SFBG Blogs

Prison report: Where the money goes

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By Just A Guy

Editors note: Just A Guy is an inmate in a California state prison. His reports run twice a week.

Tuesday night’s news reported on California Department of Corrections and Rehabilitation spending and, believe it or not, the anchor was actually outraged.

The report said that over the past three years, CDCR has spent 32 percent more — but the inmate population has decreased by one percent. over that same period of time.

CDCR claims that the increase in spending is due to an increase in the cost of health care for inmates as well as lawsuits and overtime.

Well, in the two years and change that I have been in the custody of CDCR, I have not seen the quality of health care improve one iota. For our perspective, it has not improved as it should with this purported increase in spending. At least not at the institution I’m in.

The federal courts seem to agree as well, since they have ordered the release of more than 43,000 inmates since CDCR’s overcrowded conditions are resulting in constitutionally inadequate health care.

For you whiners and corrections officers who say we get better health care than most people on the streets, and that we should consider ourselves lucky, blah blah blah: Just because are getting some “health care” does not mean we are getting better health care than the general public.

The state is obligated to give us health care. Just because we’re in prison doesn’t mean we should be denied health care. To do so would create misery for CDCR and the California Correctional Peace Officers Association anyway — it’s really in their best interest to keep us recidivists healthy to guarantee their jobs for the long haul.

The aging prison population still has to be watched, right?

For every one of us that does get an expensive procedure done, there are hundreds that don’t get shit done. Half the medical staff and doctors barely speak English well enough to be understood, and they use their broken language to try and convince you there’s nothing wrong with you. It’s not like CDCR hires the best and the brightest — working in prison for most health care providers is the bottom of the rung.

The overtime: The news said that there were seven CDCR officers — sergeants and lieutenants — who earned more than the director of CDCR, Matt Cate, who makes a salary of $225,000 a year. They also said that 8,400 staff made $20,000 or more in overtime last year. At $20,000, that’s $168 million. But how many made $30,000, or 40,000? How many earned between $10,000 and $20,000 in overtime? What’s the real overtime figure, $250 million? How many programs could be created to help out prisoners — or crime victims — for $250 million? How many college kids could afford to go to school for a year?

Lawsuits? What are they talking about? Are they talking about money paid out to plaintiffs and in settlements? If so, is that not indicative of a pretty big problem — so big that CDCR is losing lawsuits because of its ineptitude?

Just something to think about.

Party-pinchers PANTyRAID deliver ‘The Sauce’

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By Michael Krimper

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You don’t get quite what you expect from the aptly titled electronic duo, PANTyRAiD. A side project of forward thinking producers Martin Folb (Marty Party — he’ll be performing this Fri/11 at 103 Harriet) and Josh Mayer (Ooah of the Glitch Mob), PANTyRAiD delves into the rich cross-sections of hip-hop, dubstep, and ambient. Although the duo was previously best known for heavy hitting remixes like “Do You” and powerhouse party mixes — e.g. for XLR8R and Mary Anne Hobbs — of synth knocking beats flipped over modulated crunk lyricism, their latest effort The Sauce (Marine, Ingrooves) salvages their place as solid beat conductors on the quest.

PANTyRAID, “Get the Money”

PANTyRAiD most impressively experiment with multi-tiered arrangements, changing tempo and bass tonality by way of a jazz inspired fluidity. In “Worship The Sun”, dissonant synth vamps grace chilling tribal drums and chants, building into a wobbling bass riding “hot sex on a platter” bars from Silk E. Fyne’s one hit wonder, and reemerging once more with a graceful intensity.

Preview: “Corpo/Ilicito: The Post-Human Society 6.9”

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By Robert Avila

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Violeta Luna photo by Zach Gross.

Humans and post-humans take note: Corpo/Ilicito: The Post-Human Society 6.9, latest provocation-installation from acclaimed Mexican American performance artists Guillermo Gómez-Peña and Violeta Luna (aka La Pocha Nostra), unfurls for two nights only, this Friday and Saturday, at CounterPULSE.

Corpo/Ilicito premiered in the 2009 Habana Biennale in Cuba and the Trouble Festival in Brussels. This weekend marks its Bay Area premiere. In terms of what you might expect, here’s this from their press release: “In their latest project, la Pocha creates a performance setting that is both live jam session and reflective zone. The full environment installation ultimately allows the audience to co-direct the fate of the performance.

“Gomez-Peña has said about this project: ‘As live artists, our task is to create living metaphors that articulate a new aesthetic, culture, spirituality and a sexuality that emerge out of the ruins of our Western civilization.’”

These are the ambassadors from badass. Go ahead and call them edgy, especially if by edgy you mean pissed off. Or edgy as in the fractured, fractious frontier running between Mexico and the United States — slithering East to West, West to East, in all its slippery serpentine significance, delusional substance, riotous pretense and delightful permeability. And while you’re at it, throw in all the other frontiers of identity that go into limning our “postmodern” “Western” borderline personalities.

Fri/11-Sat/12, 8 p.m., $15-20
CounterPULSE, 1310 Mission, SF
(415) 626-2060, https://www.brownpapertickets.com/event/73700

Snap Sounds: MF Doom and Empress Stahhr

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By D. Scott Miller

MF DOOM FEATURING EMPRESS STAHHR

"Still Dope" (from MF Doom’s Born Like This)

(Lex)

Sista spits some of the tightest shit over jagged hard beats with clarity, wit and grace for two minutes and forty seconds with no punches — or punches pulled. I wake up in the morning sometimes with her voice in my head and it feels good! Still dope? Yeah.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Daneekah, Lyon and Fulton

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Tell us about your look: “I got these overalls at Crossroads for $8.”

Census report shows more Americans lack health care coverage

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By Rebecca Bowe

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Some commentators were greatly reassured by President Barack Obama’s speech on health care reform yesterday, while others thought he spent too much energy answering to Republican critics. (In case you missed it, you can find the full text and video here.) As the debate rages on in D.C., health-care reform advocates across the country are weighing in to push for meaningful reform.

A statement from the National Coalition on Health Care highlights a U.S. Census Bureau report that was released earlier today. It offers a glimpse of how the severe recession has eroded health-care coverage, and made it more difficult for people to afford health insurance.

A few of the key findings:

· The total number of people without health insurance coverage jumped from 45.7 million in 2007 to 46.3 million in 2008.

· There were 39.8 million people in poverty in 2008, up from 37.3 million in 2007. The 2008 poverty rate was the highest since 1997.

· The real median household income in the United States fell 3.6 percent between 2007 and 2008, from $52,163 to $50,303.

The report doesn’t even begin to address the impacts of job losses and economic instability that have continued through 2009.

“We need, without delay, to pass comprehensive health care reform legislation this year,” NCHC stated, “before our uninsured crisis deepens further.”

Appetite: Joy of Sake and Ghirardelli Chocolate Fest bring the flavor

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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EVENTS

9/10: Joy of Sake at Yoshi’s San Francisco
Though you cannot imagine a Japanese meal without sake, you know there’s a whole world of sakes out there you have yet to discover. The Joy of Sake is an annual event highlighting the best of the rice spirit, featuring 100 gold and silver award–winning sakes (and finalists) from the 2009 U.S. National Sake Appraisal. Junmai, ginjo, and daiginjo… it’s all here for tasting, including 49 unavailable in the U.S. In the past, this event has been held at hotels at a higher cost with over 200 sakes, beyond medal winners. This year, the best have been weeded out for you and it takes place in the ideal, Japanese-chic setting of Yoshi’s San Francisco. Skilled Executive Chef, Shotaro "Sho" Kamio, serves an all-inclusive menu of dishes like Okinawa rock sugar–braised short ribs with peach compote, Kakiage Tempura fritters with veggies, shrimps and scallops… or why not wood burning–oven roasted American Kobe Tri-tip with caramelized shallot teriyaki? It’s an education and a feast, all in one evening.
7:30–10:30pm (food 8-10pm)
$50 advance, $60 at the door
Yoshi’s on Fillmore
1330 Fillmore Street
415-655-5600
888-799-7242

http://joyofsake.com

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9/12-13: Ghirardelli Square’s 14th Annual Chocolate Festival
If your not "festival-ed out" yet, it’s almost time for the Ghirardelli Square Chocolate Festival, benefiting Project Open Hand. Going 14 years strong, the weekend hosts over 40 vendors serving chocolate well beyond truffles (including Amore Chocolate Pizza, Ana Mandara, Boomerang Vodka Chocolate Martinis, Bo’s Best Pancakes, Eat My Love For You Vegan Desserts, Gelateria Naia, Kara’s Cupcakes, Kika’s Treats, Mighty Leaf Tea, Pacific Puffs, Spun Sugar, The Toffee Company), loads of chef demos hosted by Season 3 Top Chef finalist, Casey Thompson, the “Hands Free Earthquake Ice Cream Sundae Eating Contest" (may be even be more fun to watch than to participate in), Cadillac Ride & Drive (Cadillac is displaying luxury cars in the Square while offering visitors an opportunity to test-drive the 2010 SRX – not sure what gets you ‘in’?), and Crown & Crumpet hosts a tea party with chocolate teas, scones, sandwiches and truffles (both days at 3pm, $12). Surrounded by chocolate sampling stations and views of the Bay, it’s not a bad weekend.
Free; $20 for 15 tasting tickets
9/12-13, 12-5pm
900 N. Point Street
415-775-5500

www.GhirardelliSQ.com

Assembly supports sale of Candlestick Point Park

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Text and photos by Sarah Phelan

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On Wednesday night, as folks were getting ready to watch President Barack Obama’s speech about health care, the State Assembly voted 69-1 in support of an amended version of Sen. Mark Leno’s SB 792.

Leno’s bill, which is now back in the Senate, gives the State the authority to sell 23 acres of Candlestick Point State Recreation Area for $50 million.

Assemblymember Tom Ammiano was the lone dissenter on Leno’s bill with seven others abstaining or not voting.

Those voting “aye” included Assemblymembers Fiona Ma and Nancy Skinner. Florida-based developer Lennar, which has entered into a public-private partnership with the City of San Francisco to redevelop 770-acres at Hunters Point Shipyard and Candlestick Point, is arguing that it needs these additional 23 acres of prime waterfront property to build luxury condos, if the rest of its massive redevelopment plan is to pencil out.

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Initially, SB 792 would have allowed the State to sell 43 acres of Candlestick Point State Recreation Area, the Bayview’s only major park, for condos. As such, it faced stiff opposition from the Sierra Club, Arc Ecology and Friends of Candlestick Point Park.

In its amended form, SB 792 authorizes the exchange of 23 acres, thus preserving 20 acres of existing parkland—a compromise, Leno says, that secured the neutrality of these three key environmental groups.

“I am especially pleased that after months of negotiations, amendments to SB 792 resulted in the neutrality of the Sierra Club, Arc Ecology and Friends of Candlestick Point,” Leno said.

So, what does SB 792’s passage mean for the park’s ecological integrity? And won’t the impact of removing 23 acres from the Bayview’s only major park be magnified, once condos and high rises have been built?

Maxim — not the magazine

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By Johnny Ray Huston

Once upon a time in Detroit, I worked at a record store. Kelley Stoltz sometimes shopped there. He liked Echo and the Bunnyman even back then. And Brendan Benson worked at a different, maybe cooler record store. I had no idea that he and Kelley would end up writing so many good and great songs.

Benson’s tour for his new album My Old, Familiar Friend hits Great American Music Hall tomorrow night, and one of the opening acts, Maxim Ludwig and the Santa Fe Seven, is also worth a look-see and true listen. Ludwig lists the Band as one of his musical favorites, and “To Be with Sweet Marie” genuinely calls the Band to mind — not trifling, since most people know the sound of the Band is hard to even contrive. Ludwig’s father has an interest in the Brothers Grimm, and you get the feeling that interest informs his son’s music, the same way that the images on great album covers might fuel his imagination.


Maxim Ludwig & the Santa Fe Seven, “Big Black Train”

BRENDAN BENSON
with Maxim Ludwig and the Santa Fe Seven
Thu/10, 8 p.m. (doors 7:30 p.m.), $18
Great American Music Hall
859 O’Farrell, SF
(415) 885-0750
www.gamh.com

Introducing our LIT123 contest!

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Camus can do, can you?

Hey, y’all — grab your peacock-plumed keyboards, polish up your virtual inkwells, and unleash your mini-Kerouac because we’ve got a little competition for you to take part in. Wanna win a nifty gift certificate to Books, Inc?

All you have to do is submit a little story — fiction, nonfiction, or poetry — that somehow reflects living in the Bay Area to culture@sfbg.com by Tuesday, September 22. (Put “Lit123” in the subject line, and please include your name or nom de plume and city.)

The catch? All entries must be exactly 123 words. Easy as 123, right?

We’ll publish our 10 favorites in our special Writers Issue on 10/7, and give those authors gift certificates to Books, Inc. To help get you started, here’s a horrific little story by our always zombie-fightin’ arts and entertainment editor. Submit yours today!

Alone in his dilapidated Victorian, the hulking cannibal mutant arranged his weapons collection with pride. There was the chainsaw he’d refurbished after finding it abandoned on the 22; the hatchet and axes he’d inherited from his hulking cannibal mutant father; and the set of steak knives he’d ordered from QVC. He also had, strewn about his SoMa property, various bear traps, pits concealed with leaves, trip wires, and so forth. Earlier that day, he’d waddled out to the nearest road — pothole-strewn, dirt, the kind of route only a traveler lost mid-shortcut would take — and felled a large tree that blocked both lanes. It would only be a matter of time, he figured. He was ready. And man, was he ever hungry.

Film review: “A Woman in Berlin”

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By Louis Peitzman

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As titles go, A Woman in Berlin is rather vague. A clearer option, to borrow from a popular children’s books series, would be A Series of Unfortunate Events. Based on a true story published anonymously by, well, a woman in Berlin, the film recounts the tribulations faced by German women at the end of World War II. As the Russian army occupies Berlin, these ladies must defend themselves against rape and domination while they await their husbands’ return. It’s a dark chapter in history — and a frequently forgotten one at that. But though A Woman in Berlin may be an important film, it’s not a good one. Without the cinematic flair required to handle a story of this magnitude, writer-director Max Färberböck turns the movie into something monotonous and draining. The characters are morally ambiguous but not interesting; the plot is depressing but tedious. I’m reminded of a quote from The History Boys (2006), another film that touches on (albeit briefly) the atrocities of the second world war: “How do I define history? It’s just one fuckin’ thing after another.”

A Woman in Berlin opens Fri/11 in Bay Area theaters.

Power Exchange is back and ready for action

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By Marke B.

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After facing an unholy buttload of opposition to relocate in its same neighborhood, storied (and I mean storied) sex club legend Power Exchange quietly reopened this past weekend at 34 Mason near downtown. We’ve yet to experience the joys of the new locale — will there still be a doctor’s office play room? Nurse! — but I’m sure we’ll have lots to report. … Check out the Power Exchange Web site for more details.

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Oh, rudimentary Power Exchange Web site, of course we agree!

Get your fringe on: SF Fringe Fest brings out the irresistable

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By Cheryl Eddy

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Ticonderoga pulls no revolutionary punches

PREVIEW There is literally something for everyone at this year’s 18th annual San Francisco Fringe Festival. Don’t try to argue, man — this year’s slate, which jams over 250 performances of over 40 experimental works by companies near and far into just under two weeks, is incredibly diverse. And though the old judging-a-book-by-its-cover cliché definitely applies to theater, some of the titles here are pretty irresistable: Hell, the Musical (inhabitants include a Valencia Street dyke and a Marina ditz); Spider Baby the musical (based on the 1968 movie subtitled The Maddest Story Ever Told? Yes, please!); and the Ed Gein-inspired The Texas Chainsaw Musical (sense a theme here?). For fans of history and, uh, sketch comedy, there’s the Revolutionary War-themed Ticonderoga; for morally-conflicted mountain climbers, there’s The Tao of Everest; and for anyone who thinks plays are boring, there are several on tap that challenge that belief in the most scandalously delightful ways, including Bible-stories-on-crack Pulp Scripture and the site-specific Missing: fugue #9: wear a warm coat, performed as audiences stroll through Bayview’s Quesada Gardens.

SAN FRANCISCO FRINGE FESTIVAL Sept 9–20, $10 or less. Various venues (main venue is Exit Theater, 156 Eddy, SF). (415) 673-3847, www.sffringe.org

Editorial: No compromise on health care

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By Tim Redmond

It’s not hard to find suggestions for how President Obama should handle his speech tonight. Maybe the speech isn’t all that important anyway — it’s what the president does afterward.

But our line on it is simple: The Democrats have compromised enough. The Republicans have no credibility here and there isn’t going to be a bipartisan solution. So Obama needs to fight to win.

Snap Sounds: Dam Funk

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By Michael Krimper

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DAM FUNK

Toeachizown

(Stones Throw)

Los Angeles ambassador of boogie grooves Dam Funk taps into the warmth of the sun with this five-volume effort.

Dam Funk, “Toeachizown” promo

Dam Funk performs this Friday with the Donuts crew. Marke B. says:

“Laidback techno-boogie and electro-funk from the shades-bedecked master of jambox rock. West Coaster Dam of L.A.’s luscious Funkmosphere parties will be showing off rare vinyl cuts from his personal collection as well as some of his own, much lauded tracks.”

Fri/11, $10. Poleng Lounge, 1751 Fulton, SF. www.polenglounge.com

Live Shots: Jonesin’ and the Sandwitches at Hemlock Tavern, 9/3/09

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Text and photos by Ariel Soto

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Donning matching black and white outfits, the Jonesin‘ duo bounced around the stage, singing old Dolly Parton covers and also their own lyrics, that sometimes focus on aliens, their amour, roller skates, and the foggy city we all call home. Their music is totally bubbly and funky with just a hint of country and irony. With only their mikes and a boom box for back-up , these two belted it out at Hemlock Tavern for their official Hi, We’re Jonesin’ (Telemarketer’s Worst Nightmare) record release party and as a send-off for their around the country tour, which includes stops in Kansas, Mississippi and Texas, too.

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Snap Sounds: Bibio

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By Mosi Reeves

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BIBIO

Ambivalence Avenue

(Warp)

Some albums escape criticism…they just sound good. And as much as I try to pick apart Bibio’s surprising breakthrough — from its heavy allegiance to Boards of Canada, J Dilla and other beat icons to its catalog of hip indie styles — I can’t stop listening to it. I’ve played it on long drives to L.A., and I’ve fast-forwarded through it on quick trips to the supermarket. Perhaps what moves me about it is its humanness. When he begins to croon as "Lovers’ Carvings" builds into a bright, sprightly square dance, it usually leaves a smile on my face. I’m a sucker for melody.

Bibio, “Jealous of Roses”

Bibio, “Lovers’ Carvings”

Is it 1975 all over again?

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By Tim Redmond

I talked in my editors notes column this week about the remarkable document created in 1975 by the San Francisco Community Congress. It marked the beginning of community-based local organizing in modern San Francisco, and I promised to post it on the web.

So here it is. (PDF) Enjoy.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Chris, University of San Francisco

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Tell us about your look: “I like dark, primary colors. Today I’m wearing all blue and black.”

Hot sex events this week: September 9-15

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Compiled by Molly Freedenberg

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It’s a week of film, fun, and frolic at the Independent Erotic Film Festival, starting Saturday.

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>> Secret Desires: Playing with Erotic Edges
Cleo Dubois, BDSM educator and creator of the Academy of SM Arts, will help you explore your erotic edges and demonstrate ways to play with the ones you find most exciting.

Wed/9, 8pm. $25-$30/pair.
Good Vibes Valencia Store
603 Valencia, SF
(415) 522-5460
www.events.goodvibes.com

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>> Red Hots Burlesque
Dottie Lux brings a different show of dazzling performers every week.

Fri/11, 7:30pm. $5-$10
El Rio, 3158 Mission, SF
www.redhotsburlesque.com

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>> Jeeti Singh Art Opening Reception
FP Edge and Madame S present body image in a new light with an exhibition of artwork by painter Jeeti Singh, whose subjects face their insecurities. Exhibit runs through December 12, with special reception this Saturday.

Sat/12, 7-9pm. Free.
Madame S, 385 Eighth St, SF
www.fpedge.com

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>> Independent Erotic Film Festival
Good Vibrations’ week of films and events kicks off with a party at El Rio (Sat/12, 9pm. $7. El Rio, 3158 Mission, SF), continues with a vintage movie night hosted by Dr. Carol Queen (Sun/13, 9pm. $8. Amnesia, 853 Valencia, SF), and features BDSM – It’s Not What You Think screening and Q&A with director Erin Palmquist (Tue/15, 7:30pm. $10. Center for Sex and Culture, 1519 Mission, SF). Check the website for more information and the following week’s events.

Sat/12-Sept 17. Times, locations, and prices vary.
www.gv-ixff.org

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>> Sacred Pain: The Heroine’s Journey
Omg it’s a BDSM musical. Seriously. The performing arts group Sacred Pain presents an edgy blend of musical theater and avant garde performance, including clever musical covers, parodies, and originals – all produced and written by former Cockettes member Jack Killough.

Sat/12, 9pm. $30.
Mama Calizo’s Voice Factory
1519 Mission, SF.
www.brownpapertickets.com/event/78007

Prison report: Skylights and fruit loops

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By Just A Guy

I feel like ranting, so I’m going to.

There’s a TV show called Southland on NBC, a show about cops in LA that’s actually quite entertaining. At any rate, in the show, one of the cops is addicted to pain pills, to the point where he buys them illegally. I guess what I have an issue with is the way the show portrays this cop with an addiction, causing one to feel sympathy for him. But when you see the other addicts in the show, the ones who are criminals, they are portrayed much more, shall we say, negatively.

It’s almost as if a cop’s moral compass is more finely tuned because he’s a cop addict and not your general street addict.

Most shows portray addicts as thieves or crooks, and while I appreciate Southland’s attempt to honestly look at addiction in uniform, I think it’s disturbing that the media generally promotes addiction as something that only thugs and gangsters experience.

***

I have certainly blogged about the lack of programs at CDCR, but feel compelled to mention this: A couple of day ago I noticed a signup sheet taped to the officers’ podium in my building. It read: “sign up sheet” on the top sand underneath, “emotional maturity class”

There are 200 people in my building. One has signed up. Question: How many others in prison are emotionally mature enough to realize we may benefit from such a class? And how many really know what emotional maturity means?

Editorial: On health care, just win

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Republicans will scream "socialized medicine" on behalf of insurance companies no matter what is in this reform package.

EDITORIAL This could very well be the pivotal moment in Barack Obama’s presidency. If he loses on health care reform — or worse, if he caves in to right-wing bullying tactics and abandons a strong public option — then not only will the American people and economy suffer, but Obama will have hobbled his ability to effectively address the myriad problems facing this country.

The time for negotiating with Republicans on health care is over. They have proven to be hostile and irrational obstructionists interested only in sabotaging both Obama and health care reform, repeatedly telling lies to incite anger and fear in the populace. Beyond being irresponsible, they have abandoned their role as good-faith participants in the political process.

Even when U.S. Health and Human Services Secretary Kathleen Sebelius suggested on Aug. 16 that private co-ops might be an acceptable alternative to the public plan — a tactical and policy mistake that understandably outraged progressives — Republicans refused to come back to the bargaining table.

With that gesture, Republicans showed that their overheated denunciations of the public option were simply a political ploy. They will scream "socialized medicine" on behalf of insurance companies no matter what is in this reform package, so Obama and the Democrats need to ignore them, develop the strongest possible plan, and do whatever it takes to get it through Congress this fall, even when that means stretching procedural rules to require only a bare majority vote for the most controversial elements.

Snap Sounds: 24-Carat Black

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By Johnny Ray Huston

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24-CARAT BLACK

Gone: The Promises of Yesterday

(Numero Group)

The title here rings all too true: 24-Carat Black is a memento of all that soul music could have been, had economic woes not killed its most ambitious tendrils. This dozen-plus ensemble’s unfinished sequel to 1975’s oft-sampled Ghetto: Misfortune’s Wealth (Stax) is just as conceptual, but more downtempo. "The Best of Good Love Gone" is Dusty in the ghetto instead of a satin Memphis boudoir. "I Want to Make Up" does a slow burn then floats off in the nighttime breeze.

24-Carat Black, “The Best of Good Love Gone”

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Bryan, Balboa and Arguello

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Tell us about your look: “I got these glasses from the thrift shop in LA.”