Because the Bay Guardian is the go-to source for Bay Area audiences, I thought your readers would be interested to know about the latest happenings at Mills College with the opening of its new concert hall and exciting all-star contemporary music festival.
From February 21-April 5 Mills will celebrate their rich music legacy with a six-concert festival, Giving Free Play to the Imagination. An elite group of musicians who have helped shape contemporary music around the world, Pauline Oliveros, Terry Riley, Roscoe Mitchell, Joan Jeanrenaud, Muhal Richard Abrams, the Arditti Quartet, and Fred Frith, among others, will perform pieces of their own design, including several world-premiere pieces, and of Mills composers past and present. At this time Mills will also celebrate the reopening of the Mills Concert Hall, a venue that has inspired audiences for more than 80 years. Oliveros will play the first sounds in the Hall on February 21.
Mills College is the international leader in contemporary music, which is why musicians from around the world come to Mills, and how Mills has become an incubator for the evolution of contemporary music, with the likes of Dave Brubeck, John Cage, Pauline Oliveros, Burt Bacharach, Darius Milhaud and Phil Lesh among students and faculty. As the Bay Guardian has covered Mills’ music in the past, I think your readers would be interested to know about this exciting festival, the Bay Area’s latest greatest concert venue, and what’s new in the world of Mills as its musicians inspire communities in the Bay Area and around the world.
Please let me know if we can arrange an interview with Mills music leadership or the performers to help you build your story. A summary of the Festival program is below, with further details available at www.mills.edu/musicfestival.
Best regards,
Victoria Terheyden
Victoria Terheyden
MacKenzie Communications, Inc.
600 California Street, Suite 1590
San Francisco, CA 94108
Tel: 415.403.0800 ext. 30
Fax: 415.403.0801
www.mackenziesf.com
Media Contacts:
Quynh Tran, Mills College
Media Relations Manager
510.430.2300
qtran@mills.edu
Victoria Terheyden
MacKenzie Communications, Inc.
415.867.2516
vterheyden@mackenziesf.com
Mills College Celebrates 80 Years of Musical Innovation with
Giving Free Play to the Imagination Music Festival
OAKLAND, CA—Feb. 3, 2009. Mills College celebrates 80 years of musical innovation as it reopens the historic Mills Concert Hall after an extensive 18-month renovation with a music festival featuring some of the world’s leading contemporary musicians. The six-concert series, Giving Free Play to the Imagination, runs from February 21 through April 5, 2009.
Musical innovators such as Pauline Oliveros, Terry Riley, Joan Jeanrenaud, Roscoe Mitchell, Muhal Richard Abrams, the Arditti Quartet, and Fred Frith, among many others, will celebrate Mills College’s leadership in defining contemporary music.
At the heart of the aesthetic and educational mission of music at Mills is a tradition of experimentalism. Breaking free from preconceived notions about music, Mills composers and performers embrace new sounds and musical forms while pursuing creative, exploratory, and individual approaches to music. It is this unique approach that has made Mills College the destination for sonic pioneers. And it is why some of the top names in contemporary music—Darius Milhaud, Dave Brubeck, Joëlle Léandre, Phil Lesh, John Cage, Anthony Braxton, and Pauline Oliveros, to name just a few—have been part of the faculty and student population at Mills.
“Because of our long history of support for an experimentalist tradition across barriers of genre, cultural identity, or perceived hierarchy, Mills is uniquely placed to cultivate, appreciate, and celebrate musical pioneers,” said Fred Frith, head of the Music Department and internationally known composer, multi-instrumentalist, and improviser.
Mills music faculty, students, and visiting artists from varied musical traditions come from as far away as Argentina, China, France, and Turkey to study musical forms from electronic music to classical performance to jazz improvisation.
“Ever since renowned French classical composer and Mills’ professor Darius Milhaud encouraged soon-to-be-renowned jazz pianist composer and Mills’ student Dave Brubeck to ‘be himself,’ our students have been discovering how to ‘be themselves’ with single-handed determination,” said Frith. “As a Music Department that encourages experimentation while respecting tradition, we are second to none.”
“We are continually inspired by the influence and impact of our music graduates in their artistic pursuits,” said Janet L. Holmgren, president of Mills College. “Whether they are composers, performers, professors, or music producers or whether they are working in the film, video game, or music industries, or in leading technology and digital media companies, our graduates reflect the College’s mission to encourage creativity and experimentation, all within a global context.”
Giving Free Play to the Imagination also marks the completion of the $11 million renovation of the Mills College Concert Hall, to be renamed for well-known Bay Area philanthropist and Mills alumna Jeannik Méquet Littlefield, MA ‘42. Designed by noted California architect Walter Ratcliff Jr., the Mills Music Building has received widespread acclaim since its opening in 1928.
Improvements to the Concert Hall include new acoustic panels for enhanced sound quality, an expanded stage area for larger performances, installation of a dedicated mixing station, soundproofing for performance and recording quality, new seating and improved layout for a better audience experience. The multicolored frescoes and murals created by California painter Raymond Boynton were restored by two teams of art conservators to return them to their original vibrant colors.
The festival’s name, in fact, derives from Boynton’s vision for his murals, “to produce a scheme of decoration that would give free play to the imagination.”
Mills Music Festival Honorary Committee:
Charles Amirkhanian* – composer, percussionist, sound poet, radio producer
Laurie Anderson* – performance and visual artist, composer, vocalist, musician
Dave Brubeck*+ – jazz and classical musician, pianist, composer
Robert Cole – director of Cal Performances
Merce Cunningham – choreographer and founder of Merce Cunningham Dance Company
Evelyn Glennie – percussionist, composer, motivational speaker
David Harrington – violinist and founding member of the Kronos Quartet
Phil Lesh* – musician and founding member of the Grateful Dead
George Lewis – improviser-trombonist, composer, computer/installation artist
Jeannik Méquet Littlefield* – philanthropist and patroness of the arts
Annea Lockwood – composer, professor emeritus at Vassar College
Rebeca Mauleón* – Latin and world music pianist, composer, educator
Meredith Monk – composer, singer, director/choreographer
Michael Morgan – music director of the Oakland East Bay Symphony, pianist, educator
Pauline Oliveros+ – composer, performer, first director of the Center for Contemporary Music (formerly the Tape Music Center)
Lauren Speeth* – CEO of the Elfenworks Foundation, member of the Mills Board of Trustees, violinist, recording artist
Roselyne Swig+ – philanthropist, activist, and patroness of the arts
Michael Tilson Thomas – music director of the San Francisco Symphony, composer, recording artist
* Mills alumnae/i
+ Mills honorary degree recipient
Program
Saturday, February 21, 2009 8:00 pm
OPENING NIGHT: Pauline Oliveros with Tony Martin; Terry Riley; Joseph Kubera performs Roscoe Mitchell; Joan Jeanrenaud
Solo performances of works by pioneers in the experimentalist tradition. Oliveros will play the first musical sounds in the renovated Concert Hall. A champagne reception follows.
Sunday, February 22, 2009 3:00 pm
A CELEBRATION OF THE CENTER FOR CONTEMPORARY MUSIC
More than 40 years of electronic innovation featuring Pauline Oliveros, Tony Martin, Maggi Payne, Chris Brown, William Winant, Joan Jeanrenaud, James Fei, and John Bischoff. Pre-concert talk with performers at 2:00 pm.
Friday, February 27, 2009 8:00 pm
LEGENDARY COMPOSER AND IMPROVISER MUHAL RICHARD ABRAMS with special guest Roscoe Mitchell
Saturday, February 28, 2009 8:00 pm
DARIUS MILHAUD’S BRAZILIAN CONNECTION
Dazzling orchestral works conducted by Nicole Paiement. A celebration of the renaming of the Concert Hall in honor of Mills alumna Jeannik Méquet Littlefield follows.
Sunday, March 8, 2009 3:00 pm
ARDITTI QUARTET
The world-renowned string quartet plays works by Mills composers past and present
Sunday, April 5, 2009 3:00 pm
THE MUSIC OF FRED FRITH
A rocking birthday concert of new music with Fred Frith and Cosa Brava (Carla Kihlstedt, Matthias Bossi, Zeena Parkins, The Norman Conquest), Liz Albee, Minna Choi, Beth Custer, Joan Jeanrenaud, Myra Melford, Roscoe Mitchell, Ikue Mori, Larry Ochs, Bob Ostertag, and William Winant.
TICKETS / PUBLIC INFO:
General admission: $20/concert; $100/series
Seniors: $12/concert; $60/series
For more information or to purchase tickets, please visit http://www.mills.edu/musicfestival
Nestled in the foothills of Oakland, California, Mills College is a nationally renowned, independent liberal arts college offering a dynamic progressive education that fosters leadership, social responsibility, and creativity to approximately 950 undergraduate women and 500 graduate women and men. Since 2000, applications to Mills College have more than doubled. The College is named one of the top colleges in the West by U.S. News & World Report, one of the Best 368 Colleges by the Princeton Review, and ranks 75th among America’s best colleges by Forbes.com. Visit us at www.mills.edu.
