SFBG Blogs

Web Wears: Lulu and Your Mom have celeb status, cyber style

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In this week’s profile, Guardian writer Mayka Mei interviews Bay Area born-and-raised Lulu Chang of Lulu and Your Mom. All photos courtesy of Lulu Chang.

If Lulu Chang could give the world one piece of advice, it would be “Don’t be so hungry.”

The voice behind the ever-popular fashion blog, Lulu and Your Mom, didn’t set out to be the Internet celebrity she is today. It just happened that way. Now Chang sees over 2,000 hits a day, according to Bloglovin’, on what is essentially a photo blog with lots of style opinions and quick doses of editorial.

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Who needs a reality show to jumpstart a modeling career?

For Chang, blogging started as a simple Blogspot account in March of 2008. “At that time there were really only a handful of personal style bloggers,” Chang claims.

For those not familiar with the personal style blog, it’s an ongoing Web-based documentary of what one wears day in and day out. Sound ho-hum? You obviously don’t share the zeal for fashion that millions of readers across the globe have for the likes of Chang, MADE Jewelry muse Rumi, and precocious and somewhat creepy tween Tavi.

Kode 9 and Spaceape: dubstep eats itself

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By Mosi Reeves

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Kode 9: aborted?

"The mainstream of dubstep is becoming such an abortion," Kode 9 complained to electronic music advocate (and former Bay Area writer) Philip Sherburne in an eMusic.com interview. It’s a curious statement from someone who is being marketed (along with Burial, Skream, Benga, and a handful of others) as leaders of the dubstep incursion, a hybridization of 2-step garage, jungle breaks at half-speed and good ol’ ragga. (It’s the amalgamation of "dub" and "step.") Only two years after Burial’s Untrue (Hyperdub) brought pop’s cool-hunters to this bastard genre, it seems, dubstep is already eating itself.

U.K. electronic music (and its Anglophile offshoot) is herded by theorists, and Steve "Kode 9" Goodman is one of them. He has a doctorate in philosophy, and recently received a commission from the New Museum of Contemporary Art’s Rhizome technology initiative for a forthcoming documentary, Unsound Systems, that explores the use of sound as psychological weapon. His record label, Hyperdub, started out as a Web site spotlighting futurists like Kodwo Eshun and was responsible for the aforementioned Untrue as well as Zomby’s recent spin on ’90s ‘ardkore dynamics, Where Were You in ’92? (Werk).

Kode 9’s first collection, 2006’s Memories of the Future, pairs bleak echoing tones with pummeling bass thuds. One popular track, "Sine," finds vocalist Spaceape reinterpreting Prince’s "Sign O’ The Times" as dread intonation: "Sign o’ the times mess with your mind, hurry before it’s too late."

Declaring that a scene is "over" just as the great unwashed embraces it — recent dubstep parties in San Francisco have packed dance floors — seems particularly snotty and perverse. But by disappearing into thicker brush, Kode 9 stays ahead of pop mediocrity. His new singles, particularly "Black Sun / 2 Far Gone," add melancholic melodies and popping bass, retracing a path back to 2-step. Accordingly, U.K. critics have made it an example of a silly new subgenre called "funky." (George Clinton would laugh at that one.)

All this ideological shoegazing shouldn’t distract you from enjoying Kode 9’s tunes. But it should tell you that U.K. electronic music has traveled very far up its own arse. "I think U.K. electronic music is a bit of a mess right now and very microsegmented, to be honest," said Kode 9 in the eMusic interview. "But there are some lines of intersection that are promising."

THE FUTURE: KODE 9, SPACEAPE, THE FLYING SKULLS Fri/10, 10 p.m., $10 (advance). 103 Harriet, 103 Harriet, SF. (415) 431-8609. www.1015.com/103harriet/events

Change the Beat rips off the safety

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By Michael Krimper

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Votel, freakin’ you

A small portion of music nurtures body, mind, and soul. A miniscule subsect does so by ripping you magnificently out of your familiar musical safety zones with unpredictable and compellingly fresh organizations of sound. Some have baptized the songs that fall under this rarefied territory of music "face-melters," and for good reason. Assiduously dissolving toughened aural skin, face-melting music inspires knowledge of the outer galactic and inner expansive reaches of the embodied mind. Its dangerous allure has solicited varied responses from thinkers, poets, and musicians throughout history. Plato advises to obliterate such enigmatic revelry in The Republic. William Blake seeks to illustrate its destructive purity in Songs of Innocence and of Experience. More recently, Afrika Bambaataa’s "Searching for the Perfect Beat" embodies the infinite quest for mystical rhythms.

The DJ, producer, and deep crate-digger Andy Votel has made a career out of cultivating and archiving the face-melting phenomenon. Conducting the freaked-out, electronic psych epic Styles of The Unexpected (Twisted Nerve Records, 2000), and helping spearhead Finders Keepers Records to reissue international instances of obscure and intensely monstrous tracks from around the world, Votel is a leading expert on the limit zones of post-World War II music. Notable Finders Keepers reissues and compilations that will rewire your neural networks have emerged from Anatolia (Mustafa Özkent, Selda), France (Jean-Pierre Massiera, Jean-Claude Vannier), and Pakistan (this year’s comp Sound of Wonder).

One contemporary contributor to the Keepers catalog is Los Angeles’ feral beatsmith and DJ the Gaslamp Killer. A mad scientist of the Low End Theory collective, GLK psychedel-ifies hypnotic boom bap cuts and mutates vocals into chilling hums and fuzzed out screams locked toward another kind of prayer. But don’t believe me, peep his avant-garde corpse ringer mix I Spit On Your Grave (Obey, 2008). Once you’ve trained your ears on his radiated sewer funk, flip it fresh on Gaslamp’s collaboration with fellow Theorist, Free The Robots, for the jazzier side of the gutter on The Killer Robots (Obey, 2008).

To mark the third birthday of SF funk wizard DJ Centipede’s Catch the Beat party, Votel, GLK, and Free the Robots have come together for a face-melting good time. Leave your mask at home.

CHANGE THE BEAT 3RD YEAR ANNIVERSARY PARTY With Andy Votel, Gaslamp Killer, Free the Robots, DJ Mahssa, DJ Centipede, Citizen Ten. Fri/10, 10 p.m., $10. Paradise Lounge, 1501 Folsom, SF. (415) 252-5017. www.paradisesf.com

SF clubs resist ABC crackdown

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By Steven T. Jones
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San Francisco nightclubs continue to fight through the recent crackdown by the California Department of Alcoholic Beverage Control on a number of fronts. Club owners have had to hire lawyers, politicians are pushing for explanations, and advocates have set up a new website through which to rally support.

“The ABC has refused any overtures made by counsel for the clubs to settle the open cases and the implications, being so broad as to affect every ABC license holder in the state, are too great for the group to ‘take a bad deal’ that would come back to haunt them. We are pushing forward,” says Terrance Alan, a club owner and member of the San Francisco Entertainment Commission who has been working on the issue.

Meanwhile, after our story on the issue last month, the Guardian heard from recently retired ABC licensing officer Ross Glen, who once worked with DNA Lounge, one of the clubs currently fighting ABC sanctions.

He wrote: “I believe that ABC’s proposed revocation of the DNA’s license is excessive and out of proportion to the offense committed. During the course of my investigation, I found the DNA to be appreciated by their immediate neighbors, diligent in their efforts to adhere to the applicable laws and sincere in their desire to address the concerns of the Department with regard to the various circumstances that surround the operation of an all-ages music venue.”

At a time when the city is increasing street fair fees and otherwise continuing the Death of Fun policies that threaten this city’s culture and nightlife, the ABC’s inexplicable crackdown comes as a double-whammy to San Francisco.

PG&E

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Fixing PG&E’s blackout problem: State law requires PG&E to pay claims for economic damage caused by system failures

Guardian Editorial

EDITORIAL The electricity that San Franciscans buy from Pacific Gas and Electric Co. isn’t just expensive — it’s unreliable. That’s what figures from the California Public Utilities Commission show (see story below). In fact, PG&E has more blackouts than any of the public power agencies in the Bay Area.

That has a significant impact on local businesses — but neither City Hall nor the small business community is paying much attention to a multimillion dollar problem.
Click here to continue reading editorial.

The blackout factor: PG&E’s poor reliability record costs businesses millions
By Megan Rawlins

Noel Birbeck makes signs. In a low, nondescript building tucked into a south of Market side street, a printing machine spits out personal greetings and corporate messages in all colors, shapes, and sizes.

Until the power goes out.

“We print things that are up to 50 feet long,” said Birbeck, the business manager of Budget Signs. “If the power goes out at foot 35, we have to start the printing process all over and throw out all that time and money that went into the initial printing.”
Click here to continue reading.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Chris, Market and Castro

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Tell us about your look: “I got these shoes ages ago from Zara and they’ve lasted for ages.”

Weird Wine of the Week: A Carignane by any other name

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Amy Monroe shares her favorite unusual, overlooked, and underappreciated wines every Tuesday. Check out her previous installment here.

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Carignane is the viticultural equivalent of Jon & Kate, the Duggars, and Octo Mom. Left to its own devices, it bears prodigious amounts of fruit. This is bad. When it comes to wine, high yields equal poor quality. Much like parents whose broods creep into double-digit territory, growers of Carignane spend the majority of their time attempting to keep the vines under control. Typically, they are rewarded with grapes that are very tannic, very acidic, and generally acknowledged to be harsh. Add to these charming qualities the fact that English speakers can’t pronounce it (it’s Care-In-Yawn, by the way), and it’s no wonder you hardly ever see Carignane’s name on a wine label.

I used to be a buyer for a wine shop, which basically means I got paid to taste wine. During that time, for me, Carignane lived up to its infamous reputation: I hated every one I tried. They all tasted like burnt rubber, and a single sip was often so acidic that I worried about the state of my tooth enamel. I didn’t like Carignane, and I told people so – customers, colleagues, friends. In my opinion (about which I was vocal), it was just plain bad, the trailer trash of wine grapes. Then I tasted Trinafour “Niemi Vineyard” Carignane.

Editorial: What’s wrong with San Francisco?

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The only new revenue in the budget comes from fee increases on Muni, public parks, after-school programs and the like.Meanwhile, Oakland is fighting its budget deficit with progressive taxes.

EDITORIAL In the end, Mayor Gavin Newsom got his way. The San Francisco supervisors made some significant changes to the budget and saved some $40 million worth of programs that the mayor wanted to cut or privatize, but the Newsom for governor ads will still be able to proclaim that the mayor solved his city’s budget problem without raising taxes or cutting police and firefighters.

Instead, this fall some 1,500 city employees are slated to be laid off, 400 of them in the Department of Public Health. Many recreation directors will get pink slips. Human services will lose at least 100 people. Nonprofit service providers will see much of their city funding disappear. The money to pay for public financing of the upcoming supervisorial and mayoral races is gone. Newsom’s pet (and expensive) 311 service will still be open 24 hours a day (with a lot of the money coming from Muni).

Charges dismissed against most SF8 defendants

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Story and photos by C. Nellie Nelson
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The case against the San Francisco 8 – defendants who have spent the last two and a half years facing controversial old murder charges – was largely dropped today without any of them doing any real time.

Attorney General Jerry Brown’s office had resurrected an old case and charged eight men in the 1971 killing of San Francisco Police Sgt. John Young. The court dismissed the case in 1975 after finding that New Orleans police officers tortured two of the suspects to make them confess. But with federal funding from the Bush Administration, the prosecutors compiled hundreds of thousands of pages of documents, citing fingerprints on a cigarette lighter as a recent development in the case.

And today, the whole ordeal looks like a phenomenal waste of time and taxpayer money.

Nickel and dimed in SF

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By Steven T. Jones

On the gubernatorial campaign trail, Mayor Gavin Newsom has been touting the claim that he balanced city’s budget without any tax increases – not usually something liberals (which Newsom sometimes claims to be) generally boast about, particularly when it causes mass layoffs and service reductions – but there’s a plethora of fee increases.

Just look at tomorrow’s Board of Supervisors agenda, which includes 17 different increases in various fees and permit costs proposed by Newsom. So you’ll pay more if you need medical care, throw a street fair, use a city field, smoke cigarettes, sell art on the street, have a kid in an after-school program, or a number of other activities. The mayor’s proposed budget hiked fees by 41 percent.

But if you’re a rich out-of-town corporation, or wealthy property owner, or some other constituency that Newsom wants to protect from the dreaded T-word, don’t worry. He’s got your back.

Respect your queer elders, child

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By Marke B.

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A photo from SAGE, the LGBT senior advocacy group

Every year around Pride, I get a little teary about all the show of LGBT elder power in the parade (and berate myself for not including more gay senior content in our annual Queer Issue, though I try — and this year we got to look indepth at the Stonewall and Gay Liberation Front generation). In the current issue of the New Yorker, Senior Editor Hendrik Hertzberg commemorated Stonewall’s 40th and got in a few jibes at Obama’s campaign promise foot-dragging. I could have done without some of Hertzberg’s “daddy” tone (apparently we’re overreacting to that awful DoJ DoMA brief that equated anti-same-sex marriage statutes with incest injunctions — although who knows if it’ll help us out in the long run once people see what we’re up against?) but he did come out swinging.

The thing that really caught my eye though, was this snatch Hertzberg included from a heinous, unsigned 1966 Time article called “The Homosexual in America”:

[Homosexuality] is a pathetic little second-rate substitute for reality, a pitiable flight from life. As such it deserves fairness, compassion, understanding and, when possible, treatment. But it deserves no encouragement, no glamorization, no rationalization, no fake status as minority martyrdom, no sophistry about simple differences in taste—and, above all, no pretense that it is anything but a pernicious sickness.

I just adore that “pathetic little” formulation. It makes me feel so BDSM bottom. Via Hertzberg’s blog, Hilzoy over at Washington Monthly has followed up on the Time story to dig up the original atrocity (take your blood pressure pills before you read it), and pull out this precious nugget:

Appetite: Punch for pirates, watermelon soup, orzo mac ‘n cheese, and more

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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Delish cocktails at Rickhouse. Photo by Virginia Miller.

NEW OPENINGS Around the Bay

Bourbon & Branch and Cask debut a second bar: Rickhouse
Opening night, July 1st, at Bourbon and Branch’s highly-anticipated second bar, Rickhouse in FiDi, named after a storehouse for aging bourbon. The space, including front and back bars, is gorgeous, with wood planks above and below, and a little balcony area with gentle skylight glow. The Old World feel transports – you can almost imagine you’re aboard a pirate vessel or in an old English tavern. The word was way out on opening night, making for a bit of chaos, but a kindly doorman (replete in cap and vest) regulated so we weren’t body-to-body, while staff and bartenders are cheerful and welcoming. And, oh, that menu! Pages and pages of classic cocktails, punches (punch bowl for four, please!), flips, fizzes, and some wines and draught beers for good measure. This is a cocktail lover’s dream bar and I, for one, am already plotting my next visit.
246 Kearny, SF.
415-398-2827
www.rickhousebar.com

FIVE, Scott Howard’s latest, opens this week in Berkeley
We’ve been missing Scott Howard since his namesake restaurant closed, but he’s debuting Five this week in beautifully remodeled Hotel Shattuck, an elegant, modern space with oval, limestone bar, white pillars and dramatic glass chandelier. The menu (ranging from $5-21 at lunch, $5-28 at dinner), lists playful dishes like Deviled ‘Surf & Turf’ Eggs with Dungeness crab and ham, or Orzo Mac ‘n Cheese with Morel mushrooms and tomato jam. There’s classic cocktails and plenty of onion rings with ginger ketchup. Scott is back!
2086 Allston Way, Berk.
510-845-7300

www.five-berkeley.com

Commis: Hints of molecular gastronomy on Piedmont Ave
JoJo, Oakland long-time classic, closed some months ago, and chef/owner, James Syhabout, moved in with Commis, unexpectedly soft-opening last week. There’s one option: a $49 three-course meal (from a handful of choices in each course), laden with hints of molecular gastronomy since Syhabout’s resume lists the likes of none other than Manresa, WD-50 and Coi. I hear tell of menu items like crisp pork jowl on a poached egg, chicken cooked in malted ale with golden rice, and strawberry watermelon soup for dessert. Sounds like it’s time to make a reservation.
3859 Piedmont Avenue, Oakl.
510-653-3902
www.commisrestaurant.com

Craigslist goes Stag

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By Juliette Tang

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Let’s face it: Craigslist’s new “Adult Services” listing is pretty much just like the old Erotic Services one, but with a new name, a higher price tag, more inconvenience, and no more nude photos. But there’s a new Web site coming to town that might change the face of online soliciting for good: Stagslist.

Unlike Craigslist, Stagslist publicly accepts its role in facilitating online sex work. Stagslist exists solely as an online listing of erotic and adult services and gigs, with the difference being no monitoring, no charge, and no personal verification. For some sex workers, the lack of verification on Stagslist (Craigslist currently requires a phone number, a credit card charge of $10, plus a working Craigslist account) will be liberating. Stagslist offers greater privacy and a forum to post whatever you want, because they won’t screen or modify your ads. And for other sex workers content with Craigslist’s verification system, who feel that it offers a barrier of protection between them and the outside world, Craigslist’s Adult Services listing will still be an option. The arrival of a new erotic listing in town with the openness and viability of Stagslist will level the playing field so that Craigslist hopefully won’t be the main provider of an online adult services forum in San Francisco. And it gives sex workers the option of choosing which platform best suits their specific needs.

Stagslist goes live on July 9, 2009, at noon. While right now, there’s nothing on the site, I’m interested to see what Thursday will bring.

Full press release after the jump.

Lindy (might not be welcome) in the park

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By Sara Schieron

Every Sunday between 11am and 2pm, a group of swing dancers meet in Golden Gate Park for a free dance they call Lindy In The Park (LitP). Over the last 13 years the group, which has grown from a few dozen to 100-200 weekly attendees, have only inspired one complaint (that they know of). Sunday, June 28 at 1:15pm, Park Ranger Raymond Wong came to organizers Jen Holland and Ken Watanabe and alerted them of a sound complaint. The complaint, which was vaguely worded, was formidable enough to close the event down for the day and possibly for good, as this free dance is now, after over a decade, being required to attain a sound permit; a cost that threatened to shut them down. Without that permit, Lindy would no longer be welcome in the Park.

Watanabe reports, “Ranger Wong first said there were a lot of complaints and then, when we pressed him, he said it was the staff at the DeYoung.” As the group has been meeting at the same place for over a decade, hearing that the DeYoung — a fairly soundproof museum — was finally offended seemed questionable.

When the dance was shut down, Watanabe alerted the dancers, many of whom had just appeared impromptu, lured in by the free lesson offered at noon. The regulars, however, rallied quickly and a petition style list of addresses and phone numbers was circulated. At the final count, there were 40-odd addresses, indicating the event regulars were sturdy in number.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Cash, Market and Castro

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Tell us about your look: “I got this jacket from my aunt.”

Dick Meister: Celebrating the 4th with the enemy

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Celebrating the 4th in Canadian territory settled by pro-British “Loyalists” who fled the U.S. after the Revolutionary War

By Dick Meister

The Fourth of July, as we all know, is Independence Day. Hurray for George
Washington and the revolutionaries, down with King George and the British.
That sort of thing.

But have you ever wondered what it’s like on the other side? Have you ever
celebrated the Fourth across the border in Canada, in that territory settled
by pro-British “Loyalists” who fled the United States after the
Revolutionary War? It is a most peculiar experience for one accustomed to
the American way of viewing the events of 1776.

Sonic Reducer Overage: Sir Richard Bishop, Hospitals, David Dondero, Hightower, and more

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By Kimberly Chun

Yes, you had to work like a dog for that Fourth of July hot dog – and to get ready for the long weekend. Wasn’t it worth it? Now’s the time to get out and get into trouble.

Sir Richard Bishop and His Freak of Araby Ensemble
The Sun City Girls son and Oakland resident also rises, this time in SF, with Oaxacan as his backing ensemble, on the closing show of his tour. For more on Bishop, go to this edition of Sonic Reducer. With Oaxacan and Rubber O Cement. Fri/3, 10 p.m., $10. Bottom of the Hill, 1233 17th St., SF. (415) 621-4455.

Extreme Animals
The Pittsburgh-San Diego booty melters flaunt it at this light-show-bedazzled happening. With Nero’s Day at Disneyland, Bulbs, and Teengirl Fantasy. Fri/3, 8 p.m., $6. Lobot Gallery, 1800 Campbell, Oakl. www.lobotgallery.com

Hospitals
The raging Adam Stonehouse project recently got a lotta love from UK’s Wire. With Photobooth and Baths. Fri/3, 9:30 p.m., $6. Hemlock Tavern, 1131 Polk, S.F. (415) 923-0923.

Snackin’s: A shout-out to Sprinkles

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Cuckoo for chocolate coconut. All photos by Kimberly Chun.

Sprinkles describes its cupcakes as a “deliciously sophisticated update on an American classic,” but that doesn’t stop founder Candace Nelson from offering frosting shots at her mini-chain (mini ’cause there are just a handful so far in upscale enclaves like Beverly Hills, Newport Beach, Scottsdale, and now Palo Alto – though cupcake boutiques are in the works in Tokyo, London, Vegas, NYC, etc.).

From where I was sitting, happily scarfing Ritual’s and Kara’s cakes in SF, there seemed to be little fanfare when the shop opened last fall at Stanford Shopping Center, but man, that hasn’t stopped the hordes from lining up outside the pale frosted doors of the Palo Alto Sprinkles for a lil’ cake on a recent hot summer day.

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Nelson says her French culinary-trained great-grandmother who made deserts for her SF restaurant in the 1930s was her original inspiration for Sprinkles. If so, her great-grandmere must have been a whiz with pastry. A pal and I picked up the chocolate coconut and the seasonal lemon blueberry that steamy day and both were superb – light yet rich cake with sparkling flavors with a healthy topping of not-too-sweet yet satisfying frosting.

I particularly liked the array of flavor combos: chai latte, chocolate marshmallow, cinnamon sugar, ginger lemon, peanut butter chocolate, pumpkin, and, of course, red velvet, among them. Keep in mind that not all the flavors are available every day of the week – the Sprinkle site lays out the sked. Mixes for red velvet, chocolate peppermint, and the much-loved lemon cupcakes are on sale, as are yogurt-frosted doggie cakes (a poochy treat that looks more than a little tempting to this human). And don’t be daunted by the line – it moves fast. All the better to get to the cake.

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SPRINKLES CUPCAKES
Hours are Mon.-Sat., 9 a.m.-7 p.m.; Sun. 10 a.m.-6 p.m.
393 Stanford Shopping Center, Palo Alto
(650) 323-9300

Hot for teacher?

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By Juliette Tang

An entire classroom of 5th graders from the Elk Grove region, near Sacramento, will find themselves inexplicably having hot-for-teacher fantasies or, what is more likely more likely, nightmares, within the next few years. As reported by CBS yesterday, Crystal Defanti, a 5th grade teacher at the Isabelle Jackson Elementary, accidentally gifted her students with her own homemade pornography in a DVD that was supposed to be an end-of-year ‘memories’ compilation. She definitely gave her students something to remember. The DVD started with a menu screen featuring several different videos taken during the school year. The menu items ranged from classroom footage to um, footage of Ms. Defanti completely naked on a couch, crotch-to-the-camera, with her legs sprawled open. Defense experts say that because the whole thing was an embarrassing mistake, Ms. Defanti will likely keep her job and not face any legal consequences.

I think the question that weighs more heavily on our minds isn’t whether Ms. Defanti should keep her job or not (I mean, the poor woman’s embarrassment is punishment enough) but rather, “How the fuck does one edit a movie for fifth graders and accidentally put their own porn on it?” Because, seriously. Even the most computer illiterate among us know that autobiographical X-rated movies should exist on their own password-protected flash drive somewhere hidden far away from where it might accidentally be stumbled upon.

Fishing for sympathy

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By Rebecca Bowe

The saga of one of the biggest development battles in San Francisco took an unexpected turn today when Gap, Inc. founder and billionaire Don Fisher announced that he would back off from his plans for a private art museum in the Presidio. The proposed 100,000 square foot museum sparked widespread public outrage, with critics charging that it was an inappropriate location that wouldn’t jive with the surroundings.

The Chronicle broke the story this morning, quoting Fisher as saying:

“Doris and I will take some time to consider the future of our collection and other possible locations for a museum, which could include other sites within the Presidio and elsewhere,” Don Fisher said, referring to his wife in a statement released to The Chronicle late Wednesday that also said the decision was made “with disappointment and sadness.”

It must be tough, being a billionaire with a world-class art collection who can’t even build his very own private museum on an historic piece of public land without getting shouted down. Poor guy.

But as Fisher comes to grips with his “disappointment and sadness,” museum opponents now have a cause for celebration.

The Fourth of July in Rock Rapids, Iowa, 1940-53

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The good old days in Rock Rapids, Iowa, the Fourth of July, l940-53

By Bruce B. Brugmann

(Note: In July of l972, when the Guardian was short a Fourth of July story, I sat down and cranked out this one for the front page on my trusty Royal Typewriter. I now reprint it each year on the Bruce blog, with some San Francisco updates and postscripts.)

Back where I come from, a small town beneath a tall standpipe in northwestern Iowa, the Fourth of July was the best day of a long, hot summer.

The Fourth came after YMCA camp and Scout camp and church camp, but before the older boys had to worry about getting into shape for football. It was welcome relief from the scalding, 100-degree heat in a town without a swimming pool and whose swimming holes at Scout Island were usually dried up by early July. But best of all, it had the kind of excitement that began building weeks in advance.

Your happy Pride gay-bashing roundup

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By Marke B.

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Joe Holladay, beaten June 29, in New York. Image via Towleroad

Well, I guess it wouldn’t be the 40th anniversary of Stonewall if a few “fagits” (sic) didn’t get their heads bashed for daring to be all gay about it, right? Some sad reports coming in on the tinsel-footed heels of this week’s celebrations (see below). My thoughts — beyond the usual initial rage and helplessness — are that, just like right-wing wingnuts with liberals, the idiot perpetrators are coming out of the woordwork because they feel threatened by our continued uptick in acceptance, visibility, and flair. Plus they’re probs hella gay.

So of course we have to keep the burners on high and continue the fight (but always keep your eyes open and your heels short). Another thought is that a lot of the commenters on some of the blogs breaking these stories are starting to advocate bashing-back violence — which dismays. By all means we should get riled up by all this and use our anger constructively. But let’s pass on the late-’80s testosterone-blind posturing, please. A, it’s dated, darling. B, yuck.

1. Fort Worth, WTF? Twenty-six-year-old Chad Gibson was put in intensive care with a blood clot in his brain after Fort Worth cops raided a gay bar (old school!) and roughed up the customers on June 30, for nebulous, yet pretty damning, reasons. (Basically no reasons at all.)

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A cell phone capture of Gibson grounded by police at Fort Worth’s Rainbow Room

FTW police chief Jeff Halstead actually claimed the gay panic defense. To whit:

“You’re touched and advanced in certain ways by people inside the bar, that’s offensive,” he said. “I’m happy with the restraint used when they were contacted like that.”

Appropriate hysteria ensued. Then, under heat, Halstead kind of freaked out and claimed there would be a full, in-depth investigation. Hopefully the touchy, advance-y kind.