Photo by Molly Decoudreaux
It’s hopeless to ignore the incredible explosion of nightlife photography that’s happened on the Web and in art schools these past few years. And what better time than now, with our Photography Issue on the stands, to examine it a little?
For those of us who clung desperately in our ’80s Midwestern teens to every month’s Details (back when it was a nightlife zine and Michael Musto didn’t pee on celebrity legs) or took i-D as our lifeline to street fashion and personality-inversion in the outer world, the big bang’s been both exciting and a bit disconcerting. On the one hand, there’s incredible creativity being documented instantaneously and available to all — even in Djibouti, fantastic weirdos need never feel alone. On the other, there’s the sense that mere dressing up for the ever-present cameras has replaced actual self-expression. Misshapes! Cobra Snakes! Blue States Lose! And then there’s just the pure horrificality of sites like this one, which are about boobs. Par-T&A!
The upside: Club kids from the ’80s
The downside: Hoochies from last week
And yet, and yet. The dancefloor snappers here in SF are giving the nightlife bulbs a spin of their own, by focusing on the more artistic aspects of Clubland’s odd-wonderful players — and taking off in thoughtful directions, not restricting themselves to mere sublebrity paparazzi.
Case in point — the fab Molly Decoudreaux, a well-known nightlife gadabout who’s just published a fine new book, Here and There: Portraits.
The Oakland native got her start snapping pics of her hot dyke and faggot friends in blackout res, and has worked on projects for the Lexington Club, Big Top, and Lusty Lady.
Along the way, she’s developed a fierce photographic aesthetic that positions Clubland’s outsized personalities into a meditation of place. Her photos take in these club kids with admiring eyes, yet also deepen their glorious showboating with examinations of their daytime surroundings and situations. “My primary interest is portraiture,” she told me last week by phone. “Also gender representation and presentation — I started college as a gender and queer studies major — but captured in a way that looks at the layers through which we reveal or transform ourselves. Little cracks can show a lot.”
