San Francisco

Plug in, turn on, and feel the noise at the Headphone Fest

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Yep, it’s that time of year again – time to break out the old headphones and plug into some experimento sounds at [:]PLUG3[:], San Francisco’s third annual Global Headphone Festival. Expect the transmission of 48 live local performances, in conjunction with the tenth annual International Headphone Festival, Le Placard X, a self-organized, nonstop streaming, migrating “interaural” experiment.

Organizers advise you to BYOH or bring your own headphones to the event running Sat., Oct. 13, to Sun., Oct. 14, 1 p.m.-1 a.m. both days., at the Lab, 2948 16th St., SF. $5 sliding scale. (415) 864-8855.

Performers include:
100S OF DISMEMBERED HANDBAGS
666GANGSTAZ
ANTHONY MARIN
BEATLE
BEYTAH
BLUE VITRIOL
BLOODY SNOWMAN
CATSYNTH
CONRAD LEWBEL
CYPOD
DELETIST
DOUBLE VISION
DUD
FILTHMILK
FORMS OF THINGS UNKNOWN
GATHER THE BONES (trance viola drone)
HALCYON HIGH
HEADBOGGLE
HEARTWORM
HORAFLORA
JUSTINO
LANCE GRABMILLER
LES TROIS FEUILLES / 3 LEAFS
LNA
LX RUDIS
MAGNANIMOUS
MATT DAVIGNON
MNEMOTH (black noise)
MOISTURE
MY HELICAL ELK
NOMMO OGO
NO NO SPOT
OZMADAWN (sci-fi noise drone)
PAGAN/PRESLEY (electronic improvisation)
PATRICE SCANLON
PISTOLS WILL AIR
PU22L3
RASTER ROOBIT (strings & pedals)
RESPECTABLE CITIZEN
SAKANA
SLITHER SYNDICATE
SOUNDTRACK FOR A MOVIE ABOUT A DREAM ABOUT NOTHING
TROY BYKER (ambient/experimental)
TELEPATHIK FRIEND
TULLAN VELTE
WELDSCHMERTZ (dual cello drones by members of FILTHMILK + DELETIST)
WESTERN ADDITION
ZENTROPIA

Today’s Ammianoliner

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San Francisco:

Lying on the sidewalk: $500

Lying in office: priceless

(On the voice mail of Sup. Tom Ammiano) B3

The Living Word

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By Amber Peckham

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When I heard the phrase “Living Word Festival” my first instinct was to think of some sort of religious revival in the back woods somewhere, with white robes and bathing in the river and people dancing with snakes. I was very far wrong, as any informed cultural citizen of the Bay probably already knows.

The Living Word Festival is a series of events that began on October 6 and ends on November 3. These events are taking place on both sides of the Bay, in all forums and flavors, from a day long discussion, concert, and dance battle tonight, Oct. 12 at Yerba Buena Gardens to the return of internationally acclaimed theater piece Scourge, which began its tour in San Francisco and will return as one of the key closing events for the festival in November. A full listing of events is available at the website of the event’s sponsor, Youth Speaks.

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Scourge

Youth Speaks is an organization that originated in San Francisco with the goal of providing youth the ability to express themselves through all forms of media, a goal that is evident in the vibrant showcase of events the festival is offering. And even though they aren’t dancing in the woods with snakes — there is much more class here — there is a spirituality to their mission and in their events, a desire to express, to connect, and ultimately, to enact positive change through culture.

My favorite part about this whole event is the way the invitation is signed — “With A Radical Acceptance and Abundance”. To me, that is exactly what this event, with the theme of “Traditions in Transition”, embodies; a celebration of the state of flux our society is in, and a promise for acceptance, whatever your story may be.

Youth Speaks Presents: The Living Word Festival
Curated by the Living Word Project
under the direction of Marc Bamuthi Joseph

contemporary urban poetry/ dance/theater/funk/hip-hop

Oct 6- Nov 3, 2007
Events vary in price and age restriction.
www.youthspeaks.org

Zombie Alert!!!

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Photo from www.cecilbfeeder.com
Beware, citizens, we’ve received word of an impending zombie attack in San Francisco. Our sources in the zombie world say they are likely to be gathered around 7:30 p.m. outside the main library, just as the crowd is leaving today’s mayoral debate, apparently drawn to that spot by the large quantities of fresh brains inside. Please take all necessary precautions, including not placing a piece of duct tape on your clothing if you don’t want to be attacked and forced to join the rampaging zombie mob. That is all.

Make mine Mekons…at Swedish American Hall

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Sitting pretty: Sally Timms and the rest of the Mekons sing out another San Francisco Saturday night. All photos by Ashleigh Reddy.

By Ben Sinclair

This year is the Mekons’ 30th anniversary, and it’s been a particularly fruitful year. It’s odd to imagine this Leeds group had once been an edgy punk outfit and then a trad-rock and country combo, slipping into new wave songs now and then. This weekend, they were a folk band.

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And a very smart folk band, at that. After the Oct. 6 show at the merch booth, drummer Steve Goulding wouldn’t let me get away with passing off my last $12 for a $15 disc. Perhaps this is an attitude that has helped keep the band alive for so long. I promptly retrieved another $3 from the folks I came with and returned for a limited-edition copy of Dance on the Volcano, the new album by Tom Greenhalgh’s other band King Tommy’s Velvet Runway. A good decision. We all missed Greenhalgh’s voice that night, as he couldn’t make it for this leg of the tour, but the band rocked the hell out of “Hard to be Human Again” anyway.

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Otherwise the classic lineup was present, and the banter between members felt warm and, at times, invigorating. I sat – and stomped and clapped – through the entire set with a happy-go-lucky grin on my face. “Give Me Wine or Money” was the night’s opener, further permeating the “fair trade” section of my mind. “Yeessss…,” I heard myself thinking, “Stop downloading this band from now on.” Later, casting like a smoky, pagan warlock, founder Jon Langford recommended the whole audience not hesitate to spend a bit in the back – after all, Greenhalgh now needs all the money he can get. He and his wife are having their third child.

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The Chauncey Bailey Project

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By Bruce B. Brugmann

Just as the Chauncey Bailey Project makes its presence known in Oakland and in the U.S. media,
I am off to Miami for an assembly of the InterAmerican Press Association (IAPA), the international free press association for the Americas.

For years, the hardy U.S. journalistic souls who are members of IAPA have helped do resolutions, go on free press missions throughout the Americas, and support impunity projects to investigate the murders of journalists and turn the evidence over to prosecutors and then push for successful prosecutions.

This year, for the first time, I will be pushing the IAPA for help on the deaths of two U.S. journalists who were killed in the line of duty. The first is Brad Will, the New York video journalist who filmed his own assassination last fall while filming violent demonstrations in Oaxaca province in Mexico. The second is Chauncey Bailey, the Oakland editor who was gunned down in August on his way to work at the Oakland Post by a man wearing a ski mask.

The good news is that an impressive array of journalists, news organizations, and journalism schools have come together to form the Chauncey Bailey Project and to take on the job of finishing his reporting on the suspicious activities of the Your Black Muslim Bakery. This coalition has already had some success. The San Francisco Chronicle was asked to join the project, but declined and said that it preferred to do its own reporting.
And so, for the last four days, anticipating the project’s investigative reports, the Chronicle has rolled out extensive and detailed front page stories on the murder.

The investigative team plans to go further and deeper and research the activities of the Bey family empire, which operates the bakery, and their thuggish operations for the past two decades and the protection they have gotten from the Oakland political establishment. “This is a unique collaboration and we hope our work goes beyond Bailey’s murder and reveals broader issues that impact the lives of Oakland’s citizens,” said Robert J. Rosenthal, editorial coordinator for the project and former managing editor of the Chronicle.

This amounts to an unprecedented collaboration among competing news organizations and promises to be the largest collective journalistic project since the Arizona Project was formed 31 years ago following the murder of Arizona Republic investigative reporter Don Bolles for his reporting on the tangled Arizona underworld.

The resulting collaboration and story led to the formation of the group called Investigative Reporters and Editors. But significantly, the Arizona Republic in Phoenix didn’t run the story and a Tucson daily was the only daily in the state to run the story. The New Times, the local Phoenix alternative paper, ran the story, as did the Guardian in San Francisco. The story was widely run in other papers throughout the country.

This time around in Oakland, the hometown media stand fully and publicly behind the Bailey Project. “We cannot stand for a reporter to be murdered while working on behalf of the public,” vowed Dori J. Maynard, president and CEO of the Robert C. Maynard Institute for Journalism Education in Oakland. “Chauncey’s death is a threat to democracy, journalists will not be intimidated. This type of crime cast a chilling effect over our community. We will not be bullied. We have to prove that there is no gain, and hell to pay, when the very structure of society is challenged.”

Moreover, Maynard said that the team would insure that “Chauncey did not die in vain.”

Pete Wevurski, executive editor of the Oakland Tribune, said, “I’m happy that the Oakland Tribune, and our Bay Area News Group-East Bay partners the Contra Costa Times and San Jose Mercury News, are involved in this noble effort and extremely pleased that the Tribune has been able to take a lead role.” Wevurski is also managing editor of BANG-EB. “Chauncey Bailey was a colleague and friend to many of us and we want to honor his work and our profession by picking up the standard that fell the morning he was assassinated. I’m extremely gratified by the numbers and caliber of journalists who have joined the coalition, and I’m astounded by the work they are turning in already.

“The project is essential to Oakland and essential to us as journalists who wish to emphasize the point that you can kill the messenger, but the message is still going to get through. Based on this alone, I believe this will be the most important work any of us have ever done and ever will do.” Let me add, as an occasional critic of Dean Singleton, owner of the Media News Group, that this project may be the most important work that he or any of his papers have ever done or will do. I congratulate him for allowing his troops to plow forward on a tough story that everyone involved knows how high the stakes are.

The coalition’s message is profound and dramatic: you can’t kill a journalist, in the Bay Area, in California, in the United States, and get away with it. Because the best reporters and editors and news organizations in the area are going to go after you and see that the story is told and justice is done.

Journalists from the following organizations are working on the project:

Bay Area Black Journalists Association
Bay Area News Group
Center for Investigative Reporting
KGO-AM
KPIX-TV
KQED Public Radio
KTVU-TV
Maynard Institute for Journalism Education
National Association of Black Journalists
New America Media
New Voices in Independent Journalism
San Francisco State Journalism Department
San Francisco Bay Guardian
San Jose State University Journalism Department
Society of Professional Journalists, Northern California chapter
University of California, Berkeley; Graduate School of Journalism

I’ll keep you posted from IAPA in Miami. Continue reading to learn more about IAPA. B3

Click here to read the Guardian’s story on the Chauncey Bailey project.

Local media form the Chauncey Bailey Project

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When journalist Chauncey Wendell Bailey Jr. was murdered Aug. 2, questions arose as to who could have committed such an act, in broad daylight, and what could have motivated the killing. Shortly after the slaying, police arrested Your Black Muslim Bakery handyman Devaughndre Broussard, 19, and charged him with the crime. But deep questions remain, starting with who really called the shots in the killing — and what they were trying to cover up.

In an effort to pick up where Bailey left off, a rare coalition of media rivals and scholastic colleagues — more than two dozen reporters, photographers, and editors from print, broadcast, and electronic media — have formed the Chauncey Bailey Project, an investigative team that will continue and expand on the reporting Bailey was pursuing at the time of his death.

"We as an industry cannot stand for a member of the press to be gunned down in the course of doing his job. That’s a threat to democracy; that’s a threat to journalism," said Dori J. Maynard, president and chief executive officer of the Robert C. Maynard Institute for Journalism Education.

Although several local media outlets have reported on the circumstances that may have led to Bailey’s death and his connection to Your Black Muslim Bakery, this project will delve deeper into his investigative work prior to his death.

The project promises to be the largest communal journalistic endeavor since the Arizona Project was formed 31 years ago in the aftermath of the murder of Arizona Republic investigative reporter Don Bolles. The Guardian is committing the efforts of award-winning reporter G.W. Schulz and other resources to the project. Our media partners include the Bay Area Black Journalists Association, Bay Area News Group (including the Oakland Tribune, Contra Costa Times, and San Jose Mercury News), Center for Investigative Reporting, KGO-AM, KQED Public Radio, KTVU-TV, KPIX-TV, Maynard Institute for Journalism Education, National Association of Black Journalists, New America Media, New Voices in Independent Journalism, UC Berkeley Graduate School of Journalism, San Francisco State University Journalism Department, San Jose State University Journalism Department, and Society of Professional Journalists (Northern California Chapter).

"This project is essential to Oakland and essential to us as journalists who wish to emphasize the point that you can kill the messenger but the message is still going to get through," said Pete Wevurski, executive editor of the Oakland Tribune.

The first stories from the Chauncey Bailey Project will be available at www.sfbg.com. For more information about the project and its collaborators, contact the Robert C. Maynard Institute for Journalism Education at (510) 891-9202.

Homeless = without a home

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This morning on Forum Michael Krasny hosted Jennifer Friedenbach from the Coalition on Homelessness and CW Nevius, columnist for the San Francisco Chronicle, discussing the homeless sweeps in SoMa and the vitriol stirred up by the Chron’s coverage of life on the streets by pointing at the shit, the needles, the trash, the insanity.

Near the end of the piece, Nevius says that using the cops to ticket homeless people who do these things is one solution and a way to hold them accountable. He said he doesn’t know how to solve the overall issue of homelessness. In the background, you can hear Friedenbach simply say, “Housing.”

Which is the whole frustrating disconnect on this issue. “Homeless” does not automatically translate into “criminal,” or “insane,” or “druggie,” or “lover of shitting on the street.” Nobody wants to see people sleeping in the streets, using drugs, defecating, or publicly displaying their individual psychotic problems. So give them a place to live. Don’t buy cops, buy housing. Let people do what they need to do behind closed doors.

One caller mentioned new housing developments at 5th and Mission and how none of the buyers of the million dollar condos are going to want to see the streets outside their doors in such a condition. Again, another major disconnect — developers want attractive neighborhoods, but when it comes to building affordable housing that might make those neighborhoods more attractive by housing the homeless, they run away screaming that it can’t be done.

Another housing plan

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Randy Shaw checks in today with another housing action plan for the city. I’m getting a real sense of urgency on this, all over town, a feeling that San Francisco needs some sort of comprehensive housing legislation. I still like a prop. M for housing, but Randy’s idea that the city needs to buy up as much land and as many buildings as possible also should be part of the mix.

The only problem with the city buying land and buildings is figuring out what happens next. Either the city mainstains the buildings, becomes the landlord and rents them out, or the city turns it over to a nonprofit to do that job — or, if we want affordable ownership housing for middle-class people, which is part of Randy’s platform, the buildings need to be sold as part of a land trust to make sure they stay affordable forever. Otherwise it’s only affordable housing until the owner decides to cash in and sell at some astronomical price.

More sad hits

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› a&eletters@sfbg.com

It’s been nearly two decades since Galaxie 500 broke through with their languid, fuzzed-out dream pop, and rhythm section Damon Krukowski and Naomi Yang still live and record in the Ivy Leagued shadow of their Cambridge, Mass., alma mater, Harvard University. Perpetual college rock? It’s true their recordings as a duo have retained Galaxie 500’s moody overtones, but the self-consciously wide-screen canvas is gone: instead of soaring chorus and spiral-jetty guitar wails, Damon and Naomi emphasize smart pop arrangements and subdued vocal harmonies. Their latest, Within These Walls (20/20/20), is one of the coziest albums of the year, not just for its rainy-day production but also for the impression that the pair is totally comfortable in their bittersweet pop. When I ask the two by e-mail why they are continually drawn to downbeat melodies, Yang replies that it’s "the most melancholy records in our collection that get the most play — in some ways I think that you need to really appreciate the melancholy, the fleeting, to appreciate happiness."

For a project summoning such constancy, Damon and Naomi barely got off the ground running as a duo. Surprised by Dean Wareham’s stormy departure from Galaxie 500, the pair released a modest EP of songs under the name Pierre Etoile, but distribution problems waylaid the project. Burned twice in quick succession, Damon and Naomi rededicated their creative energies to Exact Change, a small press with an emphasis on reprinting experimental literature and writing by avant-garde composers and artists. Galaxie 500 producer Kramer hooked the duo for a one-off return to music, 1992’s More Sad Hits (Shimmy Disc), and five studio albums later, they’re still treading water in the afterglow.

Krukowski once remarked in an interview with the Wire that Galaxie 500 was drawn to imitate the Velvet Underground’s eponymous third record and Big Star’s Third (Rykodisc, 1978) for "the sound of a band after it’s been a rock band." Damon and Naomi are, of course, this concept’s incarnation: a band risen up from the rhythm section of a much-heralded breakthrough act, whose first full-length together was designed as a farewell.

All of their successive albums work within the narrow wall of this hushed grace, but the pair can hardly be accused of resting on Galaxie 500’s laurels. Besides running Exact Change and backing up Kate Biggar and Wayne Rogers (currently of Major Stars) on their Magic Hour project, the duo has worked extensively with Japanese psych rockers Ghost, especially with virtuoso guitarist Michio Kurihara, who has added his tasteful accompaniment to their last several albums and tours (that rare combination of genius and tastefulness, Kurihara will play with both Damon and Naomi and headliners Boris for their upcoming San Francisco date).

Damon and Naomi’s preferred status among next-wave elites like the Wire might seem surprising until you realize they were pretty well ahead of the curve in cultivating a pastoral, psych-tinged folkie sound (on prime display on "Cruel Queen," the Yang-fronted ballad that closes Within These Walls). Indeed, for how much they’ve towed the line of subdued folk pop, there’s never been any doubting the group’s interesting tastes: during our e-mail chat, Krukowski name-checks Robert Wyatt, Fairport Convention, Scott Walker, and Fotheringay as influences.

That said, the pair are never showy in their pop know-how. Indeed, the best moments on Within These Walls then aren’t about blowing minds so much as hitting the right stride. "The Well" glides on Kurihara’s guitar lines, "The Turnaround" paces back and forth with staccato strings and familiar harmonies, and "On the Aventine" finds a tender resting place between reverb guitar and soprano saxophone. It’s music for the morning after, for a foreign city, for taking cover: reposed, but still tender from the journey down. *

DAMON AND NAOMI

With Boris and Michio Kurihara

Sun/14, 8 p.m., $17

Independent

628 Divisadero, SF

www.theindependentsf.com

Scavenging’s new spirit

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› culture@sfbg.com

>>Click here to check out our Style 2007 Guide

It’s a warm September night, and I’m standing in a crowded art gallery in South San Francisco, staring at a metal octopus that moves its tentacles when you press a button. In many ways, it’s like every other reception I’ve been to: a table with snacks and wine, a healthy feeling of snobbery in the air, and a swath of hipsters blocking my view of everything. But as I walk around I notice some differences. The smell of decomposing flesh, the sound of heavy machinery, the walk-in "free shed," dozens of trash cans, and the mounds of refuse on the horizon all suggest that I’m standing in the middle of a landfill. Which, well, I am. It’s the site of the art exhibition "Waste Deep," by Nemo Gould, the San Francisco Dump’s artist in residence. And what’s most striking? I feel completely at home.

After spending most of September with junk collectors, vintage clothing nerds, and art diggers, I’m now completely accustomed to wallowing in trash and noticing freebies. For example, before driving to the SF Dump this evening I ate free baked goods at the X-rated Cake Gallery in SoMa, scrounged through leftovers at an estate sale in Bernal Heights, and knocked back pints of free Pabst at Broken Record in the Excelsior.

Yes, friends, I have become a bona fide freeloader. But like my newfound partners in grime I shun the connotations of the term. I choose instead to see myself as a sort of hip cultural revolutionary, one of the loose band of entrepreneurs and artists I’ve met over the past month who shamelessly revel in their personal gain because, at the end of the day, they know they’re "working" for a good cause. Not only are we getting a lot of cool free shit, but we’re also helping to transform the traditional hippy-dippy recycle-reuse-redistribute ethos into something more refreshing.

The freestyle movement is growing. Freeganism, a ragtag philosophy of cost-free living in a gift economy, has gained some national attention of late — especially in these economically challenging times — and the freegan ethos incubated in San Francisco, where groups like the Diggers gave away food during the ’60s. This city knows a thing or two about priceless give-and-take. And thanks to the freegan types I’ve been hanging out with, I now look at scavenging as an art form, a party, and a necessary lifestyle, one that has more to do with fashion, art, music, booze, and friendly competition than with fighting world hunger, globalization, or the war machine. Oh, most scavengers are concerned with all of that too, but creating awareness (about irresponsible consumption and the effects of wastefulness on the environment and humanity) is the fortunate by-product of the lifestyle, rather than its focus — which is, of course, copping free stuff.

THRIFTY EYE FOR THE HIP GUY


My journey from a life spent paying to consume to one consumed by the pursuit of freebies began two years ago, when I moved into a new building in the Mission. My neighbor was Aaron Schirmer — a reclusive artist who lives in a world of secondhand designer denim, seminew Macintosh computers, and used sound systems — whom I’d occasionally run into on my way to buy cigarettes and Jim Beam. Usually we’d smile and nod. But one day while he sat smoking on the stoop, he flagged me down. "Check out what I found today," he said.

At his side sat a large bag of American Apparel man panties and a crate of old-school electro cassettes. When I asked where they’d come from, he rambled on about free markets, dumpsters, and swap meets. Then he stopped abruptly, fished for the keys to his house, and said, "Here, I’ll show you."

I followed him into a hallway lined with half-finished paintings and strategically cracked mirrors, through a ’50s-style kitchen, and into his living room. In the corner, beneath a dangling gold and green Eames-style lamp, sat a 50-inch color television. His bedroom walls were lined with random bric-a-brac and outsider art, and his couch was a row of velvet-lined theater seats. Schirmer spread his arms and did his best Vanna White. "Here it is," he said. "I found all of this shit on the streets. People leave piles everywhere, and I just roam around all day and pick through them."

I quickly fell into a routine with Schirmer, a retired world-traveling DJ who now spends his days spinning rare records, tending his garden, and scavenging. I would come over to his house after work, crack a beer, and check out his finds, occasionally claiming certain items for myself. We’d then scroll through the Free section on Craigslist to devise a tentative map for the following day’s scavenge. I rarely had time to join him on his daily hunts, but I quickly learned that the free pot is virtually bottomless. And I was hooked.

These days I roam the neighborhood (corporate dumpsters are always a good bet) or scour the Internet anytime I need something. On my most recent search I found a stuffed bunny, a six-foot-tall stack of records, a pair of cowboy boots, and — I shit you not — Sharon Stone’s old couch. But I’m no expert. Anyone can search a Web site, but it takes a true connoisseur, someone like Kelly Malone, to build a business from scavenging.

FREE-MARKET ECONOMY


Malone, cofounder of the Mission Indie Mart, spent 10 years climbing the retail ladder at places like the Gap and Limited until she worked her way up to a glamorous life as a traveling designer. But then tragedy struck — in the form of ovarian cancer and its debilitating treatment process — and she had to quit. After spending the first few days of her indefinite vacation watching television, drinking too much at the Phone Booth, and watching old movies, she decided to revisit an old hobby: scavenging. "I just started over and kept positive," Malone said. "When I wasn’t sick from the chemo, I was trash-picking for cool stuff to sew and reconstruct." Malone began meticulously scouring estate sales, flea markets, and garage sales for that perfect owl clock or a one-of-a-kind sundress. She also got into interior and exterior design, grabbing spare paint and building materials off the streets, then enlisting her friends to help construct a backyard oasis.

Soon, though, Malone’s home had morphed into a retro junk museum. Her backyard was now dotted with old benches, barbecue grills, sculptures, and a sound system. Clothes were spilling out all over the place, and she had enough paint to cover a mansion. It was time to expand.

Malone began taking her stuff down to the flea market in South San Francisco. She set up a booth with music and goodies, offered free beer and hot dogs to friends, and spent whole weekends selling dolled-up vintage goods and making friends with others who did the same. It was there that she struck up a business relationship with Charles Hurbert, a public relations representative at a marketing firm who has a penchant for outsider art and found fashion. Soon Malone and Hurbert combined forces and decided to look beyond sanctioned venues. Malone’s backyard beckoned. The Mission Indie Mart was born.

The first mart went off without a hitch. Malone and Hurbert invited swap meet–interested friends to set up booths in Malone’s backyard. Cheapo flyers were designed, beer was purchased and resold at cost, and reimagined found apparel was offered for sale. It was a thrifty one-off that felt like an illegal rave, and people loved it. Mission District locals swarmed Malone’s backyard and nearly bought up her entire inventory. When she held it again the next month, the mart was even more successful and attracted more people — so many that her landlord threatened to evict her. So Malone sought sponsors and a new venue. The next Mission Indie Mart will be at 12 Galaxies and will feature a set by DJ Lovedust, extremely cheap Stella Artois, and an even bigger collection of vendors.

The mart’s success suggests that this model benefits its founders, who make some income from the event, and attendees, who get cheap goods, as much as it does San Francisco’s thriving community of independent designers, vintage-clothing dealers, and the recycling-scavenging movement in general. Malone and Hurbert are proving again that with a little effort and creativity, free shit can be turned into gold.

FRUGAL PHILANTHROPY


That’s also what Jason Lewis and Monica Hernandez, the founders of SwapSF, are doing at CELLspace — but for them the party and the product are more important than the money.

The couple started SwapSF a few years ago as a way to poach their friends’ unwanted apparel. "I had this friend who owned like a million pairs of limited-edition sneakers that he never wore," Lewis said. "The swap idea started as a way for me to get my hands on some of them." So Hernandez and Lewis, who have been throwing events since they met at a party five years ago, did what came naturally: they drew up a flyer, bought a bunch of cheap beer and pizza, and invited their friends to get down.

The idea has taken off, as I witnessed Sept. 22 when I threw a few shirts, a pair of pants, and some old hats in a bag and pedaled down to Bryant and 18th Street to volunteer at their recent event, the Most Hyperbolically Stupendous Clothing Swap Ever. It was to be a win-win situation: a little time in exchange for first dibs at free clothes. I arrived at CELLspace at 11 a.m. to find a DJ spinning downtempo hip-hop, a handful of kids sorting through bags, and Hernandez, who greeted me with a smile, a name badge, and a beer. I’d envisioned spending a leisurely afternoon sipping beer provided by Trumer Pilsner (the event sponsor) with about a hundred other scavengers, and the day seemed to be turning out that way.

But neither I nor the organizers were quite prepared for the four-hour clusterfuck that awaited us. Soon the volunteers were drowning in a mile-high volcano of pants, shirts, scarves, and underwear. By noon, the event’s official start time, a line wound around 19th Street. At 12:30 p.m. the place was packed. It was as if every hipster in the Mission had gotten wind of an opportunity for free music, beer, and dancing and had gathered up their unwanted clothes to join the party — a party that happened to result in free clothing for charity organizations like A Woman’s Place, the AIDS Emergency Fund, and San Francisco General Hospital.

FREE YOUR MIND


Since starting in Lewis and Hernandez’s apartment and then relocating, the SwapSF event has become so popular that it’s getting hard to handle. Even the duo have been surprised by its sudden and exponential growth. It seems that by using sarcastic graphic design on their flyers, guerrilla promotion techniques (word of mouth, stickers, blogs, etc.), and a refrigerator full of beer, Hernandez and Lewis have tapped into a new way to market charity events to a community of self-obsessed hipsters. Like Malone, the SwapSF duo see something wrong with the way our culture consumes and wastes, but they’re reluctant to jump on a soapbox — or even stand close to one.

Which may be why their parties have been garnering more attention and support than have the more traditional free markets that have been held across the nation for years. Malone and her contemporaries are creating awareness with no pretenses, no preaching, and no Hacky Sack–playing hippies. They are nurturing a world of gift exchange that speaks to a new generation of recyclers who enjoy the selfish thrills of scoring, a good party, and daytime drinking more than — or at least as much as — the satisfaction people find in collective self-sacrifice and charity.

Even San Francisco Dump artist Nemo Gould isn’t making his garbage art purely, or even mostly, as a political statement. "By virtue of it being made out of garbage, my art does make a statement about waste and overconsumption," Gould said. "But that’s not what it’s really about." Although Gould sees the danger in the complex environmental situations that create places like the SF Dump, his desire to work there had more to do with personal satisfaction than with changing the world. The dump’s Artist in Residence Program offers one of the most coveted positions in the city because it guarantees lifelong access to free garbage.

"There’s a scavenger spirit," Gould said. "Whoever has it is compelled to collect. Whatever comes after that is up to the scavenger."

The scavenger spirit is currently creating a subculture. Like skateboarders who view the city’s byways as a concrete playground, the new breed of scavengers looks at the urban environment from a different perspective. In their eyes the streets of San Francisco are aisles in a seven-mile-by-seven-mile warehouse of free shit. Their primary goal is to decorate their homes with one-of-a-kind furniture, dress their bodies in fly gear, and pad their pocketbooks, all while avoiding overdraft charges and, on the side, helping to generate awareness. In their separate and edgy styles, Gould, Malone, Hernandez, Lewis, and Schirmer have managed to turn this spirit into a lifestyle that doesn’t alienate people with its self-righteousness. I mean, everyone wants free shit, right? Who can’t relate to that?

THE (FREE) SHIT LIST

There’s a fine line between scavenging to make a statement and being a straight-up freeloader. Luckily, it’s up to the individual to decide exactly where that line is drawn. Here are some resources for learning more about the score.

FREEGAN.INFO


Information about strategies for sustainable living beyond capitalism; includes freegan hot spots in San Francisco.

freegan.info/?page=SanFrancisco

REALLY, REALLY FREE MARKET


A monthly alternate-economy festival and a really good place to get rid of your old stuff.

www.reallyreallyfree.org

MISSION INDIE MART


Kelly Malone and Charles Hurbert’s unique party take on the freegan ethos.

www.myspace.com/missionindiemart

SWAPSF


Jason Lewis and Monica Hernandez’s fabulous swap bonanza.

www.swapsf.com

MYOPENBAR.COM


A list of every open bar, happy hour, and extremely cheap alcohol event in the city.

sf.myopenbar.com

GOING.COM


A cross between MySpace and Yelp that focuses entirely on events, including a free section featuring happy hours, art openings, and concert ticket giveaways.

www.going.com

SAN FRANCISCO DEPARTMENT OF THE ENVIRONMENT


Official city site for recycling, disposal, and reuse information.

www.sfenvironment.org

SAN FRANCISCO DUMP


Learn about our city’s unique take on garbage and strategies for recycling.

www.sunsetscavenger.com

SCRAPEDEN SF


An art foundation dedicated to transforming trash into interactive public sculptures.

www.blackrockarts.org/projects/scrapeden-sf

ARTGOODHITLERBAD


Mission Indie Mart cofounder Hurbert blogs his best scavenger finds.

www.artgoodhitlerbad.com

NEMO GOULD


The latest artist in residence at the SF Dump has been making cool stuff from garbage for years.

www.nemomatic.com

Ideals made reel

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› a&eletters@sfbg.com

"Joseph Cornell’s cinema remains the central enigma of his work," Anthology Film Archives founder and Visionary Film author P. Adams Sitney wrote in 1980. That’s a tall order for an artist whose near-crippling sense of doubt about his artistic worth, coupled with his hermetic tendencies, further enhances the enigmatic and curious air that surrounds his vitrinelike assemblages of bric-a-brac, Victorian printed matter, old toys, and star charts — ephemera gently scavenged from the scrap heap of history in New York’s dime stores and junk shops. While Cornell the artist and Cornell the man have become more transparent in the years since Sitney’s essay, the mysteriousness of Cornell’s films — their "roughness" and "insidiousness," to use Sitney’s delicious phrasing — still holds.

As with ballet, books, and music, film offered Cornell sustained aesthetic sustenance and pleasure. Though he approached filmmaking tentatively and always at a remove — his films are composed of preexisting footage, bits from films he had either collected or directed others to photograph — he had long been enraptured by the moving image, particularly in its earliest incarnations. Cornell and his invalid brother Robert had even met D.W. Griffith when they were young men, while America’s burgeoning film industry was still largely based in New York. In a 1942 tribute to Hedy Lamarr published in View magazine, Cornell gushed unguardedly in florid prose about silent film’s "profound and suggestive power … to evoke an ideal world of beauty, to release unsuspected floods of music from the gaze of a human countenance in its prison of silver light."

The synesthetic rapture evoked by the silent star’s face can be seen as the organizing principle behind Cornell’s tribute boxes to 19th-century prima ballerinas such as Fanny Cerrito and silver screen luminaries like Lauren Bacall. Exquisite fan letters and reliquaries, these boxes stave off time’s indifference to their subjects, freezing them like exotic specimens in cerulean amber. Cornell used the same blue glass to filter the projection of his first and best-known film, 1936’s Rose Hobart.

Composed of footage from a decaying copy of East of Borneo, a forgettable Universal jungle drama and early talkie, and named after that film’s star, Rose Hobart radically recuts its source material to become a mesmerizing portrait of the actress. Cornell unstitches the coherence of Hollywood-style editing by colutf8g deliberately mismatched shots of Hobart, the resulting narrative ellipses forming a counterpoint to the rhythm of his montage. Projected at silent speed, its original soundtrack replaced by a repeated junk shop record of Latin music, Rose Hobart is Cornell’s ideal of film made real.

At the film’s now-storied premiere at Julien Levy’s New York gallery, audience member Salvador Dalí knocked over the projector in a rage, ridiculously exclaiming, "My idea for a film is exactly that, and I was going to propose it to someone who would pay to have it made." Despite the assurances of Gala, Dalí’s wife, that her husband was just having one of his episodes, Cornell never fully recovered from the incident. He wouldn’t seriously consider making another film until nearly 20 years later.

Like Cornell’s earlier shadow boxes, with their carefully arranged minutiae seemingly selected as much for textural as for thematic effect, his other found-footage films present formally thoughtful arrangements of disparate images. Bookstalls (dating from the late 1930s) takes us on a fantastic geographic and literary voyage; stock imagery of the Caledonian Canal and Vietnamese rice paddies is cleverly spliced into the footage of men browsing book stalls. Cotillion and the Midnight Party (1938) mixes footage of acrobats, tightrope walkers, trained seals, and what look like outtakes from an Our Gang short into a fantasy party for children (whom Cornell considered the ideal audience for his work).

The films Cornell made from the 1950s on — with the assistance of then-budding experimental filmmakers Stan Brakhage and Rudy Burckhardt — are much sparser and leave greater gaps between their associative ellipses. Shot at some of Cornell’s favorite haunts around New York, the films are far more flighty in their evocativeness than the boxes. They are records of time’s passing rather than defenses against it.

Focus shifts constantly in these allegories of change, in which the George Méliès–inspired collage of Cornell’s found-footage reels gives way to one trick: the disappearing lady. In A Legend of Fountains (1954) a boyish young girl stares out a window, then flits through New York’s Little Italy before disappearing in a jump cut. The camera finally rests on a junk shop’s window, from which gazes a porcelain doll, the inanimate double of our lost protagonist and also a dead-ringer evocation of Cornell’s most unsettling take on encapsulated women, the early 1940s Untitled (Bebe Marie). In 1957’s Nymphlight another young girl dressed in a white gown with a broken parasol skips through a park, the camera tracking her as she watches the peripatetic launch of a flock of pigeons. She too vanishes, her absence marked in the final shot, of her discarded umbrella.

Sitney writes that in Cornell’s work, "to encounter anything in its fullness was to come into nearly tangible contact with its absolute absence, its unrecoverable past-ness, its evanescence." Nowhere across Cornell’s creative output are the emotional contours of this experience of the ineffable — wondrous and melancholy — so fully explored as in his films. 2

JOSEPH CORNELL: FILMS

Oct. 12–Dec. 14, $7.50–$12

Phyllis Wattis Theater

San Francisco Museum of Modern Art

151 Third St., SF

(415) 357-4000

www.sfmoma.org

www.sfcinematheque.org

The unexpected altar

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This year’s SomArts’ Day of the Dead installation includes one very unexpected altar. Jack Davis has died, and the remembrances are flowing in from all over the city and the world.

Most people knew Jack as a pivotal contributor to every important cultural scene in San Francisco, whether established or underground. But this is not the Jack Davis that I knew. My Jack Davis was a neighbor, mentor, friend and my captain at the Mission Creek Harbor Association (MCHA), the community of boaters down by the ballpark. He was perhaps less famous than the bad-boy political consultant who shared his name, but he was my political consultant. He never saw me without giving me a recommendation for what the national Democrats ought to do to win an election or, more profoundly, to change our democracy for the better.

Jack was my mentor at MCHA; he was the president for many of my years of residence. He conducted our monthly governing town-hall meetings with respect, efficiency and effectiveness. He forged the kind of consensus where each contributing member believed the final product to be his or her own. He would always discern the essential, and intuitively lead to the right course. No important project at the creek was ever done without his vision and hand.

He taught me how to deal with bureaucracy, to go with the flow. The only way to fight the immovable objectifier is to make her right and then lead him in your direction. The world of permits and inspectors is best negotiated with a Jack-like attitude of making them understand that the way you want to do something is exactly what they insist you do, never fighting, always agreeing — and then doing what you want.

Three years ago, when the home I share with Sean and Jasper sank into the creek, Jack presided over the raising and the salvage from a chair he set up on the shore. Like the captain on the bridge, he sat for hours and considered angles and depths, changes over time. He offered, rejected, revised and reviewed strategies for bringing her up from the bottom, and devised the successful one. The night she was raised, his daughter Sara and her partner Shawn bought over a vase of flowers, a ray of hope and beauty in the midst of all the destruction. Then on Sunday, Jack organized the cleanup and salvage of what was left of our belongings, an effort that my depression would never have let me put together.

It was that day he taught me how to teach. First you do a thing yourself. Then you figure out how to do it best. Finally, you show the way to someone else.

Once, I asked Jack for a recommendation for a small public address system that I wanted to buy. Two days later a set of web addresses arrived by e-mail with comments about each of three appropriate possibilities and two days after that, I was driven to Hayward for a demonstration and analysis of the unit he thought was best. Jack was a master of advice; somehow I thought I had made the decision.

Architect, designer, builder or consultant on many of the homes floating in Mission Creek, Jack moved into his last project just a few months ago. With his family, he built a boat that would house three generations on three levels. Like so much of his life, his home was a work in progress; the living was the finishing. In a day where the young move away from the old, Jack, Sara, Shawn, Olivia and Arthur formed a very traditional family unit with a very modern cast.

Jack was a classical renaissance man with his feet firmly planted in the future. He was an unsung hero of his many worlds. To paraphrase Malherbe, in his honor will the angels stand.

Philip De Andrade owns Goat Hill Pizza in Potrero Hill and is a longtime small-business and neighborhood activist.

Jack Davis, 1940-2007

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Jack Davis was a relentless and often unheralded advocate for underfunded, outflanked, and ignored artists, community groups, social movements, and others shunted aside by mainstream venues and the art establishment.

Davis died Sept. 23 at Henry Mayo Newhall Memorial Hospital in Valencia from injuries sustained in a car accident. He was born Nov. 16, 1940, in Phoenix, Ariz., and came to California to attend the University of Santa Clara and San Francisco State University in the late 1950s and ’60s. He studied theater arts in Northern California, then was one of the directors and founding actors of the South Coast Repertory in Orange County. He married Judith Watson and returned to San Francisco in 1968.

Well known in the underground art world that he helped pioneer, Davis was a pivotal figure in the growth and public awareness of hundreds of uniquely San Francisco creative projects. For nearly 20 years he was director of the SomArts Cultural Center, which provides classrooms and work space for community-based programs and theater and gallery access to nascent and established artists.

But his contributions went far beyond SomArts. He and Rene Yáñez helped found CELLspace, a unique community and cultural center in the Mission. Davis was an early supporter of Burning Man and hosted its parties, meetings, and large-scale events at SomArts. He also provided technical support and counsel for the Day of the Dead and other San Francisco street events.

Under his leadership SomArts hosted myriad edgy and unconventional troupes and shows. Davis hosted early events by Survival Research Laboratories, which essentially created the machine-and-fire art scene that is now renowned around the world. Davis would often need to run interference with the Fire Department and other authorities who were concerned about the SRL’s seemingly dangerous experimentation.

Davis assisted in the evolution of that scene at every step, recently providing support services so the Flaming Lotus Girls could bring their massive Serpent Mother project to the "Robodock" festival in Amsterdam last month. Other SomArts projects Davis facilitated include the offbeat Naughty Santa’s Black Market, the Queer Arts Festival, Balinese shadow theater, DadaFest, the SF Electronic Music Festival, and the SF Indie Fest.

Davis also helped win national recognition for the alt-art movement by working with Eric Val Reuther, a panelist for and consultant to the National Endowment for the Arts, to bring many worthwhile (and underfunded) groups to the attention of the NEA. Davis also cofounded the Neighborhood Arts Program National Organizing Committee and helped set up its West Coast office in San Francisco.

Among the community-based groups Davis helped establish were the Bayview Opera House, the Native American Cultural Center, the Mission Cultural Center, and the Western Addition Cultural Center. He helped create a theater at Lone Mountain College, was director of Intersection for the Arts, and organized the San Francisco Blues Festival with Tom Mazzolini. In the summer Davis and his son Hayden and their friend Ernie Rivera built stages and performance areas for street fairs and other events.

As director of Intersection for the Arts, Davis hosted many unknown performers who went on to acclaim in the larger world of theater, including Diane di Prima, Whoopi Goldberg, Bob Carroll, Ntozake Shange, Bill Irwin, Paul Dresher, and Rinde Eckert. Other groups Davis supported include the SF Mime Troupe, the Farm, the Pickle Family Circus, Make a Circus, and Dance Mission. Davis and George Coates were cofounders in the 1980s of the San Francisco International Theater Festival, which brought the early work of Spaulding Grey and others to the public’s attention.

"Jack was unflappable — nothing threw him," Coates once told me.

Davis lived on a houseboat — one of three he built over the years — with his daughter, Sarah, and his son-in-law, Shawn Lytle, in Mission Creek in San Francisco’s China Basin. As the longtime president of the Mission Creek Harbor Association, Davis fought developers and bureaucrats in a never-ending battle for the right of an organic, human-scale community to simply exist in this city. Many a weekend afternoon Davis could be found tinkering away on his or perhaps one of his neighbors’ boats. Due in great part to Davis’s efforts, Mission Creek remains one of San Francisco’s garden spots, even while surrounded by new development.

Davis was seen as a Buddha-like figure in the often-fractious world of community arts and politics. He was a bear of a man who exuded a preternatural calm. Composer, producer, and photographer Doug McKechnie noted once after a particularly rough MCHA meeting, "I was in awe of his ability to get things done with such grace, style, and simplicity. He could come into a crowd of bickering people, and they listened."

Davis was also instrumental in rejuvenating the Bay View Boat Club. "One day in 1984, Jack called me up and said, ‘Meet me at the Bay View Boat Club,’>" McKechnie said. "He showed me around the place and said, ‘I think this place has tremendous potential. Let’s join and see what we can do.’ Jack talked the club into having a special, one-year membership drive that allowed people who didn’t have a boat to join. We called everyone we knew, and before you could say ‘Bottle of beer’ the club had 200 new members, all of whom eventually got boats. Jack was elected commodore two years later and set the model for what is still one of the most astonishing, real, funky places in the world."

Davis is survived by his wife, Noriko Tanaka; ex-wife, Judith Davis; daughter, Sarah Coseby Davis; son-in-law, Shawn Lytle; son Arthur Fumiko Davis; daughter-in-law, Tesa Davis; grandchildren, Jordan Alexander Davis, Jacquelyn Rae Davis, and Olivia Davis Lytle; brother, Bill Davis; sister, Lynn Davis; and cousins, Patty Costello, Martha de la Cruz, and Amy de la Cruz. Jack’s mother, Jean Davis Mueller, age 94, resides in Scottsdale, Ariz. His son Hayden Carlos Davis died in 1999.

A celebration of Jack Davis’s life will be held Nov. 18 at the SomArts Cultural Center, 934 Brannan, SF, from 3 to 8 p.m. The family is establishing a scholarship fund for Arthur Davis. For information visit www.somarts.org.

Jack Davis will be deeply missed by all who were touched by his calm, generosity, and soothing presence over his 40-year involvement in Bay Area arts. 2

Mike Noland and Charlie Gadeken contributed to this report.

The price of the sweeps

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› amanda@sfbg.com

The number of homeless individuals slapped with quality-of-life citations and the cost to the city of processing those citations reached new highs in the past 14 months, according to a study released by Religious Witness with Homeless People. San Francisco taxpayers have paid more than $2 million for more than 15,000 citations issued to people for crimes committed because they have no place to live.

"The quality-of-life citation … begins an extremely expensive process," said Michael Bien, a lawyer on the steering committee of Religious Witness, an interfaith activist group started in 1993 by Sister Bernie Galvin.

The study, released at an Oct. 4 press conference, was based on documents provided by various city departments. The authors collated the costs from the initial ticket issued by a cop through the entire court process, including the new price of prosecution by the District Attorney’s Office (see "The Crime of Being Homeless," 10/3/07).

The results are an update of a similar survey conducted last year (see "Homeless Disconnect," 9/5/06). Collectively, the two studies found that a total of 46,684 citations have been issued to homeless people, at a cost of more than $7.8 million, since Mayor Gavin Newsom took office.

But the mayor might not want you to know that. While Religious Witness was unveiling the study at a press conference in the South Light Court of City Hall, the mayor was hosting a simultaneous event about his heavily promoted Care Not Cash program, which provides homeless people with services and housing instead of the money they once received through the County Adult Assistance Program.

"What really bothers me," Sup. Ross Mirkarimi told the crowd gathered to hear Religious Witness, "is that we learn at the last minute that Mayor Newsom decides to have a press conference at the exact same time. To me, that couldn’t be more base and exhibitive of bad form … to try and upstage a press conference like this." He said the mayor’s administration should be working with organizations like Religious Witness, not competing against them.

NEWSOM WON’T MEET


Galvin expressed dismay that the mayor chose not to attend, on top of scheduling a competing press conference on the issue of homelessness. "We’ve never had a press conference where we didn’t have full press coverage," Galvin said.

"We’ve been trying to meet with Mayor Newsom since the day he took office," Bien said. "He hasn’t even given us the dignity of a response."

Newsom’s press secretary, Nathan Ballard, said he knew nothing about the event until he returned from his boss’s fete at the Pierre Hotel, a single-room-occupancy hotel on Jones Street that houses some Care Not Cash recipients. He denied any intention to detract attention from Religious Witness’s study. "I chose to do this a couple of weeks ago. There’s no deep, dark conspiracy," Ballard said. The day was chosen to announce that Care Not Cash had "reached a significant milestone of housing over 2,000 formerly homeless individuals," according to a press release.

Actually, the Care Not Cash program exceeded the 2,000 mark in August, according to statistics posted on the mayor’s Web site.

This is not the first time the mayor has scheduled a competing press conference. In June, on the same day the Board of Supervisors passed the city’s Community Choice Aggregation plan for more city-owned renewable energy, the mayor announced a new partnership with Pacific Gas and Electric Co., to study tidal power (see "Turning the Tides," 6/27/07).

Religious Witness chose Oct. 4 to release the study results because it’s the Feast of St. Francis, a day celebrating the city’s patron saint, "a man known to have enormous compassion," Father Louie Vitale explained. "Does the mayor have compassion fatigue?" he wondered aloud.

The decisions about where a city spends money speak volumes about its values. "Every budget is a moral document," said John Fitzgerald, who enumerated many other uses to which the $2 million could have gone, from placing 1,028 people in three-month residential drug treatment to five new drop-in mental health clinics, 157 new caseworkers, or 10,230 preventable evictions.

THE NEW MATRIX


Sup. Chris Daly, who attended but did not sponsor the Religious Witness press conference, said, "Not only is the use of police to target homeless people uncompassionate and inhumane, but it’s also ineffective." He recalled the first Religious Witness press conference, which denounced then-mayor Frank Jordan’s Matrix program, which teamed police officers with social workers to remove homeless people from Union Square and later Golden Gate Park. That program was deemed a failure because it criminalized homeless people and alienated them from helpful services by teaming outreach workers with law enforcement.

"We’re repeating a policy that we know is a failure," Daly said. "It’s a complete lack of compassion."

Recently Daly made public a memo he obtained from the mayor’s office through a public records request. The document outlined a new "downtown outreach plan," similar in sound and structure to Jordan’s Matrix. In a Sept. 28 Weekly Report to Newsom’s chief of staff, Phil Ginsburg, deputy chief of staff Julian Potter wrote, "The pilot program includes three separate teams of officers and social service staff that work a 15-block area" in two separate shifts patrolling the SoMa district. "In each of the three teams an officer will work in tandem with two social service representatives. Any person committing a crime (littering, encampment, trespassing, urinating, defecating, dumping, blocking sidewalk, intoxication, etc.) will be asked to cease the behavior and enter into services. If the individual resists services the officer will issue a citation."

Though it’s reminiscent of the approach that Jordan advocated, both the Operation Outreach team, made of police officers who typically interface with homeless people, and the Homeless Outreach Team, operated by the Department of Human Services, have denied they would accept the approach as Potter penned it.

"I have to be very emphatic," said Dr. Rajesh Parekh, director of HOT. "We are not going to be teamed up with police officers." Though police officers often refer HOT to specific people, he said recent news reports are inaccurate and "in the interest of our clients we’ve never done shoulder-to-shoulder work."

Lt. David Lazar, who heads the San Francisco Police Department’s Operation Outreach, agreed that his officers won’t walk in lockstep with the doctors and social workers who are offering services. But the line can get a little fuzzy: "We’re there at the same time, but we’re not necessarily together," he said. "We’re separate in our approach."

"Basically what the memo is proposing is illegally arresting people," Jenny Friedenbach, executive director of the Coalition on Homelessness, told us.

Under state law, people can’t be taken into custody for infractions like urination and littering. But camping illegally can be considered a misdemeanor, and a citation could eventually lead to an arrest and a jury trial. Prosecuting and imprisoning people is far more expensive than providing shelter.

While some see the coupling of enforcement with services as a way to encourage more people to get help, others contend it’s not a simple equation.

"I think some people are not always able to say yes the first time we do outreach with them," Parekh said. "I’m hoping that as time goes on we’ll be able to persuade them. It’s an ongoing process. It’s not a one-time thing." He said more than half of the help offered is accepted in some form, but it can take as many as 20 attempts to win over what amounts to a small number of people who require persuasion.

Representatives from the Coalition on Homelessness on Oct. 4 witnessed the first of the SoMa sweeps, or "displacements," as they’re more kindly called, and confirmed that the cops and service providers had some distance between them.

"That’s what they did during the first month of Matrix," Daly said to the Guardian. "That will change over time."

In the meantime, the supervisor has reintroduced a $5 million allocation for supportive housing for homeless people that was passed by the board last spring but defunded by Newsom.

Green City: Plugging into what’s next

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GREEN CITY Hybrid cars — those that run on a combination of gasoline and electricity — are all the rage among drivers looking to go green. But imagine a car that could drive 100 miles on one gallon of gas. That’s what a hybrid could get if converted into a plug-in version, something Bay Area residents are starting to do themselves, filling a void left by the auto industry.

The California Car Initiative (a.k.a. CalCars) is on a mission to make plug-in hybrid electric vehicles widely available. In collaboration with organizations like Plug-In Partners and Plug-In Bay Area, CalCars is on a mission to persuade carmakers to mass-produce plug-in hybrid vehicles. The technology already exists, allowing our cars to be much more fuel efficient.

The first prototype PHEV was created by CalCars in 2004. This Palo Alto nonprofit converted a Toyota Prius into a Prius+, a plug-in hybrid able to travel more than 100 miles using only one gallon of fuel.

A PHEV is essentially a hybrid that has additional battery capacity and can be recharged from a household 120-volt electrical outlet. CalCars promotional materials explain the way a plug-in hybrid works: "It’s like having a second fuel tank that you always use first — only you fill up at home, from a regular outlet, at an equivalent cost of under $1 per gallon."

"Conversions are a strategy, not an end in themselves," Felix Kramer, CalCars founder, told the Guardian. "The game is all about getting hundreds of thousands of PHEVs on the road from carmakers."

Toyota recently announced it will be testing PHEV prototypes this fall in Japan, Europe, and the United States. General Motors has also announced it is working on a plug-in hybrid called the Volt, to be publicly released in 2010. A handful of other car companies have expressed their intention to produce PHEVs but haven’t given release dates.

Public support by municipalities — including San Francisco, which passed a resolution to support PHEVs in 2006 — is also putting pressure on car manufacturers. Until plug-in hybrids are put on the market, PHEV advocates are keeping the pressure on. CalCars has posted its Prius conversion method on EAA-PHEV.org, a wiki dedicated to discussing and documenting plug-in hybrid conversions.

The step-by-step instructions are continually being improved, part of the beauty of open-source material. Only 2004 or newer Priuses are capable of being converted with this process. And for now, only do-it-yourselfers who are "comfortable around high-voltage batteries and automotive workshops" should attempt to convert their cars.

One such person is Daniel Sherwood, an electrical engineer living in Berkeley. He is in the process of converting his Prius into a plug-in hybrid using CalCars’ open-source instructions.

"In a regular hybrid car, I couldn’t go two blocks without using gas," he told us. "With this conversion, I’ll be able to drive about 12 miles using only electricity." When he needs to drive longer distances or needs to drive faster than the 35 miles per hour allowed by the battery-only power, the gas engine will kick in.

Darren Overby, who operates a hostel in San Francisco (and has previously worked as an electrical technician), is also in the process of converting his Prius. He is thrilled at the prospect of owning a vehicle that relies mostly on electricity. "Electricity is the only alternative fuel that is both sustainable and scalable. It could actually grow to meet the needs of everyone in the country. "

Plug-In Supply of Petaluma is also creating conversion kits that have all of the necessary components already assembled. Everybody agrees that the conversion process isn’t cheap. But the price of oil — including greenhouse gas emissions and war — makes plug-ins an increasingly attractive option, at least until the car companies get in gear.

"Had it not been for the grassroots effort," Sherwood said, "backyard conversions wouldn’t be possible. Car companies wouldn’t even be thinking about making plug-in hybrids." But they’re thinking about it now.

Comments, ideas, and submissions for Green City, the Guardian‘s weekly environmental column, can be sent to news@sfbg.com.

Editor’s Notes

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› tredmond@sfbg.com

The Blue Angels buzzed the Castro Street Fair on Oct. 7, one of the planes missing the top of Twin Peaks by what looked like a few feet. And almost nobody seemed to notice.

The roar of the jets couldn’t possibly compete with the energy onstage, where Cookie Dough and the Monster Show were acting out a Wizard of Oz sketch to the sounds of "Boogie Oogie Oogie." I only saw one guy in the crowd even looking up, and he was just kind of shaking his head. Sailors are, of course, always popular in the Castro, but the United States Navy really isn’t.

A former Naval officer I know understands exactly why. She was drummed out years ago; the Naval Investigative Service followed her to a lesbian bar in New Orleans, and suddenly a talented and successful ensign who had just been promoted to lieutenant (junior grade) was tossed ashore, all benefits lost. She can joke about it now, but she’s still pissed.

The crazy thing of it all, she tells me, is that the Navy is "by far the gayest of all the services, and everyone knows it." If even this one branch just gave up the pretense and allowed queers to serve openly, she says, Fleet Week would take on a whole new meaning in San Francisco. But that’s not the only issue with Fleet Week, obviously. Like a lot of people in this town (and much of the queer community), I’m not terribly into the military, and I don’t like turning San Francisco into a giant, expensive recruitment ad. Besides, as we used to say about nuclear weapons, one Blue Angel can ruin your whole day: a few feet lower, a tiny mistake, and that F-A/18 flying toward Twin Peaks loaded with explosive jet fuel could have taken out hundreds of homes, killed thousands of people. It’s not as if it doesn’t happen; twice in the past year members of the Navy’s expert precision flying team have crashed.

There’s also the fact that this is a city overwhelmingly opposed to the war and to military adventurism in general. San Francisco’s idea of supporting the troops is bringing them home and giving them honorable discharges, medical care, and education benefits.

I’m always astonished that more local political leaders don’t just come out and say that. In fact, I’m astonished (although I probably shouldn’t be) that Mayor Gavin Newsom and Rep. Nancy Pelosi act as if Fleet Week is a wonderful San Francisco event, with no mention of the issues involved.

In fact, on June 11, after Sup. Chris Daly tried to ground the Blue Angels, Newsom wrote directly to David Winter, the secretary of the Navy, rolling out the red carpet. "My office and the community could not be more supportive of the Navy and their representatives, the Blue Angels," he wrote.

Nothing from Mr. Same-Sex Marriage about don’t ask, don’t tell. Nothing about the war. Nothing about San Francisco’s long and noble history as a center of the peace movement. Just praise for military might. He’s sounding a lot like Sen. Dianne Feinstein.

And by the way, on the contradictions beat: San Francisco is poised to give a huge, lucrative contract to Clear Channel Communications, one of the worst corporations in the country. Labor leaders are pissed, and they should be. I wonder: If there’s a lot of money to be made selling ads on bus shelters, why doesn’t the city just run the program itself? Why share the profits with the likes of Clear Channel?

Stop the homeless sweeps

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EDITORIAL Sister Bernie Galvin and Religious Witness with Homeless People held a press conference Oct. 4 to release some remarkable data: since Mayor Gavin Newsom took office, San Francisco has issued 46,684 citations to homeless people, mostly for what are known as quality-of-life crimes. That’s cost the taxpayers $7.8 million.

Unfortunately, almost no news media showed up — the mayor, it turns out, somehow scheduled his press conference on homelessness at exactly the same time. As Amanda Witherell reports on page 15, Newsom’s staff say it’s all a coincidence — but it reflects how this administration is increasingly treating homeless issues.

Newsom, with the assistance of District Attorney Kamala Harris, is shifting the city back to a model that treats homelessness and poverty as crimes. But years of evidence prove that approach doesn’t work.

Newsom’s plan, outlined in a memo that Sup. Chris Daly made public last week, involves sending a team of social service and outreach workers through the Tenderloin with police officers. Now the cops and the social workers are saying they won’t patrol together, but the message and the impact are the same: people who commit the sorts of offenses that are almost inevitable when you don’t have a place to live — like sleeping on the streets and panhandling — will increasingly be dragged into the criminal justice system.

Frank Jordan, a former police chief, tried that when he was mayor in the early 1990s; he called the program Matrix, and it was an utter failure. The reason is obvious: most homeless people can’t pay the fines for these violations. So either the citation process is a waste of everyone’s time or, if the city pursues the nonpayment and piles on more and more citations, it winds up creating a criminal record for someone who already is going to have trouble finding work. The promise of services implied by the social workers’ involvement in Newsom’s plan means nothing if services aren’t there — and the city still can’t offer, say, substance-abuse treatment on demand or enough housing for all of the people who need it.

Yet despite all the evidence, Harris has now assigned a full-time staffer to do nothing but prosecute these low-level offenses. She and Newsom both say they want to help people use services — but the only service the DA’s Office offers to homeless people who wind up in court is a handout, a single-page list of referrals.

San Francisco has been down this road so many times before that it’s infuriating. Criminalizing homeless people is not only wrong; it’s expensive, inefficient, foolish, and morally offensive. It also clogs the courts and takes the cops even further away from working on serious crimes.

Daly says he’s going to reintroduce his measure allocating an additional $5 million for housing for homeless people. That’s a good move, of course. But the supervisors ought to think about something else: if Harris, Newsom, and the cops want to persist in counterproductive and cruel homeless sweeps, perhaps the supervisors should move to cut funding to those departments by a total of, say, $7.8 million. 2

No compromise on ENDA

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EDITORIAL The move by US Rep. Barney Frank (D-Mass.) to remove protections for transgender people from a landmark antidiscrimination bill has set off a remarkable furor in the queer community nationwide. The condemnation of the Frank move by even fairly mainstream lesbian and gay organizations is a sign of how far trans people have come — and the fact that Frank, the first openly gay man to serve in Congress, isn’t budging is a sign of how far the political establishment still has to go.

But the full bill, without the cuts, is still very much alive, and House Speaker Nancy Pelosi (D–San Francisco) needs to move it to the floor and bring it to a vote.

HR 2015 has been a priority of the Human Rights Campaign and other national LGBT groups for years. The bill, also known as the Employment Non-Discrimination Act, or ENDA, in its original version would have outlawed employment discrimination based on sexual orientation or gender identity. The second part of that phrase is critical, not just to transgender people but to queer workers in general: as the American Civil Liberties Union points out in a legal analysis of the changes, the gay and lesbian people most likely to face discrimination in the workplace are those who don’t hew to traditional male and female roles. Effeminate men and butch women are far more at risk than, say, a gay man who can easily pass as straight. "The more masculine a gay man is or the more feminine a lesbian is, the less the likelihood of discrimination," the ACLU notes. As the Lambda Legal Defense Fund writes, "This new bill also leaves out a key element to protect any employee, including lesbians, gay men and bisexuals who may not conform to their employer’s idea of how a man or woman should look and act. This is a huge loophole through which employers sued for sexual orientation discrimination can claim that their conduct was actually based on gender expression, a type of discrimination that the new bill does not prohibit."

But the politics are more difficult. Frank argues that Congress might pass a stripped-down version of the bill, but the votes aren’t there for anything that can be described as protecting transgender people. Some protection for some lesbians and gays, he argues, is better than none at all.

That ignores the reality, which is that George W. Bush is going to veto any bill that protects queer people from discrimination anyway. The fight over HR 2015 is largely symbolic; the bill won’t become law until there’s a Democrat in the White House. And if the gender-identity language isn’t in the bill this time, it will be much harder to add it in later.

All civil rights advances seem hopeless at first. The first marriage-equality bill in the California Legislature faced strong opposition, but Assemblymember Mark Leno (D–San Francisco) kept bringing it back — and every time it came up, it got more votes. ENDA’s got the same prospects.

Of course, there’s a larger issue here: compromising on civil rights is always unacceptable. And as writer Wayne Besen puts it, "A minority as small as the trans community will never have the political clout to go it alone, nor will they have the funds to wage a credible fight in Congress unless Bill Gates wakes up tomorrow and decides to have a sex change. To put it bluntly, their only chance at legal protection is under the gay and lesbian banner."

The HRC has been awfully weak, refusing to pull its support for the watered-down bill, but most other LGBT groups nationwide are urging Congress not to accept the Frank proposal. We agree. The fate of HR 2015 is in the hands of Pelosi, who can simply bring the original bill to the floor. That’s what activists should push her to do.

Let’s Hear from Newsom on Lennar

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Wade Crowfoot of the Mayor’s Office looks on as School Board member Eric Mar hands him the school board’s unanimous resolution asking for a temporary shutdown of Lennar’s site until health testing can be done. Crowfoot promised to “pass the message along” to Mayor Gavin Newsom…

Sup. Chris Daly and Ross Mirkarimi joined educators, spiritual leaders, and families and residents from BayviewHunters Point outside City Hall today to commend the San Francisco School Board for unanimously passing a resolution that asks the City to halt Lennar’s BVHP construction at Parcel A of the Hunters Point Shipyard, at least until testing proves that it is safe.

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A dressed down Daly (there was no Board of Supes meeting today) joined the anti-dust rally outside City Hall

Yes, Chuck, enough is enough

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Is Chuck Nevius…
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…the new Ken Garcia?
It’s bad enough that the San Francisco Chronicle and its columnist Chuck Nevius have been demonizing the homeless for months in a highly sensation and misleading fashion. But in today’s paper, they have the gall to claim — with little substantiation — that San Franciscans are no longer tolerant of the poor and now support the homeless crackdown being pushed by the Chronicle and Mayor Gavin Newsom (and let’s not forget the Examiner’s Ken Garcia, whose old anti-homeless columns for the Chron Nevius has now revived).
And when I asked Nevius about why he’s chosen the homeless for his punching bag, he said his coverage has been driven by the “400-plus” blog comments they’ve gotten complaining about the homeless. You see, he’s just giving the people what they want. As he wrote to me, “I understand that not everyone agrees, but I’ve been at this for a while, over 20 years, and my experience is that newspapers can’t create issues — no matter how we try. We can only follow them.”
Well, Chuck, I’ve been at this for almost 20 years myself, long enough to recognize bullshit when I smell it — and to understand when a newspaper is trying to play on people’s prejudices in setting the public agenda.

The Guardian Iraq War casualty report (10/05/07)

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The Guardian Iraq War casualty report (10/05/07): 25 Iraqi civilians killed. 66 U.S. soldiers killed last month.

Compiled by Paula Connelly

Bush denies that torture tactics are used when interrogating terrorism suspects, according to CNN.

Click here to view a breakdown of the positions that relevant politicians are taking on the war in Iraq.

Casualties in Iraq

Iraqi civilians:

American troops attacked a Shiite town killing at least 25 Iraqi civilians, according to the New York Times. The Iraqis were armed but claim it is only for protection.

654,965 more Iraqis may have died since hostilities began in Iraq in March 2003 than would have been expected under pre-war conditions, according to a Johns Hopkins University study.

98,000: Killed since 3/03

Source: www.thelancet.com

74,689– 81,394
: Killed since 1/03

Source: http://www.iraqbodycount.net

For a list of recent events that have resulted in Iraqi casualties, visit :
http://www.iraqbodycount.org/database/recent/

For first hand accounts of the grave situation in Iraq, visit some of these blogs:
www.ejectiraqikkk.blogspot.com
www.healingiraq.blogspot.com
www.afamilyinbaghdad.blogspot.com

U.S. military:

Click on the link below to view a tribute to the 14 U.S. soldiers who died last week in Iraq and Afghanistan. 66 U.S. soldiers were killed in Iraq last month, which is the lowest monthly total in over a year, according to MSNBC.

4,082: Killed since the U.S. invasion of Iraq 3/20/03

Source: http://www.icasualties.org/

122 : Died of self-inflicted wounds, according to http://www.icasualties.org/.

For the Department of Defense statistics go to: http://www.defenselink.mil/

For a more detailed list of U.S. Military killed in the War in Iraq go to: www.cnn.com

To view a breakdown of U.S. military casualties by state of residence, click here.

Iraq Military:

30,000?: Killed since 2003

Source: http://www.infoshout.com

Journalists:

203 journalists and media assistants killed since the start of fighting in Iraq in March 2003, two still missing, 14 are kidnapped, according to Reporters Without Borders.

Refugees:

Read a first hand account of how Iraqis are being treated when attempting to enter Jordan for a vacation.

Syria’s decision to enforce new restrictions on Iraqi refugees this week has effectively cut off the last outside haven for people fleeing violence in Iraq, the UN refugee agency said Friday, according to AFP.

2.2 million: Iraqis displaced internally

2 million: Iraqis displaced to neighboring states

U.S. Military Wounded:

122,000: Wounded from 3/19/03 to 8/31/07

Source: http://www.icasualties.org/

The Guardian cost of Iraq war report (10/05/07): So far, $457 billion for the U.S., $57 billion for California and $1 billion for San Francisco.

Compiled by Paula Connelly

Here is a running total of the cost of the Iraq War to the U.S. taxpayer, provided by the National Priorities Project located in Northampton, Massachusetts. The number is based on Congressional appropriations. Niko Matsakis of Boston, MA and Elias Vlanton of Takoma Park, MD originally created the count in 2003 on costofwar.com. After maintaining it on their own for the first year, they gave it to the National Priorities Project to contribute to their ongoing educational efforts.

To bring the cost of the war home, please note that California has already lost $46 billion and San Francisco has lost $1 billion to the Bush war and his mistakes. In San Francisco alone, the funds used for the war in Iraq could have hired 21,264 additional public school teachers for one year, we could have built 11,048 additional housing units or we could have provided 59,482 students four-year scholarships at public universities. For a further breakdown of the cost of the war to your community, see the NPP website aptly titled “turning data into action.”

For more information on what the war is costing the United States visit the American Service Friends Committee website here.

Open up to opera

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By Amber Peckham

Opera is kind of like really kinky sex; some people are afraid to try it because they don’t think they’ll like it, but almost everyone who tries it loves it. If you’ve been hesitating to have your first experience (we’re talking opera now, not sex; you can figure the sex out on your own) tonight’s the perfect opportunity to ease yourself into the opera scene.

For $25, tonight San Francisco State University hosts its second annual Opera Gala, where patrons will enjoy highlights from popular operas performed by current students and alumni of the university’s renowned vocal and opera program.

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SFSU production of The Magic Flute

Monopoly news the monopolies won’t print

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The San Francisco Press Club has the newsiest blog in the Bay Area

By Bruce B. Brugmann

I have always had a fondness for the San Francisco Peninsula Press Club.
I was an early member back in the middle 1960s in the good old days when there was real daily newspaper competition on the Peninsula.

I was a young reporter on the old Redwood City Tribune, fresh from a tour of reporting duty on the Milwaukee Journal and getting the local experience I needed to found the Bay Guardian in San Francisco.
I spent three years on the Trib, from 1964 to 1966, as a liberal conservation-oriented reporter under the aegis of Publisher Ray Spangler and Managing Editor Dave Schutz. Let us say that my views and reporting habits differed from theirs, but I nonetheless had a field day covering the scandals of the era.

I picked up on how PG&E operated as it worked with Stanford University and the Atomic Energy Commission to impose high powered transmission lines through Woodside and the gunsights of Attorney Pete McCloskey.
I spent late Monday and Tuesday nights covering the council and planning commission meetings in Belmont and San Carlos and later in Redwood City. (If I left early, the council s would often roll some bad stuff through. But I would check the next day and do a juicy follow story on the late night chicanery.) There were wonderful save the bay stories: the dirthaulers would scoop up the dirt in the green hills of the Peninsula, haul it in double gondola dirt-hauling trucks down Ralston Avenue in Belmont, and dump it into the bay for fill for Foster City and Redwood
Shores. And, through it all, Mayor Wallace Benson of Belmont would hold pre-council meetings at the old Villa Chartier restaurant in nearby San Mateo and polish the policies to keep the dirt flowing from the hills to the bay.

When I called him on his indiscretions, Benson would wave his cigar and say, “Bruce, if you don’t think I deserve some champagne and Maine lobster for running the city of Belmont, then you just go and vote me out office.”

I was having a field day. Spangler and Schutz were quite nervous about my aggressive reporting, but each told me in his own way that I could do the stories as long as my facts were straight. I also had an excellent city editor, Michael Kernan, who protected me. Years later, after I sent Spangler a copy of a Guardian expose, he wrote me a letter in longhand, “Bruce, you were a pain in the ass. But you were always worth it.” That was probably the nicest compliment I ever got from a publisher.

Well, the reporters and editors from the Peninsula papers would meet now and then in a hotel bar off the Bayshore Freeway for drinks. It was a convivial affair, even though we competed and there was real daily competition and the San Mateo Times of J. Hart Clinton was in head to head competition with the Redwood City Tribune and Burlingame Advance-Star (which with the Palo Alto Times were under the umbrella of an organization known as PNI , Peninsula Newspapers Inc.) This group became a press club and ultimately the proud San Francisco Peninsula Press Club, despite the sad sad deaths of three PNI papers and the gutting of the San Mateo Times/Singleton and deathly journalism until the Palo Alto Weekly of Bill Johnson. The club is, I am happy to report, still going strong under the stewardship of Darryl Compton and a batch of fugitives and expats from Singleton and Knight-Ridder journalism. They produce a vigorous annual newspaper contest, some zesty parties, the most newsy blog in the Bay Area, and the feel that there is still some real watchdog journalism on the Peninsula.

Let me make the point with some headlines from the club’s Tuesday Oct. 2 blog edition:

Media News profits up; Singleton gets $l.8 million

Rosenthal: Journalists are being eliminated

Ridder disappointed by today’s Merc (B3: what did he expect?)

Ex-Merc editor finds herself in a firestorm

Station group urges rejection of Hearst bid

Citing finances, KQED cancels ‘Pacific Time”

Clint Reilly gets free space from Media News (B3: hot news: remember the Singleton exec saying Reilly was a liar and that he would have to pay for his columns according to the terms of his antitrust suit settlement. The blog even runs a Reilly column with the telling admission. Does this count as a Singleton lie?)

Merc accounting error means cuts

Guild files new charge against MediaNews (B3: when will our daily newspapers ever hire a fulltime labor reporter to report on all the major labor issues of the day?)

In short, the Peninsula Press Club blog shows what a good media column can be. Now it needs to check and see how many reporters are regularly covering the council and planning commission meetings till 2 a.m. from Brisbane down to Palo Alto. That would be a good story. B3

Click here for Peninsula press club blog.