‘be themselves’ with single-handed determination,” said Frith. “As a Music Department that encourages experimentation while respecting tradition, we are second to none.”

“We are continually inspired by the influence and impact of our music graduates in their artistic pursuits,” said Janet L. Holmgren, president of Mills College. “Whether they are composers, performers, professors, or music producers or whether they are working in the film, video game, or music industries, or in leading technology and digital media companies, our graduates reflect the College’s mission to encourage creativity and experimentation, all within a global context.”

Giving Free Play to the Imagination also marks the completion of the $11 million renovation of the Mills College Concert Hall, to be renamed for well-known Bay Area philanthropist and Mills alumna Jeannik Méquet Littlefield, MA ‘42. Designed by noted California architect Walter Ratcliff Jr., the Mills Music Building has received widespread acclaim since its opening in 1928.

Improvements to the Concert Hall include new acoustic panels for enhanced sound quality, an expanded stage area for larger performances, installation of a dedicated mixing station, soundproofing for performance and recording quality, new seating and improved layout for a better audience experience. The multicolored frescoes and murals created by California painter Raymond Boynton were restored by two teams of art conservators to return them to their original vibrant colors.

The festival’s name, in fact, derives from Boynton’s vision for his murals, “to produce a scheme of decoration that would give free play to the imagination.”

Mills Music Festival Honorary Committee:

Charles Amirkhanian* – composer, percussionist, sound poet, radio producer

Laurie Anderson* – performance and visual artist, composer, vocalist, musician

Dave Brubeck*+ – jazz and classical musician, pianist, composer

Robert Cole – director of Cal Performances

Merce Cunningham – choreographer and founder of Merce Cunningham Dance Company

Evelyn Glennie – percussionist, composer, motivational speaker

David Harrington – violinist and founding member of the Kronos Quartet

Phil Lesh* – musician and founding member of the Grateful Dead

George Lewis – improviser-trombonist, composer, computer/installation artist

Jeannik Méquet Littlefield* – philanthropist and patroness of the arts

Annea Lockwood – composer, professor emeritus at Vassar College

Rebeca Mauleón* – Latin and world music pianist, composer, educator

Meredith Monk – composer, singer, director/choreographer

Michael Morgan – music director of the Oakland East Bay Symphony, pianist, educator

Pauline Oliveros+ – composer, performer, first director of the Center for Contemporary Music (formerly the Tape Music Center)

Lauren Speeth* – CEO of the Elfenworks Foundation, member of the Mills Board of Trustees, violinist, recording artist

Roselyne Swig+ – philanthropist, activist, and patroness of the arts

Michael Tilson Thomas – music director of the San Francisco Symphony, composer, recording artist

* Mills alumnae/i

+ Mills honorary degree recipient

Program

Saturday, February 21, 2009 8:00 pm

OPENING NIGHT: Pauline Oliveros with Tony Martin; Terry Riley; Joseph Kubera performs Roscoe Mitchell; Joan Jeanrenaud

Solo performances of works by pioneers in the experimentalist tradition. Oliveros will play the first musical sounds in the renovated Concert Hall. A champagne reception follows.

Sunday, February 22, 2009 3:00 pm

A CELEBRATION OF THE CENTER FOR CONTEMPORARY MUSIC

More than 40 years of electronic innovation featuring Pauline Oliveros, Tony Martin, Maggi Payne, Chris Brown, William Winant, Joan Jeanrenaud, James Fei, and John Bischoff. Pre-concert talk with performers at 2:00 pm.

Friday, February 27, 2009 8:00 pm

LEGENDARY COMPOSER AND IMPROVISER MUHAL RICHARD ABRAMS with special guest Roscoe Mitchell

Saturday, February 28, 2009 8:00 pm

DARIUS MILHAUD’S BRAZILIAN CONNECTION

Dazzling orchestral works conducted by Nicole Paiement. A celebration of the renaming of the Concert Hall in honor of Mills alumna Jeannik Méquet Littlefield follows.

Sunday, March 8, 2009 3:00 pm

ARDITTI QUARTET

The world-renowned string quartet plays works by Mills composers past and present

Sunday, April 5, 2009 3:00 pm

THE MUSIC OF FRED FRITH

A rocking birthday concert of new music with Fred Frith and Cosa Brava (Carla Kihlstedt, Matthias Bossi, Zeena Parkins, The Norman Conquest), Liz Albee, Minna Choi, Beth Custer, Joan Jeanrenaud, Myra Melford, Roscoe Mitchell, Ikue Mori, Larry Ochs, Bob Ostertag, and William Winant.

TICKETS / PUBLIC INFO:

General admission: $20/concert; $100/series

Seniors: $12/concert; $60/series

For more information or to purchase tickets, please visit http://www.mills.edu/musicfestival

Nestled in the foothills of Oakland, California, Mills College is a nationally renowned, independent liberal arts college offering a dynamic progressive education that fosters leadership, social responsibility, and creativity to approximately 950 undergraduate women and 500 graduate women and men. Since 2000, applications to Mills College have more than doubled. The College is named one of the top colleges in the West by U.S. News & World Report, one of the Best 368 Colleges by the Princeton Review, and ranks 75th among America’s best colleges by Forbes.com. Visit us at www.mills.edu.

Street Threads: What the heck are you wearing?

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February 1, 2009

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SFBG photog Ariel Soto hits the streets each week to scope out SF’s best looks. View her last installment here.

Jennifer, Van Ness Muni station

Terry, Mission and Virginia

Kate, Prospect and Cortland

Welcome to SEX SF!

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January 31, 2009

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Hey there, horny toad. It’s Marke B. from SFBG beckoning you hither into the Guardian‘s new SEX SF blog — our local-focussed, sex-positive, Internetical adventure into the land of wanton lust (and education!). Feel the luxurious sheen of its fishnets on your eyeballs.

We felt there was a mighty big gap in the SF blogosphere, and wanted to fill it with something intelligent, playful, Bay-minded, omnisexual, curious, scandalous, irreverent, and respectful of the extreme diversity of the local sex scene. Oh, and lots of fun. This is our “soft launch,” our birds and bees beta, our test-icle if you will. (Look, it’s late and I’m short on comic material. Throw a hot tomato at me.) Join us each day as our sensual endeavor grows and grows — but don’t forget your safety gear, you little devil.

If you have any suggestions or tips, email here. Now, let’s get it on, and pardon our excited glitches.

Photo of monthly wet jock contest at The Rod by Darwin Bell

test test test

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January 30, 2009

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test test test

American Apparel battle heats up

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January 30, 2009

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editors note: updated information at the end

By Andrea de Brito

When local author Stephen Elliot saw a sign reading “American Apparel: Coming Soon” in a vacant storefront window near 21st and Valencia two weeks ago, he told himself: “What? No way!”

Within 24 hours, he had whipped up a Stop American Apparel website and spent $750 – money that he didn’t really have — to print thousands of posters reading “Your Mission—Not Theirs” (though that side of Valencia Street technically belongs to the Castro).

You can see the simply designed posters in many storefront windows along Valencia Street, where the overwhelming majority of independent businesses—including Ritual Roasters, Modern Times Bookstore, Dog-Eared Books, Aquarius Records, and Borderlands Books— have taken a strong stand against the mega-chain, which boasts 200 outlets in 19 countries worldwide and is known for its ads featuring skinny teenage girls in skimpy cotton rags.

The issue has generated considerable discussion on the neighborhood blog MissionMission and in our past coverage.

“I do not want to live in a shopping mall,” said Elliot, claiming residents he’s interviewed were largely unaware of the imminent prospect of the chain’s grand opening. Though the company’s progressive position on fair labor practices and immigrant rights may blur the lines between good and evil, most opponents claim the campaign is not a crusade against American Apparel. It’s a crusade against formula retail, already completely banned in several affluent commercial districts of San Francisco.

Business community attacks tax proposals

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January 30, 2009

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By Steven T. Jones

San Francisco’s business community has launched a coordinated campaign against calling a special election in June for new revenue measures, which the Board of Supervisors will consider at Tuesday’s meeting.

The board voted 8-3 this week to declare a fiscal emergency and consider various tax measures to help offset $118 million in midyear budget cuts made by Mayor Gavin Newsom and to close a deficit for the next fiscal year projected to be more than $550 million. All eight supervisors will be needed to call the election.

But the San Francisco Chamber of Commerce and Scott Hauge (who didn’t return my calls for comment) of Small Business California have both blasted out calls to oppose the move, using the same talking points and nearly identical language that complains, “City Hall is rushing to hold a June 2009 Special Election so it can put proposals for hundreds of millions of dollars in new taxes before San Francisco voters.”

In reality, current proposals call for less than $100 million in new taxes. Business leaders and Mayor Gavin Newsom (who also opposing the June election) have known since at least Halloween about the size of this deficit (which is roughly half of the city’s discretionary spending) and could have worked with progressives on the procedural issues they’re citing. So this has nothing to do with “a rush,” but is one more example of fiscal conservatives offering knee-jerk opposition to any new taxes.

Still, the business community will be putting intense pressure on the board, particularly the swing votes: Supervisors Bevan Dufty and Sophie Maxwell. So if you think the people should have a say in sparing some of the deepest cuts to city services by making rich people, drivers, or profitable businesses pay a little more in taxes, now’s the time to make your voice heard.

Services for Lani Silver set for Sunday

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January 30, 2009

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The reaction to Silver’s condition was a remarkable display of affection and respect for the political activist who “fought the good fight for Bay Area community.”

By Bruce B. Brugmann

1948-2008

Services for Lani Silver, a passionate activist for more than four decades in San Francisco who died Wednesday, will be held at 12:30 p.m. Sunday at Beth Israel-Judea, 625 Brotherhood Way. A burial service will be held at 2:30 p.m. at Hills of Eternity Memorial Park, 130l El Camino Real, Colma. She was 60.

Silver died at 5:30 p.m. Wednesday night in the home of her sister Lori in San Francisco. You can leave your remembrances — and find out more about her life — here.

“Lani is gone,” her sister Lori wrote an hour later on the CaringBridge.org website. Lani was diagnosed with a brain cancer in September and has been fighting a brave battle ever since. “Lani has always been terrified of being sick, but with this illness, was serene,” Lori wrote in the latest of a regular series of posts on Lani’s condition. “And she died with that same calm and serenity. She was surrounded by her family.”

The Larder: Summer in a jar

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January 30, 2009

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SFBG’s Diana Dunkelberger gets the scoop on yummy local edibles

With whimsical, childlike labels, and playful names like “ridiculously raspberry jam,” “a smokin’ hot apricot jam,” and “grrr! wild olallieberry jam,” each jar of cmbsweets jam is a small-scale expression of happiness.

Carolina Braunschweig, the “cmb” of cmbsweets, made her first batch of jam just a few years ago, when she discovered she had more farmers’ market strawberries than she knew what to do with. After experimenting with varying amounts of sugar, she eventually settled on adding just a third the amount of sugar as most jams. The result is an intensely vivid fruit flavor that has half the calories of other jams.

All of Carolina’s jams work extremely well with toast or scones, of course, but they can also be used to sweeten yogurt or enliven a bowl of vanilla ice cream.

SEIU seizes last holdout: UHW’s Oakland headquarters

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January 30, 2009

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By Steven T. Jones

The takeover of United Healthcare Workers by Service Employees International was completed today as SEIU finally took physical control of UHW’s Oakland headquarters and changed the locks following a final standoff that had to be mediated by Oakland Police officers who were called to the scene.

“We went to the office and we asked to be able to do the work we need to do,” David Regan, who SEIU appointed as a trustee overseeing UHW, told the Guardian. But they were turned away by UHW members still loyal to ousted president Sal Rosselli, who has formed a new rival union. “The police came and we sorted it all out.”

“We have been contacting tens of thousands of our members from all over the state over last few days and talking to them about the core work we should be doing,” Regan said, noting how important it is right now to present a united worker front to counteract deep proposed budget cuts by the state and its 58 counties.

SEIU took possession of UHW’s Los Angeles office shortly after the trusteeship was imposed on Tuesday afternoon, “and it’s a mess,” said SEIU spokesperson Michelle Ringuette. In their calls to members, she said that “a silent majority” are anxious to get past this union turf and aren’t likely to disaffiliate and join Rosselli’s new union.
But John Borsos, a spokeperson for the ousted UHW leaders, said members want a say in their union and “I believe thousands of current UHW members will seek to become part of this new union,” known at National Union of Healthcare Workers.

Both Ringuette and Regan downplayed the Oakland standoff, saying members are more important that offices. “But at the day, the reason the office is important is because it has tools we need to run the union effectively,” Regan said, citing membership data, payroll records, and files on ongoing contract negotiations as examples.

Check back here last and look in next week’s Guardian for more, including a report from Guardian intern Joe Sciarrillo, who was at the scene in Oakland (but who’s now following another protest of the murder of BART rider Oscar Grant after the officer who shot him was paroled)

Style on a Dime: Rent a dress at the “socialist boutique”

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January 30, 2009

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SFBG’s Laura Peach checks out local fashion you can afford.

Ever wake up, open your closet and just hate everything in it? You try on a dozen different outfits, but nothing seems to work. As your desperation grows with the pile of discards, you finally pick up the phone and call your best friend to see if you can borrow her emerald green dress. That is, assuming your best friend is your size and also lives down the street. And if she doesn’t….

Shaye La McKenney is your new best friend. She wants you to look fabulous. And she will let you borrow her clothes.

Her brilliant Guerrero Street venture La Library is a boutique that you can rent clothes from. That’s right, rent. So a gorgeous drapey German couture knit gown can be yours for that grand gala you’ve got coming up. You can slip into a sweet jersey knit dress for that hot date tomorrow night. Or you can swipe a simple black silk blouse to wear to lunch with that friend who you’re sure has already seen most of your clothes at least twice.

Photo by Anastasia Kuba. From the La Library MySpace: “All the jewelry is from sasha’s collection of designer 60’s bling. All being sold at La Library.”

Here’s how it works: clothes can be rented for 10% of their retail price per night. Meaning that a lovely $150 crepe dress will cost you $15 to wear out. Just take care, if something tragic happens, you’ll either be charged the full price of the item or a $25 cleaning fee if the red wine stain can be removed.

Durst: The school for scandal. Version 2.1

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January 30, 2009

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By Will Durst

A politician making lemonade after being pelted by a bushel of media chucked lemons is as familiar as red yarn on the handle of a black bag on the luggage carousel at O’Hare. But few alive have seen the likes of Rod Blagojevich. Not content to stir up a nice cold pitcher or erect a simple stand, the former Illinois Governor is challenging Minute Maid’s supremacy in the field of citrus concentrate. Refusing to exit the stage quietly after removed from office, he instead has gone on the offensive. Some might argue the 52 year- old Democrat has given a whole new meaning to the word “offensive.”

Hopping onto the Marina’s yoga Pad

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January 30, 2009

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By Juliette Tang

Getting into the opening of the The Pad, a new yoga studio in the Marina, felt more like trying to get into a club than a wellness center. First of all, there was a doorman. Second of all, he almost didn’t let me in. “Who here do you know?” he asked me, scanning his clipboard. I stood on the green carpet (hah) haggling with him for a minute, before finally dropping “San Francisco Bay Guardian,” at which point I was quickly ushered inside. Let me note, at this point, that I attended this function for work-related purposes, as the SFBG was cordially invited to attend by Maven PR. Fancy, huh?

Doorman, green carpet

Once I was inside, I was quickly shocked to see that everyone was in cocktail attire. My boyfriend and I glanced at one another in alarm. He was wearing a flannel jacket and jeans with a giant hole in the crotch. I was wearing leggings and a ratty dress. We were lost in a sea of Brooks Brothers jackets, Thomas Pink button-downs, Diane von Furstenburg wrap dresses, Stuart Weitzman heels. Was I in some sort of alternate universe? I mean, it was the Marina. I wasn’t on Kansas Street anymore. Luckily there was plenty of food and an open bar sponsored by Lotus Vodka.

After a complementary glass of champagne, I quickly found Angela, my PR connection, and asked if I could have a tour of the facilities. She introduced me to Leila Burrows, co-owner of The Pad.

Leila Burrows and Lily Horowitz, owners

Newsom’s new spirit of cooperation …

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January 30, 2009

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By Tim Redmond

… Is utter bullshit.

The mayor proclaimed that he’s going to try harder to work with the Board of Supervisors, and that he sees David Chiu as much more of a potential ally than outgoing board prez Aaron Peskin — but already we’re seeing what that means. Consider:

The supervisors voted 8-0 last week to nominate Ross Mirkarimi for a coveted slot on the California Coastal Commission. It’s an important job, and requires someone with a strong comittment to environmental issues. So what does Newsom do? He ignores the board vote, refuses to defer to the unanimous wishes of Mirkarimi’s colleagues, and instead puts forward Michela Alioto-Pier.

That’s Alioto-Pier, who loves developers and is among the worst environmental votes on the board. Alioto-Pier, who got appointed to the Golden Gate Bridge District a while back then missed half the meetings. Alioto-Pier, who would never get the support of more than two of her colleagues for any kind of important or high-profile job.

The final decision is in the hands of State Sen. President Darryl Steinberg, who has a few more pressing things to think about at the moment.

But the Sierra Club is supporting Mirkarimi. Assembly member Tom Ammiano is supporting Mirkarimi. State Sen. Leland Yee is supporting Mirkarimi. I haven’t been able to reach Sen. Mark Leno yet, but he ought to be supporting Mirkarimi.

Which leaves the mayor defying the supes, defying most of the state Legislative delegation and pushing an unqualified candidate in what can only be an F.U. to the supervisors he so recently pledged to work with. (I emailed his press office and asked why Newsom did this, but they haven’t gotten back to me.)

Some spirit of cooperation.

UPDATE: Leno tells me he is supporting Mirkarimi. But there’s a new twist: The mayor CAN’T nominate Alioto-Pier for the Coastal Commission. He doesn’t have the legal authority. It turns out that in a city and county like San Francisco, nominations can only be made by the supervisors. Government Code Section 50279.2 states:

Notwithstanding any other provision of this article, in any county in which there is only one incorporated city, the legislative body of such city is hereby created and shall serve as the city selection committee

Newsom didn’t check before he put the word out, and now he looks like a fool. In fact, I’m told his office is now trying to pretend they never nominated Alioto-Pier in the first place. (Not that the mayor ever worried about things like state law in managing his office.

Hell of a job our guy is doing running this town.

The shit we’re up against

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January 30, 2009

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By Tim Redmond

Why is it so hard to get a budget deal out of Sacramento? While the gov blames the Legislature, let’s take a look at why it’s almost impossible to get Republican members of the state Assembly or Senate to vote for a tax hike.

Case study: Assembly Member Anthony Adams, R-Hesperia.

Adams emerged from a Republican caucus meeting a few days back to say that a budget deal would require both sides to give in on some hot-button issues. The Democrats would have to accept major cuts in popular programs — and the GOP would have to accept some tax increases.

He is now in serious political trouble.

Two popular right-wing L.A. radio nuts, John and Ken, put out a “call to battle stations”, lambasted Adams for 45 screeching minutes on the air, then put a graphic of the Assemblymember’s severed head on a stick on their website. Adams admits that voting for even modest tax hikes, as a part of a broader budget that includes massive spending cuts, will probably be the end of his political career.

“This,” Assembly member Tom Ammiano told me, “is the shit we’re up against.” The radical anti-tax crew in the GOP is preparing to trash, abuse, challenge and if necessary recall any Republican we dares talk of taxes. And since the Legislative districts in California are so successfully gerrymandered to give Democrats more power, the Republican seats are VERY Republican and these anti-tax nuts have a lot of power.

That’s why the two-thirds majority for approving a budget is crippling this state.

Nu Garage Rock: Catching Nodzzz and Sic Alps

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January 30, 2009

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USA and Bay byways: Sic Alps’ “Semi-streets.”

Where to find our current garage-rock faves? Cover kids Nodzzz – see this week’s story in the Guardian – will be playing a show with Lake and Little Wings March 11 at Hemlock Tavern, 1131 Polk, SF; (415) 923-0923. It starts at 9 p.m. and is $7.

Nodzzz will also be performing with Blank Dogs, Naked on the Vague, and Brilliant Colors March 29 at the Knockout, 3223 Mission, SF; (415) 550-6994. Call for the time and price.

Also worth a looky-loo, as pointed to here: Sic Alps, who play a warehouse show with Thee Oh Sees and Pins of Light. Artwork by Skott Cowgill will also be on display. It goes down Feb. 13 at OCD Warehouse, 758 Natoma, SF. Art and food happen at 8 p.m., bands begin at 9pm, and it costs all of $5.

A marvelous party: SF Symphony can class up your new year’s

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January 29, 2009

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A latex avalanche to begin the new year… Oh, SF Symphony, you really shouldn’t have!

It’s enough to make you rue all those New Year’s Eves past spent in sweaty bars and crowded living rooms. And I would imagine after ringing in a new decade while watching a troupe of masquerade dancers twirl to a Viennese waltz, watching the ball drop in Times Square loses some of that “center of the universe” feel.

But you can do just that tomorrow night. Tickets are still available for the San Francisco Symphony’s New Year’s Eve Masquerade Ball– an gala evening that you won’t wake up regretting the next morning.

Onstage will be a mix of pieces from divergent time eras. Aforementioned baroqueness will ensue with a performance of some Johann “The Waltz King” Strauss, Jr.’s Vienesse pieces, with solos by tenor Alfie Boe, soprano Layla Claire, and 15-year old violin prodigy Chad Hoopes.

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Does solo violinist Chad Hoopes get to stay up til midnight?

As the program waxes on, the ditties turn more modern, including some by that dapper Noel Coward, including “I Went to a Marvelous Party,” a song of “frantic addle headed search for amusement” written by the British composer in the 1930’s after attending a highfaulutin’ soirée in the French Riviera.

And don’t think they kick you out on the stroke of midnight either- after the symphony performance, attendees will get down in the lobbies and hallways of the Davies Symphony Hall with complimentary bubbly, “savories” and music by 80s cover band Tainted Love. Plus a balloon drop when ’10 hits? Just the ticket for your yearly dose of ‘Auld Lang Syne.’

SF Symphony New Year’s Eve Masquerade Ball
Thurs/31 9 p.m., $80-195
Davies Symphony Hall
201 Van Ness, SF
(415) 864-6000 www.sfsymphony.org

Bay hip-hoppers Zion I to launch ‘The Takeover’

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January 29, 2009

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News from Bay Area hip-hop duo Zion I’s camp: Their new record, The Takeover, arrives Feb. 17, along with a show at 330 Ritch. Word has it that there will also be a Feb. 13 listening party at the pair’s studio-office, the Zoo. Sounds like the group is reaching out and expanding – even during belt-tightening times.

ZION I
Feb. 17, 10 p.m., call for price
330 Ritch, SF
(415) 541-9574
www.330ritch.com

Newsom’s self-serving bike proposal

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January 29, 2009

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Newsom rode a rental bike as we chatted during Bike to Work Day a few years ago.
By Steven T. Jones

I was already cranking up my criticism of Mayor Gavin Newsom in this post when he announced his anemic bike-sharing proposal – 50 bikes for San Francisco versus the 20,000 in Paris, from where he made the announcement – so I wondered if perhaps I was being a little hard on the proposal. You know, poisoned by my own venom.
It seemed pretty ridiculous to spend $1 million to start a program that nobody could rely on considering there would be less than 10 bikes at each of the five locations that they’re proposing. So I listened to the chatter on the CarFree list (people who promote biking and would support a legitimate bike-sharing program), checked sites such as SF Streetsblog, and did some interviews.
And so now I can say, with great confidence, that this is indeed a really dumb and self-serving idea that has everything to do with Newsom being able to claim he started something sexy like bike sharing and nothing to do with actually promoting bicycling in San Francisco.
Hell, Blazing Saddles (the rental company that lends Newsom a ride for Bike to Work Day, the one day a year that he pedals) rents 200-700 bicycles per day in San Francisco depending on the season and weather, according to someone I spoke with there. So how exactly is the Clear Channel-administered 50 bikes going to make any difference?
MTA spokesperson Judson True did defend the proposal when I called him, telling me the 50 bikes was, “based on Clear Channel’s experience in other cities getting people used to the idea.” Clear Channel runs the only other one in the U.S., Washington DC’s shitty little 150-bike program, unlike the thousands of bikes in real programs in cities around the world. True also said the high cost is based partly on renting private property because the bike injunction, which will be lifted later this year, prohibits bike improvements on public property.
Which, to me, sounds like even more proof that Newsom decided to roll this out now because it fits into his larger political plans, beating other U.S. cities like New York that are doing actual planning to roll out real bike sharing programs. And so it goes with Mayor Press Release.

P.S. See you all at Critical Mass tomorrow.

The District Six dance begins

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January 29, 2009

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Walker, Kim

By Tim Redmond

Chris Daly will be the district six supervisor for the next two years (minus a couple of weeks), but already the dance to replace him is underway — with some surprising names floating around.

It’s no secret that Debra Walker is running, and with her long record on land-use and planning issues and her LGBT community leadership, she starts out as the leading progressive in the race. SOMA activist Jim Meko has joined the fray, too.

And the rumor mill is abuzzin with talk that School Board member Jane Kim, who by all accounts has a bright political future, is considering the race. Kim recently moved to D6, and we’ve heard from a number of people who’ve been contacted by Kim supporters about a possible supervisorial bid. Kim herself is a bit more coy: “I’m not announcing a campaign,” she told me. But she didn’t entirely rule it out: “Right now, I’m not a candidate. I haven’t decided what I’m going to do in 2010; everything’s on the table.”

And then there’s Michael Yarne, who last year left Martin Builders to take a job with the Mayor’s Office of Economic Development. Mayor Newsom doesn’t have a clear horse in that race yet (Rob Black, who works for the Chamber of Commerce, may run again, but he lost last time and is clearly a Chamber toadie, so his hopes in the liberal district aren’t that good). Yarne told us that he’s been contacted by people who think he’d be a good candidate, and he hasn’t entirely ruled it out, but “there’s no way I could run right now because I don’t live in the district.” Yarne rents in D9.

For my money, Kim is one of the brighest young stars in local politics, and she ought to stay on the school board, where she’s doing a great job, for another term, then start looking at other offices.

Mash note for Music Lovers

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January 29, 2009

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By Andre Torrez

Both menacing and beautiful at the same time, the lush strings and the precision piano and harpischord on the Music Lovers‘ new album, Masculine Feminine (Le Grand Magistery), make to a sound that’s rich and full enough to make Phil Spector cream his trousers.

The San Fran band definitely set a melodic mood on their latest release on the Detroit label. British-born Bay Area transplant Matthew Edwards’ haunting vocals evoke comparisons to early to mid-’70s-era Bowie with a hint of Morrissey. Musically the strings display a depth, darkness, and emotional power reminiscent of SoCal countercultural touchstone, Love. Lyrically, the songwriter and lead vocalist recalls past loved ones even giving a nod to the future with “A Girl from Space.” The solidly arranged long-player doesn’t disappoint.