Pacific Film Archive

The Selector: Sept. 18-25, 2013

Jesse Hawthorne Ficks
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THURSDAY 19

“Dark Matters: The Films of William Friedkin”

The Pacific Film Archive’s “Dark Matters: The Films of William Friedkin” wraps up this week with a trio of movies and a pair of special events. Thus far, the series has included 1985’s To Live and Die in LA, 1971’s The French Connection, and 1970’s The Boys in the Band, but not — in an omission so obvious it’s clearly deliberate — 1973’s The Exorcist. Friedkin himself visits Berkeley tonight for a discussion with film critic Michael Guillen (following a showing of 1977 nail-biter Sorcerer); the director returns Sat/21 to sign copies of his new memoir, The Friedkin Connection, and will appear in person at screenings of 1980’s Cruising and 2011’s Killer Joe. (Cheryl Eddy)

Tonight, Sorcerer and discussion, 7pm

Sat/21, book signing, 6pm; Cruising, 6:30pm; Killer Joe, 8:50pm

$5.50–$9.50

Pacific Film Archive

2575 Bancroft, Berk.

bampfa.berkeley.edu

 

 

The Jill & Julia Show

Over a decade before Katy Perry released her vomitously bubblegum, gay-appropriating smash-hit single “I Kissed a Girl,” Jill Sobule released a single of the same name. Where Perry’s was vulgar and derivative, Sobule’s was honest, witty, and painfully poignant. Amusing and whimsical lyrics are a trademark of Sobule’s work, and her gift for words and humor are what make her a perfect match for Saturday Night Live veteran Julia Sweeney. Sweeney is most famous for her androgynous SNL character Pat and her biting one-woman monologues. Sweeney and Sobule met at a TED conference at the Monterey Bay Aquarium in 2006, and after professing their admiration for each other’s work, the women joined forces, resulting in the Jill & Julia Show, a touring production of Jill’s songs and Julia’s stories that is certain to leave you gasping for breath. (Haley Zaremba)

With Heather Combs

8pm, $20

Swedish American Hall

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

“Not Dead Yet: Movie and Music to End ALS”

The inspiring resilience of Richmond, Calif. native Jason Becker — a talented young guitarist destined for metal-god status until he was immobilized by Lou Gehrig’s Disease — was chronicled in 2012’s Jason Becker: Not Dead Yet, its cheeky title a reference to the fact that Becker, now 44, has long outlived the grim prognosis of doctors who predicted he’d be dead by 25. As the doc shows, Becker continues to communicate and even compose complex music via a remarkable system that interprets his eye movements. Head to Bimbo’s tonight for a screening of Jesse Vile’s film, plus a concert with Pearl (featuring Scott Ian of Anthrax) and Forrest Day. Becker will also attend the event, which doubles as a fundraiser for the Jason Becker Special Needs Trust and the ALS Therapy Development Institute. (Eddy)

7pm, $30-75

Bimbo’s 365 Club

1025 Columbus, SF

www.bimbos365club.com

 

Hard Skin

The person who booked this show is either a deviant mastermind or holding a great social experiment. In one corner, sits the headliner Hard Skin, a sophomoric English oi! band from the ’90s that boasts such classics as “A.C.A.C. (All Coppers are Cunts)” and “Oi Not Jobs.” In the other corner sits the second band on the bill, Replica, a nearly-all girl hardcore band from a decidedly younger generation that may agree with the anti-police sentiment but not the liberal use of the “c-word.” Though the bands may differ from each other, there’s no mistaking that Hard Skin and Replica both come from supportive underground scenes. Hard Skin’s debut release, 1998’s Hard Nuts and Hard Cunts, sold 100,000 copies and the folks from Replica have gained local support and hype for their self-titled EP released earlier this year on Prank Records. Come see the generational, gender, and genre divides intersect at Thee Parkside, and take notes.This should be a doozy. (Erin Dage)

With Replica, Glitz, Kicker

9pm, $10

Thee Parkside

1600 17th St, SF

(415) 252-1330

www.theeparkside.com

 

FRIDAY 20

Diaspora Tales #2: 1969

The late 1960s may be remembered more as a fight for freedom by African-American communities. But Asian-Americans were equally determined to demand equality. Both saxophonist-composer Francis Wong and choreographer-dancer Lenora Lee have use their artistic expression to convey the struggles that they have unearthed within their own families. Diaspora Tales #2: 1969, originally created for the 40th anniversary of UC Berkeley’s Third World Strike, is a multimedia performance work that commemorates the courage and sacrifices by those involved, Wong’s brother having been one of them. Kung Fu, both as martial arts and in its more lyrically expressive form, join jazz, funk, and rap to evoke both a period and a challenge that yet has to be completely overcome. Olivia Ting created Diaspora’s visual components. (Rita Felciano)

7:30pm, $7

Asian Improv aRts

Berkeley Art Museum and Pacific Film Archive

2626 Bancroft, Berk.

bampfa.berkeley.edu

 

 

“The Era is Now: Films of James T. Hong”

In 2000, experimental filmmaker James T. Hong’s scorching, Golden Gate Award-winning film Behold the Asian dubbed San Francisco “the white asshole paradise.” Though he now lives in Taiwan (for reasons that should be obvious), the former Mission District dweller — a man who fears no audience reaction — makes a rare return for a San Francisco Cinematheque-hosted screening of his latest work. New films enhancing what the SF Cinematheque dubs “a confrontationally intense body of work exploring racialism, philosophy, and revisionist approaches to history” include two from 2012, installation Apologies and The Turner Film Diaries; and this year’s Cutaways of Jiang Chun Gen — Forward and Back Again. (Eddy)

7:30pm, $5–$10

Artists’ Television Access

992 Valencia, SF

www.sfcinematheque.org


SATURDAY 21

Matias Aguayo

If you know this one-time minimalist-Closer Musik member from the all a capella cut-up jam “Rollerskate” or his wild Spanglish guest appearance on math-rockers Battles’s “Ice Cream,” you know that Aguayo’s voice is impossible to pin down. On The Visitor, his latest release on South American Kompakt offshoot Cómeme, Aguayo is as hard as ever to locate geographically, blurring Latin dialects and reverse engineering English lyrics over a mix of increasingly psychedelic rhythms that cut across (and veer from) generic dance and world music boundaries. With a new live show — expect lots of percussion and off-the-wall vocals on top of tracks —Aguayo could seem to be less on tour from another country, and more like a visitor from outer space. (Ryan Prendiville)

With Ghosts on Tape, Shawn Reynaldo, Rollie Fingers

10pm-3am, $10-15

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com

 

Blouse

Portland, Oreg. trio, Blouse, may have ditched the synths and drum machines of its 2011 debut self-titled album with new Captured Tracks full-length, Imperium, but the sound remains as hazy and dreamy as ever. Now it’s just backed by rippling reverb and distortion. The misty dreampop band makes siren calls that would entice a shipwrecked sailor, floating endlessly in a gurgling oceanic abyss. See? Wistful. Check first single, “A Feeling Like This” or next track “No Shelter” for that particular mental imagery. It’s all there, the swashing of fuzz, the wide open minimalism à la xx, the delicate, teetering vocal tracks, and an uneasy feeling of isolation. (Emily Savage)

With Social Studies, Feathers

9:30pm, $12

Bottom of the Hill

1233 17 St, SF

(415) 626-4455

www.bottomofthehill.com

 

 

Wild Moth

There’s no question about it, there’s a lot of post-punk bands popping up in the Bay right now. For many of these bands, the term post-punk has been slapped on, but they don’t actually fit into these specific distinctions. You have a band that maintains a punk edge but is noisy and decidedly experimental at times? Definitely post-punk. That being said, San Francisco sweethearts Wild Moth have this whole “post-punk” thing down to an art. The band’s record release show for its newest album Over, Again on Asian Man Records is tonight. Joining the fun will be fellow post-punk bands Permanent Collection and No Tongue, as well as riot grrrl act Tenderbuttons. And accordingly, Wild Moth isn’t the only band on the bill with new stuff out. This summer Permanent Collection came out with its No Void EP and No Tongue dropped its newest EP, Body + Mind. As cliche as it sounds, support your local scene and pick up some new tunes! (Dage)

9pm, $6

Thee Parkside

1600 17th St, SF

(415) 252-1330

www.theeparkside.com

 

SUNDAY 22

Amanda Cohen

Author of Dirtcandy: The Cookbook, Amanda Cohen will discuss her unpredictable approach to cooking with vegetables (as a main dish) and tonight. The ambitious cook pairs unexpected flavors and presents them in a surprisingly harmonious way, and her cookbook is entirely in graphic novel form. Take her mushroom appetizer, a portabello mousse on truffled toast, drizzled with pear and fennel compote; or her Rosemary Eggplant Tiramisu, with rosemary cotton candy for example. Cohen was the first vegetarian chef on Iron Chef, and has been praised in the New Yorker and the New York Times among others. At Omnivore Books, she’ll discuss her journey, building a restaurant from the ground up to an always-crowded, original alternative restaurant in New York City. Stop by the store to meet Cohen and to pick up a copy of her comic cookbook. Also to possibly meet some fellow local veg-heads. (Hillary Smith)

With Grady Hendrix

3pm, free

Omnivore Books

3885a Cesar Chavez, SF

www.omnivorebooks.com

 

 

Dirty Beaches

Alex Zhang Hungtai, the musician behind the Dirty Beaches moniker, is an old soul. An eternal stranger in a strange land with a flair for eccentricity, Hungtai seems straight out of the beat generation. Taiwan-born and Montreal-based, he has lived in a veritable laundry list of cities around the world (including a stint in San Francisco) and through his music and touring schedule, Hungtai’s wanderlust shows no signs of slowing down. This restlessness is evident in Dirty Beaches’ music, a muddy, murky mix of doo-wopesque vocals and surf-tinged guitars that never quite rises to the surface. His simple guitar- and sample-based rock is beefed up on the road with a full band and a saxophone player. This tour promises to be especially interesting, with Hungtai possibly performing sitting down or with a cane after he jumped out of a second story window to make his flight back to North America, like Neal Cassady reincarnate. (Zaremba)

With SISU, Chasms

9pm, $12

Bottom of the Hill

1233 17th St, SF

(415) 626-4455

www.bottomofthehill.com

 

MONDAY 23

The Living Jarboe

Jarboe’s music is defined by the way she uses her powerful voice, a mutable, inventive instrument that haunts, terrifies, soothes and mourns. The former member of beloved post-punk outfit Swans has been prolific since the band’s break-up in 1997, perfecting her experimental art and collaborating widely across the musical spectrum, notably with Bay Area legends Neurosis. This appearance as the Living Jarboe enlists the help of a violinist and a guitarist to bring her seething, squalling, challenging songs to life. (Ben Richardson)

With Faun Fable, Amber Asylum

8pm, $15

Cafe Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

The Selector: September 18 – 24, 2013

Michael Redmond
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THURDAY 9/19

 

“Dark Matters: The Films of William Friedkin”

The Pacific Film Archive’s “Dark Matters: The Films of William Friedkin” wraps up this week with a trio of movies and a pair of special events. Thus far, the series has included 1985’s To Live and Die in LA, 1971’s The French Connection, and 1970’s The Boys in the Band, but not — in an omission so obvious it’s clearly deliberate — 1973’s The Exorcist. Friedkin himself visits Berkeley tonight for a discussion with film critic Michael Guillen (following a showing of 1977 nail-biter Sorcerer); the director returns Sat/21 to sign copies of his new memoir, The Friedkin Connection, and will appear in person at screenings of 1980’s Cruising and 2011’s Killer Joe. (Cheryl Eddy)

Tonight, Sorcerer and discussion, 7pm

Sat/21, book signing, 6pm; Cruising, 6:30pm; Killer Joe, 8:50pm

$5.50–$9.50

Pacific Film Archive

2575 Bancroft, Berk.

bampfa.berkeley.edu

THURDAY 9/19

 

The Jill & Julia Show

Over a decade before Katy Perry released her vomitously bubblegum, gay-appropriating smash-hit single “I Kissed a Girl,” Jill Sobule released a single of the same name. Where Perry’s was vulgar and derivative, Sobule’s was honest, witty, and painfully poignant. Amusing and whimsical lyrics are a trademark of Sobule’s work, and her gift for words and humor are what make her a perfect match for Saturday Night Live veteran Julia Sweeney. Sweeney is most famous for her androgynous SNL character Pat and her biting one-woman monologues. Sweeney and Sobule met at a TED conference at the Monterey Bay Aquarium in 2006, and after professing their admiration for each other’s work, the women joined forces, resulting in the Jill & Julia Show, a touring production of Jill’s songs and Julia’s stories that is certain to leave you gasping for breath. (Haley Zaremba)

With Heather Combs

8pm, $20

Swedish American Hall

2170 Market, SF

(415) 861-5016

www.cafedunord.com

THURDAY 9/19

 

“Not Dead Yet: Movie and Music to End ALS”

The inspiring resilience of Richmond, Calif. native Jason Becker — a talented young guitarist destined for metal-god status until he was immobilized by Lou Gehrig’s Disease — was chronicled in 2012’s Jason Becker: Not Dead Yet, its cheeky title a reference to the fact that Becker, now 44, has long outlived the grim prognosis of doctors who predicted he’d be dead by 25. As the doc shows, Becker continues to communicate and even compose complex music via a remarkable system that interprets his eye movements. Head to Bimbo’s tonight for a screening of Jesse Vile’s film, plus a concert with Pearl (featuring Scott Ian of Anthrax) and Forrest Day. Becker will also attend the event, which doubles as a fundraiser for the Jason Becker Special Needs Trust and the ALS Therapy Development Institute. (Eddy)

7pm, $30-75

Bimbo’s 365 Club

1025 Columbus, SF

www.bimbos365club.com

THURDAY 9/19

 

Hard Skin

The person who booked this show is either a deviant mastermind or holding a great social experiment. In one corner, sits the headliner Hard Skin, a sophomoric English oi! band from the ’90s that boasts such classics as “A.C.A.C. (All Coppers are Cunts)” and “Oi Not Jobs.” In the other corner sits the second band on the bill, Replica, a nearly-all girl hardcore band from a decidedly younger generation that may agree with the anti-police sentiment but not the liberal use of the “c-word.” Though the bands may differ from each other, there’s no mistaking that Hard Skin and Replica both come from supportive underground scenes. Hard Skin’s debut release, 1998’s Hard Nuts and Hard Cunts, sold 100,000 copies and the folks from Replica have gained local support and hype for their self-titled EP released earlier this year on Prank Records. Come see the generational, gender, and genre divides intersect at Thee Parkside, and take notes.This should be a doozy. (Erin Dage)

With Replica, Glitz, Kicker

9pm, $10

Thee Parkside

1600 17th St, SF

(415) 252-1330

www.theeparkside.com

FRIDAY 9/20

 

Diaspora Tales #2: 1969

The late 1960s may be remembered more as a fight for freedom by African-American communities. But Asian-Americans were equally determined to demand equality. Both saxophonist-composer Francis Wong and choreographer-dancer Lenora Lee have use their artistic expression to convey the struggles that they have unearthed within their own families. Diaspora Tales #2: 1969, originally created for the 40th anniversary of UC Berkeley’s Third World Strike, is a multimedia performance work that commemorates the courage and sacrifices by those involved, Wong’s brother having been one of them. Kung Fu, both as martial arts and in its more lyrically expressive form, join jazz, funk, and rap to evoke both a period and a challenge that yet has to be completely overcome. Olivia Ting created Diaspora’s visual components. (Rita Felciano)

7:30pm, $7

Asian Improv aRts

Berkeley Art Museum and Pacific Film Archive

2626 Bancroft, Berk.

bampfa.berkeley.edu

FRIDAY 9/20

 

“The Era is Now: Films of James T. Hong”

In 2000, experimental filmmaker James T. Hong’s scorching, Golden Gate Award-winning film Behold the Asian dubbed San Francisco “the white asshole paradise.” Though he now lives in Taiwan (for reasons that should be obvious), the former Mission District dweller — a man who fears no audience reaction — makes a rare return for a San Francisco Cinematheque-hosted screening of his latest work. New films enhancing what the SF Cinematheque dubs “a confrontationally intense body of work exploring racialism, philosophy, and revisionist approaches to history” include two from 2012, installation Apologies and The Turner Film Diaries; and this year’s Cutaways of Jiang Chun Gen — Forward and Back Again. (Eddy)

7:30pm, $5–$10

Artists’ Television Access

992 Valencia, SF

www.sfcinematheque.org

SATURDAY 9/21

 

Matias Aguayo

If you know this one-time minimalist-Closer Musik member from the all a capella cut-up jam “Rollerskate” or his wild Spanglish guest appearance on math-rockers Battles’s “Ice Cream,” you know that Aguayo’s voice is impossible to pin down. On The Visitor, his latest release on South American Kompakt offshoot Cómeme, Aguayo is as hard as ever to locate geographically, blurring Latin dialects and reverse engineering English lyrics over a mix of increasingly psychedelic rhythms that cut across (and veer from) generic dance and world music boundaries. With a new live show — expect lots of percussion and off-the-wall vocals on top of tracks —Aguayo could seem to be less on tour from another country, and more like a visitor from outer space. (Ryan Prendiville)

With Ghosts on Tape, Shawn Reynaldo, Rollie Fingers

10pm-3am, $10-15

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com

SATURDAY 9/21

 

Blouse

Portland, Oreg. trio, Blouse, may have ditched the synths and drum machines of its 2011 debut self-titled album with new Captured Tracks full-length, Imperium, but the sound remains as hazy and dreamy as ever. Now it’s just backed by rippling reverb and distortion. The misty dreampop band makes siren calls that would entice a shipwrecked sailor, floating endlessly in a gurgling oceanic abyss. See? Wistful. Check first single, “A Feeling Like This” or next track “No Shelter” for that particular mental imagery. It’s all there, the swashing of fuzz, the wide open minimalism à la xx, the delicate, teetering vocal tracks, and an uneasy feeling of isolation. (Emily Savage)

With Social Studies, Feathers

9:30pm, $12

Bottom of the Hill

1233 17 St, SF

(415) 626-4455

www.bottomofthehill.com

SATURDAY 9/21

 

Wild Moth

There’s no question about it, there’s a lot of post-punk bands popping up in the Bay right now. For many of these bands, the term post-punk has been slapped on, but they don’t actually fit into these specific distinctions. You have a band that maintains a punk edge but is noisy and decidedly experimental at times? Definitely post-punk. That being said, San Francisco sweethearts Wild Moth have this whole “post-punk” thing down to an art. The band’s record release show for its newest album Over, Again on Asian Man Records is tonight. Joining the fun will be fellow post-punk bands Permanent Collection and No Tongue, as well as riot grrrl act Tenderbuttons. And accordingly, Wild Moth isn’t the only band on the bill with new stuff out. This summer Permanent Collection came out with its No Void EP and No Tongue dropped its newest EP, Body + Mind. As cliche as it sounds, support your local scene and pick up some new tunes! (Dage)

9pm, $6

Thee Parkside

1600 17th St, SF

(415) 252-1330

www.theeparkside.com

SUNDAY 9/22

 

Amanda Cohen

Author of Dirtcandy: The Cookbook, Amanda Cohen will discuss her unpredictable approach to cooking with vegetables (as a main dish) and tonight. The ambitious cook pairs unexpected flavors and presents them in a surprisingly harmonious way, and her cookbook is entirely in graphic novel form. Take her mushroom appetizer, a portabello mousse on truffled toast, drizzled with pear and fennel compote; or her Rosemary Eggplant Tiramisu, with rosemary cotton candy for example. Cohen was the first vegetarian chef on Iron Chef, and has been praised in the New Yorker and the New York Times among others. At Omnivore Books, she’ll discuss her journey, building a restaurant from the ground up to an always-crowded, original alternative restaurant in New York City. Stop by the store to meet Cohen and to pick up a copy of her comic cookbook. Also to possibly meet some fellow local veg-heads. (Hillary Smith)

With Grady Hendrix

3pm, free

Omnivore Books

3885a Cesar Chavez, SF

www.omnivorebooks.com

SUNDAY 9/22

 

Dirty Beaches

Alex Zhang Hungtai, the musician behind the Dirty Beaches moniker, is an old soul. An eternal stranger in a strange land with a flair for eccentricity, Hungtai seems straight out of the beat generation. Taiwan-born and Montreal-based, he has lived in a veritable laundry list of cities around the world (including a stint in San Francisco) and through his music and touring schedule, Hungtai’s wanderlust shows no signs of slowing down. This restlessness is evident in Dirty Beaches’ music, a muddy, murky mix of doo-wopesque vocals and surf-tinged guitars that never quite rises to the surface. His simple guitar- and sample-based rock is beefed up on the road with a full band and a saxophone player. This tour promises to be especially interesting, with Hungtai possibly performing sitting down or with a cane after he jumped out of a second story window to make his flight back to North America, like Neal Cassady reincarnate. (Zaremba)

With SISU, Chasms

9pm, $12

Bottom of the Hill

1233 17th St, SF

(415) 626-4455

www.bottomofthehill.com

MONDAY 9/23

 

The Living Jarboe

Jarboe’s music is defined by the way she uses her powerful voice, a mutable, inventive instrument that haunts, terrifies, soothes and mourns. The former member of beloved post-punk outfit Swans has been prolific since the band’s break-up in 1997, perfecting her experimental art and collaborating widely across the musical spectrum, notably with Bay Area legends Neurosis. This appearance as the Living Jarboe enlists the help of a violinist and a guitarist to bring her seething, squalling, challenging songs to life. (Ben Richardson) With Faun Fable, Amber Asylum

8pm, $15

Cafe Du Nord

2170 Market, SF

(415) 861-5016

www.cafedunord.com

 

Provoc-auteur

Sasha Cuttler
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1
Provoc-auteur

FILM It still boggles the mind that perhaps the most important single figure in the socio-religiously conservative Italy’s artistic media of the 1960s through the mid-’70s — an extraordinarily fertile period, particularly for cinema — was an openly queer Marxist atheist and relentless church critic. Pier Paolo Pasolini stirred innumerable controversies during his life, ending prematurely in his alleged 1975 murder by a teenage hustler. (Conspiracy theories still swirl around its actually being a political or organized-crime assassination.)

He was an acclaimed poet, novelist, screenwriter, director, playwright, painter, political commentator, and public intellectual. In several of those roles he was pilloried — and prosecuted — for obscenity. What seemed pornographic to some at the time now, for the most part, looks simply like heightened, gritty social realism, and frank acknowledgement that sexuality (and morality) comes in all shades. Yet one must admit: Arguably no filmmaker outside the realm of actual porn put so much dick (often uncut, and occasionally erect) right there onscreen.

Pasolini’s film work has a lingering rep as being somewhat rough sledding, in both themes and technique. Certainly he was no extravagant cinematic stylist on the level of Antonioni, Visconti, Fellini, and Bertolucci (though he contributed as a writer to films by the latter two), the other leading Italian auteurs of the time. But it’s surprising how pleasurable on many levels his features look today, as showcased in a traveling retrospective getting its Bay Area exposure at the Castro Theatre, Roxie Theater, and Berkeley’s Pacific Film Archive through Oct. 31.

The two San Francisco dates highlight the three periods of Pasolini’s cinema; the PFA’s more extensive survey (ending with 1975’s Salò, or the 120 Days of Sodom for Halloween, the kind of programmatic coup de grace that leaves you suspended between “genius!” and “WTF?”) running weeks longer. While there are overlaps, the latter provides berth for his neorealist classic feature debut Accatone (1961), shorts, and several documentaries including 1964’s seldom-revived Love Meetings, in which PPP himself interviews Italians about their sexual attitudes — from asking not-so-young kids how babies are born (“the stork brings them”) to grilling adults about gender double-standards regarding marital virginity. Then there’s 1969’s bizarre Pigsty, which put leading 1960s Euro-art-cine weirdos Pierre Clémenti and Jean-Pierre Léaud in separate threads of a two-pronged experimental narrative. It was weird enough to forgo US release until 1974.

There are also such baffling, shit-stirring features as Hawks and Sparrows (1966), an existential comedy suspended between Beckett and A Hard Day’s Night (1964); plus 1968 shocker Teorema, in which Terence Stamp’s mysterious bisexual visitor liberates and destroys a repressed bourgeoisie Italian family.

This weekend’s Castro-Roxie showcases the extent to which Pasolini was a cinematic populist — however inadvertently for such a radical thinker. His “trilogy of life” brought to the screen bawdy medieval stories by Boccaccio (1971’s The Decameron), Chaucer (1972’s Canterbury Tales) and unknown legend scribers (1974’s Arabian Nights.) All were originally rated X. The first is a bawdy delight; the last is a gorgeously melancholic, serpentine lineup of seriocomic stories-within-stories. Canterbury is a mixed bag, as Pasolini had problems structuring it editorially and was despondent over longtime protégé and lover Ninetto Davoli — who was 15 when they first met — leaving him for a woman. Nonetheless, he gave Davoli a big part in the wonderful Nights, albeit one in which his hapless character is finally castrated by angry women. (Touché.)

With their unprecedented amounts of full nudity, offering up sexuality (and normal, imperfect bodies) as something simply natural rather than prurient, each portion of this “phallocentric” trio was instantly notorious. The films became his greatest commercial successes — though curiously he later abjured them, partly out of guilt that so many actors’ “innocent bodies [had] been violated, manipulated, and enslaved by consumerist power.” Who but Pasolini would be depressed by having hits?

That shift from comparative joie de vivre back to bleak commentary on social injustice resulted in unintended swansong Salò, a grueling depiction of classist sadism that usefully transfers the Marquis de Sade’s infamous Bastille-written 1785 120 Days of Sodom to the bitter end of Italy’s World War II-losing fascist era. While in the literary original aristocratic children were kidnapped to be abused by decadent church and secular power mongers, here it’s pointedly spawn of the anti-fascist peasant underclass (all actors assuredly 18-or-plus to avoid prosecution).

The characters forced into ever-escalating sexual and violent degradations to survive, no mercy is spared. Salò remains banned in several countries, notably Asian and Middle Eastern ones. Its largely naked, helpless “young victim” cast (who apparently thoroughly enjoyed the filming, having no idea just how fucked up the material was) proved Pasolini’s last instance of drafting nonprofessionals who struck his eye. As a showcase for such raw talent, it was second only to a film he’d made a decade earlier: 1964’s The Gospel According to St. Matthew, a gritty, black-and-white riposte to the garish CinemaScope Biblical epics of the era. Ironically, that film by a Commie atheist fag remains one of the cinematic depictions of Christ most highly regarded by believers.

Nearly all these movies featured his favorite discoveries Davoli and Franco Citti, the former an endearing comic goofball, the latter a smoldering hunk usually cast as amoral evildoer. Both enjoyed long careers after their mentor died. Their very different types of screen charisma remain high among the delights that Pasolini’s cinema offers today. Davoli will be on hand at the Castro and Roxie screenings. Given his guileless, antic persona in the films, it’s a fair bet he’ll be a riot in person. *

PIER PAOLO PASOLINI

Sat/14, $12

Castro Theatre, 429 Castro, SF

Sun/15, $12

Roxie Theater, 3117 16th St, SF

Sept. 20-Oct. 31, $5.50-$9.50

Pacific Film Archive, 2575 Bancroft, Berk.

www.pasolinifilm.com

 

The Selector: August 28-September 3, 2013

Jesse Hawthorne Ficks
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WEDNESDAY 28

The Troublemaker

Hey, daddy-o! While other outdoor movie nights program known crowd pleasers (and hey, nothing wrong with that — who doesn’t love 1980’s Xanadu under the stars?), trust the Pacific Film Archive to dig a little deeper. Directed by Theodore J. Flicker (it was the perfectly-named filmmaker’s first feature; he was also an improv comedy pioneer and directed dozens of 1970s TV episodes) and co-written with Saturday Night Live stalwart Buck Henry, 1964’s The Troublemaker offers a bouncy throwback to the beatnik era. A chicken farmer dreams of opening a coffeehouse in Greenwich Village; the Mob doesn’t agree, but the finger-snapping cool cats have his back. Wear your beret and come early for the pre-film poetry reading. (Cheryl Eddy)

8:30pm, free

BAM/PFA Sculpture Garden

2575 Bancroft, Berk

www.bampfa.berkeley.edu

 

Resident Artist Workshop: Victor Talledos, Joy Prendergast, Rachel Elliot

A couple of years ago, Mexican-born and trained ballet dancer Victor Talledos landed in the Bay Area like a comet — fiery, fierce, and impossible to ignore. Joy Prendergast is part of a hotbed of budding women choreographers nourished by the SF Conservatory of Dance. Rachel Elliot, a recent graduate of the Dominican University/LINES Ballet program, spent her study abroad time traveling and watching dance in China. This trio of artists is the latest crop of choreographers showing work in progress they have developed at the Garage’s all essential RAW (Resident Artist Workshop) studio space — 12 weeks of four to six hours free rehearsal time with two scheduled performances.” Small is beautiful” was a mantra in the 1970s. It’s still valid. A little bit of support, consistently offered, can create wonders. (Rita Felciano)

Through Thu/29. 8pm. $10–$20.

Garage

715 Bryant, SF

www.brownpapertickets.com

 

“Root to Stalk Cooking” with Tara Duggan

Omnivore Books often outdoes itself with inventive workshops and tasty food contests. Still, “Root to Stalk Cooking: The Art of Using the Whole Vegetable” should truly be one for the books. Author Tara Duggan, a James Beard award-winning independent journalist and cookbook author, will talk trash. Well, technically, she’ll talk roots, stalks, tops, ribs, and other pieces of vegetables that tend to get scratched. And she’ll discuss recipes that included those too-often discarded veggie elements. The workshop is not only a unique opportunity to meet an insightful SF native author, but also to learn how to cook delicious meals while still being frugal. Stop wasting and start cooking. (Hillary Smith)

6-7:30 pm, free

Omnivore Books

3885a Cesar Chavez, SF

www.omnivorebooks.com

 

THURSDAY 29

Café Tacvba

There are parts of the world where ska music is still valued. “Las Flores” is a rude boy-baiting uptempo Café Tacvba song that seemed right at home in 1994, when lead singer Albarrán Ortega was sporting his Coolio-styled hair on an early episode of MTV Unplugged. But how does a song like that hold up almost 10 years later at an epicenter of up-and-coming sounds like Coachella? Well, the Coachella crowd’s enthusiasm for the ska tune spoke volumes about truly heartfelt and infectious rhythms shattering the limitations of what is currently considered cool in music. A lot of genres come and go, but groups like Café Tacvba, which has gone without member changes since its inception in 1989, will continue to motivate listeners with just about any style it plays. Expect the unexpected. (Ilan Moskowitz)

8pm, $37.50–$52.50

Warfield

982 Market, SF

(415) 673-4653

www.thewarfieldtheatre.com

 

FIDLAR

LA-based garage-punk band FIDLAR creates a mess of distortion-heavy guitar lines, scratchy vocals, and angry percussion, which makes for a wild show guaranteed to permit letting loose. And there may even be some reckless flailing of the arms, if you’re lucky. The group seems to attract more than the typical garage rock fan who simply loves to go batshit in the pit. Enthusiasts stalk their social media pages, pour over their every Tumblr post, and even tattoo themselves with the group’s name, all proving one thing — FIDLAR has made a serious mark in a brief amount of time. And with this almost cult-like following, the four young musicians are touring through the UK and the States until November, tearing up stages with their rambunctious, exhilarating performances. And the band’s relationship with its fans seems to be symbiotic. I suspect the fans are so die-hard and loyal because that’s exactly what the group puts out there on stage: a straightforward, honest, in-the-moment show. (Smith)

With Meat Market

9pm, $14

Bottom of the Hill

1233 17th St.,SF

(415) 626-4455

www.bottomofthehill.com

 

FRIDAY 30

Macbeth

Witches, betrayals, violence, madness — no wonder Shakespeare’s Macbeth is so popular among both theater troupes and audiences. Case in point: two local companies are mounting adventurously staged versions of “the Scottish play” (does the curse count if your theater is outdoors?), opening on practically the same day, with lengthy runs and non-clashing show times that’ll make it possible for Bard diehards to catch both. Tonight, We Players — who did The Odyssey on Angel Island and Hamlet on Alcatraz — kicks off its production amid historic Fort Point’s foggy, windy, toil-and-trouble-friendly environs; tomorrow, another part of the Presidio, the Main Post Parade Ground Lawn, hosts Free Shakespeare in the Park’s production of the same. No doubt a drama-crazed town like SF has room for both. (Eddy)

We Players’ Macbeth

Through Oct 6

Previews Fri/30-Sun/1, 6pm; opens Sept 5, 6pm; runs Thu-Sun, 6pm, $30–$60

Fort Point, end of Marine Dr, Presidio, SF

www.weplayers.org

Free Shakespeare in the Park’s Macbeth

Through Sept 15

Opens Sat/31, 2pm; runs Sat-Sun and Mon/2, 2pm, free

Main Post Parade Ground Lawn, Presidio, SF

www.sfshakes.org

 

Hitcher

Hitcher, a movement play based off Jim Morrison’s original, unproduced screenplay, The Hitchhiker, is making its debut tonight. Hitcher combines cinema, movement, and new music from San Francisco bluegrass band dinnerwiththekids. In this production, writer and director Alex Peri tells the story of Billy, a hitchhiker accompanied by an imaginary trio of hobos making his way on the road to be reunited with a prostitute he fell in love with in Mexico. The cast features up-and-coming local artisans Derek Caplan, Michelle Hair, Earl Alfred Paus, Malia Rapisarda, and Kelly Sanchez. This should be of interest to people who worship at the altar of the “Lizard King” and those who enjoy theater and rock ‘n’ roll fusion. If you’re not able to attend its debut, there will be showings of Hitcher through Sept. 8. (Erin Dage)

THROUGH SEPT. 8, 

8PM, $15

THICK HOUSE

1695 18TH ST., SF

(415) 401-8081

WWW.THICKHOUSE.ORG

 

Handsome Hawk Valentine’s “The Hop”

You don’t need a DeLorean tricked out with a Flux Capacitor driven by Marty McFly to head back in time to the good ol’ 1950s tonight — just head down to the Mission where Handsome Hawk Valentine presents “The Hop,” a blast from the past party with a special “Ladies’ Night” theme. Featuring bands such as local favorites Thee Merry Widows and the Rumble Strippers, the fête also boasts burlesque performances, DJs, a “beefcake contest” sponsored by Bettie Page Clothing, along with free retro styling by Peter Thomas Hair, free photo sessions, and more. Slick back that pomp or strap on those stilettos and get going! (Sean McCourt)

9pm, $13

Elbo Room

647 Valencia, SF

(415) 552-7788

www.elbo.com

 

SATURDAY 31

Major Powers and the Lo-Fi Symphony

Major Powers and the Lo-Fi Symphony is a raucous, humorous, piano-driven trio that sound like Queen playing symphonic punk rock. Sort of like a light-hearted, more jangly Muse. I cannot recommend its album We Created Monsters enough. It is all free on its website and worth $10 to see live. Freddie Mercury would be proud. Hell, so would Andrew W.K. Not to say that headliner the Greening doesn’t have its own merits — it’ll even give you a free shirt and a bunch of other swag if you buy advanced tickets to this show — but when one of your opening acts sounds like a mix between Madness and Queen and the other is a Latin mod band that sings catchy, upbeat tunes about telenovelas, the star slot in the show is only a scheduling formality. (Moskowitz)

With the Greening, Dot Punto

8:30pm, $10

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

 

Duane Peters Gunfight

Legendary pro skateboarder and eternal punk rocker Duane Peters has rightfully earned his nickname “The Master of Disaster” — it was hard won over decades of pushing the limits on wheels and decks (not to mention his own battered and bruised body) and inventing a slew of tricks now considered an essential part of skate culture. He quickly approached playing music with the same anything-goes attitude, and has been slamming stages with several bands (U.S. Bombs and Die Hunns) ever since. He comes to the city tonight with Duane Peters Gunfight. Are you ready to drop into the bowl and the pit? (McCourt)

With White Barons, Rock Bottom, Dime Runner

9pm, $10

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

 

SUNDAY 1

Oakland Pride

Yes, yes, “we are family.” But in that case, San Francisco Pride is that loud, messy, half-dressed, downright crazy family — kind of a Kardashians without the Porsches — while younger Oakland Pride hails more from plucky, hardy, loving Little House on the Prairie stock, but with a whole lot more people of color. Not that Oakland Pride’s out in the middle of nowhere, of course, but it’s a much more down-to-earth, self-produced affair that really feels like a family picnic. Everyone’s freaking out that ’90s R&B sensation En Vogue is performing, but don’t miss the big-big Mexican-Chicago sound of Grupo Montez de Durango or the high-energy drag king shenanigans of the Rebel Kings of Oakland. Did we mention that everyone at this thing is smokin’ hot? Not to judge by looks or anything, but whoo-wee. (Marke B)

11am-7pm, $10

20th Street and Broadway, Oakl.

www.oaklandpride.org

 

MONDAY 2

Ty Segall

If you want to beat a case of the Mondays: Bay Area Lo-fi favorite Ty Segall is playing the entirety of his new album, Sleeper, with experimental folk artist David Novick and that guy from Sic Alps — Mike Donovan. On his new album, Segall is deconstructing his typical sound and going for a more stripped-down approach. For this show (as well as the whole tour), Segall will only be playing Sleeper, and will have a decidedly different setup, featuring two acoustic guitars, electric bass, drums, and the occasional electric guitar. The show should be a great indicator of how fans receive Segall’s new album, and whether or not the old boy still has it. If you like raw, energetic live shows — this performance is not to be missed. (Dage)

With David Novick, Mike Donovan

8pm, $18

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

 

TUESDAY 3

Audra McDonald

What’s that you hear? It’s the sound of every Broadway maven, cabaret jazz aficionado, “Glee”-ful gay man, and fan of incredible music breaking piggy banks, shaking out gowns, and fluffing tuxes to glimpse the effervescent glory of show tune-blues soprano Audra McDonald at the SF Symphony Opening Gala. Singing selections from the American songbook like “Somewhere” and “I Could Have Danced All Night,” McDonald will highlight a jazzy night’s program, which includes George Antheil’s fracture-happy “A Jazz Symphony,” George Gershwin’s “An American in Paris” and tons of free drinks, treats, and people-watching. McDonald’s hilarious, house-rocking performance at the Tonys with Neil Patrick Harris this year brought a new generation of Audra acolytes into the fold; expect the same wattage to light up Davies Symphony Hall. (Marke B.)

7pm-11pm, $160

Davies Symphony Hall

201 Van Ness, SF.

(415) 864-6000

www.sfsymphony.com

The Selector: August 27 – September 3, 2013

Michael Redmond
-
0

WEDNESDAY 8/28

 

The Troublemaker

Hey, daddy-o! While other outdoor movie nights program known crowd pleasers (and hey, nothing wrong with that — who doesn’t love 1980’s Xanadu under the stars?), trust the Pacific Film Archive to dig a little deeper. Directed by Theodore J. Flicker (it was the perfectly-named filmmaker’s first feature; he was also an improv comedy pioneer and directed dozens of 1970s TV episodes) and co-written with Saturday Night Live stalwart Buck Henry, 1964’s The Troublemaker offers a bouncy throwback to the beatnik era. A chicken farmer dreams of opening a coffeehouse in Greenwich Village; the Mob doesn’t agree, but the finger-snapping cool cats have his back. Wear your beret and come early for the pre-film poetry reading. (Cheryl Eddy)

8:30pm, free

BAM/PFA Sculpture Garden

2575 Bancroft, Berk

www.bampfa.berkeley.edu

WEDNESDAY 8/28

 

Resident Artist Workshop: Victor Talledos, Joy Prendergast, Rachel Elliot

A couple of years ago, Mexican-born and trained ballet dancer Victor Talledos landed in the Bay Area like a comet — fiery, fierce, and impossible to ignore. Joy Prendergast is part of a hotbed of budding women choreographers nourished by the SF Conservatory of Dance. Rachel Elliot, a recent graduate of the Dominican University/LINES Ballet program, spent her study abroad time traveling and watching dance in China. This trio of artists is the latest crop of choreographers showing work in progress they have developed at the Garage’s all essential RAW (Resident Artist Workshop) studio space — 12 weeks of four to six hours free rehearsal time with two scheduled performances.” Small is beautiful” was a mantra in the 1970s. It’s still valid. A little bit of support, consistently offered, can create wonders. (Rita Felciano)

Through Thu/29. 8pm. $10–$20.

Garage

715 Bryant, SF

www.brownpapertickets.com

WEDNESDAY 8/28

 

“Root to Stalk Cooking” with Tara Duggan

Omnivore Books often outdoes itself with inventive workshops and tasty food contests. Still, “Root to Stalk Cooking: The Art of Using the Whole Vegetable” should truly be one for the books. Author Tara Duggan, a James Beard award-winning independent journalist and cookbook author, will talk trash. Well, technically, she’ll talk roots, stalks, tops, ribs, and other pieces of vegetables that tend to get scratched. And she’ll discuss recipes that included those too-often discarded veggie elements. The workshop is not only a unique opportunity to meet an insightful SF native author, but also to learn how to cook delicious meals while still being frugal. Stop wasting and start cooking. (Hillary Smith)

6-7:30 pm, free

Omnivore Books

3885a Cesar Chavez, SF

www.omnivorebooks.com

THURSDAY 8/29

 

Café Tacvba

There are parts of the world where ska music is still valued. “Las Flores” is a rude boy-baiting uptempo Café Tacvba song that seemed right at home in 1994, when lead singer Albarrán Ortega was sporting his Coolio-styled hair on an early episode of MTV Unplugged. But how does a song like that hold up almost 10 years later at an epicenter of up-and-coming sounds like Coachella? Well, the Coachella crowd’s enthusiasm for the ska tune spoke volumes about truly heartfelt and infectious rhythms shattering the limitations of what is currently considered cool in music. A lot of genres come and go, but groups like Café Tacvba, which has gone without member changes since its inception in 1989, will continue to motivate listeners with just about any style it plays. Expect the unexpected. (Ilan Moskowitz)

8pm, $37.50–$52.50

Warfield

982 Market, SF

(415) 673-4653

www.thewarfieldtheatre.com

THURSDAY 8/29

 

FIDLAR

LA-based garage-punk band FIDLAR creates a mess of distortion-heavy guitar lines, scratchy vocals, and angry percussion, which makes for a wild show guaranteed to permit letting loose. And there may even be some reckless flailing of the arms, if you’re lucky. The group seems to attract more than the typical garage rock fan who simply loves to go batshit in the pit. Enthusiasts stalk their social media pages, pour over their every Tumblr post, and even tattoo themselves with the group’s name, all proving one thing — FIDLAR has made a serious mark in a brief amount of time. And with this almost cult-like following, the four young musicians are touring through the UK and the States until November, tearing up stages with their rambunctious, exhilarating performances. And the band’s relationship with its fans seems to be symbiotic. I suspect the fans are so die-hard and loyal because that’s exactly what the group puts out there on stage: a straightforward, honest, in-the-moment show. (Smith)

With Meat Market

9pm, $14

Bottom of the Hill

1233 17th St.,SF

(415) 626-4455

www.bottomofthehill.com

FRIDAY 8/30

 

Macbeth

Witches, betrayals, violence, madness — no wonder Shakespeare’s Macbeth is so popular among both theater troupes and audiences. Case in point: two local companies are mounting adventurously staged versions of “the Scottish play” (does the curse count if your theater is outdoors?), opening on practically the same day, with lengthy runs and non-clashing show times that’ll make it possible for Bard diehards to catch both. Tonight, We Players — who did The Odyssey on Angel Island and Hamlet on Alcatraz — kicks off its production amid historic Fort Point’s foggy, windy, toil-and-trouble-friendly environs; tomorrow, another part of the Presidio, the Main Post Parade Ground Lawn, hosts Free Shakespeare in the Park’s production of the same. No doubt a drama-crazed town like SF has room for both. (Eddy)

We Players’ Macbeth

Through Oct 6

Previews Fri/30-Sun/1, 6pm; opens Sept 5, 6pm; runs Thu-Sun, 6pm, $30–$60

Fort Point, end of Marine Dr, Presidio, SF

www.weplayers.org

 

Free Shakespeare in the Park’s Macbeth

Through Sept 15

Opens Sat/31, 2pm; runs Sat-Sun and Mon/2, 2pm, free

Main Post Parade Ground Lawn, Presidio, SF

www.sfshakes.org

FRIDAY 8/30

 

Hitcher

Hitcher, a movement play based off Jim Morrison’s original, unproduced screenplay, The Hitchhiker, is making its debut tonight. Hitcher combines cinema, movement, and new music from San Francisco bluegrass band dinnerwiththekids. In this production, writer and director Alex Peri tells the story of Billy, a hitchhiker accompanied by an imaginary trio of hobos making his way on the road to be reunited with a prostitute he fell in love with in Mexico. The cast features up-and-coming local artisans Derek Caplan, Michelle Hair, Earl Alfred Paus, Malia Rapisarda, and Kelly Sanchez. This should be of interest to people who worship at the altar of the “Lizard King” and those who enjoy theater and rock ‘n’ roll fusion. If you’re not able to attend its debut, there will be showings of Hitcher through Sept. 8. (Erin Dage) THROUGH SEPT. 8, 8PM, $15 THICK HOUSE 1695 18TH ST., SF (415) 401-8081 WWW.THICKHOUSE.ORG

FRIDAY 8/30

 

Handsome Hawk Valentine’s “The Hop”

You don’t need a DeLorean tricked out with a Flux Capacitor driven by Marty McFly to head back in time to the good ol’ 1950s tonight — just head down to the Mission where Handsome Hawk Valentine presents “The Hop,” a blast from the past party with a special “Ladies’ Night” theme. Featuring bands such as local favorites Thee Merry Widows and the Rumble Strippers, the fête also boasts burlesque performances, DJs, a “beefcake contest” sponsored by Bettie Page Clothing, along with free retro styling by Peter Thomas Hair, free photo sessions, and more. Slick back that pomp or strap on those stilettos and get going! (Sean McCourt)

9pm, $13

Elbo Room

647 Valencia, SF

(415) 552-7788

www.elbo.com

SATURDAY 8/31

 

Major Powers and the Lo-Fi Symphony

Major Powers and the Lo-Fi Symphony is a raucous, humorous, piano-driven trio that sound like Queen playing symphonic punk rock. Sort of like a light-hearted, more jangly Muse. I cannot recommend its album We Created Monsters enough. It is all free on its website and worth $10 to see live. Freddie Mercury would be proud. Hell, so would Andrew W.K. Not to say that headliner the Greening doesn’t have its own merits — it’ll even give you a free shirt and a bunch of other swag if you buy advanced tickets to this show — but when one of your opening acts sounds like a mix between Madness and Queen and the other is a Latin mod band that sings catchy, upbeat tunes about telenovelas, the star slot in the show is only a scheduling formality. (Moskowitz)

With the Greening, Dot Punto

8:30pm, $10

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

SATURDAY 8/31

 

Duane Peters Gunfight

Legendary pro skateboarder and eternal punk rocker Duane Peters has rightfully earned his nickname “The Master of Disaster” — it was hard won over decades of pushing the limits on wheels and decks (not to mention his own battered and bruised body) and inventing a slew of tricks now considered an essential part of skate culture. He quickly approached playing music with the same anything-goes attitude, and has been slamming stages with several bands (U.S. Bombs and Die Hunns) ever since. He comes to the city tonight with Duane Peters Gunfight. Are you ready to drop into the bowl and the pit? (McCourt)

With White Barons, Rock Bottom, Dime Runner

9pm, $10

Thee Parkside

1600 17th St., SF

(415) 252-1330

www.theeparkside.com

SUNDAY 9/1

 

Oakland Pride

Yes, yes, “we are family.” But in that case, San Francisco Pride is that loud, messy, half-dressed, downright crazy family — kind of a Kardashians without the Porsches — while younger Oakland Pride hails more from plucky, hardy, loving Little House on the Prairie stock, but with a whole lot more people of color. Not that Oakland Pride’s out in the middle of nowhere, of course, but it’s a much more down-to-earth, self-produced affair that really feels like a family picnic. Everyone’s freaking out that ’90s R&B sensation En Vogue is performing, but don’t miss the big-big Mexican-Chicago sound of Grupo Montez de Durango or the high-energy drag king shenanigans of the Rebel Kings of Oakland. Did we mention that everyone at this thing is smokin’ hot? Not to judge by looks or anything, but whoo-wee. (Marke B)

11am-7pm, $10

20th Street and Broadway, Oakl.

www.oaklandpride.org

MONDAY 9/2

 

Ty Segall

If you want to beat a case of the Mondays: Bay Area Lo-fi favorite Ty Segall is playing the entirety of his new album, Sleeper, with experimental folk artist David Novick and that guy from Sic Alps — Mike Donovan. On his new album, Segall is deconstructing his typical sound and going for a more stripped-down approach. For this show (as well as the whole tour), Segall will only be playing Sleeper, and will have a decidedly different setup, featuring two acoustic guitars, electric bass, drums, and the occasional electric guitar. The show should be a great indicator of how fans receive Segall’s new album, and whether or not the old boy still has it. If you like raw, energetic live shows — this performance is not to be missed. (Dage)

With David Novick, Mike Donovan

8pm, $18

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

TUESDAY 9/3

 

Audra McDonald

What’s that you hear? It’s the sound of every Broadway maven, cabaret jazz aficionado, “Glee”-ful gay man, and fan of incredible music breaking piggy banks, shaking out gowns, and fluffing tuxes to glimpse the effervescent glory of show tune-blues soprano Audra McDonald at the SF Symphony Opening Gala. Singing selections from the American songbook like “Somewhere” and “I Could Have Danced All Night,” McDonald will highlight a jazzy night’s program, which includes George Antheil’s fracture-happy “A Jazz Symphony,” George Gershwin’s “An American in Paris” and tons of free drinks, treats, and people-watching. McDonald’s hilarious, house-rocking performance at the Tonys with Neil Patrick Harris this year brought a new generation of Audra acolytes into the fold; expect the same wattage to light up Davies Symphony Hall. (Marke B.)

7pm-11pm, $160

Davies Symphony Hall

201 Van Ness, SF.

(415) 864-6000

www.sfsymphony.com

Rep Clock: August 27 – September 3, 2013

Michael Redmond
-
0

Schedules are for Wed/28-Tue/3 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6. “Black Radical Imagination,” short films by various artists, Sat, 8.

BALBOA THEATRE 3630 Balboa, SF; cinemasf.com/balboa. $10. Morrissey 25: Live (Russell, 2013), Thu and Tue, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. •Dr. Strangelove (Kubrick, 1964), Wed, 3:30, 7:15, and The Bed Sitting Room (Lester, 1969), Wed, 5:20, 9:05. •Easy Rider (Hopper, 1969), Thu, 3, 7, and Scarecrow (Schatzberg, 1973), Thu, 4:45, 8:55. Vertigo (Hitchcock, 1958), Fri-Mon, 8 (also Sat-Mon, 2, 5).

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-$10.75. The Act of Killing (Oppenheimer, 2012), call for dates and times. Hannah Arendt (von Trotta, 2012), call for dates and times. The Hunt (Vinterberg, 2012), call for dates and times. 20 Feet From Stardom (Neville, 2013), call for dates and times. Ain’t Them Bodies Saints (Lowery, 2013), call for dates and times. Passion (De Palma, 2012), Aug 30-Sept 5, call for times.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” Spaceballs (Brooks, 1987), Fri and Sun, midnight. Friday’s show features a live “shadowcast” by the Bawdy Caste. The Rocky Horror Picture Show (Sharman, 1975), Sat, midnight. With the Bawdy Caste performing live.

GOETHE INSTITUT 530 Bush, Second Flr, SF; goethe.de/sanfrancisco. “German Summer Films:” Summer in Berlin (Dresen, 2005), Wed, 6:30.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “The Hitchcock 9: Rare Silents Restored:” Champagne (1928), Wed, 7; Easy Virtue (1927), Fri, 7; The Manxman (1929), Sat, 6:15. “Free Outdoor Screening in the BAM/PFA Sculpture Garden:” The Troublemaker (Flicker, 1964), Wed, 8:30. “Dark Nights: Simenon and Cinema:” The Man from London (Tarr, 2007), Thu, 7. “Tales of Love: The Enchanted World of Jacques Demy:” The Young Girls of Rochefort (1967), Fri, 8:30; The Umbrellas of Cherbourg (1964), Sat, 8:15.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. Mumia: Long Distance Revolutionary (Vittoria, 2013), Wed-Thu, 6:45, 9. Drinking Buddies (Swanberg, 2013), Aug 30-Sept 5, 7, 9:15 (also Sat-Sun, 3, 5). *

 

The Selector: August 21 – 27, 2013

Michael Redmond
-
0

God is dead?

WEDNESDAY 8/21

 

“German Summer Films”

Though the Goethe Institut’s latest film series is dubbed “German Summer Films,” it offers a refreshingly loose interpretation of the theme. For example, the first film, Color of the Ocean (2010), is from German director Maggie Peren, but it’s set in Spain’s Canary Islands, and features an international cast in its tale of a border patrol officer (Alex González) who meets a German woman (Sabine Timoteo) entangled with a Congolese refugee (Hubert Koundé). (That said, the second film in the series, 2005’s Summer in Berlin, is more or less the quintessential “German summer film.”) The rest of the series includes acclaimed German-Turkish director Fatih Akin’s 2000 In July; and a 2009 made-for-TV adaptation of Jack London’s Sea Wolf starring Sebastian Koch (2006’s The Lives of Others). (Cheryl Eddy)

Wednesdays through Sept 18

6:30pm, $5 donation

Goethe Institut San Francisco

530 Bush, Second Flr, SF

goethe.de/sanfrancisco

THURSDAY 8/22

 

Cool Ghouls

Bay Area natives Cool Ghouls are fun, reckless, rude garage-rock goofballs and they know it. It’s virtually impossible to attend one of their live shows and not feel the same chill vibes they give off. The group released its self-titled full-length debut album in April of this year, and has been playing shows on it locally since. The Ghouls’ scratchy-screamy vocals backed by playful guitar riffs and tumbling percussion resonated with the young SF crowds and landed them gigs most recently at Bottom of the Hill, the Chapel, Hemlock Tavern, Brick and Mortar, and the summery Phono del Sol fest. Their enjoyably sunny sound was the perfect match. If they get much bigger, their house-party image might have to expand. So catch them while you can, and while they’re still cool. (Hillary Smith)

With Lemme Adams, Black Cobra Vipers

9pm, $10

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

THURSDAY 8/22

 

Melvins

And they said a stoner metal cover of Roxy Music’s “In Every Dream Home a Heartache” couldn’t be done. Well, sludge metal veterans the Melvins are here to prove them wrong. The longstanding band is making a voyage to Slim’s to play its 2013 cover album, Everybody Loves Sausages. Get ready for things to get a little weird and campy, as a bunch of middle aged dudes play a diverse selection of tunes throughout the ages. Embarking on their 30th anniversary tour, the Melvins will be playing songs by artists such as freak folk band the Fugs, the dear and departed drag queen Divine (John Waters’ muse), Queen, David Bowie, and the Jam. In short: don’t miss this hit parade. (Erin Dage)

With Honky

9pm, $22

Slim’s

333 11th St, SF

(415) 255-0333

www.slimspresents.com

FRIDAY 8/23

 

No Age

The newest album from LA noise-punks No Age, An Object, seems almost restrained compared to the bombast of previous records like 2010’s Everything in Between. With An Object, there’s a sense of tense build-up without release, tightly coiled guitar lines over paranoid drumming, and faraway hollers on the Sub Pop record, which comes out Aug. 20. Like much arty post-punk, it makes you feel like you’re holding your breath for the entirety of the tracks, unable to unclench. Relax and settle in: the experiment of An Object is a success, and the album is worthy of passionate intake. Continuing down the experimental route, the duo takes its live show to a more unexpected location this time: the Berkeley Art Museum and Pacific Film Archive. And if you miss this stop, No Age will be back in Oakland Sept. 28 for the Station to Station fest at 16th St. Station. (Emily Savage)

With Devin Gary and Ross, Sun Foot

7:30pm (doors at 5pm), $7

Berkeley Art Museum and Pacific Film Archive

2625 Durant, Berk.

www.bampfa.berkeley

FRIDAY 8/23

 

Nahko and Medicine for the People

Aptly named, Nahko and Medicine for the People seem like some sort of sonic cure. Nahko Bear’s versatile vocals range from a howling, soulful croon to a bouncing, jovial talk-sing. The indefinable quality of the group is further pushed in lyrics “I am a killer whale, I am a lion, I am a panther, I am coyote, I’m just a human being on another fuckin’ journey,” in “Warrior People.” According to their website, Bear is joined on stage by “truth seekers for whom Nahko’s story resonates with their own.” Nahko himself was born a mix of Apache, Puerto Rican, and Filipino cultures and adopted into an American family. Consequently, he suffered from an identity crisis at a young age. The mission of the band is simply to make people feel good, and to give solace to the culturally alienated. They do all that and then some. (Smith)

With Saritah

9pm, $15

Independent

628 Divisadero, SF (415) 771-1421

www.theindependentsf.com

FRIDAY 8/23

 

The Parmesans

Local countrified indie-folksters the Parmesans released their full-length debut, Wolf Eggs, this week. The record’s full of swoony multipart harmonies, plucky instruments, and a chipper sense of hot-sauced humor. All of that is on fine display in track, “Load Up on Eggs and Bacon,” which begins with a solo voice, “when I wake up/I feel shaken” then layered barbershop quartet-style with additional harmonies, “load up on eggs and bacon,” and the sound of an egg cracking. Add to that the strings of guitars and mandolins and banjos, bellowing trumpet, and a light and tight rhythm section. Then bake on high. Oh, and be sure to check the new video for “JuJaJe,” also off Wolf Eggs; there’s no food involved, unfortunately, but the sparse little vid does feature the boys clowning around in various states of lounge. Perhaps there’ll be egg on their faces in the next one. (Savage)

With Before the Brave, Garden Party, Greg Downing

9pm, $10

Thee Parkside

1600 17th St, SF

www.theeparkside.com

SATURDAY 8/24

 

“Sneak Peek at the Fringe”

The colorfully creative chaos that is the 22nd San Francisco Fringe Festival is mere weeks away (it runs Sept. 6-21), but diehards and early birds can check out excerpts from works by eight local companies tonight. Among them: Amy K. Kilgard’s multi-character solo performance, Triskaidekaphobia: 13 Consumer Tragedies; Sean Andries and Siouxsie Q’s tale of a love affair between a mermaid and a tourist, Fish-girl; Maria Grazia Affinato’s autobiographical ode to her Italian family, Eating Pasta Off the Floor; and Genie and Audrey’s Dream Show!, featuring Genie Cartier, Audrey Spinazola, and a “cat piano.” For all the deets — and complete info on the upcoming full fest, visit the Fringe’s website. (Cheryl Eddy)

8pm, free

Exit Theatre

156 Eddy, SF

www.sffringe.org

SUNDAY 8/25

 

San Francisco Bacon and Beer Festival

For the first time ever, San Francisco will host an almighty bacon and beer fest. The Boston version of the event has sold out in under 10 minutes the past three years. Chefs from more than 25 Bay Area companies presenting their best bacon dishes and local craft breweries bringing out their finest for the $50 event are reasons enough to attend the unique gathering. If you’d like one more reason to spend the cash, take comfort in the fact that all admission proceeds will be donated to Sprouts Cooking Club. The club is a Bay Area organization that strives to teach children of all socio-economical backgrounds how to cook hands-on with real chefs, using real ingredients, in real restaurants. (Smith)

2:30pm, $50

Fairmont San Francisco Hotel

950 Mason, SF

(415) 772-5000

Facebook: San Francisco Bacon and Beer Festival

 

MONDAY 8/26

 

Deerhunter

Many who have flirted with musical greatness have also teetered on the fine line between eccentricity and insanity, and Deerhunter frontperson Bradford Cox is no exception. While the Atlanta band’s garage rock albums continue to receive glowing reviews and growing numbers of dedicated fans, Cox’s mental (in)stability has also been featured center stage in the group’s evolution. His charming eccentricities — rambling and semi-incoherent stage banter — are shadowed with more off-putting stunts, as when Cox responded to a fan’s snarky request for “My Sharona” with an hour-long cover of the song in Minneapolis. A Deerhunter show is many things — insane, beautiful, confusing, and frequently very moving — but there is one thing it will never manage to be. Bradford Cox will never be boring. (Haley Zaremba)

With Lonnie Holley, Avey Tare’s Slasher Flicks

8pm, $21

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

MONDAY 8/26

 

Évocateur: The Morton Downey Jr. Movie

A trashy pop-culture icon, a chain smoker, a right-wing maniac, a finger-jabbing screamer so notorious his fans were called “Loudmouths:” Morton Downey Jr. was one of a kind, and that’s probably for the best. New documentary Évocateur: The Morton Downey Jr. Movie screens tonight in San Rafael and opens August 28 at the Roxie; it looks at his legacy through clips of Downey’s train-wreck-in-progress talk show and features interviews with the likes of Pat Buchanan, Alan Dershowitz, and Sally Jesse Raphael. (Eddy)

7:15pm, $6.50–$10.75

Christopher B. Smith Rafael Film Center

1118 Fourth St, San Rafael

www.cafilm.org

MONDAY 8/26

 

Black Sabbath

Before reality television and famous flame-haired wives, even before that bloody bat-biting incident, Ozzy Osbourne was simply a wild-eyed young boy from a hardscrabble town who, together with guitarist Tony Iommi and drummer Bill Ward, formed the world’s first heavy metal group. Black Sabbath has become a hardened, bellowing legend, though in recent years was mostly relegated to playing metal fests like Mayhem, or Ozzy solo at Ozzfest. This year, however, the original group released its first new album together in decades, 13, a lumbering return to form produced by Rick Ruben. With it came instantly timeless first single, “God is dead?” an eight-minute metal epic. Beyond all the hype, myth, and druggy tabloid brouhaha, a vital band still stands before us, wicked as it ever was, and willing to crowd-please with old tracks mixed in with the new. According to live reviews of this headlining non-fest tour, the band has been opening with “War Pigs.” (Savage)

7:30pm, $40–$149.50

Shoreline Amphitheatre

One Amphitheatre Parkway, Mountain View

www.livenation.com

TUESDAY 8/27

 

The Breeders

Celebrating the 20th anniversary of their breakthrough album Last Splash, ’90s favorites the Breeders released a special deluxe version of the record earlier this year on CD (a seven-disc vinyl version is set to drop next month on 4AD), featuring a host of bonus live tracks, demos, a photo booklet, and more. The classic lineup of the band — Kim and Kelley Deal, Josephine Wiggs and Jim MacPherson — has reunited and is promising Bay Area fans it will perform Last Splash, which was recorded right here in San Francisco, in its entirety, along with its seminal debut effort, Pod. (Sean McCourt)

8pm, $30

Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com

Rep Clock: August 21 – 27, 2013

Michael Redmond
-
0

Schedules are for Wed/21-Tue/27 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ALLEY CAT BOOKS AND GALLERY 3036 24th St, SF; (415) 824-1761. Free (limited seating). “Cat’s Eye presents:” “Digital Daydreams: New Motion Pictures by Mike Kuchar,” Thu, 8.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6-10. “Periwinkle Cinema: Sound and Image,” film collages with live sound accompaniment, Wed, 7. “Gaze Film Series #5: Transgressions,” independent film and video made by women, Sat, 8. “Noble Gases: The Experimental Film Festival Portland presents Director’s Picks,” Sun, 7:30.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. •Hud (Ritt, 1963), Wed, 2:30, 7, and Midnight Cowboy (Schlesinger, 1969), Wed, 4:45, 9:05. •Blue Velvet (Lynch, 1986), Thu, 2:45, 7, and Neighbors (Avildsen, 1981), Thu, 5, 9:15. •Jesus Christ Superstar (Jewison, 1973), Fri, 7 (40th anniversary screening; Q&A with Ted “Jesus” Neeley at 6:30), and Life of Brian (Jones, 1979), Fri, 9:15. “Peaches Christ presents: Night of 1,000 Showgirls:” Showgirls (Verhoeven, 1995), Sat, 8. With pre-show entertainment and special guests; advance tickets ($25-45) at www.peacheschrist.com. •The Godfather Part II (Coppola, 1974), Sun, 12:30, 7:30, and Heat (Mann, 1995), Sun, 4:20. The Heat (Feig, 2013), Tue, 2, 4:40, 7, 9:30.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.50-$10.75. The Act of Killing (Oppenheimer, 2012), call for dates and times. Hannah Arendt (von Trotta, 2012), call for dates and times. The Hunt (Vinterberg, 2012), call for dates and times. 20 Feet From Stardom (Neville, 2013), call for dates and times. Ain’t Them Bodies Saints (Lowery, 2013), Aug 23-29, call for times. Ray Harryhausen: Special Effects Titan (Penso, 2012), Sun, 7. Évocateur: The Morton Downey Jr. Movie (Kramer, Miller, and Newberger, 2012), Mon, 7:15.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” Fight Club (Fincher, 1999), Fri-Sat, midnight.

JACK LONDON SQUARE Market lawn, Harrison at Water, Oakl; www.jacklondonsquare.com. Free. The Goonies (Donner, 1985), Thu, sundown.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “The Hitchcock 9: Rare Silents Restored:” The Pleasure Garden (1926), Wed, 7; Blackmail (1929), Fri, 7; Downhill (1927), Sat, 6:15. “Yang Fudong’s Cinematic Influences:” An Estranged Paradise (Yang, 2002), Thu, 7. “Tales of Love: The Enchanted World of Jacques Demy:” The Pied Piper (Demy, 1972), Fri, 8:35; Three Seats for the 26th (Demy, 1988), Sat, 8:20. “Castles in the Sky: Masterful Anime from Studio Ghibli:” My Neighbor Totoro (Miyazaki, 1988), Sun, 1 and 3; Nausicaä of the Valley of the Wind (Miyazaki, 1984), Sun, 5.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. The Canyons (Schrader, 2013), Wed-Thu, 9. Frances Ha (Baumbach, 2013), Wed-Thu, 9:15. Portrait of Jason (Clarke, 1967), Wed-Thu, 7. Prince Avalanche (Green, 2013), Wed-Thu, 7. Mumia: Long Distance Revolutionary (Vittoria, 2013), Aug 23-29, 6:45, 9. *

 

Heads Up: 8 must-see concerts this week

Tony Robles
-
2

The Internet never forgets. I realized this yet again today after discovering the complete 1979 BBC documentary, Who Is Poly Styrene, and with the more globally appealing announcement that it looks like JT and the rest of the ‘N Sync gang will perform at MTV’s Video Music Awards, Sunday. Oh and Cher has a new video, which is her first in 12 years! There may be hope for you yet, Gotye (the coffee shop I was at this morning played his hit, which reminded me of his existence.) 

Anyways, this week (and slightly beyond), the Bay Area will host both legendary and up-and-coming must-sees, with the Melvins, Black Sabbath, My Bloody Valentine topping the list, along with Deerhunter and No Age, and newbies the Parmesans, the She’s, and Ovvl. All acts to catch if you have the chance (and you do, see below).

Here are your must-see shows: 

The She’s
“If you walked anywhere in the downtown area during July, you’re probably already familiar with the She’s. The band was featured by the Converse Represent campaign, and its image, pushing a drum kit up one of SF’s trademarked hills, has been boldly splashed around the city. Converse chose well. The She’s embody all the youth, DIY attitude, and vintage pop that San Francisco loves. Their debut album, appropriately titled Then It Starts To Feel Like Summer, retrofits dreamy ’60s pop with a crackling teenage energy (these ladies are still in high school) and they’re finishing up a much-anticipated EP, tentatively titled We’re not Best Coast (But They’re Cool Too). The band, which has credited much of its success to the open and supportive SF music scene, is giving back tonight at Bottom of the Hill, where it’s headlining this Save KUSF Benefit.” — Haley Zaremba
With the Yes Go’s, False Priest
Tue/20, $10, 9pm
Bottom of the Hill
1233 17th St, SF
www.bottomofthehill.com
http://www.youtube.com/watch?v=LoRGt9PjXGA

The Melvins
“And they said a stoner metal cover of Roxy Music’s “In Every Dream Home a Heartache” couldn’t be done. Well, sludge metal veterans the Melvins are here to prove them wrong. The longstanding band is making a voyage to Slim’s to play its 2013 cover album, Everybody Loves Sausages. Get ready for things to get a little weird and campy, as a bunch of middle aged dudes play a diverse selection of tunes throughout the ages. Embarking on their 30th anniversary tour, the Melvins will be playing songs by artists such as freak folk band the Fugs, the dear and departed drag queen Divine (John Waters’ muse), Queen, David Bowie, and the Jam. In short: don’t miss this hit parade.” — Erin Dage
With Honky
Thu/22, 9pm, $22
Slim’s
333 11th St, SF
(415) 255-0333
www.slimspresents.com
http://www.youtube.com/watch?v=z1mi_zvk0yQ

No Age
The newest album from LA noise-punks No Age, An Object, seems almost restrained compared to the bombast of previous records like 2010’s Everything in Between. With An Object, there’s a sense of tense build-up without release, tightly coiled guitar lines over paranoid drumming, and faraway hollers on the Sub Pop record, which comes out Aug. 20. Like much arty post-punk, it makes you feel like you’re holding your breath for the entirety of the tracks, unable to unclench. Relax and settle in: the experiment of An Object is a success, and the album is worthy of passionate intake. Continuing down the experimental route, the duo takes its live show to a more unexpected location this time: the Berkeley Art Museum and Pacific Film Archive. And if you miss this stop, No Age will be back in Oakland Sept. 28 for the Station to Station fest at 16th St. Station.
With Devin Gary and Ross, Sun Foot
Fri/23, 7:30pm (doors at 5pm), $7
Berkeley Art Museum and Pacific Film Archive
2625 Durant, Berk.
www.bampfa.berkeley
http://www.youtube.com/watch?v=ZVb4QyF8fDY

My Bloody Valentine
“This is the reunion for which we dared not hope. Until this year, My Bloody Valentine’s genre-defining masterstroke of the shoegaze movement, 1991’s Loveless, was the last we had heard from the Irish-English band, and as a result, it was canonized as one of those pristine, “perfect” albums, frozen in time and untainted by inferior follow-ups. And then, this past Groundhog Day, the unthinkable happened: after an excruciating, 22-year wait, and countless broken promises, bandleader Kevin Shields casually posted a new record, mbv, on the web, In Rainbows style, surprising his diehard fans with the legendary third album they had been hopelessly fantasizing about only a week before. This Friday, My Bloody Valentine will pay a visit to the Bill Graham Civic Auditorium for their first SF show since the early ’90s.” — Taylor Kaplan
With Beachwood Sparks, Lumerians
Fri/23, 8pm, $45
Bill Graham Civic Auditorium
99 Grove, SF
(415) 624-8900
www.billgrahamcivicauditorium.com
http://www.youtube.com/watch?v=FyYMzEplnfU

The Parmesans
Local countrified indie-folksters the Parmesans released their full-length debut, Wolf Eggs, this week. The record’s full of swoony multipart harmonies, plucky instruments, and a chipper sense of hot-sauced humor. All of that is on fine display in track, “Load Up on Eggs and Bacon,” which begins with a solo voice, “when I wake up/I feel shaken” then layered barbershop quartet-style with additional harmonies, “load up on eggs and bacon,” and the sound of an egg cracking. Add to that the strings of guitars and mandolins and banjos, bellowing trumpet, and a light and tight rhythm section. Then bake on high.. (Savage)
With Before the Brave, Garden Party, Greg Downing
Fri/23, 9pm, $10
Thee Parkside
1600 17th St, SF
www.theeparkside.com
http://www.youtube.com/watch?v=0Srcmhe1ogg

Ovvl
“If you’ve been to a local metal show in recent months, chances are Ovvl was on the bill. If not, there was probably an Ovvl member standing next to you in the crowd. But, hesher, stop now if you’ve been taking ’em for granted. With a new album and tours on the horizon, the four-piece is about to be mighty scarce around these parts.” — Cheryl Eddy
With Crag Dweller
Sat/24, 9pm, $5
Bender’s Bar and Grill
806 S. Van Ness, SF
www.bendersbar.com
http://www.youtube.com/watch?v=V6Up1tS8fOs

Black Sabbath
Before reality television and famous flame-haired wives, even before that bloody bat-biting incident, Ozzy Osbourne was simply a wild-eyed young boy from a hardscrabble town who, together with guitarist Tony Iommi and drummer Bill Ward, formed the world’s first heavy metal group. This year, Black Sabbath released its first new album together in decades, 13, a lumbering return to form produced by Rick Ruben. With it came instantly timeless first single, “God is dead?” an eight-minute metal epic. Beyond all the hype, myth, and druggy tabloid brouhaha, a vital band still stands before us, wicked as it ever was, and willing to crowd-please with old tracks mixed in with the new. According to live reviews of this headlining non-fest tour, the band has been opening with “War Pigs.”
Mon/26, 7:30pm, $40–$149.50
Shoreline Amphitheatre
One Amphitheatre Parkway, Mountain View
www.livenation.com
http://www.youtube.com/watch?v=OhhOU5FUPBE

Deerhunter
“Many who have flirted with musical greatness have also teetered on the fine line between eccentricity and insanity, and Deerhunter frontperson Bradford Cox is no exception. While the Atlanta band’s garage rock albums continue to receive glowing reviews and growing numbers of dedicated fans, Cox’s mental (in)stability has also been featured center stage in the group’s evolution. His charming eccentricities — rambling and semi-incoherent stage banter — are shadowed with more off-putting stunts, as when Cox responded to a fan’s snarky request for “My Sharona” with an hour-long cover of the song in Minneapolis. A Deerhunter show is many things — insane, beautiful, confusing, and frequently very moving — but there is one thing it will never manage to be. Bradford Cox will never be boring.” — Haley Zaremba
With Lonnie Holley, Avey Tare’s Slasher Flicks
Mon/26, 8pm, $21
Great American Music Hall
859 O’Farrell, SF
(415) 885-0750
www.slimspresents.com
http://www.youtube.com/watch?v=G5RzpPrOd-4

Rep Clock: August 14 – 20, 2013

Michael Redmond
-
0

Schedules are for Wed/14-Tue/20 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ANSWER SF 2969 Mission, SF; answer@answersf.org. $5-10 (no one turned away for lack of funds). Black August (Styles, 2007), Wed, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. •Raging Bull (Scorsese, 1980), Wed, 2:30, 7, and The King of Marvin Gardens (Rafelson, 1982), Wed, 4:55, 9:25. 1984 (Radford, 1984), Thu, 7, and Enemy of the State (Scott, 1998), Thu, 9:15. “Midnites for Maniacs:” •Indiana Jones and the Temple of Doom (Spielberg, 1984), Fri, 7, and Evil Dead II: Dead By Dawn (Raimi, 1987), Fri, 9:30. $12 for one or both films; $5 entry into 11:45pm screening of Tenebre at the Roxie with Castro ticket stub (see listing below). “SF Bear Pride presents Amy Schumer,” comedy performance, Sat, 8. Advance tickets ($32.50-40.50) at www.ticketfly.com. •2001: A Space Odyssey (Kubrick, 1968), Sun, 2, 8:15, and Solaris (Tarkovsky, 1972), Sun, 4:50. •Frances Ha (Baumbach, 2012), Tue, 3:30, 7:15, and The Bling Ring (Coppola, 2013), Tue, 5:15, 9.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Hannah Arendt (von Trotta, 2012), call for dates and times. The Hunt (Vinterberg, 2012), call for dates and times. 20 Feet From Stardom (Neville, 2013), call for dates and times. Ain’t In It For My Health: A Film About Levon Helm (Hatley, 2012), Wed-Thu, 8:45. Hava Nagila (The Movie) (Grossman, 2012), Wed-Thu, 4:30, 6:30. The Act of Killing (Oppenheimer, 2012), Aug 16-22, call for times. Ray Harryhausen: Special Effects Titan (Penso, 2012), Sun and Aug 25, 7.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” Willow (Howard, 1988), Fri-Sat, midnight.

“FILM NIGHT IN THE PARK” This week: Creek Park, 451 Sir Frances Drake Blvd, San Anselmo; www.filmnight.org. Free (donations appreciated). Singletrack High (Pedal Born Pictures, 2012), Fri, 8; The Avengers (Whedon, 2012), Sat, 8. Union Square, Geary at Powell, SF. Singin’ in the Rain (Donen and Kelly, 1952), Sat, 8.

JACK LONDON SQUARE Market lawn, Harrison at Water, Oakl; www.jacklondonsquare.com. Free. Grease (Kleiser, 1978), Wed, sundown. Presented sing-along style.

NEW PARKWAY 474 24th St, Oakl; matatu.eventbrite.com. $8-10. “Matatu Film Festival,” films about global journeys presented by Top Ten Social and Broaklyn Film and Theater Co, Thu-Sat.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Dark Nights: Simenon and Cinema:” Le train (Granier-Deferre, 1973), Wed, 7; The Clockmaker (Tavernier, 1974), Fri, 8:45. “Tales of Love: The Enchanted World of Jacques Demy:” A Slightly Pregnant Man (Demy, 1973), Thu, 7; A Room in Town (Demy, 1982), Sat, 8:30. “The Hitchcock 9: Rare Silents Restored:” The Lodger: A Story of the London Fog (1926), Fri, 7; The Ring (1927), Sat, 6:15; The Farmer’s Wife (1928), Sun, 7. “Castles in the Sky: Masterful Animation from Studio Ghibli:” Howl’s Moving Castle (Miyazaki, 2004), Sun, 4.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. The Canyons (Schrader, 2013), Wed-Thu, 7:15, 9:30. Kid-Thing (Zellner, 2013), Wed-Thu, 7. Great Hymn of Thanksgiving (Mendoza, 2013), Wed, 7. “Frameline Encore Screening,” Thu, 7. Title TBA; check www.frameline.org for updates. “A Night of Neon Slime:” Angel (O’Neill , 1984), Thu, 9:15, and Vice Squad (Sherman, 1982), Thu, 11. Tenebre (Argento, 1982), Fri, 11:45. Portrait of Jason (Clarke, 1967), Aug 16-22, 7. *

 

Rep Clock: August 6 – 13, 2013

Michael Redmond
-
0

Schedules are for Wed/7-Tue/13 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $5-10. “OpenScreening,” Thu, 8. Email programming@atasite.org for submission info. “New! Form! Fiction!”: “The Nova Avon: Social Media Fiction Screening, Performance, and Maker Opportunity,” Fri, 7.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. •Un Flic (Delon, 1972), Wed-Thu, 2:45, 7, and Max et les ferrailleurs (Sautet, 1971), Wed-Thu, 4:45. 8:55. •This Is Spinal Tap (Reiner, 1984), Fri, 7:30, and Sgt. Pepper’s Lonely Hearts Club Band (Schultz, 1978), Fri, 9:10. •Big Wednesday (Milius, 1978), Sat, 6, and Apocalypse Now (Coppola, 1979), Sat, 8:20. •M (Lang, 1931), Sun, 1, 6, and Metropolis (Lang, 1927), Sun, 3:15, 8:05.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Hannah Arendt (von Trotta, 2012), call for dates and times. The Hunt (Vinterberg, 2012), call for dates and times. Rebels With a Cause (Kelly, 2012), call for dates and times. Storm Surfers 3D (McMillan and Nelius, 2012), call for dates and times. 20 Feet From Stardom (Neville, 2013), call for dates and times. The Hole (Dante, 2009), Fri and Tue, 4:30, 6:45. Ain’t In It For My Health: A Film About Levon Helm (Hatley, 2012), Fri, Tue, Aug 14-15, 8:45.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” The Room (Wiseau, 2003), Sat, midnight.

ERIC QUESADA CENTER 581 Valencia, SF; www.mitfamericas.org. $5-10. Revolutionary Medicine: A Story of the First Garifuna Hospital (Freeston, 2013), Tue, 7.

“FILM NIGHT IN THE PARK” This week: Creek Park, 451 Sir Frances Drake Blvd, San Anselmo; www.filmnight.org. Free (donations appreciated). Being There (Ashby, 1979), Fri, 8; Lincoln (Spielberg, 2012), Sat, 8.

FOUR STAR 2200 Clement, SF; www.lntsf.com. $10. “Live From the Red Square,” concert film featuring Russian opera stars Anna Netrebko and Dmitri Hvorostovsky, Fri, 6; Sat-Sun, 11:30am.

JACK LONDON SQUARE Market lawn, Harrison at Water, Oakl; www.jacklondonsquare.com. Free. Skyfall (Mendes, 2012), Thu, sundown.

NEW PARKWAY 474 24th St, Oakl; www.thenewparkway.com, www.cinekink.com. Donations accepted. “Best of CineKink,” sexy short films, Thu, 7.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “A Call to Action: The Films of Raoul Walsh:” High Sierra (Walsh, 1941), Wed, 7; They Drive By Night (Walsh, 1940), Sat, 6:30; White Heat (Walsh, 1949), Sat, 8:30. “Tales of Love: The Enchanted World of Jacques Demy:” The Young Girls of Rochefort (Demy, 1967), Thu, 7; The Young Girls Turn 25 (Varda, 1993), Fri, 7; The World of Jacques Demy (Varda, 1994), Sun, 6:45. “Dark Nights: Simenon and Cinema:” Red Lights (Kahn, 2003), Fri, 8:45. “Castles in the Sky: Masterful Animation from Studio Ghibli:” Whispers of the Heart (Kondo, 1995), Sun, 4:30.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. Downloaded (Winter, 2013), Wed-Thu, 7:15, 9:30. Terms and Conditions May Apply (Hoback, 2013), Wed-Thu, 7:15, 9:30. Low Movie (How to Quit Smoking) (Harder, 2013), Thu, 7:15, 8:45. The Canyons (Schrader, 2013), Aug 9-15, 7:15, 9:30 (also Sat-Sun, 2:45, 4:45). Kid-Thing (Zellner, 2013), Aug 9-15, 7 (also Sat-Sun, 5).

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. Harana (Bautista, 2012), Fri-Sun, 7 (also Sat-Sun, 1, 3, 5). *

 

Rep Clock: July 31 – August 6, 2013

Michael Redmond
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0

Schedules are for Wed/31-Tue/6 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ALBANY 1115 Solano, Albany; www.landmarketheatres.com. $7. “Family Series:” Where The Wild Things Are (Jonze, 2009), Sat-Sun, 10:30am.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. San Francisco Jewish Film Festival, Wed-Thu. See www.sfjff.org for program information. “R. Kelly Trapped in the Closet: The Interactive Sing-Along,” Fri-Sun, 8. Advance tickets ($12) at www.ticketweb.com. Chitty Chitty Bang Bang (Hughes, 1968), presented sing-along style, Sat-Sun, 2. Advance tickets ($9-12) at www.ticketweb.com.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. The Hunt (Vinterberg, 2012), call for dates and times. One Track Heart: The Story of Krishna Das (Frindel, 2012), call for dates and times. Rebels With a Cause (Kelly, 2012), call for dates and times. Storm Surfers 3D (McMillan and Nelius, 2012), call for dates and times. 20 Feet From Stardom (Neville, 2013), call for dates and times. Hannah Arendt (von Trotta, 2012), Aug 2-8, call for times.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” “A Nightmare to Remember: Volume One,” short films hosted by Miss Misery, Sat, midnight.

“FILM NIGHT IN THE PARK” This week: Dolores Park, 19th St at Dolores, SF; www.filmnight.org. Free (donations appreciated). The Princess Bride (Reiner, 1987), Sat, 8.

NEW PARKWAY 474 24th St, Oakl; www.thenewparkway.com. Free. “First Friday Shorts,” works by local women filmmakers, Fri, 6-8.

NEW PEOPLE CINEMA 1746 Post, SF; www.jffsf.org. $13. “J-Pop Summit Festival: Japan Film Festival of San Francisco,” new films and anime from Japan, Wed-Sun.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Tales of Love: The Enchanted World of Jacques Demy:” Jacquot (Varda, 1991), Wed, 7; Model Shop (Demy, 1969), Fri, 9; Donkey Skin (Demy, 1970), Sun, 6:30. “A Call to Action: The Films of Raoul Walsh:” “Behind the Scenes: Film Critics Dave Kehr and Michael Fox in Conversation:” Wild Girl (Walsh, 1932), Thu, 7; “Book Signing and Discussion with Dave Kehr:” The Lawless Breed (Walsh, 1953), with a discussion of Kehr’s book, When Movies Mattered, Sat, 6; Pursued (Walsh, 1947), Sat, 8:40. “Dark Nights: Simenon and Cinema:” Betty (Chabrol, 1992), Fri, 7. “Castles in the Sky: Masterful Animation from Studio Ghibli:” From Up on Poppy Hill (Miyazaki, 2011), Sun, 4:30.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. Big Star: Nothing Can Hurt Me (DiNicola and Mori, 2012), Wed, 6:45, 9. Plimpton! Starring George Plimpton As Himself (Bean and Poling, 2012), Wed-Thu, 6:45, 8:45. “Triple Fisher: The Lethal Lolitas of Long Island,” Thu, 7:30, 9:15. Downloaded (Winter, 2013), Aug 2-8, 7:15, 9:30. *

 

Rep Clock: July 24 – 31, 2013

Michael Redmond
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0

Schedules are for Wed/24-Tue/30 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •Gloria (Cassavetes, 1980), Wed, 7, and Escape from New York (Carpenter, 1981), Wed, 5, 9:20. San Francisco Jewish Film Festival, July 25-Aug 1. See www.sfjff.org for program information.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. The Hunt (Vinterberg, 2012), call for dates and times. The Look of Love (Winterbottom, 2013), call for dates and times. One Track Heart: The Story of Krishna Das (Frindel, 2012), call for dates and times. Rebels With a Cause (Kelly, 2012), call for dates and times. Storm Surfers 3D (McMillan and Nelius, 2012), call for dates and times. 20 Feet From Stardom (Neville, 2013), call for dates and times. Dial M for Murder (Hitchcock, 1954), Thu and Sun, 7 (also Sun, 4:15).

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” Samurai Cop (Sharvan, 1989), Fri, midnight; The Rocky Horror Picture Show (Sharman, 1975), Sat, midnight, with the Bawdy Caste performing live.

“FILM NIGHT IN THE PARK” This week: Creek Park, 400 Sir Francis Drake, San Anselmo; www.filmnight.org. Free (donations appreciated). Moonrise Kingdom (Anderson, 2012), Fri, 8; The Road to El Dorado (Bergeron, Finn, Paul, and Silverman, 2000), Sat, 8.

FIRST UNITARIAN UNIVERSALIST CHURCH 1187 Franklin, SF; www.laborfest.net. Donations accepted. FilmWorks United: International Working Class Film and Video Festival: Roadmap to Apartheid (Nogueira and Davidson, 2012), Thu, 7.

518 VALENCIA SF; www.laborfest.net. Donations accepted. FilmWorks United: International Working Class Film and Video Festival: •The Machinist (Majid and York, 2010), and Bhopali (Carlson, 2011), Fri, 7.

JACK LONDON SQUARE Market lawn, Harrison at Water, Oakl; www.jacklondonsquare.com. Free. Brave (Andrews, Chapman, and Purcell, 2012), Thu, sundown.

MISSION CULTURAL CENTER FOR LATINO ARTS 2868 Mission, SF; www.laborfest.net. Donations accepted. FilmWorks United: International Working Class Film and Video Festival: Dreamworks China (Facchin and Fraceschini, 2012), with “War in Paterson, the Strike that Changed the Labor Movement” (Seidel, 2010), and “A Witness to the Paterson Strike” (Golzio), Sun, 7:30.

NEW PARKWAY 474 24th St, Oakl; www.thenewparkway.com. $6. “SPECTRUMQueerMedia.com presents:” Strange Frame: Love and Sax (Hajim, 2012), Sun, 3.

NEW PEOPLE CINEMA 1746 Post, SF; www.jffsf.org. $13. “J-Pop Summit Festival: Japan Film Festival of San Francisco,” new films and anime from Japan, July 27-Aug 4.

NIMBY’S 8410 Amelia, Oakl; www.brainwashm.com. $10. Brainwash Drive-In/Bike-In/Walk-In Festival, Fri-Sat, 9 (music at 8). All shows broadcast in FM stereo.

NINTH STREET INDEPENDENT FILM CENTER 145 Ninth St, SF; detourdance.com/TDFF. $10-15 (two-day pass, $25). detour dance presents: “Tiny Dance Film Festival,” short dance films from around the globe, Fri-Sat, 8.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “A Call to Action: The Films of Raoul Walsh:” They Died with Their Boots On (1942), Wed, 7; What Price Glory (1926), Sat, 6. “Tales of Love: The Enchanted World of Jacques Demy:” Lola (1961), Thu, 7; Bay of Angels (1962), Fri, 7; The Umbrellas of Cherbourg (1964), Sat, 8:30. “Dark Nights: Simenon and Cinema:” Monsieur Hire (Leconte, 1989), Fri, 8:45; The Bottom of the Bottle (Hathaway, 1956), Sun, 7. “Castles in the Sky: Masterful Anime from Studio Ghibli:” Princess Mononoke (Miyazaki, 1997), Sun, 4:30.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. A Band Called Death (Covino and Howlett, 2012), Thu, 7. Big Star: Nothing Can Hurt Me (DiNicola and Mori, 2012), Wed, 9; Thu, 9:15. An Oversimplification of Her Beauty (Nance, 2012), Wed-Thu, 7, 9:15. “This Must Be the Place: Post-Punk Tribes 1983-1990,” docs and oddities, Fri-Sun. Check website for full schedule. Plimpton! Starring George Plimpton As Himself (Bean and Poling, 2012), July 26-31, 6:45, 8:45.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. Viola (Piñeiro, 2012), with “Muta” (Martel, 2011), Thu and Sat, 7:30; Sun, 2. *

 

Rep Clock: July 17 – 23, 2013

Michael Redmond
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0

Schedules are for Wed/17-Tue/23 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6-9. “Periwinkle Cinema: Reality Check,” short films, Wed, 8. The Space Invaders: In Search of Lost Time (Von Ward, 2012), Fri, 8. “An Evening with Sublime Frequencies and filmmaker Hisham Mayet,” Sat, 8.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •Mystery Train (Jarmusch, 1989), Wed, 7, and Night on Earth (Jarmusch, 1991), Wed, 9:05. San Francisco Silent Film Festival: Prix de Beauté (Genina, 1930), Thu, 7; “Amazing Tales from the Archives,” Fri, 11am (free screening); The First Born (Mander, 1928), Fri, 2; Tokyo Chorus (Ozu, 1931), Fri, 4:30; The Patsy (Vidor, 1928), Fri, 7; The Golden Clown (Sandberg, 1926), Fri, 9:30; “Winsor McCay: His Life and Art,” presentation by John Canemaker, Sat, 10am; The Half-Breed (Dwan, 1916), Sat, noon; Legong: Dance of the Virgins (de la Falaise, 1935), Sat, 2:15; Gribiche (Feyder, 1926), Sat, 4; The House on Trubnaya Square (Barnet, 1928), Sat, 6:30; The Joyless Street (Pabst, 1925), Sat, 8:30; “The Kings of (Silent) Comedy,” Sun, 10am; The Outlaw and His Wife (Sjöström, 1918), Sun, 1; The Last Edition (Johnson, 1925), Sun, 3:30; The Weavers (Zelnik, 1927), Sun, 6; Safety Last! (Taylor and Newmeyer, 1923), Sun, 8:30. Tickets (most shows $15) and more info, including accompanists for each program, at www.silentfilm.org. The Great Gatsby (Luhrmann, 2013), Mon-Tue, 6, 9 (also Tue, noon, 3).

CHILDREN’S CREATIVITY MUSEUM 221 Fourth St, SF; www.artsanddialogue.org. Free (space is limited, so RSVP to info@ybcbd.org). “Arts and Dialogue presents the Yerba Buena Mini-Film Festival,” Thu, 6.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Augustine (Winocour, 2012), call for dates and times. Frances Ha (Baumbach, 2012), call for dates and times. One Track Heart: The Story of Krishna Das (Frindel, 2012), call for dates and times. Rebels With a Cause (Kelly, 2012), call for dates and times. Storm Surfers 3D (McMillan and Nelius, 2012), call for dates and times. 20 Feet From Stardom (Neville, 2013), call for dates and times. The Hunt (Vinterberg, 2012), July 19-25, call for times. The Oyster Princess (Lubitsch, 1919) with “Cops” (Cline and Keaton, 1922), Mon, 7:15. With live musical accompaniment; this event, $12.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” V/H/S 2 (Various directors, 2013), Fri-Sat, midnight.

“FILM NIGHT IN THE PARK” This week: Creek Park, 400 Sir Francis Drake, San Anselmo; www.filmnight.org. Free (donations appreciated). The School of Rock (Linklater, 2003), Fri, 8; Brave (Andrews and Chapman, 2012), Sat, 8.

518 VALENCIA SF; www.laborfest.net. Donations accepted . International Working Class Film and Video Festival: •Strike (Eisenstein, 1925), and Even the Heavens Weep: The Mine Wars of West Virginia (McGuire, 1985), Thu, 7.

HUMANIST HALL 390 27th St, Oakl; www.humanisthall.org. $5. RiP!: A Remix Manifesto (Gaylor, 2008), Wed, 7:30.

NIMBY’S 8410 Amelia, Oakl; www.brainwashm.com. $10. Brainwash Drive-In/Bike-In/Walk-In Festival, Fri-Sat through July 27, 9 (music at 8). All shows broadcast in FM stereo.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “Dark Nights: Simenon and Cinema:” The Man on the Eiffel Tower (Meredith, 1949), Wed, 7; La Marie du port (Carné, 1950), Fri, 7; The Brothers Rico (Karlson, 1957), Sat, 8:30. “A Call to Action: The Films of Raoul Walsh:” Objective Burma (1945), Thu, 7. “From the Archive: Treasures of Eastern European and Soviet Cinema:” And Give My Love to the Swallows (Jires, 1971), Fri, 8:45; The Maple and Juliana (Uher, 1972), Sat, 6:30. “Castles in the Sky: Masterful Anime from Studio Ghibli:” Spirited Away (Miyazaki, 2001), Sun, 4:30.

REDSTONE BUILDING 2940 16th St, SF; www.laborfest.net. Donations accepted. International Working Class Film and Video Festival: •Living As Brothers (Fraser, 2012), with “Newspeak” (Fero, 2011) and Mothers of Fukushima (Torii, 2013), Fri, 7.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. How to Make Money Selling Drugs (Cooke, 2013), Wed-Thu, 7, 9. An Oversimplification of Her Beauty (Nance, 2012), Fri-Sun, 9:15; July 22-25, 7. Big Star: Nothing Can Hurt Me (DiNicola and Mori, 2012), Fri-Sun, 6:45; July 22-25, 9. “Pictoclik Film Festival,” local film festival competition, Fri-Sat, 9. This event, $30-50.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. Band of Sisters (Fishman, 2012), Thu-Sun, 6, 8 (also Fri, 4; Sat-Sun, 2, 4). *

 

Rep Clock

Jesse Hawthorne Ficks
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0

Schedules are for Wed/10-Tue/16 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $5-6. “OpenScreening,” Thu, 8. For participation info, contact programming@atasite.org. “Re-Inventing the Reel,” artist-made works from Elements of Image Making, Fri, 8. “Your Skin is the Fourth Wall,” video and performance work, Sat, 8.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-11. •The Night of the Hunter (Laughton, 1955), Thu, 7, and Cape Fear (Scorsese, 1991), Thu, 8:45. •The Exorcist (Friedkin, 1973), Fri, 7, and Suspiria (Argento, 1977), Fri, 9:30. The Craft (Fleming, 1996), Sat, 3, 8. With a “witch-tacular” performance starring Peaches Christ, Sharon Needles, Alaska Thunderfuck, and Honey Mahogany. This event, $30-80; more details at www.peacheschrist.com. “Ray Harryhausen Tribute:” The 7th Voyage of Sinbad (Juran, 1958), Sun, 3:05, 7, and Jason and the Argonauts (Chaffey, 1963), Sun, 1, 4:55, 8:45. Diana Vreeland: The Eye Has to Travel (Immordino Vreeland, 2011), Tue, 7, and Renoir (Bourdos, 2012), Tue, 8:45.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Augustine (Winocour, 2012), call for dates and times. Frances Ha (Baumbach, 2012), call for dates and times. Rebels With a Cause (Kelly, 2012), call for dates and times. 20 Feet From Stardom (Neville, 2013), call for dates and times. One Track Heart: The Story of Krishna Das (Frindel, 2012), July 12-18, call for times. Storm Surfers 3D (McMillan and Nelius, 2012), July 12-18, call for times.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” The Room (Wiseau, 2003), Fri, midnight. Hosted by Sam Sharkey.

“FILM NIGHT IN THE PARK” This week: Creek Park, 400 Sir Francis Drake, San Anselmo; www.filmnight.org. Free (donations appreciated). Footloose, Fri, 8. Union Square, Geary at Powell, SF. Vicky Cristina Barcelona (Allen, 2008), Sat, 8.

518 VALENCIA SF; www.laborfest.net. Donations accepted . International Working Class Film and Video Festival: •Shift Change (Dwarkin and Young, 2012), and One Shot, One Kill (Fujimoto, 2009), Wed, 7. Also ILWU Local 34 Hall, 801 Second St, SF. •The Contis: The Struggle Continues (Clatot, 2010), and On the Art of Water (Luzi and Bellino, 2012), Fri, 7.

JACK LONDON SQUARE Market lawn, Harrison at Water, Oakl; www.jacklondonsquare.com. Free. Hitchcock (Gervasi, 2012), Thu, sundown.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “A Call to Action: The Films of Raoul Walsh:” Regeneration (1915), Fri, 7; The Yellow Ticket (1931), Fri, 8:30; The Big Trail (1930), Sun, 6:30. “From the Archive: Treasures of Eastern European and Soviet Cinema:” Pastorale (Iosseliani, 1975), Wed, 7; Five Evenings (Mikhalkov, 1979), Sat, 6:30. “Dark Nights: Simenon and Cinema:” La tête d’un homme (Duvivier, 1933), Thu, 7; Stray Dog (Kurosawa, 1949), Sat, 8:30. “Castles in the Sky: Masterful Anime from Studio Ghibli:” Porco Rosso (Miyazaki, 1992), Sun, 4:30.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. A Band Called Death (Covino and Howlett, 2013), Wed-Thu, 7, 9. Maniac (Khalfoun, 2012), Wed-Thu, 7:15, 9:15. San Francisco Frozen Film Festival, indie films, Fri-Sat. More details at www.frozenfilmfestival.com. How to Make Money Selling Drugs (Cooke, 2013), July 12-18, 7, 9 (also Sat-Sun, 3, 5).

VOGUE 3290 Sacramento, SF; www.wordsondance.org. $20. “Words on Dance:” Maria Tallchief in Conversation with Evelyn Cisneros (1998), Mon, 7.

YERBA BUENA CENTER FOR THE ARTS 701 Mission, SF; www.ybca.org. $8-10. André Gregory: Before and After Dinner (Kleine, 2012), Thu and Sat, 7:30pm; Sun, 2.

Rep Clock

-
0

Schedules are for Wed/2-Tue/9 except where noted. Director and year are given when available. Double and triple features marked with a •. All times pm unless otherwise specified.

ARTISTS’ TELEVISION ACCESS 992 Valencia, SF; www.atasite.org. $6-10. Directing Dissent (Hamacher, 2013), Sat, 8.

CASTRO 429 Castro, SF; (415) 621-6120, www.castrotheatre.com. $8.50-13. •Jaws (Spielberg, 1975), Wed, 2:15, 7, and Rocky (Avildsen, 1976), Wed, 4:35, 9:25. •Josie and the Pussycats (Elfont and Kaplan, 2001), Fri, 7:30; Velvet Goldmine (Haynes, 1998), Fri, 9:30; Wild in the Streets (Shear, 1968), Fri, 11:59. “Scary Cow Independent Film Festival,” Sat, 3. This event, $10-25; visit www.scarycow.com for more details. “50th Anniversary Restoration:” Cleopatra (Mankiewicz, 1963), Sun, 2, 7.

CHRISTOPHER B. SMITH RAFAEL FILM CENTER 1118 Fourth St, San Rafael; (415) 454-1222, www.cafilm.org. $6.75-$10.25. Fill the Void (Burshtein, 2012), call for dates and times. Frances Ha (Baumbach, 2012), call for dates and times. Rebels With a Cause (Kelly, 2012), call for dates and times. 20 Feet From Stardom (Neville, 2013), call for dates and times. Augustine (Winocour, 2012), July 5-11, call for times.

CLAY 2261 Fillmore, SF; www.landmarktheatres.com. $10. “Midnight Movies:” Mr. Hush (Madison, 2011), Fri, midnight. Hosted by Miss Misery.

“FILM NIGHT IN THE PARK” This week: Creek Park, 400 Sir Francis Drake, San Anselmo; www.filmnight.org. Free (donations appreciated). Super 8 (Abrams, 2011), Fri, 8; Return of the Jedi (Marquand, 1983), Sat, 8.

NEW PARKWAY 474 24th St, Oakl; www.thenewparkway.com. Free. “First Friday Shorts,” featuring short films made by local youth, Fri, 6.

PACIFIC FILM ARCHIVE 2575 Bancroft, Berk; (510) 642-5249, bampfa.berkeley.edu. $5.50-9.50. “A Call to Action: The Films of Raoul Walsh:” Sailor’s Luck (1933), Fri, 7; Me and My Gal (1932), Fri, 8:40. “A Theater Near You:” Port of Shadows (Carné, 1938), Sat, 6:30; Kuroneko (Shindo, 1968), Sat, 8:30. “Castles in the Sky: Masterful Anime from Studio Ghibli:” Pom Poko (Takahata, 1994), Sun, 4:30.

ROXIE 3117 and 3125 16th St, SF; (415) 863-1087, www.roxie.com. $6.50-11. Hey Bartender! (Tirola, 2013), Wed-Thu, 7, 9:15. Ain’t In It For My Health: A Film About Levon Helm (Hatley, 2013), Wed, 7:15, 9:15. A Band Called Death (Covino and Howlett, 2013), July 5-11, 7, 9. Maniac (Khalfoun, 2012), July 5-11, 7:15, 9:15.

VICTORIA 2961 16th St, SF; teatrofrida.eventbrite.com/#. $12-35. “Fiestas Fridas:” •Frida: Naturaleza Viva (1984), and The Life and Death of Frida Kahlo as told to David and Karen Crommie (1966), Sat, 5. Followed by “Somos Frida,” a performance showcase. *

 

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