“Take 2: Women Revisiting Art History”
Many of us learned from our high school history teachers that unless we are careful, the more knuckleheaded maneuvers of our ancestors can – and will – be repeated. But mimicry can occasionally be used homeopathically to heal historic wrongs or at to least recognize a pattern from a new vantage point. From this perspective, San Francisco Museum of Modern Art curator Janet Bishop has pulled together an exhibition of works by nine contemporary female artists including Janine Antoni, Cindy Sherman, Shahzia Sikander, and Kara Walker, on the theme of art history: “Take 2: Women Revisiting Art History.” (Stacy Martin)
Through March 15
Tues. and Thurs.-Sat., 11 a.m.-4 p.m.; Wed., 11 a.m.-7:30 p.m.; Sun., noon-4 p.m.
Mills College Art Museum
5000 MacArthur, Oakl.
Smith/Wymore Disappearing Acts
Until fairly recently, the body’s primacy in dance has never been in doubt. Now along comes Smith/Wymore Disappearing Acts, among a whole group of artists who are beginning to question the tangible, fleshly object that for many of us is the only absolute reality we can count on. Included in this program is the SF premiere of Inanimate Erotica, a duet about android lust, and The Reception, a work in progress being developed with UC Berkeley’s CITRIS 3-D tele-immersion lab. (Rita Felciano)
8 p.m., $15-$20
1310 Mission, SF