SFBG Blogs

Newsom’s telling tantrum

5

By Steven T. Jones
379-cover.web.jpg
In today’s Chronicle, Mayor Gavin Newsom wonderfully illustrates some of the main points I made in this week’s cover story, playing petulant political games instead of trying to honestly work with the Board of Supervisors.

At issue is the board’s effort to prevent deep cuts in the social safety net and public health system by asking the police, fire, and sheriff’s departments – whose budgets Newsom proposes to increase while cutting everything else – to share some of the fiscal pain. Newsom used the disagreement to claim that it’s prevented him from being able to reach a contract with the new police chief.

“This board acted without my understanding of their intent,” he told the Chron. “It’s a very dangerous game. I don’t know what they’re trying to do. I am stunned. Thank God we have a mayor.”

Unfortunately, we have a mayor who disingenuously promised – twice — to work closely with the supervisors on budget revisions, but couldn’t manage to walk down the hall or pick up a phone to learn “their intent” and “what they’re to do.” Instead, he simply lashes out and tacks on the ridiculously pompous self-praise.

But thank God we have progressive supervisors who resist getting sucked into this transparent ploy to pander to cops and firefighters and play to people’s fears. “I’m surprised at the mayor’s emotional reaction to a legitimate, genuine policy debate,” board President David Chiu told the Chron. “When he calms down, I look forward to working with him to develop a budget that reflects our shared policy priorities.”

Super Ego: Wallpaper is at Taco Bell/Pizza Hut

1

By Marke B.

Hey bay-bay, besides the wall-bouncing antics of DJ Stacey Pullen and The Martinez Brothers that I mentioned in this week’s Super Ego clubs column, here’s another party glamour to get your feet up off the floor. Also, for all you hip queer kids — it’s second Saturday, and that means another Cockblock vs. Cockfight showdown! As always, I recommend hitting up both. Because I care. Because I can.

Wallpaper at Blow Up

I can’t get the stylishly jazzy electro-rap-lounge Oakland trio’s latest treatment of Das Racist’s “Combination Taco Bell and Pizza Hut” out of my freakin’ noggin — even though it makes my stomach a tad queasy — but it’s the lovely afrobeat-y remix of Passion Pit’s “the Reeling” on their MySpace that really follows me around. They’ll be at the ever-bonkers Blow Up at Rickshaw Stop on Friday, hopefully with live drums in tow …. be there, and if you’re over 30 try not to try too hard to look cool, k?

Blow Up w/ Wallpaper
Fri/12, 10 p.m., $10,
Rickshaw Stop
155 Fell, SF.
www.blowupsf.com

PS — oh god, Perez Hilton posted about Wallpaper on the same day as me? Really? ugh.

Dance: Adventurous im’ij-re shines, illuminates

0

By Rita Felciano

379-stagebox.jpg

In 2007 choreographer Amy Seiwert set Morton Feldman’s hauntingly beautiful score "Rothko Chapel" on Robert Moses’ Kin dancers. Watching Memory was fresh, mysterious, and mesmerizing. Not the least of its appeal came from Marc Morozumi’s stunning lanterns, which enveloped the dancers in subtly changing luminosity. Earlier the same year, Seiwert’s first full evening of her own work packed Project Artaud Theater to the rafters, confirming that this petite woman, also the resident choreographer of Smuin Ballet, has one of the Bay Area’s most adventurous and intriguing voices. You always want to see her next work because you can sense the questioning spirit that leads her into unexpected terrain. Her own nine-year old company, im’ij-re — with its excellent dancers — is the place where she can experiment in the way the tight schedules of more traditional ballet companies (her latest commission was for Colorado Ballet this spring) don’t always have the means to support. From that first encounter with Morozumi, a relationship was born. For 2010 the two are planning a full-evening work that includes contributions by British sound designer Kaffe Matthews and German media artist Frieder Weiss. For the time being, they are premiering the sextet LIGHT essays as the centerpiece of a program of new works that showcases a trio choreographed by Morozumi (with sculptor Alex Uncapher), a solo by Andrea Basile (danced by Alex Ketley), and a structured improvisation for four dancers.

IM’IJ-RE Sat/13–Sun/14, 8 p.m., $20. ODC Dance Commons, 351 Shotwell, SF.

(415) 863-9834, www.odcdance.org

Art: Overt to oblique critique in “Leave the Capital”

0

By Johnny Ray Huston

379-artbox1.jpg
Chris Treggiari, Float Performance, 2008

What is it with Bay Area group art shows named after album and song titles by the Fall? Last month brought "I Am Kurious Orange," an exhibition and performance at David Cunningham Projects that slightly twisted the name of 1988 album by mush-mouth Mark E. Smith’s band. Now comes "Leave the Capital," a different multiartist endeavor that also slightly twists a Fall title, this time from a 1981 song, "Leave the Capitol." As the trade from o to a suggests, the 13 artists involved — including Zoe Crosher, Fang Lu, and Kamau Patton — address the economy and matters of rough trade in manners ranging from overt to oblique. Exit this Roman hell and enter the gallery.

LEAVE THE CAPITAL Sat/13, 7-10 p.m., continues through June 27; $2-$10. Root Division, 3175 17th St, SF. (415) 863-7668. www.rootdivision.org

Film: ‘Munyurangabo’ — hauntingly peaceful, desolate

0

By Laura Swanbeck

Munyurangabo trailer

Don’t be deceived by the serene, pastoral setting of Lee Isaac Chung’s Munyurangabo (2007), a neorealist drama that follows unlikely friends Sangwa (a Hutu) and Ngabo (a Tutsi) as they journey home nearly a decade after the Rwandan genocide. The film’s hauntingly peaceful veneer and desolate beauty speaks to the hundreds of thousands killed on Rwandan soil and belies Sangwa and Ngabo’s simmering resentment and shame. Refusing to fixate on the war’s carnage, Munyurangabo focuses on its psychological repercussions instead. As the pair arrives home to tend to the decimated farmland and to each other, Sangwa struggles with the prejudices that his estranged family still harbors while Ngabo wrestles with his duty to avenge his father’s murder. Delving into Rwanda’s tragic past, this provocative film that befittingly ends on National Liberation Day wonders if Rwandans can forge new identities unburdened by guilt or vengeance to ultimately find freedom.

MUNYURANGABO opens Fri/12 at the Sundance Kabuki.

Erykah Badu is out of her mind

0

By Michael Krimper

LIVE REVIEW In anticipation of releasing her brilliant sound odyssey, New Amerykah Pt. 1: 4th World War (Universal Motown, 2008), Erykah Badu, a.k.a. “Analogue Girl in A Digital World,” a.k.a. “Fat Belly Bella,” a.k.a. “Low Down Loretta Brown,” clarified her artistic objectives on an Okayplayer form. Posting as analoguegirl, Badu affirmed, “As much as I would love to be just a recording artist, I am not. There’s a difference. I am a performance artist first; there’s a difference.” Having the chance to see Badu perform live at the Warfield June 6, I could not agree more with her distinction.

erykah.jpg

Dressed in a mystical mauve kimono, golden skull cap, and gem encrusted space goggles, Badu strutted onstage in profile, tracing her steps forward like a celestial, hieroglyph narrative. A cinematic whirling rainstorm of bleeps and lasers and synth bubbling keys reverberated in the background, aspiring to transport the audience to the far reaches. This intergalactic resonance would remain the most consistent frequency throughout the performance; each transition of song and style marked by its cosmic joy of noise. Badu’s enigmatic presence recalled Sun Ra’s theatrical myth making, framed by an open ended aesthetic in Egyptology and a surreal space age, radicalized belief in the power of music to free the soul from its rusty, earthly shackles.

badu-lead.jpg
Erykah Badu performs at L.A.’s Club Nokia June 5, 2009, the night before her San Francisco gig. Photo by Beth Stirnaman.

But this outlandish and historically rooted ethos did not restrain Badu’s emphasis on the contemporary. The high priestess of hip-hop soul incorporated the gods of our musical past into the urgency of the now. The tensions of old and new styles and sounds continuously pressed against each other throughout the remarkable performance.

Sonic Reducer Overage: Bat for Lashes, Datarock, Limp Wrist, Constantines, and more

0

Bat For Lashes – “Pearl’s Dream”

By Kimberly Chun

Color my world grey – you still yearn to romp and play, San Fran-frisky. So get outta the dog park and into the clubs and buy me a drink, hot pocket. Here are a few notable shimmy-shams where you might find me skulking.

Constantines and Crystal Antlers
The Toronto indie rockers venture out to “Islands in the Stream” and stretch their bones in a post-rock, minimalist mode. Meanwhile the LA psych-soul bros carouse in honor of their new Tentacles (Touch and Go). Thurs/11, 7:30 p.m., $14. Rickshaw Stop, 155 Fell, SF. (415) 861-2011.

Headboggle
One-man low-end grumble from the bowels of SF, presented as part of the gallery’s New Music Series. With Commode Minstrels in Bullface, Midmight, and Amphibious Gestures. Thurs/11, 8 p.m., $6. Luggage Store, 1007 Market, SF.

The Chron misquotes Campos

5

By Tim Redmond

Sup. David Campos, who has been not only a solid progressive vote but a strong leader on city budget issues, is getting slammed today for his comments about white men — comments that were misquoted and taken out of context by the Chronicle.

Campos and Sups. Chris Daly and John Avalos have been pushing back — hard — against the bad priorities and brutal cuts in Mayor Gavin Newsom’s budget.

In fact, in a stunning political move that sets the tone for what will be a contentious budget debate, the supervisors Budget Committee yesterday sought to shift some $80 million from law-enforcement to social services. The move came during debate on what’s usually a routine issue — approving an interim budget to keep the city going for a few weeks, between the time the supervisors start discussing the budget and the time they finally approve it.

On a 3-2 vote, the committee declined to sign off on the mayor’s interim plan and instead set very different priorities. That won’t have any immediate impact (Newsom won’t have to cut police and fire spending in July) but it sent a message that this board isn’t going to simply tinker with the budget. There’s going to be a complete overhaul.

In the process, Campos blasted Newsom’s claim that the budget was nearly “pefect,” saying that “It’s a perfect budget only if you’re a wealthy, straight white man from Pacific Heights.” That’s possibly a bit of hyperbole, but it’s generally accurate — the budget is fine if you don’t want to pay more taxes and you don’t need the sort of city services that working-class and poor people rely on.

But the Chron got the quote completely wrong. In the edition that hit the streets this morning, Marisa Lagos quoted Campos as saying the budget was perfect “if you’re a straight, white male.” That, obviously, made the comment far more inflammatory — there are, as Campos well knows, plenty of poor people who are straight, white and male. “I’ve been getting hate emails, nasty calls, people calling me a racist,” Campos told us.

BeyondChron busted the Chron this morning for getting the quote wrong, and it’s corrected now in the online version. Campos isn’t backing down: “I stand by what I said. We are devastating services for poor people and people of color,” he said.

So the budget battle begins, with a bang. Good for Campos, Avalos and David Chiu, who voted to shift the budget priorities; they realize, as does anyone who goes beyond political soundbites and stops to think about it, that cutting health and human services leads to more crime, and that paying more for cops isn’t the only — or even the best — way to keep the public safe.

Prison report will return

0

By Tim Redmond

Just A Guy, our prison correspondent, has a court date and won’t be writing today’s column, but he’ll be back shortly.

‘Budget Justice’ rally rocks City Hall

2

By Rebecca Bowe

therapy RESIZED.JPG

Hundreds marched from Hallidie Plaza to San Francisco City Hall yesterday afternoon to protest Mayor Gavin Newsom’s proposed city budget, which contains deep cuts to address a looming $438 million general fund deficit.

Organized by a coalition called Budget Justice, which includes Coleman Advocates, the Coalition on Homelessness, SEIU and others, the rally and march brought out a wide cross-section of people whose lives would be directly affected by cuts to the city’s health and human services programs. Homeless people, veterans, the elderly, AIDS patients, organizations that aid victims of violence and sexual abuse, people in need of mental-health therapy or programs for recovery from substance abuse, and single room occupancy residents were all represented.

Sups. John Avalos and Chris Daly delivered rousing speeches and hurled scathing criticism at Newsom’s proposed budget. They called for sharing the pain more equitably, and a number of speakers advocated for progressive revenue measures that could help stave off the worst of the bloodshed.

Street Threads: Look of the Day

0

SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Nagisa, Dolores Park

Nagisa0609.jpg

Tell us about your look: “I like the color and the fabric of my jacket.”

Cybernet Expo 2009 gets deep down in it

2

By Juliette Tang

cyber10609.jpg

It goes without saying that we tend to take our Internet porn for granted.

Naturally, we are so inundated with porn in our pop up ads, our spam folders, and our Google searches (an unfiltered image search for something as innocent as “cucumber” will get you porn on the first page), it becomes the accepted standard that porn will be an immutable fact that as long as the Internet exists and that we will be entitled to free, or at least accessible, cyberporn until the end days. Unless we’re in the business of making internet porn ourselves, we don’t often think of the business or entrepreneurial aspects involved behind the scenes, or the planning and development it takes to get even the most basic of adult websites off the ground. But adult entertainment, as with any other profession, is a part of an industry (albeit one that is on the fringe of the mainstream) that relies on a complicated network of people who work together and interact as a part of a larger market. And, like all professions, adult entertainment is privy to a phenomenon known as the “Expo”.

What industry, these days, doesn’t have its own expo? Every day, in hotel conference rooms all over the United States, from coast to coast, from New York to LA, from La Quinta to the Four Seasons, professionals gather to drink coffee and mini sodas to meet one another and discuss things like customer conversion and marketing strategies. Usually these expos are a staid and boring affair, with keynote speeches by tedious suit-types with topics like “Putting Service Above Self”. We see them all the time in San Francisco. After the open bar closes down, some of the more adventurous professionals will make their way up from the Renaissance Hotel in Fremont to the city, just to go to Ruby Skye.

At least in the adult entertainment industry, expos provide some entertainment value.

cyber20609.jpg
Slightly exposed at the 2008 Cybernet Expo

If the AVN Adult Entertainment Expo is adult entertainment’s version of Web 2.0, then the upcoming Cybernet Expo is its version of the TechCrunch 50.

Street Threads: Look of the Day

0

SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Marla, 24th Street and Lucky

Marla0609.jpg

Tell us about your look: “My friend gave me this scarf because she said it couldn’t be worn, but I guess I’ve proven her wrong!”

Newsom’s fund raid get worse

3

By Steven T. Jones

It turns out that Mayor Gavin Newsom’s secret raid on the public financing fund was even worse than I wrote about yesterday. As the electoral reform advocates discovered yesterday afternoon, and the Chronicle reported this morning, Newsom took $2.3 million from the fund without indicating so in his budget or letting the Board of Supervisors know.

So right now, according Ethics Department officials that administer the fund, it contains just $500,000. And that fund is supposed to pay for public financing in both next year’s Board of Supervisors races and the 2011 mayor’s race, which are expected to total more than $5 million, possibly much more.

Newsom proposes to put $1.9 million into the fund in the coming fiscal year and Ethics officials say he has promised them another $1.9 million the next year, leaving it short of where it would need to be if the supervisorial candidates qualify for more than last year’s $1.3 million and more than a couple mayoral candidates opt for public financing. Then again, Newsom opposed the program from the beginning, so maybe that’s just part of his plan.

The Catholics and the Nazis

2

By Tim Redmond

The radical right wing of the Catholic Church really has no business using the image of Nazi Germany to discredit critics. The history books (and the doctrine of glass houses) suggest a few problems with that game.

But the Thomas More Law Center, which represents the Catholic League (that group of wingos who don’t like the Folsom Street Fair) is up in arms over the fact that the 9th Circuit Court of Appeals has concluded that the San Francisco Board of Supervisors “>had the right to criticize Church positions.

And the openly anti-gay bigots dared to say this:

Richard Thompson, President and Chief Counsel of the Law Center remarked, “It is not a stretch to compare the San Francisco Board’s actions to that of the Nazi Germany policy of Gleichschaltung: vilifying Jews as an auxiliary to and laying the groundwork for more repressive policies, including the final solution of extermination. The policy of San Francisco is one of totalitarian intolerance of Christians of all denominations who oppose homosexual conduct. My concern is that if this ruling is allowed to stand, it will further embolden anti-Christian attacks.

The whole episode is kind of silly — the supervisors simply called on William (“Darth”) Levada to back off on his position that guy familes shouldn’t be allowed to adopt kids. (Which is, by the way, about the most anti-Christian position imaginable.)

The Catholics (who are happy to get tax exemptions, put biblical messages in public places, allow prayer in public schools, cheat the city out of transfer taxes and park in the middle of the Goddamn street) say the resolution was a violation of the separation of church and state.

As they say in New York, yagattabekiddin.

State budget secrets: $2.5 billion in tax giveaways

0

By Megan Rawlins

There’s no building-sized rock in Sacramento hiding 264 tons of cash – the approximate weight of the state’s budget deficit measured in $100 bills. But groups like the California Budget Project and the American Federation of State, County and Municipal Employees have published reports arguing there are smaller rocks, $100-million rocks, $1-billion rocks that can save services for some of the state’s most vulnerable populations.

In fact, according to a report CPB released June 3, the state Legislature quietly added three new corporate tax breaks in the last round of budget cuts — and just closing those loopholes could save the state up to $2.5 billion a year. The tax-law changes provide multi-million dollar tax breaks to a small nadful of the state’s largest corporations.

“Why,” Jean Ross, executive director of CBP, asked, “is the state giving away money?”

Pink Saturday is on

0

By Megan Rawlins
pinksat.jpg
Photo of Pink Saturday by Kevin Goebel

After weeks of debates about its fate, Pink Saturday is on for Saturday, June 27. Late last week, an agreement was reached between the Sisters of Perpetual Indulgence, who host the event, and city officials.

In the end, as always, it comes down to money. The city argued it couldn’t afford to foot the bill for the police officers needed to patrol the event. Unlike many other events in the city that are required to pay for all costs associated with policing them, Sgt. Mark Solomon of San Francisco Police Department’s field operations unit said the city will again “absorb” the cost of the officers. Pink Saturday is one of just a handful of longtime events that were grandfathered in before “full cost recovery” became the official city policy.

The new agreement reduced the number of beer stations from eight to five, easing some of the demand – and thus cost – on the PD. Beer stations are new to Pink Saturday and are an attempt by the Sisters to raise more money from the event. Much of the money raised is given to non-profit organizations that support the LGBT community.

It was the initial addition of beer stations that got the permitting process all snarled up. “When you shift from non-alcohol to alcohol event, the whole equation changes,” Solomon said. But the final answer remains the same: We’ll see you in the Castro on the 27th.

SF8 case postponed; Supervisors consider support

0

By C. Nellie Nelson

Most people wouldn’t think to start the workweek with a dance party in the chilly morning fog, the Brass Liberation Orchestra had the crowd gathered at the Hall of Justice jumpin’ at 8 a.m. Monday. A couple hundred people sang along to “Drop the charges,” distributed papers with case details, and carried “Free the SF8” signs.

They were calling for the charges against the San Francisco 8 to be dismissed. The eight are a group of black community leaders charged in a 37-year-old killing of a police officer. Inside, the group had their day in court, with a preliminary hearing to determine whether they’ll face trial, although it was postponed to July 6.

Meanwhile, the Board of Supervisors Government Audits and Oversight Committee will tomorrow consider a resolution supporting the SF8 and asking the case be dropped because its evidence was tainted by torture.

Lemonheads: CANCELED

0

Word from our friends at Great American Music Hall: the Lemonheads show tonight is canceled. Refunds at place of purchase.

lemonheads.jpg

Beaching youthful shyness with the Lemonheads

0

By Max Goldberg

379-musabox.jpg
Just Dando

For a brief time in the early 1990s, Evan Dando was an It boy. He wore great jeans and hid behind his hair — the shaggy pop songs didn’t hurt either. His band, the Lemonheads, coasted to success with an easy cover of "Mrs. Robinson," and then Atlantic took a bath on Come On Feel the Lemonheads (Atlantic, 1993), an album that’s likely still haunting remainder bins. These are the facts, but the melodies that snag your adolescence are destined to boggle any attempt at objectivity.

I still remember picking It’s a Shame About the Ray (Atlantic, 1992) off the rack after spotting it in an older friend’s collection — I must have been 11 or 12. Soon, I went the extra mile for a couple of bootleg cassettes I then listened to in ritualistic isolation. In Dando, I heard the sympathetic reticence of a dropout. I beached my shyness on his languid refrains; he was good company. I wouldn’t say I wanted to trade places (Ben Lee took up this mantle on "I Wish I Was Him"), but the Lemonheads furnished my imagination with yearning and ennui — sensing those things without knowing them was sublime. I loved the band for coming from Boston; their stoned melodies padded the lonely stretches of Memorial Drive and sandy dunes of Cape Cod where I moved into my feelings. Nearly all Lemonheads songs are letters, and I imagined I too would come to know a "you."

Trying to sort out how memory imprints my continued weakness for these melodies would require a novel rather than a capsule review, but I like to think the Lemonheads albums still hold up because I wouldn’t have had it any other way. I don’t put them on very often, but I can easily lose a whole afternoon when I do.

THE LEMONHEADS With Kim Vermillion. Wed/10, 8 p.m., $21. Slim’s, 333 11th St, SF (415) 255-0333. www.slims-sf.com

Hot sex events this week: June 10-16

0

Compiled by Molly Freedenberg

dottieluxbym.ultoandtigger_0609.jpg
Dottie Lux will shake and shimmy at Spookshow A-Go-Go’s first all-gay show on Sunday. Photo by M. Ulto and Tigger.

————-

>> Night of Mayhem
Viriginia Suicide hosts this weekly burlesque revue by Barbary Coast, featuring Pin Key Lee, Flame Cynders, sASSy Hotbuns, Flying Fox, and more.

Wed/10, 8-11pm. $5.
Annie’s Social Club
917 Folsom, SF
www.anniessocialclub.com

————-

>> MythFits
Writers, filmmakers, and performance artists queerify classic myths and seek out the deviant threads in tales of yore in this three-week series, this time featuring gigi Otalvaro-Hormillosa, Robin Coste Lewis, and Sadie Lune.

Wed/10, 6pm, free.
San Francisco Public Library
100 Larkin, SF
www.queerculturalcenter.org

————-

>> Cocktails and Burlesque Aerial Arts
Back by popular demand, Kate Law and Alayna Stroud’s Bow and Arrow present Cirque Noir (yes, the lovely ladies we recently saw at the Gold Club Anniversary Party), in their lower Pac Heights/upper NoPa dance studio. Expect cocktails as delicious as the burlesque is sensuous.

Fri/12-Sat/13, 8pm. $20.
DanceGround Keriac
1805 Divisadero, SF
(336) 391-6610
www.alaynastroud.com

————-

>> Lusty Lady Pride Float Benefit Party

Come support SF’s Lusty Lady Theater, the one and only unionized worker-owned peep-show co-op, and their saucy presence in SF Pride 2009! Strippers, dancers, performance, DJ Durt, dykes, debauchery, raffle, panty and date auction, lapdances, bodyshots, and you….

Sat/13, 9pm. Free.
Lexington Club
3464 19th St, SF
www.lexingtonclub.com

————-

>> Spookshow A-Go-Go: Lezbo-A-Go-Go
In honor of Pride Month, Lux-Killmore Entertainment presents their first ever all-gay show: an evening of chicks, dicks, and flicks. Performers for this unprecendented Spookshow A-Go-Go include Ruby Vixen, Dottie Lux, Ophelia Cour de Noir, Kitty Von Quimm, Steven Satyricon, and many more, all hosted by Virginia Suicide (yes, she’s busy this week).

Sun/14, 7pm. $7.
The Stud
399 9th St, SF
www.myspace.com/spookshoagogo

Editorial: Dismantling the Newsom budget

1

The mayor’s cheery line may sound good when he’s out of town running for governor, but it’s not going to play so well on the streets of San Francisco.

EDITORIAL Mayor Gavin Newsom was upbeat when he delivered his budget proposal last week. It won’t be that bad, he told everyone — "At the end of the day, it’s a math problem."

Well, actually, it’s not. At the end of the day, it’s job losses, major cuts to city services, and hidden taxes — most of them, despite the mayor’s rhetoric, falling on the backs of the poor.

You can’t cut $70 million from the Department of Public Health — which is already operating at bare-bones levels after years of previous cuts — without significant impacts on health care for San Franciscans. You can’t cut $19 million out of the Human Services Agency without badly hurting homeless and needy people. You can’t raise Muni fares to $2 without taking cash out of the pockets of working-class people. The mayor’s cheery line may sound good when he’s out of town running for governor, but it’s not going to play so well on the streets of San Francisco.

Village Voice Media sues East Bay Express owners

2

By Tim Redmond

The newspaper chain that owns SF Weekly is suing the independent owners of the East Bay Express for $500,000 in a case that, ironically, shows how the big media outfit is trying to duck its own debts.

The lawsuit comes out of the 2007 deal under which Steve Buel, Hal Brody and a few other investors bought the Express from Village Voice Media, the national alternative press chain that owns the Weekly and 14 other papers.

As part of the deal, the local owners put up an undisclosed amount in cash and agreed to pay VVM $500,000 two years later. Buel, the longtime editor of the Express, and Brody, who formerly owned a weekly in Kansas City, had to guarantee the half-million-dollar note with their personal assets.

The sales agreement was a bit complicated. VVM owned both the SF Weekly and the Express, and the two papers had been selling joint ad buys to clients. So divorcing that partnership, and allowing the newly independed Express to compete effectively in the market, required some unusual terms. Among other things, VVM agreed not to use its position as the former owner of the Express, with full access to account records and sales contacts to poach Express clients.

However, Brody told us, the big chain started to violate that agreement almost immediately. “We have massive claims against them for violating those terms,” he said.

“The SF Weekly is not supposed to solicit our advertisers in Alameda and Contra Costa, and they’ve been doing it, over and over.”

Weird Wine of the Week: Everything’s coming up rosés

0

The Guardian‘s Amy Monroe shares her favorite unusual, overlooked, and underappreciated wines every Tuesday.

Iheartwine_0609.jpg

Too many people are afraid of pink wine. I blame white Zinfandel. Despite the fact that the majority of rosés made around the world are dry, American drinkers cling hard to the misguided notion that pink equals sweet, thanks in no small part to the fact that Sutter Home cranks out more than 4 million cases of cloying white Zin annually. But, there’s a lot more to rosé than the potential of a sugar spiked hangover. In fact, rosé pretty much rocks my world and it should yours, too.

Need some convincing? Try Ameztoi Rubentis Txakolina, a crazy delicious, bone dry wine from the Basque region of Spain made from two obscure grapes named Hondarribi Zuri and Hondarribi Beltza. As pink and feather light as a ballerina’s tutu, it’s made even more charming by the fact that there’s a lively bit of spritz in the bottle. Drinking this wine is like dating someone who’s really hot, actually gets along with your friends, and is great in bed. It’s nice to look at, fun at a party, and surprisingly flexible.