Pot

Where there’s smoke

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news@sfbg.com

It was April 20 in Golden Gate Park, the fabled 4/20 in the parlance of pot smokers, and we found Nick and Chris standing under the shade of a tree with a cluster of friends, including Geoff, the proud owner of a five-foot bong.

Nick had done several hits through the supersized smoking device that day. Beside him, Chris took hits from his own handheld bong. “I’m feeling good,” Nick reported. “But I’m also kinda hungry. I could go for some Chinese food. Ohh, and some Sapporo!”

Administering a hit of marijuana through such unwieldy paraphernalia is quite the operation, requiring one person to stand and hold one end, another to light the marijuana once it’s packed into the bowl, and a third to inhale the five-foot column of milky smoke that rises through the chamber. The smokers on the receiving end contorted their faces as they inhaled, inevitably coughing and laughing as they breathed out, seemingly amazed by the experience. The college-age friends were in 420-induced bliss.

The annual 420 celebration in Golden Gate Park is unpermitted, with no official organizers, yet thousands of festivalgoers nevertheless flock to it year after year. It’s a quintessentially San Francisco experience: Young and old congregate for a collective daylong smoke-out, bringing drums, dogs, grills, shade structures, hand-blown glass, tie-dyed tapestries, Hacky Sacks, sound systems, and other picnic paraphernalia along with them.

The area around Hippie Hill — at the eastern end of the park, near Kezar Stadium — was a jumble of humanity crammed elbow to elbow, reeking of pot smoke. The crowd reflected a wide range of ethnicities and brought out many displaying an outlandish sense of fashion, sporting shiny plastic marijuana-leaf necklaces, sleeve tattoos, piercings, face paint, and piles upon piles of dreadlocked hair.

San Francisco maintains an iconic status as a weed-friendly city. While 420 in Golden Gate Park is a lighthearted scene that’s also proved irksome for city agencies plagued by leftover trash and traffic jams, serious year-round marijuana advocacy efforts continue to mark the Bay Area as a hotbed for drug policy reform and thriving, legitimate pot-based entrepreneurship.

 

GREEN BEACON

The movement to legalize marijuana for medical purposes started in San Francisco, the lovechild of the city’s hippie movement and its caregiving response to the AIDS epidemic. It was Dennis Peron and other activists here who wrote Proposition 215, the statewide legalization measure that California voters approved in 1996.

A decade ago, the San Francisco Board of Supervisors approved a comprehensive set of regulations for its two dozen or so medical marijuana dispensaries, guidelines that have proven to work well and be a model for other jurisdictions to follow, elevating pot purveyors into accepted members of the business community (see “Marijuana goes mainstream,” 1/27/10).

Some have even begun to regard the Bay Area as a model for how to implement a sensible approach to regulating marijuana. On April 16, US Rep. Dina Titus (D-Las Vegas) traveled to San Francisco on a fact-finding mission after Clark County, Nevada legalized medical marijuana, with Las Vegas and other Nevada cities expected to follow shortly.

“I want the state to learn from someone who’s done it right,” Titus told the Guardian as she toured The Apothecarium on Market Street, an elegant dispensary reputed to be one of San Francisco’s finest.

In addition to helping guide Nevada’s implementation of medical marijuana legalization, Titus said she’s working on federal legislation that would better protect small businesses involved with a marijuana industry that is growing rapidly in the US, thanks to Colorado and Washington taking the next step and legalizing even recreational uses of marijuana.

For example, Titus wants to make sure marijuana businesses have full access to banking services, something that the US Department of Justice has occasionally interfered with. As Titus told us, “The federal government shouldn’t be wasting time and going after people who are abiding their state laws.”

 

BLISS AND BOUNDARIES

Back at 420 on Hippie Hill, Amber and Charlie lounged on a blanket with Gizmo, an affectionate pooch they’d adopted from “this guy who lives in a tree house” in Santa Cruz. The young couple, ages 18 and 20 respectively, had hitchhiked to California from Washington. Yes, “we may have done some weed,” Charlie said before letting out a peal of laughter.

“It’s been pretty awesome,” Amber said. “Literally, there was smoke coming from everywhere,” the moment 4:20pm arrived. As far as the eye could see, she said, the scene was nothing but “people smoking weed. It was crazy.”

Lilian was at the park with a friend, wearing a crown of daisies she’d woven with flowers plucked from nearby the park entrance. “All day we’ve been doing joints and blunts and pipes,” she explained. “We haven’t had any bong hits yet, but we had a couple vape hits, because they were like giving free test trials here at the park. So we were like, alright, why not?”

Lilian exulted the “positive vibes” of the event, but it wasn’t all weed and roses. A short while later, reports of gunfire sent police cars racing into the park with sirens wailing. While police later reported that they never found evidence of anyone actually discharging a weapon, two different individuals were arrested on charges of possessing a firearm.

Emergency personnel responded to four medical calls, police reported the following day, including one person who had a seizure, someone who suffered an abrasion at Haight and Ashbury streets, and two underaged individuals who experienced problems after becoming overly intoxicated. For a crowd of thousands pushed the boundaries of indulgence, quite a small number suffered harm.

Eight other arrests stemmed from charges of selling marijuana or possessing it for sale, possession or sale of opiates, one warrant arrest, and another on charges of “malicious mischief,” according to police.

A few days before the unpermitted gathering, city officials held a press conference announcing a “comprehensive plan” to crack down on the anticipated debauchery, which included not only the Golden Gate Park marijuana celebration but the “Hunky Jesus” competition, a countercultural hallmark held annually on Easter Sunday in Dolores Park.

“Last year we had a lot of challenges,” said Sup. London Breed, whose District 5 encompasses Golden Gate Park. “We need to make the city and streets safe this year. We want people to come and enjoy San Francisco, but we also want them to respect San Francisco.”

Thus, city agencies ramped up deployment of both plainclothes and uniformed police officers, and sent out more parking and traffic control officers.

The previous year, when massive amounts of debris had been left strewn throughout the park, it took 25 city employees over 12 hours to clean up five tons of trash left by intoxicated visitors, said Phil Ginsburg, general manager of the city’s Recreation and Parks Department. The Department of Public Works’ tab for cleanup exceeded $10,000.

But the main draw of the event, in true San Francisco fashion, was behavior Police Chief Greg Suhr hinted in advance would essentially be tolerated. “The sale of marijuana is still a felony,” Suhr emphasized, “but I don’t think [the SFPD is] naive enough to believe that we can stop people from smoking on 4/20.”

 

CANNABIS AS MEDICINE

Advocates for legalizing even recreational use of marijuana had hoped to make the November ballot this year, but the campaign’s signature-gathering effort has sputtered out.

Sponsored by the California Cannabis Hemp Initiative, the legalization measure was named for Jack Herer, a renowned cannabis advocate who passed away in 2010. The campaign is now ramping up for another try in 2016, when some advocates hope the presidential election will drive younger voters to the polls.

But while efforts to legalize weed in California for recreational use falter for now, the legitimate use of cannabis for medicinal purposes has giving rise to healthy businesses and research on health benefits. At the April 16 event at the Apothecarium, Titus had lots of questions for Allie Butler, an expert in marijuana who has a master’s degree in public health and told Titus, “I want to do cannabis research for the rest of my life.”

Butler introduced Titus to the various strains of marijuana, explaining what ailments each is good for. The CaliWidow can be a cure for headaches, she explained, and Blue Dream is “good for nausea. We prescribe that for cancer patients all day.” She indicated another strain, saying, “this is the Jack Herer, it’s my mom’s favorite.” Fancy, knowledgeable, and above ground, this isn’t your mom’s marijuana business anymore.

City unveils plan to get tough at 4/20 gatherings

City officials today announced a “comprehensive plan” to crack down on unpermitted 420 events at Golden Gate Park this Sun/20, saying it was necessary because last year’s debauchery got out of hand. That means more police, both in uniform and plainclothes, will be in the park for the greatest marijuana celebration of the year.

“Last year [on 4/20] we had a lot of challenges,” said Sup. London Breed, who is spearheading this year’s efforts since the park falls in her district. “We need to make the city and streets safe this year. We want people to come and enjoy San Francisco, but we also want them to respect San Francisco.”

The problems Breed was alluding to included underage drinking, traffic congestion, and massive amounts of trash left in the park, especially in the area known as Hippie Hill.

Last year, it took 25 city employees over 12 hours to clean up the five tons of trash left by intoxicated visitors, according to Phil Ginsburg, general manager of San Francisco Recreation and Parks. And because 420 activities are unsanctioned and without an official sponsor, the burden to pay for the cleanup falls upon the city. In 2013, the Department of Public Works spent more than $10,000 to restore Golden Gate Park.

In anticipation of an even larger crowd this year, for both 420 and Easter events happening in the park, the city is gearing up to deal with people and traffic. In addition to deploying additional law enforcement in plainclothes and uniform, officials also plan to ramp up parking control, utilize additional bus services, and employ city workers to direct traffic.

A press release issued by Breed’s office indicated that police would take “a strict enforcement approach to all code violations.”

But speaking at the press conference, San Francisco Police Chief Greg Suhr said officers will have zero tolerance for violations such as underage drinking, open containers, selling drugs, unlicensed vendors, and even walking while texting. Noticeably absent from the list of offenses he mentioned was actually smoking marijuana.

“The sale of marijuana is still a felony,” Suhr emphasized, “but I don’t think [the SFPD is] naive enough to believe that we can stop people from smoking on 4/20.”

Captain Gregory Corrales confirmed that maintaining safety is the station’s top priority. Last year there was only one violent incident and eight arrests for selling drugs, but there were zero citations for possession of marijuana.

Pot smoking, which has long been tolerated, if not embraced, in our progressive enclave, was officially deprioritized as a crime by the Board of Supervisors in 2006, barring incidents that involved driving under the influence, minors, or violence. Breed noted that while she does not “condone illegal activities,” she admits that this aspect of the 420 celebration is difficult to control.

So please, stoners of San Francisco, follow the cardinal rule of nature lovers by packing out whatever you pack in. And above all, have a safe and merry holiday.

Save the world, work less

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steve@sfbg.com

Save the world, work less. That dual proposition should have universal appeal in any sane society. And those two ideas are inextricably linked by the realities of global climate change because there is a direct connection between economic activity and greenhouse gas emissions.

Simply put, every hour of work we do cooks the planet and its sensitive ecosystems a little bit more, and going home to relax and enjoy some leisure time is like taking this boiling pot of water off the burner.

Most of us burn energy getting to and from work, stocking and powering our offices, and performing the myriad tasks that translate into digits on our paychecks. The challenge of working less is a societal one, not an individual mandate: How can we allow people to work less and still meet their basic needs?

This goal of slowing down and spending less time at work — as radical as it may sound — was at the center of mainstream American political discourse for much of our history, considered by thinkers of all ideological stripes to be the natural endpoint of technological development. It was mostly forgotten here in the 1940s, strangely so, even as worker productivity increased dramatically.

But it’s worth remembering now that we understand the environmental consequences of our growth-based economic system. Our current approach isn’t good for the health of the planet and its creatures, and it’s not good for the happiness and productivity of overworked Americans, so perhaps it’s time to revisit this once-popular idea.

Last year, there was a brief burst of national media coverage around this “save the world, work less” idea, triggered by a report by the Washington DC-based Center for Economic and Policy Research, entitled “Reduced Work Hours as a Means of Slowing Climate Change.”

“As productivity grows in high-income, as well as developing countries, social choices will be made as to how much of the productivity gains will be taken in the form of higher consumption levels versus fewer work hours,” author David Rosnick wrote in the introduction.

He notes that per capita work hours were reduced by 50 percent in recent decades in Europe compared to US workers who spend as much time as ever on the job, despite being a world leader in developing technologies that make us more productive. Working more means consuming more, on and off the job.

“This choice between fewer work hours versus increased consumption has significant implications for the rate of climate change,” the report said before going on to study various climate change and economic growth models.

It isn’t just global warming that working less will help address, but a whole range of related environmental problems: loss of biodiversity and natural habitat; rapid depletion of important natural resources, from fossil fuel to fresh water; and the pollution of our environment with harmful chemicals and obsolete gadgets.

Every day that the global workforce is on the job, those problems all get worse, mitigated only slightly by the handful of occupations devoted to cleaning up those messes. The Rosnick report contemplates only a slight reduction in working hours, gradually shaving a few hours off the week and offering a little more vacation time.

“The paper estimates the impact on climate change of reducing work hours over the rest of the century by an annual average of 0.5 percent. It finds that such a change in work hours would eliminate about one-quarter to one-half of the global warming that is not already locked in (i.e. warming that would be caused by 1990 levels of greenhouse gas concentrations already in the atmosphere),” the report concludes.

What I’m talking about is something more radical, a change that meets the daunting and unaddressed challenge that climate change is presenting. Let’s start the discussion in the range of a full day off to cutting our work hours in half — and eliminating half of the wasteful, exploitive, demeaning, make-work jobs that this economy-on-steroids is creating for us, and forcing us to take if we want to meet our basic needs.

Taking even a day back for ourselves and our environment will seem like crazy-talk to many readers, even though our bosses would still command more days each week than we would. But the idea that our machines and other innovations would lead us to work far less than we do now — and that this would be a natural and widely accepted and expected part of economic evolution — has a long and esteemed philosophical history.

Perhaps this forgotten goal is one worth remembering at this critical moment in our economic and environmental development.

 

HISTORY LESSON

Author and historian Chris Carlsson has been beating the “work less” drum in San Francisco since Jimmy Carter was president, when he and his fellow anti-capitalist activists decried the dawning of an age of aggressive business deregulation that continues to this day.

They responded with creative political theater and protests on the streets of the Financial District, and with the founding of a magazine called Processed World, highlighting how new information technologies were making corporations more powerful than ever without improving the lives of workers.

“What do we actually do all day and why? That’s the most basic question that you’d think we’d be talking about all the time,” Carlsson told us. “We live in an incredibly powerful and overarching propaganda society that tells you to get your joy from work.”

But Carlsson isn’t buying it, noting that huge swaths of the economy are based on exploiting people or the planet, or just creating unproductive economic churn that wastes energy for its own sake. After all, the Gross Domestic Product measures everything, the good, the bad, and the ugly.

“The logic of growth that underlies this society is fundamentally flawed,” Carlsson said. “It’s the logic of the cancer cell — it makes no sense.”

What makes more sense is to be smart about how we’re using our energy, to create an economy that economizes instead of just consuming everything in its path. He said that we should ask, “What work do we need to do and to what end?”

We used to ask such questions in this country. There was a time when working less was the goal of our technological development.

“Throughout the 19th century, and well into the 20th, the reduction of worktime was one of the nation’s most pressing issues,” professor Juliet B. Schor wrote in her seminal 1991 book The Overworked American: The Unexpected Decline of Leisure. “Through the Depression, hours remained a major social preoccupation. Today these debates and conflicts are long forgotten.”

Work hours were steadily reduced as these debates raged, and it was widely assumed that even greater reductions in work hours was all but inevitable. “By today, it was estimated that we could have either a 22-hour week, a six-month workyear, or a standard retirement age of 38,” Schor wrote, citing a 1958 study and testimony to Congress in 1967.

But that didn’t happen. Instead, declining work hours leveled off in the late 1940s even as worker productivity grew rapidly, increasing an average of 3 percent per year 1948-1968. Then, in the 1970s, workers in the US began to work steadily more hours each week while their European counterparts moved in the opposite direction.

“People tend to think the way things are is the way it’s always been,” Carlsson said. “Once upon a time, they thought technology would produce more leisure time, but that didn’t happen.”

Writer David Spencer took on the topic in a widely shared essay published in The Guardian UK in February entitled “Why work more? We should be working less for a better quality of life: Our society tolerates long working hours for some and zero hours for others. This doesn’t make sense.”

He cites practical benefits of working less, from reducing unemployment to increasing the productivity and happiness of workers, and cites a long and varied philosophical history supporting this forgotten goal, including opposing economists John Maynard Keynes and Karl Marx.

Keynes called less work the “ultimate solution” to unemployment and he “also saw merit in using productivity gains to reduce work time and famously looked forward to a time (around 2030) when people would be required to work 15 hours a week. Working less was part of Keynes’s vision of a ‘good society,'” Spencer wrote.

“Marx importantly thought that under communism work in the ‘realm of necessity’ could be fulfilling as it would elicit and harness the creativity of workers. Whatever irksome work remained in realm of necessity could be lessened by the harnessing of technology,” Spencer wrote.

He also cited Bertrand Russell’s acclaimed 1932 essay, “In Praise of Idleness,” in which the famed mathematician reasoned that working a four-hour day would cure many societal ills. “I think that there is far too much work done in the world, that immense harm is caused by the belief that work is virtuous, and that what needs to be preached in modern industrial countries is quite different from what always has been preached,” Russell wrote.

Spencer concluded his article by writing, “Ultimately, the reduction in working time is about creating more opportunities for people to realize their potential in all manner of activities including within the work sphere. Working less, in short, is about allowing us to live more.”

 

JOBS VS. WORK

Schor’s research has shown how long working hours — and the uneven distribution of those hours among workers — has hampered our economy, hurt our environment, and undermined human happiness.

“We have an increasingly poorly functioning economy and a catastrophic environmental situation,” Schor told us in a phone interview from her office at Boston College, explaining how the increasingly dire climate change scenarios add urgency to talking about how we’re working.

Schor has studied the problem with other researchers, with some of her work forming the basis for Rosnick’s work, including the 2012 paper Schor authored with University of Alabama Professor Kyle Knight entitled “Could working less reduce pressures on the environment?” The short answer is yes.

“As humanity’s overshoot of environmental limits become increasingly manifest and its consequences become clearer, more attention is being paid to the idea of supplanting the pervasive growth paradigm of contemporary societies,” the report says.

The United States seems to be a case study for what’s wrong.

“There’s quite a bit of evidence that countries with high annual work hours have much higher carbon emissions and carbon footprints,” Schor told us, noting that the latter category also takes into account the impacts of the products and services we use. And it isn’t just the energy we expend at work, but how we live our stressed-out personal lives.

“If households have less time due to hours of work, they do things in a more carbon-intensive way,” Schor said, with her research finding those who work long hours often tend to drive cars by themselves more often (after all, carpooling or public transportation take time and planning) and eat more processed foods.

Other countries have found ways of breaking this vicious cycle. A generation ago, Schor said, the Netherlands began a policy of converting many government jobs to 80 percent hours, giving employees an extra day off each week, and encouraging many private sector employers to do the same. The result was happier employees and a stronger economy.

“The Netherlands had tremendous success with their program and they’ve ended up with the highest labor productivity in Europe, and one of the happiest populations,” Schor told us. “Working hours is a triple dividend policy change.”

By that she means that reducing per capita work hours simultaneously lowers the unemployment rate by making more jobs available, helps address global warming and other environmental challenges, and allows people to lead happier lives, with more time for family, leisure, and activities of their choosing.

Ironically, a big reason why it’s been so difficult for the climate change movement to gain traction is that we’re all spending too much time and energy on making a living to have the bandwidth needed to sustain a serious and sustained political uprising.

When I presented this article’s thesis to Bill McKibben, the author and activist whose 350.org movement is desperately trying to prevent carbon concentrations in the atmosphere from passing critical levels, he said, “If people figure out ways to work less at their jobs, I hope they’ll spend some of their time on our too-often neglected work as citizens. In particular, we need a hell of a lot of people willing to devote some time to breaking the power of the fossil fuel industry.”

world

That’s the vicious circle we now find ourselves in. There is so much work to do in addressing huge challenges such as global warming and transitioning to more sustainable economic and energy systems, but we’re working harder than ever just to meet our basic needs — usually in ways that exacerbate these challenges.

“I don’t have time for a job, I have too much work to do,” is the dilemma facing Carlsson and others who seek to devote themselves to making the world a better place for all living things.

To get our heads around the problem, we need to overcome the mistaken belief that all jobs and economic activity are good, a core tenet of Mayor Ed Lee’s economic development policies and his relentless “jobs agenda” boosterism and business tax cuts. Not only has the approach triggered the gentrification and displacement that have roiled the city’s political landscape in the last year, but it relies on a faulty and overly simplistic assumption: All jobs are good for society, regardless of their pay or impact on people and the planet.

Lee’s mantra is just the latest riff on the fabled Protestant work ethic, which US conservatives and neoliberals since the Reagan Era have used to dismantle the US welfare system, pushing the idea that it’s better for a single mother to flip our hamburgers or scrub our floors than to get the assistance she needs to stay home and take care of her own home and children.

“There is a belief that work is the best form of welfare and that those who are able to work ought to work. This particular focus on work has come at the expense of another, far more radical policy goal, that of creating ‘less work,'” Spencer wrote in his Guardian essay. “Yet…the pursuit of less work could provide a better standard of life, including a better quality of work life.”

And it may also help save us from environmental catastrophe.

 

GLOBAL TIPPING POINT

The Intergovernmental Panel on Climate Change, the top research body on the issue recognized by the United Nations, recently released its fifth report summarizing and analyzing the science and policies around climate change, striking a more urgent tone than in previous reports.

On April 13 at a climate conference in Berlin, the panel released a new report noting that greenhouse gas emissions are rising faster than ever and urgent action is needed in the next decade to avert a serious crisis.

“We cannot afford to lose another decade,” Ottmar Edenhofer, a German economist and co-chairman of the committee that wrote the report, told The New York Times. “If we lose another decade, it becomes extremely costly to achieve climate stabilization.”

After the panel released an earlier section of the report on March 31, it wrote in a public statement: “The report concludes that responding to climate change involves making choices about risks in a changing world. The nature of the risks of climate change is increasingly clear, though climate change will also continue to produce surprises.”

The known impacts will be displaced populations in poor countries inundated by rising seas, significant changes to life-supporting ecosystems (such as less precipitation in California and other regions, creating possible fresh water shortages), food shortages from loss of agricultural land, and more extreme weather events.

What we don’t yet know, these “surprises,” could be even scarier because this is such uncharted territory. Never before have human activities had such an impact on the natural world and its delicate balances, such as in how energy circulates through the world’s oceans and what it means to disrupt half of the planet’s surface area.

Researchers have warned that we could be approaching a “global tipping point,” in which the impact of climate change affects other systems in the natural world and threatens to spiral out of control toward another mass extinction. And a new report funded partially by the National Science Foundation and NASA’s Goodard Space Center combines the environmental data with growing inequities in the distribution of wealth to warn that modern society as we know it could collapse.

“The fall of the Roman Empire, and the equally (if not more) advanced Han, Mauryan, and Gupta Empires, as well as so many advanced Mesopotamian Empires, are all testimony to the fact that advanced, sophisticated, complex, and creative civilizations can be both fragile and impermanent,” the report warned.

It cites two critical features that have triggered most major societal collapses in past, both of which are increasingly pervasive problems today: “the stretching of resources due to the strain placed on the ecological carrying capacity”; and “the economic stratification of society into Elites [rich] and Masses (or ‘Commoners’),” which makes it more difficult to deal with problems that arise.

Both of these problems would be addressed by doing less overall work, and distributing the work and the rewards for that work more evenly.

 

SYSTEMIC PROBLEM

Carol Zabin — research director for the Center for Labor Research and Education at UC Berkeley, who has studied the relation between jobs and climate change — has some doubts about the strategy of addressing global warming by reducing economic output and working less.

“Economic activity which uses energy is not immediately correlated with work hours,” she told us, noting that some labor-saving industrial processes use more energy than human-powered alternatives. And she also said that, “some leisure activities could be consumptive activities that are just as bad or worse than work.”

She does concede that there is a direct connection between energy use and climate change, and that most economic activity uses energy. Zabin also said there was a clear and measurable reduction in greenhouse gas emissions during the Great Recession that began with the 2008 economic crash, when economic growth stalled and unemployment was high.

“When we’re in recessions and output and consumption slow, we see a reduction in impact on the climate,” Zabin said, although she added, “They’re correlated, but they’re not causal.”

Other studies have made direct connections between work and energy use, at least when averaged out across the population, studies that Rosnick cited in his study. “Recent work estimated that a 1 percent increase in annual hours per employee is associated with a 1.5 percent increase in carbon footprint,” it said, citing the 2012 Knight study.

Zabin’s main stumbling block was a political one, rooted in the assumption that American-style capitalism, based on conspicuous consumption, would continue more or less as is. “Politically, reducing economic growth is really, really unviable,” she told us, noting how that would hurt the working class.

But again, doesn’t that just assume that the pain of an economic slowdown couldn’t be more broadly shared, with the rich absorbing more of the impact than they have so far? Can’t we move to an economic system that is more sustainable and more equitable?

“It seems a little utopian when we have a problem we need to address by reducing energy use,” Zabin said before finally taking that next logical step: “If we had socialism and central planning, we could shut the whole thing down a notch.”

Instead, we have capitalism, and she said, “we have a climate problem that is probably not going to be solved anyway.”

So we have capitalism and unchecked global warming, or we can have a more sustainable system and socialism. Hmm, which one should we pick? European leaders have already started opting for the latter option, slowing down their economic output, reducing work hours, and substantially lowering the continent’s carbon footprint.

That brings us back to the basic question set forth in the Rosnick study: As productivity increases, should those gains go to increase the wages of workers or to reduce their hours? From the perspective of global warming, the answer is clearly the latter. But that question is complicated in US these days by the bosses, investors, and corporations keeping the productivity gains for themselves.

“It is worth noting that the pursuit of reduced work hours as a policy alternative would be much more difficult in an economy where inequality is high and/or growing. In the United States, for example, just under two-thirds of all income gains from 1973-2007 went to the top 1 percent of households. In that type of economy, the majority of workers would have to take an absolute reduction in their living standards in order to work less. The analysis of this paper assumes that the gains from productivity growth will be more broadly shared in the future, as they have been in the past,” the study concludes.

So it appears we have some work to do, and that starts with making a connection between Earth Day and May Day.

 

EARTH DAY TO MAY DAY

The Global Climate Convergence (www.globalclimateconvergence.org) grew out of a Jan. 18 conference in Chicago that brought together a variety of progressive, environmental, and social justice groups to work together on combating climate change. They’re planning “10 days to change course,” a burst of political organizing and activism between Earth Day and May Day, highlighting the connection between empowering workers and saving the planet.

“It provides coordinated action and collaboration across fronts of struggle and national borders to harness the transformative power we already possess as a thousand separate movements. These grassroots justice movements are sweeping the globe, rising up against the global assault on our shared economy, ecology, peace and democracy. The accelerating climate disaster, which threatens to unravel civilization as soon as 2050, intensifies all of these struggles and creates new urgency for collaboration and unified action. Earth Day to May Day 2014 (April 22 — May 1) will be the first in a series of expanding annual actions,” the group announced.

San Mateo resident Ragina Johnson, who is coordinating events in the Bay Area, told us May Day, the international workers’ rights holiday, grew out of the struggle for the eight-hour workday in the United States, so it’s appropriate to use the occasion to call for society to slow down and balance the demands of capital with the needs of the people and the planet.

“What we’re seeing now is an enormous opportunity to link up these movements,” she told us. “It has really put us on the forefront of building a new progressive left in this country that takes on these issues.”

In San Francisco, she said the tech industry is a ripe target for activism.

“Technology has many employees working 60 hours a week, and what is the technology going to? It’s going to bottom line profits instead of reducing people’s work hours,” she said.

That’s something the researchers have found as well.

“Right now, the problem is workers aren’t getting any of those productivity gains, it’s all going to capital,” Schor told us. “People don’t see the connection between the maldistribution of hours and high unemployment.”

She said the solution should involve “policies that make it easier to work shorter hours and still meet people’s basic needs, and health insurance reform is one of those.”

Yet even the suggestion that reducing work hours might be a worthy societal goal makes the head of conservatives explode. When the San Francisco Chronicle published an article about how “working a bit less” could help many people qualify for healthcare subsidies under the Affordable Care Act (“Lower 2014 income can net huge health care subsidy,” 10/12/13), the right-wing blogosphere went nuts decrying what one site called the “toxic essence of the welfare state.”

Chronicle columnist Debra Saunders parroted the criticism in her Feb. 7 column. “The CBO had determined that ‘workers will choose to supply less labor — given the new taxes and other incentives they will face and the financial benefits some will receive.’ To many Democrats, apparently, that’s all good,” she wrote of Congressional Budget Office predictions that Obamacare could help reduce hours worked.

Not too many Democratic politicians have embraced the idea of working less, but maybe they should if we’re really going to attack climate change and other environmental challenges. Capitalism has given us great abundance, more than we need and more than we can safely sustain, so let’s talk about slowing things down.

“There’s a huge amount of work going on in society that nobody wants to do and nobody should do,” Carlsson said, imagining a world where economic desperation didn’t dictate the work we do. “Most of us would be free to do what we want to do, and most of us would do useful things.”

And what about those who would choose idleness and sloth? So what? At this point, Mother Earth would happily trade her legions of crazed workaholics for a healthy population of slackers, those content to work and consume less.

Maybe someday we’ll even look back and wonder why we ever considered greed and overwork to be virtues, rather than valuing a more healthy balance between our jobs and our personal lives, our bosses and our families, ourselves and the natural world that sustains us.

Film Listings: April 2 – 8, 2014

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Film listings are edited by Cheryl Eddy. Reviewers are Kimberly Chun, Dennis Harvey, Lynn Rapoport, Sam Stander, and Sara Maria Vizcarrondo. For rep house showtimes, see Rep Clock.

OPENING

Breathe In In Drake Doremus’s lyrical tale of a man in midlife crisis, Guy Pearce plays Keith Reynolds, a high school music teacher living in upstate New York with his wife, Megan (Amy Ryan), and teenage daughter, Lauren (Mackenzie David). Quietly harboring his discontent, Keith spends solitary moments wistfully sifting through glory-days photographs of his former band and memories of the undomesticated life he and Megan led two decades ago in New York City, which the two revisit in a low-toned call-and-response that doesn’t need to erupt into a blistering argument to clarify their incompatible positions. The melancholy calm is disrupted by the arrival of a British exchange student named Sophie (Felicity Jones, who also starred in Doremus’s 2011 film, Like Crazy). Evading a scene of loss and heartbreak at home, 18-year-old Sophie has come to spend a semester at Lauren’s high school, a juxtaposition that presents us with two wildly distinct species of teenager. Lauren is a brittle, popular party girl whom we watch making poor choices with a predatory classmate; Sophie is a soulful, reserved young woman whose prodigious talent at the piano first jars Keith out of his malaise into an uncomfortable awareness. A scene before Sophie’s arrival in which the family plays Jenga and Keith pulls out the wrong piece, toppling the tower, perhaps presses its ominous visual message too hard. Meanwhile, similarities to 2012’s Nobody Walks underscore the argument that this subject matter is an old, tired tale. But for the most part, the intimacy that develops between Keith and Sophie is constructed with delicate restraint, and Doremus and writing partner Ben York Jones have crafted a textured portrait of a man trying to repossess the past. (1:37) Sundance Kabuki. (Rapoport)

Captain America: The Winter Soldier Marvel’s most wholesome hero returns in this latest film in the Avengers series, and while it doesn’t deviate from the expected formula (it’s not a spoiler to say that yes, the world is saved yet again), it manages to incorporate a surprisingly timely plot about the dangers of government surveillance. Steve Rogers (Chris Evans), hunkiest 95-year-old ever, is still figuring out his place in the 21st century after his post-World War II deep freeze. Nick Fury (Samuel L. Jackson) has him running random rescue missions with the help of Black Widow (Scarlett Johansson), but SHIELD is working on a top-secret project that will allow it to predict crimes before they occur. It isn’t long before Cap’s distrust of the weapon — he may be old-fashioned, but he ain’t stupid — uncovers a sinister plot led by a familiar enemy, with Steve’s former BFF Bucky doing its bidding as the science-experiment-turned-assassin Winter Soldier (Sebastian Stan). Anthony Mackie, Robert Redford, and series regular Colbie Smulders are fine in supporting roles, and Johansson finally gets more to do than punch and pose, but the likable Evans ably carries the movie — he may not have the charisma of Robert Downey Jr., but he brings wit and depth to a role that would otherwise be defined mainly by biceps and CG-heavy fights. Oh, and you know the drill by now: superfans will want to stick around for two additional scenes tucked into the end credits. (2:16) (Eddy)

Frankie & Alice Halle Berry plays a go-go dancer with dissociative identity disorder. (1:42)

Goodbye World The end begins with a text — “Goodbye world,” sent to every cell phone. Once the computer virus-spawned anarchy really gets rolling (internet and power outages, violence and chaos), a group with nerdy-tech past connections descends on the survivalist-chic homestead of responsible James (Adrian Grenier) and “zany” Lily (Kerry Bishé): uptight Becky (Caroline Dhavernas) and unhappy Nick (Ben McKenzie); Lev (Scott Mescudi, aka musician Kid Cudi), who may have accidentally unleashed the virus; Laura (Gaby Hoffman), haunted by a recent political scandal; and ex-con Benji (Marc Webber) with his nubile tagalong (Remy Nozik). Most of these folks — even the ones married to each other — are frenemies at best, and their relationships disintegrate as civilization crumbles from afar. Physical menace enters this Big Chill-off-the-grid reunion when surly National Guardsmen emerge from the woods, but the main dramas take place ‘twixt the members of the angsty ensemble — all of whom are actually in desperate need of a fresh start. Among a cast composed mostly of TV veterans, Hoffman (last seen scene-stealing on Girls) is the standout performer, not to mention the MVP of this particular apocalypse. (1:41) Four Star. (Eddy)

Island of Lemurs: Madagascar Morgan Freeman narrates this 3D IMAX look at lemurs. (:39)

It Felt Like Love Set on the outer edges of Brooklyn and Queens, writer-director Eliza Hittman’s debut feature tracks the summertime wanderings and missteps of 14-year-old Lila (Gina Piersanti), whose days mainly consist of trailing in the wake of her more sexually experienced and perpetually coupled-off best friend, Chiara (Giovanna Salimeni). The camera repeatedly finds Lila in voyeur mode, as Chiara and her boyfriend, Patrick (Jesse Cordasco), negotiate their physical relationship and redefine the limits of PDA, unfazed by Lila’s silent, watchful presence. It’s clear she wants some part of this, though her motivations are a murky compound of envy, loneliness, and longing for a sense of place among her peers. A brief encounter with an older boy, Sammy (Ronen Rubinstein), whom Chiara knows — more of a sighting, really — provides the tiniest of openings, and Lila forces her way through it with an awkward insistence that is uncomfortable and sometimes painful to witness. Lila lacks Chiara’s fluid verbal and physical vernacular, and her attempts at mimicry in the cause of attracting Sammy’s attention only underline how unready and out of her depth she is. As Lila pushes into his seedy, sleazy world — a typical night is spent getting wasted and watching porn with his friends — their encounters don’t look like they feel like love, though Piersanti poignantly signals her character’s physical desire in the face of Sammy’s bemused ambivalence. Hittman unflinchingly leads her hapless protagonist through scenes that hover uneasily between dark comedy and menace without ever quite landing, and this uncertainty generates an emotional force that isn’t dispelled by the drifting, episodic plot. (1:22) Roxie. (Rapoport)

Jinn Horror movie based on the mythical creature from Arabic folklore. (1:37)

The Missing Picture Rithy Panh’s latest film about the homeland he fled as a teenager is atypically, directly autobiographical, and most unusually crafted. He re-creates his once comfortable Phnom Penh family’s grim fate after Pol Pot and company seized control of Cambodia in 1975 — as all fell prey to the starvation, forced labor, and other privations suffered by perceived “enemies” of the new regime — not by any conventional means but via elaborate dioramas of handmade clay figures depicted in prison camp life (and death). There’s also ample surviving propagandic footage of the Khmer Rouge trumpeting its “model society” that was in reality little more than an experiment in mass execution and torture. The result is a unique and powerful take on one of the 20th century’s worst crimes against humanity. (1:36) Opera Plaza. (Harvey)

Nymphomaniac, Volume II The second half of Lars von Trier’s anecdotal epic begins with Joe (Charlotte Gainsbourg) recalling the quasi-religious experience of her spontaneous first orgasm at age 12. Then she continues to tell bookish good Samaritan Seligman (Stellan Skarsgard) — who reveals he’s an asexual 60-something virgin — the story of her sexually compulsive life to date. Despite finding domestic stability at last with Jerome (Shia LeBeouf), she proves to have no talent for motherhood, and hits a tormenting period of frigidity eventually relieved only by the brutal ministrations of sadist K (Jamie Bell, burying Billy Elliott for good). She finds a suitable professional outlet for her peculiarly antisocial personality, working as a sometimes ruthless debt collector under the tutelage of L (Willem Dafoe), and he in turn encourages her to develop her own protégé in the form of needy teenager P (Mia Goth). If Vol. I raised the question “Will all this have a point?,” Vol. II provides the answer, and it’s (as expected) “Not really.” Still, there’s no room for boredom in the filmmaker’s most playfully arbitrary, entertaining, and least misanthropic (very relatively speaking) effort since his last four-hour-plus project 20 years ago, TV miniseries The Kingdom. Never mind that von Trier (in one of many moments when he uses Joe or Seligman as his mouthpiece) protests against the tyranny of political correctitude that renders a word like “Negro” unsayable — you’re still free to feel offended when his camera spends more time ogling two African men’s variably erect dicks in one brief scene that it does all the white actors’ cocks combined. But then there’s considerably more graphic content all around in this windup, which ends on a predictable note of cheap, melodramatic irony. But that’s part of the charm of the whole enterprise: Reeling heedlessly from the pedantic to the shocking to the trivial, like a spoiled child it manages to be kinda cute even when it’s deliberately pissing you off. (2:10) Embarcadero, Smith Rafael. (Harvey)

On My Way Not for nothing too does the title On My Way evoke Going Places (1974): director Emmanuelle Bercot is less interested in exploring Catherine Deneuve’s at-times-chilled hauteur than roughing up, grounding, and blowing fresh country air through that still intimidatingly gorgeous image. Deneuve’s Bettie lost her way long ago — the former beauty queen, who never rose beyond her Miss Brittany status, is in a state of stagnation, working at her seafood restaurant, having affairs with married men, living with her mother, and still sleeping in her girlhood room. One workday mid-lunch hour, she gets in her car and drives, ignoring all her ordinary responsibilities and disappearing down the wormhole of dive bars and back roads. She seems destined to drift until her enraged, equally lost daughter Muriel (Camille) calls in a favor: give her son Charly (Nemo Schiffman) a ride to his paternal grandfather’s. It’s chance to reconnect and correct course, even after Bettie’s money is spent, her restaurant appears doomed, and the adorable, infuriating Charly acts out. The way is clear, however: what could have been a musty, predictable affair, in the style of so many boomer tales in the movie houses these days, is given a crucial infusion of humanity and life, as Bercot keeps an affectionate eye trained on the unglamorous everyday attractions of a French backwater and Deneuve works that ineffable charm that draws all eyes to her onscreen. Her Bettie may have kicked her cigarette habit long ago, but she’s still smokin’ — in every way. (1:53) Clay. (Chun)

The Raid 2 See “Brawl Opera.” (2:19) Metreon, Sundance Kabuki, Shattuck.

Rob the Mob Based on a stranger-than-fiction actual case, this rambunctious crime comedy stars Michael Pitt and Nina Arianda as Tommy and Rosie, a coupla crazy kids in early 1990s Queens — crazy in love, both before and after their strung-out robbery antics win them both a stint in the pen. When Tommy gets out 18 months later, he finds Rosie has managed to stay clean, even getting a legit job as a debt collector for positive-thinking nut and regular employer of strays Dave (a delightful Griffin Dunne). She wants Tommy to do likewise, but the high visibility trial of mob kingpin John Gotti gives him an idea: With the mafia trying to keep an especially low profile at present, why not go around sticking up the neighborhood “social clubs” where wise guys hang out, laden with gold chains and greenbacks but (it’s a rule) unarmed? Whatta they gonna do, call the police? This plan is so reckless it just might work, and indeed it does, for a while. But these endearingly stupid lovebirds can’t be counted on to stay under the radar, magnetizing attention from the press (Ray Romano as a newspaper columnist), the FBI, and of course the “organization” — particularly one “family” led by Big Al (Andy Garcia). Written by Jonathan Fernandez, this first narrative feature from director Raymond DeFitta since his terrific 2009 sleeper hit City Island is less like that screwball fare and more like a scaled down, economically downscaled American Hustle (2013), another brashly comedic period piece inspired by tabloid-worthy fact. Inspiration doesn’t fully hold up to the end, but the film has verve and style to spare, and the performances (also including notable turns from Cathy Moriarty, Frank Whaley, Burt Young, Michael Rispoli, Yul Vazquez and others) are sterling. (1:42) Embarcadero. (Harvey)

The Unknown Known After winning an Oscar for 2003’s The Fog of War: Eleven Lessons from the Life of Robert S. McNamera, Errol Morris revisits the extended-interview documentary format with another Secretary of Defense, Donald Rumsfeld. The film delves into Rumsfeld’s lengthy political career — from Congress to the Nixon, Ford, and George W. Bush administrations — drawing insights from the man himself and his extensive archive of memos (“there have to be millions”) on Vietnam, 9/11, Osama bin Laden, the “chain of command,” torture, the Iraq War, etc., as well as archival footage that suggests the glib Rumsfeld’s preferred spin on certain events is not always factually accurate (see: Saddam Hussein and WMDs). Morris participates from behind the camera, lobbing questions that we can hear and therefore gauge Rumsfeld’s immediate reaction to them. (The man is 100 percent unafraid of prolonging an awkward pause.) A gorgeous Danny Elfman score soothes some of the anger you’ll feel digesting Rumsfeld’s rhetoric, but you still may find yourself wanting to shriek at the screen. In other words, another Morris success. (1:42) Elmwood, Presidio. (Eddy)

ONGOING

Afternoon of a Faun: Tanaquil Le Clercq Writer-director Nancy Buirski’s documentary follows the short, brilliant career of a young dancer named Tanaquil Le Clercq, who came up in the New York City ballet world of the 1940s and ’50s. Le Clercq was discovered by George Balanchine, married him (as three other dancers had done before her), sparked a paradigm shift in the ballet world regarding what was considered the quintessential dancer’s body, had numerous ballets set on her by Balanchine and Jerome Robbins, and then, at the peak of her career, at age 27, was stricken by polio and left paralyzed in both legs. The film takes its time moving toward this catastrophe, recounting Le Clercq’s early adult life through interviews with her contemporaries and tracking her professional progress through gorgeous archival footage of her performances. Equally moving archival material are the letters from a longtime correspondence between Le Clercq and Robbins that documented two very different periods of her life: the first, when Robbins was choreographing ballets for her, including Afternoon of a Faun, and professing his love; the second, after her paralysis, when she wrote him a series of poignant communications describing her impressions of her illness and her new, circumscribed world. The film has some trouble holding on to its center — as in life, Balanchine proves a magnetic force, and Afternoon of a Faun feels inexorably drawn to his professional and personal details. We don’t get enough of Le Clercq, which you could say is the tragedy of her story — nobody did. But the letters do provide a sense of someone resourceful and responsive to life’s richness and joys, someone who would get past this crisis and find a way to reshape her life. (1:31) Opera Plaza. (Rapoport)

American Hustle David O. Russell’s American Hustle is like a lot of things you’ve seen before — put in a blender, so the results are too smooth to feel blatantly derivative, though here and there you taste a little Boogie Nights (1997), Goodfellas (1990), or whatever. Loosely based on the Abscam FBI sting-scandal of the late 1970s and early ’80s (an opening title snarks “Some of this actually happened”), Hustle is a screwball crime caper almost entirely populated by petty schemers with big ideas almost certain to blow up in their faces. It’s love, or something, at first sight for Irving Rosenfeld (Christian Bale) and Sydney Prosser (Amy Adams), who meet at a Long Island party circa 1977 and instantly fall for each other — or rather for the idealized selves they’ve both strained to concoct. He’s a none-too-classy but savvy operator who’s built up a mini-empire of variably legal businesses; she’s a nobody from nowhere who crawled upward and gave herself a bombshell makeover. The hiccup in this slightly tacky yet perfect match is Irving’s neglected, crazy wife Rosalyn (Jennifer Lawrence), who’s not about to let him go. She’s their main problem until they meet Richie DiMaso (Bradley Cooper), an ambitious FBI agent who entraps the two while posing as a client. Their only way out of a long prison haul, he says, is to cooperate in an elaborate Atlantic City redevelopment scheme he’s concocted to bring down a slew of Mafioso and presumably corrupt politicians, hustling a beloved Jersey mayor (Jeremy Renner) in the process. Russell’s filmmaking is at a peak of populist confidence it would have been hard to imagine before 2010’s The Fighter, and the casting here is perfect down to the smallest roles. But beyond all clever plotting, amusing period trappings, and general high energy, the film’s ace is its four leads, who ingeniously juggle the caricatured surfaces and pathetic depths of self-identified “winners” primarily driven by profound insecurity. (2:17) Metreon. (Harvey)

Bad Words Settling a grudge score whose precise origin remains unclear until late in the game, world-class misanthrope Guy Trilby (Jason Bateman) is celebrating his 40th birthday by competing in a national spelling bee. Yes, spelling bees are generally for children, and so is this one. But Guy has found a legal loophole permitting his participation, and the general hate wending his way from contest staff (Allison Janney, Philip Baker Hall) — let alone the tiger-mom-and-dad parents ready to form a lynch mob — is just icing on the cake where he’s concerned. What’s more, as some sort of majorly underachieving near-genius, he’s in fact well equipped to whup the bejesus out of overachieving eight-year-olds when it comes to saying the right letters out loud. The only people on his side, sorta, are the online journalist (Kathryn Hahn) reporting on his perverse quest, and the insidiously cute Indian American competitor (Rohan Chand) who wants to be besties, or perhaps just to psych him out. (Note: The tyke’s admitted favorite word is “subjugate.”) Written by Andrew Dodge, this comedy in the tradition (a little too obviously) of 2003’s Bad Santa and such provides the always enjoyable Bateman with not only a tailor-made lead role, but a directorial debut as well. He does just fine by both. Yet as nicely crafted and frequently-pretty-funny Bad Words is, at core it’s a rather petty movie — small, derivative, and cynically mean-spirited without the courage of genuine biliousness. It’s at once not-half-bad, and not half as badass as it pretends to be. (1:29) Marina, 1000 Van Ness, SF Center, Sundance Kabuki. (Harvey)

Boys of Abu Ghraib First-time feature director-writer Luke Moran stars as Jack, an all-American lad who signs on for an Army stint in the wake of 9/11, and finds himself posted to the titular Iraqi prison turned U.S. military detainee camp 20 miles outside Baghdad. Despite the occasional bombing, however, life is mostly underutilized tedium for he and his fellow grunts. With nothing else to do, Jack volunteers for MP duty as a guard in the cell blocks — where his initial shock at the torture and abuse of prisoners is exacerbated by his friendship with the well educated, friendly, convincingly innocent captive Ghazi (Omid Abtahi). Shot at an abandoned New Mexico penitentiary, this drama is effective as far as it goes in exploring one fictive soldier’s rocky road under the influence of stress, isolation, and boredom. But as it ultimately encompasses the real-life international Abu Ghraib scandal of 2004 — in which leaked photos revealed widespread humiliation and abuse of prisoners for no evident purpose save enlistees’ loutish amusement — Boys falls well short in illuminating just how that kind of systemic breakdown can occur amongst seemingly normal, disciplined military personnel. Moran and company do raise the issue, but it turns out to be a weightier, more disturbing issue than this modestly ambitious feature is equipped to handle. (1:42) Metreon. (Harvey)

Cesar Chavez “You always have a choice,” Cesar Chavez (Michael Peña) tells his bullied son when advising him to turn the other cheek. Likewise, actor-turned-director Diego Luna had a choice when it came to tackling his first English-language film; he could have selected a less complicated, sprawling story. So he gets props for that simple act — especially at a time when workers’ rights and union power have been so dramatically eroded — and for his attempts to impact some complicated nuance to Chavez’s fully evident heroism. Painting his moving pictures in dusty earth tones and burnt sunlight with the help of cinematographer Enrique Chediak, Luna vaults straight into Chavez’s work with the grape pickers that would come to join the United Farm Workers — with just a brief voiceover about Chavez’s roots as the native-born son of a farm owner turned worker, post-Depression. Uprooting wife Helen (America Ferrera) and his family and moving to Delano as a sign of activist commitment, Chavez is seemingly quickly drawn into the 1965 strike by the Mexican workers’ sometime rivals: Filipino pickers (see the recent CAAMFest short documentary Delano Manongs for some of their side of the story). From there, the focus hones in on Chavez, speaking out against violence and “chicken shit macho ideals,” hunger striking, and activating unions overseas, though Luna does give voice to cohorts like Dolores Huerta (Rosario Dawson), growers like Bogdanovitch (John Malkovich), and the many nameless strikers — some of whom lost their lives during the astonishingly lengthy, taxing five-year strike. Luna’s win would be a blue-collar epic on par with 1979’s Norma Rae, and on some levels, he succeeds; scanning the faces of the weathered, hopeful extras in crowd scenes, you can’t help but feel the solidarity. The people have the power, as a poet once put it, and tellingly, his choice of Peña, stolidly opaque when charismatic warmth is called for, might be the key weakness here. One suspects the director or his frequent costar Gael García Bernal would make a more riveting Chavez. (1:38) Metreon. (Chun)

Divergent Based on the blockbuster dystopian-future YA novel by Veronica Roth (the first in a trilogy), Divergent is set in a future city-state version of Chicago in which society is divided into five character-based, color-coded factions: Erudite, Amity, Candor, Abnegation, and Dauntless. Like her peers, Beatrice Prior (Shailene Woodley), the film’s Abnegation-born teenage heroine, must choose a permanent faction — with the help of a standardized aptitude test that forgoes penciling in bubbles in favor of virtual reality psychic manipulation. When the test fails to triangulate her sole innate personality trait, she learns that she belongs to a secret, endangered sixth category: Divergent, an astonishing set of people who are not only capable of, say, acts of selflessness but can also produce intelligent thought, or manifest bravery in the face of danger. Forced to hide her aberrant nature in a society whose leaders (Kate Winslet) are prone to statements like “The future belongs to those who know where they belong,” and seemingly bored among Abnegation’s hive of gray cardigan-wearing worker bees, Beatrice chooses Dauntless, a dashing gang of black-clad, alterna-rock music video extras who jump on and off moving trains and live in a warehouse-chic compound whose dining hall recalls the patio at Zeitgeist. Fittingly, a surly, tattooed young man named Four (Theo James) leads Beatrice, now Tris, and her fellow initiates through a harsh proving regimen that, if they fail, will cast them into an impoverished underclass. Director Neil Burger (2006’s The Illusionist, 2011’s Limitless) and the behemoth marketing force behind Divergent are clearly hoping to stir up the kind of madness stoked by the Twilight and Hunger Games series, but while there are bones a-plenty to pick with those franchises, Divergent may have them beat for pure daffiness of premise and diameter of plot holes — and that’s after screenwriters Evan Daugherty and Vanessa Taylor’s major suturing of the source material’s lacunae. The daffiness doesn’t translate into imaginative world-building, and while a couple of scenes convey the visceral thrills of life in Dauntless, the tension between Tris and Four is awkwardly ratcheted up, and the film’s shift into a mode of crisis is equally jolting without generating much heat. (2:20) Balboa, Metreon, 1000 Van Ness, Sundance Kabuki. (Rapoport)

Ernest & Celestine Belgian animators Vincent Patar and Stéphane Aubier are best known for the stop-motion shorts series (and priceless 2009 subsequent feature) A Town Called Panic, an anarchic, absurdist, and hilarious creation suitable for all ages. Their latest (co-directed with Benjamin Renner) is … not like that at all. Instead, it’s a sweet, generally guileless children’s cartoon that takes its gentle, watercolor-type visual style from late writer-illustrator Gabrielle Vincent’s same-named books. Celestine (voiced by Pauline Brunner) is an orphaned girl mouse that befriends gruff bear Ernest (the excellent Lambert Wilson), though their improbable kinship invites social disapproval and scrapes with the law. There are some clever satirical touches, but mostly this is a softhearted charmer that will primarily appeal to younger kids. Adults will find it pleasant enough — but don’t expect any Panic-style craziness. (1:20) Embarcadero. (Harvey)

Frozen (1:48) Metreon.

The Grand Budapest Hotel Is this the first Wes Anderson movie to feature a shootout? It’s definitely the first Anderson flick to include a severed head. That’s not to say The Grand Budapest Hotel, “inspired by” the works of Austrian novelist Stefan Zweig, represents too much of a shift for the director — his intricate approach to art direction is still very much in place, as are the deadpan line deliveries and a cast stuffed with Anderson regulars. But there’s a slightly more serious vibe here, a welcome change from 2012’s tooth-achingly twee Moonrise Kingdom. Thank Ralph Fiennes’ performance as liberally perfumed concierge extraordinaire M. Gustave, which mixes a shot of melancholy into the whimsy, and newcomer Tony Revolori as Zero, his loyal lobby boy, who provides gravitas despite only being a teenager. (Being played by F. Murray Abraham as an older adult probably helps in that department.) Hotel‘s early 20th century Europe setting proves an ideal canvas for Anderson’s love of detail — the titular creation rivals Stanley Kubrick’s rendering of the Overlook Hotel — and his supporting cast, as always, looks to be enjoying the hell out of being a part of Anderson’s universe, with Willem Dafoe, Jeff Goldblum, and Adrien Brody having particularly oversized fun. Is this the best Wes Anderson movie since 2001’s The Royal Tenenbaums? Yes. (1:40) 1000 Van Ness, SF Center, Sundance Kabuki, Vogue. (Eddy)

Gravity “Life in space is impossible,” begins Gravity, the latest from Alfonso Cuarón (2006’s Children of Men). Egghead Dr. Ryan Stone (Sandra Bullock) is well aware of her precarious situation after a mangled satellite slams into her ship, then proceeds to demolition-derby everything (including the International Space Station) in its path. It’s not long before she’s utterly, terrifyingly alone, and forced to unearth near-superhuman reserves of physical and mental strength to survive. Bullock’s performance would be enough to recommend Gravity, but there’s more to praise, like the film’s tense pacing, spare-yet-layered script (Cuarón co-wrote with his son, Jonás), and spectacular 3D photography — not to mention George Clooney’s warm supporting turn as a career astronaut who loves country music almost as much as he loves telling stories about his misadventures. (1:31) Metreon. (Eddy)

The Great Beauty The latest from Paolo Sorrentino (2008’s Il Divo) arrives as a high-profile contender for the Best Foreign Language Film Oscar, already annointed a masterpiece in some quarters, and duly announcing itself as such in nearly every grandiose, aesthetically engorged moment. Yes, it seems to say, you are in the presence of this auteur’s masterpiece. But it’s somebody else’s, too. The problem isn’t just that Fellini got there first, but that there’s room for doubt whether Sorrentino’s homage actually builds on or simply imitates its model. La Dolce Vita (1960) and 8 1/2 (1963) are themselves swaying, jerry-built monuments, exhileratingly messy and debatably profound. But nothing quite like them had been seen before, and they did define a time of cultural upheaval — when traditional ways of life were being plowed under by a loud, moneyed, heedless modernity that for a while chose Rome as its global capital. Sorrentino announces his intention to out-Fellini Fellini in an opening sequence so strenuously flamboyant it’s like a never-ending pirouette performed by a prima dancer with a hernia. There’s statuary, a women’s choral ensemble, an on-screen audience applauding the director’s baffled muse Toni Servillo, standing in for Marcello Mastroianni — all this and more in manic tracking shots and frantic intercutting, as if sheer speed alone could supply contemporary relevancy. Eventually The Great Beauty calms down a bit, but still its reason for being remains vague behind the heavy curtain of “style.” (2:22) Opera Plaza. (Harvey)

Jodorowsky’s Dune A Chilean émigré to Paris, Alejandro Jodorowsky had avant-garde interests that led him from theater and comic book art to film, making his feature debut with 1968’s Fando y Lis. Undaunted by its poor reception, he created El Topo (1970), a blood-soaked mix of spaghetti western, mysticism, and Buñuellian parabolic grotesquerie that became the very first “midnight movie.” After that success, he was given nearly a million dollars to “do what he wanted” with 1973’s similarly out-there The Holy Mountain, which became a big hit in Europe. French producer Michel Seydoux asked Jodorowsky what he’d like to do next. Dune, he said. In many ways it seemed a perfect match of director and material. Yet Dune would be an enormous undertaking in terms of scale, expense, and technical challenges. What moneymen in their right mind would entrust this flamboyant genius/nut job with it? They wouldn’t, as it turned out. So doc Jodorowsky’s Dune is the story of “the greatest film never made,” one that’s brain-exploding enough in description alone. But there’s more than description to go on here, since in 1975 the director and his collaborators created a beautifully detailed volume of storyboards and other preproduction minutiae they hoped would lure Hollywood studios aboard this space phantasmagoria. From this goldmine of material, as well as input from the surviving participants, Pavich is able to reconstruct not just the film’s making and unmaking, but to an extent the film itself — there are animated storyboard sequences here that offer just a partial yet still breathtaking glimpse of what might have been. (1:30) Embarcadero. (Harvey)

The Lego Movie (1:41) Metroen, 1000 Van Ness.

The Lunchbox Ila (Nimrat Kaur) is a self-possessed housewife and a great cook, whose husband confuses her for another piece of furniture. She tries to arouse his affections with elaborate lunches she makes and sends through the city’s lunchbox delivery service. Like marriage in India, lunchbox delivery has a failure rate of zero, which is what makes aberrations seem like magical occurrences. So when widow Saajan (Irrfan Khan) receives her adoring food, he humbly receives the magical lunches like a revival of the senses. Once Ila realizes her lunchbox is feeding the wrong man she writes a note and Saajan replies — tersely, like a man who hasn’t held a conversation in a decade — and the impossible circumstances lend their exchanges a romance that challenges her emotional fidelity and his retreat from society. She confides her husband is cheating. He confides his sympathy for men of lower castes. It’s a May/December affair if it’s an affair at all — but the chemistry we expect the actors to have in the same room is what fuels our urge to see it; that’s a rare and haunting dynamic. Newcomer Kaur is perfect as Ila, a beauty unmarked by her rigorous distaff; her soft features and exhausted expression lend a richness to the troubles she can’t share with her similarly stoic mother (Lillete Dubey). Everyone is sacrificing something and poverty seeps into every crack, every life, without exception — their inner lives are their richness. (1:44) Embarcadero. (Vizcarrondo)

Mistaken for Strangers Tom Berninger, brother to the National vocalist Matt Berninger, is the maker of this doc — ostensibly about the band but a really about brotherly love, competition, and creation. It spins off a somewhat genius conceit of brother vs. brother, since the combo is composed of two sets of siblings: twins Aaron and Bryce Dessner on guitars and Scott and Bryan Devendorf on bass and drums respectively. The obvious question — what of singer Matt and his missing broheim? Turns out little bro Tom is one of those rock fans — of metal and not, it seems, the National — more interested in living the life and drinking the brewskis than making the music. So when Matt reaches out to Tom, adrift in their hometown of Cincinnati, to work as a roadie for the outfit, it’s a handout, sure, but also a way for the two to spend time together and bond. A not-quite-realized moviemaker who’s tried to make his own Z-budget scary flicks but never seems to finish much, Tom decides to document, and in the process gently poke fun at, the band (aka his authority-figures-slash-employers), which turns out to be much more interesting than gathering their deli platters and Toblerone. The National’s aesthetic isn’t quite his cup of tea: they prefer to wrap themselves in slinky black suits like Nick Cave’s pickup band, and the soft-spoken Matt tends to perpetually stroll about with a glass of white wine or bubbly in hand when he isn’t bursting into fourth-wall-busting high jinks on stage. Proud of his sib yet also intimidated by the National’s fame and not a little envious of the photo shoots, the Obama meetings, and the like, Tom is all about having fun. But it’s not a case of us vs. them, Tom vs. Matt, he discovers; it’s a matter of connecting with family and oneself. In a Michael Moore-ian sense, the sweet-tempered Mistaken for Strangers is as much, if not more so, about the filmmaker and the journey to make the movie than the supposed subject. (1:15) Roxie. (Chun)

Mr. Peabody and Sherman Mr. P. (voiced by Ty Burrell) is a Nobel Prize-winning genius dog, Sherman (Max Charles) his adopted human son. When the latter attends his first day of school, his extremely precocious knowledge of history attracts jealous interest from bratty classmate Penny (Ariel Winter), with the eventual result that all three end up being transported in Peabody’s WABAC time machine to various fabled moments — involving Marie Antoinette, King Tut, the Trojan Horse, etc. — where Penny invariably gets them in deep trouble. Rob Minkoff’s first all-animation feature since The Lion King 20 years ago is spun off from the same-named segments in Jay Ward’s TV Rocky and Bullwinkle Show some decades earlier. It’s a very busy (sometimes to the brink of clutter), often witty, imaginatively constructed, visually impressive, and for the most part highly enjoyable comic adventure. The only minuses are some perfunctory “It’s about family”-type sentimentality — and scenarist Craig Wright’s determination to draw from history the “lesson” that nearly all women are pains in the ass who create problems they must then be rescued from. (1:30) 1000 Van Ness. (Harvey)

Muppets Most Wanted Building on the success of The Muppets, Jim Henson’s beloved creations return to capitalize on their revitalized (and Disney-owned) fame. This follow-up from Muppets director James Tobin — technically, it’s the seventh sequel to the original 1979 Muppet Movie, as Dr. Bunsen Honeydew points out in one of the film’s many meta moments — improves upon the 2011 film, which had its charms but suffered by concentrating too much on the Jason Segal-Amy Adams romance, not to mention annoying new kid Walter. Here, human co-stars Ricky Gervais, Tina Fey, and others (there are more cameos than you can count) are relegated to supporting roles, with the central conflict revolving around the Muppets’ inability to notice that Constantine, “the world’s most dangerous frog,” has infiltrated their group, sending Kermit to Siberian prison in his place. Constantine and his accomplice (Gervais, whose character’s last name is “Badguy”) use the Muppets’ world tour as a front for their jewel-heist operation; meanwhile, his infatuated warden (Fey) forces Kermit to direct the annual gulag musical. Not helping matters are a bumbling Interpol agent (Ty Burrell) and his CIA counterpart (Sam the American Eagle, natch). Really, all that’s needed is a simple plot, catchy songs, and plenty of room to let the Muppets do their thing — Miss Piggy and Animal are particularly enjoyable here; Walter’s still around, but he’s way more tolerable now that he’s gotten past his “man or muppet” angst — and the film delivers. All the knowing winks to the grown-up fans in the audience are just an appreciated bonus. (1:46) Balboa, 1000 Van Ness, SF Center. (Eddy)

Need for Speed Speed kills, in quite a different way than it might in Breaking Bad, in Aaron Paul’s big-screen Need for Speed. “Big” nonetheless signals “B” here, in this stunt-filled challenge to the Fast and the Furious franchise, though there’s no shame in that — the drive-in is paved with standouts and stinkers alike. Tobey (Paul) is an ace driver who’s in danger of losing his auto shop, also the hangout for his pals (Scott Mescudi, Rami Malek, Ramon Rodriguez) and young sidekick Pete (Harrison Gilbertson), when archrival Dino (Dominic Cooper) arrives with a historic Mustang in need of restoration. Tragedy strikes, and Tobey must hook up with that fateful auto once more to win a mysterious winner-takes-all race, staged by eccentric, rich racing-fiend Monarch (Michael Keaton). Along for the ride are the (big) eyes and ears for the Mustang’s new owner — gearhead Julia (Imogen Poots). All beside the point, since the racing stunts, including a showy helicopter canyon save, are the real stars of Speed, while the touchstone for stuntman-turned-director Scott Waugh — considering the car and the final SF and Northern California race settings — is, of course, Bullitt (1968), which is given an overt nod in the opening drive-in scene. The overall larky effect, however, tends toward Smokey and the Bandit (1977), especially with Keaton’s camp efforts at Wolfman Jack verbiage-slanging roaring in the background. And despite the efforts of the multicultural gallery of wisecracking side guys, this script-challenged popcorn-er tends to blur what little chemistry these characters have with each other, skip the residual car culture insights of the more specific, more urban Fast series, and leave character development, in particular Tobey’s, in the dust in its haste to get from point A to B. (2:10) Metreon, 1000 Van Ness. (Chun)

Noah Darren Aronofsky’s Biblical epic begins with a brief recap of prior Genesis events — creation is detailed a bit more in clever fashion later on — leading up to mankind’s messing up such that God wants to wipe the slate clean and start over. That means getting Noah (Russell Crowe), wife Naameh (Jennifer Connelly), and their three sons and one adopted daughter (Emma Watson) to build an ark that can save them and two of every animal species from the imminent slate-wiping Great Flood. (The rest of humanity, having sinned too much, can just feed the fishes.) They get some help from fallen angels turned into Ray Harryhausen-type giant rock creatures voiced by Nick Nolte and others. There’s an admirable brute force and some startling imagery to this uneven, somber, Iceland-shot tale “inspired” by the Good Book (which, needless to say, has endured more than its share of revisions over the centuries). Purists may quibble over some choices, including the device of turning minor Biblical figure Tubal-Cain (Ray Winstone) into a royal-stowaway villain, and political conservatives have already squawked a bit over Aronofsky’s not-so-subtle message of eco-consciousness, with Noah being bade to “replenish the Earth” that man has hitherto rendered barren. But for the most part this is a respectable, forceful interpretation that should stir useful discussion amongst believers and non believers alike. Its biggest problem is that after the impressively harrowing flood itself, we’re trapped on the ark dealing with the lesser crises of a pregnancy, a discontented middle son (Logan Lerman), and that stowaway’s plotting — ponderous intrigues that might have been leavened if the director had allowed us to hang out with the animals a little, rather than sedating the whole menagerie for the entire voyage. (2:07) 1000 Van Ness, SF Center, Shattuck, Sundance Kabuki. (Harvey)

Non-Stop You don’t want to get between Liam Neeson and his human shield duties. The Taken franchise has restyled the once-gentle acting giant into the type of weather-beaten, all-business action hero that Harrison Ford once had a lock on. Throw in a bit of the flying-while-addled antihero high jinks last seen in Flight (2012) and that pressured, packed-sardine anxiety that we all suffer during long-distance air travel, and we have a somewhat ludicrous but nonetheless entertaining hybrid that may have you believing that those salty snacks and the seat-kicking kids are the least of your troubles. Neeson’s Bill Marks signals the level of his freestyle alcoholism by giving his booze a stir with a toothbrush shortly before putting on his big-boy air marshal pants and boarding his fateful flight. Marks is soon contacted by a psycho who promises, via text, to kill one person at a time on the flight unless $150 million is deposited into a bank account that — surprise — is under the bad-good air marshal’s name. The twists and turns — and questions of who to trust, whether it’s Marks’ vaguely likeable seatmate (Julianne Moore) or his business class flight attendant (Michelle Dockery) — keep the audience on edge and busily guessing, though director Jaume Collet-Serra doesn’t quite dispel all the questions that arise as the diabolical scheme plays out and ultimately taxes believability. The fun is all in the getting there, even if the denouement on the tarmac deflates. (1:50) Metreon, 1000 Van Ness. (Chun)

Nymphomaniac: Volume I Found battered and unconscious in a back alley, Joe (Charlotte Gainsbourg) is taken in by good Samaritan Seligman (Stellan Skarsgaard), to whom she explains “It’s all my fault — I’m just a bad human being.” But he doesn’t believe there are such things. She seeks to enlighten him by narrating the story of her life so far, from carnally curious childhood to sexually voracious adulthood. Stacy Martin plays her younger self through a guided tour of excesses variously involving Christian Slater and Connie Nielsen as her parents; a buncha guys fucked on a train, on a teenage dare; Uma Thurman as one histrionically scorned woman; and Shai LaBeouf as a first love who’s a cipher either because he’s written that way, or because this particular actor can’t make sense out of him. For all its intended provocation, including some graphic but unsurprisingly (coming from this director) unerotic XXX action, von Trier’s latest is actually less offensive than much of his prior output: He’s regained his sense of humor here, and annoying as its “Look at me, I’m an unpredictable artist” crap can be (notably all the stuff about fly-fishing, cake forks, numerology, etc. that seems randomly drawn from some Great Big Book of Useless Trivia), the film’s episodic progress is divertingly colorful enough. But is Joe going to turn out to be more than a two-dimensional authorial device from a director who’s never exactly sussed women (or liked people in general)? Will Nymphomaniac arrive at some pointed whole greater than the sum of its naughty bits? The answer to both is probably “Nah.” But we won’t know for sure until the two-hour second half arrives (April 4) of a movie that, in fairness, was never really intended to be split up like this. (1:50) Embarcadero, Smith Rafael. (Harvey)

Particle Fever “We are hearing nature talk to us,” a physicist remarks in awe near the end of Particle Fever, Mark Levinson’s intriguing doc about the 2012 discovery of the Higgs boson particle. Earlier, another scientist says, “I’ve never heard of a moment like this in [science] history, where an entire field is hinging on a single event.” The event, of course, is the launch of the Large Hardon Collider, the enormous machine that enabled the discovery. Though some interest in physics is probably necessary to enjoy Particle Fever, extensive knowledge of quarks and such is not, since the film uses elegant animation to refresh the basics for anyone whose eyes glazed over during high-school science. But though he offers plenty of context, Levinson wisely focuses his film on a handful of genial eggheads who are involved in the project, either hands-on at the European Organization for Nuclear Research (CERN), or watching from afar as the mighty LHC comes to life. Their excitement brings a welcome warmth to the proceedings — and their “fever” becomes contagious. (1:39) Opera Plaza. (Eddy)

RoboCop Truly, there was no need to remake 1987’s RoboCop, Paul Verhoeven’s smart, biting sci-fi classic that deploys heaps of stealth satire beneath its ultraviolent imagery. But the inevitable do-over is here, and while it doesn’t improve on what came before, it’s not a total lost cause, either. Thank Brazilian filmmaker José Padilha, whose thrilling Elite Squad films touch on similar themes of corruption (within police, political, and media realms), and some inspired casting, including Samuel L. Jackson as the uber-conservative host of a futuristic talk show. Though the suit that restores life to fallen Detroit cop Alex Murphy is, naturally, a CG wonder, the guy inside the armor — played by The Killing‘s Joel Kinnaman — is less dynamic. In fact, none of the characters, even those portrayed by actors far more lively than Kinnaman (Michael Keaton, Gary Oldman, Jackie Earle Haley), are developed beyond the bare minimum required to serve RoboCop‘s plot, a mixed-message glob of dirty cops, money-grubbing corporations, the military-industrial complex, and a few too many “Is he a man…or a machine?” moments. But in its favor: Though it’s PG-13 (boo), it’s also shot in 2D (yay). (1:50) Metreon. (Eddy)

Sabotage Puzzle over the bad Photoshop job on the Sabotage poster. The hard-to-make-out Arnold Schwarzenegger in the foreground could be just about any weathered, sinewy body — telling, in gory action effort that wears its grit like a big black sleeve tattoo on its bicep and reads like an attempt at governator reinvention. Yet this blood-drenched twister, front-loaded with acting talent and directed by David Ayer (2012’s End of Watch), can’t quite make up its mind where it stands. Is it a truth-to-life cop drama about a particularly thuggy DEA team, an old-fashioned murder mystery-meets-heist-exercise, or just another crowd-pleasing Pumping Arnie flick? Schwarzenegger is Breacher, the leader of a team of undercover DEA agents who like to caper on the far reaches of bad lieutenant behavior: wild-eyed coke snorting (a scene-chomping Mireille Enos); sorry facial hair (Sam Worthington, as out of his element as the bead at the end of his goatee); unfortunate cornrows (Joe Manganiello); trash-talking (Josh Holloway); and acting like a suspiciously colorless man of color (Terrence Howard). We know these are bad apples from the start — the question is just how bad they are. Also, how fast can the vanilla homicide cops (Olivia Williams, Harold Perrineau) lock them down, as team members are handily, eh, dismembered and begin to turn on each other and Schwarzenegger gets in at least one semi-zinger concerning an opponent with 48 percent body fat? Still, the sutured-on archetypal-Arnie climax comes as a bit of a shock in its broad-stroke comic-book violence, as the superstar pulls rank, sabotages any residual pretense to realism, and dons a cowboy hat to tell his legions of shooting victims, “I’m different!” Get to the choppers, indeed. (1:49) Metreon, 1000 Van Ness. (Chun)

300: Rise of An Empire We pick up the 300 franchise right where director Zack Snyder left off in 2006, with this prequel-sequel, which spins off an as-yet-unreleased Frank Miller graphic novel. In the hands of director Noam Murro, with Snyder still in the house as writer, 300: Rise of an Empire contorts itself, flipping back and forth in time, in an attempt to explain the making of Persian evil prince stereotype Xerxes (Rodrigo Santoro) —all purring androgyny, fashionable piercings, and Iran-baiting, Bush-era malevolence — before following through on avenging 300‘s romantically outnumbered, chesty Spartans. As told by the angry, mourning Spartan Queen Gorgo (Lena Headey of Game of Thrones), the whole mess apparently began during the Battle of Marathon, when Athenian General Themistokles (Sullivan Stapleton) killed Xerxes’s royal father with a well-aimed miracle arrow. That act ushers in Xerxes’s transformation into a “God King” bent on vengeance, aided and encouraged by his equally vengeful, elegantly mega-goth naval commander Artemisia (Eva Green), a Greek-hating Greek who likes to up the perversity quotient by making out with decapitated heads. In case you didn’t get it: know that vengeance is a prime mover for almost all the parties (except perhaps high-minded hottie Themistokles). Very loosely tethered to history and supplied with plenty of shirtless Greeks, taut thighs, wildly splintering ships, and even proto-suicide bombers, Rise skews toward a more naturalistic, less digitally waxy look than 300, as dust motes and fire sparks perpetually telegraph depth of field, shrieking, “See your 3D dollars hard at work!” Also working hard and making all that wrath look diabolically effortless is Green, who as the pitch-black counterpart to Gorga, turns out to be the real hero of the franchise, saving it from being yet another by-the-book sword-and-sandal war-game exercise populated by wholesome-looking, buff, blond jock-soldiers. Green’s feline line readings and languid camp attitude have a way of cutting through the sausage fest of the Greek pec-ing order, even during the Battle of, seriously, Salamis. (1:43) Metreon, 1000 Van Ness. (Chun)

Veronica Mars Since the cult fave TV show Veronica Mars went off the air in 2007, fans of the series, about a smart, cynical teenager who solves mysteries and battles her high school’s 1 percenters — a sort of adolescent noir minus the ex nihilo patois of Rian Johnson’s 2005 Brick — have had their hopes raised and dashed several times regarding the possibility of a big-screen coda. While that sort of scenario usually involves a few of the five stages of grief, this one has a twist happy ending: a full-length film, directed by show creator Rob Thomas and cowritten by Thomas and show producer-writer Diane Ruggiero (with a budget aided by a crowdfunding campaign), that doesn’t suck. It’s been a decade since graduation, and Veronica Mars (Kristen Bell) has put a continent between herself and her creepy, class war–torn hometown of Neptune, Calif. — leaving behind her P.I. vocation and a track record of exposing lies, corruption, and the dark side of the human soul in favor of a Columbia law degree and a career of covering up same. But when Logan Echolls (Jason Dohring), her brooding, troubled ex, gets charged with the murder of his pop star girlfriend and asks Veronica for help, she can’t resist the pull of what she admits is a pathological impulse. Plus, it’s her 10-year reunion. And indeed, pretty much anyone who had a character arc during the show’s three seasons makes an appearance — plus (naturally) James Franco, Dax Shepard (Bell’s husband), and (oddly) Ira Glass. It could have been a cameo fusillade, but the writing here is as smart, tight, funny, and involving as it was on the TV series, and Thomas and Ruggiero for the most part manage to thread everyone in, taking pressure off a murder mystery that falls a little flat, updating the story to reflect current states of web surveillance and pop cultural mayhem, and keeping the focus on the joy of seeing Veronica back where she belongs. (1:43) Metreon. (Rapoport)

Le Week-End Director Roger Michell and writer Hanif Kureishi first collaborated two decades ago on The Buddha of Suburbia, when the latter was still in the business of being Britain’s brashest multiculti hipster voice. But in the last 10 years they’ve made a habit of slowing down to sketching portraits of older lives — and providing great roles for the nation’s bottomless well of remarkable veteran actors. Here Lindsay Duncan and Jim Broadbent play a pair of English academics trying to re-create their long-ago honeymoon’s magic on an anniversary weekend in Paris. They love each other, but their relationship is thorny and complicated in ways that time has done nothing to smooth over. This beautifully observed duet goes way beyond the usual adorable-old-coot terrain of such stories on screen; it has charm and humor, but these are unpredictable, fully rounded characters, not comforting caricatures. Briefly turning this into a seriocomedy three-way is Most Valuable Berserker Jeff Goldblum as an old friend encountered by chance. It’s not his story, but damned if he doesn’t just about steal the movie anyway. (1:33) Embarcadero, Sundance Kabuki. (Harvey)

The Wind Rises Hayao Miyazaki announced that Oscar nominee The Wind Rises would be his final film before retiring — though he later amended that declaration, as he’s fond of doing, so who knows. At any rate, it’d be a shame if this was the Japanese animation master’s final film before retirement; not only does it lack the whimsy of his signature efforts (2001’s Spirited Away, 1997’s Princess Mononoke), it’s been overshadowed by controversy — not entirely surprising, since it’s about the life of Jiro Horikoshi, who designed war planes (built by slave labor) in World War II-era Japan. Surprisingly, a pacifist message is established early on; as a young boy, his mother tells him, “Fighting is never justified,” and in a dream, Italian engineer Giovanni Caproni assures him “Airplanes are not tools for war.” But that statement doesn’t last long; Caproni visits Jiro in his dreams as his career takes him from Japan to Germany, where he warns the owlish young designer that “aircraft are destined to become tools for slaughter and destruction.” You don’t say. A melodramatic romantic subplot injects itself into all the plane-talk on occasion, but — despite all that political hullabaloo — The Wind Rises is more tedious than anything else. (2:06) Sundance Kabuki. (Eddy) *

 

Cinemagic

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cheryl@sfbg.com

FILM It’s Crossroads time again — the annual San Francisco Cinematheque festival of experimental, avant-garde, abstract, and otherwise difficult-to-easily-categorize works carefully curated for adventurous, open-minded filmgoers.

In other words, if you’re counting down to the next Transformers flick, this may not be your jam. But there’s an eager Bay Area audience for the other end of the cinematic spectrum, as evidenced by the fact that Crossroads’ “Nathaniel Dorsky: Three Premieres” program, which is being presented twice at Yerba Buena Center for the Arts, is already sold out.

Fortunately, there are eight other programs, two of which focus on Ben Rivers and Ben Russell’s A Spell to Ward Off the Darkness, which makes its Bay Area premiere after receiving much buzz on the international festival circuit. Robert A.A. Lowe (also known as Lichens, he’s a solo musician who performs with local doom droners Om on occasion) plays the film’s central character, a nameless wanderer who drifts through its three segments in pursuit of some mysterious ideal. First, he’s a commune dweller — no context is given, but its residents are clearly international, with varying accents and languages, and the directors have said it’s set on an Estonian island.

It’s an idyllic place: leafy, creative, and harmonious, populated by a group that’s more back-to-the-land intellectual than hippie. There are newborn babies, towheaded children with painted faces, adults-only group saunas, and a geodesic dome. “This whole process is unpredictable. It’s important to keep in mind, the visions and ideas are just guidelines,” one man reflects; he’s referring to the group’s pursuit of what one woman calls “utopian architecture,” but he could also be giving viewing instructions for this film.

It’s useful advice, especially when Spell shifts settings. Lowe’s quiet observer is now a man roaming solo through the Finnish woods; the camera gazes into the landscape from afar as he climbs up and down trails, up and down through the frame. Occasionally, he stops by a small house, seemingly abandoned but still containing certain odd objects (needlepoint pictures, stacks of tabloids, floral curtains). Nature fascinates the camera — including, yes, multiple long shots of lichens — but so does Lowe, specifically his eyes, which are held in close-up after he’s shown dabbing white makeup on his face. Suddenly, we see the house engulfed in flames, there’s a cut to black, and then we hear the exact right music to show after an inferno: black metal, that most deliberately lo-fi and ear-shredding of heavy musical subgenres.

For metal fans, this sequence could prove the most controversial — there aren’t any Scandinavians in the mix, and one of the dudes is from Liturgy. (Like, do they even burn churches in Brooklyn, man?) But even music snobs will have a hard time resisting Spell‘s spell, or giving kudos for the film’s title treatment — a slightly more readable interpretation of the spidery font favored by extreme musicians, encasing words that echo the film’s surprisingly optimistic undercurrent.

Co-director Rivers appears in person at the film’s Fri/4 screening; Sat/5, he’ll give an artist’s talk, moderated by SF Cinematheque’s Steve Polta, at the Kadist Art Foundation, where the film will be exhibited as a “three-part spatialized architectural video installation.”

The rest of Crossroads is given over to shorts programs, assembled with characteristic creativity (Program 3 “is focused on abstract animation-graphic cinema, environmentalism, and crack pot exploration,” according to Polta), with co-producing credits given to Cinema Arts at the Exploratorium and the San Francisco Dance Film Festival on selected nights. There will also be a “live cinema” program (with live experimental music), and works by notable locals, including recent Guardian GOLDIE award winners Malic Amalya and Paul Clipson. *

CROSSROADS 2014

Thu/3-Sun/6, $5-10

Victoria Theatre

2961 16th St, SF

Kadist Art Foundation

3295 20th St, SF

www.sfcinematheque.org

Theater Listings: March 19 – 25, 2014

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Lottie’s Ghosts Brava Theater Center, 2781 24th St, SF; www.brava.org. $20. Previews Thu/20, 8pm. Opens Fri/21, 8pm. Runs Thu-Sat, 8pm (no show March 28); Sun, 3pm. Through April 6. Dancer, storyteller, and Brava artist-in-residence Shakiri presents a new work based on her novel of the same name.

Pearls Over Shanghai Hypnodrome Theatre, 575 10th St, SF; www.thrillpeddlers.com. $30-35. Opens Thu/20, 8pm. Runs Thu-Sat, 8pm. Through May 31. Thrillpeddlers present the fifth anniversary revival production of its enormously popular take on the 1971 Cockettes musical.

She Rode Horses Like the Stock Exchange Thick House, 1695 18th St, SF; www.crowdedfire.org. $15-35. Previews Thu/20-Sat/22, 8pm. Opens Mon/24, 8pm. Runs Wed-Sat, 8pm. Through April 12. Crowded Fire kicks off its 2014 season with the world premiere of Amelia Roper’s dry comedy about financial disaster.

The Two Chairs Bindlestiff Studios, 185 Sixth St, SF; www.performersunderstress.com. $10-30. Previews Thu/20-Fri/21, 8pm. Opens Sat/22, 8pm. Runs Thu-Sat, 8pm; Sun, 2pm. Through April 13. Performers Under Stress performs Charles Pike’s new play, described as “No Exit as a love story set in Napa on the Silverado Trail.”

Venus in Fur Geary Theater, 415 Geary, SF; www.act-sf.org. $20-120. Previews Wed/19-Sat/22 and Tue/25, 8pm (also Sat/22, 2pm); Sun/23, 7pm. Opens March 26, 8pm. Runs Wed-Sat and Tue, 8pm (also Sat, 2pm; April 1, show at 7pm); Sun, 7pm. Through April 13. American Conservatory Theater performs a new production of David Ives’ 2012 Tony-nominated play.

BAY AREA

The Coast of Utopia Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35 (three-show marathon days, $100-125). Previews March 20-28. Opens March 29. Part Three: Salvage runs March 20-April 27; Part One: Voyage runs March 26-April 17; Part Two: Shipwreck runs March 27-April 19. Three-play marathon, April 5 and 26. Through April 27. Check website for showtime info. Shotgun Players performs Tom Stoppard’s epic The Coast of Utopia trilogy, with all three plays performed in repertory.

ONGOING

Bauer San Francisco Playhouse, 450 Post, SF; www.sfplayhouse.org. Previews Wed/19-Fri/21, 8pm. Opens Sat/22, 8pm. Runs Tue-Thu, 7pm; Fri-Sat, 8pm (also Sat, 3pm); Sun/23 and April 13, 2pm. Through April 19. San Francisco Playhouse presents the world premiere of Lauren Gunderson’s drama about artist Rudolf Bauer.

Children Are Forever (All Sales are Final!) Stage Werx Theatre, 446 Valencia, SF; www.brownpapertickets.com. $15. Fri/21-Sat/22, 8pm. Writer-performer and comedian Julia Jackson’s well acted and consistently funny autobiographical solo show details her and her female partner’s attempt to adopt a newborn girl from a young African American mother in Florida. Along the way, Jackson’s smart script details the trials, red tape, and unexpected market incentives in the field of adoption for a same-sex, interracial couple. If the generally involving story nevertheless attenuates a little across its two-act structure, Coke Nakamoto’s precise direction (which builds on original direction by W. Kamau Bell) offers a lively framework for Jackson’s excellent characterizations as well as her frank and interesting commentary on the social, political messiness of certain natural urges. (Avila)

Crystal Springs Eureka Theatre, 215 Jackson, SF; www.crystalspringstheplay.com. $20-65. Fri/21-Sat/22, 8pm; Sun/23, 2pm. Eureka Theatre presents Kathy Rucker’s world-premiere drama about parenting in the digital age.

Feisty Old Jew Marsh San Francisco Main Stage, 1062 Valencia, SF; www.themarsh.org. $25-100. Sat, 8pm; Sun, 7pm (March 30 show at 2pm). Extended through May 4. Charlie Varon performs his latest solo show, a fictional comedy about “a 20th century man living in a 21st century city.”

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

Hundred Days Z Space, 450 Florida, SF; www.zspace.org. $10-100. Wed and Sun, 7pm; Thu-Sat, 8pm. Through April 6. Married musical duo the Bengsons (Abigail and Shaun) provide the real-life inspiration and guiding rock ‘n’ roll heart for this uneven but at times genuinely rousing indie musical drama, a self-referential meta-theater piece relating the story of a young couple in 1940s America who fall madly in love only to discover one of them is terminally ill. As an exploration of love, mortality, and the nature of time, the story of Sarah and Will (doubled by the Bengsons and, in movement sequences and more dramatically detailed scenes, by chorus members Amy Lizardo and Reggie D. White) draws force from the potent musical performances and songwriting of composer-creators Abigail and Shaun Bengson (augmented here by the appealing acting-singing chorus and backup band that also feature El Beh, Melissa Kaitlyn Carter, Geneva Harrison, Kate Kilbane, Jo Lampert, Delane Mason, Joshua Pollock). Playwright Kate E. Ryan’s book, however, proves too straightforward, implausible, and sentimental to feel like an adequate vessel for the music’s exuberant, urgent emotion and lilting, longing introspection. Other trappings of director Anne Kauffman’s elaborate production (including an inspired set design by Kris Stone that echoes the raw industrial shell of the theater; and less-than-inspired choreography by the otherwise endlessly inventive Joe Goode) can add texture at times but also prove either neutral figures or distracting minuses in conveying what truth and heft there is in the material. Ultimately, this still evolving world premiere has a strong musical beat at its core, which has a palpable force of its own, even if it’s yet to settle into the right combination of story and staging. (Avila)

Lovebirds Marsh San Francisco Studio, 1062 Valencia, SF; www.themarsh.org. $15-50. Thu-Fri, 8pm; Sat, 8:30pm. Extended through April 12. Theater artist and comedian Marga Gomez presents the world premiere of her 10th solo show, described as “a rollicking tale of incurable romantics.”

Mommy Queerest Exit Studio, 156 Eddy, SF; www.divafest.info. $15-25. Fri-Sat, 8pm. Through March 29. Sex scenes in solo shows might sound a little onanistic, but in the right circumstances a door jam or a love seat can serve as a fine co-star. Stand-up comic and actor Kat Evasco demonstrates as much in this raunchy and high-spirited story of her sexual awakening as a lesbian-identifying bisexual, coming out in a household dominated by her closeted mother, a Filipina American drama queen with a long-term female companion she insists is the “gay” one. Presented by Guerrilla Rep and the Exit Theatre’s DIVAfest, and directed by Guerrilla Rep’s John Caldon (who co-wrote the play with Evasco), the story follows a familiar and predictable arc in some ways — familial hypocrisy giving way to inspirational cross-generational understanding — and the characterizations and set-ups (including a family feud on Jerry Springer) come with not always inspired choices. Moreover not all the jokes land where they should in a performance that starts as stand-up but immediately shifts into the style of a solo-play confessional. (A more thoroughgoing subversion of the stand-up format might have produced more complex, less foreseeable results.) At the same time, there’s no denying Evasco’s charm and energy, or her buoyant comedic talent, which makes it easier to forgive the play’s structural shortcomings. (Avila)

“Risk Is This … The Cutting Ball New Experimental Plays Festival” Exit on Taylor, 277 Taylor, SF; www.cuttingball.com. Free ($20 donation for reserved seating). Fri-Sat, 8pm. Through March 29. Five new works in staged readings, including two from Cutting Ball resident playwright Andrew Saito.

The Scion Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-60. Thu-Fri, 8pm; Sat, 5pm. Through April 18. In his latest solo show, Brian Copeland (Not a Genuine Black ManThe Waiting Period) explores an infamous crime in his hometown of San Leandro: the 2000 murder of three government meat inspectors by Stuart Alexander, owner of the Santos Linguisa Factory. The story is personal history for Copeland, at least indirectly, as the successful comedian and TV host recounts growing up nearby under the common stricture that “rules are rules,” despite evidence all around that equity, fairness, and justice are in fact deeply skewed by privilege. Developed with director David Ford, the multiple-character monologue (delivered with fitful humor on a bare-bones stage with supportive sound design by David Hines) contrasts Copeland’s own youthful experiences as a target of racial profiling with the way wealthy and white neighbor Stuart Alexander, a serial bully and thug, consistently evaded punishment and even police attention along his path to becoming the “Sausage King,” a mayoral candidate, and a multiple murderer (Alexander died in 2005 at San Quentin). The story takes some meandering turns in making its points, and not all of Copeland’s characterizations are equally compelling. The subject matter is timely enough, however, though ironically it is government that seems to set itself further than ever above the law as much as wealthy individuals or the bogus “legal persons” of the corporate world. The results of such concentrated power are indeed unhealthy, and literally so — Copeland’s grandmother (one of his more persuasive characterizations) harbors a deep distrust of processed food that is nothing if not prescient —but The Scion’s tale of two San Leandrans leaves one hungry for more complexity. (Avila)

Shit & Champagne Rebel, 1772 Market, SF; shitandchampagne.eventbrite.com. $25. Fri-Sat, 8pm. Open-ended. D’Arcy Drollinger is Champagne White, bodacious blond innocent with a wicked left hook in this cross-dressing ’70s-style white-sploitation flick, played out live on Rebel’s intimate but action-packed barroom stage. Written by Drollinger and co-directed with Laurie Bushman (with high-flying choreography by John Paolillo, Drollinger, and Matthew Martin), this high-octane camp send-up of a favored formula comes dependably stocked with stock characters and delightfully protracted by a convoluted plot (involving, among other things, a certain street drug that’s triggered an epidemic of poopy pants) — all of it played to the hilt by an excellent cast that includes Martin as Dixie Stampede, an evil corporate dominatrix at the head of some sinister front for world domination called Mal*Wart; Alex Brown as Detective Jack Hammer, rough-hewn cop on the case and ambivalent love interest; Rotimi Agbabiaka as Sergio, gay Puerto Rican impresario and confidante; Steven Lemay as Brandy, high-end calf model and Champagne’s (much) beloved roommate; and Nancy French as Rod, Champagne’s doomed fiancé. Sprawling often literally across two buxom acts, the show maintains admirable consistency: The energy never flags and the brow stays decidedly low. (Avila)

The Speakeasy Undisclosed location (ticket buyers receive a text with directions), SF; www.thespeakeasysf.com. $70 (gambling chips, $5-10 extra; after-hours admission, $10). Thu-Sat, 7:40, 7:50, and 8pm admittance times. Extended through May 24. Boxcar Theater’s most ambitious project to date is also one of the more involved and impressively orchestrated theatrical experiences on any Bay Area stage just now. An immersive time-tripping environmental work, The Speakeasy takes place in an “undisclosed location” (in fact, a wonderfully redesigned version of the company’s Hyde Street theater complex) amid a period-specific cocktail lounge, cabaret, and gambling den inhabited by dozens of Prohibition-era characters and scenarios that unfold around an audience ultimately invited to wander around at will. At one level, this is an invitation to pure dress-up social entertainment. But there are artistic aims here too. Intentionally designed (by co-director and creator Nick A. Olivero with co-director Peter Ruocco) as a fractured super-narrative — in which audiences perceive snatches of overheard stories rather than complete arcs, and can follow those of their own choosing — there’s a way the piece becomes specifically and ever more subtly about time itself. This is most pointedly demonstrated in the opening vignettes in the cocktail lounge, where even the ticking of Joe’s Clock Shop (the “cover” storefront for the illicit 1920s den inside) can be heard underscoring conversations (deeply ironic in historical hindsight) about war, loss, and regained hope for the future. For a San Francisco currently gripped by a kind of historical double-recurrence of the roaring Twenties and dire Thirties at once, The Speakeasy is not a bad place to sit and ponder the simulacra of our elusive moment. (Avila)

Tipped & Tipsy Marsh Studio Theater, 1062 Valencia, SF; www.themarsh.org. $15-50. Sat, 5pm; Sun, 7pm. Through April 6. Last fall’s San Francisco Fringe Festival began on a high note with Jill Vice’s witty and deft solo, Tipped & Tipsy, and the Best of Fringe winner is now enjoying another round at solo theater outpost the Marsh. Without set or costume changes, Vice (who developed the piece with Dave Dennison and David Ford) brings the querulous regulars of a skid-row bar to life both vividly and with real quasi–Depression-Era charm. She’s a protean physical performer, seamlessly inhabiting the series of oddball outcasts lined up each day at Happy’s before bartender Candy — two names as loaded as the clientele. After some hilarious expert summarizing of the do’s and don’ts of bar culture, a story unfolds around a battered former boxer and his avuncular relationship with Candy, who tries to cut him off in light of his clearly deteriorating health. Her stance causes much consternation, and even fear, in his barfly associates, while provoking a dangerous showdown with the bar’s self-aggrandizing sleaze-ball owner, Rico. With a love of the underdog and strong writing and acting at its core, Tipsy breezes by, leaving a superlative buzz. (Avila)

Twisted Fairy Tales Shelton Theater, 533 Sutter, SF; www.leftcoasttheatreco.org. $15-25. Thu-Sat, 8pm. Through April 5. Left Coast Theatre Co. performs the world premiere of seven one-act LGBT-themed plays based on classic children’s stories.

The World of Paradox Garage, 715 Bryant, SF; www.paradoxmagic.com. $12-15. Mon, 8pm. Through April 7. Footloose presents David Facer in his solo show, a mix of magic and theater.

Wrestling Jerusalem Intersection for the Arts, 925 Mission, SF; www.theintersection.org. $20-30. Thu-Sat, 7:30pm; Sun, 2pm. Through April 6. Intersection for the Arts presents Aaron Davidman in his multicharacter solo performance piece about Israel and Palestine.

Yellow New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed/19-Sat/22, 8pm; Sun/23, 2pm. Playwright Del Shores (Sordid Lives, Southern Baptist Sissies) returns to his native South — while detouring from previous camp-comedy treatments — with this affirming family drama set in Vicksburg, Miss., about a progressive white couple whose marriage and family are rocked in the wake of their son’s illness. Kate (Dana Zook) and Bobby (Andrew Nance) are celebrating 19 years together. Their oldest son, Dayne (Damion Matthews), is a handsome high school senior and football star; their daughter, Gracie (Ali Haas), is his high-strung younger sister, a drama devotee in more ways than one with plans to be the next Meryl Streep. Gracie’s best friend, Kendall (Maurice André San-Chez), is an effeminate young man with a golden singing voice but a strict fundamentalist mother (Linsay Rousseau) from whom he must hide his plan to join Gracie in the school’s production of Oklahoma! Kendall’s fractured family encourages his tight orbit around Gracie’s — including Dayne, on whom Kendall has an impossible-to-disguise crush — all of whom accept the closeted, innocent youth unequivocally. But when Dayne comes down with a rare liver disease (the title has nothing to do with race, which is not explored here, but references, at a literal level, the sickly color that overcomes Dayne at one point), the seemingly ideal family itself fractures along lines of a deeply buried secret regarding his paternity. Amid their worry for Dayne’s future, and the painful dynamic opened between Kate and Bobby, Kendall’s mother moves in with proselyting zeal, alienating her son to the point of total rejection, but also adding to an already volatile tension between his adoptive parents. Helmed by New Conservatory Theatre Center’s founding artistic director, Ed Decker, the production achieves (after some initial warming up) decent performances across the cast, which, along with Shores’ careful plotting and consistent humor, helps keep this sentimental, somewhat too neat story involving until the end. (Avila)

BAY AREA

Accidental Death of an Anarchist Berkeley Repertory Theatre, Roda Theatre, 2015 Addison, Berk; www.berkeleyrep.org. $29-99. Tue and Thu-Sat, 8pm (no show April 18; additional 2pm shows Thu/20 and April 17; also Sat, 2pm, but no matinee Sat/22); Sun, 2 and 7pm. Through April 20. Berkeley Rep presents comic actor Steven Epp in Dario Fo’s explosive political farce, directed by Christopher Bayes,

Arms and the Man Barn Theatre, 30 Sir Francis Drake, Ross; www.rossvalleyplayers.com. $13-26. Thu, 7:30pm; Fri-Sat, 8pm; Sun, 2pm. Through April 13. Ross Valley Players perform George Bernard Shaw’s romantic comedy.

Bread and Circuses La Val’s Subterranean, 1834 Euclid, Berk; www.impacttheatre.com. $20-25. Thu-Sat, 8pm; Sun, 7pm. Through April 6. Impact Theatre performs “a cavalcade of brutal and bloody new short plays” by various contemporary playwrights.

Fool For Love Pear Avenue Theatre, 1220 Pear, Mtn View; www.thepear.org. $10-35. Thu-Sat, 8pm; Sun, 2pm. Through April 6. Pear Avenue Theatre performs Sam Shepard’s iconic play, about a pair of former lovers who reunite at a lonely desert motel.

Geezer Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $25-50. Thu, 8pm; Sat, 5pm. Through April 26. Geoff Hoyle moves his hit comedy about aging to the East Bay.

The Lion and the Fox Berkeley City Club, 2315 Durant, Berk; www.centralworks.org. $15-28. Thu-Sat, 8pm; Sun, 5pm. Through March 30. Central Works performs a prequel to its 2009 hit, Machiavelli’s The Prince, which depicts a face-off between Niccolo Machiavelli and Cesare Borgia.

The Music Man Julia Morgan Theater, 2640 College, Berk; www.berkeleyplayhouse.org. $17-60. Thu/20-Fri/21, 7pm; Sat/22, 1 and 6pm; Sun/23, noon and 5pm. There’s trouble in River City! See it unfold amid all those trombones at Berkeley Playhouse.

Once On This Island Lucie Stern Theatre, 1305 Middlefield, Palo Alto; www.theatreworks.org. $19-73. Tue-Wed, 7:30pm; Thu-Sat, 8pm (also Sat, 2pm); Sun, 2 and 7pm. Through March 30. TheatreWorks performs the Tony-nominated musical about a star-crossed love affair in the tropics, inspired by Hans Christian Andersen’s The Little Mermaid.

PERFORMANCE/DANCE

“Attractive Camp” Lost Weekend Video, 1034 Valencia, SF; www.eventbrite.com. Sun/23, 8pm. $10. Stand-up comedy, sketch comedy, and short films with Greg Edwards, Sean Keane, Lydia Popovich, and others.

“Awaiting Dawn” Dennis Gallagher Arts Pavilion, 66 Page, SF; internationalsf.org/awaiting_dawn. Thu/20-Sat/22 and March 27-28, 7pm; March 29, 2pm. $10-30. The French-American International School presents this series of performances exploring the intersections of art, education, and democracy.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sat/22, March 30, April 6, 12, 19, and 30, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

“Comedy Returns to El Rio” El Rio, 3158 Mission, SF; www.brownpapertickets.com. Thu/20, 8pm. $7-20. Stand-up with Steve Lee, Bob McIntyre, Johan Miranda, Kat Evasco, and Lisa Geduldig.

Feinstein’s at the Nikko Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. This week: Jason Grae’s “49 1/2 Shades of Grae,” Thu/20, 8pm, $25-35; Vonda Shepard, Fri/21, 8pm, $40-55.

Flamenco Del Oro Emerald Tablet, 80 Fresno, SF; www.emtab.org. Fri/21, 8pm. $15 suggested donation. Flamenco dance and music.

“Izzies Dance Awards” Brava Theater Center, 2781 24th St, SF; www.brava.org. Mon/24, 6-8pm. Free. The 28th annual Isadora Duncan Dance Awards honors achievements by members of the Bay Area dance community, with awards for choreography, performance, visual design, and other categories.

Richard Lewis Cobb’s Comedy Club, 915 Columbus, SF; www.cobbscomedyclub.com. Fri/21, 8pm; Sat/22-Sun/23, 7pm (also Sat/22, 9:15pm). $25. The comedian performs.

“Luster: An American Songbook” Davies Symphony Hall, 201 Van Ness, SF; www.sfgmc.org. March 25-26, 8pm. $25-75. San Francisco Gay Men’s Chorus performs works by Gershwin, Porter, Ellington, and Berlin, as well as the world premiere of a tribute to Tyler Clementi.

“Magic at the Rex” Hotel Rex, 562 Sutter, SF; www.magicattherex.com. Sat, 8pm. Ongoing. $25. Magic and mystery with Adam Sachs and mentalist Sebastian Boswell III.

Mona Khan Company Garage, 715 Bryant, SF; ticketfly.com/event/475517. Sun/23 and March 30, 7:30pm (also March 30, 5:30pm). $20. The Indian contemporary dance company presents Soch, a night of vignettes.

“The Naked Stage” Bayfront Theater, B350 Fort Mason Center, SF; www.improv.org. Sat, 8pm. Through March 29. $20. BATS Improv performs a completely improvised play.

“ODC/Dance Downtown” Yerba Buena Center for the Arts Theater, 700 Howard, SF; www.ybca.org. Thu/20-Sat/22 and March 28-29, 8pm; Sun/23 and March 30, 4pm; March 26-27, 7:30pm. $20-75. The acclaimed contemporary dance company marks its 43rd season with world premiere boulders and bones, inspired by the work of artist Andy Goldsworthy, among other works.

“Paper Wing” NOHspace, 2840 Mariposa, SF; www.theatreofyugen.org. Fri/21-Sat/22, 8pm. $15-35. Sculptural costume artist Sha Sha Higby presents a new solo performance.

“Point Break Live!” DNA Lounge, 373 11th St, SF; www.dnalounge.com. April 4, 7:30 and 11pm. $25-50. Dude, Point Break Live! is like dropping into a monster wave, or holding up a bank, like, just a pure adrenaline rush, man. Ahem. Sorry, but I really can’t help but channel Keanu Reeves and his Johnny Utah character when thinking about the awesomely bad 1991 movie Point Break or its equally yummily cheesy stage adaptation. And if you do an even better Keanu impression than me — the trick is in the vacant stare and stoner drawl — then you can play his starring role amid a cast of solid actors, reading from cue cards from a hilarious production assistant in order to more closely approximate Keanu’s acting ability. This play is just so much fun, even better now at DNA Lounge than it was a couple years ago at CELLspace. But definitely buy the poncho pack and wear it, because the blood, spit, and surf spray really do make this a fully immersive experience. (Steven T. Jones)

“Sausage Fest Comedy Show” Club OMG, 43 Sixth St, SF; www.clubomgsf.com. Tue/25, 8pm. $10. Charlie Ballard hosts this night of shirtless comedy, with Mark Smalls, Hayden Greif-Neill, Mark Burg, Noah Gain, and others.

Sidra Bell Dance New York Dance Mission Theater, 3316 24th St, SF; www.dancemission.com. Fri/21-Sun/23, 8pm. $12-20. The NYC-based movement arts company performs garment and STELLA as part of its San Francisco season.

“Silenced” and “The CONTACT Project” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Thu/20-Sat/22, 8pm; Sun/23, 2pm. Counterpulse’s Artist Residency Commissioning Program presents a double bill by its winter residents. Dancer-choreographer Charya Burt’s Silenced blends traditional and modern dance as well as live music in a pointed homage to Cambodian pop star Ros Sereysothea, an iconic face and voice of the swinging Cambodian Sixties who ended up among the two million Cambodians murdered during the genocide under Pol Pot and the Khmer Rouge (1975–1979). Backed by dancers Sandra Ruano and Ravy Mey and guitarist Nahuel Bronzini, Burt creates charming moments within a limited narrative arc, embodying in dance and song the artistry and resilience of her subject, who brought Cambodian sensibilities to Western popular musical forms. An enveloping montage of archival images by video designer Olivia Ting and a period score of Sereysothea’s hits supplemented by composer Alexis Alrich add further context and atmosphere. Choreographer Krista DeNio’s The CONTACT project reconfigures the theater space in an intimate exploration of the experiences and perspectives of male and female American military veterans. Created in collaboration with the performers (Daniel Bear Davis, Sonia Decker, Katarina Eriksson, Remi Frazier, Stephen Funk, Hope Hutman, Daniel Lippel, William McQueen, Utam Moses, Susan Pfeffer, Misty Rose Snyder, and Tina Taylor), some of whom are actual veterans, the piece is perhaps necessarily jagged in shape and execution, but DeNio offers connective tissue in the form of group movement and staging. Some of this brings audience members into the fold and even literally following in the steps of the vets, here the subjects and agents of an artificial and unraveling conformity. The emphasis on validating the personal experience of veterans is a political act in itself, and can make for some emotionally potent moments, although the rough balance strived for here can also inhibit a more rigorous political understanding and critique of ever-expanding American militarism. (Avila)

“Sister Spit 2014” Elbo Room, 647 Valencia, SF; www.radarproductions.org. Wed/19, 8pm. $10. Also Thu/20, 8pm, free, Mills College, Student Union, 5000 MacArthur, Oakl. Also Fri/21, 8pm, $10, Rock Paper Scissors Collective, 2278 Telegraph, Oakl. Michelle Tea hosts the 2014 “spring fling” performances by the groundbreaking queer and feminist literature series. Performers include Rhiannon Argo, Dia Felix, Chinaka Hodge, Beth Lisick, Jerry Lee Abram, and Virgie Tovar, plus special guests.

“Sorya! 2014: We Are Still At It” NOHspace, 2840 Mariposa, SF: www.brownpapertickets.com. Sat/22-Sun/23, 2pm; Mon/24, 7pm. Theatre of Yugen presents its 35th anniversary season with a performance by founder Yuriko Doi in the kyogen play Kawakami.

BAY AREA

“Fleetwood Mask: The Ultimate Tribute to Fleetwood Mac” Live Oak Theatre, 1301 Shattuck, Berk; www.theatrefirst.com. Sat/22, 8pm; Sun/23, 2pm. $30. Theatrical tribute to the iconic rock band.

“MarshJam Improv Comedy Show” Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. Fri, 8pm. Ongoing. $10. Improv comedy with local legends and drop-in guests.

Pilobolus Marin Veterans’ Memorial Auditorium, 10 Avenue of the Flags, San Rafael; www.marincenter.org. Sat/22, 8pm. $20-75. The dance company performs an eclectic program of past work and three Bay Area premieres.

“Poetry Express” Himalayan Flavors, 1585 University, Berk; poetryexpressberkeley.blogspot.com. Mon, 7pm. Free. Ongoing. This week: Ambrose Mohler, plus open mic. *

 

Music Listings: March 5-11, 2014

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WEDNESDAY 5
ROCK
Boom Boom Room: 1601 Fillmore, San Francisco. “The Larkade,” w/ Major Powers & The Lo-Fi Symphony, Rachel Lark, JK47, 9:30pm, free.
Bottom of the Hill: 1233 17th St., San Francisco. Together Pangea, Mozes & The Firstborn, Burning Curtains, 9pm, $10.
El Rio: 3158 Mission, San Francisco. Meat Market, Yi, Cop Out, 9pm, $7.
Elbo Room: 647 Valencia, San Francisco. We Are the Men, Bearcubbin, Face Tat, Van Wave, 9pm, $7.
Hemlock Tavern: 1131 Polk, San Francisco. Personal & The Pizzas, plus free Escape from New York pizza (while supplies last), 9pm, free.
The Independent: 628 Divisadero, San Francisco. The Mowgli’s, Tumbleweed Wanderers, Cocktails, 8pm, free with RSVP.
The Knockout: 3223 Mission, San Francisco. Modern Man, Paint the Trees White, Joseph Childress, 9:30pm, $6.
Milk Bar: 1840 Haight, San Francisco. Thufoxxtrots, Jam, The Cushion Theory, The Twitches, 8pm, $5.
Neck of the Woods: 406 Clement, San Francisco. The Pizza Underground, Windham Flat, Toby Goodshank, 6 & 9pm, $10-$15.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Commander Cody & His Lost Planet Airmen, 8pm, $21-$25.
DANCE
111 Minna Gallery: 111 Minna, San Francisco. “Qoöl,” w/ DJs Ruchir, Alex Blackstock, Petko Nikolov, Spesh, Dan Sherman, and Will Spencer, 5-10pm, $5.
Beaux: 2344 Market, San Francisco. “BroMance: A Night Out for the Fellas,” 9pm, free.
The Cafe: 2369 Market, San Francisco. “Sticky Wednesdays,” w/ DJ Mark Andrus, 8pm, free.
Cat Club: 1190 Folsom, San Francisco. “Bondage A Go Go,” w/ DJs Damon, Tomas Diablo, & guests, 9:30pm, $5-$10.
Club X: 715 Harrison, San Francisco. “Electro Pop Rocks: Blood, Sweat, and Bass,” 18+ dance night with Downlink, Dieselboy, Ajapai, more, 9pm
F8: 1192 Folsom, San Francisco. “Housepitality,” w/ Jay Tripwire, Andrew Phelan, Stay Deep, Dr. Rek, Skyler Mendoza, 9pm, $5-$10.
Infusion Lounge: 124 Ellis, San Francisco. “Indulgence,” 10pm
Lookout: 3600 16th St., San Francisco. “What?,” w/ resident DJ Tisdale and guests, 7pm, free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Rock the Spot,” 9pm, free.
MatrixFillmore: 3138 Fillmore, San Francisco. “Reload,” w/ DJ Big Bad Bruce, 10pm, free.
Q Bar: 456 Castro, San Francisco. “Booty Call,” w/ Juanita More, Joshua J, guests, 9pm, $3.
HIP-HOP
Neck of the Woods: 406 Clement, San Francisco. “Over the Hump,” w/ Children of the Funk, 10pm, free.
Skylark Bar: 3089 16th St., San Francisco. “Mixtape Wednesday,” w/ resident DJs Strategy, Junot, Herb Digs, & guests, 9pm, $5.
ACOUSTIC
Cafe Divine: 1600 Stockton, San Francisco. Craig Ventresco & Meredith Axelrod, 7pm, free.
The Chapel: 777 Valencia, San Francisco. A Salute to John Fahey in Honor of His 75th Birthday, w/ Sean Smith, Chuck Johnson, Henry Kaiser, Dibson Hoffweiler, Andrew Weathers, Adam Snider, Danny Paul Grody, Richard Osborn, 9pm, $12.
Hotel Utah: 500 Fourth St., San Francisco. Chris Trapper, Korby Lenker, 8pm, $15.
Plough & Stars: 116 Clement, San Francisco. Jeanie & Chuck’s Bluegrass Country Jam, First Wednesday of every month, 9pm, free.
JAZZ
Amnesia: 853 Valencia, San Francisco. Gaucho, Eric Garland’s Jazz Session, The Amnesiacs, 7pm, free.
Balancoire: 2565 Mission St., San Francisco. “Cat’s Corner,” 9pm, $10.
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6pm, free.
Cigar Bar & Grill: 850 Montgomery, San Francisco. Afro-Cuban Jazz Cartel, 8pm
Club Deluxe: 1511 Haight, San Francisco. Patrick Wolff Quartet, 9pm, free.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30pm, free.
Le Colonial: 20 Cosmo, San Francisco. The Cosmo Alleycats featuring Ms. Emily Wade Adams, 7pm, free.
Pier 23 Cafe: Pier 23, San Francisco. Ned Boynton & Friends, 6pm, free.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Ricardo Scales, Wednesdays, 6:30-11:30pm, $5.
Zingari: 501 Post, San Francisco. Anne O’Brien, First Wednesday of every month, 7:30pm, free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Baobab!,” timba dance party with DJ WaltDigz, 10pm, $5.
Cafe Cocomo: 650 Indiana, San Francisco. “Bachatalicious,” w/ DJs Good Sho & Rodney, 7pm, $5-$10.
Make-Out Room: 3225 22nd St., San Francisco. “Frigo-Bar,” First Wednesday of every month, 8pm, free.
Pachamama Restaurant: 1630 Powell, San Francisco. Cafe Latino Americano, 8pm, $12.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Bob Margolin & Bob Corritore, 7:30 & 9:30pm, $20.
EXPERIMENTAL
Center for New Music: 55 Taylor, San Francisco. Sten Sandell with Gino Robair, 7:30pm, $10-$15.
Meridian Gallery: 535 Powell, San Francisco. Xo Xinh, Van-Anh Vanessa Vo, and Chris Brown, 7:30pm, $10.
SOUL
Monarch: 101 Sixth St., San Francisco. “Color Me Badd,” coloring books and R&B jams with Matt Haze, DJ Alarm, Broke-Ass Stuart, guests, Wednesdays, 5:30-9:30pm, free.

THURSDAY 6
ROCK
111 Minna Gallery: 111 Minna, San Francisco. RubberSideDown, Chris James & The Showdowns, Etro Canova, 7pm, free/donation.
Bottom of the Hill: 1233 17th St., San Francisco. Eyes on the Shore, Sunrunners, Dogcatcher, 9pm, $10.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Mirah, AgesandAges, M. Lockwood Porter, 9pm, $12-$15.
The Chapel: 777 Valencia, San Francisco. Arthur Beatrice, 9pm, $12-$14.
DNA Lounge: 375 11th St., San Francisco. The Vile Augury, Limnus, Roadside Memorial, Loveless Love, Mr. Smith, 8pm, $10 advance.
El Rio: 3158 Mission, San Francisco. Year of the Fist, Money for Rope, Muñecas, 8pm, $5.
Hemlock Tavern: 1131 Polk, San Francisco. Yogurt Brain, Divers, Nasty Christmas, 8:30pm, $6.
Rickshaw Stop: 155 Fell, San Francisco. “Popscene,” w/ Glasvegas, 10pm, $15-$17.
S.F. Eagle: 398 12th St., San Francisco. Slough Feg, Wild Eyes, Older Sun, 9pm, $8.
SFSU Campus, Cesar Chavez Student Center: 1650 Holloway, San Francisco. Useless Eaters, The Sweethearts, Scraper, Mane, 6pm, free.
DANCE
1015 Folsom: 1015 Folsom, San Francisco. Stwo, The Whooligan, Mikos Da Gawd, DJ Dials, Chad Salty, 9pm, $10 (free before 11pm with RSVP).
Abbey Tavern: 4100 Geary, San Francisco. DJ Schrobi-Girl, 10pm, free.
Audio Discotech: 316 11th St., San Francisco. “Common Ground,” w/ Shur-i-kan, Greg Yuen, Dino Velvet, Fil Latorre, Joey Alaniz, 9pm, $5-$10.
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “Tubesteak Connection,” w/ DJ Bus Station John, 9pm, $5-$7.
Beaux: 2344 Market, San Francisco. “Men at Twerk,” 9pm, free.
The Cafe: 2369 Market, San Francisco. “¡Pan Dulce!,” 9pm, $5.
Cat Club: 1190 Folsom, San Francisco. “Throwback Thursdays,” ‘80s night with DJs Damon, Steve Washington, Dangerous Dan, and guests, 9pm, $6 (free before 9:30pm).
The Cellar: 685 Sutter, San Francisco. “XO,” w/ DJs Astro & Rose, 10pm, $5.
Club X: 715 Harrison, San Francisco. “The Crib,” 9:30pm, $10, 18+.
DNA Lounge: 375 11th St., San Francisco. Sound Remedy, Clark Kent, 8pm, $12-$15.
Elbo Room: 647 Valencia, San Francisco. “Afrolicious,” w/ DJs Pleasuremaker, Señor Oz, and guests, 9:30pm, $5-$8.
F8: 1192 Folsom, San Francisco. “Beat Church,” w/ resident DJs Neptune & Kitty-D, First Thursday of every month, 10pm, $10.
Infusion Lounge: 124 Ellis, San Francisco. “I Love Thursdays,” 10pm, $10.
Madrone Art Bar: 500 Divisadero, San Francisco. “Night Fever,” 9pm, $5 after 10pm
Q Bar: 456 Castro, San Francisco. “Throwback Thursday,” w/ DJ Jay-R, 9pm, free.
Raven: 1151 Folsom, San Francisco. “1999,” w/ VJ Mark Andrus, 8pm, free.
Ruby Skye: 420 Mason, San Francisco. “Awakening,” w/ Felix Cartal, 9pm, $15-$20 advance.
Underground SF: 424 Haight, San Francisco. “Bubble,” 10pm, free.
Vessel: 85 Campton, San Francisco. “Base: Local,” w/ Bardia F, ThuyVu, Mac Vaughn, John Kaberna, Lexel, 10pm, free with RSVP.
HIP-HOP
Eastside West: 3154 Fillmore, San Francisco. “Throwback Thursdays,” w/ DJ Madison, 9pm, free.
John Colins: 138 Minna, San Francisco. “Rewind,” w/ DJ J.W. Sounds, First Thursday of every month, 10pm, free.
Skylark Bar: 3089 16th St., San Francisco. “Peaches,” w/ lady DJs DeeAndroid, Lady Fingaz, That Girl, Umami, Inkfat, and Andre, 10pm, free.
Slim’s: 333 11th St., San Francisco. Aer, RDGLDGRN, New Beat Fund, 8pm, $17.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. Misisipi Mike & The Midnight Gamblers, First Thursday of every month, 9pm
Atlas Cafe: 3049 20th St., San Francisco. The Bogues, 8pm, free.
Bazaar Cafe: 5927 California, San Francisco. Acoustic Open Mic, 7pm
Hotel Utah: 500 Fourth St., San Francisco. Songwriters in the Round with Heather Combs, Kelly McFarling, Eoin Harrington, Brad Brooks, 8pm, $8.
The Independent: 628 Divisadero, San Francisco. Agnes Obel, 8pm, sold out.
The Lost Church: 65 Capp, San Francisco. Jeff Conley & Elena de da Garza, Brandon Eardley, 8pm, $10.
Milk Bar: 1840 Haight, San Francisco. S.F. Acoustic Sessions, w/ Leila Motaei, Scarth Locke, Jeff Desira, 7:30pm, free.
Musicians Union Local 6: 116 Ninth St., San Francisco. San Francisco Singer-Songwriters’ Workshop, hosted by Robin Yukiko, First Thursday of every month, 6:30pm, $25 (free for AFM members).
Plough & Stars: 116 Clement, San Francisco. The Shannon Céilí Band, First Thursday of every month, 9pm, free.
JAZZ
Blush! Wine Bar: 476 Castro, San Francisco. Doug Martin’s Avatar Ensemble, 7:30pm, free.
Cigar Bar & Grill: 850 Montgomery, San Francisco. Jimmy Grant Quartet, First Thursday of every month, 8pm, free.
Feinstein’s at the Nikko: 222 Mason, San Francisco. Paula West, 8pm, $35-$50.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Eugene Pliner Quartet with Tod Dickow, First and Third Thursday of every month, 7:30pm, free.
Le Colonial: 20 Cosmo, San Francisco. Steve Lucky & The Rhumba Bums, 7:30pm
Pier 23 Cafe: Pier 23, San Francisco. Judy Hall Trio, 7pm, free.
The Royal Cuckoo: 3202 Mission, San Francisco. Charlie Siebert & Chris Siebert, 7:30pm, free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Jam with David Byrd, 7pm, $5.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Stompy Jones, 7:30pm, $10.
Zingari: 501 Post, San Francisco. Barbara Ochoa, 7:30pm, free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Pa’Lante!,” w/ Juan G, El Kool Kyle, Mr. Lucky, 10pm, $5.
Pachamama Restaurant: 1630 Powell, San Francisco. “Jueves Flamencos,” 8pm, free.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Gary Flores & Descarga Caliente, 8pm
Verdi Club: 2424 Mariposa, San Francisco. The Verdi Club Milonga, w/ Christy Coté, DJ Emilio Flores, guests, 9pm, $10-$15.
REGGAE
Neck of the Woods: 406 Clement, San Francisco. Maoli, Mango Kingz, on the upstairs stage, 9pm, $12-$15.
Pissed Off Pete’s: 4528 Mission St., San Francisco. Reggae Thursdays, w/ resident DJ Jah Yzer, 9pm, free.
BLUES
50 Mason Social House: 50 Mason, San Francisco. Bill Phillippe, 5:30pm, free.
Biscuits and Blues: 401 Mason, San Francisco. Tad Robinson, 7:30 & 9:30pm, $20.
The Saloon: 1232 Grant, San Francisco. Chris Ford, First Thursday of every month, 4pm
SFJAZZ Center: 205 Franklin, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, playing the music of Bessie Smith (in the Joe Henderson Lab), 7 & 8:30pm, $30.
COUNTRY
The Parlor: 2801 Leavenworth, San Francisco. “Twang Honky Tonk & Country Jamboree,” w/ DJ Little Red Rodeo, 7pm, free.
EXPERIMENTAL
The Luggage Store: 1007 Market, San Francisco. Power Stations, Conan the Barbiturate, 8pm, $6-$10.
SOUL
Boom Boom Room: 1601 Fillmore, San Francisco. West Grand Boulevard, 9:30pm, $5.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Teena Marie Birthday Tribute with Ashling “Biscuit” Cole, 8pm, $19-$23.

FRIDAY 7
ROCK
Boom Boom Room: 1601 Fillmore, San Francisco. Chum, 9:30pm, $12-$15.
Bottom of the Hill: 1233 17th St., San Francisco. Scale the Summit, The Ocean, The Atlas Moth, Silver Snakes, DJ Rob Metal, 8pm, $12-$14.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Gripin, Twenty7, 9pm, $30-$40.
The Chapel: 777 Valencia, San Francisco. Black Cobra Vipers, Jefferititi’s Nile, Sister Chief, 9pm, $12.
DNA Lounge: 375 11th St., San Francisco. Fake Your Own Death, I Am Animal, In Letter Form, Cash for Gold, 8:30pm, $8-$10.
El Rio: 3158 Mission, San Francisco. Friday Live: Mary Ocher, DJ Emotions, 10pm, free.
Elbo Room: 647 Valencia, San Francisco. Glitter Wizard, Christian Mistress, Ovvl, 9:30pm, $8.
Hemlock Tavern: 1131 Polk, San Francisco. Donkee, Tiger Honey Pot, Majestic Beast, Manstration, 9pm, $6.
Hotel Utah: 500 Fourth St., San Francisco. Overland, Crash Landings, First Contact, Sean O’Brien & His Dirty Hands, 9pm, $10.
The Independent: 628 Divisadero, San Francisco. Gardens & Villa, Waterstrider, Reuben & The Dark, 9pm, $13-$15.
Milk Bar: 1840 Haight, San Francisco. Solids, Pup, Balms, 9pm, $8-$10.
Slim’s: 333 11th St., San Francisco. The Greening, Everyone Is Dirty, Sweet Chariot, 9pm, $14.
Thee Parkside: 1600 17th St., San Francisco. Heartsounds, The Mighty Fine, Point of View, The Business End, 9pm, $8.
DANCE
1015 Folsom: 1015 Folsom, San Francisco. MartyParty, Joker, Robot Koch, Nick Hook, Pumpkin, Nesta, Releece, Dov, Jocelyn, 10pm, $15 advance.
Amnesia: 853 Valencia, San Francisco. “Brass Tax,” w/ resident DJs JoeJoe, Ding Dong, Ernie Trevino, Mace, First Friday of every month, 10pm, $5.
Audio Discotech: 316 11th St., San Francisco. Umek, Ben Seagren, Dean Samaras, 9pm, $15 advance.
BeatBox: 314 11th St., San Francisco. “Pulse SF: 3-Year Anniversary,” w/ Ticon, Emok, Critical Choice, 10pm, $25-$30 advance.
Beaux: 2344 Market, San Francisco. “Manimal,” 9pm
The Cafe: 2369 Market, San Francisco. “Boy Bar,” w/ DJ Matt Consola, 9pm, $5.
Cat Club: 1190 Folsom, San Francisco. “Strangelove: A Tribute to Skinny Puppy,” w/ DJs Tomas Diablo, Daniel Skellington, Lexor, and Panic, 9:30pm, $7 ($3 before 10pm).
The Cellar: 685 Sutter, San Francisco. “F.T.S.: For the Story,” 10pm
The EndUp: 401 Sixth St., San Francisco. “Trade,” 10pm, free before midnight.
The Grand Nightclub: 520 Fourth St., San Francisco. “We Rock Fridays,” 9:30pm
Harlot: 46 Minna, San Francisco. DJ Spider, 9pm
Infusion Lounge: 124 Ellis, San Francisco. “Flight Fridays,” 10pm, $20.
Lookout: 3600 16th St., San Francisco. “HYSL: Handle Your Shit Lady,” 9pm, $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “Dirty Rotten Dance Party,” w/ Kap10 Harris, Shane King, guests, First Friday of every month, 9pm, $5.
MatrixFillmore: 3138 Fillmore, San Francisco. “F-Style Fridays,” w/ DJ Jared-F, 9pm
Mezzanine: 444 Jessie, San Francisco. “Future Fridays,” w/ Posso, Non Sequitur, Erika K, Monika Santucci, 9pm, $10.
Monarch: 101 Sixth St., San Francisco. Bob Moses, DJ M3, Lisbona, 9:30pm, $15-$20.
Powerhouse: 1347 Folsom, San Francisco. “Nasty,” First Friday of every month, 10pm, $5.
Public Works: 161 Erie, San Francisco. “Direct to Earth,” w/ Barem, Troy Pierce, Brian Knarfield, Max Gardner (in the main room), 9pm, $13-$20; “Play It Cool,” w/ Hound Scales, Avalon Emerson, Derek Opperman, Matthew Favorites, Guillaume Galuz (in the OddJob Loft), 10pm, $10.
Q Bar: 456 Castro, San Francisco. “Pump: Worq It Out Fridays,” w/ resident DJ Christopher B, 9pm, $3.
Rickshaw Stop: 155 Fell, San Francisco. Rüfüs, Lemaitre, DJ Aaron Axelsen, 9:30pm, $15-$17.
Ruby Skye: 420 Mason, San Francisco. Quintino, 9pm, $20-$30 advance.
Slate Bar: 2925 16th St., San Francisco. “Haçeteria,” w/ New Jack, Greg M, Jason P, Smac, Tristes Tropiques, Nihar, 10pm, $5.
Temple: 540 Howard, San Francisco. “Boogaloo Bounce,” w/ Brother Board, D-Clan, Freefall, 10pm, $15.
Underground SF: 424 Haight, San Francisco. “Bionic,” 10pm, $5.
Vessel: 85 Campton, San Francisco. “Blitz,” w/ Revolvr, DJ MyKill, Shawn Steele, Keelan, 10pm, $10-$30.
Wish: 1539 Folsom, San Francisco. “Bridge the Gap,” w/ resident DJ Don Kainoa, Fridays, 6-10pm, free; “Depth,” w/ resident DJs Sharon Buck & Greg Yuen, First Friday of every month, 10pm, free.
HIP-HOP
EZ5: 682 Commercial, San Francisco. “Decompression,” Fridays, 5-9pm
Mighty: 119 Utah, San Francisco. “Where’d You Get Those?,” w/ Bobbito, Stretch Armstrong, DJ Shortkut, DJ Proof, 9pm, $15 advance.
Nickies: 466 Haight, San Francisco. “First Fridays,” w/ The Whooligan & Dion Decibels, First Friday of every month, 11pm, free.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. De La Soul, 8 & 10pm, $46.
ACOUSTIC
Bazaar Cafe: 5927 California, San Francisco. Vessna Scheff, 7pm
Dolores Park Cafe: 501 Dolores, San Francisco. Beryl Baker & Co., 7:30pm
The Lost Church: 65 Capp, San Francisco. Cotton Polly, David Sobel & The Toms, 8pm, $10.
Plough & Stars: 116 Clement, San Francisco. A Talent for Mischief, 9pm
Red Poppy Art House: 2698 Folsom, San Francisco. Squid Inc. with Carrie Katz, 7:30pm, $10-$15.
The Sports Basement: 610 Old Mason, San Francisco. “Breakfast with Enzo,” w/ Enzo Garcia, 10am, $5.
St. Cyprian’s Episcopal Church: 2097 Turk, San Francisco. First Fridays Song Circle, First Friday of every month, 7pm, $5-$10.
JAZZ
Atlas Cafe: 3049 20th St., San Francisco. Jazz at the Atlas, 7:30pm, free.
Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Johnny Smith, 8pm, free.
Bird & Beckett: 653 Chenery, San Francisco. Don Prell’s SeaBop Ensemble, First Friday of every month, 5:30pm, free.
Cafe Royale: 800 Post, San Francisco. Wrapped in Plastic, First Friday of every month, 9pm
Feinstein’s at the Nikko: 222 Mason, San Francisco. Paula West, 8pm, $35-$50.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30pm, free.
The Palace Hotel: 2 New Montgomery, San Francisco. The Klipptones, 8pm, free.
Pier 23 Cafe: Pier 23, San Francisco. Hard Bop Collective, 8pm, free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio, 7pm, $8.
SFJAZZ Center: 205 Franklin, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, playing the music of Billie Holiday (in the Joe Henderson Lab), 7 & 8:30pm, $30.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Black Market Jazz Orchestra, 9pm, $10.
Zingari: 501 Post, San Francisco. Joyce Grant, 8pm, free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10pm, $5.
Cafe Cocomo: 650 Indiana, San Francisco. Taste Fridays, featuring local cuisine tastings, salsa bands, dance lessons, and more, 7:30pm, $15 (free entry to patio).
Cigar Bar & Grill: 850 Montgomery, San Francisco. Rumbaché, 10pm
City Hall: 1 Drive Carlton B. Goodlett, San Francisco. Gamelan Sekar Jaya, The Rotunda Dance Series opens its 2014 season with this free Balinese music and dance performance., noon, free.
Pachamama Restaurant: 1630 Powell, San Francisco. Cuban Night with Fito Reinoso, 7:30 & 9:15pm, $15-$18.
REGGAE
Gestalt Haus: 3159 16th St., San Francisco. “Music Like Dirt,” 7:30pm, free.
Showdown: 10 Sixth St., San Francisco. “How the West Was Won,” w/ Nowtime Sound, First Friday of every month, 10pm, free.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Tad Robinson, 7:30 & 10pm, $22.
Lou’s Fish Shack: 300 Jefferson, San Francisco. Little Wolf & The HellCats, 6pm
Tupelo: 1337 Green, San Francisco. Jinx Jones & The KingTones, First Friday of every month, 9pm
EXPERIMENTAL
Artists’ Television Access: 992 Valencia, San Francisco. Mission Eye & Ear #4, New experimental film and sound collaborations by Suki O’Kane & John Davis, Jason Hoopes & Azin Seraj, Marielle Jakobsons & Kirthi Nath, and more., 8pm, $7-$10.
FUNK
Amnesia: 853 Valencia, San Francisco. Swoop Unit, First Friday of every month, 6pm, $3-$5.
Make-Out Room: 3225 22nd St., San Francisco. “Loose Joints,” w/ DJs Centipede, Damon Bell, and Tom Thump, 10pm, $5-$10.
SOUL
Edinburgh Castle: 950 Geary, San Francisco. “Soul Crush,” w/ DJ Serious Leisure, 10pm, free.
The Knockout: 3223 Mission, San Francisco. “Oldies Night,” w/ DJs Primo, Daniel, Lost Cat, friends, First Friday of every month, 10pm, $5.

SATURDAY 8
ROCK
Bender’s: 806 S. Van Ness, San Francisco. Electric Funeral, Hell Fire, 10pm, $5.
Bottom of the Hill: 1233 17th St., San Francisco. The Ataris, Authority Zero, Drag the River, Versus the World, 8pm, sold out.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Dead Ghosts, Los Craters, Mujeres, Banshee Boardwalk, DJ Al Lover, 9pm, $8-$10.
The Chapel: 777 Valencia, San Francisco. JD Samson & MEN, Skip the Needle, People at Parties, 9pm, $16-$18.
El Rio: 3158 Mission, San Francisco. Kepi Ghoulie with Dog Party, Unko Atama, Pogo Ono, 10pm, $8.
Hemlock Tavern: 1131 Polk, San Francisco. The Librarians, Victory & Associates, Charmless, 9pm, $6.
The Knockout: 3223 Mission, San Francisco. Abrupt, Serpent Crown, Sciatica, Syzygz, 4pm, $6.
Milk Bar: 1840 Haight, San Francisco. Hungry Skinny, Ape Machine, The Missing Pieces, Strange Hotel, DJ Chad Stab, 9pm, $7.
Thee Parkside: 1600 17th St., San Francisco. Stomper 98, The Old Firm Casuals, Control, Custom Fit, 9pm, $15.
DANCE
Amnesia: 853 Valencia, San Francisco. Jonas Reinhardt, Pharaohs, Roche, ProFan DJs, 9pm, $10.
Audio Discotech: 316 11th St., San Francisco. Fur Coat, Pacific Disco, Papa Lu, 9:30pm, $5-$10 advance.
BeatBox: 314 11th St., San Francisco. Official S.F. White Party Palm Springs Kick Off Party, w/ DJs Chris Cox & Del Stamp, 10pm, $10-$20.
Beaux: 2344 Market, San Francisco. Official Clueless After Party, With Peaches Christ, Mahlae Balenciaga, and DJ Guy Ruben., 9pm, $3.
Cat Club: 1190 Folsom, San Francisco. “Club Gossip: Depeche Mode Night,” w/ DJs Damon, Shon, Low-Life, Melting Girl, and Daniel Skellington, 9pm, $5-$8 (free before 9:30pm).
DNA Lounge: 375 11th St., San Francisco. “Bootie S.F.,” w/ DJ BC, A+D, DJ Jimig, Smash-Up Derby, DJ Dcnstrct, more, 9pm, $10-$15.
Elbo Room: 647 Valencia, San Francisco. “Tormenta Tropical,” w/ Jah Wave, Mr. E, Oro11, Deejay Theory, 10pm, $10.
The EndUp: 401 Sixth St., San Francisco. “Eclectricity,” Second Saturday of every month, 10pm
F8: 1192 Folsom, San Francisco. HGMNY: A Celebration of International Women’s Day, Benefit for the Center for Young Women’s Development with Astronautica, SoSuperSam, Kittens, Smasheltooth, Jaqi Sparrow, Umami, and Pony P., 9pm, $10-$15 advance.
Harlot: 46 Minna, San Francisco. WhiteNoize, 9pm
The Hot Spot: 1414 Market, San Francisco. “Love Will Fix It,” w/ DJ Bus Station John, Second Saturday of every month, 10pm, $5.
Infusion Lounge: 124 Ellis, San Francisco. “One Way Ticket Saturdays,” w/ Eric D-Lux, Second Saturday of every month, 10pm, $20.
The Knockout: 3223 Mission, San Francisco. “Galaxy Radio,” w/ resident DJs Smac, Emils, Holly B, and guests, Second Saturday of every month, 9pm, free.
Lookout: 3600 16th St., San Francisco. “Bounce!,” 9pm, $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “Music Video Night,” w/ DJs Satva & 4AM, Second Saturday of every month, 10pm, $5.
Mezzanine: 444 Jessie, San Francisco. “Lights Down Low,” w/ Four Tet, Natasha Kmeto, DJ Dials, Sleazemore, Richie Panic, 9pm, sold out.
Mighty: 119 Utah, San Francisco. “Salted,” w/ Colette, Fred Everything, Julius Papp, 10pm, $10-$15 advance.
Monarch: 101 Sixth St., San Francisco. “As You Like It + The Bunker,” w/ Voices from the Lake, Jason Kendig, Christina Chatfield, Carlos Souffront, Mossmoss, 9pm, $20-$25.
OMG: 43 Sixth St., San Francisco. “Fixup: Grime City Reunion,” 10pm, $5.
Public Works: 161 Erie, San Francisco. Burnal Equinox 2014: The Multiverse Outpost, 7pm, $15-$20.
Q Bar: 456 Castro, San Francisco. “Shoop!: The Janet Remix,” w/ DJs Tommy T & Bryan B, 9pm
Rickshaw Stop: 155 Fell, San Francisco. “Cockblock,” w/ DJs Kidd Sysko & Chelsea Starr, 10pm, $10.
Ruby Skye: 420 Mason, San Francisco. Audien, 9pm, $20 advance.
The Stud: 399 Ninth St., San Francisco. “Frolic,” w/ Raid Zero, Lycan Catt, Cohn Jonner, NeonBunny, 8pm, $8 ($4 in costume).
Temple: 540 Howard, San Francisco. Andy Caldwell, Lucas Med, Magnetic, Rich Era, 10pm, $20.
Vessel: 85 Campton, San Francisco. The Chainsmokers, John Beaver, 10pm
Wish: 1539 Folsom, San Francisco. “All Styles & Smiles,” w/ DJ Tom Thump, Second Saturday of every month, 10pm, free.
HIP-HOP
111 Minna Gallery: 111 Minna, San Francisco. “Back to the ‘90s,” Second Saturday of every month, 9:30pm, $10.
Double Dutch: 3192 16th St., San Francisco. “Cash IV Gold,” w/ DJs Kool Karlo, Roost Uno, and Sean G, Second Saturday of every month, 10pm, free.
John Colins: 138 Minna, San Francisco. “Frothin,” w/ resident DJ Matt Cali, Second Saturday of every month, 10pm
Showdown: 10 Sixth St., San Francisco. “The Shit Show,” w/ resident DJ Taurus Scott, Second Saturday of every month, 10pm, two for $5.
ACOUSTIC
Atlas Cafe: 3049 20th St., San Francisco. Craig Ventresco and/or Meredith Axelrod, Saturdays, 4-6pm, free.
Bazaar Cafe: 5927 California, San Francisco. Songwriters in the Round with Alex Jimenez, 7pm
Hotel Utah: 500 Fourth St., San Francisco. The Royal Oui, Tall Heights, Keyan Keihani, 9pm, $10.
Neck of the Woods: 406 Clement, San Francisco. Grow & Twine, Trebuchet, Travis Hayes, on the downstairs stage, 9pm, $8.
Pa’ina: 1865 Post, San Francisco. Jim “Kimo” West, 7pm, $10.
Plough & Stars: 116 Clement, San Francisco. “Americana Jukebox,” w/ One Grass Two Grass Red Grass Bluegrass, 9pm, $6-$10.
St. Cyprian’s Episcopal Church: 2097 Turk, San Francisco. Misner & Smith, Maurice Tani, Sound of Sirens, 7:30pm, $15-$18.
JAZZ
Center for New Music: 55 Taylor, San Francisco. Vardan Ovsepian, 8pm, $10-$15.
Cigar Bar & Grill: 850 Montgomery, San Francisco. Josh Jones Latin Jazz Ensemble, 10pm
Feinstein’s at the Nikko: 222 Mason, San Francisco. Paula West, 7 & 9:30pm, $35-$50.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30pm, free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio, 7pm, $8.
SFJAZZ Center: 205 Franklin, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, playing the music of Etta James (in the Joe Henderson Lab), 7 & 8:30pm, $30.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. The Robert Stewart Experience, 9pm
INTERNATIONAL
1015 Folsom: 1015 Folsom, San Francisco. “Pura,” 9pm, $20.
Amoeba Music: 1855 Haight, San Francisco. Sila, 2pm, free.
Bissap Baobab: 3372 19th St., San Francisco. Misión Flamenca, Monthly live music and dance performances., Second Saturday of every month, 7:30pm “Paris-Dakar African Mix Coupe Decale,” 10pm, $5.
Make-Out Room: 3225 22nd St., San Francisco. “El SuperRitmo,” w/ DJs Roger Mas & El Kool Kyle, 10pm, $5 before 11pm
Pachamama Restaurant: 1630 Powell, San Francisco. Eddy Navia & Pachamama Band, 8pm, free.
Red Poppy Art House: 2698 Folsom, San Francisco. Bang Data, 7:30pm, $10-$20.
Space 550: 550 Barneveld, San Francisco. “Club Fuego,” 9:30pm
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Sista Monica, 7:30 & 10pm, $24.
Lou’s Fish Shack: 300 Jefferson, San Francisco. Robert “Hollywood” Jenkins, 6pm
The Riptide: 3639 Taraval, San Francisco. G.G. Amos, 9:30pm, free.
The Saloon: 1232 Grant, San Francisco. Dave Workman, Second Saturday of every month, 4pm
FUNK
Boom Boom Room: 1601 Fillmore, San Francisco. The Humidors, Jordan & The Ritual, DJ K-Os, 9:30pm, $10 advance.
The Independent: 628 Divisadero, San Francisco. Dumpstaphunk, Katdelic, 9pm, $22-$25.
ROCKABILLY
Pier 23 Cafe: Pier 23, San Francisco. The Royal Deuces, 8pm, free.
Slim’s: 333 11th St., San Francisco. Kim Lenz & The Jaguars, The B-Stars, Secret Town, DJ Tanoa, 9pm, $15.
SOUL
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Chanté Moore, 8 & 10pm, $35.

SUNDAY 9
ROCK
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Richie Ramone, He Who Cannot Be Named, Bite, The Unfortunate Bastard, 8pm, $12-$15.
DNA Lounge: 375 11th St., San Francisco. Scarlett Fever ‘14, Rett Syndrome benefit show with The Chop Tops, MoFo Party Band, The Memphis Murder Men, Lords of S.F., Stigma 13, more, 1pm, $15.
El Rio: 3158 Mission, San Francisco. Down & Outlaws, Mark Nelsen Band, The Parmesans, 8pm, $5.
Make-Out Room: 3225 22nd St., San Francisco. Sea Dramas, New Sun Company, 7:30pm, $8.
DANCE
Beaux: 2344 Market, San Francisco. “Full of Grace: A Weekly House Music Playground,” 9pm, free.
The Cellar: 685 Sutter, San Francisco. “Replay Sundays,” 9pm, free.
The Edge: 4149 18th St., San Francisco. “’80s at 8,” w/ DJ MC2, 8pm
Elbo Room: 647 Valencia, San Francisco. “Dub Mission,” w/ Mungo’s Hi Fi featuring Solo Banton, DJ Sep, 9pm, $12-$17.
The EndUp: 401 Sixth St., San Francisco. “T.Dance,” 6am-6pm; “The Rhythm Room,” Second Sunday of every month, 8pm
F8: 1192 Folsom, San Francisco. “Stamina,” w/ Drumsound & Bassline Smith, 10pm, free.
The Knockout: 3223 Mission, San Francisco. “Sweater Funk,” 10pm, free.
Lookout: 3600 16th St., San Francisco. “Jock,” Sundays, 3-8pm, $2.
MatrixFillmore: 3138 Fillmore, San Francisco. “Bounce,” w/ DJ Just, 10pm
Otis: 25 Maiden, San Francisco. “What’s the Werd?,” w/ resident DJs Nick Williams, Kevin Knapp, Maxwell Dub, and guests, 9pm, $5 (free before 11pm).
The Parlor: 2801 Leavenworth, San Francisco. “Sunday Sessions,” w/ DJ Marc deVasconcelos, 9pm, free.
Q Bar: 456 Castro, San Francisco. “Gigante,” 8pm, free.
Temple: 540 Howard, San Francisco. “Sunset Arcade: Mardi Gras Madness,” 18+ dance party & game night with Mt. Eden, Sound It Out, Harris Pilton, Russ Mack, Self Dustrukt, Saphyre, more, 8pm, $10-$20; “Sunset Arcade,” 18+ dance party & game night, 9pm, $10.
HIP-HOP
Boom Boom Room: 1601 Fillmore, San Francisco. “Return of the Cypher,” 9:30pm, free.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. Levi Strom, Matthew Hable, The Gospel Flats, 8pm, $8-$10.
Hemlock Tavern: 1131 Polk, San Francisco. David Novick, Matt Kivel, 8:30pm, $6.
Hotel Utah: 500 Fourth St., San Francisco. Maggie McClure, Jessica Campbell, Essence, Sara Beth Go, 8pm, $10.
The Lucky Horseshoe: 453 Cortland, San Francisco. Bernal Mountain Bluegrass Jam, 4pm, free; The Bernal Hillbillies, Second Sunday of every month, 8pm
Madrone Art Bar: 500 Divisadero, San Francisco. “Spike’s Mic Night,” Sundays, 4-8pm, free.
Milk Bar: 1840 Haight, San Francisco. Lonesome Locomotive, Rocket Frog Rodeo, Dusty Green Bones Band, 4pm, free.
St. Luke’s Episcopal Church: 1755 Clay, San Francisco. “Sunday Night Mic,” w/ Roem Baur, 5pm, free.
Tupelo: 1337 Green, San Francisco. “Twang Sundays,” w/ The Coburns, 7pm, free.
JAZZ
Chez Hanny: 1300 Silver, San Francisco. Calvin Keys Trio, 4pm, $20 suggested donation.
Feinstein’s at the Nikko: 222 Mason, San Francisco. Paula West, 7pm, $35-$50.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30pm, free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Sunday Sessions,” 10pm, free.
Martuni’s: 4 Valencia, San Francisco. Madame Jo Trio, second Sunday of every month, 4-6pm, free.
Pier 23 Cafe: Pier 23, San Francisco. Gary Flores Ensemble, 5pm, free.
Revolution Cafe: 3248 22nd St., San Francisco. Jazz Revolution, 4pm, free/donation.
SFJAZZ Center: 205 Franklin, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, playing the music of Sarah Vaughan (in the Joe Henderson Lab), 5:30 & 7pm, $30.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Kris Bowers Quintet featuring Julia Easterlin, Myele Manzanza Trio with Mark de Clive-Lowe & Ben Shepherd, 7pm, $17-$19.
Zingari: 501 Post, San Francisco. Carol Luckenbach, 7:30pm, free.
INTERNATIONAL
Atmosphere: 447 Broadway, San Francisco. “Hot Bachata Nights,” w/ DJ El Guapo, 5:30pm, $10-$20.
Bissap Baobab: 3372 19th St., San Francisco. “Brazil & Beyond,” 6:30pm, free.
El Rio: 3158 Mission, San Francisco. Salsa Sundays, Second and Fourth Sunday of every month, 3pm, $8-$10.
Thirsty Bear Brewing Company: 661 Howard, San Francisco. “The Flamenco Room,” 7:30 & 8:30pm
BLUES
Lou’s Fish Shack: 300 Jefferson, San Francisco. Sam Johnson, 4pm
The Saloon: 1232 Grant, San Francisco. Blues Power, 4pm; The Door Slammers, Second Sunday of every month, 9:30pm
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Bohemian Knuckleboogie, 8pm, free.
Swig: 571 Geary, San Francisco. Sunday Blues Jam with Ed Ivey, 9pm
COUNTRY
The Riptide: 3639 Taraval, San Francisco. Joe Goldmark & The Seducers, Second Sunday of every month, 7:30pm, free.
SOUL
Delirium Cocktails: 3139 16th St., San Francisco. “Heart & Soul,” w/ DJ Lovely Lesage, 10pm, free.

MONDAY 10
ROCK
Hemlock Tavern: 1131 Polk, San Francisco. Books on Fate, Night Train, City of Women, 6pm, $5.
Milk Bar: 1840 Haight, San Francisco. Lemme Adams, Red Ribbon, Charm, 9pm, free.
DANCE
DNA Lounge: 375 11th St., San Francisco. “Death Guild,” 18+ dance party with DJs Decay, Joe Radio, Melting Girl, & guests, 9:30pm, $3-$5.
Q Bar: 456 Castro, San Francisco. “Wanted,” w/ DJs Key&Kite and Richie Panic, 9pm, free.
Underground SF: 424 Haight, San Francisco. “Vienetta Discotheque,” w/ DJs Stanley Frank and Robert Jeffrey, 10pm, free.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. The Pick Bluegrass Jam, Second Monday of every month, 6pm, free; Toshio Hirano, Second Monday of every month, 9pm, free.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Scott Barkan, Muncie, The Old Way, 9pm, $5.
The Chapel: 777 Valencia, San Francisco. Diane Cluck, Sondra Sun-Odeon, 8pm, $13-$15.
The Chieftain: 198 Fifth St., San Francisco. The Wrenboys, 7pm, free.
Elbo Room: 647 Valencia, San Francisco. The Riverbreaks, Evan & The Eccentrics, 9pm, $8.
Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, 9:30pm, free/donation.
Hotel Utah: 500 Fourth St., San Francisco. Open Mic with Brendan Getzell, 8pm, free.
Osteria: 3277 Sacramento, San Francisco. “Acoustic Bistro,” 7pm, free.
The Saloon: 1232 Grant, San Francisco. Peter Lindman, 4pm
JAZZ
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Eugene Pliner Quartet with Tod Dickow, 7:30pm, free.
Le Colonial: 20 Cosmo, San Francisco. Le Jazz Hot, 7pm, free.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. City Jazz Instrumental Jam Session, 8pm
Zingari: 501 Post, San Francisco. Nora Maki, 7:30pm, free.
REGGAE
Skylark Bar: 3089 16th St., San Francisco. “Skylarking,” w/ I&I Vibration, 10pm, free.
BLUES
The Saloon: 1232 Grant, San Francisco. The Bachelors, 9:30pm
EXPERIMENTAL
Center for New Music: 55 Taylor, San Francisco. Thom Blum: Soundscraper, 8pm, $10-$15.
SOUL
Madrone Art Bar: 500 Divisadero, San Francisco. “M.O.M. (Motown on Mondays),” w/ DJ Gordo Cabeza & Timoteo Gigante, 8pm, free.

TUESDAY 11
ROCK
Amnesia: 853 Valencia, San Francisco. Cellar Doors, Cool Ghouls, 9:15pm continues through March 25, $7-$10.
Bottom of the Hill: 1233 17th St., San Francisco. Little Sister, Apogee Sound Club, The Secret Secretaries, 8:30pm, $8.
El Rio: 3158 Mission, San Francisco. Alone in the Universe, Miss Massive Snowflake, Lucid Optics, 7pm, $5.
Hemlock Tavern: 1131 Polk, San Francisco. Lo Cash Ninjas, Jokes for Feelings, Spawn Atomic, Black Dream, 9pm, $5.
The Knockout: 3223 Mission, San Francisco. Shannon & The Clams, Marriage & Cancer, Mane, DJ Hang The, 9:30pm, $8.
DANCE
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “High Fantasy,” w/ DJ Viv, Myles Cooper, & guests, 10pm, $2.
Harlot: 46 Minna, San Francisco. “Tutu Tuesday,” w/ resident DJ Atish, Second Tuesday of every month, 9pm, $7 ($2 in a tutu before 11pm).
Monarch: 101 Sixth St., San Francisco. “Soundpieces,” 10pm, free-$10.
Q Bar: 456 Castro, San Francisco. “Switch,” w/ DJs Jenna Riot & Andre, 9pm, $3.
Underground SF: 424 Haight, San Francisco. “Shelter,” 10pm, free.
Wish: 1539 Folsom, San Francisco. “Tight,” w/ resident DJs Michael May & Lito, 8pm, free.
HIP-HOP
Double Dutch: 3192 16th St., San Francisco. “Takin’ It Back Tuesdays,” w/ DJs Mr. Murdock & Roman Nunez, Second Tuesday of every month, 10pm, free.
ACOUSTIC
Bazaar Cafe: 5927 California, San Francisco. Songwriter in Residence: Lonnie Lazar, 7pm continues through March 25.
Hotel Utah: 500 Fourth St., San Francisco. Amy Obenski, ArtemesiaBlack, David Colón, 8pm, $7.
Plough & Stars: 116 Clement, San Francisco. Seisiún with Barry O’Connell & Vinnie Cronin, 9pm
Rickshaw Stop: 155 Fell, San Francisco. Scott H. Biram, Larry & His Flask, Whiskey Shivers, Tom VandenAvond, 7:30pm, $13.
JAZZ
Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Gerry Grosz Jazz Jam, 7pm
Blush! Wine Bar: 476 Castro, San Francisco. Kally Price & Rob Reich, 7pm, free.
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6pm, free.
Cafe Divine: 1600 Stockton, San Francisco. Chris Amberger, 7pm
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Clifford Lamb, Mel Butts, and Friends, 7:30pm, free.
Le Colonial: 20 Cosmo, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, 7pm
Revolution Cafe: 3248 22nd St., San Francisco. West Side Jazz Club, 5pm, free.
Tupelo: 1337 Green, San Francisco. Mal Sharpe’s Big Money in Jazz Band, 6pm
Verdi Club: 2424 Mariposa, San Francisco. “Tuesday Night Jump,” w/ Stompy Jones, 9pm, $10-$12.
Wine Kitchen: 507 Divisadero St., San Francisco. Hot Club Pacific, 7:30pm
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Tommy Igoe Big Band, 8pm, $22.
Zingari: 501 Post, San Francisco. Riley Bandy, 7:30pm, free.
INTERNATIONAL
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Gautam Tejas Ganeshan, Classical Revolution, Cash Pony, 7:30pm, $7-$10.
Cafe Cocomo: 650 Indiana, San Francisco. Salsa Tuesday, w/ DJs Good Sho & El de la Clave, 8:30pm, $10.
The Cosmo Bar & Lounge: 440 Broadway, San Francisco. Conga Tuesdays, 8pm, $7-$10.
F8: 1192 Folsom, San Francisco. “Underground Nomads,” w/ rotating resident DJs Amar, Sep, and Dulce Vita, plus guests, 9pm, $5 (free before 9:30pm).
REGGAE
Milk Bar: 1840 Haight, San Francisco. “Bless Up,” w/ Jah Warrior Shelter Hi-Fi, 10pm
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Ron Thompson & The Resistors, 7:30 & 9:30pm, $15.
EXPERIMENTAL
Center for New Music: 55 Taylor, San Francisco. sfSoundSalonSeries, w/ Joan La Barbara, 7:49pm, $10-$15.
SOUL
Make-Out Room: 3225 22nd St., San Francisco. “Lost & Found,” w/ DJs Primo, Lucky, and guests, 9:30pm, free. 2

Music Listings Feb. 26-Mar 4, 2014

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WEDNESDAY 26
ROCK
50 Mason Social House: 50 Mason, San Francisco. The Ever After, The Proofs, 8pm, free.
Bender’s: 806 S. Van Ness, San Francisco. Noise Pop Happy Hour: CCR Headcleaner, Skate Laws, Bicycle Day, 5pm, free.
Bottom of the Hill: 1233 17th St., San Francisco. Noise Pop 2014: Strange Vine, French Cassettes, Dante Elephante, Irontom, 7pm, $10-$12.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Noise Pop 2014: The Fresh & Onlys, Cool Ghouls, Sandy’s, Luke Sweeney, 8pm, $12-$14.
The Chapel: 777 Valencia, San Francisco. Noise Pop 2014: Papercuts, Vetiver, The Donkeys, Eric D. Johnson, DJ Britt Govea, 8pm, $15-$18.
El Rio: 3158 Mission, San Francisco. Beast Fiend, Neurotrash, Twat, 8pm, $5.
Hemlock Tavern: 1131 Polk, San Francisco. Dancer, Gravys Drop, 8:30pm, free.
Hotel Utah: 500 Fourth St., San Francisco. Thieves of Malta, Great Highway, Future Us, 8pm, $8.
The Knockout: 3223 Mission, San Francisco. Little Person, April & The Paradigm, Harriot, The Tender Few, DJ Ryan Smith, 8pm, $5-$8.
Milk Bar: 1840 Haight, San Francisco. The Midnight Snackers, Spooky Flowers, Jet Trash, Friends W/O Benefits, 8pm, $5.
Rickshaw Stop: 155 Fell, San Francisco. Ty Segall, Burnt Ones, Endless Bummer, 8pm, sold out.
SFSU Campus, Cesar Chavez Student Center: 1650 Holloway, San Francisco. Midnight Sons, Adult Books, Wyatt Blair, Bicycle Day, 6pm, free.
Slim’s: 333 11th St., San Francisco. Cibo Matto, Salt Cathedral, 8pm, $26.
DANCE
Beaux: 2344 Market, San Francisco. “BroMance: A Night Out for the Fellas,” 9pm, free.
The Cafe: 2369 Market, San Francisco. “Sticky Wednesdays,” w/ DJ Mark Andrus, 8pm, free.
Cat Club: 1190 Folsom, San Francisco. “Bondage A Go Go,” w/ DJs Damon, Tomas Diablo, & guests, 9:30pm, $5-$10.
Club X: 715 Harrison, San Francisco. “Electro Pop Rocks,” 18+ dance night with Borgeous, DJ Audio1, Non Sequitur, Self Dustrukt, Nano Sage, LegitSoda, more, 9pm, $10-$20.
Edinburgh Castle: 950 Geary, San Francisco. “1964,” w/ DJ Matt B & guests, Second and Fourth Wednesday of every month, 10pm, $2.
Elbo Room: 647 Valencia, San Francisco. “Bodyshock,” w/ Chrissy Murderbot, Blk Rainbow, DJ Crackwhore, Unit 77, 9pm, $8-$10.
F8: 1192 Folsom, San Francisco. “Housepitality,” w/ Acidman, Tyrel Williams, Bai-ee, Mrs. Blythe, 9pm, $5-$10.
Infusion Lounge: 124 Ellis, San Francisco. “Indulgence,” 10pm
Lookout: 3600 16th St., San Francisco. “What?,” w/ resident DJ Tisdale and guests, 7pm, free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Rock the Spot,” 9pm, free.
MatrixFillmore: 3138 Fillmore, San Francisco. “Reload,” w/ DJ Big Bad Bruce, 10pm, free.
Q Bar: 456 Castro, San Francisco. “Booty Call,” w/ Juanita More, Joshua J, guests, 9pm, $3.
HIP-HOP
Neck of the Woods: 406 Clement, San Francisco. “Over the Hump,” w/ Children of the Funk, 10pm, free.
The NWBLK: 1999 Bryant, San Francisco. Noise Pop 2014: Our Vinyl Weighs a Ton, Stones Throw Records showcase featuring performances by Peanut Butter Wolf, J Rocc, Jonwayne, and Knxwledge at 8pm, preceded by a screening of the documentary Our Vinyl Weighs a Ton: This Is Stones Throw Records at 5pm, $20-$25.
Skylark Bar: 3089 16th St., San Francisco. “Mixtape Wednesday,” w/ resident DJs Strategy, Junot, Herb Digs, & guests, 9pm, $5.
ACOUSTIC
Cafe Divine: 1600 Stockton, San Francisco. Craig Ventresco & Meredith Axelrod, 7pm, free.
Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, Every other Wednesday, 9:30pm, free/donation.
Plough & Stars: 116 Clement, San Francisco. The Toast Inspectors, Last Wednesday of every month, 9pm
JAZZ
Amnesia: 853 Valencia, San Francisco. Gaucho, Eric Garland’s Jazz Session, The Amnesiacs, 7pm, free.
Balancoire: 2565 Mission St., San Francisco. “Cat’s Corner,” 9pm, $10.
Boom Boom Room: 1601 Fillmore, San Francisco. Royal Jelly, 9:30pm, $5.
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6pm, free.
Club Deluxe: 1511 Haight, San Francisco. Patrick Wolff Quartet, 9pm, free.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30pm, free.
Le Colonial: 20 Cosmo, San Francisco. The Cosmo Alleycats featuring Ms. Emily Wade Adams, 7pm, free.
Revolution Cafe: 3248 22nd St., San Francisco. Michael Parsons Trio, Every other Wednesday, 8:30pm, free/donation.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Sebastian Parker Trio, 8pm
Top of the Mark: One Nob Hill, 999 California, San Francisco. Ricardo Scales, Wednesdays, 6:30-11:30pm, $5.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Thelonious Monk Institute All-Star Sextet with Ambrose Akinmusire & Lisa Henry, 8pm, $16-$20.
Zingari: 501 Post, San Francisco. Amanda King, 7:30pm, free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Baobab!,” timba dance party with DJ WaltDigz, 10pm, $5.
Cafe Cocomo: 650 Indiana, San Francisco. “Bachatalicious,” w/ DJs Good Sho & Rodney, 7pm, $5-$10.
Cigar Bar & Grill: 850 Montgomery, San Francisco. Individúo, 8pm
Make-Out Room: 3225 22nd St., San Francisco. “International Freakout A Go-Go,” 10pm, free.
Pachamama Restaurant: 1630 Powell, San Francisco. Cafe Latino Americano, 8pm, $12.
The Rite Spot Cafe: 2099 Folsom, San Francisco. Redwood Tango Ensemble, 8pm, free.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. The Cash Box Kings, 7:30 & 9:30pm, $15.
The Royal Cuckoo: 3202 Mission, San Francisco. Big Bones & Chris Siebert, 7:30pm, free.
The Saloon: 1232 Grant, San Francisco. Takezo, 9:30pm
EXPERIMENTAL
Center for New Music: 55 Taylor, San Francisco. Loop 2.4.3, Prism, 8pm, $5-$12.
SOUL
Monarch: 101 Sixth St., San Francisco. “Color Me Badd,” coloring books and R&B jams with Matt Haze, DJ Alarm, Broke-Ass Stuart, guests, Wednesdays, 5:30-9:30pm, free.

THURSDAY 27
ROCK
Amnesia: 853 Valencia, San Francisco. “Mods v. Rockers,” w/ Little Wild, The M-Tet, DJ Dutch Crunch, 8:30pm, $5-$7.
Bender’s: 806 S. Van Ness, San Francisco. Noise Pop Happy Hour: Dude York, A Million Billion Dying Suns, A-1 & Rawdad, 5pm, free.
Boom Boom Room: 1601 Fillmore, San Francisco. Hibbity Dibbity, Big Baby Guru, Wag, 9:30pm, $5 advance.
Bottom of the Hill: 1233 17th St., San Francisco. Noise Pop 2014: Bottomless Pit, Kinski, Vir, Wild Moth, 8pm, $15.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Noise Pop 2014: Mark Mulcahy, Mark Eitzel, Vikesh Kapoor, Whiskerman, 8pm, $12-$14.
The Chapel: 777 Valencia, San Francisco. Noise Pop 2014: Mother Falcon, Foxtails Brigade, Kan Wakan, The Airplanes, 8pm, $15.
DNA Lounge: 375 11th St., San Francisco. Noise Pop 2014: The Limousines, Nova Albion, The Hundred Days, Taxes, DJ Immigre, 8pm, $15 advance.
El Rio: 3158 Mission, San Francisco. Bad Bad, Talk of Shamans, Pleasure Gallows, 8pm, $5.
Hemlock Tavern: 1131 Polk, San Francisco. Pleistocene, Lauren O’Connell, The Jerfs, 8:30pm, $6.
Rickshaw Stop: 155 Fell, San Francisco. Noise Pop 2014: Popscene with Broods, ASTR, DJ Aaron Axelsen, 9:30pm, $13 advance.
S.F. Eagle: 398 12th St., San Francisco. Ritchie White Orchestra, Deep Teens, Younger Lovers, Club Meds, 9pm, $8.
SFSU Campus, Cesar Chavez Student Center: 1650 Holloway, San Francisco. Cool Ghouls, Mystic Braves, Mr. Elevator & The Brain Hotel, Knits, 6pm, free.
DANCE
1015 Folsom: 1015 Folsom, San Francisco. Noise Pop 2014: Digital Mystikz, DJ Rashad, Paradigm, Nebakaneza, Lud Dub, Johnny5, Mr. Kitt, 10pm, $17.50 advance.
Abbey Tavern: 4100 Geary, San Francisco. DJ Schrobi-Girl, 10pm, free.
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “Tubesteak Connection,” w/ DJ Bus Station John, 9pm, $5-$7.
Beaux: 2344 Market, San Francisco. “Men at Twerk,” 9pm, free.
The Cafe: 2369 Market, San Francisco. “¡Pan Dulce!,” 9pm, $5.
Cat Club: 1190 Folsom, San Francisco. “Throwback Thursdays,” ‘80s night with DJs Damon, Steve Washington, Dangerous Dan, and guests, 9pm, $6 (free before 9:30pm).
The Cellar: 685 Sutter, San Francisco. “XO,” w/ DJs Astro & Rose, 10pm, $5.
Club X: 715 Harrison, San Francisco. “The Crib,” 9:30pm, $10, 18+.
Elbo Room: 647 Valencia, San Francisco. “Afrolicious,” w/ DJs Pleasuremaker, Señor Oz, and guests, 9:30pm, $5-$8.
Infusion Lounge: 124 Ellis, San Francisco. “I Love Thursdays,” 10pm, $10.
Madrone Art Bar: 500 Divisadero, San Francisco. “Night Fever,” 9pm, $5 after 10pm
Mezzanine: 444 Jessie, San Francisco. Noise Pop 2014: Com Truise, Phantoms, Kauf, DJ Dials, 9pm, $15-$17.
Milk Bar: 1840 Haight, San Francisco. Gen-Y, Witowmaker, Fever Witch, Dirty Coyote, Alice Cunt & Myst Connection, DJ Doggie Chow, 8pm, $5.
Q Bar: 456 Castro, San Francisco. “Throwback Thursday,” w/ DJ Jay-R, 9pm, free.
Raven: 1151 Folsom, San Francisco. “1999,” w/ VJ Mark Andrus, 8pm, free.
Ruby Skye: 420 Mason, San Francisco. “Mardi Gras,” w/ Jerome Isma-Ae, Riggi & Piros, 9pm, $15-$20 advance.
Underground SF: 424 Haight, San Francisco. “Bubble,” 10pm, free.
Vessel: 85 Campton, San Francisco. “Base,” w/ Nic Fanciulli, 10pm, $5-$10.
HIP-HOP
Eastside West: 3154 Fillmore, San Francisco. “Throwback Thursdays,” w/ DJ Madison, 9pm, free.
John Colins: 138 Minna, San Francisco. “#Quattro,” w/ DJ Dino, Fourth Thursday of every month, 9pm
Skylark Bar: 3089 16th St., San Francisco. “Peaches,” w/ lady DJs DeeAndroid, Lady Fingaz, That Girl, Umami, Inkfat, and Andre, 10pm, free.
Slim’s: 333 11th St., San Francisco. Noise Pop 2014: Shabazz Palaces, Cities Aviv, Extra Classic, Raw-G, 8pm, $20-$22.
SPARC: 1256 Mission, San Francisco. Jel, Maus Haus, Grown Kids Radio DJs, 7pm, free with RSVP.
Temple: 540 Howard, San Francisco. Thugg Chains Launch Party, w/ Indaskyes, VNDMG, Chains & Frames, Sayer, Groucho, Free Fall Crew, Intellitard, more, 10pm, $5.
ACOUSTIC
Atlas Cafe: 3049 20th St., San Francisco. Bluegrass & Old-Time Music Jam Session, Last Thursday of every month, 8-10pm, free.
Bazaar Cafe: 5927 California, San Francisco. Acoustic Open Mic, 7pm
Hotel Utah: 500 Fourth St., San Francisco. Wendy Colonna, Kendra McKinley, 9pm, $10.
Plough & Stars: 116 Clement, San Francisco. Emperor Norton Céilí Band, 9pm
JAZZ
Blush! Wine Bar: 476 Castro, San Francisco. Doug Martin’s Avatar Ensemble, 7:30pm, free.
Cafe Claude: 7 Claude, San Francisco. Nova Jazz, 7:30pm, free.
Cafe Royale: 800 Post, San Francisco. The Hexaphonics, 9pm
Cigar Bar & Grill: 850 Montgomery, San Francisco. Charged Particles, 8pm
Feinstein’s at the Nikko: 222 Mason, San Francisco. Paula West, 8pm, $35-$50.
Le Colonial: 20 Cosmo, San Francisco. Swing Fever, 7:30pm
Pier 23 Cafe: Pier 23, San Francisco. Art Lewis Trio, 7pm, free.
The Royal Cuckoo: 3202 Mission, San Francisco. Charlie Siebert & Chris Siebert, 7:30pm, free.
SFJAZZ Center: 205 Franklin, San Francisco. Terrence Brewer Jazz Quartet, Mosaic CD release party (in the Joe Henderson Lab), 7 & 8:30pm, $20.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Stompy Jones, 7:30pm, $10.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Jackie Ryan, 8 & 10pm, $16-$25.
Zingari: 501 Post, San Francisco. Barbara Ochoa, 7:30pm, free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Pa’Lante!,” w/ Juan G, El Kool Kyle, Mr. Lucky, 10pm, $5.
Cafe Cocomo: 650 Indiana, San Francisco. VibraSÓN, DJ Good Sho, 8pm, $12.
Pachamama Restaurant: 1630 Powell, San Francisco. “Jueves Flamencos,” 8pm, free.
Red Poppy Art House: 2698 Folsom, San Francisco. Therianthrope, Ian Faquini & Rebecca Kleinmann, 7:30pm, $10-$15.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Gary Flores & Descarga Caliente, 8pm
Verdi Club: 2424 Mariposa, San Francisco. The Verdi Club Milonga, w/ Christy Coté, DJ Emilio Flores, guests, 9pm, $10-$15.
REGGAE
Pissed Off Pete’s: 4528 Mission St., San Francisco. Reggae Thursdays, w/ resident DJ Jah Yzer, 9pm, free.
BLUES
50 Mason Social House: 50 Mason, San Francisco. Bill Phillippe, 5:30pm, free.
Biscuits and Blues: 401 Mason, San Francisco. Alan Iglesias & Crossfire, 7:30 & 9:30pm, $20.
The Saloon: 1232 Grant, San Francisco. T-Wrex & The Primitive Rhythm, 4pm; Cathy Lemons, 9:30pm
Tupelo: 1337 Green, San Francisco. G.G. Amos, 9pm
COUNTRY
The Parlor: 2801 Leavenworth, San Francisco. “Twang Honky Tonk & Country Jamboree,” w/ DJ Little Red Rodeo, 7pm, free.
EXPERIMENTAL
The Luggage Store: 1007 Market, San Francisco. Collin McKelvey with Paul Clipson, HeadBoggle, Eric Sanchez, 8pm, $6-$10.

FRIDAY 28
ROCK
Bender’s: 806 S. Van Ness, San Francisco. Noise Pop Happy Hour: Future Twin, Cocktails, Blood Sister, 5pm, free.
Boom Boom Room: 1601 Fillmore, San Francisco. The Sofa Kings, 9:30pm, $10 advance.
Bottom of the Hill: 1233 17th St., San Francisco. Noise Pop 2014: No Age, Hindu Pirates, Dune Rats, Creative Adult, 9pm, $12-$14.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Stu Allen & Mars Hotel, 9pm, $15-$18.
The Chapel: 777 Valencia, San Francisco. Noise Pop 2014: The Soft White Sixties, No, The She’s, Cannons & Clouds, 8pm, $13-$15.
DNA Lounge: 375 11th St., San Francisco. The Moth & The Flame, The Trims, Ghost Town Jenny, Frozen Folk, 8pm, $10-$12.
El Rio: 3158 Mission, San Francisco. Friday Live: Tiburona, DJ Emotions, 10pm, free.
Hemlock Tavern: 1131 Polk, San Francisco. Noise Pop 2014: Sonny & The Sunsets, Penny Machine, 9pm, $12.
Hotel Utah: 500 Fourth St., San Francisco. Pebble Theory, Silver Griffin, Van Aragon, 9pm, $9.
The Independent: 628 Divisadero, San Francisco. Noise Pop 2014: Real Estate, The Shilohs, Dream Boys, 8pm, $20.
Jewish Community Center of San Francisco: 3200 California, San Francisco. Noise Pop 2014: Throwing Muses, Mark Eitzel, 8pm, sold out.
Milk Bar: 1840 Haight, San Francisco. Tournament of Hearts, Tall Fires, Midnight DJ set, 9pm, $5.
Rickshaw Stop: 155 Fell, San Francisco. Noise Pop 2014: Bleached, Terry Malts, Mystic Braves, Tropical Popsicle, 9pm, $13-$15.
Slim’s: 333 11th St., San Francisco. Noise Pop 2014: Cold Cave, Painted Palms, Dirty Ghosts, Happy Fangs, 8pm, $16-$18.
Thee Parkside: 1600 17th St., San Francisco. Dave Hause, Northcote, 9pm, $10.
Vacation: 651 Larkin, San Francisco. Breakarts, Murder Murder, Planes of Satori, 9pm, free.
DANCE
1015 Folsom: 1015 Folsom, San Francisco. Noise Pop 2014: Scene Unseen III with Mr. Carmack, Kelela, Majical Cloudz, Supreme Cuts, Purple, plus DJs from Honey Soundsystem, Popscene, Push the Feeling, Trap City, Isis, and more, 9pm, free with RSVP.
Audio Discotech: 316 11th St., San Francisco. Prok & Fitch, Festiva, 9pm, $10 advance.
BeatBox: 314 11th St., San Francisco. “Eye Candy,” w/ VJ Bill Dupp, 9pm, $10.
Beaux: 2344 Market, San Francisco. “Manimal,” 9pm
The Cafe: 2369 Market, San Francisco. “Boy Bar,” w/ DJ Matt Consola, 9pm, $5.
Cat Club: 1190 Folsom, San Francisco. “Dark Shadows,” w/ DJs Daniel Skellington, Melting Girl, Panic, and Skarkrow, 9:30pm, $7 ($3 before 10pm).
The Cellar: 685 Sutter, San Francisco. “F.T.S.: For the Story,” 10pm
DNA Lounge: 375 11th St., San Francisco. “Trap & Bass,” w/ HeRobust, UltraViolet, Napsty, Harris Pilton, Smookie Illson, 9pm, $10-$20.
Elbo Room: 647 Valencia, San Francisco. “120 Minutes,” w/ Little Pain, Sad Andy, Santa Muerte, Chauncey CC, 10pm, $8-$10.
The EndUp: 401 Sixth St., San Francisco. “Trade,” 10pm, free before midnight.
F8: 1192 Folsom, San Francisco. “A Night of Rong Music,” w/ DJ Spun, Jeffrey Sfire, Corey Black, Ken Vulsion, 9pm, $10.
The Grand Nightclub: 520 Fourth St., San Francisco. “We Rock Fridays,” 9:30pm
Harlot: 46 Minna, San Francisco. Richie G, 9pm
Infusion Lounge: 124 Ellis, San Francisco. “Flight Fridays,” 10pm, $20.
Lookout: 3600 16th St., San Francisco. “HYSL: Handle Your Shit Lady,” 9pm, $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “I ♥ the ‘90s,” w/ DJs Samala, Teo, Mr. Grant, & Sonny Phono, Fourth Friday of every month, 9pm, $5.
MatrixFillmore: 3138 Fillmore, San Francisco. “F-Style Fridays,” w/ DJ Jared-F, 9pm
Mercer: 255 Rhode Island, San Francisco. “SoulHouse,” w/ Le Charm, Lawrence Petty, Timoteo Gigante, 9pm
Mezzanine: 444 Jessie, San Francisco. Noise Pop 2014: Beardyman, The Genie, Matt Haze, 9pm, $19-$21.
Monarch: 101 Sixth St., San Francisco. “Night Moves: 2-Year Anniversary,” w/ John Tejada, Shiny Objects, J-Boogie, Deejay Theory, Papa Lu, 9pm, $10-$20.
Public Works: 161 Erie, San Francisco. “Resonate,” w/ Esgar, DJ Nobody, Ruff Draft, Mophono, Citizen Ten, Bdot, Mr. Muddbird, Tone, Joe Mousepad (in the OddJob Loft), 9pm, $5-$10; Danny Tenaglia, Nikita, John Kaberna, in the main room, 9pm, $20-$30.
Q Bar: 456 Castro, San Francisco. “Pump: Worq It Out Fridays,” w/ resident DJ Christopher B, 9pm, $3.
Ruby Skye: 420 Mason, San Francisco. “Mardi Gras,” w/ Manufactured Superstars, Niko Zografos, Daun Giventi, 9pm, $20 advance.
Supperclub San Francisco: 657 Harrison, San Francisco. “Spin,” w/ Eric Lee, WhiteNoize, DJ Taj, 10pm
Underground SF: 424 Haight, San Francisco. “Bionic,” 10pm, $5.
Vessel: 85 Campton, San Francisco. “Project X,” w/ Sebastian Concha, Clarisse & Josephine, Rose, 10pm, $10-$30.
Wish: 1539 Folsom, San Francisco. “Bridge the Gap,” w/ resident DJ Don Kainoa, Fridays, 6-10pm, free.
HIP-HOP
EZ5: 682 Commercial, San Francisco. “Decompression,” Fridays, 5-9pm
John Colins: 138 Minna, San Francisco. “#Flow,” w/ The Whooligan & Mikos Da Gawd, Fourth Friday of every month, 10pm, free befoe 11pm
Mighty: 119 Utah, San Francisco. “Back 2 the Basics,” w/ Andre Nickatina, J. Espinosa, J-Pro, Chuy Gomez, Fran Boogie, 10pm, $15-$25 advance.
Sloane: 1525 Mission, San Francisco. “Lift Off: The Darling Society Edition,” w/ DJ DC Is Chillin & DJ Amen, 9:30pm, $20.
ACOUSTIC
Bazaar Cafe: 5927 California, San Francisco. Tommy P, M.J. Lee, Wesley Woo, 7pm, free.
Plough & Stars: 116 Clement, San Francisco. “Hillbilly Robot: An Urban Americana Music Event,” w/ The Harmed Brothers, Emily Bonn & The Vivants, 9pm, $10-$15.
The Sports Basement: 610 Old Mason, San Francisco. “Breakfast with Enzo,” w/ Enzo Garcia, 10 a.m., $5.
JAZZ
Atlas Cafe: 3049 20th St., San Francisco. Jazz at the Atlas, 7:30pm, free.
Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Johnny Smith, 8pm, free.
Bird & Beckett: 653 Chenery, San Francisco. Chuck Peterson Quintet, Fourth Friday of every month, 5:30pm
Cafe Claude: 7 Claude, San Francisco. Jinx Jones Jazz Trio, 7:30pm, free.
Feinstein’s at the Nikko: 222 Mason, San Francisco. Paula West, 8pm, $35-$50.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30pm, free.
The Palace Hotel: 2 New Montgomery, San Francisco. The Klipptones, 8pm, free.
Pier 23 Cafe: Pier 23, San Francisco. Frank Tusa Band, 8pm, free.
Red Poppy Art House: 2698 Folsom, San Francisco. Broken Shadows Family Band, 7:30pm, $10-$15.
The Royal Cuckoo: 3202 Mission, San Francisco. Jules Broussard, Danny Armstrong, and Chris Siebert, 7:30pm, free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio, 7pm, $8.
SFJAZZ Center: 205 Franklin, San Francisco. Terrence Brewer Latin Jazz Quintet, Mi Historia CD release party (in the Joe Henderson Lab), 7 & 8:30pm, $20.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Black Market Jazz Orchestra, 9pm, $10.
Zingari: 501 Post, San Francisco. Joyce Grant, 8pm, free.
INTERNATIONAL
Amnesia: 853 Valencia, San Francisco. Baxtalo Drom, International shimmying for lovers of Balkan music, bellydancers, and burlesque., Fourth Friday of every month, 9pm, $5-$10.
Bissap Baobab: 3372 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10pm, $5.
Cafe Cocomo: 650 Indiana, San Francisco. Taste Fridays, featuring local cuisine tastings, salsa bands, dance lessons, and more, 7:30pm, $15 (free entry to patio).
Cigar Bar & Grill: 850 Montgomery, San Francisco. Candela, 10pm
Pachamama Restaurant: 1630 Powell, San Francisco. Cuban Night with Fito Reinoso, 7:30 & 9:15pm, $15-$18.
Slate Bar: 2925 16th St., San Francisco. “Stereo,” w/ DJ Chico X & Monchis the DJ, 9:30pm, $5-$10.
REGGAE
Gestalt Haus: 3159 16th St., San Francisco. “Music Like Dirt,” 7:30pm, free.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Alan Iglesias & Crossfire, 7:30 & 10pm, $22.
Cafe Royale: 800 Post, San Francisco. Allister’s Chicago Blues Jam, Last Friday of every month, 9pm
Lou’s Fish Shack: 300 Jefferson, San Francisco. Nat Bolden, 6pm
The Saloon: 1232 Grant, San Francisco. Jan Fanucchi, Last Friday of every month, 4pm; Ron Thompson, 9:30pm
FUNK
Make-Out Room: 3225 22nd St., San Francisco. “Loose Joints,” w/ DJs Centipede, Damon Bell, and Tom Thump, 10pm, $5-$10.
SOUL
Edinburgh Castle: 950 Geary, San Francisco. “Soul Crush,” w/ DJ Serious Leisure, 10pm, free.
Underground SF: 424 Haight, San Francisco. “Sissy Strut,” w/ The Handsome Young Men (DJs Ponyboy, Lil MC, Katie Duck, & Durt), Fourth Friday of every month, 10pm, $3-$5.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Dave Hollister, 8 & 10pm, $34-$45.

SATURDAY 1
ROCK
Bender’s: 806 S. Van Ness, San Francisco. Noise Pop Happy Hour: Winter Teeth, Tiger Honey Pot, Disastroid, 5pm, free; Fatso Jetson, The Grannies, 10pm, $5.
Bottom of the Hill: 1233 17th St., San Francisco. Noise Pop 2014: Free Salamander Exhibit, Black Map, Lasher Keen, Happy Diving, 9pm, $15.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Noise Pop 2014: No Age, Cheatahs, GRMLN, Straight Crimes, 8pm, $12-$14.
The Chapel: 777 Valencia, San Francisco. Noise Pop 2014: Mikal Cronin, Blood Sister, Old Light, Vertical Scratchers, 8pm, $13-$15.
El Rio: 3158 Mission, San Francisco. Fang, Texas Thieves, Trouble Maker, 9pm, $10.
Hemlock Tavern: 1131 Polk, San Francisco. Buffalo Tooth, Creative Adult, The Vibrating Antennas, Culture Abuse, 9pm, $8.
The Independent: 628 Divisadero, San Francisco. Noise Pop 2014: Real Estate, The Shilohs, Dominant Legs, 8pm, $20.
The Knockout: 3223 Mission, San Francisco. Nomad, Permanent Ruin, Pig DNA, Apriori, 5pm, $7.
Milk Bar: 1840 Haight, San Francisco. Bedrücken, Hazzard’s Cure, Butt Problems, Szandora LaVey, benefit show for Miss Eva von Slüt, 8pm, $7.
The Riptide: 3639 Taraval, San Francisco. Jinx Jones & The KingTones, 9:30pm, free.
Slim’s: 333 11th St., San Francisco. Moistboyz, Qui, 9pm, $16.
Thee Parkside: 1600 17th St., San Francisco. Madball, Twitching Tongues, Born Low, Never Healed, 9pm, $15.
DANCE
Audio Discotech: 316 11th St., San Francisco. Amtrac, Light Echo, Jayko, 9pm, $10 advance.
BeatBox: 314 11th St., San Francisco. “Industry,” w/ DJs Joe Gauthreaux & Jamie J. Sanchez, 10pm, $20 advance.
Cat Club: 1190 Folsom, San Francisco. “Leisure,” w/ DJs Aaron, Omar, & Jetset James, First Saturday of every month, 10pm, $7.
DNA Lounge: 375 11th St., San Francisco. “Bootie S.F.,” w/ DJs Adrian, Faroff, Tripp, Fox, Kool Karlo, Medic, Starr, Tannhäuser Gate, and more, 9pm, $10-$15.
The EndUp: 401 Sixth St., San Francisco. “Play,” First Saturday of every month, 10pm
Il Pirata: 2007 16th St., San Francisco. “Requiem,” w/ DJs Xiola, Calexica, and Noveli, 10pm, $5.
Lookout: 3600 16th St., San Francisco. “Bounce!,” 9pm, $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “The Prince & Michael Experience,” w/ DJs Dave Paul & Jeff Harris, First Saturday of every month, 9pm, $5.
Mercer: 255 Rhode Island, San Francisco. “Surface Tension,” w/ Powell, Beau Wanzer, more, 10pm, $10-$15 advance.
Mighty: 119 Utah, San Francisco. Opel 12-Year Anniversary, w/ Elite Force, Meat Katie, Syd Gris, Melyss, Kimba, Alain Octavo, DJ Denise, Andy P, DJ Dane, A.M. Rebel, more, 10pm, $18 advance.
The NWBLK: 1999 Bryant, San Francisco. Noise Pop 2014: Ladytron (DJ set), Jimmy Tamborello, 9pm, $20.
Public Works: 161 Erie, San Francisco. Sixth Annual Eye Heart SF Mardi Gras, w/ Party Favor, Manics, The Schmidt, MyKill, R3y, more, 9pm, $15-$50.
Rickshaw Stop: 155 Fell, San Francisco. Trapeze XI: The Big-Bass Burlectro-Swing Affair, Smokey Joe & The Kid, The Klown, and DJ Delachaux provide the music for burlesque routines by Bunny Pistol, Reagan Riot, Double Dang Duo, and more., 9pm, $12-$15.
Ruby Skye: 420 Mason, San Francisco. “Mardi Gras,” w/ Super8 & Tab, Jaytech, Nick G, 9pm, $20 advance.
The Stud: 399 Ninth St., San Francisco. “Go Bang!,” w/ DJs Shawn Ryan, Glenn Rivera, Steve Fabus, and Sergio Fedasz, 9pm, $7 (free before 10pm).
Underground SF: 424 Haight, San Francisco. “Push the Feeling,” w/ Nitemoves, Al Lover, Yr Skull, Epicsauce DJs, 9pm, $6.
Vessel: 85 Campton, San Francisco. “Swank,” w/ Plastik Funk, Pheeko Dubfunk, 10pm, $10-$30.
HIP-HOP
John Colins: 138 Minna, San Francisco. “N.E.W.: Never Ending Weekend,” w/ DJ Jerry Ross, First Saturday of every month, 9pm, free before 11pm
Slate Bar: 2925 16th St., San Francisco. “Touchy Feely,” w/ The Wild N Krazy Kids, First Saturday of every month, 10pm, $5 (free before 11pm).
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Afrika Bambaataa (DJ set), DJ Jahi, 10:30pm, $24-$26.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. The Wild Reeds, The Herbert Bail Orchestra, 9pm, $7-$10.
Atlas Cafe: 3049 20th St., San Francisco. Craig Ventresco and/or Meredith Axelrod, Saturdays, 4-6pm, free.
Bazaar Cafe: 5927 California, San Francisco. Migrant Pickers, Dinner with the Kids, Jonny Mac, 7pm
Hotel Utah: 500 Fourth St., San Francisco. Sugar Ponies, Andrew Levin Band, Tim Brochier Band, Thunderegg, 9pm, $10.
The Lucky Horseshoe: 453 Cortland, San Francisco. Slow Motion Cowboys, 9pm
Pa’ina: 1865 Post, San Francisco. Kapala, 6:30pm
Plough & Stars: 116 Clement, San Francisco. Paddy O’Brien with Richard Mandel, Opening night of the Crossroads Irish-American Festival., 9pm, $15-$20.
Revolution Cafe: 3248 22nd St., San Francisco. Seth Augustus, First Saturday of every month, 9pm, free/donation.
JAZZ
50 Mason Social House: 50 Mason, San Francisco. Oakland Byrds, 7pm, $8.
The Emerald Tablet: 80 Fresno, San Francisco. Faith Winthrop with Tammy Hall, Aaron Germain, and Carmen Cansino, 8pm, $15 suggested donation.
Feinstein’s at the Nikko: 222 Mason, San Francisco. Paula West, 7 & 9:30pm, $35-$50.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30pm, free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio, 7pm, $8.
SFJAZZ Center: 205 Franklin, San Francisco. Amina Figarova Sextet, in the Joe Henderson lab, 7 & 8:30pm, $25.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. The Robert Stewart Experience, 9pm
Zingari: 501 Post, San Francisco. Barbara Ochoa, 8pm, free.
INTERNATIONAL
1015 Folsom: 1015 Folsom, San Francisco. “Pura,” 9pm, $20.
Bissap Baobab: 3372 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10pm, $5.
Make-Out Room: 3225 22nd St., San Francisco. “El SuperRitmo,” w/ DJs Roger Mas & El Kool Kyle, 10pm, $5 before 11pm
Pachamama Restaurant: 1630 Powell, San Francisco. Eddy Navia & Pachamama Band, 8pm, free.
Roccapulco Supper Club: 3140 Mission, San Francisco. 47th Friends of Brazil Carnaval Ball, w/ Sotaque Baiano, Fogo na Roupa, Aquarela, DJ Elle, DJ Kblo, more, 9pm, $30 advance.
Space 550: 550 Barneveld, San Francisco. “Club Fuego,” 9:30pm
REGGAE
Mezzanine: 444 Jessie, San Francisco. J Boog, Los Rakas, Bayonics, DJ Jah Yzer, 9pm, $30.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Janiva Magness, 7:30 & 10pm, $22.
The Saloon: 1232 Grant, San Francisco. The Jukes, First Saturday of every month, 4pm; Daniel Castro, First Saturday of every month, 9:30pm
Thee Parkside: 1600 17th St., San Francisco. Bones to Breakers, Benefit for motorcycle accident victim Vanessa Bezerra featuring blues music by The Blue Swamis., 3pm, $5.
EXPERIMENTAL
Center for New Music: 55 Taylor, San Francisco. Choreographies of Creation & Destruction: The Live Cinemas of John Davis & Greg Pope, Experimental film screenings with live soundtrack performances., 7:30pm, $5-$10.
FUNK
Boom Boom Room: 1601 Fillmore, San Francisco. The Willie Waldman Project, 9:30pm, $15-$20.
SOUL
El Rio: 3158 Mission, San Francisco. “Hard French,” w/ DJs Carnita & Brown Amy, First Saturday of every month, 2pm, $7.
Elbo Room: 647 Valencia, San Francisco. “Saturday Night Soul Party,” w/ DJs Lucky, Phengren Oswald, & Paul Paul, First Saturday of every month, 10pm, $10 ($5 in formal attire).
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Will Downing, 8pm, sold out.

SUNDAY 2
ROCK
The Chapel: 777 Valencia, San Francisco. Noise Pop 2014: Rogue Wave, Trails & Ways, 4pm, $20.
El Rio: 3158 Mission, San Francisco. Marbler, The Krypters, The Yes Go’s, 8pm, $5.
Hemlock Tavern: 1131 Polk, San Francisco. Big Tits, Warm Soda, Dimples, 8:30pm, $6.
Hotel Utah: 500 Fourth St., San Francisco. The Hodges, Shot in the Dark, 8pm, $7.
Slim’s: 333 11th St., San Francisco. Lydia (performing Illuminate), Saint Motel, Golden Sun, 7pm, $15.
Verdi Club: 2424 Mariposa, San Francisco. Rainbow Beast, 12:30 & 4:30pm, $10-$20.
DANCE
Beaux: 2344 Market, San Francisco. “Full of Grace: A Weekly House Music Playground,” 9pm, free.
The Cellar: 685 Sutter, San Francisco. “Replay Sundays,” 9pm, free.
The Edge: 4149 18th St., San Francisco. “’80s at 8,” w/ DJ MC2, 8pm
Elbo Room: 647 Valencia, San Francisco. “Dub Mission,” w/ Alpha Steppa, DJ Sep, Maneesh the Twister, 9pm, $6 (free before 9:30pm).
The EndUp: 401 Sixth St., San Francisco. “T.Dance,” 6 a.m.-6pm; “BoomBox,” First Sunday of every month, 8pm
F8: 1192 Folsom, San Francisco. “Stamina,” w/ DJs Lukeino, Jamal, and guests, 10pm, free.
The Knockout: 3223 Mission, San Francisco. “Sweater Funk,” 10pm, free.
Lookout: 3600 16th St., San Francisco. “Jock,” Sundays, 3-8pm, $2.
MatrixFillmore: 3138 Fillmore, San Francisco. “Bounce,” w/ DJ Just, 10pm
Monarch: 101 Sixth St., San Francisco. “Reload,” w/ Tara Brooks, Lee Reynolds, Dmitry Purple, Jamie Schwabl, Zach Walker, 9pm, $5-$10.
The NWBLK: 1999 Bryant, San Francisco. Noise Pop 2014: Closing Night Party with Machinedrum, 6pm, $10.
Otis: 25 Maiden, San Francisco. “What’s the Werd?,” w/ resident DJs Nick Williams, Kevin Knapp, Maxwell Dub, and guests, 9pm, $5 (free before 11pm).
The Parlor: 2801 Leavenworth, San Francisco. “Sunday Sessions,” w/ DJ Marc deVasconcelos, 9pm, free.
Q Bar: 456 Castro, San Francisco. “Gigante,” 8pm, free.
Temple: 540 Howard, San Francisco. “Sunset Arcade,” 18+ dance party & game night, 9pm, $10.
HIP-HOP
Boom Boom Room: 1601 Fillmore, San Francisco. “Return of the Cypher,” 9:30pm, free.
El Rio: 3158 Mission, San Francisco. “Swagger Like Us,” First Sunday of every month, 3pm
Skylark Bar: 3089 16th St., San Francisco. “Shooz,” w/ DJ Raymundo & guests, First Sunday of every month, 10pm, free.
ACOUSTIC
The Lucky Horseshoe: 453 Cortland, San Francisco. Bernal Mountain Bluegrass Jam, 4pm, free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Spike’s Mic Night,” Sundays, 4-8pm, free.
St. Luke’s Episcopal Church: 1755 Clay, San Francisco. “Sunday Night Mic,” w/ Roem Baur, 5pm, free.
Tupelo: 1337 Green, San Francisco. “Twang Sundays,” w/ The Gravel Spreaders, 7pm, free.
JAZZ
Amnesia: 853 Valencia, San Francisco. Kally Price Old Blues & Jazz Band, First Sunday of every month, 9pm, $7-$10.
Bird & Beckett: 653 Chenery, San Francisco. Jinx Jones’ Jazzabilly All-Stars, 4:30pm
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30pm, free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Sunday Sessions,” 10pm, free.
Revolution Cafe: 3248 22nd St., San Francisco. Jazz Revolution, 4pm, free/donation.
The Royal Cuckoo: 3202 Mission, San Francisco. Lavay Smith & Chris Siebert, 7:30pm, free.
SFJAZZ Center: 205 Franklin, San Francisco. Amina Figarova Sextet, in the Joe Henderson lab, 5:30 & 7pm, $20.
Zingari: 501 Post, San Francisco. Chris Duggan, 7:30pm, free.
INTERNATIONAL
Atmosphere: 447 Broadway, San Francisco. “Hot Bachata Nights,” w/ DJ El Guapo, 5:30pm, $10 ($18-$25 with dance lessons).
Bissap Baobab: 3372 19th St., San Francisco. “Brazil & Beyond,” 6:30pm, free.
Thirsty Bear Brewing Company: 661 Howard, San Francisco. “The Flamenco Room,” 7:30 & 8:30pm
REGGAE
Mezzanine: 444 Jessie, San Francisco. J Boog, Los Rakas, Thrive, DJ Jah Yzer, 9pm, $30.
BLUES
The Saloon: 1232 Grant, San Francisco. Blues Power, 4pm
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Bohemian Knuckleboogie, 8pm, free.
Swig: 571 Geary, San Francisco. Sunday Blues Jam with Ed Ivey, 9pm
CLASSICAL
San Francisco Conservatory of Music: 50 Oak, San Francisco. Hot Air Music Festival, Fifth annual student-run showcase of avant-classical compositions featuring free performances by the Ignition Duo, Mobius Trio, Friction Quartet, New Keys, and more., 12:30-9pm, free.
COUNTRY
The Riptide: 3639 Taraval, San Francisco. “The Hootenanny West Side Revue,” First Sunday of every month, 7:30pm, free.
EXPERIMENTAL
Musicians Union Local 6: 116 Ninth St., San Francisco. Noertker’s Moxie, Ze Bib!, 7:30pm, $8-$10.
SOUL
Delirium Cocktails: 3139 16th St., San Francisco. “Heart & Soul,” w/ DJ Lovely Lesage, 10pm, free.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Will Downing, 7pm, $55-$75.

MONDAY 3
ROCK
Brick & Mortar Music Hall: 1710 Mission, San Francisco. PigPen Theatre Co., The Tragic Thrills, 9pm, $7-$10.
DNA Lounge: 375 11th St., San Francisco. We Butter the Bread with Butter, King Loses Crown, Honour Crest, Lions Lions, 7:30pm, $10-$13.
The Independent: 628 Divisadero, San Francisco. The Wild Feathers, Saints of Valory, Jamestown Revival, 8pm, $13-$15.
DANCE
DNA Lounge: 375 11th St., San Francisco. “Death Guild,” 18+ dance party with DJs Decay, Joe Radio, Melting Girl, & guests, 9:30pm, $3-$5.
Q Bar: 456 Castro, San Francisco. “Wanted,” w/ DJs Key&Kite and Richie Panic, 9pm, free.
Underground SF: 424 Haight, San Francisco. “Vienetta Discotheque,” w/ DJs Stanley Frank and Robert Jeffrey, 10pm, free.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. Front Country, First Monday of every month, 9pm, free.
The Chieftain: 198 Fifth St., San Francisco. The Wrenboys, 7pm, free.
Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, 9:30pm, free/donation.
Hotel Utah: 500 Fourth St., San Francisco. Open Mic with Brendan Getzell, 8pm, free.
Osteria: 3277 Sacramento, San Francisco. “Acoustic Bistro,” 7pm, free.
The Saloon: 1232 Grant, San Francisco. Peter Lindman, 4pm
Slim’s: 333 11th St., San Francisco. Nicole Atkins, Arc Iris, Davey Horne, 8pm, $15.
JAZZ
Cafe Divine: 1600 Stockton, San Francisco. Rob Reich, First and Third Monday of every month, 7pm
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Eugene Pliner Quartet with Tod Dickow, 7:30pm, free.
Le Colonial: 20 Cosmo, San Francisco. Le Jazz Hot, 7pm, free.
Make-Out Room: 3225 22nd St., San Francisco. “The Monday Make-Out,” w/ Talk More, Eli Wallace’s Platform, Timothy Orr Ensemble, 8pm, free.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. City Jazz Instrumental Jam Session, 8pm
Zingari: 501 Post, San Francisco. Riley Bandy, 7:30pm, free.
REGGAE
Skylark Bar: 3089 16th St., San Francisco. “Skylarking,” w/ I&I Vibration, 10pm, free.
BLUES
The Saloon: 1232 Grant, San Francisco. The Bachelors, 9:30pm
EXPERIMENTAL
Center for New Music: 55 Taylor, San Francisco. Mchtnchts, John Shiurba’s 3-3 on 3/3, Crystal Moon Cone, 7:30pm, $8-$10.
SOUL
Madrone Art Bar: 500 Divisadero, San Francisco. “M.O.M. (Motown on Mondays),” w/ DJ Gordo Cabeza & Timoteo Gigante, 8pm, free.

TUESDAY 4
ROCK
Amnesia: 853 Valencia, San Francisco. Cellar Doors, Cool Ghouls, 9:15pm Starts . continues through March 25, $7-$10.
Bottom of the Hill: 1233 17th St., San Francisco. The Casket Girls, The Stargazer Lilies, Dott, Dreamend, 8pm, $10.
Hemlock Tavern: 1131 Polk, San Francisco. Kevin Moan & The Reptiles, Vamos, 8:30pm, $5.
Hotel Utah: 500 Fourth St., San Francisco. Bend Sinister, Grand Tarantula, Ensemble Mik Nawooj, 8pm, $8.
The Knockout: 3223 Mission, San Francisco. Ava Luna, Chastity Belt, Dude York, Krill, 9:30pm, $7.
DANCE
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “High Fantasy,” w/ DJ Viv, Myles Cooper, & guests, 10pm, $2.
Laszlo: 2532 Mission, San Francisco. “Beards of a Feather,” Enjoy classy house records, obscuro disco, and laid-back late-’80s jams with DJ Ash Williams and guests, First Tuesday of every month, 9pm, free.
Monarch: 101 Sixth St., San Francisco. “Soundpieces,” 10pm, free-$10.
Q Bar: 456 Castro, San Francisco. “Switch,” w/ DJs Jenna Riot & Andre, 9pm, $3.
Underground SF: 424 Haight, San Francisco. “Shelter,” 10pm, free.
Wish: 1539 Folsom, San Francisco. “Tight,” w/ resident DJs Michael May & Lito, 8pm, free.
ACOUSTIC
Bazaar Cafe: 5927 California, San Francisco. Songwriter in Residence: Lonnie Lazar, 7pm Starts . continues through March 25.
Rickshaw Stop: 155 Fell, San Francisco. Mariee Sioux, Yesway, Honey.Moon.Tree., 8pm, $10.
JAZZ
Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Gerry Grosz Jazz Jam, 7pm
Blush! Wine Bar: 476 Castro, San Francisco. Kally Price & Rob Reich, 7pm, free.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Mardi Gras with Wil Blades featuring the Jazz Mafia Horns, Stanford Marching Band, Brass Band Mission, 8pm, $12-$15.
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6pm, free.
Cafe Divine: 1600 Stockton, San Francisco. Chris Amberger, 7pm
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Clifford Lamb, Mel Butts, and Friends, 7:30pm, free.
Le Colonial: 20 Cosmo, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, 7pm
Revolution Cafe: 3248 22nd St., San Francisco. West Side Jazz Club, 5pm, free; Conscious Contact, First Tuesday of every month, 8pm, free.
Tupelo: 1337 Green, San Francisco. Mal Sharpe’s Big Money in Jazz Band, 6pm
Verdi Club: 2424 Mariposa, San Francisco. “Tuesday Night Jump,” w/ Stompy Jones, 9pm, $10-$12.
Wine Kitchen: 507 Divisadero St., San Francisco. Hot Club Pacific, 7:30pm
Zingari: 501 Post, San Francisco. Emily Hayes, 7:30pm, free.
INTERNATIONAL
Cafe Cocomo: 650 Indiana, San Francisco. Salsa Tuesday, w/ DJs Good Sho & El de la Clave, 8:30pm, $10.
The Cosmo Bar & Lounge: 440 Broadway, San Francisco. Conga Tuesdays, 8pm, $7-$10.
Elbo Room: 647 Valencia, San Francisco. Carnaval Fat Tuesday with Fogo na Roupa, DJs Elan & Carioca, 9pm, $10.
F8: 1192 Folsom, San Francisco. “Underground Nomads,” w/ rotating resident DJs Amar, Sep, and Dulce Vita, plus guests, 9pm, $5 (free before 9:30pm).
REGGAE
Milk Bar: 1840 Haight, San Francisco. “Bless Up,” w/ Jah Warrior Shelter Hi-Fi, 10pm
BLUES
Fillmore Center Plaza: Fillmore (at O’Farrell), San Francisco. Fat Tuesday in the Fillmore with Bobbie Webb, 5pm, free.
The Saloon: 1232 Grant, San Francisco. Lisa Kindred, First Tuesday of every month, 9:30pm, free.
EXPERIMENTAL
Center for New Music: 55 Taylor, San Francisco. Joseph Van Hassel: New Music for Snare Drum, 7:30pm, $10-$15.
FUNK
Biscuits and Blues: 401 Mason, San Francisco. Mardi Gras with the Fat Tuesday Band, 7:30 & 9:30pm, $15.
SOUL
Boom Boom Room: 1601 Fillmore, San Francisco. The JRo Project, First Tuesday of every month, 9:30pm, $5.
Make-Out Room: 3225 22nd St., San Francisco. “Lost & Found,” w/ DJs Primo, Lucky, and guests, 9:30pm, free.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Moonchild, 8pm, $12-$14. 2

Sundance, fin: more from the Native Forum

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Running into Chris Eyre was easily one of the most exciting moments of this year’s festival. Following his 1998 Audience Award-winning debut, Smoke Signals, Eyre premiered Skins at Sundance 2002, just a few months after 9/11 — and it still ranks as one of the most memorable cinematic experiences I’ve ever had. 

After the film, which offers a harrowing look at a sheriff on the Pine Ridge reservation (which is still to this day the poorest in the nation), Park City audiences were dumbfounded as to how to respond. Producer Jon Kilik, who also helped Spike Lee with his ensemble masterpieces Do the Right Thing (1989) and Clockers (1995) was on hand with director Eyre as they plowed through us progressive pit fallers at Sundance. “We are all responsible.” Eyre’s words are still stuck in my head. 

Other than directing a couple of Friday Night Lights episodes and a few TV movies, Eyre has since had difficulty getting features financed. Make sure to track down his stunning 40-minute A Thousand Roads (2005), created for the Smithsonian’s National Museum of the American Indian. It showcases a harrowing score by Dead Can Dance’s Lisa Gerrard. 

And so the baton seems to have been passed to 34-year-old Oklahoma-based Sterlin Harjo, who read a segment from Hal Ashby’s Bound To Glory (1976), an ode to folk pioneer Woody Guthrie, at the Native Forum anniversary celebration. It perfectly connected his regional stories to a larger context. 

Harjo’s third feature, documentary This May Be the Last Time (US) is a historian’s as well as musicologist’s dream, as Harjo attempts to uncover his grandfather’s disappearance in 1962. As he traces the origins of the Seminole songs that he grew up with, he learns that his tribe’s singing style is tied to traditions that originated in Scotland, Appalachia, and the experiences of enslaved African Americans.

With a film that plays out similarly to Malik Bendjelloul’s Searching For Sugar Man (2012), Harjo has constructed a deeply moving personal documentary that transcends the region, and can connect to anyone interested in our country’s complicated colonialism. 

I was able to track Sterlin Harjo down post-fest for a quick interview, and he’s as thoughtful and as passionate as his films suggest. Smoke Signals and Jim Jarmusch’s acid-western Dead Man (1995) both came out at the perfect time to open Harjo’s eyes to filmmaking as a possible career.

“Jarmusch did such a wonderful job with Dead Man, even better than some Native filmmakers. The language, the wardrobe, the regions, it was all so well researched. And the film isn’t about an Indian; it’s about a human who’s complicated, with a dark side and a lighter side,” he said. After graduating from the University of Oklahoma in 1998, Harjo found that he had to leave home to begin reflecting on his own part of the country. 

After completing the Sundance Lab and Native Forum through the Sundance Institute, Harjo made his debut feature, Four Sheets to the Wind (2007), a terrific hipster comedy about a twenty-something who takes a trip to visit his sister off the reservation. “The film is a reactionary Native film to the reactionary Native films that I grew up with. I wanted to contradict the newly formed stereotypes from within the community. No one was going to walk around talking about ‘being an Indian,’ because that didn’t happen in my world. There’s an integrated relationship with a white woman and no one was going to comment on it. Indians were going to drink beer and smoke pot and it wasn’t going to be an issue.”

Though star Tamara Podemski won an Independant Spirit Award nomination as well as a Special Jury Prize at Sundance for her “fully realized physical and emotional turn,” the film ran into categorical problems from distributors. “There were supposedly three-hour meetings about how the film was ‘too Indian’ as well as ‘not Native enough’,” he recalled. 

And here lies perhaps the biggest problem with second-generation Native/Indigenous cinema; Who wants to watch these films? Harjo’s follow-up, 2009’s Barking Water, which premiered at Sundance, spotlights a powerhouse performance by Richard Ray Whitman as a man dying of cancer trying to get back home. 

With shades of David Lynch’s The Straight Story (1999), this poignant piece engages the viewer thoroughly through the struggles of generation gaps in our contemporary culture. And all the while, it exposes Oklahoma’s quiet and even “magical” ambiance, according to Harjo. 

“It’s true, all of my films are centered around ‘Home’. That’s ‘Home’ with a capital H because growing up, displacement was a constant subject taught to us. The Trail of Tears seems to still be affecting us to this day. And so ‘Home’ is sacred and part of our mythology yet we are aware of it often feeling temporary. Funny enough, my next film Chief (which is a term used for homeless Natives) is centered around the loss of home when a man is forced to head to Tulsa, where he becomes homeless and finds himself in the middle of the city’s homeless population. You could call it a poetic thriller.” 

Harjo is exactly the type of filmmaker I hope to uncover at film festivals: his work is thought-provoking, passionate, and energized. It’s now up to us to seek out and watch his films so that we don’t read about him 30 years from now and ponder “it’s too bad those second-generation filmmakers didn’t make more cinema.”

Up next: SLAMDANCE!

Conservative star in ‘Monologos de la Vagina’ replaced

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Following national controversy over the resignation of a politically conservative actress from the local Spanish-language production of The Vagina Monologues, producer Eliana Lopez announced last week that the production had found a replacement.

Actress Alba Roversi, a veteran of the Spanish language Monologos de la Vagina, will take the place of Maria Conchita Alonso, whose departure from the play had Fox News crying foul over her being “forced out” for her conservative political views.

Any chance to needle San Francisco, right?

Roversi starred in over 20 Spanish language soap operas, though she may not have the same name recognition in the US as Alonso, whose filmography includes Predator 2 and The Running Man (with our former Governator). Roversi is in, and Alonso is out.

Alonso stirred the pot for backing Tea Party gubernatorial candidate Tim Donnelly in a YouTube ad that garnered just over 100,000 hits. Donnelly, a Republican Assemblymember representing the 33rd District along the Arizona border, is running a long-shot campaign to unseat the ever-popular Jerry Brown this November on a core right-wing platform.

“We’re Californians, I want a gun in every Californian’s gun safe, I want the government out of our businesses and our bedrooms,” he says in the controversial ad, standing in a cowboy hat next to Alonso.

“He has ‘big ones,’ and he is angry,” Alonso says in Spanish, by way of translation.

The ad had San Franciscans fired up, diverting attention from a performance celebrating women and devolving into a political shouting match, Lopez told the Guardian. Threats of boycotts put Monologos de la Vagina in the crosshairs. Alonso told media outlets she’d stepped down from the play to protect her fellow performers.

“The other actors don’t have to go through this,” she said to Fox News & Friends host Clayton Morris. “They don’t deserve this. It’s on me only, they can do whatever they want with me.”

Residents of the historically Latino Mission District have good reason to be pissed at Donnelly: The Tea Party wunderkind rose to fame as a former member of the gun toting border-patrollers, the Minutemen.

“Of course she [Alonso] has a right to say whatever she wants. But we’re in the middle of the Mission. Doing what she is doing is against what we believe,” Lopez, who is also starring in the play, said in her most oft-mentioned quote in national media outlets.

In particular, Alonso’s endorsement didn’t jibe with the intention behind bringing the Spanish-language Monologos de la Vagina to the Mission’s Brava Theater, which was to celebrate the rapidly disappearing Latino/a culture of the area.

“I’ve been working on this show for almost a year trying to raise the money, find the venue, the sponsors,” she said. “My feeling was, as Latinas we have such beautiful things to offer. We have great actors and actresses who can bring things to the Mission and feel proud of. Inside me I felt, I want to bring that here, I want to do it. We can bring attention to our culture in a beautiful way, a high quality way.”

With a new actress in place, she’s ready to move beyond the controversy, Lopez said. “How do you say in English? The show must go on.” 

Monologos de la Vagina finds new actress to replace controversial conservative

62

Following national controversy over the resignation of a politically conservative actress from the local Spanish-language production of The Vagina Monologues, producer Eliana Lopez announced yesterday that the production has found a replacement.

Actress Alba Roversi, a veteran of the Spanish language Monologos de la Vagina, will take the place of Maria Conchita Alonso, whose departure from the play had Fox News crying foul over her being “forced out” for her conservative political views. 

Any chance to needle San Francisco, right? 

Roversi starred in over 20 Spanish language soap operas, though she may not have the same name recognition in the US as Alonso, whose filmography includes Predator 2 and The Running Man (with our former Governator). Roversi is in, and Alonso is out.

Alonso stirred the pot when she backed Tea Party gubernatorial candidate Tim Donnely in an ad on YouTube that garnered just over 100,000 hits. Donnely is running a long-shot campaign to unseat the ever popular Jerry Brown this November on a core right-wing platform.

“We’re Californians, I want a gun in every Californian’s gun safe, I want the government out of our businesses and our bedrooms,” he says in the controversial ad, standing in a cowboy hat next to Alonso. 

“He has ‘big ones,’ and he is angry,” Alonso says in Spanish, by way of translation.

The ad had San Franciscans fired up, diverting attention away from a performance celebrating women to a political shouting match, Lopez told the Guardian. Threats of boycotts put Monologos de la Vagina in the crosshairs. Alonso told media outlets she stepped down from the play to protect her fellow performers.

The video in question, a campaign ad for Donnely starring Alonso and her dog Tequila. 

“The other actors don’t have to go through this,” she said to Fox News & Friends host Clayton Morris. “They don’t deserve this. It’s on me only, they can do whatever they want with me.” 

Why so pissed, San Francisco? Well, the historically Latino Mission district has good reason to not be a fan of Donnely. The Tea Party wunderkind rose to fame as a former member of the gun toting border-patrollers, the Minutemen. From the LA Weekly circa 2010

Tim Donnelly took two handguns on his first tour with the Minutemen, back in ’05. His Colt .45 was photogenic, like that of an Old West gunslinger. But before heading to the Mexico border, Donnelly took it to the range and couldn’t hit the target. So he bought a Model 1911c — a semiautomatic that would shoot straight, if it came to that.

The key to Donnelly’s primary election victory was his pledge to introduce Arizona’s immigration law here. If elected, he will be Sacramento’s leading foe of illegal immigration.

Donnely was geared up to fire off his Colt by the US-Mexico border and essentially promised to bring a culture of fear to California immigrants. Is it a wonder that Eliana Lopez felt that Alonso’s endorsement of him didn’t quite jibe with the politics of San Francisco? 

“Of course she (Alonso) has a right to say whatever she wants. But we’re in the middle of the Mission. Doing what she is doing is against what we believe,” Lopez, who is also starring in the play, said in her most oft-mentioned quote in national media outlets. 

In particular, it didn’t jibe with reasons for bringing the Spanish-language Monologos de la Vagina to the Mission’s Brava Theater, a message that may be lost in the controversy surrounding Alonso’s controversial departure. 

It’s a time of increasing gentrification, when the city’s Latinos/as fear displacement and a loss of their history and esteem. She sees it through the eyes of her young son, Theo, as fewer and fewer Spanish speakers surround his daily life in San Francisco. Lopez wanted to send a clear message: our culture matters. 

Latinas are worthy of celebration.

“I’ve been working on this show for almost a year trying to raise the money, find the venue, the sponsors,” she said. “My feeling was, as Latinas we have such beautiful things to offer. We have great actors and actresses who can bring things to the Mission and feel proud of. Inside me I felt, I want to bring that here, I want to do it. We can bring attention to our culture in a beautiful way, a high quality way.” 

With a new actress in place, she’s ready to move beyond the controversy, she said. 

“How do you say in English? The show must go on.” 

SFUSD backs supervisors’ sugary beverage tax, with concerns

8

A San Francisco ballot initiative to levy a tax on sugary beverages got a boost last night as the San Francisco Unified School District Board of Education voted 5-2 to endorse it.

“The school district has done amazing work around nutrition for kids,” said Supervisor Scott Wiener, one of the initiative’s authors, shortly after the meeting. “This is a big win.” 

The initiative is proposed by Supervisors Mar, Wiener, Cohen and Avalos, and is estimated to generate up to $31 million annually, according to data from the supervisors, but its main aim is to curb the consumption of beverages they believe contributes to obesity in San Franciscans. The supervisors will be introducing a final, unified measure at the Board of Supervisors in the coming weeks, they said. 

Advocates at the meeting said sugary drinks contribute to a crisis in children’s health. “Our community suffers some of the highest rates of diabetes and hospitalizations from diabetes,” said Roberto Vargas, a Bayview resident and Mission high graduate of 1989. “I ask you to support these policies for San Francisco’s children, and San Francisco’s families.”

The resolution to support the tax initiative passed, but not easily. The ensuing argument may even have given a peek inside the mayor’s insecurities around the upcoming November ballot.

Commissioner Hydra Mendoza McDonald, who works in the Mayor’s Office as his education advisor, thought backing the “soda tax” could put a ballot initiative regarding SFUSD funding in jeopardy. 

“I don’t have a political or personal agenda, but I think we’d be remiss if we didn’t think this would be a political fight,” Mendoza McDonald said. “I have a tremendous amount of respect for Supervisor Wiener… but I have to say my priority right now is the public education enrichment fund, and that’s it.”

She’s referring to the city’s supplemental funding to the school district, PEEF, which the SFUSD depends on to pay for over 50 librarians, 200 PE coaches and more. That fund is about to sunset in 2015 — meaning no more money for the SFUSD from the city. In the 2013-2014 fiscal year, the city is set to provide the SFUSD over $50 million.

A ballot initiative is slated for November that would renew the PEEF funding agreement. That’s a lot of money at stake. 

Mendoza McDonald expressed fear that support of the soda tax would put the SFUSD in the crosshairs of Wiener and Mar’s deep-pocketed opponents, the beverage industry. 

“It makes me nervous,” she said. “It’s in everyone’s mind a slam dunk to pass the (PEEF funding initiative)…People have voted time and time again for children’s issues. But in every single measure, we’ve cleared the field and made sure we haven’t had any opposition, and that’s what makes us successful. I’m worried if the people who have historically supported us would do so again knowing there’s a bigger pot of money going against us.”

This 13 minute audio recording features some of the main arguments made against backing the sugary beverages tax initative. 

The board then asked Wiener to respond.

“If I could be blunt, the arguments that I’m hearing from people not comfortable supporting this are going to be the same in June as they are today,” Wiener said. “The idea that this would generate a campaign against the Children’s Fund and PEEF, has no basis, with respect. This is about the sugary beverage industry.”

“In San Francisco we don’t shy away from big business trying to threaten us,” he added.

Ultimately the board voted to back the sugary beverage tax initiative. Its reasons were many. Some commissioners described the early onset of puberty children are facing due to the effects of sugary drinks, others brought up the growing rates of obesity in children. 

They all echoed the sentiment that the benefits of supporting the resolution outweighed the risks. Commissioner Rachel Norton probably echoed their myriad positions most succinctly. 

“I have no idea whether this legislation will ultimately pass at the ballot box, but I think what’s important is that we support this resolution,” she said. “This is the right thing to do, and be fearless about.”

Art-ic blast

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arts@sfbg.com

THEATER New York early last week was as cold as Muazzez. True, I’ve never been to Muazzez, but a reputable source called that asteroid “so cold it is a frozen bull roar,” which sounds about right.

“They lied to me about the reality of things here on Muazzez,” began said source, a nondescript speaker seated at a bare wood desk. “About the foundations of these, their basis, their fundament, the profound bottom of things.”

There’s a glass of water on the desk, some loose paper.

“I am an Abandoned Cigar Factory (or ACF),” he goes on to explain, “groaning in the dunes near the settlement of Culpepper.”

The unexpected narrator at the bare wood desk sat in a bare white room, with the incongruous name of the Chocolate Factory (in fact, a terrific theater in Long Island City). The play, called Muazzez, originated as a collection of short stories (all set on asteroids) by Mac Wellman, a writer better known as a playwright and a leading light of the American experimental scene (and a prolific one too, despite receiving few productions in the Bay Area).

Performed with a forthright, faintly odd, wholly captivating precision by longtime collaborator Steve Mellor, Muazzez (directed by Wellman) is an intoxicating and deceptively subdued flight of language and weirdness whose cumulative power, over the course of its brisk 40 minutes, is hard to describe and harder to shake off. Its surface meanings can seem strange, obscure, dryly amusing, even piffling — still, there are things shifting down below in some grim molten core. It was a feeling similar to that produced by one of James Tate’s poems.

Muazzez set the tone well. Expecting the unexpected became second nature over the course of last week’s sampling of shows from PS 122’s COIL (which presented Muazzez), as well as from the Public Theater’s Under the Radar, and Ben Pryor’s American Realness — all together just three (!) of the lively and significant New York festivals that now swirl each January around the annual meeting of the Association of Performing Arts Presenters (or “A-PAP,” as it’s usually pronounced).

Bees are in short supply these days, so better to say the presenting industry’s international confab is a kind of honey pot attracting bears in the performing arts world, by which we mean the artists wrapped in faux fur coats and puffy jackets against the bracing, angry wind and plummeting temperatures of last week’s “arctic blast” (itself just another signal from the larger natural order of things that humanity is wildly off course — or right on target, I guess, depending on your end goal.)

This context heightened the urgency folded into Muazzez‘s extraterrestrial transmission. And there were other, comparable transmissions, including one from the future, articulated in the person and voice of TV’s Captain Kirk. Co-presented by COIL and the New Ohio Theatre, An Evening with William Shatner Asterisk takes place on a stage inhabited by a central flat screen TV on wheels and two larger screens on either side. Onto the center screen comes the iconic image of TV’s starship commander and over-actor par excellence.

Suddenly he speaks — in a funny but vaguely disconcerting stagger of assembled speech bites, culled from the character’s entire lexicon, the actor’s “body” of work. The captain has been commandeered. Someone or something else from beyond (beyond this time and beyond language) is speaking to us through him. The transmission, spelled out on the far screens, comes in segments or “chapters,” and has a philosophical cast: a discussion of the differences between art and science. Its purpose, we are told, is to convey a message to us from the future, which alone knows where we are headed. The message itself (the beautifully written text is by Joe Diebes; the excellent audio-visual scheme by Rob Ramirez) is prefaced and forestalled, in a half-teasing fashion, by a discussion of some basic terms.

The performance’s sole human figure, meanwhile — other than two-dimensional James T. — is an expressionless Japanese woman (an imposingly restrained Mari Akita) who moves the wheeled screen slowly about the stage, illustrates a point or two with a few simple movements, and, in one deceptively incongruous moment, picks up a microphone to deliver (in subtitled Japanese) a monologue about coming to the United States and falling obsessively into the world of drag queens and female impersonation.

Hilarious yet eerie, playful yet purposeful, oblique yet precise, conceiver-director Phil Soltanoff’s An Evening with William Shatner Asterisk proved a dialectical delight; and in its teasing manner and final indirect plea for some small but profound transcendence, it was, pardon the expression, fascinating.

In another wonderfully estranging but altogether earthbound offering, COIL teamed up with American Realness and New York City Players (the latter seen at Yerba Buena Center for the Arts last February with its co-production of Early Plays by Eugene O’Neill) to co-present writer-director Tina Satter’s offbeat, sharp-footed House of Dance (in association with Satter’s own company, Half Straddle, and the Abrons Art Center).

Set in a small New England tap studio among four fractious, serious, and seriously oddball tap dance competitors (played with a combination of understated delivery and irresistible flair by Jess Barbagallo, Elizabeth DeMent, Jim Fletcher, and Paul Pontrelli), the 60-minute House of Dance trumps the hackneyed pomp of reality television with the heightened banality of its obscure, ego-invested lives — who do in fact dance the hell out of their tap shoes.

These startling moments evoked a real joy too, a flight from obscurity into a greatness no championship trophy could hope to convey — at once so light, so personal, yet communal, it made one realize this piece could only make sense as a live performance. And feel sorry for those people who did not venture out this night, but stayed indoors against the howling cold. *

 

Ignore less

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culture@sfbg.com

CAREERS AND ED Often called the first feminist, Sor Juana Ines de la Cruz could well be your guiding spirit heading into this bright new year. Born in 1651 in colonial Mexico, Sor Juana defied societal expectations about women at the time to study herself into becoming one of the smartest people in New Spain. She became a nun rather than marry, and eventually amassed one of the largest libraries in the Americas.

One of Sor Juana’s enduring catch phrases was “I don’t study to know more, but to ignore less,” a prettily humble bon mot from a woman who constantly had to defend her right to learn. Sadly, threats of censure by the church slowed her educational roll — but nonetheless, her unlikely influence on the fight for women’s rights is still honored today.

Will you ignore less in the new year? Surely there are fewer obstacles in your way than Sor Juana’s. Here are some excellent ways to engage with the world around you in 2014.

 

FEMINIST BOOK CLUB FOR MEN

So you say you’re a boor? For all the menfolk — or anyone, really — boggled by feminism, this monthly book club may be the ticket. Held at Noisebridge, the Mission’s tech learning center (check its calendar for amazing, mainly free classes and meetups), the club will start with bell hooks’ Feminism is for Everybody and feature conversations about how to be the best ally possible. All gender identities welcome.

Second Wednesdays starting Wed/8, 7pm, free. Noisebridge, 2169 Mission, SF. www.noisebridge.net

 

BEGINNING STAND-UP COMEDY

The stand-up school with the most working comedians on staff of any similar institution in the country wants to get you in front of an exposed brick wall talking about your boyfriend’s crazy roommate.

Wednesdays Jan. 8-Feb. 12, 6pm, $239-279. SF Comedy College, 442 Post, Fifth Fl., SF. www.sfcomedycollege.com

 

REGGAETON FUSION DANCE

Instructor Tika Morgan explores the hip-hop, dancehall, Cuban salsa, and other influences that create the pounding rhythms of reggaeton.

Wednesdays, 8-9:30pm, $13. Dance Mission Theater, 3316 24th St., SF. www.dancemission.com

 

LGBT COUNTRY-WESTERN DANCE

Two-step, skiffle, country swing, and waltz your way through these inclusive country-western lessons and dance parties run by community advocates Sundance Association.

Thursdays 5:30pm, Sundays 7pm, $5. Sundance Saloon, 550 Barneveld, SF. www.sundancesaloon.org

 

CHOW QIGONG BASICS

Learn about qigong, the Chinese chi-balancing practice that involves breathing, other physical movements, and mental exercises. This free class is taught by Effie Chow, a qigong grandmaster who founded her East West Academy of Healing Arts here in 1973, and has served on White House advisory boards concerning alternative medicine.

Fri/10, 7-9pm, free. Polish Club, 3040 22nd St., SF. tinyurl.com/qigongsf

 

MEDIA LITERACY

Support your local community college through its battle to retain its accreditation by enrolling in one of its class offerings — there’s no charge for non-credit courses (though you may have to buy books and materials). This class examines the hidden and explicit messages sent out through mass media, and helps students pinpoint how these cues affect the decisions that they and other members of society make.

Fridays Fri/10-May 23, 8am-12:50pm, free. City College of San Francisco, 1125 Valencia, SF. www.ccsf.edu

 

STAND-UP PADDLING

Start at the Aquatic Center next to Fisherman’s Wharf where you’ll learn safety and equipment basics, then head down with this SF Rec and Park class to Lake Merced’s scenic bird estuary to get down on some core-strengthening, stand-up paddle boarding action. Bring your own wetsuit, kiddies — it gets cold on those waters!

Sat/11, 1-4pm, free. Aquatic Park, Beach and Hyde, SF. www.sfrecpark.org

 

INTRODUCTION TO GRAPHIC AND WEB DESIGN

To do anything these days, you need a website. To have a website, you need a web designer. So basically, you may need to sign up for one of the Bay Area Video Coalition’s intro courses on dynamic layouts and client interfaces so that you can continue living your life as a functional citizen in 2014.

Sat/11-Sun/12, 10am-6pm, $595. Bay Area Video Coalition, 2727 Mariposa, SF. www.bavc.org

 

MAGNIFICENT MAGNOLIAS

With 51 species of this lovely, placid bloom sprinkling the premises, the San Francisco Botanical Garden is the perfect place to learn about the majesty of the magnolia. The garden offers daytime walks if you’re scared of the dark, but we think the nocturnal stroll sounds divine.

Jan. 16, 6-8pm, $20. Register in advance. SF Botanical Garden, Ninth Ave. and Lincoln, Golden Gate Park, SF. www.sfbotanicalgardensociety.org

 

INDOOR CANNABIS HORTICULTURE

Sure the price tag is steep for this class on raising buds in bright indoor light, but you’ll be supporting your green thumb and your local pot movement institution, which has surfed the tsunami of federal persecution and will live to blow clouds right through legalization (we reckon).

Thursdays Jan. 16-March 20, 10:30am-1pm, $1,195. Oaksterdam University, 1734 Telegraph, Oakl. www.oaksterdamuniversity.com

 

HYPNOTIC RESTORATIVE YOGA

Accessing the subconscious’s potential for healing is the name of the game in this extremely mellow yoga class, during which you’ll be put into a trance-like state through a hybrid method developed by a Reiki, yoga, and hypnotherapy professional. The dream state is said to be highly beneficial for psychic health -– and sounds hella fun.

Jan. 18, 2:30-5:45, $40-50. Yoga Tree Telegraph, 2807 Telegraph, Berk. www.yogatreesf.com

 

MEZCAL MASTER CLASS

Each month La Urbana, the chic new taqueria on Divisadero, hosts fancy mezcal tastings. But you’re not just getting your drink on: A different producer of the agave-based spirit comes in each time to present a signature mezcal alongside tales of its production. Educated boozery, this is it.

5-6pm, $10-15. La Urbana, 661 Divisadero, SF. mezcalmasterclasses.eventbrite.com

 

FAN DANCING

Valentine’s Day (sorry for any unwanted reminders) is on its effusive, heart-shaped way, giving you the perfect excuse for you to drop in on this class with Sin Sisters Burlesque co-founder Balla Fire to learn how to swish, conceal, and reveal with the best of them for your sweetheart.

Jan. 21, 7-9pm, $30. Center for Sex and Culture, 1349 Mission, SF. www.sexandculture.org

 

INEXPENSIVE AND INCREDIBLE: HOW TO SPOT GREAT VALUE WINE

Does paying $40 to learn how to parse affordable wines make sense? Depends on how many bottles of Cab Sauv you’re consuming — and one would think that after partaking in this one-off seminar with Bar Tartine’s old wine director Vinny Eng, that tally will increase.

Jan. 22, 7-9pm, $40. 18 Reasons, 3674 18th St. SF. www.18reasons.org

 

WORLD OF FISH

A full weekend of learning about ways to cook fish from around the globe will go on at this friendly North Beach cooking school (which tends to book up its workshops early, so book now). On the menu: black cod poached in five-spice broth, brodo di pesce, and much more.

Feb. 1-2, 10am-3pm, $385. Tante Marie’s Cooking School, 271 Francisco, SF. www.tantemaria.com

 

PORTRAITURE UNVEILED

Do you have a staring problem? Fix your gaze on this 10-session course including anatomy tips, representational tricks, and a focus on the art of portraiture.

Thursdays, Feb. 6-April 10, 6:30-9:30pm, $360. California College of the Arts, 1111 Eighth St., SF. www.cca.edu

 

THE BASICS OF BUDGETING AND SAVING

If the only thing you can depend on in this wacky 2014 is yourself, it’s time to hone those financial security skills. This free class is held once a month at the LGBT Community Center, and should give you a couple things to think about when it comes to money management.

Feb. 11, 6:30-8:30pm, free. LGBT Community Center, 1800 Market, SF. www.sfcenter.org

 

HERBS FOR FLUS AND COLDS

In addition to a more long-running courses and a by-donation, student-staffed herbal health clinic that is open to the public, Berkeley’s Ohlone Herbal Center offers practical classes in Western herbalism for regular folks. Your loved ones will thank you for brushing up with this one — it teaches preventative anti-cold and flu measures, and home remedies for when you inevitably catch something. Yes, tea is provided during classtime.

Feb. 12, 7-9:30pm, free. Register at ohlonecenter@gmail.com. Ohlone Herbal Center, 1250 Addison, Berk. www.ohlonecenter.org

 

AIN’T I A WOMAN? MY JOURNEY TO WOMANHOOD

If you are looking for educational opportunites as to changing the face of culture, look no further than this public lecture hosted by the California Institute of Integral Studies. For two hours, Orange is the New Black breakout star Laverne Cox will discuss her journey to becoming the most visible black transwoman on television (not to mention the first ever to produce and star in her own program with VH1’s “TRANSForm Me”). The talk won’t be lacking in looks-ahead to the important activism that still remains for Cox and her allies.

March 19, 7-9pm, $25-75. Nourse Theater, 275 Hayes, SF. www.ciis.edu

 

EVENT SPONSORSHIP

You will finally be able to get that organic farmstand delivery service to sponsor your yearly watermelon seed-spitting contest (or whatever) after you take this crash course on getting money to hold events. The secrets to obtaining event sponsorships are divulged during this one-day class: how to pitch potential partners, going market rates, and more, all in a group discussion-centric format.

April 26, 9am-5pm, $300. San Francisco State University Downtown Campus, 835 Market, SF. www.sfsu.edu

 

Carb your enthusiasm

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On a bright November afternoon, I ducked into Biondivino, a tiny but tremendously well-stocked Italian wine shop in Russian Hill, to meet John Pauley and Anna Li of Mattarello — an artisanal, handmade pasta pop-up.

Li, a Europe-raised, multilingual physician by day and tortellini-shaper by night, greeted familiar faces while pulling bundles of sage pappardelle, whole-wheat tagliatelle, parsley-garlic tagliatelle, squid ink spaghetti, saffron cavatelli, and the coveted tortellini al brodo from inside a cooler. Pauley, a former chef at several restaurants including the nearby La Folie, now works as a full-time sfoglini, or Bolognese-style pasta maker, for the couple’s two-year-old venture. If he was tired after spending five-and-a-half hours rolling out 50 pounds of dough (and subsequently stuffing and shaping it into 26 portions of thimble-sized, knotted nuggets), it didn’t show.

Walking me along the foldout table where pastas winked with specks of semolina, Pauley discussed their journey into la sfoglia. Five years ago while traveling in Bologna, a culinary capital known for parmigiano reggiano, prosciutto, mortadella, and tortellini, Pauley apprenticed with pasta makers Franco and Grazia Macchiavelli of Salumeria Bruno e Franco.

“In Bologna, pasta making is pretty much women’s work,” Pauley explained. Naturally, the women at the school were intrigued that a man would come all the way from San Francisco to learn their practice. “We all fell in love with each other,” said Pauley.

Mattarello maintains the same authentic spirit as the pasta made in Bologna. “Tortellini is as Bolognese as the Golden Gate Bridge is [San Franciscan],” said Pauley. Yet he was quick to point out that authenticity means different things to different people. In Bologna, tortellini is only eaten in broth. “To change something, you have to understand where it comes from. You start with a 450-year-old recipe for tortellini.”

In the US, Li and Pauley noticed, the bar for pasta has been set very low. Americans treat it as a vehicle for heaping on store-bought sauce and every vegetable in the pantry. On the other hand, explained Pauley, “the mistake other people make is that bringing a virgin olive oil or cheese back from Italy doesn’t make that food authentic. The spirit of cooking authentic Italian food here would mean, say, using great artisan prosciutto from Iowa.”

Pauley’s version of tortellini involves driving two hours to get the perfect farm eggs. “The hardest part is finding the right coloring. The egg yolks need to be orange to make the pasta really golden.”

He makes almost everything by hand in order to “get intimate with the pasta.” It’s not supposed to look perfect. The tortellini is stuffed with a mix of pork loin, eggs, parmesan, nutmeg, salt, and breadcrumbs; rolled; and sold the very next day.

That night I cooked the golden knots until they bobbed to the top of my boiling pot for several seconds, and slid a spoonful into my mouth. The texture alone was startling — the silk of the broth combined with an elastic, tender chew of pasta, creating a wholly new experience. The flavor came almost as an afterthought, in a delightfully grounding depth of meat, lift of nutmeg, and occasional bite of pepper, wrapped snugly between the sweet broth containing the brined memory of gently bruised vegetables. It only helped that the sky had turned dark and rainy.

The exception to Pauley’s handmade rule comes in the form of squid ink spaghetti, when he swaps the mattarello (or rolling pin, after which the pop-up was named), for the torchio, or “my torture device,” as he calls it. It began as a fun experiment after a trip to the Amalfi Coast, but customers can’t order enough, and La Folie has begun ordering it for its menu. “It’s too good of a product,” said Pauley, shrugging.

I leaned closer to the coiled ropes, noticing that they smelled strongly of the ocean in their pre-boiled state. I pinched one end of a beautiful black noodle, rubbed the Play-Doh-like string between my fingers, and took a bite. Raw, it contained an oddly tender chew. Cooked, it firmed up, yet remained fragile, pliable — I was seized with the desire to create a whole new adjective to describe these noodles, because the ones that came to mind couldn’t adequately capture what I tasted.

An epiphany: Fresh pasta is the dish. You need never wonder what you’re going to do with pasta — you’re not going to dress it, or drown it. You’re going to eat it. I ate these squid noodles in Mattarello tomato sauce for round one, which hid the essence of the sea more than I wished. I went lighter in round two, with a squirt of lemon juice, a plop of butter, a glop of olive oil, grated parmesan, and (this may sound strange) small chunks of avocado. Delectable, absolutely.

Amid San Francisco’s ultra-hip, ultra-now pop-up scene, Li and Pauley have witnessed friends turn their transitory trucks and tables into brick-and-mortar restaurants. They have business-savvy friends who tell them that now is the time to move forward.

“We know we’re at a fork, but we don’t know yet which prong we’re going to take,” said Pauley. He briefly pondered a larger pop-up, or expanding into more locations, but opening an eatery doesn’t appeal. “Anna is a doctor, and I don’t miss the restaurant scene, the appetizers, the entrées, the running around.” Pauley stops to say hi to friends entering Biondivino, then concludes, “I love making love to my dough. I love doing this.” *

Mattarello’s next pop-up is Dec. 22, noon-3pm at Biondivino, 1415 Green, SF. For future locations and pre-ordering, visit www.mattarellosf.com.

 

Music Listings: Oct. 30-Nov 5

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WEDNESDAY 30
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. Oceanography, Timothy Robert Graham, Buzzmutt, 9 p.m., $8.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Cellar Doors, Mr. Elevator & The Brain Hotel, The Spiral Electric, DJs Joel Gion & Darragh Skelton, 9 p.m., $6-$10.
Cafe Du Nord: 2170 Market, San Francisco. Lee DeWyze, Jeff Conley, 8 p.m., $18-$60.
El Rio: 3158 Mission, San Francisco. Big Baby Guru, Just People, The Beggars Who Give, 8 p.m., $8.
Elbo Room: 647 Valencia, San Francisco. Nobunny, Mongoloid, Shannon & The Clams with Russell Quan, 9:30 p.m., $8.
Hemlock Tavern: 1131 Polk, San Francisco. Battle of the Network Cover Bands, w/ The Booze Brothers, Lady Stardust, Th Mrcy Hot Sprngs, 8:30 p.m., $6.
Hotel Utah: 500 Fourth St., San Francisco. Fast Romantics, Mise en Scene, Bears for Sharks, 8 p.m., $8-$10.
The Knockout: 3223 Mission, San Francisco. Dancer, Crez DeeDee, Jerks, DJ Ryan Smith, 9:30 p.m., $6.
Rickshaw Stop: 155 Fell, San Francisco. Kevin Devine & The Goddamn Band; Now, Now; Jonah’s Onelinedrawing; Harrison Hudson, 8 p.m., $13-$15.
DANCE
The Cafe: 2369 Market, San Francisco. “Sticky Wednesdays,” w/ DJ Mark Andrus, 8 p.m., free.
Cat Club: 1190 Folsom, San Francisco. “Bondage A Go Go,” w/ DJs Damon, Tomas Diablo, & guests, 9:30 p.m., $5-$10.
Club X: 715 Harrison, San Francisco. Electro Pop Rocks: CarnEvil, 18+ dance party with St. John, Jays One, Harris Pilton, Sound It Out, Linx, more, 9 p.m.
The EndUp: 401 Sixth St., San Francisco. “Tainted Techno Trance,” 10 p.m.
F8: 1192 Folsom St., San Francisco. Housepitality Halloween, w/ Daniel Bell, Tyrel Williams, Miguel Solari, Joel Conway, Fil Latorre, 9 p.m., $5-$10.
Harlot: 46 Minna, San Francisco. “Qoöl,” 5 p.m.
Infusion Lounge: 124 Ellis, San Francisco. “Indulgence,” 10 p.m.
Lookout: 3600 16th St., San Francisco. “What?,” w/ resident DJ Tisdale and guests, 7 p.m., free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Rock the Spot,” 9 p.m., free.
MatrixFillmore: 3138 Fillmore, San Francisco. “Reload,” w/ DJ Big Bad Bruce, 10 p.m., free.
Milk Bar: 1840 Haight, San Francisco. Powwoww, Witowmaker, Bubblegum Crisis, The Early Days of Aviation, 8:30 p.m., $5.
Monarch: 101 6th St., San Francisco. The Overlook 3D, w/ Meikee Magnetic, Brycie Bones, DJ Fact.50, 9:30 p.m., $5-$10 (free before 10:30 p.m.).
Q Bar: 456 Castro, San Francisco. “Booty Call,” w/ Juanita More, Joshua J, guests, 9 p.m., $3.
Ruby Skye: 420 Mason, San Francisco. Freak Circus: Day 4, w/ Arty, 9 p.m., $25-$30 advance.
Slide: 430 Mason, San Francisco. Gatsby: Halloween at Slide, w/ Crazibiza, 9 p.m.
HIP-HOP
Double Dutch: 3192 16th St., San Francisco. “Cash IV Gold,” w/ DJs Kool Karlo, Roost Uno, and Sean G, 10 p.m., free.
Skylark Bar: 3089 16th St., San Francisco. “Mixtape Wednesday,” w/ resident DJs Strategy, Junot, Herb Digs, & guests, 9 p.m., $5.
ACOUSTIC
Bazaar Cafe: 5927 California, San Francisco. Acoustic Guitar Showcase, w/ Teja Gerken, 7 p.m.
Cafe Divine: 1600 Stockton, San Francisco. Craig Ventresco & Meredith Axelrod, 7 p.m., free.
Club Deluxe: 1511 Haight, San Francisco. Happy Hour Bluegrass, 6:30 p.m., free.
Johnny Foley’s Irish House: 243 O’Farrell St., San Francisco. Terry Savastano, Every other Wednesday, 9 p.m., free.
Plough & Stars: 116 Clement, San Francisco. The Toast Inspectors, Last Wednesday of every month, 9 p.m.
JAZZ
Amnesia: 853 Valencia, San Francisco. Gaucho, Eric Garland’s Jazz Session, The Amnesiacs, 7 p.m., free.
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.
Cafe Royale: 800 Post, San Francisco. Negative Press Project, 9 p.m.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.
Le Colonial: 20 Cosmo, San Francisco. The Cosmo Alleycats featuring Ms. Emily Wade Adams, 7 p.m., free.
Martuni’s: 4 Valencia, San Francisco. Tom Shaw Trio, Last Wednesday of every month, 7 p.m., $7.
Oz Lounge: 260 Kearny, San Francisco. Hard Bop Collective, 6 p.m., free.
Pier 23 Cafe: Pier 23, San Francisco. Macy Blackman, 6 p.m., free.
Savanna Jazz Club: 2937 Mission, San Francisco. “Cat’s Corner,” 9 p.m., $10.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Sebastian Parker Trio, 8 p.m.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Ricardo Scales, Wednesdays, 6:30-11:30 p.m., $5.
Zingari: 501 Post, San Francisco. Linda Kosut, 7:30 p.m., free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. Timba Dance Party, w/ DJ WaltDigz, 10 p.m., $5.
Cafe Cocomo: 650 Indiana, San Francisco. “Bachatalicious,” w/ DJs Good Sho & Rodney, 7 p.m., $5-$10.
Make-Out Room: 3225 22nd St., San Francisco. “International Freakout A Go-Go,” 10 p.m., free.
Pachamama Restaurant: 1630 Powell, San Francisco. 15th Annual Halloween Party with Freddy Clarke & Wobbly World, 8 p.m.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. The Hound Kings, 7 & 9 p.m., $15.
The Saloon: 1232 Grant, San Francisco. Jose Simioni, 9:30 p.m.
Tupelo: 1337 Green St., San Francisco. Chris Cobb, 9:30 p.m.
EXPERIMENTAL
Meridian Gallery: 535 Powell, San Francisco. Maria Chavez, Beauty School, 7:30 p.m.
SOUL
The Royal Cuckoo: 3202 Mission, San Francisco. Freddie Hughes & Chris Burns, 7:30 p.m., free.
THURSDAY 31
ROCK
Boom Boom Room: 1601 Fillmore, San Francisco. Talking Heads Halloween Bash with Naive Melodies, 9:30 p.m., $8-$10.
Bottom of the Hill: 1233 17th St., San Francisco. Halloween Show with La Plebe, The Re-Volts, Ruleta Rusa, Bum City Saints, 9 p.m., $12.
Cafe Du Nord: 2170 Market, San Francisco. The Shondes, Naive Americans, The Galloping Sea, 8:30 p.m., $7.
The Chapel: 777 Valencia St., San Francisco. Bobb Saggeth, Haight Breeders, 9 p.m., $12-$16.
Connecticut Yankee: 100 Connecticut, San Francisco. Halloween Party with Steel Hotcakes, The Insufferables, plus a costume contest, 9:15 p.m., free.
Hemlock Tavern: 1131 Polk, San Francisco. Ultra Bide, Lord Dying, Tiger Honey Pot, 8:30 p.m., $8.
Hotel Utah: 500 Fourth St., San Francisco. The Beards, The Wave Commission, Wild Ass, 9 p.m., $12-$15.
The Knockout: 3223 Mission, San Francisco. Kill Yr Idols, Kiss Me on the Butt, Jesus Fuck, Pyl-It-On, 9:30 p.m., $6.
Rickshaw Stop: 155 Fell, San Francisco. Popscene: Popscream Halloween 2013, w/ North American Scum, Bang On, plus DJs, Aaron, Omar, and Miles, 9:30 p.m., $10.
Thee Parkside: 1600 17th St., San Francisco. Hallorager II, w/ Glitter Wizard, Twin Steps, Mr. Elevator & The Brain Hotel, more, 9 p.m., $8.
DANCE
1015 Folsom: 1015 Folsom St., San Francisco. Mad Hatters Ball, w/ R.L. Grime, Tourist, DJ Funeral, Gladkill, Noah D, Sugarpill, DJ Dials, Goldrush, Astronautica, more, 10 p.m., $20 advance.
Abbey Tavern: 4100 Geary, San Francisco. DJ Schrobi-Girl, 10 p.m., free.
Audio Discotech: 316 11th St., San Francisco. Halloween Night with Marcus Schössow, Tall Sasha, 9:30 p.m., $15 advance.
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “Tubesteak Connection,” w/ DJ Bus Station John, 9 p.m., $5-$7.
Beaux: 2344 Market, San Francisco. Heklina’s Halloween Costume Contest, w/ DJ Kidd Sysko, 9 p.m.
The Cafe: 2369 Market, San Francisco. Sugar: All Hallows’ Eve, 9 p.m.
Cat Club: 1190 Folsom, San Francisco. “Throwback Thursdays,” ‘80s night with DJs Damon, Steve Washington, Dangerous Dan, and guests, 9 p.m., $6 (free before 9:30 p.m.).
The Cellar: 685 Sutter, San Francisco. Dungeon, w/ Romeo Reyes, J-Trip, St. John, 10 p.m., $15-$30; “XO,” w/ DJs Astro & Rose, 10 p.m., $5.
Chambers Eat + Drink: 601 Eddy, San Francisco. Ritual x Haus: A Halloween Party, w/ Bixu, Azin Ash, Siouxsie Black, Chrissie Six, 9 p.m., $5 (free with costume).
Club X: 715 Harrison, San Francisco. “The Crib,” 9:30 p.m., $10, 18+.
DNA Lounge: 375 11th St., San Francisco. All Hallow’s Eve, 18+ dance party with DJs Zach Moore, KidHack, A+D, Santa Muerte, Blondie K, subOctave, Shindog, Mitch, BaconMonkey, Decay, Joe Radio, and Netik, 9 p.m., $13 advance.
F8: 1192 Folsom St., San Francisco. No Way Back + Honey Soundsystem Halloween, w/ Willie Burns, Split Secs, Robot Hustle, Conor, P-Play, Jason Kendig, Solar, Josh Cheon, 10 p.m., $5-$20.
Harlot: 46 Minna, San Francisco. Monster Mash, w/ DJ Spider & The Schmidt, 9 p.m., $10-$30 advance.
Infusion Lounge: 124 Ellis, San Francisco. “I Love Thursdays,” 10 p.m., $10.
Lookout: 3600 16th St., San Francisco. The Drunk Tank: An Underwater Halloween Adventure, w/ DJ Russ Rich, 8 p.m., $8.
Madrone Art Bar: 500 Divisadero, San Francisco. Halloween Night Fever, w/ DJs Jerry Nice & Sonny Phono, 9 p.m., $5 after 10 p.m.
Manor West: 750 Harrison, San Francisco. Villains & Vixens, w/ J. Espinosa, The Les, 10 p.m., $20.
Mezzanine: 444 Jessie, San Francisco. Lights Down Low, w/ The Magician, Tensnake, Andre Bratten, Richie Panic, Sleazemore, 9 p.m., $25-$40.
Mighty: 119 Utah, San Francisco. Black Mammoth, w/ Gravity, Derek Hena, Galen, DJ Kramer, Josh Vincent, A.M. Rebel, Miguel Solari, Tyrel Williams, DJ Dane, DJ Alvaro, Mystr/Hatchet, Wobs, Christopher Charles, 9 p.m., $10 before 10 p.m.
Milk Bar: 1840 Haight, San Francisco. A Nightmare on Haight Street, w/ DJ Vin Sol., 9 p.m., $5.
Monarch: 101 6th St., San Francisco. Green Gorilla Lounge: The Monster Mash, w/ Heidi, DJ M3, Anthony Mansfield, Jimmy B, Sharon Buck, Greer, Mozhgan, Davi A, 9 p.m., $10-$20.
The Parlor: 2801 Leavenworth, San Francisco. Halloween Hoedown, w/ Chris Clouse, 9 p.m., $7-$15.
Project One: 251 Rhode Island, San Francisco. Back2Back: 9-Year Anniversary – Halloween Edition, w/ DJs Jenö & Garth, 8 p.m.
Public Works: 161 Erie, San Francisco. M-nus Monster Mash, w/ Gaiser, Matador, Hobo, 9 p.m., $15-$20.
Q Bar: 456 Castro, San Francisco. “Throwback Thursday,” w/ DJ Jay-R, 9 p.m., free.
Raven: 1151 Folsom St., San Francisco. “1999,” w/ VJ Mark Andrus, 8 p.m., free.
Ruby Skye: 420 Mason, San Francisco. Freak Circus: Day 5, w/ Jack Beats, Bones, 9 p.m., $20-$30 advance.
San Francisco Belle: 3 Pier, San Francisco. S.S. Crowdtilt, w/ Traviswild, DJ Purple, American Tripps ping-pong, open bars, more, 9 p.m., $65-$75.
Slide: 430 Mason, San Francisco. Gatsby: Halloween at Slide, w/ DJ Midnight SF, Zhaldee, Grandwizard, Duy Pham, 9 p.m.
Supperclub San Francisco: 657 Harrison, San Francisco. Beautiful Nightmare, w/ DJ Chris White, 10 p.m., $15 advance.
Temple: 540 Howard, San Francisco. Detonate: Halloween Thriller, 18+ dance party with Goshfather & Jinco, Indo, Tigran, GLSS, 10 p.m., $15.
The Tunnel Top: 601 Bush, San Francisco. “Tunneltop,” DJs Avalon and Derek ease you into the weekend with a cool and relaxed selection of tunes spun on vinyl, 10 p.m., free.
Underground SF: 424 Haight, San Francisco. “Bubble,” 10 p.m., free.
Vessel: 85 Campton, San Francisco. Base: Halloween, w/ Pete Tong, 10 p.m.
W San Francisco: 181 Third St., San Francisco. Saints and Sinners, 10 p.m.
HIP-HOP
111 Minna Gallery: 111 Minna St., San Francisco. My Boo, w/ Neil Armstrong, DJ Shortkut, Ry Toast, Prince Aries, Royce, Chauee, 9 p.m., $10.
Atmosphere: 447 Broadway, San Francisco. Thriller on Broadway: Halloween Night Extravaganza, w/ DJs Mind Motion, Supreme, and Momix, 10 p.m., $10 advance.
Eastside West: 3154 Fillmore, San Francisco. “Throwback Thursdays,” w/ DJ Madison, 9 p.m., free.
The EndUp: 401 Sixth St., San Francisco. “Cypher,” w/ resident DJ Big Von, 10 p.m., $5-$10.
Park 77 Sports Bar: 77 Cambon, San Francisco. “Slap N Tite,” w/ resident Cali King Crab DJs Sabotage Beats & Jason Awesome, free.
Skylark Bar: 3089 16th St., San Francisco. “Peaches,” w/lady DJs DeeAndroid, Lady Fingaz, That Girl, Umami, Inkfat, and Andre, 10 p.m., free.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Freaks & Beats 2013, w/ DJs D-Sharp, Apollo, Sake One, Mr. E, and Ruby Red I (in Yoshi’s lounge), 10:30 p.m., $10 advance.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. Halloween with Rube Waddell, Sour Mash Hug Band, The Barbary Ghosts, 9 p.m., $10-$15.
Bazaar Cafe: 5927 California, San Francisco. Acoustic Open Mic, 7 p.m.
The Independent: 628 Divisadero, San Francisco. Elephant Revival, Allie Kral & The Morrison Brothers, 8 p.m., $16-$18.
Plough & Stars: 116 Clement, San Francisco. Halloween Costume Party with Crooked Road, 9 p.m.
Slim’s: 333 11th St., San Francisco. Boograss 2013: Hillbilly Halloween Hoedown, w/ The Pine Box Boys, The Fucking Buckaroos, The Harmed Brothers, Kemo Sabe, 9 p.m., $15.
JAZZ
Blush! Wine Bar: 476 Castro, San Francisco. Doug Martin’s Avatar Ensemble, 7:30 p.m., free.
Bottle Cap: 1707 Powell, San Francisco. The North Beach Sound with Ned Boynton, Jordan Samuels, and Tom Vickers, 7 p.m., free.
Cafe Claude: 7 Claude, San Francisco. Alex Conde Trio, 7:30 p.m., free.
Le Colonial: 20 Cosmo, San Francisco. Steve Lucky & The Rhumba Bums, 7:30 p.m.
Pier 23 Cafe: Pier 23, San Francisco. Snakebite & Friends, 7 p.m., free.
The Royal Cuckoo: 3202 Mission, San Francisco. Charlie Siebert & Chris Siebert, 7:30 p.m., free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Jam with Eddy Ramirez, 7:30 p.m., $5.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Stompy Jones, 7:30 p.m., $10.
Zingari: 501 Post, San Francisco. Barbara Ochoa, 7:30 p.m., free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Pa’Lante!,” w/ Juan G, El Kool Kyle, Mr. Lucky, 10 p.m., $5.
Cafe Cocomo: 650 Indiana, San Francisco. Special Halloween Night with N’Rumba, DJ Good Sho, DJ Hong, 8 p.m., $12.
Pachamama Restaurant: 1630 Powell, San Francisco. Flamenco Halloween Party, 8 p.m.; “Jueves Flamencos,” 8 p.m., free.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Latin Breeze, 8 p.m.
Verdi Club: 2424 Mariposa, San Francisco. The Verdi Club Milonga, w/ Christy Coté, DJ Emilio Flores, guests, 9 p.m., $10-$15.
REGGAE
Pissed Off Pete’s: 4528 Mission St., San Francisco. Reggae Thursdays, w/ resident DJ Jah Yzer, 9 p.m., free.
BLUES
50 Mason Social House: 50 Mason, San Francisco. Bill Phillippe, 5:30 p.m., free.
Biscuits and Blues: 401 Mason, San Francisco. R.J. Mischo, 7 & 9 p.m., $15.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bohemian Knuckleboogie, 7:30 p.m., free.
The Saloon: 1232 Grant, San Francisco. Freddie Roulette, 4 p.m.; Carlos Guitarlos, 9:30 p.m.
EXPERIMENTAL
Center for New Music: 55 Taylor St., San Francisco. Ken Ueno, Tim Feeney, and Matt Ingalls, 7:30 p.m., $10-$15.
FUNK
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Soul Discipilz, The Hogan Brothers, Extra Ordinary Astronauts, 9 p.m., free.
Elbo Room: 647 Valencia, San Francisco. Afrolicious: A Super Fly Halloween, w/ Afrolicious Band (performing Curtis Mayfield’s Super Fly soundtrack), plus DJs Still Life, Boogiemeister, Pleasuremaker, and Señor Oz, 9:30 p.m., $10-$15.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Cameo’s Funky Halloween, 8 & 10 p.m., $46.
SOUL
Cigar Bar & Grill: 850 Montgomery, San Francisco. Halloween Party with Big Blu Soul Revue, 7:30 p.m., free.
FRIDAY 1
ROCK
50 Mason Social House: 50 Mason, San Francisco. Lemme Adams, Coo Coo Birds, Not Sure. Not Yet, Tall Fires, 8 p.m.
Amnesia: 853 Valencia, San Francisco. Ash Reiter, FpodBpod, Li Xi, 9 p.m., $7-$10.
Amoeba Music: 1855 Haight, San Francisco. Golden Void, 6 p.m., free.
Bottom of the Hill: 1233 17th St., San Francisco. Pirates Press Ninth Anniversary Weekend, w/ Street Dogs, Harrington Saints, Custom Fit, Sydney Ducks, 9 p.m., $15 (or $45 for 3-day pass).
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Satan’s Pilgrims, The Gregors, The Deadbeats, 9 p.m., $12-$15.
Cafe Du Nord: 2170 Market, San Francisco. Battlehooch, Just People, Guy Fox, 9:30 p.m., $8-$10.
El Rio: 3158 Mission, San Francisco. Friday Live: The Dead Ships, DJ Emotions, 10 p.m., free.
Hemlock Tavern: 1131 Polk, San Francisco. Early Graves, Narrows, Glaciers, 9:30 p.m., $10.
Hotel Utah: 500 Fourth St., San Francisco. Lady Zep, Sordid Humor, Mental 99, 9 p.m., $10.
Red Devil Lounge: 1695 Polk, San Francisco. Stroke 9, Jackson Rohm, 9 p.m., $15.
Rickshaw Stop: 155 Fell, San Francisco. American Tripps Halloween/Día de los Muertos Party, w/ Still Flyin’ (as New Order), Honeymoon in Canada, DJ Beauregard, 8 p.m., $10-$12.
Sub-Mission Art Space (Balazo 18 Gallery): 2183 Mission, San Francisco. Inferno of Joy, Beast of England, Gozzard, Asada Messiah, Szandora LaVey, Miss Bella Trixx, 8 p.m., $7.
Thee Parkside: 1600 17th St., San Francisco. The Memorials, Gigantis, Bite, Gotaway Girl, 9 p.m., $10.
DANCE
1015 Folsom: 1015 Folsom St., San Francisco. “Witness 4.0,” w/ Cyril Hahn, Ryan Hemsworth, XXXY, Oneman, Henry Krinkle, Letherette, DJ Dials, Sleazemore, Richie Panic, Popgang, Pedro Arbulu, Kevvy Kev, 9 p.m., $17.50-$20 advance.
Amnesia: 853 Valencia, San Francisco. “Brass Tax,” w/ resident DJs JoeJoe, Ding Dong, Ernie Trevino, Mace, First Friday of every month, 10 p.m., $5.
Audio Discotech: 316 11th St., San Francisco. Amine Edge & Dance, Quinn Jerome, J. Remy, Glade Luco, 9 p.m., $20.
Balancoire: 2565 Mission St., San Francisco. “Haçeteria: 3-Year Anniversary,” w/ Sapphire Slows, Magic Touch (DJ set), Bobby Browser (DJ set), Roche (DJ set), 10 p.m., $5-$8.
Cafe Flore: 2298 Market, San Francisco. “Kinky Beats,” w/ DJ Sergio, 10 p.m., free.
The Cafe: 2369 Market, San Francisco. “Boy Bar,” w/ DJ Matt Consola, 9 p.m., $5.
Cat Club: 1190 Folsom, San Francisco. Strangelove: Día de los Muertos, w/ DJs Tomas Diablo, Sage, Prince Charming, and Fact.50, $7 ($3 before 10 p.m.).
The Cellar: 685 Sutter, San Francisco. “F.T.S.: For the Story,” 10 p.m.
The EndUp: 401 Sixth St., San Francisco. “Fever,” 10 p.m., free before midnight.
F8: 1192 Folsom St., San Francisco. “Vintage,” w/ DJ Toph One & guests, 5 p.m., free.
The Grand Nightclub: 520 4th St., San Francisco. “We Rock Fridays,” 9:30 p.m.
Infusion Lounge: 124 Ellis, San Francisco. “Escape Fridays,” 10 p.m., $20.
Lookout: 3600 16th St., San Francisco. “HYSL,” 9 p.m., $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “Dirty Rotten Dance Party,” w/ Kap10 Harris, Shane King, guests, First Friday of every month, 9 p.m., $5.
Manor West: 750 Harrison, San Francisco. “Fortune Fridays,” 10 p.m., free before 11 p.m. with RSVP.
MatrixFillmore: 3138 Fillmore, San Francisco. “F-Style Fridays,” w/ DJ Jared-F, 9 p.m.
Mezzanine: 444 Jessie, San Francisco. “Future Fridays,” w/ One More Time: A Tribute to Daft Punk, 9 p.m., $15-$20.
Mighty: 119 Utah, San Francisco. French Express Label Night, w/ Jonas Rathsman, Moon Boots, Isaac Tichauer, 10 p.m., $15 advance.
Milk Bar: 1840 Haight, San Francisco. Spooktasm 2.0, w/ Falcons, Light Echo, GHz Funk, 9:30 p.m., $12-$14 advance.
Monarch: 101 6th St., San Francisco. Día de los Muertos, w/ 8Ball, Aaron Pope, Clarkie, Ding Dong, Kapt’n Kirk, Matt Kramer, Tamo, ViaJay, Shooey, Mace, Ethan, John Schiffer, 9 p.m., $10-$15.
OMG: 43 6th St., San Francisco. “Release,” 9 p.m., free before 11 p.m.
Powerhouse: 1347 Folsom, San Francisco. “Nasty,” First Friday of every month, 10 p.m., $5.
Public Works: 161 Erie, San Francisco. As You Like It: Freaky Friday, w/ Maya Jane Coles, Cosmin TRG, Bells & Whistles, Brian Knarfield, Mossmoss, Mike Bee, Nackt, William Wardlaw, more, 9 p.m., $20 advance.
Q Bar: 456 Castro, San Francisco. “Pump: Worq It Out Fridays,” w/ resident DJ Christopher B, 9 p.m., $3.
Region: 139 Steuart St., San Francisco. Hollywood Halloween, w/ DJs Rufio, Rose, and Feldy, 9 p.m., $38 advance.
Ruby Skye: 420 Mason, San Francisco. Aly & Fila, 9 p.m., $20 advance.
Underground SF: 424 Haight, San Francisco. “Bionic,” 10 p.m., $5.
Vessel: 85 Campton, San Francisco. “Blitz,” w/ Festiva, Traviswild, Kean B, Aditiv, Loud Mouth, 10 p.m., $10-$30.
Wish: 1539 Folsom, San Francisco. “Bridge the Gap,” w/ resident DJ Don Kainoa, Fridays, 6-10 p.m., free; “Depth,” w/ resident DJs Sharon Buck & Greg Yuen, First Friday of every month, 10 p.m., free.
HIP-HOP
EZ5: 682 Commercial, San Francisco. “Decompression,” Fridays, 5-9 p.m.
F8: 1192 Folsom St., San Francisco. “Cash4Gold: Some Kind of Way,” w/ Cellus, Pony P, Phleck, Roost Uno, Kool Karlo, 9 p.m., $5.
Nickies: 466 Haight, San Francisco. “First Fridays,” w/ The Whooligan & Dion Decibels, First Friday of every month, 11 p.m., free.
Slate Bar: 2925 16th St., San Francisco. Thriller: Post-Halloween/Pre-Día de los Muertos Costume Dance Party, w/ DJs Sean G & Mackswell, 10 p.m.
ACOUSTIC
The Chapel: 777 Valencia St., San Francisco. Jonathan Wilson, Extra Classic, 9 p.m., $15.
The Sports Basement: 610 Old Mason, San Francisco. “Breakfast with Enzo,” w/ Enzo Garcia, 10 a.m., $5.
St. Cyprian’s Episcopal Church: 2097 Turk, San Francisco. First Fridays Song Circle, First Friday of every month, 7 p.m., $5-$10.
JAZZ
Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Johnny Smith, 8 p.m., free.
Bird & Beckett: 653 Chenery, San Francisco. Don Prell’s SeaBop Ensemble, First Friday of every month, 5:30 p.m., free.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.
The Palace Hotel: 2 New Montgomery, San Francisco. The Klipptones, 8 p.m., free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio, 7 p.m., $8.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Black Market Jazz Orchestra, 9 p.m., $10.
Zingari: 501 Post, San Francisco. Joyce Grant, 8 p.m., free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10 p.m., $5.
Cafe Cocomo: 650 Indiana, San Francisco. Taste Fridays, featuring local cuisine tastings, salsa bands, dance lessons, and more, 7:30 p.m., $15 (free entry to patio).
Elbo Room: 647 Valencia, San Francisco. La Gente, Bayonics, Emcee Infinite, 10 p.m., $10.
The Emerald Tablet: 80 Fresno St., San Francisco. Brazil Beat, 8 p.m., $15 suggested donation.
Pachamama Restaurant: 1630 Powell, San Francisco. Cuban Night with Fito Reinoso, 7:30 & 9:15 p.m., $15-$18.
Roccapulco Supper Club: 3140 Mission, San Francisco. “Viva la Cumbia,” w/ Aniceto Molina, Los Hermanos Flores, Orquesta San Vicente, 8 p.m., $55-$60 advance.
REGGAE
Gestalt Haus: 3159 16th St., San Francisco. “Music Like Dirt,” 7:30 p.m., free.
Neck of the Woods: 406 Clement St., San Francisco. Thicker Than Thieves, Perro Bravo, Midnight Sun Massive, Burnt, 8 p.m., $10.
Showdown: 10 Sixth St., San Francisco. “How the West Was Won,” w/ Nowtime Sound, First Friday of every month, 10 p.m., free.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Sonny Rhodes, 7:30 & 10 p.m., $22.
Tupelo: 1337 Green St., San Francisco. Jinx Jones & The KingTones, First Friday of every month, 9 p.m.
EXPERIMENTAL
Center for New Music: 55 Taylor St., San Francisco. Ouroboros, Distant Intervals, poetry/music hybrids, 7:30 p.m., $10-$15.
FUNK
Amnesia: 853 Valencia, San Francisco. Swoop Unit, First Friday of every month, 6 p.m., $3-$5.
Boom Boom Room: 1601 Fillmore, San Francisco. Funk Revival Orchestra, The Bumptet, DJ K-Os, 9:30 p.m., $10-$15.
Make-Out Room: 3225 22nd St., San Francisco. “Loose Joints,” w/ DJs Centipede, Damon Bell, & Tom Thump, 10 p.m., $5.
SOUL
Edinburgh Castle: 950 Geary, San Francisco. “Soul Crush,” w/ DJ Serious Leisure, 10 p.m., free.
The Independent: 628 Divisadero, San Francisco. Hiatus Kaiyote, Martin Luther, Oscar Key Sung, Ghost & The City, 9 p.m., $20.
The Knockout: 3223 Mission, San Francisco. “Oldies Night,” w/ DJs Primo, Daniel, Lost Cat, friends, First Friday of every month, 10 p.m., $5.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Avant, 8 & 10 p.m., $29-$33.
SATURDAY 2
ROCK
Amnesia: 853 Valencia, San Francisco. Día de los Muertos with Novos Beaches, Sugar Candy Mountain, Jared Saltiel, 9 p.m., $7-$10.
Bender’s: 806 S. Van Ness, San Francisco. Altamont, Frehley’s Vomet, Stone Chimp, 10 p.m., $5.
Bottom of the Hill: 1233 17th St., San Francisco. Pirates Press Ninth Anniversary Weekend, w/ Street Dogs, The Interrupters, Druglords of the Avenues, Bishops Green, 9 p.m., $15 (or $45 for 3-day pass).
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Tracorum, JeConte, The Sleeping Giants, 9 p.m., $12-$15.
Cafe Du Nord: 2170 Market, San Francisco. Midnight Cinema, 8:30 p.m., $12-$15.
El Rio: 3158 Mission, San Francisco. Black Cobra, Hot Lunch, Owl, 10 p.m., $10.
Hemlock Tavern: 1131 Polk, San Francisco. The Shape, Buzzmutt, Appendixes, 8:30 p.m., $6.
Hotel Utah: 500 Fourth St., San Francisco. Dax Riggs, 9 p.m., $15.
Milk Bar: 1840 Haight, San Francisco. Down Dirty Shake, Mr. Elevator & The Brain Hotel, The Love Dimension, We Are the Men, 8:30 p.m., $5.
Neck of the Woods: 406 Clement St., San Francisco. Subkulture: Eternal Death Wake XI, w/ Peeling Grey, Roadside Memorial, Sorrow Church, Dominion, DJs Xiola & 1369 (on the upstairs stage), 8 p.m., $8.
Rickshaw Stop: 155 Fell, San Francisco. Total Trash Halloween Bash, w/ The Sonics, Roy Loney, Dukes of Hamburg, Wounded Lion, Chad & The Meatbodies, The Rantouls, Midnite Snaxxx, Thee S’Lobsters, 7 p.m., $35-$45.
Slim’s: 333 11th St., San Francisco. Little Comets, Starsystem, 9 p.m., $13-$15.
Thee Parkside: 1600 17th St., San Francisco. Blaak Heat Shujaa, Buffalo Tooth, Wicked Goddess, 9 p.m., $8.
DANCE
Audio Discotech: 316 11th St., San Francisco. Amtrac, Dr. Fresch, Anoctave, 9:30 p.m.
BeatBox: 314 11th St., San Francisco. “Chaos,” w/ DJs Stephan Grondin & Tristan Jaxx, 10 p.m., $20 ($5 before 11 p.m.).
Cafe Flore: 2298 Market, San Francisco. “Bistrotheque,” w/ DJ Ken Vulsion, 8 p.m., free.
Cat Club: 1190 Folsom, San Francisco. “Leisure,” w/ DJs Aaron, Omar, & Jetset James, First Saturday of every month, 10 p.m., $7.
DNA Lounge: 375 11th St., San Francisco. “Bootie S.F.,” w/ DJ Tripp, Faroff, Billy Jam, DJ Fox, Kool Karlo, John!John!, more, 9 p.m., $10-$15.
The EndUp: 401 Sixth St., San Francisco. “Play,” w/ DJ Three, Francis Harris, Michael Perry, Will Spencer, 10 p.m., $15-$20 (free before 11 p.m.).
F8: 1192 Folsom St., San Francisco. “Cult,” w/ Dubtribe, DJ Markie, DJ Jenö, Danja, Andre, Jason Douglas, Matt Holland, 10 p.m., $10-$15.
Infusion Lounge: 124 Ellis, San Francisco. “Volume,” First Saturday of every month, 10 p.m., $10-$20.
The Knockout: 3223 Mission, San Francisco. “Debaser: Day of the Dead – Nirvana Nirvana,” w/ DJs Jamie Jams & EmDee, 10 p.m., $5.
Madrone Art Bar: 500 Divisadero, San Francisco. “The Prince & Michael Experience,” w/ DJs Dave Paul & Jeff Harris, First Saturday of every month, 9 p.m., $5.
Mezzanine: 444 Jessie, San Francisco. “Lights Down Low,” w/ Jamie Jones, Dax, Richie Panic, Sleazemore, 9 p.m., $15-$25.
Mighty: 119 Utah, San Francisco. “Deep Blue,” w/ Guti, DJ Rooz, DJ Bo, more, 10 p.m., $13 advance.
Monarch: 101 6th St., San Francisco. Night Moves: Day of the Disco, w/ Doctor Dru, J-Boogie, Deejay Theory, Papa Lu, Joey Alaniz, 9 p.m., $10-$20.
Public Works: 161 Erie, San Francisco. LTJ Bukem, MC Armanni Reign, Bachelors of Science, 10 p.m., $20-$22.
Q Bar: 456 Castro, San Francisco. “Homo Erectus,” w/ DJs MyKill & Dcnstrct, First Saturday of every month, 9 p.m., $5.
Ruby Skye: 420 Mason, San Francisco. Cazzette, 9 p.m., $30-$40.
The Stud: 399 Ninth St., San Francisco. “Go Bang!: I-Beam Tribute,” w/ Lester Temple, Kenneth L. Kemp, Sergio Fedasz, Steve Fabus, 9 p.m., $7 (free before 10 p.m.).
Underground SF: 424 Haight, San Francisco. “Push the Feeling,” w/ residents Yr Skull & Epicsauce DJs, First Saturday of every month, 9 p.m.
Vessel: 85 Campton, San Francisco. “One Night in Morocco,” w/ Pheeko Dubfunk, Kada, Nile, Lorentzo, 10 p.m., $10-$30.
HIP-HOP
John Colins: 138 Minna, San Francisco. “N.E.W.: Never Ending Weekend,” w/ DJ Jerry Ross, First Saturday of every month, 9 p.m., free before 11 p.m.
Slate Bar: 2925 16th St., San Francisco. “Touchy Feely,” w/ The Wild N Krazy Kids, First Saturday of every month, 10 p.m., $5 (free before 11 p.m.).
ACOUSTIC
Atlas Cafe: 3049 20th St., San Francisco. Craig Ventresco & Meredith Axelrod, Saturdays, 4-6 p.m., free.
Bazaar Cafe: 5927 California, San Francisco. Fourth Annual Mary Elizabeth Beckman Memorial Concert, 7 p.m.
Plough & Stars: 116 Clement, San Francisco. “Americana Jukebox,” w/ Spidermeow, Doug Blumer & The Bohemian Highway, 9 p.m., $6-$10.
Revolution Cafe: 3248 22nd St., San Francisco. Seth Augustus, First Saturday of every month, 9 p.m., free/donation.
Tupelo: 1337 Green St., San Francisco. Shantytown, 9 p.m.
JAZZ
The Emerald Tablet: 80 Fresno St., San Francisco. Clairdee with the Ken French Trio, 8 p.m., $5-$10.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio, 7 p.m., $8.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. The Robert Stewart Experience, 9 p.m.
Zingari: 501 Post, San Francisco. Barbara Ochoa, 8 p.m., free.
INTERNATIONAL
1015 Folsom: 1015 Folsom St., San Francisco. “Pura,” 9 p.m., $20.
Bissap Baobab: 3372 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10 p.m., $5.
Boom Boom Room: 1601 Fillmore, San Francisco. Lagos Roots, Cha-Ching, 9:30 p.m., $10-$15.
Make-Out Room: 3225 22nd St., San Francisco. “El SuperRitmo,” w/ DJs Roger Mas & El Kool Kyle, 10 p.m., $5.
Pachamama Restaurant: 1630 Powell, San Francisco. Peña Eddy Navia & Pachamama Band, 8 p.m., free.
Qi Ultra Lounge: 917 Folsom St., San Francisco. Brazilian Halloween Ball 2013: Back to the ‘80s, w/ 20V Band, Energia do Samba, Roberto Martins, The Les, DJ Kblo, DJ Hanik, 10 p.m., $15 advance.
REGGAE
The Independent: 628 Divisadero, San Francisco. John Brown’s Body, Stick Figure, Alific, 9 p.m., $20.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Sista Monica, 7:30 & 10 p.m., $22.
The Lucky Horseshoe: 453 Cortland, San Francisco. Dr. Mojo, 9 p.m., free.
EXPERIMENTAL
Center for New Music: 55 Taylor St., San Francisco. Ray-Kallay Duo, 7:30 p.m., $10-$15.
Hyde Street Pier: 499 Jefferson St., San Francisco. “Vessels for Improvisation,” Featuring the Rova Saxophone Quartet with dancer Shinichi Iova-Koga (aboard the history ferryboat Eureka)., 6 p.m., $12-$20.
The Lab: 2948 16th St., San Francisco. A Benefit for the Lab with Rodger Stella, Heartworm, Erors, Malocculsion, Pink Gaze, Omer Gal, 7:30 p.m., $8+.
FUNK
Red Devil Lounge: 1695 Polk, San Francisco. Big Sam’s Funky Nation, 9 p.m., $15.
SOUL
El Rio: 3158 Mission, San Francisco. “Hard French,” w/ DJs Carnita & Brown Amy, First Saturday of every month, 2 p.m., $7.
Elbo Room: 647 Valencia, San Francisco. “Saturday Night Soul Party,” w/ DJs Lucky, Phengren Oswald, & Paul Paul, First Saturday of every month, 10 p.m., $10 ($5 in formal attire).
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Avant, 8 & 10 p.m., $29-$33.
SUNDAY 3
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. Pirates Press Ninth Anniversary Weekend, w/ FM359, The Ratchets, Downtown Struts, Lenny Lashley’s Gang of One, 8 p.m., $15 (or $45 for 3-day pass).
The Knockout: 3223 Mission, San Francisco. The Bloodtypes, Blammos, The Custom Kicks, Whoosie What’s It’s, 4 p.m., $6.
Thee Parkside: 1600 17th St., San Francisco. He Is Legend, Name, When Earth Awakes, 8 p.m., $10.
DANCE
The Cellar: 685 Sutter, San Francisco. “Replay Sundays,” 9 p.m., free.
The Edge: 4149 18th St., San Francisco. “’80s at 8,” w/ DJ MC2, 8 p.m.
Elbo Room: 647 Valencia, San Francisco. “Dub Mission,” w/ DJ Beset, DJ Sep, J-Boogie, 9 p.m., $6 (free before 9:30 p.m.).
The EndUp: 401 Sixth St., San Francisco. “T.Dance,” 6 a.m.-6 p.m.; “BoomBox,” First Sunday of every month, 8 p.m.; “Sunday Sessions,” 8 p.m.
F8: 1192 Folsom St., San Francisco. “Stamina Sundays,” w/ DJs Lukeino, Jamal, and guests, 10 p.m., free.
The Knockout: 3223 Mission, San Francisco. “Sweater Funk,” 10 p.m., free.
Lookout: 3600 16th St., San Francisco. “Jock,” Sundays, 3-8 p.m., $2.
MatrixFillmore: 3138 Fillmore, San Francisco. “Bounce,” w/ DJ Just, 10 p.m.
Monarch: 101 6th St., San Francisco. “Black Magic Disko,” w/ Finnebassen, Bob Campbell, NDK, 9 p.m., $10-$20.
Otis: 25 Maiden, San Francisco. “What’s the Werd?,” w/ resident DJs Nick Williams, Kevin Knapp, Maxwell Dub, and guests, 9 p.m., $5 (free before 11 p.m.).
The Parlor: 2801 Leavenworth, San Francisco. DJ Marc deVasconcelos, 10 p.m., free.
Q Bar: 456 Castro, San Francisco. “Gigante,” 8 p.m., free.
HIP-HOP
Boom Boom Room: 1601 Fillmore, San Francisco. “Return of the Cypher,” 9:30 p.m., free.
El Rio: 3158 Mission, San Francisco. “Swagger Like Us,” First Sunday of every month, 3 p.m.
Skylark Bar: 3089 16th St., San Francisco. “Shooz,” w/ DJ Raymundo & guests, First Sunday of every month, 10 p.m., free.
ACOUSTIC
The Chapel: 777 Valencia St., San Francisco. Zoë Keating, You Are Plural, 9 p.m., $20-$22.
The Lucky Horseshoe: 453 Cortland, San Francisco. Sunday Bluegrass Jam, 4 p.m., free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Spike’s Mic Night,” Sundays, 4-8 p.m., free.
Make-Out Room: 3225 22nd St., San Francisco. Dave Dondero, Virgil Shaw, Tom Heyman, 7:30 p.m.
Milk Bar: 1840 Haight, San Francisco. Parlor Tricks, Grand Lake Islands, 3 p.m., free.
Neck of the Woods: 406 Clement St., San Francisco. “iPlay,” open mic with featured weekly artists, 6:30 p.m., free.
St. Luke’s Episcopal Church: 1755 Clay, San Francisco. “Sunday Night Mic,” w/ Roem Baur, 5 p.m., free.
Tupelo: 1337 Green St., San Francisco. “Twang Sunday,” 4 p.m., free.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Makana, 7 p.m., $17-$23.
JAZZ
Amnesia: 853 Valencia, San Francisco. Kally Price Old Blues & Jazz Band, First Sunday of every month, 9 p.m., $7-$10.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Sunday Sessions,” 10 p.m., free.
Musicians Union Local 6: 116 Ninth St., San Francisco. Noertker’s Moxie, 7:30 p.m., $8-$10.
Revolution Cafe: 3248 22nd St., San Francisco. Jazz Revolution, 4 p.m., free/donation.
The Royal Cuckoo: 3202 Mission, San Francisco. Lavay Smith & Chris Siebert, 7:30 p.m., free.
Tupelo: 1337 Green St., San Francisco. The Joe Cohen Show, 9 p.m.
Zingari: 501 Post, San Francisco. Lisa Lindsley, 7:30 p.m., free.
INTERNATIONAL
Atmosphere: 447 Broadway, San Francisco. “Hot Bachata Nights,” w/ DJ El Guapo, 5:30 p.m., $10 ($15-$20 with dance lessons).
Bissap Baobab: 3372 19th St., San Francisco. “Brazil & Beyond,” 6:30 p.m., free.
Thirsty Bear Brewing Company: 661 Howard, San Francisco. “The Flamenco Room,” 7:30 & 8:30 p.m.
BLUES
Cafe Du Nord: 2170 Market, San Francisco. Girls Got the Blues, Salamander 6, 8 p.m., $12-$15.
Revolution Cafe: 3248 22nd St., San Francisco. HowellDevine, 8:30 p.m., free/donation.
The Saloon: 1232 Grant, San Francisco. Blues Power, 4 p.m.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Bohemian Knuckleboogie, 8 p.m., free.
Swig: 571 Geary, San Francisco. Sunday Blues Jam with Ed Ivey, 9 p.m.
COUNTRY
The Riptide: 3639 Taraval, San Francisco. “The Hootenanny West Side Revue,” First Sunday of every month, 7:30 p.m., free.
EXPERIMENTAL
Artists’ Television Access: 992 Valencia, San Francisco. Ollie Bown & Raven with Bill Hsu, Tim Perkis, 8 p.m., $6-$10.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Fred Frith Trio, Surplus 1980, 9 p.m., $8-$10.
SOUL
Delirium Cocktails: 3139 16th St., San Francisco. “Heart & Soul,” w/ DJ Lovely Lesage, 10 p.m., free.
MONDAY 4
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. The Cliks, KVSK, Hot Peach, 9 p.m., $10.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Social Studies, Upstairs Downstairs, Tartufi, 9 p.m., $6.
The Independent: 628 Divisadero, San Francisco. Destroyer, Pink Mountaintops, 8 p.m., $15-$17.
Slim’s: 333 11th St., San Francisco. The Chariot, Glass Cloud, Birds in Row, To the Wind, 8 p.m., $13.
DANCE
DNA Lounge: 375 11th St., San Francisco. “The Party Strikes Back,” w/ Mega Ran & K-Murdock, D&D Sluggers, Amanda Lepre, Professor Shyguy, 8:30 p.m., $8-$11; “Death Guild,” 18+ dance party with DJs Decay, Joe Radio, Melting Girl, & guests, 9:30 p.m., $3-$5.
Q Bar: 456 Castro, San Francisco. “Wanted,” w/ DJs Key&Kite and Richie Panic, 9 p.m., free.
Underground SF: 424 Haight, San Francisco. “Vienetta Discotheque,” w/ DJs Stanley Frank and Robert Jeffrey, 10 p.m., free.
HIP-HOP
Elbo Room: 647 Valencia, San Francisco. “Bass Is Great,” w/ PremRock, Zilla Rocca, Curly Castro, DJ Halo, 9 p.m., $5.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. Front Country, First Monday of every month, 9 p.m., free.
The Chieftain: 198 Fifth St., San Francisco. The Wrenboys, 7 p.m., free.
Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, 9:30 p.m., free/donation.
Hotel Utah: 500 Fourth St., San Francisco. Open mic with Brendan Getzell, 8 p.m., free.
Milk Bar: 1840 Haight, San Francisco. Jeff Desira, Kitten Grenade, Hart Bothwell, Tate Tousaint, 8 p.m., free.
Osteria: 3277 Sacramento, San Francisco. “Acoustic Bistro,” 7 p.m., free.
The Saloon: 1232 Grant, San Francisco. Peter Lindman, 4 p.m.
Tupelo: 1337 Green St., San Francisco. The Barren Vines, 9 p.m.
JAZZ
Cafe Divine: 1600 Stockton, San Francisco. Rob Reich, First and Third Monday of every month, 7 p.m.
Le Colonial: 20 Cosmo, San Francisco. Le Jazz Hot, 7 p.m., free.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. City Jazz Instrumental Jam Session, 8 p.m.
The Union Room at Biscuits and Blues: 401 Mason, San Francisco. The Session: A Monday Night Jazz Series, pro jazz jam with Mike Olmos, 7:30 p.m., $12.
Zingari: 501 Post, San Francisco. Nora Maki, 7:30 p.m., free.
REGGAE
Skylark Bar: 3089 16th St., San Francisco. “Skylarking,” w/ I&I Vibration, 10 p.m., free.
BLUES
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bohemian Knuckleboogie, 7:30 p.m., free.
The Saloon: 1232 Grant, San Francisco. The Bachelors, 9:30 p.m.
EXPERIMENTAL
Make-Out Room: 3225 22nd St., San Francisco. Dyemark, Hora Flora, Voicehandler, 8 p.m., free.
SOUL
Madrone Art Bar: 500 Divisadero, San Francisco. “M.O.M. (Motown on Mondays),” w/ DJ Gordo Cabeza & Timoteo Gigante, 8 p.m., free.
Mezzanine: 444 Jessie, San Francisco. K. Michelle, Sevyn Streeter, 9 p.m., $26.
TUESDAY 5
ROCK
Amnesia: 853 Valencia, San Francisco. French Cassettes, Black Cobra Vipers, Ash Reiter, 9:15 p.m., $7.
Bottom of the Hill: 1233 17th St., San Francisco. Deerhoof, LXMP, Solos, 9 p.m., $17.
Brick & Mortar Music Hall: 1710 Mission, San Francisco. “Wood Shoppe,” w/ Strange Talk, Battleme, Aan, 9 p.m., free.
DNA Lounge: 375 11th St., San Francisco. Soulfly, Havok, 8 p.m., $20-$25.
Elbo Room: 647 Valencia, San Francisco. PSSNGRS, Red Light, Cry, DJs Robert Spector & Sky Madden, 9 p.m., $5.
DANCE
1015 Folsom: 1015 Folsom St., San Francisco. Neon Indian (DJ set), Matrixxman, Avalon Emerson, Manics, 10 p.m., $12-$15.
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “High Fantasy,” w/ DJ Viv, Myles Cooper, & guests, 10 p.m., $2.
Laszlo: 2532 Mission, San Francisco. “Beards of a Feather,” Enjoy classy house records, obscuro disco, and laid-back late-’80s jams with DJ Ash Williams and guests, First Tuesday of every month, 9 p.m., free.
Monarch: 101 6th St., San Francisco. “Soundpieces,” 10 p.m., free-$10.
Q Bar: 456 Castro, San Francisco. “Switch,” w/ DJs Jenna Riot & Andre, 9 p.m., $3.
Underground SF: 424 Haight, San Francisco. “Shelter,” 10 p.m., free.
Wish: 1539 Folsom, San Francisco. “Tight,” w/ resident DJs Michael May & Lito, 8 p.m., free.
HIP-HOP
Skylark Bar: 3089 16th St., San Francisco. “True Skool Tuesdays,” w/ DJ Ren the Vinyl Archaeologist, 10 p.m., free.
Slim’s: 333 11th St., San Francisco. SoMo, PropaneLv, Kid Slim, 8 p.m., $16.
ACOUSTIC
Bazaar Cafe: 5927 California, San Francisco. Andy Padlo, 7 p.m. Starts . continues through Nov. 26.
Hotel Utah: 500 Fourth St., San Francisco. Jon Dee Graham, Mike June, Colonels of Truth, 8 p.m., $10-$12.
JAZZ
Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Gerry Grosz Jazz Jam, 7 p.m.
Blush! Wine Bar: 476 Castro, San Francisco. Kally Price & Rob Reich, 7 p.m., free.
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.
Cafe Divine: 1600 Stockton, San Francisco. Chris Amberger, 7 p.m.
Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. M.B. Hanif & The Sound Voyagers, 7:30 p.m., free.
Le Colonial: 20 Cosmo, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, 7 p.m.
Oz Lounge: 260 Kearny, San Francisco. Emily Hayes & Mark Holzinger, 6 p.m., free.
Revolution Cafe: 3248 22nd St., San Francisco. West Side Jazz Club, 5 p.m., free; Conscious Contact, First Tuesday of every month, 8 p.m., free.
Tupelo: 1337 Green St., San Francisco. Mal Sharpe’s Big Money in Jazz Band, 6 p.m.
Verdi Club: 2424 Mariposa, San Francisco. “Tuesday Night Jump,” w/ Stompy Jones, 9 p.m., $10-$12.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Tommy Igoe Big Band, 8 p.m., $22.
Zingari: 501 Post, San Francisco. Brenda Reed, 7:30 p.m., free.
INTERNATIONAL
Cafe Cocomo: 650 Indiana, San Francisco. “Descarga S.F.,” w/ DJs Hong & Good Sho, 8 p.m., $12.
The Cosmo Bar & Lounge: 440 Broadway, San Francisco. “Conga Tuesdays,” 8 p.m., $7-$10.
Elbo Room: 647 Valencia, San Francisco. Benefit to Help Roberta with Bayonics, Grupo da Sete, Fogo Na Roupa, BrazilVox, Gringa, DJ Lucio K, DJ Carioca, 8 p.m., $10-$20.
F8: 1192 Folsom St., San Francisco. “Underground Nomads,” w/ rotating resident DJs Cheb i Sabbah, Amar, Sep, and Dulce Vita, plus guests, 9 p.m., $5 (free before 9:30 p.m.).
REGGAE
Milk Bar: 1840 Haight, San Francisco. “Bless Up,” w/ Jah Warrior Shelter Hi-Fi, 10 p.m.
BLUES
The Saloon: 1232 Grant, San Francisco. Lisa Kindred, First Tuesday of every month, 9:30 p.m., free.
EXPERIMENTAL
Center for New Music: 55 Taylor St., San Francisco. sfSoundSalonSeries, 7:49 p.m., $7-$10.
Hemlock Tavern: 1131 Polk, San Francisco. Les Rhinocéros, Glimr, Lost Animal, 8:30 p.m., $7.
FUNK
Biscuits and Blues: 401 Mason, San Francisco. Fat Tuesday Band, 7 & 9 p.m., $15.
Madrone Art Bar: 500 Divisadero, San Francisco. “Boogaloo Tuesday,” w/ Oscar Myers & Steppin’, 9:30 p.m., free.
SOUL
Boom Boom Room: 1601 Fillmore, San Francisco. The JRo Project, First Tuesday of every month, 9:30 p.m., $5.
Make-Out Room: 3225 22nd St., San Francisco. “Lost & Found,” w/ DJs Primo, Lucky, and guests, 9:30 p.m., free. 

Best of the Bay 2013: BEST POT LUCK

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An invention that seems perfect for the busy-yet-locavore-obsessed Bay Area (though test markets are popping up in Brooklyn, New Orleans, and LA) sustainable ready-to-eat delivery service Good Eggs seems to have it all. But for our money — and yes, it’s not exactly cheap — there is one among Eggs’ many intriguing, locally produced offerings that intrigues the most: caterer Max Pouvreau’s Petit Pot. Did you know that everything tastes better in a Weck jar? This is the height of Bay food trendiness on the go: Try jarred lamb shoulder and spring onion tagine with prunes and roasted almonds, followed by a jarred dark chocolate buttermilk cake with coffee whipped cream and cocoa nibs. All delivered to your door! Bonus: $3 deposits on your round glass meal carriers means return customers get a sweet (savory?) discount.

www.goodeggs.com/petitpot

Music Listings: Oct. 9-15, 2013

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WEDNESDAY 9

ROCK

Bottom of the Hill: 1233 17th St., San Francisco. Coliseum, Red Hare, Kowloon Walled City, 9 p.m., $10-$12.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Minerva, Agria, Los Tiliches, 9 p.m., $5.

El Rio: 3158 Mission, San Francisco. Shannon & The Clams, Guantanamo Baywatch, The Chuckleberries, 9 p.m., $8.

Elbo Room: 647 Valencia, San Francisco. Religious Girls, Grill Cloth, Urthdance, Popgang DJs, 9 p.m., free.

Hemlock Tavern: 1131 Polk, San Francisco. Venkman, Bad Daddies, Brain Attack, No Business, 8:30 p.m., $5.

The Independent: 628 Divisadero, San Francisco. Fuck Buttons, 9 p.m., $18-$20.

Rickshaw Stop: 155 Fell, San Francisco. Iceage, The Videos, Cairo Pythian, DJ Omar, 8 p.m., $15.

Slim’s: 333 11th St., San Francisco. Anberlin, The Maine, Lydia, From Indian Lakes, 8 p.m., $26.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. The Winery Dogs, 10:30 p.m., $25-$30.

DANCE

The Cafe: 2369 Market, San Francisco. “Sticky Wednesdays,” w/ DJ Mark Andrus, 8 p.m., free.

Cat Club: 1190 Folsom, San Francisco. “Bondage A Go Go,” w/ DJs Damon, Tomas Diablo, & guests, 9:30 p.m., $5-$10.

Club X: 715 Harrison, San Francisco. “Electro Pop Rocks,” 18+ dance party with DJ Icon, more, 9 p.m., $10-$20.

DNA Lounge: 375 11th St., San Francisco. Book of Love, DJ Shindog, 9 p.m., $25-$30.

Edinburgh Castle: 950 Geary, San Francisco. “1964,” w/ DJ Matt B & guests, Second and Fourth Wednesday of every month, 10 p.m., $2.

The EndUp: 401 Sixth St., San Francisco. “Tainted Techno Trance,” 10 p.m.

F8: 1192 Folsom St., San Francisco. “Housepitality,” w/ Martin Landsky, Michael Perry, Sean Murray, Bob Campbell, 9 p.m., $5-$10.

Harlot: 46 Minna, San Francisco. “Qoöl,” 5 p.m.

Infusion Lounge: 124 Ellis, San Francisco. “Indulgence,” 10 p.m.

The Knockout: 3223 Mission, San Francisco. “Disorder,” w/ Warm Hands, Tuxedo Gleam, YLLW LDDRS, DJ Russell EL Butler, DJ Nickie, 10 p.m., $6.

Lookout: 3600 16th St., San Francisco. “What?,” w/ resident DJ Tisdale and guests, 7 p.m., free.

Madrone Art Bar: 500 Divisadero, San Francisco. “Rock the Spot,” 9 p.m., free.

MatrixFillmore: 3138 Fillmore, San Francisco. “Reload,” w/ DJ Big Bad Bruce, 10 p.m., free.

Q Bar: 456 Castro, San Francisco. “Booty Call,” w/ Juanita More, Joshua J, guests, 9 p.m., $3.

HIP-HOP

Double Dutch: 3192 16th St., San Francisco. “Cash IV Gold,” w/ DJs Kool Karlo, Roost Uno, and Sean G, 10 p.m., free.

Skylark Bar: 3089 16th St., San Francisco. “Mixtape Wednesday,” w/ resident DJs Strategy, Junot, Herb Digs, & guests, 9 p.m., $5.

ACOUSTIC

Bazaar Cafe: 5927 California, San Francisco. Steve Key, Kate Kilbane, Mike Annuzzi, Gary Garrett, 7 p.m.

Cafe Divine: 1600 Stockton, San Francisco. Craig Ventresco & Meredith Axelrod, 7 p.m., free.

The Chapel: 777 Valencia St., San Francisco. Keaton Henson, 9 p.m., $20-$22.

Club Deluxe: 1511 Haight, San Francisco. Happy Hour Bluegrass, 6:30 p.m., free.

Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, Every other Wednesday, 9:30 p.m., free/donation.

Hotel Utah: 500 Fourth St., San Francisco. Jared & The Mill, Jim Bianco, Amber Snider, 8 p.m., $10.

Union Square Park: 333 Post, San Francisco. The Anita Lofton Project, 12:30 p.m., free.

JAZZ

Amnesia: 853 Valencia, San Francisco. Gaucho, Eric Garland’s Jazz Session, The Amnesiacs, 7 p.m., free.

Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.

Le Colonial: 20 Cosmo, San Francisco. The Cosmo Alleycats featuring Ms. Emily Wade Adams, 7 p.m., free.

Oz Lounge: 260 Kearny, San Francisco. Hard Bop Collective, 6 p.m., free.

Revolution Cafe: 3248 22nd St., San Francisco. Michael Parsons Trio, Every other Wednesday, 8:30 p.m., free/donation.

The Rite Spot Cafe: 2099 Folsom, San Francisco. Shannon Wolfe with Grant Levin, 8:30 p.m., free.

Savanna Jazz Club: 2937 Mission, San Francisco. “Cat’s Corner,” 9 p.m., $10.

Top of the Mark: One Nob Hill, 999 California, San Francisco. Ricardo Scales, Wednesdays, 6:30-11:30 p.m., $5.

Zingari: 501 Post, San Francisco. Joan Getz, 7:30 p.m., free.

INTERNATIONAL

Biscuits and Blues: 401 Mason, San Francisco. Rolando Morales, 7 & 9 p.m., $15.

Bissap Baobab: 3372 19th St., San Francisco. Timba Dance Party, w/ DJ WaltDigz, 10 p.m., $5.

Cafe Cocomo: 650 Indiana, San Francisco. “Bachatalicious,” w/ DJs Good Sho & Rodney, 7 p.m., $5-$10.

Pachamama Restaurant: 1630 Powell, San Francisco. “Cafe LatinoAmericano,” 8 p.m., $5.

REGGAE

Boom Boom Room: 1601 Fillmore, San Francisco. Indubious, Native Elements, 9:30 p.m., $10.

BLUES

The Royal Cuckoo: 3202 Mission, San Francisco. Big Bones & Chris Siebert, 7:30 p.m., free.

The Saloon: 1232 Grant, San Francisco. P.A. Slim, 9:30 p.m.

EXPERIMENTAL

Explorist International: 3174 24th St., San Francisco. Music for People & Thingamajigs, w/ Octoplayer + 1, 6:30 p.m., free.

Meridian Gallery: 535 Powell, San Francisco. Music for People & Thingamajigs, w/ Bob Marsh (performing “The Spirit of Detroit”), 7:30 p.m., $10-$20.

FUNK

Vertigo: 1160 Polk, San Francisco. “Full Tilt Boogie,” w/ KUSF-in-Exile DJs, Second Wednesday of every month, 8 p.m.-1:30 a.m., free.

SOUL

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Alice Russell, 8 p.m., $20.

THURSDAY 10

ROCK

Boom Boom Room: 1601 Fillmore, San Francisco. Pamela Parker Band, Jelly Bread, 9:30 p.m., $10-$12.

Bottom of the Hill: 1233 17th St., San Francisco. French Cassettes, The Lower 48, Survival Guide, 9 p.m., $10.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Heart of the Whale, Cash for Gold, Ultra Violent Rays, Dum Spiro Spero, 8 p.m., $10.

The Chapel: 777 Valencia St., San Francisco. Thee Oh Sees, OBN III’s, The Blind Shake, Fryborg, 8:30 p.m., $15-$18.

DNA Lounge: 375 11th St., San Francisco. We Came As Romans; Silverstein; Chunk! No, Captain Chunk!; The Color Morale; Dangerkids, 6 p.m., $20-$23.

S.F. Eagle: 398 12th St., San Francisco. Thursday Nite Live: Hammers of Misfortune, Hazzard’s Cure, Serpents of Dawn, 9 p.m., $10.

Hemlock Tavern: 1131 Polk, San Francisco. Command Control, Momotaro, What Fun Life Was, 8:30 p.m., $6.

The Independent: 628 Divisadero, San Francisco. J. Roddy Walston & The Business, Gringo Star, 8 p.m., $12.

The Knockout: 3223 Mission, San Francisco. Lord Nasty & The Seekers of Perversion, White Barons, Sweat Lodge, DJ Crappleton, 10 p.m., $8.

Rickshaw Stop: 155 Fell, San Francisco. “Popscene,” w/ Houses, Amp Live, Okta Logue, 9:30 p.m., $12-$14.

San Franpsycho: 505 Divisadero St., San Francisco. “Buried Treasure,” Treasure Island Music Fest Pop-Up Shop concert with Meat Market, Fine Steps, DJ Ben Van Houten, more, 6 p.m., $3.

SFSU Campus/Cesar Chavez Student Center: 1650 Holloway, San Francisco. Radiation City, Social Studies, Look!, Edward’s Crossing, 6 p.m., free.

Thee Parkside: 1600 17th St., San Francisco. “NOT Made in the U.S.A.,” w/ Exile Parade, The Novocaines, The Copper Gamins., 9 p.m., $10.

DANCE

Abbey Tavern: 4100 Geary, San Francisco. DJ Schrobi-Girl, 10 p.m., free.

Audio Discotech: 316 11th St., San Francisco. “Phonic,” w/ MAKJ, Ron Reeser, Alexx Adam, Brenn Wilson, 9:30 p.m.

Aunt Charlie’s Lounge: 133 Turk, San Francisco. “Tubesteak Connection,” w/ DJ Bus Station John, 9 p.m., $5-$7.

The Cafe: 2369 Market, San Francisco. “¡Pan Dulce!,” 9 p.m., $5.

Cat Club: 1190 Folsom, San Francisco. “Throwback Thursdays,” ‘80s night with DJs Damon, Steve Washington, Dangerous Dan, and guests, 9 p.m., $6 (free before 9:30 p.m.).

The Cellar: 685 Sutter, San Francisco. “XO,” w/ DJs Astro & Rose, 10 p.m., $5.

Club X: 715 Harrison, San Francisco. “The Crib,” 9:30 p.m., $10, 18+.

Danzhaus: 1275 Connecticut, San Francisco. “Alt.Dance,” Second Thursday of every month, 7 p.m., $7, 18+.

DNA Lounge: 375 11th St., San Francisco. “8bitSF,” w/ Starpause, Bleeds, Wizwars, DJ Mr. Smith, 9 p.m., $8-$11.

Elbo Room: 647 Valencia, San Francisco. “Afrolicious,” w/ DJs Pleasuremaker, Señor Oz, and live guests, 9:30 p.m., $5-$8.

Harlot: 46 Minna, San Francisco. “Set,” w/ Guy J, Darren Grayson, Matt Hubert, 9 p.m., $10.

Infusion Lounge: 124 Ellis, San Francisco. “I Love Thursdays,” 10 p.m., $10.

Madrone Art Bar: 500 Divisadero, San Francisco. “Night Fever,” 9 p.m., $5 after 10 p.m.

Mighty: 119 Utah, San Francisco. “Stereo,” w/ Le1f, Lakutis, Matrixxman, WolfBitch, 9 p.m., $15 advance.

Q Bar: 456 Castro, San Francisco. “Throwback Thursday,” w/ DJ Jay-R, 9 p.m., free.

Raven: 1151 Folsom St., San Francisco. “1999,” w/ VJ Mark Andrus, 8 p.m., free.

Ruby Skye: 420 Mason, San Francisco. “Awakening,” w/ DJ Bl3nd, 9 p.m., $15-$20 advance.

The Tunnel Top: 601 Bush, San Francisco. “Tunneltop,” DJs Avalon and Derek ease you into the weekend with a cool and relaxed selection of tunes spun on vinyl, 10 p.m., free.

Underground SF: 424 Haight, San Francisco. “Bubble,” 10 p.m., free.

Vessel: 85 Campton, San Francisco. “Base,” w/ Shonky, Alessandro, 10 p.m., $5-$10.

HIP-HOP

1015 Folsom: 1015 Folsom St., San Francisco. 2Racks Rap Contest, presented by Sellassie, 8 p.m., $20.

Eastside West: 3154 Fillmore, San Francisco. “Throwback Thursdays,” w/ DJ Madison, 9 p.m., free.

The EndUp: 401 Sixth St., San Francisco. “Cypher,” w/ resident DJ Big Von, 10 p.m., $5-$10.

John Colins: 138 Minna, San Francisco. “Party with Friends,” w/ resident DJs IllEfect, GeektotheBeat, Merrick, and Delrokz, Second Thursday of every month, 9 p.m., free.

Neck of the Woods: 406 Clement St., San Francisco. “Skratchpad,” Second Thursday of every month, 10 p.m., free.

Park 77 Sports Bar: 77 Cambon, San Francisco. “Slap N Tite,” w/ resident Cali King Crab DJs Sabotage Beats & Jason Awesome, free.

Skylark Bar: 3089 16th St., San Francisco. “Peaches,” w/lady DJs DeeAndroid, Lady Fingaz, That Girl, Umami, Inkfat, and Andre, 10 p.m., free.

ACOUSTIC

Amnesia: 853 Valencia, San Francisco. Anna Ash, Wooden Suns, DonCat, 9 p.m., $7-$10.

Cafe Du Nord: 2170 Market, San Francisco. Houndmouth, Andrew Combs, 9 p.m., $12.

Plough & Stars: 116 Clement, San Francisco. John Caufield, 9 p.m.

Rebel: 1760 Market, San Francisco. Bobby Jo Valentine, Stephen Leonard & Manny Capozzi, $10.

JAZZ

Blush! Wine Bar: 476 Castro, San Francisco. Doug Martin’s Avatar Ensemble, 7:30 p.m., free.

Bottle Cap: 1707 Powell, San Francisco. The North Beach Sound with Ned Boynton, Jordan Samuels, and Tom Vickers, 7 p.m., free.

Cafe Claude: 7 Claude, San Francisco. Dick Fregulia’s Good Vibes Trio, 7:30 p.m., free.

Cafe Royale: 800 Post, San Francisco. West Side Jazz Club, 9 p.m.

Cigar Bar & Grill: 850 Montgomery, San Francisco. Sara & Swingtime, 8 p.m.

Le Colonial: 20 Cosmo, San Francisco. Steve Lucky & The Rhumba Bums, 7:30 p.m.

The Royal Cuckoo: 3202 Mission, San Francisco. Chris Siebert, 7:30 p.m., free.

Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Jam with Eddy Ramirez, 7:30 p.m., $5.

SFJAZZ Center: 205 Franklin St., San Francisco. “Hotplate,” w/ Si Perkoff (playing Thelonious Monk’s Brilliant Corners), 8 & 9:30 p.m.

Top of the Mark: One Nob Hill, 999 California, San Francisco. Stompy Jones, 7:30 p.m., $10.

Zingari: 501 Post, San Francisco. Barbara Ochoa, 7:30 p.m., free.

INTERNATIONAL

Bissap Baobab: 3372 19th St., San Francisco. “Pa’Lante!,” w/ Juan G, El Kool Kyle, Mr. Lucky, 10 p.m., $5.

Cafe Cocomo: 650 Indiana, San Francisco. Salson, DJ Good Sho, 8 p.m., $12.

Pachamama Restaurant: 1630 Powell, San Francisco. “Jueves Flamencos,” 8 p.m., free.

Slim’s: 333 11th St., San Francisco. Los Texmaniacs, Blanca, 8 p.m., $21.

Verdi Club: 2424 Mariposa, San Francisco. The Verdi Club Milonga, w/ Christy Coté, DJ Emilio Flores, guests, 9 p.m., $10-$15.

REGGAE

Make-Out Room: 3225 22nd St., San Francisco. “Festival ‘68,” w/ Revival Sound System, Second Thursday of every month, 10 p.m., free.

Pissed Off Pete’s: 4528 Mission St., San Francisco. Reggae Thursdays, w/ resident DJ Jah Yzer, 9 p.m., free.

BLUES

50 Mason Social House: 50 Mason, San Francisco. Bill Phillippe, 5:30 p.m., free.

Biscuits and Blues: 401 Mason, San Francisco. Chris Cain, 7 & 9 p.m., $20.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bohemian Knuckleboogie, 7:30 p.m., free.

The Saloon: 1232 Grant, San Francisco. Tom Bowers, 4 p.m.; Cathy Lemons, 9:30 p.m.

EXPERIMENTAL

Exploratorium: Pier 15, San Francisco. Resonance: Selections from Antarctica – Music from the Ice, w/ Cheryl E. Leonard & Phillip Greenlief, 7 p.m.

The Luggage Store: 1007 Market, San Francisco. French Radio, Dapplegray, 8 p.m., $6-$10.

SOUL

Amoeba Music: 1855 Haight, San Francisco. Alice Russell, 5 p.m., free.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Alice Russell, 8 p.m., $22.

FRIDAY 11

ROCK

Amnesia: 853 Valencia, San Francisco. The We Shared Milk, Old Age, 6:30 p.m., $7.

Bottom of the Hill: 1233 17th St., San Francisco. Sallie Ford & The Sound Outside, Wooden Indian Burial Ground, Down Dirty Shake, 9:30 p.m., $12-$14.

Cafe Du Nord: 2170 Market, San Francisco. No Captains, Build them to Break, The Bruises, Orchid Belly Dance, 9 p.m., $10.

The Chapel: 777 Valencia St., San Francisco. Thee Oh Sees, OBN III’s, The Blind Shake, Old Light, 8:30 p.m., $15-$18.

Elbo Room: 647 Valencia, San Francisco. Sabbat, Antebellum, Invocation War, Cardinal Wyrm, 9 p.m., $12-$15.

Hemlock Tavern: 1131 Polk, San Francisco. Tjutjuna, Permanent Collection, Groonies, 9:30 p.m., $7.

The Independent: 628 Divisadero, San Francisco. An Evening with Steve Kilbey & Greg Dulli, plus Alain Johannes., $30.

Rickshaw Stop: 155 Fell, San Francisco. Mike Donovan, Tal National, BreakArts, G. Green, 8 p.m., $10.

Thee Parkside: 1600 17th St., San Francisco. Cold Eskimo, Telenovela, St. Marie of the Sea, 9 p.m., $8.

DANCE

1015 Folsom: 1015 Folsom St., San Francisco. Mr. Oizo, MPHD, DJ Dials, Mophono, Niteppl, 10 p.m., $17.50 advance.

Amnesia: 853 Valencia, San Francisco. “Indie Slash,” w/ DJs Danny White & Rance, 10 p.m., $5.

Audio Discotech: 316 11th St., San Francisco. Plastic Plates, Bit Funk, Lane 8, 9:30 p.m.

Balancoire: 2565 Mission St., San Francisco. “Heavy Duty,” w/ DJ Spun, DJ Jenö, Cosmic D, 9 p.m., $10 (free before 11 p.m.).

BeatBox: 314 11th St., San Francisco. “Werq,” w/ DJ Escape, 10 p.m., $5-$10.

Cafe Flore: 2298 Market, San Francisco. “Kinky Beats,” w/ DJ Sergio, 10 p.m., free.

The Cafe: 2369 Market, San Francisco. “Boy Bar,” w/ DJ Matt Consola, 9 p.m., $5.

Cat Club: 1190 Folsom, San Francisco. “Dark Shadows: Second Annual Masquerade Ball,” w/ DJs Daniel Skellington, Panic, Melting Girl, and Joe Radio, 9:30 p.m., $7 ($3 before 10 p.m.).

The Cellar: 685 Sutter, San Francisco. “F.T.S.: For the Story,” 10 p.m.

DNA Lounge: 375 11th St., San Francisco. “Turbo Drive,” w/ Delorean Overdrive, Kat Haus, Devon, MyKill, Sparkle, Tracer, Fact.50, Mr. Smith, 9:30 p.m., $8.

The EndUp: 401 Sixth St., San Francisco. “Fever,” 10 p.m., free before midnight.

F8: 1192 Folsom St., San Francisco. “Vintage,” w/ DJ Toph One & guests, 5 p.m., free; “Hidden Measure: 1-Year Anniversary,” w/ Gary Beck, Memnok, Mac Vaughn, Daya, Nayive, Thomas Treffry, Symn Bnjmn, 9 p.m., $12-$25.

The Grand Nightclub: 520 4th St., San Francisco. “We Rock Fridays,” 9:30 p.m.

Infusion Lounge: 124 Ellis, San Francisco. “Escape Fridays,” 10 p.m., $20.

Lone Star Saloon: 1354 Harrison, San Francisco. “Cubcake,” w/ DJ Medic, Second Friday of every month, 9 p.m.

Lookout: 3600 16th St., San Francisco. “HYSL,” 9 p.m., $3.

Manor West: 750 Harrison, San Francisco. “Fortune Fridays,” 10 p.m., free before 11 p.m. with RSVP.

MatrixFillmore: 3138 Fillmore, San Francisco. “F-Style Fridays,” w/ DJ Jared-F, 9 p.m.

Mighty: 119 Utah, San Francisco. VibeSquaD, Freddy Todd, Bogl, Ryury, 10 p.m., $10 advance.

Monarch: 101 6th St., San Francisco. No Regular Play, Ghosts on Tape, Kimmy Le Funk, 9:30 p.m., $10-$20.

OMG: 43 6th St., San Francisco. “Release,” 9 p.m., free before 11 p.m.

Public Works: 161 Erie, San Francisco. “Modular,” w/ Stephan Bodzin, Pedro Arbulu, MFYRS (in the main room), 9:30 p.m., $12-$20; “Odyssey: 2-Year Anniversary,” w/ Eli Escobar, Lloydski, Robin Simmons (in the OddJob Loft), 9:30 p.m., $10.

Q Bar: 456 Castro, San Francisco. “Pump: Worq It Out Fridays,” w/ resident DJ Christopher B, 9 p.m., $3.

Qi Ultra Lounge: 917 Folsom St., San Francisco. Fourth Annual Fleet or Flight, Edgewood Center for Children & Families benefit with DJ Chucky Brown, presented by the Spinsters of San Francisco., 8 p.m., $30-$40 advance.

Ruby Skye: 420 Mason, San Francisco. Emma Hewitt, Ben Gold, 9 p.m., $20-$25 advance.

Showdown: 10 Sixth St., San Francisco. “Electric WKND,” w/ The Certain People Crew, Second Friday of every month, 10 p.m., free.

Slide: 430 Mason, San Francisco. “E2F,” Second Friday of every month, 9 p.m.

Underground SF: 424 Haight, San Francisco. “Bionic,” 10 p.m., $5.

Vessel: 85 Campton, San Francisco. “A Night with Skills,” w/ Dyloot, John Beaver, Blix Cannon, 10 p.m.

Wish: 1539 Folsom, San Francisco. “Bridge the Gap,” w/ resident DJ Don Kainoa, Fridays, 6-10 p.m., free.

HIP-HOP

EZ5: 682 Commercial, San Francisco. “Decompression,” Fridays, 5-9 p.m.

Hotel Utah: 500 Fourth St., San Francisco. “Poets & Empowerment,” w/ Aima the Dreamer, Davu Flint, Khafre Jay, Champlu, 9 p.m., $10.

John Colins: 138 Minna, San Francisco. “Heartbeat,” w/ resident DJ Strategy, Second Friday of every month, 9 p.m., $5 (free before 11 p.m).

Slate Bar: 2925 16th St., San Francisco. “The Hustle,” w/ DJs Sake One & Sean G, Second Friday of every month, 9 p.m.

Slim’s: 333 11th St., San Francisco. Roach Gigz, Husalah, Bobby Brackins, The Goomba Circus, DJ Skimask, 9 p.m., $19.

ACOUSTIC

Bazaar Cafe: 5927 California, San Francisco. Eve Fleishman & Joe Rathbone, 7 p.m.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Lucy Rose, Dresses, Magic Magic Roses, 9 p.m., $10-$12.

The Lost Church: 65 Capp St., San Francisco. Brian Belknap, 8 p.m., $10.

Plough & Stars: 116 Clement, San Francisco. Rain or Shine, Charley Crockett, 9 p.m.

The Sports Basement: 610 Old Mason, San Francisco. “Breakfast with Enzo,” w/ Enzo Garcia, 10 a.m., $5.

JAZZ

Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Johnny Smith, 8 p.m., free.

Bird & Beckett: 653 Chenery, San Francisco. Jimmy Ryan Quintet, Second Friday of every month, 5:30 p.m., free.

Cafe Claude: 7 Claude, San Francisco. Nick Rossi Trio, 7:30 p.m., free.

Cafe Royale: 800 Post, San Francisco. Ken Husbands Jazz Trio, 9 p.m.

Cliff House: 1090 Point Lobos, San Francisco. Dick Fregulia’s Good Vibes Quartet, 7 p.m.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.

The Rite Spot Cafe: 2099 Folsom, San Francisco. Conscious Contact, 9 p.m., free.

The Royal Cuckoo: 3202 Mission, San Francisco. Wil Blades & Jack Tone Riordan, 7:30 p.m., free.

Savanna Jazz Club: 2937 Mission, San Francisco. Jim Butler Group, 7:30 p.m., $8.

Top of the Mark: One Nob Hill, 999 California, San Francisco. Black Market Jazz Orchestra, 9 p.m., $10.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. The Messenger Legacy, featuring Ralph Peterson, Donald Harrison, Brian Lynch, Billy Pierce, Donald Brown, and Reggie Workman., 8 & 10 p.m., $25-$31.

Zingari: 501 Post, San Francisco. Joyce Grant, 8 p.m., free.

INTERNATIONAL

Bissap Baobab: 3372 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10 p.m., $5.

Boom Boom Room: 1601 Fillmore, San Francisco. Debauche, Juno What?!, 9:30 p.m., $15 advance.

Cafe Cocomo: 650 Indiana, San Francisco. Taste Fridays, featuring local cuisine tastings, salsa bands, dance lessons, and more, 7:30 p.m., $15 (free entry to patio).

Cigar Bar & Grill: 850 Montgomery, San Francisco. Mazacote, 8 p.m.

Pachamama Restaurant: 1630 Powell, San Francisco. Cuban Night with Fito Reinoso, 7:30 & 9:15 p.m., $15-$18.

Red Poppy Art House: 2698 Folsom, San Francisco. Colm Ó Riain, 7:30 p.m., $15-$20.

San Francisco Community Music Center: 544 Capp, San Francisco. Alejandro Ziegler Quartet, 8 p.m., $10-$15.

REGGAE

Gestalt Haus: 3159 16th St., San Francisco. “Music Like Dirt,” 7:30 p.m., free.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. Kim Nalley Blues Band, 7:30 & 10 p.m., $24.

The Saloon: 1232 Grant, San Francisco. Jinx Jones & The KingTones, 4 p.m.; Delta Wires, 9:30 p.m.

EXPERIMENTAL

Meridian Gallery: 535 Powell, San Francisco. Music for People & Thingamajigs, w/ Voicehandler, Bryan Day, 8 p.m., $10-$15.

FUNK

Make-Out Room: 3225 22nd St., San Francisco. “Loose Joints,” w/ DJs Centipede, Damon Bell, & Tom Thump, 10 p.m., $5.

SOUL

Edinburgh Castle: 950 Geary, San Francisco. “Soul Crush,” w/ DJ Serious Leisure, 10 p.m., free.

The Knockout: 3223 Mission, San Francisco. “Nightbeat,” w/ DJs Primo, Lucky, and Dr. Scott, Second Friday of every month, 10 p.m., $4.

Madrone Art Bar: 500 Divisadero, San Francisco. “Yo Momma: M.O.M. Weekend Edition,” w/ DJ Gordo Cabeza, Second Friday of every month, 9 p.m., $5 (free before 10 p.m.).

The Ramp: 855 Terry Francois, San Francisco. “Soul Soirée,” w/ The Tony Saunders Band, 6 p.m.

SATURDAY 12

ROCK

Amnesia: 853 Valencia, San Francisco. Big Still, Roger!, 6 p.m.

Bender’s: 806 S. Van Ness, San Francisco. Castle, Wild Eyes, 10 p.m., $5.

Bottom of the Hill: 1233 17th St., San Francisco. Guitar Wolf, The Coathangers, Coward, 9:30 p.m., $13-$15.

The Chapel: 777 Valencia St., San Francisco. Thee Oh Sees, OBN III’s, The Blind Shake, Dreamsalon, 8:30 p.m., $15-$18.

Connecticut Yankee: 100 Connecticut, San Francisco. Andrea & The Bad Sugar Daddies, Pelicanopolis, 10 p.m.

El Rio: 3158 Mission, San Francisco. The Spyrals, Hot Lunch, Cool Ghouls, Feral Ohms, 4 p.m., $8.

Hemlock Tavern: 1131 Polk, San Francisco. Peace Creep, Gaytheist, Monogamy Party, Sex Snobs, 9 p.m., $7.

Hotel Utah: 500 Fourth St., San Francisco. Dylan Fox & The Wave, The Cabin Project, Wes Fox & The Loons, 9 p.m., $10.

The Independent: 628 Divisadero, San Francisco. Marky Ramone’s Blitzkrieg with Andrew W.K., Figo, The Meat Sluts, 9 p.m., $25.

The Knockout: 3223 Mission, San Francisco. The Bar Feeders, Pollo Del Mar, Virgil Shaw, 10 p.m., $5.

Slim’s: 333 11th St., San Francisco. The Pretty Reckless, Heaven’s Basement, Louna, 9 p.m., $16.

DANCE

Amnesia: 853 Valencia, San Francisco. “2 Men Will Move You,” w/ DJs Primo & Jordan, Second Saturday of every month, 9 p.m.

Audio Discotech: 316 11th St., San Francisco. Treasure Fingers, Spektor, Manics, 9:30 p.m.

Balancoire: 2565 Mission St., San Francisco. “Play It Cool,” w/ Lovefingers, Guillaume Galuz, Matthew Howell, Derek Opperman, Avalon Emerson, 9 p.m., $5.

BeatBox: 314 11th St., San Francisco. “Bearracuda: Underwear Party,” w/ DJs Russ Rich & Matt Stands, 9 p.m., $6-$10.

Cafe Flore: 2298 Market, San Francisco. “Bistrotheque,” w/ DJ Ken Vulsion, 8 p.m., free.

California Academy of Sciences: 55 Music Concourse, San Francisco. SFAF Tribute Celebration, The San Francisco AIDS Foundation takes over the museum with a dinner program honoring Dr. Anthony S. Fauci, MD, followed by an after-party with cocktails plus music by DJ Josh Cheon., 6 p.m., $75-$500.

Cat Club: 1190 Folsom, San Francisco. “Club Gossip: We Love Siouxsie,” w/ DJs Melting Girl, Daniel Skellington, Damon, Shon, and Ryan B, 9 p.m., $5-$8 (free before 9:30 p.m.).

DNA Lounge: 375 11th St., San Francisco. “Bootie S.F.,” w/ Elocnep, A+D, Ding Dong, Haute Mess, Ernie Trevino, JoeJoe, Myster C, Mr. Washington, Hubba Hubba Revue, more, 9 p.m., $10-$15.

S.F. Eagle: 398 12th St., San Francisco. “Sadistic Saturdays,” Second Saturday of every month, 10 p.m., free.

The EndUp: 401 Sixth St., San Francisco. “Eclectricity,” Second Saturday of every month, 10 p.m.

The Hot Spot: 1414 Market, San Francisco. “Love Will Fix It,” w/ DJ Bus Station John, Second Saturday of every month, 10 p.m., $5.

Infusion Lounge: 124 Ellis, San Francisco. “One Way Ticket Saturdays,” w/ Eric D-Lux, Second Saturday of every month, 10 p.m., $20.

The Knockout: 3223 Mission, San Francisco. “Galaxy Radio,” w/ resident DJs Smac, Emils, Holly B, and guests, Second Saturday of every month, 9 p.m.

Lookout: 3600 16th St., San Francisco. “Pink Mammoth Marathon,” w/ David Harness, MoeMoe, Zach Walker, RawC, Derek Hena, 4 p.m., free before 9 p.m.

Madrone Art Bar: 500 Divisadero, San Francisco. “Music Video Night,” w/ DJs Satva & 4AM, Second Saturday of every month, 10 p.m., $5.

Mezzanine: 444 Jessie, San Francisco. “Tormenta Tropical,” w/ Jubilee, Oro11, Deejay Theory, 10 p.m., $5-$10.

Mighty: 119 Utah, San Francisco. “Salted,” w/ Miguel Migs, Julius Papp, guests, Second Saturday of every month, 10 p.m., $10 before 11 p.m.

Monarch: 101 6th St., San Francisco. Disco Knights, Anthony Mansfield, DJ M3, Shiny Objects, 9 p.m.

OMG: 43 6th St., San Francisco. “Fixup,” Second Saturday of every month, 10 p.m., free before 11 p.m.

Public Works: 161 Erie, San Francisco. “Distrikt: Pre-Decompression,” w/ Ben Seagren, Matt Kramer, Darren Grayson, Paul Geddes, Brett Rubin, Syd Gris, Tamo, Jamie Schwabl, Atron, Peter Blick (in the main room), 9 p.m., $10-$20.

Q Bar: 456 Castro, San Francisco. “Shoop!,” w/ DJs Tommy T & Bryan B, 9 p.m.

Qi Ultra Lounge: 917 Folsom St., San Francisco. Dark Beauty Magazine Halloween Party, With music by Pixel Memory, Meikee Magnetic, and Creepy B, plus fashion shows, burlesque, more., 9 p.m., $8.

Rickshaw Stop: 155 Fell, San Francisco. “Cockblock: Super Heroes vs. Villains,” w/ DJs C-Lektra & Kidd Sysko, 10 p.m., $10.

Ruby Skye: 420 Mason, San Francisco. “World Town,” w/ Qulinez, Norman Doray, Trevor Simpson, 9 p.m., $20 advance.

Slate Bar: 2925 16th St., San Francisco. “The KissGroove S.F.,” w/ DJ Vinroc & The Whooligan, Second Saturday of every month, 10 p.m., free.

SOMA StrEat Food Park: 428 11th St., San Francisco. “Local Flavour,” w/ DJs Tyrel Williams, Blue Soul, Dao & Pwny, Benjamin Vallery, Andy Kershaw, Bob Campbell, Darrell Tenaglia, Menage à Moi, and more, plus local art and food, noon-midnight, free.

The Stud: 399 Ninth St., San Francisco. “Frolic: A Celebration of Costume & Dance,” w/ resident DJ NeonBunny, Second Saturday of every month, 8 p.m., $8 ($4 in costume).

Sub-Mission Art Space (Balazo 18 Gallery): 2183 Mission, San Francisco. “Warm Leatherette,” w/ Profligate, Samantha Vacation, Justin Anastasi, Nihar, Jason P, Dreamweapon, 10 p.m., $10.

Temple: 540 Howard, San Francisco. Dirtyloud, Lucas Med, BMFJ, Wes Kraven, J-Trip, DVS, 10 p.m., $20.

Vessel: 85 Campton, San Francisco. Tristan Garner, Clinton VanSciver, 10 p.m., $10-$30.

Wish: 1539 Folsom, San Francisco. “All Styles & Smiles,” w/ DJ Tom Thump, Second Saturday of every month, 10 p.m., free.

HIP-HOP

111 Minna Gallery: 111 Minna St., San Francisco. “Back to the ‘90s,” Second Saturday of every month, 9:30 p.m., $10.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. “The 45 Sessions,” w/ DJ Platurn & Deejay Saurus, 10 p.m., free.

Double Dutch: 3192 16th St., San Francisco. “Cash IV Gold,” w/ DJs Kool Karlo, Roost Uno, and Sean G, Second Saturday of every month, 10 p.m., free.

John Colins: 138 Minna, San Francisco. “Second Saturdays,” w/ resident DJ Matt Cali, Second Saturday of every month, 10 p.m., free.

Milk Bar: 1840 Haight, San Francisco. CBG (Chill Black Guys), 9 p.m., $5.

Mission Cultural Center for Latino Arts: 2868 Mission, San Francisco. Raices del Barrio, MCCLA benefit with music by Cempoalli 20, Kaila Love, Chhoti Maa, and MADlines., 7:30 p.m., $13.

Showdown: 10 Sixth St., San Francisco. “The Shit Show,” w/ resident DJ Taurus Scott, Second Saturday of every month, 10 p.m., two for $5.

ACOUSTIC

Atlas Cafe: 3049 20th St., San Francisco. Craig Ventresco & Meredith Axelrod, Saturdays, 4-6 p.m., free.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Luce, Victoria George, David Luning, 9 p.m., $12-$15.

Cafe Du Nord: 2170 Market, San Francisco. Joe Pug, Vandaveer, K.C. Turner, 9:30 p.m., $12-$14.

The Riptide: 3639 Taraval, San Francisco. Rustangs, 9:30 p.m., free.

Thee Parkside: 1600 17th St., San Francisco. Austin Lucas, Lee Bains III & The Glory Fires, TV Mike & The Scarecrowes, 9 p.m., $10.

JAZZ

Cafe Claude: 7 Claude, San Francisco. The Monroe Trio, 7:30 p.m., free.

Cafe Royale: 800 Post, San Francisco. JBM Jazz Group, 9 p.m.

Cigar Bar & Grill: 850 Montgomery, San Francisco. Josh Jones Latin Jazz Ensemble, 8 p.m.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.

The Royal Cuckoo: 3202 Mission, San Francisco. Steve Lucky & Carmen Getit, 7:30 p.m., free.

Savanna Jazz Club: 2937 Mission, San Francisco. Gina Harris & Torbie Phillips, 7:30 p.m., $8.

Sheba Piano Lounge: 1419 Fillmore, San Francisco. The Robert Stewart Experience, 9 p.m.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Fourplay, 8 & 10 p.m., $35.

Zingari: 501 Post, San Francisco. Brenda Reed, 8 p.m., free.

INTERNATIONAL

1015 Folsom: 1015 Folsom St., San Francisco. “Pura,” 9 p.m., $20.

Bissap Baobab: 3372 19th St., San Francisco. Misión Flamenca, Monthly live music and dance performances., Second Saturday of every month, 7:30 p.m. “Paris-Dakar African Mix Coupe Decale,” 10 p.m., $5.

Boom Boom Room: 1601 Fillmore, San Francisco. Debauche, Scary Little Friends, 9:30 p.m., $15 advance.

Cafe Cocomo: 650 Indiana, San Francisco. Elio Revé y Su Charangon, 10 p.m., $30 advance.

KZV Armenian School: 825 Brotherhood Way, San Francisco. Chookasian Armenian Concert Ensemble, 7:30 p.m., $15-$30.

Make-Out Room: 3225 22nd St., San Francisco. “El SuperRitmo,” w/ DJs Roger Mas & El Kool Kyle, 10 p.m., $5.

Pachamama Restaurant: 1630 Powell, San Francisco. Peña Eddy Navia & Pachamama Band, 8 p.m., free.

The Ramp: 855 Terry Francois, San Francisco. Alexis y la Original, 5:30 p.m.

Red Poppy Art House: 2698 Folsom, San Francisco. Persian Starr, 7:30 p.m., $15-$20.

Roccapulco Supper Club: 3140 Mission, San Francisco. Don Chezina, Punta Cartel, 8 p.m.

St. Cyprian’s Episcopal Church: 2097 Turk, San Francisco. “Legends of the Celtic Harp,” w/ Patrick Ball, Lisa Lynne, and Aryeh Frankfurter., 8 p.m., $12-$17.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. Sugaray Rayford, 7:30 & 10 p.m., $22.

Plough & Stars: 116 Clement, San Francisco. Crosscut, 9 p.m.

The Saloon: 1232 Grant, San Francisco. Dave Workman, Second Saturday of every month, 4 p.m.; Barry “The Fish” Melton Band, 9:30 p.m.

EXPERIMENTAL

Meridian Gallery: 535 Powell, San Francisco. Music for People & Thingamajigs, w/ Fred Frith & Sudhu Tewari, Tim Phillips, Todd Lerew, 8 p.m., $10-$15.

SUNDAY 13

ROCK

Amnesia: 853 Valencia, San Francisco. Sweat Lodge, The Steganothings, Devon McClive, 8 p.m., $7.

DNA Lounge: 375 11th St., San Francisco. The Legendary Pink Dots, Orbit Service, Big City Orchestra, DJs Decay & Sage, 9 p.m., $20-$25.

El Rio: 3158 Mission, San Francisco. Vows, Dead Panzies, Tears Club, 8 p.m., $6-$10.

Hemlock Tavern: 1131 Polk, San Francisco. IAMOGB, Aberrant Phase, Gladiators Eat Fire, 8:30 p.m., $6.

Slim’s: 333 11th St., San Francisco. King Khan & The Shrines, HellShovel, Slipping Into Darkness, 8 p.m., $16.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Peter Murphy (performing Bauhaus), 7 & 10 p.m., $30-$65.

DANCE

Cafe Cocomo: 650 Indiana, San Francisco. Decompression 2013: Heat the Street Faire, Who needs the playa? Burners convene to decompress from this year’s desert escapades with a multi-block party featuring art installations, stage performances, fire dancers, EDM DJs, and all the usual costumed hoopla (and/or hula hoops) expected from Burning Man’s rabid devotees., noon, $15-$20.

The Cellar: 685 Sutter, San Francisco. “Replay Sundays,” 9 p.m., free.

The Edge: 4149 18th St., San Francisco. “’80s at 8,” w/ DJ MC2, 8 p.m.

Elbo Room: 647 Valencia, San Francisco. “Dub Mission,” w/ Digitaldubs, Vibration Lab, DJ Sep, 9 p.m., $7-$10.

The EndUp: 401 Sixth St., San Francisco. “T.Dance,” 6 a.m.-6 p.m.; “The Rhythm Room: Knocktoberfest,” w/ Rick Preston, Cris Herrera, Brian Salazar, C.J. Larsen, J Funk, Nick Garcia, Mike Tyler, 8 p.m., $15-$20; “Sunday Sessions,” 8 p.m.

F8: 1192 Folsom St., San Francisco. “Stamina Sundays,” w/ Cyantific, Lukeino, Jamal, 10 p.m., free.

Holy Cow: 1535 Folsom, San Francisco. “Honey Sundays,” w/ Honey Soundsystem & guests, 9 p.m. continues through Oct. 20, $5-$10.

The Independent: 628 Divisadero, San Francisco. Griz, Two Fresh, Anvil Smith, 8 p.m., $20.

The Knockout: 3223 Mission, San Francisco. “Sweater Funk,” 10 p.m., free.

Lookout: 3600 16th St., San Francisco. “Jock,” Sundays, 3-8 p.m., $2.

MatrixFillmore: 3138 Fillmore, San Francisco. “Bounce,” w/ DJ Just, 10 p.m.

Otis: 25 Maiden, San Francisco. “What’s the Werd?,” w/ resident DJs Nick Williams, Kevin Knapp, Maxwell Dub, and guests, 9 p.m., $5 (free before 11 p.m.).

The Parlor: 2801 Leavenworth, San Francisco. DJ Marc deVasconcelos, 10 p.m., free.

Q Bar: 456 Castro, San Francisco. “Gigante,” 8 p.m., free.

HIP-HOP

Boom Boom Room: 1601 Fillmore, San Francisco. “Return of the Cypher,” 9:30 p.m., free.

Ruby Skye: 420 Mason, San Francisco. “The Ol’ Skool House Party,” w/ Naughty by Nature, plus DJs Pos Red, Supreme, and C.J. Flash, 10 p.m., $30 advance.

ACOUSTIC

Cafe Du Nord: 2170 Market, San Francisco. Tony Lucca, Jenn Grinels, Shawn Brown, 8 p.m., $15.

The Chapel: 777 Valencia St., San Francisco. KT Tunstall, Brian Lopez, 9 p.m., $25-$30.

Hotel Utah: 500 Fourth St., San Francisco. Steve Kaul, Teja Gerken, Jared Clifton, 8 p.m., $8.

The Lucky Horseshoe: 453 Cortland, San Francisco. Sunday Bluegrass Jam, 4 p.m., free.

Madrone Art Bar: 500 Divisadero, San Francisco. “Spike’s Mic Night,” Sundays, 4-8 p.m., free.

Neck of the Woods: 406 Clement St., San Francisco. “iPlay,” open mic with featured weekly artists, 6:30 p.m., free.

Plough & Stars: 116 Clement, San Francisco. Seisiún with Darcy Noonan, Richard Mandel, and Jack Gilder, 9 p.m.

St. Luke’s Episcopal Church: 1755 Clay, San Francisco. “Sunday Night Mic,” w/ Roem Baur, 5 p.m., free.

JAZZ

Amnesia: 853 Valencia, San Francisco. Slim Jenkins, Second Sunday of every month, 9 p.m., $7-$10.

Bird & Beckett: 653 Chenery, San Francisco. Retro Blue, 4:30 & 5:30 p.m., free/donation.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.

Madrone Art Bar: 500 Divisadero, San Francisco. “Sunday Sessions,” 10 p.m., free.

Martuni’s: 4 Valencia, San Francisco. Madame Jo Trio, second Sunday of every month, 4-6 p.m., free.

Revolution Cafe: 3248 22nd St., San Francisco. Jazz Revolution, 4 p.m., free/donation.

The Royal Cuckoo: 3202 Mission, San Francisco. Lavay Smith & Chris Siebert, 7:30 p.m., free.

Zingari: 501 Post, San Francisco. Kitt Weagant, 7:30 p.m., free.

INTERNATIONAL

Atmosphere: 447 Broadway, San Francisco. “Hot Bachata Nights,” w/ DJ El Guapo, 5:30 p.m., $10 ($15-$20 with dance lessons).

Bissap Baobab: 3372 19th St., San Francisco. “Brazil & Beyond,” 6:30 p.m., free.

El Rio: 3158 Mission, San Francisco. “Salsa Sundays,” Second and Fourth Sunday of every month, 3 p.m., $8-$10.

Pa’ina: 1865 Post St., San Francisco. Raq Filipina with Florante Aguilar & Ron Quesada, 6:30 p.m., $20.

The Ramp: 855 Terry Francois, San Francisco. BrazilVox, 5:30 p.m.

Thirsty Bear Brewing Company: 661 Howard, San Francisco. “The Flamenco Room,” 7:30 & 8:30 p.m.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. Jason King Band, 7 & 9 p.m., $15.

Revolution Cafe: 3248 22nd St., San Francisco. HowellDevine, 8:30 p.m., free/donation.

The Saloon: 1232 Grant, San Francisco. Blues Power, 4 p.m.; The Door Slammers, 9:30 p.m.

Sheba Piano Lounge: 1419 Fillmore, San Francisco. Bohemian Knuckleboogie, 9 p.m., free.

Swig: 571 Geary, San Francisco. Sunday Blues Jam with Ed Ivey, 9 p.m.

COUNTRY

The Riptide: 3639 Taraval, San Francisco. Joe Goldmark & The Seducers, Second Sunday of every month, 7:30 p.m., free.

SOUL

Delirium Cocktails: 3139 16th St., San Francisco. “Heart & Soul,” w/ DJ Lovely Lesage, 10 p.m., free.

MONDAY 14

ROCK

Bottom of the Hill: 1233 17th St., San Francisco. Overseas, Radar Brothers, 9:30 p.m., $15.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Brasil, Vum, CIVC, Drab Majesty, DJs Neil Martinson & Mashi Mashi, 9 p.m., $5-$7.

DNA Lounge: 375 11th St., San Francisco. Fucked Up, Tony Molina, 8:30 p.m., $15.

Elbo Room: 647 Valencia, San Francisco. SLV, Snow Angel, 9 p.m., $7.

DANCE

DNA Lounge: 375 11th St., San Francisco. “Death Guild,” 18+ dance party with DJs Decay, Joe Radio, Melting Girl, & guests, 9:30 p.m., $3-$5.

Q Bar: 456 Castro, San Francisco. “Wanted,” w/ DJs Key&Kite and Richie Panic, 9 p.m., free.

Underground SF: 424 Haight, San Francisco. “Vienetta Discotheque,” w/ DJs Stanley Frank and Robert Jeffrey, 10 p.m., free.

ACOUSTIC

Amnesia: 853 Valencia, San Francisco. The Pick Bluegrass Jam, Second Monday of every month, 6 p.m., free; Toshio Hirano, Second Monday of every month, 9 p.m., free.

The Chieftain: 198 Fifth St., San Francisco. The Wrenboys, 7 p.m., free.

Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, 9:30 p.m., free/donation.

Hotel Utah: 500 Fourth St., San Francisco. Open mic with Brendan Getzell, 8 p.m., free.

Osteria: 3277 Sacramento, San Francisco. “Acoustic Bistro,” 7 p.m., free.

The Saloon: 1232 Grant, San Francisco. Peter Lindman, 4 p.m.

JAZZ

Le Colonial: 20 Cosmo, San Francisco. Le Jazz Hot, 7 p.m., free.

Sheba Piano Lounge: 1419 Fillmore, San Francisco. City Jazz Instrumental Jam Session, 8 p.m.

The Union Room at Biscuits and Blues: 401 Mason, San Francisco. The Session: A Monday Night Jazz Series, pro jazz jam with Mike Olmos, 7:30 p.m., $12.

Zingari: 501 Post, San Francisco. Nora Maki, 7:30 p.m., free; Gayle Wilhelm, 7:30 p.m., free.

REGGAE

Skylark Bar: 3089 16th St., San Francisco. “Skylarking,” w/ I&I Vibration, 10 p.m., free.

BLUES

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. Bohemian Knuckleboogie, 7:30 p.m., free.

The Saloon: 1232 Grant, San Francisco. The Bachelors, 9:30 p.m.

SOUL

Madrone Art Bar: 500 Divisadero, San Francisco. “M.O.M. (Motown on Mondays),” w/ DJ Gordo Cabeza & Timoteo Gigante, 8 p.m., free.

TUESDAY 15

ROCK

Amnesia: 853 Valencia, San Francisco. Major Powers & The Lo-Fi Symphony, Tiger Honey Pot, The Lurk, 9 p.m., $8-$10.

Boom Boom Room: 1601 Fillmore, San Francisco. ZuhG, Third Tuesday of every month, 9:30 p.m., $5.

Bottom of the Hill: 1233 17th St., San Francisco. Har Mar Superstar, Harold Ray Live in Concert, Michael Gaughan, The Reefer Twins, 9 p.m., $10-$12.

Brick & Mortar Music Hall: 1710 Mission, San Francisco. Halsted, Churches, Buckeye Knoll, 9 p.m., $5-$8.

DNA Lounge: 375 11th St., San Francisco. Diamond Head, Raven, Volture, Owl, 8 p.m., $20-$25.

Hemlock Tavern: 1131 Polk, San Francisco. Disappearing People, Creepers, Buffalo Tooth, Sutra, 8 p.m., $7.

Hotel Utah: 500 Fourth St., San Francisco. The Jaunting Martyrs, Kitten Grenade, Blood Party, Coffee Shop Dropout, 9 p.m., $6.

The Knockout: 3223 Mission, San Francisco. War Child, Catacomb Creeps, Rock Bottom, DJ Handlebars, 9:30 p.m., $7.

Thee Parkside: 1600 17th St., San Francisco. The Body, The New Trust, Know Secrets, 8 p.m., $8.

DANCE

Aunt Charlie’s Lounge: 133 Turk, San Francisco. “High Fantasy,” w/ DJ Viv, Myles Cooper, & guests, 10 p.m., $2.

Monarch: 101 6th St., San Francisco. “Soundpieces,” 10 p.m., free-$10.

Otis: 25 Maiden, San Francisco. “Vibe,” w/ Binkadink, Third Tuesday of every month, 6 p.m., free.

Q Bar: 456 Castro, San Francisco. “Switch,” w/ DJs Jenna Riot & Andre, 9 p.m., $3.

Underground SF: 424 Haight, San Francisco. “Shelter,” 10 p.m., free.

Wish: 1539 Folsom, San Francisco. “Tight,” w/ resident DJs Michael May & Lito, 8 p.m., free.

HIP-HOP

Skylark Bar: 3089 16th St., San Francisco. “True Skool Tuesdays,” w/ DJ Ren the Vinyl Archaeologist, 10 p.m., free.

ACOUSTIC

Bazaar Cafe: 5927 California, San Francisco. Songwriter-in-Residence: Olivia Clayton, 7 p.m. continues through Oct. 29.

Plough & Stars: 116 Clement, San Francisco. Seisiún with Autumn Rhodes & Pat O’Donnell, 9 p.m.

Rickshaw Stop: 155 Fell, San Francisco. Tim Kasher, Laura Stevenson, Jake Bellows, 8 p.m., $15.

The Rite Spot Cafe: 2099 Folsom, San Francisco. Drizzoletto, 8:30 p.m., free.

JAZZ

Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Gerry Grosz Jazz Jam, 7 p.m.

Blush! Wine Bar: 476 Castro, San Francisco. Kally Price & Rob Reich, 7 p.m., free.

Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.

Cafe Divine: 1600 Stockton, San Francisco. Chris Amberger, 7 p.m.

Jazz Bistro At Les Joulins: 44 Ellis, San Francisco. M.B. Hanif & The Sound Voyagers, 7:30 p.m., free.

Le Colonial: 20 Cosmo, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, 7 p.m.

Oz Lounge: 260 Kearny, San Francisco. Emily Hayes & Mark Holzinger, 6 p.m., free.

Revolution Cafe: 3248 22nd St., San Francisco. West Side Jazz Club, 5 p.m., free; Panique, Third Tuesday of every month, 8:30 p.m., free/donation.

Verdi Club: 2424 Mariposa, San Francisco. “Tuesday Night Jump,” w/ Stompy Jones, 9 p.m., $10-$12.

Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Tommy Igoe Big Band, 8 p.m., $22.

INTERNATIONAL

Cafe Cocomo: 650 Indiana, San Francisco. “Descarga S.F.,” w/ DJs Hong & Good Sho, 8 p.m., $12.

The Cosmo Bar & Lounge: 440 Broadway, San Francisco. “Conga Tuesdays,” 8 p.m., $7-$10.

Elbo Room: 647 Valencia, San Francisco. “Porreta!,” all night forro party with DJs Carioca & Lucio K, Third Tuesday of every month, 9 p.m., $7.

F8: 1192 Folsom St., San Francisco. “Underground Nomads,” w/ rotating resident DJs Cheb i Sabbah, Amar, Sep, and Dulce Vita, plus guests, 9 p.m., $5 (free before 9:30 p.m.).

REGGAE

Milk Bar: 1840 Haight, San Francisco. “Bless Up,” w/ Jah Warrior Shelter Hi-Fi, 10 p.m.

BLUES

Biscuits and Blues: 401 Mason, San Francisco. John Garcia Band, 7 & 9 p.m., $15.

The Saloon: 1232 Grant, San Francisco. Lisa Kindred, Third Tuesday of every month, 9:30 p.m.

FUNK

Madrone Art Bar: 500 Divisadero, San Francisco. “Boogaloo Tuesday,” w/ Oscar Myers & Steppin’, 9:30 p.m., free.

SOUL

Make-Out Room: 3225 22nd St., San Francisco. “Lost & Found,” w/ DJs Primo, Lucky, and guests, 9:30 p.m., free. 2

Honey Soundsystem ending Sunday parties: SF so over now :/

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That sound you hear right now? Every cool gay and/or techno nerd in the city rending their exquisitely positioned garments. Honey Soundsystem has just announced via newsletter that Oct. 20 will see the end of its weekly Sunday party at Holy Cow, one of the best overall club nights in the world. 

“We started out wanting to make house and techno a regular thing for queens — and we did that and now it’s time to move on,” DJ P-Play of the collective told me. “We’re glad the party is so good right now, and we’re stopping it while it’s hot.

“We’re confident enough to move in a direction where people have to think again. Where we’re going with the music, together and individually, is too complicated for a weekly night.

“Now it’s up to the queens of SF to decide if they want to continue to keep this city interesting, or if they’re going to settle for the same top 40 bullshit.”

The importance of the five-year-old Honey Sundays can’t be overstated — starting with the fact that they filled the gaping hole in SF Sunday nightlife left by the End Up’s death spiral, and climaxing with an absolutely insane weekly lineup of challenging international underground artists, gay and straight, brought to a hungry, globally hooked-in audience here. Basically, you’re nothing if you don’t play Honey now.

The weekly family affair also introduced a new generation to the intellectual art of throwing a party: the soundsystem was unafraid to get hyperconceptual and subversively arty with its promotional material, themes, decor, and one-off locations. And the sheer diversity of the people behind the decks each week was almost single-handedly holding up SF’s rep as a cultural Mecca. (I’m kidding about SF being totally over — there are still some great parties. Look, though, we are getting a bit same-y in the nightlife department.) 

Honey Sundays took the effort. But yeah, maybe it’s time to move on. “Jason Kendig is being recognized on an international level,” P-Play says, rattling off the Honey members’ accomplishments. “Robot Hustle is touring live as Bezier. Josh Cheon runs one of the most respected labels in the world right now. And my work with Luther and as Jackie House is taking off.” (P-Play’s being modest — he was actually behind about five of the biggest and best Folsom parties this year.) He also compared the ending to the finale of Kontrol, SF’s mainstay techno party, some of whose promoters went on to become world-famous DJs. 

Plus Honey’s ending on a high note. “It’s an inevitable, poetic idea that we want to give back, give something really back,” P-Play said. “Our last night is the release party of our double album of Patrick Cowley’s lost gay porn soundtracks, School Daze, something we feel really completes a kind of journey for us. We’re going until 4am. It’s the day after what would have been our idol Cowley’s 63rd birthday — it won’t be sad, it will be a celebration.”

Breathe, queens, Honey’s not totally dispersing — they promise to be back soon with great things. And they’ll be teaming up with the No Way Back crew to bring in Norwegian heavy hitter Rodhad for Halloween, and then in November are doing something big for Bear Pride Weekend, which is an actual thing happening.

“We’re not giving people their weekly fix anymore, they’re going to have to stir the pot,” P-Play said.

And what of the poor souls who show up the Sunday after Honey’s ended? “They’re idiots,” P-Play declares. “They’re not our crowd, and not the people we want to play for anyway.”

Get the memo, honey. I’m gonna go cry now. Here’s the full release from Honey HQ:

Dear Honey Bee,

It is without regret we inform you that the next 3 Sundays will see the end of our 5 years as a weekly party.

In our 7 year history as a crew we tasked ourselves with reinventing queer nightlife for all our friends, allies and supporters. We have and will continue to bring the highest quality sounds from the underground and create a safe space for people of all walks to mingle, dance and be free.

But in order for us to grow even further, we need to shed our old skin to create a new one. The party itself – whether at the Holy Cow, the Paradise Lounge or those that can recall back to our days at The Transfer or the Mineshaft Basement Parties – has always been a party on the move. We will be going back to our roots, but with a more direct line to the future. This is not a disappearing act, this is taking ownership of the destinies of everyone who has participated, supported and danced at our parties. This farewell is quite temporary, for you will soon be transported back to our dance floor as though it were all a dream…

For the final Honey Soundsystem experience at Holy Cow on October 20th, 2013 we pay tribute to Patrick Cowley’s life in our third installment of Megatron Man to celebrate the release of the 2×12” “School Daze”! The release features soundtracks to John Coletti’s pornographic films from FOX Studio that were long forgotten but now resurrected for your listening pleasure. Restoring these tapes to our fans marks the full cycle of what Honey has strived to achieve – bringing you timeless sounds from all eras of dance music, grounded in foundations of queer history.

See you on the dancefloor,

Honey Soundsystem