Live

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 16

ROCK/BLUES/HIP-HOP

Altarboys, Midnight Bombers, Inferno of Joy Annie’s Social Club. 9pm, $7.

*Bad Brains, P.O.S., Trouble Andrew Slim’s. 8pm, $26.

Pete Bernhard, Leopold and His Fiction, Erin Brazil Rickshaw Stop. 8pm, $8.

Dave the Pastor Dalton, Mike and Ruthy, Meri St. Mary, Virgil Shaw Hotel Utah. 8pm, $6.

Disastroid, Solid, Sticks and Stones Elbo Room. 9pm, $6.

Every Time I Die, Bring Me the Horizon, Oh Sleeper, Architects Regency Ballroom. 8pm, $20.

Global Noize Boom Boom Room. 9:30pm, $15.

Joshua James and Cory Chisel Independent. 9pm, $12.

Jinx and Jezzebelle Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Light Machine, Charlie Gone Mad, Black Eagle Trust Red Devil Lounge. 8pm, $5.

Love Language, All Smiles Café du Nord. 8:30pm, $10.

Oh My God, Highway Patrol, Wave Array Hemlock Tavern. 9pm, $7.

Okmoniks, Magnetix, Wau y Los Arrgghs, Rantouls Knockout. 9pm, $9.

Tip of the Top Rasselas Jazz. 8pm, free.

Todd Wolfe Biscuits and Blues. 8pm, $15.

Yourself and the Air, Excuses for Skipping, Mister Loveless Bottom of the Hill. 9pm, $10.

BAY AREA

Bonnie Raitt and Taj Mahal Paramount Theatre. 8pm, $39.75-59.75.

JAZZ/NEW MUSIC

"B3 Wednesdays" Coda. 9pm, $7. With Sylvia Cuenca Organ Trio.

Cat’s Corner Savanna Jazz. 7pm, $5-10.

Dr. Lonnie Smith Trio Yoshi’s San Francisco. 8 and 10pm, $22.

Leigh Gregory Plough and Stars. 9pm, free.

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

"San Francisco Electronic Music Festival" Brava Theater, 2781 24th St, SF; www.sfemf.org. 7pm, $10-17. With Miya Masaoka, Lukas Ligeti, and Amy X Neuburg.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Freddy Clarke Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $12. Latin, Middle Eastern funk.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Fringe Madrone Lounge. 9pm, free. With DJs subOctave and Blondie K spinning the best of indie rock and classic new wave.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 9pm, free. With DJ Slick D.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Lonestar Sound, Young Fyah, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 17

ROCK/BLUES/HIP-HOP

Blank Slates, Jank, Warren Teagarden Hotel Utah. 9pm, $8.

Blues Traveler Fillmore. 8pm, $27.50.

Buxter Hoot’n, David and Joanna, Nathan Hughes El Rio. 10pm, $5.

Chairlift, Magic Bullets, El Ten Eleven Bottom of the Hill. 9pm, $15.

Terry Hanck Biscuits and Blues. 8pm, $15.

Happy Mondays, Psychedelic Furs, Amusement Parks on Fire Regency Ballroom. 8pm, $35.

Hundred Days, Trophy Fire, Atlantic Line Knockout. 9:30pm, $5.

Jahlectrik, Big Lion, Erica Sunshine Lee Red Devil Lounge. 8pm, $8.

Monotonix, Triclops, Anavan Independent. 8pm, $15.

Phoenix, Soft Pack Warfield. 8pm, $32.

Rademacher, Young Hunting, Gold Medalists Hemlock Tavern. 9pm, $6.

*Tarrakian, Christian Mistress, Meow Annie’s Social Club. 9pm, $7.

Telepath and Big Gigantic Boom Boom Room. 9:30pm, $10.

Throw Me the Statue, Brunettes, My First Earthquake Rickshaw Stop. 8pm, $12.

Turbonegra, Switchblade Riot, My Parade, DJ Squid Thee Parkside. 9pm, $6.

World/Inferno Friendship Society Great American Music Hall. 9pm, $15.

BAY AREA

*Avengers, Pansy Division, Paul Collins Beat Uptown. 9pm, $12.

Ben Harper and Relentless7 Fox Theater. 8pm, $35.

JAZZ/NEW MUSIC

Al Coster Trio Savanna Jazz. 8pm, $5.

Duuy Quintet Coda. 9pm, $7.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

Mads Tolling Trio Shanghai 1930. 7pm, free.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

Stephen Merriman Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Sakai Yoshi’s San Francisco. 8pm, $14.

"San Francisco Electronic Music Festival" Brava Theater, 2781 24th St, SF; www.sfemf.org. 7pm, $10-17. With Mark Trayle, Donald Swearington, Maria Chavez, and Mason Bates.

Scott Amendola Trio with Jeff Parker and John Shifflet Café du Nord. 8pm, $15.

Stompy Jones Top of the Mark. 7:30pm, $10.

Bernie Worrell, Broun Fellinis Yoshi’s San Francisco. 10:30pm, $15.

FOLK/WORLD/COUNTRY

Rebecca Cross and the Saints, Stella Royale, New Map of the West Bollyhood Café. 9pm, free.

Flamenco Thursdays Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30pm; $12.

Robyn Harris, Chris Trapper Dolores Park Café. 7:30pm, free.

Belle Monroe and Her Brewglass Boys Atlas Café. 8pm, free.

Tipsy House Plough and Stars. 9pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.

Bingotopia Knockout. 7:30-9:30pm, free. Play for drinks and dignity with Lady Stacy Pants.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Club Jammies Edinburgh Castle. 10pm, free. DJs EBERrad and White Mice spinning reggae, punk, dub, and post punk.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Mirza Party and Soul Movers Infusion Lounge. 9pm, free. With DJ E Rock.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Represent Icon Lounge. 10pm, $5. With Resident DJ Ren the Vinyl Archaeologist and DJs Green B, Daneekah, and Smoke 1.

Rock Candy Stud. 9pm-2am, $5. Luscious Lucy Lipps hosts this electro-punk-pop party with music by ReXick.

Toppa Top Thursdays Club Six. 9pm, $5. Jah Warrior, Jah Yzer, I-Vier, and Irie Dole spin the reggae jams for your maximum irie-ness.

FRIDAY 18

ROCK/BLUES/HIP-HOP

*Avengers, Pansy Division, Paul Collins Beat Bottom of the Hill. 10pm, $12.

Blue Rabbit, Marcus Very Ordinary, Gregg Tillery, Hoof and the Heel Hotel Utah. 9pm, $8.

Citizen Cope Fillmore. 9pm, $27.50.

Dead Guise Connecticut Yankee, 100 Connecticut, SF; www.theyankee.com. 9pm.

Drones, Model/Actress, Spyrals, DJ Duke of Windsor Café du Nord. 9:30pm, $10.

Grand Lake, White Cloud, Rad Cloud Hemlock Tavern. 9:30pm, $6.

Ice Cream Socialites Thee Parkside. 9pm, $6.

Illness, Sideshow Fiasco, Groundskeeper Kimo’s. 9pm, $6.

Pains of Being Pure at Heart, Depreciation Guild, Cymbals Eat Guitars Great American Music Hall. 9pm, $15.

Porcupine Tree, That 1 Guy Warfield. 9pm, $27.50-32.50.

Sea Wolf, Old-Fashioned Way, Sara Lov Bimbo’s 365 Club. 9pm, $15.

Shotty, Lipstick Conspiracy, Richie and the Curious Proclivities El Rio. 10pm, $5.

Timber Timbre, Harbours Rickshaw Stop. 6pm, $10.

"Your Music Magazine Band Olympicks" Red Devil Lounge. 9pm, $10.

BAY AREA

Miley Cyrus, Metro Station Oracle Arena, 7000 Coliseum Wy, Oakl; www.ticketmaster.com. 7pm, $39.50-79.50.

Furthur Fox Theater. 7:30pm, $49.50.

White Witch Canyon, 3rd Rail, 667 Uptown. 9pm, $10.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

"Cultural Encounters: Friday Nights at the deYoung presents Jazz at Intersection" Wilsey Court, de Young Museum, 50 Hagiwara Tea Garden Dr, SF; www.deyoungmuseum.org. 6:30pm, free. With Crushing Spiral Ensemble.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; 771-6800. 8pm, free.

Barry Finnerty and trio Savanna Jazz. 8pm, $5.

"Idle Warship: Talib Kweli, Res, and Graph Nobel" Yoshi’s San Francisco. 8 and 10pm, $16.

Jessica Johnson Shanghai 1930. 7:30pm, free.

Lucid Lovers Rex Hotel, 562 Sutter, SF; (415) 433-4434. 6-8pm.

"San Francisco Electronic Music Festival" Brava Theater, 2781 24th St, SF; www.sfemf.org. 7pm, $10-17. With Ed Osborn, Preshish Moments, Frank Bretschneider, and Joan La Barbara.

Lavay Smith and Her Red Hot Skillet Lickers Biscuits and Blues. 8 and 10pm, $20.

David Tranchina Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Will Bernard Band, Skerik Boom Boom Room. 9:30pm, $15.

FOLK/WORLD/COUNTRY

Bluegrass Bonanza Plough and Stars. 9pm. Presented by Shelby Ash.

Boca Do Rio Coda. 10pm, $10.

Brownout, Manicato, DJs Pleasuremaker and Señor Oz Elbo Room. 10pm, $10.

Crushing Spiral Ensemble deYoung Museum, Golden Gate Park, 50 Hagiwara Tea Garden Drive, SF; (415) 750-3600. 6:30pm, free.

Cuban Nights Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8:30pm, $15.

Shayle Matuda Dolores Park Café. 7:30pm, free.

Mestizo, Caravanserai: The Santana Tribute, Vortex Tribe feat. Mingo Lewis Slim’s. 8pm, $13.

"Methods of Defiance" Regency Ballroom. 9pm, $25-37.50. With Dr. Israel, Bernie Worrell, Toshinori Kondo, Hawkman, Guy Licata, and Bill Laswell.

Julia Nunes Swedish American Hall (upstairs from Café du Nord). 7:30pm, $15.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Blow Up Rickshaw Stop. 10pm, $10-15. With DJ Jefrodisiac and Ava Berlin.

Boombox Saints Club Six. 9pm, $10. With DJs Pep Love, Amp Live, Xein How, and more spinning hip hop.

Deep Fried Butter, 354 11th St., SF; (415) 863-5964. DJs jaybee, David Justin, and Dean Manning spinning indie, dance rock, electronica, funk, hip hop, and more.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Jump Off Club Six. 9pm, $10. With DJs Eddie Leader, Hector Moralez, and Oscar Miranda spinning house.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Loose Stud. 10pm-3am, $5. DJs Domino and Six spin electro and indie, with vintage porn visual projections to get you in the mood.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Oldies Night Knockout. 9pm, $2-4. DJs Primo, Daniel, and Lost Cat spin doo-wop, one-hit wonders, and soul.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

David Savior and Don Lynch Infusion Lounge. 9pm, $20.

SATURDAY 19

ROCK/BLUES/HIP-HOP

Agent Ribbons, Splinters, Sarees Thee Parkside. 9pm, $6.

Amazing Baby, Entrance Band, Total Hound Bottom of the Hill. 10pm, $12.

Citizen Cope Fillmore. 9pm, $27.50.

*Dirty Three, Faun Fables Great American Music Hall. 9pm, $19.

Dragonforce, Sonata Arctica, Taking Dawn Regency Ballroom. 8pm, $28.

Fleeting Trance, Foreign Cinema, Boatclub Li Po Lounge. 8:30pm, $7.

Mark Hummel and Rusty Zinn Biscuits and Blues. 8 and 10pm, $20.

Little Boots, Music Go Music, Yes Giantess, DJ Aaron Axelsen Independent. 9pm, $17.

Loretta Lynch, Hollyhocks, Yard Sale Hotel Utah. 9pm, $7.

Lou Dog Trio, Audiodub, Search Party Red Devil Lounge. 9pm, $15.

*Meat Puppets, Dead Confederate, Ume Slim’s. 8pm, $13.

Middle Class Murder, Tomorrowmen, Hi-Watters Thee Parkside. 3pm, free.

No Alternative, Druglords of the Avenues, Downtown Struts El Rio. 9pm, $8.

Sex Vid, Corpus, Milk Music Hemlock Tavern. 9:30pm, $7.

Starving Weirdos, William Fowler Collins, Metal Rouge, Darwinsbitch, Jim Haynes, John Davis, Danny Paul Grody Swedish American Hall (upstairs from Café du Nord). 2pm, $10.

Tarentel, Keith Fullerton Whitman, Alps, Ducktails, Pete Swanson, Joe Grimm, Operative Café du Nord. 8pm, $15.

Will Bernard Band with Skerik Boom Boom Room. 10pm, $15.

BAY AREA

Dave Rude Band Uptown. 9pm, $10.

Furthur, Vice Fox Theater. 6:15pm, $49.50.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Bop City Coda. 10pm, $10.

Terrence Brewer Shanghai 1930. 7:30pm, free.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Groove Rebellion Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

"Idle Warship: Talib Kweli, Res, and Graph Nobel" Yoshi’s San Francisco. 8 and 10pm, $16.

"San Francisco Electronic Music Festival" Brava Theater, 2781 24th St, SF; www.sfemf.org. 7pm, $10-17. With Jorge Bachmann, Gino Robair, and Pamela Z.

Savanna Jazz Trio Savanna Jazz. 8pm, $5. With jazz harpist Motoshi Kosako.

Ricardo Scales Top of the Mark. 9pm, $10.

"Sounds of Unity Jazz Concert" Unity Church of San Francisco, 2222 Bush, SF; www.unitysf.com. 7:30pm, free.

Will Bernard Band, Skerik Boom Boom Room. 9:30pm, $15.

FOLK/WORLD/COUNTRY

Rahim AlHaj and Alam Khan Herbst Theater, 401 Van Ness, SF; (415) 621-6600. Music from Iraq and India.

Bajofondo Bimbo’s 365 Club. 9pm, $25.

Carnaval Del Sur Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $15.

Plucked Seventh Avenue Performances, 1329 7th Ave., SF; (415) 664-2543. 7:30pm, $18. With Diane Rowan, Celtic harp and Dominic Schaner, lute and vihuela.

Whiskey Richards, Amanda Duncan Plough and Stars. 9pm.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Booty Bassment Knockout. 10pm, $5. Hip-hop with DJs Ryan Poulsen and Dimitri Dickenson.

Cock Fight Underground SF. 9pm, $6. Locker room antics galore with electro-spinning DJ Earworm and hostess Felicia Fellatio.

Doherty’s Birthday Bash EndUp. Late Show 10pm-5am, Early Show 5am-Noon; $15. With Late Show DJs spinning breakbeats, electro, hip hop hybrids, and more and Early Show DJs spinning house, tech house, and progressive house.

Fire Corner Koko Cocktails, 1060 Geary; 885-4788. 9:30pm, free. Rare and outrageous ska, rocksteady, and reggae vinyl with Revival Sound System and guests.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Juakali Triple Crown. 10pm, $7.

Knocked Up Knockout. 6-9pm, free. With DJ Touchy Feely.

Let’s Blaze Club Six. 9pm, $10. With live performances by C U Next Weekend, Jeanine Da Feen, and more.

Life S.F. Infusion Lounge. 9pm, $20. With DJ J Espinosa and Designer DJs.

NonStop Bhangra Rickshaw Stop. 9pm, $15. Dholrhythms and DJ Jimmy Love present the latest Bhangra grooves.

Saturday Night Live Fat City, 314 11th St; selfmade2c@yahoo.com. 10:30pm.Saturday Night Soul Party Elbo Room. 10pm, $10. DJs Lucky, Phengren Oswald, and Paul Paul spin 60s soul 45s.

Soul Slam IV: Prince and Michael Jackson Mezzanine. 9pm, $25.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Summer Saturdays Bar On Church. 9pm, free. With DJ Mark Andrus spinning top 40, mashups, hip hop, and electro.

SUNDAY 20

ROCK/BLUES/HIP-HOP

Daikaiju, Pollo Del Mar, Secret Samurai, TomorrowMen Hotel Utah. 2pm, $10.

*Flood, Emeralds, Early Graves Hemlock Tavern. 9pm, $6.

Gaslight Anthem, Murder By Death, Loved Ones, Frank Turner Fillmore. 8pm, $20.

Grouper, Christina Carter, Ilayas Ahmed, Barn Owl, Sun Circle, Common Eider King Eider,

Austin Lucas, Two Cow Garage, Mike Hale Thee Parkside. 8pm, $8.

Ming and Ping, Miss Derringer, Wooden Ponies Slim’s. 8pm, $15.

Brendon Murray Swedish American Hall (upstairs from Café du Nord). 6:30pm, $20.

Pink Mountaintops, Pack AD Independent. 8pm, $12.

"Rock for MS presents Roy Rogers" Boom Boom Room. 8:30pm, $25-100.

"Sunset Youth Services presents: Top Performers from Upstar Records" Bottom of the Hill. 1:30pm, $10.

These United States Café du Nord. 8pm, $10.

Tigercity, Royal Bangs, Actors Bottom of the Hill. 8pm, $10.

BAY AREA

Furthur Fox Theater. 7:30pm, $49.50.

JAZZ/NEW MUSIC

Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

Moped Mojito, 1337 Grant; www.mojitosf.com. 8pm.

Savanna Jazz Trio Savanna Jazz. 7:30pm, $5.

Tony Lindsay Band Yoshi’s San Francisco. 7pm, $18.

FOLK/WORLD/COUNTRY

Bajofondo Bimbo’s 365 Club. 8pm, $25.

Marla Fibish and friends Plough and Stars. 9pm, free.

Fiesta Adina! Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7pm, $12. With Eddy Navia and Sukay.

King Cab Thee Parkside. 4pm, free.

Maria Volonte: Tango Dance Party Coda. 8pm, $10.

Hank Williams Birthday Tribute Amnesia. 10pm, $5. Live-band country karaoke.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJs Sep, Maneesh the Twister, and Ludichris.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

T-Dance Deco Lounge, 510 Larkin, SF; (415) 346-2025. 4pm, $5 suggested donation. Positive guys and their friends are welcome at this benefit for Positive Force featuring DJ Robbie Martin.

MONDAY 21

ROCK/BLUES/HIP-HOP

Buffalo Collision Independent. 8pm, $20.

Get Up Kids, Youth Group, Pretty and Nice Fillmore. 8pm, $23.50.

In Flames, Between the Buried and Me, 3 Inches of Blood, Faceless Regency Ballroom. 7:30pm, $26.

Qwel and Maker, Denizen Kane, Rock Bottom, Influence and Ro Knew, Bwan Elbo Room. 9pm, $5.

Titus Andronicus, So So Glos, Relatives Bottom of the Hill. 9pm, $8.

JAZZ/NEW MUSIC

"Jazz at the Rrazz" Rrazz Room, Hotel Nikko, 222 Mason, SF; www.therrazzroom.com. 8pm, $25. With Jeremy Cohen.

John Patitucci Trio Yoshi’s San Francisco. 8 and 10pm, $14-18.

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Ceremony Knockout. 10m, free. Dark pop, goth, industrial, and new wave with DJs Deadbeat and Yule Be Sorry.

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Krazy for Karaoke Happy Hour Knockout. 5-10pm, free. Belt it out with host Deadbeat.

Mainroom Mondays Annie’s Social Club. 9pm, free. Live the dream: karaoke on Annie’s stage and pretend you’re Jello Biafra.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 22

ROCK/BLUES/HIP-HOP

Bon Iver Fillmore. 8pm, $25.

Complaints, Sharp Objects, High and Tight Knockout. 10pm, free.

Fat Tuesday Band Biscuits and Blues. 8pm, $15.

Five Finger Death Punch, Shadows Fall, Otep, 2Cents Regency Ballroom. 7:30pm, $22.

Erin McCarley, Landon Pigg Independent. 8pm, $15.

Moneybrother, Farewell Typewriter Red Devil Lounge. 8pm, $8.

Most Serene Republic, Grand Archives, Lonely Forest Bottom of the Hill. 9pm, $12.

One Eskimo, Haley Bonar Hotel Utah. 9pm, $10.

Pet Shop Boys Warfield. 9pm, $55-89.50.

Prizehog, Rabbits, Iron Witch Hemlock Tavern. 9pm, $6.

Jill Tracy, Eli August, Vernian Process Elbo Room. 9pm, $5.

BAY AREA

Australian Pink Floyd Show Fox Theater. 8pm, $32.50-39.50.

JAZZ/NEW MUSIC

Toshiko Akiyoshi, Lew Tabakin Quartet Yoshi’s San Francisco. 8 and 19pm, $16-20.

Dave Parker Quintet Rasselas Jazz. 8pm.

"Jazz Mafia Tuesdays" Coda. 9pm, $7. With the Park and special guests.

Dame Cleo Laine and Sir John Dankworth Rrazz Room, Hotel Nikko, 222 Mason, SF; www.therrazzroom.com. 8pm, $50-65.

MO Jazz Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Ricardo Scales Top of the Mark. 6:30pm, $5.

DANCE CLUBS

Alcoholocaust Presents Argus Lounge. 9pm, free. With DJs What’s His Fuck, Deadbeat, and Big Nate.

Drunken Monkey Annie’s Social Club. 9pm, free. Weekly guest DJs and shot specials.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

POSH Infusion Lounge. 5pm, $20. Featuring a live band.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.


DanceWright Project and special guests

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PREVIEW "Jamie Ray Wright came to dance later than most," the choreographer and artistic director of the DanceWright Project says of himself — an understatement if there ever was one. At Stanford, Wright was a pop musician who then embarked on a career in marketing. For 20 years he watched dance from the audience’s perspective but finally "could stand it no longer" and started to study ballet 24/7, three hours a day. No, he didn’t become even a second-rate Barishnikov — but he did become a choreographer whose work has been floating around the Bay Area for the last half dozen years or so, most prominently at the Black Choreographers Festival. Neither are his dancers virtuosi. But what he and they have in common is a sense for craft, a lack of pretense, and a love for ballet that enlivens every turn, every gesture and every encounter. In addition to pieces from the rep, the evening will feature a world premiere, Bella Donna, performed to the live playing by jazz guitarist Chris Tozzi. This is the DanceWright’s first self-produced evening, and it has invited some other "newcomers" to share the program. Enrico Labayen, who used to be very active in the Bay Area a decade ago, is resurrecting his Labayen Dance/SF; Kat Worthington, a dancer with Wright, is introducing her own group; and the locally little-known Dac Pac, a youth company from Santa Clara.

DANCEWRIGHT PROJECT AND SPECIAL GUESTS Fri/18–Sat/19, 8 p.m., $15–$18, Dance Mission, 3316 24th St., SF, (415) 826-4441, www.brownpapertickets.com/event/76954

Repulsion

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PREVIEW Repulsion: the name says it all, really. Napalm Death covered them, Darkthrone’s Gylve "Fenriz" Nagell — that eternal beacon of uncompromising black metal misanthropy — has a tattoo of their logo, and countless other longhairs heard something lurking beneath the muffled fuzz of an nth-generation bootlegged tape. The extreme music scene would be a very different place had these Flint, Mich., all-purpose metal dudes never disseminated their meteoric, immaculately shitty demos.

The band came up in a democratic period of heavy metal — which, lucky for us, seems to be on the rise again — where amateurs like Venom and Hellhammer managed to write some brutally effective heavy metal with only the most rudimentary musical knowledge. Thanks to this audacious garage metal sensibility, coupled with the aerobic drive of speedfreak hardcore groups like Siege and England’s Extreme Noise Terror and, of course, ye olde Bay Area thrash, Repulsion’s sound became the manifestation of metal’s thriving tape-trading scene, a rudimentary grindcore and death metal onslaught destined to be way more influential than it had any right to be. Crappy production values and occasionally sloppy playing aside, Repulsion wasn’t entirely musically clueless — careful listeners can pick out some impressive (albeit niche) musicianship, like Scott Carlson’s percussive vocal delivery ("You are! Rotting! Maggots! In your coffin!") and the mythically accelerated drumming of Dave Grave (current drummer Col Jones is no slouch himself.)

Let’s be honest: demigod virtuosity in its most ostentatious expression is part of what makes metal so exciting; it’s a unique bragging right we hold over the heads of our rock fan compatriots ("Let’s see [foppish indie band] shred like that!"). But sometimes the metal muse (I’m visualizing a sexless cross between Dio and a Frank Frazetta barbarianess here) gets the most visceral results by visiting us normals. If I’m losing you here, just listen to the grainy, misshapen, infinitely replayable reissue of Horrified (Relapse, 2003). Or better yet, go see them live this Saturday. For free!

With Reciprocal, Dismal Lapse, Flesh Consumed, Depths of Chaos. Sat/19, 7:30 p.m. (doors 7 p.m.), free. DNA Lounge, 375 11th St. (415) 626-1409, www.dnalounge.com

Editor’s Notes

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Tredmond@sfbg.com

I’m really glad that you can watch the state Legislature on streaming video, because it gave me something to do Friday night. For a couple of hours, I sat there transfixed, flicking from the Assembly channel to the Senate channel, as the exhausted and somewhat punchy leaders of our state government blazed through about 100 different bills.

I think my favorite moment was when the Assembly Republicans tried to derail AB 962, a bill by Assembly Member Kevin De Leon (D-Los Angeles) that bans the sale of mail-order ammunition. De Leon tried to explain how reasonable the measure is — you can still order ammo on the Internet, but it has to be delivered to a licensed gun store, someplace where a clerk can check to make sure you’re over 18 and not a felon. He spoke of teenagers in his district ordering thousands of rounds of deadly bullets and getting them delivered to their doorsteps.

But oh my, the GOP was outraged. One Assembly Member announced that this was a violation of the Second Amendment and started chanting "let my people go." Another described a letter she received from a senior citizen who apparently had trouble getting around but needed a thousand rounds of live ammo for a "cowboy reenactment." The guy can’t drive to a gun store, but he can shoot live bullets at other old cowboys? What a great country.

At any rate, the Assembly passed the bill, with the minimum 41 votes, and the governor will now get to decide once again if he’s with the gun nuts or reasonable law enforcement.

I was a little worried that the modest prison reform bill would fail. Barely enough Assembly Democrats supported it, and some of the more liberal state Senators said it didn’t go far enough. Which it didn’t, and it doesn’t, and it’s at best a weak plan that could lead to the release of 17,000 nonviolent inmates. But the heart of the original bill, which called for a commission to review the state’s insane and often arbitrary sentencing policies, died. And some Assembly Democrats — including San Francisco’s Fiona Ma — refused to support a proposal to release more inmates to alternative custody, including home detention with electronic monitoring. So an alternative-release bill never made it to the floor.

That means the state is at least $200 million short of the cuts it needs to make in the prison system to balance the budget — cuts that were already included in the fiscal plan approved this summer. And California is still out of compliance with the federal courts, which have ordered the state to release some 40,000 inmates.

Something’s got to give.

The water system isn’t getting any better, either. The five key water bills failed to get approval, so it appears the Legislature will be coming back for a special session on water. Maybe one on education, too. Maybe more prison reform will come up in those sessions. Maybe Fiona Ma will realize that unlike some moderate Dems, she runs no risk of losing reelection over prison releases and can vote the right way next time.

And maybe Tantalus will get to eat some apples. Last I heard, he was still hungry.

Where would we be without rent control?

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news@sfbg.com

OPINION This year marks the 30th anniversary of rent control in San Francisco. On June 13, 1979, the Board of Supervisors passed a law that was seen by tenant activists as a fairly weak version of rent control. The supervisors were acting under pressure from landlords, who were lobbying them to hurry up and pass a law before the November election, when landlords feared San Francisco voters would enact a stricter version.

So the supervisors went with a middle-of-the-road measure, but its passage was still a milestone. Today, San Franciscans in rent-controlled apartments shudder to think where they would be without this basic protection. Many would be priced out of the rental market — and out of the city altogether.

The original legislation has been amended many times to limit annual rent increases, to expand who is covered by rent control, and to give increased protections from eviction to seniors, disabled people, the catastrophically ill, and long-term tenants. To curb the use of Ellis Act evictions by real estate speculators, buildings where seniors or disabled tenants have been evicted are now barred from condo conversion. In the past few years, we have worked to raise mandatory relocation payments for tenants, and added increased protections against landlord harassment.

Tenants are still being pressured to leave their apartments with supposed voluntary buyouts, a type of roulette in which speculators wave cash and tenants need nerves of steel to resist the threat of little money and no apartment — or more money and no apartment. But tenants keep organizing and holding on.

The San Francisco Tenants Union, Housing Rights Committee, St. Peter’s Housing Committee, Tenderloin Housing Clinic, and the Eviction Defense Collaborative all work with limited staff and many dedicated, inspiring volunteers to inform tenants of their rights and represent them when they need legal assistance. Tenants Together, founded last year, is now organizing tenants statewide and making progress all over California.

Sup. Eric Mar is sponsoring legislation that would give eviction protection to families with children — currently an endangered species in San Francisco. Study after study has shown the negative effect of evictions on families with children. More than half of all families with children in San Francisco live in rent-controlled apartments. A recent nationwide report named San Francisco as the major metropolitan area with the lowest number of children. In addition to tenants groups, a broad coalition of education and health groups have given their support to the Mar legislation. If you haven’t already done so, write or fax your supervisor in support of the legislation.

Meanwhile, come celebrate the 30th anniversary of rent control by stopping by one of our tenants rights counseling booths Saturday, Sept. 19 between 11 a.m. and 2 p.m. (see www.sftu.org for locations). Get info on our reduced price anniversary memberships and commemorative t-shirts. Then join us back at 558 Capp St., the Tenants Union office, for a barbecue, raffle, and Tenants Hall of Fame festivities where we can all celebrate 30 years of fighting for safe, fairly priced housing.

Susan Prentice is a San Francisco Tenants Union counselor/activist.

Snap Sounds: Mos Def

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By D. Scot Miller

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MOS DEF

The Ecstatic

(Downtown)

After 2006’s somewhat tepid though promising True Magic (Geffen), Mos drops the best hip-hop album of 2009 thus far. Named after Victor Lavalle’s novel, with cover art from Charles Burnett’s Killer Of Sheep, this is a gem that I just can’t stop playing — especially "Priority" and "No Hay Nada Mas"

Mos Def, “Quiet Dog” Live

Live Shots: Power to the Peaceful 9/12/09

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Text and photos by Ariel Soto

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The air was thick with friendship and love as about 70,000 people went into tree pose to say a united prayer for peace in Speedway Meadows this Saturday for the 11th annual Power to the Peaceful concert. The day long concert has been the pride and joy of Michael Franti for the past decade, whose own music strives to motivate and cultivate love and peace between all us human beings.

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This year the special guests included Alanis Morissette, Cherine Anderson, and Sly and Robbie along with inspirational speakers such as former Green Party candidate Cynthia McKinney and Tibetan monk Namkha Rinpoche who hinted at the possibility of the Dalai Lama coming to next year’s Power to the Peaceful.

Ici, here’s your favorite new ice cream joint

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By Kimberly Chun

Revelation time: a woman cannot live by Bi-Rite Creamery alone.

And along comes Ici, the Francophile’s wet, creamy dream over in Rockridge, right off Ashby. I checked out this lovely, tiled, Gallic-flavored spot recently, on a steamy, humid day – the kind that Bay Area types are never prepared for, sending us scurrying in vain for air-conditioning. The line wound out the door and snaked down the street, but it moved surprisingly quickly. Efficiency and beauty – who could ask for anything more?

Inside what is probably the most stylish and attractive ice cream shop in the Bay, were baked alaskas, bombes, ice cream sandwiches, and an ultra-tempting counter of treats and marbled homemade cones. A gold star for the nice, icy pitcher of sparkling water to sip while you wait.

But, man, it was the ice cream – kitted out in unique flavors – that swayed us and slayed us: verbena, sweet corn and chili, Earl Gray, hazelnut praline, raspberry verbena, pluot sorbet. (Pictured, a shot of mint fudge with burnt caramel sauce.) If I were you, I’d get two delectable scoops in a cone that comes with a truly delish little surprise of a chocolate tip. You’ve been warned: incoming deliciousness, Ici.

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ICI
2948 College, Berk.
(510) 665-6054

It’s time for a Bad Brains reignition

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By Tony Papanikolas

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Most Bad Brains fans can remember where they were the first time they heard the DC hardcore legends’ self-titled debut (ROIR, 1982.) For me, it was during an extended drive through Utah with my parents, a trip made memorable by a fortuitous stop at a strip mall with a Sam Goody. (My Damaged story is a lot cooler, I swear.) The album did nothing to improve my PMA during the car ride, but I vividly remember finding Bad Brains’ sheer unhinged speediness awe-inspiring, and not a little disorienting. Though somewhat of a cliché at this point, it bears repeating that Bad Brains — all 34 breakneck minutes of it — started an arms race of speed and aggression that would germinate into the hardcore movement. The other side to the record, however, was the handful of incongruous reggae/dub tracks, measured interruptions to the album’s typical rock ‘n’ roll onslaught. By their third album, I Against I (SST, 1986), Bad Brains had begun mixing the two genres more fluidly, resulting in what would become the band’s trademark style.

Aside from establishing themselves as genre pioneers too singular for flat-out imitation, Bad Brains have also gained the reputation of being some of rock’s most volatile live performers, with all the pros and cons that title carries. Stories of vocalist (or "throat," as he’s memorably identified as in the liner notes) H.R.’s epileptic stage presence are the stuff of punk rock folklore, making concerts unpredictable affairs to be sure. Lucky for us, he’ll be anchored by the original lineup: Darryl Jennifer on bass, Earl Hudson on drums, Dr. Know on guitar, natch. Our Summer rager-mode has deactivated; it’s time for reignition.

BAD BRAINS With P.O.S., Trouble Andrew. Tues/15–Wed/16, 8 p.m. (doors 7 p.m.), $26, all ages. Slim’s, 333 11th St. (415) 255-0333. www.slims-sf.com

Brownell: On moral leaders and successful adulterers

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A timely primer on how to become moral leaders and successful adulterers at the same time. The first rule: Spend your own money.

By Jess Brownell

(Jess Brownell, the Voice of the Midwest, operates out of Milwaukee, Wisconsin, as a freelance writer.)

Friend of mine dropped by, said he was out walking the other day and happened to pass a local hotel. Noticed a number of well-dressed men, most with a touch of grey at the temples, not all exactly good-looking, entering. Asked the doorman what was up, and was told a highly regarded motivational speaker was appearing in the ballroom. Being a fellow always in need of motivation, he slipped in and lingered in the shadows. If the recording device he carries with him is to be believed, this is what he heard:

Welcome, gentlemen, and thank you for coming. Our time today is short, and I’m going to get right to business. No beating around the bush. Ha, ha.

Yes, in an ideal world, moral leadership and adultery would not be mutually exclusive. We acknowledge that. But we don’t live in that world. In the real world, people have funny ideas – some of which we’ve helped them to develop – and those people, sad to say, are often inclined to vote. Keep them in mind as we continue.

Preview: “Corpo/Ilicito: The Post-Human Society 6.9”

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By Robert Avila

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Violeta Luna photo by Zach Gross.

Humans and post-humans take note: Corpo/Ilicito: The Post-Human Society 6.9, latest provocation-installation from acclaimed Mexican American performance artists Guillermo Gómez-Peña and Violeta Luna (aka La Pocha Nostra), unfurls for two nights only, this Friday and Saturday, at CounterPULSE.

Corpo/Ilicito premiered in the 2009 Habana Biennale in Cuba and the Trouble Festival in Brussels. This weekend marks its Bay Area premiere. In terms of what you might expect, here’s this from their press release: “In their latest project, la Pocha creates a performance setting that is both live jam session and reflective zone. The full environment installation ultimately allows the audience to co-direct the fate of the performance.

“Gomez-Peña has said about this project: ‘As live artists, our task is to create living metaphors that articulate a new aesthetic, culture, spirituality and a sexuality that emerge out of the ruins of our Western civilization.’”

These are the ambassadors from badass. Go ahead and call them edgy, especially if by edgy you mean pissed off. Or edgy as in the fractured, fractious frontier running between Mexico and the United States — slithering East to West, West to East, in all its slippery serpentine significance, delusional substance, riotous pretense and delightful permeability. And while you’re at it, throw in all the other frontiers of identity that go into limning our “postmodern” “Western” borderline personalities.

Fri/11-Sat/12, 8 p.m., $15-20
CounterPULSE, 1310 Mission, SF
(415) 626-2060, https://www.brownpapertickets.com/event/73700

Live Shots: Jonesin’ and the Sandwitches at Hemlock Tavern, 9/3/09

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Text and photos by Ariel Soto

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Donning matching black and white outfits, the Jonesin‘ duo bounced around the stage, singing old Dolly Parton covers and also their own lyrics, that sometimes focus on aliens, their amour, roller skates, and the foggy city we all call home. Their music is totally bubbly and funky with just a hint of country and irony. With only their mikes and a boom box for back-up , these two belted it out at Hemlock Tavern for their official Hi, We’re Jonesin’ (Telemarketer’s Worst Nightmare) record release party and as a send-off for their around the country tour, which includes stops in Kansas, Mississippi and Texas, too.

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Hobbs knobbin’

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superego@sfbg.com

SUPER EGO "My mission is progression," says BBC 1 Radio’s Experimental Show host DJ and left-field electronic music goddess Mary Anne Hobbs. "Everything should point to the future. If there’s any reason I’m here, it’s to build new causeways beyond classic sounds toward symbiotic textures. I cannot hang in suspended animation."

Hobbs is on the horn from Britain, and her droll Lancashire accent and signature breathy enthusiasm, combined with my wet-pantsed fanboy palpitations, is making it hard for me to keep up. I’m gushy, y’all. Because basically Mary Anne Hobbs is one of the coolest people on the planet, not only dedicating her considerable charisma to bringing challenging sounds to a wider audience and galvanizing a disparate community of bedroom knob-fiddlers — but also able to instantly conversation-hop from Kawasaki motorcycles (she’s made a multipart documentary about riding through Russia) to late Bay jazz oracle Alice Coltrane (the title of Hobbs’ excellent new Planet Mu platter of twisted audio thrills, Wild Angels, was inspired by a meditation on harpist Coltrane’s "cosmic arpeggios").

Although she’s been closely associated with dubstep and future bass, Hobbs eschews core genre sounds, yet she recognizes her role in helping dubstep become such a mainstream phenomenon in her native land. "I look after my small country of artists, and if extraordinary talents like Benga or Burial break through, I’m enormously pleased. But there’s still so much out there."

Mary Anne Hobbs, Wild Angels preview

Hobbs laughs when I mention her maternal reputation, but when I bring up the glaring invisibility of women on the scene, she says, "People just aren’t looking in the right places," and launches into a list of about 20 favorite females, including Vaccine, Blank Blue, and Ikonika before deftly nipping my typical American multiculti soapboxing in the bud. "I think many of these artists prefer not to be viewed through the prism of sexuality."

Wild Angels, Hobbs’ third compilation, moves away from dark dubstep toward the esoteric, sticky-starlight synth sound of Scotland’s LuckyMe collective (represented here by Hudson Mohawke, Mike Slott, and Rustie) with some West Coast rep coming from Nosaj Thing. More Cali cuts may make it onto future releases. "I’m so excited to be spinning in California again," Hobbs says. "The energy is incredible. I really feel that’s where it’s at right now." Agreed!

Get Freaky Afterburn featuring Mary Ann Hobbs Fri/11, 10 p.m.-3 a.m., $20/$25. 103 Harriet, SF. www.1015.com

BEAT DIMENSION

Synapse-melting live electronic showcase hosted by NYC’s Soundpieces, with the Austria’s Dorian Concept, Cinnaman, Flying Skulls, E Da Boss, and more…

Thu/10, 10 p.m., $5–$10. Paradise Lounge, 1501 Folsom, SF. www.paradisesf.com

HONEY DIJON

The scandalously fun transgender DJ brings her bubbly brand of runway house hoo-hoo to Temple’s main floor. Solid Bump Records electro-hosts the basement.

Fri/11, 10 p.m., $20. Temple, 540 Howard, SF. www.templesf.com

KINGDOM

Bass-heavy Brooklyn rave revivalist — with a light touch and some Bmore beats — has scored bigtime with his crazy "Mindreader" single on Fool’s Gold. Can he keep it up?

Sat/12, 10 p.m., $10. Elbo Room, 647 Valencia, www.elbo.com

TRIPLE THREAT

It’s a 10-year reunion for groundbreaking turntablist trio Vinroc, Shortkut, and Apollo — could it herald a return for actual vinyl skills? Sure hope so.

Sat/12, 10 p.m.-3 a.m., $15. Mighty, 119 Utah, SF. www.mighty119.com

No gag

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andrea@mail.altsexcolumn.com

Andrea is currently on vacation. This column originally ran in June 2006.

Dear Andrea:

About getting past my gag reflex while giving blow jobs: I have no idea of what’s the best way to practice this. I’ve tried bananas, but honestly that was just weird. I never bothered trying to deep-throat my ex because he was happy with a hand job. The new boyfriend has expressed much interest in it, and I think trying to deep-throat without practice first would be really awful. Any books on this? Recommended dildos? Anything?

Love,

Willing but Worried

Dear Will:

Indeed, but first let’s get our terms straight: Are you confutf8g the standard-issue blow job with the X-treme sport called "deep-throating" (taking the penis all the way into the throat), or has the boyfriend specifically requested the latter? "Deep-throating" has long had its place in the lexicon, but it has not replaced and ought not to replace "blow job," "giving head," or "going down on." They are not at all the same thing.

If all you two are interested in is mouth-penis contact, you shouldn’t need a textbook or a night of, you should pardon the expression, "cramming." You can practice a bit with nothing fancier or more banana-flavored than your own finger or a Popsicle stick, just to determine how far back you can tolerate an oral foreign body before you need to expel it. It does get easier with practice. Once you graduate to the real thing, you will find that the more control you take over the process (you do the moving, he just lies there being happy he has a penis), the less gaggy you will feel. If it still feels overly intrusive or out of control, wrap your hand (spit into it generously first, as though sealing a bargain) around the base and move this in concert with your mouth. Some men can easily detect the difference but many don’t care — friction is friction, after all, and warm, wet, and deep are usually good enough without having to get all picky about it. Most men enjoy a blow job, period, and few — I cannot say "none," but let’s not get distracted by the corner cases — get off on making girls gag or produce involuntary Roman showers.

If you can imagine yourself practicing on a dildo and not immediately collapse in giggles, you’re ahead of the game and I give you my blessing. Buy something realistically sized and inexpensive (jelly rubber, probably), pretend it’s attached to your boyfriend (the sillier the color the harder this is to carry off, I imagine) and see how deep, fast, et cetera, you can go without gagging. Keeping your neck straight and head slightly back are supposed to help, although the often recommended lie-on-your-back-with-your-head-off-the-edge-of-the-bed position strikes me as ill advised at best, since we are trying to avoid panic here, and what could be more panic inducing than having your airway and vocal capability cut off while somebody straddles your chest? Try lying prone or crouching, with the dildo upright as though projecting jauntily from your boyfriend’s pelvis as he lies on his back, and practice opening your throat as though chugging a beer or saying "Ah."

You may find, in time, that you really can control your gag reflex. The feedback provided by a real live boyfriend, though, in the form of appreciative gasps and groans, is a motivator the likes of which mere plastic, no matter how colorful, will never achieve. Not, at any rate, with today’s technology. Androids and replicants haven’t yet started rolling off the assembly lines and into our toy boxes.

Faking it with inanimate objects will only get you so far; if you really want to learn, you’re going to have to try it on the real thing. I don’t know your boyfriend, but I bet he’d be game for a little experimentation. Just make sure that the session is approached as an experiment, and that neither of you brings to it unrealistic expectations of immediate, spectacular success. Nobody’s born knowing how to do this sort of thing, at least not until those replicants get here.

If you two get this far and wish to — oh heck, there’s no better way to put this — go a little deeper, there’s good information to be found in instructional videos and DVDs, like the ones Nina Hartley puts out, and in books such as Violet Blue’s The Ultimate Guide to Fellatio, which contains nifty tips like how to keep your lipstick perfect throughout, as well as, yes, bona fide deep-throating techniques. I think deep-throating is overrated, myself, but then, I only borrow a penis and ought to defer here to those who possess them full time.

One last word of warning: Yes, there can be a somewhat unpleasant surprise at the end of a successful blow job. Inform him that he is responsible for early warning and withdrawal, no "whoopsies" allowed. This probably ought to be considered nonnegotiable at the beginning, subject to later review.

Love,

Andrea

See Andrea’s other column at carnalnation.com

The searchers

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a&eletters@sfbg.com
When there is no firm ground, the only sensible thing to do is to keep moving. Lester Bangs wrote that, but countless wandering souls have lived it since the first humans stumbled across the continents. Long after land bridges dissolved and the great cities of the world were mapped, San Francisco — the legendary land’s-end haven for dreamers, kooks, and hedonists — became a butterfly net for the world’s drifters. Prismatic crowds have come and gone through the decades, helping to grow one of the world’s great music scenes.

"There’s just a certain point where you realize that nothing is going to satisfy you all the time," muses Christopher Owens, one of two masterminds behind the SF band Girls. "The solution is to be a person who’s always looking for the next thing. Oscar Wilde said that the meaning of life is the search for meaning of life. But there is no meaning to life — it’s just never laying down and accepting your surroundings, even if they’re comfortable. It’s like the Rolling Stones song, "(I Can’t Get No) Satisfaction." I think I’ve always felt like that, and always will be like that."

Girls, “Lust for Life”

Looking up from peeling the label off a kombucha bottle and blinking his big eyes, Chet "JR" White nonchalantly nods: "I’m really never content, hardly ever happy, but every once in a while I’m both. Everything’s about getting somewhere else, I think."

While most bands fade slowly or implode, ever so rarely one explodes into something transcendent because it’s hit a nerve or two and tapped into the human experience in a profound way. Girls is that kind of band. Owens and White have been around for years, playing raucous live shows while quietly perfecting their imminent debut LP, Album (True Panther/Matador). A collection of glam-pop with that genre’s flair for artifice, it also — unlike traditional glam pop — possesses an emotional authenticity absent from so much music being churned out today.

Owens and White first united as roommates in San Francisco, but their lives couldn’t have started out more differently. While White was playing in punk bands in his parents’ Santa Cruz garage and going to recording school, Owens was growing up as part of the Slovenian sect of the Children of God cult, where secular music was forbidden unless one of the cult’s adults decided to indulge the younger members’ desire to learn the occasional Beatles or 1960s folk tune.

Owens broke away from the Children of God at 16 to live with his sister in Amarillo, Texas. Everything the rest of us had heard a thousand times before we were teenagers was a revelation to him. "When I learned to play the guitar, I was still in the cult and I didn’t really know anything but their music," he says. "When I turned 16 and left the group, it was like the whole world was in front of me. I got the Cranberries, the Cure, Black Sabbath, Sinead O’Connor, Michael Jackson, and the Romeo + Juliet movie soundtrack, and I’d play them on my stereo in my room and learn them and play guitar. The next wave was pop music. When I turned 18, I had become an American teen."

Owens was quickly engulfed by the small town’s punk scene: "I threw away seven years of my life there. All I have is tattoos from Amarillo." He played in a few punk bands, the music drawing him in because it was "really angsty." But after a few years, he felt the itch to do something new. "There wasn’t really anything in particular that drew me to San Francisco," he says. "I made a commitment that I was gonna leave Amarillo on New Year’s Day in 2005. All my friends moved to Austin, which I thought was the lamest thing in the world. I wanted absolute change. I wanted to totally reinvent myself and leave all those people behind."

Shortly after he landed in the Bay Area, Owens was asked to join the L.A. band Holy Shit. "I only played in the band because I was totally obsessed with Ariel Pink and Matt Fishbeck," he says, referring to the band’s underground-hero founders. "I started to write these songs to impress them and to vent my feelings, but the main driving force was that I wanted to be like them so much. I kept thinking I’m gonna make something that’s gonna blow their minds. I wanted to make something really classic that everyone could say they liked."

And that’s what he did. Owens wrote dozens of songs inspired by his friends, ex-lovers, and San Francisco itself, and recorded them, guided by White’s keen ear for grandeur. After scrapping song takes recorded on a four-track, the pair spent money on a proper tape machine and used only a few microphones to keep Album crisp and clear.

"I like big, amazing sounding records," says engineering wizard and bassist White, who counts Wrecking Crew bassist Carol Kaye as an influence. "I hate lo-fi music. Early on, people would call us lo-fi and I would take it kind of hard. We were just attempting to make the best-sounding thing we could with what we had — as good as any big record that had a lot of money put into it. I always like records that are made under some sort of duress. I think those records are great, if you can hear it. When I hear ours, I can hear the moments that go along with the music."

With Album, Owens and White edge closer to timelessness than any of their San Francisco contemporaries. While much of the city’s rock scene is embroiled in a hot and noisy love affair with psychedelic garage music, the boys of Girls have come up with something different: classic melodic songs for a restless soul in search of freedom and purpose in this whirlwind world. It doesn’t hurt that behind Owens’ lyrical pearls one discovers lush and unadulterated arrangements and majestic Wall of Sound-esque moments.

Album‘s magnum opus, "Hellhole Ratrace," is a plaintive hymn about the urge to cut loose and live. It starts off with simple guitar strumming, which in turn is soon immersed in a mesmerizing swell of buried organ work, slow hand claps, and trilling guitars that elevates it into an anthem. "I don’t wanna die without shaking up a leg or two /I wanna do some dancin’ too," sings Owens. "I don’t wanna cry /my whole life through /Yeah I wanna do some laughin’ too / So come on, come on, come on, come on and dance with me."

This year has already been one hell of a ride for Girls, which now includes guitarist John Anderson ("He’s the best guitar player I’ve ever played with in my life," says Owens) and drummer Garett Godard. The group has been on tour nearly constantly for several months across America and Europe. For a pair of nomads like Owens and White, it seems like the perfect gig, at least for now. Both harbor dreams of being thrust into the canon with the rest of the greats, and that reality may not be so far off.

"I want to write a song that’s as good as "Let It Be" or "I Will Always Love You." I want to write a song that everybody in the world knows," says Owens, glancing at his bandmate.

"I just want to be one of those bands that becomes culturally ingrained, one of those bands that’s unavoidable," echoes White. "One of those bands that is larger than music itself."

Impassioned youth, existential wisdom, and stories of aching romance weave together to make Album a slice of true Californian pop that never stops hitting home. When you hear Owens’ voice, unshackled by fuzz or distortion, crooning about the fear of dying before ever accomplishing anything, you remember that you’ve felt the same way dozens of times too. And when he starts chirping, "I wish I had a suntan /I wish I had a pizza and a bottle of wine," on the sarcastic, ecstatic opener "Lust for Life," you want to drop everything and run through the streets to join him.

GIRLS

With Papercuts, Cass McCombs

Wed/9, 9 p.m., $14–$16

Great American Music Hall

859 O’Farrell, SF

(888) 233-0449

www.gamh.com

Bad Brains

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PREVIEW Most Bad Brains fans can remember where they were the first time they heard the DC hardcore legends’ self-titled debut (ROIR, 1982.) For me, it was during an extended drive through Utah with my parents, a trip made memorable by a fortuitous stop at a strip mall with a Sam Goody. (My Damaged story is a lot cooler, I swear.) The album did nothing to improve my PMA during the car ride, but I vividly remember finding Bad Brains’ sheer unhinged speediness awe-inspiring, and not a little disorienting. Though somewhat of a cliché at this point, it bears repeating that Bad Brains — all 34 breakneck minutes of it — started an arms race of speed and aggression that would germinate into the hardcore movement. The other side to the record, however, was the handful of incongruous reggae/dub tracks, measured interruptions to the album’s typical rock ‘n’ roll onslaught. By their third album, I Against I (SST, 1986), Bad Brains had begun mixing the two genres more fluidly, resulting in what would become the band’s trademark style.

Aside from establishing themselves as genre pioneers too singular for flat-out imitation, Bad Brains have also gained the reputation of being some of rock’s most volatile live performers, with all the pros and cons that title carries. Stories of vocalist (or "throat," as he’s memorably identified as in the liner notes) H.R.’s epileptic stage presence are the stuff of punk rock folklore, making concerts unpredictable affairs to be sure. Lucky for us, he’ll be anchored by the original lineup: Darryl Jennifer on bass, Earl Hudson on drums, Dr. Know on guitar, natch. Our Summer rager-mode has deactivated; it’s time for reignition. 

BAD BRAINS With P.O.S., Trouble Andrew. Tues/15–Wed/16, 8 p.m. (doors 7 p.m.), $26, all ages. Slim’s, 333 11th St. (415) 255-0333. www.slims-sf.com>.

Events listings

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Events listings are compiled by Paula Connelly. Submit items for the listings at listings@sfbg.com.

WEDNESDAY 9

Beatles Day Amoeba Music, 1855 Haight, SF; (415) 831-1200. 11am-8pm, free. Celebrate the release of the newly remastered Beatles CDs with Beatles DJ sets, fab four trivia and giveaways, a Beatles cover band, and a Beatles look-like contest.

THURSDAY 10

Red Vic Benefit Mercury Café, 201 Octavia, SF; (415) 252-7855. 7pm, $10-30 sliding scale. Help out your favorite local rep house while having a good time at this benefit featuring live music by Tango No.9 and Toshio Hirano, silent auction with art and film-related items, and a raffle.

Supergirls Cartoon Art Museum, 655 Mission, SF; (415) CAR-TOON. 7pm, free. Hear Mike Madrid, author of The Supergirls, discuss the cultural history of the superheroine, like how their search for identity, battle for equality, and juggling the dual roles of career and motherhood mirrors real life. Wine tasting hosted by Small Vines Wines.

FRIDAY 11

Neighborhood Free Days California Academy of Sciences, 55 Music Concourse, Golden Gate Park, SF; (415) 379-8000. 9:30am-5pm, Friday – Sunday; free for select zip codes. Visit www.calacademy.org to find out which weekend your SF zip code will gain you free admission to the museum. This weekend’s lucky residents are from Sunset, Parkside, Stonestown, Lakeshore, and St. Francis Woods.

Party for the People SubMission, 2183 Mission, SF; (415) 431-4210. 8:30pm, $5-20 sliding scale. Enjoy live Latin music, DJs, raffles, fresh Mexican juices, and veggie tacos at this event where all proceeds will benefit PODER, a Mission/Excelsior District community organization where local youth lead environmental justice projects.

SATURDAY 12

Babylon Salon Cantina, 580 Sutter, SF; (415) 398-0195. 8pm, free. This literary night features performances by well known authors Pamela Uschuk and Daniel Alarcon and emerging writers Anthony Gonzales, K.G. Schneider, and Michela Martini.

IXFF Kick-off Party El Rio, 3158 Mission, SF; (415) 282-3325. 9pm, $7. Celebrate Good Vibrations’ Fourth Annual Independent Erotic Film Festival with a special screening of Courtney Trouble’s new film, Speakeasy, music with DJ Justin Credible, prizes, and more.

Power to the Peaceful Speedway Meadow, Golden Gate Park, SF; www.powertothepeaceful.org. 9am-5pm; free, donations accepted. This music, arts, action, and yoga festival featuring performances by Michael Franti and Spearhead, Alanis Morissette, Sellassie, and more is dedicated to issues of social justice, non-violence, cultural co-existence, and environmental sustainability.

BAY AREA

Crossword Puzzle Tournament Alameda High School Cafeteria, 2250 Central, Alameda; www.bayareacrosswords.org. 10:30am, $30. Challenge yourself with some crossword competition at the second annual Bay Area Crossword Puzzle Tournament, featuring three unpublished New York Times puzzles donated by the legendary Will Shortz.

SUNDAY 13

BAY AREA

Dash for a Cure Oakland Aviation Museum, 8252 Earhart Rd., Bldg 621, Oakland International Airport, Oak.; (510) 638-7100. 2pm, free. Experience, through video clips, photos and PowerPoint, the thrilling account of CarolAnn Garratt ‘s World Record breaking flight around the world to raise money and awareness for ALS, or Lou Gehrig’s Disease.

MONDAY 14

Fixing U.S. Healthcare Commonwealth Club, 2nd floor, 595 Market, SF; (415) 597-6700. Noon, $15. Hear T.R. Reid, correspondent for the Washington Post, commentator for NPR, and author of The Healing of America, weigh in on whether or not the U.S. can really fix healthcare and how we can learn from health-care models across the globe.

*

Music listings

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Music listings are compiled by Paula Connelly and Cheryl Eddy. Since club life is unpredictable, it’s a good idea to call ahead to confirm bookings and hours. Prices are listed when provided to us. Submit items at listings@sfbg.com.

WEDNESDAY 9

ROCK/BLUES/HIP-HOP

Suki Ewers, Jack Tung, Westbooklin Elbo Room. 9pm, $5.

Glay Fillmore. 8pm, $45.

Hank IV, Cheap Girls, Grabass Charlestons Thee Parkside. 8pm, $6.

Hedgehog, Queen Sea Big Shark, Casino Demon Bottom of the Hill. 9pm, $10. Benefit for China AIDS Orphan Fund.

Jacopo, Eggplant Casino, Micropixie Café du Nord. 9:30pm, $10.

Cass McCombs, Papercuts, Girls Great American Music Hall. 9pm, $16.

Soulsavers feat. Mark Lanegan, Jonneine Zapata, Redghost Independent. 8pm, $18.

Earl Thomas unplugged Biscuits and Blues. 8pm, $16.

Vivian Girls, Beets Rickshaw Stop. 8pm, $14.

BAY AREA

Yeah Yeah Yeahs Fox Theater. 8pm, $35.50.

JAZZ/NEW MUSIC

Ben Marcato and the Mondo Combo Top of the Mark. 7:30pm, $10.

"B3 Wednesdays" Coda. 9pm, $7. Featuring Amendola vs. Blades.

Jack Curtis Dubrowsky Ensemble Meridian Gallery, 535 Powell, SF; (415) 398-7229. 7:30pm, $10.

9th Wonder with Broun Fellinis, Tyler Woods Yoshi’s San Francisco. 8 and 10pm, $25.

Tin Cup Serenade Le Colonial, 20 Cosmo Place, SF; (415) 931-3600. 7pm, free.

FOLK/WORLD/COUNTRY

Folk and Latin Night Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30; $12.

Foolproof Four Plough and Stars. 9pm, free.

DANCE CLUBS

Booty Call Q-Bar, 456 Castro; www.bootycallwednesdays.com. 9pm. Juanita Moore hosts this dance party, featuring DJ Robot Hustle.

Hands Down! Bar on Church. 9pm, free. With DJs Claksaarb, Mykill, and guests spinning indie, electro, house, and bangers.

Jam Wednesday Infusion Lounge. 10pm, free. DJ Slick Dee.

Open Mic Night 330 Ritch. 9pm, $7.

Qoöl 111 Minna Gallery. 5-10pm, $5. Pan-techno lounge with DJs Spesh, Gil, Hyper D, and Jondi.

RedWine Social Dalva. 9pm-2am, free. DJ TophOne and guests spin outernational funk and get drunk.

Respect Wednesdays End Up. 10pm, $5. Rotating DJs Lonestar Sound, Young Fyah, Sake One, Serg, and more spinning reggae, dancehall, roots, lovers rock, and mash ups.

Synchronize Il Pirata, 2007 16th St.; (415) 626-2626. 10pm, free. Psychedelic dance music with DJs Helios, Gatto Matto, Psy Lotus, Intergalactoid, and guests.

THURSDAY 10

ROCK/BLUES/HIP-HOP

Brendan Benson Great American Music Hall. 8pm, $18.

Doobie Brothers, Lara Johnston Fillmore. 8pm, $59.50.

Joey Fender Biscuits and Blues. 8pm, $15.

Fire Child, Via Coma, Orchestra of Antlers, Major US Cities Rickshaw Stop. 7:30pm, $10.

40-Love, Park, Whooligan Café du Nord. 8pm, $10.

Health, Mi Ami, Pictureplane Bottom of the Hill. 9pm, $14.

Necrite, Fell Voices, Altar of Extinction Annie’s Social Club. 8pm, $6.

*Obituary, Goatwhore, Krisiun, Berzerker Slim’s. 7:30pm, $30.

Perpetual Groove, Hill Country Revue Independent. 9pm, $15.

Sex Type Thing Red Devil Lounge. 9pm, $10.

Winter’s Fall, Telegraph Canyon, Manzanita Hemlock Tavern. 9pm, $7.

BAY AREA

Yeah Yeah Yeahs Fox Theater. 8pm, $35.50.

JAZZ/NEW MUSIC

Kenny Brooks Coda. 9pm, $7.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 7:30pm, free.

"Hotplate" Amnesia. 8pm, $5. With Terrence Brewer playing Wes Montgomery.

Marlina Teich Trio Brickhouse, 426 Brannan, SF; (415) 820-1595. 7-10pm, free.

"Music by the Eyeful: Inventions in Visual Audio" Luggage Store Gallery, 1007 Market, SF; www.illuminatedcorridor.com. 8pm, $6-10. With Ian Winters and Evelyn Ficarra, Bill Hsu and Moe! Staiano, and Tim Perkis.

Stompy Jones Top of the Mark. 7:30pm, $10.

FOLK/WORLD/COUNTRY

Flamenco Thursday Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, 9:30; $12. With Carola Zertuche and Company.

Jorind Josemans Red Poppy Art House. 7pm, $12-15.

Amy Obenski Caffe Trieste, 601 Vallejo, SF; (415) 392-6739. 8pm.

Savannah Blu Atlas Café. 8pm, free.

Shannon Céilí Band Plough and Stars. 9pm, free.

DANCE CLUBS

Afrolicious Elbo Room. 9:30pm, $5-6. DJs Pleasuremaker, Señor Oz, J Elrod, and B Lee spin Afrobeat, Tropicália, electro, samba, and funk.

CakeMIX SF Wish, 1539 Folsom, SF. 10pm, free. DJ Carey Kopp spinning funk, soul, and hip hop.

Caribbean Connection Little Baobab, 3388 19th St; 643-3558. 10pm, $3. DJ Stevie B and guests spin reggae, soca, zouk, reggaetón, and more.

Drop the Pressure Underground SF. 6-10pm, free. Electro, house, and datafunk highlight this weekly happy hour.

Funky Rewind Skylark. 9pm, free. DJ Kung Fu Chris, MAKossa, and rotating guest DJs spin heavy funk breaks, early hip-hop, boogie, and classic Jamaican riddims.

Heat Icon Ultra Lounge. 10pm, free. Hip-hop, R&B, reggae, and soul.

Kick It Bar on Church. 9pm. Hip-hop with DJ Jorge Terez.

Kissing Booth Make Out Room. 9pm, free. DJs Jory, Commodore 69, and more spinning indie dance, disco, 80’s, and electro.

Koko Puffs Koko Cocktails, 1060 Geary; 885-4788. 10pm, free. Dubby roots reggae and Jamaican funk from rotating DJs.

Mestiza Bollywood Café, 3376 19th St., SF; (415) 970-0362. 10pm, free. Showcasing progressive Latin and global beats with DJ Juan Data.

Motion Sickness Vertigo, 1160 Polk; (415) 674-1278. 10pm, free. Genre-bending dance party with DJs Sneaky P, Public Frenemy, and D_Ro Cyclist.

Popscene 330 Rich. 10pm, $10. Rotating DJs spinning indie, Britpop, electro, new wave, and post-punk.

Toppa Top Thursdays Club Six. 9pm, $5. Jah Warrior, Jah Yzer, I-Vier, and Irie Dole spin the reggae jams for your maximum irie-ness.

We All We Got Blue Macaw, 2565 Mission, SF; (415) 920-0577. 9pm, $10. A showcase of emerging, independent artists featuring Sellassie, J. Lately, Lil Paris & Strong, H.W.Y., and more.

FRIDAY 11

ROCK/BLUES/HIP-HOP

Bare Wires, Blood Drained Cows, Vows Hemlock Tavern. 9:30pm, $7.

Doobie Brothers, Lara Johnston Fillmore. 8pm, $59.50.

Glenn Labs, Dubious Ranger, Barbary Coasters Rasselas Jazz. 9pm, $10.

Hot Buttered Rum, Jerry Hannan Band Great American Music Hall. 9pm, $20.

DJ Lebowitz Madrone. 6pm, free.

Lovemakers, Jonas Reinhardt, Lisa Nola Independent. 9pm, $16.

Morning After Girls, Asteroid #4, Citadelle, Fauna Valetta Knockout. 9pm, $7.

My Revolver, Zodiac Death Valley, Dead Westerns Bottom of the Hill. 10pm, $10.

Neverland: A Tribute to the King of Pop, Club 90 Slim’s. 9pm, $18.

Raw Deluxe Coda. 10pm, $10.

Johnny Rawls Biscuits and Blues. 8 and 10pm, $20.

Welcome Home Walker, Saucy Jacks, Parties Annie’s Social Club. 6-9pm, $6.

BAY AREA

Flogging Molly, Hepcat, Fitz and the Tantrums Fox Theater. 8pm, $29.50.

Hooks, La Plebe Uptown. 9pm, $10.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Bad Plus Yoshi’s San Francisco. 8 and 10pm, $21.

Black Market Jazz Orchestra Top of the Mark. 9pm, $10.

"Cultural Encounters: Friday Nights at the deYoung presents Jazz at Intersection" Wilsey Court, de Young Museum, 50 Hagiwara Tea Garden Dr, SF; www.deyoungmuseum.org. 6:30pm, free. With VidyA.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; 771-6800. 8pm, free.

JFJO (Jacob Fred Jazz Odyssey) Café du Nord. 9:30pm, $15.

FOLK/WORLD/COUNTRY

Burning Embers Plough and Stars. 9pm.

Cuban Nights Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8:30pm; $15. With Fito Reinoso, and Eddie and Gabriel Navia, and Latin dancing Buena Vista style.

Jezzebelle and Jinx Blackthorn Irish Pub, 834 Irving, SF; (415) 564-6627. 8pm.

Kitka and Kostroma St. Gregory of Nyssa Church, 500 DeHaro, SF; (415) 255-8100. 8pm, $25.

World Music Night Union Room, 2nd floor, 401 Mason, SF; (415) 292-2583. 8pm, $10. A tribute to the human spirit on the anniversary of 9/11.

Rennea Couttenye Red Poppy Art House. 8pm, $12-15.

VidyA Wilsey Court, de Young, Golden Gate Park, 50 Hagiwara Tea Garden, SF; (415) 750-3600. 6:30pm, free.

Benjamin Winter and the Make Believe Hotel Utah. 9pm, $7.

DANCE CLUBS

Activate! Lookout, 3600 16th St; (415) 431-0306. 9pm, $3. Face your demigods and demons at this Red Bull-fueled party.

Alcoholocaust Presents Riptide Tavern. 9pm, free. DJ What’s His Fuck spins old-school punk rock and other gems.

Bar on Church 9pm. Rotating DJs Zax, Zhaldee, and Nuxx.

Blow Up Knockout. 10pm, $10-15. Electro-disco-noir nightclub with DJ Jefrodisiac and Ava Berlin.

Exhale, Fridays Project One Gallery, 251 Rhode Island; (415) 465-2129. 5pm, $5. Happy hour with art, fine food, and music with Vin Sol, King Most, DJ Centipede, and Shane King.

Fat Stack Fridays Koko Cocktails, 1060 Geary, SF; (415) 885-4788. 10pm, free. With rotating DJs Romanowski, B-Love, Tomas, Toph One, and Vinnie Esparza.

Fo’ Sho! Fridays Madrone. 10pm, $5. DJs Kung Fu Chris, Makossa, and Quickie Mart spin rare grooves, soul, funk, and hip-hop classics.

Free Funk Friday presents Treat ’em Right Elbo Room. 10pm, $5. With DJs Vinnie Esparza, B-Cause, Anonymous, and Matthew Africa.

Gay Asian Paradise Club Eight, 1151 Folsom, SF; www.eightsf.com. 9pm, $8. Featuring two dance floors playing dance and hip hop, smoking patio, and 2 for 1 drinks before 10pm.

Gymnasium Stud. 10pm, $5. With DJs Violent Vickie and guests spinning electro, disco, rap, and 90s dance and featuring performers, gymnastics, jump rope, drink specials, and more.

Look Out Weekend Bambuddha Lounge. 4pm, free. Drink specials, food menu and resident DJs White Girl Lust, Swayzee, Philie Ocean, and more.

Lovebuzz Annie’s Social Club. 10pm, $5. DJs Jawa and Melody Nelson spin punk, classic rock, and 90s tunes.

M4M Fridays Underground SF. 10pm-2am. Joshua J and Frankie Sharp host this man-tastic party.

Punk Rock and Shlock Karaoke Annie’s Social Club. 9pm-2am, $5. Eileen and Jody bring you songs from multiple genres to butcher: punk, new wave, alternative, classic rock, and more.

SATURDAY 12

ROCK/BLUES/HIP-HOP

Michael Franti Fillmore. 9pm, $35.

Glitter Wizard, Groggs, Dirty Cupcakes Hemlock Tavern. 9:30pm, $7.

Honey Brothers, Soko, His Orchestra Independent. 9pm, $15.

Hot Buttered Rum, Nicki Bluhm Band Great American Music Hall. 9pm, $20.

Jackie Payne and Steve Edmonson Band Biscuits and Blues. 8 and 10pm, $20.

Elliot Randall, Gina Villalobos, James DePrato and the Diptet Bottom of the Hill. 10pm, $12.

Owen Roberts and the Doghouse Brewer, Nomi, Shure Thing Hotel Utah. 9pm, $8.

*Southern Culture on the Skids, Los Straitjackets Slim’s. 9pm, $18.

BAY AREA

*"Great American Blues and BBQ Festival" Fourth St between A and Cijos, San Rafael; proevent@aol.com. 11am, free. With Sugar Pie DeSanto and Charlie Musselwhite.

Killers, New York Dolls Shoreline Amphitheater, One Amphitheater Pkwy, Mtn View; www.livenation.com. 7:30pm, $41-81.

Paolo Nutini Fox Theater. 8pm, $25.

Revtones, Mighty Slim Pickens, Blue Diamond Fillups Uptown. 9pm, $10.

JAZZ/NEW MUSIC

Audium 9 1616 Bush, SF; (415) 771-1616. 8:30pm, $15.

Bad Plus Yoshi’s San Francisco. 8 and 10pm, $21.

Aram Danesh and the Superhuman Crew Coda. 10pm, $10.

Eric Kurtzrock Trio Ana Mandara, Ghirardelli Square, 891 Beach, SF; (415) 771-6800. 8pm, free.

Foreign Exchange Yoshi’s San Francisco. 11:59, $25.

Ricardo Scales Top of the Mark. 9pm, $10.

Karen Segal Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 8pm, free.

Lavay Smith and Her Red Hot Skillet Lickers Café du Nord. 9pm, $15.

FOLK/WORLD/COUNTRY

Carnaval Del Sur Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 8pm, $15.

Helladelics Red Poppy Art House. 8pm, $10-15.

Jezzebelle and Jinx Coffee Adventures, 1331 Columbus, SF; (415) 441-0301. 11am; Epicenter Café, 764 Harrison, SF; (415) 543-5436. 5pm.

DANCE CLUBS

Bar on Church 9pm. Rotating DJs Foxxee, Joseph Lee, Zhaldee, Mark Andrus, and Niuxx.

Cockblock Rickshaw Stop. 10pm, $7. DJ Nuxx and guests spin at this queer dance party for homos and friends.

HYP Club Eight, 1151 Folsom, SF; www.eightsf.com. 10pm, free. Gay and lesbian hip hop party, featuring DJs spinning the newest in the top 40s hip hop and hyphy.

Same Sex Salsa and Swing Magnet, 4122 18th St., SF; (415) 305-8242. 7pm, free.

So Special Club Six. 9pm, $5. DJ Dans One and guests spinning dancehall, reggae, classics, and remixes.

Spirit Fingers Sessions 330 Ritch. 9pm, free. With DJ Morse Code and live guest performances.

Summer Saturdays Bar On Church. 9pm, free. With DJ Mark Andrus spinning top 40, mashups, hip hop, and electro.

Tormenta Tropical Elbo Room. 10pm, $5-10. With Kingdon, Disco Shawn, and Oro11.

SUNDAY 13

ROCK/BLUES/HIP-HOP

Slaid Cleaves Great American Music Hall. 8pm, $15.

Damnweevil, Mendozza, Litany for the Whale, Burns Red Annie’s Social Club. 6pm, $6.

Honorary Title, Good Old War, Cory Brannan Bottom of the Hill. 8pm, $12.

Japanther, Ninjasonik, Unit Breed Hemlock Tavern. 9pm, $7.

Kevin Russell Biscuits and Blues. 8pm, $15.

BAY AREA

Blink-182, Weezer, Taking Back Sunday, Chester French Shoreline Amphitheater, One Amphitheater Pkwy, Mtn View; www.livenation.com. 6:30pm, $39.50-69.

JAZZ/NEW MUSIC

Bad Plus Yoshi’s San Francisco. 2 and 7pm, $5-21.

Lucid Lovers Harris’ Restaurant, 2100 Van Ness, SF; (415) 673-1888. 6:30pm.

Rob Modica and friends Simple Pleasures, 3434 Balboa, SF; (415) 387-4022. 3pm, free.

"SfSoundseries" ODC Dance Commons, Studio B, 351 Shotwell, SF; (415) 863-9834. 8pm, $10.

FOLK/WORLD/COUNTRY

Enanitos Verdes Fillmore. 8pm, $42.50.

Fiesta Andina! Peña Pachamama, 1630 Powell, SF; (415) 646-0018. 7pm; $10.

Glide Ensemble and the Change Band Glide Memorial United Methodist Church, 330 Ellis, SF; (415) 674-6000. 5pm, $15-75.

Jezzebelle and Jinx Java Beach Café, 1396 La Playa, SF; (415) 665-5282. 7:30pm.

Ritmojito Coda. 8pm, $7.

John Sherry, Kyle Thayer and friends Plough and Stars. 9pm, free.

Vieux Farka Toure Independent. 8pm, $20.

DANCE CLUBS

DiscoFunk Mashups Cat Club. 10pm, free. House and 70’s music.

Dub Mission Elbo Room. 9pm, $6. Dub, roots, and classic dancehall with DJs Sep, Vinnie Esparza, and J Boogie.

Gloss Sundays Trigger, 2344 Market, SF; (415) 551-CLUB. 7pm. With DJ Hawthorne spinning house, funk, soul, retro, and disco.

Honey Soundsystem Paradise Lounge. 8pm-2am. "Dance floor for dancers – sound system for lovers." Got that?

Jock! Lookout, 3600 16th; 431-0306. 3pm, $2. This high-energy party raises money for LGBT sports teams.

Kick It Bar on Church. 9pm. Hip-hop with DJ Zax.

Religion Bar on Church. 3pm. With DJ Nikita.

Stag AsiaSF. 6pm, $5. Gay bachelor parties are the target demo of this weekly erotic tea dance.

MONDAY 14

ROCK/BLUES/HIP-HOP

Collective Soul, Black Stone Cherry, Ryan Star Regency Ballroom. 7:30pm, $30.

*Monks of Doom, Penelope Houston Band Café du Nord. 9:30pm, $15.

Pojama People feat. Ike Willis Elbo Room. 9pm, $15. Playing the music of Frank Zappa.

JAZZ/NEW MUSIC

Lavay Smith Trio Enrico’s, 504 Broadway, SF; www.enricossf.com. 7pm, free.

FOLK/WORLD/COUNTRY

Buckwheat Zydeco Yoshi’s San Francisco. 8pm, $22.

Jezzebelle and Jinx Socha Café, 3235 Mission, SF; (415) 643-6848. 8:30pm.

DANCE CLUBS

Black Gold Koko Cocktails, 1060 Geary; 885-4788. 10pm-2am, free. Senator Soul spins Detroit soul, Motown, New Orleans R&B, and more — all on 45!

Going Steady Dalva. 10pm, free. DJs Amy and Troy spinning 60’s girl groups, soul, garage, and more.

King of Beats Tunnel Top. 10pm. DJs J-Roca and Kool Karlo spinning reggae, electro, boogie, funk, 90’s hip hop, and more.

Mainroom Mondays Annie’s Social Club. 9pm, free. Live the dream: karaoke on Annie’s stage and pretend you’re Jello Biafra.

Manic Mondays Bar on Church. 9pm. Drink 80-cent cosmos with Djs Mark Andrus and Dangerous Dan.

Monster Show Underground SF. 10pm, $5. Cookie Dough and DJ MC2 make Mondays worth dancing about, with a killer drag show at 11pm.

Network Mondays Azul Lounge, One Tillman Pl; www.inhousetalent.com. 9pm, $5. Hip-hop, R&B, and spoken word open mic, plus featured performers.

Spliff Sessions Tunnel Top. 10pm, free. DJs MAKossa, Kung Fu Chris, and C. Moore spin funk, soul, reggae, hip-hop, and psychedelia on vinyl.

TUESDAY 15

ROCK/BLUES/HIP-HOP

*Bad Brains, POS, Trouble Andrew Slim’s. 8pm, $26.

Joey Cape, Jon Snodgrass, Chad Rex Bottom of the Hill. 9pm, $12.

Trevor Hall Café du Nord. 8pm, $10.

Mayer Hawthorne and the County, Buff 1, 14kt, Cambo Rickshaw Stop. 8pm, $10.

No Babies, 2 Up, Afternoon Brother Hemlock Tavern. 9pm, $6.

Edward Sharpe and the Magnetic Zeros, Fool’s Gold, Local Natives, DJ Aaron Axelsen Independent. 8pm, $10.

Sugar Ray, Dirty Heads, Aimee Allen Regency Ballroom. 7pm, $27.

JAZZ/NEW MUSIC

Dave Parker Quintet Rasselas Jazz. 8pm.

Hyim Yoshi’s San Francisco. 8pm, $15.

"Jazz Mafia Tuesdays" Coda. 9pm, $7. Featuring Shotgun Wedding Quintet.

Ricardo Scales Top of the Mark. 6:30pm, $5.

FOLK/WORLD/COUNTRY

Kitten on the Keys Climate Theater, 285 Ninth St, SF; (415) 704-3260. 8pm, $7-15.

Barry O’ Connell, Vinnie Cronin and friends Plough and Stars. 9pm, free.

Slow Session Plough and Stars. 9pm, free. With Michael Duffy and friends.

DANCE CLUBS

Drunken Monkey Annie’s Social Club. 9pm, free. Weekly guest DJs and Hamm’s for a buck.

Eclectic Company Skylark, 9pm, free. DJs Tones and Jaybee spin old school hip hop, bass, dub, glitch, and electro.

Rock Out Karaoke! Amnesia. 7:30pm. With Glenny Kravitz.

Share the Love Trigger, 2344 Market, SF; (415) 551-CLUB. 5pm, free. With DJ Pam Hubbuck spinning house.

Womanizer Bar on Church. 9pm. With DJ Nuxx.

*

Editor’s Notes

0

Tredmond@sfbg.com

Every poor and working class community in San Francisco has learned the hard way that its interests are at the bottom of the list as far as City Hall is concerned. At the top of the list are the banks, real estate interests, and large corporations, who view San Francisco not as a place for people to live and work and raise families, but as a corporate headquarters city and playground for corporate executives. By using their vast financial resources, they have been able to persuade local government officials that office buildings, hotels, and luxury apartments are more important than blue-collar industry, low-cost housing and decent public services and facilities.

Sound familiar?

It’s more than 30 years old.

Back in 1974, more than 50 San Francisco community groups — from Bay Area Gay Liberation to the Telegraph Hill Neighborhood Center, from the Federation of Ingleside Neigbhors to the San Quentin Six Defense Committee, from the Golden Gate Business and Civic Women’s Association to the Socialist Coalition — started meeting to develop a plan to take back the city.

It culminated with a Community Congress, on June 8, 1975, at Lone Mountain College (now part of the University of San Francisco). More than 1,000 people attended, and they drafted a remarkable 40-page document that outlined an alternative political, economic, social, and environmental agenda for San Francisco. The movement led, among other things, to the advent of district elections of supervisors (a key element in the platform) and the rise of active community-based organizations in this city.

Calvin Welch and Rene Cazenave, the veteran activists who run the San Francisco Information Clearinghouse, were among the organizers. They found the old manifesto recently and sent it out to a few of us by e-mail. I’ve posted it on the Politics blog. It calls for rent control, a sunshine ordinance, a health commission, full-time supervisors (who were to be paid $20,000 a year, the equivalent of $86,000 today), cable-TV coverage of the supervisors meetings, a mandate that developers build affordable housing and a feasibility study on public power. In fact, much of what the left has achieved in San Francisco in the past three decades is outlined in the Community Congress document.

(The congress also called for decriminalization of victimless crimes, including public inebriation, a guaranteed annual income, the abolition of the criminal grand jury, and some other things that didn’t quite come to pass.)

I mention this not only because it’s a fascinating historical document but because Welch and Cazenave think it’s time for a new Community Congress. Their draft agenda refers to a New Deal for San Francisco, and they’re talking about holding a series of meetings culminating in a major session sometime next year.

It’s tough to get the San Francisco left to come together on issues, even harder to build a broad-based organization that can push an agenda. Sup. Chris Daly tried several years ago, but the San Francisco People’s Organization never got the traction many of us had hoped for.

But although the progressives have accomplished a tremendous amount in this city, and have come a long way since 1975, the need is still there.

"San Francisco’s downtown corporate and banking interests and their representatives in city government are attempting at a local level to shift the burden of the current economic and political crisis ever more fully onto the backs of the poor and working people of San Francisco."

That was then. Today, Welch and Cazenave write, "San Francisco stands at a crucial junction brought about by the collapse of the real estate based speculative bubble and the related steep reduction of city revenue resulting in cuts in funding important programs and services … There needs to be a general coming together of community groups to articulate a set of policies able to be implemented at the local level which seek to maximize community control over the provision of critically needed health and human services and beneficial community development and to maintain a vital public sector."

Sounds like a plan. *

Prison report: Playing politics

0

By Just A Guy

Editors note: Just A Guy is an inmate in a California state prison. His reports run twice a week.

“We should not play politics with public safety.” That’s what Assembly member Fiona Ma states as part of her argument against the bill that proposed early releases as part of how California will make up for slashing $1.2 billion from the vast coffers of the California Department of Corrections and Rehabilitation. Those coffers, incidentally, have more in them than do the coffers for higher education. Oddly, Ma is a Democrat out of San Francisco.

We live in a state that prides itself for its innovation, its technology and its forward thinking. These characteristics have made California great. But I don’t think that innovators and forward thinkers seem to be running the Assembly or Senate.

We are supposed to be progressive, so we decriminalize pot for medical use — but ban gay marriage and pass laws like three strikes?

Forward thinkers, these politicians, so forward that even their hindsight is not 20-20 — because three strikes is what got California into this big prison mess in the first place.

Don’t you remember all those stories about people getting life sentences for stealing bicycles and pizza?
What they really used three strikes (consciously or not) for is to create an industry out of crime and prisons, an industry in which thousands of families now are able to live the American dream and make their very adequate living – and the politicians can create long political lives for themselves by destroying many thousands of other dreams, at the public’s expense.

If public safety were really the number one priority of politicians and those who proclaim it, they would take off their broken glasses and go get a second opinion as to what the results of their pitiful budget and myopic laws are really resulting in: Less public safety in the future.

Amazing that we can see the results of harming the earth through abuse, that we know that if you smoke you’ll probably die, if you beat your kids they will probably beat their kids, etc …. Yet we can’t seem to see that if you spend more on prisons than on higher education, if you take away further money from K-12, from welfare and from health care, that you will be creating more of that, long term, which you say the public needs protection from.
If they were really concerned about your longterm safety, and not their political careers, they would vote for the lesser of two evils — which is to let those people out now that are costing $50,000 a year, and apply those funds to the future of public safety. (I bet if you release 27,000 people and give them each $50,000 a year, not too many will come back!)

Ahh — but what about the redundancies that would be created and the officers that would be laid off because they had to close seven or more prisons? You see the cycle folks, do you? It’s obvious, it’s plain, you can buy it two for one, 24/7/365 at Lenscrafters.

I wonder if Fiona Ma and the others voting against releases up for reelection next year are running on a tough on crime platform.

We should be tough on some crime, but often toughness is predicated on money (Dante Stallworth) and not on the crime.

We are hypocrites, us Californians. We every day we spend more on prisons than college, or have another person do any other day for a victimless crime.

Lastly …. more hypocrisy: Phillip Garrido may not be charged for some of the crimes he committed because the statute of limitations has passed and those crimes will never be prosecuted. But many in prison are doing life, or getting their sentences doubled or tripled, for crimes that happened 10, 20 or even 30 years ago. Why isn’t there a statute of limitations from your past?

Did you ever forgive the high school bully that picked on you because you had four eyes — or are you going to hold that against him forever?

Move on, California. They have corrective surgery now — and maybe that bully is your ophthalmologist.

Taxi cab confessions

0

a&eletters@sfbg.com

SONIC REDUCER We all have fantasies, and considering the fact that he happily goes to the sick, hilarious places only you and your silliest, closest pals go, comedian Brent Weinbach’s is remarkably simple. He’d love to drive you … no, not insane, but around in a cab. Of course, when the dream sort of came true — he got to tool around with a cabbie-curator for "Where to," a 2007 art show of taxi-related art at the Lab — one bubble was brutally burst, spurring a joke, of sorts.

"Not a lot of people got it," confesses the longtime SF comedian, now based in his native Los Angeles and back in town for his Outside Lands fest performances. In the cab, he says, "I met a wide variety of people: I met two yuppie girls, a yuppie guy, and more yuppies — and a stripper. A yuppie stripper.

"The point was," Weinbach continues, "I thought it was going to be more like New York City, where all kinds of people take cabs. But that’s really what it was — a bunch of yuppies and a stripper. It turns out the only people who ride around in taxis in San Francisco are yuppies."

A disappointingly homogenous experience for a comic who has found plenty of very specific and strange black, queer, Chinese, Russian, Mexican, and just plain twisted voices to filter through his hilariously stiff, straight-guy comic persona — and despite the perk that, as a Travis Bickle manque, one would have a captive audience in the backseat. Still, cabbing it provided a theme of sorts for the wildly diverse array of live performance recordings, studio-recorded skits, and Weinbach-penned tunes and video game-inspired backing sounds making up the comedian’s second album, The Night Shift (Talent Moat), the focus of a release show at the Verdi Club on Sept. 11. Weinbach sib and comedy co-conspirator Laura of Foxtail Brigade opens, along with Moshe Kasher and Alex Koll.

The tunes on Night Shift are a new touch, setting me off on a daydream about Weinbach doing the duelin’ piano (and laughs) routine with Zach Galifianakis. (Weinbach once teased the ivories professionally in the lobby of Union Square hotels like the Mark Hopkins.) "Sometimes I close my set with one of those songs," Weinbach says. "After hearing the word ‘penis’ a bunch of times and talking about poo-poo, it’s kind of funny to end the set with a sweet old-fashioned song." He worries, though, about the track-by-track re-creation of the album at the Verdi Club: "I hope they don’t kill the momentum of the set."

Yet Weinbach is game — the ex-Oakland substitute teacher has had to be (memories of the letter from a student apologizing for calling him a "bitch" ghost-ride by). He dives into a rapid-fire, impassioned discussion of his comedy, which rarely discusses race directly, yet clearly emerges from the mashed-up, pop sensibility of a half-Filipino, half-Jewish Left Coast kid.

"The only time I’ve ever talked about race is right after the presidential election, when I wrote this: ‘On Nov. 4, 2008, history was made’ — I usually get a little applause here — ‘It was a remarkable thing to see so much of the black community come together and deny gay people their civil rights. So now that the black man is keeping the gay man down, that means gay is the new black. And that means suburban teenagers will have to get used to a whole new way of acting cool.’"

Weinbach pauses, then explains heatedly, "I was really upset that 70 percent of black voters in California voted against gay marriage, when this whole election was about getting a black president into office. It just blew my mind." As for the joke itself, well, "It gets a good response, though sometimes people think I’m making fun of gay people or black people. I don’t even know what’s going through their head, actually. I do remember doing the joke once and hearing people hissing. It was like, ‘What are you hissing at? Are you glad gay people were denied their rights or are you a snake?’ And if you’re a snake, that’s OK … ‘" *

BRENT WEINBACH

Sept. 11, 8 p.m., $10–<\d>$12

Verdi Club

2424 Mariposa, SF

www.brownpapertickets.com/event/72659

———–

JONESIN’


The cute couple loves their bubblegum and Casio-pop on Hi, We’re Jonesin’ (Telemarketer’s Worst Nightmare). Thurs/3, 9 p.m., $6. Hemlock Tavern, 1131 Polk, SF. www.hemlocktavern.com

AL GREEN


The rev has his finger on the holy trigger. Wed/2, 8 p.m., $56–<\d>$85. Warfield, 982 Market, SF. www.goldenvoice.com

SF CENTER FOR THE BOOK BENEFIT


Literati party down at a book arts-zine exhibit, with dance sets by Vin Sol, Honey Soundsystem, and Pickpockit. Fri/4, 9 p.m., free before 9 p.m., $7–<\d>$10. 111 Minna Gallery, 111 Minna, SF. www.111minnagallery.com

Cass’ corridors

0

a&eletters@sfbg.com

SONGWRITING Cass McCombs writes songs that feel like walking into a trap. It’s clear that the quasi-itinerant singer-songwriter — an old-fashioned term that seems to fit him well — is more aware of genre than the average indie troubadour, which makes his songs easy to enter but difficult to penetrate or exit. His music is not of the confessional variety, though it is indirectly personal. String together the titles that make up his discography and you get some sense of how his coded, morphing symbols approximate but never equal the biographical C.M.: A (4AD, 2003), PREfection (2005), Dropping The Writ (Domino, 2007), and Catacombs (2009). And that’s not even getting to his lyrics, which go about the work of making meaning and then suddenly self-cancel or erupt with the real.

"You Saved My Life," from McCombs’ most recent and accomplished record, is a career apogee in this respect. A swooning lap steel and big blunt snare do much of the heavy lifting to make the tune eminently mixtapeable, but the gratitude suggested by the title is troubled by the hard pivoting action of the phrase, "And I can’t blame you enough," and the wobbly delivery of "Blood to gulp and flesh to eat." McCombs’ canniness has little to do with word games or enigma-baiting, though: McCombs may as well have wandered into the singer-songwriter room after a childhood spent listening to mersh rap radio and simply and unfussily picked up on forms he found useful. McCombs’ music may be especially NPR-ready now, with the worn denim elbows of his current queasy Americana overtaking the Smiths/4AD dazzle that held sway over PREfection and surfaced on Dropping The Writ. Yet in comparison to a The Band-ripping band like Deer Tick, everything about McCombs’ music remains to be said.

One of McCombs’ strengths is the ability to modulate through moods over the course of an album while demanding a kind of deep semantic listening unusual in indie rock. Particularly with Catacombs, one gets the sense that Cass is a born Album Artist, the sort of person who understands the virtues of patience and can shear off the highs of his hits while packing filler with unexpected content. Though the quasi-punning Catacombs comes front-loaded with his most affecting tracks and ends with somewhat disposable, self-consciously lighter fare like "Jonesy Boy" and "One Way to Go," the relations between parts makes it difficult to skip over in-between jams like "Harmonia" and "My Sister, My Spouse." It helps, too, that these little coves of patience — a formalist’s trademark — tend to be where he tries out some of his stringier lyrical ideas.

"This is what happens when a leitmotif implodes," McCombs sings on "Lionkiller Got Married," a sequel to Dropping The Writ‘s opening track and personal standard of sorts, "Lionkiller." He could be explaining his own approach to autobiography with the line. It just may be that his subject matter is as much the act of making sense — as much about the point where the line falls off the page — as it is about the sense he’s making. None of it measures up to, say, Dylan-level fibs or automythology, but it serves an important purpose: you never get the feeling that there’s a straight line from McCombs’ intentions to your reception. This is not a dude in your living room relaying earthy, relatable feelings through his acoustic guitar.

It’d be a bit much to call McCombs an antihumanist, though: whatever slipperiness he manifests stems from a healthy distrust of settled meanings rather than a need to assert his control over his audience. Not to discount, either, that some of his contradictions seem to stem from guilelessness. That McCombs is clearly having fun even when he appears to be dead serious — as with "The Executioner’s Song," say — sets his kind of innocence apart from the standard journo narratives of indie rock discovery. As great as Bon Iver’s For Emma, Forever Ago (Jagjaguwar, 2007) is, it will never live down the "dude goes into the forest and records awesome bummer breakup album" rap that’s stamped across it, for the foreseeable future, like a "The Nice Price" sticker.

But McCombs’ mercurial self-presentation seems less like the stamp of a "truer" authenticity than Bon Iver’s than a sustained parry of that terrible word. Not to forget, either, that Catacombs has been lauded in Vice and given Pitchfork’s Best New Music designation. Whether or not we’ve fussed our way into being able to describe what makes McCombs’ music so difficult to digest, there’s something tough and unyielding at its center. Partly I wonder whether this is what rock would sound like without Pavement, but mostly I listen. When it hits wrong, the boredom is palpable. But just as often Catacombs conveys the bottom falling out of meaning in gorgeous slow motion.

CASS MCCOMBS

With the Papercuts, Girls

Sept. 9, 9 p.m. (doors 8 p.m.), $14–$16

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.gamh.com

The water wars

0

rebeccab@sfbg.com

When arch-conservative Fox News host Sean Hannity decided to weigh in recently on the contentious — and immensely complicated — issue of California water policy, here’s how he summed it up: "Farmers in California are losing their crops, their land, and their livelihood — all because of a two-inch fish!"

Television viewers were treated to scenes of the Central Valley, showing a lush field of crops — followed by a dusty, withered almond orchard that has been cut off from water exports from the Sacramento-San Joaquin Delta. A news anchor informed viewers that the nation’s most productive agricultural lands were "threatened by a small, harmless-looking minnow called the Delta smelt."

Because a federal judge ordered cutbacks in the amount of water shipped from the Sacramento-San Joaquin Delta to farms in the valley, a farmer explained on camera, growers have fallen on hard times. After showing a long line stretching around a food bank in the tiny agricultural town of Mendota, the newscasters concluded: "It’s fish versus families, and [the government is] choosing the fish."

It’s a dramatic portrayal, and the poor farm laborers who are out of work are truly struggling. But it isn’t the fault of a fish.

The state Legislature is now struggling with a series of bills to address a problem that sometimes seems to defy political solution, while agricultural interests — which consume the lion’s share of the state’s water supply — are campaigning aggressively to secure even more water for irrigation.
But while the political forces battle, an environmental nightmare is being created in the Delta. Years of massive water diversions are putting the San Francisco Bay-Delta Estuary at risk. Massive projects that take freshwater from the delta appear linked to declines in bay and delta fisheries, threatening not just endangered species but California’s salmon fishing industry, which lost more than $250 million last year as a result of declining salmon runs.

499-coverchart.jpg
Delta exports (at left) have increased in recent years, while returning Chinook salmon populations have declined at the end of a three-year spawning cycle. Graph created using data from Porgans & Associates

Meanwhile, climate models predict that California’s tug-of-war over water will only get uglier as the state is hit with more frequent droughts. As lawmakers scramble to find a solution to the state’s water woes, the challenge isn’t just to balance the needs of families and fish — it’s to steer an increasingly crowded state toward smarter management of shrinking water resources.
"It all comes down to climate change," Lt. Gov. John Garamendi noted in a recent interview with the Guardian. "Everything we know about water in California is going to dramatically change."

Critics say the bills in Sacramento are, at best, a duct-tape-and-baling-wire solution to a problem that could define the state’s economy and environment in the coming decades. "The bills … have been slapped together in such a slapdash way that it’s reminiscent of energy deregulation," said Nick Di Croce, lead author of "California Water Solutions Now," a report produced by the Environmental Water Caucus.

As things stand, much of the problem is inherent in the system. The pumps that export water out of the delta regularly pulverize federally threatened and endangered fish, yet the government agencies that operate them are rarely held accountable. The agency that is supposed to monitor and protect the health of the San Francisco Bay and the fragile delta ecosystem also gets 80 percent of its budget from water sales. And the state water projects regularly promise more water than they can deliver.

THE GREAT SUCKING SOUND

California’s water wars stem from a tricky dilemma: two-thirds of the precipitation falls in the north, while two-thirds of the people live in the drier south. The delta, located primarily in Sacramento and San Joaquin counties, is the heart of the state’s water supply, where the freshwater flows of the Sacramento and San Joaquin rivers and vein-like tributaries converge. It boasts the largest estuary on the west coast of North and South America, providing critical habitat for at least a dozen threatened or endangered species including salmon, smelt, splittail, sturgeon, and others.

The delta is also like a superhighway interchange of water for the state. Two vast plumbing networks — the Central Valley Project, operated by the U.S. Bureau of Reclamation, and the State Water Project, operated by the Department of Water Resources — transport water from delta pumping stations to cities and agricultural operations across the state.

Roughly 5.7 million acre-feet of water was exported annually from the delta in recent years, a high that many environmentalists say is unsustainable. (An acre-foot, or 325,853 gallons, is the amount that covers an acre one-foot deep.) Before the Central Valley Project was constructed in the 1930s, only 4.7 million acres of farmland were irrigated statewide. By 1997, the acres of thirsty cropland had climbed to 8.9 million, converting many areas that were once barren desert into lush green fields. Agribusiness dominates the sector, with some farming operations like agricultural empires, spanning tens of thousands of acres.

As cropland has expanded, so has agriculture’s demand for water. State and federal agencies sell delta water by issuing contracts to water districts, and the water is priced substantially lower for agricultural use. A report issued by the Natural Resources Defense Council suggests that delta water allocation has traditionally gone something like this: "Corporate and agricultural interests demanded more and more water, and the state and federal agencies let them have it."

No one can say just how much rain will fall from the sky in a given year, so stipulations were written into the water contracts to deal with allocation during times of water shortage. Depending on a district’s water rights — a status determined by a combination of seniority and a hierarchy of uses — it may get 100 percent of the amount promised on paper during a dry year, or a mere fraction of it.

But the districts continue to promise water to farmers, and the state continues to promise water to the districts.

This latest round of water wars is exacerbated by the drought, which has sapped water supply in California for three years in a row. The dry spell has led to cutbacks in delta water exports, affecting farms throughout the Central Valley and sending unemployment rates up. The drought was responsible for two-thirds of the roughly 1.6 million acre-feet shortfall in water exports, and the remaining third was withheld by federal court order to protect the endangered Delta smelt.

Making matters worse, many growers in water-deprived places like the Westlands Water District, in the Central Valley between Coalinga and San Joaquin, have recently shifted to permanent crops like almonds and pistachios instead of annual crops that might be more adaptable to unpredictable irrigation supply from year to year. It’s a bad time for the San Joaquin Valley to take a hit. The region is already plagued with high rates of unemployment from a loss in construction work, foreclosure, and other effects of the economic downturn.

HELL IN A HANDBASKET

State Sen. Joe Simitian (D-Palo Alto) put the dilemma simply: "The question is, how do you ensure that two-thirds of the state has a reliable supply of clean water while at the same time acknowledging and addressing the fact that from an environmental standpoint, the delta’s gone to hell in a handbasket over the last five years?" Simitian has taken a leadership role in crafting legislation to reform the broken system.

"I just think that things have come together at this particular time to suggest that there ought to be a sense of urgency about all of this," Simitian added during a recent conversation with the Guardian. "But I worry that inaction is always the default mechanism, and in a conversation such as this one, I don’t think we can afford inaction very much longer."
Right now five bills are pending in Sacramento. Backers say they strive to meet two "co-equal goals" that in the past have proven to be at odds: more reliable delta water deliveries, and a restored delta ecosystem. Simitian’s bill would create a Delta Stewardship Council, a powerful body authorized to approve spending for a new system for moving water through the delta that could include a new version of the much-maligned peripheral canal, a hydraulic bypass diverting freshwater from the Sacramento River around the brackish delta to ship south.

A bill introduced by Assembly Member Jared Huffman (D-San Rafael), who heads the water committee, would require a 20 percent reduction in statewide urban per capita water use by 2020. Other objectives in the legislation are to firm up ecological protections for the delta, reevaluate the state’s system of water rights, and establish new water-use reporting requirements.

"Is there a win-win here? I think there is," Simitian told us. "But only if you look at this from sort of a big-picture, comprehensive standpoint, which is why we’ve got five different bills that seek to make sure there’s a balancing of interests. One of the things we’ve talked about was the co-equal goals of a reliable supply of clean water with delta restoration. And that’s going to require not looking at any one of these issues in isolation, but taking it all together."

Gov. Arnold Schwarzenegger has made it clear that he believes building a peripheral canal is the best plan. Variations of this idea have been proposed since the 1940s, but in 1982, Californians voted it down at the ballot (with an overwhelming majority of Northern Californians voting no).

Some groups perceive this as a water grab for Southern California and agribusiness, and delta interests say it would cripple both delta agriculture and the estuary by increasing salinity levels from seawater and preventing the delta from being flushed out by natural freshwater flows. Cost estimates for that project range from $10 billion to $40 billion.

Schwarzenegger has also threatened to veto any package proposed by the Democrat-controlled Legislature that doesn’t include bonds for new dams (in their current form, the bills do not). A bond bill would require a two-thirds majority, while the proposed water bills would only need a simple majority vote to pass.

"I think it’s helpful for the governor to weigh in and share his opinions," Simitian noted cautiously. "However, I did not think it was helpful for the governor to simply draw a line in the sand."

The proposals are being met with skepticism from all sides. Many environmentalists who’ve gone to battle over water policy issues for years have little faith, saying the proposed Delta Stewardship Council would cater to the governor’s agenda because he would have the power to appoint four out of seven members. They’re concerned that environmental issues will play second fiddle as plans are hatched.

Lloyd Carter, an environmentalist who grew up on a raisin farm in the Central Valley, is suspicious the policy will be weighted toward agricultural interests. "What’s most useful is to think of water as cash," Carter told us. "It starts out as cash in the public treasury, and one little segment goes in and scoops out as much as it can. Agriculture accounts for less than 5 percent of the state’s economy and they use 80 percent of the water."

Agricultural interests and the water districts that serve them, not surprisingly, view water cutbacks as a signal of government failure and are hard-pressed to go along with anything that doesn’t include provisions for new dams and a canal. Rather than recognize limits in the amount of available water, they want new projects that will increase the supply.

The Latino Water Coalition, an organization backed by agribusiness that has put together marches and rallies to protest the water cutbacks, is critical of the proposed package of bills because they say it doesn’t go far enough. "For years there’s been committee after committee, board after board. If the best that the legislature can do is propose a new committee, how can that be a good solution?" asked Mario Santoyo, technical adviser to the coalition. "There are people who don’t have jobs, there’s food that’s not being grown. It’s a human rights issue. There has to be a solution, and it has to be real."

Sarah Woolf, media spokesperson for the Westlands Water District, which is among the most vocal advocates for agricultural water, echoed Santoyo’s view. "If you do not have above-ground and below-ground storage and a peripheral canal, then you don’t have a solution," she told the Guardian. "There’s no point in passing legislation that doesn’t solve the whole problem."

But of course, when there’s not enough water to go around, building more dams and canals isn’t going to solve the whole problem, either.

SELLING WATER THAT ISN’T THERE

Patrick Porgans, a Sacramento-based water policy expert, is critical of the proposed package of bills for a very different reason. "We can’t expect the very government that created the problem to solve the problem, because they are the problem," he says.

Porgans arrived at the Guardian office not long ago dressed in a salmon-colored suit with matching snakeskin belt and shoes. The rail-thin 63-year old walks with a bit of a fragile step, but once he gets talking about water, he’s a bundle of uncontrollable energy. For more than two hours, he held a pair of reporters in thrall as he unpacked and held up big armloads of charts, color-coded graphs, and government documents.

It’s just a sampling from what Porgans calls his "database," and he’s got photos: a storage space piled to the ceiling with file boxes containing thousands of pages of documents. This is his life’s work, and it’s easy to wonder how he even has time to eat and sleep.

In the wake of the 1987-92 drought, his consulting firm, Porgans & Associates, publicized the fact that the Central Valley Project and the State Water Project had pumped more water out of the delta during the dry spell than at any other time in their history of operation. The firm is now suing the government for vioutf8g the Endangered Species Act.

Ask Porgans, and he will tell you that "the peripheral canal is a peripheral issue" because it couldn’t possibly address the underlying shortcomings of the water-policy system itself. He pointed out that 80 percent of DWR’s operating budget is derived from water contracts, and noted that many top officials in water-project agencies arrive through a revolving door from the water districts themselves. There’s a conflict of interest, he said, because the agencies are in charge of both selling off delta water and acting as the stewards of the estuary, a natural resource owned by everyone.

Then there’s the underlying problem of the government having sold off contracts for more water than it could actually deliver, a point Porgans highlighted in his notice of intent to sue. In the years following a drought that struck California in the late 1970s, plans were made to expand water storage for the State Water Project — but they fell through at the last minute. Unfortunately, the limited capacity didn’t slow the sale of water contracts.

From 2001 to 2006 alone, the U.S. Bureau of Reclamation signed more than 170 long-term contracts with water districts around the state, promising to increase significantly water deliveries from the Central Valley Project for the next 25 to 40 years.

"Basically, they oversold the project," said Zeke Grader, executive director of the Pacific Coast Federation of Fishermen’s Associations. "We had all these contracts to deliver all this water, but nobody looked to see how much water there was. More importantly, they didn’t look at the minimums that would be needed to protect the delta."

"The shortages are inherent in the project," Porgans said. A court opinion issued by California’s third appellate district court in 2000, plucked from his database, underscores this point. "DWR forthrightly admits that ‘the State Water Project (SWP) does not have the storage facilities, delivery capabilities, or the water supplies necessary to deliver full amounts of entitlement water,’" Judge Cecily Bond noted, citing a DWR bulletin. "There is then no question that the SWP cannot deliver all the water to which contractors are entitled under the original contracts. It does not appear that SWP has ever had that ability."

Grader puts the blame directly on the water districts. The growers, he said, are "innocent third parties affected by the actions of water districts that should’ve known better" because the water contracts specified from the beginning that there would be less water available during times of water shortage.

"We have nothing but empathy for farm workers who are unemployed," said Barbara Barrigan-Parrilla, executive director of Restore the Delta, a 501(c)3 nonprofit representing delta farmers, fishermen, and environmentalists. "But their leadership told them, go ahead and do it. We’ll get you the water."

Farmers have organized rallies and marches to protest the water cutbacks, angrily putting the endangered delta smelt at the front and center of its campaign. A band of farmers traveled up to San Francisco in recent months, chanting "turn on the pumps!" outside Nancy Pelosi’s San Francisco Federal Building office.

Rep. Devin Nunes, a Republican who represents Tulare County and parts of Fresno County, unsuccessfully tried to convince Congress to waive Endangered Species Act requirements to forego protection of the delta smelt and restore irrigation for struggling farmers. (Nunes even attended a Congressional hearing toting a goldfish bowl containing minnows to play up the fish-vs.-families mummery.) The Latino Water Coalition has been particularly vocal, getting airtime on Fox News and publicly appearing with Gov. Schwarzenegger to call for construction of new dams and a canal to ensure a more reliable water supply.

Carter, the environmentalist watching it all unfold from Fresno, shakes his head at the display. If their campaign is successful, he told us, the state will wind up embarking on expensive infrastructure projects that serve an agribusiness agenda at Northern California’s expense. "There’s a sense of entitlement down here," he said. "They say it’s ‘our water.’ But the rivers in California belong to all the people."

DEAD FISH

A series of studies, court decisions, and a Blue Ribbon Delta Vision Task Force convened by the governor have all found that massive water exports out of the delta pose a tremendous environmental problem, and the delta smelt is a mere indicator of the trouble. Failing to ensure adequate freshwater flows through the delta could spell doom for California salmon runs and sound a death knell for the San Francisco Bay-Delta Estuary. And many contend that building a peripheral canal would be the quickest route to the delta’s demise.

According to data Porgans & Associates has collected, excessive delta water exports are aligned with salmon-population nosedives. The numbers tell a tale: high water exports correlate with dramatic decreases in salmon returns after the fish’s three-year spawning cycle. Conversely, fish populations bounce back following years of reduced pumping.

Delta water exports reached an all-time high of 6.7 million acre-feet in 2005, and three years later, the salmon returns were so low that the commercial salmon harvest was cancelled for the first time. It happened again this year.

While Westlands farmers bemoan what they call a "man-made drought," they’re not the only ones facing job loss due to delta water issues — an estimated $255 million was lost last year as a result of low salmon returns, according to California Department of Fish and Game estimates. A report from the Pacific Institute, an Oakland-based environmental research group, estimates puts farm losses due to water shortages at $245 million as of midsummer 2008.

"This closure is among the nation’s worst man-made fisheries disasters," an NRDC report notes. "It is on par with the loss of Atlantic cod fishery, and its economic impact for the fishing industry is comparable to the losses that followed the Exxon Valdez oil spill."

It’s said that California salmon were so plentiful 70 years ago that farmers plucked them from waterways with pitchforks. Now biologists say those salmon runs that haven’t already been listed as threatened or endangered are in a losing battle with worsening water quality and massive water pumps in the Delta.

An estimated 90,000 juvenile salmon die prematurely each year by being sucked into the heavy-duty pumps, according to a U.S. Bureau of Reclamation and Department of Water Resources study. Sometimes the pumping levels are so high it reverses river flows, causing salmon to swim upstream instead of out to sea. "If you or I go out and shoot an eagle, we’ll go to jail," said Barrigan-Parrilla, from Restore the Delta. "But DWR has no accountability to the Endangered Species Act — they’re grinding up fish."

The salmon also suffer from poor water quality, which environmentalists say is a consequence of the voluminous freshwater diversions. If the freshwater isn’t available to flush out the ecosystem, the negative effects of toxins and pollutants discharged into the Delta are amplified, and the water gets warmer, dirtier, and saltier. The ramifications of salmon decline can ripple along the food chain, putting even southern resident killer whales, which feed heavily on Sacramento River salmon in the ocean, at risk.

The impacts of freshwater diversions aren’t limited to the region’s ecology: delta agriculture is taking a hit, too. The construction of a peripheral canal would "destroy the estuary and shift economic problems from one geographic location to another," said Barrigan-Parrilla. "Agriculture in the southern delta would not make it." South delta farmers have already had to contend with increasing levels of salinity due to the massive freshwater diversions, she says. A homegrown bean festival held every year in Tracy has had to resort to purchasing beans, she told us, because it’s become too salty to grow them.

"The estimates are $10 to $40 billion to build a canal," Barrigan-Parrilla said with a note of disbelief. "We’re going to spend that much money on a project when we have just gutted education and welfare?"

As Sacramento lawmakers pull at the threads of this tightly-wound knot, looming uncertainties are waiting in the wings. For one, the delta’s network of 1,100 miles of earthen levees is under increasing strain due to its age, making it susceptible to failure. In fact, some say a peripheral canal could help prevent levee failure. Meanwhile, climate change is a challenge that can’t be ignored because it will affect overall water supply even as the state’s population continues to climb.

"The science makes it increasingly clear that the current system is unsustainable, Simitian said. The scientists are telling us there’s a two out of three chance that in the next 50 years the whole system will collapse, and that serves neither the delta well nor the two-thirds of the state that relies on delta water." Simitian doesn’t endorse the canal, but told us that the system of water conveyance needs to be changed.

Doug Obegi, staff attorney for the Natural Resources Defense Council, told us that thinking about water supply is just as important as thinking about how to move it around. He pointed out that some Colorado River dams just aren’t filling up anymore. If you build a new dam without managing the water supply, he said, "you have a big hunk of concrete that just isn’t doing anything."

Climate change will reduce the Sierra snowpack, an important natural reservoir, anywhere from 15 percent to 60 percent, according to the Department of Water Resources. The warmer air temperatures will also shift the runoff flows to earlier in the year, making major adjustments necessary. Climate change models also predict worsening drought. Water shortages worse than those caused by the 1977 drought could occur in one out of every six to eight years by 2050, and one out of every three to four years by 2100, according to the department’s study. The change in weather patterns will also increase the likelihood of floods.

Rising sea levels will also bring more saline ocean water into the delta, making it necessary to inject more freshwater into the system to maintain water quality and protect native species.

All told, climate change is expected to reduce overall delta water exports from 7 percent to 10 percent by 2050, and 21 percent to 25 percent by the end of the century — a heavy toll that can’t be managed without smarter water management.

Pending water shortages can be addressed in part with what NRDC calls California’s "virtual river," Obegi said, an aggressive system of water efficiency, waste-water recycling, groundwater cleanup and storm-water management that could yield a potential 7 million acre-feet per year.

As for agriculture, the 800-pound gorilla of water consumption in the state, there’s plenty of room for improvement. A report by the Pacific Institute estimates that annual agricultural water savings — with a combination of strategies like smarter irrigation management, modest crop shifting, and more efficient technology — could save up to 3.4 million acre-feet of water per year. The study strongly recommends avoiding expensive infrastructure projects that will burden taxpayers when the state has more budget-friendly options like targeted conservation and efficiency.

It won’t happen without the political will, however. During a discussion about the bills that are currently being debated in Sacramento, Barrigan-Parrilla said she fears the delta will lose out in the end. It’s hard for her to swallow the whole concept of "co-equal goals," she says, because it amounts to putting the environment, which is owned collectively, on equal footing with the interests of a small group of people who consume the vast amount of the state’s water supply.

"It just doesn’t make sense to me," she says. "You can’t have a reliable water supply unless you take care of the environment first."