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Summer 2007 fairs and festivals guide

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ONGOING

ArtSFest Various venues; www.artsfestsf.org. For its fourth year, ArtSFest presents a showcase of theater, dance, visual art, film, music, spoken word, and more. Through May 28.

Night Market Ferry Bldg Marketplace, along the Embarcadero at the foot of Market; 693-0996, www.ferrybuildingmarketplace.com. Thurs, 4-8pm, through Oct 26. Marketplace merchants and farmers offer their freshest artisan foods and produce at this weekly sunset event.

United States of Asian America Arts Festival Various venues; 864-4120, www.apiculturalcenter.org. Through June 30. This festival, presented by the Asian Pacific Islander Cultural Center, showcases Asian Pacific Islander dance, music, visual art, theater, and multidisciplinary performance ensembles at many San Francisco venues.

Yerba Buena Gardens Festival Yerba Buena Gardens, Third St at Mission; 543-1718, www.ybgf.org. Through Oct, free. Nearly 100 artistic and cultural events for all ages takes place at the gardens this summer including Moroccan percussionists, Hawaiian ukulele players, Yiddish klezmer violinists, Balinese dancers, Shakespearean actors, Cuban musicians, and Japanese shakuhachi players.

BAY AREA

Silicon Valley Open Studios www.svos.org. Sat-Sun, 11am-5pm, through May 20. Check out Silicon Valley artists’ works and the spaces they use to create them at this community art program.

MAY 8–20

The Hip-Hop Theater Festival: Bay Area 2007 Various venues; www.youthspeaks.org. Youth Speaks, La Peña Cultural Center, the Hip-Hop Theater Festival, and San Francisco International Arts Festival present this showcase of new theater works that feature break dancing, MCing, graffiti, spoken word, and DJ sampling.

MAY 10-20

Mission Creek Music and Arts Festival Various venues; www.mcmf.org. The Mission Creek Music and Arts Festival features the best and brightest independent musicians and artists, including music by Vincent Gallo, Acid Mothers Temple, Edith Frost, and Gary Higgins. Literary and film events are also planned.

MAY 12

KFOG KaBoom! Piers 30-32; 817-KFOG, www.kfog.com. 4-10pm, free. Kick off the summer with this popular event featuring music, a spectacular fireworks show, food and drinks, and activities for kids. Kenny Wayne Shepherd, Guster, and Ozomatli perform.

BAY AREA

Arlen Ness Motorcycles Anniversary Party Arlen Ness, 6050 Dublin, Dublin; (925) 479-6300, www.arlenness.com. 10am-4:30pm, free. Celebrate the company’s fourth year in Dublin and 37th year in business with a display of the largest selection of Ness, Victory, American Iron Horse, and Big Dog Motorcycles in California, a walk through the museum, and a live music from Journey tribute band Evolution.

Beltane Pagan Festival Civic Center Park, 2151 MLK Jr. Way, Berk; www.thepaganalliance.org.10am-5:30pm, free. This year’s festival focuses on children and young adults and features a procession, performances, vendors, storytelling, an authors’ circle, and information booths.

Peralta in Bloom Spring Festival Carter Middle School, 4521 Webster, Oakl; (510) 655-1502, www.peraltaschool.org. Due to a fire, Peralta’s spring festival will be held at a temporary home this year. Expect the same great live entertainment, carnival games, old-fashioned high-steppin’ cakewalk, free arts and crafts, and delicious barbecue as always.

MAY 13

Hood Games VI "Tender Love" Turk between Mason and Taylor; 11am-4pm. This celebration of youth culture features live skating and music, art, a fashion show, contests, and a raffle. Bonus: every mom who shows up for this Mother’s Day event gets a free skateboard.

BAY AREA

Russian-American Fair Terman Middle School, 655 Arastradero, Palo Alto; (650) 852-3509, paloaltojcc.org. 10am-5pm, $3-5. The Palo Alto Jewish Community Center puts on this huge, colorful cultural extravaganza featuring ethnic food, entertainment, crafts and gift items, art exhibits, carnival games, and vodka tasting.

MAY 16–27

San Francisco International Arts Festival Various venues; (415) 439-2456, www.sfiaf.org. The theme for this year’s multidisciplinary festival is the Truth in Knowing/Now, a Conversation across the African Diaspora.

MAY 17–20

Carmel Art Festival Devendorf Park, Carmel; (831) 642-2503, www.carmelartfestival.org. Call for times, free. Enjoy viewing works by more than 60 visual artists at this four-day festival. In addition to the Plein Air and Sculpture-in-the-Park events, the CAF is host to the Carmel Youth Art Show, Quick Draw, and Kids Art Day.

MAY 18–20

Festival of Greece 4700 Lincoln, Oakl; (510) 531-3400, www.oaklandgreekfestival.com. Fri-Sat, 10am-11pm; Sun, 11am-9pm, $6. Free on Fri 10-4 and Sun 6-9. Let’s hear an "opa!" for Greek music, dance, food, and a stunning view at the Greek Orthodox Cathedral of the Ascension’s three-day festival.

MAY 19

A La Carte and Art Castro St, Mountain View; (650) 964-3395, www.miramarevents.com. 10am-6pm, free. A moveable feast of people and colorful tents offering two days of attractions, music, art, a farmers’ market, and a special appearance by TV star Delta Burke.

Asian Heritage Street Celebration Howard between Fifth and Seventh streets; 321-5865, www.asianfairsf.com. 11am-6pm, free. More than 200 organizations participate in this festival, which features Asian cooking demonstrations, beer and sake, arts and crafts, a variety of food, and live entertainment.

Family Fun Festival and Silent Auction 165 Grattan; 759-2815. 11am-5pm, free. Enjoy this second annual family event in Cole Valley, featuring a kids’ carnival with prizes, street theater, live music, refreshments, and a silent auction.

Oyster and Beer Fest Great Meadows, Fort Mason, Laguna at Bay; www.oreillysoysterfestival.com. 12-7pm, $15-19 ($50 reserved seating). O’Reilly’s Productions presents the 8th annual festival celebrating oysters and beer, featuring cooking demos, competitions, and live performance from Flogging Molly, Shantytown, The Hooks, and more.

Saints Kiril and Metody Bulgarian Cultural Festival Croatian American Cultural Center, 60 Onondaga; (510) 649-0941, www.slavonicweb.org. 3pm-midnight, $15. Enjoy live music, dance, and traditional food and wine in celebration of Bulgarian culture. A concert features Nestinari, Zaedno, Brass Punks, and many more.

Taiwanese American Cultural Festival Union Square; (408) 268-5637, www.tafnc.org. 10am-7pm, free. Explore Taiwan by tasting delicious Taiwanese delicacies, viewing a puppet show and other performances, and browsing arts and crafts exhibits.

Uncorked! Public Wine Festival Ghirardelli Square, 900 N Point; 775-5500, www.ghirardellisq.com. 1-6pm, event free, wine tasting $40-100. This second annual wine festival features wine tasting, five-star chef demonstrations, wine seminars, and a chocolate and wine pairing event.

BAY AREA

Cupertino Special Festival in the Park Cupertino Civic Center, 10300 Torre, Cupertino; (408) 996-0850, www.osfamilies.org. 10am-6pm, free. The Organization of Special Needs Families hosts its third annual festival for people of all walks or wheels of life. Featuring live music, food and beer, bouncy houses, arts and crafts, and other activities.

Pixie Park Spring Fair Marin Art and Garden Center, Sir Francis Drake Blvd at Lagunitas, Ross; www.pixiepark.org. 9am-4pm, free. This fair for preschoolers and kindergarteners features bathtub races, pony rides, a petting zoo, a puppet show, and much more.

MAY 19-20

Bay Area Storytelling Festival Kennedy Grove Regional Recreation Area, San Pablo Dam Road near Castro Ranch, El Sobrante; (510) 644-2593, www.bayareastorytelling.org.

Sat, 9:30am-8pm; Sun, 9:30am-5:15pm, $8-65. Gather around and listen to stories told by storytellers from around the world at this outdoor festival. Sheila Kay Adams, Charlotte Blake Alston, Bill Harley and others are featured.

Castroville Artichoke Festival 10100 Merritt, Castroville; (831) 633-2465, www.artichoke-festival.org. Sat, 10am-6pm; Sun, 10am-5pm, $3-6. Have a heart — eat an artichoke. This festival cooks up the vegetable in every way imaginable and features tons of fun activities for kids, music, a parade, a farmers’ market, and much more.

Day of Decadence Women’s Expo Sedusa Studios, 1300 Dell, Campbell; (408) 826-9087, www.sedusastudios.com. 1-4pm, $5. Twenty-five women-owned businesses exhibit their products and pamper their customers at this decadent event. Includes free services, champagne, refreshments, and a chocolate fountain.

French Flea Market Chateau Sonoma, 153 West Napa, Sonoma; (707) 935-8553, www.chateausonoma.com. 10:30am-5:30pm, call for price. Attention, Francophiles: this flea market is for you! Shop for antiques, garden furniture, and accessories from French importers.

Himalayan Fair Live Oak Park, 1300 Shattuck, Berk; (510) 869-3995, www.himalayanfair.net. Sat, 10am-7pm; Sun, 10am-5:30pm, call for price. This benefit for humanitarian grassroots projects in the Himalayas features award-winning dancers and musicians representing Nepal, Tibet, Bhutan, India, Afghanistan, Pakistan and Mongolia. Check out the art and taste the delicious food.

Maker Faire San Mateo Fairgrounds, San Mateo; (415) 318-9067, www.makerfaire.com. Sat, 10am-6pm; Sun, 10am-5pm, $5-15. A two-day, family-friendly event established by the creators of Make and Create magazines that celebrates arts, crafts, engineering, science projects, and the do-it-yourself mindset.

Muscle Car, Hot Rods, and Art Fair Bollinger Canyon Rd and Camino Ramon, San Ramon; (925) 855-1950, www.hatsoffamerica.us. 10am-5pm, free. Hats Off America presents this family event featuring muscle cars, classics and hot rods, art exhibits, children’s activities, live entertainment, and beer and wine.

Passport to Sonoma Valley Various venues; (707) 935-0803, www.sonomavalleywine.com. 11am-4pm, $55 (weekend, $65). This first of its kind, valleywide event will provide visitors rare access to the many hidden gems of California’s oldest wine region. More than 40 Sonoma wineries are participating, and the cost includes unlimited tasting.

Sunset Celebration Weekend Sunset headquarters, 80 Willow Road, Menlo Park; 1-800-786-7375, www.sunset.com. 10am-5pm, $10-12, kids free. Sunset magazine presents a two-day outdoor festival featuring beer, wine, and food tasting; test-kitchen tours, celebrity chef demonstrations, live music, seminars, and more.

Spring Fling Open House Rosenblum Cellars, 2900 Main, Alameda; (510) 995-4100, www.rosenblumcellars.com. Noon-5pm, $30. Try new and current releases at Rosenblum’s Alameda winery while enjoying wine-friendly hors d’oeuvres and music from local musicians.

MAY 20

ING Bay to Breakers Begins at Howard and Spear, ends at the Great Highway along Ocean Beach, SF; www.baytobreakers.com. 8am, $33-40. See a gang of Elvis impersonators in running shorts and a gigantic balloon shaped like a tube of Crest floating above a crowd of scantily clad, and unclad, joggers at this annual race from the Embarcadero to the Pacific Ocean.

BAY AREA

Jazz on Fourth Street Festival Fourth St, between Hearst and Virginia, Berk; (510) 526-6294, www.4thstreetshop.com. 11am-5pm, free. Local merchants present this annual outdoor music festival featuring Marcus Shelby Quartet, Sugar Pie DeSanto, Wayne Wallace Latin Jazz Group, two Berkeley High combos, and the award-winning Berkeley High Jazz ensemble.

Niles Wildflower Art and Garden Show Niles Blvd at Main, Fremont; www.niles.org. 10am-3pm, event free, garden tour $12-15. Take a self-guided tour of beautiful home gardens and enjoy the creative works of local artists.

MAY 24–27

Sonoma Jazz Plus Festival Field of Dreams, 179 First St W, Sonoma; 1-866-527-8499, www.sonomajazz.org. $45-95. Thurs-Sat, 6:30 and 9pm; Sun, 8:30pm, $45-110. Head on up to California’s wine country for Memorial Day weekend and soak in the sounds of LeAnn Rimes, Tony Bennett, Smokey Robinson, and Harry Connick Jr.

MAY 25–28

Memorial Day Folk Music Camp Out Waterman Creek Camp, Santa Cruz County; (510) 523-6533. www.sffmc.org. $7/night. Preregistration required. Camp and sing along with the San Francisco Folk Music Club. Everybody’s goin’!

MAY 26

Soul Jazz Festival Crown Canyon Park, 8000 Crow Canyon, Castro Valley; www.souljazzfestival.com. 12-8pm, $45-49. A one-day music event celebrating the worlds of jazz, funk, and soul. This year pays tribute to Ella Fitzgerald and features Johnny Holiday, Ladybug Mecca of Digable Planets, and Ella Fitzgerald’s son, Ray Brown Jr.

MAY 26–27

Carnaval San Francisco Harrison between 16th and 24th streets; (415) 920-0122, www.carnavalsf.com. 10am-6pm, free. The vibrant Mission District plays host to the best of Latin and Caribbean cultures and traditions with an array of food, music, dance, and art. The theme for this year’s carnaval is Love Happens, and it features speed dating at the Love Nest, a performance by Los Lonely Boys, and a parade on Sunday.

North American Cycle Courier Championship Speakeasy Brewery, 1195 Evans; 748-2941. Sat, 9am-2pm; Sun, 10am-1pm, free. This weekend-long celebration of bike culture features a race on a closed course that tests all areas of bike messenger skill.

BAY AREA

Santa Cruz Blues Festival 100 Aptos Creek, Aptos; (831) 479-9814, www.santacruzbluesfestival.com. 10am-7pm, $20-100. Rhythm and blues buffs beware. This annual festival, in its 15th year, showcases some of the most renowned acts of new and vintage R&B, soul, and blues rock, including Los Lonely Boys, Etta James and the Roots Band, and Little Feat. International food booths, juice bars, and beer make this event add to the appeal.

MAY 26–28

The San Francisco Cup International Youth Soccer Tournament and Festival Golden Gate Park’s Polo Field, SF; (415) 337-6630, www.sfcup.com. 8:30am. This 20th annual premier event brings together 128 national and international teams of both genders for great soccer excitement.

MAY 26–JUNE 30

Bay Area Summer Poetry Marathon Lab, 2948 16th St, SF; (415) 864-8855, www.thelab.org. 7-10pm,. $3-15 sliding scale. Various Bay Area and national poets read their work at this event held throughout the summer.

MAY 27

Antique Street Faire Main St, Pleasanton; (760) 724-9400, www.pleasantondowntown.net. 8am-4pm, free. This semiannual event sponsored by the Pleasanton Downtown Association provides more than a mile of antiques and collectibles displayed by about 300 professional dealers.

Art in the Vineyard Wente Vineyards Estate Winery, 5565 Tesla, Livermore; (925) 456-2305, www.livermoreartassociation.com. 11am-5pm, admission free, wine tasting $15. Mark your calendars for the 35th anniversary of this popular event, featuring 40 talented multimedia artists in addition to music by Vested Interest.

Asian Pacific Heritage Festival Bay Area Discovery Museum, 557 McReynolds, Sausalito; (415) 339-3900, www.baykidsmuseum.org.10am-5pm, free. Experience taiko drumming, the Marin Chinese Cultural Association’s Lion Dance Team, and other Polynesian and Pacific Islander arts groups, as well as traditional Chinese, Vietnamese, and Filipino cuisine in honor of Asian Pacific Islander Month.

Caledonia Street Fair Caledonia St, Sausalito; (415) 289-4152, www.ci.sausalito.ca.us.10:30am-6pm, free. This fest boasts multicultural food, dance, music, and more than 120 arts and crafts vendors. Don’t miss out on the Taste of Sausalito luncheon and wine-tasting event featuring food and wine prepared by select Napa and Sonoma wineries and restaurants.

MAY 28

Stone Soul Picnic Cal State East Bay’s Pioneer Amphitheatre, 25800 Carlos Bee, Hayward; 1-800-225-2277, www.kblx.com. Doors at 10am, show at noon, $56-81.50 includes parking. KBLX Radio 102.9 FM presents its 10th annual R&B and soul music event, featuring performances by Isaac Hayes, the Whispers, the Dells, and Tower of Power.

MAY 29–30

BALLE Film Fest Wheeler Auditorium, UC Berkeley, Berk; (415) 255-1108, ext 112, livingeconomies.org. 6 and 8:30pm, $10 for screening, $15 for night. Business Alliance for Local Living Economies presents a two-night film festival reutf8g to BALLE principles, including Everything’s Cool, a film about global warming, and Manufactured Landscapes, a documentary about China’s industrial revolution.

MAY 31–JUNE 3

Contra Costa County Fair Contra Costa County Fairgrounds,10th and L streets, Antioch; (925) 757-4400, www.ccfair.org. Thurs-Fri, noon-11pm.; Sat-Sun, 11am-11pm, $4-7, parking $3. Now 70 years old, this county fair has a little of everything. Daily sea lion shows, a man dressed as a giant tree, and, of course, clown acts, are just some of the events presented to fairgoers this year.

JUNE 1–10

East Bay Open Studios Various venues; (510) 763-4361, www.proartsgallery.org. Open studios: June 2-3, 9-10, 11am-6pm; formal artists’ reception May 31, 6-10pm, free. For more than 25 years, the East Bay Open Studios have drawn more than 50,000 visitors to Pro Arts Gallery and various artist workspaces to support the work of local artists. The public can view exhibits, purchase artwork, attend workshops, and go on an art bus tour.

Healdsburg Jazz Festival Check Web site for ticket prices and venues in and around Healdsburg; (707) 433-4644, www.healdsburgjazzfestival.com. This ninth annual week-and-a-half-long jazz festival will feature a range of artists, from the George Cables Project and Roy Hargrove Quintet to the funky Louisiana-style Rebirth Brass Band and first-rate vocalist Rhiannon.

JUNE 2

Berkeley Farmers Market’s Strawberry Family Fun Festival Civic Center Park, Center at MLK Jr, Berk; (510) 548-3333, www.ecologycenter.org. 10am-3pm, free. Living up to its name, this festival is a guaranteed good time for the whole family. Highlights include environmental information booths, hands-on activities, delectable strawberry shortcake, and live performances by Nigerian Brothers, EarthCapades Environmental Vaudeville, Big Tadoo Puppet Crew, and Young Fiddlers.

Heartland Festival Riverdance Farms, Livingston; (831) 763-2111, www.eco-farm.org. 10am-7pm, $10 advance, $12 at gate. Celebrate a summer weekend by picking berries, taking farm and garden workshops, buying fresh produce from a farmers’ market, and enjoying live music at this family event.

Sonoma Valley Vintage Race Car Festival Sonoma Plaza, Sonoma; (707) 996-1090, www.sonomavalleyvisitors.com. 5pm, free entrance. Wine and food $30 in advance, $35 at the door. A gigantic taste explosion filled with more than 30 vintage dragsters, gourmet food, and wine samples.

Springfest 2007 Osher Marin Jewish Community Center, 200 North San Pedro, San Rafael; (415) 499-8891, www.mdt.org. 1 and 5pm, $14-22. Marin Dance Theatre presents this spring program featuring various performances directed by Margaret Swarthout.

JUNE 2–3

Art Deco and Modernism Sale Concourse Exhibition Center, 635 Eighth St; (650) 599-DECO, www.artdecosale.com. Sat, 10am-6pm; Sun, 11am-5pm, $7-9. An extravagant art sale featuring pottery, books, art, vintage clothing, glass, furniture, and other accessories dating from 1900 to 1980.

Art in the Avenues Hall of Flowers, Golden Gate Park, Ninth Ave and Lincoln; www.sunsetartists.com. 10am-5pm. This annual exhibition and sale presented by the Sunset Artists Society brings together artists and art lovers from all over the Bay Area.

Great San Francisco Crystal Fair Fort Mason Center, Marina at Laguna; 383-7837, www.crystalfair.com. Sat, 10am-6pm; Sun, 10am-4pm, $5. This year’s fair is sure to please anyone interested in mystical and healing arts. Check out the more than 40 vendors catering to all of your crystal, mineral, bead, and jewelry needs.

Union Street Festival Union between Gough and Steiner; 1-800-310-6563, www.unionstreetfestival.com. 10am-6pm, free. This year marks the 31st anniversary of one of San Francisco’s largest free art festivals. In addition to more than 200 artists and 20 gourmet food booths, the event features activities that represent the history of the Union Street Festival, including a special photographic exhibit that shows Union Street as it was 100 years ago.

BAY AREA

Marin Home Show and Benefit Jazz Fest Marin Center Exhibit Hall and Fairgrounds, San Rafael; (415) 499-6900, www.marinhomeshow.com. Sat, 10am-7pm; Sun, 10am-6pm, $8 (Sat tix include free return on Sun). Not only will there be hundreds of experts in everything from renovation to landscaping on hand to answer all of your home and garden questions, but there will also be live jazz acts to entertain you throughout the weekend. Proceeds benefit Marin County public schools.

JUNE 3

Santa Cruz LGBT Pride March and Rally Starts at Pacific, ends at Lorenzo Park, Santa Cruz; (831) 427-4009, www.santacruzpride.org. 11am-5pm, free. Join the largest gathering of queers and allies in Santa Cruz County. Stage lineup includes Frootie Flavors, Nedra Johnson, Twilight Vixen Revue, Horizontes, and Assemblymember John Laird. Valet bike parking provided.

JUNE 6

Strollin’ on Main Street Party Main between St John and Old Bernal, Pleasanton; (925) 484-2199, ext 4, www.pleasantondowntown.net. 6-9pm, free. Stroll down Main Street and visit vendor booths, a beer and wine garden, and a stage where featured band Drive will play.

JUNE 6–AUG 29

Summer Sounds Oakland City Center, adjacent to 12th St/City Center BART Station, Oakl; www.oaklandcitycenter.com. Wed, noon-1pm, free. The Oakland City Center presents a weekly spotlight on an array of diverse musical artists.

JUNE 7–17

San Francisco Black Film Festival Various venues; (415) 771-9271, www.sfbff.org. The festival celebrates African American cinema and the African cultural diaspora by showcasing films by black filmmakers and emphasizing the power of film to foster cultural understanding and initiate progressive social change.

JUNE 8–10

Harmony Festival Sonoma County Fairgrounds,1350 Bennett Valley, Santa Rosa; www.harmonyfestival.com. Fri, 12pm-9pm; Sat, 10am-10pm; Sun, 10am-9pm, $20-149. This year’s theme is "promoting global cooling" boasts an ecovillage offering tips for living and consuming, a well-being pavilion featuring natural remedies, and a culinary showcase of dishes using natural ingredients. Festival-goers can camp onsite and musical highlights include Brian Wilson, Erykah Badu, the Roots, moe., and Rickie Lee Jones.

JUNE 9

Dia de Portugal Festival Kelley Park, San Jose; www.diadeportugal.com. 10am, free. The Portuguese Heritage Society of California presents this annual festival featuring a parade, live music, food and wine, a book and art sale, and more.

Temescal Street Fair Telegraph between 48th and 51st streets, Oakl; (510) 654-6346, ext 2, www.temescalmerchants.com. Noon-5pm, free. This fair will feature live music, crafts, martial arts demonstrations and food samplings from local restaurants, including an Italian beer and wine garden, a tribute to days when the district once flourished with beer gardens and canteens.

JUNE 9–10

Italian Street Painting Festival Fifth Ave at A St, San Rafael; (415) 457-4878, ext 15, www.youthinarts.org. 9am-7pm, free. Street painters paint beautiful and awe-inspiring chalk artwork on the streets of San Rafael.

Live Oak Park Fair Live Oak Park, 1301 Shattuck, Berk; (510) 898-3282, www.liveoakparkfair.com.10am-6pm, free. Is there a better way to revel in the summertime than to enjoy original arts and crafts, delicious fresh food, and live jazz by Berkeley’s Jazzschool all weekend long in beautiful Live Oak Park? Didn’t think so.

San Jose Gay Pride Festival Discovery Meadow, Guadalupe River Park, San Jose; (408) 278-5563, www.sjgaypride.org. Sat, 10am-6pm, free; Sun, 10:30am, $15. This year’s San Jose pride celebration is two days’ worth of events, speakers, and music, including performances by the Cheeseballs, Average Dyke Band, and Smash-Up Derby. After the parade on Sunday, cruise vendor booths peddling their LGBT-friendly goods and services.

JUNE 9–24

San Francisco Ethnic Dance Festival Palace of Fine Arts, 3301 Lyon, SF; (415) 392-4400, www.worldartswest.org. Sat, 2 and 8pm; Sun, 2pm, $22-36. Performers from around the world converge at the Palace of Fine Arts to bring San Francisco a diverse selection of the world’s most talented dancers, including North Indian Kathak, Cantonese style Chinese lion dance, flamenco, and Middle Eastern belly dance.

JUNE 14–16

Transgender and Queer Performance Festival ODC Theater, 3153 17th St, SF; (415) 863-9834, www.freshmeatproductions.org. Thurs-Fri, 8pm; Sat, 7 and 10pm, $15. Fresh Meat Productions celebrates its sixth annual festival. This year’s artists perform traditional forms and path-blazing ones: hula, taiko, traditional Colombian dance, aerial dance, spoken word, rock ‘n’ roll, theater, hip-hop, and modern dance.

JUNE 14–17

CBA 32nd Annual Father’s Day Bluegrass Festival Nevada County Fairgrounds, McCourtney, Grass Valley; www.cbaontheweb.org. Ticket prices vary. Rhonda Vincent and the Rage, Cherryholmes, the Del McCoury Band, Dan Paisley and the Southern Grass, Country Current, the US Navy Band, the Dale Ann Bradley Band, and John Reischman and the Jay Birds perform at this California Bluegrass Association bluegrass jamboree.

JUNE 14–24

Frameline31: San Francisco International LGBT Film Festival Various venues; (415) 703-8650. www.frameline.org. The 31st annual film festival by and about the LGBT community continues with a whole new program of innovative queer cinema.

JUNE 15–17

International Robogames Fort Mason Festival Pavilion, SF; www.RoboGames.net. Noon-10pm, $15-20. Engineers from around the world return for the fourth annual event listed in the Guinness Book of World Records as the world’s largest robot competition. Featuring 83 different competitions, including 18 just for walking humanoids.

JUNE 16–17

North Beach Festival Washington Square Park, 1200-1500 blocks of Grant and adjacent streets; 989-2220, www.sfnorthbeach.org. 10am-6pm, free. Touted as the country’s original outdoor arts and crafts festival, the North Beach Festival celebrates its 53rd anniversary with juried arts and crafts exhibitions and sales, a celebrity pizza toss, live entertainment stages, a cooking stage with celebrity chefs, Assisi animal blessings (Vallejo/Columbus), Arte di Gesso (Italian street chalk art competition, 1500 block Stockton), indoor classical concerts (4 pm, at National Shrine of St Francis), a poetry stage, and more.

San Francisco Free Folk Festival San Francisco City College, North Gym, 50 Phelan, SF; www.sffreefolkfest.org. Noon-10pm, free. Folkies unite for the 31st anniversary of this festival that features local and national artists, dances, open mics, family events, and workshops.

San Francisco Juneteenth Celebration Art of the Fillmore Jazz Presentation District, Fillmore from Geary Blvd to Fulton; 931-2729, www.sfjuneteenth.org. 10am-7pm, free. This Bay Area-wide celebration celebrates African American freedom while encouraging self-development and respect for all cultures. Promoted through a community festival that celebrates and shares African American history and culture through music, the performing arts, living history, and other cultural activities. Seven full blocks of food, arts and crafts, and community and corporate information booths. Three stages of entertainment, educational speakers, and health and job fairs. All neighborhoods welcomed.

BAY AREA

Marin Art Festival Lagoon Park, Marin Center, Ave of the Flags at Civic Center, San Rafael; (415) 388-0151, www.marinartfestival.com. 10am-6pm, $8. More than 250 fine artists join in at the Frank Lloyd Wright designed Marin Center. Look out for the stilt walkers!

Russian River Blues Festival Johnson’s Beach, Guerneville; (952) 866-9599, www.russianriverbluesfest.com. 10am-6pm, $45-180. Head on down to the river for this annual affair featuring Buddy Guy, Little Richard, Koko Taylor, Roy Rogers and the Delta Kings, Lowrider Band, Elvin Bishop, and many others. Festival organizers also invite attendees to indulge in wine tasting for a nominal fee.

JUNE 17

Native Contemporary Arts Festival Esplanade at Yerba Buena Gardens, Fourth St and Mission, SF; (415) 543-1718, www.ybgf.org. 12pm-3pm, free. This fest features amazing performances, plus kids can make their own dream catchers, baskets, and bracelets.

JUNE 17–AUG 19

Stern Grove Music Festival Stern Grove, 19th Ave and Sloat, SF; www.sterngrove.org. Sun 2pm, free. This beloved San Francisco festival celebrating community, nature, and the arts is in its 70th season.

JUNE 20–24

Sonoma-Marin Fair Petaluma Fairgrounds, Petaluma; www.sonoma-marinfair.org. $8-14. This fair promotes and showcases agriculture, while displaying the diverse talents, interests, and accomplishments of the citizens of California, especially the youth of Sonoma and Marin counties. Catch acts such as Cheap Trick, SHe DAISY, and Bowling for Soup on the main stage.

JUNE 22–24

Sierra Nevada World Music Festival Mendocino County Fairgrounds, 14480 Hwy 128, Boonville; www.snwmf.com. Three-day pass, $125; camping, $50-100. Camp for three days and listen to the international sounds of Bunny Wailer, Toots and the Maytals, Luciano, Ojos de Brujo, Les Nubian, Sierra Leone’s Refugee All-Stars, Junior Kelly, Sugar Minot, and many others.

JUNE 22–JULY 8

Alameda County Fair Alameda County Fairgrounds, 4501 Pleasanton, Pleasanton; (925) 426-7559, www.alamedacountyfair.com. $4-9. Enjoy opening night fireworks, carnival attractions, a wine competition, a karaoke contest, an interactive sports and fitness expo, concerts, and oh so much more.

JUNE 23

Dyke March Dolores Park between 18th and 20th streets, SF; (415) 241-8882, www.dykemarch.org. Rally at 3pm; march at 7pm, free. Head on out to march with the San Francisco chapter of this now internationally coordinated rally. A Dolores Park celebration and rally precedes the march.

JUNE 23–24

San Francisco Pride 2006 Civic Center, Larkin between Grove and McAllister; 864-FREE, www.sfpride.org. Celebration Sat-Sun, noon-6pm; parade Sun, 10:30am, free. A month of queer-empowering events culminates in this weekend celebration, a massive party with two days of music, food, dancing that continues to boost San Francisco’s rep as a gay mecca. Do not under any circumstances miss the parade!

BAY AREA

Danville Fine Arts Fair Hartz Ave, Danville; (831) 438-4751, www.danvillecachamber.com. 10am-6pm, free. The quintessential arts and crafts fair descends upon Danville each year, bringing with it fine food and drink, Italian-style street painting, and more.

JUNE 23–25

King of the Bay Third Ave, Foster City; www.kingofthebay.com. 1pm, free. See the world’s top kiteboarders and windsurfers compete at this event.

JUNE 23–30

Jazz Camp West 2006 (510) 287-8880, www.jazzcampwest.com. This eight-day jazz program for adults and older teens features more than 100 classes taught by more than 45 nationally and internationally known artists.

JUNE 23–AUG 4

Stanford Jazz Festival Various venues. (650) 736-0324, www.stanfordjazz.org. This acclaimed festival has been injecting Northern California with a healthy dose of both classic and modern jazz for more than three decades.

JUNE 23–SEPT 8

Concert in the Hills Series Cal State East Bay, Concord Campus, 4700 Ygnacio Valley Rd, Concord; (925) 602-8654, www.concord.csueastbay.edu/concertinthehills.htm. Free. This series celebrates its eighth season with performances by acts such as Dr. Loco and His Rockin’ Jalapeño Band, Aja Vu, Joni Morris, and Native Elements.

JUNE 29–JULY 1

Kate Wolf Memorial Music Festival Black Oak Ranch, Laytonville; (707) 829-7067, www.katewolf.com/festival. Fri, 1pm-midnight; Sat, 10am-11:30pm; Sun, 11am-10pm, $55-160. This annual tribute to Northern California singer-songwriter Kate Wolf, who is credited with repopularizing folk music in the 1970s, features performances by Utah Phillips, Joe Craven and Sam Bevan, the Bills, and many others. Don’t miss the "Hobo Jungle Campfire," a nightly campfire on the creek shore with story swappin’ and song jammin’ aplenty.

JUNE 30–JULY 1

23rd Annual Fillmore Jazz Festival Fillmore between Jackson and Eddy, 1-800-310-6563, www.sresproductions.com. 10am-6pm, free. Three stages of nonstop entertainment featuring top and emerging artists. Ten blocks of art booths and gourmet food.

JUNE 30–JULY 4

Marin County Fair Marin Center, Ave of the Flags at Civic Center, San Rafael; (415) 499-6400, www.marinfair.org. 11am-11pm, $11-13. This county fair stands above the rest with its promise of nightly fireworks, There will be many fun, new competitions to enter this year, including the Dancing Stars Competition, in which contestants may perform any style of dance — from tap to ballroom, salsa to boogie. Also not to be missed is the 18th annual "Creatures and Models" exhibit and the 37th annual "National Short Film and Video Festival," plus food and rides and other fun fair stuff.

JULY 1

Vans Warped Tour 2006 Shoreline Amphitheatre, 1 Amphitheatre Pkwy, Mountain View; (650) 967-3000. www.warpedtour.com. 11am, $29.99. As Cities Burn, Bad Religion, Boys Like Girls, Coheed and Cambria, Escape the Fate, Pennywise, the Used, Funeral for a Friend, Revolution Mother, the Matches, and others perform at this annual punk music and culture event.

JULY 3–4

WorldOne Festival Cerrito Vista Park, El Cerrito; www.worldoneradio.org. Mon 5pm, Tue 10:30am, free. Worldoneradio hosts a world music and culture stage in the park. The eighth annual event is produced as a public service and fundraiser for area nonprofits.

JULY 4

City of San Francisco Fourth of July Waterfront Celebration Pier 39, Embarcadero at Beach, SF; (415) 705-5500, www.pier39.com. 1-9:30pm, free. SF’s waterfront Independence Day celebration features live music, kids’ activities, and an exciting fireworks show.

JULY 5–8

International Working Class Film and Video Festival New College Roxie Media Center, 3117 16th St; www.laborfest.net. Held annually to commemorate the San Francisco general strike of 1934 brings together filmmakers and labor artists from around the United States and internationally.

BAY AREA

High Sierra Music Festival Plumas Fairgrounds, 204 Fairground Rd, Quincy; (510) 595-1115, www.highsierramusic.org. 11am-11pm, $35-156. Enjoy your favorite jam bands on five different stages and at five different late-night venues, a kid zone, arts and crafts, food and drinks, beer, yoga, dancing, camping, and more. The lineup features performances by Xavier Rudd, the Disco Biscuits, Yonder Mountain String Band, Martin Sexton, and Les Claypool.

JULY 6–SEPT 29

Marin Shakespeare Company Festival Forest Meadows Amphitheatre, Dominican University of California, Grand Ave, San Rafael; (415) 499-4488, www.marinshakespeare.org. Fri-Sun, varying times, $7-30. The Marin Shakespeare Company presents its outdoor festival featuring performances of The Complete Works of William Shakespeare (Abridged), Henry IV, Part 1, and Henry IV, Part 2.

JULY 10–21

Mendocino Music Festival Various venues; (707) 937-2044, www.mendocinomusic.com. $15-45. David Lindley, Mollie O’Brien, the Chris Cain Quartet, and others celebrate the 21st anniversary of this classical and contemporary music festival.

JULY 12–15

World California Fest Nevada County Fairgrounds, Grass Valley; (530) 891-4098. www.worldfest.net. $30-140. The 11th annual festival features eight stages and four days of music, with performances by everyone from Ani DiFranco to the Venezuelan Music Project. Camping is encouraged.

JULY 13–15

San Francisco Silent Film Festival Castro Theatre, 429 Castro, SF; (415) 777-4908, www.silentfilm.org. Call for times and prices. The Golden Age of the silver screen comes to life, complete with a swelling Wurlitzer.

JULY 14-15

San Francisco International Chocolate Salon Fort Mason Conference Center; www.SFChocolateSalon.com. Sat, 11am-6pm; Sun, 10am-4pm, $20. The first major chocolate show on the West Coast in two decades takes place this summer with the theme Chocolat, in honor of Bastille Day. Experience the finest in artisan, gourmet, and premium chocolate with tastings, demonstrations, chef and author talks, and wine pairings.

BAY AREA

Los Altos Arts and Wine Festival Main and State, Los Altos; (650) 917-9799. www.losaltos-downtown.org. Sat, 10am-6pm; Sun, 10am-6pm, free. Enjoy original art and free entertainment while indulging in gourmet food and fine wine.

San Anselmo Art and Design Festival San Anselmo between Tamalpais and Bolinas, San Anselmo; 1-800-310-6563, www.artanddesignfestival.com. 10am-6pm, free. The San Anselmo Chamber of Commerce brings this buffet of cooking, home, and landscape design to the masses.

JULY 19–29

Midsummer Mozart Festival Various venues; (415) 627-9141, www.midsummermozart.org. $30-60. The Mozart-only music concert series features pianist Janina Fialkowska, the Haffner Serenades, and the Coronation Mass.

JULY 19–AUG 6

San Francisco Jewish Film Festival Various venues; (415) 621-0556, www.sfjff.org. The world’s first and largest Jewish film festival has toured the Bay Area for 27 years.

JULY 21–22

Connoisseur’s Marketplace Santa Cruz Ave, Menlo Park; (650) 325-2818, www.miramarevents.com. 10am-6pm, free. This annual midsummer festival hosts live jazz, R&B, and rock ‘n’ roll as well as arts and crafts, chef demonstrations, international cuisine, and lots of fun for the kids.

JULY 27–29

Gilroy Garlic Festival Christmas Hill Park, Hwy 101, Gilroy; (408) 842-1625, www.gilroygarlicfestival.com. 10am-7pm, $6-12. If 17,000 pounds of garlic bread isn’t enough of a reason to go, then all the other manifestations of this flavorful food are. Gourmet food and cook-offs, as well as free music and children’s activities, entertain you as you munch.

JULY 29

San Francisco Marathon Begins and ends at the Ferry Bldg, Embarcadero, SF; www.runsfm.com. $110 to compete. Tighten your laces for 26.2 miles around the Bay. The less enthusiastic can run a half marathon, 5K, or "progressive marathon," instead.

Up Your Alley Dore Alley between Folsom and Howard, Folsom between Ninth and 10th streets, SF; www.folsomstreetfair.com. 11am-6pm. Hundreds of naughty and nice leather lovers sport their stuff in SoMa at this precursor to the Folsom Street Fair.

AUG 3–5

Reggae on the River Dimmick Ranch, French’s Camp, Hwy 101, Piercy, Humboldt County; (707) 923-4583, www.reggaeontheriver.com. $165-225. Further details pending. This year’s riverside roots and reggae fest features the Roots, Shaggy, Angelique Kidjo, Lee "Scratch" Perry, Mad Professor, the Itals, Eek-A-Mouse, Sierre Leone’s Refugee Allstars, and many others.

Reggae Rising Dimmick Ranch, French’s Camp, Hwy 101, Piercy, Humboldt County; www.reggaerising.com. $175 for a 3 day pass. Further details pending. This new summer festival will benefit various nonprofit groups in this southern Humboldt community and features Damian Marley, Sly and Robbie, Tanya Stephens, Fantan Mojah, and more.

AUG 4–5

Aloha Festival San Francisco Presidio Parade Grounds, near Lincoln at Graham, SF; www.pica-org.org/AlohaFest/index.html. 10am-5pm, free. The Pacific Islanders’ Cultural Association presents its annual Polynesian cultural festival featuring music, dance, arts, crafts, island cuisine, exhibits, and more.

AUG 9–12

Redwood Empire Fair Redwood Empire Fairgrounds, 1055 N State, Ukiah; (707) 462-3884, www.redwoodempirefair.com. Noon-11pm, $3-6. Bring the family to this old-timey fair, complete with rides, food, and fun.

AUG 10–12

Comcast San Jose Jazz Festival Various venues; (408) 288-7557, www.sanjosejazz.org. $5. This three-day music festival hosts dozens of acclaimed musicians playing all flavors of jazz.

AUG 11

SEEN Festival 2006 People’s Park, Telegraph and Dwight, Berk; (510) 938-2463, www.maxpages.com/seen2000. 11:30am-5pm, $5 suggested donation. This year marks the 12th anniversary of this world music, reggae, and soul festival.

AUG 11–12

Nihonmachi Street Fair Japantown Center, Post and Webster, SF; (415) 771-9861, www.nihonmachistreetfair.org. 11am-6pm, free. Japantown’s 34th annual celebration of the Bay Area’s Asian and Pacific Islander communities continues this year with educational booths and programs, local musicians and entertainers, exhibits, and artisans.

Pistahan Yerba Buena Gardens, 700 Howard, SF; www.ybgf.org. 11am-5pm, free. The Bay Area Filipino festival of culture and cuisine features arts and crafts, live entertainment, food, and more.

Vintage Paper Fair Hall of Flowers, Golden Gate Park, Ninth Ave at Lincoln, SF; (323) 883-1702, www.vintagepaperfair.com. Sat, 10am-6pm; Sun, 10am-4pm, free. Craft lovers will enjoy this fair, which presents works made from all kinds of paper — from photographs, postcards, and memorabilia to brochures and trade cards.

AUG 18–19

Solfest Solar Living Institute,13771 S Hwy 101, Hopland; (707)744-2017, www.solfest.org. "The greenest show on earth" is back for another year featuring exhibits about renewable energy, green building, ecodesign tools, organic agriculture, and much more.

SEPT 1–2

Millbrae Art and Wine Festival Broadway between Victoria and Meadow Glen, Millbrae; (650) 697-7324, www.miramarevents.com. 10am-5pm, free. More than 100,000 visitors will gather for this festive Mardi Gras-style celebration featuring R&B, rock ‘n’ roll, jazz, and soul music, as well as arts and crafts, food and beverages, live performance, and activities for kids.


SEPT 8–9

Mountain View Art and Wine Festival Castro between El Camino Real and Evelyn Ave, Mountain View; (650) 968-8378, www.miramarevents.com. 10am-6pm, free. Known as one of America’s finest art festivals, this vibrant celebration featuring art, music, and a kids’ park draws more than 200,000 arts lovers to Silicon Valley’s epicenter.

SEPT 9

Solano Stroll Solano Ave, Berk and Albany; (510) 527-5358, www.SolanoStroll.org. 10am-6pm, free. The vibes are always mellow and the air filled with rhythm at the Solano Ave Stroll. In its 33rd year, the milelong block party will feature a pancake breakfast, booths, entertainers, a parade, and more, this year with the Going Green — It’s Easy! theme.

SEPT 15

Expo for the Artist and Musician SomArts, 934 Brannan, SF; (415) 861-5302; artsandmedia.net. 11am-6pm. This eighth annual event, sponsored by Independent Arts and Media, is the Bay Area’s only grassroots connection fair for independent arts, music, and culture, featuring workshops, performances, and networking.

SEPT 22

California Poets Festival History Park San Jose, 1650 Center, San Jose; californiapoetsfestival.org. 10am-4:30pm, free. Celebrate California’s distinctive heritage of poets, poetry, and presses at this all-day outdoor festival. *

Compiled by Nathan Baker, Angela Bass, Sam Devine, Molly Freedenberg, and Chris Jasmin

Ponder or ignore? Enjoy

0

> johnny@sfbg.com

The oldest film festival in the United States and Canada, the San Francisco International Film Festival reaches its golden anniversary this year. That’s half a century of bringing movies from all over the world to one area of America that doesn’t assume America is the world.

At this moment a solo videomaker has to kill at least a few dozen people to storm the multinational media palace. Yeah, this thought crashes the SFIFF’s party. But it adds context to the fest’s contents. One Guardian contributor recently forwarded me a news story that drew specious links between the Virginia Tech tragedy and Park Chan-wook’s 2003 movie Old Boy. The presence of The Bridge (a documentary that uses images of death in a problematic manner) at last year’s SFIFF proves that film festivals also face ethical dilemmas about what they present. Does increasingly pervasive digital imagery correspond with a decrease, rather than an increase, in imagination? Does it prompt a lazy way of seeing and corrupt the meaning of an image?

The SFIFF offers a chance to enjoy – not just ponder or ignore – such questions. As a major progenitor of the festival model that has come to dominate cinema outside of Hollywood, this event often celebrates and represents the establishment, as Sam Green and Christian Bruno’s 2000 short film Pie Fight ’69 makes clear. But unlike many younger festivals, the SFIFF’s programming favors substance over sensation.

George Lucas, Robin Williams, and Spike Lee will be feted this year, but the Guardian‘s SFIFF 50 coverage has an eye for diamonds in the rough: great, quiet films such as Heddy Honigmann’s Forever; a definitely maddening but possibly classic work of art, Pedro Costa’s Colossal Youth; and digital animator Kelly Sears’s hilarious short works – in step with hallucinatory digital mind-blowers and eye-blinders such as Paper Rad – which feature in the type of one-time-only SFIFF collaborative event that can yield a memorable night.

I’d like to draw attention to the SFIFF’s two entries from the New Crowned Hope series recently curated by Peter Sellars (Mahamat-Saleh Haroun’s Daratt and Garin Nugroho’s dazzling Opera Jawa) and to close by freestyling the praises of Veronica Chen’s gorgeous Agua. In its regard of two generations of men, of male physicality and psychology, it is a pleasurable, less-austere improvement on Claire Denis’s highly acclaimed Beau Travail and part of a possible new wave of cinema – led by Douglas Gordon and Philippe Parreno’s Zidane – that trailblazes the cinematic potential of contemporary sports performance and its portraiture. Dive into it and SFIFF 50. *

Sympathy for the (she) devil

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> le_chicken_farmer@yahoo.com

CHEAP EATS They don’t have kickoffs. They just start the game. It was the Lexington Club Bruisers vs. the Diablas, and we were the only two people in the stands. Again. Me and Twinkle Wonderkid.

Crocker Amazon. The weather: football weather, foggy and freezing … I had every intention in the world of rooting for the Bruisers. I don’t know, the Lexington Club just kind of feels like the home team to me. Plus I like the pink shirts.

However, there was a lot more pink on the field than there was blue. First I thought all the Diablas were lost in the fog. Then the Kid helped me count, and it was eight to five. And the mismatch was not only on the field; the Lexington Club had a separate offense and defense, a few extra subs, and two cheerleaders.

So the five Diablas on the field were going to have to play both sides of the ball, every play, whole game, and cheer for themselves too. They didn’t look very cheerful. They looked defeated, shoulders slumped and faces blank as blankets. They seemed sleepy and soft, as if the fog were on the inside too.

"Oh no," I said.

Twinkle stated the obvious. "We can’t exactly not root for the underdog," she said. Then: "Can we?" She’s not as experienced a football fan as I am.

"Oh no," I said. "Oh no no no no no." I wasn’t thinking about rooting for anyone anymore. My cleats were in my pickup truck. My truck was in the parking lot. The parking lot was just on the other side of the playing field…. I come from Ohio. Rooting be damned, I wanted to play for the Diablas.

I stood up, sat back down, stood up, and then, like a good Sunday morning Catholic, knelt. The thing was that, technically speaking, I was on a date. Twinkle Wonderkid and me are positively hooked on girl football. It’s our thing. Sunday mornings, Crocker Amazon. We pick up some chicken adobo or a mess o’ meat meat meat at Turo-Turo or the South Pacific Island Restaurant, and we tailgate in the Crocker Amazon parking lot, or picnic on a blanket in the grass, and then cross the field to watch the games from the bleachers. If I got to play, Twinkle’d be sitting in the stands all alonesome, and what kind of a date is that?

"Go ahead," she said, being pretty saintly for an ex-sailor and a cowboy girl. "Are you kidding me? I’d love to watch you play football."

I decided not to say, "Really?" – not even once – for fear she would change her mind. I also decided to wait a while, until the Diablas were getting crushed. Outnumbered eight-to-five on the field, and at least eight-to-none on the sidelines … it didn’t take long. They play 20-minute halves, and our girls were down to the Bruisers 19-0 by halftime.

"Wish me luck," I said, kissing Twinkle on the cheek, and I crossed the field in my shit-kicker buckle shoes and swirly skirt to ask, for the first time since I was seven, if I could play.

I asked the Diablas, the Bruisers, the refs, and the league commissioner. They all said the same thing: I couldn’t play. I could play. I mean, I couldn’t not play because I was trans, but because it was too late to get on the roster, halftime of Game Four being on the wrong side of the sign-up deadline, apparently. Well! …

I wished the Diablas the best of luck, told them we were on their side, hang in there, they were my new favorite football team, could I play for them next season, here’s my phone number, gimme a call, next season we can be outnumbered eight-to-six, etc., and I clomped back across the middle of the field, trying not to feel like a halftime show.

Lucky me! If they would have let me play, I wouldn’t have gotten to watch the greatest, most inspired, most inspiring comeback in the history of sports. Remember: I watched Joe Montana work. And Steve Young. Hell, I remember John Brodie to Gene Washington, a playoff game against the Redskins. And I’ve never seen anything like this.

By the closing whistle, me and the Kid were all screamed out and piss-pantsed, the score was tied 19-19, and I was madly in love with five of the badassest ballplayers I’d ever seen play ball.

Turo-Turo’s a fine, fine restaurant, but I like South Pacific Island even better, so … *

SOUTH PACIFIC ISLAND RESTAURANT

Tues.-Sat., 8 a.m.-7 p.m.; Sun., 8 a.m.-6 p.m.

2803 Geneva, Daly City

(415) 467-1870

Takeout available

No alcohol

AE/MC/V

Wheelchair accessible

Meeting acute

0

› a&eletters@sfbg.com

REVIEW In the aftermath of the Oklahoma City bombing, one of the only voices raised on behalf of understanding Timothy McVeigh — that is, as someone slightly more complicated than a Hollywood-style incarnation of pure evil — was that of Gore Vidal. Vidal insisted on pointing to the obvious: the bombing of offices that included the local headquarters of the FBI and the ATF — although utterly cruel and misguided in leading to 168 deaths — was not arbitrary wickedness but a carefully considered act of revenge. As Vidal put it in his article on McVeigh for Vanity Fair, the bombing of the federal building in Oklahoma City "was the greatest massacre of Americans by an American since two years earlier, when the federal government decided to take out the compound of a Seventh-Day Adventist cult near Waco, Texas."

McVeigh — a decorated military hero of the Gulf War, as it turned out — had counterattacked a government he claimed was waging war against the American people. In this opinion, McVeigh, who insisted he had no accomplices, was not alone. He represented a growing libertarian movement afoot in the American heartland. Moreover, as Vidal, a critic from the left of federal tyranny, pointed out in a 1998 piece for Vanity Fair, "Shredding the Bill of Rights," the government had violated Posse Comitatus in laying its siege of the Branch Davidians.

For Vidal’s attention to the matter, McVeigh began a correspondence with him, even inviting the writer to attend his execution — an invitation Vidal declined. This immediately sounds like a fascinating, even dramatic dialogue. But stageworthy? Edmund White’s two-hander, Terre Haute, shrewdly ups the ante a bit, imagining an actual date between Vidal and McVeigh — respectively cast as the lightly fictionalized writer James Brevoord (a fine John Hutchinson) and the transparently McVeigh-like terrorist Harrison (a fiercely magnetic Elias Escobedo, who even bears a strong physical resemblance to the original). They encounter each other in the flesh in a series of brief meetings across a plastic security screen in the maximum-security prison in Terre Haute, Ind., during the days preceding Harrison’s execution.

On death row Harrison has had time to think over his actions. Neighbor Ted Kaczynski, we learn, has suggested he would have done better to blow the building up at night, when it was empty of innocents. But Harrison remains unrepentant, even if we see the burden of responsibility close over him when the lives of innocent "collaterals," particularly the children at the day care center, get mentioned. Brevoord — who is there to write on the meaning of Harrison’s act and to boldly ask the whys so studiously erased in the media — sympathizes with Harrison’s anti-imperialism while provoking the younger man with mounting scorn for his embrace of feeble right-wing conspiracy theories.

Besides a political tête-à-tête, the meeting is the occasion for a clash of personalities, temperaments, and backgrounds, all of which White brings out starkly in the dialogue: Brevoord, for instance, is the kind of man who has no trouble using kerfuffle in an idle sentence, although an indeed is more than enough to throw Harrison for a loop. The tension here is often lightly comical, but the point about education, intellect, and political opposition (and the art of the interviewer) is well made. And if the script feels overly expositional at times, the actors offer strong and credible performances throughout.

The New Conservatory Theatre Center’s US premiere is a sharp and intimate production, staged by director Christopher Jenkins with intelligent assurance, including a concentration on character that garners moments of alternately subtle and electric intensity between two men negotiating an extraordinary situation. Yet the director can’t resist kitschy flourishes, introducing the McVeigh character, for instance, with a short piercing scream of sound and a light that illuminates Harrison standing like Hannibal Lecter behind the see-through wall of the visiting cell. Scenic designer Bruce Walters’s visiting room, meanwhile, is a simple but convincingly dire arrangement of wire-woven Plexiglas walls, yellow-taped borders, and blinking security cameras.

White draws the facts of the case, as well as the style and argument from Vidal’s relevant essays, into well-crafted if sometimes information-laden dialogue. It can be too clashing and unnecessarily confrontational, but it is generally graceful and filled with absorbing ideas, especially in the monologues given to the Vidal character. Unfortunately, the play gets distracted from the meat of its story. That tale not only sports an intriguing tension between two very different sorts of rebels but is politically urgent and deep, ranging from the correct response to a truly totalitarian encroachment on fundamental liberties to the dissolving relation between cause and effect in a culture dominated by mind-numbingly interchangeable images of good and evil.

Instead, the play ends up veering off into carnal considerations of repressed desires, a layer to the characters’ relationship that was probably best left hinted at. The best you might say about it is that it further humanizes a figure too quickly passed off as a cartoon rather than a riddle that needs solving. But in practice it tends to trivialize what’s gone before, inevitably mixing an unhelpful pinch of Freud into the media-repressed why of a terrible public act. *

TERRE HAUTE

Through May 6

Wed.–Sat., 8 p.m.; Sun., 2 p.m.; $22–$40

New Conservatory Theatre Center

25 Van Ness, SF

(415) 861-8972

www.nctcsf.org

>

Still censored: the story and debate on the impacts of media consolidation in the Bay Area

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By Bruce B. Brugmann

For years, the Guardian has been publishing on its front page the “Project Censored” story, a list and story of the most “censored” stories of the past year as compiled by Project Censored, a respected 30-year-old media research project at Sonoma State University. We always include our local version of major stories the local mainstream media miss and note that they always “censor” the big local stories involving their own papers. And of course the mainstream press makes the story even better by “censoring” the Project Censored story every year.

The latest “censored” story, as attentive readers of the Bruce blog know, is
the story of the terrible impact of media consolidation in the Bay Area and the documents of secrecy, stonewalling, and collaboration that the nation’s biggest chains are using to censor and obfuscate the story.

This morning April l6, on the widely read Romenesko media newsletter on the Poynter Institute website,
an important story was posted that made the censorship point in 96 point Garamond Bold.
It was headlined “The Crisis of Consolidation in Bay Area News Media” and laid out in a telling argument that the Hearst/Singleton consolidation would mean that “coverage of virtually every level of government, education, sports, criminal justice, arts and business would be in the hands of one organization with a single set of principles, perspectives and purposes. This is the situation one expects in a totalitarian regime, not in pluralistic America.”

This is the kind of commentary that ought be a regular feature of every daily paper and major broadcast station in the Bay Area. The Hearst/Singleton deal ought to be a major running story in the local media. How many regional stories will be covered by one reporter? Will there be real Washington and Sacramento bureaus? Will there be a joint line on editorial policy and endorsements? Will the same candidates get the endorsements for president, U.S. Senate, the House, and other state and local political offices? How much will local news suffer? Will one critic cover a show or opening for all the papers? How many sports writers will be covering the Giants, Athletics, and 49ers? Who will cover all those local meetings? How can any of the papers be real local watchdogs? There ought to be informed discourse and debate on such serious impact questions, but there isn’t and there most likely won’t be in the monopolizing press.

Instead, the crisis commentary was written by the former political editor of the San Jose Mercury News, Philip J. Trounstine. He wrote the commentary as a consultant to plaintiff Clint Reilly in his antitrust trial in federal court aimed at blocking the monopoly deal. Trounstine was also the former communications director for Gov. Gray Davis and is the founder and director of the Survey and Policy Institute at San Jose State University.

So there you have it: the Hearst and Singleton press that owns all the daily papers from Vallejo to Santa Cruz refuse to do the story on the impact of the deal. Citizen Reilly has to sue to get the story out and bring in Trounstine to do an analysis of the impact. The analysis gets out only by being posted on the Grade the News.com, a media watchdog site, and picked up by Romenesko and the Bruce blog.

Trounstine ends with a crucial point: “The tragedy for the public interest is that instead of reallocating resources to increased local coverage, newspapers across the country and throughout the region are instead using the economic gains made from consolidation for short-term gains in profitability.

“With no meaningful daily competition on significant regional and statewide stories, there is no pressure on news operations to intensify coverage of any issue or event. Just the opposite in fact: consolidation ushers in the decline in the range and depth of information that citizens need to make intelligent civic decisions.”

Now, out of embarrassment or principle, will any Hearst or Singleton or Gannett or Stephens paper anywhere in the U.S. run Trounstine or do a comparable story on the Hearst/Single consolidation and its toxic impact on one of the most liberal and civilized regions in the world.? Let me know. Stay alert. B3

Wing clippings

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› le_chicken_farmer@yahoo.com

CHEAP EATS My new favorite person is this guy Doc who I play baseball with. He’s not a medical doctor. He knows about chicken wings. We weren’t even on the same team, and he said between innings, "Have you ever been to San Tung?"

"Never heard of it," I said.

"Best chicken wings," he said.

"Where?"

"Irving," he said. "Between 11th and 12th."

We were in the Golden Gate Park, Big Rec. That put chicken wings pretty much almost exactly on my way home to Sonoma County, give or take a block.

It was a good game, my favorite kind, a pitcher’s duel, nothin’-nothin’ (nothin’-nothin’-nothin’-nothin’) … but I’m not a nihilist or a sports writer. Wait a minute, am I a nihilist? I can’t keep things straight anymore, damn it. Hold on. [Sounds of papers rustling, drawers opening and closing, coffee spilling.] Where’s my identity?

Chicken farmer!!! People have been writing to me and saying, Chicken Farmer, what about Houdini? Houdini being my famously wayward escape-artist chicken, and "what about" being that I was going to eat her, I said, if I couldn’t figure out how she was doing it — "it" being finding her way into the neighbors’ flower bed and being generally disrespectful to the colors, smells, and natural beauty of it.

"It" being said flower bed.

Damn, I really do need to learn to write. No I don’t. I need to learn to chicken farm because, no, I never did discover her escape route. This, in spite of 24-hour surveillance cameras, stakeouts, and the clandestine cooperation of two "plants" on the inside.

Houdini’s a genius. Nevertheless, I didn’t eat her, not yet. Thanks for asking. She was saved by my chicken farmerly surrealism. I’m not a genius, but I do know how to deflect criticism by not making any sense whatsoever. I bought the neighbors an amelioratory bag of wild bird seed, some oranges, and a package of pretty stickers, and informed them in a letter that I was transsexual and should thenceforth be referred to as Ms. Chicken Farmer, if they please.

Essentially, this was a stalling tactic, designed to buy me and Houdini another week, at least, while my neighbors wobbled and just generally lost sleep.

Not long into that week, when Houdini was next found by me to be luxuriating among the forbidden flowers, I held her down and clipped her wing. It was a desperate measure but not necessarily cruel. Chickens are flightless birds to begin with. What do they need wings for?

Well, balance. It’s more like a haircut than surgery, see? You’re only clipping the feathers, and only on one wing, so that afterward they feel all asymmetrical and artsy and don’t crave flowers anymore. Theoretically.

It’s working, but it’s also only a matter of time, I know. Feathers molt and grow. And smart animals, with the possible exception of me, only get smarter.

So I’m packing up the pickup truck, all dolled up for a gig, when my neighbor comes strolling over with his hands in his pockets … thanks for the seeds, you shouldn’t have, and congratulations.

"I don’t know," he said, checking himself. "What do you say to a trans person? Is that what you say?"

"Congratulations is nice," I said, loading up my steel drum and stand. I like my neighbor Dave. We get along, chickens in flower beds notwithstanding.

"So what do your groupies think about this?" he said. He knows I’m in a band but not what kind, apparently.

I smiled. "Dave," I said, "my groupies are 80-year-old shut-ins with bad eyes and Alzheimer’s. Not that they could ever quite tell if I was a boy or girl, but …"

"Well, congratulations," he said. "You’ve got the hair for it, anyway."

And he went back to his flower bed, and I went to my gig, and Houdini gazed into the chicken coop mirror and felt progressive.

Every time I have to clip a chicken’s wing, I can’t help fantasizing that some day, if there is a god, we will have genetically modified chickens that regenerate missing parts. So that chicken farmers can clip off more than just the feathers. We will harvest chicken wings like asparagus and eat like kings or college students.

But there’s not a god, of course, and that’s where San Tung comes in handy. Doc was right. *

SAN TUNG

Mon.–Tues. and Thurs.–Sun., 11 a.m.–9:30 p.m.

1031 Irving, SF

(415) 242-0828

Takeout available

Beer

MC/V

Bustling

Wheelchair accessible

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Dine Listings

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Welcome to our dining listings, a detailed guide by neighborhood of some great places to grab a bite, hang out with friends, or impress the ones you love with thorough knowledge of this delectable city. Restaurants are reviewed by Paul Reidinger (PR) or staff. All area codes are 415, and all restaurants are wheelchair accessible, except where noted.

B Breakfast

BR Saturday and/or Sunday brunch

L Lunch

D Dinner

AE American Express

DC Diners Club

DISC Discover

MC MasterCard

V Visa

¢ less than $7 per entrée

$ $7–$12

$$ $13–$20

$$$ more than $20

DOWNTOWN/EMBARCADERO

Boulevard runs with ethereal smoothness — you are cosseted as if at a chic private party — but despite much fame the place retains its brasserie trappings and joyous energy. (Staff) 1 Mission, SF. 543-6084. American, L/D, $$$, AE/DC/DISC/MC/V.

Brindisi Cucina di Mare cooks seafood the south Italian way, and that means many, many ways, with many, many sorts of seafood. (PR, 4/04) 88 Belden Place, SF. 593-8000. Italian/seafood, L/D, $$, AE/MC/V.

Bushi-tei melds East and West, old and new, with sublime elegance. Chef Seiji Wakabayashi is fluent in many of the culinary dialects of East Asia as well as the lofty idiom of France, and the result is cooking that develops its own integrity. The setting — of glass, candles, and ancient lumber — shimmers with enchantment. (PR, 3/06) 1638 Post, SF. 440-4959. Fusion, D, $$$, AE/MC/V.

Café Claude is a hidden treasure of the city center. There is an excellent menu of traditional, discreetly citified French dishes, a youthful energy, and a romantic setting on a narrow, car-free lane reminiscent of the Marais. (PR, 10/06) 7 Claude Lane, SF. 392-3515. French, L/D, $$, AE/DC/DISC/MC/V.

Chaya Brasserie brings a taste of LA’s preen-and-be-seen culture to the waterfront. The Japanese-influenced food is mostly French, and very expensive. (Staff) 132 Embarcadero, SF. 777-8688. Fusion, D, $$$, AE/DC/MC/V.

Cortez has a Scandinavian Designs-on-acid look — lots of heavy, weird multicolored mobiles — but Pascal Rigo’s Mediterranean-influenced small plates will quickly make you forget you’re eating in a hotel. (Staff) 550 Geary (in the Hotel Adagio), SF. 292-6360. Mediterranean, B/D, $$, AE/DC/DISC/MC/V.

Cosmopolitan Cafe seems like a huge Pullman car. The New American menu emphasizes heartiness. (Staff) 121 Spear, SF. 543-4001. American, L/D, $$, AE/DC/MC/V.

NORTH BEACH/CHINATOWN

Maykadeh Persian Cuisine is a great date restaurant, classy but not too pricey, and there are lots of veggie options both for appetizers and entrées. Khoresht bademjan was a delectable, deep red stew of tomato and eggplant with a rich, sweet, almost chocolatey undertone. (Staff) 470 Green, SF. 362-8286. Persian, L/D, $, MC/V.

Michelangelo Cafe There’s always a line outside this quintessential North Beach restaurant, but it’s well worth the sidewalk time for Michelangelo’s excellent Italian, served in a bustling, family-style atmosphere. The seafood dishes are recommended; approach the postprandial Gummi Bears at your own risk. (Staff) 597 Columbus, SF. 986-4058. Italian, D, $$.

Moose’s is famous for the Mooseburger, but the rest of the menu is comfortably sophisticated. The crowd is moneyed but not showy and definitely not nouveau. (Staff) 1652 Stockton, SF. 989-7800. American, BR/L/D, $$, AE/DC/MC/V.

Pena Pacha Mama offers organic Bolivian cuisine as well as weekly performances of Andean song and dance. Dine on crusted lamb and yucca frita while watching a genuine flamenco performance in this intimate setting. (Staff) 1630 Powell, SF. 646-0018. Bolivian, BR/D, $$, AE/MC/V.

Rico’s touts its salsas, and they are good, but so is almost everything else on the mainstream Mexican menu. (Staff) 943 Columbus, SF. 928-5404. Mexican, L/D, ¢, AE/MC/V.

SOMA

AsiaSF Priscilla, Queen of the Desert meets Asian-influenced tapas at this amusingly surreal lounge. The drag queen burlesque spectacle draws a varied audience that’s a show in itself. (Staff) 201 Ninth St, SF. 255-2742. Fusion, D, $, AE/DC/DISC/MC/V.

Bacar means "wine goblet," and its wine menu is extensive — and affordable. Chef Arnold Wong’s eclectic American-global food plays along nicely. (Staff) 448 Brannan, SF. 904-4100. American, D, $$, AE/MC/V.

Basil A serene, upscale oasis amid the industrial supply warehouses, Basil offers California-influenced Thai cuisine that’s lively and creative. (Staff) 1175 Folsom, SF. 552-8999. Thai, L/D, $, AE/MC/V.

Big Nate’s Barbecue is pretty stark inside — mostly linoleum arranged around a pair of massive brick ovens. But the hot sauce will make you sneeze. (Staff) 1665 Folsom, SF. 861-4242. Barbecue, L/D, $, MC/V.

Butler and the Chef brings a taste of Parisian café society — complete with pâtés, cornichons, and croques monsieurs — to sunny South Park. (PR, 5/04) 155A South Park, SF. French, B/L/D, $, AE/DC/DISC/MC/V.

NOB HILL/RUSSIAN HILL

Crustacean is famous for its roast Dungeness crab; the rest of the "Euro/Asian" menu is refreshingly Asian in emphasis. (Staff) 1475 Polk, SF. 776-2722. Fusion, L/D, $$, AE/MC/V.

East Coast West Delicatessen doesn’t look like a New York deli (too much space, air, light), but the huge, fattily satisfying Reubens, platters of meat loaf, black-and-white cookies, and all the other standards compare commendably to their East Coast cousins. (Staff) 1725 Polk, SF. 563-3542. Deli, BR/L/D, $, MC/V.

La Folie could be a neighborhood spot or a destination or both, but either way or both ways it is sensational: an exercise in haute cuisine leavened with a West Coast sense of informality and playfulness. There is a full vegetarian menu and an ample selection of wines by the half bottle. (PR, 2/06) 2316 Polk, SF. 776-5577. French, D, $$$, AE/DC/DISC/MC/V.

Grubstake might look like your typical Polk Gulch diner — sandwiches and burgers, open very late — but the kitchen also turns out some good mom-style Portuguese dishes, replete with olives, salt cod, and linguica. If you crave caldo verde at 3 a.m., this is the place. (Staff) 1525 Pine, SF. 673-8268. Portuguese/American, B/L/D, ¢, cash only.

*Matterhorn Restaurant offers dishes that aren’t fondue, but fondue (especially with beef) is the big deal and the answer to big appetites. For dessert: chocolate fondue! (Staff) 2323 Van Ness, SF. 885-6116. Swiss, $$, D, AE/DC/DISC/MC/V.

CIVIC CENTER/TENDERLOIN

Mekong Restaurant serves the foods of the Mekong River basin. There is a distinct Thai presence but also dishes with Laotian, Cambodian, Vietnamese, and even Chinese accents. (PR, 1/06) 791 O’Farrell, SF. 928-2772. Pan-Asian, L/D, $, MC/V.

Olive might look like a tapas bar, but what you want are the thin-crust pizzas, the simpler the toppings the better. The small plates offer eclectic pleasures, especially the Tuscan pâté and beef satay with peanut sauce. (Staff) 743 Larkin, SF. 776-9814. Pizza/eclectic, D, $, AE/DISC/MC/V.

Pagolac For $10.95 a person you and two or more of your favorite beef eaters can dive into Pagolac’s specialty: seven-flavor beef. Less carnivorous types can try the cold spring rolls, shrimp on sugarcane, or lemongrass tofu. (Staff) 655 Larkin, SF. 776-3234. Vietnamese, L/D, ¢.

*Saha serves "Arabic fusion cuisine" — a blend of the Middle East and California — in a cool, spare setting behind the concierge’s desk at the Hotel Carlton. One senses the imminence of young rock stars, drawn perhaps by the lovely chocolate fondue. (PR, 9/04) 1075 Sutter, SF. 345-9547. Arabic/fusion, B/BR/D, $$, AE/DISC/MC/V.

HAYES VALLEY

Frjtz serves first-rate Belgian fries, beer, crepes, and sandwiches in an art-house atmosphere. If the noise overwhelms, take refuge in the lovely rear garden. (Staff) 579 Hayes, SF. 864-7654; also at Ghirardelli Square, SF. 928-3886. Belgian, B/L/D, $, AE/DC/DISC/MC/V.

Hayes Street Grill started more than a quarter century ago as an emulation of the city’s old seafood houses, and now it’s an institution itself. The original formula — immaculate seafood simply prepared, with choice of sauce and French fries — still beats vibrantly at the heart of the menu. Service is impeccable, the setting one of relaxed grace. (PR, 7/06) 816 Folsom, SF. 863-5545. Seafood, L/D, $$$, AE/DISC/MC/V.

Sauce enjoys the services of chef Ben Paula, whose uninhibited California cooking is as easy to like as a good pop song. (PR, 5/05) 131 Gough, SF. 252-1369. California, D, $$, AE/DISC/MC/V.

Suppenküche has a Busvan for Bargains, butcher-block look that gives context to its German cuisine. If you like schnitzel, brats, roasted potatoes, eggs, cheese, cucumber salad, cold cuts, and cold beer, you’ll love it here. (Staff) 601 Hayes, SF. 252-9289. German, BR/D, $, AE/MC/V.

*Zuni Cafe is one of the most celebrated — and durable — restaurants in town, perhaps because its kitchen has honored the rustic country cooking of France and Italy for the better part of two decades. (PR, 2/05) 1658 Market, SF. 552-2522. California, B/L/D, $$$, AE/MC/V.

CASTRO/NOE VALLEY/GLEN PARK

La Ciccia offers the distinct cuisine of Sardinia — Italian yet not quite — in an appealingly subdued storefront setting in outer Noe Valley. Pizzas are excellent, and the food is notably meaty, though with some lovely maritime twists. A unique and riveting wine list. (PR, 6/06) 291 30th St., SF. 550-8114. Sardinian/Italian, D, $$, MC/V.

Côté Sud brings a stylish breath of Provence to the Castro. The cooking reflects an unfussy elegance; service is as crisp as a neatly folded linen napkin. Nota bene: you must climb a set of steps to reach the place. (Staff) 4238 18th St, SF. 255-6565. French, D, $$, MC/V.

Eric’s Dig into the likes of mango shrimp, hoisin green beans, and spicy eggplant with chicken in this bright, airy space. (Staff) 1500 Church, SF. 282-0919. Chinese, L/D, $, MC/V.

Eureka Restaurant and Lounge combines, in the old Neon Chicken space, a classic Castro sensibility (mirrors everywhere, fancy sparkling water) with a stylish all-American menu that reflects Boulevard and Chenery Park bloodlines. Prices are high. (PR, 12/06) 4063 18th St. SF. 431-6000. American, D, $$$, AE/MC/V.

*Firefly remains an exemplar of the neighborhood restaurant in San Francisco: it is homey and classy, hip and friendly, serving an American menu — deftly inflected with ethnic and vegetarian touches — that’s the match of any in the city. (PR, 9/04) 4288 24th St, SF. 821-7652. American, D, $$, AE/MC/V.

HAIGHT/COLE VALLEY/WESTERN ADDITION

Metro Cafe brings the earthy chic of Paris’s 11th arrondissement to the Lower Haight, prix fixe and all. (Staff) 311 Divisadero, SF. 552-0903. French, B/BR/L/D, $, MC/V.

New Ganges Restaurant is short on style — it is as if the upmarket revolution in vegetarian restaurants never happened — but there is a homemade freshness to the food you won’t find at many other places. (Staff) 775 Frederick, SF. 681-4355. Vegetarian/Indian, L/D, $, MC/V.

Raja Cuisine of India serves up decent renditions of Indian standards in an unassuming, even spare, setting. Low prices. (Staff) 500 Haight, SF. 255-6000. Indian, L/D, $, MC/V.

Rotee isn’t the fanciest south Asian restaurant in the neighborhood, but it is certainly one of the most fragrant, and its bright oranges and yellows (food, walls) do bring good cheer. Excellent tandoori fish. (PR, 12/04) 400 Haight, SF. 552-8309. Indian/Pakistani, L/D, $, MC/V.

Tsunami Sushi and Sake Bar brings hip Japanese-style seafood to the already hip Café Abir complex. Skull-capped sushi chefs, hefty and innovative rolls. (Staff) 1306 Fulton, SF. 567-7664. Japanese/sushi, D, $$, AE/DC/DISC/MC/V.

Zazie is one of the best, possibly the very best, of the city’s neighborhood French bistros. The excellent food is fairly priced and the service well-honed; even diners in the open-air garden at the rear of the restaurant will feel coddled. (PR, 1/07) 941 Cole, SF. 564-5332. French, B/BR/L/D, $, MC/V.

Ziryab brings a touch of eastern Med class to a slightly sketchy block of Divisadero in the Western Addition. The menu graciously innovates Middle Eastern standards while adding a California twist or two for fun. Faux stonework lends a Vegas air to the setting. (PR, 3/07) 528 Divisadero, SF. 269-5430. Middle Eastern, L/D, $, AE/DC/DISC/MC/V.

Zoya takes some finding — it is in the little turret of the Days Inn Motor Lodge at Grove and Gough — but the view over the street’s treetops is bucolic, and the cooking is simple, seasonal, direct, and ingredient driven. (PR, 12/05) 465 Grove, SF. 626-9692. California, L/D, $$, AE/DC/DISC/MC/V.

MISSION/BERNAL HEIGHTS/POTRERO HILL

Cafe Phoenix looks like a junior-high cafeteria, but the California-deli food is fresh, tasty, and honest, and the people making it are part of a program to help the emotionally troubled return to employability. (Staff) 1234 Indiana, SF. 282-9675, ext. 239. California, B/L, ¢, MC/V.

Caffe Cozzolino Get it to go: everything’s about two to four bucks more if you eat it there. (Staff) 300 Precita, SF. 285-6005. Italian, L/D, $, AE/MC/V.

Caffe d’Melanio is the place to go if you want your pound of coffee beans roasted while you enjoy an Argentine-Italian dinner of pasta, milanesa, and chimichurri sauce. During the day the café offers a more typically Cal-American menu of better-than-average quality. First-rate coffee beans. (PR, 10/04) 1314 Ocean, SF. 333-3665. Italian/Argentine, B/L/D, $, MC/V.

Il Cantuccio strikingly evokes that little trattoria you found near the Ponte Vecchio on your last trip to Florence. (Staff) 3228 16th St, SF. 861-3899. Italian, D, $, MC/V.

Chez Papa Bistrot sits like a beret atop Potrero Hill. The food is good, the staff’s French accents authentic, the crowd a lively cross section, but the place needs a few more scuffs and quirks before it can start feeling real. (Staff) 1401 18th St, SF. 824-8210. French, BR/L/D, $$, AE/MC/V.

Circolo Restaurant and Lounge brings Peruvian- and Asian-influenced cooking into a stylishly barnlike urban space where dot-commers gathered of old. Some of the dishes are overwrought, but the food is splendid on the whole. (PR, 6/04) 500 Florida, SF. 553-8560. Nuevo Latino/Asian, D, $$$, AE/DC/DISC/MC/V.

Couleur Café reminds us that French food need be neither fancy nor insular. The kitchen playfully deploys a world of influences — the duck-confit quesadilla is fabulous — and service is precise and attentive despite the modest setting at the foot of Potrero Hill. (PR, 2/06) 300 De Haro, SF. 255-1021. French, BR/L/D, $, AE/DC/MC/V.

*Delfina has grown from a neighborhood restaurant to an event, but an expanded dining room has brought the noise under control, and as always, the food — intense variations on a theme of Tuscany — could not be better. (PR, 2/04) 3621 18th St, SF. 552-4055. California, D, $$, MC/V.

Dosa serves dosas, the south Indian crepes, along with a wealth of other, and generally quite spicy, dishes from the south of the subcontinent. The cooking tends toward a natural meatlessness; the crowds are intense, like hordes of passengers inquiring about a delayed international flight. (PR, 1/06) 995 Valencia, SF. 642-3672. South Indian, BR/D, $, AE/MC/V.

Double Play sits across the street from what once was Seals Stadium, but while the field and team are gone, the restaurant persists as an authentic sports bar with a solidly masculine aura — mitts on the walls, lots of dark wood, et cetera. The all-American food (soups, sandwiches, pastas, meat dishes, lots of fries) is outstanding. (Staff) 2401 16th St, SF. 621-9859. American, L/D, $, AE/MC/V.

Emmy’s Spaghetti Shack offers a tasty, inexpensive, late-night alternative to Pasta Pomodoro. The touch of human hands is everywhere evident. (Staff) 18 Virginia, SF. 206-2086. Italian, D, $, cash only.

Foreign Cinema serves some fine New American food in a spare setting of concrete and glass that warms up romantically once the sun goes down. (Staff) 2534 Mission, SF. 648-7600. California, D, $$, AE/MC/V.

Front Porch mixes a cheerfully homey setting (with a front porch of sorts), a hipster crowd, and a Caribbean-inflected comfort menu into a distinctive urban cocktail. The best dishes, such as a white polenta porridge with crab, are Range-worthy, and nothing on the menu is much more than $10. (PR, 10/06) 65A 29th St, SF. 695-7800. American/Caribbean, BR/D, $, MC/V.

Herbivore is adorned in the immaculate-architect style: angular blond-wood surfaces and precise cubbyholes abound. (Staff) 983 Valencia, SF. 826-5657; 531 Divisadero (at Fell), SF. 885-7133. Vegetarian, L/D, $, MC/V.

MARINA/PACIFIC HEIGHTS/LAUREL HEIGHTS

*Quince doesn’t much resemble its precursor, the Meetinghouse: the setting is more overtly luxurious, the food a pristine Franco-Cal-Ital variant rather than hearty New American. Still, it’s an appealing place to meet. (PR, 7/04) 1701 Octavia, SF. 775-8500. California, D, $$$, AE/MC/V.

Rigolo combines the best of Pascal Rigo’s boulangeries — including the spectacular breads — with some of the simpler elements (such as roast chicken) of his higher-end places. The result is excellent value in a bustling setting. (PR, 1/05) 3465 California, SF. 876-7777. California/Mediterranean, B/L/D, $, MC/V.

Rose’s Cafe has a flexible, all-day menu that starts with breakfast sandwiches; moves into bruschettas, salads, and pizzas; and finishes with grilled dinner specials such as salmon, chicken, and flat-iron steak. (Staff) 2298 Union, SF. 775-2200. California, B/L/D, $, AE/DC/DISC/MC/V.

Rosti Getting half a chicken along with roasted potatoes and an assortment of vegetables for $7.95 in the Marina is cause for celebration in itself. (Staff) 2060 Chestnut, SF. 929-9300. Italian, L/D, $, AE/DISC/V.

Saji Japanese Cuisine Sit at the sushi bar and ask the resident sushi makers what’s particularly good that day. As for the hot dishes, seafood yosenabe, served in a clay pot, is a virtual Discovery Channel of finned and scaly beasts, all tasty and fresh. (Staff) 3232 Scott, SF. 931-0563. Japanese, D, $, AE/DC/MC/V.

Sociale serves first-rate Cal-Ital food in bewitching surroundings — a heated courtyard, a beautifully upholstered interior — that will remind you of some hidden square in some city of Mediterranean Europe. (Staff) 3665 Sacramento, SF. 921-3200. Mediterranean, L/D, $$, AE/DC/DISC/MC/V.

Sushi Groove is easily as cool as its name. Behind wasabi green velvet curtains, salads can be inconsistent, but the sushi is impeccable, especially the silky salmon and special white tuna nigiri. (Staff) 1916 Hyde, SF. 440-1905. Japanese, D, $, AE/DC/DISC/MC/V.

SUNSET

Sea Breeze Cafe looks like a dive, but the California cooking is elevated, literally and figuratively. Lots of witty salads, a rum-rich crème brûlée. (Staff) 3940 Judah, SF. 242-6022. California, BR/L/D, $$, MC/V.

So Restaurant brings the heat, in the form of huge soup and noodle — and soupy noodle — dishes, many of them liberally laced with hot peppers and chiles. The pot stickers are homemade and exceptional, the crowd young and noisy. Cheap. (PR, 10/06) 2240 Irving, SF. 731-3143. Chinese/noodles, L/D, ¢, MC/V.

Tasty Curry still shows traces of an earlier life as a Korean hibachi restaurant (i.e., venting hoods above most of the tables), but the South Asian food is cheap, fresh, and packs a strong kick. (PR, 1/04) 1375 Ninth Ave, SF. 753-5122. Indian/Pakistani, L/D, ¢, MC/V.

Tennessee Grill could as easily be called the Topeka Grill, since its atmosphere is redolent of Middle America. Belly up to the salad bar for huge helpings of the basics to accompany your meat loaf or calf’s liver. (Staff) 1128 Taraval, SF. 664-7834. American, B/L/D, $, MC/V.

Thai Cottage isn’t really a cottage, but it is small in the homey way, and its Thai menu is sharp and vivid in the home-cooking way. Cheap, and the N train stops practically at the front door. (PR, 8/04) 4041 Judah, SF. 566-5311. Thai, L/D, $, MC/V.

*Xiao Loong elevates the neighborhood Chinese restaurant experience to one of fine dining, with immaculate ingredients and skillful preparation in a calm architectural setting. (PR, 8/05) 250 West Portal, SF. 753-5678. Chinese, L/D, $, AE/MC/V.

Yum Yum Fish is basically a fish store: three or four little tables with fish-print tablecloths under glass, fish-chart art along the wall, and fish-price signs all over the place. (Staff) 2181 Irving, SF. 566-6433. Sushi, L/D, ¢.

RICHMOND

*Pizzetta 211 practices the art of the pizza in a glowing little storefront space. Thin crusts, unusual combinations, a few side dishes of the highest quality. (PR, 2/04) 211 23rd Ave, SF. 379-9880. Pizza/Italian, L/D, $.

Q rocks, both American-diner-food-wise and noisy-music-wise. Servings of such gratifyingly tasty dishes as barbecued ribs, fish tacos, and rosemary croquettes are huge. (Staff) 225 Clement, SF. 752-2298. American, BR/L/D, $, MC/V.

RoHan Lounge serves a variety of soju cocktails to help wash down all those Asian tapas. Beware the kimchee. Lovely curvaceous banquettes. (Staff) 3809 Geary, SF. 221-5095. Asian, D, $, AE/MC/V.

Singapore Malaysian Restaurant eschews decor for cheap, tasty plates, where you’ll find flavors ranging from Indian to Dutch colonial to Thai. Seafood predominates in curries, soups, grills, and plenty of rice and noodle dishes. (Staff) 836 Clement, SF. 750-9518. Malaysian, L/D, ¢, MC/V.

Spices! has an exclamation point for a reason: its Chinese food, mainly Szechuan and Taiwanese, with an oasis of Shanghai-style dishes, is fabulously hot. Big young crowds, pulsing house music, a shocking orange and yellow paint scheme. Go prepared, leave happy. (Staff) 294 Eighth Ave, SF. 752-8884. Szechuan/Chinese, L/D, $, MC/V.

BAYVIEW/HUNTERS POINT/SOUTH

Bella Vista Continental Restaurant commands a gorgeous view of the Peninsula and South Bay from its sylvan perch on Skyline Boulevard, and the continental food, though a little stately, is quite good. The look is rustic-stylish (exposed wood beams, servers in dinner jackets), and the tone one of informal horse-country wealth. (PR, 3/07) 13451 Skyline Blvd., Woodside. (650) 851-1229. Continental, D, $$$, AE/DC/DISC/MC/V.

Cable Car Coffee Shop Atmospherically speaking, you’re looking at your basic downtown South San Francisco old-style joint, one that serves a great Pacific Scramble for $4.95 and the most perfectest hash browns to be tasted. (Staff) 423 Grand, South SF. (650) 952-9533. American, B/BR/L, ¢.

Cliff’s Bar-B-Q and Seafood Some things Cliff’s got going for him: excellent mustard greens, just drenched in flavorfulness, and barbecued you name it. Brisket. Rib tips. Hot links. Pork ribs. Beef ribs. Baby backs. And then there are fried chickens and, by way of health food, fried fishes. (Staff) 2177 Bayshore, SF. 330-0736. Barbecue, L/D, ¢, AE/DC/MC/V.

BERKELEY/EMERYVILLE/NORTH

Café de la Paz Specialties include African-Brazilian "xim xim" curries, Venezuelan corn pancakes, and heavenly blackened seacakes served with orange-onion yogurt. (Staff) 1600 Shattuck, Berk. (510) 843-0662. Latin American, BR/L/D, $, AE/MC/V.

Cafe Rouge All the red meat here comes from highly regarded Niman Ranch, and all charcuterie are made in-house. (Staff) 1782 Fourth St, Berk. (510) 525-1440. American, L/D, $$, AE/MC/V.

César You’ll be tempted to nibble for hours from Chez Panisse-related César’s Spanish-inspired tapas — unless you can’t get past the addictive sage-and-rosemary-flecked fried potatoes. (Staff) 1515 Shattuck, Berk. (510) 883-0222. Spanish, D, $, DISC/MC/V.

OAKLAND/ALAMEDA

Mama’s Royal Cafe Breakfast is the draw here — even just-coffee-for-me types might succumb when confronted with waffles, French toast, pancakes, tofu scrambles, huevos rancheros, and 20 different omelets. (Staff) 4012 Broadway, Oakl. (510) 547-7600. American, B/L, ¢.

La Mexicana has a 40-year tradition of stuffing its customers with delicious, simply prepared staples (enchiladas, tacos, tamales, chile rellenos, menudo) and specials (carnitas, chicken mole), all served in generous portions at moderate prices. (Staff) 3930 E 14th St, Oakl. (510) 533-8818. Mexican, L/D, ¢, MC/V.

Nan Yang offers too many great dishes — ginger salad, spicy fried potato cakes, coconut chicken noodle soup, garlic noodles, succulent lamb curry that melts in your mouth — to experience in one visit. (Staff) 6048 College, Oakl. (510) 655-3298. Burmese, L/D, $, MC/V. *

Sleazy like Sunday morning

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The collective teeth of umpteen fanboys and fangirls commenced grinding when it was announced that the release of the Quentin Tarantino–Robert Rodriguez nuevo-schlock faux double bill Grindhouse would be preceded by rare 35mm revival screenings of actual ’60s through ’80s sleazebag hits such as Fight for Your Life and They Call Me One-Eye. A wonderful and laudable thing, of course — at least if you live within driving reach of Los Angeles’s New Beverly Cinema.

Well, if you can’t join ’em, beat ’em. By fortunate coincidence, San Francisco is getting something similar, which will play nowhere else — so nyaah-nyaah. That thing would be "A Month of Sleazy Sundays," four unholy nights of vintage exploitation gems beginning this April Fools’ Day at the Mission District’s lovable Victoria Theatre, brought to you by Another Hole in the Head and SF Indiefest’s Bruce Fletcher, among others.

The April quartet of triple bills offers a panoply of delights, like those shown at drive-ins, urban flea pits, and semirespectable joints such as San Francisco’s late Strand Theatre before it went porn and then closed entirely. These films were made for audiences, not for the private snickering of home viewers. Dark Channel’s rare 35mm prints are unlikely to be mint — but then, pink-out and scratchiness now seem integral to this kind of vintage theatrical experience.

The kickoff program spotlights English-language outer spaciness as only the Italians can deliver. Two entries are shameless Star Wars knockoffs from 1978: Alfonso Brescia’s War of the Robots and Luigi Cozzi’s Star Crash. The former stars Antonio Sabato Sr. (mmm). The latter stars Marjoe Gortner (Jesus with more eyeliner), Caroline Munro (in leather bikini and thigh-high boots), and a pre-Baywatch David Hasselhoff. It also sports the stupidest action scenes ever. Sandwiched between these cheese baths is Mario Bava’s genuinely eerie Planet of the Vampires, the 1965 sci-fi-horror hybrid that purportedly inspired Alien.

Highlights abound within the three remaining Sundays. April 8 brings 1970’s psychedelic séance- and H.P. Lovecraft–drawn tab o’ satanism The Dunwich Horror, in which an exquisitely perverse Dean Stockwell drafts grad student Sandra Dee (!) for sacrifice. It’s followed by the next year’s really hairy biker saga Werewolves on Wheels. A creature feature melee April 15 features Larry Hagman’s first and last directorial effort, 1972’s Beware! The Blob, a.k.a. Son of Blob, the sequel no one was waiting for — until, perhaps, it was rereleased a decade later as "The movie that J.R. shot!" Finally, a grindhouse odyssey April 21 travels from the 1934 adults-only Phyllis Diller campsterpiece Maniac to the 1971 Southern moonshine-circuit classic Preacherman to, finally, the politically incorrect yet dy-no-mite 1975 blaxploitation whopper The Black Gestapo. (Dennis Harvey)

A MONTH OF SLEAZY SUNDAYS

Through April 22; single feature $8, double $15, and triple $20

Victoria Theatre

2961 16th St., SF

(415) 863-7576

www.deadchannels.com

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Superlist No. 828: MMA fight clubs

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› superlists@sfbg.com

You’ve seen them on cable reality shows or pay-per-view: muscle-bound men with the temperament of abused pit bulls smashing and kicking each other into bloody pulps while the crowd roars with approval. It might be the Ultimate Fighting Championship, Pride Fighting Championship, Vale Tudo, or a host of other names given to the brutal — and increasingly popular — realm of mixed martial arts (MMA).

A combination of standard Western boxing, traditional Thai boxing known as Muay Thai, jujitsu, and other fighting techniques, MMA has only been legal in California for one year, a selling point for many local martial arts schools. Some of the competition’s brightest stars hail from Bay Area clubs. A course in MMA is a serious exercise in masochism. Could you be the next champ?

Twenty-four-year-old Gilbert Melendez, last year’s winner of the Pride FC held in Nagoya, Japan, trains exclusively at Fairtex Muay Thai Fitness (132–140 Hawthorne, SF. 1-888-324-7839, www.fairtex.com). The vast gym holds heavy bags for striking, a full-size boxing ring, ample floor space for grappling and yoga, a full range of free weights and machines, and an almost constant feed of fighting competitions on the facility’s numerous wide-screen televisions.

Eduardo Rocha Brazilian Jiu Jitsu Academy (3600 Grand, Oakl. 510-207-6640, www.cateambjj.com) trains students in grappling fundamentals, but Rocha and some of his advanced students spend a lot of time training for competition. The training atmosphere is intimate, and Rocha’s students took top honors at the 2006 Pan-American Jiu-Jitsu Championships.

Located in the Dogpatch, Universal Brazilian Jiu Jitsu (2572 Third St., SF. 415-282-5700, www.ubjj.com) offers classes in MMA on Wednesday nights.

While Ralph Gracie Jiu-Jitsu (www.ralphgracie.com) has two locations, one in Berkeley (1500 Ashby, Berk. 510-486-8000) and the other in San Francisco (178 Valencia, SF. 415-522-477), Gracie and his brothers have been opening new academies around the world every month. Gracie, himself a champion, retains black belts who trained under him to run his academies. Kurt Osiander, nicknamed the Rhino, heads the San Francisco academy; Carlos "Sapoa" Oryzune instructs at the Berkeley academy.

One of a few schools that split from Fairtex a few years ago after the 2003 shooting death of Fairtex San Francisco founder Alex Gong, Fight and Fitness (734 Bryant, SF. 415-495-2211, www.fightandfitness.com) can be found in SoMa about a block away from the Hall of Justice. Inside the small and musty gym, fighters train at all levels with instructors such as Bunkerd Faphimai, a three-time world champion in Muay Thai. A row of championship belts hangs from a 20-foot rafter.

Another Fairtex offshoot lies back across the bridge near downtown Oakland. Pacific Ring Sports (659 15th St., Oakl. 510-444-5269) offers many of the same classes as Fight and Fitness. The facility is about twice the size, however, and its boxing classes are among the most popular in the Bay Area. The room has a large weight room, a boxing ring, wrestling mats, and a bunch of punching bags. MMA classes are taught twice a week, while Muay Thai, jujitsu, and boxing remain mainstays of the curriculum.

World Team USA (2575 Ocean, SF. 415-333-3496, www.worldteamusa.com) claims to train MMA fighters, but its strong suit is Muay Thai. The MMA classes are a little more than an hour long, much shorter than at some of the other gyms, but this school offers a good base for someone who might not be looking to fight professionally — and lots of kids’ classes too.

Open Door Brazilian Jiu-Jitsu (2935 Chapman, Oakl. 510-532-3803) is very close to I-880 and about a 15-minute walk from the Fruitvale BART Station. The style of jujitsu taught here is meant for total-body strangulation, so it isn’t the place to learn some mean-ass strikes. Kids can take self-defense classes here too. *

Mission: fresh-air beer

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› a&eletters@sfbg.com

Listen up, troops: Spring is here and decent weather may be on the radar. It’s time to escape from the barracks and attack life with a blitzkrieg of beer and BBQ. Below is a list of checkpoints that are reported to condone and encourage the outdoor consumption of alcohol.

Good luck, soldier. Now get out there and knock ’em back!

Big guns

ZEITGEIST


The HQ of patio bars — the grand pooh-bah, the big cheese. Hands down the biggest, baddest patio west of the bay. Although owing to the line of porta-potties, it’s probably one of the stinkiest. This is your safe station, no matter what company you’re signed up with. Zeitgeist’s commissary will stock you up on burgers and fries, and its Bloody Marys will keep you flying.

199 Valencia, SF. (415) 255-7505, myspace.com/zeitgeistsf

EL RIO


Outer Mission hideaway El Rio is big enough for large outfits but romantic enough for a date while on leave. A portion of the yard is sheltered by a tent for rainy-day ops — and there’s nothing to stop you from lighting up. Mmmm — gotta love the smell of cigarettes in the midafternoon.

3158 Mission, SF. (415) 282-3325 www.elriosf.com

PILSNER INN


Few cantinas can muster as many features as the Pilsner Inn. Twenty-four beers on tap, two pool leagues, and a lush, landscaped garden patio with two koi ponds should be enough to make anyone stand at attention. A strong contingent here flies the rainbow flag, but the Pilsner welcomes troops from all outfits to its relaxed environs.

225 Church, SF. (415) 621-7058, www.pilsnerinn.com

Smaller outposts

PAPA TOBY’S REVOLUTION CAFÉ


This little Mission spot will flash you back to life as a guerrilla fighter in Cuba or Guatemala. A beer and wine café with a secluded backwoods feel and a heated streetside patio, Papa Toby’s Revolution Café offers a variety of troop entertainment, from free trade to tango lessons. With enough alcohol here, you may be able to brainwash your copilot into believing he or she is the reincarnation of Che Guevara.

3248 22nd St., SF. (415) 642-0474

FINNEGAN’S WAKE


An enclave of Cole Valley regulars is keeping Finnegan’s Wake top secret. The back patio is a mini-Zeitgeist, equipped with a grill and picnic tables. Surrounded by apartments, this little retreat goes on lockdown after 21:00 hours, making this site good for daytime expeditions only.

937 Cole, SF. (415) 731-6119

GOLD CANE COCKTAIL LOUNGE


The patio of this Haight Street joint has a nicely elevated rear portion — high ground, easy to defend from marauding tourists and the like. And if you can’t successfully pilot your hand-rolled smokable through the crowd, you’ve no business flying so high, soldier.

1569 Haight, SF. (415) 626-1112

MAD DOG IN THE FOG


Bright red and green paint often makes the Mad Dog in the Fog’s vibrant little patio hard to handle without a pint or two. Local hostiles have managed to shut down maneuvers here after 22:00, so your best bet is to set up a happy-hour camp during the soccer off-season — around World Cup time, soccer insurgents outfitted in reversible jerseys and knee-high socks seize the position.

530 Haight, SF. (415) 626-7279

THE AXIS OF BURGERS


Taken together, Flippers restaurant and Marlena’s bar in Hayes Valley can provide a prime afternoon drinking and lounging target. Flippers serves burgers, beer, and wine. Its patio is outfitted with a variety of flora: lilies, trees, and lawn. Right next door, with a full bar, Marlena’s has a minimal cagelike smoking facility with just three benches gated off from the street.

Flippers Gourmet Burgers, 482 Hayes, SF. (415) 552-8880

Marlena’s, 488 Hayes, SF. (415) 864-6672

MARS BAR AND RESTAURANT


A secluded SoMa bar and restaurant often overrun by hordes of concertgoers and workers from the neighboring Concourse Exhibition Center in the evening, Mars Bar and Restaurant makes for an excellent outdoor lunch break. Late at night you’ll often locate barkeeps from other watering holes gathered here to blow their tips.

798 Brannan, SF. (415) 621-6277, www.marsbarsf.com

Coast Guard

PIER 23 CAFE


This waterfront bar and restaurant features live music most nights of the week. Its outdoor area is an expansive field of patio furniture flanked by the bay. A popular evening destination for locals, Pier 23 Cafe just underwent a complete remodel, now ready for inspection.

Pier 23, SF. (415) 362-5125 www.pier23cafe.com

RED’S JAVA HOUSE


Little more than a kitchen shed up front and a tent with bar in back, Red’s Java House is nestled beneath the Bay Bridge on Pier 30. The only thing that might obstruct your skyward reconnaissance is the occasional SUV parked next to the fenced-off, bare-bones patio. There’s a widescreen TV for sports fans in the tent and a menu of burgers, dogs, and fish and chips.

Pier 30, SF. (415) 777-5626

MOMO’S


Right next to PhoneCompany Park, Momo’s has a limited view — the baseball stadium and a massive apartment complex obstruct most of the horizon. The bar is incredibly well equipped, but Momo’s is a restaurant, which may impair smoking operations. While there, enrich yourself with the art installation in the front garden box: a giant heart-shaped olive. Enriching!

760 Second St., SF. (415) 227-8660, www.sfmomos.com

Eastern Theater

JUPITER


Just a short flight east of San Francisco, Jupiter is the majordomo outdoor operation of the East Bay. This two-story brewpub and pizza restaurant in downtown Berkeley is attached to a giant compound replete with heating lamps and ivy. You’ll have to stow those stogies, though: this place is a restaurant and doesn’t take kindly to smoking.

2181 Shattuck, Berk. (510) 843-8277, www.jupiterbeer.com

BECKETT’S


The two-story Irish pub is equipped with two fireplaces and two functional bars. Its patio is a small balcony above a cobblestone alleyway — the perfect size for an elite task force to secure a position and commence a-blazing.

2271 Shattuck, Berk. (510) 647-1790, www.beckettsirishpub.com

OASIS RESTAURANT AND BAR


Deep into East Bay territory is the Oasis Restaurant and Bar. By day this Oakland position operates as a Nigerian restaurant; at night it becomes a grooving outdoor lounge with DJs and two dance floors. A staggering canyon of cement surrounds the small rear patio. The heated paradise has multiple tables and chairs, a stage, a massive sound system, and a wraparound grass-covered overhang.

135 12th St., Oakland.

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MORE OUTDOOR DESTINATIONS

Carmen’s, Pier 40, SF. (415) 495-5140

Cinch, 1723 Polk, SF. (415) 776-4162, www.thecinch.com

Connecticut Yankee, 100 Connecticut, SF. (415) 552-4440, www.theyankee.com

Eagle Tavern, 398 12th St., SF. (415) 626-0880, www.sfeagle.com

Jay ‘n Bee Club, 2736 20th St., SF. (415) 824-4190

Kennedy’s Irish Pub and Curry House, 1040 Columbus, SF. (415) 441-8855, www.kennedyscurry.com

Lone Star Saloon, 1354 Harrison, SF. (415) 863-9999, www.lonestarsaloon.com

Lucky 13, 2140 Market, SF. (415) 487-1313

Medjool, 2522 Mission, SF. (415) 550-9055, www.medjoolsf.com

Mix, 4086 18th St., SF. (415) 431-8616

Parkside, 1600 17th St., SF. (415) 503-0393, www.theeparkside.com

Il Pirata, 2007 16th St., SF. (415) 626-2626

Ramp, 885 Terry Francois, SF. (415) 621-2378

Red Jack Saloon, 131 Bay, SF. (415) 989-0700

Rosewood, 732 Broadway, SF. (415) 951-4886, www.rosewoodbar.com

Wild Side West, 424 Cortland, SF. (415) 647-3099

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On white planes

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By Johnny Ray Huston


› johnny@sfbg.com

Life on tour isn’t just about partying. It’s partly about crafty use of time and space. In that sense, the German electronic duo Booka Shade are expert pragmatists. Walter Merziger and Arno Kammermeier don’t just attempt to write songs while they’re on planes or in hotel rooms — they’ll record them as well. "In a traditional studio you always have the same atmosphere. Day and night changes, of course, yet it’s basically the same," Kammermeier explains over the phone from Berlin. "But if you travel and have a laptop with you, you can look out the window and see a new, completely different thing while recording."

Such flexibility is at the core of Booka Shade’s second album, on their self-run label, Get Physical. Its very title, Movements, reflects a recording process propelled by the touring connected with flagship club hits such as "Body Language" and the irresistible dance floor stormer "Mandarine Girl," which boasts a melody that sounds like it was made with a gargantuan electronic woodwind. "We had a good time meeting people internationally, and all that energy went into Movements," Kammermeier says, discussing the record, which like most of the group’s releases sports Hannah Hoch–like cut-with-a-kitchen-knife body parts on its sleeve art. "That’s probably why it’s a lot less dark than Memento [the duo’s 2004 debut] and has more drive."

It would be hard for Movements to be darker than Memento, considering Booka Shade’s first album, complete with a name that might have been borrowed from Christopher Nolan, repeatedly digs into the realm of film ("16MM") and especially film noir ("Vertigo"). "It’s not like we have a library of 10,000 DVDs, but we like the combination of pictures and music," says Kammermeier, who also scores commercials with Merziger. "One thing we did for [Memento] was put a film on with the sound off and watch the pictures while we were working — that atmosphere gave us a lot of inspiration."

GET A REP


Booka Shade’s inspiration and reputation stem from their label as much as their music. In recent years Get Physical has garnered a critical rep that calls to mind canonical imprints such as Warp and the still thriving house-inflected Kompakt. This praise is due to Booka Shade’s constant collaborations with mix-oriented labelmates such as DJ T and M.A.N.D.Y. and to their production work on tracks such as a pair of classic early singles by Chelonis R. Jones, "One and One" and "I Don’t Know?" Those tracks are peerless in both a pop and a club sense, with "I Don’t Know?" suggesting what would happen if a male diva from the heyday of Chicago house who possessed encyclopedic brilliance hooked up with "Blue Monday"–era New Order. "The chorus of ‘One and One’ wasn’t originally a chorus as Chelonis had sung it," Kammermeier says while discussing the collaborations. "We placed it there, like part of a puzzle."

Working with a talent as singular as Jones is a far cry from the duo’s early days in the music business, when they created Europop for Spice Girls–esque major-label prefab acts such as No Angels, a girl group for whom they designed a cover of Alison Moyet’s "All Cried Out." The dead-end results of those efforts and of Merziger and Kammermeier’s first venture as a group, called Planet Claire, led them to start Get Physical. That, and a desire to broaden the formulaic boundaries of techno in particular and electronic music in general — a desire further sparked on hearing well-arranged ’70s- and ’80s-tinged tracks by the likes of Metro Area.

"Walter and I were both kids of the ’80s," says Kammermeier, who grew up with a jazz musician father and guitar- and piano-playing siblings, while Merziger was raised by a Richard Wagner–loving father. "Anything that came out of England — Soft Cell, the Smiths, Depeche Mode — was very influential to us." Last year the duo’s ’80s influences came full circle when Booka Shade remixed and shared concert bills with the last group. And it turns out Kammermeier is listening to Soft Cell again, having recently downloaded both their underrated aggro 1984 finale, This Last Night in Sodom, which includes early studio work by the influential producer Flood, and their 1983 sophomore effort, The Art of Falling Apart. "I just listened to [Art] again," Kammermeier admits. "There’s so much frustration and darkness in those songs."

THE ART OF COMING TOGETHER


There’s so much frustration that it might seep into Booka Shade’s sound, if song titles are worthwhile clues. One single from The Art of Falling Apart was the club ho litany "Numbers," and it turns out the first single from Booka Shade’s next full-length recording will bear the same name. "We want to introduce a vocal side on the next album," Kammermeier says when describing "Numbers" and some of the group’s other songs, including a track created by Merziger in a Rio hotel room. "We’ll introduce it in a different way — not verse-chorus vocal but little parts that we perform. We’re not great fans of these ‘featured artist’ albums, where people just get a handful of star vocalists to perform on different tracks. Also, we can’t bring a bunch of vocalists or a session vocalist on the road."

That said, Booka Shade do aim to put their show on the road in the old-school sense — an ambitious plan at a time when many of the best electronic music makers are still better off DJing than pulling rock star poses on a stage. "People always ask what instrument I play, and I say, ‘I’m one of those guys who hangs out with musicians — I’m a drummer,’ " Kammermeier jokes. He’ll have to put that joke into practice as he and Merziger embark on their second US tour — and maybe he’ll write and record some songs while in flight as well. *

BOOKA SHADE

With Future Force and Hours of Worship

March 23, 9 p.m., $14 advance

Mezzanine

444 Jessie, SF

(415) 625-8880

www.getphysical.com

For a top 10 list from Booka Shade’s Get Physical labelmate Chelonis R. Jones, go to www.sfbg.com/blogs/music.

James Madison Freedom of Information Award Winners

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The Society of Professional Journalists’ Northern California Chapter has been handing awards for 22 years to journalists, educators, public officials, and citizens who best exemplify the importance of open and accountable government and a free and diligent press. And every year the Guardian recognizes the winners and helps highlight the important issues that they raise for the Bay Area and beyond. Here are this year’s winners:

Norwin S. Yoffie Career Achievement Award

ROWLAND "REB" REBELE


Three few years ago the Oakland Unified School District announced that, due to budget constraints, it was shutting down all the student-run newspapers in the district. Rowland "Reb" Rebele lives in Aptos, but he read about the shutdown in a San Francisco Chronicle column.

He picked up the phone, made some calls, and found out the situation was desperate and how much money was needed. He then wrote a check sufficient to resurrect the student newspapers for a year. Then he kept on writing checks to keep the papers going last year and again this year. This was typical of Rebele. No one asked him for help. He received virtually no acknowledgment for his gift. But his timely action turned the lights back on for fledgling newspapers that were out of money and, it seemed, out of luck.

Rebele is a First Amendment mensch (a description that James Madison, had he any familiarity with Yiddish, would have approved of). In his half century of publishing community newspapers that he owned and operated in Coalinga, Chula Vista, and Paradise in California and across the country, he was energetic, inspiring, and devoted to his readers and his communities, and a demon in pushing for open government and accountability. He pursued the same policies as a stalwart for half a century in the California Newspaper Publishers Association and as an activist president who brought key reforms and exceptional leaders to the organization.

Rebele has been a director of the California First Amendment Coalition for a decade. He quickly became the one truly indispensable member of the organization, pushing it, pulling it, holding it together, and cajoling it to broaden its activities because he felt the organization and its mission were vital.

He has also launched an innovative internship program at Stanford University. Rather than just give money to the school, he and his wife, Pat, created a program that has enabled dozens of students to get hands-on experience writing for real newspapers in California. Quietly and selflessly, Rebele has spent his newspaper career fighting the good fight for First Amendment and public interest principles. (Bruce B. Brugmann)

Beverly Kees Educator Award

ROBERT OVETZ


Art Institute of San Francisco instructor Robert Ovetz was fired after he criticized the administration for confiscating a magazine his students produced for his class last December.

Ovetz, who had taught at the institute for three years, told his students to create a "culturally critical" magazine as their final project for a cultural studies class he taught last fall. They produced a 36-page zine called Mute/Off.

Less than 24 hours after he and students distributed 500 copies of the magazine, which Ovetz printed with the institute’s copy machine, most were gone. Ovetz initially attributed their disappearance to popularity, but he soon learned from students that the administration of the school, which was purchased by Goldman Sachs and General Electric last year, had removed them from its campuses and even literally pulled them out of students’ hands.

"This is an example of how a corporation is not held accountable for upholding basic constitutional rights [to] free speech. This is a private company that’s operating as an institution of higher learning," Ovetz told the Guardian. "Its only interest is its bottom line, and its bottom line is profit."

Ovetz complained to the administration about vioutf8g the students’ freedom of speech and received his pink slip Dec. 20, 2006. Dean of Academic Affairs Caren Meghreblian told Ovetz the magazine possibly violated copyright law by reproducing corporate logos without permission and had grammatical errors. She also said a story in the magazine called "Homicide," about three white kids playing a video game as black gangsters, might be racist.

After Ovetz and students complained and the media reported the story, the administration allowed students to redistribute the magazines, but it still refuses to give Ovetz his job back. (Chris Albon)

To size up the magazine yourself, visit www.brandedmonkey.com/muteOffLowRes.pdf.

Citizen

RYAN MCKEE


The object of the California Public Records Act is to ensure the people’s right to know how their state and local governments are functioning. Newspapers are often the entities that test the limits and loopholes of the law. But in January 2006 an 18-year-old college student, Ryan McKee, undertook an audit of each of the 31 California state agencies that was the first of its kind. McKee tested how these agencies, which he personally visited, responded to simple requests to view and get copies of readily available public documents. The results revealed a disturbing pattern. Several agencies performed miserably, including the Department of Justice, which counsels and represents many other state agencies on the Public Records Act, and all of the agencies violated at least one aspect of the law. Common problems included asking for identification, making illegal charges, and taking longer than allowed to release information. McKee undertook the audit while volunteering for Californians Aware, a nonprofit where his father, Richard McKee, is president. A copy of the audit, including its results and grades, was sent to each agency to help it better understand and adjust to its responsibilities. (Sarah Phelan)

Journalists

MICHELE MARCUCCI AND REBECCA VESELY, ANG NEWSPAPERS


ANG Newspapers regional reporters Rebecca Vesely and Michele Marcucci are being honored for the series "Broken Homes" and their unflinching pursuit of public records that exposed negligent care administered to people with autism and other forms developmental disabilities. The series highlighted problems ranging from a lack of proper supervision to unlicensed officials working at health care facilities. Some of these offenses were then linked to patient deaths.

The award recognizes the daunting and tedious task that befell the journalists: 15 months of scouring thousands of hard-copy papers from dozens of sources that included licensing agencies, multiple law enforcement bureaus, and coroner’s offices. The results were entered into a database and cross-checked against other sources of information.

"It’s not like we work at the New York Times, where you can lock yourself in a room for a year. This is one-stop shopping here," Marcucci told the Guardian, noting that both reporters continued their daily beats while working on the project. The series was well received and helped prompt state officials to reinstate inspections of licensed facilities that had been eliminated due to budget cuts. (Christopher Jasmin)

ANDREW MCINTOSH AND JOHN HILL, SACRAMENTO BEE


Two reporters from the Sacramento Bee, Andrew McIntosh and John Hill, get Freedom of Information props for exposing the cronyism and the corruption of the California Highway Patrol.

The two wrote a series of articles detailing how the CHP violated state and department regulations in awarding contracts for items ranging from pistols to helicopters.

"The CHP spends hundreds of millions of dollars each year on equipment and goods," McIntosh told the Guardian. "That’s taxpayer money."

McIntosh said he and Hill took a systematic look at the department’s bidding process and found it was not competitive. The investigation led to the suspension of one officer, Gregory Williams, who the reporters found had awarded $600,000 worth of contracts to his daughter’s company for license plate scanning devices, $500,000 of which was canceled after the reporters exposed the scandal.

The reporters also found the CHP, which controls signature gathering at the Department of Motor Vehicles and other state buildings, denied more than 100 applications for permission to register voters or solicit signatures. Other stories pushed Senate majority leader Gloria Romero and Assemblymember Bonnie Garcia to call for a state audit of the CHP.

McIntosh told us the investigation showed "the CHP is not above public scrutiny or the law when it comes to business dealings." (Albon)

MEERA PAL, CONTRA COSTA TIMES


A good mayoral race isn’t really fun unless a bit of scandal emerges, like it did in Pleasanton two weeks before the November 2006 election.

Meera Pal decided to research the roots of a story that was handed to her by city council member Steve Brozosky, who was challenging incumbent mayor Jennifer Hosterman. Brozosky gave Pal e-mails his campaign treasurer obtained through open-records laws that showed Hosterman may have used her city e-mail account to solicit campaign donations and endorsements, a violation of state law.

But Pal went beyond Brozosky’s story and submitted her own public records requests for the city e-mail account of the mayor, as well as a year’s worth of e-mail from Brozosky and the three other council members.

Pal’s public records request revealed that Brozosky’s inbox was completely void of any e-mail, something neither he nor the city’s IT manager could explain. Brozosky is a computer expert who runs a company that vends city Web site software, so his technical expertise made the situation even more suspicious.

Investigations revealed it was just a setting on his computer that was inadvertently scrubbing the e-mail from the city’s server. Though both violations aren’t necessarily serious crimes, the race was close enough that dirt on either side could have had a profound impact on the outcome, and the results show 68,000 voters who were truly torn during the last two weeks before election day while Pal was reporting these stories. Hosterman eventually won by just 188 votes. (Amanda Witherell)

SUSAN SWARD, BILL WALLACE, ELIZABETH FERNANDEZ, AND SETH ROSENFELD, SAN FRANCISCO CHRONICLE


In the wake of 2003’s so-called Fajitagate police scandal — in which San Francisco officer Alex Fagan Jr. and others were accused of assaulting and then covering up their alleged vicious beating of innocent citizens — the San Francisco Chronicle uncovered records showing that Fagan’s short history on the force was marked by regular incidents of abusive behavior, the kind of records that should have served as a warning for the problems to come.

"We decided to take a look to see how common it was. And we spent a lot of time doing that," Steve Cook, the Chronicle editor of what became last year’s five-part "Use of Force" series, told the Guardian. The team used the Sunshine Ordinance to gather boxloads of records on use-of-force incidents, which it organized into a database that was then supplemented and cross-referenced with a wide variety of other public records, along with old-fashioned shoe leather reporting, all the while fighting through bureaucratic denials and delays.

Despite an embarrassing mislabeled photo on the first day of the series that served as fodder for attacks by the Police Department and Mayor’s Office, the series made clear that rogue cops were abusing their authority, totally unchecked by their supervisors. "We were proud of what we were able to show," Cook said. "We showed a department in need of some basic reforms."

The series helped spur the early intervention system that was recently approved by the Police Commission. It’s a good first step, but one criticized by the Chron and the Guardian for failing to include some key indicators used in other cities (see our editorial "Fix Early Warning for Cops," 2/28/07), something that Cook said requires ongoing vigilance by the press, to bring about needed reforms: "Only the news media is really going to accomplish this, if they stay with the story." (Steven T. Jones)

Legal counsel

DAVID GREENE


The First Amendment was never about money. Free speech is supposed to be free. But these days threats to the First Amendment are growing, more and more people who lack the resources of a major media outlet are in need of help — and there aren’t many places dedicated to offering that assistance, free.

That’s where David Greene and the First Amendment Project come in.

Since 1999, as a staff attorney and executive director, Greene has helped dozens of freelance journalists, students, nonprofit organizations, and independent media outlets protect and expand their free speech and open government rights.

The operation he runs is totally independent. That’s a key point in an era of massive media consolidation: when the Guardian sought earlier this year to find legal representation to force open the key records in a lawsuit over Dean Singleton’s local newspaper merger, we found that just about every local media law firm represented at least one of the parties to the case and thus was conflicted. The FAP was not.

Greene and the FAP have represented blogger Josh Wolf and freelancer Sarah Olson in landmark subpoena cases. Greene, with the American Civil Liberties Union of Northern California, wrote the amicus brief on behalf of noted literary artists in the California Supreme Court case In re George T., in which the court, relying heavily on the FAP brief, overturned the conviction of a juvenile who made threats to other students with a poem. And the struggle just goes on. The FAP is funded largely by private donations and always needs additional support.

"Unfortunately," Greene told us, "we have to turn away a lot more cases than we can take." (Tim Redmond)

News media

SAN JOSE MERCURY NEWS


After years of last-minute backroom deals at San Jose’s City Hall, things came to a head when the City Council rubber-stamped proposals to give a $4 million subsidy to the San Jose Grand Prix, $80 million for a stadium to keep the Earthquake soccer team from leaving town, and $45 million for new City Hall furniture.

Clearly, something had to give. But it was left to San Jose Mercury News editorial writers to push for transparent and accessible government and better enforcement of the state’s open government laws.

First they shamed the city, pointing out that "San Francisco, Oakland, even Milpitas have better public-access laws." Next they hammered then-mayor Ron Gonzales for saying that calls for more open government were "a bunch of nonsense." Then they printed guiding principles for a proposed sunshine ordinance that they’d developed in conjunction with the League of Women Voters and Mercury News attorney James Chadwick.

When city council member Chuck Reed was elected mayor on a platform of open government reforms, the paper still didn’t give up. Instead, it’s continuing to champion the need to bring more sunshine to San Jose and working with a community task force on breaking new ground, such as taping closed sessions so they can one day be made available when there’s no further need for secrecy.

Somehow the Merc also managed to pull off another amazing feat: the paper built public understanding of and support for sunshine along the way. (Phelan)

SAN MATEO COUNTY TIMES


When outbreaks of the highly contagious norovirus sprang up in a number of California counties, San Mateo County was among those hit. Public health officials, however, would not release the names of the facilities where numerous individuals became infected, citing concerns about privacy and not wanting to discourage facility managers from contacting health officials.

Nonetheless, the San Mateo County Times ran a series of reports on the outbreaks in the named and unnamed facilities. After publishing reports on unnamed facilities, the news staff began to receive phone calls from residents who wanted to know the names of the facilities. Times reporter Rebekah Gordon told us it became clear that the public wanted to know this information, and the paper fought the county’s secrecy.

Gordon learned that facilities are required by law to report outbreaks, regardless of the potential for media exposure. Times attorney Duffy Carolan sought out and won the disclosure of the names of four facilities.

"The county’s initial nondisclosure decision evoked public policy and public safety concerns at a very broad level, and nondisclosure would have had a very profound effect on the public’s ability to obtain information that affects their own health and safety. By persisting in the face of secrecy, the Times was able to establish a precedent and practice that will well serve to inform their readers in the future," Carolan told us.

The paper learned the outbreak was far more widespread than the county had admitted, finding 146 cases in six facilities. Gordon said, "The numbers were so much higher than we were ever led to believe." (Julie Park)

Online free speech

JOSH WOLF


Even as he sits inside the Federal Correctional Institute in Dublin, where he’s been denied on-camera and in-person interviews, jailed freelance journalist Josh Wolf manages to get out the message. Last month Wolf, who is imprisoned for refusing to give up video outtakes of a July 2005 anarchist protest in the Mission that turned violent, earned a place in the Guinness World Records for being the journalist to have served the longest jail term in US history for resisting a subpoena.

His thoughts on the agenda behind his incarceration were read at press conferences that day, reminding everyone of the importance of a free press. Meanwhile, Wolf has managed to continue operating his blog, www.joshwolf.net, by sending letters to family, friends, and fellow journalists, including those at the Guardian.

Wolf has also managed to create two other Web sites: www.mediafreedoms.net, which supports journalists’ resistance to government pressure, and www.prisonblogs.net, which allows prisoners to air thoughts and grievances. If Wolf can do all this from behind bars, imagine what he’ll do when he finally gets out. As Wolf would say, if we could only speak to him without reserving a phone interview 48 hours in advance: "Free press? Then free Josh Wolf!" (Phelan)

Public official

JOHN SARSFIELD


As district attorney for San Benito County, John Sarsfield upset the political applecart when he tried to prosecute the County Board of Supervisors for ignoring the Brown Act’s prohibitions on private communication and consensus building among board members on matters that involved employment decisions, personnel appeals, contracting, and land use–growth control issues.

His decision didn’t sit well in a county where battles over the future of the land have spawned Los Valientes, a secret society that has targeted slow-growth advocates and anyone who gets in its way — including believers in open government. So the board retaliated by defunding Sarsfield’s office, forcing the DA to file for a temporary restraining order against the board, the county administrative officer, and the county auditor, a countermove that kept his office operating and the investigation alive — until he lost his reelection bid to the board’s chosen candidate in January 2006.

One of Los Valientes’s targets, Mandy Rose, a Sierra Club member and slow-growth advocate, recalled how people on the outside warned Sarsfield what he was up against, "but he insisted on working within the system. It was what he believed in. Someone even said he was a Boy Scout."

For his efforts, Sarsfield’s life was turned into a living hell that cost him his dogs, his marriage, and eventually his job. But now, with this award, he gets some small recognition for fighting the good fight. And he has also been appointed special assistant inspector general within the Office of the Inspector General by Gov. Arnold Schwarzenegger. (Phelan)

Special citations

LANCE WILLIAMS AND MARK FAINARU-WADA, SAN FRANCISCO CHRONICLE


Investigative reporter Lance Williams and sportswriter Mark Fainaru-Wada joined forces in 2003 to take on what became one of the biggest — and most controversial — local news stories of the past five years.

The investigation of the Burlingame-based Bay Area Laboratory Co-operative, better known as BALCO, and the larger scandal of widespread steroid use among baseball players was, the San Francisco Chronicle editors decided, too big for one reporter.

In fact, it turned out to be big enough for a series of stories, a book, and a legal battle that almost sent the two writers to federal prison. The duo admits today it was mostly the fear of getting scooped that drove them through the story’s dramatic rise.

"I’m a baseball fan in recovery," Williams told the Guardian. "I used to think I knew the sport. I didn’t have a clue about this stuff. I’m not kidding you. I had no idea how much a part of baseball steroids had become … that whole sort of seamy underside of the drug culture and the game. I just didn’t know it was like that, and I think most fans don’t either."

Although prosecutors seemed to be focusing on BALCO executives, everyone following the story wanted to know what witnesses — in this case top sports stars — told a federal grand jury investigating the company. The outfit had allegedly distributed undetectable steroids and other designer drugs to some of the world’s greatest athletes, including Giants slugger Barry Bonds, who is on his way to making history with a new home run record.

In 2003 the Chronicle published lurid details of the grand jury’s investigation based on notes Williams and Fainaru-Wada had obtained from court transcripts leaked by an anonymous source. Bonds denied knowingly taking any steroids, but prosecutors waved in the air documents allegedly confirming his regular use of substances banned by Major League Baseball.

Furious prosecutors launched an investigation into the leak of secret grand jury transcripts. The reporters were called on to testify but refused — and so joined two other reporters last year threatened with jail time for resisting subpoenas. A lawyer stepped forward last month and admitted leaking the documents, but Williams and Fainaru-Wada came dangerously close to landing in the same East Bay lockup where blogger Josh Wolf is held for refusing to cooperate with a federal grand jury.

The rash of recent attacks on reporters by federal prosecutors has First Amendment advocates up in arms. After all, no one’s going to leak crucial information if the courts can simply bulldoze the anonymity that journalists grant whistleblowers. Fainaru-Wada and Williams have since inspired a bipartisan proposal in Congress to protect journalists at the federal level (dozens of states already have variations of a shield law in place).

"People roll their eyes when you start talking about the First Amendment," Fainaru-Wada said. "But the First Amendment is not about the press, it’s about the public."

In addition to the James Madison Freedom of Information Award, Williams and Fainaru-Wada’s coverage of the BALCO stories earned them the prestigious George Polk Award. But the story took a dark, unexpected turn last month.

Defense attorney Troy Hellerman, who represented one of the BALCO executives, pleaded guilty Feb. 15 to contempt of court and obstruction of justice charges and could serve up to two years in prison for admitting he twice allowed Fainaru-Wada to take notes from the grand jury’s sealed transcripts.

Just as he was spilling details in 2004, Hellerman demanded that a judge dismiss charges against his client, complaining that the leaks prevented a fair trial. He even blamed the leaks on prosecutors. A deputy attorney general called the moves "an especially cynical abuse of our system of justice."

Media critics lashed out at Williams and Fainaru-Wada for exploiting the leaks before and after Hellerman moved for a dismissal. Among those attacking the Chron reporters were Slate editor Jack Shafer and Tim Rutten at the LA Times, who described the conduct as "sleazy and contemptible."

Williams and Fainaru-Wada today still won’t discuss specifics about their sources, but Williams said without the leaks, names of the athletes involved would have otherwise been kept secret by the government even though the grand jury’s original BALCO investigation was complete.

"The witnesses didn’t have any expectation of privacy or secrecy of any kind," he said. "They were going to be trial witnesses. It was in that context that our reporting got under way. I am sensitive to the need of an investigative grand jury to remain secret. And I’m respectful in general of the government’s secrecy concerns. But it’s not the reporter’s job to enforce that stuff." (G.W. Schulz)

SARAH OLSON


When Oakland freelance writer and radio journalist Sarah Olson stood up to the Army by resisting a subpoena to testify in the case of Iraq war resister First Lt. Ehren Watada, she faced felony charges as well as jail time. But Olson understood that testifying against a source would turn her into an investigative tool of the federal government and chill dissent nationwide. "When the government uses a journalist as its eyes and ears, no one is going to talk to that journalist anymore," Olson told the Guardian.

She also objected to journalists being asked to participate in the prosecution of free speech. "The problem I have with verifying the accuracy of my reporting is that in this case the Army has made speech a crime," Olson said. Watada, whom Olson interviewed, has been charged with missing a troop movement and conduct unbecoming an officer, because he publicly criticized President George W. Bush and his illegal Iraq War.

In the end, Army prosecutors dropped the subpoena once Watada agreed to stipulate that Olson’s reporting was accurate. Olson, for her part, attributes the dropping of the subpoena to the support she received from media groups, including the Society for Professional Journalists. (Phelan)

Student journalist

STAFF OF THE LOWELL


The 2006 school year got off to a rough start for Lowell High School, one of the top-ranked public high schools in the country and certainly San Francisco’s finest. The school’s award-winning student newspaper the Lowell was covering it all.

After the October issue went to press, the school’s two journalism classes, which are solely responsible for writing and editing content for the monthly paper, received a visit from the school’s interim principal, Amy Hansen. Though Hansen says there was no attempt to censor the paper and the classes agree that no prior review was requested when it appeared that the students would be covering some controversial stories, the principal questioned their motivations as journalists and asked them to consider a number of complicated scenarios designed to make them second-guess their roles as reporters. The principal told the student journalists they had a moral responsibility, not to turn out the news, but to turn in their sources and information.

In separate meetings with each journalism class, Hansen questioned them about when it was appropriate to lay aside the pen and paper in the name of the law. The students maintained that as journalists they are in the position to report what happens and not pass moral judgment. Additionally, their privileged position as information gatherers would be compromised if they revealed their sources.

The lectures from Hansen did not deter the journalism classes from their basic mission to cover school news as objectively and thoroughly as possible. Even when police were called in to question Megan Dickey, who was withholding the name of a source she’d used in a story about a tire slashing, she still refused to say what she knew. (Witherell)

Whistleblower

MARK KLEIN


Mark Klein knew there was something fishy going on when his boss at AT&T told him that a representative of the National Security Agency would be coming by to talk to one of the senior technicians. Klein was a union communications tech, one of the people who keep the phone company’s vast network going every day. The NSA visitor stopped by, and before long Klein learned that AT&T’s building on Folsom Street would have a private room that none of the union techs would be allowed to enter.

Klein kept his eyes open and learned enough from company memos to conclude that the government was using AT&T’s equipment to monitor the private communications of unsuspecting and mostly undeserving citizens. When he retired in May 2004, he took a stack of material with him — and when he read in the New York Times a year and half later that the NSA had indeed been spying on people, he decided to go public.

The 62-year-old East Bay resident had never been a whistleblower. "I didn’t even know where to begin," he told us. So he surfed the Web looking for civil liberties groups and wound up contacting the Electronic Frontier Foundation.

It was a perfect match: the EFF was about to file a landmark class-action lawsuit against AT&T charging the company with collaborating with the government to spy on ordinary citizens — and Klein’s evidence was a bombshell.

"Mark Klein is a true American hero," EFF lawyer Kurt Opsahl told us. "He has bravely come forward with information critical for proving AT&T’s involvement with the government’s invasive surveillance program."

Federal Judge Vaughn Walker has kept Klein’s written testimony under seal, but the EFF is trying to get it released to the public. The suit is moving forward. (Redmond)

SPJ-NorCal’s James Madison Awards dinner is March 13 at 5:30 p.m. at Biscuits and Blues, 401 Mason, SF. Tickets are $50 for members and $70 for the general public. For more information or to see if tickets are still available, contact Matthew Hirsch at (415) 749-5451 or mhirsch@alm.com.

James Madison Freedom of Information Award Winners

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The Society of Professional Journalists’ Northern California Chapter has been handing awards for 22 years to journalists, educators, public officials, and citizens who best exemplify the importance of open and accountable government and a free and diligent press. And every year the Guardian recognizes the winners and helps highlight the important issues that they raise for the Bay Area and beyond. Here are this year’s winners:

Norwin S. Yoffie Career Achievement Award

ROWLAND "REB" REBELE


Three few years ago the Oakland Unified School District announced that, due to budget constraints, it was shutting down all the student-run newspapers in the district. Rowland "Reb" Rebele lives in Aptos, but he read about the shutdown in a San Francisco Chronicle column.

He picked up the phone, made some calls, and found out the situation was desperate and how much money was needed. He then wrote a check sufficient to resurrect the student newspapers for a year. Then he kept on writing checks to keep the papers going last year and again this year. This was typical of Rebele. No one asked him for help. He received virtually no acknowledgment for his gift. But his timely action turned the lights back on for fledgling newspapers that were out of money and, it seemed, out of luck.

Rebele is a First Amendment mensch (a description that James Madison, had he any familiarity with Yiddish, would have approved of). In his half century of publishing community newspapers that he owned and operated in Coalinga, Chula Vista, and Paradise in California and across the country, he was energetic, inspiring, and devoted to his readers and his communities, and a demon in pushing for open government and accountability. He pursued the same policies as a stalwart for half a century in the California Newspaper Publishers Association and as an activist president who brought key reforms and exceptional leaders to the organization.

Rebele has been a director of the California First Amendment Coalition for a decade. He quickly became the one truly indispensable member of the organization, pushing it, pulling it, holding it together, and cajoling it to broaden its activities because he felt the organization and its mission were vital.

He has also launched an innovative internship program at Stanford University. Rather than just give money to the school, he and his wife, Pat, created a program that has enabled dozens of students to get hands-on experience writing for real newspapers in California. Quietly and selflessly, Rebele has spent his newspaper career fighting the good fight for First Amendment and public interest principles. (Bruce B. Brugmann)

Beverly Kees Educator Award

ROBERT OVETZ


Art Institute of San Francisco instructor Robert Ovetz was fired after he criticized the administration for confiscating a magazine his students produced for his class last December.

Ovetz, who had taught at the institute for three years, told his students to create a "culturally critical" magazine as their final project for a cultural studies class he taught last fall. They produced a 36-page zine called Mute/Off.

Less than 24 hours after he and students distributed 500 copies of the magazine, which Ovetz printed with the institute’s copy machine, most were gone. Ovetz initially attributed their disappearance to popularity, but he soon learned from students that the administration of the school, which was purchased by Goldman Sachs and General Electric last year, had removed them from its campuses and even literally pulled them out of students’ hands.

"This is an example of how a corporation is not held accountable for upholding basic constitutional rights [to] free speech. This is a private company that’s operating as an institution of higher learning," Ovetz told the Guardian. "Its only interest is its bottom line, and its bottom line is profit."

Ovetz complained to the administration about vioutf8g the students’ freedom of speech and received his pink slip Dec. 20, 2006. Dean of Academic Affairs Caren Meghreblian told Ovetz the magazine possibly violated copyright law by reproducing corporate logos without permission and had grammatical errors. She also said a story in the magazine called "Homicide," about three white kids playing a video game as black gangsters, might be racist.

After Ovetz and students complained and the media reported the story, the administration allowed students to redistribute the magazines, but it still refuses to give Ovetz his job back. (Chris Albon)

To size up the magazine yourself, visit www.brandedmonkey.com/muteOffLowRes.pdf.

Citizen

RYAN MCKEE


The object of the California Public Records Act is to ensure the people’s right to know how their state and local governments are functioning. Newspapers are often the entities that test the limits and loopholes of the law. But in January 2006 an 18-year-old college student, Ryan McKee, undertook an audit of each of the 31 California state agencies that was the first of its kind. McKee tested how these agencies, which he personally visited, responded to simple requests to view and get copies of readily available public documents. The results revealed a disturbing pattern. Several agencies performed miserably, including the Department of Justice, which counsels and represents many other state agencies on the Public Records Act, and all of the agencies violated at least one aspect of the law. Common problems included asking for identification, making illegal charges, and taking longer than allowed to release information. McKee undertook the audit while volunteering for Californians Aware, a nonprofit where his father, Richard McKee, is president. A copy of the audit, including its results and grades, was sent to each agency to help it better understand and adjust to its responsibilities. (Sarah Phelan)

Journalists

MICHELE MARCUCCI AND REBECCA VESELY, ANG NEWSPAPERS


ANG Newspapers regional reporters Rebecca Vesely and Michele Marcucci are being honored for the series "Broken Homes" and their unflinching pursuit of public records that exposed negligent care administered to people with autism and other forms developmental disabilities. The series highlighted problems ranging from a lack of proper supervision to unlicensed officials working at health care facilities. Some of these offenses were then linked to patient deaths.

The award recognizes the daunting and tedious task that befell the journalists: 15 months of scouring thousands of hard-copy papers from dozens of sources that included licensing agencies, multiple law enforcement bureaus, and coroner’s offices. The results were entered into a database and cross-checked against other sources of information.

"It’s not like we work at the New York Times, where you can lock yourself in a room for a year. This is one-stop shopping here," Marcucci told the Guardian, noting that both reporters continued their daily beats while working on the project. The series was well received and helped prompt state officials to reinstate inspections of licensed facilities that had been eliminated due to budget cuts. (Christopher Jasmin)

ANDREW MCINTOSH AND JOHN HILL, SACRAMENTO BEE


Two reporters from the Sacramento Bee, Andrew McIntosh and John Hill, get Freedom of Information props for exposing the cronyism and the corruption of the California Highway Patrol.

The two wrote a series of articles detailing how the CHP violated state and department regulations in awarding contracts for items ranging from pistols to helicopters.

"The CHP spends hundreds of millions of dollars each year on equipment and goods," McIntosh told the Guardian. "That’s taxpayer money."

McIntosh said he and Hill took a systematic look at the department’s bidding process and found it was not competitive. The investigation led to the suspension of one officer, Gregory Williams, who the reporters found had awarded $600,000 worth of contracts to his daughter’s company for license plate scanning devices, $500,000 of which was canceled after the reporters exposed the scandal.

The reporters also found the CHP, which controls signature gathering at the Department of Motor Vehicles and other state buildings, denied more than 100 applications for permission to register voters or solicit signatures. Other stories pushed Senate majority leader Gloria Romero and Assemblymember Bonnie Garcia to call for a state audit of the CHP.

McIntosh told us the investigation showed "the CHP is not above public scrutiny or the law when it comes to business dealings." (Albon)

MEERA PAL, CONTRA COSTA TIMES


A good mayoral race isn’t really fun unless a bit of scandal emerges, like it did in Pleasanton two weeks before the November 2006 election.

Meera Pal decided to research the roots of a story that was handed to her by city council member Steve Brozosky, who was challenging incumbent mayor Jennifer Hosterman. Brozosky gave Pal e-mails his campaign treasurer obtained through open-records laws that showed Hosterman may have used her city e-mail account to solicit campaign donations and endorsements, a violation of state law.

But Pal went beyond Brozosky’s story and submitted her own public records requests for the city e-mail account of the mayor, as well as a year’s worth of e-mail from Brozosky and the three other council members.

Pal’s public records request revealed that Brozosky’s inbox was completely void of any e-mail, something neither he nor the city’s IT manager could explain. Brozosky is a computer expert who runs a company that vends city Web site software, so his technical expertise made the situation even more suspicious.

Investigations revealed it was just a setting on his computer that was inadvertently scrubbing the e-mail from the city’s server. Though both violations aren’t necessarily serious crimes, the race was close enough that dirt on either side could have had a profound impact on the outcome, and the results show 68,000 voters who were truly torn during the last two weeks before election day while Pal was reporting these stories. Hosterman eventually won by just 188 votes. (Amanda Witherell)

SUSAN SWARD, BILL WALLACE, ELIZABETH FERNANDEZ, AND SETH ROSENFELD, SAN FRANCISCO CHRONICLE


In the wake of 2003’s so-called Fajitagate police scandal — in which San Francisco officer Alex Fagan Jr. and others were accused of assaulting and then covering up their alleged vicious beating of innocent citizens — the San Francisco Chronicle uncovered records showing that Fagan’s short history on the force was marked by regular incidents of abusive behavior, the kind of records that should have served as a warning for the problems to come.

"We decided to take a look to see how common it was. And we spent a lot of time doing that," Steve Cook, the Chronicle editor of what became last year’s five-part "Use of Force" series, told the Guardian. The team used the Sunshine Ordinance to gather boxloads of records on use-of-force incidents, which it organized into a database that was then supplemented and cross-referenced with a wide variety of other public records, along with old-fashioned shoe leather reporting, all the while fighting through bureaucratic denials and delays.

Despite an embarrassing mislabeled photo on the first day of the series that served as fodder for attacks by the Police Department and Mayor’s Office, the series made clear that rogue cops were abusing their authority, totally unchecked by their supervisors. "We were proud of what we were able to show," Cook said. "We showed a department in need of some basic reforms."

The series helped spur the early intervention system that was recently approved by the Police Commission. It’s a good first step, but one criticized by the Chron and the Guardian for failing to include some key indicators used in other cities (see our editorial "Fix Early Warning for Cops," 2/28/07), something that Cook said requires ongoing vigilance by the press, to bring about needed reforms: "Only the news media is really going to accomplish this, if they stay with the story." (Steven T. Jones)

Legal counsel

DAVID GREENE


The First Amendment was never about money. Free speech is supposed to be free. But these days threats to the First Amendment are growing, more and more people who lack the resources of a major media outlet are in need of help — and there aren’t many places dedicated to offering that assistance, free.

That’s where David Greene and the First Amendment Project come in.

Since 1999, as a staff attorney and executive director, Greene has helped dozens of freelance journalists, students, nonprofit organizations, and independent media outlets protect and expand their free speech and open government rights.

The operation he runs is totally independent. That’s a key point in an era of massive media consolidation: when the Guardian sought earlier this year to find legal representation to force open the key records in a lawsuit over Dean Singleton’s local newspaper merger, we found that just about every local media law firm represented at least one of the parties to the case and thus was conflicted. The FAP was not.

Greene and the FAP have represented blogger Josh Wolf and freelancer Sarah Olson in landmark subpoena cases. Greene, with the American Civil Liberties Union of Northern California, wrote the amicus brief on behalf of noted literary artists in the California Supreme Court case In re George T., in which the court, relying heavily on the FAP brief, overturned the conviction of a juvenile who made threats to other students with a poem. And the struggle just goes on. The FAP is funded largely by private donations and always needs additional support.

"Unfortunately," Greene told us, "we have to turn away a lot more cases than we can take." (Tim Redmond)

News media

SAN JOSE MERCURY NEWS


After years of last-minute backroom deals at San Jose’s City Hall, things came to a head when the City Council rubber-stamped proposals to give a $4 million subsidy to the San Jose Grand Prix, $80 million for a stadium to keep the Earthquake soccer team from leaving town, and $45 million for new City Hall furniture.

Clearly, something had to give. But it was left to San Jose Mercury News editorial writers to push for transparent and accessible government and better enforcement of the state’s open government laws.

First they shamed the city, pointing out that "San Francisco, Oakland, even Milpitas have better public-access laws." Next they hammered then-mayor Ron Gonzales for saying that calls for more open government were "a bunch of nonsense." Then they printed guiding principles for a proposed sunshine ordinance that they’d developed in conjunction with the League of Women Voters and Mercury News attorney James Chadwick.

When city council member Chuck Reed was elected mayor on a platform of open government reforms, the paper still didn’t give up. Instead, it’s continuing to champion the need to bring more sunshine to San Jose and working with a community task force on breaking new ground, such as taping closed sessions so they can one day be made available when there’s no further need for secrecy.

Somehow the Merc also managed to pull off another amazing feat: the paper built public understanding of and support for sunshine along the way. (Phelan)

SAN MATEO COUNTY TIMES


When outbreaks of the highly contagious norovirus sprang up in a number of California counties, San Mateo County was among those hit. Public health officials, however, would not release the names of the facilities where numerous individuals became infected, citing concerns about privacy and not wanting to discourage facility managers from contacting health officials.

Nonetheless, the San Mateo County Times ran a series of reports on the outbreaks in the named and unnamed facilities. After publishing reports on unnamed facilities, the news staff began to receive phone calls from residents who wanted to know the names of the facilities. Times reporter Rebekah Gordon told us it became clear that the public wanted to know this information, and the paper fought the county’s secrecy.

Gordon learned that facilities are required by law to report outbreaks, regardless of the potential for media exposure. Times attorney Duffy Carolan sought out and won the disclosure of the names of four facilities.

"The county’s initial nondisclosure decision evoked public policy and public safety concerns at a very broad level, and nondisclosure would have had a very profound effect on the public’s ability to obtain information that affects their own health and safety. By persisting in the face of secrecy, the Times was able to establish a precedent and practice that will well serve to inform their readers in the future," Carolan told us.

The paper learned the outbreak was far more widespread than the county had admitted, finding 146 cases in six facilities. Gordon said, "The numbers were so much higher than we were ever led to believe." (Julie Park)

Online free speech

JOSH WOLF


Even as he sits inside the Federal Correctional Institute in Dublin, where he’s been denied on-camera and in-person interviews, jailed freelance journalist Josh Wolf manages to get out the message. Last month Wolf, who is imprisoned for refusing to give up video outtakes of a July 2005 anarchist protest in the Mission that turned violent, earned a place in the Guinness World Records for being the journalist to have served the longest jail term in US history for resisting a subpoena.

His thoughts on the agenda behind his incarceration were read at press conferences that day, reminding everyone of the importance of a free press. Meanwhile, Wolf has managed to continue operating his blog, www.joshwolf.net, by sending letters to family, friends, and fellow journalists, including those at the Guardian.

Wolf has also managed to create two other Web sites: www.mediafreedoms.net, which supports journalists’ resistance to government pressure, and www.prisonblogs.net, which allows prisoners to air thoughts and grievances. If Wolf can do all this from behind bars, imagine what he’ll do when he finally gets out. As Wolf would say, if we could only speak to him without reserving a phone interview 48 hours in advance: "Free press? Then free Josh Wolf!" (Phelan)

Public official

JOHN SARSFIELD


As district attorney for San Benito County, John Sarsfield upset the political applecart when he tried to prosecute the County Board of Supervisors for ignoring the Brown Act’s prohibitions on private communication and consensus building among board members on matters that involved employment decisions, personnel appeals, contracting, and land use–growth control issues.

His decision didn’t sit well in a county where battles over the future of the land have spawned Los Valientes, a secret society that has targeted slow-growth advocates and anyone who gets in its way — including believers in open government. So the board retaliated by defunding Sarsfield’s office, forcing the DA to file for a temporary restraining order against the board, the county administrative officer, and the county auditor, a countermove that kept his office operating and the investigation alive — until he lost his reelection bid to the board’s chosen candidate in January 2006.

One of Los Valientes’s targets, Mandy Rose, a Sierra Club member and slow-growth advocate, recalled how people on the outside warned Sarsfield what he was up against, "but he insisted on working within the system. It was what he believed in. Someone even said he was a Boy Scout."

For his efforts, Sarsfield’s life was turned into a living hell that cost him his dogs, his marriage, and eventually his job. But now, with this award, he gets some small recognition for fighting the good fight. And he has also been appointed special assistant inspector general within the Office of the Inspector General by Gov. Arnold Schwarzenegger. (Phelan)

Special citations

LANCE WILLIAMS AND MARK FAINARU-WADA, SAN FRANCISCO CHRONICLE


Investigative reporter Lance Williams and sportswriter Mark Fainaru-Wada joined forces in 2003 to take on what became one of the biggest — and most controversial — local news stories of the past five years.

The investigation of the Burlingame-based Bay Area Laboratory Co-operative, better known as BALCO, and the larger scandal of widespread steroid use among baseball players was, the San Francisco Chronicle editors decided, too big for one reporter.

In fact, it turned out to be big enough for a series of stories, a book, and a legal battle that almost sent the two writers to federal prison. The duo admits today it was mostly the fear of getting scooped that drove them through the story’s dramatic rise.

"I’m a baseball fan in recovery," Williams told the Guardian. "I used to think I knew the sport. I didn’t have a clue about this stuff. I’m not kidding you. I had no idea how much a part of baseball steroids had become … that whole sort of seamy underside of the drug culture and the game. I just didn’t know it was like that, and I think most fans don’t either."

Although prosecutors seemed to be focusing on BALCO executives, everyone following the story wanted to know what witnesses — in this case top sports stars — told a federal grand jury investigating the company. The outfit had allegedly distributed undetectable steroids and other designer drugs to some of the world’s greatest athletes, including Giants slugger Barry Bonds, who is on his way to making history with a new home run record.

In 2003 the Chronicle published lurid details of the grand jury’s investigation based on notes Williams and Fainaru-Wada had obtained from court transcripts leaked by an anonymous source. Bonds denied knowingly taking any steroids, but prosecutors waved in the air documents allegedly confirming his regular use of substances banned by Major League Baseball.

Furious prosecutors launched an investigation into the leak of secret grand jury transcripts. The reporters were called on to testify but refused — and so joined two other reporters last year threatened with jail time for resisting subpoenas. A lawyer stepped forward last month and admitted leaking the documents, but Williams and Fainaru-Wada came dangerously close to landing in the same East Bay lockup where blogger Josh Wolf is held for refusing to cooperate with a federal grand jury.

The rash of recent attacks on reporters by federal prosecutors has First Amendment advocates up in arms. After all, no one’s going to leak crucial information if the courts can simply bulldoze the anonymity that journalists grant whistleblowers. Fainaru-Wada and Williams have since inspired a bipartisan proposal in Congress to protect journalists at the federal level (dozens of states already have variations of a shield law in place).

"People roll their eyes when you start talking about the First Amendment," Fainaru-Wada said. "But the First Amendment is not about the press, it’s about the public."

In addition to the James Madison Freedom of Information Award, Williams and Fainaru-Wada’s coverage of the BALCO stories earned them the prestigious George Polk Award. But the story took a dark, unexpected turn last month.

Defense attorney Troy Hellerman, who represented one of the BALCO executives, pleaded guilty Feb. 15 to contempt of court and obstruction of justice charges and could serve up to two years in prison for admitting he twice allowed Fainaru-Wada to take notes from the grand jury’s sealed transcripts.

Just as he was spilling details in 2004, Hellerman demanded that a judge dismiss charges against his client, complaining that the leaks prevented a fair trial. He even blamed the leaks on prosecutors. A deputy attorney general called the moves "an especially cynical abuse of our system of justice."

Media critics lashed out at Williams and Fainaru-Wada for exploiting the leaks before and after Hellerman moved for a dismissal. Among those attacking the Chron reporters were Slate editor Jack Shafer and Tim Rutten at the LA Times, who described the conduct as "sleazy and contemptible."

Williams and Fainaru-Wada today still won’t discuss specifics about their sources, but Williams said without the leaks, names of the athletes involved would have otherwise been kept secret by the government even though the grand jury’s original BALCO investigation was complete.

"The witnesses didn’t have any expectation of privacy or secrecy of any kind," he said. "They were going to be trial witnesses. It was in that context that our reporting got under way. I am sensitive to the need of an investigative grand jury to remain secret. And I’m respectful in general of the government’s secrecy concerns. But it’s not the reporter’s job to enforce that stuff." (G.W. Schulz)

SARAH OLSON


When Oakland freelance writer and radio journalist Sarah Olson stood up to the Army by resisting a subpoena to testify in the case of Iraq war resister First Lt. Ehren Watada, she faced felony charges as well as jail time. But Olson understood that testifying against a source would turn her into an investigative tool of the federal government and chill dissent nationwide. "When the government uses a journalist as its eyes and ears, no one is going to talk to that journalist anymore," Olson told the Guardian.

She also objected to journalists being asked to participate in the prosecution of free speech. "The problem I have with verifying the accuracy of my reporting is that in this case the Army has made speech a crime," Olson said. Watada, whom Olson interviewed, has been charged with missing a troop movement and conduct unbecoming an officer, because he publicly criticized President George W. Bush and his illegal Iraq War.

In the end, Army prosecutors dropped the subpoena once Watada agreed to stipulate that Olson’s reporting was accurate. Olson, for her part, attributes the dropping of the subpoena to the support she received from media groups, including the Society for Professional Journalists. (Phelan)

Student journalist

STAFF OF THE LOWELL


The 2006 school year got off to a rough start for Lowell High School, one of the top-ranked public high schools in the country and certainly San Francisco’s finest. The school’s award-winning student newspaper the Lowell was covering it all.

After the October issue went to press, the school’s two journalism classes, which are solely responsible for writing and editing content for the monthly paper, received a visit from the school’s interim principal, Amy Hansen. Though Hansen says there was no attempt to censor the paper and the classes agree that no prior review was requested when it appeared that the students would be covering some controversial stories, the principal questioned their motivations as journalists and asked them to consider a number of complicated scenarios designed to make them second-guess their roles as reporters. The principal told the student journalists they had a moral responsibility, not to turn out the news, but to turn in their sources and information.

In separate meetings with each journalism class, Hansen questioned them about when it was appropriate to lay aside the pen and paper in the name of the law. The students maintained that as journalists they are in the position to report what happens and not pass moral judgment. Additionally, their privileged position as information gatherers would be compromised if they revealed their sources.

The lectures from Hansen did not deter the journalism classes from their basic mission to cover school news as objectively and thoroughly as possible. Even when police were called in to question Megan Dickey, who was withholding the name of a source she’d used in a story about a tire slashing, she still refused to say what she knew. (Witherell)

Whistleblower

MARK KLEIN


Mark Klein knew there was something fishy going on when his boss at AT&T told him that a representative of the National Security Agency would be coming by to talk to one of the senior technicians. Klein was a union communications tech, one of the people who keep the phone company’s vast network going every day. The NSA visitor stopped by, and before long Klein learned that AT&T’s building on Folsom Street would have a private room that none of the union techs would be allowed to enter.

Klein kept his eyes open and learned enough from company memos to conclude that the government was using AT&T’s equipment to monitor the private communications of unsuspecting and mostly undeserving citizens. When he retired in May 2004, he took a stack of material with him — and when he read in the New York Times a year and half later that the NSA had indeed been spying on people, he decided to go public.

The 62-year-old East Bay resident had never been a whistleblower. "I didn’t even know where to begin," he told us. So he surfed the Web looking for civil liberties groups and wound up contacting the Electronic Frontier Foundation.

It was a perfect match: the EFF was about to file a landmark class-action lawsuit against AT&T charging the company with collaborating with the government to spy on ordinary citizens — and Klein’s evidence was a bombshell.

"Mark Klein is a true American hero," EFF lawyer Kurt Opsahl told us. "He has bravely come forward with information critical for proving AT&T’s involvement with the government’s invasive surveillance program."

Federal Judge Vaughn Walker has kept Klein’s written testimony under seal, but the EFF is trying to get it released to the public. The suit is moving forward. (Redmond)

SPJ-NorCal’s James Madison Awards dinner is March 13 at 5:30 p.m. at Biscuits and Blues, 401 Mason, SF. Tickets are $50 for members and $70 for the general public. For more information or to see if tickets are still available, contact Matthew Hirsch at (415) 749-5451 or mhirsch@alm.com.

SATURDAY

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Feb. 17

Theater

Rust

When’s the last time you thought about Aunt Jemima or Uncle Ben outside a breakfast or dinner context? I’ll bet it’s been even longer since you’ve thought about how they could work together to help a black football superstar play the game on his own terms. Instead of wallowing in your own thoughtlessness, check out Rust, the hilariously biting satire of cultural stereotypes, advertising myths, professional sports, and race relations in 21st-century America. (Aaron Sankin)

Through April 1
8:30 p.m., $25
Magic Theatre
Fort Mason Center, bldg. D
Marina at Laguna, SF
(415) 441-8822
www.magictheatre.org

EVENT

Progressive inauguration celebration

Join the San Francisco Green Party at a shindig hosted by Krissy Keefer, former Green Party congressional candidate in the race against Rep. Nancy Pelosi, at Dance Mission Theater. Speakers include Chris Daly, Jane Kim, Sarah Lipson, Kim-Shree Maufas, Ross Mirkarimi, John Rizzo, and Mark Sanchez. (Deborah Giattina)

7-10 p.m., $7 suggested donation
Dance Mission Theater
3316 24th St., SF
(415) 701-7090
sfgreens.org

Gimme Grammy?

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› Kimberly@sfbg.com

SONIC REDUCER Strip away the pre-Grammy bashes and after-parties, the hunger pangs, the monstrous Staples Center and the surrounding downtown LA sketchiness, and the mandatory earful you get from radio broadcasters playing brain-numbing Grammys numbers games as if they were rattling off sports stats — and I’d say I’m glad to have made the five-hour drive to the awards show. I feel privileged to have camped out at the arena’s media center for almost 12 hours to hurl polite questions at the Dixie Chicks, Ludacris, T.I., etc., at that most bemoaned of ceremonies, because I learned so much about the music industry’s "biggest night of the year" Feb. 11. Start with this grain of wisdom from pretelecast host Joe Satriani: "Remember, it’s not whether you win or lose but how good you look at all the after-parties tonight," and go forward, ladies and gentlemen, to "What I Learned at the Grammys":

1) Skip many of the pretelecast awards, unless you’re dying to see who won Best Spoken Word, Polka, or Surround Sound albums. None of the stars show up for these unless they’re presenting. Only so-called niche artists (read: Hawaiian, American Indian, gospel) still interested in industry recognition bother showing up before 5 p.m.

2) If, however, there’s screaming for a nominee during the pretelecast handout, you can bet the band is there. Wolfmother, for instance, got a load of whoops when its name was called for Best Hard Rock Album — and indeed Rob Tyner–’froed vocalist Andrew Stockdale eventually made it from outer Siberia to the stage. Backstage he joked, "I thought this award was reserved for the permanent residents of Bel-Air."

3) Speak the truth. Then stick to it. Even the Dixie Chicks couldn’t honestly say they made the Best Record and Album, just two of the five Grammys they won, but they did gratefully acknowledge that their awards were symbolic — and no less meaningful. "I’m definitely aware that we were up against a lot of great music," Natalie Maines told the media. "But I definitely think people had an inspiration and different motivation in voting for us."

4) Be nice — and better, be funny. Media wage slaves in regulation black knew that in the tightly controlled Grammy universe, we best not ask untoward questions for fear of being ejected and disinvited in the future. We must take humility — and humor — lessons from Lewis Black, winner of Best Comedy Album, who sputtered, "I never win shit, so I’m astonished."

5) Keep the American Idol appearances to a minimum (thank the lord that Kelly Clarkson didn’t make another album this year, and pass the ammunition). Carrie Underwood looked terrified as she sang "San Antonio Rose" during the tribute to Lifetime Achievement honoree Bob Wills.

6) Be from Texas or better still, Houston: the Dixie Chicks, Beyoncé, Chamillionaire, "My Grammy Moment" newb Robyn Troup.

7) Skew elderly, as usual. Stevie Wonder and Tony Bennett score before silly but infectious monster hits "Hips Don’t Lie" and "Promiscuous"? Complain into the hearing aid.

8) Concentrate on giving the people memorable performances, with tasteful production à la Gnarls Barkley’s "Crazy," complete with airline pilot uniforms and an eerie Lost–as–a–modern opera feel. With the exception of the messily mixed Ludacris and Earth, Wind and Fire production, most of the show was solid.

9) Keep your celebrated poonanny shots to yourself. Christina Aguilera, known for her own supposed flash at a Grammy telecast a few years back, tactfully fielded a question backstage on how to leave a limo gracefully, unlike her former Mickey Mouse Club mate Britney Spears. "Are you setting me up to say, ‘Keep your legs closed’?" asked the petite blond, working that retro vibe in black lace and a simultaneously amused and prim attitude.

10) When all else fails, baffle them with bullshit — or designer body modification mishaps. Frail, in a gold tie and matching yellow splotched jacket, Ornette Coleman waxed oblique and philosophical, improvising a mumbled hepcat monologue on sound freely, incomprehensively, and far out there backstage after his Lifetime Achievement win. Coleman sounded utterly cracked until he brought it all home: "I’m only saying what I’m saying because I want to hurry up and get this over with." Rim shot!

Grammy’s only surreal moment was the instant Smokey Robinson’s strangely erased-looking, waxy brow and unnaturally bright blue eyes appeared on TV as he came out to sing "The Tracks of My Tears" alongside a wildly energetic, trampoline-bouncing, handstanding Chris Brown. Had the Motown songwriting genius been body-snatched and replaced by a Botox victim from Planet Zanthar? A woman reading my notes on Robinson’s tweaked face over my shoulder told me I had to write about it. "His wife is my godmother," she swore. "I went up to him last night at a party and said, ‘You look like a demon!’ He takes care of himself, but someone needs to tell him." Speaking truth to legend? It could become a habit. *

Valentine’s Day date ideas

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culture@sfbg.com
Putting together a good date can be like planning a bank robbery. You’re investing time, you’re fronting a bunch of money, and you’re coordinating complicated logistics — all in hopes of breaking the law. In this case, Murphy’s Law. I mean, let’s face it, half the time Valentine’s Day dates carry so much nervous tension and promptitude that we should all consider ourselves lucky if we wake up on February 15 with all our fingers — never mind whether we wake up alone!

There is no foolproof plan for a good date, but there is one factor that can be almost impossible for even the most lethargic lothario to mess up: the view. A nice view is always a nice view, even if you’re enjoying it with a person you think you just might hate.

So sure, you might leave the tickets at home, lock the keys in your cars, tear your inseam, spill wine on your date, or find out that she’s allergic to shellfish after you’ve made her try your seafood bisque. But at least your date might still gasp out, “The… moon… looks… pretty…” before the EMT places an oxygen mask over her mouth and wheels her out of your life forever.

THE SURE THING

These are the places where either the views or the reservations are guaranteed. The rest (ahem) is up to you.

Buena Vista Café
This place is a good bet. Get a classic Irish coffee at the place that invented it while looking out at romantic sailing ships on the Hyde street pier. They don’t take reservations, and Valentine’s is no different, so call to see how long the wait is. (Since it’ll be a Wednesday, the wait could be as good as 15 minutes.)
2765 Hyde St, SF; (415) 474-5044, www.thebuenavista.com. Mon-Fri 9am-2am, Sat-Sun 8am-2am

Greens
This vegetarian restaurant offers views of the Fort Mason marina. Two can eat for less than $100. And if your special friend is a veggie, forget the windows — they’ll be blown away just looking at all their options on the menu.
Building A, Fort Mason Center, SF; (415) 771-6222. Mon-Fri 5:30pm-9pm

Fishermen’s Grotto
This restaurant is sunk deep into the kitsch and tourism of the wharf. Since Valentine’s Day is on a Wednesday this year, you might still be able to get reservations as late as a couple days in advance.
9 Fishermen’s Wharf, SF; (415) 673-7025, www.fishermensgrotto.com. Mon-Sun 11am-11pm

Cliff House — Sutro’s Restaurant
So yeah, the new exterior looks horrible, but the views from inside are just as good as ever. The bistro section doesn’t take reservations, so look for a good spot at the bar — they have three cocktail lounges — and enjoy the scenery and a drink while waiting for your table.
1090 Point Lobos Ave, SF; (415) 386-3330, www.cliffhouse.com. Mon-Sun 9am-10pm

RISKY BUSINESS

Feeling adventurous? Try an out-of-the-ordinary option to impress your one-of-a-kind date.

Beach Chalet Brewery and Restaurant
This art deco dinner option is tucked inside Golden Gate Park, overlooking Ocean Beach. Reservations are recommended, though walk-ins may be able to find seats too. (Call to see if tables are available). At the very least, their bar is first come, first served — and hey, they’re a brewpub. The view isn’t as breathtaking as some (about half of it is parking lot), but it does have the clearest views of ocean waves.
1000 Great Hwy, SF; (415) 386-8439, www.beachchalet.com. Sun-Thur 5pm-10pm, Fri-Sat 5pm-11pm.

Tower Market
Weather permitting, you could get some food a la carte from their deli and have yourselves a picnic on Twin Peaks while the sun goes down. Throw in a bottle of wine —perhaps Sebastiani’s 2003 Merlot, buttery with a smoky finish — and a blanket, and you just might get to miss the moonrise.
635 Portola Drive, SF; (415) 664-1609. Mon-Sat 8am-8:30pm, Sun 8am-8pm

Poncho Villa’s
Well, not the most romantic – or is it? If you’ve got just the right ruca, bonding with burritos by the Bay Bridge, sipping tallboy Tecates out of paper bags, and watching boats glide by the docks could be the perfect evening.
Pier 1, SF; (415) 982-2182, panchovillasf.com. Open until 10pm

FLIRTING AT THE FERRY BUILDING

Everything here’s going to be a bit pricier. But Treasure Island and the Bay Bridge have your back, so it just might be worth it.

Hog Island Oyster Company
This oyster bar is first come, first served, but they’re only open until 8pm.
1 Ferry Plaza, SF; (415) 391-7117, www.hogislandoysters.com. Mon-Fri 11:30am-8pm, Sat-Sun 11:30am-6pm

Slanted Door
Showing up at 5:00 might get you seated, and, as always, the bar is first come, first served.
1 Ferry Plaza Bldg 270, SF; (415) 861-8032, slanteddoor.com. Mon-Thu 5:30pm-10pm, Fri-Sat 5:30pm-10:30pm

Sinbad’s
This old-school seafood restaurant is a classic standby. As an added bonus, their menu —including the lobster thermidor — is priced competitively. Call ahead to see if you can still get a table.
Pier 2 Embarcadero, SF; (415) 781-2555. Mon-Sun 10am-11pm

Guaymas
If you can swing it, take the ferry across the bay and cab it to this waterside Mexican seafood restaurant. It’s never been busy in the past, but they’re advertising a special prix fixe menu for the first time, so call about getting seated.
5 Main St, Tiburon; (415) 435-6300. Mon-Thurs 11:30am-10pm

Liquor and Love

Ok. You made it through dinner without bleeding. Congratulations. Now what? Sweep that special someone off their feet and into bed with another great view — and plenty o’ booze. These bars all offer the best moon-wedge garnish for your cocktail.

The View Lounge
The city seems a thousand miles away (and 36 floors down) as jazz flows through the cavernous rooms of The View Lounge. This sky-high bar is open to the public and features shell-shaped windows big enough to make you feel like a boardroom exec. The drinks are pricey, but the jazz is free. And they don’t take reservations, so you’ve got just as good a shot at a seat as anyone else.
Inside the Marriott, 55 4th St, SF; (415) 896-1600

Harry Denton’s Starlight Room
Denton’s place is having a special Valentine’s version of its weekly Indulgence club night, run by Sebastien Entertainment (415-979-3031). Starting at 8pm, there’ll be DJs, chocolate vodka truffles, champagne, and dancing. The cover is only $15, but the place will be busy. Call Sebastien Entertainment to see if they’re packed. Or reserve a booth or bottle service, if you roll like that.
Inside the Sir Francis Drake Hotel, 450 Powell, SF; (415) 395-8595

Orbit Room Café
This art-deco bar also has café fare (bagels and pastries) and features a rare first-story view of downtown from high up on Market Street.
1900 Market St, SF; (415) 252-9525. Mon-Thurs 7am-12am, Fri-Sat 7am-2am

Bloom’s Saloon
Bloom’s is kind of a grimy sports bar. But perched on the north slope of Potrero Hill, it has the best view of downtown east of Twin Peaks.
1318 18th Street, SF; (415) 861-9467

THE MORNING AFTER

Wow. You woke up with company. Now pull out the hat trick with View Number Three and get mom’s grandkids on lockdown — or at least get laid again…

Seal Rock Inn
This hotel and breakfast spot is perched on the cliff above the Cliff House.
545 Point Lobos Ave, SF; (415) 752-8000, www.sealrockinn.com

Louis’ Restaurant
Greasy spoon style! Dig the orange tile inside and the ruins of the Sutro Baths outside.
902 Point Lobos Ave, SF; (415) 387-6330

V-DAY VENUE DON’TS

Unless you’re a high roller, or the restaurant’s owner, these places won’t be worth the trouble.

Pier 23 Café
This come one, come all waterfront restaurant and bar would be a great bet, except they will be CLOSED FOR REMODELING!
23 The Embarcadero, SF; (415) 362-5125, www.pier23cafe.com.

Julius’ Castle
Don’t bother with this Telegraph Hill restaurant either. It’s also closed for renovations.
1541 Montgomery, SF; (415) 392-2222

Top of the Mark
The Mark is having a special Valentine’s Day dinner and no one will be seated without reservations.
1 Nob Hill Circle, SF; (415) 616-6916, www.topofthemark.com

Equinox
It’s healthy to be wary of revolving restaurants in general, but they’re also having a special prix fixe V-day menu.
Hyatt Regency, Embarcadero 5, SF; (415) 291-6619

Butterfly
Their prix fixe menu is $75 per person, plus 18% gratuity. And there’s no mention of champagne being included; so if you just drink water, you’ll get out of there for $177.
Pier 33, The Embarcadero, SF; (415) 864-8999

San Francisco lovin’

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Valentine’s Day date ideas
V-Day shopping guide
Complete V-Day events listings

› culture@sfbg.com

Oh! What a web of tangled flesh we postbohemian, rapidly gentrifying, pandemic-aware, pre-spray-on-condom and mint-flavored chewable RU-486 San Francitizens weave! Folks still trot out the ol’ misty-eyed cynicisms: romance is dead, sex is boring, love is impossible, "I’m too fat"…. But that doesn’t stop ’em from doing it until their knees ache when they get the winky come-on (or hoping for Mr. or Ms. Right to ease the tax burden). Sure, in the age of the Internetz, sex is now a shopping trip — just log on for huge fake tits (aisle four), smart-mouthed ghettosexuals (aisle six), muffin tops gon’ wild (aisle nine), or guys who inject a gallon of saline into their shaved balls (clean up, aisle five). No need to be a bitch or a ho — you’re already both on the webcam, dude. Don’t forget your password.

But still. Love exists, right? Christina Aguilera tells us so. And love leads to sex. Or to real sex. Or the other way around. Something. And don’t even ask about the whole monogamy thing! Can’t it all be easier? Aren’t we robots yet? No, not yet. For good or ill we live in a magical place where impulse meets emotion in technology’s dark corner and heads upstairs with it to a small room marked "free love" ($29 an hour) — leaving behind a trail of used rubbers, hopefully. Below we delve into the sex-and-romance pros and cons of some especially San Franciscan things. Maybe it’ll help make things a little clearer. Maybe!

BEING A STRAIGHT GIRL


Carrie Bradshaw, Marissa Cooper, and Dr. Meredith Grey have their trumped-up Trumps, Shin-die schlubs, and Doc McDreamys, but what do so many straight, single women get in the Bay bohemia otherwise known as America’s gay mecca? Commitmentphobic Peter Pan–ders, crusty granola cronies who only cruise twentysomethings, workaholic geeks who seldom see the light of day (apart from the blazing orbs of Burning Man), and windburned adventurers with a never-ending thirst to mountain bike, lick that downward dog, and hike the closest REI. Face it: single straight sistahs have the toughest lot in this town. A 2004 San Francisco magazine story estimated that unmarried straight 20- to 44-year-old SF men outnumbered their female counterparts by about 12,000. But I bet most eligible gals feel — nay, know — that the ratio is weighted in the dudes’ favor. It doesn’t help that years of STD- and AIDS-inspired social conservatism seem to have spurred peeps and perps to hook up early and less often — despite our fair city’s freewheeling rep when it comes to sex roles, relationships, and gender politics. San Francisco’s single chicks sometimes find themselves wondering, "Whatever happened to dating? Where did everyone go? Is it my breath?" When one male friend told me his ex’s claim that she’s dating multiple fellahs in various NorCal cities, my bullshit detector started honking. Tell it to all the attractive, smart, independent, and nubile femme singletons I know who are sitting home Saturday nights.

Pros: Never having to worry about getting macked on at guycentric sports events, shows, and construction sites. Women are always free at the Power Exchange. There’s sisterhood in desperation. You can always join a girl gang and accost hapless men walking alone in dark parking lots. That yawning bore across the table is looking better every sec.

Cons: Dating. Shooting down poseurs who are into shopping for the pick of the litter. Resigning yourself to your anemic online-dating shopping options. And how depressing is it to go to a sex club by yourself? That yawning bore across the table is looking better every sec. (Kimberly Chun)

BEING A STRAIGHT GUY


I worked security at the Endup for four years. As a straight guy, I found myself jealous of my gay compatriots out there on the dance floor, nuts to butts, letting it all hang out. Obviously, gay men have committed, complicated, and drama-filled relationships too. But boys will be boys, and it seemed things were so much simpler and, pardon the pun, more straightforward for gay guys in San Francisco. Less of a mating ritual and more mating. It’s the classic straight guy’s lament: if women acted like dudes, I’d be getting laid right now. Or, as Michael Dean once said in a Bomb song, "The girl that I miss is just me in a dress." Still, after 15 years in San Francisco, I’m starting to see the bonuses of being single, straight, and not so young in a city known worldwide for Rice-a-Roni, sourdough bread, and buffed-out, hunky young gay guys.

Pros: At 35, I may actually be starting to enjoy dating. No one’s lugging around that "my heart was broken, and I can’t go through that again" cross anymore. We’re all adults here, and like the young, restless, and gay, we’ve gotten in touch with our biological needs. Thirtysomething Bay City rollers know they need to get off and they don’t have to meet their soul mate to do it. Sure, the roller coaster of love is one hell of a ride, but sometimes it’s enough to get Indian food, hit a bar with a good jukebox, rent a movie, go home, and fuck.

Cons: People really do get married. Which means the thirtysomething dating pool shrinks and you can end up dating someone younger. This might seem like a pro, until you try to make a pop culture reference on a date and hear crickets chirp. There’s not a lot of eye-to-eye going on when your love interest ejects Mania, by the Vibrators, to put on Green Day. (Duncan Scott Davidson)

BEING A QUEER


Oh, the burden! Straight guys think you get laid more than them. Straight girls think you get laid more than them. Both of them think you like turtlenecks and cologne. It’s horrifying! And history! Here you are over the rainbow, in the fiercely romantic-looking burg all those haters in high school screeched at you to move to, and you’re scrounging for any bit of affection you can find among the forest of online profiles and the coral reef of lopsided haircuts. Plus you’ve got billboards screaming "AIDS!" in your face on every corner. It’s enough to drive a lonely fag to the gym or a dyke to the (one) bar, if that weren’t just as fucked-up a defense mechanism as huddling with your old Smiths EPs and a tankard of Merlot in your cubby. But c’mon, at least you can walk home from your trick’s house….

Pros: Be all you can be! Journey of discovery! There’s a new opportunity around every corner. The hottest FTMs on the face of the planet. Boys aren’t wearing so much product as in 2002. Being the envy of the gay world. Invisible lipstick lesbians. Trash drag. Crystal meth played out (pretty much). Domestic partnership laws (if only …). Gay love is real (ask your serial monogamous friends). Hey, at least it’s not Chelsea!

Cons: Too many to choose from. No need to grow up. Too many bottoms. Ever-present feeling you should get more tattoos — or is that trying too hard? Everyone wants to be your fag hag. Monogamous or "negotiated"? Holier-than-thou activists, hotter-than-thou street life. "What if I’m really straight?" Knowing everyone’s as shy as you but not being able to do anything about it. (Marke B.)

OUR PLAYBOY MAYOR


What a difference a few screaming headlines make. Throw in a Scientology siren, underage cocktail gulpers, and a couple plowed society babes with fiercely straightened fright wigs and outta-hand cheekbones — and ya got yerself a mayor! All we need are some flesh-eating pigs and anesthesia-free surgery to dub this the return of the wild, wild, perhaps very wild, especially when tanked, west — a Deadwood of sorts, if that didn’t imply a kind of flaccid fumbling. Nonetheless, let’s call it the latest in a grand tradition of San Francisco’s romantic and sexual politico-explorers from days of yore — from Harvey Milk to Willie Brown — that we have Mayor Gavin Newsom finally unchained from his legal-eagle Victoria’s Secret model missus and free to allegedly cruise Cow Hollow’s finer drinking establishments after hours, as rumor has long had it. Oh, the list is long and ever growing: encompassing the CSI: Miami starlet and the city mag editor eager to vet her boy’s cover pic alike. Now comes the real test of testosterone: whether Newsom can summon that ironclad Clintonesque charm to weather the latest scandal. My question for the Gavinator: what are you doing for Valentine’s Day?

Pros: The ever-changing cast of hotties at parties and photo ops sure dresses up society pages. No more tacky Harper’s Bazaar fashion spreads. Plenty of heavily gelled, aerodynamic-looking helmet hair. The notion of a Scientologist mayor clears rooms. We can now use that hallowed line, "Is that your Plump Jack — or are you just excited to see me?" Feeling privy to the secret life of frat boys. He’s never boring.

Cons: Kennedy comparisons are starting to grate. Clinton comparisons are starting to chafe. And there’s too much chafing in general. The ever-changing cast of hotties is starting to resemble a sale crowd riding the revolving door at Neiman. Paris Hilton?! And we won’t be shocked to see Britney Spears stumbling out of a mayoral Four Seasons suite next. He’s so predictably not boring that it’s starting to get tiresome. (Kimberly Chun)

OLD HIPPIES


You see them everywhere but mainly on the Muni and at medical marijuana rallies. Some of them look saintly but a little crazed, as if they see a spaceship in your hair. Others resemble your sexy-yet-matronly high school French teacher, smiling indulgently but always ready to rap your knuckles with a day-old baguette if you get your future perfects wrong. Still others seem like they can’t wait to explode with rage at … well, anything, really. All of them are lovable in a historical light. When they’re off their meds — not so much. They’re living monuments to the golden age of free love, and, as medical science advances and rent-control laws stand, they’re not going away anytime soon. (Can young people afford to move here anymore anyway?) They also have a world of sensual knowledge to impart.

Pros: Mother figures, father figures, lusty lovers, spiritual guides — these Baudelairean kickers against the pricks can do it all — and they bake a mean hash brownie to get it all started. Plus: years of experimentation have made them freaky. You may have to crank up the solar defibrillator, but they’re experts in how to "get your motor running."

Cons: Occasional bad-trip flashbacks. Always slightly wary. Strawberry-scented oxygen tanks. Pillow talk = Allen Ginsberg stories. Hairy. Half tantric. Forgot if they put out candles. Ponytail or braid can get caught in teeth. (Marke B.)

BURNING MAN FLINGS


Burning Man is a sexual and emotional cauldron. Liberally mix together a world of sensory delights, a spirit of reckless abandon, beautiful exposed bodies everywhere, sudden sandstorms that send you scurrying into the nearest tent or trailer, countless peak experiences, exposure to a myriad of lifestyles and communities, and 40,000 people with time on their hands, goodwill in their hearts, and lust in their loins, and it’s no surprise that people end up hooking up left and right. This place oozes sexual energy while stripping away our emotional defenses and leaving us exposed to Cupid’s arrows.

Pros: Whatever you want, it’s here, often with no strings attached. When people come back from the playa all blissed-out and saying how it changed their lives, that’s usually not just the drugs talking. People do things they wouldn’t do in the everyday world — and then they do it again and again. And if you follow the sound advice of veteran burners to leave your expectations at home and just be open to the experience, then you’re also in the ideal place to not just get laid but truly find love. Believe it or not, I know of lots of lasting, loving marriages between people who met on the playa.

Cons: All the things that make Burning Man so conducive to sex and romance can also create problems. People get emotionally splayed by the often overwhelming nature of daily life on the playa. They’re vulnerable to everything from small slights that get exaggerated to the predators who invariably exist in any town. Couples get tested. Singles can at times feel lonely and desperate. Everybody has a few hard mornings after. And as a practical matter, dust gets everywhere — and I mean everywhere. (Steven T. Jones)

LUSTY LADIES


The Bay has a long and luxuriously twisted history of female sexual empowerment, full of Brights, Queens, Dodas, Califias, Blanks, Chos, and other sparkling heroines of don’t-do-it-and-die philosophy — some of whom have gone on to become heroes, even. The two major, classic phalanxes of gyno-horno-positivism to have arisen from the mists of all that groundwork are the Lusty Lady and Good Vibrations. The Lady, currently a worker-owned stripper co-op, has been baring a broad variety of intelligent, worldly-wise physical types for almost 30 years, and Good Vibrations, a women-centered chain of erotica shops that offer a plethora of workshops and training sessions for both women and men, has helped make vibrators the Tupperware of the new millennium. Despite the ubiquity of silicone enhancements and Girls Gone Wild antics in today’s culture, the Lusty Lady and Good Vibrations try to keep it real by focusing on the pleasures inherent in strong, natural femininity. In an era when guys are being forced like never before to question their physical attributes and sexual virility, thanks to size-queen porn and erectile dysfunction spam, the gals — who’ve had to deal with that kind of shit forever — may have a bit of an upper hand, self-image-wise, thanks in part to these two affirming San Francisco institutions. Not that it’s a competition.

Pros: Lusty Lady’s the best place to take your gay friends for a fabulous girls’ night out. Everything I know about labias I learned from Good Vibrations.

Cons: I have to hand-wash all my plates because my dishwasher’s usually full of Good Vibrations dildos. I have to hand-wash all my clothes because I spend all my quarters in the booths at the Lusty Lady. (Marke B.)

PORN AND TECHNOLOGY


Right up the Peninsula from Silicon Valley, we find ourselves in techie heaven. Most of the global advances in online technology burst first and foremost from our fertile area. The bust and boom that locked the Bay in a violent coital grasp in the early ’00s exhausted us, but Web 2.0’s got us all atingle again. This time we’re sure we won’t make the same mistakes. We’ll keep it social, we’ll keep it personal. Most of all, we’ll keep it sexual. Thanks to advances in digital production and online distribution — and our wondrously pervy nature (not to mention our desirable market) — the porn industry in San Francisco has exploded. The city is now home to a majority of the biggest gay porn companies and quite a few straight and fetish ones.

The most barefaced manifestation of the lucrative intersection of porn and technology is the purchase of the ginormous Armory in the Mission by fetish header Kink.com to house its offices, studios, and online operations. (Personally, I can’t wait for them to open a Kink Café in there as well. St. Andrew’s croissandwich, anyone?) This may be a harbinger of things to come. We’re not exactly holding our collective breath for Bang Bus to take over the LucasArts HQ in the Presidio or for the former Candlestick Park to be rechristened Naked Sword Arena — but hey, it could happen. Alas, the fortuitous marriage of porn and technology may be about to hit the skids. Hi-def can reveal a whole lot of ass pimples and nipple lifts — Blu-ray killed the porn star? Then again, it might just provide more employment opportunities for digital touch-up artists. "Hey, man, what’s your new gig?" "I’m rastarizing Busty Fillips’s underarm stretch marks — full-time, plus benefits." Local HMOs are lining up.

The ever-rising tide of digital wonders raises more sensual — and sensitive — boats than porn, however. While no one’s yet perfected the vibrator–cell phone (what ringtone would I put on that? Oh yeah, Beyoncé), rest assured that some little tech elf is working fiendishly away in his or her bright pink laboratory to bring that dream to fruition. Which brings us to the new iPhone. It may not be dildo-ready, exactly — watch that touch screen! — but some of its romantic applications were immediately apparent on its unveiling here in January. What other piece of handheld technology allows a person to be rejected in so many different medias at once? Now when you want to break up with someone, you can call them, text them, and e-mail them all at the same time. Plus, you can share a break-up song on iTunes with them and even throw in a YouTube clip of yourself gently weeping to show how torn up you are inside (clip must be less than 10 minutes in duration and not imitative of copyrighted material). Send a slide show! Skype an e-card! Use PayPal to buy them a "Just Got iDumped" mug on eBay! The possibilities are infinite.

Now if only there were software that could mend a broken heart. Sigh.

Pros: Online hookups? No problem: anywhere, anytime. You don’t have to be physically present to enjoy an entire relationship. Everyone’s a winner: people unable to afford the latest gadget or upgrade get to feel more real. Soon everyone in the city will have a job at Kink.com.

Cons: Much of the Bay population is more interested in staying up all night with a two-liter of Coke, a cold pizza, and a roomful of servers than a warm body. Web 2.0 has brought a horny flood of freshly flush Googlers, Tubers, Diggers, ‘Spacers, and Mac heads on the make to already packed and overpriced Mission bars (watch for those hybrid Tundras parked on the median). You will literally go blind if you jack off to video iPod porn in the bathroom stall at work — that screen’s so small! Soon everyone in San Francisco will have a job at Kink.com. (Marke B.)

Has Hearst forgotten about Josh Wolf–soon to be the longest jailed journalist in U.S. history?

1

By Bruce B. Brugmann

I was delighted to read in the Saturday (Jan. 20) San Francisco Chronicle/Hearst that House Speaker Nancy Pelosi of San Francisco “added her voice to a growing list of lawmakers urging Attorney General Alberto Gonzales to drop the prosecution of two Chronicle reporters who face l8 months in prison for refusing to name their sources for stories about steroid use in professional sports.”

I was also delighted to see that she sent a three paragraph letter calling on Gonzales to withdraw the subpoenas of Lance Williams and Mark Fainaru-Wada asking them to identify their confidential sources.
I was further delighted to see that the letter came after she met in her new Capitol Hill office with Chronicle Editor Phil Bronstein and Fainaru-Wada.

And I was delighted to see that the Chronicle, in a story by Zachary Coile of the Chronicle Washington Bureau,
gave it prominent display and a nice head (“Pelosi urges halt to prosecution of Chronicle writers”) and a nice subhead (“Letter to attorney general also calls for federal shield law”) on the upper right corner on page four.

However, I was startled and quite annoyed to find that, suddenly, the Chronicle/Hearst and Pelosi seemed to forget that there is a third journalist involved in a similar government subpoena case, Josh Wolf, who is the only U.S. journalist presently in jail and will soon be the longest jailed journalist in U.S. history.

Pelosi and her office staff have refused to meet with Wolf’s mother or his supporters, saying to her and to the Guardian that she can’t interfere in a judicial matter.
To its credit, the Chronicle up to now has covered the Wolf case thoroughly and supported him editorially.
What happened?

I sent the following questions off by email to Bronstein and
Coile: What happened to the Wolf case? Why wasn’t it mentioned in your story? Did you ask Pelosi or any other congresspeople to support Wolf and ask that he be released from jail on the same basis you are using to keep your reporters out of jail? If not, why not? If they don’t answer me, I hope they explain their apparent double standard to Josh’s mother (see her appeal below, written before the story appeared.) I hope they refresh their editorial judgment that the journalistic principle of resisting government subpoenas applies equally to Hearst reporters and freelance journalists such as Wolf and Sarah Olson. B3

SF Chronicle: Pelosi urges halt to prosecution of Chronicle writers Letter to attorney general also calls for federal shield law

E-mail from Josh Wolf’s mother:

Subject: Please write to congress NOW to support Josh

There is a move in Congress to rescind the subpoena’s which put the two SF Chronicle reporters under grand jury contempt charges, but no mention or attention is being paid to Josh’s case, a similar first amendment issue, where he has already been in jail for 150 days.

Below is a sample letter to use to send to John Conyers and Tom Davis (representing the House Judiciary Committee), Nancy Pelosi (who represents Josh’s district) and California senators, Barbara Boxer and Dianne Feinstein. Representative Dennis
Kucinich is also aware of and interested in Josh’s case.

January 19, 2006

To Representative John Conyers

From Liz Wolf-Spada
PO Box 2235
Wrightwood, CA 92397
liz_wolf_spada@yahoo.com
760-964-6101

Dear Representative Conyers,

While I find it commendable that Congress is finally getting involved in the questionable legality of grand jury subpoenas of journalists, I am appalled that no mention has been made of my son’s case. Josh Wolf is not facing a subpoena. HE HAD BEEN
INCARCERATED FOR 150 DAYS ALREADY FOR REFUSING TO COMPLY WITH THAT SUBPOENA.
Josh Wolf is an independent journalist who reports on local San Francisco activities, with a special interest in protests and demonstrations. He has been reporting on these events on his web site for over three years and has a large following. One of his
videotapes from a protest of June 8, 2002, is currently being used to prosecute cases of police brutality against jailed protestors.
Unlike the Chronicle reporters, Josh does not have a large corporate media conglomerate backing him or paying his bills. He was not given a stay, but was immediately put in jail on August 1, 2006, when Judge William Alsup ruled him in contempt for refusing to turn over unpublished video footage and for refusing to testify. Since then, Josh’s lawyer, Martin Garbus, has offered to give the unpublished material to the US Attorney in exchange for them dropping the subpoena to testify. The US Attorney refused this offer. The judge refused to view the tape to see if it had any relevance to the supposed investigation into an alleged attempt to burn a police car. The police car in question suffered only a broken taillight.
Josh cannot get permission from his sources to testify. His sources are the large group of dissidents in San Francisco who are exercising their first amendment rights to free speech and assembly. The attempt to intimidate Josh to name names of people
present at that protest not only goes against our rights to a free press, but it goes against our rights to free speech and assembly.
I urge you to petition Attorney General Gonzales to dismiss this contempt charge against Josh Wolf and release him from prison, where he has been held in coercive custody for 150 days.
Sincerely,

Liz Wolf-Spada
(mother of jailed journalist, Josh Wolf)

Idol musings

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› kimberly@sfbg.com

SONIC REDUCER Is there any escape from the tractor beam–pull influence of American Idol? Can someone do me a favor and put a plug in Paula Abdul’s histrionics, leash the dawgs of Randy Jackson, douse the frat-boy smirk on Ryan Seacrest’s mug, or, reluctantly, hold back the refreshing wave of honest harshitude rolling off Simon Cowell? And while you’re up, get me a High Life, hand me the channel changer, and take a socket wrench to that persistent leak of CDs by Idol alums. Winners and also-rans are far too prevalent on the charts — they’re essentially ruining my poppy good times, apart from the odd Kelly Clarkson guilty pleasure. The past few months saw the release of a second album of almost too stolidly respectful R&B by Ruben Studdard, The Return (J); an already gold-certified, lustily voiced and eclectic but undistinguished pop-rock self-titled debut by Taylor Hicks (Arista); and my star-studded fave, Fantasia, by Fantasia Barrino, who put together a contempo, Kelis-like, pop Afro-futurist collection with input from OutKast’s Big Boi, Gnarls Barkley’s Cee-Lo, Missy Elliott, and Swizz Beats. If I hadda listen idol-ly to someone, I guess I’d pop the baby mama on — you’ll be thinking you’re dreaming, girl, when you realize Fantasia actually sounds better than B’Day.

Adore it or abhor it, the phenom starts all over again Jan. 16, playing to our fondness for rags-to-riches stories and let’s-put-on-a-show moxie, our identification with those kids belting their hearts out in gladiatorial thumbs-up-thumbs-down cutthroat competition, our cynical identification with the judges’ stringent assessments, and our resurgent belief in a seemingly democratic process (know anyone who has ever voted?). Despite the scrappy likability and self-conscious modernity of Barrino’s second disc, it’s not to Idol fans’ tastes, methinks, judging from the supposed 230,000 or so CDs sold, in contrast with the 5-mil-plus number Clarkson is bringing down. Yippee, it’s the return of the blockbuster-minded music industry! So, barring catfights and embarrassing "hee-haw at Hung" moments, I think I’ll pass on season six, despite the benediction of approval bestowed by artists such as Prince and Mary J. Blige in season five.

Why? Maybe I like my idols weaned on something more original and less cliché than the Motown and Beatles songbooks. Maybe idols shouldn’t be quite so predigested and programmatic — so that contestants like Tamyra Gray won’t be dropped from their labels when they demand to write their albums.

There’s a place for pop, perhaps — this is a popularity contest, after all — and the fact that the show includes a songwriting competition this season should throw a new wrinkle into the mix of predictable boomer standards. Well, hell, why not ask aspirants to write their own songs? At the risk of turning this into a teary-eyed singer-songwriter showdown, I’d venture that approach would weed out a slew of vacuous, empty-vessel warblers.

Anyway, singing for your supper or at least your next career change seems pro forma. The game-ification of the pop cult draws amateur hopefuls and sporting observers alike, and the Recording Academy’s entry into the ring with its "My Grammy Moment" campaign, in which a dozen finalists vie to play beta pup to Justin Timberlake’s alpha dog at the 49th annual Grammy Awards, seems to bear me out. Watchers can log on to Yahoo! Music and view the audition videos of prospective sexy backups and vote online or via text message for the top five finalists, who will be announced Jan. 17. Voting continues, sports fans, till the lot are winnowed down to the top three on Super Bowl weekend, with the winner announced live at the Grammys on Feb. 11 before his or her live moment with Timby (who seems to be surfing the trend of recent celeb breakups right into In-N-Out).

Among the oodles of original video submissions are entries from Bay Area–esque finalists Jayne Rio of Vallejo, Mandy Ventrice of Pittsburg, and Philip Ray, formerly of Oakland. I asked the 28-year-old Ray, a graphic designer now living in Los Angeles, last week about his simultaneously unusual and mundane clip, in which he fluidly multitasks behind the wheel, driving through a medley of Whitney Houston and other Grammy-winning songs (the branding never sleeps). "It was a time thing," he ‘fessed. "I knew a deadline was approaching, and I have a tiny camera. I was on the way to El Pollo Loco, and I thought it would be a different way to approach it. That was my effort to make me stand out — most people sing in cars, so I thought … people would relate to it."

The son of Rev. Dr. CJ Anderson, who Ray says staged numerous musical events to raise money for the needy in the Bay Area, the contestant recalled catching benefit concerts at Pete Escovedo’s club until he moved south in 1996. Nowadays he writes songs and dreams of developing community centers that will cultivate unsigned vocalists and musicians. Praising Timberlake for the "way he navigated his career" and citing "Losing My Way" as his favorite JT song, the earnest Ray isn’t petrified by the possibility of working his wiles on a Grammy mob of pros. "It’s my ultimate dream. Aside from just being hungry for the opportunity, I think I’m going to try to use any opportunity to carve out a career as successful as Justin Timberlake’s."

Maybe I listened to too much punk as a tot, but as amiable as Ray is, that sort of bald careerism — as much a part of American Idol as actual performance — gives my perhaps rockist-tinged heart pause. I know pop has other uses beyond validating my romantic notion of self-sabotaging, autodestructing, doo-doo-dappling antistars, and American Idol and "My Grammy Moment" may be opening the playing field to new voices, but how fresh can it all be, given the validating arena they’re competing in? When I see, for instance, Big Boi, Elliott, Devendra Banhart, Prince, Thurston Moore, the Wu-Tang Clan, and Radiohead fill the judges’ shoes full-time, I’ll climb back on the couch. *

music.yahoo.com

Dine Listings

0

Welcome to our dining listings, a detailed guide by neighborhood of some great places to grab a bite, hang out with friends, or impress the ones you love with thorough knowledge of this delectable city. Restaurants are reviewed by Paul Reidinger (PR) or staff. All area codes are 415, and all restaurants are wheelchair accessible, except where noted.

B Breakfast

BR Saturday and/or Sunday brunch

L Lunch

D Dinner

AE American Express

DC Diners Club

DISC Discover

MC MasterCard

V Visa

¢ less than $7 per entrée

$ $7–$12

$$ $13–$20

$$$ more than $20

DOWNTOWN/EMBARCADERO

Acme Chophouse brings Traci des Jardins’s high-end meat-and-potatoes menu right into the confines of Pac Bell Park. Good enough to be a destination, though stranguutf8g traffic is an issue on game days. (Staff) 24 Willie Mays Plaza, SF. 644-0240. American, L/D, $$, AE/DC/MC/V.

Café Claude is a hidden treasure of the city center. There is an excellent menu of traditional, discreetly citified French dishes, a youthful energy, and a romantic setting on a narrow, car-free lane reminiscent of the Marais. (PR, 10/06) 7 Claude Lane, SF. 392-3515. French, L/D, $$, AE/DC/DISC/MC/V.

Fleur de Lys gives its haute French cuisine a certain California whimsy in a setting that could be the world’s most luxurious tent. There is a vegetarian tasting menu and an extensive, remarkably pricey wine list. (PR, 2/05) 777 Sutter, SF. 673-7779. French, D, $$$, AE/DC/DISC/MC/V.

Mandarin, though a Gen Xer by birth and a longtime resident of touristy Ghirardelli Square, still offers a matchlessly elegant experience in Chinese fine dining: a surprising number of genuinely spicy dishes, superior service, and wine emphasized over beer. (PR, 9/04) 900 North Point (in Ghirardelli Square), SF. Chinese, L/D, $$, AE/DC/DISC/MC/V.

*Mijita shows that Traci des Jardins can go down-market with the best of them. The Mexican street food is convincingly lusty, but in keeping with the Ferry Building setting, it’s also made mostly with organic, high-quality ingredients. (PR, 4/05) 1 Ferry Bldg, Suite 44, SF. 399-0814. Mexican, B/L/D, ¢, AE/MC/V.

Tlaloc rises like a multistory loft on its Financial District lane, the better to accommodate the hordes of suits crowding in for a noontime burrito-and-salsa fix. They serve a mean pipián burrito and decent fish tacos. (Staff) 525 Commercial, SF. 981-7800. Mexican, L/D, ¢, AE/MC/V.

Tommy Toy’s Haute Cuisine Chinois is a cross between a steak house and The Last Emperor. The food is rich and fatty and only occasionally good. (Staff) 655 Montgomery, SF. 397-4888. Chinese, L/D, $$$, AE/DC/DISC/MC/V.

NORTH BEACH/CHINATOWN

Gondola captures the varied flavors of Venice and the Veneto in charmingly low-key style. The main theme is the classic one of simplicity, while service strikes just the right balance between efficiency and warmth. (Staff) 15 Columbus, SF. 956-5528. Italian, L/D, $, MC/V.

House of Nanking never fails to garner raves from restaurant reviewers and Guardian readers alike. Chinatown ambience, great food, good prices. (Best Ofs, 1994) 919 Kearny, SF. 421-1429. Chinese, L/D, ¢.

Maykadeh Persian Cuisine is a great date restaurant, classy but not too pricey, and there are lots of veggie options both for appetizers and entrées. Khoresht bademjan was a delectable, deep red stew of tomato and eggplant with a rich, sweet, almost chocolatey undertone. (Staff) 470 Green, SF. 362-8286. Persian, L/D, $, MC/V.

Moose’s is famous for the Mooseburger, but the rest of the menu is comfortably sophisticated. The crowd is moneyed but not showy and definitely not nouveau. (Staff) 1652 Stockton, SF. 989-7800. American, BR/L/D, $$, AE/DC/MC/V.

Rose Pistola cooks it up in the style of Liguria, and that means lots of seafood, olive oil, and lemons — along with a wealth of first-rate flat breads (pizzas, focaccias, farinatas) baked in the wood-burning oven. (PR, 7/05) 532 Columbus, SF. 399-0499. Italian, L/D, $$, AE/DC/MC/V.

Washington Square Bar and Grill offers stylish Cal-Ital food at reasonable prices in a storied setting. (Staff) 1707 Powell, SF. 982-8123. Italian, $$, L/D, MC/V.

SOMA

Hawthorne Lane remains at the top of the city’s restaurant heap after more than a decade. Bridget Batson’s modern California cuisine is first-rate, the ambience a perfection of understated elegance, and the service knowledgeable, friendly, and smooth. It is not possible to ask more from any restaurant. (PR, 9/06) 22 Hawthorne, SF. 777-9779. California, L/D, $$$, AE/DC/DISC/MC/V.

Julie’s Supper Club and Lounge II preserves the name of a longtime SoMa institution while bringing a new fusion menu to the table. The food at its best is innovative — a sushi-like presentation of somen noodles, an asparagus version of pigs in a blanket — but prices are a little high for what you get. Excellent atmospherics. (PR, 11/06) 1123 Folsom, SF. 864-1222. Fusion/eclectic, L/D, $$, AE/MC/V.

Koh Samui and the Monkey joins a high-value Thai menu with a spare, hip SoMa warehouse look. The sweet-hot food tends more toward the former than the latter but is excellent nonetheless. As for heat, check out the youngish crowd in their crest-of-1999, dot-com finery. (PR, 1/07) 415 Brannan, SF. 369-0007. Thai, L/D, $, MC/V.

Oola gives Ola Fendert his own platform at last, and the result is a modern, golden SoMa restaurant with a menu that mixes playful opulence with local standards. (PR, 10/04) 860 Folsom, SF. 995-2061. California, D, $$, AE/MC/V.

Roy’s Restaurant promises "Hawaiian fusion" cuisine, but while there are island touches (macadamia nuts turn up in various guises), the place seems right at home on Mission Street. The cooking, once noted for a certain overwroughtness, has become elegantly restrained, and a three-course $35 prix fixe dinner is one of the better deals of its kind around town. (PR, 12/06) 575 Mission, SF. 777-0277. Hawaiian/fusion, L/D, $$$, AE/DC/DISC/MC/V.

Salt House offers a nice Ludwig Mies van der Rohe-tours-a-19th-century-factory look and utterly up-to-date California pub food, an entertaining hodgepodge that ranges from a crock of house-picked vegetables to panko-crusted mackerel to an oozingly moist chocolate Bundt cake, still warm from the oven, plus interesting proprietary-blend wines. (PR, 12/06) 545 Mission, SF. 543-8900. California/pub, L/D, $$, AE/MC/V.

NOB HILL/RUSSIAN HILL

Ah Lin offers Mandarin-style Chinese cooking in an easy-to-take storefront setting on Cathedral Hill. The dishes are well behaved and tasty, with only an occasional flare-up of chile heat. The roast duck is one of the best deals in town. (PR, 10/06) 1634 Bush, SF. 922-5279. Chinese, L/D, $, AE/MC/V.

Alborz looks more like a hotel restaurant than a den of Persian cuisine, but there are flavors here — of barberry and dried lime, among others — you won’t easily find elsewhere. (Staff) 1245 Van Ness, SF. 440-4321. Persian, L/D, $, MC/V.

East Coast West Delicatessen doesn’t look like a New York deli (too much space, air, light), but the huge, fattily satisfying Reubens, platters of meat loaf, black-and-white cookies, and all the other standards compare commendably to their East Coast cousins. (Staff) 1725 Polk, SF. 563-3542. Deli, BR/L/D, $, MC/V.

La Folie could be a neighborhood spot or a destination or both, but either way or both ways it is sensational: an exercise in haute cuisine leavened with a West Coast sense of informality and playfulness. There is a full vegetarian menu and an ample selection of wines by the half bottle. (PR, 2/06) 2316 Polk, SF. 776-5577. French, D, $$$, AE/DC/DISC/MC/V.

O’Reilly’s Holy Grail, a redo of the old Maye’s Oyster House that strikes harmonious notes of chapel and lounge, serves a sophisticated and contemporary Cal-Irish menu. (PR, 10/05) 1233 Polk, SF. 928-1233. California/Irish, BR/L/D, $$, AE/DISC/MC/V.

CIVIC CENTER/TENDERLOIN

Ananda Fuara serves a distinctly Indian-influenced vegetarian menu in the sort of calm surroundings that are increasingly the exception to the rule. (Staff) 1298 Market, SF. 621-1994. Vegetarian, L/D, ¢, cash only.

*Bodega Bistro has a certain colonial formality — much of the menu is given in French — and it does attract a tony expat crowd. The food is elegant but not fancy (lobster, rack of lamb, both simply presented); if even those are too much, look to the "Hanoi Street Cuisine" items. (PR, 11/05) 607 Larkin, SF. 921-1218. Vietnamese, L/D, $$, DC/DISC/MC/V.

Mangosteen radiates lime green good cheer from its corner perch in the Tenderloin. Inexpensive Vietnamese standards are rendered with thoughtful little touches and an emphasis on the freshest ingredients. (PR, 11/05) 601 Larkin, SF. 776-3999. Vietnamese, L/D, $, cash only.

*Saha serves "Arabic fusion cuisine" — a blend of the Middle East and California — in a cool, spare setting behind the concierge’s desk at the Hotel Carlton. One senses the imminence of young rock stars, drawn perhaps by the lovely chocolate fondue. (PR, 9/04) 1075 Sutter, SF. 345-9547. Arabic/fusion, B/BR/D, $$, AE/DISC/MC/V.

HAYES VALLEY

Arlequin offers light Provençal and Mediterranean food for takeout, but the best place to take your stuff is to the sunny, tranquil garden in the rear. (Staff) 384B Hayes, SF. 863-0926. Mediterranean, B/L/D, ¢, MC/V.

Canto do Brasil The draw here is lusty yeoman cooking, Brazilian style, at beguilingly low prices. The tropically cerulean interior design enhances the illusion of sitting at a beach café. (Staff) 41 Franklin, SF. 626-8727. Brazilian, L/D, $, MC/V.

Destino reweaves traditional Peruvian flavors into a tapestry of extraordinary vividness and style, and the storefront interior has been given a golden glow that would have satisfied the most restless conquistador. (Staff) 1815 Market, SF. 552-4451. Peruvian, D, $$, MC/V.

Hayes Street Grill started more than a quarter century ago as an emulation of the city’s old seafood houses, and now it’s an institution itself. The original formula — immaculate seafood simply prepared, with choice of sauce and French fries — still beats vibrantly at the heart of the menu. Service is impeccable, the setting one of relaxed grace. (PR, 7/06) 816 Folsom, SF. 863-5545. Seafood, L/D, $$$, AE/DISC/MC/V.

Sauce enjoys the services of chef Ben Paula, whose uninhibited California cooking is as easy to like as a good pop song. (PR, 5/05) 131 Gough, SF. 252-1369. California, D, $$, AE/DISC/MC/V.

CASTRO/NOE VALLEY/GLEN PARK

Ararat Mediterranean Tapas affords the view-minded a good setting from which to scope the foot traffic at 18th Street and Castro, along with a Turkish-scented Mediterranean menu rich in small plates and some bigger ones too. The menu’s smash hits include coins of lavash-wrapped beef (a kind of Middle Eastern beef Wellington), an enslavingly good shrimp casserole, and a coil of baklava with lavender honey. (PR, 8/06) 4072 18th St, SF. 252-9325. Mediterranean/Turkish, BR/D, $, AE/MC/V.

Eureka Restaurant and Lounge combines, in the old Neon Chicken space, a classic Castro sensibility (mirrors everywhere, fancy sparkling water) with a stylish all-American menu that reflects Boulevard and Chenery Park bloodlines. Prices are high. (PR, 12/06) 4063 18th St. SF. 431-6000. American, D, $$$, AE/MC/V.

*Firefly remains an exemplar of the neighborhood restaurant in San Francisco: it is homey and classy, hip and friendly, serving an American menu — deftly inflected with ethnic and vegetarian touches — that’s the match of any in the city. (PR, 9/04) 4288 24th St, SF. 821-7652. American, D, $$, AE/MC/V.

Toast welcomes families with little children — pancakes from dawn to dusk! — as well as monied young adults, who tend to gather for weekend brunch. The deli-ish menu emphasizes sandwiches, but care is taken in the details, from a bewitching bit of paprika in the lentil soup to generous parmesan shavings and fresh croutons on the Caesar salad. (PR, 1/07) 1748 Church, SF. 282-4328. American, B/BR/L/D, $, AE/MC/V.

2223 could easily be a happening queer bar, what with all that male energy. But the American menu joins familiarity with high style, and the ambience is that of a great party where you’re bound to meet somebody hot. (Staff) 2223 Market, SF. 431-0692. American, BR/D, $$, AE/DC/MC/V.

HAIGHT/COLE VALLEY/WESTERN ADDITION

*Frankie’s Bohemian Cafe has Pilsner Urquell, a Bohemian beer, on tap for a touch of Czech authenticity, but the crowd is young, exuberant, Pacific Heights, het. Follow the crowd and stick with the burgers. (PR, 2/05) 1682 Divisadero, SF. 921-4725. Czech/American, L/D, $, AE/MC/V.

Grandeho’s Kamekyo Sushi Bar Always packed, Grandeho serves up excellent sushi along with a full Japanese menu. (Staff) 943 Cole, SF. 759-5693. Japanese, L/D, $$, AE/MC/V.

Hukilau brings a dash of Big Island conviviality — and Big Island (i.e., big) portions — to a wind- and traffic-swept corner of the big city. Spam too, if you want it. (Staff) 5 Masonic, SF. 921-6242. Hawaiian/American, BR/L/D, $, MC/V.

Kate’s Kitchen dishes up the best scallion-cheese biscuits out west. The lines on the weekends can be long. (Staff) 471 Haight, SF. 626-3984. American, B/L, ¢.

Metro Cafe brings the earthy chic of Paris’s 11th arrondissement to the Lower Haight, prix fixe and all. (Staff) 311 Divisadero, SF. 552-0903. French, B/BR/L/D, $, MC/V.

New Ganges Restaurant is short on style — it is as if the upmarket revolution in vegetarian restaurants never happened — but there is a homemade freshness to the food you won’t find at many other places. (Staff) 775 Frederick, SF. 681-4355. Vegetarian/Indian, L/D, $, MC/V.

Tsunami Sushi and Sake Bar brings hip Japanese-style seafood to the already hip Café Abir complex. Skull-capped sushi chefs, hefty and innovative rolls. (Staff) 1306 Fulton, SF. 567-7664. Japanese/sushi, D, $$, AE/DC/DISC/MC/V.

Zoya takes some finding — it is in the little turret of the Days Inn Motor Lodge at Grove and Gough — but the view over the street’s treetops is bucolic, and the cooking is simple, seasonal, direct, and ingredient driven. (PR, 12/05) 465 Grove, SF. 626-9692. California, L/D, $$, AE/DC/DISC/MC/V.

MISSION/BERNAL HEIGHTS/POTRERO HILL

Aslam’s Rasoi reinvents a gently fading curry house as a high-powered rival to Dosa, in the next block. The food is fiery and elegant, and the menu strikes a fine balance between fleshly and fleshless choices. Desserts are not bad, particularly kulfi, a house-made cardamom ice cream presented like a frozen sliced banana. (PR, 8/06) 1037 Valencia, SF. 695-0599. Indian/Pakistani, D, $$, MC/V.

Baobab Bar and Grill serves great-tasting West African specialties like couscous, fried plantains, and savory rice dishes for a reasonable price. (Staff) 3388 19th St, SF. 643-3558. African, BR/D, ¢.

Baraka takes the French-Spanish tapas concept, gives it a beguiling Moroccan accent — harissa, preserved lemons, merguez sausage — and the result is astonishingly good food. (Staff) 288 Connecticut, SF. 255-0370. Moroccan/Mediterranean, L/D, $$, AE/MC/V.

Blue Plate has a diner aura — bustle, clatter — but the Mediterranean food is stylishly flavorful. A great value. (Staff) 3218 Mission, SF. 282-6777. Mediterranean, D, $$, AE/MC/V.

Bombay Ice Cream and Chaat Stop in for some Indian chaat — cheap, delicious fast food such as samosas and curries. (Staff) 552 Valencia, SF. 431-1103. Indian takeout, L/D, ¢.

Caffe d’Melanio is the place to go if you want your pound of coffee beans roasted while you enjoy an Argentine-Italian dinner of pasta, milanesa, and chimichurri sauce. During the day the café offers a more typically Cal-American menu of better-than-average quality. First-rate coffee beans. (PR, 10/04) 1314 Ocean, SF. 333-3665. Italian/Argentine, B/L/D, $, MC/V.

Chez Papa Bistro sits like a beret atop Potrero Hill. The food is good, the staff’s French accents authentic, the crowd a lively cross section, but the place needs a few more scuffs and quirks before it can start feeling real. (Staff) 1401 18th St, SF. 824-8210. French, BR/L/D, $$, AE/MC/V.

*Delfina has grown from a neighborhood restaurant to an event, but an expanded dining room has brought the noise under control, and as always, the food — intense variations on a theme of Tuscany — could not be better. (PR, 2/04) 3621 18th St, SF. 552-4055. California, D, $$, MC/V.

Dosa serves dosas, the south Indian crepes, along with a wealth of other, and generally quite spicy, dishes from the south of the subcontinent. The cooking tends toward a natural meatlessness; the crowds are intense, like hordes of passengers inquiring about a delayed international flight. (PR, 1/06) 995 Valencia, SF. 642-3672. South Indian, BR/D, $, AE/MC/V.

Front Porch mixes a cheerfully homey setting (with a front porch of sorts), a hipster crowd, and a Caribbean-inflected comfort menu into a distinctive urban cocktail. The best dishes, such as a white polenta porridge with crab, are Range-worthy, and nothing on the menu is much more than $10. (PR, 10/06) 65A 29th St, SF. 695-7800. American/Caribbean, BR/D, $, MC/V.

*Little Nepal assembles a wealth of sensory cues (sauna-style blond wood, brass table services) and an Indian-influenced Himalayan cuisine into a singular experience that appeals to all of Bernal Heights and beyond, including tots in their strollers. (Staff) 925 Cortland, SF. 643-3881. Nepalese, L/D, $$, AE/DC/DISC/MC/V.

Lombardo’s Fine Foods is the little café that could, in Mission Terrace. The menu is heavy on pastas and casseroles, many made from owner-chef John Lombardo’s family recipes. The orzo salad is particularly good. (PR, 9/06) 1818 San Jose, SF. 337-9741. Italian/American, BR/L/D, $, MC/V

Maharaja offers romantically half-lit pastels and great spicy food, including a fine chicken tikka masala and a dish of lamb chunks in dal. Lunch forswears the usual steam-table buffet in favor of set specials, as in a Chinese place. (Staff) 525 Valencia, SF. 552-7901. Indian, L/D, $, MC/V.

Maverick holds several winning cards, including a menu of first-rate New American food, a clutch of interesting wines by the glass and half glass, and a handsome, spare Mission District setting discreetly cushioned for sound control. (PR, 9/05) 3316 17th St, SF. 863-3061. American, L/D, $$, AE/DISC/MC/V.

Medjool doesn’t offer much by way of its namesake date, food of the ancient pharaohs, but the pan-Mediterranean menu (which emphasizes small plates) is mostly tasty, and the setting is appealingly layered, from a sidewalk terrace to a moody dining room behind a set of big carved-wood doors. (PR, 11/04) 2522 Mission, SF. 550-9055. Mediterranean, B/L/D, $$, AE/DISC/MC/V.

Mi Lindo Yucatán looks a bit tatty inside, but the regional Mexican cooking is cheap and full of pleasant surprises. (PR, 3/04) 401 Valencia, SF. 861-4935. Mexican, L/D, ¢, cash only.

Moki’s Sushi and Pacific Grill serves imaginative specialty makis along with items from a pan-Asian grill in a small, bustling neighborhood spot. (Staff) 615 Cortland, SF. 970-9336. Japanese, D, $$, AE/DC/MC/V.

Pakwan has a little secret: a secluded garden out back. It’s the perfect place to enjoy the fiery foods of India and Pakistan. (Staff) 3180 16th St, SF. 255-2440. Indian/Pakistani, L/D, ¢, cash only.

Papalote Mexican Grill relieves our Mexican favorites of much of their fat and calories without sacrificing flavor. Surprisingly excellent soyrizo and aguas frescas; sexily varied crowd. (Staff) 3409 24th St, SF. 970-8815. Mexican, L/D, $, AE/MC/V.

Regalito Rosticeria offers spanking-fresh versions of Mexico City street-cart food in a warm setting of glossy wood, stainless steel, and glass. The long counter, backed by a busy exhibition kitchen, is epic. (PR, 12/06) 3481 18th St., SF. 503-0650. Mexican, L/D, $, AE/DISC/MC/V.

MARINA/PACIFIC HEIGHTS/LAUREL HEIGHTS

L’Amour dans le Four gives a nice local boho twist to classic French bistro style. Many dishes from the oven. Tiny, noisy, intimate. (Staff) 1602 Lombard, SF. 775-2134. French, D, $, AE/MC/V.

Betelnut Peiju Wu is a pan-Asian version of a tapas bar, drawing a sleek postcollegiate crowd with its wide assortment of dumplings, noodles, soups, and snacks. (Staff) 2030 Union, SF. 929-8855. Asian, L/D, $$, MC/V.

Dragon Well looks like an annex of the cavernous Pottery Barn down the street, but its traditional Chinese menu is radiant with fresh ingredients and careful preparation. Prices are modest, the service swift and professional. (Staff) 2142 Chestnut, SF. 474-6888. Chinese, L/D, ¢, MC/V.

Rigolo combines the best of Pascal Rigo’s boulangeries — including the spectacular breads — with some of the simpler elements (such as roast chicken) of his higher-end places. The result is excellent value in a bustling setting. (PR, 1/05) 3465 California, SF. 876-7777. California/Mediterranean, B/L/D, $, MC/V.

Sushi Groove is easily as cool as its name. Behind wasabi green velvet curtains, salads can be inconsistent, but the sushi is impeccable, especially the silky salmon and special white tuna nigiri. (Staff) 1916 Hyde, SF. 440-1905. Japanese, D, $, AE/DC/DISC/MC/V.

Taste of the Himalayas is primarily Nepalese, but the Indian influences on the food are many, and there are a few Tibetan items. Spicing is vivid, value excellent. (PR, 10/04) 2420 Lombard, SF. 674-9898. Nepalese/Tibetan, L/D, $, AE/DC/DISC/MC/V.

Tortilla Heights brings the Pac Heights, blond-het-frat vibe into the Western Addition and nourishes it with surprisingly good Mexican food. The menu is familiar, but the dishes are executed with care and panache, and there are some regional specialties. Open late. (PR, 9/06) 1750 Divisadero, SF. 346-4531. Mexican, L/D, $, AE/DC/DISC/MC/V.

SUNSET

Bullshead Restaurant offers buffalo burgers in various guises, and they are worth the price of the ticket (about a dollar more). The West Portal location is a slice of Route 66 Americana, while the newer Castro operation has an upstairs-downstairs, creaky-Victorian-staircase aura. The menu boasts good fries and a surprisingly convincing vegetarian burger. (PR, 11/06) 840 Ulloa, SF. 665-4350; 4230 18th St., SF. 431-4201. American/burgers, L/D, $, MC/V.

Le Charm might be in San Francisco, but it has a bistro authenticity even Parisians could love, from a wealth of golden wood trim to an enduring loyalty au prix fixe. The chicken liver salad is matchless, the succinct wine list distinctly Californian. Ponder it in the idyllic, trellised garden. (PR, 9/06) 315 Fifth St, SF. 546-6128. French, L/D, $$, AE/MC/V.

*Dragonfly serves the best contemporary Vietnamese food in town, in a calmer environment and at a fraction of the cost of better-known places. (PR, 8/05) 420 Judah, SF. 661-7755. Vietnamese, L/D, $$, AE/MC/V.

KL Restaurant is a Hong Kong-style seafood house that presents its wide array of creatures from the deep in an equally wide array of guises. Particularly good: the sampan-style dishes. If you’re not in an oceanic mood, the land-based stuff is good too. (PR/ 11/06) 4401 Balboa, SF. 666-9928. Chinese/seafood, L/D, $$, MC/V.

Pisces California Cuisine brings a touch of SoMa sophistication to an Outer Sunset neighborhood in need of paint. (You can’t miss the restaurant’s black facade.) The kitchen turns out a variety of seafood preparations — the clam chowder is terrific — and offers an appealing prix fixe option at both lunch and dinner. (PR, 8/06) 3414-3416 Judah, SF. 564-2233. Seafood, L/D, $$, AE/DISC/MC/V.

So Restaurant brings the heat, in the form of huge soup and noodle — and soupy noodle — dishes, many of them liberally laced with hot peppers and chiles. The pot stickers are homemade and exceptional, the crowd young and noisy. Cheap. (PR, 10/06) 2240 Irving, SF. 731-3143. Chinese/noodles, L/D, ¢, MC/V.

RICHMOND

*Aziza shimmers with Moroccan grace, from the pewter ewer and basin that circulate for the washing of hands to the profusion of preserved Meyer lemons in the splendid cooking. (Staff) 5800 Geary, SF. 752-2222. Moroccan, D, $$, AE/MC/V.

Be My Guest Thai Bistro offers tasty vegetarian-friendly food in a campy-hip setting reminiscent of an old Woody Allen movie. Tofu larb is surprisingly successful. (PR, 9/06) 951 Clement, SF. 386-1942. Thai, L/D, $, AE/MC/V.

*Chapeau! serves some of the best food in the city — at shockingly reasonable prices. The French cooking reflects as much style and imagination as any California menu. (Staff) 1408 Clement, SF. 750-9787. French, D, $$, AE/DC/MC/V.

Spices! has an exclamation point for a reason: its Chinese food, mainly Szechuan and Taiwanese, with an oasis of Shanghai-style dishes, is fabulously hot. Big young crowds, pulsing house music, a shocking orange and yellow paint scheme. Go prepared, leave happy. (Staff) 294 Eighth Ave, SF. 752-8884. Szechuan/Chinese, L/D, $, MC/V.

Sutro’s at Cliff House has a Miami-to-Malibu feel and offers a "California coastal" menu that appeals to tourists and locals alike. You can get everything from gumbo to seafood red curry to falafel while resting assured that the kitchen is honoring the local-seasonal-sustainable imperative. The setting — a glass house perched at the foamy edge of the Pacific — is timelessly spectacular. (PR, 7/06) 1090 Point Lobos, SF. 386-3330. Eclectic, L/D, $$$, AE/DISC/MC/V.

BAYVIEW/HUNTERS POINT/SOUTH

Cliff’s Bar-B-Q and Seafood Some things Cliff’s got going for him: excellent mustard greens, just drenched in flavorfulness, and barbecued you name it. Brisket. Rib tips. Hot links. Pork ribs. Beef ribs. Baby backs. And then there are fried chickens and, by way of health food, fried fishes. (Staff) 2177 Bayshore, SF. 330-0736. Barbecue, L/D, ¢, AE/DC/MC/V.

Old Clam House really is old — it’s been in the same location since the Civil War — but the seafood preparations are fresh, in an old-fashioned way. Matchless cioppino. Sports types cluster at the bar, under the shadow of a halved, mounted Jaguar E-type. (Staff) 299 Bayshore, SF. 826-4880. Seafood, L/D, $$, MC/V.

Taqueria el Potrillo serves one of the best chicken burritos in town, if not the best. You can get your bird grilled or barbecued or have steak instead or tacos. Excellent salsas and aguas frescas, and warmer weather than practically anywhere else in town. (Staff) 300A Bayshore Blvd, SF. 642-1612. Mexican, B/L/D, ¢, cash only.

BERKELEY/EMERYVILLE/NORTH

Breads of India and Gourmet Curries The menu changes every day, so nothing is refrigerated overnight, and the curries benefit from obvious loving care. (Staff) 2448 Sacramento, Berk. (510) 848-7684. Indian, L/D, ¢, MC/V.

Café de la Paz Specialties include African-Brazilian "xim xim" curries, Venezuelan corn pancakes, and heavenly blackened seacakes served with orange-onion yogurt. (Staff) 1600 Shattuck, Berk. (510) 843-0662. Latin American, BR/L/D, $, AE/MC/V.

Locanda Olmo Fine versions of risotto, gnocchi, and soft polenta pie, terrific thin-crust pizzas, and good traditional desserts have made Locanda Olmo a reliable anchor in the burgeoning Elmwood neighborhood. (Staff) 2985 College, Berk. (510) 848-5544. Italian, D, $, MC/V.

OAKLAND/ALAMEDA

Le Cheval Shrimp rolls and peanut sauce, the fried Dungeness crab, the marinated "orange flavor" beef, the buttery lemongrass prawns — it’s all fabulous. (Staff) 1007 Clay, Oakl. (510) 763-8495. Vietnamese, L/D, ¢, MC/V.

Connie’s Cantina fashions unique variations on standard Mexican fare — enchiladas, tamales, fajitas, rellenos. (Staff) 3340 Grand, Oakl. (510) 839-4986. Mexican, L/D, ¢, MC/V.

Rockridge Café offers bountiful breakfasts, a savory meat-loaf special, and hearty cassoulet. But the burgers, wide-cut fries, and straw-clogging milkshakes remain the cornerstones of the menu. (Staff) 5492 College, Oakl. (510) 653-1567. American, B/L/D, $, MC/V. *

Skin Flick

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› andrea@altsexcolumn.com

Dear Andrea:

Your question form says to "try to be interesting." Hmm, performance anxiety … and I’m only talking about sex!

My wife is very sensitive to tastes, and she gags on my pre-come. On the other hand, I really don’t like the reduced sensation of using a condom during oral sex. So I was considering temporarily sealing my urethra with some of that "liquid bandage" stuff — no mess for her, plenty of good feelings for me.

I have several concerns. This stuff is used on small cuts, so it should be safe, but are there any nasty solvents that would make it problematic? After it’s dried, are there any risks if it’s ingested? If it works, I hope to use it often, so how can it be removed without lasting damage?

Love,

New Skin

Dear Skin:

Well, you succeeded. Your idea is interesting, and (this hardly ever happens) it is new. We oughtn’t let the fact that it’s also kind of crazy stop us from celebrating its novelty.

Dude. New-Skin contains alcohol and oil of cloves. Fingernail polish may dissolve it. It can, apparently, stain floors and countertops. It is labeled for external use only, of course, and also as not for use on "mucous materials." Is the inside of your urethra not a mucous material? My guess is this stuff will not permanently damage you but will hurt like hell and be difficult to remove if it gets inside. It’s not designed to fill holes anyway, so it wouldn’t even work.

Or did you mean the newer, higher-tech liquid bandage, the stuff that’s basically Dermabond, a.k.a. superglue? Have you not thought through the ejaculation problem? How, exactly, do you expect this to work?

This leaves us with three possibilities: The spray-on latex condom, although offering many opportunities for hilarity, won’t work, because it’s supposed to cover your entire penis (you stick your dick in the can, I believe) and because it isn’t on the market yet. Paint-on sex latex (google "liquid latex" or "deviant") is nontoxic and more or less meant to go naughty places but also is not meant as a gap filler — not that your urethra is a gap, precisely, but you know what I mean. Plus, latex is meant to be kept out of body cavities.

Last up: using a regular condom but rolling it down to cover just the glans. This is probably your best bet. It’s not creepy-cool like fake skin nor especially innovative, but it’s also not likely to maim you or require dramatic and embarrassing medical intervention, which, if you think about it, is really the least we can ask of our marital aids.

Love,

Andrea

Dear Andrea:

I love having raspberries blown on my tummy — you know, when the lips are placed against the tummy and then blown, causing a vibrating and tickling sensation. I’ve loved this ever since I was a child and also love doing it. I don’t know how to bring it up with friends because I’m afraid they’ll think I’m weird. I only like women to do it to me, not guys! Is this unusual?

Love,

Herbert

Dear Herb:

Not at all. I know a number of people who are fond of the zerbert, at least one of whom can be instantly yanked out of the deepest, sloughiest slough of despond by the judicious application of sputtering lips to belly — but they are all babies. The reason nobody talks about this is that it’s something we do to entertain infants, like making faces or putting unusual objects on our heads. Few adults continue to laugh hysterically every time you put a stuffed pig on your head, and most would look askance at you for doing so.

Look, I don’t think this is even sex — it’s just something you do with your body that isn’t eating or excreting or sports, and we have trouble categorizing bodily acts that aren’t sex and aren’t any of those things either. We’re just weird about bodies. Perhaps we should all try to get over that, but I wouldn’t hold your breath.

All that aside, though, nobody wants to hear you talk about this. If you’re lucky enough to find yourself frolicking naked with a likely female prospect, you can probably get away with it as a lighthearted, jokey thing, but do not bring it up over dinner, the way one might broach the topic of, say, S-M. People who wouldn’t blink on hearing that you are fond of pain or sex parties or any other normal kink like that might never feel quite the same about you after hearing you wax rhapsodic about belly raspberries. Probably because of the association with babies, the only people whose shirts we are allowed, even encouraged, to yank up without prelude or permission to shmoozle their tummy-tum-tums, it just seems a little unseemly.

Love,

Andrea

Andrea Nemerson has spent the last 14 years as a sex educator and an instructor of sex educators. In her previous life she was a prop designer. And she just gave birth to twins, so she’s one bad mother of a sex adviser. Visit www.altsexcolumn.com to view her previous columns.

Dine Listings

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Welcome to our dining listings, a detailed guide by neighborhood of some great places to grab a bite, hang out with friends, or impress the ones you love with thorough knowledge of this delectable city. Restaurants are reviewed by Paul Reidinger (PR) or staff. All area codes are 415, and all restaurants are wheelchair accessible, except where noted.

B Breakfast

BR Saturday and/or Sunday brunch

L Lunch

D Dinner

AE American Express

DC Diners Club

DISC Discover

MC MasterCard

V Visa

¢ less than $7 per entrée

$ $7–$12

$$ $13–$20

$$$ more than $20

DOWNTOWN/EMBARCADERO

Acme Chophouse brings Traci des Jardins’s high-end meat-and-potatoes menu right into the confines of Pac Bell Park. Good enough to be a destination, though stranguutf8g traffic is an issue on game days. (Staff) 24 Willie Mays Plaza, SF. 644-0240. American, L/D, $$, AE/DC/MC/V.

Café Claude is a hidden treasure of the city center. There is an excellent menu of traditional, discreetly citified French dishes, a youthful energy, and a romantic setting on a narrow, car-free lane reminiscent of the Marais. (PR, 10/06) Seven Claude Lane, SF. 392-3515. French, L/D, $$, AE/DC/DISC/MC/V.

Fleur de Lys gives its haute French cuisine a certain California whimsy in a setting that could be the world’s most luxurious tent. There is a vegetarian tasting menu and an extensive, remarkably pricey wine list. (PR, 2/05) 777 Sutter, SF. 673-7779. French, D, $$$, AE/DC/DISC/MC/V.

Mandarin, though a Gen Xer by birth and a longtime resident of touristy Ghirardelli Square, still offers a matchlessly elegant experience in Chinese fine dining: a surprising number of genuinely spicy dishes, superior service, and wine emphasized over beer. (PR, 9/04) 900 North Point (in Ghirardelli Square), SF. Chinese, L/D, $$, AE/DC/DISC/MC/V.

*Mijita shows that Traci des Jardins can go down-market with the best of them. The Mexican street food is convincingly lusty, but in keeping with the Ferry Building setting, it’s also made mostly with organic, high-quality ingredients. (PR, 4/05) One Ferry Bldg, Suite 44, SF. 399-0814. Mexican, B/L/D, ¢, AE/MC/V.

Tlaloc rises like a multistory loft on its Financial District lane, the better to accommodate the hordes of suits crowding in for a noontime burrito-and-salsa fix. They serve a mean pipián burrito and decent fish tacos. (Staff) 525 Commercial, SF. 981-7800. Mexican, L/D, ¢, AE/MC/V.

Tommy Toy’s Haute Cuisine Chinois is a cross between a steak house and The Last Emperor. The food is rich and fatty and only occasionally good. (Staff) 655 Montgomery, SF. 397-4888. Chinese, L/D, $$$, AE/DC/DISC/MC/V.

NORTH BEACH/CHINATOWN

Gondola captures the varied flavors of Venice and the Veneto in charmingly low-key style. The main theme is the classic one of simplicity, while service strikes just the right balance between efficiency and warmth. (Staff) 15 Columbus, SF. 956-5528. Italian, L/D, $, MC/V.

House of Nanking never fails to garner raves from restaurant reviewers and Guardian readers alike. Chinatown ambience, great food, good prices. (Best Ofs, 1994) 919 Kearny, SF. 421-1429. Chinese, L/D, ¢.

Maykadeh Persian Cuisine is a great date restaurant, classy but not too pricey, and there are lots of veggie options both for appetizers and entrées. Khoresht bademjan was a delectable, deep red stew of tomato and eggplant with a rich, sweet, almost chocolatey undertone. (Staff) 470 Green, SF. 362-8286. Persian, L/D, $, MC/V.

Moose’s is famous for the Mooseburger, but the rest of the menu is comfortably sophisticated. The crowd is moneyed but not showy and definitely not nouveau. (Staff) 1652 Stockton, SF. 989-7800. American, BR/L/D, $$, AE/DC/MC/V.

Rose Pistola cooks it up in the style of Liguria, and that means lots of seafood, olive oil, and lemons — along with a wealth of first-rate flat breads (pizzas, focaccias, farinatas) baked in the wood-burning oven. (PR, 7/05) 532 Columbus, SF. 399-0499. Italian, L/D, $$, AE/DC/MC/V.

Washington Square Bar and Grill offers stylish Cal-Ital food at reasonable prices in a storied setting. (Staff) 1707 Powell, SF. 982-8123. Italian, $$, L/D, MC/V.

SOMA

Bacar means "wine goblet," and its wine menu is extensive — and affordable. Chef Arnold Wong’s eclectic American-global food plays along nicely. (Staff) 448 Brannan, SF. 904-4100. American, D, $$, AE/MC/V.

Big Nate’s Barbecue is pretty stark inside — mostly linoleum arranged around a pair of massive brick ovens. But the hot sauce will make you sneeze. (Staff) 1665 Folsom, SF. 861-4242. Barbecue, L/D, $, MC/V.

Fly Trap Restaurant captures a bit of that old-time San Francisco feel, from the intricate plaster ceiling to the straightforward menu: celery Victor, grilled salmon filet with beurre blanc. A good lunchtime spot. (Staff) 606 Folsom, SF. 243-0580. American, L/D, $$, AE/DC/MC/V.

*Fringale still satisfies the urge to eat in true French bistro style, with Basque flourishes. The paella roll is a small masterpiece of food narrative; the frites are superior. (PR, 7/04) 570 Fourth St, SF. 543-0573. French/Basque, L/D, $$, AE/MC/V.

Hawthorne Lane remains at the top of the city’s restaurant heap after more than a decade. Bridget Batson’s modern California cuisine is first-rate, the ambience a perfection of understated elegance, and the service knowledgeable, friendly, and smooth. It is not possible to ask more from any restaurant. (PR, 9/06) 22 Hawthorne, SF. 777-9779. California, L/D, $$$, AE/DC/DISC/MC/V.

Oola gives Ola Fendert his own platform at last, and the result is a modern, golden SoMa restaurant with a menu that mixes playful opulence with local standards. (PR, 10/04) 860 Folsom, SF. 995-2061. California, D, $$, AE/MC/V.

Town Hall offers the lusty American cooking of the Rosenthal brothers in an elegantly spare New England-ish setting. There is a large communal table for seat-of-the-pants types and those who like their conviviality to have a faintly medieval air. (Staff) 342 Howard, SF. 908-3900. American, L/D, $$, AE/MC/V.

NOB HILL/RUSSIAN HILL

Ah Lin offers Mandarin-style Chinese cooking in an easy-to-take storefront setting on Cathedral Hill. The dishes are well behaved and tasty, with only an occasional flare-up of chile heat. The roast duck is one of the best deals in town. (PR, 10/06) 1634 Bush, SF. 922-5279. Chinese, L/D, $, AE/MC/V.

Alborz looks more like a hotel restaurant than a den of Persian cuisine, but there are flavors here — of barberry and dried lime, among others — you won’t easily find elsewhere. (Staff) 1245 Van Ness, SF. 440-4321. Persian, L/D, $, MC/V.

East Coast West Delicatessen doesn’t look like a New York deli (too much space, air, light), but the huge, fattily satisfying Reubens, platters of meat loaf, black-and-white cookies, and all the other standards compare commendably to their East Coast cousins. (Staff) 1725 Polk, SF. 563-3542. Deli, BR/L/D, $, MC/V.

La Folie could be a neighborhood spot or a destination or both, but either way or both ways it is sensational: an exercise in haute cuisine leavened with a West Coast sense of informality and playfulness. There is a full vegetarian menu and an ample selection of wines by the half bottle. (PR, 2/06) 2316 Polk, SF. 776-5577. French, D, $$$, AE/DC/DISC/MC/V.

O’Reilly’s Holy Grail, a redo of the old Maye’s Oyster House that strikes harmonious notes of chapel and lounge, serves a sophisticated and contemporary Cal-Irish menu. (PR, 10/05) 1233 Polk, SF. 928-1233. California/Irish, BR/L/D, $$, AE/DISC/MC/V.

CIVIC CENTER/TENDERLOIN

Ananda Fuara serves a distinctly Indian-influenced vegetarian menu in the sort of calm surroundings that are increasingly the exception to the rule. (Staff) 1298 Market, SF. 621-1994. Vegetarian, L/D, ¢, cash only.

*Bodega Bistro has a certain colonial formality — much of the menu is given in French — and it does attract a tony expat crowd. The food is elegant but not fancy (lobster, rack of lamb, both simply presented); if even those are too much, look to the "Hanoi Street Cuisine" items. (PR, 11/05) 607 Larkin, SF. 921-1218. Vietnamese, L/D, $$, DC/DISC/MC/V.

Mangosteen radiates lime green good cheer from its corner perch in the Tenderloin. Inexpensive Vietnamese standards are rendered with thoughtful little touches and an emphasis on the freshest ingredients. (PR, 11/05) 601 Larkin, SF. 776-3999. Vietnamese, L/D, $, cash only.

*Saha serves "Arabic fusion cuisine" — a blend of the Middle East and California — in a cool, spare setting behind the concierge’s desk at the Hotel Carlton. One senses the imminence of young rock stars, drawn perhaps by the lovely chocolate fondue. (PR, 9/04) 1075 Sutter, SF. 345-9547. Arabic/fusion, B/BR/D, $$, AE/DISC/MC/V.

HAYES VALLEY

Arlequin offers light Provençal and Mediterranean food for takeout, but the best place to take your stuff is to the sunny, tranquil garden in the rear. (Staff) 384B Hayes, SF. 863-0926. Mediterranean, B/L/D, ¢, MC/V.

Canto do Brasil The draw here is lusty yeoman cooking, Brazilian style, at beguilingly low prices. The tropically cerulean interior design enhances the illusion of sitting at a beach café. (Staff) 41 Franklin, SF. 626-8727. Brazilian, L/D, $, MC/V.

Destino reweaves traditional Peruvian flavors into a tapestry of extraordinary vividness and style, and the storefront interior has been given a golden glow that would have satisfied the most restless conquistador. (Staff) 1815 Market, SF. 552-4451. Peruvian, D, $$, MC/V.

Hayes Street Grill started more than a quarter century ago as an emulation of the city’s old seafood houses, and now it’s an institution itself. The original formula — immaculate seafood simply prepared, with choice of sauce and French fries — still beats vibrantly at the heart of the menu. Service is impeccable, the setting one of relaxed grace. (PR, 7/06) 816 Folsom, SF. 863-5545. Seafood, L/D, $$$, AE/DISC/MC/V.

Sauce enjoys the services of chef Ben Paula, whose uninhibited California cooking is as easy to like as a good pop song. (PR, 5/05) 131 Gough, SF. 252-1369. California, D, $$, AE/DISC/MC/V.

CASTRO/NOE VALLEY/GLEN PARK

Ararat Mediterranean Tapas affords the view-minded a good setting from which to scope the foot traffic at 18th Street and Castro, along with a Turkish-scented Mediterranean menu rich in small plates and some bigger ones too. The menu’s smash hits include coins of lavash-wrapped beef (a kind of Middle Eastern beef Wellington), an enslavingly good shrimp casserole, and a coil of baklava with lavender honey. (PR, 8/06) 4072 18th St, SF. 252-9325. Mediterranean/Turkish, BR/D, $, AE/MC/V.

Blue dishes up home cooking as good as any mom’s, in a downtown New York environment — of mirrors, gray-blue walls, and spotlights — that would blow most moms away. (Staff) 2337 Market, SF. 863-2583. American, BR/L/D, $, MC/V.

*Firefly remains an exemplar of the neighborhood restaurant in San Francisco: it is homey and classy, hip and friendly, serving an American menu — deftly inflected with ethnic and vegetarian touches — that’s the match of any in the city. (PR, 9/04) 4288 24th St, SF. 821-7652. American, D, $$, AE/MC/V.

Los Flamingos mingles Cuban and Mexican specialties in a relaxed, leafy, walk-oriented neighborhood setting. Lots of pink on the walls; even more starch on the plates. (PR, 11/04) 151 Noe, SF. 252-7450. Cuban/Mexican, BR/D, $, AE/DC/DISC/MC/V.

2223 could easily be a happening queer bar, what with all that male energy. But the American menu joins familiarity with high style, and the ambience is that of a great party where you’re bound to meet somebody hot. (Staff) 2223 Market, SF. 431-0692. American, BR/D, $$, AE/DC/MC/V.

HAIGHT/COLE VALLEY/WESTERN ADDITION

*Frankie’s Bohemian Cafe has Pilsner Urquell, a Bohemian beer, on tap for a touch of Czech authenticity, but the crowd is young, exuberant, Pacific Heights, het. Follow the crowd and stick with the burgers. (PR, 2/05) 1682 Divisadero, SF. 921-4725. Czech/American, L/D, $, AE/MC/V.

Grandeho’s Kamekyo Sushi Bar Always packed, Grandeho serves up excellent sushi along with a full Japanese menu. (Staff) 943 Cole, SF. 759-5693. Japanese, L/D, $$, AE/MC/V.

Hukilau brings a dash of Big Island conviviality — and Big Island (i.e., big) portions — to a wind- and traffic-swept corner of the big city. Spam too, if you want it. (Staff) Five Masonic, SF. 921-6242. Hawaiian/American, BR/L/D, $, MC/V.

Kate’s Kitchen dishes up the best scallion-cheese biscuits out west. The lines on the weekends can be long. (Staff) 471 Haight, SF. 626-3984. American, B/L, ¢.

Metro Cafe brings the earthy chic of Paris’s 11th arrondissement to the Lower Haight, prix fixe and all. (Staff) 311 Divisadero, SF. 552-0903. French, B/BR/L/D, $, MC/V.

New Ganges Restaurant is short on style — it is as if the upmarket revolution in vegetarian restaurants never happened — but there is a homemade freshness to the food you won’t find at many other places. (Staff) 775 Frederick, SF. 681-4355. Vegetarian/Indian, L/D, $, MC/V.

Tsunami Sushi and Sake Bar brings hip Japanese-style seafood to the already hip Café Abir complex. Skull-capped sushi chefs, hefty and innovative rolls. (Staff) 1306 Fulton, SF. 567-7664. Japanese/sushi, D, $$, AE/DC/DISC/MC/V.

Zoya takes some finding — it is in the little turret of the Days Inn Motor Lodge at Grove and Gough — but the view over the street’s treetops is bucolic, and the cooking is simple, seasonal, direct, and ingredient driven. (PR, 12/05) 465 Grove, SF. 626-9692. California, L/D, $$, AE/DC/DISC/MC/V.

MISSION/BERNAL HEIGHTS/POTRERO HILL

Aslam’s Rasoi reinvents a gently fading curry house as a high-powered rival to Dosa, in the next block. The food is fiery and elegant, and the menu strikes a fine balance between fleshly and fleshless choices. Desserts are not bad, particularly kulfi, a house-made cardamom ice cream presented like a frozen sliced banana. (PR, 8/06) 1037 Valencia, SF. 695-0599. Indian/Pakistani, D, $$, MC/V.

Baobab Bar and Grill serves great-tasting West African specialties like couscous, fried plantains, and savory rice dishes for a reasonable price. (Staff) 3388 19th St, SF. 643-3558. African, BR/D, ¢.

Baraka takes the French-Spanish tapas concept, gives it a beguiling Moroccan accent — harissa, preserved lemons, merguez sausage — and the result is astonishingly good food. (Staff) 288 Connecticut, SF. 255-0370. Moroccan/Mediterranean, L/D, $$, AE/MC/V.

Blowfish glows red and inviting on an otherwise industrial and residential stretch of Bryant Street. Sushi — in pristine fingers of nigiri or in a half dozen inventive hand rolls — is a marvel. (Staff) 2170 Bryant, SF. 285-3848. Sushi, L/D, $, AE/DC/DISC/MC/V.

Blue Plate has a diner aura — bustle, clatter — but the Mediterranean food is stylishly flavorful. A great value. (Staff) 3218 Mission, SF. 282-6777. Mediterranean, D, $$, AE/MC/V.

Bombay Ice Cream and Chaat Stop in for some Indian chaat — cheap, delicious fast food such as samosas and curries. (Staff) 552 Valencia, SF. 431-1103. Indian takeout, L/D, ¢.

Caffe d’Melanio is the place to go if you want your pound of coffee beans roasted while you enjoy an Argentine-Italian dinner of pasta, milanesa, and chimichurri sauce. During the day the café offers a more typically Cal-American menu of better-than-average quality. First-rate coffee beans. (PR, 10/04) 1314 Ocean, SF. 333-3665. Italian/Argentine, B/L/D, $, MC/V.

Chez Papa Bistrot sits like a beret atop Potrero Hill. The food is good, the staff’s French accents authentic, the crowd a lively cross section, but the place needs a few more scuffs and quirks before it can start feeling real. (Staff) 1401 18th St, SF. 824-8210. French, BR/L/D, $$, AE/MC/V.

*Delfina has grown from a neighborhood restaurant to an event, but an expanded dining room has brought the noise under control, and as always, the food — intense variations on a theme of Tuscany — could not be better. (PR, 2/04) 3621 18th St, SF. 552-4055. California, D, $$, MC/V.

Dosa serves dosas, the south Indian crepes, along with a wealth of other, and generally quite spicy, dishes from the south of the subcontinent. The cooking tends toward a natural meatlessness; the crowds are intense, like hordes of passengers inquiring about a delayed international flight. (PR, 1/06) 995 Valencia, SF. 642-3672. South Indian, BR/D, $, AE/MC/V.

Front Porch mixes a cheerfully homey setting (with a front porch of sorts), a hipster crowd, and a Caribbean-inflected comfort menu into a distinctive urban cocktail. The best dishes, such as a white polenta porridge with crab, are Range-worthy, and nothing on the menu is much more than $10. (PR, 10/06) 65A 29th St, SF. 695-7800. American/Caribbean, BR/D, $, MC/V.

*Little Nepal assembles a wealth of sensory cues (sauna-style blond wood, brass table services) and an Indian-influenced Himalayan cuisine into a singular experience that appeals to all of Bernal Heights and beyond, including tots in their strollers. (Staff) 925 Cortland, SF. 643-3881. Nepalese, L/D, $$, AE/DC/DISC/MC/V.

Lombardo’s Fine Foods is the little café that could, in Mission Terrace. The menu is heavy on pastas and casseroles, many made from owner-chef John Lombardo’s family recipes. The orzo salad is particularly good. (PR, 9/06) 1818 San Jose, SF. 337-9741. Italian/American, BR/L/D, $, MC/V

Maharaja offers romantically half-lit pastels and great spicy food, including a fine chicken tikka masala and a dish of lamb chunks in dal. Lunch forswears the usual steam-table buffet in favor of set specials, as in a Chinese place. (Staff) 525 Valencia, SF. 552-7901. Indian, L/D, $, MC/V.

Maverick holds several winning cards, including a menu of first-rate New American food, a clutch of interesting wines by the glass and half glass, and a handsome, spare Mission District setting discreetly cushioned for sound control. (PR, 9/05) 3316 17th St, SF. 863-3061. American, L/D, $$, AE/DISC/MC/V.

Medjool doesn’t offer much by way of its namesake date, food of the ancient pharaohs, but the pan-Mediterranean menu (which emphasizes small plates) is mostly tasty, and the setting is appealingly layered, from a sidewalk terrace to a moody dining room behind a set of big carved-wood doors. (PR, 11/04) 2522 Mission, SF. 550-9055. Mediterranean, B/L/D, $$, AE/DISC/MC/V.

Mi Lindo Yucatán looks a bit tatty inside, but the regional Mexican cooking is cheap and full of pleasant surprises. (PR, 3/04) 401 Valencia, SF. 861-4935. Mexican, L/D, ¢, cash only.

Moki’s Sushi and Pacific Grill serves imaginative specialty makis along with items from a pan-Asian grill in a small, bustling neighborhood spot. (Staff) 615 Cortland, SF. 970-9336. Japanese, D, $$, AE/DC/MC/V.

Pakwan has a little secret: a secluded garden out back. It’s the perfect place to enjoy the fiery foods of India and Pakistan. (Staff) 3180 16th St, SF. 255-2440. Indian/Pakistani, L/D, ¢, cash only.

Papalote Mexican Grill relieves our Mexican favorites of much of their fat and calories without sacrificing flavor. Surprisingly excellent soyrizo and aguas frescas; sexily varied crowd. (Staff) 3409 24th St, SF. 970-8815. Mexican, L/D, $, AE/MC/V.

MARINA/PACIFIC HEIGHTS/LAUREL HEIGHTS

L’Amour dans le Four gives a nice local boho twist to classic French bistro style. Many dishes from the oven. Tiny, noisy, intimate. (Staff) 1602 Lombard, SF. 775-2134. French, D, $, AE/MC/V.

Betelnut Peiju Wu is a pan-Asian version of a tapas bar, drawing a sleek postcollegiate crowd with its wide assortment of dumplings, noodles, soups, and snacks. (Staff) 2030 Union, SF. 929-8855. Asian, L/D, $$, MC/V.

Dragon Well looks like an annex of the cavernous Pottery Barn down the street, but its traditional Chinese menu is radiant with fresh ingredients and careful preparation. Prices are modest, the service swift and professional. (Staff) 2142 Chestnut, SF. 474-6888. Chinese, L/D, ¢, MC/V.

Rigolo combines the best of Pascal Rigo’s boulangeries — including the spectacular breads — with some of the simpler elements (such as roast chicken) of his higher-end places. The result is excellent value in a bustling setting. (PR, 1/05) 3465 California, SF. 876-7777. California/Mediterranean, B/L/D, $, MC/V.

Sushi Groove is easily as cool as its name. Behind wasabi green velvet curtains, salads can be inconsistent, but the sushi is impeccable, especially the silky salmon and special white tuna nigiri. (Staff) 1916 Hyde, SF. 440-1905. Japanese, D, $, AE/DC/DISC/MC/V.

Taste of the Himalayas is primarily Nepalese, but the Indian influences on the food are many, and there are a few Tibetan items. Spicing is vivid, value excellent. (PR, 10/04) 2420 Lombard, SF. 674-9898. Nepalese/Tibetan, L/D, $, AE/DC/DISC/MC/V.

Tortilla Heights brings the Pac Heights, blond-het-frat vibe into the Western Addition and nourishes it with surprisingly good Mexican food. The menu is familiar, but the dishes are executed with care and panache, and there are some regional specialties. Open late. (PR, 9/06) 1750 Divisadero, SF. 346-4531. Mexican, L/D, $, AE/DC/DISC/MC/V.

SUNSET

Le Charm might be in San Francisco, but it has a bistro authenticity even Parisians could love, from a wealth of golden wood trim to an enduring loyalty au prix fixe. The chicken liver salad is matchless, the succinct wine list distinctly Californian. Ponder it in the idyllic, trellised garden. (PR, 9/06) 315 Fifth St, SF. 546-6128. French, L/D, $$, AE/MC/V.

*Dragonfly serves the best contemporary Vietnamese food in town, in a calmer environment and at a fraction of the cost of better-known places. (PR, 8/05) 420 Judah, SF. 661-7755. Vietnamese, L/D, $$, AE/MC/V.

KL Restaurant is a Hong Kong-style seafood house that presents its wide array of creatures from the deep in an equally wide array of guises. Particularly good: the sampan-style dishes. If you’re not in an oceanic mood, the land-based stuff is good too. (PR/ 11/06) 4401 Balboa, SF. 666-9928. Chinese/seafood, L/D, $$, MC/V.

Pisces California Cuisine brings a touch of SoMa sophistication to an Outer Sunset neighborhood in need of paint. (You can’t miss the restaurant’s black facade.) The kitchen turns out a variety of seafood preparations — the clam chowder is terrific — and offers an appealing prix fixe option at both lunch and dinner. (PR, 8/06) 3414-3416 Judah, SF. 564-2233. Seafood, L/D, $$, AE/DISC/MC/V.

So Restaurant brings the heat, in the form of huge soup and noodle — and soupy noodle — dishes, many of them liberally laced with hot peppers and chiles. The pot stickers are homemade and exceptional, the crowd young and noisy. Cheap. (PR, 10/06) 2240 Irving, SF. 731-3143. Chinese/noodles, L/D, ¢, MC/V.

RICHMOND

*Aziza shimmers with Moroccan grace, from the pewter ewer and basin that circulate for the washing of hands to the profusion of preserved Meyer lemons in the splendid cooking. (Staff) 5800 Geary, SF. 752-2222. Moroccan, D, $$, AE/MC/V.

Be My Guest Thai Bistro offers tasty vegetarian-friendly food in a campy-hip setting reminiscent of an old Woody Allen movie. Tofu larb is surprisingly successful. (PR, 9/06) 951 Clement, SF. 386-1942. Thai, L/D, $, AE/MC/V.

*Chapeau! serves some of the best food in the city — at shockingly reasonable prices. The French cooking reflects as much style and imagination as any California menu. (Staff) 1408 Clement, SF. 750-9787. French, D, $$, AE/DC/MC/V.

Spices! has an exclamation point for a reason: its Chinese food, mainly Szechuan and Taiwanese, with an oasis of Shanghai-style dishes, is fabulously hot. Big young crowds, pulsing house music, a shocking orange and yellow paint scheme. Go prepared, leave happy. (Staff) 294 Eighth Ave, SF. 752-8884. Szechuan/Chinese, L/D, $, MC/V.

Sutro’s at Cliff House has a Miami-to-Malibu feel and offers a "California coastal" menu that appeals to tourists and locals alike. You can get everything from gumbo to seafood red curry to falafel while resting assured that the kitchen is honoring the local-seasonal-sustainable imperative. The setting — a glass house perched at the foamy edge of the Pacific — is timelessly spectacular. (PR, 7/06) 1090 Point Lobos, SF. 386-3330. Eclectic, L/D, $$$, AE/DISC/MC/V.

BAYVIEW/HUNTERS POINT/SOUTH

Cliff’s Bar-B-Q and Seafood Some things Cliff’s got going for him: excellent mustard greens, just drenched in flavorfulness, and barbecued you name it. Brisket. Rib tips. Hot links. Pork ribs. Beef ribs. Baby backs. And then there are fried chickens and, by way of health food, fried fishes. (Staff) 2177 Bayshore, SF. 330-0736. Barbecue, L/D, ¢, AE/DC/MC/V.

Old Clam House really is old — it’s been in the same location since the Civil War — but the seafood preparations are fresh, in an old-fashioned way. Matchless cioppino. Sports types cluster at the bar, under the shadow of a halved, mounted Jaguar E-type. (Staff) 299 Bayshore, SF. 826-4880. Seafood, L/D, $$, MC/V.

Taqueria el Potrillo serves one of the best chicken burritos in town, if not the best. You can get your bird grilled or barbecued or have steak instead or tacos. Excellent salsas and aguas frescas, and warmer weather than practically anywhere else in town. (Staff) 300A Bayshore Blvd, SF. 642-1612. Mexican, B/L/D, ¢, cash only.

BERKELEY/EMERYVILLE/NORTH

Breads of India and Gourmet Curries The menu changes every day, so nothing is refrigerated overnight, and the curries benefit from obvious loving care. (Staff) 2448 Sacramento, Berk. (510) 848-7684. Indian, L/D, ¢, MC/V.

Café de la Paz Specialties include African-Brazilian "xim xim" curries, Venezuelan corn pancakes, and heavenly blackened seacakes served with orange-onion yogurt. (Staff) 1600 Shattuck, Berk. (510) 843-0662. Latin American, BR/L/D, $, AE/MC/V.

Locanda Olmo Fine versions of risotto, gnocchi, and soft polenta pie, terrific thin-crust pizzas, and good traditional desserts have made Locanda Olmo a reliable anchor in the burgeoning Elmwood neighborhood. (Staff) 2985 College, Berk. (510) 848-5544. Italian, D, $, MC/V.

OAKLAND/ALAMEDA

Le Cheval Shrimp rolls and peanut sauce, the fried Dungeness crab, the marinated "orange flavor" beef, the buttery lemongrass prawns — it’s all fabulous. (Staff) 1007 Clay, Oakl. (510) 763-8495. Vietnamese, L/D, ¢, MC/V.

Connie’s Cantina fashions unique variations on standard Mexican fare — enchiladas, tamales, fajitas, rellenos. (Staff) 3340 Grand, Oakl. (510) 839-4986. Mexican, L/D, ¢, MC/V.

Rockridge Café offers bountiful breakfasts, a savory meat-loaf special, and hearty cassoulet. But the burgers, wide-cut fries, and straw-clogging milkshakes remain the cornerstones of the menu. (Staff) 5492 College, Oakl. (510) 653-1567. American, B/L/D, $, MC/V. *

Dine listings

0

Welcome to our dining listings, a detailed guide by neighborhood of some great places to grab a bite, hang out with friends, or impress the ones you love with thorough knowledge of this delectable city. Restaurants are reviewed by Paul Reidinger (PR) or staff. All area codes are 415, and all restaurants are wheelchair accessible, except where noted.

B Breakfast

BR Saturday and/or Sunday brunch

L Lunch

D Dinner

AE American Express

DC Diners Club

DISC Discover

MC MasterCard

V Visa

¢ less than $7 per entrée

$ $7–$12

$$ $13–$20

$$$ more than $20

DOWNTOWN/EMBARCADERO

Acme Chophouse brings Traci des Jardins’s high-end meat-and-potatoes menu right into the confines of Pac Bell Park. Good enough to be a destination, though stranguutf8g traffic is an issue on game days. (Staff) 24 Willie Mays Plaza, SF. 644-0240. American, L/D, $$, AE/DC/MC/V.

Café Claude is a hidden treasure of the city center. There is an excellent menu of traditional, discreetly citified French dishes, a youthful energy, and a romantic setting on a narrow, car-free lane reminiscent of the Marais. (PR, 10/06) 7 Claude Lane, SF. 392-3515. French, L/D, $$, AE/DC/DISC/MC/V.

Fleur de Lys gives its haute French cuisine a certain California whimsy in a setting that could be the world’s most luxurious tent. There is a vegetarian tasting menu and an extensive, remarkably pricey wine list. (PR, 2/05) 777 Sutter, SF. 673-7779. French, D, $$$, AE/DC/DISC/MC/V.

Mandarin, though a Gen Xer by birth and a longtime resident of touristy Ghirardelli Square, still offers a matchlessly elegant experience in Chinese fine dining: a surprising number of genuinely spicy dishes, superior service, and wine emphasized over beer. (PR, 9/04) 900 North Point (in Ghirardelli Square), SF. Chinese, L/D, $$, AE/DC/DISC/MC/V.

*Mijita shows that Traci des Jardins can go down-market with the best of them. The Mexican street food is convincingly lusty, but in keeping with the Ferry Building setting, it’s also made mostly with organic, high-quality ingredients. (PR, 4/05) 1 Ferry Bldg, Suite 44, SF. 399-0814. Mexican, B/L/D, ¢, AE/MC/V.

Tlaloc rises like a multistory loft on its Financial District lane, the better to accommodate the hordes of suits crowding in for a noontime burrito-and-salsa fix. They serve a mean pipián burrito and decent fish tacos. (Staff) 525 Commercial, SF. 981-7800. Mexican, L/D, ¢, AE/MC/V.

Tommy Toy’s Haute Cuisine Chinois is a cross between a steak house and The Last Emperor. The food is rich and fatty and only occasionally good. (Staff) 655 Montgomery, SF. 397-4888. Chinese, L/D, $$$, AE/DC/DISC/MC/V.

NORTH BEACH/CHINATOWN

Gondola captures the varied flavors of Venice and the Veneto in charmingly low-key style. The main theme is the classic one of simplicity, while service strikes just the right balance between efficiency and warmth. (Staff) 15 Columbus, SF. 956-5528. Italian, L/D, $, MC/V.

House of Nanking never fails to garner raves from restaurant reviewers and Guardian readers alike. Chinatown ambience, great food, good prices. (Best Ofs, 1994) 919 Kearny, SF. 421-1429. Chinese, L/D, ¢.

Maykadeh Persian Cuisine is a great date restaurant, classy but not too pricey, and there are lots of veggie options both for appetizers and entrées. Khoresht bademjan was a delectable, deep red stew of tomato and eggplant with a rich, sweet, almost chocolatey undertone. (Staff) 470 Green, SF. 362-8286. Persian, L/D, $, MC/V.

Moose’s is famous for the Mooseburger, but the rest of the menu is comfortably sophisticated. The crowd is moneyed but not showy and definitely not nouveau. (Staff) 1652 Stockton, SF. 989-7800. American, BR/L/D, $$, AE/DC/MC/V.

Rose Pistola cooks it up in the style of Liguria, and that means lots of seafood, olive oil, and lemons — along with a wealth of first-rate flat breads (pizzas, focaccias, farinatas) baked in the wood-burning oven. (PR, 7/05) 532 Columbus, SF. 399-0499. Italian, L/D, $$, AE/DC/MC/V.

Washington Square Bar and Grill offers stylish Cal-Ital food at reasonable prices in a storied setting. (Staff) 1707 Powell, SF. 982-8123. Italian, $$, L/D, MC/V.

SOMA

Bacar means "wine goblet," and its wine menu is extensive — and affordable. Chef Arnold Wong’s eclectic American-global food plays along nicely. (Staff) 448 Brannan, SF. 904-4100. American, D, $$, AE/MC/V.

Big Nate’s Barbecue is pretty stark inside — mostly linoleum arranged around a pair of massive brick ovens. But the hot sauce will make you sneeze. (Staff) 1665 Folsom, SF. 861-4242. Barbecue, L/D, $, MC/V.

Fly Trap Restaurant captures a bit of that old-time San Francisco feel, from the intricate plaster ceiling to the straightforward menu: celery Victor, grilled salmon filet with beurre blanc. A good lunchtime spot. (Staff) 606 Folsom, SF. 243-0580. American, L/D, $$, AE/DC/MC/V.

*Fringale still satisfies the urge to eat in true French bistro style, with Basque flourishes. The paella roll is a small masterpiece of food narrative; the frites are superior. (PR, 7/04) 570 Fourth St, SF. 543-0573. French/Basque, L/D, $$, AE/MC/V.

Hawthorne Lane remains at the top of the city’s restaurant heap after more than a decade. Bridget Batson’s modern California cuisine is first-rate, the ambience a perfection of understated elegance, and the service knowledgeable, friendly, and smooth. It is not possible to ask more from any restaurant. (PR, 9/06) 22 Hawthorne, SF. 777-9779. California, L/D, $$$, AE/DC/DISC/MC/V.

Oola gives Ola Fendert his own platform at last, and the result is a modern, golden SoMa restaurant with a menu that mixes playful opulence with local standards. (PR, 10/04) 860 Folsom, SF. 995-2061. California, D, $$, AE/MC/V.

Town Hall offers the lusty American cooking of the Rosenthal brothers in an elegantly spare New England-ish setting. There is a large communal table for seat-of-the-pants types and those who like their conviviality to have a faintly medieval air. (Staff) 342 Howard, SF. 908-3900. American, L/D, $$, AE/MC/V.

NOB HILL/RUSSIAN HILL

Ah Lin offers Mandarin-style Chinese cooking in an easy-to-take storefront setting on Cathedral Hill. The dishes are well behaved and tasty, with only an occasional flare-up of chile heat. The roast duck is one of the best deals in town. (PR, 10/06) 1634 Bush, SF. 922-5279. Chinese, L/D, $, AE/MC/V.

Alborz looks more like a hotel restaurant than a den of Persian cuisine, but there are flavors here — of barberry and dried lime, among others — you won’t easily find elsewhere. (Staff) 1245 Van Ness, SF. 440-4321. Persian, L/D, $, MC/V.

East Coast West Delicatessen doesn’t look like a New York deli (too much space, air, light), but the huge, fattily satisfying Reubens, platters of meat loaf, black-and-white cookies, and all the other standards compare commendably to their East Coast cousins. (Staff) 1725 Polk, SF. 563-3542. Deli, BR/L/D, $, MC/V.

La Folie could be a neighborhood spot or a destination or both, but either way or both ways it is sensational: an exercise in haute cuisine leavened with a West Coast sense of informality and playfulness. There is a full vegetarian menu and an ample selection of wines by the half bottle. (PR, 2/06) 2316 Polk, SF. 776-5577. French, D, $$$, AE/DC/DISC/MC/V.

O’Reilly’s Holy Grail, a redo of the old Maye’s Oyster House that strikes harmonious notes of chapel and lounge, serves a sophisticated and contemporary Cal-Irish menu. (PR, 10/05) 1233 Polk, SF. 928-1233. California/Irish, BR/L/D, $$, AE/DISC/MC/V.

CIVIC CENTER/TENDERLOIN

Ananda Fuara serves a distinctly Indian-influenced vegetarian menu in the sort of calm surroundings that are increasingly the exception to the rule. (Staff) 1298 Market, SF. 621-1994. Vegetarian, L/D, ¢, cash only.

*Bodega Bistro has a certain colonial formality — much of the menu is given in French — and it does attract a tony expat crowd. The food is elegant but not fancy (lobster, rack of lamb, both simply presented); if even those are too much, look to the "Hanoi Street Cuisine" items. (PR, 11/05) 607 Larkin, SF. 921-1218. Vietnamese, L/D, $$, DC/DISC/MC/V.

Mangosteen radiates lime green good cheer from its corner perch in the Tenderloin. Inexpensive Vietnamese standards are rendered with thoughtful little touches and an emphasis on the freshest ingredients. (PR, 11/05) 601 Larkin, SF. 776-3999. Vietnamese, L/D, $, cash only.

*Saha serves "Arabic fusion cuisine" — a blend of the Middle East and California — in a cool, spare setting behind the concierge’s desk at the Hotel Carlton. One senses the imminence of young rock stars, drawn perhaps by the lovely chocolate fondue. (PR, 9/04) 1075 Sutter, SF. 345-9547. Arabic/fusion, B/BR/D, $$, AE/DISC/MC/V.

HAYES VALLEY

Arlequin offers light Provençal and Mediterranean food for takeout, but the best place to take your stuff is to the sunny, tranquil garden in the rear. (Staff) 384B Hayes, SF. 863-0926. Mediterranean, B/L/D, ¢, MC/V.

Canto do Brasil The draw here is lusty yeoman cooking, Brazilian style, at beguilingly low prices. The tropically cerulean interior design enhances the illusion of sitting at a beach café. (Staff) 41 Franklin, SF. 626-8727. Brazilian, L/D, $, MC/V.

Destino reweaves traditional Peruvian flavors into a tapestry of extraordinary vividness and style, and the storefront interior has been given a golden glow that would have satisfied the most restless conquistador. (Staff) 1815 Market, SF. 552-4451. Peruvian, D, $$, MC/V.

Hayes Street Grill started more than a quarter century ago as an emulation of the city’s old seafood houses, and now it’s an institution itself. The original formula — immaculate seafood simply prepared, with choice of sauce and French fries — still beats vibrantly at the heart of the menu. Service is impeccable, the setting one of relaxed grace. (PR, 7/06) 816 Folsom, SF. 863-5545. Seafood, L/D, $$$, AE/DISC/MC/V.

Sauce enjoys the services of chef Ben Paula, whose uninhibited California cooking is as easy to like as a good pop song. (PR, 5/05) 131 Gough, SF. 252-1369. California, D, $$, AE/DISC/MC/V.

CASTRO/NOE VALLEY/GLEN PARK

Ararat Mediterranean Tapas affords the view-minded a good setting from which to scope the foot traffic at 18th Street and Castro, along with a Turkish-scented Mediterranean menu rich in small plates and some bigger ones too. The menu’s smash hits include coins of lavash-wrapped beef (a kind of Middle Eastern beef Wellington), an enslavingly good shrimp casserole, and a coil of baklava with lavender honey. (PR, 8/06) 4072 18th St, SF. 252-9325. Mediterranean/Turkish, BR/D, $, AE/MC/V.

Blue dishes up home cooking as good as any mom’s, in a downtown New York environment — of mirrors, gray-blue walls, and spotlights — that would blow most moms away. (Staff) 2337 Market, SF. 863-2583. American, BR/L/D, $, MC/V.

*Firefly remains an exemplar of the neighborhood restaurant in San Francisco: it is homey and classy, hip and friendly, serving an American menu — deftly inflected with ethnic and vegetarian touches — that’s the match of any in the city. (PR, 9/04) 4288 24th St, SF. 821-7652. American, D, $$, AE/MC/V.

Los Flamingos mingles Cuban and Mexican specialties in a relaxed, leafy, walk-oriented neighborhood setting. Lots of pink on the walls; even more starch on the plates. (PR, 11/04) 151 Noe, SF. 252-7450. Cuban/Mexican, BR/D, $, AE/DC/DISC/MC/V.

2223 could easily be a happening queer bar, what with all that male energy. But the American menu joins familiarity with high style, and the ambience is that of a great party where you’re bound to meet somebody hot. (Staff) 2223 Market, SF. 431-0692. American, BR/D, $$, AE/DC/MC/V.

HAIGHT/COLE VALLEY/WESTERN ADDITION

*Frankie’s Bohemian Cafe has Pilsner Urquell, a Bohemian beer, on tap for a touch of Czech authenticity, but the crowd is young, exuberant, Pacific Heights, het. Follow the crowd and stick with the burgers. (PR, 2/05) 1682 Divisadero, SF. 921-4725. Czech/American, L/D, $, AE/MC/V.

Grandeho’s Kamekyo Sushi Bar Always packed, Grandeho serves up excellent sushi along with a full Japanese menu. (Staff) 943 Cole, SF. 759-5693. Japanese, L/D, $$, AE/MC/V.

Hukilau brings a dash of Big Island conviviality — and Big Island (i.e., big) portions — to a wind- and traffic-swept corner of the big city. Spam too, if you want it. (Staff) 5 Masonic, SF. 921-6242. Hawaiian/American, BR/L/D, $, MC/V.

Kate’s Kitchen dishes up the best scallion-cheese biscuits out west. The lines on the weekends can be long. (Staff) 471 Haight, SF. 626-3984. American, B/L, ¢.

Metro Cafe brings the earthy chic of Paris’s 11th arrondissement to the Lower Haight, prix fixe and all. (Staff) 311 Divisadero, SF. 552-0903. French, B/BR/L/D, $, MC/V.

New Ganges Restaurant is short on style — it is as if the upmarket revolution in vegetarian restaurants never happened — but there is a homemade freshness to the food you won’t find at many other places. (Staff) 775 Frederick, SF. 681-4355. Vegetarian/Indian, L/D, $, MC/V.

Tsunami Sushi and Sake Bar brings hip Japanese-style seafood to the already hip Café Abir complex. Skull-capped sushi chefs, hefty and innovative rolls. (Staff) 1306 Fulton, SF. 567-7664. Japanese/sushi, D, $$, AE/DC/DISC/MC/V.

Zoya takes some finding — it is in the little turret of the Days Inn Motor Lodge at Grove and Gough — but the view over the street’s treetops is bucolic, and the cooking is simple, seasonal, direct, and ingredient driven. (PR, 12/05) 465 Grove, SF. 626-9692. California, L/D, $$, AE/DC/DISC/MC/V.

MISSION/BERNAL HEIGHTS/POTRERO HILL

Aslam’s Rasoi reinvents a gently fading curry house as a high-powered rival to Dosa, in the next block. The food is fiery and elegant, and the menu strikes a fine balance between fleshly and fleshless choices. Desserts are not bad, particularly kulfi, a house-made cardamom ice cream presented like a frozen sliced banana. (PR, 8/06) 1037 Valencia, SF. 695-0599. Indian/Pakistani, D, $$, MC/V.

Baobab Bar and Grill serves great-tasting West African specialties like couscous, fried plantains, and savory rice dishes for a reasonable price. (Staff) 3388 19th St, SF. 643-3558. African, BR/D, ¢.

Baraka takes the French-Spanish tapas concept, gives it a beguiling Moroccan accent — harissa, preserved lemons, merguez sausage — and the result is astonishingly good food. (Staff) 288 Connecticut, SF. 255-0370. Moroccan/Mediterranean, L/D, $$, AE/MC/V.

Blowfish glows red and inviting on an otherwise industrial and residential stretch of Bryant Street. Sushi — in pristine fingers of nigiri or in a half dozen inventive hand rolls — is a marvel. (Staff) 2170 Bryant, SF. 285-3848. Sushi, L/D, $, AE/DC/DISC/MC/V.

Blue Plate has a diner aura — bustle, clatter — but the Mediterranean food is stylishly flavorful. A great value. (Staff) 3218 Mission, SF. 282-6777. Mediterranean, D, $$, AE/MC/V.

Bombay Ice Cream and Chaat Stop in for some Indian chaat — cheap, delicious fast food such as samosas and curries. (Staff) 552 Valencia, SF. 431-1103. Indian takeout, L/D, ¢.

Caffe d’Melanio is the place to go if you want your pound of coffee beans roasted while you enjoy an Argentine-Italian dinner of pasta, milanesa, and chimichurri sauce. During the day the café offers a more typically Cal-American menu of better-than-average quality. First-rate coffee beans. (PR, 10/04) 1314 Ocean, SF. 333-3665. Italian/Argentine, B/L/D, $, MC/V.

Chez Papa Bistrot sits like a beret atop Potrero Hill. The food is good, the staff’s French accents authentic, the crowd a lively cross section, but the place needs a few more scuffs and quirks before it can start feeling real. (Staff) 1401 18th St, SF. 824-8210. French, BR/L/D, $$, AE/MC/V.

*Delfina has grown from a neighborhood restaurant to an event, but an expanded dining room has brought the noise under control, and as always, the food — intense variations on a theme of Tuscany — could not be better. (PR, 2/04) 3621 18th St, SF. 552-4055. California, D, $$, MC/V.

Dosa serves dosas, the south Indian crepes, along with a wealth of other, and generally quite spicy, dishes from the south of the subcontinent. The cooking tends toward a natural meatlessness; the crowds are intense, like hordes of passengers inquiring about a delayed international flight. (PR, 1/06) 995 Valencia, SF. 642-3672. South Indian, BR/D, $, AE/MC/V.

Front Porch mixes a cheerfully homey setting (with a front porch of sorts), a hipster crowd, and a Caribbean-inflected comfort menu into a distinctive urban cocktail. The best dishes, such as a white polenta porridge with crab, are Range-worthy, and nothing on the menu is much more than $10. (PR, 10/06) 65A 29th St, SF. 695-7800. American/Caribbean, BR/D, $, MC/V.

*Little Nepal assembles a wealth of sensory cues (sauna-style blond wood, brass table services) and an Indian-influenced Himalayan cuisine into a singular experience that appeals to all of Bernal Heights and beyond, including tots in their strollers. (Staff) 925 Cortland, SF. 643-3881. Nepalese, L/D, $$, AE/DC/DISC/MC/V.

Lombardo’s Fine Foods is the little café that could, in Mission Terrace. The menu is heavy on pastas and casseroles, many made from owner-chef John Lombardo’s family recipes. The orzo salad is particularly good. (PR, 9/06) 1818 San Jose, SF. 337-9741. Italian/American, BR/L/D, $, MC/V

Maharaja offers romantically half-lit pastels and great spicy food, including a fine chicken tikka masala and a dish of lamb chunks in dal. Lunch forswears the usual steam-table buffet in favor of set specials, as in a Chinese place. (Staff) 525 Valencia, SF. 552-7901. Indian, L/D, $, MC/V.

Maverick holds several winning cards, including a menu of first-rate New American food, a clutch of interesting wines by the glass and half glass, and a handsome, spare Mission District setting discreetly cushioned for sound control. (PR, 9/05) 3316 17th St, SF. 863-3061. American, L/D, $$, AE/DISC/MC/V.

Medjool doesn’t offer much by way of its namesake date, food of the ancient pharaohs, but the pan-Mediterranean menu (which emphasizes small plates) is mostly tasty, and the setting is appealingly layered, from a sidewalk terrace to a moody dining room behind a set of big carved-wood doors. (PR, 11/04) 2522 Mission, SF. 550-9055. Mediterranean, B/L/D, $$, AE/DISC/MC/V.

Mi Lindo Yucatán looks a bit tatty inside, but the regional Mexican cooking is cheap and full of pleasant surprises. (PR, 3/04) 401 Valencia, SF. 861-4935. Mexican, L/D, ¢, cash only.

Moki’s Sushi and Pacific Grill serves imaginative specialty makis along with items from a pan-Asian grill in a small, bustling neighborhood spot. (Staff) 615 Cortland, SF. 970-9336. Japanese, D, $$, AE/DC/MC/V.

Pakwan has a little secret: a secluded garden out back. It’s the perfect place to enjoy the fiery foods of India and Pakistan. (Staff) 3180 16th St, SF. 255-2440. Indian/Pakistani, L/D, ¢, cash only.

Papalote Mexican Grill relieves our Mexican favorites of much of their fat and calories without sacrificing flavor. Surprisingly excellent soyrizo and aguas frescas; sexily varied crowd. (Staff) 3409 24th St, SF. 970-8815. Mexican, L/D, $, AE/MC/V.

MARINA/PACIFIC HEIGHTS/LAUREL HEIGHTS

L’Amour dans le Four gives a nice local boho twist to classic French bistro style. Many dishes from the oven. Tiny, noisy, intimate. (Staff) 1602 Lombard, SF. 775-2134. French, D, $, AE/MC/V.

Betelnut Peiju Wu is a pan-Asian version of a tapas bar, drawing a sleek postcollegiate crowd with its wide assortment of dumplings, noodles, soups, and snacks. (Staff) 2030 Union, SF. 929-8855. Asian, L/D, $$, MC/V.

Dragon Well looks like an annex of the cavernous Pottery Barn down the street, but its traditional Chinese menu is radiant with fresh ingredients and careful preparation. Prices are modest, the service swift and professional. (Staff) 2142 Chestnut, SF. 474-6888. Chinese, L/D, ¢, MC/V.

Rigolo combines the best of Pascal Rigo’s boulangeries — including the spectacular breads — with some of the simpler elements (such as roast chicken) of his higher-end places. The result is excellent value in a bustling setting. (PR, 1/05) 3465 California, SF. 876-7777. California/Mediterranean, B/L/D, $, MC/V.

Sushi Groove is easily as cool as its name. Behind wasabi green velvet curtains, salads can be inconsistent, but the sushi is impeccable, especially the silky salmon and special white tuna nigiri. (Staff) 1916 Hyde, SF. 440-1905. Japanese, D, $, AE/DC/DISC/MC/V.

Taste of the Himalayas is primarily Nepalese, but the Indian influences on the food are many, and there are a few Tibetan items. Spicing is vivid, value excellent. (PR, 10/04) 2420 Lombard, SF. 674-9898. Nepalese/Tibetan, L/D, $, AE/DC/DISC/MC/V.

Tortilla Heights brings the Pac Heights, blond-het-frat vibe into the Western Addition and nourishes it with surprisingly good Mexican food. The menu is familiar, but the dishes are executed with care and panache, and there are some regional specialties. Open late. (PR, 9/06) 1750 Divisadero, SF. 346-4531. Mexican, L/D, $, AE/DC/DISC/MC/V.

SUNSET

Le Charm might be in San Francisco, but it has a bistro authenticity even Parisians could love, from a wealth of golden wood trim to an enduring loyalty au prix fixe. The chicken liver salad is matchless, the succinct wine list distinctly Californian. Ponder it in the idyllic, trellised garden. (PR, 9/06) 315 Fifth St, SF. 546-6128. French, L/D, $$, AE/MC/V.

*Dragonfly serves the best contemporary Vietnamese food in town, in a calmer environment and at a fraction of the cost of better-known places. (PR, 8/05) 420 Judah, SF. 661-7755. Vietnamese, L/D, $$, AE/MC/V.

KL Restaurant is a Hong Kong-style seafood house that presents its wide array of creatures from the deep in an equally wide array of guises. Particularly good: the sampan-style dishes. If you’re not in an oceanic mood, the land-based stuff is good too. (PR/ 11/06) 4401 Balboa, SF. 666-9928. Chinese/seafood, L/D, $$, MC/V.

Pisces California Cuisine brings a touch of SoMa sophistication to an Outer Sunset neighborhood in need of paint. (You can’t miss the restaurant’s black facade.) The kitchen turns out a variety of seafood preparations — the clam chowder is terrific — and offers an appealing prix fixe option at both lunch and dinner. (PR, 8/06) 3414-3416 Judah, SF. 564-2233. Seafood, L/D, $$, AE/DISC/MC/V.

So Restaurant brings the heat, in the form of huge soup and noodle — and soupy noodle — dishes, many of them liberally laced with hot peppers and chiles. The pot stickers are homemade and exceptional, the crowd young and noisy. Cheap. (PR, 10/06) 2240 Irving, SF. 731-3143. Chinese/noodles, L/D, ¢, MC/V.

RICHMOND

*Aziza shimmers with Moroccan grace, from the pewter ewer and basin that circulate for the washing of hands to the profusion of preserved Meyer lemons in the splendid cooking. (Staff) 5800 Geary, SF. 752-2222. Moroccan, D, $$, AE/MC/V.

Be My Guest Thai Bistro offers tasty vegetarian-friendly food in a campy-hip setting reminiscent of an old Woody Allen movie. Tofu larb is surprisingly successful. (PR, 9/06) 951 Clement, SF. 386-1942. Thai, L/D, $, AE/MC/V.

*Chapeau! serves some of the best food in the city — at shockingly reasonable prices. The French cooking reflects as much style and imagination as any California menu. (Staff) 1408 Clement, SF. 750-9787. French, D, $$, AE/DC/MC/V.

Spices! has an exclamation point for a reason: its Chinese food, mainly Szechuan and Taiwanese, with an oasis of Shanghai-style dishes, is fabulously hot. Big young crowds, pulsing house music, a shocking orange and yellow paint scheme. Go prepared, leave happy. (Staff) 294 Eighth Ave, SF. 752-8884. Szechuan/Chinese, L/D, $, MC/V.

Sutro’s at Cliff House has a Miami-to-Malibu feel and offers a "California coastal" menu that appeals to tourists and locals alike. You can get everything from gumbo to seafood red curry to falafel while resting assured that the kitchen is honoring the local-seasonal-sustainable imperative. The setting — a glass house perched at the foamy edge of the Pacific — is timelessly spectacular. (PR, 7/06) 1090 Point Lobos, SF. 386-3330. Eclectic, L/D, $$$, AE/DISC/MC/V.

BAYVIEW/HUNTERS POINT/SOUTH

Cliff’s Bar-B-Q and Seafood Some things Cliff’s got going for him: excellent mustard greens, just drenched in flavorfulness, and barbecued you name it. Brisket. Rib tips. Hot links. Pork ribs. Beef ribs. Baby backs. And then there are fried chickens and, by way of health food, fried fishes. (Staff) 2177 Bayshore, SF. 330-0736. Barbecue, L/D, ¢, AE/DC/MC/V.

Old Clam House really is old — it’s been in the same location since the Civil War — but the seafood preparations are fresh, in an old-fashioned way. Matchless cioppino. Sports types cluster at the bar, under the shadow of a halved, mounted Jaguar E-type. (Staff) 299 Bayshore, SF. 826-4880. Seafood, L/D, $$, MC/V.

Taqueria el Potrillo serves one of the best chicken burritos in town, if not the best. You can get your bird grilled or barbecued or have steak instead or tacos. Excellent salsas and aguas frescas, and warmer weather than practically anywhere else in town. (Staff) 300A Bayshore Blvd, SF. 642-1612. Mexican, B/L/D, ¢, cash only.

BERKELEY/EMERYVILLE/NORTH

Breads of India and Gourmet Curries The menu changes every day, so nothing is refrigerated overnight, and the curries benefit from obvious loving care. (Staff) 2448 Sacramento, Berk. (510) 848-7684. Indian, L/D, ¢, MC/V.

Café de la Paz Specialties include African-Brazilian "xim xim" curries, Venezuelan corn pancakes, and heavenly blackened seacakes served with orange-onion yogurt. (Staff) 1600 Shattuck, Berk. (510) 843-0662. Latin American, BR/L/D, $, AE/MC/V.

Locanda Olmo Fine versions of risotto, gnocchi, and soft polenta pie, terrific thin-crust pizzas, and good traditional desserts have made Locanda Olmo a reliable anchor in the burgeoning Elmwood neighborhood. (Staff) 2985 College, Berk. (510) 848-5544. Italian, D, $, MC/V.

OAKLAND/ALAMEDA

Le Cheval Shrimp rolls and peanut sauce, the fried Dungeness crab, the marinated "orange flavor" beef, the buttery lemongrass prawns — it’s all fabulous. (Staff) 1007 Clay, Oakl. (510) 763-8495. Vietnamese, L/D, ¢, MC/V.

Connie’s Cantina fashions unique variations on standard Mexican fare — enchiladas, tamales, fajitas, rellenos. (Staff) 3340 Grand, Oakl. (510) 839-4986. Mexican, L/D, ¢, MC/V.

Rockridge Café offers bountiful breakfasts, a savory meat-loaf special, and hearty cassoulet. But the burgers, wide-cut fries, and straw-clogging milkshakes remain the cornerstones of the menu. (Staff) 5492 College, Oakl. (510) 653-1567. American, B/L/D, $, MC/V. *

Johnny Ray Huston’s top 10 viewing experiences of 2006

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(1) Syndromes and a Century (Apichatpong Weerasethakul, Thailand) on Oct. 3 at the Vancouver International Film Festival. Yes, it dug deeper into male-male romance than any hopelessly blinkered creation made and marketed as "gay," but I wasn’t as amazed by Apichatpong’s Cannes coronation creation Tropical Malady as I’d expected to be, especially given the hypnotism of Blissfully Yours. This time, though, he’s created a masterpiece — I get misty just thinking of the mysterious shot at its very center.

(2) Zidane: A 21st Century Portrait (Douglas Gordon and Philippe Parreno, France/Iceland). I spend spare time in a world where nicknames like Guga and Rafa and Momo and Chucho reign. I think Venus Williams’s 2005 Wimbledon final victory was opera of a kind no one has seen or heard since Maria Callas sang La Traviata at Covent Garden (not Lisbon). Sports is today’s ultimate live theater, Zidane was its most compelling star in 2006, and Douglas Gordon and Philippe Parreno’s portrait of him is a doc even better than William Klein’s look at Muhammad Ali. A big thanks to the Balboa Theater’s Gary Meyer for helping me even get a look at Zidane — knowing that Apichatpong loves Parreno’s The Boy from Mars makes me want to rocket to that planet if I have to in order to see it.

(3) The Descent (Neil Marshall, UK) at an April 29 midnight screening at the SF International Film Festival. Nothing is more fun than sharing extreme claustrophobia with a theater full of screaming horror fans.

(4) The Host (Bong Joon-ho, South Korea) and Bongmania at the Sept. 30 screening at the Vancouver International Film Festival. Nothing tops my Descent experience except watching a great monster movie with a theater full of fans who mobbed the director afterward.

(5) San Francisco moviemaking: Call Waiting (Cathy Begien); The Dennis Wilson Story and Leonard Cohen in Alberta (David Enos); Lot 63, Grave C (Sam Green); Lovelorn Domestic (Sarah Enid Hagey); Rumsfeld Rules (Bryan Boyce); Song and Solitude (Nathaniel Dorsky).

(6) dünya dinlemiyor video installation by Phil Collins, still on view at the SF Museum of Modern Art. A Smiths fan’s dream come true, indeed.

(7) TV Carnage’s A Sore for Sighted Eyes DVD. Long before Donald Trump foolishly challenged Rosie O’Donnell to a caged wrestling match, TV Carnage revealed just what she was capable of in this, one of the funniest and scariest things I’ve seen in my life, a video mashup that somehow makes Girl Talk’s Night Ripper seem puny and eager to please.

(8) Doomed pilgrimages: Battle in Heaven (Carlos Reygadas, Mexico/Belgium/France/Germany) and The Death of Mr. Lazarescu (Cristi Puiu, Romania). My favorite scene in 2006 is the subway sequence in Reygadas’s second film. The title character in Puiu’s movie never quite completes a marathon journey to the heart of the medical profession — a place called death.

(9) A Short Film about the Indio Nacional (or the Prolonged Sorrow of Filipinos) (Raya Martin, Philippines) on May 1 at the SF International Film Festival and Colossal Youth (Pedro Costa, Portugal/France/Switzerland ) on Oct. 2 at the Vancouver International Film Festival. When Khavn de la Cruz’s piano score for Martin’s film broke down, the director reappeared and put on different music, and the movie took on yet another life. Costa’s film is entirely lit by mirrors and natural rays and beams — what else do you need to know?

(10) Somnambucinema. No one likes to admit that some of the best cinema being made today lulls you to or near to sleep. Why? There should be no shame in shifting states of consciousness and drifting into dreams during this panic-stricken age. Somnambucinema deserves an essay, but for now I’ll just mention a recent fave example of the form — Paz Encina’s Hamaca Paraguaya, which spends 90 minutes or so showing a hammock in sun and shade while a couple bickers about it, their son, and their country. There you have it: a critical, two-way filmic window into many people’s awareness of Paraguay and its history, if they even have one.