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Events listings: Oct 8-14

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WEDNESDAY 8

Mylene Fernández-Pintado City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The Cuban novelist reads from A Corner of the World.

“Making History by Making Maps” Eric Quezada Center for Culture and Politics, 518 Valencia, SF; www.shapingsf.org. 7:30-9:30pm, free. Panel discussion as part of Shaping San Francisco’s public talks series, with author Dick Walker (The Atlas of California: Mapping the Challenge of a New Era). Join the related free “Bikes to Books” tour by meeting at Jack London Street (at South Park, SF), Sat/11, 1pm, and cycle through streets named for notable SF authors and artists; fittingly, the end point is North Beach’s City Lights Bookstore.

THURSDAY 9

ArtLaunch: SF Open Studios Exhibition Opening Reception SOMArts Cultural Center, Main Gallery, 934 Brannan, SF; www.somarts.org. Opening reception tonight, 7:30pm. Free. Exhibit runs through Nov 9. Get a peek at 450 artworks contributed by artists participating in the SF Open Studios event (more info on SF Open Studios at https://artspan.org).

Satire Fest 2014 Marines’ Memorial Theatre, 609 Sutter, SF; http://satirefest.com. 9am-5pm, $20. (Check website for additional events, including live drawing and a “Boatload of Cartoonists” cruise.) Through Sun/11. Celebrate satire with animators, web-comics creators, and political cartoonists, with hands-on events, performances, exhibits, and more. Participants include Keith Knight, Will Durst, and longtime Bay Guardian contributor Tom Tomorrow.

Union Street Wine Walk Union between Gough and Steiner, SF; www.sresproductions.com. 4-8pm, free (sampling tickets, $25). Restaurants and merchants offer wine tasting and small bites at this fifth annual neighborhood event.

FRIDAY 10

Litquake Various venues, SF; www.litquake.org. San Francisco’s annual literary festival turns 15 this year, with a week full of live readings, performances, panels, and multimedia events, including tributes to Octavio Paz and Gabriel Garcia Marquez. It kicks off today with “Viva Fifteen: Litquake’s Quinceañera 15th Anniversary Bash” (7pm, $15, Z Space, 450 Florida, SF).

SATURDAY 11

Death Salon Fleet Room, Fort Mason Center, Marina at Laguna, SF; www.deathsalon.org. Day session 10am; night session 6-9pm, $30-45. “The culture of mortality and mourning” is examined from all angles at this event, with participants like author Loren Rhoads (speaking about the history of SF’s cemeteries); hospice-care worker Betsy Trapasso; attorney Jordan Posamentier (speaking about death with dignity laws); musician Jill Tracy (performing songs composed inside of Philadelphia’s Mutter Museum); comedian Beza Merid (speaking about the pop culture of cancer); a discussion of “ghostly sexual encounters” with Dr. Paul Koudounaris, and many others.

Indigenous Peoples Day Powwow and Indian Market Berkeley Civic Center Park, Allston at Martin Luther King Jr, Berk; www.idpowwow.org. 10am-6pm, free. Intertribal dancing, dance contests, Native American foods and crafts, singing and drumming, and more highlight this 22nd annual event.

Leap’s 31st Annual Sandcastle Contest Ocean Beach (adjacent to the Great Highway between Balboa and Fulton), SF; www.leaparts.org. 10:30am-4:30pm (sandcastle building finishes at 2:30pm), free. They call ’em sandcastles, but this annual competition yields so much more. Past years have seen giant frogs, sea monsters, sharks, and pyramids (complete with camel) appear on the beach.

“Pride: Parade, Prom, Community” PhotoCentral Gallery, Hayward Area Park and Recreation District, 1099 E St, Hayward; www.photocentral.org. Opening reception today, 2:30-5:30pm. Free. Exhibit runs through Dec 6. Photographers and Guardian contributors Saul Bromberger and Sandra Hoover present a new exhibit of images capturing the SF Gay and Lesbian Freedom Day Parade (1984-1990) and the Hayward Gay Prom 2014.

World Veg Festival SF County Fair Building, 1199 Ninth Ave, SF; www.worldvegfestival.com. 10:30am-6:30pm, $3-10 donation (free for kids under 12). Through Sun/12. The SF Vegetarian Society’s annual event features cooking demos, exhibitors, speakers, entertainment, a “Children’s Corner,” and more.

Yerba Buena Night Yerba Buena Lane, Jessie Square and Annie Alley, Yerba Buena Lane, SF; www.ybnight.org. 6-10pm, free. Free outdoor festival of music, dance, art, and performance, with five stages of entertainment, giant video projections, and interactive installations.

SUNDAY 12

Blessing of the Animals First Unitarian Church of SF, 1187 Franklin, SF; www.uusf.org. 2-3pm, free. Bring your furry, feathered, scaly, or otherwise creature-tastic companions (or just a photo of them) to this symbolic ritual, held in the tradition of SF patron saint, St. Francis of Assisi.

MONDAY 13

World Championship Pumpkin Weigh-Off IDES Grounds, 735 Main St, Half Moon Bay; weighoff.miramarevents.com. 7-11am, free. Who will reign supreme at this 41st annual battle of the bulge, dubbed the “Superbowl of Weigh-Offs”? Last year’s champ tipped the scales at 1,985 pounds — that’s a lotta pie! *

 

Making a splash

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culture@sfbg.com

FEAST: PARIS Our first night in Paris was the stuff of foodie dreams: digging into steak tartare and downing natural wines with Autour d’un Verre restaurant co-owners and chefs Vikki Perry and Kevin Blackwell — at another well-known restaurant, Les Fines Gueules, where the conversation flowed freely, and the couple’s young daughter and pet dog under the table rounded out the comfortable, friendly atmosphere.

Though this was the first time I had met Perry, Blackwell, Perry’s mum, and everyone else working at and/or dining in the restaurant, the meal resembled a close family gathering. My husband and I traveled to Paris because I had been reading A Moveable Feast, Ernest Hemingway’s memoir of the city in the 1920s. We were in the middle of a two-week European vacation with extended family, and a spontaneous two-and-a-half days of love and adventure in the City of Light was enticing. Knowing there was no way we could adequately see all of the sights in two days and manage to enjoy ourselves, we decided to forgo the tours and the queues altogether. Like Hemingway, we nestled our memories in Parisian cafés. And Blackwell and Perry, whose brother happens to be married to my husband’s sister, were the perfect guides.

The couple’s philosophy at Autour d’un Verre — simple cooking that highlights the quality of locally sourced organic ingredients — paired well with our own philosophy on good eating. A surprise to us, though: this minimalist ideology extended to Paris’ natural wine movement as well. Perry and Blackwell swear by natural wines, which are made without added chemicals, and hark back to ancient days, when wine was made merely of fermented crushed grapes, no yeast, enzymes, or extraneous tannins added. These kinds of wine are becoming ubiquitous in California, but in France — where experimentation can often be limited by cultural and economic concerns — they’ve really started to take off in the past few years. “Once you get into natural wines you won’t want anything else,” Perry said. “They are crisper with a stronger sense of fruit; there’s a freshness to natural wines. The character of the grapes and the nature and essence of the terroir are able to come through due to the lack of chemicals used, that can often hide these natural qualities in industrial wines.”

Some experts argue that natural wines are healthier because your liver is spared from processing chemicals and sulfites (which can exacerbate certain allergies and health conditions). Others argue that natural wines are no healthier than industrial wines — and that natural wine-lovers forgive a lot of flaws in flavor and execution, thus drinking inferior wines.

Perry and Blackwell regularly attend natural wine tastings at Parisian restaurants (sometimes their own) and throughout France, where they discover new winemakers or choose which wines to carry from their existing French suppliers.

“We’ve developed strong friendships with almost all the winemakers we work with,” Perry said.

And people are paying attention. According to Perry, French food critics now almost exclusively drink natural wines, leading more and more Parisian restaurants to stock at least a few bottles in hopes of getting good reviews.

“Natural wine is a little bit everywhere,” Perry said. “Whereas before, natural wines in a restaurant were a sure sign that the food you would get would be of high quality, locally sourced and generally cared about, this is no longer the case.”

Perry and Blackwell directed us to the Michelin-star L’Agapé, where dining room manager Shawn Joyeux helped us pick out a wonderful French wine — which just happened to be natural — to accompany our fresh, delicious, prix-fixe seven-course meal.

The wine — a white blend, though colored an unusual dark amber — was unlike any we had ever tasted. When we struggled to come up with a description, and asked if it contained a hint of apple, Joyeux confirmed.

“But it’s like an apple that has ripened on the branch, fallen to the ground, laid there for a few days, and someone picked it up and mashed it between their hands,” Joyeux said.

We were impressed: His colorful description perfectly captured the taste. “The flavor is magnificent,” he said. (Joyeux spoke the truth — although many friends I’ve repeated his description to have recoiled.)

Perry confirmed that there can be a lack of understanding toward unique natural wines. “Customers who are used to industrial wines sometimes have difficulties adjusting their tastes to natural wines that are very different,” she said. “They will sometimes mistake the differences as faults.”

On our last night in Paris, we found L’Etiquette — a wine shop on Ile Saint Louis specializing in organic wines from small French producers. After a quick interrogation regarding our preferences (a crisp white) and exactly when we would be imbibing (post haste), the proprietor was more than happy to help us pick out a natural wine, uncork it, and make us promise to let it breathe for no longer than 10 minutes.

Bottle in hand, we traveled to the Champ de Mars where we joined groups of families, friends, and couples of all ages on picnic blankets in front of the Eiffel Tower. At exactly 10pm, the iconic landmark began to sparkle.

Maybe it was the light show (which repeats hourly between 8pm and 1am), or the happy picnicking families, or, as Perry described, maybe it was “that happy, ‘life’s not so bad’ feeling you get from natural wines.” Whatever the reason, we fell in love with Paris, wine and all.

Southern light

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marke@sfbg.com

FEAST: ITALY There are 22 Caravaggio paintings in southern mainland Italy, and we were determined to feast our eyes on every last one of them this past May. (We got up all the way up to 21: one was on loan to the Dallas Museum of Art.) As important: We would eat and drink a wide path to each painting, leaving no plate unlicked in that famously delicious part of the world. Here are some highlights.

 

ROME

While you’re basically tripping over ancient ruins and gorgeous people everywhere you turn, Rome’s chic bistro and cute street food scene will have your head in the culinary clouds. Several experiences really stood out: relaxing in the super old-school family feel of Trattoria di Carmine (squid casserole, insanely layered eggplant parmagiana, gorgeous citrusy anchovies); wandering through the Jewish ghetto devouring as many traditional fried artichokes as we could; scooping up all the gelato at Giolitti; dropping into the trendy spots of the Pigneto neighborhood (kind of like the Mission, gentrification woes and all); drinking and dancing all night at one of the best clubs I’ve been to, Frutta e Verdura.

But there are three I keep coming back to. One is the fantastic, kind-of-hidden lunch treasure Coso near the Spanish Steps, with its lovely takes on classics like hefty but somehow delicate polpette (meatballs) and cacio e vaniglia (a sweet twist on Rome’s eternal pasta dish, spaghetti with cheese and ground pepper). Another was the almost too-hip, yet still laid-back, scene at Barzilai — how those fashionable scruffy models could eat all that rich, irresistible sfumato de artichoke and asparagus flan, we couldn’t figure. But the top of it all was a trip out to the suburbs to visit the fabled Betto e Mary, which serves pretty much what the gladiators ate, but in a family atmosphere, its walls lined with socialist memorabilia. Here we had a vast assortment of interestingly prepared sweetbreads (thymus in lemon, fried pancreas), pasta sauce with more unfamiliar animal parts, and calf’s brain in a zingy orange tomato sauce. Those gladiators sure loved their organs!

 

NAPLES

Probably my favorite city in the world right now — brimming with chaotic energy, street art, and strange corners and ancient alleyways, which often overflow with music and partying until 4am. The city was bombed heavily in World War II, and it looks like instead of rebuilding all those Renaissance-era monastic buildings and 17th century armories, they just graffitied them with abandon. Pizza, pizza, pizza is what you’ll get here — who’s complaining? — and a lot of bold, full-bodied wines from the surrounding Campagnia region: Taurasi red and Fiano di Avellino and Greco di Tufo whites. Fried balls of dough and zucchini make excellent street bites. Pasta with beans and pan-fried rabbit break up the pizza routine. But perfectly blistered thin-crust pies will make you weep with joy (especially if you’ve spent all day exploring the vast ruins of Pompeii. Hopping, affordable, late-night Pizzeria I Decumani is definitely a top choice.

 

AMALFI COAST

The thin, winding cliff roads of this region are terrifying — but you’ll gladly risk death (preferably on a motorbike) for stunning views of pastel-colored towns sprawling up mountains, imposing 1,000-year-old Saracen towers left over from the coast’s Arab occupiers, and fantastic seafood galore. Every town boasts quaint delights, but my husband and I were really taken with tiny Atrani, with its staircase streets, large clock tower, and main plaza lined with good restaurants. Here we dived into octopus, sardines, squid, every kind of fish imaginable, and bright chartreuse glasses of limoncello liquor alongside the sparkling Mediterranean.

 

MATERA

The sprawling, ancient cave city of Matera, in the central south, is a home base for cucina povera, peasant cooking that serves as some of the best comfort food in the world. Among the moonlit, picturesque stone buildings jutting from their original cave bases, warm dining spots serve orecchiette (ear-shaped pasta) or cavatelli (rolled up orecchiette) cooked with the region’s leafy species of broccoli rabe and sprinkled with lard-fried breadcrumbs. Sometimes they drown the whole plate in melted mozzarella. Paired with a local primitivo wine — the Basilicata region has been producing grapes since 1300 BC — it’s pure hog heaven. “You will never have orecchiette as good as this,” said our waiter at incredible neighborhood favorite Trattoria Due Sassi as he dropped off a giant bowl to share. Why? “Because my mother makes it.”

 

TRANI

Trani is a seaside resort town on the east coast with some serious maritime history, and a cathedral — Cattedrale di San Nicola Pellegrino — that dates back to the fourth century. When we were there, it was windy and cold. No beach weekend for us, but we took necessary solace in a magical little wine shop called Enoteca de Toma Mauro. Octogenarian owner Francesco was a perfect guide to the wines of Lucania, Salento, and Puglia (the heel of Italy’s boot) in general. He also carried some killer Amaro, the favored digestif of the region — herbal and bittersweet, but with an exceptionally smooth finish, I couldn’t get enough of it. *

 

Mezcal: Mexico In a Bottle fest sets high bar for mezcal lovers

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When it comes to tasting mezcal, the experts have some generally accepted rules. Chief among them is that “you should never taste more than four together,” cautioned Oaxaca’s Graciela Carreño of Mezcal Real Minero at the Mezcal: Mexico In a Bottle event, held at Public Works, Sept. 14. It’s usually good advice: With the spirit’s alcohol content regularly topping 50 percent ABV, and its flavor components so nuanced yet so varied from one bottle to the next, it can be hard to distinguish mezcal’s finer points when your tastebuds are aflame with intense spice, smoke, and minerality.

But when you’re staring down nearly 20 of the world’s absolute best mezcal brands in one room, each of which has at least three or four different offerings on hand (if not plenty more), heeding that first caveat is a patent impossibility.

Events like Mexico In a Bottle are not everyday happenings in the US, so for mezcal aficionados and fans, this was something of a paradise. It wasn’t until the next day that I could even hazard a guess as to how many different mezcals I tasted over the course of those four hours, but it’s somewhere in the neighborhood of 40. I, naturally, was not the only one on such a course.

At a table helmed by Arik Torren of Fidencio Mezcal and Esteban Morales, who was properly introducing La Venenosa Raicilla to the US for the first time that night, there were no fewer than 13 expressions to taste — from basic espadín to pechuga distilled with fruits and raw chicken breast to wild-grown madrecuixe to single-distilled Jaliscan raicilla that started off with an almost cheese-like scent before moving into sweeter flavors. All of them were sublime.

Another bit of advice? Mezcal should be “kissed,” rather than drank, but when one considers the blood, sweat, and centuries of callouses that mark these magical hand-made elixirs’ travels from Mexican hillsides to our mouths in a club off of Mission Street, spitting or pouring out your leftovers seems at least guilt-inducing, if not downright shameful. You can see where this is going: No matter how little you kiss, there’s a good chance you leave feeling pretty fucked up.

That wasn’t, of course, the first order of business. It was to simply explore the plentitude of offerings — the explosively tasty spirits from relative newcomers like Mezcal Tosba, La Niña Del Mezcal, and El Jolgorio to the more widely distributed Del Maguey and Mezcal Vago brands. Local restaurants such as Sabrosa, Tamarindo, Loló, and La Urbana also created special mezcal-based cocktails for the celebration, and paired them with small bites.

Upstairs, Max Garrone (who, along with his Mezcalistas.com co-author, Susan Coss, organized the event) hosted a panel discussion with Morales and Wahaka Mezcal’s Raza Zaidi on the history and culture of the spirit, and others like Carreño, Montelobos creator Iván Saldaña, and writer John McEvoy (aka the Mezcal PhD) walked guests through guided tastings. As the evening progressed, and more folks willfully discarded any recommendations of restraint, those informative tastings became less and less formal, to the point where the crowds’ attention was even a little hard to corral — which made for even livelier and more interactive samplings.

Of course, one of the most exciting elements of an event like this is getting your lips on super-unique bottlings heretofore unknown and unavailable in the US. Along with La Venenosa’s debut, Wahaka also premiered its soon-to-be-released line of vegan pechuga mezcals, which involves placing a bag of herbs (Espadín Botaniko) or heirloom apples (Espadín Manzanita) in the still during the spirit’s second distillation.

Mexico City’s Erick Rodriguez, who is known as the Indiana Jones of Mezcal, because of his extreme forays out into the mountains and pueblos in search of the rarest of the rare, also presented a few gems that he sourced for the Oaxaca-based brand/tasting room Mezcaloteca, along with some from his own Almamezcalera line. Due to their extremely small runs and primitive production methods — which can include wild-harvesting and hand-mashing the agave, and fermenting it in leather sacks or hollowed-out tree trunks — many of the mezcals he finds will forever remain in the collectors-only realm, but damn, they’ve got character.

While pondering the larger issues surrounding this oft-misunderstood and mistreated spirit was a big part of why people came to Mezcal: Mexico In a Bottle, it was also, of course, to celebrate its legacy, its cultural importance, and its vibrancy. Mezcal has inspired a cult-like following that only seems to be growing, and while it may be at a crossroads in terms of its sustainability, it’s clearly got a huge support network that has spread well beyond the borders of Oaxaca to points all around the world– one of the biggest of which is, without a doubt, San Francisco. As some of the brand reps echoed during one panel, with an increase in consumer awareness like we’re seeing, there is hope for mezcal despite its current socio-economic challenges. And events like this one can only help.

Under fire

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culture@sfbg.com

FOOD AND DRINK If you’ve ever tasted a fine mezcal, you know it’s a special thing. Bright, complex, spicy, smooth, smoky, minerally — mezcal is a spirit bursting with character. So it’s no wonder that after more than four centuries of distillation, it’s picked up its share of catchphrases. “Para todo mal, mezcal; para todo bien, también.” (For everything bad, mezcal; for everything good, the same.”) “Sip it, don’t shoot it.” “You don’t find mezcal; mezcal finds you.”

Mezcal seems to be finding a lot of people these days. In San Francisco, restaurants like Loló, La Urbana, and Nopalito — even Magnolia’s Smokestack, a brewery and BBQ spot — have lengthy lists of some of the world’s best mezcals, while cocktail bars would be hard-pressed to not have at least one mezcal drink on the menu. “It’s slow food, made the artisanal way, the way it’s always been made,” says Judah Kuper, a Coloradan who runs the brand Mezcal Vago with his friend and his father-in-law in Oaxaca, the southern Mexican state in which the bulk of all mezcal is made.

Produced in the traditional manner, the way Kuper’s fifth-generation maestro mezcalero father-in-law makes it, mezcal is an expression of true beauty—its basic ingredients quite literally earth, fire, and water. A predecessor to tequila (which is technically a type of mezcal, with its own protected denomination of origin), mezcal is essentially any distillate of the agave plant — although it can only be labeled as such if it’s made in one of eight designated Mexican states.

Its makers (mezcaleros) hand-harvest the heart (piña) of the agave (maguey, as it’s more commonly known in Mexico), roast it underground in earthen pits, crush it by hand or with a beast-drawn millstone, ferment its fibers and juices in wooden vats with airborne yeasts and water, and distill it in clay or copper stills, where it eventually drips off at about 45-55 percent alcohol by volume. These farmyard palenques are small operations, and many of their mezcaleros produce only a few hundred liters per year, making for a very unique and rare product, each batch different from the last.

Today, you can still buy extremely complex, completely organic, artisanally crafted mezcal on the roadside in Oaxaca for a few dollars a bottle. But that may not last forever.

 

GROWING PAINS

San Francisco’s Raza Zaidi has only been selling his Wahaka Mezcal brand since 2010, yet he’s seen his sales double year over year, and now he can hardly keep up with the demand. His spirits come in at an easier-to-imbibe 40-42 percent alcohol, making them a smooth entry point for those just dipping their toes into the mezcal world, but they still handily hold their own against the more potent stuff.

In the next year, he expects to ship about 32,000 bottles of five different types of mezcal from Wahaka’s palenque in San Dionisio Ocotepec, Oaxaca, all overseen by one maestro mezcalero, an equal partner in the company, who also grows all of his own maguey. Demand outpacing supply is a good problem for any business to have, but Zaidi is concerned nonetheless.

“There’s definitely [an agave] crisis right now. So at the end of this year, we’re going to have to buy from other farmers,” he admits. “The demand and growth was way larger than we expected.”

Mezcal is artisanal by nature, so it isn’t easy scale up. Agave — even its most common, cultivatable espadín variety — needs a minimum of seven years to mature. Some wild species can take upwards of 25 years to ripen, and their management and harvest-rights allocation usually fall to the tiny rural communities on whose property those plants lie.

Over centuries, mezcal’s legacy has been sustainably built around a spiritual and ecological balance of only harvesting what you need, when you need it (for weddings, festivals, funerals, the todo bien and the todo mal) — not for industrial production. But that hasn’t stopped large-scale spirits companies from trying. Bacardi just added Zignum, Oaxaca’s biggest factory producer of mezcal, to its distribution portfolio. Jose Cuervo is rumored to be following suit. And if that doesn’t sound bad enough, Toby Keith (who presumably didn’t get the “sip it, don’t shoot it” memo) has his own mezcal brand called Wild Shot, whose marketing team frequently employs the hashtag #BLAMEITONTHEWORM.

 

THIRSTY FOR MAGUEY

Drive through the mountains an hour or two outside of Oaxaca City, and you wouldn’t know that an agave shortage is afoot. Agave is seemingly everywhere — lining the roads in clusters, poking out of craggy hillsides, and planted row upon row in fields. But people on the ground there tell a different story.

My tour guide described how each week more and more trucks from the country’s tequila-producing region have been coming down and carting away whatever maguey they can get their hands on, no matter the type or age. This practice not only defies tequila’s own rules and legal standards for production (that it only be made from blue Weber agave, and that it’s grown in Jalisco and some small areas of nearby states), it ravages many Oaxacans’ livelihoods and taxes the region’s immensely complex ecosystem, maybe irrevocably so.

Mezcal’s uptick in popularity isn’t insignificant to its own future, by any means, but the spirit only represents a one percent drip in the still of tequila’s massive 300 million-liter-per-year output. And last year China lifted its ban on tequila importation, spurring even more demand for the mystical maguey.

On a recent trip to visit his uncle, Salomon Rey Rodriguez, who employs an ancestral method of hand-mashing agave and distilling in small clay pots, Kuper noted, “I came around the corner and saw a whole mountainside of agave that had been wiped out by Jalisco the day before. The agave wasn’t even ripe, and that hillside represented what would have been five years of work for Tío Rey.”

While mezcal has made huge strides to shed its reputation as tequila’s “poor country cousin,” in the socio-political sense it still is. Oaxaca is one of Mexico’s poorest states, and the agave shortfall is pitting farmers and mezcaleros against themselves and their communities, forcing them to choose between selling off their agave to tequileros long before it should be harvested or letting their families go hungry.

“There is a nest of issues that boil down to the question of whether Mexico wants to copy the industrialized tequila industry or foster the growth of an industry and product line that expresses the diversity of the agriculture at its base, the many different ideas of the people making the mezcal, and provides a living to a wide swath of society,” says Max Garrone, who co-authors a blog called Mezcalistas with Susan Coss. On Sun/14 at Public Works, Garrone and Coss will host Mezcal: Mexico in a Bottle, which will serve as a tasting extravaganza and summit for all matters mezcal.

“We try to tell [mezcal’s] story on several levels,” says Coss, “How it is produced, the stories of the people producing it, what issues there are impacting the industry — all in the hope to get people to love mezcal and everything it stands for as much as we do.”

 

MEZCAL AT A CROSSROADS

So what can be done to combat the crisis? Reforestation seems like an obvious place to start. Wahaka not only bought a plot of land for that purpose, but also started a nonprofit, Fundación Agaves Silvestres (Foundation for Wild Agave), to further the cause. “Our philosophy is, if we’re taking away from the land, then let’s give back,” says Zaidi, who’ll be both pouring his mezcal and speaking about the spirit’s history on one of many panels at Mexico in a Bottle. Wahaka grows its typically wild madrecuixe and tobalá varieties from seed, and after a couple of years, replants them in the mountains during the rainy season, in accordance with the strict environmental conditions under which these plants naturally flourish.

“What this comes down to is supporting the artisanal producers,” says Rachel Glueck, a former San Francisco resident and Nopa employee, who is in the process of starting a socially conscious mezcal brand with her husband in Mexico. “Finding a way to help these small mezcaleros register their product and sell it would be huge, because if they’re doing that, then they’re not going to feel like they need to sell their maguey to these industrial companies to make some money.”

Mezcal is really at a crossroads, she says. “Tequila was originally an artisanal product, but it became industrialized, and you look at the quality of tequila — it’s mono-cropped, it’s full of pesticides, it’s cloned from clones of clones of clones, and now the agave is really weak.”

But for all of these artisanal producers, there’s still a kernel of hope when it comes to building a new model for mezcal’s sustainability. “We’re kind of fortunate to have the tequila industry to study,” says Kuper. “But at the same time, never have consumers been more aware of what they’re putting in their bodies and where it comes from.”

Mezcal: Mexico In a Bottle Sun/14, 3pm-7pm, $60. Public Works, 161 Erie, SF. www.publicsf.com

 

Events: September 10 – 16, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 10

Lan Cao Mechanics’ Institute, 57 Post, SF; www.milibrary.org. 6pm, $15. The author shares her novel, The Lotus and the Storm, about a Vietnamese American family during and after the Vietnam War.

Gillian Conoley City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The author discusses Thousand Times Broken, her new translation of three Henri Michaux works, with a presentation of the original art displayed in the book.

James Ellroy Commonwealth Club, 595 Market, SF; www.commonwealthclub.org. 6pm, $7-20. The acclaimed crime novelist (LA Confidential, The Black Dahlia) discusses his long career and latest work, Perfidia.

Carl Russo Green Apple Books, 506 Clement, SF; www.greenapplebooks.com. 7pm, free. The author shares The Sicilian Mafia: A True Crime Travel Guide.

THURSDAY 11

Samuel Fromartz Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The journalist-turned-baker discusses his new book, In Search of the Perfect Loaf: A Home Baker’s Odyssey.

FRIDAY 12

Tanya Holland Books Inc, 1344 Park, Alameda; www.booksinc.net. 7pm, free. The chef, Food Network personality, and author launches her new cookbook, Brown Sugar Kitchen: New-Style, Down-Home Recipes from Sweet West Oakland.

SATURDAY 13

Bay Area Free Book Exchange’s Fifth Anniversary Free Book Blowout Bay Area Free Book Exchange, 10520 San Pablo, El Cerrito; www.bayareafreecookexchange.com. 9am-6pm, free. Through Sun/14. Celebrate five years of free books at this anniversary party, and take home some new reading material of your own from the Bay Area Free Book Exchange’s shelves. Or, go one more step and bring some old books (as well as CD and DVDs!) to donate and share with others.

Ghirardelli Chocolate Festival Ghirardelli Square, 900 North Point, SF; ghirardelli.com/chocolatefestival. Noon-5pm, $20-40. Through Sun/14. Help raise money for Project Open Hand and satisfy your sweet tooth at this 19th annual dessert and wine fiesta. In addition to offering samples of gourmet goodies from over 50 vendors, Ghirardelli hosts chef demos, a silent auction, a “Chocolate School” (learn about chocolate-making!), and the ever-popular hands-free sundae-eating contest.

Sea Music Festival San Francisco Maritime National Historic Park, Hyde Street Pier, SF; www.nps.gov/safr/planyourvisit/seamusicfestival2014.htm. 9am-5pm; evening chantey sing, 7:30-9:30pm. Outdoor performances free; admission to historic ships $5 (kids 15 and under with adult supervision, free). Learn about maritime history through music at this all-day fest of traditional and contemporary songs, instrumentals, and dances. The Sea Music Concert Series continues aboard the Balclutha Sept 20, Oct 25, and Nov 25 ($12-14 or a season ticket, $36).

“Tour de Fat” Lindley Meadow, Golden Gate Park, SF; www.newbelgium.com. 10am-5pm, free (beer, $5; donations for nonprofits accepted). “Bikes, beer, and bemusement” highlight this annual outdoor party, with a costumed bike parade, beer-brewing activities, yo-yo performers, a dance contest (winner gets a new cruiser!), and headliner Reggie Watts.

SUNDAY 14

John Jung Eastwind Books of Berkeley, 2066 University, Berk; www.asiabookcenter.com. 3pm, free. The author presents two works: Chinese Laundries: Tickets to Survival on Gold Mountain and Sweet and Sour: Life in Chinese Family Restaurants.

Sunday Streets: Western Addition Fillmore between Geary and Fulton; Fulton between Fillmore and Baker, SF; www.sundaystreetssf.com. 11am-4pm, free. What traffic? Explore the neighborhood (including breezy, hilly Alamo Square) on foot or bike.

Urban Air Market Hayes Valley, Hayes and Octavia, SF; www.urbanairmarket.com. 11am-6pm, free. Over 130 emerging and established designers share their wares at this outdoor community market. Also: food trucks and live music.

“Writers with Drinks” Make-Out Room, 3225 22nd St, SF; www.writerswithdrinks.com. 7:30pm, $5-20. With Evan Lepucki, Robin Sloan, Lenelle Moïse, Annelyse Gelman, Cecil Castellucci, and Christina Nichol.

TUESDAY 16

Courtney Moreno Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. As part of the “New Voices, New Stories” series, the author shares her first novel, In Case of Emergency. *

 

Feasting on flacks

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culture@sfbg.com

THE WEEKNIGHTER Sometimes it happens. PR companies take me out, feed me, and get me boozed up. All with the hope that I will write about the place that’s feeding/boozing me. Sometimes I write about the place, sometimes I don’t. I make no promises other than I promise to consume the food and booze that’s put in front of me. I imagine I’ve had worse lifetimes, but I wouldn’t know.

This time Natalie was taking me to Chaya (132 Embarcadero, SF, (415) 777-8688) on the PR company’s dime. Sitting on the Embarcadero with staggering views of the bay, Chaya is absolutely lovely. Come at sunset to see the lights twinkle on the Emperor Norton Bridge and sit down to a romantic dinner of incredible French-Japanese fusion.

In fact, if I’m not mistaken, Chaya was one of the first places doing “fusion” back before that was a beaten and tired word in the culinary world. That’s because Chaya has been around in SF for 14 years, which is a remarkable feat in any town, but nearly magical in San Francisco. The thing is, 14 years ain’t shit compared to the fact that the family that owns the Chaya has been in the hospitality business for almost 400 years.

According to the thing Natalie just sent me (since I neglected to take notes): Chaya has an unprecedented 390-year history of restaurants owned and operated by the same Tsunoda family both in Japan and California. Chaya began under an enormous shade tree in Hayama, Japan, centuries ago, where it offered tea, sweets, and respite to weary horseback travelers.

As they say in Japan: that shit cray.

Sitting down in the back area with Natalie and Matthew, Chaya’s marketing manager, I was told about the restaurant’s all-night happy hour, which happens every day. Chaya has long been an after work staple for the well-heeled, so it only made sense to extend the length of happy hour to keep those with well-coiffed hair quaffing well-made drinks.

Then the food came out and it was glorious. I don’t remember exactly what we ate, but there was a lot of it and it was brilliant and made my mouth happy. Matthew was excited to have me eat the Temari-style sushi, which is little round balls of rice topped with fish so fresh you can almost taste their souls. If fish had souls, that is. More food followed, as did drinks with whimsical names and suddenly, somehow, I was full and drunk. Life was good.

Natalie and Matthew began telling me about something called the Kaisen platter, which is a full selection of various raw seafood meant to be shared. “That sounds amazing,” I said, “but if you actually bring that out here right now, I may cry.” I had made the mistake of saying that I would eat and drink anything they put in front of me, and the clever bastards had the balls to call my bluff. Every man has his limits and I had found mine.

It was the golden hour when I finally toppled out of Chaya. The buildings were shimmering like pyrite and by the time I made it to Market, the street had a pinkish hue.

“I think I’m gonna walk home,” I told Natalie. “If you don’t hear from me, it’s because I ruptured something and died on the way home.”

I didn’t die.

Tenderloin upstart Book & Job aims to level the art-gallery playing field

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Carson Lancaster is tired of the bullshit. He’s tired of watching the same handful of mainstream galleries hang the same artists and shun a majority of San Francisco’s young, talented artists. “It’s like that scene in Scanners. You know, the one where the guy’s head explodes? That’s what it feels like every time I walk into one of those places,” he said.

Lancaster is the owner of Book & Job, an art gallery that seeks to do exactly the opposite: make San Francisco’s art market accessible to both artists and consumers. Located on Geary and Hyde Streets, Book & Job blends into the grit of the Tenderloin and in no way resembles the blue-chip megaliths huddled toward Union Square. The space is tiny. There’s no team of attractive sales people standing at the entrance, no bubbly event photographers milling around, no tuxedos, and no free champagne.

However, it isn’t uncommon to see a small throng of young people spilling from the entrance on a given Saturday night, or passers-by (likely coming from galleries down the street) stopping in their tracks to gander at the commotion — looking for something, anything, that slightly resembles uncharted territory: candid photographs from inside of a ramshackle San Francisco mosque, say, or a couple of naked male performers feeding each other wedding cake while dancing to Celine Dion. That, Lancaster feels, is an art scene.

Which is why Lancaster is all ears if an artist wants to show work at Book & Job. Though it began mainly for photographers, in the past couple of years the small gallery has broadened its horizons to include just about anything — paintings, zines, and performances. “People come in all the time and say, ‘I like this place because it’s pure, because it’s real, because it’s no bullshit,” he continued. “It’s known in the community as the no bullshit gallery.”

Sat/13, Lancaster’s walls will feature work from an analog photography club called Find Rangers, which sent out an open call to artists around the world. Lancaster and a group of colleagues started the club for many of the same reasons he opened his gallery. “It’s a grassroots affair,” he said. 

As a former photography student at Academy of Art University, Lancaster wondered why many of the best students would flee San Francisco after graduating, but he eventually came to a realization: “The San Francisco art scene sucks. It is very close-minded, unfriendly, not open to interpretation, set in the same ways. And for young artists at CCA [California College of the Arts], SFAI [San Francisco Art Institute], and Academy of Art, to go to an art gallery in the city [and inquire about showing their work], they’re going to be told to go fuck themselves in so many words.”

Lancaster spoke of a disconnect between San Francisco’s relatively insular gallery scene and the high number of art students in the area. From 2002 to 2012, San Francisco received more art funding per capita than any another city in the nation, according to a 2014 study released by the Cultural Policy Center at the University of Chicago. And yet, the city’s abundance of talented artists cannot break in and are thus forced to seek greener pastures, usually in New York or Los Angeles.

Lancaster believes that this is largely because art galleries in San Francisco have tight business models, and that giving artists a chance just doesn’t allow them to stay afloat. These galleries, he said, would rather show artists they know can sell. “They have their roster of artists,” he explained. “December is Ferris Plock, or September is Jay Howell or Mike Giant, and it’s the same names over and over again. It’s more like a meat factory. It’s the meat aisle.”

This is especially prevalent nowadays, Lancaster explained, as many of the higher-end galleries are struggling themselves with out-of-control rents and the city’s shifting cultural values. In the past year, particularly downtown, a rash of galleries have either relocated or completely shuttered.

But Lancaster isn’t worried about Book & Job. His lease is written such that his rent stays fixed — and relatively low — until 2022. For next eight years, Book & Job cannot be priced out, even as the neighborhood continues to transform around it. “This is place is blowing up,” he said, pointing out the new cafés and restaurants that are now sprouting up around the Tenderloin. All the same, in the coming years Book & Job will serve as a small preservation of what remains of city’s DIY ethos, a channel through which local artists can be discovered without having to flee the city. 

“It’s a really nervy thing to do,” Sarah Barsness, one of Lancaster’s former Academy of Art teachers, says of the gallery. She explained that it’s extremely difficult to open a successful art gallery in the city, let alone one as “subversive” as Book & Job. “He’s doing the thing that you’re never supposed to do, which is having a lot of work that he sells for nothing, and spreading it out to a different, broader population — younger people and fellow students,” she explained. 

She even compared Lancaster to Andy Warhol and other pioneers of the pop art movement, who sought to strip art of its “preciousness” and “elitism” by selling prints for pennies on the dollar. Ultimately, Barsness explained, this made art more democratic. “It’s really important right now because we’re at a high point of elitists,” she said. “It’s over the top.”

By making art more democratic, she explained, galleries like Book & Job “bring artists back into the conversation,” making art more about art and less about business. But Barsness believes many San Francisco galleries have always operated this way. “San Francisco collectors are notorious for not buying San Francisco art,” she said, explaining that galleries have had to survive by bringing in work from other cities. 

While Barsness feels that the economic cards are not stacked in Lancaster’s favor, she feels that Book & Job embodies much of what art stands for. “Art is not supposed to preach. It’s supposed to show you an alternative way of thinking, so that questions emerge,” she said. “[Book & Job] is a little work of art, in that sense, making you ask: Do galleries have to operate this way? Is it wrong to have galleries operate this way? And why is it wrong?”

For Lancaster, however, Book & Job’s place in the art world isn’t so much subversive as it is deeply personal. In March, Lancaster found his close friend, renowned San Francisco artist Shawn Whisenant, dead from a health issue in the back room of the gallery, where he had been sleeping. Whisenant was a San Francisco street artist and photographer and one of the last “true” San Francisco artists, according to KQED’s Kristin Farr, who remembered him fondly after his passing.

And for Lancaster, Whisenant’s artistic ethos of “no B.S.” will always shape how Book & Job is run. A day doesn’t go by in which Lancaster doesn’t think about what Whisenant would have done. “He’s the angel and devil on my shoulder,” he said.

The room in which Whisenant died has been converted into a dark room, and for now Lancaster plans to share it with other like-minded photographers and use it to hone his own skills. “If someone is checking their phone and they see my open call [for a Find Rangers Camera Club exhibit], and they dust off their camera and buy a roll of film, I’m doing something right,” he said. “That’s not just me selling a booklet to help pay rent, that’s helping someone’s creativity … and that’s really cool.”

Find Rangers Camera Club exhibit

Sat/13, 7-11pm

Book & Job Gallery

838 Geary, SF

www.book-job.com

Tom’s legacy

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steve@sfbg.com

At a moment when San Francisco politics has slid toward the slippery center — when one-time progressives align with business elites, the political rhetoric seems hollow, and the vaunted value of “civility” in City Hall increasingly looks more like a deceptive power grab by the Mayor’s Office — it feels so refreshing to talk with Tom Ammiano.

For one thing, he’s hilarious, always quick with quips that are not only funny, but often funny in insightful ways that distill complex issues down to their essence, delivered with his distinctive nasally honk and lightning timing. Ammiano developed as a stand-up comedian and political leader simultaneously, and the two professional sides feed off each other, alternatively manifesting in disarming mirth or penetrating bite.

But his humor isn’t the main reason why Ammiano — a 72-year-old state legislator, two-time mayoral candidate, and former supervisor and school board member — has become such a beloved figure on the left of state and local politics, or why so many progressives are sad to see him leaving the California Assembly and elected office this year for the first time since 1990.

No, perhaps the biggest reason why public esteem for Ammiano has been strong and rising — particularly among progressives, but also among those of all ideological stripes who decry the closed-door dealmaking that dominates City Hall and the State Capitol these days — is his political integrity and courage. Everyone knows where Tom Ammiano will stand on almost any issue: with the powerless over the powerful.

“Don’t make it about yourself, make it about what you believe in,” Ammiano told us, describing his approach to politics and his advice to up-and-coming politicians.

Ammiano’s positions derive from his progressive political values, which were informed by his working class upbringing, first-hand observations of the limits of American militarism, publicly coming out as a gay teacher at time when that was a risky decision, standing with immigrants and women at important political moments, and steadily enduring well-funded attacks as he created some of San Francisco’s most defining and enduring political reforms, from domestic partner benefits and key political reforms to universal health care.

“He has been able to remain true to his values and principles of the progressive movement while making significant legislative accomplishments happen on a number of fronts,” Sup. David Campos, who replaced Ammiano on the Board of Supervisors and is now his chosen successor in the California Assembly, told the Guardian. “I don’t know that we’ve fully understood the scope of his influence. He has influenced the city more than most San Francisco mayors have.”

So, as we enter the traditional start of fall election season — with its strangely uncontested supervisorial races and only a few significant ballot measures, thanks to insider political manipulations — the Guardian spent some time with Ammiano in San Francisco and in Sacramento, talking about his life and legacy and what can be done to revive the city’s progressive spirit.

 

 

LIFE OF THE CAPITOL

Aug. 20 was a pretty typical day in the State Capitol, perhaps a bit more relaxed than usual given that most of the agenda was concurrence votes by the full Senate and Assembly on bills they had already approved once before being amended by the other house.

Still, lobbyists packed the hall outside the Assembly Chambers, hoping to exert some last minute influence before the legislative session ended (most don’t bother with Ammiano, whose name is on a short list, posted in the hall by the Assembly Sergeant-at-Arms, of legislators who don’t accept business cards from lobbyists).

One of the bills up for approval that day was Ammiano’s Assembly Bill 2344, the Modern Family Act, which in many ways signals how far California has come since the mid-’70s, when Ammiano was an openly gay schoolteacher and progressive political activist working with then-Sup. Harvey Milk to defeat the homophobic Briggs Initiative.

The Modern Family Act updates and clarifies the laws governing same-sex married couples and domestic partners who adopt children or use surrogates, standardizing the rights and responsibilities of all parties involved. “With a few simple changes, we can help families thrive without needless legal battles or expensive court actions,” Ammiano said in a press statement publicizing the bill.

Ammiano arrived in his office around 10am, an hour before the session began, carrying a large plaque commending him for his legislative service, given to outgoing legislators during a breakfast program. “Something else I don’t need,” Ammiano said, setting the plaque down on a table in his wood-paneled office. “I wonder if there’s a black market for this shit.”

Before going over the day’s legislative agenda, Ammiano chatted with his Press Secretary Carlos Alcala about an editorial in that morning’s San Francisco Chronicle, “Abuse of disabled-parking program demands legislators act,” which criticized Ammiano for seeking minor changes in a city plan to start charging for disabled placards before he would sponsor legislation to implement it. The editorial even snidely linked Ammiano to disgraced Sen. Leland Yee, who is suspended and has nothing to do with the issue.

“I’ve had these tussles with the Chronicle from day one. They just want people to be angry with me,” Ammiano told us. “You stand up for anything progressive and they treat you like a piñata.”

He thought the criticism was ridiculous — telling Alcala, “If we do a response letter, using the words puerile and immature would be good” — and that it has as much to do with denigrating Ammiano, and thus Campos and other progressives, as the issue at hand.

“Anything that gets people mad at me hurts him,” Ammiano told us.

But it’s awfully hard to be mad at Tom Ammiano. Even those on the opposite side of the political fence from him and who clash with him on the issues or who have been subjected to his caustic barbs grudgingly admit a respect and admiration for Ammiano, even Lt. Gov. Gavin Newsom, who told the Guardian as much when we ran into him on the streets of Sacramento later that day.

Ammiano says he rarely gets rattled by his critics, or even the handful of death threats that he’s received over the years, including the one that led the San Francisco Police Department to place a protective detail on him during the 1999 mayor’s race.

“You are buoyed by what you do, and that compensates for other feelings you have,” Ammiano said of safety concerns.

Finally ready to prepare for the day’s business, he shouts for his aides in the other room (“the New York intercom,” he quips). The first question is whether he’s going to support a bill sponsored by PG&E’s union to increase incentives for geothermal projects in the state, a jobs bill that most environmental groups opposed.

“That is a terrible bill, it’s total shit, and I’m not going to support it,” Ammiano tells his aide. “It’s a scam.”

As Ammiano continued to prepare for the day’s session, we headed down to the Assembly floor to get ready to cover the action, escorted by Alcala. We asked what he planned to do after Ammiano leaves Sacramento, and Alcala told us that he’ll look at working for another legislator, “but there would probably be a lot more compromises.”

 

 

SPARKING CHANGE

Compromises are part of politics, but Ammiano has shown that the best legislative deals come without compromising one’s political principles. Indeed, some of his most significant accomplishments have involved sticking to his guns and quietly waiting out his critics.

For all the brassy charm of this big personality — who else could publicly confront then-Gov. Arnold Schwarzenegger at a Democratic Party fundraiser in 2009 and tell him to “kiss my gay ass!” — Ammiano has usually done the work in a way that wasn’t showy or self-centered.

By championing the reinstatement of district supervisorial elections and waging an improbable but electrifying write-in campaign for mayor in 1999 (finishing second before losing to incumbent Willie Brown in the runoff election), Ammiano set the stage for progressives to finally win control of the Board of Supervisors in 2000 and keep it for the next eight years, forming an effective counterbalance to Gavin Newsom’s pro-business mayoralty.

“I just did it through intuition,” Ammiano said of his 1999 mayoral run, when he jumped into the race just two weeks before election day. “There was a lot of electricity.”

After he made the runoff, Brown and his allies worked aggressively to keep power, leaning on potential Ammiano supporters, calling on then-President Bill Clinton to campaign for Brown, and even having Jesse Jackson call Ammiano late one night asking him to drop out.

“That’s when we realized Willie really felt threatened by us,” Ammiano said, a fear that was well-founded given that Ammiano’s loss in the runoff election led directly into a slate of progressives elected to the Board of Supervisors the next year. “It was a pyrrhic victory for him because then the board changed.”

But Ammiano didn’t seize the spotlight in those heady years that followed, which often shone on the younger political upstarts in the progressive movement — particularly Chris Daly, Matt Gonzalez, and Aaron Peskin — who were more willing to aggressively wage rhetorical war against Newsom and his downtown constituents.

By the time the 2003 mayor’s race came, Ammiano’s mayoral campaign became eclipsed by Gonzalez jumping into the race at the last minute, a Green Party candidate whose outsider credentials contrasted sharply with Newsom’s insider inevitability, coming within 5 percentage points of winning.

“I just bounced back and we did a lot of good shit after that,” Ammiano said, noting how district elections were conducive to his approach to politics. “It helped the way I wanted to govern, with the focus on the neighborhoods instead of the boys downtown.”

Perhaps Ammiano’s greatest legislative victory as a supervisor was his Health Care Security Ordinance, which required employers in San Francisco to provide health coverage for their employees and created the Healthy San Francisco program to help deliver affordable care to all San Franciscans.

The business community went ballistic when Ammiano proposed the measure in 2006, waging an aggressive lobbying and legal campaign to thwart the ordinance. But Ammiano just quietly took the heat, refused to compromise, and steadily lined up support from labor, public health officials, and other groups that were key to its passage.

“Maybe the early days of being a pinata inured me,” Ammiano said of his ability to withstand the onslaught from the business community for so long, recalling that in his 1999 school board race, “I really became a pinata. I got it in the morning from the Chronicle and in the afternoon from the Examiner.”

Ammiano kept Newsom apprised of his intentions and resolve, resisting entreaties to water down the legislation. “I kept talking to him and I told him I was going to do it,” Ammiano said. “Eventually, we got a 11 to zip vote and Newsom couldn’t do anything about it. That was a great journey.”

In the end, Newsom not only supported the measure, but he tried to claim Ammiano’s victory as his own, citing the vague promise he had made in his 2007 State of the City speech to try to provide universal health care in the city and his willingness to fund the program in his 2007-08 budget.

But Ammiano was happy with the policy victory and didn’t quibble publicly with Newsom about credit. “I picked my battles,” Ammiano said, contrasting his approach to Newsom with that of his more fiery progressive colleagues. “I tried to go after him on policy, not personality.”

Ammiano isn’t happy with the political turn that San Francisco has taken since he headed to Sacramento, with the pro-business, fiscally conservative faction of the city controlling the Mayor’s Office and exerting a big influence on the Board of Supervisors. But San Francisco’s elder statesman takes the long view. “Today, the board has a moderate trajectory that can be annoying, but I think it’s temporary,” Ammiano said. “These things are cyclical.”

He acknowledges that things can seem to a little bleak to progressives right now: “They’re feeling somewhat marginalized, but I don’t think it’s going to stay that way.”

 

FLOOR SHOW

Back on the Assembly floor, Ammiano was working the room, hamming it up with legislative colleagues and being the first of many legislators to rub elbows and get photos taken with visiting celebrities Carl Weathers, Daniel Stern, and Ron Perlman, who were there to support film-credit legislation

“Ron Perlman, wow, Sons of Anarchy,” Ammiano told us afterward, relating his conversation with Perlman. “I said, ‘They killed you, but you live on Netflix.’ I told him I was big fan. Even the progressives come here for the tax breaks.”

When Little Hoover Commission Chair Pedro Nava, who used to represent Santa Barbara in the Assembly, stopped to pose with Ammiano for the Guardian’s photographer, the famously liberal Ammiano quipped, “You’ll get him in trouble in Santa Barbara. Drill, baby, drill!”

Ammiano chairs the Assembly Public Safety Committee, where he has successfully pushed prison reform legislation and helped derail the worst tough-on-crime bills pushed by conservatives. “We have a lot of fun, and we get a chance to talk about all these bills that come before us,” Bob Wieckowski (D-Fremont), who chairs the Judiciary Committee, told the Guardian when asked about Ammiano. “You can see how these bad bills get less bad.”

Ammiano gave a short speech when his Modern Family Act came up for a vote, noting that it “simplifies the law around these procedures,” before the Assembly voted 57-2 to send it to the governor’s desk, where he has until Sept. 30 to act on it. “I think he’ll sign it,” Ammiano told the Guardian, “even though it’s about reproduction and naughty bits.”

“He’s a hoot,” Assemblymember Reggie Jones-Sawyer (D-Los Angeles) said of Ammiano, whose desk is right behind his own. Jones-Sawyer said that he’d love to see Ammiano run for mayor of San Francisco, “but he’s waiting for a groundswell of support. Hopefully the progressives come together.”

Jones-Sawyer said Ammiano plays an important role as the conscience of a Legislature that too often caters to established interests.

“There’s liberal, progressive, socialist, communist, and then there’s Tom,” Jones said. “As far left as you can go, there’s Tom, and that’s what we’re going to miss.”

Yet despite that strong progressive reputation, Ammiano has also been an amazingly effective legislator (something that might surprise those supporting the campaign of David Chiu, which has repeatedly claimed that ideological progressives like Ammiano and Campos can’t “get things done” in Sacramento).

Last year, Ammiano got 13 bills through the Legislature — including three hugely controversial ones: the TRUST Act, which curbs local cooperation with federal immigration holds; the Domestic Workers Bill of Rights; and a bill protecting transgender student rights in schools, which was savaged by conservative religious groups — all of which were signed into law by Gov. Jerry Brown.

“A lot of it is personal relationships, some is timing, and some is just sticking to it,” Ammiano said of effectiveness.

Some of his legislative accomplishments have required multiyear efforts, such as the Domestic Workers Bill of Rights, which was vetoed in 2012 before being signed into law last year with only a few significant changes (see “Do we care?” 3/26/13).

“Tom Ammiano was so incredible to work with,” Katie Joaquin, campaign coordinator for the California Domestic Workers Coalition, for whom the bill had long been a top priority, told the Guardian.

The large grassroots coalition backing the bill insisted on being a part of the decision-making as it evolved, which is not always easy to do in the fast-paced Capitol. But Joaquin said Ammiano’s history of working with grassroots activists made him the perfect fit for the consensus-based coalition.

“That’s difficult to do in the legislative process, and working with Tom and his office made that possible,” Joaquin told us. “He wanted to make sure we had active participation in the field from a variety of people who were affected by this.”

When the bill was vetoed by Gov. Brown, who cited paternalistic concerns that better pay and working conditions could translate into fewer jobs for immigrant women who serve as domestic workers, Joaquin said Ammiano was as disappointed as the activists, but he didn’t give up.

“It was really hard. I genuinely felt Tom’s frustration. He was going through the same emotions we were, and it was great that he wanted to go through that with us again,” Joaquin told us. “Sometimes, your allies can get fatigued with the long struggles, but Tom maintained his resolve and kept us going.”

And after it was over, Ammiano even organized the victory party for the coalition and celebrated the key role that activists and their organizing played in making California only the second state in the nation (after New York) to extend basic wage, hour, and working condition protections to nannies, maids, and other domestic workers excluded under federal law.

“He has a great sense of style,” Joaquin said of Ammiano, “and that emanates in how he carries himself.”

 

 

COMING OUT

Ammiano came to San Francisco in 1964, obtaining a master’s degree in special education from San Francisco State University and then going on to teach at Hawthorne Elementary (now known as Cesar Chavez Elementary). He quickly gained an appreciation for the complex array of issues facing the city, which would inform the evolution of his progressive worldview.

“In teaching itself, there were a lot of social justice issues,” Ammiano said. For example, most native Spanish-speakers at the time were simply dumped into special education classes because there wasn’t yet bilingual education in San Francisco schools. “So I turned to the community for help.”

The relationships that he developed in the immigrant community would later help as he worked on declaring San Francisco a sanctuary city as waves of Central American immigrants fled to California to escape US-sponsored proxy wars.

Growing up a Catholic working class kid in New Jersey, Ammiano was no hippie. But he was struck by the brewing war in Vietnam strongly enough that he volunteered to teach there through a Quaker program, International Volunteer Service, working in Saigon from 1966-68 and coming back with a strong aversion to US militarism.

“I came back from Vietnam a whole new person,” he told us. “I had a lot of political awakenings.”

He then worked with veterans injured during the war and began to gravitate toward leftist political groups in San Francisco, but he found that many still weren’t comfortable with his open homosexuality, an identity that he never sought to cover up or apologize for.

“I knew I was gay in utero,” Ammiano said. “I said you have to be comfortable with me being a gay, and it wasn’t easy for some. The left wasn’t that accepting.”

But that began to change in the early ’70s as labor and progressives started to find common cause with the LGBT community, mostly through organizations such as Bay Area Gay Liberation and the Gay Teachers Coalition, a group that Ammiano formed with Hank Wilson and Ron Lanza after Ammiano publicly came out as a gay teacher in 1975.

“He was the first public school teacher to acknowledge that he was a gay man, which was not as easy as it sounds in those days,” former Mayor Art Agnos told us, crediting Ammiano with helping make support for gay rights the default political position that it became in San Francisco.

San Francisco Unified School District still wasn’t supportive of gay teachers, Ammiano said, “So I ran for school board right after the assassinations [of Mayor George Moscone and Sup. Harvey Milk in 1978] and got my ass kicked.”

Shortly thereafter, Ammiano decided to get into stand-up comedy, encouraged by friends and allies who loved his sense of humor. Meanwhile, Ammiano was pushing for SFUSD to name a school after Milk, as it immediately did for Moscone, a quest that dragged on for seven years and which was a central plank in his unsuccessful 1988 run for the school board.

But Ammiano was developing as a public figure, buoyed by his stand-up performances (which he said Chronicle reporters would sometimes attend to gather off-color quotes to use against him in elections) and increased support from the maturing progressive and queer communities.

So when he ran again for school board in 1990, he finished in first place as part of the so-called “lavender sweep,” with LGBT candidates elected to judgeships and lesbians Carole Migden and Roberta Achtenberg elected to the Board of Supervisors.

On the school board, Ammiano helped bring SFUSD into the modern age, including spearheading programs dealing with AIDS education, support for gay students, distribution of condoms in the schools, and limiting recruiting in schools by the homophobic Boy Scouts of America.

“I found out we were paying them to recruit in the schools, but I can’t recruit?” Ammiano said, referencing the oft-raised concern at the time that gay teachers would recruit impressionable young people into homosexuality.

As his first term on the school board ended, a growing community of supporters urged Ammiano to run for the Board of Supervisors, then still a citywide election, and he was elected despite dealing with a devastating personal loss at the time.

“My partner died five days before the election,” Ammiano said as we talked at the bar in Soluna, tearing up at the memory and raising a toast with his gin-and-tonic to his late partner, Tim Curbo, who succumbed to a long struggle with AIDS.

Ammiano poured himself into his work as a supervisor, allied on the left at various points in the mid-late ’90s with Sups. Sue Bierman, Terrence Hallinan, Leland Yee, Mabel Teng, Angelo Alioto, and Carole Migden against the wily and all-powerful then-Mayor Brown, who Ammiano said “manipulated everything.”

But Ammiano gradually began to chip away at that power, often by turning directly to the people and using ballot measures to accomplish reforms such as laws regulating political consultants and campaign contributions and the reinstatement of district supervisorial elections, which decentralized power in the city.

“People frequently say about politicians, when they want to say something favorable, that they never forgot where they came from,” Agnos told us. “With Tom, he never forgot where he came from, and more importantly, he never forgot who he was…He was an authentic and a proud gay man, as proud as Harvey Milk ever was.”

And from that strong foundation of knowing himself, where he came from, and what he believed, Ammiano maintained the courage to stand on his convictions.

“It’s not just political integrity, it’s a reflection of the man himself,” Agnos said, praising Ammiano’s ability to always remain true to himself and let his politics flow from that. “A lot of politicians don’t have the courage, personal or political, to do that.”

 

 

WHAT’S NEXT

Ammiano’s legacy has been clearly established, even if it’s not always appreciated in a city enamored of the shiny and new, from recent arrivals who seem incurious about the city’s political history to the wave of neoliberal politicians who now hold sway in City Hall.

“Tom has carried on the legacy of Harvey Milk of being the movement progressive standard bearer. He has, more than anyone else, moved forward progressive politics in San Francisco in a way that goes beyond him as an individual,” Campos said, citing the return of district elections and his mentoring of young activists as examples. “He brought a number of people into politics that have been impactful in their own right.”

Campos is one of those individuals, endorsed by Ammiano to fill his District 9 seat on the Board of Supervisors from among a competitive field of established progressive candidates. Ammiano says he made the right choice.

“I have been supportive of him as a legislator and I think he’s doing the right things,” Ammiano said of Campos, adding an appreciation for the facts that he’s gay, an immigrant, and a solid progressive. “He’s a three-fer.”

Ammiano said that Campos has been a standout on the Board of Supervisors in recent years, diligently working to protect workers, tenants, and immigrants with successful efforts to increase tenant relocation fees after an eviction and an attempt to close the loophole that allows restaurants to pocket money they’re required to spend on employee health care, which was sabotaged by Chiu and Mayor Lee.

“I like his work ethic. He comes across as mild-mannered, but he’s a tiger,” Ammiano said of Campos. “If you like me, vote for David.”

But what about Ammiano’s own political future?

Ammiano said he’s been too busy lately to really think about what’s next for him (except romantically: Ammiano recently announced his wedding engagement to Carolis Deal, a longtime friend and lover). Ammiano is talking with universities and speakers bureaus about future gigs and he’s thinking about writing a book or doing a one-man show.

“Once I get that settled, I’ll look at the mayor’s race and [Sen. Mark] Leno’s seat,” Ammiano said, holding out hope that his political career will continue.

Ammiano said the city is desperately in need of some strong political leadership right now, something that he isn’t seeing from Mayor Lee, who has mostly been carrying out the agenda of the business leaders, developers, and power brokers who engineered his mayoral appointment in 2011.

“Basically, he’s an administrator and I don’t think he’ll ever be anything but that,” Ammiano said. “We are so fucking ready for a progressive mayor.”

If Ammiano were to become mayor — which seems like a longshot at this point — he says that he would use that position to decentralize power in San Francisco, letting the people and their representatives on the Board of Supervisors have a greater say in the direction of the city and making governance decisions more transparent.

“I don’t believe in a strong mayor [form of government],” Ammiano said. “If I was mayor, all the commission appointments would be shared.”

But before he would decide to run for mayor, Ammiano says that he would need to see a strong groundswell of public support for the values and ideals that he’s represented over nearly a half-century of public life in San Francisco.

“I don’t want to run to be a challenger,” Ammiano said. “I’d want to run to be mayor.”

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Fall fairs and festivals

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Aug. 30

Pilgrim Soul Forge Harvest Fair Pilgrim Soul Forge, 101 West Tower, Alameda; www.grantsforge.com. Noon-6pm, free. Possibly the only fall fair in the Bay Area to offer blacksmithing demonstrations alongside the usual suspects: food trucks, craft vendors, and live music.

Savor Filipino Justin Herman Plaza, Embarcadero at Market, SF; www.savorfilipino.com. 10am-6pm, free (most workshops $15). Try the best in Filipino cuisine at this gathering of chefs and authors, with a huge menu of tasty eats (check it out online) and workshops on vegan Filipino cooking, modern Filipino desserts, and other tasty topics. Plus: live music and traditional dance performances, and a “Dance That Lumpia Off” audience-participation activity.

 

Aug. 30-31

Millbrae Art and Wine Festival 400 Broadway, Millbrae; www.miramarevents.com. 10am-5pm, free. Downtown Millbrae’s annual Mardi Gras-style celebration, with live music, a juried art show, a classic car show, carnival-style rides, and tons of specialty food and drink vendors.

San Francisco Zine Fest SF County Fair Building, 1199 Ninth Ave, SF; www.sfzinefest.org. Aug 30, 11am-5pm; Aug 31, 11am-4pm. Free. Support indie writers, artists, and creators at this annual event, with exhibitions, workshops, book signings, and more. Special guests include Ryan Sands (publishing company Youth in Decline), Tomas Moniz (RAD DAD zine), and illustrator and cartoonist Hellen Jo.

 

Aug. 30-31

SF Bay Brazilian Day and Lavagem Festival Casa de Cultura, 1901 San Pablo, Berk; www.brasarte.com. 11am-7pm, free. Celebrate Brazilian Independence Day with a lavagem (blessing) calling for world peace, plus Brazilian music, food, a “Caipirinha lounge,” and more.

 

Aug. 31

Oakland Pride Uptown Oakl; www.oaklandpride.org. Parade starts at 10:30am, Broadway and 14th St; festival, 11am-7pm, Broadway at 20th Sts. Parade free; festival $5-10. It’s the very first year for the Oakland Pride Parade, while Sheila E headlines the fifth annual festival, billed as the second-largest pride event in NorCal.

 

Sept. 6

SF Mountain Bike Festival McLaren Park, Jerry Garcia Amphitheater, 20 John F. Shelley, SF; sfurbanriders.org/wordpress/sf-mtb-festival. 9am-5pm, free. Register in advance to compete — or just show up to spectate or test your skills in any of the non-competitive categories. Events include a short-track challenge, a 10-mile urban adventure ride, a cargo bike hill climb, a bike skills challenge for youth and families, and more, plus a box jump demo and a bike raffle.

 

Sept. 6-7

Autumn Moon Festival Chinatown, SF; www.moonfestival.org. Grand opening ceremony and parade, Sept 6, 11am; festival, 11am-5pm (dog costume contest, Sept 7, 2:30pm). Free. Cultural performances, an open-air street bazaar, lion dancing, and (new this year!) a dog costume contest highlight this 24th annual celebration of the Asian holiday.

Mountain View Art and Wine Festival Castro between El Camino Real and Evelyn, Mtn View; www.miramarevents.com. 10am-6pm, free. With works by over 600 professional craftspeople and artists, plus live music, home and garden exhibits, a young-performers stage, a climbing wall, food and wine, and more.

 

Sept. 7

Haight Street Music and Merchants Street Festival Haight between Masonic and Stanyan, SF; hsmmsf@gmail.com. Noon-6pm, free. Yep, it’s another street fair on Haight — but this brand-new event has a highly local focus, since it’s sponsored by local merchants. Expect three stages of music, kids’ activities, a skate ramp, and more.

 

Sept. 13

Sea Music Festival San Francisco Maritime National Historic Park, Hyde Street Pier, SF; www.nps.gov/safr/planyourvisit/seamusicfestival2014.htm. 9am-5pm; evening chantey sing, 7:30-9:30pm. Outdoor performances free; admission to historic ships $5 (15 and under with adult supervision, free). Learn about maritime history through music at this all-day fest of traditional and contemporary songs, instrumentals, and dances. The Sea Music Concert Series continues aboard the Balclutha Sept 20, Oct 25, and Nov 25 ($12-14 or a season ticket, $36).

 

Sept. 13-14

Ghirardelli Chocolate Festival Ghirardelli Square, 900 North Point, SF; ghirardelli.com/chocolatefestival. Noon-5pm, $20-40. Help raise money for Project Open Hand and satisfy your sweet tooth at this 19th annual dessert and wine fiesta. In addition to offering samples of gourmet goodies from over 50 vendors , Ghirardelli hosts chef demos, a silent auction, a “Chocolate School” (learn about the chocolate-making process!), and the ever-popular hands-free sundae-eating contest.

 

Sept. 14

Comedy Day Sharon Meadow, Golden Gate Park, SF; www.comedyday.com. Noon-5pm, free. This year’s incarnation of the free, all-day comedy festival is dedicated to the memory of supporter (and frequent unannounced performer) Robin Williams.

Sunday Streets: Western Addition Fillmore between Geary and Fulton; Fulton between Fillmore and Baker, SF; www.sundaystreetssf.com. 11am-4pm, free. What traffic? Explore the neighborhood (including Alamo Square) on foot or bike.

 

Sept. 19-21

Eat Real Festival Jack London Square, Oakl; www.eatrealfest.com. Sept 19, 1-9pm; Sept 20, 10:30am-9pm; Sept 21, 10:30am-5pm. Free. Billed as a combo “state fair, street-food festival, and block party,” this fest offers sustainable, regionally-sourced eats (BBQ, ice cream, curry, and more) costing eight bucks or less.

Oktoberfest by the Bay Pier 48, SF; www.oktoberfestbythebay.com. Sept 19, 5pm-midnight; Sept 20, 11am-5pm and 6pm-midnight; Sept 21, 11am-6pm. $25-75 (Sept 20-21 day session, kids 13-18, $5; must be accompanied by parent). The Chico Bavarian Band returns to add oompah to your eating and, more importantly, drinking experience. Prost!

 

Sept. 20-21

Mill Valley Fall Arts Festival #58 Old Mill Park, 325 Throckmorton, Mill Valley; www.mvfaf.org. 10am-5pm, $5-10. Over 140 fine artists participate in this fair, which is held in a can’t-be-beat location (hi, majestic redwoods) and also features live music and children’s entertainment.

 

Sept. 21

Folsom Street Fair Folsom between Eighth and 13th Sts, SF; www.folsomstreetfair.com. 11am-6pm, $10 donation requested (donation sticker entitles wearer to $2 off drinks). The leather and fetish fantasia returns with over 200 exhibitor booths, two giant dance floors, public play stations, erotic art, and more.

 

Sept. 27

Bay Area Record Fair Thee Parkside, 1600 17th St, SF; www.theeparkside.com. 11am, $5 early entry (free after noon). Vinyl junkies, take note: over 30 Bay Area indie labels participate at this semi-regular event, which also boasts live music, DJs, raffles, and more.

San Mateo Bacon and Brew Festival Central Park, Fifth Ave and El Camino Real, San Mateo; www.sanmateochamber.org/bbf. 11am-5pm, $15. This fest breaks it down to the essentials. Admission gets you a free beer (or soft drink), while food vendors favor you-know-which crispy pork product.

SuperHero Street Fair 1700 Indiana, SF; www.superherosf.com. 1-11pm, $10. Seven stages and 13 “sound camps” provide the beats for this fifth annual festival celebrating heroes, villains, sidekicks, and everything in between. It goes without saying that costumes are highly encouraged.

 

Sept. 28

“A Day on the Water 2” Cesar Chavez Park, 11 Spinnaker, Berk; (510) 677-9425. Noon-7pm, free. Outdoor fair and music festival with Manzo Rally, Afrofunk Experience, Crosscut, and more.

Sunday Streets: Excelsior Mission between Theresa/Avalon and Geneva, SF; www.sundaystreetssf.com. 11am-4pm, free. Hit the street at this edition of Sunday Streets, which coincides with the sixth annual Tricycle Music Fest at the Excelsior Branch Library (sfpl.org/tricycle for more info).

 

Oct. 4

“Oaktoberfest” Fruitvale at MacArthur, Oakl; www.oaktoberfest.org. 11am-6pm, free. Family-friendly craft beer festival, with over 30 participating local breweries, a Bavarian big band and dancers, German food vendors, and more.

 

Oct. 4-5

Alternative Press Expo Fort Mason Center, Festival Pavilion, 2 Marina, SF; comic-con.org/ape. Check website for updates regarding times and badge prices. APE is back to celebrate alternative and small-press comics in a new venue, with a guest list that includes Bob Fingerman, Faith Erin Hicks, Ed Piskor, Paul Pope, Jason Shiga, and many more.

 

Oct. 5

Castro Street Fair, Castro at Market, SF; www.castrostreetfair.org. 11am-6pm, free (donate at the gate to get $1 off at fair beverage booths). Five different entertainment areas (including a main stage, a “legends” stage, and “Barnaby’s World of Wonderment”) highlight this annual event, which was founded by Harvey Milk in 1974. Performers were TBD at press time, so check the website closer to the event for updates.

 

Oct. 9

Union Street Wine Walk Union between Gough and Steiner, SF; www.sresproductions.com. 4-8pm, free (sampling tickets, $25). Restaurants and merchants offer wine tasting and small bites at this fifth annual neighborhood event.

 

Oct. 10-18

Litquake Various venues, SF; www.litquake.org. San Francisco’s annual literary festival turns 15 this year, with a week full of live readings, performances, panels, and multimedia events, including tributes to Octavio Paz and Gabriel Garcia Marquez. The Barbary Coast Award will be presented to Dave Eggers and Vendela Vida and their many projects, including 826 Valencia and McSweeney’s.

 

Oct. 11

Woodside Day of the Horse Woodside Town Hall, 2955 Woodside, Woodside; www.whoa94062.org. 10am-2:30pm, free (progressive trail ride, $40). The Woodside-area Horse Owners Association (WHOA) celebrates Year of the Horse with stagecoach rides, live music, a petting zoo, and more, plus an organized trail ride for experienced riders and their horses to raise money for the organization’s charitable community projects.

 

Oct. 11-12

World Vegetarian Festival SF County Fair Building, 1199 Ninth Ave, SF; www.worldvegfestival.com. 10:30am-8:45pm, free. The SF Vegetarian Society’s annual event features cooking demos, exhibitors, speakers, an eco-fashion show, entertainment, and samples galore.

 

Oct. 12

Italian Heritage Parade Begins at Jefferson and Stockton, proceeds on Columbus, and ends in Washington Square, SF; www.sfcolumbusday.org. 12:30pm, free. Established in 1868, this North Beach tradition features handmade floats, a costumed Christopher Columbus and Queen Isabella, Italian music, a Ferrari display, and more.

 

Oct. 13

World Championship Pumpkin Weigh-Off IDES Grounds, 735 Main Street, Half Moon Bay; weighoff.miramarevents.com. 7-11am, free. Who will reign supreme at this 41st annual battle of the bulge, dubbed the “Superbowl of Weigh-Offs”? Last year’s champ tipped the scales at 1,985 pounds — that’s a lotta pie!

 

Oct. 18

Noe Valley Harvest Festival 24th St between Sanchez and Church, SF; www.noevalleyharvestfestival.com. 10am-5pm, free. This 10th annual shindig aims to help you get a jump on holiday shopping, with over 50 local artisans showing their creations. Also: two stages of music, costume contests for dogs and kids, a dunk tank, a pumpkin patch, and more.

Potrero Hill Festival 20th St between Wisconsin and Missouri, SF; www.potrerofestival.com. 11am-4pm, free. Now in its 25th year, this neighborhood block party features local food and entertainment — including a kick-off Cajun-style brunch ($5-12) with Dixieland jazz — plus pony rides and a bouncy house for kids.

 

Oct. 18-19

Half Moon Bay Art and Pumpkin Festival Main between Mill and Spruce, Half Moon Bay; www.miramarevents.com. 9am-5pm, free. They don’t call Half Moon Bay the World Pumpkin Capital for nothing — the coastal town represents at its 44th annual gourd-tastic throwdown with three stages of music, the Great Pumpkin Parade (Oct 18 at noon), a haunted house attraction, expert Jack O’ Lantern carving, and food and drinks galore (pumpkin beer, anyone?)

 

Oct. 19

Sunday Streets: Mission 18th St between Guerrero and Harrison and Valencia between 25th and Duboce, SF; www.sundaystreetssf.com. 11am-4pm, free. Sunday Streets returns to the Mission! Check the website after Oct. 3 for updates on planned activities.

 

Oct. 25

San Francisco’s Wharf Fest Fisherman’s Wharf, SF; www.sresproductions.com. 11am-6pm, free. Celebrate SF’s waterfront history at this event, with a chowder competition, chef demos, ship tours, street performers, fireworks, and more.

 

Nov. 2

San Francisco Day of the Dead Procession and Festival of Altars Festival, Garfield Park, 26th St and Harrison, SF; www.dayofthedeadsf.org. 6-11pm, free. Procession begins at 22nd St and Bryant, SF; www.dayofthedeadsf.org. 7pm, free. Add a personal altar for a loved one who has passed away to the display at Garfield Park (candles must be in glass containers; no open flames allowed), and bring canned food to donate to St. Anthony’s Foundation, in honor of the altar memorializing the deaths of homeless people in SF. The procession, led by Rescue Culture Collective, circles the Mission accompanied by traditional Aztec dancers.

 

Nov. 14-16

Green Festival Fort Mason Center, 2 Marina, SF; www.greenfestivals.org/sf. Nov 14, noon-6pm; Nov 15-16, 10am-6pm. $15-30. Learn how to “work green, play green, and live green” at this expo, an ode to health and sustainability. Featured events include vegan and vegetarian cooking demos, inspirational speakers, and a marketplace with more than 250 eco-friendly businesses. *

 

Wizard of brews

0

culture@sfbg.com

THE WEEKNIGHTER I was hanging out with Steve Jones. I’m pretty sure it was the first time just the two of us were kicking it, even though I’d known him for years and he’d been my editor at SFBG for at least six months. There was supposed to be some kind of Mixmaster Mike event at a loft in the Dogpatch, and when we arrived, there was nothing. So we did the next best thing. We got some drinks.

After chewing on some jerky and tipping back a tipple at Third Rail, one of us remembered that Magnolia Dogpatch and Smokestack (2505 Third St, SF. www.magnoliapub.com) had recently opened nearby. And it was our job, nay, our duty to check it out.

Cruising down Third Street, me walking, Steve pushing his wild looking bike, we nearly passed Magnolia’s front door. “Is it open?” Steve asked. The windows were covered in old newspapers and the exterior looked like some rundown factory.

“I think so,” I replied. “I think I hear music.” As I pulled the door open suddenly it was that scene in The Wizard of Oz where Dorothy steps into Technicolor, except instead of badass musical munchkins, Steve and I were greeted by the smell of barbecue and the clanking and thrumming of people drinking.

Now you are looking at Steve and me. Time has stopped outside on gritty Third Street and the golden light of the wondrous inner world of Magnolia illuminates our faces as we are frozen in wide-grinned delight. And boom! Time picks back up and we step inside. Steve looks at me, “I think we made the right choice.”

“I’m gonna eat the fuck out of everything,” I respond.

There’s a trend that’s getting tired in all of San Francisco’s new bars and restaurants. You know it: reclaimed wood, exposed Edison bulbs, typewriters that, for fuck’s sake, no one will ever use. Magnolia is not like this. Yes it feels old-timey, but in a way that actually seems like it might be real. Housed in a former can factory, Magnolia looks like an indoor beer garden where the workers might have rushed to drink once the foreman blew the whistle. It harks back to the neighborhood’s dilapidated past while enticing San Francisco’s well heeled modernity. It’s magnificent.

And it has beer. Lots of it. Magnolia — an offshoot of Magnolia Pub in the Haight — brews it in mega vats (this is not a technical term) on the premises, and it’s really lovely. The beers have musical names like Cole Porter, or contain Grateful Dead references like New Speedway Bitter and Delilah Jones Rye. Oh yes, proprietor Dave McLean — I, too, am a fan of the Dead. And the food, good lord the food! Dennis Lee from Namu Gaji really did the thing this time calling it “non-denominational” BBQ, or so it says on Eater, because I’m reading that right now since I didn’t take notes. I was eating BBQ and drinking beer, man, I couldn’t take notes… I just wanna know what’s behind the door that says “Dictating.”

Steve and I stepped out of magical Magnolia-land and back onto dreary Third Street. He peddled off on his bike and I wandered over to catch the bus. I popped around the corner to take a piss before my long bus ride, and a girl rounded the corner and almost ran into me. She stopped, looked at my face, looked at my dick, then turned around and continued smoking a cigarette, with her back to me, while texting on her phone. The scene was made weirder by the fact that I was wearing a captain’s hat and probably had BBQ sauce all over my face.

And that, my friends, is how you write a story about a bar.

Stuart Schuffman aka Broke-Ass Stuart is a travel writer, poet, and TV host. You can find his online shenanigans at www.brokeassstuart.com

Fall fairs and fests

0

Listings are compiled by Guardian staff.

 

Aug. 30

Pilgrim Soul Forge Harvest Fair Pilgrim Soul Forge, 101 West Tower, Alameda; www.grantsforge.com. Noon-6pm, free. Possibly the only fall fair in the Bay Area to offer blacksmithing demonstrations alongside the usual suspects: food trucks, craft vendors, and live music.

Savor Filipino Justin Herman Plaza, Embarcadero at Market, SF; www.savorfilipino.com. 10am-6pm, free (most workshops $15). Try the best in Filipino cuisine at this gathering of chefs and authors, with a huge menu of tasty eats (check it out online) and workshops on vegan Filipino cooking, modern Filipino desserts, and other tasty topics. Plus: live music and traditional dance performances, and a “Dance That Lumpia Off” audience-participation activity.

 

Aug. 30-31

Millbrae Art and Wine Festival 400 Broadway, Millbrae; www.miramarevents.com. 10am-5pm, free. Downtown Millbrae’s annual Mardi Gras-style celebration, with live music, a juried art show, a classic car show, carnival-style rides, and tons of specialty food and drink vendors.

San Francisco Zine Fest SF County Fair Building, 1199 Ninth Ave, SF; www.sfzinefest.org. Aug 30, 11am-5pm; Aug 31, 11am-4pm. Free. Support indie writers, artists, and creators at this annual event, with exhibitions, workshops, book signings, and more. Special guests include Ryan Sands (publishing company Youth in Decline), Tomas Moniz (RAD DAD zine), and illustrator and cartoonist Hellen Jo.

 

Aug. 30-31

SF Bay Brazilian Day and Lavagem Festival Casa de Cultura, 1901 San Pablo, Berk; www.brasarte.com. 11am-7pm, free. Celebrate Brazilian Independence Day with a lavagem (blessing) calling for world peace, plus Brazilian music, food, a “Caipirinha lounge,” and more.

 

Aug. 31

Oakland Pride Uptown Oakl; www.oaklandpride.org. Parade starts at 10:30am, Broadway and 14th St; festival, 11am-7pm, Broadway at 20th Sts. Parade free; festival $5-10. It’s the very first year for the Oakland Pride Parade, while Sheila E headlines the fifth annual festival, billed as the second-largest pride event in NorCal.

 

Sept. 6

SF Mountain Bike Festival McLaren Park, Jerry Garcia Amphitheater, 20 John F. Shelley, SF; sfurbanriders.org/wordpress/sf-mtb-festival. 9am-5pm, free. Register in advance to compete — or just show up to spectate or test your skills in any of the non-competitive categories. Events include a short-track challenge, a 10-mile urban adventure ride, a cargo bike hill climb, a bike skills challenge for youth and families, and more, plus a box jump demo and a bike raffle.

 

Sept. 6-7

Autumn Moon Festival Chinatown, SF; www.moonfestival.org. Grand opening ceremony and parade, Sept 6, 11am; festival, 11am-5pm (dog costume contest, Sept 7, 2:30pm). Free. Cultural performances, an open-air street bazaar, lion dancing, and (new this year!) a dog costume contest highlight this 24th annual celebration of the Asian holiday.

Mountain View Art and Wine Festival Castro between El Camino Real and Evelyn, Mtn View; www.miramarevents.com. 10am-6pm, free. With works by over 600 professional craftspeople and artists, plus live music, home and garden exhibits, a young-performers stage, a climbing wall, food and wine, and more.

 

Sept. 7

Haight Street Music and Merchants Street Festival Haight between Masonic and Stanyan, SF; hsmmsf@gmail.com. Noon-6pm, free. Yep, it’s another street fair on Haight — but this brand-new event has a highly local focus, since it’s sponsored by local merchants. Expect three stages of music, kids’ activities, a skate ramp, and more.

 

Sept. 13

Sea Music Festival San Francisco Maritime National Historic Park, Hyde Street Pier, SF; www.nps.gov/safr/planyourvisit/seamusicfestival2014.htm. 9am-5pm; evening chantey sing, 7:30-9:30pm. Outdoor performances free; admission to historic ships $5 (15 and under with adult supervision, free). Learn about maritime history through music at this all-day fest of traditional and contemporary songs, instrumentals, and dances. The Sea Music Concert Series continues aboard the Balclutha Sept 20, Oct 25, and Nov 25 ($12-14 or a season ticket, $36).

 

Sept. 13-14

Ghirardelli Chocolate Festival Ghirardelli Square, 900 North Point, SF; ghirardelli.com/chocolatefestival. Noon-5pm, $20-40. Help raise money for Project Open Hand and satisfy your sweet tooth at this 19th annual dessert and wine fiesta. In addition to offering samples of gourmet goodies from over 50 vendors , Ghirardelli hosts chef demos, a silent auction, a “Chocolate School” (learn about the chocolate-making process!), and the ever-popular hands-free sundae-eating contest.

 

Sept. 14

Comedy Day Sharon Meadow, Golden Gate Park, SF; www.comedyday.com. Noon-5pm, free. This year’s incarnation of the free, all-day comedy festival is dedicated to the memory of supporter (and frequent unannounced performer) Robin Williams.

Sunday Streets: Western Addition Fillmore between Geary and Fulton; Fulton between Fillmore and Baker, SF; www.sundaystreetssf.com. 11am-4pm, free. What traffic? Explore the neighborhood (including Alamo Square) on foot or bike.

 

Sept. 19-21

Eat Real Festival Jack London Square, Oakl; www.eatrealfest.com. Sept 19, 1-9pm; Sept 20, 10:30am-9pm; Sept 21, 10:30am-5pm. Free. Billed as a combo “state fair, street-food festival, and block party,” this fest offers sustainable, regionally-sourced eats (BBQ, ice cream, curry, and more) costing eight bucks or less.

Oktoberfest by the Bay Pier 48, SF; www.oktoberfestbythebay.com. Sept 19, 5pm-midnight; Sept 20, 11am-5pm and 6pm-midnight; Sept 21, 11am-6pm. $25-75 (Sept 20-21 day session, kids 13-18, $5; must be accompanied by parent). The Chico Bavarian Band returns to add oompah to your eating and, more importantly, drinking experience. Prost!

 

Sept. 20-21

Mill Valley Fall Arts Festival #58 Old Mill Park, 325 Throckmorton, Mill Valley; www.mvfaf.org. 10am-5pm, $5-10. Over 140 fine artists participate in this fair, which is held in a can’t-be-beat location (hi, majestic redwoods) and also features live music and children’s entertainment.

 

Sept. 21

Folsom Street Fair Folsom between Eighth and 13th Sts, SF; www.folsomstreetfair.com. 11am-6pm, $10 donation requested (donation sticker entitles wearer to $2 off drinks). The leather and fetish fantasia returns with over 200 exhibitor booths, two giant dance floors, public play stations, erotic art, and more.

 

Sept. 27

Bay Area Record Fair Thee Parkside, 1600 17th St, SF; www.theeparkside.com. 11am, $5 early entry (free after noon). Vinyl junkies, take note: over 30 Bay Area indie labels participate at this semi-regular event, which also boasts live music, DJs, raffles, and more.

San Mateo Bacon and Brew Festival Central Park, Fifth Ave and El Camino Real, San Mateo; www.sanmateochamber.org/bbf. 11am-5pm, $15. This fest breaks it down to the essentials. Admission gets you a free beer (or soft drink), while food vendors favor you-know-which crispy pork product.

SuperHero Street Fair 1700 Indiana, SF; www.superherosf.com. 1-11pm, $10. Seven stages and 13 “sound camps” provide the beats for this fifth annual festival celebrating heroes, villains, sidekicks, and everything in between. It goes without saying that costumes are highly encouraged.

 

Sept. 28

“A Day on the Water 2” Cesar Chavez Park, 11 Spinnaker, Berk; (510) 677-9425. Noon-7pm, free. Outdoor fair and music festival with Manzo Rally, Afrofunk Experience, Crosscut, and more.

Sunday Streets: Excelsior Mission between Theresa/Avalon and Geneva, SF; www.sundaystreetssf.com. 11am-4pm, free. Hit the street at this edition of Sunday Streets, which coincides with the sixth annual Tricycle Music Fest at the Excelsior Branch Library (sfpl.org/tricycle for more info).

 

Oct. 4

“Oaktoberfest” Fruitvale at MacArthur, Oakl; www.oaktoberfest.org. 11am-6pm, free. Family-friendly craft beer festival, with over 30 participating local breweries, a Bavarian big band and dancers, German food vendors, and more.

 

Oct. 4-5

Alternative Press Expo Fort Mason Center, Festival Pavilion, 2 Marina, SF; comic-con.org/ape. Check website for updates regarding times and badge prices. APE is back to celebrate alternative and small-press comics in a new venue, with a guest list that includes Bob Fingerman, Faith Erin Hicks, Ed Piskor, Paul Pope, Jason Shiga, and many more.

 

Oct. 5

Castro Street Fair, Castro at Market, SF; www.castrostreetfair.org. 11am-6pm, free (donate at the gate to get $1 off at fair beverage booths). Five different entertainment areas (including a main stage, a “legends” stage, and “Barnaby’s World of Wonderment”) highlight this annual event, which was founded by Harvey Milk in 1974. Performers were TBD at press time, so check the website closer to the event for updates.

 

Oct. 9

Union Street Wine Walk Union between Gough and Steiner, SF; www.sresproductions.com. 4-8pm, free (sampling tickets, $25). Restaurants and merchants offer wine tasting and small bites at this fifth annual neighborhood event.

 

Oct. 10-18

Litquake Various venues, SF; www.litquake.org. San Francisco’s annual literary festival turns 15 this year, with a week full of live readings, performances, panels, and multimedia events, including tributes to Octavio Paz and Gabriel Garcia Marquez. The Barbary Coast Award will be presented to Dave Eggers and Vendela Vida and their many projects, including 826 Valencia and McSweeney’s.

 

Oct. 11

Woodside Day of the Horse Woodside Town Hall, 2955 Woodside, Woodside; www.whoa94062.org. 10am-2:30pm, free (progressive trail ride, $40). The Woodside-area Horse Owners Association (WHOA) celebrates Year of the Horse with stagecoach rides, live music, a petting zoo, and more, plus an organized trail ride for experienced riders and their horses to raise money for the organization’s charitable community projects.

 

Oct. 11-12

World Vegetarian Festival SF County Fair Building, 1199 Ninth Ave, SF; www.worldvegfestival.com. 10:30am-8:45pm, free. The SF Vegetarian Society’s annual event features cooking demos, exhibitors, speakers, an eco-fashion show, entertainment, and samples galore.

 

Oct. 12

Italian Heritage Parade Begins at Jefferson and Stockton, proceeds on Columbus, and ends in Washington Square, SF; www.sfcolumbusday.org. 12:30pm, free. Established in 1868, this North Beach tradition features handmade floats, a costumed Christopher Columbus and Queen Isabella, Italian music, a Ferrari display, and more.

 

Oct. 13

World Championship Pumpkin Weigh-Off IDES Grounds, 735 Main Street, Half Moon Bay; weighoff.miramarevents.com. 7-11am, free. Who will reign supreme at this 41st annual battle of the bulge, dubbed the “Superbowl of Weigh-Offs”? Last year’s champ tipped the scales at 1,985 pounds — that’s a lotta pie!

 

Oct. 18

Noe Valley Harvest Festival 24th St between Sanchez and Church, SF; www.noevalleyharvestfestival.com. 10am-5pm, free. This 10th annual shindig aims to help you get a jump on holiday shopping, with over 50 local artisans showing their creations. Also: two stages of music, costume contests for dogs and kids, a dunk tank, a pumpkin patch, and more.

Potrero Hill Festival 20th St between Wisconsin and Missouri, SF; www.potrerofestival.com. 11am-4pm, free. Now in its 25th year, this neighborhood block party features local food and entertainment — including a kick-off Cajun-style brunch ($5-12) with Dixieland jazz — plus pony rides and a bouncy house for kids.

 

Oct. 18-19

Half Moon Bay Art and Pumpkin Festival Main between Mill and Spruce, Half Moon Bay; www.miramarevents.com. 9am-5pm, free. They don’t call Half Moon Bay the World Pumpkin Capital for nothing — the coastal town represents at its 44th annual gourd-tastic throwdown with three stages of music, the Great Pumpkin Parade (Oct 18 at noon), a haunted house attraction, expert Jack O’ Lantern carving, and food and drinks galore (pumpkin beer, anyone?)

 

Oct. 19

Sunday Streets: Mission 18th St between Guerrero and Harrison and Valencia between 25th and Duboce, SF; www.sundaystreetssf.com. 11am-4pm, free. Sunday Streets returns to the Mission! Check the website after Oct. 3 for updates on planned activities.

 

Oct. 25

San Francisco’s Wharf Fest Fisherman’s Wharf, SF; www.sresproductions.com. 11am-6pm, free. Celebrate SF’s waterfront history at this event, with a chowder competition, chef demos, ship tours, street performers, fireworks, and more.

 

Nov. 2

San Francisco Day of the Dead Procession and Festival of Altars Festival, Garfield Park, 26th St and Harrison, SF; www.dayofthedeadsf.org. 6-11pm, free. Procession begins at 22nd St and Bryant, SF; www.dayofthedeadsf.org. 7pm, free. Add a personal altar for a loved one who has passed away to the display at Garfield Park (candles must be in glass containers; no open flames allowed), and bring canned food to donate to St. Anthony’s Foundation, in honor of the altar memorializing the deaths of homeless people in SF. The procession, led by Rescue Culture Collective, circles the Mission accompanied by traditional Aztec dancers.

 

Nov. 14-16

Green Festival Fort Mason Center, 2 Marina, SF; www.greenfestivals.org/sf. Nov 14, noon-6pm; Nov 15-16, 10am-6pm. $15-30. Learn how to “work green, play green, and live green” at this expo, an ode to health and sustainability. Featured events include vegan and vegetarian cooking demos, inspirational speakers, and a marketplace with more than 250 eco-friendly businesses. *

 

Time for change

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news@sfbg.com

Christy Price doesn’t want to work forever. At 60, the security guard has worked in formula retail stores for 25 years. She says she has trouble making a living due to cuts in her work schedule, a setback that could prevent her from retiring for the foreseeable future.

Price, who has been with her current company for a decade, works at various retailers her company contracts with. Her shift from full- to part-time work is typical for employees of formula retailers in the city, many of whom are half Price’s age and attempting to support families or make their way through college.

“I’m more or less in the same predicament as [the retail workers], in terms of hours,” Price said. “It’s scary, and it’s awful sad. You’ve got people who want to work and contribute, but they aren’t given the opportunity.”

Sup. Eric Mar’s recently proposed Retail Workers Bill of Rights aims to change that. Unveiled at a July 29 press conference at San Francisco City Hall, the legislation seeks to boost prospects for retail workers “held hostage by on-call scheduling, diminished hours and discriminatory treatment by employers,” according to a statement issued by Mar’s office. There are also plans to expand the legislation to include employees of formula retail contractors, like Price.

“We’re here today because raising the minimum wage isn’t enough,” Jobs with Justice Retail Campaign Organizer Michelle Lim said at the press conference. That same day, the Board of Supervisors voted unanimously to place a measure on the November ballot to raise the San Francisco minimum wage to $15 an hour by 2018.

The current trend is for retail employers to hire part-time workers, spreading the hours thin and requiring employees to be on call for many more hours of work than they actually receive. That creates unpredictable schedules, making it difficult for workers to pay the bills.

Having stable work hours makes it possible for formula retail employees to plan for other parts of their lives, like earning college degrees, spending time with family or working other jobs — which is often a necessity for lower wage workers. Plus, as Price notes, companies with too many part-time employees aren’t getting the most out of their workers.

“If you keep undercutting them and cutting their hours, you’re not going to get the customer service that you’re looking for,” Price said. “You’re going to get what you pay for. You do need that skill; some people can do it, some people can’t.”

At the press conference, Mar was joined by fellow lead sponsor Board President David Chiu and co-sponsor Sup. John Avalos, along with speakers from local labor advocacy groups and a host of current and former formula retail workers.

As Lim explained, the proposed Bill of Rights package has four provisions. The first calls for “promoting full-time work and access to hours.” It would require formula retail employers to offer additional hours of work to current part-time employees, before hiring additional part-timers.

That would help prevent situations like those mentioned by retail employees speaking at the press conference. One Gap employee noted that part-time workers are often expected to commit to up to 30 hours of availability a week, yet would only be offered as little as 10 hours, despite being required to remain on call.

Another formula retail employee, Brian Quick, had a particularly rough experience while working for Old Navy at the clothing retailer’s flagship store. Having worked in retail for four years, he said his schedule for the upcoming week would come out on Thursday night, and the hours constantly fluctuated.

“It’s hard to plan anything such as doctor appointments when you aren’t even sure when you work,” Quick said. “Some weeks I would work 35 hours, and the next I’d get 15 hours. How am I supposed to pay bills?”

Last-minute notices became routine for Quick, who sometimes received calls informing him he didn’t have a shift anymore the night before he was scheduled to work.

“One day I came into work and they cut my hours right then and there,” Quick said. “Seems like everything is based on sales and not the well-being of the people who make the sales happen.”

Quick had other troubling experiences while working for Old Navy, including when he was denied Christmas vacation despite applying for it three months in advance. He eventually got the time off, but only through persistence and “the last-minute intervention of a sympathetic manager.”

“We know that consistent and reliable scheduling is important to our employees,” said Laura Wilkinson, a spokesperson for Gap Inc. “We are exploring ways to increase scheduling stability and flexibility across our fleet of stores. For example, last month we announced a pilot project with Professor Joan Williams of [University of California] Hastings College of Law to examine workplace scheduling and productivity.”

Gap Inc., the corporation that owns Old Navy, could be at the forefront of improving conditions, but the legislation’s supporters aren’t counting on retailers to make the necessary changes.

Instances like Quick’s are common in formula retail all over the country. Many retail employees, including some of Quick’s co-workers, must support families despite the unpredictable hours and low wages.

The second provision of the Retail Workers Bill of Rights attempts to fix that. It calls for “discouraging abusive on call practices” and aims to “encourage fair, predictable schedules.” Specifically, that would entail employers posting core schedules in advance with reasonable notice and providing premium pay “when an employer requires an employee to be ‘on-call’ for a specific shift, or cancels a shift with less than 24 hours notice.”

The third provision looks to improve conditions for part-time workers, calling for “equal treatment.” That means prohibiting employers from discriminating against employees “with respect to their rate of pay,” among other things like promotion opportunities and paid or unpaid time off.

It also addresses a chief concern for many part-time workers: ensuring that employees unable to maintain “open availability,” or being available at any time for a shift, are not denied employment. That’s especially significant for students and parents who have to balance their lives outside the retail industry with its demanding work hours.

“These policies, I feel, will have a huge impact on the lives of tens of thousands of our services workers, many of them low-wage workers who live with uncertainty and fear about their schedules and their other responsibilities in life,” Mar said as he introduced the legislation.

“Many of my family members and close friends are in that category, [along with] single moms, students in college and others that really deserve fair scheduling and a fair chance at economic justice.”

The final provision seeks to protect workers’ job security when their companies are bought or sold, requiring a 90-day trial period for existing employees if a formula retail business is acquired. This is meant to prevent companies from simply forcing out previous employees, allowing the workers a grace period to search for new work.

The legislation would impact an estimated 100,000 workers at approximately 1,250 stores across San Francisco. Those that qualify as formula retail businesses under city law include fast food businesses, restaurants, hotels and banks, and they must meet requirements in Section 703.3 of the San Francisco Planning Code.

In short, the law will apply to businesses considered to be chain stores, such as Target, McDonald’s, Starbucks, Wells Fargo and other major companies doing business throughout the city.

But the Retail Workers Bill of Rights’ supporters believe its impact will be felt beyond San Francisco, citing the city’s history of starting nationwide movements.

“San Francisco has always led the way when it comes to policies that protect working people,” Lim said. “The Retail Workers Bill of Rights is a commonsense proposal to bring stability to some of our city’s most marginalized workers.”

The supervisors sponsoring the ordinance have received plenty of help from Lim and Jobs with Justice San Francisco, a worker’s rights organization that has played an integral role in the city’s fight to improve labor conditions.

In 2013, Jobs with Justice mobilized labor support for the California Domestic Workers Bill of Rights, legislation not unlike Mar’s proposed legislation. In September 2013, Gov. Jerry Brown signed the Domestic Workers Bill into law, making California the nation’s first state to mandate overtime pay for domestic employees, specifically designating time-and-a-half pay for those working more than 45 hours a week or nine hours a day.

Even more support has come from the San Francisco Labor Council, Service Employees International Union Local 87 and Young Workers United, among many others, all of which have endorsed the legislation.

The proposal will come back into play in September, when the board returns from its summer recess. The process will start with public hearings, at which Mar said he looks forward to “really lively public conversation.”

That will give workers like Julissa Hernandez, a Safeway employee for 13 years and a veteran of the retail system, a chance to have their voices heard.

Speaking at the City Hall press conference, Hernandez said, “We should let retail workers know that they are not alone in this fight.”

 

Arguments against minimum wage increase are out of touch

8

EDITORIAL

“Will the SF minimum wage hike kill our restaurants?” Zagat SF tweeted last week.

No, Chicken Little, it won’t. Not even if you tweet it.

Two days earlier, the Board of Supervisors had unanimously approved a measure for the November ballot to raise the city’s minimum wage to $15 an hour by 2018, up from where it stands at $10.74.

Zagat may be fine for restaurant reviews, but this attack on raising the minimum wage — which parroted fearmongering about high-priced burgers and relied heavily on a narrative served up by a powerful business lobby, the Golden Gate Restaurant Association — was enough to cause heartburn.

And it’s only one example of the backlash directed at low-wage workers since the bid to boost the minimum wage has picked up steam. A now-infamous billboard that popped up in SOMA, funded by conservative lobbying group Employment Policies Institute, taunted minimum-wage workers by claiming they would be replaced with iPads if they didn’t give up the fight for higher pay.

The proposed minimum wage increase, actually a compromise that turned out weaker than an initial proposal spearheaded by a progressive coalition that would have delivered $15 an hour a year earlier, is backed by business-friendly Mayor Ed Lee. Even the San Francisco Chamber of Commerce has expressed support for it. Still, some conservative interests seem bent on ensuring that minimum-wage workers never achieve living-wage status — demonstrating how out of touch these naysayers are.

Once better known for its rich labor history and track record of holding employers accountable for wage theft and discriminatory practices, San Francisco is better known these days as one of the nation’s highest-ranking cities for income inequality.

Scraping by at a minimum wage job translates to a stressful existence. Even if minimum-wage earners were currently earning $31,000 a year, the amount a full-time $15-an-hour job would bring in before taxes, it wouldn’t begin to stretch far enough to rent a market-rate apartment. Earlier this year, the National Low Income Housing Coalition pointed out that a renter’s got to earn at least $29.83 an hour — or $62,046 annually — to afford a San Francisco one-bedroom at market rate.

Meanwhile, those spouting doomsday scenarios over a higher minimum wage seem blind to the fact that the city is regularly populated with hordes of tourists and well-compensated San Francisco professionals with a penchant for fine food, even if it’s pricey.

Just for a sense of how much cash is pumping through the local economy, the San Francisco Center for Economic Development reports that San Francisco claimed 40 percent of all venture capital investment in the Bay Area last year, with nearly $5 billion in VC funding invested in 2013. Meanwhile, 16.5 million visitors flocked to the Bay Area last year — can anyone really claim with a straight face that a higher minimum wage for restaurant workers will prevent this army of tourists from chowing down at local restaurants?

Instead of having a debate about whether we ought to raise the minimum wage, a better conversation would focus on the consequences of allowing the city’s sharp inequality to continue unchecked.

PROMO: San Francisco Street Food Festival

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La Cocina’s San Francisco Street Food Festival on Saturday, August 16th, is a celebration of community, culture and entrepreneurial spirit.  Where micro-entrepreneurs and informal food vendors cook next to James Beard Award winners and Michelin-starred chefs.  Where every block is a barbacoa to bhelpuri to banh mi exploration of flavor (although probably not all at once), all on the same street, and all at the same price.  Located in San Francisco’s Mission District, the festival showcases the best of the Bay Area’s local food entrepreneurs and restaurants.  The event is hosted by La Cocina, a non-profit kitchen working to formalize food businesses for low-income and immigrant food entrepreneurs.  Visit sfstreetfoodfest.com for more information and purchase a passport for extra drink tokens and savings on 8/16!

Sailing through

3

culture@sfbg.com

THE WEEKNIGHTER It opened a couple years ago at this point. Someone had said to me, “Hey man you been to Southern Pacific Brewing yet?” I hadn’t even heard of it, “What the fuck is a Southern Pacific Brewing?” I asked. A giant, 10,000-square-foot brewpub had just opened almost directly behind my regular bar, The Homestead, and, like, two blocks from my apartment — and I hadn’t even heard of it. Well maybe it’s because it’s not my apartment anymore, I thought to myself. I’d recently moved out of the neighborhood after breaking up with my long-term girlfriend and was sleeping on my cousin’s couch… for a few months.

You know, just some SF shit.

It seemed like my life, my neighborhood, and my city were all spiraling, not exactly out of control, but past mere comprehension. Besides the upheaval of my personal life, San Francisco was just beginning to swell with some kind of sickness, one that it had somehow survived a decade before. And my neighborhood, the Mission, seemed to be the place on San Francisco’s body where the sores of the Money Virus were showing the most. Restaurants were opening on Valencia faster than zippers at the (soon-to-be-closed) Lusty Lady, and little shops and bookstores that had been around for decades were getting tossed out with the trash.

But the thing that worried me the most was that I, Broke-Ass Stuart, the guy who likes to think he knows this city better than anyone, hadn’t even heard of Southern Pacific Brewing. “Have I lost a step?” I wondered. I knew I had to check it out.

All anyone had really said about Southern Pacific Brewing (620 Treat Ave, SF. www.southernpacificbrewing.com) was that it was HUGE! The ceiling is probably 2.5 stories high and the old warehouse space holds not just the bar-restaurant but also the entire brewing operation as well. I noticed all this when I walked in that first night, despite the fact that I was pretty trashed. I’d downed some booze at Dear Mom, banged a few back at Bender’s, hoovered some shots at the Homestead, and then sauntered into Southern Pacific. I was drowning in heartbreak and — that friend’s couch — numbing backache.

“It is huge,” I said to whichever of my no-goodnik friends I was with that night. We took in the environs. There was a sizable crowd, lots of good-looking people who probably would’ve been terrified to go that deep into the Mission a few years before. Thrillist or something like that had just blown the place up that day so all the Chads and Madisons from other parts of the city were there to explore a “hot new neighborhood spot,” I figured.

And then I looked around some more and saw plenty of Mission locals and natives whom I’d spent my twenties running around the neighborhood dive bars with. It was a good mix of everything the Mission was at the moment, for better and for worse. I liked the place immediately.

A bit later I ran into a girl I hadn’t seen in awhile and we talked about the city and its changes and about all the things that happen to you while you’re trying to grow up. And then it was last call and my friends were gone so the girl took me home with her. I hadn’t slept in a bed in a long time, so for at least that night my heartache and my backache were put to rest.

Stuart Schuffman aka Broke-Ass Stuart is a travel writer, poet, and TV host. You can find his online shenanigans at www.brokeassstuart.com

 

Citizen Agnos comes on strong for Proposition B in support of his Athenian oath

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By Bruce B. Brugmann  (with the complete  text of Art Agnos speech  to the  May 21 dinner of San Francisco Tomorrow)

When Art Agnos was sworn in as mayor in 1988, he used the Athenian Oath that was taken by young men reaching the age of majority in Athens 2000 years ago.  He shortened the oath (as many did) to say: “I promise…upon my honor…to leave my city better than I found it.”

For Agnos, a Greek steeped in Greek traditions, the oath was a serious matter. “At the heart of our vision,” Agnos said in his inaugural address, “ is a refusal to let San Francisco become an expensive enclave  that locks out the middle class, working families and the poor. At the center of our strategy is a belief in the basic right of people to decent jobs and housing.”  

Twenty-six years later, Citizen Agnos was working hard  in private life to leave his city better than he had found it. He led a citizens’ movement that stopped the monstrous 8 Washington project, knocked the Warriors off the piers, forced the Giants to lower their  highrise expectations,  and promoted Proposition  B that would stop  the Wall on the Waterfront and require a public vote on any increases  to current height limits on port property.

 And Agnos is having the time of his life doing all this, as he made clear in his remarks to San Francisco Tomorrow, the one organization in town that has been manning the barricades in every major Manhattanization battle all these years  on the waterfront and everywhere else.  He enjoys taking on Mayor Lee and “the high tech billionaire political network that wants to control city hall and fulfill their vision of who can live here and where.” And he must relish  the Chronicle’s C.W.Nevius and the paper’s editors and their self-immolating bouts of hysteria.  

Agnos gave a splendid speech and confirms that he really is our best ex-mayor. I particularly liked his point about the “power to decide” on development. “Today that power to decide is in a room In City Hall. I know that room. I have been in that room. 

“You know who is in there? It is the lobbyists,..the land use lawyers…the construction union representatives..the department directors..and other politicians. You know who is not in that room. You.Prop B changes that dynamic and puts you in the room that matters. No more ‘advisory committees’ that get  indulged and brushed off. No more ‘community outreach’ that is ignored. It will all matter.”

Yes, yes, yes, a thousand times yes, on B and stopping the Manhattanization of the waterfront. b3

Agnos remarks to San Francisco Tomorrow 

I am delighted to speak to the members and friends of SFT about the waterfront tonight…and a special shout out to Jane Morrison as one of the pioneer professional  women in the media… and one of the  finest Social Service Commissioners in our City’s history. I also welcome the opportunity to join you in honoring tonight’s unsung heroes…Becky Evans with whom I have worked closely over the past year and half …Tim Redmond  the conscience of the progressive community for the past 35 years…Sarah Short and Tommi Avicolli Mecca from the Housing Rights Committee who stand up every day for poor and working people who need a voice in our city.

Twenty-four years ago in 1990, I made one of the best decisions of my mayoralty when I listened to the progressive environmental voice of San Francisco and ordered the demolition of the Embarcadero Freeway. That freeway was not only a hideous blight but also a wall that separated the city from its waterfront. Hard to believe today…but it was a very controversial decision back then… just 3 years before…in 1987 the voters had defeated a proposal by Mayor Feinstein to demolish it. The Loma Prieta Earthquake gave us a chance to reconsider that idea in 1990. Despite opposition of 22,000 signatures on a petition to retrofit the damaged freeway… combined with intense lobbying from the downtown business community led by the Chamber of Commerce, North Beach, Fisherman’s Wharf and especially Chinatown…we convinced the Board of Supervisors to adopt our plan to demolish the freeway… by one vote.

And the rest is history…until today. 

After a period of superb improvements that include a restored Ferry Building…the Ball park… new public piers where one can walk further out into the bay than ever before in the history of this city… the 
Exploratorium…the soon to be opened Jim Herman Cruise Ship terminal…Brannan Wharf Park…there is a new threat. Private development plans that threaten to change the environment of what Herb Caen first called “our newest precious place” …not with an ugly concrete freeway wall…but with steel and glass hi-rises that are twice as tall.

Today…the availability of huge amounts of developer financing …combined with unprecedented influence in city hall and the oversight bodies of this city…the Waterfront has become the new gold coast of San Francisco. Politically connected developers seek to exploit magnificent public space with hi-rise, high profit developments that shut out the ordinary San Franciscan from our newest precious place. We love this city because it is a place where all of us have a claim to the best of it…no matter what our income…no matter that we are renter or homeowner…no matter what part of the city we come from.

And connected to that is the belief that waterfront public land is for all of us…not just those with the biggest bank account or most political influence. 

That was driven home in a recent call I had from a San Franciscan who complained about the high cost of housing for home ownership or rent…the high cost of Muni…museum admissions…even Golden Gate Bridge tours and on and on. When he finished with his list, I reminded him I was mayor 23 years ago and that there had been 4 mayors since me,  so why was he complaining to me?
“Because you are the only one I can reach!” he said.

Over the past few weeks…that message has stuck with me.  And I finally realized why. This is what many people in our city have been seeking… someone who will listen and understand. Someone who will listen…understands… and acts to protect our newest precious place…our restored waterfront. You see…it was not just about luxury high-rise condos at 8 Washington last year…It was not just a monstrous 
basketball arena on pier 30-32 with luxury high-rise condos and a hotel across the street on public land. It’s about the whole waterfront that belongs to the people of San Francisco…all 7 and half miles of it… from the Hyde Street Piers to India Basin. And it must be protected from the land use mistakes that can become irrevocable. 

This is not new to our time…8 Washington and the Warriors arena were not the first horrendous proposals…they were only the latest. Huge… out of scale… enormously profitable projects… fueled by exuberant boosterism from the Chamber of Commerce… have always surfaced on our waterfront. 50 years ago…my mentor in politics…then Supervisor Leo McCarthy said, “We must prevent a wall of high rise apartments along the waterfront…and we must stop the filling in of the SF bay as a part of a program to retain the things that have made this city attractive.” That was 1964…

In 2014…Former Board of Supervisors President Aaron Peskin said it best this way…”It seems like every 10 years…every generation has to stand up to some huge development that promises untold riches
  as it seeks to exploit the waterfront and our public access to it.” Public awareness first started with the construction of the 18 stories of Fontana towers east and west in 1963. That motivated then Assemblyman Casper Weinberger to lead public opposition and demand the first height limits… as well as put a stop to 5 more Fontana style buildings on the next block at Ghirardelli Square. This was the same Casper Weinberger who went on to become Secretary of HEW and Secretary of Defense under President Ronald Reagan.

In 1970 the Port Commission proposed to rip out the then “rotting piers” of piers 1 – 7 just north of the Ferry Building. They were to be replaced with 40 acres of fill (3 X Union Square) upon which a 1200-room hotel and a 2400 car garage would be built. It passed easily through Planning and the Board of Supervisors. When the proposal was rejected on 22 to 1 vote by BCDC, Mayor Alioto complained, “We just embalmed the rotting piers.” No… we didn’t …we saved them for the right project…and if one goes there today… they see it…the largest surviving renovated piers complex with restaurants, walk in cafes, port offices, free public docking space, water taxis and complete public access front and back. 

In 2002… that entire project was placed on the U.S. National Historic Register. But my favorite outrageous proposal from that time was the plan to demolish another set of “rotting piers” from the Ferry Building south to the Bay Bridge. And in place of those rotting piers… the plans called for more landfill to create a Ford dealership car lot with 5000 cars as well as a new Shopping center. That too…was stopped.

So now it’s our turn to make sure that we stop these all too frequent threats to the access and viability of our waterfront.

In the past 2 weeks…we have seen momentum grow to support locating the George Lucas Museum on piers 30-32 or the sea wall across the Embarcadero.I love the idea…but where would we be with that one be if a small band of waterfront neighbors and the Sierra Club had not had the courage to stand up to the Warriors and City Hall 2 years ago. Once again they used the all too familiar refrain of “rotting piers” as an impending catastrophe at piers 30-32.

Proposition B will help prevent mistakes before they happen. Most of all… Prop B will ensure protection of the port on more permanent basis by requiring a public vote on any increases to current height limits on Port property.All of the current planning approval processes will stay in place…Port Commission…Planning commission…Board of Permit Appeals…Board of Supervisors…will continue to do what they have always done. But if a waiver of current height limits along the waterfront is granted by any of those political bodies…it must be affirmed by a vote of the people. Prop B does not say Yes or No…it says Choice. It is that simple. The people of SF will make the final choice on height limit increases on port property. 

The idea of putting voters in charge of final approval is not new. In the past the people of San Francisco have voted for initiatives to approve a Children’s budget…a Library budget…retaining neighborhood fire stations… minimum police staffing… as well as require public authorization for new runway bay fill at our airport. And at the port itself… there have been approximately 18 ballot measures to make land use and policy decisions.

So…we are not talking about ballot box planning…we are talking about ballot box approval for waivers of existing height limits on public property. Opponents like Building Trades Council, Board of Realtors, 
and Chamber of Commerce are raising alarms that we will lose environment protections like CEQA by creating loopholes for developers. 
Astonishing! 

Prop B is sponsored by the Sierra Club…Tonight we honor Becky Evans of the Sierra Club who sponsored Proposition B. That same set of opponents are joined by city bureaucrats issuing “doomsday” reports stating that we will lose thousands of units of middle class housing… billions of dollars in port revenues…elimination of parks and open space on the waterfront. Astonishing!

These are the same bureaucrats who issued glowing reports a couple of years ago that the America’s Cup would mean billions in revenue for the port and the city. And they wanted to give Oracle’s Larry Ellison 66-year leases to develop on 5 of our port piers for that benefit! Now…how did THAT work out? So far…city hall will admit to $11 million dollars in known losses for the taxpayers.

Another opponent… SPUR says any kind of housing will make a difference and there are thousands in the pipe line… so don’t worry.
Astonishing!

We have not seen one stick of low income or affordable housing proposed on the waterfront since the 80s and 90s when Mayor Feinstein and I used waterfront land for that very purpose. Hundreds of low-income housing dwellings like Delancey Street and Steamboat Point Apartments…affordable and middle class housing like South Beach Marina apartments and Bayside village comprise an oasis of diversity and affordable housing in the midst of ultra expensive condos. For me…that was part of an inaugural promise made in January 1988…I said, “At the heart of our vision is a refusal to let San Francisco become an expensive enclave that locks out the middle class, working families and the poor. At the center of our strategy is a belief in the basic right of people to decent jobs and housing. 

Yes…that was the commitment on public land on the waterfront by 2 mayors of a recent era… but not today. Indeed…San Francisco has been rated the #1 least affordable city in America…including NY Manhattan. That is one of the many reasons we see middle class  people…as well as working poor…being forced to leave San Francisco for Oakland and elsewhere in the bay area. That reality was reinforced in the February 10, 2014 issue of Time Magazine…Mayor Lee said, “I don’t think we paid any attention to the middle class. I think everybody assumed the middle class was moving out.”

Today…An individual or family earning up to $120,000 per year …150 per cent of the median in this city… do not qualify for a mortgage and can’t afford the rent in one of the thousands of new housing units opening in the city. The Chronicle reported a couple of weeks ago that a working family of  3 who have lived in a rent-controlled studio apartment in the Mission is offered $50 K to leave. That is what the purely developer driven housing market offers. And that philosophy is reinforced by a planning commission whose chair was quoted in December 2013 issue of SF Magazine saying, “Mansions are as just as important as housing.”

Prop B changes that dynamic by putting the Citizen in the room with the “pay to play” power brokers. That is what it is all about my friends. Power.

Former SF city planning director and UC School of City Planning Professor…Alan Jacobs recently related what he called the Jacobs Truism of land economics: “Where political discretion is involved in land use decisions…the side that wins is the side with the most power. And that side is the side with the most money.” Prop B will ensure that if developers are going to spend a lot of money to get a height waiver on port property …the best place to spend it will be to involve, inform, and engage the citizen as to the merit of their request…not on the politicians.

Today that power to decide is in a room in City Hall. I know that room…I have been in that room. You know who is there? It is the lobbyists…the land use lawyers…the construction union representatives…the departmental directors… and other politicians. You know who is not in the room? YOU. The hope is that someone in that room remembers you. But if you really want your voice to be heard…you have to go to some departmental hearing or the Board of Supervisors…wait for 3 or 4 hours for your turn… and then get 2 minutes to make your case. Prop B changes that dynamic and puts you in the room that matters. No more “advisory committees” that get indulged and brushed off. No more “community outreach” that is ignored. 

It will all matter. That is why today there is no opposition from any waterfront developer…They get it. We are going to win. It is easy to see how the prospect of Prop B on the ballot this June has changed the dynamics of high-rise development along the waterfront. The Warriors have left and purchased a better location on private land in Mission Bay. The Giants have publicly announced that they will revise their plans with an eye to more appropriate height limits on port land. Forest City is moving with a ballot proposal to use Pier 70 to build new buildings of 9 stories…the same height as one of current historic buildings they will preserve on that site for artists.

The Pier 70 project will include 30 percent low-income…affordable and middle class housing on site… along with low-tech industries, office space and a water front promenade that stretches along the entire shoreline boundary. A good project that offers what the city needs will win an increase in height limits because it works for everybody. A bad one will not. My friends…I have completed my elected public service career. There will be no more elections for me.

And as I review my 40 years in public life…I am convinced of one fundamental truth. The power of the people should… and must… determine what kind of a city this will be. It must not be left to a high tech billionaire political network that wants to control city hall to fulfill their vision of who can live here and where. It starts with you… the people of this city’s neighborhoods… empowered to participate in the decisions that affect our future. You are the ones who must be vigilant and keep faith with values that make this city great. This city is stronger when we open our arms to all who want to be a part of it…to live and work in it…to be who they want to be…with whomever they want to be it with. Our dreams for this city are more powerful when they can be shared by all of us in our time…

We are the ones …here and now… who can create the climate to advance the San Francisco dream to the next generation. And the next opportunity to do that will be election day 
June 3. Thank you.

B3 note: The full Athenian oath: “We will never bring disgrace on this our City by an act of dishonesty or cowardice. We will fight for the ideals and Sacred Things of the City both alone and with many. We will revere and obey the City’s laws and will do our best to incite a like reverence and respect in those above us who are prone to annul them or set them at naught. We will strive unceasingly to quicken the public’s sense of civic duty. Thus, in all ways, we will transmit this City not only, not less, but greater and more beautiful than it was transmitted back to us.”  The National League of Cities publishes the oath and says it “was recited by the citizens of Athens, Greece, over 2,000 years ago. It is frequently referenced by civic leaders in modern times as a timeless code of civic responsibility.” 

(The Bruce blog is written and edited by Bruce B. Brugmann, editor at large of the San Francisco Bay Guardian. He is the former editor and co-founder and co-publisher of the Guardian with his wife Jean Dibble, 1966-2012. He can be reached at Bruoe@sfbg.com) 

 

 

 

Agnos offers waterfront development history lesson during SFT speech

19

[Editor’s Note: This is the text of a speech that former Mayor Art Agnos gave at San Francisco Tomorrow’s annual dinner on May 21. We reprint it here in its entirely so readers can hear directly what Agnos has been saying on the campaign trail in support of Prop. B]

I am delighted to speak to the members and friends of SFT about the waterfront tonight…and a special shout out to Jane Morrison as one of the pioneer professional women in the media and one of the finest Social Service Commissioners in our City’s history.

I also welcome the opportunity to join you in honoring tonight’s unsung heroes: Becky Evans, with whom I have worked closely over the past year and half; Tim Redmond, the conscience of the progressive community for the past 35 years; and Sara Shortt and Tommi Avicolli Mecca from the Housing Rights Committee, who stand up every day for poor and working people who need a voice in our city.

Twenty-four years ago, in 1990, I made one of the best decisions of my mayoralty when I listened to the progressive environmental voice of San Francisco and ordered the demolition of the Embarcadero Freeway. That freeway was not only a hideous blight but also a wall that separated the city from its waterfront.

Hard to believe today, but it was a very controversial decision back then. Just three years before, in 1987, the voters had defeated a proposal by Mayor Feinstein to demolish it. The Loma Prieta Earthquake gave us a chance to reconsider that idea in 1990.

Despite opposition of 22,000 signatures on a petition to retrofit the damaged freeway, combined with intense lobbying from the downtown business community led by the Chamber of Commerce, North Beach, Fisherman’s Wharf, and especially Chinatown, we convinced the Board of Supervisors to adopt our plan to demolish the freeway, by one vote.

And the rest is history — until today.

After a period of superb improvements — that include a restored Ferry Building, the ball park, two new public piers where one can walk further out into the bay than ever before in the history of this city, the Exploratorium, the soon to be opened Jim Herman Cruise Ship Terminal, Brannan Wharf Park — there is a new threat.

Private development plans that threaten to change the environment of what Herb Caen first called “our newest precious place,” not with an ugly concrete freeway wall, but with steel and glass high-rises that are twice as tall. Today, the availability of huge amounts of developer financing, combined with unprecedented influence in City Hall and the oversight bodies of this city, the waterfront has become the new gold coast of San Francisco.

Politically connected developers seek to exploit magnificent public space with high-rise, high profit developments that shut out the ordinary San Franciscan from our newest precious place. We love this city because it is a place where all of us have a claim to the best of it, no matter what our income, no matter that we are renter or homeowner, no matter what part of the city we come from.

And connected to that is the belief that waterfront public land is for all of us, not just those with the biggest bank account or most political influence. That was driven home in a recent call I had from a San Franciscan who complained about the high cost of housing for home ownership or rent, the high cost of Muni, museum admissions, even Golden Gate Bridge tours, and on and on.

When he finished with his list, I reminded him I was mayor 23 years ago and that there had been four mayors since me, so why was he complaining to me? “Because you are the only one I can reach!” he said.

Over the past few weeks, that message has stuck with me. And I finally realized why. This is what many people in our city have been seeking, someone who will listen and understand. Someone who will listen, understands, and acts to protect our newest precious place, our restored waterfront.

You see, it was not just about luxury high-rise condos at 8 Washington last year. It was not just a monstrous basketball arena on Pier 30-32 with luxury high-rise condos and a hotel across the street on public land. It’s about the whole waterfront that belongs to the people of San Francisco, all seven and a half miles of it, from the Hyde Street Piers to India Basin. And it must be protected from the land use mistakes that can become irrevocable.

This is not new to our time: 8 Washington and the Warriors arena were not the first horrendous proposals, they were only the latest. Huge, out of scale, enormously profitable projects, fueled by exuberant boosterism from the Chamber of Commerce, have always surfaced on our waterfront.

Fifty years ago, my mentor in politics, then-Supervisor Leo McCarthy said, “We must prevent a wall of high rise apartment along the waterfront, and we must stop the filling in of the SF bay as a part of a program to retain the things that have made this city attractive.”

That was 1964. In 2014, former Board of Supervisors President Aaron Peskin said it best this way: “It seems like every 10 years, every generation has to stand up to some huge development that promises untold riches as it seeks to exploit the waterfront and our public access to it.”

Public awareness first started with the construction of the 18 stories of Fontana towers east and west in 1963. That motivated then-Assemblyman Casper Weinberger to lead public opposition and demand the first height limits, as well as put a stop to five more Fontana-style buildings on the next block at Ghirardelli Square. This was the same Casper Weinberger who went on to become Secretary of HEW [formerly the Department of Health, Education, and Welfare] and Secretary of Defense under President Ronald Reagan.

In 1970, the Port Commission proposed to rip out the then “rotting piers” of Piers 1 – 7 just north of the Ferry Building. They were to be replaced with 40 acres of fill (three times the size of Union Square) upon which a 1200-room hotel and a 2400 car garage would be built.

It passed easily through Planning and the Board of Supervisors. When the proposal was rejected on 22 to 1 vote by BCDC [the San Francisco Bay Conservation and Development Commission], Mayor Alioto complained, “We just embalmed the rotting piers.”

No, we didn’t, we saved them for the right project. And if one goes there today, they see it, the largest surviving renovated piers complex with restaurants, walk-in cafes, Port offices, free public docking space, water taxis, and complete public access front and back. In 2002, that entire project was placed on the U.S. National Historic Register.

But my favorite outrageous proposal from that time was plan to demolish another set of “rotting piers” from the Ferry Building south to the Bay Bridge. And in place of those rotting piers, the plans called for more landfill to create a Ford dealership car lot with ,5000 cars as well as a new shopping center. That too was stopped.

So now it’s our turn to make sure that we stop these all too frequent threats to the access and viability of our waterfront. In the past two weeks, we have seen momentum grow to support locating the George Lucas Museum on Piers 30-32 or the sea wall across the Embarcadero.

I love the idea, but where would we be with that one if a small band of waterfront neighbors and the Sierra Club had not had the courage to stand up to the Warriors and City Hall two years ago. Once again, they used the all too familiar refrain of “rotting piers” as an impending catastrophe at Piers 30-32.

Proposition B will help prevent mistakes before they happen. Most of all, Prop. B will ensure protection of the Port on a more permanent basis by requiring a public vote on any increases to current height limits on Port property. All of the current planning approval processes will stay in place — Port Commission, Planning Commission, Board of Permit Appeals, Board of Supervisors, all will continue to do what they have always done.

But if a waiver of current height limits along the waterfront is granted by any of those political bodies, it must be affirmed by a vote of the people. Prop B does not say Yes or No, it says Choice. It is that simple. The people of SF will make the final choice on height limit increases on Port property.

The idea of putting voters in charge of final approval is not new. In the past, the people of San Francisco have voted for initiatives to approve a Children’s budget, a Library budget, retaining neighborhood fire stations, minimum police staffing, as well as to require public authorization for new runway bay fill at our airport. And at the Port itself, there have been approximately 18 ballot measures to make land use and policy decisions.

So we are not talking about ballot box planning, we are talking about ballot box approval for waivers of existing height limits on public property. Opponents like Building Trades Council, Board of Realtors, and Chamber of Commerce are raising alarms that we will lose environment protections like CEQA by creating loopholes for developers. Astonishing!

Prop B is sponsored by the Sierra Club. Tonight we honor Becky Evans of the Sierra Club who sponsored Proposition B. That same set of opponents are joined by city bureaucrats issuing “doomsday” reports stating that we will lose thousands of units of middle class housing, billions of dollars in Port revenues, elimination of parks and open space on the waterfront. Astonishing!

These are the same bureaucrats who issued glowing reports a couple of years ago that the America’s Cup would mean billions in revenue for the Port and the city. And they wanted to give Oracle’s Larry Ellison 66-year leases to develop on five of our Port piers for that benefit! Now, how did THAT work out? So far, City Hall will admit to $11 million in known losses for the taxpayers. Another opponent, SPUR [San Francisco Planning and Urban Research Association], says any kind of housing will make a difference and there are thousands in the pipeline, so don’t worry. Astonishing!

We have not seen one stick of low income or affordable housing proposed on the waterfront since the ‘80s and ‘90s when Mayor Feinstein and I used waterfront land for that very purpose. Hundreds of low-income housing dwellings like Delancey Street and Steamboat Point Apartments, affordable and middle class housing like South Beach Marina apartments and Bayside village, comprise an oasis of diversity and affordable housing in the midst of ultra expensive condos.

For me, that was part of an inaugural promise made in January 1988. I said, “At the heart of our vision is a refusal to let San Francisco become an expensive enclave that locks out the middle class, working families, and the poor. At the center of our strategy is a belief in the basic right of people to decent jobs and housing.”

Yes, that was the commitment on public land on the waterfront by two mayors of a recent era, but not today. Indeed, San Francisco has been rated the #1 least affordable city in America, including NY Manhattan. That is one of the many reasons we see middle class people, as well as working poor, being forced to leave San Francisco for Oakland and elsewhere in the Bay Area.

That reality was reinforced in the February 10, 2014 issue of Time Magazine. Mayor Lee said, “I don’t think we paid any attention to the middle class. I think everybody assumed the middle class was moving out.”

Today, an individual or family earning up to $120,000 per year — 150 percent of the median in this city — does not qualify for mortgage and can’t afford the rent in one of the thousands of new housing units opening in the city. The Chronicle reported a couple of weeks ago that a working family of three who have lived in a rent-controlled studio apartment in the Mission was offered $50,000 to leave.

That is what the purely developer-driven housing market offers. And that philosophy is reinforced by a Planning Commission whose chair was quoted in December 2013 issue of SF Magazine saying, “Mansions are just as important as housing.”

Prop B changes that dynamic by putting the citizen in the room with the “pay to play” power brokers. That is what it is all about my friends: Power.

Former SF city planning director and UC School of City Planning Professor Alan Jacobs recently related what he called the Jacobs Truism of land economics: “Where political discretion is involved in land use decisions, the side that wins is the side with the most power. And that side is the side with the most money.”

Prop B will ensure that if developers are going to spend a lot of money to get a height waiver on Port property, the best place to spend it will be to involve, inform, and engage the citizen as to the merit of their request, not on the politicians. Today that power to decide is in a room in City Hall. I know that room. I have been in that room.

You know who is there? It is the lobbyists, the land use lawyers, the construction union representatives, the departmental directors, and other politicians. You know who is not in the room? You. The hope is that someone in that room remembers you.

But if you really want your voice to be heard, you have to go to some departmental hearing or the Board of Supervisors, wait for three or four hours for your turn, and then get two minutes to make your case. Prop B changes that dynamic and puts you in the room that matters. No more “advisory committees” that get indulged and brushed off. No more “community outreach” that is ignored.

It will all matter. That is why today there is no opposition from any waterfront developer. They get it. We are going to win. It is easy to see how the prospect of Prop B on the ballot this June has changed the dynamics of high-rise development along the waterfront.

The Warriors have left and purchased a better location on private land in Mission Bay. The Giants have publicly announced that they will revise their plans with an eye to more appropriate height limits on Port land. Forest City is moving with a ballot proposal to use Pier 70 to build new buildings of nine stories, the same height as one of current historic buildings they will preserve on that site for artists.

The Pier 70 project will include 30 percent low-income, affordable and middle class housing on site, along with low-tech industries, office space, and a waterfront promenade that stretches along the entire shoreline boundary. A good project that offers what the city needs will win an increase in height limits because it works for everybody. A bad one will not.

My friends, I have completed my elected public service career. There will be no more elections for me. And as I review my 40 years in public life, I am convinced of one fundamental truth: The power of the people should, and must, determine what kind of a city this will be.

It must not be left to a high-tech billionaire political network that wants to control City Hall to fulfill their vision of who can live here and where. It starts with you, the people of this city’s neighborhoods, empowered to participate in the decisions that affect our future. You are the ones who must be vigilant and keep faith with values that make this city great.

This city is stronger when we open our arms to all who want to be a part of it, to live and work in it, to be who they want to be, with whomever they want to be it with. Our dreams for this city are more powerful when they can be shared by all of us in our time.

WE are the ones, here and now, who can create the climate to advance the San Francisco dream to the next generation. And the next opportunity to do that will be election day June 3.

Thank you.

 

Neighborhood papers tell the story of SF

1

 

By Jessica Lipsky

news@sfbg.com

Before many San Francisco residents traded their newspaper subscriptions for Internet media, a dozen monthly papers covered the beat of the city’s distinct neighborhoods. Nine of these papers, whose heyday came with radical changes in the ’70s and ’80s, are being digitally archived by local historical organization Found SF.

“The papers all have their own personalities,” said Found SF organizer LisaRuth Elliott. “You get a sense of even how those change over time too, whether it’s a hard hitting article or it’s talking about the evolution of how the street businesses changed in Noe Valley. Archiving these papers opens up the gates for all the stuff we don’t know, and that you want to find out about, in San Francisco.”

Over the course of six months, Found SF volunteers will archive two decades’ worth of content from papers published throughout the city — the Noe Valley Voice, Tenderloin Times, Visitation Valley Grapevine, Richmond ReView, Potrero View, the New Fillmore, El Tecolote, North Mission News, and the Glen Park Perspective — in partnership with the Internet Archive and San Francisco Public Library. Since beginning the project in January, Found SF has scanned over 200 issues and tagged each with searchable keywords.

 

BILINGUAL VOICES

While several of the papers have come and gone, the publication that inspired the project is still going strong. Born from 1968 riots at San Francisco State for relevant ethnic education, the Mission’s El Tecolote was founded in 1970 as a bilingual paper dedicated to social activism. The paper made great inroads in the mid-’70s fighting for equitable health services, such as a bilingual emergency phone system, while covering Latino arts and civil wars in Nicaragua and El Salvador.

“We started El Tecolote to fill the gap of the mainstream media, which wasn’t covering this neighborhood with any real consistency; if it did it was often times negative news,” founder Juan Gonzales said. “The mission was to really be a voice for the neighborhood and hopefully move the spirit of organizing ahead to make some social change.”

In addition to taking a hard line on local politics and immigrant issues, the archives document the evolution of San Francisco from various perspectives. Residents of lower-income neighborhoods were displaced, and many districts leveled, during urban renewal projects in the 1950s and 1960s, while a 1973-75 recession caused further damages. The resulting plight set the stage for journalism driven by demand for hyper-local coverage of LGBT and feminist rights, gentrification, and third-world issues.

“In the mid-’70s there was consciousness around neighborhoods as social centers and places where community organizing was happening,” Elliott said. “People are facing eviction, they’re protesting, there are these vigils happening, and people talking about gaining rights for long-term things. We’re still working with the legacy of some of the housing decisions [San Francisco] made around that time due to the activism,” she added, citing the Tenderloin Times’ advocacy for SROs in the face of hotel development west of Union Square.

 

RESILIENCE IN HARD TIMES

The New Fillmore — established in 1986 as the city became inflicted with crack and AIDS epidemics, just as Reaganism swept in — was at the heart of socioeconomic changes that transformed parts of San Francisco from what felt like a blue-collar town to an increasingly white-collar city. Approximately 30 blocks in the Fillmore and Western Addition were leveled and left vacant until the ’80s, and the monthly paper played an important role in chronicling the return of businesses to the once thriving neighborhood.

“We ended up with the worst of both worlds in the Fillmore,” said Thomas Reynolds, who took over publishing the New Fillmore in 2006. Redevelopment efforts initially provoked no organized public protest, he said, but later “generated a lot of activism. The New Fillmore managed to capture a lot of the change that was coming to the neighborhood, and a lot of the flavor and history of the neighborhood that was being lost.” The paper encouraged civic engagement through a regular architecture column that featured local homes and helped owners register their historic buildings.

Several papers served neighborhoods with large refugee and immigrant populations, many of whom didn’t speak or read English. The Tenderloin Times promoted social services and encouraged activism through coverage of Southeast Asian and local politics, while publishing simultaneously in English, Lao, Cambodian, and Vietnamese over its two-decade run. Others chronicled changes in demographics, including an influx of Chinese residents into Visitation Valley and a population shift in the Mission from predominately Chicano to more Central Americans.

The Noe Valley Voice also took an international turn when escaped Irish prisoner Liam Carl toured the U.S. to expose harsh conditions in British jails. Carl entered the country illegally and was housed in a Noe Valley home in the fall of 1980, telling the Voice, “If [prisoners] thought that perhaps there was a chance that they could be heard through less drastic measures … and maybe bring about some change without so many people having to die, perhaps I can save lives.”

While the newspapers often differed in their coverage, each featured complementary stories chronicling the 1989 Loma Prieta earthquake. Common features included how to check for damage, profiles on restaurants that fed the neighborhood or, as one Noe Valley Voice headline described the experience of meeting neighbors during a power outage: “We Could See the Stars.” Ahead of the 25th anniversary in October, Found SF has examples of quake coverage online.

“It makes me think that the city is comprised of all these little villages and it’s a little hard to say San Francisco has one direction, one value system,” Elliott said. “The papers show the wide variety of people who live in the city … but it’s all very much at a very personal level. They know each other. They’re telling stories about each other.”

For more information on the neighborhood newspaper archiving project, or to volunteer, visit foundsf.org.