Water

Events: September 3 – 9, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 3

“99 Poems for the 99 Percent” Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. Contributors read from a new collection that represents “the real America.” Poets include Dean Rader, Gillian Conoley, Barbara Berman, Keith Ekiss, Julie Bruck, and Hiya Swanhuyser.

THURSDAY 4

Rose Caraway Good Vibrations, 1620 Polk, SF; (415) 345-0400. 6:30pm, free. “Everyone’s favorite lusty librarian” reads from The Sexy Librarian’s Big Book of Erotica, with help from Lily K. Cho, Malin James, and Jade A. Waters.

Vikram Chandra City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The author discusses Geek Sublime: The Beauty of Code. The Code of Beauty.

Hollye Jacobs Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The author, a nurse and social worker turned patient, discusses The Silver Lining: A Supportive and Insightful Guide to Breast Cancer.

“Night of the Livermore Dead: A Zombie Pub Crawl” Bothwell Arts Center’s Downtown Art Studios, 62 South L St, Livermore; http://tickets.livermoreperformingarts.org. 6-10:30pm, $20. First, get transformed into a shuffling member of the undead, then enjoy drink specials and deals as you lurch through downtown Livermore. The crawl ends at the Bankhead Theater with a “Thriller” flashmob, followed by a screening of Night of the Living Dead (1968).

FRIDAY 5

“Art Break Day” Justin Herman Plaza, 1 Market, SF; www.artbreakday.com. 9am-5pm, free. Check website for locations in Berkeley, Novato, Oakland, San Rafael, and other locations. Art supplies are provided at this free community art-making event.

SATURDAY 6

Autumn Moon Festival Chinatown, SF; www.moonfestival.org. Grand opening ceremony and parade, today, 11am. Festival, 11am-5pm, through Sun/7 (dog costume contest Sun/7, 2:30pm). Free. Cultural performances, an open-air street bazaar, lion dancing, and (new this year!) a dog costume contest highlight this 24th annual celebration of the Asian holiday.

Friends of Duboce Park Tag Sale Duboce between Steiner and Scott, SF; http://friendsofdubocepark.org. 9am-2pm. Community tag sale, with proceeds going toward making improvements to Duboce Park. Check out the website for donation information.

Mountain View Art and Wine Festival Castro between El Camino Real and Evelyn, Mtn View; www.miramarevents.com. 10am-6pm, free. Through Sun/7. With works by over 600 professional craftspeople and artists, plus live music, home and garden exhibits, a young-performers stage, a climbing wall, food and wine, and more.

“Projecting SOMA: Youth and Elders’ VOICES” Sixth St and Market, SF; www.ybca.org. 7pm, free. Also Sept 13, 20, and 27. YBCA in Community, South of Market Community Action Network, and Veterans Equity Center present large-scale, text-based video projections sharing messages and stories from the Filipino community.

SF Mountain Bike Festival McLaren Park, Jerry Garcia Amphitheater, 20 John F. Shelley, SF; sfurbanriders.org/wordpress/sf-mtb-festival. 9am-5pm, free. Register in advance to compete — or just show up to spectate or test your skills in any of the non-competitive categories. Events include a short-track challenge, a 10-mile urban adventure ride, a cargo bike hill climb, a bike skills challenge for youth and families, and more, plus a box jump demo and a bike raffle.

“Yoga for Change” Grace Cathedral, 1100 California, SF; www.yogaforchangesf.org. 9:30am-noon, $15 and up. Help raise funds for the Community Preschool at this yoga event with live music. All levels and abilities welcome.

SUNDAY 7

Haight Street Music and Merchants Street Festival Haight between Masonic and Stanyan, SF; hsmmsf@gmail.com. Noon-6pm, free. Yep, it’s another street fair on Haight — but this brand-new event has a highly local focus, since it’s sponsored by local merchants. Expect three stages of music, kids’ activities, a skate ramp, and more.

“Home [away from] Home” Eastshore Park, Lake Merritt, MacArthur at Grand, Oakl; www.ybca.org. 10am-8pm, free. Through Sept 11. Experimental art installation highlighting artists in the Ethiopian and Eritrean communities of the Bay Area.

“Seventeen Generations Why” Modern Times Bookstore Collective, 2919 24th St, SF; www.mtbs.com. 5pm, $20 and up. Rebecca Solnit brings together nine decades of San Franciscans (from a woman in her 80s to a seven-year-old) for this “variety show in celebration of Modern Times Bookstore’s last four decades and in support of its next four or so.”

MONDAY 8

Rowen Jacobsen Jewish Community Center of San Francisco, 3200 California, SF; www.jccsf.org/ 7pm, $15. The James Beard award winner discusses Apples of Uncommon Character. Author event held in conjunction with the JCCSF’s “Apple-Palooza” (5pm), a celebration of all things apple and harvest.

TUESDAY 9

Daisy Hernández Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author reads from her coming-of-age memoir, A Cup of Water Under My Bed. *

 

Tom’s legacy

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steve@sfbg.com

At a moment when San Francisco politics has slid toward the slippery center — when one-time progressives align with business elites, the political rhetoric seems hollow, and the vaunted value of “civility” in City Hall increasingly looks more like a deceptive power grab by the Mayor’s Office — it feels so refreshing to talk with Tom Ammiano.

For one thing, he’s hilarious, always quick with quips that are not only funny, but often funny in insightful ways that distill complex issues down to their essence, delivered with his distinctive nasally honk and lightning timing. Ammiano developed as a stand-up comedian and political leader simultaneously, and the two professional sides feed off each other, alternatively manifesting in disarming mirth or penetrating bite.

But his humor isn’t the main reason why Ammiano — a 72-year-old state legislator, two-time mayoral candidate, and former supervisor and school board member — has become such a beloved figure on the left of state and local politics, or why so many progressives are sad to see him leaving the California Assembly and elected office this year for the first time since 1990.

No, perhaps the biggest reason why public esteem for Ammiano has been strong and rising — particularly among progressives, but also among those of all ideological stripes who decry the closed-door dealmaking that dominates City Hall and the State Capitol these days — is his political integrity and courage. Everyone knows where Tom Ammiano will stand on almost any issue: with the powerless over the powerful.

“Don’t make it about yourself, make it about what you believe in,” Ammiano told us, describing his approach to politics and his advice to up-and-coming politicians.

Ammiano’s positions derive from his progressive political values, which were informed by his working class upbringing, first-hand observations of the limits of American militarism, publicly coming out as a gay teacher at time when that was a risky decision, standing with immigrants and women at important political moments, and steadily enduring well-funded attacks as he created some of San Francisco’s most defining and enduring political reforms, from domestic partner benefits and key political reforms to universal health care.

“He has been able to remain true to his values and principles of the progressive movement while making significant legislative accomplishments happen on a number of fronts,” Sup. David Campos, who replaced Ammiano on the Board of Supervisors and is now his chosen successor in the California Assembly, told the Guardian. “I don’t know that we’ve fully understood the scope of his influence. He has influenced the city more than most San Francisco mayors have.”

So, as we enter the traditional start of fall election season — with its strangely uncontested supervisorial races and only a few significant ballot measures, thanks to insider political manipulations — the Guardian spent some time with Ammiano in San Francisco and in Sacramento, talking about his life and legacy and what can be done to revive the city’s progressive spirit.

 

 

LIFE OF THE CAPITOL

Aug. 20 was a pretty typical day in the State Capitol, perhaps a bit more relaxed than usual given that most of the agenda was concurrence votes by the full Senate and Assembly on bills they had already approved once before being amended by the other house.

Still, lobbyists packed the hall outside the Assembly Chambers, hoping to exert some last minute influence before the legislative session ended (most don’t bother with Ammiano, whose name is on a short list, posted in the hall by the Assembly Sergeant-at-Arms, of legislators who don’t accept business cards from lobbyists).

One of the bills up for approval that day was Ammiano’s Assembly Bill 2344, the Modern Family Act, which in many ways signals how far California has come since the mid-’70s, when Ammiano was an openly gay schoolteacher and progressive political activist working with then-Sup. Harvey Milk to defeat the homophobic Briggs Initiative.

The Modern Family Act updates and clarifies the laws governing same-sex married couples and domestic partners who adopt children or use surrogates, standardizing the rights and responsibilities of all parties involved. “With a few simple changes, we can help families thrive without needless legal battles or expensive court actions,” Ammiano said in a press statement publicizing the bill.

Ammiano arrived in his office around 10am, an hour before the session began, carrying a large plaque commending him for his legislative service, given to outgoing legislators during a breakfast program. “Something else I don’t need,” Ammiano said, setting the plaque down on a table in his wood-paneled office. “I wonder if there’s a black market for this shit.”

Before going over the day’s legislative agenda, Ammiano chatted with his Press Secretary Carlos Alcala about an editorial in that morning’s San Francisco Chronicle, “Abuse of disabled-parking program demands legislators act,” which criticized Ammiano for seeking minor changes in a city plan to start charging for disabled placards before he would sponsor legislation to implement it. The editorial even snidely linked Ammiano to disgraced Sen. Leland Yee, who is suspended and has nothing to do with the issue.

“I’ve had these tussles with the Chronicle from day one. They just want people to be angry with me,” Ammiano told us. “You stand up for anything progressive and they treat you like a piñata.”

He thought the criticism was ridiculous — telling Alcala, “If we do a response letter, using the words puerile and immature would be good” — and that it has as much to do with denigrating Ammiano, and thus Campos and other progressives, as the issue at hand.

“Anything that gets people mad at me hurts him,” Ammiano told us.

But it’s awfully hard to be mad at Tom Ammiano. Even those on the opposite side of the political fence from him and who clash with him on the issues or who have been subjected to his caustic barbs grudgingly admit a respect and admiration for Ammiano, even Lt. Gov. Gavin Newsom, who told the Guardian as much when we ran into him on the streets of Sacramento later that day.

Ammiano says he rarely gets rattled by his critics, or even the handful of death threats that he’s received over the years, including the one that led the San Francisco Police Department to place a protective detail on him during the 1999 mayor’s race.

“You are buoyed by what you do, and that compensates for other feelings you have,” Ammiano said of safety concerns.

Finally ready to prepare for the day’s business, he shouts for his aides in the other room (“the New York intercom,” he quips). The first question is whether he’s going to support a bill sponsored by PG&E’s union to increase incentives for geothermal projects in the state, a jobs bill that most environmental groups opposed.

“That is a terrible bill, it’s total shit, and I’m not going to support it,” Ammiano tells his aide. “It’s a scam.”

As Ammiano continued to prepare for the day’s session, we headed down to the Assembly floor to get ready to cover the action, escorted by Alcala. We asked what he planned to do after Ammiano leaves Sacramento, and Alcala told us that he’ll look at working for another legislator, “but there would probably be a lot more compromises.”

 

 

SPARKING CHANGE

Compromises are part of politics, but Ammiano has shown that the best legislative deals come without compromising one’s political principles. Indeed, some of his most significant accomplishments have involved sticking to his guns and quietly waiting out his critics.

For all the brassy charm of this big personality — who else could publicly confront then-Gov. Arnold Schwarzenegger at a Democratic Party fundraiser in 2009 and tell him to “kiss my gay ass!” — Ammiano has usually done the work in a way that wasn’t showy or self-centered.

By championing the reinstatement of district supervisorial elections and waging an improbable but electrifying write-in campaign for mayor in 1999 (finishing second before losing to incumbent Willie Brown in the runoff election), Ammiano set the stage for progressives to finally win control of the Board of Supervisors in 2000 and keep it for the next eight years, forming an effective counterbalance to Gavin Newsom’s pro-business mayoralty.

“I just did it through intuition,” Ammiano said of his 1999 mayoral run, when he jumped into the race just two weeks before election day. “There was a lot of electricity.”

After he made the runoff, Brown and his allies worked aggressively to keep power, leaning on potential Ammiano supporters, calling on then-President Bill Clinton to campaign for Brown, and even having Jesse Jackson call Ammiano late one night asking him to drop out.

“That’s when we realized Willie really felt threatened by us,” Ammiano said, a fear that was well-founded given that Ammiano’s loss in the runoff election led directly into a slate of progressives elected to the Board of Supervisors the next year. “It was a pyrrhic victory for him because then the board changed.”

But Ammiano didn’t seize the spotlight in those heady years that followed, which often shone on the younger political upstarts in the progressive movement — particularly Chris Daly, Matt Gonzalez, and Aaron Peskin — who were more willing to aggressively wage rhetorical war against Newsom and his downtown constituents.

By the time the 2003 mayor’s race came, Ammiano’s mayoral campaign became eclipsed by Gonzalez jumping into the race at the last minute, a Green Party candidate whose outsider credentials contrasted sharply with Newsom’s insider inevitability, coming within 5 percentage points of winning.

“I just bounced back and we did a lot of good shit after that,” Ammiano said, noting how district elections were conducive to his approach to politics. “It helped the way I wanted to govern, with the focus on the neighborhoods instead of the boys downtown.”

Perhaps Ammiano’s greatest legislative victory as a supervisor was his Health Care Security Ordinance, which required employers in San Francisco to provide health coverage for their employees and created the Healthy San Francisco program to help deliver affordable care to all San Franciscans.

The business community went ballistic when Ammiano proposed the measure in 2006, waging an aggressive lobbying and legal campaign to thwart the ordinance. But Ammiano just quietly took the heat, refused to compromise, and steadily lined up support from labor, public health officials, and other groups that were key to its passage.

“Maybe the early days of being a pinata inured me,” Ammiano said of his ability to withstand the onslaught from the business community for so long, recalling that in his 1999 school board race, “I really became a pinata. I got it in the morning from the Chronicle and in the afternoon from the Examiner.”

Ammiano kept Newsom apprised of his intentions and resolve, resisting entreaties to water down the legislation. “I kept talking to him and I told him I was going to do it,” Ammiano said. “Eventually, we got a 11 to zip vote and Newsom couldn’t do anything about it. That was a great journey.”

In the end, Newsom not only supported the measure, but he tried to claim Ammiano’s victory as his own, citing the vague promise he had made in his 2007 State of the City speech to try to provide universal health care in the city and his willingness to fund the program in his 2007-08 budget.

But Ammiano was happy with the policy victory and didn’t quibble publicly with Newsom about credit. “I picked my battles,” Ammiano said, contrasting his approach to Newsom with that of his more fiery progressive colleagues. “I tried to go after him on policy, not personality.”

Ammiano isn’t happy with the political turn that San Francisco has taken since he headed to Sacramento, with the pro-business, fiscally conservative faction of the city controlling the Mayor’s Office and exerting a big influence on the Board of Supervisors. But San Francisco’s elder statesman takes the long view. “Today, the board has a moderate trajectory that can be annoying, but I think it’s temporary,” Ammiano said. “These things are cyclical.”

He acknowledges that things can seem to a little bleak to progressives right now: “They’re feeling somewhat marginalized, but I don’t think it’s going to stay that way.”

 

FLOOR SHOW

Back on the Assembly floor, Ammiano was working the room, hamming it up with legislative colleagues and being the first of many legislators to rub elbows and get photos taken with visiting celebrities Carl Weathers, Daniel Stern, and Ron Perlman, who were there to support film-credit legislation

“Ron Perlman, wow, Sons of Anarchy,” Ammiano told us afterward, relating his conversation with Perlman. “I said, ‘They killed you, but you live on Netflix.’ I told him I was big fan. Even the progressives come here for the tax breaks.”

When Little Hoover Commission Chair Pedro Nava, who used to represent Santa Barbara in the Assembly, stopped to pose with Ammiano for the Guardian’s photographer, the famously liberal Ammiano quipped, “You’ll get him in trouble in Santa Barbara. Drill, baby, drill!”

Ammiano chairs the Assembly Public Safety Committee, where he has successfully pushed prison reform legislation and helped derail the worst tough-on-crime bills pushed by conservatives. “We have a lot of fun, and we get a chance to talk about all these bills that come before us,” Bob Wieckowski (D-Fremont), who chairs the Judiciary Committee, told the Guardian when asked about Ammiano. “You can see how these bad bills get less bad.”

Ammiano gave a short speech when his Modern Family Act came up for a vote, noting that it “simplifies the law around these procedures,” before the Assembly voted 57-2 to send it to the governor’s desk, where he has until Sept. 30 to act on it. “I think he’ll sign it,” Ammiano told the Guardian, “even though it’s about reproduction and naughty bits.”

“He’s a hoot,” Assemblymember Reggie Jones-Sawyer (D-Los Angeles) said of Ammiano, whose desk is right behind his own. Jones-Sawyer said that he’d love to see Ammiano run for mayor of San Francisco, “but he’s waiting for a groundswell of support. Hopefully the progressives come together.”

Jones-Sawyer said Ammiano plays an important role as the conscience of a Legislature that too often caters to established interests.

“There’s liberal, progressive, socialist, communist, and then there’s Tom,” Jones said. “As far left as you can go, there’s Tom, and that’s what we’re going to miss.”

Yet despite that strong progressive reputation, Ammiano has also been an amazingly effective legislator (something that might surprise those supporting the campaign of David Chiu, which has repeatedly claimed that ideological progressives like Ammiano and Campos can’t “get things done” in Sacramento).

Last year, Ammiano got 13 bills through the Legislature — including three hugely controversial ones: the TRUST Act, which curbs local cooperation with federal immigration holds; the Domestic Workers Bill of Rights; and a bill protecting transgender student rights in schools, which was savaged by conservative religious groups — all of which were signed into law by Gov. Jerry Brown.

“A lot of it is personal relationships, some is timing, and some is just sticking to it,” Ammiano said of effectiveness.

Some of his legislative accomplishments have required multiyear efforts, such as the Domestic Workers Bill of Rights, which was vetoed in 2012 before being signed into law last year with only a few significant changes (see “Do we care?” 3/26/13).

“Tom Ammiano was so incredible to work with,” Katie Joaquin, campaign coordinator for the California Domestic Workers Coalition, for whom the bill had long been a top priority, told the Guardian.

The large grassroots coalition backing the bill insisted on being a part of the decision-making as it evolved, which is not always easy to do in the fast-paced Capitol. But Joaquin said Ammiano’s history of working with grassroots activists made him the perfect fit for the consensus-based coalition.

“That’s difficult to do in the legislative process, and working with Tom and his office made that possible,” Joaquin told us. “He wanted to make sure we had active participation in the field from a variety of people who were affected by this.”

When the bill was vetoed by Gov. Brown, who cited paternalistic concerns that better pay and working conditions could translate into fewer jobs for immigrant women who serve as domestic workers, Joaquin said Ammiano was as disappointed as the activists, but he didn’t give up.

“It was really hard. I genuinely felt Tom’s frustration. He was going through the same emotions we were, and it was great that he wanted to go through that with us again,” Joaquin told us. “Sometimes, your allies can get fatigued with the long struggles, but Tom maintained his resolve and kept us going.”

And after it was over, Ammiano even organized the victory party for the coalition and celebrated the key role that activists and their organizing played in making California only the second state in the nation (after New York) to extend basic wage, hour, and working condition protections to nannies, maids, and other domestic workers excluded under federal law.

“He has a great sense of style,” Joaquin said of Ammiano, “and that emanates in how he carries himself.”

 

 

COMING OUT

Ammiano came to San Francisco in 1964, obtaining a master’s degree in special education from San Francisco State University and then going on to teach at Hawthorne Elementary (now known as Cesar Chavez Elementary). He quickly gained an appreciation for the complex array of issues facing the city, which would inform the evolution of his progressive worldview.

“In teaching itself, there were a lot of social justice issues,” Ammiano said. For example, most native Spanish-speakers at the time were simply dumped into special education classes because there wasn’t yet bilingual education in San Francisco schools. “So I turned to the community for help.”

The relationships that he developed in the immigrant community would later help as he worked on declaring San Francisco a sanctuary city as waves of Central American immigrants fled to California to escape US-sponsored proxy wars.

Growing up a Catholic working class kid in New Jersey, Ammiano was no hippie. But he was struck by the brewing war in Vietnam strongly enough that he volunteered to teach there through a Quaker program, International Volunteer Service, working in Saigon from 1966-68 and coming back with a strong aversion to US militarism.

“I came back from Vietnam a whole new person,” he told us. “I had a lot of political awakenings.”

He then worked with veterans injured during the war and began to gravitate toward leftist political groups in San Francisco, but he found that many still weren’t comfortable with his open homosexuality, an identity that he never sought to cover up or apologize for.

“I knew I was gay in utero,” Ammiano said. “I said you have to be comfortable with me being a gay, and it wasn’t easy for some. The left wasn’t that accepting.”

But that began to change in the early ’70s as labor and progressives started to find common cause with the LGBT community, mostly through organizations such as Bay Area Gay Liberation and the Gay Teachers Coalition, a group that Ammiano formed with Hank Wilson and Ron Lanza after Ammiano publicly came out as a gay teacher in 1975.

“He was the first public school teacher to acknowledge that he was a gay man, which was not as easy as it sounds in those days,” former Mayor Art Agnos told us, crediting Ammiano with helping make support for gay rights the default political position that it became in San Francisco.

San Francisco Unified School District still wasn’t supportive of gay teachers, Ammiano said, “So I ran for school board right after the assassinations [of Mayor George Moscone and Sup. Harvey Milk in 1978] and got my ass kicked.”

Shortly thereafter, Ammiano decided to get into stand-up comedy, encouraged by friends and allies who loved his sense of humor. Meanwhile, Ammiano was pushing for SFUSD to name a school after Milk, as it immediately did for Moscone, a quest that dragged on for seven years and which was a central plank in his unsuccessful 1988 run for the school board.

But Ammiano was developing as a public figure, buoyed by his stand-up performances (which he said Chronicle reporters would sometimes attend to gather off-color quotes to use against him in elections) and increased support from the maturing progressive and queer communities.

So when he ran again for school board in 1990, he finished in first place as part of the so-called “lavender sweep,” with LGBT candidates elected to judgeships and lesbians Carole Migden and Roberta Achtenberg elected to the Board of Supervisors.

On the school board, Ammiano helped bring SFUSD into the modern age, including spearheading programs dealing with AIDS education, support for gay students, distribution of condoms in the schools, and limiting recruiting in schools by the homophobic Boy Scouts of America.

“I found out we were paying them to recruit in the schools, but I can’t recruit?” Ammiano said, referencing the oft-raised concern at the time that gay teachers would recruit impressionable young people into homosexuality.

As his first term on the school board ended, a growing community of supporters urged Ammiano to run for the Board of Supervisors, then still a citywide election, and he was elected despite dealing with a devastating personal loss at the time.

“My partner died five days before the election,” Ammiano said as we talked at the bar in Soluna, tearing up at the memory and raising a toast with his gin-and-tonic to his late partner, Tim Curbo, who succumbed to a long struggle with AIDS.

Ammiano poured himself into his work as a supervisor, allied on the left at various points in the mid-late ’90s with Sups. Sue Bierman, Terrence Hallinan, Leland Yee, Mabel Teng, Angelo Alioto, and Carole Migden against the wily and all-powerful then-Mayor Brown, who Ammiano said “manipulated everything.”

But Ammiano gradually began to chip away at that power, often by turning directly to the people and using ballot measures to accomplish reforms such as laws regulating political consultants and campaign contributions and the reinstatement of district supervisorial elections, which decentralized power in the city.

“People frequently say about politicians, when they want to say something favorable, that they never forgot where they came from,” Agnos told us. “With Tom, he never forgot where he came from, and more importantly, he never forgot who he was…He was an authentic and a proud gay man, as proud as Harvey Milk ever was.”

And from that strong foundation of knowing himself, where he came from, and what he believed, Ammiano maintained the courage to stand on his convictions.

“It’s not just political integrity, it’s a reflection of the man himself,” Agnos said, praising Ammiano’s ability to always remain true to himself and let his politics flow from that. “A lot of politicians don’t have the courage, personal or political, to do that.”

 

 

WHAT’S NEXT

Ammiano’s legacy has been clearly established, even if it’s not always appreciated in a city enamored of the shiny and new, from recent arrivals who seem incurious about the city’s political history to the wave of neoliberal politicians who now hold sway in City Hall.

“Tom has carried on the legacy of Harvey Milk of being the movement progressive standard bearer. He has, more than anyone else, moved forward progressive politics in San Francisco in a way that goes beyond him as an individual,” Campos said, citing the return of district elections and his mentoring of young activists as examples. “He brought a number of people into politics that have been impactful in their own right.”

Campos is one of those individuals, endorsed by Ammiano to fill his District 9 seat on the Board of Supervisors from among a competitive field of established progressive candidates. Ammiano says he made the right choice.

“I have been supportive of him as a legislator and I think he’s doing the right things,” Ammiano said of Campos, adding an appreciation for the facts that he’s gay, an immigrant, and a solid progressive. “He’s a three-fer.”

Ammiano said that Campos has been a standout on the Board of Supervisors in recent years, diligently working to protect workers, tenants, and immigrants with successful efforts to increase tenant relocation fees after an eviction and an attempt to close the loophole that allows restaurants to pocket money they’re required to spend on employee health care, which was sabotaged by Chiu and Mayor Lee.

“I like his work ethic. He comes across as mild-mannered, but he’s a tiger,” Ammiano said of Campos. “If you like me, vote for David.”

But what about Ammiano’s own political future?

Ammiano said he’s been too busy lately to really think about what’s next for him (except romantically: Ammiano recently announced his wedding engagement to Carolis Deal, a longtime friend and lover). Ammiano is talking with universities and speakers bureaus about future gigs and he’s thinking about writing a book or doing a one-man show.

“Once I get that settled, I’ll look at the mayor’s race and [Sen. Mark] Leno’s seat,” Ammiano said, holding out hope that his political career will continue.

Ammiano said the city is desperately in need of some strong political leadership right now, something that he isn’t seeing from Mayor Lee, who has mostly been carrying out the agenda of the business leaders, developers, and power brokers who engineered his mayoral appointment in 2011.

“Basically, he’s an administrator and I don’t think he’ll ever be anything but that,” Ammiano said. “We are so fucking ready for a progressive mayor.”

If Ammiano were to become mayor — which seems like a longshot at this point — he says that he would use that position to decentralize power in San Francisco, letting the people and their representatives on the Board of Supervisors have a greater say in the direction of the city and making governance decisions more transparent.

“I don’t believe in a strong mayor [form of government],” Ammiano said. “If I was mayor, all the commission appointments would be shared.”

But before he would decide to run for mayor, Ammiano says that he would need to see a strong groundswell of public support for the values and ideals that he’s represented over nearly a half-century of public life in San Francisco.

“I don’t want to run to be a challenger,” Ammiano said. “I’d want to run to be mayor.”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A show a day: Your fall music calendar

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What’s going on in Bay Area music these next three months? Glad you asked. 

Like a daily multivitamin wards off the sniffles, getting the SFBG’s official recommended dose of live shows is crucial to maintaining optimal mental health, fun levels, and skin tone, especially as the days get shorter and the weather turns ever-so-slightly cooler.

Here’s your musical agenda from Labor Day through Thanksgiving, with highlights from our favorite fall festivals (see this week’s issue for lots more).

Aug. 28 Black Cobra Vipers with French Cassettes The Chapel, SF. www.thechapelsf.com

Aug. 29 Blind Willies Viracocha, SF. www.viracochasf.com

Aug. 30 Mistah F.A.B. Slim’s, SF. www.slimspresents.com

Aug. 31 LIVE 105’s Punk Rock Picnic with The Offspring, Bad Religion, Pennywise, and more. Are you a late-thirties/early-forties punk rock guy or gal who can’t agree on much of anything with your 13-year-old these days? Doesn’t get much better than this lineup. Bonus points for screaming along to all the swearing on The Offspring’s “Bad Habit.” Shoreline Amphitheatre, Mountain View. www.theshorelineamphitheatre.com

Sept. 1 Hiero Day. Souls of Mischief, Del, and the rest of the guys have promised some pretty big guest stars at this week’s fest, but even without ’em — a free block party with beer from Linden Street Brewery and music from some of the Bay Area’s best underground rappers? Guests, schmests. Downtown Oakland, www.hieroday.com

Sept. 2 Ghost & Gale Brick and Mortar, SF. www.brickandmortarmusic.com

Sept. 3 Joey Cape Thee Parkside, SF. www.theeparkside.com

Sept. 4 Carletta Sue Kay Hemlock Tavern, SF. www.hemlocktavern.com

Sept. 4-13 Mission Creek Oakland Music & Arts Festival. With a range of heavy hitters — from B. Hamilton and Bill Baird to Whiskerman — this is a showcase of the fertile ground that is Oakland’s indie rock scene right now, most with door prices you’re not likely to see from these bands again. Venues throughout Oakland,www.mcofest.org.

Sept. 5 Sam Chase with Rin Tin Tiger Uptown, Oakl. www.uptownnightclub.com

Sept. 6 Bart Davenport, Foxtails Brigade, more Block Party, downtown Oakland, www.mcofest.org

Sept. 7 Coheed and Cambria, Fox Theater, Oakl. www.thefoxoakland.com

Sept. 8 The Rentals Slim’s, SF. www.slimspresents.com

Sept. 9 Wild Eyes Knockout, SF. www.theknockoutsf.com

Sept. 10 Kyrsten Bean New Parish, Oakl., www.thenewparish.com

Sept. 11 Sonny & The Sunsets Eagle Tavern, SF. www.sf-eagle.com

Sept. 11-14 Downtown Berkeley MusicFest. A range of bluesy, folky, dancey bands from all over the Bay — especially recommended: the First Person Singular presentation of Beck’s Song Reader Sept. 11 and The Parmesans at Jupiter Sept. 14. Venues all over Berkeley, www.downtownberkeleymusicfest.org

Sept. 12-14, 15th Annual Electronic Music Festival Brava Theater Center, SF. www.sfemf.org

Sept. 13 The Breeders Fillmore, SF. www.thefillmore.com

Sept. 13-14 Forever Never Land, “California’s only 21+ music festival,” Avila Beach Golf Resort, www.foreverneverland.us

Sept. 15 Vulfpeck Brick and Mortar, SF. www.brickandmortar.com

Sept. 16 Lil Dicky Independent, SF. www.theindependentsf.com

Sept. 17 Anais Mitchell The Chapel, SF. www.thechapelsf.com

Sept. 18 Silent Comedy and Strange Vine Bottom of the Hill, SF. www.bottomofthehill.com

Sept. 19 Blake Mills, The Chapel, SF. www.thechapelsf.com

Sept. 20 Old Crow Medicine Show The Masonic, SF. www.masonicauditorium.com

Sept. 20-21 Berkeley World Music Festival All over Berkeley, www.berkeleyworldmusic.org

Sept. 20-21 Russian River Jazz & Blues Festival, with Larry Graham & Graham Central Station, more. www.russianriverfestivals.com

Sept. 21 Oakland Music Festival with The Coup, Kev Choice, more Downtown Oakland, www.oaklandmusicfestival.com.

Sept. 22 La Roux Fox Theater, Oakl. www.thefoxoakland.com

Sept. 23 Cello Joe The Chapel Bar, SF. www.thechapelsf.com

Sept. 24 Skeletonwitch, Black Anvil DNA Lounge, SF. www.dnalounge.com

Sept. 25-28 Philip Glass’ Days and Nights Festival Henry Miller Memorial Library, Big Sur; Sunset Cultural Center, Carmel-by-the-Sea, www.daysandnightsfestival.com

Sept. 26 Bob Mould Fillmore, SF. www.thefillmore.com

Sept. 27 Wu-Tang Clan Warfield, SF. www.thewarfieldtheatre.com

Sept. 27 Redwood City Sala Festival Courthouse Square, Redwood City, www.redwoodcity.org

Sept. 28 Sam Smith Fox Theater, Oakl. www.thefoxoakland.com

Sept. 29 Motown on Mondays Legionnaire Saloon, Oakl. www.legionnairesaloon.com

Sept. 30 Pixies The Masonic, SF. www.masonicauditorium.com

Oct. 1 Rhymesayers presents Brother Ali, Bambu Bottom of the Hill, SF. www.bottomofthehill.com

Oct. 2 Lorde Greek Theatre, Berk. www.thegreektheatreberkeley.com

Oct. 3-5 Berkeley Hawaiian Music Festival Freight and Salvage, Berkl. www.thefreight.org.

Oct. 3-5 Hardly Strictly Bluegrass Festival, Golden Gate Park, SF. www.hardlystrictlybluegrass.com

Oct 3-5 TBD Festival. Emerging Bay Area acts like 8th Grader mingle with the big kids (Blondie, Moby, Danny Brown, Kurt Vile) at this seventh annual celebration of “music, art, design, and food.” A low-key vibe and great chance to see some huge acts in a seemingly unlikely location. Riverfront, West Sacramento. www.tbdfest.com.

Oct. 4 Cibo Matto The Chapel, SF. www.thechapelsf.com

Oct. 5 Bombay Bicycle Club Warfield, SF. www.thewarfieldtheatre.com

Oct. 6 The War on Drugs with Cass McCombs Fillmore, SF. www.thefillmore.com

Oct. 7 Thurston Moore Great American Music Hall, SF. www.slimspresents.com

Oct. 8 The King Khan & BBQ Show Great American Music Hall, SF. www.slimspresents.com

Oct. 9 Imelda May Fillmore, SF. www.thefillmore.com

Oct. 10 Too Short Shoreline Amphitheatre, Mountain View. www.shorelineamphitheatre.com

Oct. 11 Pomplamoose Fillmore, SF. www.thefillmore.com

Oct. 12 Jack Beats Mezzanine, SF. www.mezzaninesf.com

Oct. 13 Mutual Benefit Independent, www.theindependentsf.com

Oct. 14-15 Culture Collide. This new-to-the-Bay-Area party has been rocking LA for the past few years, but it seems to have taken on an appropriately Mission-esque flavor for its first Mission takeover: Local kids like Grmln alongside national acts like Cloud Nothings and Clap Your Hands Say Yeah alongside a whole host of buzzy Korean, Australian, and UK bands? Yeah, we’re there. Up and down Valencia in the Mission, with multiple stages including the Elbo Room. www.culturecollide.com

Oct. 15 Of Montreal Great American Music Hall, SF. www.slimspresents.com

Oct. 16 Russian Red Independent, SF. www.theindependentsf.com

Oct. 17 Pup Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Oct. 18-19 Treasure Island Music Festival, with Outkast, Massive Attack, more Treasure Island. www.treasureislandfestival.com

Oct. 20 Kimbra Independent, SF. www.theindependentsf.com

Oct. 21 Melvins Great American Music Hall, SF. www.slimspresents.com

Oct. 22 Kat Edmonson Great American Music Hall, SF. www.slimspresents.com

Oct. 23 The Blank Tapes Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Oct. 24 Foxygen Fillmore, SF. www.thefillmore.com

Oct. 25 Titan Ups and Carletta Sue Kay DNA Lounge, SF. www.dnalounge.com

Oct. 26 Bridget Everett Independent, SF. www.theindependentsf.com

Oct. 27 Warpaint Regency Ballroom, SF. ww.theregencyballroom.com

Oct. 28 Broken Bells The Masonic, SF. www.masonicauditorium.com

Oct. 29 King Tuff Great American Music Hall, SF. www. slimspresents.com

Oct. 30 Tycho Fox Theater, Oakl. www.thefoxoakland.com

Oct. 31 LIVE 105’s Spookfest with Chromeo, Alesso, more Oracle Arena, Oakl., www.live105.cbslocal.com

Nov. 1 Stone Foxes with Strange Vine The Chapel, SF. www.thechapelsf.com

Nov. 2 Citizen Cope Catalyst, Santa Cruz. www.catalystclub.com

Nov. 3 The Black Keys Oracle Arena, Oakl., www.coliseum.com

Nov. 4 Frankie Rose with Cold Beat Bottom of the Hill, SF. www.bottomofthehill.com

Nov. 5 Finch, Maps & Atlases Slim’s, SF. www.slimspresents.com

Nov. 6 Bleachers Independent, SF. www.theindependent.sf.com

Nov. 7 Slowdive Warfield, SF. www.thewarfieldtheatre.com

Nov. 8 Shovels & Rope Fillmore, SF. www.thefillmore.com

Nov. 9 Mirah Independent, SF. www.theindependentsf.com

Nov. 10 Psychedelic Furs, Lemonheads Fillmore, SF. www.thefillmore.com

Nov. 11 Mac DeMarco Fillmore, SF. www.thefillmore.com

Nov. 12 Shakey Graves Independent, SF. www.theindependentsf.com

Nov. 13 Generationals The Chapel, SF. www.thechapelsf.com

Nov. 14 Deltron 3030 Catalyst, Santa Cruz. www.catalystclub.com

Nov. 15 J. Mascis Independent, SF. www.theindependentsf.com

Nov. 16 Hot Water Music Slim’s, SF. www.slimspresents.com

Nov. 17 Culture Club Fox Theater, Oakl. www.thefoxoakland.com

Nov. 18 The 1975 The Masonic, SF. www.masonicauditorium.com

Nov. 19 Har Mar Superstar Bottom of the Hill, SF. www.bottomofthehill.com

Nov. 20 Minus the Bear Slim’s, SF. www.slimspresents.com

Nov. 21 Seu Jorge Bimbo’s 365 Club, SF. www.bimbos365club.com

Nov. 22 Peanut Butter Wolf Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Nov. 23 Lucero Slim’s, SF. www.slimspresents.com

A show a day: Your fall music calendar

0

FALL ARTS What’s going on in Bay Area music these next three months? Glad you asked.

Here’s your musical agenda from Labor Day through Thanksgiving, with highlights from our favorite fall festivals.

Aug. 27 Terry Malts Brick and Mortar, SF. www.brickand-mortarmusic.com

Aug. 28 Black Cobra Vipers with French Cassettes The Chapel, SF. www.thechapelsf.com

Aug. 29 Blind Willies Viracocha, SF. www.viracochasf.com

Aug. 30 Mistah F.A.B. Slim’s, SF. www.slimspresents.com

Aug. 31 LIVE 105’s Punk Rock Picnic with The Offspring, Bad Religion, Pennywise, and more. Are you a late-thirties/early-forties punk rock guy or gal who can’t agree on much of anything with your 13-year-old these days? Doesn’t get much better than this lineup. Bonus points for screaming along to all the swearing on The Offspring’s “Bad Habit.” Shoreline Amphitheatre, Mountain View. www.theshorelineamphitheatre.com

Sept. 1 Hiero Day. Souls of Mischief, Del, and the rest of the guys have promised some pretty big guest stars at this week’s fest, but even without ’em — a free block party with beer from Linden Street Brewery and music from some of the Bay Area’s best underground rappers? Guests, schmests. Downtown Oakland, www.hieroday.com

Sept. 2 Ghost & Gale Brick and Mortar, SF. www.brickandmortarmusic.com

Sept. 3 Joey Cape Thee Parkside, SF. www.theeparkside.com

Sept. 4 Carletta Sue Kay Hemlock Tavern, SF. www.hemlocktavern.com

Sept. 4-13 Mission Creek Oakland Music & Arts Festival. With a range of heavy hitters — from B. Hamilton and Bill Baird to Whiskerman — this is a showcase of the fertile ground that is Oakland’s indie rock scene right now, most with door prices you’re not likely to see from these bands again. Venues throughout Oakland, www.mcofest.org.

Sept. 5 Sam Chase with Rin Tin Tiger Uptown, Oakl. www.uptownnightclub.com

Sept. 6 Bart Davenport, Foxtails Brigade, more Block Party, downtown Oakland, www.mcofest.org

Sept. 7 Coheed and Cambria, Fox Theater, Oakl. www.thefoxoakland.com

Sept. 8 The Rentals Slim’s, SF. www.slimspresents.com

Sept. 9 Wild Eyes Knockout, SF. www.theknockoutsf.com

Sept. 10 Kyrsten Bean New Parish, Oakl., www.thenewparish.com

Sept. 11 Sonny & The Sunsets Eagle Tavern, SF. www.sf-eagle.com

Sept. 11-14 Downtown Berkeley MusicFest. A range of bluesy, folky, dancey bands from all over the Bay — especially recommended: the First Person Singular presentation of Beck’s Song Reader Sept. 11 and The Parmesans at Jupiter Sept. 14. Venues all over Berkeley, www.downtownberkeleymusicfest.org

Sept. 12-14, 15th Annual Electronic Music Festival Brava Theater Center, SF. www.sfemf.org

Sept. 13 The Breeders Fillmore, SF. www.thefillmore.com

Sept. 13-14 Forever Never Land, “California’s only 21+ music festival,” Avila Beach Golf Resort, www.foreverneverland.us

Sept. 15 Vulfpeck Brick and Mortar, SF. www.brickandmortar.com

Sept. 16 Lil Dicky Independent, SF. www.theindependentsf.com

Sept. 17 Anais Mitchell The Chapel, SF. www.thechapelsf.com

Sept. 18 Silent Comedy and Strange Vine Bottom of the Hill, SF. www.bottomofthehill.com

Sept. 19 Blake Mills, The Chapel, SF. www.thechapelsf.com

Sept. 20 Old Crow Medicine Show The Masonic, SF. www.masonicauditorium.com

Sept. 20-21 Berkeley World Music Festival All over Berkeley, www.berkeleyworldmusic.org

Sept. 20-21 Russian River Jazz & Blues Festival, with Larry Graham & Graham Central Station, more. www.russianriverfestivals.com

Sept. 21 Oakland Music Festival with The Coup, Kev Choice, more Downtown Oakland, www.oaklandmusicfestival.com.

Sept. 22 La Roux Fox Theater, Oakl. www.thefoxoakland.com

Sept. 23 Cello Joe The Chapel Bar, SF. www.thechapelsf.com

Sept. 24 Skeletonwitch, Black Anvil DNA Lounge, SF. www.dnalounge.com

Sept. 25-28 Philip Glass’ Days and Nights Festival Henry Miller Memorial Library, Big Sur; Sunset Cultural Center, Carmel-by-the-Sea, www.daysandnightsfestival.com

Sept. 26 Bob Mould Fillmore, SF. www.thefillmore.com

Sept. 27 Wu-Tang Clan Warfield, SF. www.thewarfieldtheatre.com

Sept. 27 Redwood City Sala Festival Courthouse Square, Redwood City, www.redwoodcity.org

Sept. 28 Sam Smith Fox Theater, Oakl. www.thefoxoakland.com

Sept. 29 Motown on Mondays Legionnaire Saloon, Oakl. www.legionnairesaloon.com

Sept. 30 Pixies The Masonic, SF. www.masonicauditorium.com

Oct. 1 Rhymesayers presents Brother Ali, Bambu Bottom of the Hill, SF. www.bottomofthehill.com

Oct. 2 Lorde Greek Theatre, Berk. www.thegreektheatreberkeley.com

Oct. 3-5 Berkeley Hawaiian Music Festival Freight and Salvage, Berkl. www.thefreight.org.

Oct. 3-5 Hardly Strictly Bluegrass Festival, Golden Gate Park, SF. www.hardlystrictlybluegrass.com

Oct 3-5 TBD Festival, Riverfront, West Sacramento. Emerging Bay Area acts like 8th Grader mingle with the big kids (Blondie, Moby, Danny Brown, Kurt Vile) at this seventh annual celebration of “music, art, design, and food.” A low-key vibe and great chance to see some huge acts in a seemingly unlikely location. www.tbdfest.com.

Oct. 4 Cibo Matto The Chapel, SF. www.thechapelsf.com

Oct. 5 Bombay Bicycle Club Warfield, SF. www.thewarfieldtheatre.com

Oct. 6 The War on Drugs with Cass McCombs Fillmore, SF. www.thefillmore.com

Oct. 7 Thurston Moore Great American Music Hall, SF. www.slimspresents.com

Oct. 8 The King Khan & BBQ Show Great American Music Hall, SF. www.slimspresents.com

Oct. 9 Imelda May Fillmore, SF. www.thefillmore.com

Oct. 10 Too Short Shoreline Amphitheatre, Mountain View. www.shorelineamphitheatre.com

Oct. 11 Pomplamoose Fillmore, SF. www.thefillmore.com

Oct. 12 Jack Beats Mezzanine, SF. www.mezzaninesf.com

Oct. 13 Mutual Benefit Independent, www.theindependentsf.com

Oct. 14-15 Culture Collide. This new-to-the-Bay-Area party has been rocking LA for the past few years, but it seems to have taken on an appropriately Mission-esque flavor for its first Mission takeover: Local kids like Grmln alongside national acts like Cloud Nothings and Clap Your Hands Say Yeah alongside a whole host of buzzy Korean, Australian, and UK bands? Yeah, we’re there. Up and down Valencia in the Mission, with multiple stages including the Elbo Room. www.culturecollide.com

Oct. 15 Of Montreal Great American Music Hall, SF. www.slimspresents.com

Oct. 16 Russian Red Independent, SF. www.theindependentsf.com

Oct. 17 Pup Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Oct. 18-19 Treasure Island Music Festival

Oct. 20 Kimbra Independent, SF. www.theindependentsf.com

Oct. 21 Melvins Great American Music Hall, SF. www.slimspresents.com

Oct. 22 Kat Edmonson Great American Music Hall, SF. www.slimspresents.com

Oct. 23 The Blank Tapes Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Oct. 24 Foxygen Fillmore, SF. www.thefillmore.com

Oct. 25 Titan Ups and Carletta Sue Kay DNA Lounge, SF. www.dnalounge.com

Oct. 26 Bridget Everett Independent, SF. www.theindependentsf.com

Oct. 27 Warpaint Regency Ballroom, SF. ww.theregencyballroom.com

Oct. 28 Broken Bells The Masonic, SF. www.masonicauditorium.com

Oct. 29 King Tuff Great American Music Hall, SF. www. slimspresents.com

Oct. 30 Tycho Fox Theater, Oakl. www.thefoxoakland.com

Oct. 31 LIVE 105’s Spookfest with Chromeo, Alesso, more Oracle Arena, Oakl., www.live105.cbslocal.com

Nov. 1 Stone Foxes with Strange Vine The Chapel, SF. www.thechapelsf.com

Nov. 2 Citizen Cope Catalyst, Santa Cruz. www.catalystclub.com

Nov. 3 The Black Keys Oracle Arena, Oakl., www.coliseum.com

Nov. 4 Frankie Rose with Cold Beat Bottom of the Hill, SF. www.bottomofthehill.com

Nov. 5 Finch, Maps & Atlases Slim’s, SF. www.slimspresents.com

Nov. 6 Bleachers Independent, SF. www.theindependent.sf.com

Nov. 7 Slowdive Warfield, SF. www.thewarfieldtheatre.com

Nov. 8 Shovels & Rope Fillmore, SF. www.thefillmore.com

Nov. 9 Mirah Independent, SF. www.theindependentsf.com

Nov. 10 Psychedelic Furs, Lemonheads Fillmore, SF. www.thefillmore.com

Nov. 11 Mac DeMarco Fillmore, SF. www.thefillmore.com

Nov. 12 Shakey Graves Independent, SF. www.theindependentsf.com

Nov. 13 Generationals The Chapel, SF. www.thechapelsf.com

Nov. 14 Deltron 3030 Catalyst, Santa Cruz. www.catalystclub.com

Nov. 15 J. Mascis Independent, SF. www.theindependentsf.com

Nov. 16 Hot Water Music Slim’s, SF. www.slimspresents.com

Nov. 17 Culture Club Fox Theater, Oakl. www.thefoxoakland.com

Nov. 18 The 1975 The Masonic, SF. www.masonicauditorium.com

Nov. 19 Har Mar Superstar Bottom of the Hill, SF. www.bottomofthehill.com

Nov. 20 Minus the Bear Slim’s, SF. www.slimspresents.com

Nov. 21 Seu Jorge Bimbo’s 365 Club, SF. www.bimbos365club.com

Nov. 22 Peanut Butter Wolf Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Nov. 23 Lucero Slim’s, SF. www.slimspresents.com

Fall fairs and festivals

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Aug. 30

Pilgrim Soul Forge Harvest Fair Pilgrim Soul Forge, 101 West Tower, Alameda; www.grantsforge.com. Noon-6pm, free. Possibly the only fall fair in the Bay Area to offer blacksmithing demonstrations alongside the usual suspects: food trucks, craft vendors, and live music.

Savor Filipino Justin Herman Plaza, Embarcadero at Market, SF; www.savorfilipino.com. 10am-6pm, free (most workshops $15). Try the best in Filipino cuisine at this gathering of chefs and authors, with a huge menu of tasty eats (check it out online) and workshops on vegan Filipino cooking, modern Filipino desserts, and other tasty topics. Plus: live music and traditional dance performances, and a “Dance That Lumpia Off” audience-participation activity.

 

Aug. 30-31

Millbrae Art and Wine Festival 400 Broadway, Millbrae; www.miramarevents.com. 10am-5pm, free. Downtown Millbrae’s annual Mardi Gras-style celebration, with live music, a juried art show, a classic car show, carnival-style rides, and tons of specialty food and drink vendors.

San Francisco Zine Fest SF County Fair Building, 1199 Ninth Ave, SF; www.sfzinefest.org. Aug 30, 11am-5pm; Aug 31, 11am-4pm. Free. Support indie writers, artists, and creators at this annual event, with exhibitions, workshops, book signings, and more. Special guests include Ryan Sands (publishing company Youth in Decline), Tomas Moniz (RAD DAD zine), and illustrator and cartoonist Hellen Jo.

 

Aug. 30-31

SF Bay Brazilian Day and Lavagem Festival Casa de Cultura, 1901 San Pablo, Berk; www.brasarte.com. 11am-7pm, free. Celebrate Brazilian Independence Day with a lavagem (blessing) calling for world peace, plus Brazilian music, food, a “Caipirinha lounge,” and more.

 

Aug. 31

Oakland Pride Uptown Oakl; www.oaklandpride.org. Parade starts at 10:30am, Broadway and 14th St; festival, 11am-7pm, Broadway at 20th Sts. Parade free; festival $5-10. It’s the very first year for the Oakland Pride Parade, while Sheila E headlines the fifth annual festival, billed as the second-largest pride event in NorCal.

 

Sept. 6

SF Mountain Bike Festival McLaren Park, Jerry Garcia Amphitheater, 20 John F. Shelley, SF; sfurbanriders.org/wordpress/sf-mtb-festival. 9am-5pm, free. Register in advance to compete — or just show up to spectate or test your skills in any of the non-competitive categories. Events include a short-track challenge, a 10-mile urban adventure ride, a cargo bike hill climb, a bike skills challenge for youth and families, and more, plus a box jump demo and a bike raffle.

 

Sept. 6-7

Autumn Moon Festival Chinatown, SF; www.moonfestival.org. Grand opening ceremony and parade, Sept 6, 11am; festival, 11am-5pm (dog costume contest, Sept 7, 2:30pm). Free. Cultural performances, an open-air street bazaar, lion dancing, and (new this year!) a dog costume contest highlight this 24th annual celebration of the Asian holiday.

Mountain View Art and Wine Festival Castro between El Camino Real and Evelyn, Mtn View; www.miramarevents.com. 10am-6pm, free. With works by over 600 professional craftspeople and artists, plus live music, home and garden exhibits, a young-performers stage, a climbing wall, food and wine, and more.

 

Sept. 7

Haight Street Music and Merchants Street Festival Haight between Masonic and Stanyan, SF; hsmmsf@gmail.com. Noon-6pm, free. Yep, it’s another street fair on Haight — but this brand-new event has a highly local focus, since it’s sponsored by local merchants. Expect three stages of music, kids’ activities, a skate ramp, and more.

 

Sept. 13

Sea Music Festival San Francisco Maritime National Historic Park, Hyde Street Pier, SF; www.nps.gov/safr/planyourvisit/seamusicfestival2014.htm. 9am-5pm; evening chantey sing, 7:30-9:30pm. Outdoor performances free; admission to historic ships $5 (15 and under with adult supervision, free). Learn about maritime history through music at this all-day fest of traditional and contemporary songs, instrumentals, and dances. The Sea Music Concert Series continues aboard the Balclutha Sept 20, Oct 25, and Nov 25 ($12-14 or a season ticket, $36).

 

Sept. 13-14

Ghirardelli Chocolate Festival Ghirardelli Square, 900 North Point, SF; ghirardelli.com/chocolatefestival. Noon-5pm, $20-40. Help raise money for Project Open Hand and satisfy your sweet tooth at this 19th annual dessert and wine fiesta. In addition to offering samples of gourmet goodies from over 50 vendors , Ghirardelli hosts chef demos, a silent auction, a “Chocolate School” (learn about the chocolate-making process!), and the ever-popular hands-free sundae-eating contest.

 

Sept. 14

Comedy Day Sharon Meadow, Golden Gate Park, SF; www.comedyday.com. Noon-5pm, free. This year’s incarnation of the free, all-day comedy festival is dedicated to the memory of supporter (and frequent unannounced performer) Robin Williams.

Sunday Streets: Western Addition Fillmore between Geary and Fulton; Fulton between Fillmore and Baker, SF; www.sundaystreetssf.com. 11am-4pm, free. What traffic? Explore the neighborhood (including Alamo Square) on foot or bike.

 

Sept. 19-21

Eat Real Festival Jack London Square, Oakl; www.eatrealfest.com. Sept 19, 1-9pm; Sept 20, 10:30am-9pm; Sept 21, 10:30am-5pm. Free. Billed as a combo “state fair, street-food festival, and block party,” this fest offers sustainable, regionally-sourced eats (BBQ, ice cream, curry, and more) costing eight bucks or less.

Oktoberfest by the Bay Pier 48, SF; www.oktoberfestbythebay.com. Sept 19, 5pm-midnight; Sept 20, 11am-5pm and 6pm-midnight; Sept 21, 11am-6pm. $25-75 (Sept 20-21 day session, kids 13-18, $5; must be accompanied by parent). The Chico Bavarian Band returns to add oompah to your eating and, more importantly, drinking experience. Prost!

 

Sept. 20-21

Mill Valley Fall Arts Festival #58 Old Mill Park, 325 Throckmorton, Mill Valley; www.mvfaf.org. 10am-5pm, $5-10. Over 140 fine artists participate in this fair, which is held in a can’t-be-beat location (hi, majestic redwoods) and also features live music and children’s entertainment.

 

Sept. 21

Folsom Street Fair Folsom between Eighth and 13th Sts, SF; www.folsomstreetfair.com. 11am-6pm, $10 donation requested (donation sticker entitles wearer to $2 off drinks). The leather and fetish fantasia returns with over 200 exhibitor booths, two giant dance floors, public play stations, erotic art, and more.

 

Sept. 27

Bay Area Record Fair Thee Parkside, 1600 17th St, SF; www.theeparkside.com. 11am, $5 early entry (free after noon). Vinyl junkies, take note: over 30 Bay Area indie labels participate at this semi-regular event, which also boasts live music, DJs, raffles, and more.

San Mateo Bacon and Brew Festival Central Park, Fifth Ave and El Camino Real, San Mateo; www.sanmateochamber.org/bbf. 11am-5pm, $15. This fest breaks it down to the essentials. Admission gets you a free beer (or soft drink), while food vendors favor you-know-which crispy pork product.

SuperHero Street Fair 1700 Indiana, SF; www.superherosf.com. 1-11pm, $10. Seven stages and 13 “sound camps” provide the beats for this fifth annual festival celebrating heroes, villains, sidekicks, and everything in between. It goes without saying that costumes are highly encouraged.

 

Sept. 28

“A Day on the Water 2” Cesar Chavez Park, 11 Spinnaker, Berk; (510) 677-9425. Noon-7pm, free. Outdoor fair and music festival with Manzo Rally, Afrofunk Experience, Crosscut, and more.

Sunday Streets: Excelsior Mission between Theresa/Avalon and Geneva, SF; www.sundaystreetssf.com. 11am-4pm, free. Hit the street at this edition of Sunday Streets, which coincides with the sixth annual Tricycle Music Fest at the Excelsior Branch Library (sfpl.org/tricycle for more info).

 

Oct. 4

“Oaktoberfest” Fruitvale at MacArthur, Oakl; www.oaktoberfest.org. 11am-6pm, free. Family-friendly craft beer festival, with over 30 participating local breweries, a Bavarian big band and dancers, German food vendors, and more.

 

Oct. 4-5

Alternative Press Expo Fort Mason Center, Festival Pavilion, 2 Marina, SF; comic-con.org/ape. Check website for updates regarding times and badge prices. APE is back to celebrate alternative and small-press comics in a new venue, with a guest list that includes Bob Fingerman, Faith Erin Hicks, Ed Piskor, Paul Pope, Jason Shiga, and many more.

 

Oct. 5

Castro Street Fair, Castro at Market, SF; www.castrostreetfair.org. 11am-6pm, free (donate at the gate to get $1 off at fair beverage booths). Five different entertainment areas (including a main stage, a “legends” stage, and “Barnaby’s World of Wonderment”) highlight this annual event, which was founded by Harvey Milk in 1974. Performers were TBD at press time, so check the website closer to the event for updates.

 

Oct. 9

Union Street Wine Walk Union between Gough and Steiner, SF; www.sresproductions.com. 4-8pm, free (sampling tickets, $25). Restaurants and merchants offer wine tasting and small bites at this fifth annual neighborhood event.

 

Oct. 10-18

Litquake Various venues, SF; www.litquake.org. San Francisco’s annual literary festival turns 15 this year, with a week full of live readings, performances, panels, and multimedia events, including tributes to Octavio Paz and Gabriel Garcia Marquez. The Barbary Coast Award will be presented to Dave Eggers and Vendela Vida and their many projects, including 826 Valencia and McSweeney’s.

 

Oct. 11

Woodside Day of the Horse Woodside Town Hall, 2955 Woodside, Woodside; www.whoa94062.org. 10am-2:30pm, free (progressive trail ride, $40). The Woodside-area Horse Owners Association (WHOA) celebrates Year of the Horse with stagecoach rides, live music, a petting zoo, and more, plus an organized trail ride for experienced riders and their horses to raise money for the organization’s charitable community projects.

 

Oct. 11-12

World Vegetarian Festival SF County Fair Building, 1199 Ninth Ave, SF; www.worldvegfestival.com. 10:30am-8:45pm, free. The SF Vegetarian Society’s annual event features cooking demos, exhibitors, speakers, an eco-fashion show, entertainment, and samples galore.

 

Oct. 12

Italian Heritage Parade Begins at Jefferson and Stockton, proceeds on Columbus, and ends in Washington Square, SF; www.sfcolumbusday.org. 12:30pm, free. Established in 1868, this North Beach tradition features handmade floats, a costumed Christopher Columbus and Queen Isabella, Italian music, a Ferrari display, and more.

 

Oct. 13

World Championship Pumpkin Weigh-Off IDES Grounds, 735 Main Street, Half Moon Bay; weighoff.miramarevents.com. 7-11am, free. Who will reign supreme at this 41st annual battle of the bulge, dubbed the “Superbowl of Weigh-Offs”? Last year’s champ tipped the scales at 1,985 pounds — that’s a lotta pie!

 

Oct. 18

Noe Valley Harvest Festival 24th St between Sanchez and Church, SF; www.noevalleyharvestfestival.com. 10am-5pm, free. This 10th annual shindig aims to help you get a jump on holiday shopping, with over 50 local artisans showing their creations. Also: two stages of music, costume contests for dogs and kids, a dunk tank, a pumpkin patch, and more.

Potrero Hill Festival 20th St between Wisconsin and Missouri, SF; www.potrerofestival.com. 11am-4pm, free. Now in its 25th year, this neighborhood block party features local food and entertainment — including a kick-off Cajun-style brunch ($5-12) with Dixieland jazz — plus pony rides and a bouncy house for kids.

 

Oct. 18-19

Half Moon Bay Art and Pumpkin Festival Main between Mill and Spruce, Half Moon Bay; www.miramarevents.com. 9am-5pm, free. They don’t call Half Moon Bay the World Pumpkin Capital for nothing — the coastal town represents at its 44th annual gourd-tastic throwdown with three stages of music, the Great Pumpkin Parade (Oct 18 at noon), a haunted house attraction, expert Jack O’ Lantern carving, and food and drinks galore (pumpkin beer, anyone?)

 

Oct. 19

Sunday Streets: Mission 18th St between Guerrero and Harrison and Valencia between 25th and Duboce, SF; www.sundaystreetssf.com. 11am-4pm, free. Sunday Streets returns to the Mission! Check the website after Oct. 3 for updates on planned activities.

 

Oct. 25

San Francisco’s Wharf Fest Fisherman’s Wharf, SF; www.sresproductions.com. 11am-6pm, free. Celebrate SF’s waterfront history at this event, with a chowder competition, chef demos, ship tours, street performers, fireworks, and more.

 

Nov. 2

San Francisco Day of the Dead Procession and Festival of Altars Festival, Garfield Park, 26th St and Harrison, SF; www.dayofthedeadsf.org. 6-11pm, free. Procession begins at 22nd St and Bryant, SF; www.dayofthedeadsf.org. 7pm, free. Add a personal altar for a loved one who has passed away to the display at Garfield Park (candles must be in glass containers; no open flames allowed), and bring canned food to donate to St. Anthony’s Foundation, in honor of the altar memorializing the deaths of homeless people in SF. The procession, led by Rescue Culture Collective, circles the Mission accompanied by traditional Aztec dancers.

 

Nov. 14-16

Green Festival Fort Mason Center, 2 Marina, SF; www.greenfestivals.org/sf. Nov 14, noon-6pm; Nov 15-16, 10am-6pm. $15-30. Learn how to “work green, play green, and live green” at this expo, an ode to health and sustainability. Featured events include vegan and vegetarian cooking demos, inspirational speakers, and a marketplace with more than 250 eco-friendly businesses. *

 

Fall fairs and fests

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Listings are compiled by Guardian staff.

 

Aug. 30

Pilgrim Soul Forge Harvest Fair Pilgrim Soul Forge, 101 West Tower, Alameda; www.grantsforge.com. Noon-6pm, free. Possibly the only fall fair in the Bay Area to offer blacksmithing demonstrations alongside the usual suspects: food trucks, craft vendors, and live music.

Savor Filipino Justin Herman Plaza, Embarcadero at Market, SF; www.savorfilipino.com. 10am-6pm, free (most workshops $15). Try the best in Filipino cuisine at this gathering of chefs and authors, with a huge menu of tasty eats (check it out online) and workshops on vegan Filipino cooking, modern Filipino desserts, and other tasty topics. Plus: live music and traditional dance performances, and a “Dance That Lumpia Off” audience-participation activity.

 

Aug. 30-31

Millbrae Art and Wine Festival 400 Broadway, Millbrae; www.miramarevents.com. 10am-5pm, free. Downtown Millbrae’s annual Mardi Gras-style celebration, with live music, a juried art show, a classic car show, carnival-style rides, and tons of specialty food and drink vendors.

San Francisco Zine Fest SF County Fair Building, 1199 Ninth Ave, SF; www.sfzinefest.org. Aug 30, 11am-5pm; Aug 31, 11am-4pm. Free. Support indie writers, artists, and creators at this annual event, with exhibitions, workshops, book signings, and more. Special guests include Ryan Sands (publishing company Youth in Decline), Tomas Moniz (RAD DAD zine), and illustrator and cartoonist Hellen Jo.

 

Aug. 30-31

SF Bay Brazilian Day and Lavagem Festival Casa de Cultura, 1901 San Pablo, Berk; www.brasarte.com. 11am-7pm, free. Celebrate Brazilian Independence Day with a lavagem (blessing) calling for world peace, plus Brazilian music, food, a “Caipirinha lounge,” and more.

 

Aug. 31

Oakland Pride Uptown Oakl; www.oaklandpride.org. Parade starts at 10:30am, Broadway and 14th St; festival, 11am-7pm, Broadway at 20th Sts. Parade free; festival $5-10. It’s the very first year for the Oakland Pride Parade, while Sheila E headlines the fifth annual festival, billed as the second-largest pride event in NorCal.

 

Sept. 6

SF Mountain Bike Festival McLaren Park, Jerry Garcia Amphitheater, 20 John F. Shelley, SF; sfurbanriders.org/wordpress/sf-mtb-festival. 9am-5pm, free. Register in advance to compete — or just show up to spectate or test your skills in any of the non-competitive categories. Events include a short-track challenge, a 10-mile urban adventure ride, a cargo bike hill climb, a bike skills challenge for youth and families, and more, plus a box jump demo and a bike raffle.

 

Sept. 6-7

Autumn Moon Festival Chinatown, SF; www.moonfestival.org. Grand opening ceremony and parade, Sept 6, 11am; festival, 11am-5pm (dog costume contest, Sept 7, 2:30pm). Free. Cultural performances, an open-air street bazaar, lion dancing, and (new this year!) a dog costume contest highlight this 24th annual celebration of the Asian holiday.

Mountain View Art and Wine Festival Castro between El Camino Real and Evelyn, Mtn View; www.miramarevents.com. 10am-6pm, free. With works by over 600 professional craftspeople and artists, plus live music, home and garden exhibits, a young-performers stage, a climbing wall, food and wine, and more.

 

Sept. 7

Haight Street Music and Merchants Street Festival Haight between Masonic and Stanyan, SF; hsmmsf@gmail.com. Noon-6pm, free. Yep, it’s another street fair on Haight — but this brand-new event has a highly local focus, since it’s sponsored by local merchants. Expect three stages of music, kids’ activities, a skate ramp, and more.

 

Sept. 13

Sea Music Festival San Francisco Maritime National Historic Park, Hyde Street Pier, SF; www.nps.gov/safr/planyourvisit/seamusicfestival2014.htm. 9am-5pm; evening chantey sing, 7:30-9:30pm. Outdoor performances free; admission to historic ships $5 (15 and under with adult supervision, free). Learn about maritime history through music at this all-day fest of traditional and contemporary songs, instrumentals, and dances. The Sea Music Concert Series continues aboard the Balclutha Sept 20, Oct 25, and Nov 25 ($12-14 or a season ticket, $36).

 

Sept. 13-14

Ghirardelli Chocolate Festival Ghirardelli Square, 900 North Point, SF; ghirardelli.com/chocolatefestival. Noon-5pm, $20-40. Help raise money for Project Open Hand and satisfy your sweet tooth at this 19th annual dessert and wine fiesta. In addition to offering samples of gourmet goodies from over 50 vendors , Ghirardelli hosts chef demos, a silent auction, a “Chocolate School” (learn about the chocolate-making process!), and the ever-popular hands-free sundae-eating contest.

 

Sept. 14

Comedy Day Sharon Meadow, Golden Gate Park, SF; www.comedyday.com. Noon-5pm, free. This year’s incarnation of the free, all-day comedy festival is dedicated to the memory of supporter (and frequent unannounced performer) Robin Williams.

Sunday Streets: Western Addition Fillmore between Geary and Fulton; Fulton between Fillmore and Baker, SF; www.sundaystreetssf.com. 11am-4pm, free. What traffic? Explore the neighborhood (including Alamo Square) on foot or bike.

 

Sept. 19-21

Eat Real Festival Jack London Square, Oakl; www.eatrealfest.com. Sept 19, 1-9pm; Sept 20, 10:30am-9pm; Sept 21, 10:30am-5pm. Free. Billed as a combo “state fair, street-food festival, and block party,” this fest offers sustainable, regionally-sourced eats (BBQ, ice cream, curry, and more) costing eight bucks or less.

Oktoberfest by the Bay Pier 48, SF; www.oktoberfestbythebay.com. Sept 19, 5pm-midnight; Sept 20, 11am-5pm and 6pm-midnight; Sept 21, 11am-6pm. $25-75 (Sept 20-21 day session, kids 13-18, $5; must be accompanied by parent). The Chico Bavarian Band returns to add oompah to your eating and, more importantly, drinking experience. Prost!

 

Sept. 20-21

Mill Valley Fall Arts Festival #58 Old Mill Park, 325 Throckmorton, Mill Valley; www.mvfaf.org. 10am-5pm, $5-10. Over 140 fine artists participate in this fair, which is held in a can’t-be-beat location (hi, majestic redwoods) and also features live music and children’s entertainment.

 

Sept. 21

Folsom Street Fair Folsom between Eighth and 13th Sts, SF; www.folsomstreetfair.com. 11am-6pm, $10 donation requested (donation sticker entitles wearer to $2 off drinks). The leather and fetish fantasia returns with over 200 exhibitor booths, two giant dance floors, public play stations, erotic art, and more.

 

Sept. 27

Bay Area Record Fair Thee Parkside, 1600 17th St, SF; www.theeparkside.com. 11am, $5 early entry (free after noon). Vinyl junkies, take note: over 30 Bay Area indie labels participate at this semi-regular event, which also boasts live music, DJs, raffles, and more.

San Mateo Bacon and Brew Festival Central Park, Fifth Ave and El Camino Real, San Mateo; www.sanmateochamber.org/bbf. 11am-5pm, $15. This fest breaks it down to the essentials. Admission gets you a free beer (or soft drink), while food vendors favor you-know-which crispy pork product.

SuperHero Street Fair 1700 Indiana, SF; www.superherosf.com. 1-11pm, $10. Seven stages and 13 “sound camps” provide the beats for this fifth annual festival celebrating heroes, villains, sidekicks, and everything in between. It goes without saying that costumes are highly encouraged.

 

Sept. 28

“A Day on the Water 2” Cesar Chavez Park, 11 Spinnaker, Berk; (510) 677-9425. Noon-7pm, free. Outdoor fair and music festival with Manzo Rally, Afrofunk Experience, Crosscut, and more.

Sunday Streets: Excelsior Mission between Theresa/Avalon and Geneva, SF; www.sundaystreetssf.com. 11am-4pm, free. Hit the street at this edition of Sunday Streets, which coincides with the sixth annual Tricycle Music Fest at the Excelsior Branch Library (sfpl.org/tricycle for more info).

 

Oct. 4

“Oaktoberfest” Fruitvale at MacArthur, Oakl; www.oaktoberfest.org. 11am-6pm, free. Family-friendly craft beer festival, with over 30 participating local breweries, a Bavarian big band and dancers, German food vendors, and more.

 

Oct. 4-5

Alternative Press Expo Fort Mason Center, Festival Pavilion, 2 Marina, SF; comic-con.org/ape. Check website for updates regarding times and badge prices. APE is back to celebrate alternative and small-press comics in a new venue, with a guest list that includes Bob Fingerman, Faith Erin Hicks, Ed Piskor, Paul Pope, Jason Shiga, and many more.

 

Oct. 5

Castro Street Fair, Castro at Market, SF; www.castrostreetfair.org. 11am-6pm, free (donate at the gate to get $1 off at fair beverage booths). Five different entertainment areas (including a main stage, a “legends” stage, and “Barnaby’s World of Wonderment”) highlight this annual event, which was founded by Harvey Milk in 1974. Performers were TBD at press time, so check the website closer to the event for updates.

 

Oct. 9

Union Street Wine Walk Union between Gough and Steiner, SF; www.sresproductions.com. 4-8pm, free (sampling tickets, $25). Restaurants and merchants offer wine tasting and small bites at this fifth annual neighborhood event.

 

Oct. 10-18

Litquake Various venues, SF; www.litquake.org. San Francisco’s annual literary festival turns 15 this year, with a week full of live readings, performances, panels, and multimedia events, including tributes to Octavio Paz and Gabriel Garcia Marquez. The Barbary Coast Award will be presented to Dave Eggers and Vendela Vida and their many projects, including 826 Valencia and McSweeney’s.

 

Oct. 11

Woodside Day of the Horse Woodside Town Hall, 2955 Woodside, Woodside; www.whoa94062.org. 10am-2:30pm, free (progressive trail ride, $40). The Woodside-area Horse Owners Association (WHOA) celebrates Year of the Horse with stagecoach rides, live music, a petting zoo, and more, plus an organized trail ride for experienced riders and their horses to raise money for the organization’s charitable community projects.

 

Oct. 11-12

World Vegetarian Festival SF County Fair Building, 1199 Ninth Ave, SF; www.worldvegfestival.com. 10:30am-8:45pm, free. The SF Vegetarian Society’s annual event features cooking demos, exhibitors, speakers, an eco-fashion show, entertainment, and samples galore.

 

Oct. 12

Italian Heritage Parade Begins at Jefferson and Stockton, proceeds on Columbus, and ends in Washington Square, SF; www.sfcolumbusday.org. 12:30pm, free. Established in 1868, this North Beach tradition features handmade floats, a costumed Christopher Columbus and Queen Isabella, Italian music, a Ferrari display, and more.

 

Oct. 13

World Championship Pumpkin Weigh-Off IDES Grounds, 735 Main Street, Half Moon Bay; weighoff.miramarevents.com. 7-11am, free. Who will reign supreme at this 41st annual battle of the bulge, dubbed the “Superbowl of Weigh-Offs”? Last year’s champ tipped the scales at 1,985 pounds — that’s a lotta pie!

 

Oct. 18

Noe Valley Harvest Festival 24th St between Sanchez and Church, SF; www.noevalleyharvestfestival.com. 10am-5pm, free. This 10th annual shindig aims to help you get a jump on holiday shopping, with over 50 local artisans showing their creations. Also: two stages of music, costume contests for dogs and kids, a dunk tank, a pumpkin patch, and more.

Potrero Hill Festival 20th St between Wisconsin and Missouri, SF; www.potrerofestival.com. 11am-4pm, free. Now in its 25th year, this neighborhood block party features local food and entertainment — including a kick-off Cajun-style brunch ($5-12) with Dixieland jazz — plus pony rides and a bouncy house for kids.

 

Oct. 18-19

Half Moon Bay Art and Pumpkin Festival Main between Mill and Spruce, Half Moon Bay; www.miramarevents.com. 9am-5pm, free. They don’t call Half Moon Bay the World Pumpkin Capital for nothing — the coastal town represents at its 44th annual gourd-tastic throwdown with three stages of music, the Great Pumpkin Parade (Oct 18 at noon), a haunted house attraction, expert Jack O’ Lantern carving, and food and drinks galore (pumpkin beer, anyone?)

 

Oct. 19

Sunday Streets: Mission 18th St between Guerrero and Harrison and Valencia between 25th and Duboce, SF; www.sundaystreetssf.com. 11am-4pm, free. Sunday Streets returns to the Mission! Check the website after Oct. 3 for updates on planned activities.

 

Oct. 25

San Francisco’s Wharf Fest Fisherman’s Wharf, SF; www.sresproductions.com. 11am-6pm, free. Celebrate SF’s waterfront history at this event, with a chowder competition, chef demos, ship tours, street performers, fireworks, and more.

 

Nov. 2

San Francisco Day of the Dead Procession and Festival of Altars Festival, Garfield Park, 26th St and Harrison, SF; www.dayofthedeadsf.org. 6-11pm, free. Procession begins at 22nd St and Bryant, SF; www.dayofthedeadsf.org. 7pm, free. Add a personal altar for a loved one who has passed away to the display at Garfield Park (candles must be in glass containers; no open flames allowed), and bring canned food to donate to St. Anthony’s Foundation, in honor of the altar memorializing the deaths of homeless people in SF. The procession, led by Rescue Culture Collective, circles the Mission accompanied by traditional Aztec dancers.

 

Nov. 14-16

Green Festival Fort Mason Center, 2 Marina, SF; www.greenfestivals.org/sf. Nov 14, noon-6pm; Nov 15-16, 10am-6pm. $15-30. Learn how to “work green, play green, and live green” at this expo, an ode to health and sustainability. Featured events include vegan and vegetarian cooking demos, inspirational speakers, and a marketplace with more than 250 eco-friendly businesses. *

 

Who will run Gleneagles Golf Course? If it’s not the city, who cares?

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As we watch today’s Recreation and Park Commission meeting on extending political insider Tom Hsieh’s no-bid contract to run the once-public Gleneagles Golf Course — which is being contested by a rival group headed by venture capitalist Brian Smith and notorious landlord attorney Andrew Zacks — we can only hope that both sides lose and the public interest somehow reemerges from this muck and mire.

Particularly disgusting is how poor children of color are being used as bargaining chips in this clash of political and economic elites, as public speaker after speaker (mostly from groups with ties to the Mayor’s Office, where Hsieh has long and deep political ties that allowed him to take over this public space nine years ago without a competitive bidding process) tries to make this decision about teaching poor kids from nearly Sunnydale housing project how to golf.

Yes, that’s what these kids really need, to learn how to play one of the most expensive and elitist sports out there, because with a little support from the First Tee program, they can all become the next Tiger Woods, right? Oh, and of course, given that the Mayor’s Office is in on this strange scheme, it’s also about jobs, jobs, jobs, with the building trades unions also supporting Hsieh and his buddies in the Mayor’s Office.

By all accounts, even CW Nevius’ column in today’s Chronicle and earlier coverage by that paper, Gleneagles is in bad physical shape and has been poorly maintained by Hsieh. Nonetheless, Hsieh blamed rising water rates related to the drought for his problem, last month threatening to close the course unless he got a more lucrative deal with run the course, triggering Smith’s bid for the course and his accusations that Hsieh and his buddies in the Mayor’s Office are pulling a fast one.

“This is a city resource and it is apparently being mismanaged,” Smith told the commission this morning, noting that he only wants to help bring golf to the masses (his side echoes Hsieh’s ruse about “the children” as part of its sales pitch) because “nobody gets into a water-dependent business during a drought, I can tell you that.”

That raises a good question: Why are we devoting city resources to such a water-dependent use of public space during a drought, in an era of global warming when droughts will only become more frequent? But the broader question is this: Why don’t we just return Gleneagles to the city and let it be managed as part of the large McLaren Park that it’s a part of?

Members of the McLaren Park Collaborative spoke at the hearing, urging the commission not to view Gleneagles separately from McLaren, even as they voiced support for Hsieh and thanked him for his fundraising support of their citizen-based group. That’s Hsieh’s main forte, raising money from the rich, which he has done on behalf of the last three mayoral adminitrations and other political schemes by downtown interests and the city’s various political power brokers.

This whole issue stinks, and it’s hard to even care what’s now being said as the commission heads into a closed session discussion of what to do with Gleneagles, particularly given there’s almost no chance that this mayoral appointed commission of political climbers will vote to reclaim this public space for the broad public interest. 

UPDATE: The commission voted unanimously to extend Hsieh’s lease of Gleneagles for another nine years, a decision that must be confirmed by the Board of Supervisors next month. 

Sixth at the Syc

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culture@sfbg.com

THE WEEKNIGHTER “This place sucks now. I mean what the fuck is going on in SF?” Chloe was visiting from either Portland or LA or wherever it was she was living that wasn’t San Francisco anymore. A few of us were sitting around, drinking in the 4pm light at the front window of The Sycamore (2140 Mission, SF. www.thesycamoresf.com). A handful of folks had come out to see Chloe since she was just around for a couple days and as usual when you don’t see someone for awhile, it became a “remember when…” conversation.

“I think San Francisco is better off since the Arrow Bar closed down,” I was telling Richie Panic. “Yeah,” he responded, “you didn’t hang out at the Arrow Bar, you did time there.” In the early and mid 2000s The Arrow Bar was the ultimate hipster den of vice and many of the people around the table had all met each other there and somehow survived. Considering the bar had been on Sixth Street near Market, someone at the table made a joke about more blow being done in the bar than crack being smoked outside it, to which we all laughed. It was probably true.

Somebody got up for another round of drinks. Since The Sycamore only has wine and beer he brought back a clutch of Miller High Lifes and we resumed the game of Cards Against Humanity that we weren’t really playing. The Sycamore is perfect for this kind of afternoon. Art lines the walls and beer handles that aren’t being used at the moment hang from the ceiling. Board games are conspicuously stacked so that anyone can play them and a jukebox is stuffed with all the right tunes. It’s good for place to while away an afternoon with friends and watch the wackjobs of Mission Street putter by at a laconic pace.

“Have you been over there lately?” I asked Chloe, bringing the conversation back to The Arrow Bar. “I mean, they’ve by no means cleaned it up, but it is actually getting slightly better.”

“Ha! Could you imagine that?” she laughed. “How many seismic cultural twists would San Francisco have to go through to see a cleaned-up Sixth Street? The day Sixth Street isn’t the shadiest street ever is the day San Francisco is officially dead.” She had a point.

I headed to the bathroom and along the way saw one of my stickers on the water cooler. I didn’t know if I’d put it there or if someone else had. It’s often hard to remember details about the last time you were in a bar. When I got back to the table I was excited to see that the magic trick had worked again. You know the magic trick: It’s when you come back to the table and the food that you’d ordered earlier is miraculously there. We all dived into the fries, sliders, and pork belly doughnuts like the drunk people we were.

After eating and drinking some more, people began to head off in their own directions on whatever adventure their day-drinking would lead them on. I said bye to whomever was still left and gave Chloe a hug. “It’s really weird,” she said. “I basically grew up here, and it’s like every time I come back to visit, it’s so drastically different that I barely recognize it.”

I walked out Sycamore’s door, turned around, and did my best Humphrey Bogart, “At least we’ll always have Sixth Street.” And then I went home.

Stuart Schuffman aka Broke-Ass Stuart is a travel writer, poet, and TV host. You can find his online shenanigans at www.brokeassstuart.com

 

Rep Clock: August 20 – 26, 2014

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Schedules are for Wed/20-Tue/26 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ANSWER COALITION 2969 24th St, SF; www.answersf.org. $5-10 donation. A Good Day to Die (Mueller and Salt, 2010), Fri, 7. With film subject and American Indian Movement (AIM) co-founder Dennis Banks in person.

BALBOA 3630 Balboa, SF; cinemasf.com/balboa. $10. “Thursday Night Rock Docs:” Anvil! The Story of Anvil (Gervasi, 2008), Thu, 7:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •We Are the Best! (Moodysson, 2013), Wed, 7, and Ladies and Gentlemen, the Fabulous Stains (Adler, 1981), Wed, 9. •Mr. X: A Vision of Leos Carax (Louise-Salomé, 2014), Thu, 6; Mauvais Sang (Carax, 1986), Thu, 7:25; and Before Sunset (Linklater, 2004), Thu, 9:35. Triple-feature, $12. •Streets of Fire (Hill, 1984), Fri, 7:30, and The Warriors (Hill, 1979), Fri, 9:20. “Peaches Christ’s Night of 1,000 Showgirls:” Showgirls (Verhoeven, 1995), Sat, 8. Annual celebration of the camp classic, with a “Volcanic Goddess” pre-show, special guest Rena “Penny/Hope” Riffel, and more; tickets ($25-55) at www.peacheschrist.com. •The Leopard (Visconti, 1963), Sun, 2:30, 7. •The Dance of Reality (Jodorowsky, 2013), Tue, 7, and Jodorowsky’s Dune (Pavich, 2013), Tue, 9:30.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” Cannibal Holocaust (Deodato, 1979), Fri-Sat, midnight. With actor Carl Gabriel Yorke in person.

COURTHOUSE SQUARE 2200 Broadway, Redwood City; www.redwoodcity.org. Free. The Croods (De Micco and Sanders, 2013), Thu, 8:45.

EMBARCADERO One Embarcadero Center, SF; www.turkishfilmfestivals-usa.com. Free. “Turkish Film Festival:” Love Me (Gorbach and Bahadir Er, 2013), Wed, 7; Oh Brother (Uzun), Wed, 9; Only You (Yonat), Thu, 7; My World (Yücel, 2013), Thu, 9.

EXPLORATORIUM Pier 15, SF; www.exploratorium.edu. Free with museum admission ($19-25). “Off the Screen:” “Soundwave ((6)) (sub)mersion,” Thu, 7; “Imagine Science Film Festival,” Fri, 7 (this event, $5-10).

GOETHE-INSTITUT SF 530 Bush, SF; www.goethe.de/ins/us/saf/enindex.htm. $5 suggested donation. “100 Years After WWI:” Poll (Kraus, 2009/2010), Wed, 6:30.

JACK LONDON FERRY LAWN Clay and Water, Oakl; www.jacklondonsquare.com. Free. “Waterfront Flicks:” The Lego Movie (Lord and Miller, 2014), Thu, sundown.

NEW PARKWAY 747 24th St, Oakl; http://thenewparkway.com. $10. Mrs. Judo (Romer, 2012), Sun, 3. With filmmaker Yuriko Gamo Romer in person.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “The Brilliance of Satyajit Ray:” The Home and the World (1984), Wed, 7; Deliverance (1988), Sat, 6:30; An Enemy of the People (1989), Sun, 5. “Martin Scorsese Presents Masterpieces of Polish Cinema:” Man of Iron (Wajda, 1981), Thu, 7. “Over the Top and Into the Wire: WWI on Film:” Paths of Glory (Kubrick, 1957), Fri, 7. “Kenji Mizoguchi: A Cinema of Totality:” Princess Yang Kwei-Fei (1955), Fri, 8:45. “Rude Awakening: American Comedy, 1990–2010:” Zoolander (Stiller, 2001), Sat, 8:15; Knocked Up (Apatow, 2007), Sun, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. “Here and Far,” local shorts, Wed, 7. The Dance of Reality (Jodorowsky, 2013), Wed, 9. Kink (Voros, 2013), Wed-Thu, 7, 8:45. “Nippon Nights:” Akira (Otomo, 1989), Thu, 8. “SF Heritage: Reel San Francisco Stories,” screening and lecture, Thu, 6. This event, $10-15. Me and You (Bertolucci, 2012), Aug 22-28, 7, 9 (also Sat-Sun, 3, 5). Rich Hill (Tragos and Palermo, 2014), Aug 22-28, 7, 9 (also Sat-Sun, 3, 5). “Roxie Kids:” Astro Boy (Tezuka, 1980-81), Sun, 2. “This Must Be the Place: End of the Underground 1991-2012,” short films, Mon, call for time.

SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-$10.75. Alive Inside (Rossato-Bennett, 2014), Wed-Thu, call for times. Frank (Abrahamson, 2014), Aug 22-28, call for times. “Alec Guinness at 100:” The Lavender Hill Mob (Crichton, 1951), Sun, 4:30, 7.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. “Invasion of the Cinemaniacs:” The Exile (Ophuls, 1947), Sun, 2. *

 

Paul McCartney bids Candlestick a fiery goodbye

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My earliest memories of Candlestick are formative ones. Like any Bay Area kid who cut her baseball teeth on Giants games at the notoriously frigid stadium, I thought every family prepared for sporting events by piling on 17 strategic layers and stuffing their car full of sleeping bags and other accoutrements that could double as equipment for scaling Mount Kilimanjaro.  

This has been, of course, most of the park’s (limited) charm: By default, it’s for die-hards only — very few folks want to deal with that traffic and that wind and that fog and that everything else just to sit at the bar and not pay attention to a game — because the place ain’t easy to love. Like so many ex-boyfriends throughout history, it’s been cold, distant, difficult to reach. And, like all great exes, Candlestick needed one last night. 

candlestick

Paul McCartney, who bound around the stadium’s stage for nearly three straight hours last night [Aug. 14], clad in black dad jeans, a white collared shirt, and red-and-black-striped suspenders, making silly faces, reading from the signs in the front row, punctuating the ends of songs with a double thumbs-up, and giving the people what they wanted by way of Beatles anecdotes as stage banter, filled that sentimental need in a way it’s difficult to imagine anyone else pulling off.

“I don’t know if you know this, but the Beatles played our last gig at Candlestick,” Sir Paul said casually, about an hour into the set, after an energetic, check-your-pulse-if-you-don’t-find-this-uplifting rendition of “We Can Work It Out,” to a roaring crowd of people from all over the world who definitely did know that. “We got so pissed off we never did it again.”

“No, there are some great memories here,” he continued, “and it’s sad to see the old place closing down. But we’re gonna close it down in style.”

And then he led the entire stadium in a sing-along of “And I Love Her,” turning his back to the crowd and shaking his butt during the sweet, brief guitar solo.

aul

If you were among the 44,000 people lucky enough to actually make it inside the park (in a timely illustration of one reason the Niners are departing for greener pastures, as many as 6000 frustrated ticket-holders reportedly either turned around and went home after being stuck in traffic for four hours or didn’t get in until nearly 11pm, as the stadium’s one remaining parking lot took on Lord of the Flies undertones), you were treated to what you’d been promised: a 72-year-old living legend — a cliche, but it applies in this instance — reminding you exactly why he’s a legend, and also kind of making you wonder what he’s on that he has this much energy at 72. Vegetarianism?

With a backing band of four — a lead electric guitarist, a bassist, a keyboard player who took care of strings, horns, and all other instrumentation with the somewhat disorienting press of a key, and the super-animated Abe Loboriel Jr. on the drums (who by all appearances was snatched from a Sublime cover band but has in fact toured with McCartney for 13 years) — each of them singing their asses off, as you can only imagine you would do if given the responsibility of filling in for John Lennon and George Harrison on harmonies that used to make girls literally pass out — Sir Paul led a dialed-in, bombastic rock ‘n’ roll show last night.

And it was a rock ‘n’ roll show, from the show-opener of “Eight Days a Week” to the show-ender (rather, second encore-ender) medley of “Carry That Weight,” “You Never Give Me Your Money,” and “The End,” aka a condensed version of the ending suite from side two of Abbey Road. In between, there was “Paperback Writer,” with McCartney playing the same guitar he used on the original record (one of at least a dozen he played over the course of the night). There was “All My Lovin’,” there was “Lady Madonna.” There was a story about Jimi Hendrix learning Sgt. Pepper’s within two days after it was released in 1967, but using so much whammy bar on it when he played in London that his guitar was then miserably out of tune, and he had to ask Eric Clapton, who was in the crowd, to come tune it for him. 

paul

There was “Eleanor Rigby” and “Being for the Benefit of Mr. Kite,” and “I Saw Her Standing There,” and “Yesterday,” and “Back In the USSR,” and a stadium full of gleeful adults who pay their taxes and run large companies and get the senior discount at the movies singing their faces off to “Ob-La-Di, Ob-La-Da” and the Look at meeeee part of “All Together Now.” (“One of my most serious compositions,” McCartney allowed at that one’s conclusion). There was a ukulele-led “Something” as a tribute to George Harrison. There were unreleased black-and-white photos of the Beatles at Candlestick in 1966 projected behind him as McCartney jumped into the last song they performed that night nearly 50 years ago, “Long Tall Sally.”

He did a handful of Wings songs, prefacing each one with a smirking, self-indulgent “Wings” hand signal. Were they fine? Sure, they were fine. Are they Beatles songs? They are not Beatles songs. They are not “Blackbird,” which he played solo in a spotlight, on top of an elevated portion of the stage (after an introduction that stopped disappointingly short of getting political when he mentioned being inspired by the Civil Rights movement, and terrible things happening “in the Southern part of the United States”). Nor were they “Maybe I’m Amazed,” off his 1970 solo album, which would have sent chills down spines even without the standard “I wrote this for Linda” opening. Songs off the new record (New) played well, with McCartney perched behind a psychedelic rainbow-colored piano: the title track, the jumpy keys-driven “Queenie Eye,” and “Everybody Out There,” from which the “Out There” tour draws its name. Huge-screen videos of Natalie Portman and Johnny Depp signing the lyrics during “My Valentine” were, well, huge-screen videos of Natalie Portman and Johnny Depp. No complaints. 

The highlights, though? You could point to the the fireworks that shot out of the stadium and the five-foot flames that burst forth from the front of the stage on the first chorus of a super-heavy “Live and Let Die” — though I couldn’t help but think it all would have been cooler if they actually began demolition on the park during that song, maybe letting Paul take the first swing of the sledgehammer?

fireworks
Instagram // alexaikochan

But no. The highlight was — look, this was a pretty awful week to be a person who reads the news. There are awful things happening in Ferguson, Missouri; there are awful images still pouring out of the Middle East; and one of the world’s most reliably uplifting, warm-hearted class clowns decided he didn’t want the job anymore. We want comfort food at times like these. We want things that we know and love to keep on being the way we know and love them.

You know what’s more reassuring than tomato soup and a grilled cheese sandwich? Paul McCartney singing “Hey Jude” to an entire stadium as a campfire lullaby. Couples in their 70s and 80s with their arms around each other, remembering, looking like they don’t mind the cold one bit. The knowledge that the sight and sound of 44,000 humans of all ages all holding their stupid iPhone lights and singing along to a Beatles song nearly involuntarily, because the melodies are in their bodies, because of the way Beatles songs have transcended the pop canon and are now seemingly passed down to children through DNA or the public water supply, apparently has the power to make you feel like maybe humanity isn’t doomed after all.

We needed that this week. And for Candlestick, it was one hell of a one last time.

paul

Notes:

— Tailgaters: Well-off middle-aged people in heels and/or NorthFace jackets drinking white wine and microbrews outside of their luxury SUVs in the nearby business park parking lots.

— His set list was not all that different from the one he played exactly a year ago at Outside Lands, several people have noted. None of these people have seemed especially upset by that.

— Shout-out to the people “looting” on their way out (trying to tear a “wine bar” sign off a second-story concrete wall).

— Paul McCartney is starting to look a little like a grandma, yes. But his skin is eerily smooth and there was no denying his energy last night. I do wish he would ditch the hair dye.  

Lee and Pelosi talk middle class jobs in unequal SF

House minority leader Nancy Pelosi (D-SF) joined Mayor Ed Lee at a press conference yesterday [Tue 12] at Yerba Buena across from the construction site of a Central Subway station. It was billed as an event highlighting how “San Francisco has been in the lead” on creating middle-class jobs, investing in transportation, and ensuring fair wages for workers.

But as these words in the press advisory leapt out at us, we at the Bay Guardian responded with raised eyebrows. Really? It has?

The point of this media appearance, we learned upon arrival, was to promote House Democrats’ newly unveiled Middle Class Jumpstart agenda – a legislative package floated to bolster the middle class, in advance of the upcoming midterm election. Pelosi and Lee also sought to highlight the Central Subway as a transportation infrastructure project that’s spurring middle-class job creation (The $1.6 billion Central Subway project has also spurred mystifying questions as to how the money is actually being spent, but that’s a different story).

Creating middle class jobs

The message was clear: San Francisco Democrats are here to support the middle class. But that’s a tough sell. Everyone knows that the middle class is vanishing from San Francisco as skyrocketing property values make it increasingly untenable for middle-income earners to reside here.

Instead, recent studies have shown that what’s really on the rise is income inequality: Even the San Francisco Chronicle pointed out that the city’s own customized Gini Coefficient, a formula used to measure wealth distribution, puts San Francisco on par with Rwanda in terms of its economic inequality.

Earlier this year, a Brookings Institute report found that the income gap between the city’s rich and poor is growing faster than in any other US city.

We asked Lee about that growing income inequality trend at the press conference.

Here’s what he said in response: “These union jobs – and [Building Trades Council Secretary-Treasurer] Mike Theriault knows this better than anybody else here – are middle class jobs for all workers that just want to earn their way forward. And I think the more projects that we have that are infrastructure related, that are transportation related, that are water infrastructure related … are all part of reestablishing and making sure that we don’t lose that middle class. … I think in San Francisco, we simply need to do more, and part of my responsibility is to build enough housing aimed at that sector, along with helping our low-income families.”

So if you want to be on a public-works construction crew, there may be hope. Except if you live in the Bayview, where unemployment stands at a stark 17 percent as compared with the citywide level of 4.5 percent, where it appears these opportunities still aren’t resulting in job creation.

That Lee mentioned building new housing is interesting, too, given that he recently came under fire by for intervening to weaken an affordable housing measure proposed by Sup. Jane Kim for the November ballot. His agenda has sought to advance a goal of building 30,000 new housing units, but Kim’s proposal would have further strengthened the city’s commitment to building affordable housing.

Investing in transportation 

Central Subway construction may well have created union jobs – but the decision to emphasize transportation funding as a solution for saving San Francisco’s middle class seems to ignore Lee’s backlash against San Francisco Sup. Scott Wiener for advancing a ballot measure to automatically increase funding for Muni in correlation with population growth, a significant public transit investment.

As the Guardian previously reported, Lee went so far as to issue memos calling for possible budget cuts as payback for Wiener’s bid to increase transit funding. But when we asked the mayor what his position was on the measure, which will appear on the ballot as Proposition B, he said he didn’t have a position on it.

“My big focus on transportation is trying to get the $500 million Proposition A because that requires two-thirds, which his does not, and I need to focus my full attention on passing that transportation bond,” Lee told us. “I’m not going to spend a whole lot of time on Proposition B, to be quite candid with you. … At this point, I’m not prepared to [take a position] because I don’t want it to be confusing for the public … and in a few months, I think you’re going to see some departments have to come back with revised budgets, to the non-delight of nonprofits, and programs that we had all agreed to fund.”

Ensuring fair wages for workers

Throughout the press conference, Lee and Pelosi repeatedly trumpeted a November ballot measure that seeks to raise the city’s minimum raise to $15 an hour by 2018. But it should be noted that this measure is a watered-down version of an earlier proposal put forward by a progressive coalition that hoped to get workers $15 an hour a year earlier.

It was scaled back after Lee convened a stakeholder dialogue to hash out a “compromise” measure, ostensibly to avoid a ballot battle between the bolder progressive measure and a competing proposal that business interests had contemplated rolling out to thwart the passage of a wage hike they deemed unacceptable. Technically, the measure headed to the ballot still holds the promise of designating San Francisco as having the highest nationwide minimum wage. But as a point of comparison with other cities where minimum-wage hikes are moving forward, median rent in Seattle is $1,190 – while median rent in San Francisco is $3,200. 

Pelosi: “Income inequality is a reality”

Finally, in response to our question on income inequality, Pelosi also decided to weigh in, delivering a very depressing history lesson.

“The income inequality is a reality, it’s a growing gap, it’s something that must be addressed,” she said, mentioning a proposed change to the federal tax code that would prevent CEOs from taking tax write-offs if they increased CEO pay by $1 million annually without also increasing workers’ wages.  “What’s happening now, it’s important to note, this is structural,” Pelosi said. “It’s not anecdotal. It’s real. Go back 40 years ago, the disparity between the CEO and the workers was about 40 times. … And as productivity rose, CEO pay rose, and workers’ pay rose. … That was called stakeholder capitalism.

“Somewhere around a dozen or so years ago, or maybe nearly 20, it became shareholder capitalism, which only had one thing: The bottom line. And that means that now, as productivity rises, workers’ wages stagnate and the CEO’s goes up like this.” Here Pelosi made a gesture indicating a sharp upward increase. “Now it’s about, I say 350, others say 400 times, the CEO pay versus the worker. It’s a right angle going in the wrong direction. It must be addressed.”

So there you have it, straight from Pelosi: CEOs who used to make 40 times their workers’ pay now earn 10 times more than that, while wages stagnate and the cost of living continues to rise. And leading San Francisco politicians are standing in front of the Central Subway construction site to say that projects like this, coupled with a provision to encourage CEOs to remember the little people when they get million-dollar raises, will restore the middle class.

Thank goodness the Democrats are looking out for the vanishing middle class in San Francisco and other cities. Don’t you feel better?

Call the Pope

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culture@sfbg.com

THE WEEKNIGHTER It’s a funny thing to be filling out a job application and have to put your previous employer as Tony the Pope. But that’s the name I know him by, and truthfully, I don’t wanna know his real last name, anyways. I prefer to have at least a little bit of mystery in my life.

I had been working at The Unresolved Love Life of Evelyn Lee, which may be the longest name for a bar ever, when I got news that the bar had been sold to Tony and would now be called Mission Hill Saloon (491 Potrero, SF. 415-552-5545)… again. It had been Mission Hill before it was Evelyn Lee, and apparently Tony was changing it back. Regardless, I came to love working at the place and didn’t care what it was called as long as I had a shift or two.

Depending on the bar, the regulars can either be the best or worst thing about it. The jury is still out about which category Mission Hill’s falls into. Or at least, that’s the kind of shit I’d talk to them while behind the bar. A bartender’s best weapon is his wit, and working at Mission Hill Saloon was a good test of mine every time I was at the stick. The crowd ranges from hipsters to cooks and construction workers — and all of them are prepared to give you a hard time for absolutely no reason at all. And that’s just how I like it.

I experienced one of my most ridiculous San Francisco moments ever while working there. I’d been chatting with a girl on OkCupid, and we had made plans to grab a drink on Sunday evening. We never discussed where I worked so we were both surprised when she came in on my Thursday night shift. Coincidently, she lived above the bar. That is some serious San Francisco shit right there. We went out once and decided it would be easier to just be friends considering she lived above the bar I worked at. [Good call — Ed.]

The Mission Hill Saloon is in an old building. I’m not sure of its age, but it’s old enough. One night, Raph, one of the regulars, told me — as I was closing the bar at 2am — that the place was seriously haunted and that he wouldn’t want to be in there all by himself at night. He gave me a wink as I ushered him out the door and locked it behind him. The asshole knew I had at least an hour of closing duties, by myself, in that old bar. I didn’t want him to know that his saying that shit really spooked me, and I put at least $5 in the jukebox so I wouldn’t hear any late night creepy old building sounds. Nothing ghostly ended up happening. Or if it did, I couldn’t hear it over the jams.

Unfortunately I only worked at Mission Hill Saloon for a little while. After Tony bought the bar he decided to work as many shifts on his own as he could, just to keep costs down. I completely understood, and I knew he’d be a great reference for whatever my next bar gig would be. Which is why I found myself filling out an application and using Tony the Pope as a previous employer. Tony may not be a religious man, but he sure does pour some strong-ass holy water. Plus, now it’s nice to be on the other side of the bar — so I can join the peanut gallery and give him shit.

P.S. This Weeknighter is dedicated to Ashley Dickinson who loves Mission Hill almost as much as I do.

Stuart Schuffman aka Broke-Ass Stuart is a travel writer, poet, and TV host. You can find his online shenanigans at www.brokeassstuart.com

Innocent bay stander

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arts@sfbg.com

THEATER Sarah Cameron Sunde will be standing in the water at Aquatic Park this Friday. She’ll stand from low tide, at 9:26 that morning, through high tide at 4:09 in the afternoon, and back to low tide again at 10:31 that night. Thirteen hours and five minutes of being still, while everything around her changes.

When it comes to the near and distant impacts in store from sea level rise brought on by the planet’s changing climate, Bay Area residents might be expected to know more than most. The bay’s distinctive shape is already being modified by creeping water levels. New efforts at shoreline protection are underway, but with an expected rise of six feet by the end of the century, the bay and San Francisco are destined to be different places no matter what.

How conscious we are of that fact remains a question. It’s one thing to know the figures and another to “feel the rise,” as Sunde puts it in her invitation to locals. For the New York–based theater director and interdisciplinary artist, the awesome movement of the daily tide shift acts as a visceral metaphor for larger cycles, and momentous changes afoot. Even those who choose to watch from the shore might grasp something of this larger theme, tucked into an ephemeral moment, merely by registering the bay’s embrace of a human tidal gauge.

That, anyway, is Sunde’s hope as she embarks on the third iteration of her 36.5 Water Project. The venture began last August in Maine, while Sunde was at an artist residency near Bass Harbor. But its roots go back a little further, to 2012 and Hurricane Sandy.

“When Hurricane Sandy hit New York,” she says, “it was the first time I truly, deeply understood that everything is temporary.” This despite being married to a water engineer from the Netherlands, whose first impression of New York City was tantamount to a liver specialist encountering Dean Martin. “And I didn’t believe him,” she admits. “Then [the hurricane] hit, and I understood. It changed the way I think about these things.” Sunde realized there was a real and dangerous deficit in long-term vision. “We know how to rally after a disaster but there’s no forward, future thinking.”

Sunde — whose theatrical work has largely revolved around her position as deputy artistic director of New York’s New Georges theater company, as well as her role as the foremost American translator and director of the famed contemporary Norwegian playwright Jon Fosse — was at that time also moving away from new play development toward her roots in more experimental, devised performance-making with a group of interdisciplinary collaborators collectively known as Lydian Junction. Its experiments, informed in part by the writing of Norwegian writer Knut Hamsun and by issues of sustainability in the arts, explore art’s relation to suffering and sacrifice.

“In Maine, I was thinking about all these things. I was thinking about New York sinking. I was thinking about art and sacrifice and suffering, sustainability. And I was on this bay, this tidal bay, where there is a ten-and-a-half foot tidal shift. That meant that it was a mudflat during low tide, and then during high tide it was a bay, a full-on bay of water. I had never seen the environment change so drastically with the tide before. I was watching this huge rock out in the bay get swallowed. There was something really beautiful about this.”

Suddenly, an image came to her director’s eye.

“I thought, I see a human being standing there up to the neck, and then the water going back down again. I thought, I have to do this. How can I create this spectacle? I thought about my collaborators and I thought, shit, they’re not going to do it; I guess I’m going to have to do it myself. I decided to do it three days later because it was my half birthday — I always try to do something that is related to my own tracking of time. I’m a little obsessed with time, the expansion, the contraction of it, the perception, all of it, the routine, the anti-routine. That’s why it’s called 36.5, because I turned 36 and a half that day.”

Since then, Sunde has developed some more thinking around the shape of her piece and its intentionally simple design. She plans to travel to six continents, drawn to places with some personal connection. (Having grown up in Palo Alto, Sunde has roots in the Bay Area that run especially deep.) Each iteration will involve specific local partnerships. Aptly enough, the after party for Friday’s performance takes place at the Long Now Foundation at nearby Fort Mason. And the number in the title ends up being significant in several ways: The average person needs 36.5 cubic meters of water a year; at the current rate of climate change, oceans could rise 36.5 inches by the century’s end; and ditching the decimal point leaves the number of days in a year. The connotations underscore the way the personal and universal remain deeply entwined here.

The invitation to the public to test the waters with her, meanwhile, adds a new wrinkle in this globetrotting project, granting space for direct participation in the experience. At the same time, it means the performance becomes a collective action, however peripheral or absurd it may appear on the surface. Small steps just might sound greater depths. *

36.5 WATER PROJECT

Fri/15, 9:26am-10:31pm, free

Aquatic Park

Hyde at Jefferson, SF

www.365waterproject.org

 

Rep Clock: August 13 – 19, 2014

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Schedules are for Wed/13-Tue/19 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ANSWER COALITION 2969 24th St, SF; www.answersf.org. We Are the Palestinian People (CineNews, 1973), Wed, 7.

BALBOA 3630 Balboa, SF; cinemasf.com/balboa. $10. “Thursday Night Rock Docs:” Stop Making Sense (Demme, 1984), Thu, 7:30.

BERKELEY FELLOWSHIP OF UNITARIAN UNIVERSALISTS 1924 Cedar, Berk; www.bfuu.org. $5-10 (no one turned away for lack of funds). The Day After Trinity: Oppenheimer and the Atomic Bomb (Else, 1981), Thu, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •The Rover (Michod, 2013), Wed, 7, and A Boy and His Dog (Jones, 1975), Wed, 9. “Carax/Linklater:” •Mr. X: A Vision of Leos Carax (Louise-Salomé, 2014), Thu, 6; Boy Meets Girl (Carax, 1984), Thu, 7:25; and Before Sunrise (Linklater, 1995), Thu, 9:20. Triple feature, $12. •Mamma Mia! (Lloyd, 2008), Fri, 7, and Moulin Rouge! (Luhrmann, 2001), Fri, 9:10. “SF Sketchfest Summer Social:” The Muppet Movie (Frawley, 1979), Sat, 11am. With Dave Goelz (“Gonzo the Great” puppeteer and voice) in person. This event, $10. “SF Sketchfest Summer Social: The Benson Movie Interruption:” The Twilight Saga: Eclipse (Slade, 2010), Sat, 4:20. With comedian Doug Benson and friends. This event, $20. “SF Sketchfest Summer Social:” Office Space (Judge, 1999), Sat, 9. With Stephen Root (“Milton”) in person. This event, $12. “SF Sketchfest Summer Social:” Fred Armisen with special guest Ian Rubbish (Armisen’s English punk rock alter ego), Sun, 8. This event, $25. •The Lineup (Siegel, 1958), Sun, noon, and The Good, the Bad and the Ugly (Leone, 1966), Sun, 1:40. •Ida (Pawlikowski, 2013), Tue, 7, and Incendies (Villeneuve, 2010), Tue, 8:35.

COURTHOUSE SQUARE 2200 Broadway, Redwood City; www.redwoodcity.org. Free. The Secret Life of Walter Mitty (Stiller, 2013), Thu, 8:45.

EXPLORATORIUM Pier 15, SF; www.exploratorium.edu. Free with museum admission ($19-25). “Saturday Cinema: Experimental Films for Kids with Canyon Cinema,” Sat, 1, 3.

JACK LONDON FERRY LAWN Clay and Water, Oakl; www.jacklondonsquare.com. Free. “Sing-along Cinema:” The Wizard of Oz (Fleming, 1939), Wed, sundown.

NEW PARKWAY 747 24th St, Oakl; http://thenewparkway.com. $10. “Best of CineKink 2014,” sexy narrative and documentary shorts, Thu, 9:15; Fri, 9:30.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Over the Top and Into the Wire: WWI on Film:” Gabriel Over the White House (La Cava, 1933), Wed, 7; Arsenal (Dovzhenko, 1929), Sun, 5. “Kenji Mizoguchi: A Cinema of Totality:” The Taira Clan Saga (1955), Thu, 7; Sansho the Bailiff (1954), Sun, 7. “Martin Scorsese Presents Masterpieces of Polish Cinema:” A Short Film About Killing (Kieslowski, 1987), Fri, 7. “Rude Awakening: American Comedy, 1990–2010:” Best in Show (Guest, 2000), Fri, 8:50. “The Brilliance of Satyajit Ray:” The Kingdom of Diamonds (1980), Sat, 6:15. “Derek Jarman, Visionary:” The Tempest (1979), Sat, 8:35.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. “Arab Film Festival’s Summer Screening:” Mars at Sunrise (Habie, 2014), Wed, 7. Video release party for “We’re Here” by Future Twin, Wed, 9:30. Heli (Escalante, 2013), Wed-Thu, 7, 9:15. “Frameline Encore:” Valentine Road (Cunningham, 2013), Thu, 7 (free screening). Venus in Fur (Polanski, 2014), Thu, 9:30. Kink (Voros, 2013), Aug 15-21, 7, 8:30 (check website for Sat-Sun matinee times). Mi Casa No Es Su Casa (Yu and Jensen), Sat, 7. Slamdance presents: I Play With the Phrase Each Other (Alvarez, 2014), Tue, 7.

SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-$10.75. “Monty Python Live (Mostly),” recorded at London’s O2 Arena, Thu, 7. This screening, $18. Horses of God (Ayouch, 2013), Wed, call for times. Alive Inside (Rossato-Bennett, 2014), Aug 15-21, call for times. “Alec Guinness at 100:” Kind Hearts and Coronets (Hamer, 1949), Sun, 4:30, 7.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. “The Exploitation of William Lustig:” •Maniac: Unrated Director’s Cut (1980), Fri, 7; Vigilante (1983), Fri, 9; Hit List (1989), Fri, 10:45. “Maniac Cop Trilogy:” Maniac Cop (1988), Sat, 7; Maniac Cop 2 (1990), Sat, 9; and Maniac Cop 3: Badge of Silence (1993), Sat, 10:45. With Lustig in person.*

 

Alerts: August 13 – 19, 2014

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WEDNESDAY 13

 

Expert forum on California drought

The Commonwealth Club of California, 595 Market, SF. tinyurl.com/cwcwed13. 6pm, $20 for non-members, $12 for members, $7 for students. California manages its groundwater loosely, and that’s a problem. Drought has caused many, including farmers, to access more of their water from below ground. This creates sinkholes and results in saltwater leaking into aquifers. Join experts Debbie Davis, community and rural affairs advisor at the California Office of Planning and Research; Felicia Marcus, chair of the State Water Resources Control Board, and Barton Thompson Jr., professor of natural resources law at Stanford Law School, in this important discussion.

THURSDAY 14

 

PUBlic transit crawl

Various locations; begin at Mr. Smith’s, 34 Seventh St., SF. tinyurl.com/sftrucrawl. 5-9pm, $2 or $40. Join the San Francisco Transit Riders Union for a bar crawl and fundraiser, taking Muni to a new stop every hour on the hour. The crawl will start near Civic Center and wind up in the Inner Sunset. Join the whole time, or meet up with the crawl in your neighborhood. $40 gets you four drink tickets plus a yearlong membership to SFTRU; or just go along for the ride with just your bus pass. All participants are responsible for tips, transit fares, and thanking the bus driver.

 

FRIDAY 15

 

Film screening: Climate Refugees

Berkeley Ecology Center, 2530 San Pablo, Berk. ecologycenter.org. 7-9pm, free. Environmental refugees are now more prevalent than political refugees. Sea level rise, floods, droughts, desertification, famine, and other climate change impacts are forcing people across the globe to abandon their homelands and the lives they know, even when they have no clear destination. Filmed in 10 different countries, from Bangladesh to the Maldives, and featuring interviews with leading scientists, relief workers, security consultants, and major political figures, Climate Refugees sheds light on the human face of climate change.

 

SATURDAY 16

 

HeART of the Mission art show and fundraiser

Global Exchange, 2017 Mission, SF. globalexchange.org. 4-9pm, suggested donation $5–$10. The Mission is synonymous with great art, and Saturday’s gathering offers an opportunity to take some home, while supporting Global Exchange — a San Francisco nonprofit that works to advance social, environmental, and economic justice. Prints will be sold for as little as $20, and Precita Eyes will lead free mural tours. Manuel Mendive, Isis Hockenos, and Rob Schwarzenbach are among the many artists who will have pieces at the show. Live acoustic music will be provided by Tre Burt and Robert Downey Jr. Jr.

Islam and media portrayals of American Muslims Islamic Cultural Center of Northern California, 1433 Madison, Oakl. snikooei@islamicscholarshipfund.org. 6:30-8:30pm, free. RSVP required. Hollywood producer and author Tariq Jalil will speak about his new book Islam Plain and Simple: Women, Terrorism and Other Controversial Topics, and what American Muslims can do to improve media portrayals of them. Organized by the Bay Area-based Islamic Scholarship Fund, this event will be moderated by award-winning filmmaker Michael Wolfe. Jalil will sign books after the talk.

Chinese youth rally for a brighter future

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High school students with Youth Movement of Justice Organizing (Youth MOJO), a teen leadership program affiliated with the Chinese Progressive Association, rallied at San Francisco City Hall Aug. 7 in a show of support for two citywide measures slated to appear on the November ballot.

The first would raise the city’s minimum wage to $15 an hour by 2018. The second, known as the anti-speculation tax, would impose a steep financial penalty on real estate investors who sell apartment buildings within five years of purchase, an effort to reverse the rising trend of Ellis Act evictions and limit skyrocketing rental prices.

High school student Alice Kuang, who has been active with Youth MOJO since last year, said she felt the effort to preserve affordability was critical for Chinese families who typically earn low wages. “I lived in an SRO in Chinatown for 13 years,” she explained, referring to a single-room occupancy hotel, a dormitory-style housing complex. Throughout the city, thousands of low-income tenants rely on SROs for affordable housing, but these units have been subjected to price increases and have started to become lost as affordable housing stock when they’re listed as short-term rentals on Airbnb.

“In the SRO, it was like one big community,” Kuang said. “Everyone supported each other. Like my mom knew exactly who was boiling water and then, to make sure the water didn’t spill over, she would run up to knock on people’s doors and be like, hey, your food’s done. It was a really strong community. I remember living there since I was born. It was a very small room. The four of us lived in it — we had a bunk bed, and another bunk bed, basically.”

Jessica Ng, a recent high school graduate and Youth MOJO member, said she was focused on advocating for the minimum wage proposal. “One of my parents became unemployed last year so it really took a toll on me, and made me realize that I have to also help,” she said, “like paying my part of the bill, or paying for groceries even.”

She said an internship with Young Asian Women Against Violence helped her earn some supplementary household income. “When I started getting a paycheck every three weeks or so, I started to pay my part of the bill,” she said. “With an increase in the minimum wage, it would really help with people who are my age who are going to college and want to help their families.”

 

California water bond still fluid despite looming deadline UPDATED

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California is in the midst of a record-setting drought, but state lawmakers still aren’t fully on board with Proposition 43, a water bond measure that could finally enact the aborted Safe, Clean and Reliable Water Supply Act of 2012 if approved for the November ballot. Now, with the California Legislature working to revise the measure by tomorrow’s [Wed/13] new deadline, the original proposal might not make it onto the ballot as it currently stands.

Prop. 43, originally placed on the 2012 ballot but moved to this year’s election by the Legislature, has been criticized by Gov. Jerry Brown, who called for a $6 billion bond on June 25, nearly half the legislation’s current $11.14 billion cost. Brown called the current legislation “a pork-laden water bond…with a price tag beyond what’s reasonable or affordable,” a sentiment shared by others who see through what the California official voter information guide’s argument against the bond calls a “bloated measure.”

Now, state lawmakers are closing in on a $7.2 billion bond, with $2.5 billion set aside for water storage projects, though the approaching November election gives them a small window to make changes. The Assembly originally aimed to put the finishing touches on the legislation by Monday evening, when the voter guides were scheduled to begin printing, but it delayed the deadline until Wednesday. [UPDATE 8/14: Brown and lawmakers yesterday struck deal to place a $7.5 billion water bond on the fall ballot.]

But even the new legislation doesn’t cut it for some environmentalists, including Sierra Club California Director Kathryn Phillips, who helped pen the argument against Prop. 43 in the state’s voter information guide.

“We believe that they are essentially setting up a system that will allow big water marketers to buy water north of the [Sacramento-San Joaquin River] Delta and put it in the river as a so-called environmental flow,” Phillips told the Bay Guardian. “Then private entities will extract more water out of the Delta. Any money that is put into flow, unless you put very clear boundaries on it, can be used to just accelerate the extraction of water from the Delta.”

Instead, Phillips believes the funds should be allocated to more needy recipients. “We really think the money should increase regional resilience,” Phillips said, naming percolation and stormwater capture as examples. “There is money for those, but it’s a small amount compared to the single biggest expenditure.”

That expenditure is water storage, an important and necessary part of dealing with droughts, such as the one parching California right now. But when the money appropriated for that cause ends up funding other projects, like extracting water out of the Delta for things like “outdoor recreation,” as Phillips said, the problem isn’t really solved.

“‘Storage’ means that $2.5 billion is going to go toward three dams—and maybe a couple more projects—in the Central Valley,” Phillips said. “None of that money will be available to those on the North Coast or those west of the Delta, and it will be continuously appropriated; there will not be legislative oversight.”

And, according to Phillips, that means lawmakers can essentially do whatever they please with the funds.

“The Republicans have wanted $3 billion to be going to storage projects and they have defined them in a way that doesn’t include groundwater storage, with preference to projects that are directly linked to the Delta,” Phillips said.

Indeed, Assemblymember Connie Conway, the GOP’s minority whip, has voiced her support for Prop. 43 if state lawmakers can’t come to terms on a revised measure, and the proposition does indeed allocate $3 billion for storage, as Phillips mentioned.

“While we are currently reviewing the details, it’s clear that this latest proposal is going in the right direction. Increasing funding for storage is imperative to meet our goal of providing a reliable water source to all of California for generations to come,” Conway said in a statement on Monday. “However, the proposal fails to provide a sufficient down payment on the two large storage projects that are the backbone of any comprehensive water plan. Shortchanging water storage will result in one or both water storage projects not being built and water that could provide for millions of households per year would continue to be lost.”

Brown recently proposed a $6 billion bond, in which he did not include funding for a pair of 30-mile tunnels to be placed under the Delta, a project that Brown called for in July 2012 and one that environmental advocacy group Friends of the River calls “the worst threat to Northern California rivers in history.”

Prop. 43 does include the Delta, calling for “habitat restoration” that environmentalists say is a prime example of greenwashing Brown’s project, which would provide water from the Delta to farmers and southern California residents, at a massive cost both economically and environmentally.

Those in favor of Prop. 43 argue that it will help prepare for droughts by improving water storage ability, create jobs through its call for infrastructure improvements, and improve water supplies for farmers. Lisa Lien-Mager, spokesperson for the Association of California Water Agencies, did not respond when contacted by the Bay Guardian for comment.

The constant discourse regarding the issue (several other price tags came before the $7.2 billion figure) put in question lawmakers’ ability to come to a resolution in time for the November election. Both houses of the Legislature would have to approve a rewriting of the proposal by a two-thirds vote, on top of securing Brown’s signature.

As Conway said, “There is still work to be done to reach agreement on an alternative water bond that addresses our state’s critical water storage needs.”

Outside Lands 2014: It’s Yeezy season

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Were you there? Were you among the approximately 200,000 human bodies smashed together for warmth at Golden Gate Park this past weekend, because you somehow couldn’t stand the idea of wearing anything but your midriff-baring tube top with your whimsical animal hat and/or flower crown?

Whether you’re recuperating today from 72 hours of partying at Outside Lands or patting yourself on the back from steering clear of the whole thing — here’s our critic’s take on the weekend’s best five sets…and the rest. Check this week’s paper (on stands Wednesday) for more live shots.

 5. Mikal Cronin

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Local boy Mikal Cronin. Photo by Brittany Powell.

If 28-year-old Mikal Cronin had signed a recording contract three decades ago, his breakthrough LP, MCII, just might have coexisted peacefully with Kiss’ Alive in “Freaks & Geeks”-y record crates across America. Arguably the greatest contributor to California’s recent wave of late-’70s power-pop revivalism, Cronin assuredly challenges 2014’s largely tongue-in-cheek fascination with the “me decade,” recalling arena bombast and dank basement charm with great conviction. Lead guitarist Chad Ubovich’s high-flying, joyously unironic guitar theatrics sealed the deal at the Panhandle stage on Friday afternoon, as Cronin and his three-piece backing band delivered the festival’s most wholesome slice of straightforward rock.

4. Jonathan Wilson

Saddled with the unenviable noon opening slot at the Sutro stage on Sunday, LA’s Jonathan Wilson treated a criminally small audience to another set of California rock revivalism with great strength of purpose. Evoking something in between late-’60s acid idealism and early-’70s comedown disillusionment, Wilson and his four-piece backing ensemble delivered a quietly confident, elegantly restrained set of swirly, jam-based rock headiness, devoid of the excessive noodling and uptight baroqueness that plagues so much of the competition. It takes serious talent to make such complex musical interplay sound so natural and relaxed. My favorite new discovery of 2014’s Outside Lands.

3. Haim

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Two of three sisters Haim. Photo by Matthew Reamer.

If there’s one complaint to level at Haim’s live show, it’s that the Phoenix-y Botox-pop production of last year’s Days Are Gone is so immaculate and superhuman that replicating those songs onstage, in their recorded form, is damn near impossible. However, the sisterly trio has come a long way after a year of touring, and as Saturday’s main stage appearance triumphantly showed, Este, Danielle, and Alana Haim’s live approach is closer than ever to reproducing these Fleetwood Mac-indebted pop gems with the glossy sheen intact. From “The Wire,” to “If I Could Change Your Mind,” to ” My Song 5,” Haim delivered an hour-long hit parade, and a masterclass in guitar rock via R&B viscosity. Bonus points to Este’s rabble-rousing stage banter and uninhibited rubber-face while plucking the strings, and the generous thump supplied by Alana’s freestanding bass drum.

2. Jagwar Ma

Given the sheer amount of music-circa-2014 that exists in the gaps between genres, and electric/acoustic/electronic approaches, one might expect a zeitgeist-y festival like Outside Lands to reflect this sense of fusion onstage. For the most part, though, we were given the same old binary of traditionally outfitted rock bands on one hand, and laptop-driven hip-hop and electronica on the other. Australia’s Jagwar Ma, however, bucked that trend by supplying the biggest patch of middle-ground at the entire festival. Indebted to the Ecstacy-addled dance-rock hybridization of Primal Scream, Happy Mondays, and other mainstays of the UK’s Madchester scene, the three-piece’s Saturday afternoon set at the Twin Peaks stage perfectly combined guitars, synths, and other gadgets to reflect the sugary hookiness of ’60s psychedelia and the four-on-the-floor thump of acid house, without the slightest hint of awkwardness or contrivance. Performing sequencer-based music onstage, that’s also tactile and involving, is arguably the great challenge of modern live music, and Jagwar Ma effortlessly rose to the occasion.

1. Kanye West

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Kanye, who wouldn’t let photographers shoot from anywhere but the sound booth, and who performed as a silhouette for a good chunk of the set, because he is Kanye. Photo by Matthew Reamer. 

Whether you think of him as a mad-truth-speaking shepherd of pop culture, a vapid, window-dressing egomaniac, a bizarro performance artist, or a world-class troll, no one in the Grammy/VMA tier of the music world thrives on the ambiguity of their persona like Kanye West. In a landscape of major-label artists with carefully maintained PR images, delivering live shows akin to a federally regulated product, there’s a sense of uncertainty and precariousness about a Kanye performance that makes every moment captivating. Whether he was instructing the audience to “make circles!” and mosh during one of three playthroughs of “Blood on the Leaves,” freestyle-autotuning for 10 minutes over a bare piano track with video of a waterfall in the background, slipping his Robocop helmet/mirrorball mask on and off, or stopping midway through “Clique” for an impromptu rant aimed at the media that scrutinizes his every move, one couldn’t shake the palpable feeling that this train just might derail at any moment. Both tightly curated, and seemingly hanging by a thread, Friday night’s headlining set was bewildering and exhilarating in equal measure. In other words: pure, unfiltered Kanye.

“This ain’t no radio shit. This ain’t no shit made to please motherfuckers. This ain’t no concierge, maitre d’ music and shit trying to sound smooth as possible,” West declared during one of numerous manifesto-ish rants between songs, presumably referring to the lean, grating electro-thrash of last year’s hugely divisive Yeezus. That record made its mark with renditions of “Black Skinhead,” “New Slaves,” and “Bound 2,” and largely defined the show’s aesthetic, to the chagrin of many a festival-bro pining for “that 2007 shit” circa Graduation. Crowd-pleasers like “Good Life,” “Jesus Walks,” and “Diamonds From Sierra Leone” acted as a welcome counterweight to Yeezus’ radical aggression while putting that album’s adventurousness in perspective. As suggested by the solid, monumental blocks of color on the projection screens, Kanye’s presence was commanding and singular when the fragility of his ego didn’t get the best of him.

Explaining the reasoning behind his continued use of autotune, Kanye declared, “Same thing as Andy Warhol said: it’s easier.” Much like Warhol, or punk rock, the cultural import of Kanye’s current output lies more in the values and attitudes it represents, and the debate it generates, than its actual content. His set certainly wasn’t the festival’s most competent, nor its strongest on purely musical terms. But as pure spectacle, and as a launching pad for contemplation and discussion about the value of “art” and where it’s going, Kanye’s set reigned supreme. “It’s Yeezy season,” whether you like it or not.

*****

Honorable mentions

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Flaming Lips. Photo by Brittany Powell.

Despite recent rumors of intra-member infighting, and allegations of Wayne Coyne being a racist asshole in the midst of a druggy midlife crisis, the Flaming Lips put on a stellar, perfectly charming show. Their signature, jerry-rigged stage theatrics were as gloriously gimmicky as ever, and their musicianship onstage has rarely been tighter. Their closing cover of “Lucy in the Sky With Diamonds” brought out SF’s fearlessly freaky vibes like nothing else at the festival.

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Petty, bein’ Petty. Photo by Brittany Powell.

Tom Petty & the Heartbreakers delivered two hours of faithful takes on 40-ish years worth of rock anthems. So faithful, in fact, that the whole set seemed weirdly copied and pasted from an FM station at some dad’s backyard barbecue. A solid set, nothing more or less; lthough, the high standard set in years past by headliners like Paul McCartney and Stevie Wonder left a bit of star-power to be desired in the headlining slot.

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Disclosure. Photo by Matthew Reamer.

Disclosure, the UK house revivalists whose hugely successful debut, Settle, can be heard over intercoms in Apple stores and Uniqlo franchises across America, drew an uncommonly huge crowd to the main stage for a Friday afternoon. Despite the undeniable quality of anthems like “When a Fire Starts to Burn” and “Help Me Lose My Mind,” the lack of live vocals and the inherent dullness of watching two dudes mess with laptops made for a slightly underwhelming set.

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The Queen of Bounce herself, Big Freedia. Photo by Matthew Reamer.

Big Freedia lent her party-rap talents to the GastroMagic stage, while Brenda’s French Soul Food made beignets for a handful of hungry, twerking audience members. A low-key but surreal collaboration that resembled a wacko “happening” more than a standard festival show, hinting at the new food-centric stage’s full potential.

Stray observations:

Described as a “gourmet” festival like no other, Outside Lands had some shockingly tasty food options to offer this year. Wise Sons’ Deli’s “Pastrami Cheese Fries” and Michelin-starred AQ’s “Highbrow Spaghetti Sloppy Joes” were prime examples of smartly, expertly crafted dishes that still felt unpretentious and festival-ready.

Beer, beer, and more beer! Given the Bay Area’s distinction as one of the world’s epicenters of quality and invention in craft beer, the polo field’s Beer Lands station rose to the occasion admirably. A good selection of highly drinkable, floral “session IPAs” (from Sierra Nevada, Firestone Walker, and Stone), robust porters and stouts (most notably High Water’s s’mores-flavored Campfire Stout), and even barrel-aged brews (Fort Point’s Westfalia, a complexly funky take on an amber ale) presented just a few of many options.

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Outside Lands detritus, after the storm. Photo by Matthew Reamer.

Too bad Ireland’s CHVRCHES had to C@NC€L after getting stuck at customs in Vancouver. I was excited to see what all the fuss was about.

One of Kanye’s many rants touched on the poison of negative criticism, and the press’ fixation on identifying the flaws in well-intentioned art. Going into Outside Lands, I promised myself to focus on the positive, to give each and every band the benefit of the doubt. However, the Killers gave me no choice but to break that rule.

What is this, 2004? What business do the Killers (a band that’s spent over a decade coasting on the fumes of its debut LP) have headlining a festival that prides itself on the relevancy of its lineup? We don’t see the Pitchfork Festival giving its premier slot to the likes of Interpol anymore. Also, how has this band (surely Las Vegas’ least hedonistic export) earned headlining power with its brand of aggressively “inspirational” secular Christian rock with no undertow of mischief, adventure, or much of anything? They couldn’t even cover Creedence’s “Bad Moon Rising” without giving off a big whiff of American Idol sterility. Sure, the synthesizers in the background make for some nicely textured rock music, but U2, even Coldplay, deliver the same goods far more substantially.

If the Killers were the “best choice” for Sunday night’s headliner, either 100 more worthy bands were busy, or the Outside Lands booking department could use some fresh blood. It’s 2014. There are bigger, fresher fish to fry.

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Photo by Matthew Reamer.

Disagree? Have at us in the comments. We didn’t mean to insult your whimsical animal hat.