SFBG Blogs

Editorial: How an SF online newspaper can succeed

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No number of part-time bloggers and citizen journalists will ever be able to perform the watchdog role of a fully-staffed newspaper.But the new web-based publication “can’t just be about getting the old band together for another tour.”

EDITORIAL Dave Iverson, host of KQED’s Friday Forum show, introduced the Sept. 25 program with a pretty obvious comment: "Conversations about the future of journalism, and newspapers in particular, are rarely optimistic affairs." He went on to describe the new effort by Warren Hellman, KQED, and the UC Berkeley journalism school to create a new media outlet in San Francisco (a story that broke first in the Guardian‘s politics blog).

The guests, including Neil Henry, dean of the j-school; Carl Hall, the former San Francisco Chronicle reporter; and Jeff Clarke, president of KQED; talked in vague platitudes about the big new plans — and then spent much of the time defending and lauding the Chronicle, which one guest called "a great paper."

Tax reform plan goes nowhere

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By Tim Redmond

The governor’s tax-reform commission released its report today, and it probably won’t amount to much, because nobody seems to like it.

But the report shows how badly skewed the whole notion of “tax reform” has been warped in this state. The central premise of the report is that the top income tax rate — the rate that the very rich pay — should be reduced, and the overall income tax structure flattened. The argument: Since the income of the richest Californians changes with the economy, flattening out the tax structure will give us more budget stability.

But that’s an utter crock. As Lenny Goldberg, the director of the California Tax Reform Association, notes:

1. The top personal income tax rate should not be lowered, since figures presented to the Commission demonstrate clearly that the volatility problem is a function of the distribution of income, not a steeply progressive tax. In fact, the tax is relatively flat, assessing the same marginal rate on the upper-middle class (90k +) as the very rich, with a very quick ride through the brackets. If anything, the bracket structure should reflect the federal structure, which has increasing brackets and rates at $137,000, $208,000, and $372,000.

As Phil Spilberg’s presentation on March 16 pointed out, the top 1% take an extraordinary share of income (25%), nearly doubling since the early 1990’s. Their tax burden moves consistently with their share of income, so their disproportionate share of taxes is a function of their disproportionate share of income. That fact alone is what leads to volatility, but lowering their tax burden only exacerbates the mal-distribution of income. And any tax cuts share income with the federal government at a marginal rate of 35%, likely to become 39.6%, so are effectively a capital outflow.

In other words, the reason that tax receipts drop off so much during recessions is that the very rich have too much of the state’s total income. If anything, the tax rate is too flat now.

I’m somewhat intrigued by the new business tax proposals, which amount to what the Europeans call a “value added tax.” You take the total sales of a business, subtract its total costs, and tax the net proceeds, which are supposed to represent the value added during production. It’s a little trickier when you apply that to services, but I don’t think any sane person watching the state’s tax system disagrees with the concept that services ought to be taxed.

But overall, the tax reform commission has offered a very limited perspective — which is too bad, because California’s tax system is a mess and badly needs a comprehensive overhaul.

The national parks: A radical idea

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By Tim Redmond

I have two kids (with piano, gymnastics, tae kwon do, PTA and assorted play dates and sleepovers), a busy job, a dog to walk, dirty dishes to wash … you know the drill. So I haven’t been able to watch every minute of every episode of Ken Burns magnum opus on the national park system. I don’t think I know anyone who has that kind of time these days.

But I tuned in for a while last night, to Episode Two, which tracks John Muir, Teddy Roosevelt, the Antiquities Act etc., and I walked away with a very clear message:

This is a series about what government does right.

In the segment I saw, the feds were the good guys — Congress was saving wild areas, and when the western ranchers and developers tried to commercialize the Grand Canyon (in the name of private enterprise), Roosevelt used his authority to block them, infuriating the states-rights and anti-government Westerners but (of course) preserving what everyone know agrees is a national treasure.

There was a fabulous quote from environmental journalist Juanita Green.

“In other parts of the world,” she says, “there are places that are wild because some nobleman decreed it. In the United States, we don’t need a nobleman. … that’s democracy.”

At a time when the mayor of San Francisco is lauding the death of a billionaire who believed just the opposite — that the private sector should decide what gets saved and that private philanthropy (from fortunes built on tax cuts) is a better solution than public spending (fueled by taxes on the wealthy), we all ought to think about that a little.

If the national parks are “America’s best idea,” as Burns dubs his documentary, then the best thing this nation has ever done is exerted government supremacy over the private sector when it comes to the use of land. It’s sad to think how radical that sounds today.

This weekend, catch crabs

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By Caitlin Donohue

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Loves it when you eat him. Photo by Erik Anderson

There’s a brisk wind running down Market today. And though I hear that it was 80-degree loveliness over the past weekend, I spent the past few days out of town in a place where they have things called “seasons.” So I missed out this time on the Indian summer benefits and am now reaccustoming myself to living in one of the world’s most bizarre weather systems.

But the Bay Area possesses many charms, and primary among these is the sheer fertility of the ecosystem we live in. Particularly when it is producing things I can eat. On Saturday, the National Park Service will be schooling hungry people on this glory of nature. Namely on how to catch your very own crabs in the shadow of the Golden Gate Bridge. There will be a 15-minute demonstration on how to use a crabbing net (nets provided) as well as on which crabbies can come home with you and which will live to pinch another day (rock and red crabs = all yours, dungeness = their life, their love, and their lady is the sea).

After the quick lesson you’ll have the next hour and a forty five to mess with your new favorite hobby, smiling dreamily over thoughts of bouillabaisse and etoufees. And you will have a new dinner option on the table, as the Fort Point pier is open for permit-free public crabbing 24/7. Just cross your fingers that our crabby friends haven’t shared the fate of their herring brethren, whom recent studies suggest have been adversely affected by the 2007 Cosco Busan oil spill. Dang polycyclic aromatic hydrocarbons!

Crabbing How-To
Sat/3 10 a.m.- noon, free
Fort Point Pier
End of Marina Drive, at south anchorage of Golden Gate Bridge
(415) 556-1693
www.nps.gov/fopo

Feeding holes with Depeche Mode

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By Juliette Tang


Depeche Mode – Hole To Feed

Having been a latchkey child in the ’90s with ready access to that extinct and sorely missed era of MTV when VJs and actual music video programming were my after-school treat, the dawning of my sexual awakening was catalyzed in part by videos like “Closer” by NIN, “Erotica” by Madonna, and, more disturbingly, “Wicked Games,” by Chris Isaak. Watching minute particles of sand lodge themselves between the crevices of Helena Christensen’s sun-kissed bosoms (or, creepily, Chris Isaak’s briary armpits) resulted in, to this day, an irrational fear of any combination of pompadour and wifebeater.

It’s odd that watching Eric Wareheim’s music video for “Hole to Feed,” by Depeche Mode, ushers me back, a la little madeleine, to my days on the old plaid couch in front of the wood-paneled TV, silently praying that I’d see something shocking before my parents came home. More specifically, it makes me acutely aware of that sedentary, vaguely molested sensation I experienced when I witnessed Marilyn Manson ride a pig in “Sweet Dreams” for the first time, my eyes wide with fascination and horror and my mouth agape with Fruit-by-the-Foot.

Spank-tastic ambiguous nymphs butter the muffin

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By D. Scot Miller

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EROTIC COMICS 2: A GRAPHIC HISTORY FROM THE LIBERATED ’70S TO THE INTERNET
Tim Pilcher
(Abrams ComicArts)

The lord works in mysterious ways.

My impassioned plea to the publishers of Best Erotic Comics 2009 to please expand their tasty tome inspired something in the ether, and my request for a bigger erotic comic collection as come to me in the form of Erotic Comics 2: A Graphic History from the Liberated ’70s to the Internet.

Tim Pilcher, author of Erotic Comics: A Graphic History from Tijuana Bibles to Underground Comix has pulled together a comprehensive and illuminating retrospective on the genre, its relevance, and how it has both mirrored and transformed our sexuality.

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Barry Blair’s hot ambi-nymphs

From the pre-code days of Wally Wood’s Weird Sex Fantasy and the tantalizing soft-core of the early days of Heavy Metal Magazine, Pilcher brings both sub-genres and individual artists into focus, creating a time-line that not only examines the art, but the supporters and detractors of pornography, free-speech, and free-love.
Alan Moore — the genius behind Watchmen, V is for Vendetta, and (along with partner Melinda Gebbie) the $75 slip-covered piece of indulgent psycho-sexual sensuousness that is The Lost Girls — writes a pro-porn polemic worthy of The New Yorker (or this fine blog) that catapults us into high-weirdness and beyond.

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Moore and Gebbie’s Blake-meets-Darger sextravaganza, The Lost Girls

Like many of you out there, for the longest time I thought adult comics were reserved for 40-year-old virgins.

UC chief’s glib NYT interview raises ire

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By Steven T. Jones
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While reading the Sunday New York Times, I was surprised to see the magazine’s Q&A with UC President Mark Yudof – and dismayed by the timing and glib tone that he took.

Just days after UC faculty, employees, and students took to the streets in protest of Yudof’s anti-democratic approach to making deep cuts and huge tuition hikes, here he is playing the cutesy wannabe celebrity who jokes about his lack of commitment to and qualifications for this important job.

And when given the chance to criticize Gov. Arnold Schwarzenegger – which would seem a natural, given that he’s been blaming state government for his own destructive decisions – he dutifully plays the good company man and says of the dangerous defunding of higher education, “This is a long-term secular trend across the entire country. Higher education is being squeezed out. It’s systemic.”

WTF? So the head of the UC is fine with just giving up on the public university system? And apparently I’m not the only one bothered by this interview, which Sen. Leland Yee – who has rightfully been hard on the UC in recent years – and others savage in the following press release that he just sent out.

Live Shots: Quijeremá at Red Poppy Art House, 9/25/09

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Text and photos by Ariel Soto

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“I think this is going to be really romantic music,” J said to me, as we sat down in our seats, our toes literally touching the mics and instruments on the makeshift stage area at Red Poppy Art House (http://www.redpoppyarthouse.org/). It was a perfect Fall evening and we were about to embark on a musical adventure through Chile with trusty our guides, the Quijeremá quartet. And yes, the music was very romantic, but also very sad.

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Appetite: Pheasant eggs, shrimp and grits, Soul Food benefit, and more

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Every week, Virginia Miller of personalized itinerary service and monthly food, drink, and travel newsletter, www.theperfectspotsf.com, shares foodie news, events, and deals. View the last installment here.

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10/11 Soul Food Farm Fundraiser from Il Cane Rosso & Coi
Our Nor Cal food and farm community was saddened to hear about 30 burned acres and 1000 baby chicks lost in a recent devastating fire at Soul Food Farm in Vacaville. Daniel Patterson and his dynamic duo of restaurants, Il Cane Rosso and Coi, sponsor a fundraising dinner next week where all proceeds go to Soul Food Farm and you’re treated to a three course, family-style meal at Il Cane Rosso. Two seatings (between 5:30-6 pm, or 7:30-8 pm), offer a communal, heartwarming meal prepared with generously donated ingredients from Prather Ranch, Mariquita Farm and Full Belly. It feels good to help… and eat well at the same time.
$50 (including wine, not including tax & gratuity)
10/11, Sunday, 5:30-6pm or 7:30-8pm seatings
Il Cane Rosso, Ferry Building
415-391-7599
www.canerossosf.com
http://soulfoodfarm.com/blog/2009/09/cane-russo

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Magnolia’s new Southern-inspired brunch
Magnolia Gastropub is one of our best local breweries and a darn good restaurant to boot. With my great love for New Orleans comes excitement at Chef Ronnie New’s Southern-inspired brunch menu (he is from New Orleans, after all). Saturdays and Sundays there’s dishes Shrimp & Grits (made from the best, naturally: Anson Mills Grits), Crab Cake Benedict, even Pheasant Eggs & Toast. Magnolia’s best is still on offer, including their house-made sausages), excellent Chicken & Waffles, French Toast, and so on. So whether you prefer your brunch with Blue Bottle Coffee or Magnolia’s renowned suds (the sampler lets you try six), you know the morning after can be nearly as fun as the night before.
Saturdays and Sunday, 10am-2:30pm
1398 Haight Street
415-864-7468
www.magnoliapub.com

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Gavin, City College, Ocean Campus

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Tell us about your look: “My shoes are from Hong Kong.”

Mainstream journalists defensive about start-up

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By Steven T. Jones

Reactions by many mainstream media journalists to the formation of the Bay Area News Project – a nonprofit news operation supported by KQED, the UC Berkeley School of Journalism, California Newspaper Guild, financier Warren Hellman, and possibly The New York Times – have been hostile, petty, dismissive, self-serving, and misleading.

It’s no wonder the public has turned away from big newspapers and is clamoring for media reform. Rather than focusing on the public benefits of more journalism, mainstream media journalists seem to have adopted the media consolidation mindset of their corporate masters.

A central theme of the criticism has been wariness of competition. The SF Appeal today reports on a memo to San Francisco Chronicle staff written by Metro Editor Audrey Cooper in which she vows “to smash whomever is naive enough to poke their noses in our market.”

Friday’s Chronicle story on the news, which was buried back in the business section and written by James Temple, frets, “some believe it could also threaten the remaining local news industry.” That trope was also sounded in an East Bay Express blog post by Robert Gammon (formerly of the Oakland Tribune, which is part of the anti-competitive MediaNews empire) entitled “UC Berkeley Threatens Bay Area Journalism.”

Yet there’s a rather obvious central flaw to their arguments: the nonprofit project won’t be competing for advertising revenue, so it won’t force “Bay Area news organizations to make further cuts to stay competitive,” as Gammon claims. Journalists competing to do better and better work is the kind of healthy competition that benefits everyone and shouldn’t cost anyone their jobs.

LAFCo and SFPUC joint meeting: The clock is ticking

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By Rebecca Bowe

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In the next few years, San Francisco residents will have the opportunity to switch to electricity that is publicly owned, more environmentally friendly, and either the same price or cheaper than power supplied by Pacific Gas & Electric Co. — if all goes according to plan.

That’s turning into a big “if.”

At a joint meeting held between the Local Agency Formation Commission (LAFCo) and San Francisco Public Utilities Commission (SFPUC) last Friday, LAFCo chair Sup. Ross Mirkarimi tried his best to start a fire under everyone’s rear. Clean Power SF, a public power program that will supplant PG&E in the city, had better get into gear without any foot-dragging or hesitation, Mirkarimi warned.

What’s the hurry? A proposed, PG&E-backed statewide ballot measure has cast a pall over Clean Power SF and other municipalities’ efforts at crafting public power alternatives, or Community Choice Aggregation (CCA) programs.

The PG&E-backed ballot measure would require 66 percent of voter approval before any local government could spend so much as a dime establishing a CCA, effectively creating an insurmountable hurdle. If successful, the ballot measure would snuff out any PG&E competition before it even caught on. The utility is poised to spend millions collecting signatures and pushing it through, and it has until Dec. 21 to gather the 694,354 signatures needed to place it on the ballot next year.

Why health-care reform is depressing

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By Tim Redmond

Here’s why:

Because the Senate is ready to kill the public option, because the deal is already done, and Obama has already decided that he doesn’t want to fight the insurance industry.

I keep wondering: How did the likes of Obama and Rahm Emmanuel get rolled by the insurers? How did a Democratic president with solid majorities in both houses let this get so screwed up? Why has the best chance for real reform in decades gone down the tubes?

Robert Reich thinks that the deal was cut a long time ago.

Last January, the White House made a Faustian bargain with Big Pharma and Big Insurance, essentially scuttling both of these profit-squeezing mechanisms in return for these industries’ agreement not to oppose healthcare legislation with platoons of lobbyists and millions of dollars of TV ads, and Pharma’s willingness to cut drug prices by some $80 billion over the next ten years. The White House promised these industries they’d come out way ahead — getting tens of millions of new customers who’d be buying private health insurance policies and thereby paying for an almost endless supply of new drugs. Healthcare reform would be, in short, a bonanza

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I knew that, sorta. I know people who were watching last spring, and they told me that the Bad Guys were at the table from the first day. I just don’t see how Obama and his team figured they could get any meaningful reform done without insurance industry opposition — and I don’t see how they could actually believe that the industry wouldn’t do exactly what it’s done, which is to fuck with the president’s modest agenda and spend millions to be sure that nothing worthwhile happens.

Sometimes, you can’t negotiate with terrorists. It’s a hard lesson for Obama, and the country, to learn right now.

ACLU: Will the House protect your privacy?

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We’ve got another big chance to end Patriot Act abuses–but we have to act fast.

The Senate Judiciary Committee had the opportunity to pass legislation to rein in a bill that has become a symbol of out-of-control government invasions of your privacy. They failed–approving a bill that does little to curtail the sweeping powers embedded in the Patriot Act.

That’s why we must do everything we can to ensure that the House of Representatives passes a stronger bill–one that can lead to genuine reform of the deeply-flawed Patriot Act.

Act right now. Ask your representative to co-sponsor the USA Patriot Amendments Act of 2009.

Lame “Anatomy”

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By D. Scot Miller

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ANATOMY OF AN ADULT FILM
Sunset Thomas and R. Richard
(World Audience Inc.)

Finally! A book I can trash! I can’t tell you how long I’ve waited for something so bad to fall into my grimy little hands. Deep down inside, all critics are sadists. Everyone knows it. Everyone loves it. But it’s rare to find a work that is so masochistic in its conception that it is the equivalent to the animal kingdom’s definition of “presenting.”

Well, Thomas and her ghosty cowriter “R” present big-time with Anatomy An Adult Film and I, for one, am thrilled! As I salivate over this, rubbing my hands together like the best cartoon villain, I wonder where to begin. It’s all just so tempting!

Let’s begin with the writing. Oh god, it’s so bad! If Thomas has any eloquence in her speech, “R” is quick to squelch it with the fervor of a fan-boy whose read too many “Penthouse Confessions.”

Bargain Bites: Ode to Osha

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By Sarah Jimenez

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Glen Park: Charming home of yogis with nonfat lattes, rich moms with dogs, and … cheap lunch? Yup.

Poor lunch. It always gets overlooked. While breakfast gets all the crepe and omelet glory, and dinner gets a sexy night vibe, lunch has long been demoted to that awkward hour you finally meet up with your ex and eat another fucking Cobb Salad, dressing on the side – or stuff your face with whatever boring staples are in your cupboard. Bore me to tears.

I contemplated this one recent afternoon as I sat at home, hungry as hell, with a fridge full of condiments and no freakin’ food. Watching Paula fry chicken on the Food Network wasn’t helping matters. How’s a poor girl to give the midday meal it’s due?

I threw on yesterday’s threads, brushed my teeth, and got my lazy ass outta the house. Over the river and through the woods is a bomb-ass Thai place that you’ve probably heard of, even if you’re an Excelsior brat like me and can barely see outta the fog: Osha Thai. The Glen Park location has $11 lunch specials — just right if you’re a broke bastard or just a big cheapskate (hey, I don’t judge). The new spot on Diamond Street is my closest samosa salvation, just a hop away on the always eventful (aka brain-cell destroying) 44 line where I get pushed and shoved into the mosh-pit of teens screaming on their cell-phones and at each other.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Alanna, City College, Ocean Campus

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Tell us about your look: This sweater is my grandma’s and it’s a really old Guess. The shoes are my mom’s.”

Dick Meister: Here come the women!

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Women now hold half the country’s jobs and will hold more than half by year’s end

By Dick Meister

(Dick Meister, former San Francisco Chronicle labor editor and labor reporter for KQED-TV’s “Newsroom,” has covered labor and politics for a half-century as an author, reporter, editor and commentator.)

Good news for women: Despite the recession – or because of it women workers will very soon outnumber male workers for the first time in U.S. history.

After many, many years of minority status, many years of generally being paid less than men and otherwise treated as second-class workers by male bosses, women now have the numbers to more effectively combat workplace discrimination.

New data from the Federal Bureau of Labor Statistics show that at mid-year, women held half the country’s jobs and undoubtedly will hold more than half by year’s end.

Prison report: Why guards like violence

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By Tim Redmond


Editors note: Just a Guy is an inmate in a California state prison. His dispatches run twice a week.

By Just A Guy

An officer and I had a discussion a couple of weeks ago. I asked him a question; I don’t remember exactly what it was. But what I remember about the conversation is interesting. He told me he hated working here, that this place has the worst morale of all the prisons in California, that the administration has the corrections officers concentrating on all kinds of pettiness in order to keep them occupied — and that there is so little violence and need to watch one another’s back that there is no unity among the COs as there is at prisons with more problems.

To me it’s very discouraging that a lack of violence and other problems endemic to prison life would be a catalyst for enmity between officers, that it would cause a lack of unity and lack of respect among the staff.

I would think it would be the goal of the California Department of Corrections and Rehabilitation to create prisons with no violence , no racial divide and prison politics and mechanism that make prison a recidivist machine.

But, as it turns out, a prison with less violence, racial division and those other mechanisms is considered an awful place to work because it creates a divide between the people running the prison.

This, my friends, is irony.

Remembering Don Fisher

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By Steven T. Jones

It’s rude to speak ill of the recently deceased, but as I read the laudatory obituary of Don Fisher in today’s San Francisco Chronicle, it seems appropriate for us to say a few words about the legacy of a man long criticized by the Guardian for his sponsorship of right-wing and corporatist causes.

Most of what Fisher is now being praised for is how he spent his vast fortune, accumulated through The Gap clothing chain he created. Some of those expenditures (such as children’s programs and buying great art, which he arranged days before his death to have SFMOMA display) were good and many of those expenditures we opposed.

But the point to consider now is why US tax policy has allowed the Don Fishers of the world to keep so much of the wealth they accumulated – in this particular case, largely through exploitive sweatshop labor around the world — and to use it to attack the public sector and empower corporations.

As we praise the philanthropy and generosity of Don Fisher, it’s worth asking whether the billions of dollars that he was allowed to keep (money the federal government would have appropriated for public use up until the late ‘70s, when the tax rate on top earners was as high as 90 percent) might have been better spent by our elected leaders.

William Safire — an appreciation (of sorts)

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By Tim Redmond

William Safire was wrong about Vietnam. He was wrong about Watergate. He was right about poor Bert Lance, but wrong about Jimmy Carter. He was very, very wrong about Saddam Hussein, 9/11 and the Iraq War. He was, as the Telegraph of London says, “tall, dishevelled, slouching and dour.”

But Lord, what a good writer.

His conservative columns sparkled with style and wit — and often, with intelligence (that factor so utterly missing from the right wing of American politics today). I read him regularly, not just his language columns (which got more dreary as he aged), but his political commentary, which was sharp up until the day he retired from the New York Times op-ed page.

And while he was often horrendously wrong and politically awful, he was pretty consistent. After complaining repeatedly about the climate of secrecy in the Bush Sr. administration, he made it very clear in 1992 that a president who refused to accept sunshine in the White House was unacceptable and that “this lifelong Republican” was going to vote for Bill Clinton.

(He later chided Barbara Streisand for refusing to take his phone calls. “She told me if I voted for Bill Clinton, she’d [grant an interview.} I did; she didn’t.”) And, of course, he famously turned on the Clintons, referring to Hillary as a “congenital liar.”

And unlike a lot of conservatives of his era, he was willing to change with the times. By the late 1990s, he had become pro-choice on abortion, and once commented on a rally to save Roe v. Wade: “Nothing warms the heart of an old conservative as much as seeing thousands of protestors stare decisively at the Supreme Court and demonstrate in support of the status quo.”

Back in 2003, he opened the door to conservatives accepting same-sex marriage (“I’m a ‘libcon.’ To that small slice of the political spectrum called libertarian conservative, personal freedom is central,” and if he were still writing today, I’m pretty sure he’d be out front on that issue (and on allowing gays in the military).

So I’ll miss the crusty old right-winger. He did a lot of damage, and when he first started writing his column in 1973, as a former Nixon speechwriter, he was an apologist for an administration that was pretty much indefensible. But he was thoughtful and somewhat open-minded and sharp and funny and creative. There are no conservative writers who come even close today.

Barney in Guantanamo? Torture playlist apallingly predictable

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By Marke B.


A different kind of torture

Well, this fascinatingly sucks. Mother Jones has compiled a playlist

The Torture Playlist

‘San Francisco Bay Blues’ revisited: Moving back to Jesse Fuller

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JESSE FULLER
Move on Down the Line
(Fledg’ling)

By Kimberly Chun

He was “the Lone Cat,” for sure. Bay Area blues-folk 12-string guitarist and vocalist Jesse Fuller went by that moniker back in the day — he died in 1976 at 80 — when he plied his one-man band (including his fotdella, a foot-operated hammer-and-pedal string bass of his own invention, and harmonica-kazoo-cymbals-washboard setup) on the streets of San Francisco.

The self-described “folk songster” spent years riding the rails after leaving his native Georgia, arrived in SF to work its shipyards as a wartime welder, and later opened an Oakland shoeshine parlor. He also penned blues-folk standard “San Francisco Bay Blues,” which went on to be covered by everyone from Ramblin’ Jack Elliott and Bob Dylan to Eric Clapton and Paul McCartney. Fuller certainly displays an inviting feline ease on the original version of that number on the lovingly assembled Move on Down the Line, supplemented by notes by music maven Joe Boyd and filled out with a number of tracks that aren’t on other Fuller discs in print. The songwriter’s version is the definitive ode to the city: brisk, breezy, driven by his evocative, supple drawl and bring-it-all-home kazoo solo. It’s the finale to a quirky, compelling, and essential document of a now-less-than-recognized piece of SF music history — a part of the Southern blues tradition that carved out his own place by the Bay.

Americana: More from Green Day’s Billie Joe Armstrong and ‘American Idiot,’ the musical

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Green Day’s Mike Dirnt, from left, Billie Joe Armstrong and Tré Cool. Photo courtesy of Warner Brothers Records.

By Kimberly Chun

Another helping of American Idiot, anyone? Berkeley Rep has obliged by extending the run of the musical through Nov. 1. Meanwhile here’s more from an interview with Green Day‘s Billie Joe Armstrong in August — for the rest of the story, see “No Brainer” in the Guardian’s Fall Arts Preview issue.

SFBG: So what does the album mean to you now?

Billie Joe Armstrong: Um, I think it means that we were right. [Laughs] I think it means … a lot. I love that album. It’s one of my proudest moments as a musician, for sure — having the guts and audacity to make a record that was that ambitious, but still, at the same time, be true to rock ‘n’ roll music, I guess.