SFBG Blogs

Editorial: Newsom: support just-cause eviction law

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For the roughly 20,000 renters living in newer units, evictions can happen on a landlord’s whim.

EDITORIAL Mayor Gavin Newsom, reeling from criticism of his disappearing act last week and his failure to quickly reengage with San Francisco, has an opportunity to repair some of his tattered image, particularly among progressives, and mend fences with the majority of the Board of Supervisors. It wouldn’t even require a dramatic or groundbreaking step — all he has to do is agree to sign legislation by Sup. John Avalos extending eviction protections to roughly 20,000 vulnerable San Francisco renters.

The Avalos legislation clears up a lingering loophole in the city’s rent-control ordinance, a leftover piece of a bad deal that tenants were forced to accept when the city first moved to limit rent hikes 20 years ago. Back in 1978, with greedy landlords taking advantage of a housing shortage to jack up rents by astronomical rates, the supervisors and then-Mayor Dianne Feinstein were under immense pressure to pass some kind of control. But the landlord-friendly mayor and at-large elected board were unwilling to do what Berkeley had done across the bay by setting permanent limits on how much landlords could raise prices. Instead, they approved a watered-down measure aimed largely at fending off a tenant initiative that would have gone further.

Freedom Archives celebrates 10 years of keeping progressive history alive

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By Melanie Ruiz
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“Preserve the past – illuminate the present – shape the future.” That’s the battle cry of the Freedom Archives, an extensive and inspiring media archive of progressive politics and culture located in the Mission District. This Wednesday, Nov. 11, the Freedom Archives is throwing a 10-year anniversary party at 330 Ritch to honor the imaginative volunteers and interns who have worked so hard to build the archives and keep this important history alive.

There’s plenty for FA and the community at large to celebrate. FA director Claude Marks has been acting guardian of the many important voices comprising its collection, including exclusive material from political prisoners, the gay and lesbian rights movement, and Native American struggles. It’s recognized as one of the best sources anywhere for material on the history of California’s prison system and La Raza.

Finding unfiltered history is, well, like finding a fallacy-free argument from Bill O’Reilly. At FA, you can find Maya Angelou reciting poetry at an Angela Davis benefit, interviews with Dolores Huerta, and coverage of May Day in 1970. Its simple Mission digs are filled with awe-inspiring artifacts of our history. The shelves are stacked with videos, cassettes, and reel-to-reels comprising a treasure trove of speeches, interviews, rallies, poetry, music, and community events.

Juan MacLean’s drummer Jerry Fuchs, RIP; band to do DJ benefit set at Mezzanine

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By Kimberly Chun

This in from the Juan MacLean’s people and the Mezzanine: the band’s drummer Jerry Fuchs sadly passed away Nov. 8 (The live band will obviously not be performing as scheduled on Nov. 20 at Mezzanine, but Juan will be out for a tribute DJ set to benefit Jerry’s family – all proceeds will be donated to them.):

“Gerhardt “Jerry” Fuchs, beloved and respected drummer for The Juan MacLean, Holy Ghost!, Maserati, !!!, and Turing Machine, amongst others, passed away in the early hours on Sunday, November 8th due to an unfortunate elevator accident that occurred in a Brooklyn loft building. He was pronounced dead at Bellevue Medical Center , a few hours later.

“Jerry was born on December 30, 1974 in Marietta , Georgia . After attending the University of Georgia for graphic design, he left for New York in 1995 to join the band Vineland . His achievements were numerous as he became a New York fixture in the music scene, providing incredibly complex and energetic drumbeats that elicited wide praise and excitement from fellow musicians, critics and friends. On the rare occasion that he was not touring, Jerry did graphic design work for publications such as Chunklet and Entertainment Weekly. Throughout all of his endeavors and successes, Jerry remained one of the most humble and down-to-earth artists anyone could meet. His smile, and loving energy will be missed dearly, as will his talent and contributions to the music scene.

What’s up with the Ramos red herring?

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Text by Sarah Phelan

My editor Tim Redmond just asked why just every story about the city’s sanctuary ordinance seems to start with Ramos?

It’s a good question, especially since the Campos legislation would ensure that folks like Ramos would be deported, “not once, but twice,” as Campos puts it.

So why does the Ramos red herring keep popping up? Maybe it’s because anti-immigrant groups keep mentioning Ramos in an effort to keep the media focused on “security” issues, and not on “child welfare” arguments.

Most arguments around juvenile immigrant policy issues typically split into these two camps–the security camp and the child welfare camp– as noted in a 2009 Congressional Research Services report on juvenile immigrants by Chad C. Haddal.

In his 28-page report, Haddal observes that the debate over policy questions regarding unaccompanied alien children, or UAC, (as the federal government describes juvenile immigrants who appear to be here without family) “has polarized in recent years between two camps: child welfare advocates and immigration security advocates.”

As Haddal observes, tthe child welfare group “has for decades advocated a more refugee-oriented policy toward UAC, arguing that the UAC are largely victims of trafficking, abuse and economic circumstances. Security advocates, by contrast, advocate a more restrictive policy of deportation and repatriation, charging that unauthorized immigration is associated with increased community violence and illicit activities such as gang memberships. The UAC policy question is how to provide for the security of the United States while simultaneously safeguarding the rights and safe treatment of unaccompanied alien children.”

What’s interesting about Haddal’s analysis is that it poses the question of why the “child welfare” side of the argument fell by the wayside in San Francisco, under Mayor Gavin Newsom’s leadership.

Could it be because the mayor’s criminal justice department was dominated by Republican leaders who had Newsom’s ear last summer, just as he was making his doomed entry into the gubernatorial race? And that now that Newsom has let himself be backed into a policy corner, he doesn’t seem to be able to acknowledge the child welfare argument, let alone debate it with Campos in a public arena?

Why I love MissionMission

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By Tim Redmond

Because where else would you read stuff like this?

Will a donor boycott move the Dems?

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There’s a lot of frustration over the failure of the Democratic congress and administration to move on marriage equality and Don’t-Ask-Don’t-Tell, and it’s going to get worse — I fear that in the wake of the loss in Maine (which was really just a setback on the inevitable the path to equality) will scare Congress even more and convince Rep. Nancy Pelosi to keep anything this “divisive” off the agenda going into next year’s midterm elections.

So the progressive blogosphere is trying a new tack: A boycott on donations to the Democratic National Commitee. It’s catching on — the folks at FireDogLake just endorsed it, and I just got off the phone with Markos at DailyKos, and he told me he’s signed on (though he hasn’t posted on it yet). Dan Savage is on board , no surprise.

Normally these things don’t make much of a difference — but in the past couple of years, donations from readers of blogs like DailyKos have been a significant factor in close Congressional races. So the DNC might actually feel this.

Comcast-NBC: Too Big to Merge

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Amazing!

In less than a week, we have changed the media’s view on the Comcast-NBC merger. At first, the Associated Press, New York Times, Reuters, NPR and CNN said that the deal was as good as done. Now, thanks to our relentless push, they’re saying it faces a tough battle ahead as Washington responds to the public outcry.

Even the free-market fundamentalists on the Wall Street Journal’s editorial board are calling us “consumer-protection alarmists” for so effectively gumming up the process!

The tides are shifting, thanks to the tens of thousands of people who joined our call to action below. But we can’t ease off the public pressure until this deal is stopped. A Comcast-NBC monolith would control as much as 20 percent of the communications landscape in the United States. That’s just too big.

Please follow this link to support our call to action.

Thanks for all that you do,

Josh
Free Press Action Fund

Too Big to Merge

Cable and Internet giant Comcast has just announced that it’s merging with NBC Universal to form one of the most powerful media companies in the world.

Washington and Wall Street are already saying this mega-merger is a done deal. If we don’t act now to stop it, we’ll have even more corporate control of our media, higher prices and fewer choices — online and on TV.

It’s a marriage made in hell, and we need a citizens’ uprising to stop the merger.

Join the Uprising Against the Mega-Merger

Help us get 100,000 people to tell President Obama to make good on his campaign pledge to act “against the excessive concentration of [media] power in the hands of any one corporation, interest or small group.” It’s time for the president to keep his promise.

Drive the bridge slowly: it could save your life

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Text and video by Sarah Phelan

I shot this footage of driving across the Bay Bridge, the day after the bridge re-reopened the second time this fall.

I’d already filmed this stretch before, the day it reopened for the first time in September. At the time, I wanted to capture what the new approach to San Francisco looks like, and I was extra thankful for the renewed access, which was sorely missed by my family over Labor Day weekend, when my sister-in-law had to be taken by ambulance from Oakland to San Francisco via the San Mateo bridge.

When I shot the bridge the first time, my family was concerned that my sister-in-law didn’t have much time left on this planet, and sadly, they were right: she died Oct. 8, after a long battle with breast cancer.

But I little suspected that I would be filming the bridge re-reopening so soon, or that the newly installed S-curve would be the site of 44 accidents in the ensuing two months. Today’s accident, in which a man driving a truck full of pears lost control and plunged to his death in the Bay, in the wee morning hours, sounds particularly gruesome.

So, maybe it’s worth watching videos like this, just to familiarize yourself with the road before you get behind the wheel. Especially if you have a heavy load on board. (The other major major accident, so far, involved a guy who lost control of a Safeway big rig, scattering frozen pizzas across the top deck and jamming up traffic for hours.)

If you compare the two videos, you’ll see that flashing lights have now been installed, just before you hit the curve, which is serious enough that it makes me want to go, “Wheee!” each time I round it.

I’ve also shot the drive (this time at night) from San Francisco to Oakland, which so far has witnessed far less accidents, possibly because folks have to squeeze through a tunnel before they hit the curve on the lower deck of the bridge.

And please, excuse my music choices and/or background commentaries on these videos. Because as history shows, when you’re driving the bridge, you can’t afford to get distracted by anything else, including whatever’s playing on the radio of my music-challenged car.

But I guess you could watch these videos from the comfort and safety of your laptop, while listening to the music or commentary of your own choice. So enjoy–and keep your hands on the wheel, as the song goes, next time you drive the Bay Bridge, and slow down. It really could save your life.

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Janice, Columbus and Union

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Tell us about your look: “It’s a combo of Nordstrom’s and Chico’s. My style is comfortable and sleek.”

Goldies Extra: Thrillpeddlers spread devilish joy

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By Cheryl Eddy

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Russell Blackwood as the Empress of Colma in Hypnodrome Head Trips

If you dare! Venture down a dark, spooky stretch of Tenth Street to the Hypnodrome, home of San Francisco’s Thrillpeddlers. Before the show even starts, you’ll notice one or two or ten wonderful oddities. Like, what’s that head doing in that box behind the bar? (It’s a “cephalic vivarium,” a prop from a past production, Hypnodrome Head Trips.) What’s the story with that old-timey player piano? (It’s a family heirloom belonging to Thrillpeddlers director Russell Blackwood.) And yikes — is that box seat on the far right decorated to look like a padded cell? (Yes.)

Of course, this instant intrigue is exactly what Blackwood — who founded the company in 1991 with childhood pal Daniel Zilber — wants his audiences to feel. Thrillpeddlers are America’s preeminent producer of plays from the Grand Guignol, the infamous Parisian theater that peddled thrills (if you will) from 1897-1962.

“To get to the Grand Guignol, you would take the Metro to Montemartre, and walk past brothels and the Moulin Rouge, and turn down this dead-end alley to the [theater] at the very end. Going there was a whole experience on its own,” Blackwood explains. “I knew that [the Hypnodrome is] not in the best neighborhood here. But that’s part of the unusual experience, just getting to our theater.”

The company has had the Hypnodrome, which seats 45, for five years. One defining characteristic is the array of “shock boxes” that line the theater’s last row. Blackwood’s father, who is the Thrillpeddler’s set designer, recently redesigned the boxes to incorporate a variety of themes (Egyptian tomb, heaven and hell, the above-mentioned padded cell, etc.) Each box is tricked out with devices designed to lend an extra-sensational experience, with “spandex panels, compressed air, all kinds of glow-in-the-dark things, vibrator pads, and several different buzzers,” Blackwood discloses with devilish joy.

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Still from Thrillpeddlers’ Titus Andronicus, 2006

There’s history involved here, and it goes back further than William Castle. “The Grand Guignol and many other Parisian theaters had private boxes with grillwork fronts, so you could see out, but you had to really look in to see in. The Grand Guignol was the last Parisian theater to still have those in the 1960s,” Blackwood says. “The idea of there being a theater where a housewife could have a midday tryst with a lover was just too charming for me. So all of the boxes have curtains that close, and as long as it’s brighter onstage than it is in the box, we can’t see in, but they can see out. And we have had things go on!”

Goldies Extra: Luke Butler goes there

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By Matt Sussman

Take one look at Luke Butler’s “Leaders of Men” series, and the “walk softly, but carry a big stick” jokes would seem to write themselves. But Butler’s aim is less satirical. And while they humorously resonate with the recent eroticization of the body politic (think of those shirtless pics of Obama swimming or Putin fishing), Butler’s jarring juxtapositions are strangely generous, offering that most sheltered, scripted, and paranoid of creatures –the politician — the chance to literally let it all hang out, by providing the likes of Nixon and Ford with what Mother Nature never gave them.

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Luke Butler, Batman and Robin, collage, 2008

“It was no big deal to show Saddam Hussein being hung to death, but if his cock had popped out that would have been a real crisis,” Butler explains, expounding on our culture’s double standard towards depictions of violence versus male nudity. “It’s such an awful contradiction. My collages don’t solve this problem but run into it head on.”

That problem, at the larger level, would be the restrictions on what is permissible to show (erections, but then again, only metonymically) versus what must be hidden (real emotional vulnerability) that regulate normative displays of masculinity. Whether telegraphing a quivering, emotional inner life or proudly waving around their throbbing members, Butler’s leaders of men aren’t afraid to cry out with their cocks out. In a way, they are distant relations of Mike Kuchar’s paintings of gay heartthrobs, lovingly described by Eileen Myles as “pushing through fountains of testosterone.”

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Luke Butler, Encounter, acrylic on canvas, 2009

In one of Butler’s “Enterprise” canvases, Star Trek’s Captain Kirk lies supine, as a large, Yeti-like creature hovers above him. It’s safe to guess that within the context of the episode Kirk was in danger, and suspense came from whether or not he would rouse in time to save himself. And yet, in Butler’s canvas, what comes across is tenderness. Kirk’s facial expression and body language seem to anticipate a lover rather than a threat, echoing innumerable art historical precedents of Cupid approaching Psyche as she slumbers, or even depictions of the Annunciation. He is free to boldly go where no man has gone before.

Get rich or smell good (?) tryin’

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50 Cent: man, rapper, actor, multi-gunshot wound survivor, Eminem pal, Ja Rule foe, G-Unit mastermind, sneaker designer, video game character, Vitamin Water pusher, weight-lifting enthusiast, philanthropist, condom endorser, memoirist, novelist, occupier of mansions, bajillionaire, father, and probably several more descriptors his Wikipedia entry has left off due to sheer hyphenate overload. (Can you blame ’em?) Fiddy’s new album, Before I Self Destruct (Aftermath/Interscope/Shady), drops Nov 16 — but the man who seemingly never sleeps has yet another project underway:

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Bang! Bang! Power in a bottle.

Yep — look out Diddy and Usher, ’cause “Power by fifty cent” is crashing the hip-hop fragrance market. According to the press release, Power “captures the icon’s unparalleled confidence, street savvy, and limitless power.” Notes include lemon leaves, black pepper, and Artemisia (kinda sage-y), plus dark woods, coriander, nutmeg, patchouli, musk, and oak moss. In other words, this is probably not the perfume your Juicy Couture-loving little sister wants for Christmas.

We sampled the scent here at the office. (My favorite reaction: “Hmm. Smells like the ’90s.”) Get a whiff for yourself — and meet the man with all the Power — Tues/10 at Macy’s. 50 Cent be on hand to greet and take pictures with fragrance customers from 5-7pm in Union Square.

Meister: ‘Vetoes by silence’ hamper labor

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Labor Hampered by ‘Vetoes of Silence’

By Dick Meister

Nothing is more basic to our democratic society than the principle of majority rule. But what if the eligible voters who fail to cast ballots were automatically recorded as voting “no”?

Ridiculous as it sounds, that’s exactly what the country’s airline and railroad workers face when they vote on whether they want union representation.

Imagine if every election had such a rule. President Obama wouldn’t be president, since less than half the eligible voters turned out for last year’s presidential election. Most, if not all, congressional candidates would also have lost last year — or in any other election year — since voter turnout for congressional elections has typically been less than 40 percent.

Deer Lady: Sonya Cotton’s ‘Red River’

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SONYA COTTON
Red River
(self-released)

By Kimberly Chun

San Francisco-by-way-of-Connecticut singer-songwriter Sonya Cotton hails from the halcyon peaks of Joan Baez, Judy Collins, and Judee Sill: she’s a songbird of a soprano, given to praise though drawn to the dark side of folk song. She contemplates the corpse of a doe on the cover of Red River, but rather than dragging the dead deer of genre up a hill and into new turf, ala Grouper, Cotton prefers to pay her respect to the past and observe tradition with reverence and careful attention. Her immaculate footprints: the three-part harmonies on “Bear” and spare arrangement of “Hunters.”

FAIR: The press fails the midterms

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Failing the Midterms: Press overplays election results

Republican candidates won gubernatorial races in New Jersey and Virginia on Tuesday; meanwhile, Democratic candidates won two special elections for the U.S. House of Representatives in New York and California. But it was very clear which set of elections corporate media wanted to portray as sending an important message about national politics–that voters were discontented with the White House and wanted Democrats to move to the right.

“By seizing gubernatorial seats in Virginia and New Jersey, Republicans on Tuesday dispelled any notion of President Obama’s electoral invincibility,” declared the Los Angeles Times (11/4/09)–as if Obama had previously been confused with Superman. On NPR, Mara Liasson reported (11/4/09): “There’s already a feisty argument going on about what the election results tell us, but there’s no argument about the score. The Democrats got a slap in the face. The Republicans a much-needed victory.”

Solomon: The next phase of healthcare apartheid

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Rep. Nancy Pelosi did what she could to sabotage the single payer health care position of her own party in her own state

By Norman Solomon
(Norman Solomon is co-chair of the national Healthcare NOT Warfare campaign, launched by Progressive Democrats of America.)

In Washington, “healthcare reform” has degenerated into a sick joke.

At this point, only spinners who’ve succumbed to their own vertigo could use the word “robust” to describe the public option in the healthcare bill that the House Democratic leadership has sent to the floor.

“A main argument was that a public plan would save people money,” the New York Times has noted. But the insurance industry — claiming to want a level playing field — has gotten the Obama administration to bulldoze the plan. “After House Democratic leaders unveiled their health care bill [on October 29], the Congressional Budget Office said the public plan would cost more than private plans and only 6 million people would sign up.”

Bonjour, “French Cinema Now”!

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By Jana Hsu

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The San Francisco Film Society’s French Cinema Now series screened Oct. 29-Nov. 4 in San Francisco.

Axelle Ropert’s The Wolberg Family poses all the existential fly flap of post-modern family life wrought with a full spectrum of visual vignettes surrounding the topic of irreconcilable differences between the all-too-assuming, brutish father Simon (Francois Damiens) and his newly menopausal spouse, Marianne (Valerie Benguigui).

The story unfolds in a rather well-put together way, without railing off into obscurity. Charming bohemian uncle Alexandre (Serge Bozon) lives in a small redwood cabin adjacent to the main house; he shares an endearing relationship with the couple’s two children, Benjamin (Valentin Vigourt) and Delphine (Leopoldine Serre). One arresting segment depicts a winsome game between Alexandre and Benjamin in the cabin: uncle and nephew race each other in a foot trounce of hopping alternating feet over the threshold of an open door. The elder figure, who serves as a near messianic shaman for the young impressionable lad, explains to the small boy that the line right outside the door represents the “real world,” and the one right inside is the “dream world” — causing the little boy to grow increasingly frantic at having to stop the hopping by choosing which world he’d rather land on.

OMG — Gav loves the press!

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By Tim Redmond

Okay, I promise this is my last post on Gavin Newsom today, unless he resigns or something.

By ya gotta love this comment, by a smug and smiling Nathan Ballard, about Newsom’s attitude toward the media; “The mayor loves to talk to the media,” Ballard proclaims. “Just not today,” noted Channel 7’s Teresa Garcia.

“Maybe later,” Ballard says, slinking away.

PG&E news roundup: Discounts for energy hogs, new power plants in poor communities, and the CEO’s incredible expanding pension

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By Rebecca Bowe

A couple of news items related to California’s most powerful utility company caught our attention this week.

Pacific Gas & Electric Co. is planning to raise electricity rates for the customers who use less — in order to slash costs for big-time energy hogs, Mission Local reported this morning.

In an application filed with the California Public Utilities Commission (CPUC) on Oct. 14, PG&E explained that typical residential customers paying $74.14 a month would see their average monthly bill rise to $76.63, a 3.4 percent hike. Meanwhile, consumers using 1,500 kilowatt-hours per month could see their average monthly bill drop from $434.98 to $419.66, a discount of 3.5 percent. If approved, the change could take place Jan. 1, 2010 along with a bundle of other rate hikes.

It isn’t the only PG&E request to raise eyebrows recently.

A trio of environmental organizations filed formal letters of protest with the CPUC this week against PG&E’s application for two new gas-fired power plants.

The facilities, which would generate up to 1,300 megawatts of power, would be constructed in Oakley and Antioch, and PG&E expects them to be in operation by 2013 and 2014, respectively. According to the application, the utility would purchase the power generated by one facility, which would be owned and operated by Mirant. It would enter into a deal to purchase and operate the second facility once it was up and running.

Newspapers and civic pride stand or fall together

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By Steven T. Jones
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In his cover essay for this month’s Harper’s Magazine, “Final Edition: Twilight of the American newspaper ,” writer Richard Rodriguez (an editor at New American Media here in SF) describes the demise of newspapers as a byproduct of our declining sense of a common civic purpose and sense of place.

And by “our,” I and he mean San Francisco, because his essay focuses almost entirely on the San Francisco Chronicle, which was reportedly losing $1 million a day until its multiple waves of layoffs and recently was dropped by a quarter of its readers.

“If the San Francisco Chronicle is near death – and why else would the editors celebrate its 144th anniversary? and why else would the editors devote a week to feature articles on fog? – it is because San Francisco’s sense of itself is perishing,” he wrote.

He makes a good point. The Bay Guardian has long labored to help San Francisco define itself as a city of immigrants and outsiders brought together by shared progressive values and the proud desire to create a unique culture in this strange, dysfunctional country. I’m always amazed to hear “only in San Francisco” get used as an epithet, even by people who live here, for I can think of no higher praise.

Greener ‘gasms: 5 eco-friendly sex toys

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By Juliette Tang

The market for eco-friendly sex toys is growing, and in the past several years we’ve seen remarkable advances in the engineering of toys with ecology in mind. But while it’s relatively easy to create eco-friendlier dildos, cock rings, condoms, or lubes, designing and manufacturing eco-friendlier vibrating toys is much more difficult — as anything that vibrates is necessarily powered by some form of energy. The challenge is to create a toy that uses either the least amount of energy or the most sustainable type of energy possible, while still functioning just as well or better than a traditional battery-operated or plug-in alternative. Proudly, San Francisco is home to some of the hippest and youngest pioneers in the mechanics and design of innovative new sex toys.

Earlier this year, Bay Area engineering student Ani Niow created a steam-powered vibrator which, though perhaps not exactly eco-friendly, explored the mechanical possibilities of a different source of energy. Just this past week, we saw news of The Mean Green Fucking Machine, a water-powered toy designed by SFSU grad student Martin Cooper, who saw the design and market potential in creating a functional and aesthetically pleasing ‘fucking machine’ powered by alternative means.

Though Niow’s Steampunk Vibe and Cooper’s Mean Green Fucking Machine are both still in the most beta of beta stages, hopefully there will be many new developments in the alternative-energy-sex-toy sphere in the near future. And, kinky earthy types who want green vibes do have present options to choose from — all of which your humble blogger has, at the very least, seen firsthand.


Battery-free Earth Angel Wind-Up Vibrator

The Earth Angel is made of 100% recycled materials and is actually hand-cranked to power. There is a tiny dial that pops out of the bottom of the vibrator, which the user cranks for 4 minutes to store 30 minutes of vibrating potential. The vibe is not at all versatile in terms of speeds and settings, and it looks chunky, plastic, and kind of ugly, but of all the alternatives on this list, Earth Angel is hands down the most eco-friendly. The main drawback is the $95 price which, to be honest, would deter purchase by all except the most dedicated eco-warriors.


Sola Vibe, a solar-powered g-spot vibrator

This cute vibrator has 3 speeds and at full power lasts up to 2.5 hours (if you’re fine with having your vibrator sit on your windowsill to charge for 10 hours in direct sunlight). The design team had the foresight to create a g-spot vibrator, which adds to its versatility (can be used internally or externally). It’s $70, which makes it one of the least expensive eco-friendlier vibrators on the market. For emergencies when solar-charging is not an option, the vibrator also comes with a secondary wall-charger.

The mayor’s future

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By Tim Redmond

Melissa Griffin thinks Gavin Newsom should run for …. U.S. Senate!

Actually, that’s not really news, since most political observer think it’s his only choice at this point (either that, or lose his celebrity status altogether, which I don’t think he could tolerate). Problem is, neither Dianne Feinstein nor Barbara Boxer seems ready to retire anytime soon, so he’ll have to wait a while — and what the hell will he do in the meantime?

There are all sorts of fun things to speculate on — Feinstein could decide to run for governor (highly unlikely, unless Jerry Brown decides not to run, which is also highly unlikely, unless Feinstein agreed that if she won, she’d appoint her old friend Jerry to her Senate seat, which would leave Newsom out in the cold.)

Or something could happen to one of the two (Feinstein is 76, Boxer 69), but both are in pretty good health, and it’s ugly for a politician to have to sit around hoping that someone dies so he can have the job.

I don’t think Feinstein’s running for governor, but if she does, she’ll win and choose the next senator, and it won’t be Gavin Newsom. So I’m afraid he’s going to be flailing around for a while (and at a certain point, after he’s termed out as mayor, maybe the Lt. Gov. job won’t look quite so bad).

Street Threads: Look of the Day

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SFBG photog Ariel Soto scoops SF street fashion. See the previous Look of the Day here.

Today’s Look: Jacob, Grant and Union

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Tell us about your look: “I found this hat at a bar and I’m wearing my belt to the side because it’s too big.”

Jungle book: Monthly Rumpus gets all wild on us

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by Caitlin Donohue

It’s that time! Monthly Rumpus time! This coming Monday, The Rumpus, a go-to website for procrasting at work in a literate manner, is teaming up once again with Wholphin to bring us a big, author-y romp around. I just saw ‘Where The Wild Things’ are, so I know that ‘rumpus’ means jumping up on things and wrestling. Wear comfortable pants.

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Given a choice of wrestling partner at this month’s “Hate To Be Alone” rumpus, I would most certainly opt for young Chelsea Martin of Oakland, who has a new poetry tome out, Everything Was Fine Until Whatever (Future Tense). Martin’s poems veer from the touchingly personal (from her video entitled Let’s Get Deeply Moved: “I want to die quietly in my sleep in the back room at work with liquor bottles all around and concrete evidence I was trying to steal the fax machine,”) to philosophy (“I had a thought the other day. It wasn’t a thought actually, it was more like a burrito. I had a really good burrito.”)