By Jesse Hawthorne Ficks
Midnites for Maniacs programmer Ficks is in Utah checking out the 2009 Sundance Film Festival. Here’s what’s gotten his attention so far…
“We Live in Public” trailer
Paper Heart, directed by Nicholas Jasenovec
Early on in this semi-mock doc, the actor Michael Cera, who plays himself, responds to the overview of Paper Heart by saying, “Just what America needs, another quirky comedy.” Cera, who has reinstated the term “perfect comic timing” since he appeared as George Michael in Arrested Development , is yet again awkward and hilarious in this sweet but fairly clunky trek across America, which asks real couples how they met, reinacts them with paper cutouts a la Science of Sleep (2006), and if ponders the question if love truly exists. The film’s lead actress — Charlyne Yi, the stoner girl who hangs with all the dudes in Knocked Up (2007) — also co-scripted this sure-to-be crowd pleaser. If only certain scenes hadn’t felt so forced.
Brief Interviews with Hideous Men, directed by John Krasinski
Director Krasinski — better known as Jim on The Office — also adapted the screenplay from David Foster Wallace’s story. The tale follows Sara (Julianne Nicholson), a woman who’s been recently cheated on, as she interviews multiple subjects of the male gender about their honest fears, fantasies, and frustrations. Krasinski’s film pushes through its similarities to Paper Heart (getting to the bottom of love) by taking its “personal interviews” to impressive depths about the male psyche. It delivers some pretty powerful moments.
We Live in Public, directed by Ondi Timoner
Fascinatingly addictive, this follow up to Timoner’s cult classic Dig! (which won the Sundance Grand Jury Prize in 2004) follows the bi-polar exploits of Internet pioneer Josh Harris. This man predicted every single step of the internet and the jaw dropping footage of his “experiments” are here to prove it. In 1999 he created a quasi-cult community in the basement of New York, in which people were given pods to sleep in, free food, drugs, and all night raves while every move was being recorded and shared. Even now, the uncompromising footage has the power to warp the viewer into his Orwellian vision of the future. But wait — that’s not all: Harris then goes on to rig 32 motion-sensor cameras in his house, creating the first website to stream his and girlfriend’s every life moment. I can’t express enough how awesome this film is, or how horrifyingly revealing of where our own society has headed. You wanna talk about the film of Sundance ’09? Look no further.