War on Fun

The Performant: Fresh Starts

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Renewing ourselves with Right Brian Performancelab and Ween cover band Golden Eel
 
I spent my New Year’s Eve basically riding around in circles from shut-down party to shut-down party. (Let’s hear it for that War on Fun!) But I’m a big believer in the symbolic do-over that the first week of the year offers up as a recompense for the things left undone over the last one. Looking back and yet forward, Right Brian Performancelab’s one night reprise of September’s “The Elephant in the Room” served as a good example of how to straddle the line between past accomplishments and future ambitions. After a four-year parenting hiatus, Performancelab’s John Baumann and Jennifer Gwirtz’ reentry into the hybrid arts scene combined movement, text, shadow, and song into a piece both playful and poignant.

An invisible elephant, “ignored by the crowned heads of Europe,” graced the center of a low-rent circus ring. An elephant of course is a convenient metaphor for an unwieldy truth, hinted at obliquely throughout the piece. At times very large, at times very small, and at times created by the very bodies of the performers attempting to come up with its ultimate definition, the elephant inhabited its mutable space with the silent aplomb of a consummate pro. Meanwhile, the Performancelab cast — Baumann, Gwirtz, Laura Marsh, and Lisa Claybaugh — pinwheeled around it dressed like ragamuffin circus clowns, exploring the forces of gravity, fear, and dream. From a study in the anarchy of goofing off to a lone woman’s struggle against a headwind of unseen adversity, a comical interlude with Dr Suess’s legal team to a slow-motio Alice in Wonderland eat me/drink me sequence, a faceoff at the water cooler between “the counter-culture” and “ the establishment” to an ode to willful obliviousness, each small piece sparkled with sly intelligence, humor, and heart. It could have been just a tentative toe dip into the performance pool, but it felt more like an attempt to test the high dive.
 
It also seemed appropriate to the spirit of New Year’s to welcome the appearance of a new band to the barroom circuit on January 1st. Admittedly, it was a cover band. But sometimes all you want on a Saturday night is to drop five bucks at Benders and bliss out to a few favorite tunes, and for that, Ween cover band Golden Eel totally fit the bill. Playing a mix mainly from Chocolate and Cheese and The Mollusk, Cree Rider, Misisipi Mike, John Diaz, and Tony Sales demonstrated the enviable musical flexibility of their heroes while avoiding the temptation to attempt emulating studio recordings note for note. Their interpretations of “Baby Bitch,” “Push th’ Little Daisies,” “Piss up a Rope,” and “Buenas Tardes Amigo,” were particularly tight and full of fun. True they kept their instrumental jamming time way below the Ween standard, but 30-minute versions of “Poop Ship Destroyer” are probably best left to the pros anyhow.

Ma seeks to ban raves in latest War on Fun offensive

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Someone needs to tell Assembly member Fiona Ma that the ’90s – with its myopic War on Drugs mentality, ascendant rave scene, and chest-beating “tough on crime” political one-upsmanship – are over, even though we’re still paying that era’s bills. Because Ma just introduced AB 74, which seeks to bans raves in California.

Why now? Well, her website says this “historic legislation” was written “on the heels of recent drug-related tragedies in Los Angeles and the Bay Area,” referring to three drug-related deaths at two events last May and June. And even though the same statement claims “attendance at raves can range from 16,000 to 185,000 people,” Ma somehow thinks that a few overdoses justifies a broad ban on dance parties (although she pointedly exempts live concerts, for reasons she doesn’t explain, even though the exact same argument can be made about concerts).

As a representative from the vibrant city of San Francisco, Ma (who did not return our calls for comment) is an embarrassment, taking the already-regressive War on Fun efforts by so-called “moderate” politicians to a new low. But unfortunately, the effort to ban public dance parties has already gained traction at the federal level with provisions of the long-controversial RAVE Act – promoted by top Democrats as well as Republicans — finally sneaking their way onto the books last year.

And now, Ma wants to get into the act, as always seeking to curry favor with the cops in the process (not to mention the alcohol industry, a prime funder of the War on Drugs and the ambitions of its political foot soldiers such as Ma). If they get their way, nothing short of our basic constitutional right of freedom of assembly is at risk, and that should be of concern to people of all ideological stripes.

Going to a club — or boarding an airplane?

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news@sfbg.com

The War on Fun — a term coined by the Guardian in 2006 to describe the crackdowns on nightclubs, special events, and urban culture by police, NIMBY neighbors, and moderate politicians — continues to grind on in San Francisco.

The latest attack was launched by Mayor Gavin Newsom and the San Francisco Police Department, which has proposed a series of measures to monitor and regulate individuals who visit bars or entertainment venues, proposals that the embattled Entertainment Commission will consider at its Dec. 14 meeting.

Perhaps most controversial among the dozens of new conditions that the SFPD would require of nightclubs is an Orwellian proposal to require all clubs with an occupancy of 100 persons or more to electronically scan every patron’s identification card and retain that information for 15 days. Civil libertarians and many club owners call this a blatantly unconstitutional invasion of privacy.

Driving the latest calls for a crackdown is a stated concern over isolated incidents of violence outside a few nightclubs in recent years, something Newsom and police blame on the clubs and that they say warrants greater scrutiny by police and city regulators.

But the proposals also come in the wake of overzealous policing of nightclubs and parties — including improper personal property destruction and seizures, wrongful arrests and violence by police, harassment of disfavored club operators, and even dumping booze down the drain — mostly led by SFPD Officer Larry Bertrand and his former partner, Michelle Ott, an agent with the California Department of Alcoholic Beverage Control.

Those actions were documented in back-to-back cover stories by the Guardian (“The New War on Fun,” March 24) and SF Weekly (“Turning the Tables,” March 17), and they are the subject of multiple ongoing lawsuits by nightclub owners, patrons, and employees, including a racketeering lawsuit alleging that officials are criminally conspiring against lawful activities.

Yet rather than atoning for that enforcement overreach, Newsom and SFPD officials seem to be doubling down on their bets that San Franciscans will tolerate a more heavily policed nightlife scene in the hopes of eliminating the possibility of random violence.

A series of nighttime shootings this year has grabbed headlines and prompted calls to action by the Mayor’s Office and Board of Supervisors President David Chiu, whose District 3 includes North Beach. In February, there were shootings at Blue Macaw in the Mission and Club Suede at Fisherman’s Wharf, followed by a shooting at the Pink Saturday fair in June, one outside Jelly’s in SoMa in July, and the high-profile murder of a German tourist near Union Square in August.

Chiu responded with legislation to give the Entertainment Commission greater authority to close down problem nightclubs and, more recently, with legislation to require party promoters to register with the city so that officials can take actions against those who act irresponsibly.

In September, Newsom asked the SFPD for its recommendations and he received a laundry list of proposals now before the Entertainment Commission. That body held a closed session hearing Nov. 30 to discuss a confidential legal opinion by the City Attorney’s Office on whether the identification scan would pass constitutional muster, an opinion that has so far been denied to the Guardian and the public, although officials say it may be discussed in open session during the Dec. 14 hearing.

“Everything is being considered,” Jocelyn Kane, acting executive director of the Entertainment Commission, told the Guardian. Her office already has looked at the different types of scanners that clubs could use and has discussed the idea with several technology companies.

SFPD Inspector Dave Falzon, the department’s liaison to the nightclubs and ABC, told the Guardian that he believes the data gathered from nightclub patrons would allow police to more easily find witnesses and suspects to solve any crimes committed at or near the nightclubs.

“It’s not intended to be exploited,” Falzon said, stressing that the recommendations are a work in progress and part of an ongoing dialogue with the Entertainment Commission — an agency Newsom, SFPD officials, and some media voices have been highly critical of over the last two years.

Along with the proposal for the ID scanners, SFPD proposed many other measures such as increased security personnel (including requiring clubs to hire more so-called 10-B officers, or SFPD officials on overtime wages), metal detectors at club entrances, surveillance cameras at the entrances and exits, and extra lighting on the exterior of the night clubs.

Though this may sound to many like heading down the dystopian rabbit hole with Big Brother potentially watching your every move, Falzon thinks it’s the opposite. “It isn’t that police department is acting as a militant state,” Falzon said. “All we’re trying to do is to make these clubs safer so they can be more fun.”

Yet critics of the proposals don’t think they sound like much fun at all, and fear that employing such overzealous policing tools will hurt one of San Francisco’s most vital economic sectors while doing little to make anyone safer.

Jamie Zawinski is the owner of the DNA Lounge, which recently celebrated its 25th anniversary. He has been a leading voice in pushing back against the War of Fun, including running a blog that chronicles SFPD excesses. He said the proposed regulations go way too far.

“It’s gang violence happening on the street. The nightclubs are being scapegoated. You don’t solve the problem by increased security in the clubs,” Zawinski told us, adding that the lack of proper policing on the streets should be addressed before putting the financial strain on the entertainment industry.

“It’s ridiculously insulting. I will not do that to my customers. It’s not a way to solve any problems,” Zawinski said. “It sets the tone for the evening when you start demanding papers.”

It’s also a gross violation of people’s rights, says Nicole Ozer, the director of Technology and Civil Liberties Policy for the American Civil Liberties Union of Northern California. She said that recording people’s personal information when they enter a public venue raises troubling legal issues.

“There are some real implications of tracking and monitoring personal data. The details of what you visit reveal things about your sexuality and political views,” Ozer said, adding that the ACLU would also have issues with how that information is used and safeguarded.

In response to police crackdowns on nightlife, club owners and advocates earlier this year formed the California Music and Culture Association (CMAC) to advocate for nightlife and offer advice and legal assistance to members. CMAC officials say they are concerned about the latest proposals.

“The rise in violence has to be looked at from a societal point of view,” said Sean Manchester, president of CMAC and owner of the nightclub Mighty. He noted that most of the violence that has been associated with nightclubs took place in alleys and parking lots away from the bars and involved underage perpetrators. “In many instances [the increased security measures] wouldn’t have done anything to stop it,” he said.

While there are plenty of ideas to combat crime at nightclubs, nightlife advocates say the city is going to have to look beyond club venues to address what can be done to combat crime without infringing on any civil liberties or damaging the vibrant nightlife. Or officials can just listens to the cops, act on their fears, and make the experience of seeing live music in San Francisco more like boarding an airplane.

The Entertainment Commission meets Dec. 14 at 6:30 p.m., Room 400, City Hall.

The soul of the city

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tredmond@sfbg.com

44th ANNIVERSARY SPECIAL We all arrived in San Francisco broke: Paulo and me in the ’73 Capri, crawling over Donner Pass with a blown valve and three cylinders firing; Tracy and Craig in the back of a VW van, behind in the payments and on the run from the repo men; Tom and Sharon hitching across the Southwest after Tom, who could bullshit with the best, talked himself out a jail cell in New Orleans. Moak showed up in a rusty Datsun with the wheels falling off. Jane and Danny came on the old hippie bus, the Green Tortoise, $69 across the country.

But we all had a friend who knew a friend where you could crash for a little while. And in the early 1980s you got food stamps the first day and it only took a couple of weeks to get a job waiting tables or canvassing or selling trinkets on the Wharf. And once you’d scraped together a couple hundred dollars — maybe two weeks’ work — you could get a place to live. My first room in a flat in the Western Addition was $120 a month.

We did art and politics and writing and music. After a while, some of us went to law school, some of us became journalists, some of us went into government and education. A few of us fled, and Paulo died in the plague (dammit). But in the end, a lot of us were — and are — San Franciscans, part of a city that welcomed us and gave us a chance.

It was a very different time to be young in San Francisco.

I’m not here to get all nostalgic, really I’m not. There were serious problems in 1982 — raging gentrification was creating clashes in the Mission and the Haight and south of Market that were more violent than anything going on today. And frankly, broke as we were, most of my friends were from middle class homes and were college educated and had a leg up. We weren’t going to starve; we didn’t have to make really ugly choices to eat.

Most of the stories in this special anniversary issue are about marginalized youth — young people trying to survive and make their way against all odds in an increasingly hostile city and a bitter, harsh economy.

But there’s an important difference about San Francisco today, something earlier generations of immigrants didn’t face. The cost of housing, always high, has so outstripped the entry-level and nonprofit wage scale that it’s almost impossible for young people to survive in this town — much less have the time to add to its artistic and creative culture.

I met the 21-year-old daughter of a college friend the other day. She’s as idealistic as we all were. She wants to move to San Francisco for the same reasons we did and you did — except maybe she won’t. Because she felt as if she had to come visit first, to use her dad’s network, see if she could line up a job and figure out if her likely earnings would cover the cost of living. When I mentioned that I’d just up and left the East Coast and headed west, planning to figure it out when I got here, she gave me a look that was part amazement and part sadness. You just can’t do that anymore.

The odds are pretty good that San Francisco won’t get her — her talent and energy will go somewhere else, somewhere that’s not so harsh on young people. I wondered, as I do every once in a while when I’m feeling halfway between an angry political writer and an old curmudgeon: would I come to San Francisco today?

Would Harvey Milk? Would Jello Biafra? Would Dave Eggers? Would you?

If you were born here, would you stay?

Are we squandering this city’s greatest resource — its ability to attract and retain creative people?

The two people who started the Bay Guardian 44 years ago were young arrivals from the Midwest. Bruce Brugmann looked around the city room at the Milwaukee Journal, where he worked as a reporter, and realized there wasn’t any job he wanted there in 10 years. With two young kids and a dream of starting a weekly newspaper in one of the world’s most exciting cities, Bruce and his wife, Jean Dibble, settled in a $130-a-month flat. The Guardian’s first office was a desk in the printers shop. When they paper could finally afford its own space, Bruce and Jean moved the staff into a $60-a-month four-room place on Ninth and Bryant streets.

From the start, the paper was a “preservationist” publication — both in terms of environmental issues like saving the bay and in the larger political sense. The San Francisco Bay Guardian was out to save San Francisco.

The city was under assault — by the developers who were making fast money tossing high-rises into downtown; the speculators making fast money flipping property, ducking taxes, and driving up rents; the unscrupulous landlords who were letting their buildings fall apart while they charged ever higher rent. For the Guardian, fighting this urbicide meant protecting San Francisco values, preserving the best of the city from what Bruce liked to call “the radicals at the Chamber of Commerce.”

For the Guardian, progress wasn’t measured in the number of new buildings constructed, but in the ability of the city to remain a place where artists and writers and community organizers and hell-raisers — and the young people who were always bringing new life to the city — could survive. We supported rent control, and growth limits, and affordable housing policies, and limits on condo conversions, and minimum-wage and sanctuary city laws — and a long list of other things that together amounted to a progressive agenda.

And in 2010, the assault on the young, the poor, the nonconformists, the immigrants, is still on, at full force. The mayor and his allies are pushing a ballot measure that would make it illegal just to sit on the sidewalk. He’s also turning the local juvenile authorities into immigration cops, breaking up families in the process. He’s cut funding for youth services, and wants to make it easier for speculators to evict tenants, take affordable rental housing (especially the flats that young people share to save money) off the market, and create high-priced condos. Virtually all of the new housing he’s pushing is for rich people. He’s shutting down parties and arresting DJs and, in effect, declaring a War on Fun.

What he’s doing — and what the downtown forces want — is the transformation of San Francisco from a welcoming city where the weird is the normal, where the young and the crazy and the brilliant and the broke can be part of (or even drivers of) the culture, to one where profit and property values are all that matter. And that’s a recipe for urban doom.

Richard Florida’s 2004 bestseller The Rise of the Creative Class shook up political thinking by pointing out that cities thrive with iconoclasts, not organization people. Everyone likes to talk about that now, even Mayor Gavin Newsom. But the missing piece, from a policy perspective, is that the creative class — particularly the young people who are going to be the next generation of the creative class — needs space to grow. And that means the most important thing a creative city can do is nurture the very people Newsom and his allies want to drive away.

If Prop. L, the “sit-lie” law, passes, if the rental flats in the Mission that have been home to several generations of young artists, writers, musicians and future civic leaders vanish in the name of condo conversions, if 85 percent of all the new housing in San Francisco is affordable only to millionaires, if the money that helps foster kids and runaways and at-risk youth dries up because this rich city won’t raise taxes, if nightlife becomes an annoyance to be stifled…then we’re in danger of losing San Francisco.

Our 44th Anniversary Issue also includes stories by Sarah Phelan on SF’s disadvantaged youth, Caitlin Donohue’s account of the Haight street kids, and Rebecca Bowe’s look at ageing out of the foster care system

Save Day of the Dead!

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Another wonderful local cultural event, Día de los Muertos, is falling prey to the city’s War on Fun — watch the video, and donate here to help reach the $6k goal. (via SFist, Mission Local)

Nevius pushes for another crackdown, but it’s not an agenda

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At last week’s California Music and Culture Association forum on San Francisco’s war on fun, I was on a media panel with San Francisco Chronicle columnist CW Nevius that answered questions posed by the audience, and Nevius steadfastly denied that he has any kind of agenda in writing so regularly about the need to crackdown on nightlife and streetlife. But his column today is yet another example proactively pushing that very agenda.

Nevius (who didn’t respond to my inquiry on the issue this morning or a follow-up this afternoon) was a Chronicle sportswriter for 20 years before being given a Metro news column that consistently has a reactionary, politically unsophisticated take on San Francisco life, following in the mold of predecessor Ken Garcia. His recent crusades include calling for crackdowns on the homeless in Golden Gate Park, on young people on the streets of the Haight and downtown, and on nightclubs whose patrons have engaged in violence, trumpeting “public safety” as the political priority that trumps everything else.

On Sept. 19, Nevius published yet another column promoting the sit-lie ordinance that he has championed since even before its official inception, which Mayor Gavin Newsom placed on the November ballot as Measure L. In that column, “City citations show need for sit-lie,” Nevius detailed how those cited for quality-of-life infractions such a blocking sidewalks or public drinking or urination – mostly poor vagrants on the margins of society – rarely get significantly punished by the courts. Using painfully tortured logic that I still don’t understand, he used that situation as an argument for creating a new quality-of-life infraction – sitting or lying on sidewalks – that would probably be similarly ignored by both its targets and the courts.

“Only the most stubborn sidewalk sitter stays in place, daring the officer to write a citation. Sit/lie, by encouraging that kind of common sense compliance, should actually cut down on the number of cases coming through the court system, a system that is demonstrably ineffective,” Nevius wrote, making the argument that a new category of crimes will somehow lower the number of people headed into the court system. Again, I don’t understand the logic either, and Nevius hasn’t responded to my inquiries.

But today, Nevius follows up that column with the “news” that some city officials are now considering developing a pilot program for socking it to the top 40 “sidewalk scofflaws,” as Nevius labels them. Both columns feature the same cop, Officer Gary Buckner, who writes a lot of these quality-of-life tickets, and the same officials who share Nevius’ public safety priorities and love to score political points with conservatives and moderates by scapegoating the poor and homeless.

During the CMAC forum, I copped to the Guardian’s perspective and the fact that we do promote an agenda that seeks to make San Francisco a more progressive and tolerant place, acknowledging and sometimes celebrating urban realities, even when they are sometimes loud, stinky, and perhaps a little scary. Hey, that’s life the big city.

But Nevius and the Chronicle pretend that they aren’t pushing back with an agenda of their own, one that seeks to impose on this great city the conservative values of Walnut Creek, where Nevius lived until earlier this year, where everything is well-scrubbed and the poor are effectively policed into the shadows or edges of town. Nevius says that he’s just an objective journalist covering the news, something that most San Franciscans see as laughably dishonest.

Of course they’re pushing an agenda in collaboration with the cops, Mayor Gavin Newsom and reactionary politicians of his ilk, and the downtown interests who value tourist dollars more than the lives and rights of the poorest San Franciscans. And if they were more honest about that intention, and willing to publicly debate our respective positions in good faith, I’m confident that most San Franciscans would share the Guardian’s agenda for the city.

C’mon, Chuck, what do you say?

Still no peace treaty in SF’s War on Fun

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Boiling outrage over the city’s boundary-pushing crackdown on San Francisco nightlife may have slowed to a simmer since the spring, when overzealous enforcement efforts (harassing club owners, confiscating computers from DJs, dumping booze down the drain like Prohibition Era agents, etc.) prompted back-and-back cover stories in the Bay Guardian and SF Weekly. But the fallout is still unfolding in ways that could eventually cause real problems for the city.

A trial date has been set for a year from now in what could be an expensive and ground-breaking racketeering lawsuit brought on behalf of several victims of the plain-clothed, party-crashing duo of San Francisco Police Officer Larry Bertrand and California Department of Alcoholic Beverage Control Officer Michelle Ott.

Since their aggressive and seemingly moralistic crusade against clubs and parties was publicized, both have had their wings clipped by their supervisors, but the damage was done and the check still hasn’t been paid. Attorney Mark Webb, who brought the lawsuit, has deposed both Bertrand and Ott and he says they gave testimony that was damaging to themselves and the city’s legal position. And Webb says he’s just getting warmed up.

“I still want to take [Mayor Gavin] Newsom’s deposition,” Webb told us. “He’s a named defendant and I want to know what he knew about this.”

The SFPD didn’t seem chastened by the bout of bad publicity, at least if their recent cancellation of the Lovevolution parade was any indicator. And Board of Supervisors President David Chiu this week introduced legislation that would require party promoters to register with the city and require that clubs work only with registered promoters, an apparent reaction to the shooting of a German tourist near Union Square and other episodes of nighttime violence.

“The lack of oversight of fly-by-night party promoters has led to avoidable tragedies,” Chiu said in a press release announcing the legislation.

Meanwhile, the organization that formed to counter the crackdown and scapegoating of nightlife purveyors, the California Music and Culture Association, has continued to advocate for a more reasoned response to problems that Chiu and other politicians have sought to blame on nightclubs.

Tomorrow (Fri/24), CMAC will host its latest event, a Meet the Press Luncheon at which I and other journalists will be appearing to discuss nightlife issues and how they are covered in the media, with some supervisorial candidates also expected to attend. The event is at noon at Mezzanine, 444 Jessie Street, SF.

Truce talks

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news@sfbg.com

All parties are hopeful for peace in the Guardian-labeled War on Fun after oppressive raids on SoMa clubs have stopped and the feuding sides — mainly the San Francisco Police Department and nightclub owners — are sitting down to truce talks brokered in part by the fledgling California Music and Culture Association (CMAC).

“I’m here to work with you,” Kitt Crenshaw, commander of SFPD’s new Entertainment Task Force, told the crowd at a Nightlife Safety Summit on June 30. “I’m not the enemy. I’m not the ‘War on Fun,’ as they call it. I’m not the Antichrist.” The summit was sponsored by the Mayor’s Office, Entertainment Commission, SFPD, Small Business Commission, and CMAC.

Club owners and the SFPD are attempting to find balance between stifling the entertainment industry with heavy-handed enforcement and doing something about the deadly gun violence plaguing neighborhoods around some San Francisco nightclubs. Owners and party promoters don’t want entertainment permitting power to go back to the SFPD, as Mayor Gavin Newsom has suggested. But recent shootings and the Entertainment Commission’s inability to immediately close problem clubs have city officials demanding change.

Board of Supervisors President David Chiu introduced legislation in early June that would give the Entertainment Commission the authority to revoke the entertainment permits of noncompliant clubs that are consistently scenes of violence. Chiu’s legislation would further extend temporary suspension powers the board granted to the commission in 2009.

“There is strong consensus that the Entertainment Commission needs to do its job. And if this is what it takes to give it more tools, then so be it,” Chiu told the Guardian after the June 25 CMAC Insider Luncheon, where he participated in a forum with entertainment industry representatives. Chiu said he was feeling pressure from his constituents in North Beach to “come down like a hammer on the industry” following several shootings around the neighborhood’s nightclubs this year.

Terrance Alan, a longtime industry advocate and entertainment commissioner, told the Guardian he recently requested that the City Attorney’s Office help define when nightclub owners should be blamed for violence occurring near their business. “If we’re going to hold venues and security teams responsible, we have to tell them and make sure it’s legal,” he said. “The line of reasoning that blames the nearest business will force San Francisco to shut down. The first thing we have to do is stop blaming each other.”

Chiu, speaking to a crowd at the Nightlife Safety Summit, recounted a handful of incidents that pushed him to craft the new legislation. Since the last legislation was passed to strengthen the Entertainment Commission’s power to regulate nightclubs, eight people were shot outside the Regency night club Nov. 15, 2009; 44 rounds were fired outside club Suede, resulting in one death and four injuries Feb. 7; a shooting occurred on Broadway outside a strip club in mid-February; and a police officer was shot outside the Mission District’s El Rincon club on June 19. “And so on, and so on,” Chiu said.

Following the shooting at Club Suede, which had long been a site of violence prior to the gang-related carnage in February, officials were stunned to learn the commission did not have the power to revoke entertainment permits. The most it could do was suspend Suede’s permit to play music for 30 days.

“To hold the commission responsible for something it was never envisioned to do and never given the power to do is where the narrative has gone wrong recently,” Alan said of widespread criticism that the commission just didn’t simply “shut down” Club Suede.

Suede remains voluntarily closed as it bargains with the City Attorney’s Office, which filed a complaint against the club after the shootings. Alex Tse, the lead attorney for the city in the case, told the Guardian there was nothing he could legally do to prevent Suede from reopening before Aug. 10, when the court is scheduled to rule on a preliminary injunction (court mandated closing) the City Attorney’s Office filed. But he doesn’t expect them to reopen because Suede and the city are currently working toward settling the case.

If the incidents Chiu described represent a black eye for San Francisco’s entertainment industry, the California Department of Alcoholic Beverage Control and SFPD aren’t necessarily squeaky clean either. “I sat down with [ABC director] Steve Hardy and told him that where the state was focusing efforts in San Francisco was completely misguided,” Chiu said at the CMAC luncheon. “And I’ve spoken to [California Senator] Mark Leno to try to move them in the right direction.”

The break in the crackdowns of 2009, mostly attributed to severe tactics employed by SFPD Officer Larry Bertrand and ABC agent Michelle Ott, followed a widespread backlash to the sometimes brutal treatment legitimate business owners were receiving in the name of public safety. Back-to-back over stories in the Guardian (see “The new War on Fun,” March 23, 2010) and the SF Weekly, calls to the ABC from city officials, the formation of CMAC, and a Racketeer Influenced and Corrupt Organizations (RICO) suit filed against San Francisco and the rogue officers spurred officials to rein in Ott and Bertrand.

Hardy told the Guardian that Ott is no longer assigned to alcohol enforcement in San Francisco. Bertrand has traded in his plain-clothes for a uniform and hasn’t been seen busting into clubs, beating up the help, or confiscating DJ equipment for several months.

Mark Webb, plaintiff’s attorney in the RICO case, which was moved to the federal court by the City Attorney’s Office, said Bertrand is scheduled to give a deposition for the case July 26. Webb told the Guardian he plans to ask Bertrand questions relating to “a pattern of ongoing and repeated abuses” claimed in the complaint, which includes Newsom and ABC as defendants.

“We’re at a crossroads,” Chiu told the crowd at the Nightlife Safety Summit, adding that if the new power for the Entertainment Commission does not reduce club violence, stronger measures would be taken, whether it’s Newsom’s suggestion to scrap the commission entirely and give permitting power back to the police department or Chiu’s idea to create another “less politicized” body to issue entertainment permits made up of representatives from city department that are affected when nightlife entertainment goes wrong.

“There has been significant dissatisfaction with the Entertainment Commission due to many actual and apparent conflicts of interests,” Chiu said. “Frankly, this is why we may need to move to a different model of who actually makes decisions on permits, because often the people who want to make those decisions are the ones who stand to get the most benefit out of them.”

But club owners and party promoters argue that the police issuing entertainment permits, as they did prior to the Entertainment Commission’s creation in 2002, has a chilling effect on an important part of San Francisco’s economy.

Alan said a civil grand jury found the police department had a conflict of interest in being both the granter and enforcer of nightclub permits, a finding that spurred the creation of the Entertainment Commission.

“I’ve been in the industry long enough to remember when it was in the Police Department’s hands,” said Guy Carson, owner of Café Du Nord and director of CMAC. “Since the advent of the Entertainment Commission, more permits have been issued, which has vitalized the industry.”

Club owners and party promoters don’t want to be blamed for street violence over which they have no control, and they have some political support for that stance. “Clubs don’t create youth gun violence, society creates youth gun violence,” Sup. Bevan Dufty proclaimed to the crowd at the Nightlife Safety Summit, drawing thunderous applause from the room.

“There is a street scene and a club scene, and they do intersect. But a lot of the violence occurs in the street scene,” Carson said. “A lot of shootings that happen relate to people never inside the clubs. That’s a conversation CMAC looks forward to having — to have a little more accurate discussion.”

While he asserts that some nightclubs attract violence to the city from out of town, Crenshaw said he was pleased and surprised at the level of collaboration emerging between entertainment representatives and SFPD. “I got so much positive feedback from it [the Nightlife Safety Summit]. It was a bit overwhelming,” he told us. “I think the industry itself is tired of being labeled as a pariah. They want to change their image.”

Brit Hahn, owner of City Nights and SFClubs, agreed that working with district captains was in the best interest of any club looking to remain profitable. “When something bad happens at a nightclub anywhere in San Francisco, he said at the Nightlife Safety Summit, “it’s bad for all of our businesses.”

SF nightclubs fight back with new organization

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In the ongoing War on Fun in San Francisco, a new combatant officially entered the battlefield last night with the launch of the California Music And Culture Association (which strangely goes by the acronym CMAC rather than CMCA). It aims to be a political advocacy organization and to provide members with services such as neighbor relations advice, group insurance, and discounted legal services.

“We’re here to celebrate a new era of nightlife and entertainment in San Francisco,” CMAC President Sean Manchester, owner of Mighty and Wish, told a crowd at Mezzanine that included club owners, lawyers, promoters, performers, and politicians ranging from supervisorial candidates Scott Wiener from D8 to Debra Walker in D6. California Sen. Mark Leno also sent a formal resolution of support for CMAC.

A video prepared for the event included an even wider array of local figures extolling the importance of nightlife to San Francisco, including SF Convention & Visitors Bureau chief Joe D’Alessandro and San Francisco Planning and Urban Research Association (SPUR) director Gabriel Metcalf, who said, “I think it’s great that the nightlife industry is getting organized.”

That organization was prompted by threats and harassment from the San Francisco Police Department, the California Department of Alcoholic Beverage Control, neighbors of some clubs, and Mayor Gavin Newsom and others who have been on a campaign to demonize the industry and its regulation by the Entertainment Commission.

It’s a trend that the Guardian has been writing about for years, and one that I’ll be discussing this Tuesday as part of a panel assembled by SPUR that includes representatives from the SFPD and Entertainment Commission, as well as Sup. Bevan Dufty, who spearheaded the cancellation of Halloween in the Castro.

Our 2010 Small Business Awards

culture@sfbg.com

The mallification of America continues apace, with faceless conglomerates training new generations of shoppers to look for the cheapest deals at bland big box outlets, regardless of what “cheap” might actually mean in terms of pollution, transportation, labor, and the local economy. (For starters, out of every $100 dollars spent at a big box, only $43 remains in the local economy, compared to $68 if you buy local.) But in San Francisco at least, the little guys keep on swinging, maintaining unique shops and service companies with a vibrant local feel and contributing to the patchwork of optimism, individuality, and community effort that make the city great. Each year, we honor several of them for sticking to their guns and pursuing their visions.

 

WOMEN IN BUSINESS AWARD

DEENA DAVENPORT, GLAMA-RAMA SALON

“The higher the hair, the closer to God,” a wise Southern drag queen once said. Here in San Francisco, one of our own heavenly salons, Glama-Rama, is about to get a whole lot more divine, expanding from its homey kitsch digs in SoMa to a new 2500 square foot space on Valencia Corridor, creating 16 new jobs. The driving force behind that expansion is owner Deena Davenport, who combined her hairdressing talent, natural business acumen, and deep connection to the local arts scene into a formula for sheer success when she opened Glama-Rama 11 years ago.

“My dream was not to have a business, but a community space,” Davenport told me. “I wanted a place for all my gifted friends to express themselves. Not just our excellent stylists, but artists, designers, musicians, event producers — we all came together to make this happen. I think that’s the key to our success. We work with all kinds of styles and we don’t price ourselves out of the nonprofit sector. That allows a great mix of clientele, and an element of comfort for everyone.”

Davenport, a creative blur, plans to kickstart a Valencia Corridor merchants association once she gets settled in, and dreams of a future in politics. (She currently hosts a show on Pirate Cat Radio and appears onstage in local productions.) “I’m fortunate to have always had great friends and great landlords — and to be in a business the Internet can’t compete with,” she says.

“By the way, the new space will be two shades of cream with gold accents,” Davenport adds, ever the stylish professional. “We’re taking off our Doc Martens and putting on some heels.” (Marke B.)

GLAMA-RAMA

304 Valencia, SF

415-861-4526

www.glamarama.com

 

GOLDEN SURVIVOR AWARD

CAFÉ DU NORD

It’s no secret that nightlife in San Francisco has taken a big hit lately. A combination of economic woes and persistent crackdowns by the Department of Alcoholic Beverage Control and local police, a.k.a. the War on Fun, has taken its toll — even on 100-year-old live-venue mainstays like Café Du Nord.

“It’s been tough for us and for everyone out there,” says Guy Carson, who took over the space with Kerry LaBelle in 2003. “They don’t call it ‘hard times’ for nothing. But we love what we do, and we know how to run a quality business. I’ve been promoting live shows since I was nine years old, so you know it’s what I love. You have to be willing to weather the storms.”

The intimate basement space retains its speakeasy vibe and velvet-curtained, cabaret-like setting, while playing host to mighty big names and burgeoning local upstarts. As a “venue with a menu” that serves food and puts on all ages and 18+ shows, Café Du Nord has been specifically targeted by the city and ABC for what Carson calls “differing interpretations of the law.” He looks forward to the upcoming launch of the new California Music and Culture Association, which will bring together several local venues and nightlife activists to fight the tide of local nightlife repression. “When we all work together, we can return the city’s nightlife to its former glory,” Carson says. (Marke B.)

CAFÉ DU NORD

3174 Market, SF

(415) 861-5016

www.cafedunord.com

 

GOOD NEIGHBOR AWARD

OPPORTUNITY FUND

Eric Weaver put his first nonprofit loan package together in 1995. His small startup, called Opportunity Fund, helped brothers who wanted to expand their pet shop borrow $17,000 for aquariums and fish. The deal worked out well; the pet store prospered, the money got repaid, and Opportunity Fund was on its way to becoming one of the most successful microlending outfits in California.

Weaver, a Stanford MBA and the fund’s CEO, now oversees a staff of 35 that makes loans to small businesses, most of them minority owned, that might have trouble getting financing from a traditional bank. And the nonprofit continues to grow by helping entrepreneurs in the Bay Area get the financing they need to create jobs and build community businesses. “We just made our 1,000th loan,” he told me. “We’re on target to make 200 loans this year, more than ever.”

Unlike most banks, Opportunity Fund sees its clients almost as partners. The staff takes time to help borrowers work up a successful business plan and learn how to manage their finances. “We do one-on-one business counseling with almost all of our clients,” Weaver said.

The group also helps finance affordable housing developments and offers individual development accounts (IDAs)— special savings accounts that come with financial training and grants — for everything from education to home purchases to putting aside the cash it now takes to become a U.S. citizen.

A recent study showed that Opportunity Fund has created or retained 1,200 in the Bay Area. “With a median loan size of $7,000, and a focus on making loans to people who have historically been underserved by banks, Opportunity Fund has been a particularly valuable resource for women, minority, and low-income entrepreneurs,” Weaver noted. He added that 73 percent of Opportunity Fund borrowers are members of an ethnic minority, and 90 percent of borrowers have incomes at or below 80 percent of area median income.

Imagine a traditional bank making a statement like that. (Tim Redmond)

OPPORTUNITY FUND

785 Market Street, Suite 1700, SF

408-297-0204

opportuityfund.org

 

CHAIN ALTERNATIVE AWARD

NORTHERN CALIFORNIA INDEPENDENT BOOKSELLERS ASSOCIATION

Independent booksellers are a wonder. Up against giant chains like Wal-Mart, facing technological changes like Kindle and online behemoths like Amazon.com (which doesn’t even have to pay state sales taxes), it’s hard to believe they can even survive. Yet they do — in fact, the Northern California Independent Booksellers Association keeps growing.

“The mainstream press wants to write about bookstores closing,” Calvin Crosby, NCIBA’s vice president, told me. “But actually, stores are opening. We have two new members this year.”

The booksellers group keeps the small, community-based stores in the public eye, with promotions, events like the annual NCIBA awards (see page 28) and political lobbying (NCIBA is a big supporter of a bill by Assembly Member Nancy Skinner, D-Berkeley, that would force Amazon to pay sales tax).

One of the group’s biggest tasks is education — reminding the public that local bookstores serve a critical function. “I was at a book-signing recently with a major author, and a bunch of people showed up with books they bought on Amazon and they wanted to trade them for signed copies,” Crosby, who is community relations director at Books Inc., recalled. “I had to explain to all of them that Amazon doesn’t pay taxes and hurts the locals.”

And with 300 bookseller members, NCIBA is helping preserve the notion that buying a book from someone who actually cares about books is an idea whose time will never pass. (Redmond)

NCIBA

1007 General Kennedy, SF.

415-561-7686

www.nciba.com

 

SMALL BUSINESS ADVOCATE AWARD

KEITH GOLDSTEIN

“Money spent in a small business — far, far more of it stays here in the neighborhood than with a chain store,” says Keith Goldstein, president of the Potrero Hill Association of Merchants and Businesses. A Potrero Hill resident since 1974, and owner of Everest Waterproofing and Restoration, Inc., Goldstein has spent the last six years with the merchant’s association promoting a sense of community in the inclined blocks of Potrero.

He’s overseen the growth of the Potrero Hill Festival from what he calls “a small affair” to a yearly event that’s “great for residents and businesses,” and also serves on the Eastern Neighborhood Advisory Committee, where he works on issues, like new transit plans, that affect local businesses.

Somehow he has found the time to start SEEDS (www.nepalseeds.org), a group that provides infrastructure and health support to underserved Tibetan villages, and is involved in Food Runners (www.foodrunners.org), an organization that links homeless shelters to food sources.

The superlative community member incorporates the ‘buy local’ mentality into every aspect of his life, even placing the administration of the health care plan for his 50 employees into the hands of a fellow Potrero Hill Merchant’s Association member. “It’s all richly rewarding,” Goldstein says of his hands-on role in his neighborhood’s economic viability. “I like to walk around the hill and be able to chat with my neighbors about quality of life issues.” (Caitlin Donohue)

KEITH GOLDSTEIN

Potrero Hill Association of Merchants and Businesses

1459 18th St., SF.

(415) 341-8949

www.potrerohill.biz

 

EMPLOYEE-OWNED BUSINESS AWARD

RED VIC MOVIE HOUSE

“Once it got going, it was like a perpetual-motion machine. And I have to say, I think it was the collective nature of the thing that’s kept the Red Vic going this long,” says Jack Rix, long time worker and cofounder of the Red Vic Movie House, which celebrates its 30th anniversary this year.

The Red Vic’s employees put a lot into the neighborhood theater’s showings of unique and classic flicks. Each worker-owner does a little of everything, from sweeping the lobby floor to washing dishes. “We’re all utility players here, this is very much a labor of love,” Rix says. Launched in 1980 by community organizers, the theater’s focus has not only been on providing great movies but doing it sustainably, installing solar paneling on the roof and eschewing paper products. “Back then I don’t think the phrase ‘green’ existed,” Rix recalls. “We were trying to be ‘green’ and we didn’t even know it!”

The Red Vic’s workers aren’t the only ones with a certain affection for the theater’s bench seating, environmentally friendly ceramic coffee mugs, and wooden popcorn bowls. Rix says some Upper Haight residents will wait for blockbusters to make their way out of “corporate” movie cinemas to the Red Vic’s second-run screen. “We’re very much a community theater,” he says proudly. (Donohue)

RED VIC MOVIE HOUSE

1727 Haight, SF

(415) 668-3994

www.redvicmoviehouse.com

 

CHAIN ALTERNATIVE AWARD

OTHER AVENUES

Nestled in a part of the city best known for its tiny pastel homes and bracing sea breezes, Ocean Beach’s Other Avenues is everything you could desire in a neighborhood grocery store: Warm atmosphere, vast swaths of bulk food bins, and a well-edited health food selection, including vitamins, medicines, and cheery shelves of produce. Plus health insurance for all its knowledgeable employees.

Trader who? No need for big box stores near Other Avenues, which has earned a loyal clientele in the 36 years since it first opened its doors. “Since we’re a co-op, I like to think of us as a giant organism,” says Other Avenues worker Ryan Bieber. “Occasionally we lose parts and regrow them. A lot of customers have been coming here for 10, 20 years.” Their loyalty might be in response to Other Avenues’ commitment to keeping its beachside clientele healthy and well. “The aim is to make sure that people have access to things like this,” says Bieber.

Asked what he thinks would happen if one of the chain grocery behemoths encroaches on the shop’s territory, Bieber is unconcerned. “I think people will come here regardless. [We] have been doing this forever and we take pretty good care of ourselves. I think our customers really respond to that. We wouldn’t want a world where there was only Whole Foods — that’d be too boring!” (Donohue)

OTHER AVENUES

3930 Judah, SF

(415) 661-7475

www.otheravenues.coop

 


ARTHUR JACKSON DIVERSITY IN SMALL BUSINESS AWARD

RAYMOND OW-YANG

Raymond Ow-Yang tends to downplay the impact he’s had on the North Beach-Chinatown artistic landscape. The owner of New Sun Hong Kong restaurant, Ow-Yang put up the funds to have the iconic Jazz Mural painted on the Columbus and Broadway walls of his Chinese restaurant. The artist Bill Weber approached him in 1988 — securing an approximately $70,000 aesthetic gift to the community that Ow-Yang has never sought public recognition for.

“Back then you’re young, you have no brain. I thought, this is nice — it’s something you do because you feel like it,” Ow-Yang recalls dismissively.

“Nice”is an understatement. The mural, which depicts famous San Francisco figures and scenes, has become one of the neighborhood’s visual joys, stopping tourists in their photo-snapping tracks. The gift reflects Ow-Yang’s commitment to the streets he grew up on

He immigrated to Chinatown from Canton in 1962, at age 13. A lifelong entrepreneur, Ow-Yang owned a photo studio, a floral shop, and a restaurant in Oakland’s Chinatown (the original Sun Hong Kong) before opening at 606 Broadway in 1989. The restaurant is open until 3 a.m. every day — a timetable residents can appreciate for more reasons than just Ow-Yang’s post-bar won ton soup. “Before, people were afraid to walk through this area,” says the businessman. “Now there’s a lot more foot traffic — the city even put up traffic lights. With the bright lights [from New Sun Hong Kong], it’s a lot safer in this area.” (Donohue)

RAYMOND OW-YANG

New Sun Hong Kong

606 Broadway, SF

(415) 956-3338

 

The voice of fun

0

steve@sfbg.com

In the midst of a crackdown on San Francisco nightlife, club operators, promoters, entertainers, and supporters of a vibrant urban scene have formed a new lobbying group that seeks to offer a united voice in favor of fun.

The California Music And Culture Association (CMAC), a nonprofit advocacy and education group, launches its first chapter in San Francisco this week.

Discussions about the need to organize have been going on for years among the owners of local nightclubs such as Bottom of the Hill, Mighty, DNA Lounge, and Café Du Nord. They were initially triggered by arbitrary enforcement actions by the California Alcoholic Beverage Control (ABC) and persistent noise complaints by a handful of NIMBY neighbors (see “Death of fun,” 5/24/06 and “Death of fun, the sequel,” 4/24/07).

But in recent months, conflicts between the culture-creators and enforcement agencies have come to head, driven by an aggressive crackdown on parties and clubs led by ABC agent Michelle Ott and San Francisco cop Larry Bertrand (see “The new war on fun,” March 23) and efforts by Mayor Gavin Newsom and other officials to blame youth violence on the entertainment industry.

“This is certainly as bad as it’s ever been,” said Guy Carson, owner of Café Du Nord and a CMAC board member who has run San Francisco nightclubs for 26 years. “We needed an organization that can speak for us.”

So dozens of nightlife advocates have pooled their resources to create CMAC. The organization is supported by membership dues and aims to follow a model similar to the San Francisco Bicycle Coalition, which has more than 11,000 members and has been effective at advocating for their interests.

What’s at stake, Carson said, is San Francisco’s reputation as a vibrant, world-class city that nurtures its artists and welcomes those who come into town for parties and events.

“Do we want to look like Walnut Creek?” Carson asked rhetorically. “I came here because I like a vibrant arts scene, and that requires an infrastructure. It doesn’t happen in a void.”

He said City Hall and the enforcement agencies have lost sight of the important role nightlife plays in creating the city’s culture, and how aggressive enforcement efforts can push club owners — many who are “struggling to survive,” Carson said — over the edge.

“There is a void in the political and public perception of nightlife,” said Frieda Edgette, an employee of the politically connected firm Barbary Coast Consulting, which helped launch CMAC. Edgette added that the group’s goal is “to empower and provide a voice for a constituency that hasn’t had a voice.”

Beyond advocating for the interests of members at city and state levels, CMAC will serve as an information clearinghouse on best practices for maintaining good neighborhood relations and research into the importance of the industry to the economy.

“I’m not sure club owners do all they can to foster good relationship with their neighbors,” said Tim Benetti, owner of Bottom of the Hill, a former deputy city attorney, and current CMAC board member. “So we can play a big role in educating our members.”

Yet he said that a far bigger problem has been the polarization between the nightlife community and entities that try to demonize and scapegoat it for problems ranging from noise to drugs to violence. “There is an antagonism that has developed between nightclubs and enforcement agencies, and we want to end that antagonism,” Benetti said. “Right now, there’s no dialogue.”

Or as Edgette said, “We want to bring all the parties to the table to have a holistic discussion about nightlife.”

So far, efforts to open up that dialogue have gone nowhere. Attorney Mark Webb, who represents some of the victims of harassment and brutality by Bertrand and Ott, publicly called on Newsom to mediate the dispute in March. But he was rebuffed, so last month he filed a racketeering case against the city, arguing that police shakedowns of legal activities amount to a criminal enterprise.

“I was quite disappointed at the reaction to this case,” Webb said. “It’s fallen on deaf ears in terms of trying to get Newsom or others in power to deal with it. Now it’s just in the pile of lawsuits.”

Last week the City Attorney’s Office had the case bumped up to federal court, and Webb said he has subpoenaed police records and sought depositions from Bertrand and his supervisors. Another lawsuit, brought by promoter Arash Ghanadan after he was arrested and, he charges, brutalized by Bertrand in retaliation for filing an earlier complaint, is also being contested by the city.

“We are in a battle for Bertrand’s personnel file,” said Ghanadan’s attorney, Steve Sommers, who is also seeking to depose Police Chief George Gascón about the matter.

State Sen. Mark Leno has helped to mediate the disputes and has been in touch with ABC chief Steve Hardy. “I think we’re going to see some improvement,” Leno said. “I don’t know how aware he was of the activities at the local level.”

Those activities include citing nightclubs for not serving enough food, repeatedly harassing customers at certain disfavored clubs, pursuing noise complaints on behalf of particularly sensitive neighbors, and announcing a crackdown on bars serving infused liquors.

Leno welcomed the creation of CMAC and said that it will be an important voice for a vital and under-appreciated industry, both in San Francisco and in Sacramento, where Leno unsuccessfully pushed legislation to extend the operating hours of nightclubs a few years ago.

“I applaud this effort,” Leno said of CMAC. “There is great wisdom to advocating for this on a statewide basis.” 

CMAC LAUNCH PARTY

With DJs J Boogie, Motion Potion, and more

Thu/May 6

7–11 p.m., $10

Mezzanine

444 Jessie, SF

A very special piece of fan mail

The Guardian recently received a hostile letter in response to last week’s cover story, The New War on Fun, which spotlighted the aggressive tactics of two undercover officers at the center of a crackdown on San Francisco nightlife.

Unable to verify the author’s identity, we’ve withheld his name. As champions of free speech, however, we decided to give this writer an opportunity to share his opinion not just with the writers he seeks to attack, but a wider audience of readers, who undoubtedly also hold strong opinions. While this letter might amount to hot air from one individual whose opinion holds about as much sway as any internet troll creeping across the blogosphere, airing it can perhaps shed some light on the mindset of someone who would position progressive values — not to mention fun in San Francisco — squarely in the crosshairs. And it’s kind of funny, too.

The other thing is that the far right has touched off a great deal of discussion as of late, with its bizarro streak on full public display. Receiving a letter crammed with hate-filled speech while witnessing pockets of far-right extremists grab headlines, we thought it best not to ignore it, but to call attention to it.

Without further ado, here is the colorful opinion of one pissed-off Guardian reader, in mostly raw form. 

Dear MR Jones and MRS Bowe
I am writing to you about your story in the SF Bay Guardian Titled The New War On Fun. I think it is in bad taste the way you are putting down fine
officers like Larry Bertrand from the San Francisco police Dept And officer Michelle Ott from the Alcohol Beverage and Control these two officers are doing what they are paid to do and that is to protect the citizens of the city and County of San Francisco. And if they have to CRACK A FEW SKULLS OPEN TO DO IT SO BE IT. I wish this city had a few dozen more OFFICERS like Bertrand and OTTS. Then this city would be a much safer place to live. I mean if these promoters of theses events obey by the laws then everything would be fine but in my opinion these parties should not be allowed in the first place. For where ever A large Group of people gather and there is Booze present there bound to be trouble. and if these promoters are to STUPID to realize that then i say to bad for them if POLICE OFFICERS LIKE BERTRAND AND OTT HAVE TO BUST UP THE PARTY AND START DOING SOME HEAD BUTTING AND ARRESTING ALL THOSE INVOLVED all I can say to that is OH WELL MORE POWER TO THESE FINE EXAMPLES OF POLICE OFFICERS . Even if it means confiscating every piece of equipment there. And making a few arrest even better.

For I know that a lot of the people that attend these after hour events are MINORS and way under the legal drinking age. I know this for a fact for I have a good friend that use to be a bartender in one of these after hour clubs and he told me he has seen more teenagers in these clubs getting loaded to the gills. he told me that some of the other bartenders never asked to see there id’s they just took there money and gave them there drinks. My friend got reprimanded several times from the promoters of the event as well as his boss for asking for there ID’S. Look these places will let any one in if they just look older. OR they slip the Doorman a few bucks and he looks the other way. And all i can say about the Promoter’S AND THE OWNERS OF THE PLACES WHERE THESE PARTIES TAKE PLACE THEY SHOULD KNOW THAT FINE OUTSTANDING OFFICES LIKE LARRY BERTRAND AND MICHAEL OTT show up knowing there record for doing so is TOO BAD FOR THEM..

But on the other hand what can i expect from a LIBERAL YELLOW JOURNALISTIC RAG LIKE THE SF BAY GUARDIAN TO RUN A ONE SIDED PIECE OF TRASH STORY AND MAKING THE COPS LOOK LIKE THE BAD GUYS. AND MAKING THESE POOR PROMOTERS AND CLUB OWNERS AND PARTY GOER’S INNOCENT VICTIMS OF CIRCUMSTANCES. HELL THESE CLUB OWNERS ARE BREAKING THE LAW BY SELLING BOOZE TO UNDER AGE MINORS THEN THESE GUYS GET DRUNK AND THEN TRY TO DRIVE HOME WHERE SOME OF THESE IDIOTS BLOOD ALCOHOL IS WAY ABOVE THE LEGAL LIMIT. SO THEN THEY EITHER KILL SOME INNOCENT PERSON OR KILL THEM SELVES. AND ITS LIBERAL REPORTERS LIKE YOURSELVES AND THE BOARD OF STUPID-VISORS IN THIS CITY THAT AGREE TO THESE EVENTS.

If I were Mayor of this City I would call a press conference with every major news paper TV And Radio and make EXCELLENT EXAMPLES OF THESE TWO FINE OFFICERS. And to give them each a certificate of Merit and Valor in going beyond there call and line of duty. MR JONES AND MRS BOWE I bet you would be singing a different tune if someone you know and love got hurt or killed by someone who left one of these after hours events loaded with BOOZE and tried to drive home and got in to a wreck and killed themselves or killed or crippled an innocent person and that person could be someone you know. And then again knowing liberals like i do you might say oh-well they were just in the wrong place at the wrong time.

I Emailed a copy of yourarticle To my Uncle who is a retired NY CITY Police OFFICER of 40 years. And he has several awards and medals for Valor and Bravery and for doing things beyond the CALL OF DUTY. He Said if these STUPID PROMOTERS tried that in HIS CITY not only would they be facing jail time and major fines. they might have a little accident on the way to the squad car and to the station-house. He did not say what kind of accident but knowing him it would be one they would not forget. For my uncle is also an ex UNITED STATES NAVY SEAL TRAINER. SO he knows how to inflect excruciating Paine on someone without leaving any signs of what happened. My Uncle hates these SOB’S who throw these types of parties for legal reasons and for personal reasons. and he got infuriated when he read your article. HE called your paper A PIECE of SHIT paper that he would not even let his bird CRAP ON.

but he said what do you expect from a STUPID CITY LIKE SAN FRANCISCO WHERE THE F—– PRACTICALLY RUN THE TOWN. AND WHERE MOST OF THE PEOPLE VOTED FOR THAT N—– OBAMA. AND THAT UGLY WITCH NANCY PELOSI. WELL IKE I SAID I HOPE THAT THESE
PROMOTERS AND CLUB OWNERS GET MORE THEN JUST A SLAP ON THE WRIST AND A FINE I SAY THAT THEY SHOULD BE TOSSED IN JAIL AND OR PRISON FOR WHAT THEY ARE DOING HOLDING THESE EVENTS AND LETTING MINORS IN TO THESE EVENTS AND LETTING THEM GET STONED. BUT THEN IF IT WERE NOT FOR LEFTIST MAGAZINES LIKE THE SAN FRANCISCO BAY GUARDIAN THEY WOULD NOT GET ANY PUBLICITY AT ALL. AND IF THESE STUPID PROMOTERS AND CLUB OWNERS DON’T LIKE BEING FORCED TO OBEY THE LAW THEN LET THESE STINKING PROMOTERS AND CLUB OWNERS FACE THE FULL WRATH OF THE LAW . .

SO ALL I CAN SAY ABOUT YOUR ARTICLE IS IT IS A LEFT WINGED PIECE OF YELLOW JOURNALISM. THE SAME TYPE OF LEFT WINGED COMMUNISTIC PROPAGANDA THEY USE TO PUT OUT IN THE 60’S SO TAKE CARE YOU TWO PINKO COMMY AND TO YOUR LEFT WINGED COMMY PAPER YOU WRITE FOR. NO WOUNDER IT’S FREE NO ONE WOULD WANT TO BY IT. AND YOU HAVE TO PAY FOR YOUR PAPER BY LETTING SICK PROMOTERS OF PERVERTED PORNOGRAPHY ADVERTISE IN IT AND THESE SO CALLED DOPE DESPNCERIES WHO I THINK SHOULD BE ALL SHUT DONE PERMANENTLY AND THE PEOPLE WHO OWN THEM BE THROWN IN TO A MAXIMUM FEDERAL PRISON FOR AT LEAST 40 YEARS WITH NO CHANCE OF PAROLE.

SINCERELY,

[name withheld]

The new War on Fun

46

news@sfbg.com

For several years, the Guardian has been running regular stories chronicling what we’ve dubbed the Death of Fun, a trend of official crackdowns and shakedowns on people who throw parties and festivals in San Francisco. In the last year, that trend has started to morph into an often brutal War on Fun, with a growing list of atrocities and casualties associated with this overzealous new approach to killing the city’s entertainment industry.

Why this is happening is baffling to those most affected: nightclub owners and workers, party promoters, DJs and VJs, fundraising activists, and people just out to have a good time without being harassed by a cop. But in recent months, we’ve learned much more about what’s happening and who the main perpetrators are.

Two undercover enforcers have been at the center of just about every recent case of nightclubs or private parties being raided without warrants and aggressively shut down, their patrons roughed up (see “Fun under siege,” 4/21/09) and their money, booze, and equipment punitively seized “as evidence” (see “Police seize DJs laptops,” 11/24/09) even though few of these raids result in charges being filed in court.

Officer Larry Bertrand of the San Francisco Police Department’s Southern Station and Michelle Ott, an agent with the California Department of Alcoholic Beverage Control, are plainclothes partners who spend their weekends undercover, crashing parties, harassing disfavored nightclubs, brutalizing party-goers, and trying to send the unmistakable message that they’re in charge of San Francisco nightlife. Neither responded to our interview requests.

Isolated incidents of intolerant cops and NIMBY citizens who repeatedly complain about certain clubs or festivals has been a problem for years (see “Death of fun,” 5/24/06 and “Death of fun, the sequel,” 4/24/07). Top city officials have opted to cancel events such as Halloween in the Castro District rather than try to manage them better, and the nightlife community has tried to organize in defense of its interests (see “Fighting for the right to party,” 7/1/08) with mixed results.

But the personal War of Fun by Bertrand and Ott seems to have galvanized and united the nightlife and festival community like never before, leading to the creation of a new California Music and Culture Association and prompting threats of a federal lawsuit alleging the ABC-SFPD collaboration is a racketeering scheme designed to harass, disrupt, and extort people engaged in otherwise lawful activity.

The myriad horror stories associated with Bertrand and Ott have also finally begun to draw attention from the Mayor’s Office, which has quietly pushed the SFPD to rein in Bertrand and change its policies on raiding parties and seizing property. State Sen. Mark Leno also has gotten involved, brokering a March 12 meeting between club owners and Steve Hardy, director of ABC (which, in addition to cracking down on nightclubs — see “Busting bars,” 6/23/09 — has recently announced a campaign against fruit-infused liquor).

“They were going to see how they could unwind this a bit,” Leno told us, adding that he was “infuriated” by stories of abusive treatment of the public. “The fear that it spreads through the community is unacceptable.”

The question now is what Hardy, Mayor Gavin Newsom, and Police Chief George Gascón — who has ordered some crackdowns and wants greater authority to discipline problem officers — is going to do about it.

 

CHAOS AT A STUDENT PARTY

It was after midnight on Jan. 31 when Krystal Peak, a journalist with San Francisco State University’s Golden Gate Xpress, received a call from her managing editor. There was a commotion and a swarm of police cars outside a student party at Seventh and Minna streets near her home, and she was asked to investigate.

She came upon the aftermath of a melee between police and partygoers that had taken place after a fundraising event at a SoMa warehouse art space was upended. The benefit was organized to raise legal funds for students who staged a building occupation at the University of California at Berkeley, in defiance of budget cuts.

The event was clearly chaotic, and it’s hard to sort out exactly what happened and when. City officials say the partiers were throwing bottles and firecrackers at the police; people at the event say the cops started it all.

But the tales partygoers tell about the behavior of Bertrand and Ott, the undercover enforcers, are similar to a series of other stories involving the pair, stories published in the Guardian and elsewhere.

There had been multiple arrests by the time Peak arrived on the scene. Numerous witnesses asserted that things were going along without incident until a fire marshal arrived in response to a complaint, and in short order, two officers who’d been there in plainclothes for hours — Bertrand and Ott — began shouting, tackling people, and kicking in doors.

Police Chief George Gascón acknowledged that the department has been targeting underground parties. “We get a lot of resident complaints about it,” he said in a recent Guardian interview. “We’re talking about a lot of the underground parties, or the parties where the promoters are exceeding their authorities to a number of people.”

Several hundred attended this particular party. Of the 11 people arrested, eight were either detained or cited and released. None faced underage drinking or drug charges. At least five were charged with resisting arrest. One individual was charged with vandalism, two were charged with battery on an officer, and two detained for being drunk in public.

Peak began photographing the scene: busted-up chairs, uniformed officers guarding the entrance, police cars everywhere. She zoomed her lens to capture the wreckage inside. None of the uniformed officers seemed to have a problem with her — but when she spotted the undercover officers with exposed badges, that changed.

The cops broke through the door, yelling. “They said, ‘This is an investigation, you’re not allowed to be here.'<0x2009> she said. “We told them we were with the press.” They threatened to arrest her.

Shortly after, the plainclothes officers crossed in front of her to an unmarked car. She took another picture. Bertrand, a tall guy with a shaved head, allegedly turned and grabbed her arm, and both officers shouted at her. “[Ott] said to me, ‘Your flash has impeded my investigation,'” Peak recounted. She was cuffed and arrested on the spot, and her camera was confiscated.

She was cited for obstruction of justice, but the charges were dropped. And she got her camera back — but says the SD memory card, where all the photos were stored — was missing.

“I flipped [the camera] open … and found the SD card was missing,” she said. She asked Bertrand where it was. “He said, ‘I don’t know what you’re talking about,'” Peak recalled. Bertrand, she recalled, then looked around at a group of officers watching the exchange, and announced, “This woman is refusing to leave. I’m going to have to re-arrest her.” Ott appeared, according to Peak, and insisted that there was no evidence the memory card had been in the camera in the first place.

“My camera will not ignite a flash unless there’s a memory card in there,” Peak explained. In the end, she left empty-handed — without photos of the undercover officers.

 

BUSTING DOORS

Earlier, when the party was in full swing, a 24-year-old California State University, Fullerton student visiting from Los Angeles says when the fire marshal entered, Bertrand flashed his badge, yelling at everybody to get out. “It was really aggressive from the get-go,” said the Fullerton student, who spoke on condition of anonymity because he had a pending legal case. “It’s very hard for me to describe the intensity to which this guy was busting down doors.”

Later, the young man from L.A. said, he was following people who left in a rush, and ran to catch up. “Shortly after, I felt a blow to the back right of my head,” he said. “My glasses flew off, and I was tackled to the ground. My forehead was being pushed straight into the ground and they were holding my hair. I kept repeating … please, I can’t see — I’m legally blind. I thought three or four officers were on top of me, and they were saying, ‘Fuck you, you little anarchist punk.'<0x2009>”

That’s when he said he felt a sensation like “a bunch of really intense bee stings on my left side, just above my hipbone.” He thought he was Tasered — and photos he showed us depict a skin burn. SFPD officers are not authorized to carry Tasers.

“It sounds like a stun gun, not a Taser gun,” Ken Cooper, a firearms and Taser instructor based in New York, noted when the incident was described to him.

When we shared the photos with SFPD’s media relations department, Lt. Lyn Tomioka noted, “I can tell you that we do not have any tool that would produce the type of wounds shown in the picture that you attached, or produce a stinging sensation.”

The L.A. visitor said he was delivered this explanation from an officer while in the holding cell: “One of your anarchist buddies must’ve had a Taser, ran over to you trying to get one of our officers, got you instead, and ran away.”

Cooper Brislain, a Web developer from Santa Cruz, told us his iMac was destroyed that night. A friend of the owners of the art space, he was there doing video mixing for the party, he explained. After the trouble started, he began carrying his computer and mixing equipment toward the door. “The uniformed officers were going to let me go. I told them, ‘I just came here to perform.’ They seemed OK,” he said. Then he encountered Bertrand.

He … grabbed me by the collar, led me over toward the wall, and sat me down,” Brislain told us. He says Bertrand and Ott seized his computer. Brislain says no charges were filed against him.

The morning after, he found that his computer had been smashed up. His friends found it in pieces at the bottom of the stairs. To this day, he says he has not been able to retrieve his ID, which was seized that night. “I tried calling [Bertrand] on his extension to leave a message and never heard back,” he says. “They told me he probably wouldn’t return voicemails.” The District Attorney’s Office has a different perspective. D.A. spokesperson Brian Buckelew said the partygoers were drunk and “going nuts on police.” People were throwing firecrackers, he said. “It obviously got out of hand, and people were throwing bottles at police,” he said.

The student from L.A. allegedly shoved a female officer, Buckelew said. According to the report, he said, police officers were taking someone into custody, and he tried to pull them free.

Nevertheless, even Chief Gascón agrees that it’s not okay to destroy someone’s personal property. “If in fact the allegations were proven to be the case that an officer took somebody’s laptop and threw it down the stairs,” Gascón told us, “that would be inappropriate, and that officer would be sanctioned accordingly.” He noted that he met with an attorney from the Electronic Frontier Foundation about a recurring trend of officers — Bertrand in particular — seizing DJ laptops at underground parties. “We’ve met with them and we’ve agreed to actually tighten up the protocols in how this would be handled,” Gascón noted.

 

A RICO SUIT

The list of local nightclub clubs that have been recently targeted by Bertrand and Ott or subjected to ABC sanctions is long. It includes Great American Music Hall, Slim’s, DNA Lounge, Mist, Whisper, the Room, Vessel, Azul, Butter, and Club Caliente (which closed down after its mostly Latino customers were scared away by repeated raids).

“Using the now familiar pattern and ruse of ABC authority, these raids have been without warrant and without probable cause, under the pretext of finding liquor violations,” attorney Mark Webb wrote in a claim against the city, describing the harassment of Caliente owner Maurice Salinas and later adding, “Despite numerous raids, the invading officers [Bertrand and Ott] managed to ‘uncover’ a single infraction: one customer used his brother’s ID card, claiming he was over 21 to gain entry. For this reason, Mr. Salinas was cited and fined, bullied, intimidated, and yelled at on the spot.”

Webb said such behavior isn’t legitimate police work, but unlawful harassment. In fact, this experienced litigator said it’s far closer to the shakedowns and extortion rackets familiar to him from the start of his legal career in the late 1970s prosecuting organized crime cases in New York City.

That’s why he’s threatening to bring a novel lawsuit against the city and ABC under federal Racketeer Influenced and Corrupt Organization (RICO) Act, a law designed go after the mob, but which has since been adapted to target entities ranging from the tobacco industry to the Los Angeles Police Department.

Webb told us that interference with legitimate business operations, such as running a nightclub, is the essence of RICO suits. As part of the case, Webb plans to submit a surveillance video that shows Bertrand kneeling on the neck of bartender Javier Magallon from The Room and twisting his arm. Webb gave us a copy of the video.

Another element of making a RICO case is the use of intimidation and retaliation against those who complain — which was central to a March 17 SF Weekly story about promoter Arash Ghanadan being inappropriately singled out for arrest by Bertrand as retaliation for filing a complaint against the officer with the Office of Citizen Complaints.

Webb says he has a strong case that he intends to file soon, but that most of his clients just want the SFPD to rein in Bertrand and stop facilitating ABC actions. “I want to have a sit-down with Gavin Newsom,” Webb said. “I am calling on Mayor Newsom to come in and mediate what would be an expensive, divisive fight that will generate national interest … I think this thing can go way quickly without litigation.”

Newsom press secretary Tony Winnicker, who said Newsom has brought concerns about Bertrand to the chief’s attention, didn’t immediately embrace Webb’s offer. “The mayor would rather leave it to the chief,” Winnicker said.

So the question for Gascón is whether he’s willing to take on the cowboy cops within the SFPD’s ranks. After all, Bertrand is also on the San Francisco Police Officers Association Board of Directors.

The nightlife community is organized like never before and plotting its next move in fighting a war it didn’t initiate and barely understands. Whether that war continues now seems to be a question for the party crashers and their supervisors.

Flashing lights

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Guardian illustration of DJ AM, Daft Punk, and Steve Aoki by Matt Furie and Aiyana Udesen

DECADE IN MUSIC Good lord. Who can remember all the strobe-lit twists and turns that Bay Area nightlife slid down in the past decade? Even if I wasn’t utterly and gloriously hung over from 10 years of being 86ed, it would still be a sweat-drenched, dry-iced, hypnotic blear. That’s a lovely thing. The ABC crackdown on underground parties in the late 1990s still held strong — and lively licensed spaces like Café Du Nord, Slim’s, Buckshot, and DNA Lounge as well as many music-oriented street fairs are still feeling the pressure of the War on Fun. But you can’t stop the party. And, baby, we lived through it.

One point about nightlife in general this decade: no one could ignore it. From hip-pop’s odiously capitalist-utopian "da club" to the tourist-trap explosion of global dance music festivals, club culture was on everyone’s radar. Today’s pop stars blithely name-check underground nightlife legends like Leigh Bowery and Larry Levan, and middle-school kids fill their notebooks with fantasy club outfits. Oh yeah, edgy nightlife has been completely commodified — thank you, Steve Aoki and DJ AM — but it’s a testament to its amazing versatility that going out is still enormously subversive fun, and the onslaught of bottle service and stretch-limo-packed music vids have had little impact on a vibrant independent scene. (In fact, the independent scene has gotten a ton of mileage out of parodying and reinterpreting mainstream club dreams.)

The last 10 years of the local club scene certainly gave me a lot to write and think — and drink — about. That was probably nightlife’s most distinctive feature: it finally came into its own as an art form, one that welcomed multiple interpretations while devilishly playing with our heads. The best party promoters in the Bay worked hard not only to present immersive subcultural experiences but also to contextualize their parties in terms of global movements. You couldn’t just fly in a supastar DJ and set the light show on random anymore. Clubgoers rejected that kind of dollar-driven cynicism. They wanted to know how a party would plug them into something different, something relevant, something uniquely of the moment, something beyond.

In short, they wanted personality. At times, this meant that concept trumped music — how many times did you find yourself spazzing on the dance floor to someone’s hodgepodge iPod playlist in 2005, just because that someone was ironically amazing? But it sure was fun for a while, giving dance culture a kick in the fancy-pants and throwing open the door to a glittering array of musical styles. And everybody looked fantastic. Irony freed us from previous expectations like beat-matching, genre hegemony, fashion anxiety, and bland slickness. (It also introduced a flood of unicorns and neon accessories.) Deconstruction at last! For good or ill, but mostly for good, anyone could be a DJ, throw a party, design a flyer, work a look. All you needed was a little space, a big idea, and a sense of adventure. A crowd helped, too, but only if you worried about something as mundane as paying the bills. Reality? Oh, really.

That mid-period chemical peel of irony neatly divided the decade. We cruised and shmoozed into the new millennium on the Boom-bubble back of a lazy lounge wave — the sunny house-lite sighs of Naked Music and Miguel Migs, the mushroom jazz of Mark Farina, OM’s smooth-beats Kaskade, and the friendly turntablism of Triple Threat popping the pink Champagne. That wave soon crested, churning up a foam of pink-slip parties, when discount daytime raves and increasingly baby-powdered coke binges took over. Luckily, happy hour took credit cards. Clubland reverted to a pre-Internet sensibility, with small spaces ruling and breakbeats all the rage again.

Alongside the breaks (a sound the Bay actually had a big hand in developing) the club music menu was still hogged by chunky techno, diva house, Burner trance, retro overload, and sing-along hip-hop. Post-punk, electro-funk, radical eclecticism, and global-eared sounds popped their heads up at times: Joy at Liquid, Milkshake at Sno-Drift, Club KY at Amnesia, Knees Up at Hush Hush, Popscene at 330 Ritch, Step at An Sibin, Fake at Cat Club, roving Bardot-a-Go-Go, and one-offs at 26Mix, Blind Tiger, Jezebel’s Joint, Pow!, Annie’s, Tongue and Groove, Storyville, and Justice League. Electroclash had its brief moment, too — anyone remember Electro Rodeo at Galaxy? — and reggaeton made a thrilling brief appearance. But in general the Bay was a little late in breaking free from the ’90s.

That sounds absolutely pukey, but it wasn’t. Some beautiful nights came out of this period — I’m half-remembering Said’s Afro-house Atmosfere, David Harness’s deep-souled Taboo, and anything at the Top, EndUp, or the Cellar. And living in the ’90s wasn’t so bad considering primo parties like Qoöl, Wicked, Stompy, Thump, Death Guild, and New Wave City maintained a presence. Also, if you were looking for "exotic" sounds, you could easily find them at some of the best ethno-audio spaces, like Bissap Baobab and Café Cocomo. But yes, those four-four beats got tiresome.

Then, around late-2004, came a return of the repressed, an explosion of Day-Glo styles that had been incubating in a clutch of neon-oriented, omnivorous-eared parties like Le Freak Plastique at Hush Hush and DJ Jefrodesiac’s Sex With Machines (later Frisco Disco) at Arrow. Soon San Francisco was in the midst of a small-venue, independent promoter golden age — and a rosy flush of youth. Finally, more than the same four people were throwing parties! And you were never sure of what you’d hear.

After a few debauched months of those rag-tag iPod-oriented shindigs, things sorted out into a handful of heady genres. Technology spookily inserted itself — almost every dance floor was bathed in the light of a little half-eaten apple. Serrato and Ableton software made live edits and mind-boggling mashups, like those heard at Bootie, possible, and timelines fell away to reveal gleaming ahistorical sonic landscapes. Beat-matching gradually came back into vogue, but wittily revealing the seams between tracks became the ne plus ultra of DJ craftsmanship.

The French invaded in the form of Daft Punk- and Justice-inspired electro bangers, spraying young clubbers with American Apparel and shutter shades. To my ears, Richie Panic and Vin Sol were our best balls-out interpreters of this fuck-all party sound and spirit, and Blow Up at Rickshaw Stop its finest venue. Minimal techno made sure hot nerds with little glasses were still in control — Kontrol at EndUp, in fact, was the club that did the most to nurture the Berlin-based sound here, with venue Anu and now the near-perfect 222 Hyde offering various party backup. Genius local minimal players like Nikola Baytala and Alland Byallo worked hard to stretch the boundaries, while Claude Von Stroke and the Dirty Bird Records crew added some much-needed humor.

There was a backlash to all the technology, which revolutionized gay clubs. DJ Bus Station John’s all-vinyl, unmixed bathhouse disco sets goosed the moribund queer scene into exploring its AIDS-shrouded past, and threw open the back door to the far-reaching sets of freestyle and rare ’80s fetishist Stanley Frank and the kiki-technotics of Honey Soundsystem.

London’s dubstep sound morphed into glitch-tipsy future bass — another genre the Bay can claim as its own — before it got a firm party foothold here. Which is more than all right, considering that mutation spawned beloved duo Lazer Sword and led Burner techno giant Bassnectar to change his sonic stripes. Most inspiring to me was the outpouring of global sounds in the Bay, from NonStop Bhangra’s whirling saris to Surya Dub’s growling dubstep-bhangra hybrid, from Tormenta Tropical’s bass-bomping nueva cumbia to Kafana Balkan’s breathless, Romani-delirious funk.

So where are we now? If any moment could be called "post-whatever," this is it. Anything goes, excellently, but it’s accompanied by a feeling that we’ve informed ourselves fully of the past, that we’ve mastered the technology of the present, and that, no matter how intelligent the music, we can still have a damn good time. My only gripe about the past decade in nightlife — other than I wished we’d had a more conscious reaction to war — is, alas, the same one as last decade. Where are all the women? Big ups to Ana Sia, Sarah Delush, Forest Green, J. Phlip, Felina, Dulcinea, Miz Margo, Nuxx, Black, and the Stay Gold, Redline, and B.A.S.S. sisterhoods. But seriously, I hope the teens see less testosterone-driven talent behind the decks. We’ve got the style down — now let’s change the look. OK?

Charlie Horse axed for queer noise

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By Marke B.

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Fight the power, Anna Conda!

Farewell, sweet punk ‘n drag apocalypse! Just in time for 2012, beloved five-year-old Friday weekly queer meltdown Charlie Horse at the Cinch has released its gin-soaked core neutrinos and called it quits. Charlie Horse hostess, deconstructed Courtney Love, and Guardian cover girl Anna Conda blames the influx of yuppie condo-dwellers and an increasingly anti-gay agenda overtaking the once queerific Polk district for the club’s demise. Apparently, noise complaints forced the Cinch to come before the Entertainment Commission and be threatened with fines or closure if the Polk bar didn’t tone it down. The Cinch asked Anna to take a break, but she decided it was time to move on from the hostile climate.

It’s a truly tragic state of affairs — one which points up even more the continuing War on Fun that the city seems to be raging against its own origins and spirit. No real problem with drunk bachelorettes in ridiculous heels and Ed Hardy-drenched dudes squealing and puking up and down the street, but some drag queens getting incredibly creative inside a gay bar? WELL, GASP!

Charlie Horse has been a bright spot in the City’s increasingly dreary weekend club scene for half a decade, one that made of family of disparate non-wealthy queers who gagged on Gaga and wanted people to know there were amazing blackout options that didn’t involve cologne and gay cockatoo hair. It will be sorely, Horsely missed. Anna Conda’s tearful letter of farewell — and rousing vow to carry on — after the jump. (And catch her Herr-A-Chick nights every first and third Wednesday of the month at the Eagle!)

What the candidates need to tell us

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EDITORIAL The traditional kick-off date for fall campaigns is Labor Day, but in San Francisco, the candidates for supervisor have been in full campaign mode for months now, and some of the races are beginning to take shape. As political groups start making endorsements, it’s worth looking at what’s at stake here — and what the candidates ought to be talking about.

For starters, it’s going to be a crowded fall ballot, and there’s the potential for a broad progressive coalition to come together around a clear agenda for the future. Among the proposals headed for the ballot are an affordable housing plan, a green energy and public power measure, two new tax plans that focus on bringing in revenue from the wealthy, and a huge bond act to rebuild San Francisco General Hospital. All of the progressive candidates should be backing those measures and working together for their passage.

But the candidates also need to offer long-term solutions to the serious problems facing San Francisco. This is a city under enormous pressure, and unless some dramatic policy changes take place, San Francisco will continue its rapid slide toward becoming a city of and for the very rich.

A few items that ought to be on every progressive candidate’s platform:

<\!s>The city’s energy future. The fall ballot measure, the Clean Energy Act, will lay the groundwork for a sustainable local energy policy, although the supervisors will have to aggressively push the key element: creating a city-run electric utility. As long as Pacific Gas and Electric Co. controls the local grid, San Francisco will never meet its environmental goals. Rates will remain high, conservation will be an afterthought, and PG&E will resist any type of renewable program it doesn’t control. The candidates need to make clear that they’re committed to a full-scale public power system and tell us how they will move the goals of the Clean Energy Act forward.

<\!s>The housing crisis. San Francisco’s housing policy today is utter insanity. If it continues, the city in 10 years will look nothing like it does now. The middle class will be gone. Families with kids will be a vanishing species. Tens of thousands of people who work in this city — and keep its economy going — will be forced to live far away. Fancy new towers filled with millionaires will destroy entire neighborhoods and displace the city’s remaining blue-collar jobs.

The affordable housing ballot measure is a good first step, but much more is needed. Solutions aren’t easy, but they start with one premise: the city doesn’t need any more housing for the rich. Affordable-housing programs that set aside, say, 20 percent of new units for non-millionaires are a losing game because they accept as reality the prospect of a city where 80 percent of the residents are millionaires.

San Francisco needs a comprehensive policy that forces the city to meet its General Plan goals, which call for 64 percent of all new housing to be available at below-market rates. We need to hear how the candidates would make that happen.

**The structural budget deficit. San Francisco is a wealthy city, but there’s never enough money in the budget for the level of services residents want and need. With the exception of the rare boom years, the city has always had a revenue shortfall. Sup. Aaron Peskin’s two tax measures could bring in another $50 million per year — no chump change by any means. But the city needs about $200 million more per year to make the numbers balance. The candidates need to talk about where that will come from.

**The Muni meltdown. You can’t have a transit-first policy without effective transit, and Muni’s in trouble. Budget cuts are a big part of the problem, but the city needs a modern transit program — and that’s barely even on the drawing board. How are the candidates going to fix one of the city’s most important services? Will the candidates support the long-overdue completion of the city’s bicycle network and other bold efforts to decrease reliance on the automobile?

**The war on fun. As the city gets richer, it gets more uptight. Street fairs are under attack. Clubs are facing police crackdowns. Permit fees and red tape are making it almost impossible to hold events in Golden Gate Park. Sup. Ross Mirkarimi has a ballot measure to make some of the permitting easier, but what are the candidates going to do to end the Gavin Newsom–era attack on arts and entertainment?

There’s much more: The police aren’t solving homicides. Small businesses feel utterly ignored by City Hall. The Planning Department is run by developers. The list goes on. And the next Board of Supervisors will need to address all those issues. Over the next few months, the candidates that want the progressive vote need to give us some clear explanations of where they stand.