SFBG Blogs

Passing and tipping the hat at Mission Street Food

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Oh yeah, I’d been around the block. I’ve crawled these mean food-strewn streets we call the Mission. I’d noshed my way between the tasty chicken tacos at El Toyanese truck and the delectable $1.25 carnitas numbers at the mobile Gallo Giro. I’d caught the creme brulee cart in action, caramelizing on the spot and passing out the freebies in Dolores Park. I’d partaken in the bacon dog as the vagabond seller scooted down the block, away from the ooshing bouncer at Bruno’s.

So as a street food fan in the barrio, I’d been dying to try Mission Street Food. The fact that it’s only open two days a week — Thursdays and Saturdays — is a bit of stopper, as is the fact that you gotta make reservations via e-mail. Yet I finally got around to it and snuck in early on a quiet Thursday — it’s Lung Shan Restaurant most days of the week, and the only sign that things were at all different is the hipster-heavy staff. The seating could have been savvier: why was another couple squished so closely beside us when there was so much space in the rest of the restaurant? But hell, the staff played it fast and loose with the smiles, and the profits go to charity, so away we went with an homage to chef Michel Bras.

Seated in the dimness beneath Lung Shan’s impressively camp artwork of wild Chinese steeds, we skipped the full-table tasting menu and zoomed straight for the creamed egg with beluga lentils, creme fraiche, and allium bouillon. It was delicate and savory, though the flavor could have been bigger (that goes twice for the somewhat puny portion).

But, oh, my, the gargouillou stole the show. The salad was made with 25 or 30 raw and cooked vegetables, herbs, and edible blossoms — not the 40-something veggies in Bras’ original, our server explained humbly — but my taste buds didn’t mind one bit. Delightful. Next up was the poached local halibut, perched on pearl barley with rau ram, asparagus, and sea urchin. A beautiful way to finish, with superfine, melting textures.

The cheese course didn’t tempt, so we left for Bi-Rite Creamery in search of a finale, but I’ll be back for another homage — or anything else Mission Street Food scrapes off the avenue.  

MISSION STREET FOOD
2234 Mission St., SF
blog.missionstreetfood.com

Roundup of depressing environmental news

At the Guardian, we’re busy putting together our annual Green Issue to commemorate Earth Day. It’s great that recycling and general concern for the planet have been on the rise over the past 40 years, but I can’t help but notice a few Prozac-worthy reports on the environmental front recently.

First there was the bomb President Barack Obama dropped on environmentalists last week with plans to open up vast areas off the coast of the eastern seaboard and Alaska for offshore oil drilling.

Then there was the news that a host of Texas oil companies, in league with the Tea Party (Teabaggers?) and a group named for the guy who dreamed up Prop 13, are bankrolling an effort to suspend California’s landmark global warming legislation, AB 32, with a ballot initiative. (A few brave souls have launched a Boycott Valero campaign against Valero Oil Co., a major source of funding for the initiative to suspend AB 32.)

And finally, another tragic reminder that extracting and burning coal is a perilous way to keep the lights on: An explosion at a West Virginia coal mine owned by Massey Energy has killed six mine workers and trapped 21. This is why some communities in the coal-mining regions of Southern Appalachia think of themselves as residents of a national “sacrifice zone” for U.S. energy demand.

Let’s all hope the upcoming Green Festival in San Francisco this weekend is more inspiring than these headlines.

The Daily Blurgh: But will it blend?

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Curiosities, quirks, oddites, and items from around the Bay and beyond

Last Wednesday (forgive our slowness) the New Yorker offered a tantalizing sneak peak at Andrew Pilara’s soon-to-be-not-so-private collection of more than 2000 photographic works, a rotating selection of which will be displayed at Pier 24. Not only is the speed at which Pilara — the president and senior portfolio manager of the RS Value Group and a member of SFMOMA’s Board of Trustees – has amassed his staggering collection astounding (six years!), but the quality and breadth of his holdings would send any photography curator worth their salt into apoplectic fits. In addition to name-dropping Jackie Nickerson, Vera Lutter, Hiroshi Sugimoto, Marilyn Minter, and Dorothea Lange, the New Yorker also mentions that Pilara owns all fifty-two of Lee Friedlander’s “Little Screens” (which SF’s Fraenkel Gallery last displayed in 2001) and all of Garry Winogrand’s “The Animals.” In the words of Rachel Zoe, “I die.”

Also of interest: “Each work is installed without any caption information, so looking becomes an exercise in recognition and speculation, and ultimately conversation.” I like this approach, in theory. And based on the caption information in the article’s accompanying slide show, it seems that whoever hung the photographs has an eye for not only what’s visually resonant, but more importantly, for what will spark a conversation. One example: Vanessa Beecroft’s highly theatrical and controversial portrait of a Sudanese woman nursing two malnourished infants hangs next to Dorothea Lange’s famous “Migrant Mother.”

Joe public will have to wait until “later this spring” to check out Mr. Pilara’s goods, but for those curious as to the look of the place, Envelope A+D, the firm responsible for renovating the old pier, has posted artist renderings and a description of their projected re-design. Coupled with SFMOMA’s recent announcement (http://www.sfmoma.org/exhibitions/407) that the museum will re-stage the influential 1975 George Eastman House exhibit New Topographics in June, SF looks like the place to be for photo buffs this S-S season.

 


In tech news, the only question I have about the iPad is: will it blend?


 

I want to second the Awl’s gay-dazzled love for the I Am Love trailer. The trailer is almost so perfect as to make watching the actual film (which screens at this year’s SFIFF) pointless. Cut at the speed of any contemporary fantasy-action-CGI-craptacular, the I Am Love trailer has everything: Tilda Swinton in fitted rich lady clothes; the Italian countryside; suggestive food preparation; a hunky and hirsute otter-chef; references to family (just like the Olive Garden!); references to Vertigo; Tilda Swinton’s cheekbones; furtive glances; lovemaking! You’ll laugh, you’ll cry, you’ll swoon. I die.

http://www.youtube.com/watch?v=XhbTeBneRVU

Chilling footage of journalists getting shot in Iraq

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By Nima Maghame and Rebecca Bowe

On July 12th, 2007 two apache helicopters attacked the small suburb of Al-Amin, Iraq. More than two dozen people were killed, including two Reuters journalists, driver assistant Saeed Chmagh and war photographer Namir Noor-Eldeen.

And the entire incident was recorded on video — from the helicopters.

Reuters demanded an investigation in the summer of 2007, and asked for copies of the video the choppers took. The government refused. But after three years, a copy of the video has finally been released — through Wikileaks. The chilling footage shows the helicopters firing on seemingly unsuspecting Iraqi civilians — and includes the helicopter crews’s comment, which are even more chilling.

It’s as if the gunners were playing a video game, as if they didn’t consider the people on the ground to be living human beings. “Oh, look at those dead bastards,” one crewman says. At another point, the gunners — who aren’t allowed to fire at unarmed targets — practically beg a wounded man to pick up a weapon so they can finish him off. And when the man gets into a van that arrives to help him, they ask for permission to open fire: “Come on, let us shoot!”

The U.S. Military released a memo explaining that the actions taken by the soldiers were in accordance with its own Rules of Engagement.

 

The 17-minute video was posted online at Wikileaks.org, an investigative Web site that publicizes sensitive documents and
information leaked by anonymous sources in order to expose corruption and wrongdoing. Wikileaks obtained the footage “from a number of military whistleblowers,” according to a description accompanying the footage on the Web site CollateralMurder.com. Wikileaks editors had to decode the encrypted version of the leaked video in order to view its contents and air it.

In the video, when shooters inside the helicopter start to zero in on the pedestrians below, they can be heard identifying the objects they are carrying as an AK-47 and an RPG. But according to an Associated Press article quoting an unnamed U.S. military official, “a military investigation later concluded that what was thought to be an RPG was really a long-range photography lens; likewise, the camera looked like an AK-47.”

Reuters stopped short — way, way short — of making a big issue of the killings. “The deaths of Namir Noor-Eldeen and Saeed Chmagh three years ago were tragic and emblematic of the extreme dangers that exist in covering war zones,” said David Schlesinger, editor-in-chief of Reuters news We continue to work for journalist safety and call on all involved parties to recognise the important work that journalists do and the extreme danger that photographers and video journalists face in particular.”

David Finkle wrote about the incident in his 2009 book The Good Soldiers. Finkle, who was following military personnel in charge of training Iraqi national forces, had only been a few streets away when the attack took place. The author had also been friends with Noor-Eldeen and Chmang.

Finkle wrote that both Reuters staff were working independently — that is, they weren’t officially embedded with the U.S. forces — and he claims that’s is why the military didn’t know of their existence. “There had been reports of sniper rifle, rooftop chases, and rocket-propelled grenades being fired at Bravo Company, and as the fighting continued, it attracted the attention of Namir Noor-Eldeen, a 22-year-old photographer for Reuters news agency who lived in Baghdad, and Saeed Chmangh, 40, his driver and assistant,” wrote Finkle, who was close to where the Apaches attacked but not an eyewitness.

“There was a one-second pause and then came the fourth burst. In the cloud, NE could be seen trying to stand, and then he simply seemed to explode,” wrote Finkle. Chmang tried to stand up and run away before falling down again. The video’s audio picked up two of the drivers urging Chmang to arm himself so they can kill him.

“Come on, buddy” says one driver. “All you gotta do is pick up a weapon,” says the other driver.

A Kia passenger van stopped by Chmang and attempted to rescue him. The helicopters radioed for permission to fire on the van and received confirmation just as Chmang was being helped into the van. The soldiers blasted the van just as it started to roll away.

Two children were wounded in the attack as well, and were evacuated by US. Military personnel.

Appetite: 3 DIY books for spring

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Spring is here, in fits and starts, and it’s a time for fresh inspiration. Whether you’re intrigued by curing fish, bottling homemade condiments, growing pineapple guava on your rooftop, or baking Chinese almond cookies, here’s some special books to walk you through it.

Jam It, Pickle It, Cure It by Karen Solomon
One of the best (comprehensive but approachable) books I’ve ever seen in the D.I.Y. food realm, Karen Solomon’s Jam It, Pickle It, Cure It covers a wide range of possible projects with appealing, natural photos. Solomon (a former Guardian alum, by the way), presents instructions and storage details for brining olives and kimchee, bottling dressings and mustard, preserving bacon or jerky, making jams. Popsicles have their own delectable section — coconut cream pops, anyone?

I’m delighted to see a drink section that leads you through spirit infusions, and brewing your own Jamaican ginger beer or Chai. Candies, butter, cheeses, marshmallows, chips, pasta, there’s nothing you can’t make. With the charming Solomon as your guide, it all becomes accessible.
P.S. Don’t miss the April 29 Jam and DIY session with Karen at 18 Reasons.

A Little Piece of Earth: How to Grow Your Own Food in Small Spaces by Maria Finn
Maria Finn lives the charmed life on a houseboat in Sausalito, growing her own food… and is a fine tango dancer to boot. Thankfully, she’s sharing her food knowledge in her just-released book, A Little Piece of Earth, a clean, straightforward resource for growing your own in small spaces (i.e. city dwellers). It could be strawberries or vanilla orchids in a window, passion fruit or olive trees on a rooftop, fig trees or serrano peppers on your balcony, bok choy or pea shoots on the back patio. Community gardening and foraging each get their own section, and there are recipes to preserve the lemons or candy the kumquats you’re growing, or use those foraged morels. Finn gets you thinking literally outside the box about endless possibilities for growing exotic produce within apartment limits.

Field Guide to Candy by Anita Chu
Bay Area local, Anita Chu, knows sweets. She’s honed her sweet tooth at pastry school and on her Dessert First blog. Her Field Guide to Candy is a thick, pocket-sized book jam-packed with recipes on chocolate, fruits and jellies, marshmallows, fudge, caramels, toffee, pralines, and peanut brittle… to name just a few. Chu goes well beyond American candy classics to recipes like daifuku mochi, a sweet rice Japanese dumpling, or burfi, a fudge-like confection native to India and Pakistan and made with ghee (Indian clarified butter). With concise, step-by-step directions and pictures of necessary baking tools next to each step, Chu does her best to make candy-making easy, even sharing a bit history behind each sweet.

Big Wheel + Big Hill = Big Fun

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After barely surviving a brush with city bureaucracy last year, Bring Your Own Big Wheel yesterday returned to the steep streets of San Francisco for its 10th year in a row, once again proving that incredible stupidity can be incredibly fun.

Hundreds of costumed participants riding Big Wheels and other plastic-wheeled kids toys braved driving rain to race in packs down steep and curvy Vermont Street on Potrero Hill, offering colorful crashes and zaniness galore and eliciting big dumb grins from both participants and spectators, who were there in roughly equal numbers.

And for such a crazy event with throngs of people, it was remarkably problem-free and required almost no police presence. Last year, after the SFPD threatened to cancel the event and arrest anyone riding Big Wheels, a citizens’ group (including many from the Burning Man world) stepped up to manage an event that has gotten exponentially larger since its early days on Lombard Street.

City officials including Neighborhood Services Director Mike Farrah brokered last year’s compromise and helped facilitate this year’s event, for which volunteers made all riders fill out waiver forms and get wrist bands to minimize the city’s liability. With minimal official involvement, this was crazy fun by the people, for the people, with what costs there were (such as Porta-potties) covered by passing the hat.

It was a great day to live in San Francisco.   

Unfortunately, print and still photography just don’t do this race justice, so check out this video from VidSF and the folks over at Mission Mission (but pay no attention to that first guy that correspondent Sunny Angulo interviews because he’s clearly insane) to get a sense of the action.

True believers

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The best season of the year is finally here. Baseball season. Sure, it’s only a game – but it’s a game that can be very serious business to the young people who play it.

I once was one of them, playing in the 1940s and 1950s on some of the many semi-professional teams that once were common in San Francisco, as in many other cities, as well as on teams in the Mendocino County, Southwestern Oregon and Western Canadian Leagues.

We were true believers, all of us. For there are no heretics on a baseball diamond. We accepted, without question, that the game must be governed by the mystical number of three and its multiples. Three strikes and you’re out. Three outs per inning. Nine players per side. Nine innings per game. Sixty feet, six inches from pitcher’s mound to home plate. Ninety feet between bases.

We knew, too, that there were foul lines within which we had to play, and that if we were hurt or weary, we had better stay in the game anyway. If we left, there was no returning. And we knew we had to do everything, to hit, to run and to field.

It was that way because there was no other possible way for it to be, the way it had been since the 1800s, when mustachioed men wearing dark suits and derby hats had laid down the rules.

The ball, for instance: It is ideally sized. At 5 to 5.25 ounces and 2.86 to 2.94 inches round, noted Roger Angell, baseball’s poet laureate, the ball “is a perfect object for a man’s hand,” one that “instantly suggests its purpose. . . to be thrown a considerable distance – thrown hard and with precision . . . If it were a fraction of an inch larger or smaller, a few centigrams heavier or lighter, the game would be utterly different. . . Feel the ball, turn it over in your hand . . .You want to get outdoors and throw this spare and sensual object to somebody.”

And that 90 feet between bases, as sportswriter Red Smith observed, “represents man’s closest approach to perfection. The fastest man in the world hits a grounder to an infielder, who fields it cleanly.  The hitter must lose the race.  But if the ball is bobbled or slowed by the grass, he can win. That’s perfect balance.”

There were unquestioned patterns of behavior as well as rules to guide us. We invariably swung three bats round and round over our heads – Louisville Sluggers, naturally – as we waited our turn to hit, and glared threateningly at the pitcher as we stood in the batter’s box pawing at the ground.

We glanced coolly down to the third base coaching box where coaches and managers ran their fingers over the bills of their caps, across the front of their uniform shirts, along the outside of their thighs, pinched their noses, scratched their ears, passing us secret orders we never dared challenge, telling us to hit, take a pitch, bunt.

In the field, we spat on the ground and into our gloves between pitches, rubbing the saliva deep into the leather of the pocket as we earnestly chattered, and chattered.
“Get him out, Mick . . . humbabe . . . you can do it . . . YOU CAN DO IT! Easyout! Easyout!

That’s how the professionals did it, and we were certain, many of us, that our play was preparing us for professional careers.

Like apprentices in any other trade, we had to master a special vocabulary. If a pitcher was left handed, he was a “southpaw,” of course. Men on base were “ducks on the pond.” As a second baseman or shortstop, I was part of the “keystone combination.”
Unfortunately, I was a “banjo hitter” as well, one of those batters who hit too many “Texas Leaguers” and easily caught “cans of corn,” and had too many “K’s” – strikeouts – charged against him.

We never asked how those terms came to be used, for the “why” of things didn’t concern young ballplayers, only the “what.”

We were careful never to step on the white foul line as we trotted on and off the field, although we did kick first or third base on the way by.  It was things like that which caused – or didn’t cause – all the otherwise inexplicable happenings in baseball, a game in which the element of chance was as important as the precise rules we followed.

There was no other way to explain such things as why a ball hit to a particular spot in one inning would take a nice easy bounce into your waiting glove, but in the very next inning, a ball hit to the same spot would bounce up and over your glove.

That’s why I ate a liverwurst sandwich on a roll – always liverwurst, always on a roll — and washed it down with tomato juice – always tomato juice – before every game.  Boy, how I learned to hate liverwurst; but once I had followed such a lunch by getting four hits.  It had to be the liverwurst.

Standing out on the field we learned our importance. We were part of a team, sure, but each of us stood apart, alone.  Each of us had a unique role to fill if we were to be a team, for there were nine of us, and nine different positions.

When the ball was hit, only one of us would reach it, and that player would be the center of attention; everybody would be watching, the other players, the spectators.  What happened next in the game would be solely his doing. He was in control of his destiny and the destiny of those around him.

It was the same when your team was at bat, in that tense, electric moment before the ball was hit and attention shifted from batter to fielder. You stood alone at home plate waiting for the pitch, the entire team relying on what you would do.

There was no faking and no hiding. You did what you did in public. Your performance, your past, was never forgotten. It was etched forever in cold, hard statistics, facts that could never be challenged. Whatever you did would be compared to what others were doing, or had done, no matter when they had done it.

You were competing against players alive and dead, whose recorded performances would never die. Many of them were hitting or had hit .300 – and so should you. Many were playing or had played errorless games – and so should you.

And those umpires we argued with – the argument was just another part of the ritual of baseball.  We knew a pitch was not a strike or a ball because it crossed or didn’t cross home plate at a point delineated in the rulebook. It was a strike or a ball because the umpire said it was a strike or a ball.  A base runner was not out because we tagged him before he reached the base.  He was out because the umpire said he was out.

We learned those things, and more.  But we, of course, thought we were only learning baseball.

Dick Meister, formerly labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor, politics and other matters for a half-century. You can contact him through his website, www.dickmeister.com, which includes more than 250 of his recent columns.

Game Theory: San Francisco ShEvil Dead vs. Oakland Outlaws, 4/3/10

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Caitlin Donohue isn’t a sports writer. But she sure likes to win. Check out the last installment of “Game Theory” here. Oh, and give us a shout if you’ve got a big game coming up in the Bay.


I expected a lot from my first roller derby. Clotheslining, fishnets, snarling. Beer. I had high hopes. And I found all that — and believe me, I found it good, you don’t get $3 Pyramid Ales at just any sporting event. But I also stumbled unwittingly into a world of highly unorthodox female empowerment, a world where ladies have serious thigh muscles and sweat blithely through their heavy makeup. It’s a place that reclaims sports for the XX chromosones of today. And I liked it.



Clearly, the closer a sporting arena’s vibe is to that of the Thunderdome, the better your spectator experience. At Fort Mason Center’s Herbst Pavilion, where the ShEvil Dead was set to take on the Oakland Outlaws (both teams in the Bay Area Derby Girls’ League), there was little room for the genteel derby onlooker — if such a thing does indeed exist. 


The chaos and din of the standing room only bleachers and the rows upon rows of fans sitting on the concrete floor went far to blur the lines between the audience and the women tearing circles around the pink tape demarcated oval track in the middle of the Pavilion. The energy was super hyped, channeled completely towards the female gladiators on the floor. Handmade signs were held up lauding individual players, and cheap tamales and booze vendors (Maker’s Mark is a sponsor) confirmed that derby lacks much of the pretense, and ego that mar other sporting events. The arena had completely sold out and the crowd of 1,600 set a new record for league attendance.



A ShEvil Dead skater beats the drum for the derby bout against the Oakland Outlaws to start


The bout began with some enthusiastic theatrics from both sides– glory laps taken by each ShEvil Dead team member as her name was announced by a commentator that was barely audible over the reverberating boos and cheers from the crowd. Derby games only come every once in awhile — the next match for the Outlaws isn’t until May — so every one counts. Particularly this one. 


“Last year, we lost a coach and a lot of players,” says Dead captain/coach Windigo Jones, whose online player bio explains she grew up in Northern Ontario, “chasing ever larger prey through the northern boreal forests.” This bout was an opportunity for the squad (which had been down to “eight or nine players, when a normal team has something like 22,” according to Jones) to show the world how far they’d come. 


It’s all a touching story for Jane Hammer, captain/coach of the Outlaws — but not touching enough that she wanted the other team to win. “We were a little nervous for this one,” Hammer tells me.


The ShEvil Dead do indeed make the game interesting. Watching the game from the safety of the sidelines, I didn’t see as much, oh I don’t know, animosity as I had expected in the player-on-player collisions, but there’s no doubt that these women are playing to win. Each play, or “jam” is a long, grinding affair where the elected “jammer” must slip through the pack of players from both teams, lapping everyone to get points before she is inevitably shoved careening from the marked track.



Oh yeah, we’re jammin’. I wanna jam it with you


There’s a lot of hip throwing, and grunting — sights and sounds that fit into what I expected of a derby bout. But there was also an unexpected element. These ladies were elite athletes. Skating quick circles around a track barely larger than a basketball court is no joke — and they were doing it while being buffeted and beaten by a bevy of butch beauties (sorry, I got catch up). They had the healthy stink of women un self consciously immersed in sport, despite their boy shorts and red lipstick.


The climax comes in a pivotal play towards the end of the second period. Hammer, jamming for the Outlaws, goes to the penalty box, and the Dead’s jammer, Knock Knock, gets knock-knocked off her feet, hard. So hard, in fact, that the starred spandex helmet panty that marks her as the jammer flies off her head. 


The jammer hat is what officially defines the jammer in the derby rule book. Whoever has that stretchy diaper on their head is the motor behind their team’s game. And without a designated jammer, your team is totally ass backwards . But just a week ago the Dead had practiced plays involving passing that jammer panty, and veteran Mexican Jumping Mean recalled the lesson instantly during the bout. She  swooped in for the star, replacing it on her own helmet, and racked up some vital points for the Dead before the Outlaws had time to react.


 “Only a real veteran would have thought to do that,” says her captain/coach Windigo Jones. “I was so proud of her.” The Outlaws ended up winning the bout, but only barely. “It came down to the last jam,” says Hammer.


Later on, I chatted with both coach/captains about the match, and what derby has meant to them. “This is a kind of empowerment you just can’t find anywhere else,” says three year veteran Hammer. She started skating while growing up in Las Vegas, where “you hung out at the rink, because that was the thing to do.” She quickly got into the scene upon her arrival in the Bay Area. 


Nowadays, she’s a legend. “Oh, everyone knows who Miss Jane is!” says aspiring roller derb-ette exclaims as she guides me to the locker rooms at half time. 



Half time in a close game brings a chance for the Outlaws to rehydrate, refocus, and reamp for battle


The league’s set up seems to encourage a culture of respect and camaraderie between players of all levels. It takes a shape similar to that of Manchester United; teams like the Outlaws and ShEvil Dead compete against each other in the regular season, but often have league wide practices together and combine their best players to represent them on the Bay Area Derby All Stars. That’s the travel team which rolls hard for the Bay against Women’s Flat Track Derby Association squads from all over the nation. The All Stars, of which Jones and Hammer are both members, are currently ranked 20th in the country, down from a standing in the top ten not too long ago. “We have a lot of work to do,” admits Hammer.


“The crowd we had Saturday was totally unexpected for me. It’s amazing how much this league has grown over the past few years,” says Jones, who entered the league around the same time as Hammer. It was a time when, Jones says “the league would take on pretty much anyone who was willing to learn the skills — they were pretty desperate for players.” 


That’s not the case anymore. Hammer hesitantly attributes the soaring popularity of derby in part to movies like last year’s Whip It, whose sexy depiction of the sport might have contributed to the sell out crowd at Saturday’s bout (the attendance of 1,600 was a league record). Still, the movie seemed to “Hollywood” the derby scene a little. “Underage skaters? That’s not really what we’re about,” Hammer tells me. This fledgling sport has a lot to deal with when it comes to how it will be represented in mainstream consciousness.


But there’s no doubt that more and more ladies will be getting their kicks in heavy eyeliner and elbow pads. BAD has announced that it’s putting its new West Oakland practice space to use this summer with a rec league, designed not only for retired league veterans but also “girls who might not have the most advanced skate skills. We’re going to have an introductory course to teach people the basic rules,” says Hammer. 


Like all the derby stars I talked to, the coach of the Outlaws was invested in the contributions that rookies make to her league’s future. The rec league seems like a great opportunity to evangelicize the uplift (and rock hard leg muscles) that come from a life in the derby. Just get your game face on, ladies. Hammer’s insistent that the rec league be no “walk in yoga class.” “We’re going to evaluate people’s skills like the system we use for who makes the [competitive] league. We have to add everybody onto our [practice space’s] insurance, so we’ve got to have some discretion when it comes to who plays. It’s a safety thing.”


 


Bay Area Derby Girls’ next league game:


Oakland Outlaws vs. TBA


May 1 doors @ 6:30 p.m., game @ 8:30 p.m., $10-12


Herbst Pavilion


Fort Mason Center, SF


www.bayareaderbygirls.com


 


 

Not minor: Man/Miracle

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One of the nicer surprises this year has to be The Shape of Things (Third Culture), the debut recording by busy Oakland-by-way-of-Santa Cruz foursome Man/Miracle. No, you don’t get Cruz-ish untrammeled psychedelia of Sleepy Sun nor the noise blues of Comets on Fire nor the spooked folk of Emily Jane White here. Instead you are bestowed with indie that has taken its vitamins and bounces merrily between commercial modern rock and feisty experimentation with remarkable urgency, recalling, at moments, the Talking Heads, at others, Clap Your Hands Say Yeah, and at still others, Wolf Parade. Produced and recorded by kindred Oaklander and onetime Beulah player Eli Crews, The Shape of Things finds its pulse somewhere between the rousing, handclap-sprinkled singalong “Pushing and Shoving” — previously released as a single — and the jittery, almost Afropop-tinged “Back of the Card,” which seems to ascend on a tide of rhythm guitars and Animal Collective-esque backing vocals. It won’t take a miracle to see this super-energized combo shaping a big ole following soon.

Man/Miracle play with Rogue Wave April 30, 9 p.m., at the Fillmore, 1805 Geary, SF. $19.50.  (415) 346-6000, www.livenation.com

Momentum shifts against sit-lie

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Proponents of criminalizing sitting or lying on San Francisco sidewalks have seen their prospects of success steadily dwindle in the last week, starting with the creative and well-covered Stand Against Sit-Lie protests on March 27 and continuing through last week’s Planning Commission vote against the measure to yesterday’s debate on BBC’s The World, in which opponent Andy Blue clearly bested proponent Ted Loewenberg.

In fact, Blue and his grassroots band of progressive allies deserve tremendous credit for flipping the momentum on the issue away from the narrative pushed by Mayor Gavin Newsom, Police Chief George Gascon, and the reactionary Haight area property owners from Loewenberg’s Haight Ashbury Improvement Association.

While Newsom and Loewenberg tried to argue this was about giving police another “tool” to use against violent street ruffians, Blue and the progressives have correctly pointed out that the overblown examples proponents cite (ie hoodlums punching passersby, barricading businesses, and spitting on babies) are already illegal and that the law actually punishes the simple act of lounging in public.

That argument by progressives got strong support from a Planning Department report on how the sit-lie ordinance cuts against a variety of city policies and goals that promote open space and using sidewalks for more than just transportation, a view that the Planning Commission endorsed on a surprisingly lopsided 6-1 vote, with even Newsom’s appointees crossing him on the issue.

Few members of the Board of Supervisors have embraced the push for sit-lie, so it’s likely to be dead-on-arrival when the board considers it later this month, but Blue’s group isn’t taking any chances. Stand Against Sit Lie is planning another day of creative protest – with more sidewalk picnics, games, and maybe a return of Chicken John’s sidewalk hot tub – on April 24.

Will Whitman’s spending backfire?

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The political graveyards of California are littered with the bones of candidates who tried to get elected to statewide office on the basis of their own great wealth. Steve Westly, Al Checchi, Jane Harmon, Michael Huffington, Darrell Issa … lots of people though they could buy the job of governor or senator. Most of them failed — in part because they couldn’t craft a message that appealed to the voters.


But I think they also failed because on some level, California voters don’t like being bought. The idea that someone is so rich that he or she can spend around $50 million to get elected governor is kind of appaling, particularly in an era when people aren’t so happy with the very rich.


Calbuzz had a little fun looking at all the things Meg Whitman could buy with the $40 million she’s already spent (Madonna’s apartment, Conan O’Brien’s silence, a Cape Cod wastewater plant), but really: You have to wonder what she could have done for society if she’d used that cash for something other than her vanity campaign.


I have no polling data on why mega-millionaires don’t win; the current polls show Meg’s ahead of Jerry Brown . But I’m not sure her cash and her obscene spending won’t become a negative at some point.

Why does the Catholic Church still exist?

6

Johnny Angel Wendell, who wrote a piece for us this week about talk radio, does a show Sunday night on LA’s KTLK radio called Southern California Live, and this week — on Easter Sunday — he had a great rant about the Catholic Church. You can listen to it here — it starts about 22 minutes into the show. (Full disclosure — I’m often a guest on the show, and was on last night, and you can listen to me talk about Meg Whitman and Gavin Newsom at the end of the session, but Johnny’s bit on the church was better).


His question: Why does the Catholic Church still exist?


If any other major institution was caught doing what the Catholic hierarchy did — allowing, or even encouraging, the abuse of children by its frontline workers — nobody would go there any more. Imagine if Disneyland had this sort of scandal; no parent would ever take a kid there again. No school, or club, or program that involves or caters in any way to kids would survive a scandal like this.


I know, I know: It’s about religion and faith that’s supposed to transcend the foibles of the humans who run the show. But Jesus — how can even devout Catholics allow this to continue? The pope and all the corrupt, sleazy bishops and cardinals ought to be thrown out like the devils cast from heaven in the Bible — and until that happens, maybe all those devout Catholics should stop putting money in the collection plate.

One question for Tiger Woods

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So Tiger Woods is finally talking to the press. I don’t get invited to the press conferences at Augusta National (imagine that), but if I were there, I’d have tried to ask exactly one question:


Mr Woods: Can you explain why your personal life is any business of anyone in this room — and if you can’t, then why don’t you stop answering questions about it?


Seriously: I’m tired of it. The guy has sex with people to whom he wasn’t married. His wife got pissed about it. Is that not the story of millions of couples all over the world? Just shut up and ask him about his practice rounds, or his new swing, or why Augusta still doesn’t have any women members.


The cover story in the American Journalism Review this month is called “Lost in the Woods: Sinking standards, the Media and Tiger Woods.” It’s by Washington Post reporter Paul Farhi. AJR is pretty stodgy for my taste most of the time, but Farhi has it right:


For all its lurid aspects, the Woods scandal may have constituted a watershed in American journalism: A major news story in which many “respectable” news outlets ditched traditional newsgathering methods and standards of fair play and piggybacked on aggressive but not always accurate tabloid reporting. The distinction between “mainstream” and “tabloid” may never have been so blurred as it was in the whirlwind of reporting on Woods.


I don’t fucking care who Tiger fucked. As John Madden might say, just let the guy play the game.

It’s raining reindeer babies in Alaska

0

Whenever I want to find out the goods on Republican nutjob Sarah Palin I turn to www.themudflats.net, which also happens to be a great blog about all things Alaska.

And this time, instead of finding the latest scoop on Sarah “Moose in the headlights” Palin, I discovered that it’s reindeer birthing season. And that mudflats’ readers are being invited to submit names for the 18 or so reindeer calves that are expected to be born any day now at the University of Alaska, Fairbanks research facility.

Readers have already submitted names like Holden and Zoe and Saami and Tasha.

So, while Christmas is still over 260 shopping days away, and you probably don’t believe in Santa Claus anyway, if you want to have input on names that could feature in the next rendition of the most famous reindeer song of all time, submit suggestions now.

As mudflats notes, “On Daniel, on Dawson!  On Pookie and Velvet!  On Coffee, on Cowgirl, on ….. Giggles and Ricardo? It could have potential.”

And while you’re at the mudflats site, check out their information on wolves. Because if there is one thing Palin has taught us, it’s not to take our eyes off the most remote states in the union, lest bad things happen to the wild things there.

Toothsome pie worthy of its cult following: Emilia’s Pizzeria

0

I think I embarrassed Emilia’s Pizzeria owner and chef Keith Freilich when I called him out as prominently featured in Sunset magazine’s recent Bay Area pizza roundup (one question on that, regarding the bit about Flour and Water being located on an abandoned, seedy stretch of the Mission — did the writer ever notice the relatively new yup-scale lofts blossoming all around that block?). Hey, it’s worth noting since Emilia’s is likely the least showy pizzeria of the entire lot.

First of all, it’s itty-bitty — about four tables large with questionable pinky-orange walls — and second, it’s extremely hands-on and intimate: Freilich makes all the pizzas himself, so be warned, the wait can get pretty long. Better to call ahead. Just ask what’s on the menu that day — usually red onion, mushrooms, pepperoni, sausage, sopressata, or spicy Italian sausage, are available as toppings for the 18-inch margherita, wrought with a bright tomato sauce, fresh mozzarella, and basil. Then give it about an hour, unless you’re hankering for a pie at the typical dinnertime — then who knows. The wait — and the price (pizzas are $18 and up) — are worth it: the pie is blissfully simple and fresh ala the Cheeseboard — so much so that the margherita will do me just fine next time — and with a delightfully blistered thin crust and truly toothsome sausage. Freilich has just the right touch when it comes to the application of basil, too.

A pizzeria has been in this teensy spot on Shattuck, obscured by the nearby taco spot and the corner bodega, for give or take a few decades, but Freilich is making his presence felt in the mere six months he’s been here — doing a few things very, very well. You just have to get there before he closes up shop each night: when he runs out of dough, out go the lights.

EMILIA’S PIZZERIA
2995 Shattuck, Berk.
(510) 704-1794
www.emiliaspizzeria.com

Getting into the Afro-psych groove: Witch

1

The juicy goodness of excellent psych is worth revisiting no matter how far back it was released — hence this darting glance at Witch, the Zambian ‘70s rock fivesome, and its 1975 full-length, Lazy Bones!!,  released a few months back by QDK Media. Licensed from vocalist Emanyeo Jagari Chanda (the last surviving member of the group is now a foreman at a uranium mining operation in a remote Zambian village) , this gem from the so-called Zam Rock scene rumbles as fiercely as any combo off an early Nuggets comps (see badass rump-shaker “Off Ma Boots”). There are  plenty of wah-wah-wonderful super-fuzz guitar rave-ups (“Tooth Factory”) here, mixed in a blood-pumping dose of James Brown-style funk (“Little Clown”) and some Mahavishnu-touched jams (the levitating “October Night”). Worth comparing to the recently reissued work by Death, the lost black rockers of Detroit? Perhaps, though Witch turns out to be in a fabulous league of its own — spurring me to search out other ‘70s African rock obscuros like Blo and Ofege.

The Daily Blurgh: Splinters of the cross

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Curiosities, quirks, oddites, and items from around the Bay and beyond

An unbelievably hermetically sealed spherical inalienable maze of light and sound seeing imagery expand in every direction.”

I was reminded of the words of visionary architect and late SF resident Achilles Rizzoli – who spent his life drafting gorgeous symbolic portraits of friends, family, and loved ones as fantastic buildings, the cornerstones of which would never be laid – when I saw this Wired video that Boing Boing posted about Rohnert Park artist Scott Weaver’s enormous sculpture of San Francisco done entirely in toothpicks.

Weaver has been at work on his creation for nearly three decades, having turned down multiple offers last year from Ripley’s Believe It or Not! Museum to buy what he views as an example of, as he told KGO at the time, “what can be done in life if you create and use your imagination.”

“But is toothpick art woodworking?” asks Fine Woodworking Senior Editor, Tom McKenna, in an article from last August about artist Steven J. Backman, who he describes as, “perhaps the preeminent toothpick sculptor in the country.” If Weaver’s accomplishment evokes Bosch’s Garden of Earthly Delights by its fantastic condensation, Backman’s pieces – many of which are based on local landmarks and attractions, such as the Golden Gate Bridge or a trolley car – go the route of Picasso’s early still life paintings, their forms connoted through pared down lines and simple, pronounced shapes. Even SF Mayor Gavin Newsom gave his seal of approval back in 2005, proclaiming January 11th of that year to be Steven J. Backman Day.

Backman’s art is a wonder of engineering. But Weaver’s is simply wondrous.

 


But what wonders of mental engineering also lurk in the virtual-pet analogue world?

 


And now, again, just in time for Easter, we turn to an Andy Rooney-inspired feature I’d like to call: “You got my goat!”

Do you Want Men Dressed as Women Teaching Your Kids?”

Hell yes!

But listen up, Traditional Values Coalition. We need to talk about your look. It’s busted. Don’t you know ominous, dark clouds went out of fashion after everyone and their mother mocked the National Organization for Marriage’s “Gathering Storm” ad? Weak. Sauce.

What you need is some drag queen valkyries or some shit like that thundering out of the heavenly maw, ready to swoop down and piss on the souls of those studious young folk, whose preciousness is so inviolate as to make Justin Bieber look like the next jailbait-hungry mark to get punked on To Catch a Predator (just give him time).

If you want fierce, bitch, you gotta go Wagner.

ACORN did not commit voter registration violations

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One of the craziest aspects of the whole ACORN saga has been how rightwing lies about the organization have been repeated so often that they have come to replace the truth in most people’s minds.

For instance, according to the Office of California Attorney General Jerry Brown, there are no reports of votes that were cast fraudulently, thanks to anything ACORN did.

As Brown’s press secretary Christine Gasparac clarified today, “ACORN itself did not commit, counsel, or aid and abet registration violations. Some of the canvassers employed by ACORN and paid on per registration basis handed in phony registrations in order to make money and all were all caught and rejected by the Registrar.”

Now, I’m not saying everything ACORN has done has been without fault, or that the left isn’t guilty of distorting facts, too.
I’m just saying that it’s too bad that political discourse in this country has descended to the point that the truth is now irrelevant.

And if you’re following the latest Vatican scandal …

1

… and you’re reading about the Pope and his ol’ chum from San Francisco, and how the Catholic League blames homosexuals for the pedophilia scandal, and how the Vatican now equates bad press to the Holocaust, you might enjoy this nice little video. It’s funny, but it’s not funny — when I was a kid in Catholic school, we all knew you didn’t want to be chosen to be an altar boy. We could have used some of this fine product back then.

Judge sets hearing on contempt order for SF Weekly’s bank

7

Superior Court Presiding Judge James McBride April 1 granted a motion by the San Francisco Bay Guardian to set a hearing for the Bank of Montreal, the lead bank for the SF Weekly and its parent chain, to show cause why it should not be held in contempt of court for interfering with a judge’s order in the Guardian’s attempt to collect on its $2l million plus judgment in a 2008 predatory pricing trial.


McBride set the hearing for April 30 and said that he would not hear the case but would assign another judge to hear it.


He said at the beginning of his remarks that the Guardian in its briefs had established a prima facie case for a hearing.
After hearing oral arguments from Guardian attorneys Richard Hill and Jay Adkisson, and Bank of Montreal attorney
Dan Falk, McBride ruled in favor of the Guardian’s motion.


The motion addresses the latest twist in the efforts by the Weekly’s parent company, Village Voice Media, to duck payment of the judgment. For more than two years, since a jury ruled in the Guardian’s favor, VVM and the Weekly have been hiding behind a complex corporate structure and a cozy relationship with a banking syndicate and have refused to pay the debt.


The Guardian has seized two of the Weekly’s vehicles and the rent that subtenants pay the Weekly, and on March 9th, Court Commissioner Everette A. Hewlett Jr. ordered the Weekly to turn over half of its ad revenue to the Guardian.


The Guardian contacted the Weekly’s advertisers and advised them of the order. But, according to the Guardian brief, “after BMO received notice of the 9 March 2010 order, it began contacting all of the advertisers subject to the Assignment Order and instructed them to disregard that order and make payments directly to BMO.”


The Bank of Montreal, which heads a banking syndicate that has helped finance VVM’s expansion over the years, argues that VVM owes $77 million on a loan, and on March 12th, the syndicate declared the loan in default. That, the bank argues, means that BMO gets all of VVM’s money and that the Guardian is second in line.


However, the chain was valued just two years ago at $191 million, and under California law, BMO is required to marshal the assets of VVM – that is, to do an inventory of what the company owns and what it’s worth – so that other debtors can be paid.


“I have three times requested in writing to BMO that they marshal the assets of SF Weekly LP and New Times Media LLC, however BMO has never responded,” Adkisson stated in his court filing.


Hewlett has already said in open court that “it is possible that [BOM is] in contempt of court.”


The Guardian will be back in court April 14th asking that a receiver be appointed to take control of SF Weekly’s finances.


The banks in the syndicate that are holding the VVM debt (as of March, 2009) are Bank of Montreal, U.S. Bank, Wells Fargo, WestLB AG, Rabobank, BNP Paribas, and Brown Brothers Harrimann. You can read Adkisson’s filing here (PDF)

Did Fox dump Yee to spare Palin?

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Fox News seems to be having a hard time playing the victim card in the controversy over Sarah Palin’s upcoming speech at a cash-strapped California State University campus, for which she’s being paid an undisclosed — but likely huge — amount of money. And the network has been jerking around the chief critic of the deal, Sen. Leland Yee (D-SF), as it looks for a way to martyr poor Palin, a new Fox News commentator.

As we wrote, the issue that Yee raised and generated media attention for was why CSU-Stanislaus and its foundation were able to cut a secret deal with Palin. Yee was scheduled to appear on Fox’s America Live with Megyn Kelly on Wednesday about the controversy, but Yee chief of staff Adam Keigwin told us Fox News cancelled the appearance less than an hour before taping.

“They probably saw that this was indefensible and they didn’t want negative publicity for Palin,” Keigwin speculated.

But then Fox News representatives called again, and this time they wanted Yee to appear on tonight’s (April 2) The O’Reilly Factor with Bill O’Reilly, and Keigwin said Yee reluctantly agreed to do so: “I was a little hesitant to do it, knowing it’s a no-win situation, but we decided to do it,” Keirwin said of the show that O’Reilly dominates in bullying fashion.

But then, a couple hours later, Fox called back. “The producer called to ask, ‘Now you’re saying she shouldn’t speak, right?’” No, Keigwin explained, the issue was one of disclosing how much she was being paid and whether public funds were involved, and nobody was trying to censor her.

“So he said, ‘We’re looking for someone who doesn’t think she should speak at all,’” Keigwin said. Eventually, the producers decided to nix Yee again and instead tap some CSU students who were allied with Yee. They’ve already taped their interviews, so we’ll see what happens once they’re edited over several hours and turned into tonight’s broadcast.

Meanwhile, Yee is still waiting for a response from CSU officials about the Palin gig, and Keigwin said CalAware and the California First Amendment Coalition have also formally requested public records associated with the appearance, the disclosure deadline for which is next week.

Yee is the chair of the recently created Senate Select Committee on California’s Public Records and Open Meeting Laws, and Keigwin said, “This could be the subject of our first hearing.”

O’Keefe and Giles may still face charges over ACORN tapes

5

It’s true that California Attorney General Jerry Brown gave Republican activists James O’Keefe III and Hannah Giles immunity from prosecution in exchange for their full, unedited videotapes of ACORN employees.

But that doesn’t mean the couple is necessarily off the legal hook entirely.

As Brown’s own report notes, because of the immunity deal, his office did not determine if the couple violated California’s Invasion of Privacy Act when they recorded ACORN employees.

But, as Brown’s report observes,  “if the circumstances meet the requirements of the Act, the ACORN employees may be able to bring a private suit against O’Keefe and Giles for recording a confidential conversation without consent.”

That’s an important point to remember, given that rightwing groups are bragging that O’Keefe recently saw felony charges, filed in connection with his recent invasion  of the Louisiana office of Sen. Mary Landrieu (D-LA), reduced to a misdemeanor.

Could O’Keefe’s apparent ability to walk away relatively unscathed from acts that would land other folks in jail have something to do with his life of privilege as outlined at Gawker, using O’Keefe’s Facebook photos? Or is it more to do his close ideological ties with the increasingly aggressive Republican attack machine?

Catholic Church equates bad press with the Holocaust

2

On the anniversary of the day when Jesus Christ was supposedly crucified, the Catholic Church has ratcheted up its counterattack on the journalists and victims’ advocates who have the gall to be concerned about the church covering up an epidemic of pedophilia by priests, taking its feelings of persecution to a ridiculous extreme.

The New York Times reports that during the Good Friday services at the Vatican, with Pope Benedict sitting in attendance, Rev. Raniero Cantalamessa equated negative news articles about the still-unfolding pedophilia scandal with the history of persecution suffered by the Jews, saying, “They know from experience what it means to be victims of collective violence and also because of this they are quick to recognize the recurring symptoms.”

Are you fucking kidding me?!?! Did he really equate valid criticism of a very real church scandal to the Holocaust, in which more than 6 million Jews were killed by a Nazi regime that was playing footsies with the Catholic Church at the time? Shameless, utterly shameless.

Why is the Potrero Power Plant still going strong?

The Potrero Power Plant, a longtime source of pollution and health concerns for residents of San Francisco’s southeastern neighborhoods, is slated for partial closure once the Trans Bay Cable begins transmitting electricity into the city.

The Trans Bay Cable is an undersea cord that will transmit 400 megawatts of power underneath the San Francisco Bay from power plants in the Pittsburg / Antioch area. Last we heard, from a January article in the San Francisco Examiner, the project was running a full month ahead of schedule.

From the Examiner update:

“The cable was scheduled to become operational in March. However, the $505 million project is moving ahead of schedule, according to PJ Johnston, a spokesman for the joint venture that’s financing and installing the cable. The planned date to switch on the cable is now Feb. 1, according to Johnston.”

Well, Feb. 1 came and went. March came and went. Now, it’s April – and the Potrero Power Plant is still going strong, its telltale plume issuing from the tall brick smokestack.

We called PJ Johnston, the spokesperson, for another update. “We’re still testing,” he explained. “We’re going to be testing at least into the next month or longer. We’re working with the [California Independent System Operator] to determine a commercial operation date.”

The construction of the Trans Bay Cable and the converter stations were completed last year; and the system was energized in December; Johnston noted.

“We won’t speculate on a latest start date,” he responded after being asked when, at the very latest, it would go into service.

That elusive date is key, because that’s when the city can kiss the primary unit of its only remaining power plant goodbye. Unit 3, which accounts for the lion’s share of harmful emissions, will no longer be required to operate by the California Independent System Operator (Cal-ISO) once the alternative source is in place, clearing a major obstacle that stood in the way of the plant’s closure for years. Three smaller diesel-fired units at the plant will remain in service until a Pacific Gas & Electric Co. cabling project is finished later this year, but they’ll run far less frequently than the workhorse Unit 3, according to Cal-ISO spokesperson Gregg Fishman.

“We had heard March too,” Fishman commented. He confirmed that “the large unit at Potrero will no longer be needed,” once the cable comes online, and referred us to Johnston for more information. In an accord reached with City Attorney Dennis Herrera last year, Mirant — the company that owns the Potrero plant — agreed that it would shutter the plant once the Cal-ISO gives the nod.

When the cable comes online and Unit 3 finally does become history, the air quality in San Francisco’s Bayview Hunter’s Point neighborhood is sure to improve. Yet as the Guardian has noted in the past, there are environmental justice questions surrounding a project that essentially shifts the pollution impact of the city’s energy needs from one low-income community to a similar neighborhood, farther away.