SFBG Blogs

MTA board approves controversial budget

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By Adam Lesser

City Hall needed an overflow room to accommodate all the disenchanted Muni riders who showed up to protest the two-year San Francisco Municipal Transportation Agency budget plan yesterday (4/20). The budget locks in a 10 percent service cut through July 1st, 2011, at which point the MTA board is hopeful that the service cut will be lowered to 5 percent. The controversial budget was adopted on a 4-3 vote, and now goes to the Board of Supervisors, where progressive supervisors have already signaled opposition to the service cuts.

“It still seems and feels as I look at it [the budget], that it’s very tenuously put together. In light of the fact that it’s going to impact the least, the lonely, and the lost of us, I had to say, let’s keep looking at it,” said Director James McCray, who was one of three dissenting votes.

McCray, along with Director Malcolm Heincke who voted for the budget, were the two directors to openly express concern about the pay of transit operators and overtime charges. In a $750 million budget, service cuts wound up providing $29 million in savings, a relatively small number compared to the $456 million that will be spent on salaries and benefits, as well as the $59 million in work orders to other agencies like the police department and the city attorney.

Small revenue measures like adding 1,000 metered spaces, eliminating free reserved parking around areas like City Hall, and window advertising wrap on buses are part of the budget.

Heincke questioned MTA Executive Director Nathaniel Ford about the budget which includes $10 million in labor concessions from MTA employees while locking in a $9 million raise in 2011 and a $9.5 million raise in 2012 for transit operators from Transit Workers Union (TWU) Local 250-A. Transit operators’ wages and raises are written into the city charter. 

“The bubble over my head says wow,” said Heincke. Ford’s attempts to negotiate with the union over work rules have been unsuccessful. Sup. Sean Elsbernd is pushing a charter amendment for the November ballot that would remove the TWU’s pay rates from the city charter.

Anger over Muni’s payment of work orders to other city agencies was a constant theme among community groups as diverse as the Chinese Progressive Association and the San Francisco Transit Riders Union. Those work orders have increased from $36 million in 2006 to $66 million in 2010.

“What really happened is the rest of the city had a budget crisis and the mayor went after Muni looking for funds,” said Dave Snyder, coordinator for the San Francisco Transit Riders Union. Newsom appoints the directors who sit on the MTA Board. “Muni is paying for service the public doesn’t want them to pay for at the expense of transit service.”

Members of the Latino and Chinese-American community were out in large numbers, not just to protest service cuts that they felt disproportionately impact the Mission and Chinatown, but to complain about harassment by the police. Enforcement of the Proof of Payment program has increased with Muni agents and police checking the amount of time left on riders’ transfer tickets, and issuing fines.

“You have police asking for ID and issuing $75 fines. There have been a few cases of deportation,” Beatriz Herrera, an organizer for People Organized to Win Employment Rights (POWER). Referring to riders whose transfers expire while riding a bus, Emily Lee of the Chinese Progressive Association said, “They expect folks to get off the bus. That’s an unreasonable expectation. It’s stressful for the community. The police are intimidating.”

The service changes are slated to take effect May 8th.

How to make a bumble bee latte

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So, there I was, sitting with a friend, at a table in the bay window of Farley’s coffee house, when a bumble bee started buzzing around inside the window pane, right next to us.

It was pleasantly warm and bright sitting in that window, and I could see how that bee could have swirled out of the wind and into this sheltered spot.

But when the bee started bumbling in loud bee tones, I decided it was time to spring into action.


 Luckily, all the equipment that is needed to make a good bumble bee latte (an empty container, a sheet of paper, a smooth surface) lay close at hand.

Anxious to complete my task before the bee got agitated, I grabbed an empty cup from Farley’s front counter and clamped it over the bee, careful not to squish the bizzing insect as it came to a rest against the window. Next, I slid a sheet of paper between the window and the cup, then folded the sheet of paper down and around the cup to make a bee-restraining lid

Voila! my bumble bee latte was ready to go.

Outside, I set the latte cup down in a planter and removed its makeshift lid.

For a moment, the bee sat quietly in the cup. Then it lifted backwards out of the cup and into the air, rapidly shrinking to a small black dot as it swirled across the watercolor skies above Potrero Hill.

I walked back into Farley’s. Unlike the time I made a pigeon burrito in Farley’s, nobody applauded. But as a person obsessed with bees, I felt great, even if the incident didn’t give me a chance to use this handy pocket guide to identify the bee I saw.

Researchers analyzing whale carcass found in San Francisco Bay

A whale carcass was discovered floating in the San Francisco Bay between Alcatraz and Fort Mason on April 20, and marine researchers are performing a necropsy today, April 21.

Shortly after the dead whale was reported, researchers at the Sausalito-based Marine Mammal Center received authorization from the National Marine Fisheries Service to investigate, communications director Jim Oswald told the Guardian. Three Marine Mammal Center researchers ventured out in a Coast Guard cutter and towed the whale to a location north of the Richmond Bridge, where they are examining the carcass today.  Dr. Frances Gulland, Director of Veterinary Science at The Marine Mammal Center, is one of the researchers, pictured in the photo above.

It was a juvenile gray whale, approximately 25 feet long and an estimated 1 to 2 years old, Oswald said. There has been no evidence so far of external trauma, usually the sign of a ship strike, but they are still determining whether internal trauma occurred. Researchers are also taking a close look at its stomach contents to see if it might have been impacted by swallowing junk floating around at sea. “Ingested marine debris is a hazard for these animals,” Oswald said, recalling the case of a whale found off the coast of Washington that died after ingesting 450 pounds of netting.

A full report on the examination will not be available for several months, Oswald noted, since samples must be sent out to labs for a toxicology analysis.

The Guardian has reported on several environmental issues impacting whales, including shipping noise traffic and marine debris.

Reggie Watts is awesome, and I totally don’t get him

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I’ve been a Reggie Watts aficionado for some time now — maybe since January. His video for “Fuck Shit Stack” was the most hilarious send up of hip hop culture I’ve seen in awhile, and one of the more visually creative videos. And I heard he was Seattle based, which got me very excited to see Pacific Northwest steez represented at his upcoming appearance at Conan O’Brien’s “The Legally Prohibited from Being on Television” tour stop, Thur/22 at the Nob Hill Masonic Center.

So I was stoked to get the chance to talk to the singer/beat boxer/comedian. Especially on 4/20. Interview dates don’t get much cooler. We’d straight kick it on the phone, giggle, talk about life, man. He says he’s in Seattle as we speak. What’s good in Northwest hip hop, Reggie?

“I haven’t lived in Seattle for over six years, and I’m not really a big hip hop guy,” says Watts. There is a medium sized pause as I mentally recalibrate, and feel out my new role as “reporter who doesn‘t get it.” Damn.

You’ll excuse me for being confused. Watts considers himself more of a comedic performer, but the majority of his work available online revolves around his prodigious musical talents that can be most readily understood in the language of hip hop. He’s been using a Line 6 DL4 delay box since the late nineties to concoct audio lasagnas of sound. And though the beats and bleats that come out of these largely improvised, layer cakes can borrow from retro commercial jingles and R&B hooks, the overwhelming impression they lay down is that of a super dope, low tech hip hop production.

I really like it. But, clearly, I don’t understand. So. Crap. But these things happen. What else can we talk about. Williamsburg? Blue Bottle coffee?

San Francisco Bay Guardian:
How’s Brooklyn, Reggie?
Reggie Watts: Brooklyn’s cool. Really cool parties, great comedy scene. I live in Williamsburg, and there’s lots of photographers, visual artists, everything’s there.

SFBG: And really, you’re not into hip hop?
RW: I like the beats, but I don’t really follow it. It’s kind of like sports. Well no, because I don’t really like sports at all. I have friends that will play me stuff, but I don’t know a lot about it.

SFBG: (grasping, trying to salvage predetermined flow of interview) But… “Fuck Shit Stack”! Such incisive social commentary — you have such smart things to say about hip hop culture!
RW: I like real hip hop, that song to me is about that kind of stuff. There’s plenty of hip hop that’s more in the tradition of bohemian hip hop, poetic spoken style. I have a problem with the too cool, money money lifestyle. It’s been around for a long time.

SFBG: Can’t you say the same thing about all forms of music?
RW: I think more so now than any other time period. Communication and product placement, trying to sell things. The concept of money being given to people to perpetuate certain kinds of lifestyles. We see the direct effect in our hearts. When Nas came out with “Made you Look,” I was like oh shit, something’s going to happen, but it was kind of a one hit thing. I don’t mind materialism, as long as you use it creatively.

SFBG:
Allright. So what will you listen to, left to your own devices?
RW: Techno, glitch, dub step. But I’m also really into… I don’t know, I enjoy the Carpenters, Seegar, Marvin Gaye — I pretty much really like everything. StereoLab I could listen to 24/7, Phoenix, I really like electronic music, ambient music.

SFBG: What are we going to see onstage at the show this week?
RW: 95% of what I do on stage is improvise, it’s up to the night and what’s going on. It’s usually me doing some really stupid shit for awhile, then I’ll do a song with the looping machine using really stupid lyrics. I’ll do a keyboard song, some more stupid bullshit.

SFBG: Are you excited to come to SF?
RW: Oh yeah, always a good time, I’ve got a lot of friends. And I’m excited for Blue Bottle coffee. We just got one in Brooklyn, I’m excited to see what it’s like out in SF.

SFBG: Oh yeah, we’ve got that Blue Bottle. It’s everywhere.
RW: It’ll fuck you up, in a good way.

Conan O’Brien’s “Legally Prohibited From Being Funny on Television” Tour feat. Reggie Watts

Thurs/22 8 p.m., $39.50-79.50

Nob Hill Masonic Center

1111 California, SF

(415) 776-4702

www.masonicauditorium.com

www.teamcoco.com

“The Loved Ones:” the complete interview!

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Pegged by some as “Misery meets Pretty in Pink,” Sean Byrne’s instant horror mini-classic is by turns poignant, funny, grotesque, alarming, and finally very, very satisfying. It’s sure to be a hit again in the San Francisco International Film Festival‘s Late Show section. Between festival travels, Byrne was back home in Melbourne when he answered my email queries.

San Francisco Bay Guardian:
The movie really throws you for a loop by spending the first stretch on serious psychological drama, then springing something entirely different.

Sean Byrne: Well, I needed [to establish] a hero who was uniquely qualified to survive hell. Someone who is conditioned to pain, who feels like they deserve to suffer. He’s a cutter or self-mutilator, someone who tries to block out emotional pain with physical pain. He’s a kid with a death wish who’s forced to endure a literal hell and in the process realizes he’s got everything to live for.

SFBG: Your central female character is more interesting than the usual horror movie villainness in that she’s so spoiled she thinks she’s a victim, which then excuses her behaving monstrously. Where did that come from?

SB: I was thinking about what could make a signature, iconic, highly marketable villain and I noticed how my five-year-old niece, along with almost every little girl, is obsessed with wearing pink. It’s part of the magic and fantasy stage of childhood, where they actually believe the Disney line “someday [my] prince will come.” So then I started thinking, well, what if our villain is a teenager with raging hormones but still somehow stuck in this spoiled, childish, pre-operational stage of development. I imagined “Princess” as a teenage version of that irritating kid in the supermarket who demands lollies and won’t stop screaming until she gets them!

SFBG: I like that her favorite song is self-pity anthem “Not Pretty Enough.” Has Kasey Chambers had any reaction to the film?

SB: I tried to stay within the horror genre but at the same time subvert the conventions, and having our troubled hero listen to heavy metal (the “devil’s music”) and our villain listen to a top-of-the-pops ballad like “Not Pretty Enough” was a way of doing that. As far as I know Kasey hasn’t seen the film. I’m dying to know how she’ll react.

SFBG: Did any particular films inspire you, in general or in making this film in particular?

SB: My filmic influences were a real mash up. Structurally the film is closest to Misery (1990) but tonally there are shades of Carrie (1976), Dazed and Confused (1993), Footloose (1984), The Terminator (1984), The Texas Chainsaw Massacre (1974 original), The Evil Dead (1981), Henry: Portrait of a Serial Killer (1986), [and the works of directors] David Lynch, Gaspar Noe, Michael Haneke, John Hughes, and even Walt Disney. The way Tarantino juxtaposes violence and comedy was a big influence. I’m also a huge David Fincher and P.T. Anderson fan. Audiences may recognize some of the influences but hopefully the film, as a whole, will be a fresh experience.

SFBG: A difference between this movie and those associated with “torture porn” is that here both victims and perps are pretty complicated characters.

SB: I hope so. I did my research and tried to get inside the heads of these characters before I started writing. Characters in horror movies are often one-dimensional cardboard cutouts. But really great ones like The Shining (1980), The Exorcist (1973), and Rosemary’s Baby (1968) delve into the psychology of the moment. They answer the question: how do ordinary people react to extraordinary situations honestly? They explore our base instincts with emotional authenticity.

I’ve made a horror movie, so I don’t want to sound hypocritical, but in my opinion movies that focus on the stalking bogeyman are actually kind of immoral because as an audience we’re almost forced to barrack for the killer. We know they won’t die (because there’s always a sequel) and we know nothing about the people being hunted and what makes them tick. So the main point of interest becomes, how much bare flesh am I going to see and how inventively gruesome is the next kill going to be? To me that’s not real horror. Real horror is having a relationship with the dark, extreme side of human nature and getting inside the cruelest of minds then genuinely caring about the people who are trapped in this terrifying web.

SFBG: The film really does dish out some horrifying abuse, though — did you ever pull back on how graphic it would be?

SB: No. Never. I’m not a fan of PG-13 horror. The middle ground is pretty boring — that’s why it’s called the middle ground. But we’re a balls-to-the wall pop-horror movie and as a fan growing up loving horror movies, I know what I like and I think I know what other true horror fans like, and we like to be pushed. Audiences go to horror movies to be scared. The brief is to freak them out so why hold back?

SFBG: Did anyone suggest you take out the whole comedy subplot involving the best friend’s dream date with the school’s goth chick? Although it works — both on its own and to provide some relief from the main action, which might be unbearable to watch without some interruption.

SB: The first draft of the screenplay was basically confined to the farmhouse, where most of the horror plays out, but it began to feel a bit suffocating. Like Misery, The Loved Ones is a kind of claustrophobic horror and also like Misery, which cuts to the sheriff and his wife for light relief, there are moments when the audience needs to take a breath, wipe their sweaty palms and maybe even have a nervous chuckle before preparing for the next white-knuckle onslaught.

SFBG: It’s a good thing your lead actress has already done some other, very different things, since otherwise she might be typecast forever as the horror-movie Girl from Hell.

SB: Yes, Robin McLeavy is an incredibly well-respected theater actress. She recently played Stella opposite Cate Blanchett’s Blanche in Liv Ullmann’s version of A Streetcar Named Desire, and won a Hayes Award for her performance, which is Washington’s answer to the Tonys.

SFBG: Upcoming projects? Have you gotten any overtures from major studios/producers?

SB: I’m writing a home invasion thriller with a unique twist, am attached to a medical thriller, which is a modern reworking of the Jekyll and Hyde story, and I’m in discussions with major studios and producers about a couple of other projects that I’d better keep quiet about for now.

The Loved Ones
San Francisco International Film Festival
May 2, 10:30 p.m., Castro, 429 Castro, SF
May 6, 3 p.m., Kabuki, 1881 Post, SF
www.sffs.org

Street Threads: Look of the Day

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Today’s Look: Amber and Tony Bear, Dolores Park

Tell us about your look: “I got this dress at a thrift store years ago.”

alt.sex.column: No sex, please — we’re 40

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Dear Andrea:

I’m 46 and seeking a hetro/bi woman my age who is authentically interested in a sexual relationship. I’ve heard many middle-aged women openly proclaim that they “don’t care about sex.” Since then, I’ve heard similar from many sources, including several female friends and countless craigslist meet-ups where it was volunteered without any prompting. I find this terribly depressing.

I thought a woman’s interest in sex increased as they got older. (Thanks, Anne Bancroft!). Now I’m honestly not sure what my options are. I haven’t had sex in two years.

Love,

46-Year-Old Man

Dear Old Man,

I’m surprised by the near-unanimity among your female age cohort. I wonder if you’re experiencing some sort of selection bias or selective hearing. It’s not an unusual story, but to hear it from every single woman you ask makes me wonder if you’re asking the right questions.

It’s true that what research there is often also based on the wrong questions — there’s a great deal of interest in libido-enhancing drugs for women, and a lot of statistics purporting to show an “epidemic” of female sexual desire disorders, but it’s very hard to figure out what’s really going on. Until recently, a 48-year-old woman was very likely to experience loss of libido due to being dead, or so worn-out and overworked that the best she could hope for was to be left alone.

Since a modern Western middle-class middle-aged woman now looks and feels like a 17th century 17-year-old and still has another 40-some years ahead of her, you better believe expectations have changed. They have changed so much that the slight diminishment of libido a woman might expect in her 40s is now considered a medical emergency.

In truth, many women do feel their libidos rushing back as soon as the last child earns her driver’s license. It isn’t only the temptingly empty house that does it — the role of mom, while deeply gratifying, does not produce a sense of oneself as irresistible object or roaring engine of desire. And while we should never forget that the glorious Bancroft was a wizened crone of 35 when she rolled down that famous stocking, many women in their 40s and 50s are still plenty interested in sex. Under the right circumstances.

Study after study indicates that most women require intimacy and emotional involvement even to get to the turn-on stage. Still others may have their sexuality tied up with a younger, thinner, or firmer self-image. There’s nothing like good sex to restore a sense of joy in and respect for one’s body. But again, it may take a lot of trust and a lot of affection to get there.

An interesting, attractive man of a certain age can totally get laid. But not, I suspect, if he even hints, upfront, at a need to know how many times he can expect it weekly once the deal is sealed. That’s no way to hook a lady who doesn’t even know you yet. I fear you are giving up too easily, and only hearing what you don’t want to hear.

Love,

Andrea

Got a question? E-mail Andrea at andrea@mail.altsexcolumn.com

Benefits: April 21-April 27

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Ways to have fun while giving back this week – shop, get your hair done, collect art, and be entertained…for a cause.


Wednesday, April 21


Rent Party

Help support Central Works, a Berkeley non-profit theater company that aims to develop and produce new works for the theater, at this annual rent-raising fundraiser featuring dinner, wine, live and silent auctions, and entertainment.
6:30 p.m., $75
Berkeley City Club
2315 Durant, Berk.
(510) 558-1381
www.centralworks.org

Saturday, April 24


Elisa’s Green Benefit Fashion Show

This fashion show will feature a showcase of work from young Bay Area designers and a Project Runway style prom-dress makeover challenge. Proceeds to benefit Princess Project, a local non-profit that promotes self-confidence and individual beauty by providing free prom dresses and accessories to high school girls who cannot afford them.
6 p.m., $15
Rythmix Cultural Works
2513 Blanding, Alameda
(510) 864-4134

Save Wildlife from Trash
In celebration of Earth Day, the thrift store Buffalo Exchange will be donating all the proceeds from their “Dollar Day Sale” to the Humane Society of the United States’ “Don’t Trash Wildlife” campaign.
All day, free
1210 Valencia, SF
1555 Haight Street, SF
www.buffaloexchange.com

Sunday, April 25


Beat Sarcoma Fun Run

Help raise funds for sarcoma-specific research and to help support those dealing with Sarcoma at this fun run featuring a 5k and 10k run, complete with a “fun/costumed” theme category and a “pet” category.
8:30 a.m., $25
Conservatory of Flowers
Golden Gate Park
100 John F Kennedy Drive, SF
www.beatsarcoma.org

Beauty for a Cause
Stop by Moxi Salon on Sunday and pamper yourself for a cause, with $25 haircuts and $35 minifacials being offered all day. Proceeds to benefit Nature in the City, a non-profit for conserving and restoring San Francisco’s biodiversity.
1 p.m., $25-$35
Moxi Salon
1980 Union, Suite 8, SF
www.natureinthecity.org

Tuesday, April 27


Breast Cancer Fund Heroes Celebration

Attend this awards program and fundraiser to recognize people for their groundbreaking work to stop breast cancer before it starts. The evening to feature an awards ceremony, organic buffet, eco-friendly marketplace, and more. The Breast Cancer Fund advocates for the elimination of environmental and other preventable causes of breast cancer.
6 p.m., $200
Yerba Buena Center for the Arts
701 Mission, SF
www.breastcancerfund.org

SF Center for the Book Spring Art Show
Attend this art show and silent auction for San Francisco Center for the Book (SFCB) featuring a showcase of traditional and experimental book art forms. SFBC is celebrating 15 years of championing book arts as an enduring medium of self-expression.
6 p.m. preview hour, $75
7 p.m., $25
San Francisco Center for the Book
300 De Haro, Suite 334, SF
(415) 565-0545 ext. 14
http://www.sfcb.org

The Daily Blurgh: Gaga pops, unsavory whiskers

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Curiosities, quirks, oddites, and items from around the Bay and beyond

Oaktown Art (via Eye on Blogs) takes us on a tour of “one of the largest rooftop gardens in the world” paid for with insurance premiums (we’re only kidding with that last bit).

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“Talk about defining deviancy down. What beige days we live in, when mentioning Rilke, Warhol, and David Bowie are proof positive of edgy intelligence. Rilke isn’t exactly obscure, and Warhol and Bowie are two of the best-known brands in pop history. Gaga isn’t all that weird, despite her revisionist accounts of growing up feeling “like a freak,” as she told Barbara Walters.” Thank you, Mark Dery, for articulating (albeit, rather longwindedly) my 99 problems with Lady GaGa.

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 William T Vollmann as a lady. ‘Nuff said.

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Never trust anyone over-beardy? (h/t The Slog)

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“Performance journalism” isn’t Anderson Cooper flexing his biceps in a hurricane. In fact, it happened just this last weekend here in SF when Pop-Up Magazine presented its third, live “issue” at the Herbst Theater for a sold-out audience. Boing Boing’s Elisabeth Soep attended, and took away “five things Pop-Up does better than print.” Now, I’m all for Pop-Up’s attempts to invigorate journalism by thinking beyond the written word by reconfiguring the “publication” as an actual salon. And Soep has a point. Print media has often had difficulty putting across the qualities she admired about the event – its ephemerally, spontaneity, draftiness (a slightly awkward word choice which describes how some presenters shared works in progress or pieces that had been rejected by other publications, not the temperature in the Herbst), and its seamless, thematic segue into the after-party – relying on online content, blogs (heeeey!), coordinated parties or tie-in events, and a whole bunch of other Web 2.0 tricks to offset the time lag inherent to old school publishing. However, I would counter that the flipside to Pop-Up’s in-the-moment uniqueness is its lack of accessibility. Not everyone who is interested in “reading” Pop-Up is able to. Would recording the proceedings and putting them up on online really ruin the moment? I don’t think that the “unexpected shift from media to live” Soep recounts as being a highlight of one the presentations would lose all of its unexpectedness if I were able to watch it at a remove. Besides, most people know that watching a concert on Youtube isn’t the same as being there. But more to the point: I want to hear the stories that are being told at Pop-Up. Would I love to hear Aimee Mullins speak in person? Of course. But I’m grateful that TED made what she had to say at their fancy thinking fest available to the public. Also, regarding “draftiness,” all I will say is that sometimes all one wants for dinner is a delicious stir fry, and that, at other times, only a slow-roasted pork shoulder will do.

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And speaking of local journalism: Quis custodiet ipsos custodes?

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Happy day:

http://www.youtube.com/watch?v=JB6rHRpuWz4

The crime-lab mess: Who knew?

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It’s no secret that the San Francisco crime lab is a godawful mess; in fact, we first pointed out problems in the lab back in 2001. Nobody took it seriously, and things continued to deteriorate.


Now the Examiner is pointing fingers at District Attorney Kamala Harris, saying her office had word that things weren’t exactly hunkey-dorey at the testing facility long before the current mess emerged. And if, indeed, a senior deputy in the D.A.’s office knew that the crime lab was bungling cases, Harris should have been informed, and she should have gone to the police chief and demanded to know what was going on; after all, lots and lots of her cases are now going south because of screw-ups in the lab.


But let me add another element to this, one that the daily newspapers haven’t put much focus on:


Where the hell was the chief of police, the assistant chief in charge of the crime lab, the crime lab director — all the top SFPD brass — whose job it was to monitor the lab and ensure its quality — while a truly nasty, messy situation was developing? Now, much of this pre-dates Chief George Gascon, and the guy he brought in from L.A., Assistant Chief Jeff Godown, who’s now trying to patch things up. But if the D.A.’s office knew there were problems, and a deputy D.A. was able to point to one lab employee who was allegedly calling in sick just to screw up lab operations, it’s almost inconceivable that nobody at the Police Department had a clue what was going on.


Godown appeared April 19 at the Board of Supervisors Public Safety Committee, and Sup. Ross Mirkarimi grilled him about how the situation was allowed to get so bad. Godown’s answer: “We’re still trying to piece together who knew what at the crime lab. Did the commanding officer know? Did the command staff at the Hall of Justice know?”


Good questions, because either somebody knew — and didn’t report it — or nobody knew anything, in which case you wonder why the SFPD is allowed to run a crime lab in the first place.

Quick Lit: April 21-April 27

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Literary readings, book tours, and talks this weekincluding NYT Dot Earth blogger Andrew Revkin, local activist Peter Berg, McSweeny’s Issue 34, poetry readings in honor of National Poetry month, and more.


Wednesday, April 21

Cosmic Conversation
Join KQED for a conversation with Dr. Neil deGrasse Tyson, host of NOVA scienceNOW, and Paula Apsell, senior executive producer of NOVA and NOVA scienceNOW, for a behind-the-scenes look at the science series and a discussion about the show’s “Pluto files.”
8 p.m., $15
Palace of Fine Arts
3301 Lyon, SF
(415) 392-4400
www.cityboxoffice.com

 
Greenpeace’s New Rainbow Warrior
Hear from Kumi Naiboo, the new Executive Director of Greenpeace International, discuss how to lead a grassroots group at a crucial point in the international environmental movement.
6:30 p.m., $20
Commonwealth Club
595 Market, 2nd floor, SF
(415) 597-6700

Daniele Mastrogiacomo
Hear Italian journalist Daniele Mastrogiacomo discuss his new book, Days of Fear, about how the Taliban kidnapped him, his driver, and his translator, about his subsequent travel throughout a system of Taliban underground hide-outs, the televised brutal murder of his driver, and his eventual release.
6:30 p.m., free
Italian Cultural Institute
425 Washington, Suite 200, SF
(415) 788-7142


Wherever There’s a Fight

Hear authors Elaine Elinson and Stan Yogi read from and sign their new book at this installment of Betty’s List Literary Salon.
6 p.m., free
Duboce Park Café
2 Sanchez, SF
www.wherevertheresafight.com


Thursday, April 22

Reza Aslan
Hear Reza Aslan, author of How to Win a Cosmic War: Confronting religious fundamentalism, discuss her theory that in a post 9/11 world, the U.S.’s “war on terror” adopts the same religiously polarizing rhetoric and cosmic worldview as the jihadists, and is therefore fighting a war that can’t be won.
8 p.m., $10-18
Jewish Community Center of San Francisco
Kanbar Hall
3200 California, SF
(415) 292-1233

Envisioning Sustainability
Hear author and environmental activist Peter Berg discuss his new collection of essays that helped to define the bioregional movement and shape the sustainability revolution.
7 p.m., free
Modern Times Bookstore
888 Valencia, SF
www.mtbs.com

How to Cool the Planet
Hear author Jeff Goodell discuss his new book that talks about the Earth’s possibilities for geoengineering, the idea that we can use technology to reduce global warming on Earth, which was recently made more popular by the eruption of Iceland’s Eyjafjallajokull volcano.
7 p.m.,free
Books Inc.
1760 4th St., Berk.
(510) 525-7777

“Medicean Music and Francesca Caccini”
Hear a presentation from Kip Cranna, from the SF Opera, about music from the Medicean world and hear Richard Savino, from CSU Sacramento, discuss Francesca Caccini, composer of the first published opera by a woman.
6 p.m., $15
Mechanics’ Institute
57 Post, SF
(415) 393-0100

“The Natural and Unnatural History of Yerba Buena Island and What Might be Next”
Hear a panel of experts present an illustrated overview of Yerba Buena Island’s history, ecological treasures, threats, and possible plans for the future.
7:30 p.m., free
Randall Museum
199 Museum Way, SF
www.natureinthecity.org

Poetry at Pegasus
Celebrate National Poetry Month at this reading with poets Kathleen Weaver, Gretchen Stengel, Susan Elliot Jardin, Cynthia Carmichael, and Jane Downs.
7:30 p.m., free
Pegasus Books Downtown
2349 Shattuck, Berk.
www.pegasusbookstore.com

RuPaul
Attend this book signing with the world’s most famous drag queen RuPaul, celebrating her recent book, Workin’ It! RuPaul’s Guide to Life, Liberty, and the Pursuit of Style.
7:30 p.m., free
Books Inc.
2275 Market, SF
(415) 864-6777

“Truth Emergency Interantional: Censorship, propaganda, and empire”
Attend this talk and booksigning with Peter Philips and Mickey Huff, co-editors of Project Censored 2010: The top 25 stories of 2010.
7 p.m., $5-20 sliding scale
Berkeley Unitarian Universalists
1924 Cedar, Berk.
http://www.bfuu.org

Friday, April 23

“The Contradictory Legacy of Haiti’s Revolution”
Attend this talk with Robert Fatton, Jr., author, scholar, and Professor of Government and Foreign Affairs at the University of Virginia, titled, “The Contradictory Legacy of Haiti’s Revolution: History and the earthquake crisis.”
6:30 p.m., free
California Institute of Integral Studies
Social and Cultural Anthropology Department
1453 Mission, Room 308, 3rd floor, SF
(415) 575-6249

Mark Kurlansky
Hear about Mark Kurlansky’s new book, The Eastern Stars: How baseball changed the Dominican town of San Pedro de Marcoris, about one small impoverished area in the Dominican Republic that has produced a suprising number of Major League Baseball talent.
7:30 p.m., free
Booksmith
1644 Haight, SF
(415) 863-8688

WritersCorps Reading Series
Attend this “Claim the Block” reading series featuring readings by young writers.
7:30 p.m., free
Yerba Buena Center for the Arts
701 Mission, SF
(415) 252-4655 to RSVP

Saturday, April 24

“America’s Muslim Roots”
Hear Bay Area Muslim journalists Hamza van Boom and Yahsmin Binti Bobo in conversation with Jonathan Curiel about his new book, Al’ America: Travels through America’s Arab and Islamic roots, which details the historic influence of Arab and Muslim culture on America from Columbus to the modern age.
6 p.m., $7
Islamic Cultural Center of Northern California
1433 Madison, Oak.
(510) 219-2431

“Outspoken: Vietnamese Poets of the Diaspora II”
Attend this event that celebrates the thriving Vietnamese community in the Bay Area with readings by poets Anh Vu Buchanan, Andrew Lam, Kim-An Lieberman, Trinh T. Minh-Ha, Dao Strom, and Lan Tran.
7 p.m., free
Fort Mason Center
Laguna at Marina, Fleet Room, SF
www.friendssfpl.org

 

Sunday, April 25


I Love You and I’m Leaving You Anyway
Mad Men writer Tracy McMillan tells the story about her relationship with her father, who was a convicted pimp, drug dealer, and felon, and what it has meant for her relationships with men.
3 p.m., free
Books Inc.
2251 Chestnut, SF
(415) 931-3633

Monday, April 26

The Immortal Life of Henrietta Lacks
As part of the Ask a Scientist lecture series, scientist and author Rebecca Skloot will discuss her new book about the life of a poor tobacco farmer who died of cervical cancer in 1951 but whose cells are still alive today and used for scientific research. Skloot will discuss bioethics, race issues, history, and family.
7 p.m., free
Horatius
350 Kansas, SF
(415) 252-3500

A Thousand Sisters
Hear author Lisa Shannon discuss her book which cronicles her journey to the Congo to meet the women there and share their stories.
7:30 p.m., free
Books Inc.
2251 Chestnut, SF
(415) 931-3633

Will Grayson, Will Grayson
Not Your Mother’s Book Club (NYMBC) presents John Green and David Levithan,
the authors of Will Grayson, Will Grayson, about two teens with the same name who cross paths in Chicago.
7 p.m., free
Books Inc.
601 Van Ness, SF
(415) 776-1111

Tuesday, April 27

Andrew Revkin
Hear award winning environmental journalist and author Andrew Revkin discuss his work on the New York Times’ Dot Earth blog, 25 years covering environmental and social subjects, and his previously published books, like The North Pole Was Here.
8 p.m., $20
Herbst Theater
401 Van Ness, SF
www.cityboxoffice.com

Hunting Eichmann
Hear author Neal Bascomb discuss his new book about a Nazi who escapes American POW camps and hides in the mountains in Buenos Aires before he is eventually caught and brought to trial.
7 p.m., free
Books Inc.
1760 4th St., Berk.
(510) 525-7777

McSweeny’s Issue 34
Attend this release of the highly anticipated Issue 34 of McSweeny’s presented by Nick McDonell, Tom Barbach, and Daniel Handler.
7:30 p.m., free
Books Inc.
2251 Chestnut, SF
(415) 931-3633

Noir Literary Night
Attend the 5th annual Nior Literary Night featuring Cara Black, author of Murder in the Palais Royal, David Corbett, author of Do They Know I’m Running?, and Joe Gores, author of Spade & Archer: The prequel to Dashiell Hammett’s the Maltese Falcon.
6 p.m., $12
Mechanic’s Institute
57 Post, SF
(415) 393-0100
www.milibrary.org

Karin Sanders
Attend a reading and discussion of Karin Sanders’ new book, Bodies in the Bog and the Archaeological Imagination, in conversation with Mark Sandberg.
5:30 p.m., free
University Press Books
2430 Bancroft, Berk.
(510) 548-0585

The danger of Props. 16 and 17

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The problem here is not just two awful laws – it’s the idea that a single company, with loads of cash, can utterly subvert the basic premise of Democracy

EDITORIAL The California Democratic Party voted at its statewide convention April 17 to oppose Propositions 16 and 17. The San Francisco Chronicle — no friend of public power and consumer rights — endorsed strongly against both measures April 18. In fact, most major newspapers and civic groups have come out against what amounts to the most blatant attempt in California history by a pair of big corporations to buy favorable legislation at the ballot box.

 

And for Pacific Gas and Electric Co. and Mercury Insurance, none of that matters much.

This campaign is all about money — big gobs of money — and PG&E and Mercury have it and their opponents, so far, don’t. And if that doesn’t change in the next few weeks — if Democratic Party leaders, starting with Speaker of the House Nancy Pelosi and Sens. Dianne Feinstein and Barbara Boxer — don’t immediately start making the defeat of these two measures a priority, California will send a signal to every big corporate interest in the world that its laws and policies are for sale.

Prop. 16 is being sold — in slick TV ads and mailers so deceptive they can only be called intentional lies — as giving the voters the right to have a say before local government gets into the business of selling electricity. The proposition, one PG&E flyer notes, “is our best protection against government spending your money to get into a business they [sic] know nothing about.”

Actually, government knows a lot about the electricity business. All over California, public power agencies offer better service and lower rates than the private utilities. Nationwide, residents of more than 2,000 communities have public power — and few want to give it up and return to buying electricity from private utilities.

But that’s not the point. Prop. 16 exists entirely because PG&E wanted to stop competition. The company is spending at least $35 million of its money to pass a law that would require a two-thirds vote (a nearly insurmountable obstacle) before any local agency can offer or expand local electricity service. The Chronicle, which has always opposed public power in San Francisco, argues that “Californians should be skeptical of any local government’s claim that it can deliver cheaper and cleaner power than an established utility. But they should be at least as wary when that monopoly utility wants to deprive them of that choice.”

Prop. 17 is another blatant single-interest measure, sponsored and underwritten entirely by one giant insurance company, to change the way car insurance is regulated in California. It would, among other things, allow insurers to raise rates for people who don’t already have coverage. Give up your car for a year (because you lost your job and couldn’t afford it, or decided that you could commute just as well by bicycle, or for any other reason) and the next time you buy insurance, your rates could soar — even if your driving record was clean.

The problem here is not just two awful laws — it’s the idea that a single company, with loads of cash, can utterly subvert not only the intent of California’s initiative law but the basic premise of Democracy. PG&E and Mercury were unable to get the state Legislature to do what they wanted, so they hired campaign consultants, paid millions for people to gather signatures on petitions, put the self-serving measures on the ballot, and are now flooding airwaves and mailboxes with well-crafted, effective lies. If they succeed, what’s going to stop every other sleazy big-money interest from doing the same?

Well, right now, nothing.

It’s absolutely critical, both for the issues of public power and consumer rights and for the fundamental notion that you can’t simply buy a new law, that Props. 16 and 17 are defeated. But we’re not seeing a lot of evidence that any of the most influential people in California are taking this seriously.

State Sen. Mark Leno has done tremendous work in getting the state party to oppose Prop. 16. Assembly Member Tom Ammiano has been working nonstop in Sacramento to try to get some money into the No on 16 coffers. San Francisco Sup. Ross Mirkarimi has led the statewide organizing efforts. And San Francisco City Attorney Dennis Herrera joined a lawsuit to invalidate the law.

But in all the speeches and public statements that Pelosi, Boxer, Attorney General Jerry Brown, Lt. Gov. candidates Janice Hahn and Gavin Newsom, party chair John Burton, and others delivered at the state party convention, there was nary a mention of the fundamental importance of voting no on 16 and 17. None of the people who are capable of raising millions of dollars, the sort of money needed to defeat these measures, is making much of an effort to do it.

Props. 16 and 17 can be defeated. All it takes is a massive campaign to educate voters in a low turnout election about what these two measures actually are. But if the state’s political leaders allow these two measures to pass, California in 2010 will go down in history as the most corrupt and ungovernable state in America. And it’s very close to happening.

 

Nevius’ argument doesn’t fly

Here’s a line from the San Francisco Chronicle’s latest “hard-hitting” science news, penned by columnist C.W. Nevius:

“Birds have been flying around similar buildings for years, but apparently would suddenly lose their bearings and crash into this one.”

The building Nevius refers to, of course, is the proposed 555 Washington tower, the subject of mighty controversy which will go before the Board of Supervisors today, April 20.

The luxury condo tower would be erected beside the Transamerica Pyramid, and it’s drawn no shortage of criticism due to a variety of issues including, yes, the threat it poses to birds.

Nevius seems to be implying that anyone who would worry about the welfare of birds when there’s a recession going on is just plain silly. But is a luxury condo tower that most people can’t afford to live in really going to benefit the average San Franciscan who’s reeling from the recession?

And what about the birds, anyway? While the danger to birds is just one issue critics have pointed to — think increased traffic congestion, public parks darkened by shadows, spot-zoning that doubles the allowable height limit, etc. — Nevius dismisses it as ridiculous without, apparently, so much as glancing at the facts.

So in case anyone cares, here’s is a deeper explanation of the bird issue, derived from information (readily available via Google search) on the Golden Gate Audubon Society Web site. Since birds migrate at night, they can be thrown off course by tall, lighted structures. Scientists aren’t really sure why lit-up skyscrapers are so confusing to the delicate winged creatures, but they think it may have something to do with the fact that they use the stars as navigational cues.

“Once in among the lights, birds seem reluctant to fly out,” the Audubon Society informs us. “Sometimes they strike buildings or rooftop structures outright. Sometimes they continue flying in circles around the lighted buildings until they drop to the rooftop or the ground from exhaustion.”

So, the notion that birds have been flying around similar buildings for years without any problem is pretty much a myth. And the idea that they would lose their bearings seems to be backed by science — not (gasp!) some wild tale crafted by hysterical anti-development lefties who hate progress.

Some of the roughly 250 different kinds of birds that migrate through the Bay Area are threatened species.

The Golden Gate Audubon Society sponsors a voluntary program called Lights Out for Birds (an apt or unfortunate title, depending on how you look at it), in which building owners, managers, and tenants work together to turn off unnecessary lighting between key migration dates.

Now, this isn’t to say that 555 Washington ought to be halted purely because some endangered birds might meet their demise slamming against the fancy new addition to downtown San Francisco (though this prospect doesn’t exactly jive with they city’s green image, does it?). Whether or not the building moves forward is the subject of a rigorous public debate that we can surely look forward to very soon. But we just wanted to set the record straight on the bird bit, lest you feel disoriented and confused by Nevius’ reporting.

P.S. We emailed Nevius a little while ago for a comment. If he responds, we’ll post it as an update.

Chiu talks MTA reform as agency fails to support Muni

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With the San Francisco Municipal Transportation Agency Board of Directors poised to approve a truly terrible two-year budget today (4/20) – one that locks in Muni service cuts, subsidizes the police and other city departments, and fails to seek new revenue sources – there is talk about reforming an agency run exclusively by appointees of Mayor Gavin Newsom.

The most significant figure sounding that call is Board of Supervisors President David Chiu, who told the Guardian that he plans to hold hearings this year on the MTA board failures to support transit service, with the goal of placing reform measures on the November ballot. Helping that effort will be his newest board aide, Judson True, who comes from a fire-tested stint as the MTA’s spokesperson and before that was a board aide to then-Sup. Gerardo Sandoval.

“We’re going to have a very serious discussion about MTA reform,” Chiu told the Guardian. “I’ve got some real questions and for the next six months, that will be front and center…I expect there to be a very robust discussion about the MTA and balancing that budget on the backs of transit riders.”

Those discussions will be wrapped into city budget season, a realm in which Chiu is also adding firepower right now by hiring Cat Rauschuber as his other new board aide. Rauschuber has her masters in public policy from Harvard’s Kennedy School of Government, most recently worked for city Budget Analyst Harvey Rose, and earlier worked in the city’s Legislative Analyst’s Office.

“It’s important that we hire folks who have experience in city government, particularly solid policy experience,” Chiu said, adding that his third board aide, Victor Lim, came from the Asian Law Caucus and has experience in immigration reform, another valuable asset given the ongoing standoff between the board and Newsom over sanctuary city policies. 

True and Rauschuber are also master networkers with strong and extensive connections in the progressive community, as well as more mainstream arts, culture, and political communities (Full disclosure: They’re also friends of mine). Those connections and social skills could help unite the varied critics of the current MTA budget, which range from the downtown-oriented SPUR to the new San Francisco Transit Riders Union (SFTRU) to the radical ANSWER Coalition, all of whom have areas of policy disagreement over the best way forward.

All are expected to weigh in today (4/20) at 2 p.m. when the SFMTA convenes in City Hall Room 400 to discuss and vote on the agency’s two-year budget. And while the groups may differ over partial solutions like extended parking meter hours, they all agree this a truly terrible budget that disproportionately punishes low-income people who rely on Muni.

“The budget is irresponsible and dishonest,” SFTRU project director Dave Snyder. “It reveals the hypocrisy in the mayor’s stated environmental commitments. This action will cut public transit permanently and that’s irresponsible.”

Mayoral press secretary Tony Winnicker has not yet responded to the accusations or to Chiu’s calls for MTA reform, but I’ll post his response in the comments section if I hear back.

Street Threads: Look of the Day

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Today’s Look: Sarah, 18th Street and Dolores

Tell us about your look: “Cheapie store buys”

Leno & TURN team up for a “ratepayers’ right to vote act”

California Sen. Mark Leno has introduced legislation that would give utility customers the right to have a say over how investor-owned utilities, like Pacific Gas & Electric Co., distribute their profits. Under the proposal, which is being heard today, April 20, by the California Senate Energy Committee, ratepayers would have an opportunity to vote before PG&E transferred millions in profits to its shareholder entity, parent company Pacific Gas & Electric Corp.

Sponsored by The Utility Reform Network (TURN), the leading advocacy group opposing Prop 16, the measure is a clear response to the PG&E-bankrolled “Taxpayer’s Right to Vote Act.” The utility giant is poised to spend up to $35 million on the campaign to pass Prop 16, a ballot initiative requiring a two-thirds majority vote for municipal electricity programs. The proposed change in the state constitution could serve to eliminate the utility’s competition and secure its monopoly.
 
“Ratepayers should definitely have a say,” Leno told the Guardian. “Some of these ratepayer-generated profits go to very expensive political campaigns.”

In a press release issued about the proposed legislation, titled Senate Bill 1441, Leno highlighted an array of service problems PG&E customers have had to contend with, including “small service outages, some resulting from underground explosions, due to the utility company’s failure to invest adequate resources in routine preventive maintenance and upgrades on its aging delivery system.”

Not surprisingly, PG&E sent a letter of opposition to the bill, charging that it would have “significant negative impacts on utility operations, reliability, and costs to customers,” the opposite argument that Sen. Leno has used to promote it. Supporters include TURN, the Agricultural Energy Consumers Association, and the South San Joaquin Irrigation District.

If the legislation passes, the earliest it could take effect would be the first of the year.

Sabar dances for Bay Area art form

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When Delina Patrice Brooks got the call to audition for the new movie about the Bay area African dance community, she didn’t have to think twice. “Anything that helps to promote, preserve and expose the beauty of African dance gets an easy “yes” from me,” says the local dancer and artist. She wound up in a supporting role in Sabar, a film which screens at the Museum of the African Diaspora Fri/23, and which highlights an important cultural movement in the Bay. “The film was very reflective of our community,” says Brooks, whose been an advocate of, and participant in, the traditional artistic form for over a decade.
Sabar’s creator and director, Nigerian filmmaker Chike Nwoffiah, initially set out to make a documentary on the local dance scene that captivated him with it’s vibrant sights and sounds. Flush with dance classes and performances, the Bay’s African dance — a form which has a subgenre known as “sabar” — culture is unprecedented in the US.

“African dance is huge in the Bay area,” says Eboni Hawkins, director of see.think.dance, which promotes connections between urban communities, artists and dance productions. “Out of all dance communities in the US, we [in the Bay] are really known for traditional dance.”

After hearing of the social connotations and intense spiritual communion that many African dancers take from their art, Nwoffiah, who at one point commented “my heart was bleeding sabar,” decided that his story could be best told in a dramatic arc.

Check out Sabar‘s trailer

The film he brought forth follows Aisha (played by the talented Bunmi DeRosario, a real life regular in the Bay’s traditional dance scene), a hip hop dancer who comes to sabar, a dance that originally comes from Senegal, more or less by accident. She’s surprised to find that the rhythms of the drums awaken within her some kind of rememberance — or is it destiny? — or excitement lacking in her modern world. She’s swept into the orbit of the dance, and the pattern of her daily life is forever changed.

For advocates of African dance, its not an unbelievable awakening. “There are people that come to dancing late in life, and they find that they become a part of something larger than themselves,” says Hawkins. “This is a really tight community, and it can be very welcoming.”

Watching Sabar, which has been screening across the world since its premiere at the 2009 Pan-African Film & Television Festival in Burkina Faso, you begin to understand the draw of traditional African dance; the bright fabrics, the clacking of cowries mixing with the bottomless reverberations of the djembe drums, the communal nature of multi dancer performances. The movie Sabar was honored with the best feature film and audience choice awards at the Urban Mediamakers Film Festival in Atlanta.

Hawkins calls Sabar a great “introductory point” for those unacquainted with the dance — and Brooks is quick to make the connection for those that like what they see. When asked what she would share with people about the making of the movie, she had an invitation to extend. “For anyone who enjoys moving their body, come dance with us! It’s intimidating at first — absolutely — but it’s invigorating.” She cited the workout potential of the art form, and finished up with an affirmation. “Just like in the film, the drums are captivating and the moves just — they just feel good.”

Fri/23 5 & 7:30 p.m., free with $10 museum admission
Museum of the African Diaspora
685 Mission, SF
(415) 358-7200
www.moadsf.org

Connecting the dots between Lennar’s vendors

4

Tomorrow (April 20), the Board of Supervisors will decide whether to support Sup. Chris Daly’s resolution to urge the Lennar Corp. to issue a formal, written apology to members of the Stop Lennar Action Movement and the City and County of San Francisco for irresponsible and potentially dangerous behavior.

At issue is a Feb. 18 incident in which a retired SFPD officer took a concealed weapon to a community meeting at the Nation of Islam’s Third Street mosque, where he gave a false name–and ended up handcuffed to a light pole.

If the past is any indication, plenty of allegations will be swirling tomorrow. So, before that drama unfolds, here is what’s in the public record, so far.

After questions arose as to whether the retired SFPD officer was employed by Lennar’s public relations subcontractor Sitrick and Company, or global security giant Andrews International, which swallowed up Lennar’s security subcontractor Verasys LLC, last fall, Lennar Urban’s president Kofi Bonner sought to clarify the Feb. 18 incident.

In an April 15 letter, Bonner tried to reassure Daly, other elected officials and the community, “that we are working to ensure that such an episode will never happen again.”

“You can be assured that no one from Lennar has any wish to escalate the atmosphere of blame and suspicion that led to this incident, which we truly regret happened,” Bonner said.

“As part of this effort the vendor and subcontractor most directly involved have expressed their apologies and clarified the record and facts surrounding this unfortunate occurrence,” Bonner said.

Bonner was referring to an April 14 letter that Verasys’ managing partner D.C. Page sent to San Francisco’s Board of Supervisors.
“Verasys was requested by our client, Lennar, to send a consultant to take notes at the public hearing,” Page wrote. “Lennar did not at any time ask that the consultant carry a firearm to the meeting and was not informed in advance that he had a concealed weapon.”

“Similarly, we had no way of knowing that the retired police officer whom we assigned to attend the meeting was going to a mosque or a house of worship,” Page continued. “Had we known, we would have ensured that the consultant did not bring a firearm to the meeting. We apologize to anyone who was offended by the presence of a weapon at a community meeting.”

Daly also received an April 14 letter from consultant Denise LaPointe, who clarified that Sitrick and Company has worked for Lennar and its subsidiaries since 2007.
“The Miami office originally hired the public relations firm to work on various matters relating to Lennar, which is a publicly traded company,” LaPointe wrote.

“As a result, the Los Angeles office of Sitrick became engaged with Lennar’s efforts in California including, but not limited to, the Hunter’s Point Shipyard project,” LaPointe continued, noting that Sitrick has offices in the Silicon Valley, San Francisco and New York, in addition to its Miami and Los Angeles offices.

(Sitrick’s office in Miami is located at 66 West Flagler Street, in Suite 410, which sounds like just a short stroll from Verasys’s office in Miami, which is located at 66 West Flagler Street, in Suite 401.)

‘In my experience, Sitrick and Company has worked in concert with Singer and Associates, a firm with a contractual agreement with Lennar dating back to 2000,” LaPointe continued, noting that Sitrick and Singer are both “communications firms specializing in large companies with complex public relations needs.”

Finally, LaPointe noted that the retired police officer didn’t have a contract with Andrews International.
“I have been informed that no contract exists,” LaPointe wrote.

Last but not least, an attorney for the retired SFPD officer sent the Board an apology, dated April 15, on behalf of his client.

“I would like to sincerely apologize for taking a concealed and un-displayed firearm to a community meeting held at the Nation of Islam center in Bayview Hunters Point on Feb. 18,” reads the apology, which was submitted by attorney James A. Lassart, who works in the San Francisco offices of Ropers, Majeski, Kohn & Bentley.

“I was assigned by a security firm, Verasys LLC, to attend a public meeting to make a record of a lecture concerning a draft environmental impact report,” Lassart’s client continues. “As a retired police officer in good standing with the San Francisco Police Department after 33 years of service, I routinely carry a concealed firearm and am licensed by the state of California to do so. Neither Verasys nor Lennar was aware that I had a firearm that night, nor did they request that I take one.”

”Notwithstanding my legal right to carry a firearm, I was unaware that the presence of my firearm would result in so much controversy,” Lassart’s client continues. “Had I known the meeting was being held in a house of worship, I would not have brought a weapon.”

“I am hopeful that my own ordeal that night is not forgotten,” the retired SFPD officer’s apology letter concludes. “I am withholding my identity because I was terrified by what happened to me and continue to fear for my safety. I was held against my will for nearly an hour, handcuffed to a light pole and repeatedly threatened with death by members of the Nation of Islam.”

Reached by phone, Daly said the letters don’t do what the resolution asks of Lennar.

“First, they are not addressed to the coalition,” Daly said, referring to the Stop Lennar Action Movement. “And I don’t need an apology.”

Daly said the letters seem to apologize for not knowing the meeting was held at a mosque, but not for sending an armed guy into a community meeting.

“It almost seems as if the letters were constructed in such a way as to avoid taking responsibility,” Daly said.

Calls to Lassart, the attorney for the retired police officer, remained unreturned as of this blog’s posting time.

At tomorrow’s Board meeting, there will be public comment on Daly’s resolution, but not a hearing into what happened Feb. 18, since a Board committee examined that incident at an April 12 meeting. So, in an effort to shine light on the serious issues that were raised on both sides of the equation, here are the main points from the SFPD report on the Feb. 18 incident:

According to the SFPD report, two officers were dispatched to 5048 Third Street, which houses the Nation’s Center for Self Improvement and Community Development, around 11.14 p.m, Feb. 18, regarding a “possible gun call” that involved “an approximately 50-year-old white male with a gun, surrounded by a group of eight black males.”

When the officers arrived, they found “a white male”, who identified himself as Robert “Bob” Tarantino* (the name given on the police report is not the real name of the retired SFPD officer) with his arms handcuffed in front of him around a light pole, and several black males surrounding him,” the report states.

The police asked Bob if he had a gun and he said yes, it was located in his left, rear pants pocket. The police removed the gun. Bob then told them that he was “a retired Q50 (Sergeant)”.
In the man’s wallet, police found a retired SFPD ID card that bore a CCW-approved logo on it, “thus allowing him to legally carry a concealed weapon,” the police report observes.
The retired officer also had a California Guard registration card in his wallet.

The report notes that Nation of Islam member Mark Muhammad told the police that night that he was responsible for handcuffing the retired officer and that he wanted to make a citizen’s arrest.
“However, he did not have the key in his possession and would have to go home to get it,” the report states, adding that Muhammad returned a few minutes later and unlocked the handcuffs on Bob, who willingly agreed to return to the Bayview Station, pending further investigation.

When the police interviewed Mark Muhammad, he said it was brought to his attention that Bob, who arrived at the meeting around 7 p.m. with an associate, was attempting to record what was said in the meeting. Muhammad told the police that The Nation doesn’t allow recordings, “unless they have our permission.”

Muhammad said he asked Bob if he could speak with him outside, where he advised him that he could not record the meeting. After speaking with Bob, Muhammad cross-referenced the man’s alleged name with the sign-in sheet and found a different name.
Two other Nation members informed Mark that they had seen, “the imprint of a firearm in the man’s left rear pants pocket as he went to sit at his seat.”
According to the police report, when the Nation members confronted Bob, he denied having a firearm, at which point they physically escorted him from the building.

Once outside, Muhammad told Bob he was going to make a citizen’s arrest.
Muhammad subsequently told the police that at no point did Bob, “brandish a firearm, gesture as if he had a pistol, nor did he physically assault him, or any other members of the congregation throughout the entire incident.”

Muhammad told police that Bob said to him, “You are making a mistake Mark! You’re going about this the wrong way! You are going about this completely wrong! You’ll see!”

The police report notes that Muhammad told police that he interpreted these words as threats. However, the police told Muhammad that since nothing Bob said was an actual threat, he could not be arrested.

Muhammad then told the police that he wanted to make a citizen’s arrest for trespassing, and the officers accepted the citizen’s arrest “pending further investigation of the allegation.”

At the Bayview station, Bob produced a flyer advertising the meeting.
“The flyer stated that the meeting was open to the public, and anyone in the community was welcome to attend,” the police report states.

Bob told the police that he admitted having a tape recorder to the Nation’s Miles Muhammad, but denied taping the meeting.
Bob said Miles at first demanded the recorder, but eventually requested Bob’s name and contact information, then returned with Mark Muhammad, who questioned the validity of his contact information and then asked him to leave.

Bob told the police that as he got up and walked to the door, Mark Muhammad grabbed his right arm and Miles grabbed his left arm, forcing him out of the building.
Bob said that as he was being forced out, Mark said,” You have a gun,” and “You brought a gun in here.”
Bob told the police that he denied having a gun and said it was his wallet.

Outside the building, Bob said Mark, Miles, Terrance Muhammad, and an unknown person threw him against a wall.

Bob said he asked to leave, but was held against his will for approximately half an hour.

According to the police report, Bob said Mark yelled “You white motherfucker!” and “You come to our place.”
The report states that when Bob asked to leave again, Terrance said, “If you move I’ll break your fucking arm.”

Bob said Mark eventually had him call his supervisor in Florida.

Bob said that conversation “lasted for ten minutes of Mark screaming at [Bob’s] supervisor.”

Bob said he feared the Nation members would take his firearm from him. He said he told them he had a legal right to carry a firearm and had documentation to prove it.
“At that point Mark grabbed his left wrist and handcuffed it and forced him to the light pole and handcuffed him to the light pole,”  the police report states.

Bob said he pleaded with the Nation to call 9-11.
According to the police report, “Mark replied, ‘Don’t tell us what to fucking do,’ and ‘You ain’t going nowhere.’”

Bob said he was handcuffed to the light pole for about ten minutes before police arrived.
He again said he was in fear of his life and his associates’ life and believed Mark, Miles, Terrance and the unknown suspect were going to physically harm him. Bob also said during the entire time he never made any threats towards any one and was fully cooperating with the nation.

SFPD’s Captain Jimenez, who headed the police’s investigation into the incident, “decided that due to the fact that the meeting was open to the public and anyone in the community was invited to attend and the fact that Bob did not refuse to leave the meeting once ordered by Muhammad, he could not be cited for trespassing and he was subsequently released.

“Prior to leaving, Bob gladly provided the SFPD with his personal information however requested it be kept confidential as he was concerned with the possible retaliation by the individuals involved in the incident,” the report concludes, noting that Sgt. Daniels took all evidence and took it into custody at the Bayview Station.

Cheating U.S. workers

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The drive to strengthen workers’ rights is one of the most important ever undertaken by an American administration

Hundreds of thousands of workers are being cheated by U.S. employers who blatantly violate the laws that are supposed to guarantee workers decent wages, hours and working conditions.

That’s been going on for a long time, but rarely as extensively as it was during the administration of George W. Bush. Thankfully, Bush is gone. And thankfully, President Obama and his outstanding Secretary of Labor, Hilda Solis, have this month launched a major campaign to try to overcome the very serious damage of the past.

Even the name of the campaign itself is very un-Bush-like. “We Can Help,” it’s called. Bush, of course, never so much as offered help to badly exploited workers. But he did, of course, offer plenty of help to their law-breaking employers.

So, just what are Obama, Solis and their allies in the labor movement and elsewhere up to? They’re taking some very big steps to encourage workers to report employer violations of the wage and hour laws – especially low-wage workers, who are the most exploited. And they’re trying to respond as quickly as possible to the workers’ complaints.

Undocumented immigrants, who are perhaps the most exploited of all workers, are being encouraged to make complaints and are promised they won’t be punished for their illegal status. As the Labor Department explains, all workers deserve decent treatment, whatever their legal status.

Solis’ Labor Department has made the campaign a top priority. The department has already hired more than 250 new investigators, increasing the number by more than one-third. Even with a lesser number, the department recovered more than $170 million in back pay for more than 200,000 workers since Obama took office.

The key element of the campaign is to make sure that workers understand their rights under the laws and report any violations of those rights.

Certainly there’s no doubt that there are plenty of violations to report. For instance, a recent survey of workers in Los Angeles, New York and Chicago found thousands of rampant abuses of low-wage workers, many of them undocumented immigrants. They worked in stores, in factories and offices, at construction sites, in janitorial and food service jobs, in  warehouses, in  private homes  and elsewhere.

More than one-fourth of the workers had been paid less than the legal minimum wage, often by more than $1 an hour less. That amounted to an average of more than $50 week in underpayments on wages that averaged not much more than $300 a week to begin with.

Many of the workers had been denied overtime pay or had their pay illegally docked for the cost of tools or transportation. Some were forced work without pay before and after their regular work shifts. Slavery is the word for that – being forced to work without pay.

Although the Labor Department is relying primarily on workers themselves to report on employers’ labor law violations, the department is also getting help from the AFL-CIO, its affiliated unions and other worker advocacy groups.

They are distributing posters, fact sheets and booklets spelling out the wage and hour laws and how to report violations, arranging meetings between workers and Labor Department staffers, holding forums at union halls, and other steps.

The department also has begun a publicity campaign in English and Spanish that includes TV ads featuring prominent Latinos, such as Dolores Huerta, co-founder of the United Farm Workers union, and prominent Puerto Rican actor Jimmy Smits.

Win or lose, the drive to greatly strengthen workers’ rights is one of the most important ever undertaken by an American administration. And I strongly suspect it will come in a winner.

Dick Meister, formerly labor editor of the SF Chronicle and KQED-TV Newsroom, has covered labor and politics for a half-century. Contact him through his website, www.dickmeister.com, which includes more than 250 of his recent columns.

 

 

 

 

The Daily Blurgh: Tea Party Grammer

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Curiosities, quirks, oddites, and items from around the Bay and beyond

Finally, a true case of teabagging? Yes, Virginia, it IS possible to be the spokesperson for a new “right-wing TV network” while starring in “La Cage Aux Folles” on Broadway. Kelsey — he is what he is.

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“Since many San Franciscans seem to work on a freelance, contract, or they don’t work basis they have plenty of time to spend posting pithy narratives about their experiences, or pictures of things in the Mission, or pictures of things outside of the Mission that they can write funny or nonsensical captions for. Often nonsensical things are the funniest or vice versa and San Franciscans have totally picked up on this.” Does linking to this damn me as part of the punchline? I’m feeling a little meta right now. Please excuse me.

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This NY Times article does a nice job discussing the increased visibility of LGBT comic fans, as well as LGBT characters in comics, when it’s not fawning over the cosplay-themed sausage party where, “the muscle-cuddling garb often leaves little to the imagination.” Of course nothing, neither gay nor super, could possibly ever surpass this:

http://www.youtube.com/watch?v=V0kUeQDPaGU

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Shocker: Pope’s lawyer is actually ex-dirty hippy, Berkeley resident (maybe he and John Yoo should do a power lunch?)

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San Francisco has a new art publication, titled in a no-nonsense fashion, The San Francisco Arts Quarterly. In addition to running a listings calendar, the Art Quarterly will also, according to the magazine’s manifesto (because what is an art publication without a manifesto?), “direct a dialogue with a highlighted neighborhood in San Francisco, rotating to different areas of the city with every issue. Each edition will consist of interviews with individuals and collectives who are showing an interest in the advancement of the San Francisco arts community and thus helping to further stimulate the city’s progressive nature.” The inaugural issue, which can be viewed online or downloaded as a pdf file, focuses on up-and-coming arts district the Tenderloin (aka San Francisco’s gritty, new tourist destination).

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All I have to say to this is no shit, SFGate:

 

 

Live Shots: Atoms for Peace, Fox Theater, 04/14/2010

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Another band of wayfarers headed for Coachella last week, Thom Yorke’s supergroup Atoms for Peace (yep, that’s Flea on bass) stopped by SF to funk up the Radiohead singer’s cerebral solo material.

Live Shots: The Dead Weather, The Fillmore, 04/15/2010

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SFBG photog Charles Russo caught moddy rockers the Dead Weather at one of their two atmospherically stompy Fillmore performances on the way to Coachella.