Oakland

Live shots: Pro-Palestine activists block ship at the Port of Oakland

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Pro-Palestine activists marched on Saturday to block an Israeli ship scheduled to dock at the Port of Oakland, protesting Gaza violence.

Well over 1,000 protesters marched from the West Oakland BART station to the port to block the Zim Piraeus, operated by Zim Integrated Services, Ltd., from docking and unloading its goods. As of last night the ILWU respected the Block the Boat picket line. A police line met the protesters when they arrived.

Check out the Bay Guardian’s print edition, Wednesday, for in-depth coverage of the protest. Until then, here are some live shots from Saturday.  

All photos below by Joe Fitzgerald Rodriguez. 

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cops

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Boxing lessons

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arts@sfbg.com

While still a child in early-’80s San Francisco, Boots Riley witnessed something he didn’t quite understand but that would stick with him for the rest of his life. Walking into a theater performance at the venerable Mission District art space Project Artaud, Riley saw actors in body paint writhing around him in apparent agony on all sides. It was meant as a simulation of the AIDS epidemic, with the actors portraying the afflicted. But it didn’t enlighten him much as a kid.

“It just scared the hell out of me,” Riley recalls. “You walk into this place, and it’s like a whole city, with people all around you.”

Given how Riley’s own work with long-running hip-hop group The Coup likewise mixes political activism with overwhelming performance energy, it’s fitting he would look back on this experience as the inspiration for The Coup’s new multimedia project, Shadowbox. Featuring the work of street artist Jon-Paul Bail, videographer David Szlasa, and a host of other bands and performers, Shadowbox casts the Coup’s music in the context of an all-encompassing artwork that attacks the audience from all sides. He’s debuting the project at the Yerba Buena Center for the Arts on Aug. 16, but he hopes to eventually take it on the road to wherever an art establishment is willing to fund it.

Riley prefers to remain secretive about what the performance actually entails. He’s described it in the past as featuring puppets, drones and “Guantanamo Bay go-go dancers,” whatever those may be. To Riley, having the audience come in blind is key to maximizing the impact of the show.

“Some of the things that would make people probably want to come to the performance are things I don’t want to talk about before they happen,” Riley says.

What we do know is that it’ll feature multiple stages and a dizzying roster of collaborators, from socialist hip-hop militants Dead Prez to dream-pop duo Snow Angel, comedian W. Kamau Bell, chamber orchestra Classical Revolution, and the New Orleans-style second line unit Extra Action Marching Band. All of it will be encased by Bail’s black-and-white artwork, which will give the audience the impression of being in an actual “box of shadows.”

Bail, a Bay Area street artist perhaps best known as of late for his “Hella Occupy Oakland” poster, was one of Riley’s early heroes on the Bay Area art scene. The two met in the late ’80s amid a wave of neo-Nazi skinhead activity in the Bay Area, which the two of them helped fight to counter.

“When I was in high school I would hang out at Alameda Beach,” Riley recalls. “Back then Alameda was still a navy town and they didn’t like a lot of black folks coming around. Police rolled up to harass us, and the police insignia on the car was covered in a swastika. The first thing I thought was: ‘Who the fuck did that?'”

It turned out to be Bail, and the two artists quickly bonded, putting up anti-Nazi posters around the city. They’ve remained friends through the years, but they haven’t collaborated on a large-scale project until now.

“He was the first artist I ever met who was trying to do something more with art than just make art,” Riley says. “He had a collective at California College of the Arts at the time, which had the slogan — ‘no art for art’s sake.'”

The Yerba Buena Arts Center connected Riley and Bail with videographer (and Theater Artaud collaborator) David Szlasa, who helped design the video elements of the project. Together, they form Shadowbox’s core creative axis, responsible for the aesthetically overwhelming experience Riley hopes the project will be.

Though Shadowbox contains elements of both a gallery exhibition and a theatrical performance, Riley ultimately hopes that Shadowbox will feel more like a show than anything else, in line with the Coup’s high-octane concerts.

“A lot of the time when you’re doing something theatrical people just want to stand around,” Riley says. “But our shows have always been known to be a dance party, and we’re keeping the audience with us and not just watching us.”

The performers and artworks are intended to surround an audience, which will be able to move around and examine the exhibit at first. But as the room fills, Riley hopes the crowd will solidify and focus on the music. The musical element of Shadowbox will mostly consist of Coup songs, but each of the additional musical performers will play one of their own songs in addition to collaborating with the band.

The Coup didn’t write songs specifically for the performance, rather choosing to perform works culled from the band’s six-album, 20-plus-year catalog — including a few unreleased tracks and songs they don’t generally perform live. Though calling Shadowbox an augmented Coup concert would surely sell the event and its collaborators short, it seems as if all the key elements of a Coup show will be there: the songs, the audience-bludgeoning power, and especially the politics.

Though the title Shadowbox primarily refers to the effect Bail’s artwork creates on the performance space, Riley sees multiple meanings to the title. Shadowboxing is the practice in boxing of “fighting” an imaginary opponent to prepare for a match, and Riley sees parallels between this practice and the way in which the Coup “prepares” its listeners to fight real-life injustices. He’s aware political art can’t always change the world on its own, but it can inspire listeners to take action.

This gives rise to a third, even more poignant meaning to the title: that the social issues depicted in the work are only shadows of what’s really happening in the world, contained within the clearly defined “box” of the performance space.

“There are a lot of terrible things happening in the world that we’re talking about in the performance,” Riley said. “But the artwork is just a shadow of what’s really going on.”

THE COUP’S SHADOWBOX

Saturday, Aug. 16, 5 and 9pm, $25-$30

Yerba Buena Center for the Arts

701 Mission, SF

(415)978-2700

www.ybca.org

This Week’s Picks: August 13 – 19, 2014

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THURSDAY 14

 

Kevin Morby

If you’re enough of an indie rock fan, you might have heard Kevin Morby’s work without knowing it. He’s played bass for Brooklyn psych-folk crew Woods since that band’s 2009 breakthrough Songs of Shame, and he co-fronts The Babies with Cassie Ramone of Vivian Girls. But after touring with Real Estate and releasing the solo album Harlem River on Woods’ label Woodsist last year, he’s primed to take the spotlight. A fan of Bob Dylan and Neil Young, Morby’s always had a strong Americana streak, from the Western ballads on the Babies’ Our House On The Hill to the New York City love letters on Harlem River. But despite his buzz-band cred, his all-American ethos never seems ironic, and his voice and guitar playing are perfectly suited for his ambitions. (Daniel Bromfield)

7pm, $8

1-2-3-4 Go! Records

420 40th St., Oakland

(510) 985-0325

www.1234gorecords.com

 

 

Sir Sly

There’s no need to call these band members “sir.” But you might’ve had to rely on that as a fallback when the musicians adopted anonymous identities at the beginning of their careers. Though that act was certainly mysterious enough to accompany the band’s gloomy sound (sad indie rock tinged with some hip-hop and electronic influences), Sir Sly deserves recognition for last year’s EP, which is enough to appease fans until this September’s release of its debut full-length. If the title track “You Haunt Me” is anything to go by, then yep, the trio’s polished its melancholy music the first album. (Amy Char)

With Thumpers, Mother

9pm, $15

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

 

 

Like Stars We Collide

Playwright Vadenek Ke is ready to unveil his second installment in his “A Series of Collisions.” The enigmatic and elusive playwright, who explores the sexual, cultural, and vocational limitations of relationships, has written three new one acts, titled collectively Like Stars We Collide, that will be performed by his trusty troupe, the Planets Aligned Theatre Company. Known for their quick wit and occasional surreality, Ke’s works are morsels of romantic truth — they certainly don’t attempt to paint idealistic portraits of love, but simultaneously acknowledge the raw beauty and excitement that accompanies the pain. Each of the three works is directed by a different local voice, and features burgeoning SF stars. “Call it Off,” which chronicles a crumbling couple at a theme party, takes on a Rashomon-esque storytelling device to explain the individual experiences of the lovers. The small yet stylish Mojo Theatre provides an evocative locale for Ke’s elegant glimpses into the human condition. (Kurlander)

8pm, $15

Mojo Theatre

2940 16th St. #217, SF

(415) 830-6426

www.mojotheatre.com

 

 

GAYmous

San Francisco queer electro duo GAYmous claim to be motivated by the “power of the synthesizer.” On one level, this has to do with sound — their synths pack plenty of sonic oomph. But the self-declared “slut-step” duo is also motivated by synth-driven music’s ability to unite and empower marginalized groups, from the queer synthpop of the ’80s to the relentlessly empowering pop music of the early ’10s. Following those traditions, GAYmous delivers plenty of raunchy and sexually candid humor but ultimately succeeds on the basis of great pop hooks and melodies. They’ll be performing at the Uptown Oakland alongside multimedia drag performance group Daddies Plastik and the amazing Fatty Cakes & The Puff Pastries, an ensemble consisting of multiple vocalists and centered around a dizzying glockenspiel-snare drum-organ setup.

9pm, $8

Uptown Nightclub

1928 Telegraph, Oakland

(510) 451-8100

www.uptownnightclub.com

 

FRIDAY 15

 

 

Joshua Cook and the Key of Now

Joshua Cook made his name as the lead guitarist and sometime-singer of the Soft White Sixties, a local soul-heavy rock outfit that has made a huge splash at festivals (particularly an electric SXSW set) inthe last year. Cook has now formed his own outfit, a bluesier crew called Joshua Cook and the Key of Now. Their debut single, 2013’s “All Bad Things,” has a lick that sounds decidedly Jimmy Page-esque and cynical, frustrated lyrics about romantic near-misses and economic woes. FCC Free Radio, the six year-old internet radio station that champions local artists and opinion, takes over the DNA Lounge to present Cook’s new sound alongside Kitten Grenade, Survival Guide, and I Am Animal. Kitten Grenade, singer Katelyn Sullivan and instrumentalist Ben Manning’s ukelele and drum group, has been churning out sweet yet edgy folk-rock for the last two years and looks to be a nice counter to Cook’s heavier jams. (Kurlander)

8pm, $10

DNA Lounge

375 11th St, SF

(415) 626-1409

www.dnalounge.com

 

 

Deadfest

Non-metalheads may not recognize any of the names at the Oakland Metro’s two-day Deadfest. But with four stages and 46 bands from the Bay Area and beyond (including Impaled, Bell Witch, and Negative Standards), Deadfest should have something for anyone even remotely interested in heavy music. Spearheaded by DIY promoter Gregg “Deadface” Paiva, Deadfest also features a food bar with delicious-sounding gourmet tacos, featuring absurdly Bay Area-sounding accoutrements like “key lime crema” and “heritage pepper confit.” The event is only $20 per day, meaning an average of less than a buck per band. If you have even a passing interest in thrash metal, doom metal, hard core, crust punk or any of the other various forms of loud, overdriven, fancy logo-encouraging music that will be on display at Deadfest, there’s no reason not to go. (Bromfield)

7pm, $20 per day

Oakland Metro

630 3rd St., Oakland

(510) 763-1146

www.oaklandmetro.org

 

SATURDAY 16

 

 

 

The Muppet Movie 35th Anniversary

Muppet fans! It’s time to get “Movin’ Right Along” down to the Castro Theatre to catch a 35th anniversary screening of The Muppet Movie, the feature film that started the big screen careers of Kermit the Frog, Miss Piggy, Fozzie Bear, Animal and the rest of their beloved gang. Presented by SF Sketchfest, today’s event is extra special — Dave Goelz, the voice and puppeteer of The Great Gonzo will be appearing for a talk and Q&A — and he is bringing a real Gonzo Muppet with him! Don’t miss your chance to make a “Rainbow Connection” with the legendary performer (who also worked on The Dark Crystal, Labyrinth and Emmett Otter) and his iconic, chicken-loving creation. (Sean McCourt)

11am, $10

Castro Theatre

429 Castro, SF

www.sfsketchfest.com

 

 

 

Civil War Living History Day

The band called the Civil Wars may have broken up, but the dream of the 1860s is alive in San Francisco. No need to adopt the fashion trends of years past for this American Civil War enactment. (Just dress appropriately for the city’s August weather and be glad you don’t have to deal with the South’s humidity.) In a condensed jump back into time, the day offers regular infantry drills and artillery discussions throughout the day and plenty of demonstrations of soldier and civilian life way back when. Highlights include historical music (characterized by heavy reliance on the drums) and medical treatment (which may not be up to snuff to deal with Ebola). (Amy Char)

10am – 5pm, free

Fort Point National Historic Site

999 Marine, SF

(415) 556-1693

www.nps.gov/fopo

 


SUNDAY 17

 

Name Drop Swamp Records + Quiet Lightning

This new collaboration between independent SF record label Name Drop Swamp Records (Fox & Woman, Split Screens) and the long-running lit and spoken word series Quiet Lightning brings together live music, poetry, and performance for an evening that’s sure to draw a crowd full of all kinds of artists — in addition to those being featured on stage. Featured performer Luz Elena Mendoza of Y La Bamba is someone you won’t get to see in a small room for too much longer, thanks to her unique, rich vocals and skilled storytelling through song. The door is sliding scale and the aim is for this evening to be the first in a bimonthly series at the Emerald Tablet (sorry, “Em Tab,”) so get in before it blows up. (Emma Silvers)

5 – 9pm, $10-20; no one turned away for lack of funds

The Emerald Tablet

80 Fresno, SF

(415) 500-2323

www.emtab.org

 

MONDAY 18

 

Built To Spill

Boise’s Built To Spill has been churning out heartbreakingly lovely indie rock songs for over 20 years. Doug Martsch, formerly of Treepeople, formed the group in 1992. Since then, the band has gone through a whirlwind of lineup changes with Martsch as the only constant, but have managed to create seven equally beautiful, reverb-heavy studio albums. Martsch’s music has been cited as a major inspiration by such indie rock royalty as Isaac Brock of Modest Mouse and Ben Gibbard of Death Cab for Cutie. Though it’s been five years since they’ve released an album, Built To Spill’s live show hasn’t declined a bit. This three-night run at Slim’s is a very special event, and certainly not to be missed. (Haley Zaremba)

With Slam Dunk, The Warm Hair

8pm, $28

Slim’s 333

11th St, SF

(415) 255-0333

www.slimspresents.com


TUESDAY 19


Fucked Up

Toronto’s Fucked Up might be the most ambitious punk band on the planet. This six-piece hardcore band has been releasing more and more epic and boldly experimental records since their explosive entrance to the scene in 2001. The group has even been recognized by the Canadian government, winning the prestigious Polaris Prize in 2009 for its incredible, sprawling punk-rock opera The Chemistry of Common Life. Their most recent effort, Glass Boys, maintains their hardcore edge while finding more rock depth, borrowing simultaneously from Dinosaur Jr. and Negative Approach. The record asks questions about what it means to be an aging and successful punk band. Known and notorious for their tempestuous relationship and wildly unpredictable live shows, Fucked Up is one of the best hardcore bands and certainly one of the best live acts on the road. (Zaremba)

Tijuana Panthers, The She’s

8pm, $20

The Independent

628 Divisadero, SF

(415) 771-1421

www.independentsf.com

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 835 Market Street, Suite 550, SF, CA 94103; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

Gaza protests continue

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Bay Area demonstrations held in response to the Israeli-Gaza conflict continued last week, and planning is underway for more.

Activists with Arab Youth Organization joined other coalition members at an Aug. 6 rally outside the San Francisco Federal Building, where Rep. Nancy Pelosi’s office is located, to call upon the U.S. government to end aid to Israel.

“We’re here because humans are dying,” said Linda Ereikat, a 17-year-old Palestinian American who was born and raised in the Bay Area and recently spent a month visiting her grandparents in the West Bank. “We’re not here because we’re part of a political party. We don’t care about Hamas. We care that our people are dying, and our people are under siege. And it’s just crazy.”

Ereikat said her travels opened her eyes to the stark contrast between her carefree life in America and her extended family’s day-to-day reality in the West Bank. During one night of her visit, she said, Israeli soldiers raided her grandparents’ village. “It was in the middle of the night. We heard tear gases,” she said. “We heard dogs, because they brought their dogs to search. There were so many soldiers in our city.” Her fellow activist Samha Ayesh, a 21-year-old organizer with AYO, said he had family in Palestine and had lost some friends in the conflict.

On Aug. 16, a coalition of pro-Palestine activists plans to stage a protest at the Port of Oakland — which could involve blockading a ship with ties to the Israeli government.

These aren’t the only Bay Area street demonstrations being held in response to the Israeli-Gaza conflict. Hundreds turned out for a pro-Israel march in San Francisco last weekend. And on Aug. 3, pro-Israel activists staged an action where they sounded a long emergency whistle while activists threw themselves face-down on the ground in Union Square, as someone on a microphone intoned: “In Israel, you get 15 seconds to run for your life before a rocket from Gaza strikes.”

Locals Only: Tom Rhodes

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There are artists who are known for being shy and reclusive — for producing their best work while holed up in their room, or in a cabin in the woods, or on a solo bender.

And then there are those who feed off the energy of an audience. The magic of a live performance is in the interaction, right? In the knowing that, though you’re just a face in a crowd at a venue like thousands of others across the country, the experience you’re having with a musician live on stage is unique to that evening; whether it’s a drum coming in a millisecond later than it did the previous night or banter that changes based on what the band drank backstage.

With Or Without, the fourth self-released album from East Bay singer-songwriter Tom Rhodes, has taken the concept of a live album — the attempt to capture that specific face-to-face, performer-audience magic — and distilled it like a fine whiskey. Created over the course of four separate live performances in November in front of intimate studio audiences at San Francisco’s own Coast Recorders, the resulting music sounds like you’ve been snuck into something secret and awesome: There’s a particularly liberated-sounding husk in Rhodes’ voice (one could guess he falls into the latter camp of artists), an excitingly un-tucked feeling behind pedal steel man Tim Marcus’ guitar, and the overall feeling of the band playing directly to you; this album would be particularly welcome on a solo road trip.

Perhaps relatedly, Rhodes has traveled extensively, and also swerved between genres a good deal. Ahead of his show with fellow local alt-country/folk heavyweights The Lady Crooners (who also appear on his album) and Kelly McFarling this Wednesday, Aug. 13 at the Freight and Salvage Coffeehouse, we caught up with Rhodes to hear about the inspirations for this album and, of course, his favorite foods.

SF Bay Guardian How and when did you first start playing music? Who are the songwriters you look to for inspiration? What’s the first record you really remember loving?

Tom Rhodes I have been playing music for as long as I can remember. As a very young child I remember my mother teaching me piano, singing at home and at church; instruments were all over the house and I was never told that I was too young or clumsy to experiment with them. My mother is a classically trained singer and multi-instrumentalist (she played the oboe, clarinet, piano, and guitar) and my father is an incredibly passionate music collector. So I wound up in this perfect environment for creating a child who would grow up to be a musician: A kid in a house filled to the brim with instruments and parents who were constantly listening to music on top of the line stereos, and discussing that music with parents who really dove into it themselves. My dad’s record collection numbered in the thousands, we had a room that was filled with shelves of records and I would play them all the time. Then it was tapes, then CDs.

The music that I came of age to was so diverse that I can’t begin to list even my favorites…it’s everything…they all had pretty equal weight, but the first “songwriter” that I remember falling in love with lyrically and musically was (and still is) Paul Simon. It’s really a toss-up between him and the older Jackson Browne stuff for me when it comes to a benchmark that I have always tried to get close to. The first record that opened up huge doors in my head as far as songwriting goes was Paul Simon’s Graceland. It has this scope, and tenderness, and insight that continues to this day to have new and deeper meanings to me, and it was like nothing I had ever heard.

SFBG From your bio, it sounds like you’ve lived all over. Do you think your style has changed with geographic location? How are you influenced by the place you live? What led to the fuller band sound on this album?

TR Living in lots of places has definitely affected my style. Everywhere I go I try to find the music that makes that spot special and dig into it. In the Bahamas I would follow around the musicians in the Calypso bands trying to figure out how their crazy rhythms worked. In New Orleans I fell in love with Zydeco and Second Line…I played with local cats and tried to catch their vibe. I’ve busked everywhere I have lived, and I always check out the local buskers…they will tell you where the heart of the city is quicker than any overpriced bar. San Francisco is a bit different on its influence on me. It has been less musical and much more intellectual. For the first time in a long time I have had the social freedom to explore some concepts about humanity and myself by being surrounded by other people on a similar quest. San Francisco has such a diverse and transplanted population that it’s style seems to be more about what you’re saying than how you are saying it. That has rubbed off on me a bit. 

As far as the fuller sound on the album, that has come from the amazing musicians that I am surrounded by.  The musicianship in the Bay Area is top notch right now, and some very special stuff is going to start emerging from it very soon.  I look at SF as a town on the brink of being a center of music in the next 5-10 years.

SFBG Can you tell me a bit about how the way this album was recorded, using live sessions? How do you think it affects the overall sound/feel of a record?

TR This album was a concept before the first note was recorded. The concept was to create a record that would be the most real and honest piece of art I had ever made.

The record is self-financed, and even the crowd funding was done in a way that didn’t ask for donations but rather I asked people to hire me to do work with the knowledge that the money I made was going into making this album. I wanted to walk away from the process with a piece of art that I would pay $15,000 for, and I have it.

To create that we had to do everything the hard way (i.e. the right way). I brought in Charlie Wilson (SonicZen Records) to help me build a band around these songs that I had labored over for almost three years and record them live in a top shelf studio. We rented out Coast Recorders for four days, invited in a small audience each night, and played the album for them live. We took the best takes and that’s the record that you hear.

Recording live is very hard and very risky, so it is very rare to see artists attempting it these days, unless they are trying to make a record on the cheap.  There are so many variables that can go wrong (you can lose your voice, there can be technical issues that take up recording time, the band can make mistakes, some small thing can be out of tune) and if any of them happen, you wind up with a bad sounding album and no back-up plan.  Most records are tracked separately these days to avoid that, but to me it takes all of the real life out of it, and it tells me almost nothing about the person who recorded it.

Another thing is doing it in front of an audience. I am a live performer by trade really, I spend 90 percent of my time in music with a guitar strapped to my chest and singing to real, live, human beings (and sometimes my dog). Performing is what I do best, so why go into a studio and do anything other than that? I find tracking vocals in a booth takes all of the emotion out of it for me, and I have to put it back into the music in some fake kind of way. Why not just do it the right way and record it? (The answer most producers and engineers would tell you is that most people can’t do that. They make too many mistakes, don’t know their songs, it’s hard to isolate the voice and guitar from each other to edit them later.) One of the amazing things that Charlie Wilson did in this whole process was to not back down from those challenges.

So in the end we have this album.  It is exactly what I wanted.  It is a collection of songs that say exactly what I want them to say, and it doesn’t just sound like what we sound like when we play as a band… it IS us playing as a band.  Performing these songs with our hearts wide open.  But when someone hears the record I hope that they don’t hear that it’s live, I hope that they FEEL that it’s real.

SFBG How do you describe your genre, when forced to? (Sorry.) There have been some pretty real shifts from album to album — is that conscious/intentional/inspired by anything in particular?

TR I’m ok with this [question] now…This album is Americana. It’s a weird term, but it’s where this record sits, probably the last one too. The stylistic shifts aren’t just from album to album, they are from song to song inside of those albums. Those shifts aren’t actually purposeful (other than being strongly guided to have more of a rock record for “No Apologies”) as much as they are a byproduct of the way that I write. I don’t write music to fit a genre, I just write the songs that come to my mind in the most effective way that I can to get the idea across. Sometimes that requires a completely different feel than other songs that I write. Each song needs to be served to the best of my abilities, regardless of what sort of music is expected of me. I grew up listening to and learning such a diverse collection of music that I have a pretty broad pallet in my head to choose from. It’s actually pretty coincidental that this album has such a singular vibe that way. Even on this album there are some genre swings; “Dying is Easy” is what I would call an R&B tune, “Nobody’s Listening” is pretty poppy, but the band and the circumstances gave this record a much more specific vibe, and we recorded it live so we couldn’t go back later and alter that feel. Not that I would do that in a million years.

SFBG Plans for the coming year?

TR This year is all about trying to spread the word about this record. That is the absolute hardest part about being an independent musician, just getting in front of new eyes and ears.  There are some big shows lined up, some tours in the works, music videos to be released…hopefully I can find people who can help me with that. That is my goal for this year, find a team of people who can help to spread this music around. I think that this album has what it takes, now I just need to show it to the world.

SFBG Where in the Bay do you live? What’s the one Bay Area meal/food item you couldn’t live without?

TR I live in the East Bay, in the Emeryville/Oakland area. There is a Mexican place out here that has the best burritos in the area, called Chili Jalapeño. It’s a hole in the wall, but I honestly daydream about their food.

SFBG Other Bay Area bands you love?

TR I love The Lady Crooners (not just because they are on my album!). They have some of the best harmonies in the business, and they make me smile every time I see them. Con Brio is an absolute must-see if you like to dance. Quiles and Cloud destroy me with their tight two-part harmonies and dark beautiful songs. When it comes to local songwriters, Lia Rose, Andrew Blair, Kelly McFarling…there is an awesome scene in this city right now, it’s bubbling under the surface, and someone smart is going to come along and figure that out. When the top blows off of the kettle I just hope to be around to see it.

Tom Rhodes, Kelly McFarling and the Lady Crooners

Wednesday, Aug. 13, 8pm, $17

Freight & Salvage Coffehouse

2020 Addison, Berk.

www.thefreight.org

Locals Only is our shout-out to the musicians who call the Bay Area home — a chance to spotlight an artist/band/music-maker with an upcoming show, album release, or general good news to share. To be considered, drop me a line at esilvers@sfbg.com.

Gaza protests this week and next

Activists with Arab Youth Organization and a number of other entities staged a protest Aug. 6 outside the San Francisco Federal Building, where Rep. Nancy Pelosi’s San Francisco office is located, calling on U.S. government to end aid to Israel.

“We’re here because humans are dying,” said Linda Ereikat, a 17-year-old Palestinian American who was born and raised in the Bay Area and recently spent a month visiting her grandparents in the West Bank.

“We’re not here because we’re part of a political party. We don’t care about Hamas. We care that our people are dying, and our people are under siege. And it’s just crazy. Regardless of politics, regardless of how you feel, humans are dying. And that’s what really gets me.”

Arab youth organizers and other supporters also planned to hold an Aug. 7 candlelight vigil at 7:30pm in San Francisco’s Union Square, in memory of Palestinians who had been killed during the conflict.

And next week, on Aug. 16, a coalition of organizers is planning to move ahead with a protest against violence in Gaza at the Port of Oakland – which could involve blockading a ship.

According to a flier announcing the Aug. 16 event:

“In 2010, after a Turkish flotilla was attacked by Israel for attempting to bring humanitarian aid to Gaza, we built on ILWU’s history [from the movement against apartheid in South Africa] and successfully blocked the Israeli Zim ship from being unloaded at the Port of Oakland – the first time in US history an Israeli ship was blocked. We will be continuing this legacy by organizing to block the Israeli ship once again.”

It seems the exact plans are still under discussion. Asked about it, AYO organizer Samha Ayesh told the Bay Guardian, “We’re trying to work with the port workers to make it successful.”

These events aren’t the only examples of Bay Area street demonstrations held in response to the Israeli-Gaza conflict. A group of demonstrators staged a pro-Israel march in San Francisco last weekend.

PROMO: Win Tickets to Viva Las Vegas at Paramount!

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VIVA LAS VEGAS (1964) – Race car driver Lucky Jackson (Elvis Presley) is down on his luck in Las Vegas. The Grand Prix is just around the corner and his race car needs an engine! Lucky has to take a job as a casino waiter, and luckily, there’s that redheaded bombshell Rusty Martin (Ann-Margret) to help him. And luckily, Lucky Johnson can SING! Highlights of the twelve musical numbers include a verbal duel between Elvis and Ann-Margret entitled “The Lady Loves Me”, the essential rockabilly number “C’mon, Everybody”, Ray Charles’ “What’d I Say”, and the requisite ballad “If You Don’t Think I Need You”. And, of course, you can’t forget the title song!<br><br>

Movie classics feature 35mm film prints, a newsreel, cartoon, previews, Dec-O-Win raffle, and a live Wurlitzer organ serenade. Purchase advance tickets here and enter to win a pair of tickets by emailing RSVP@sfbg.com with “Viva Las Vegas” in the subject line. Tickets available at the Paramount Box Office on movie night.

Friday, August 15, 8pm at the Paramount Theatre, 2025 Broadway, Oakland. |  $5

Alternative event to National Night Out shifts focus away from surveillance

Aug. 5 marks National Night Out, an annual event promoted by local governments and law enforcement agencies geared toward ending neighborhood violence and promoting public safety.

In San Francisco, Mayor Ed Lee is scheduled to join Police Chief Greg Suhr and District Attorney George Gascon at a Visitacion Valley playground for a National Night Out gathering. A host of other neighborhood block parties are scheduled throughout San Francisco and Oakland as well.

National Night Out gatherings, which are sponsored by the National Association of Neighborhood Watch, are scheduled to take place nationwide. Block party attendees are encouraged to come out and meet their neighbors as a way of banding together against crime. Yet some have questioned the heavy emphasis this event places on suspicion and surveillance as tools for promoting neighborhood safety.

To offer a different perspective, the Ella Baker Center for Human Rights has organized a community gathering Aug. 5 at the Lake Merritt amphitheater, billed as the Second Annual Night Out for Safety and Democracy.

“We still want to have a celebration of the community – but we really want to reframe the message that it’s not all about setting up a neighborhood watch program,” said Maria Dominguez, a community organizer with the Ella Baker Center. She added that a mass effort to encourage suspicion and neighborhood surveillance can lead to unintended consequences, such as actions that are unnecessarily based in fear, or racial profiling.

Instead, the Ella Baker Center hopes to emphasize restorative justice practices, youth job training programs, and reentry services as tools for promoting community safety. The group is also highlighting the need for more resources to be dedicated toward these programs as state funding becomes available.

“Safety really goes hand in hand with the lack of economic opportunity in our communities,” Dominguez said. This coming fall, she noted, the Alameda County Board of Supervisors will begin discussing allocation of some $30 million in state realignment funding. Historically, only about a fourth of this has gone toward community-based organizations focused on efforts such as reentry services, with the rest being devoted mainly to law enforcement agencies.

“We want to make sure there’s more funding allocated for community based organizations providing restorative justice initiatives, and other organizations that focus on employment and workforce development opportunities,” Dominguez said.

“With the recent rise in local surveillance initiatives and private patrols, it’s more important than ever to encourage neighbors to build connections with one another so that they can see each other,” said Ella Baker Center executive director Zachary Norris, “rather than watch each other.”

The evening’s event will feature talks by practitioners in restorative justice practitioners and representatives from organizations working around reentry programs. There will also be food, art, voter information, and a performance by Turf Feinz. They’re turf dance performers whose moves – consisting of “elaborate footwork, gliding, gigging, contortion and acrobat,” according to the event description – have been known to liven up BART commutes. 

“Rain,” Turf Feinz’ video from 2009 created in memory of a friend, got more than six million YouTube hits.

Sm/Art car

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arts@sfbg.com

THEATER Once the image of the highway-bound pioneer, the camper van has been reborn on the plains of the Wild West of arts programming, just off 51st Street in Oakland. It’s been sighted here and there since May, greeted with honking and cheering by fans of the tiny house movement, idle curiosity by idling bystanders, and mild frustration by those anticipating a sidewalk taco or crème brûlée.

Something like the sloped cross-section of a survivalist’s shack, the trail-able cabin, with a pair of wide windows set in its redwood-plank sidewalls, looks modest enough if a little odd. But husband-and-wife artists and Range Studio founders David Szlasa and Katrina Rodabaugh see it as the beginning of a convoy, and endless possibilities.

The idea was born shortly after the couple’s son was born, about three years ago. Szlasa had just left his position as programming director at Z Space to pursue life as a stay-at-home artist and dad, and was quickly finding room to work at more of a premium than ever. Already a fan of the tiny house movement, he applied to the Center for Cultural Innovation for a material-support grant, with the idea of building a small studio in the parking space beside his house.

“In the process of designing it and talking to people about what it would take, a lot more people became interested in it,” recalls Szlasa. “I started thinking more broadly that this is a significant need across the Bay Area and, after talking to people outside the Bay Area, a significant need all around.”

One of the needs he had hit on was a way of leveraging project-based support to artists for capital improvements that they could get further use out of.

“We as artists get in this pattern of raising money to do this show or do that show,” he explains. “This was re-thinking that and reapplying those funds to something that could give and keep giving. So with that I began to see the bigger opportunities in it, and pretty quickly realized this would be a prototype and model for a larger effort.”

Having built it over the course of about six months beginning last December — with crucial help from a few friends with specialized skills — Szlasa is now tooling around with his new mobile artist studio, hitched to the back of his old white pickup, in the hope of attracting support for the larger venture. Formalized as the Range Studio project, and co-directed with Rodabaugh, the former program director of artists resources at Intersection for the Arts, the idea is to replicate the prototype, christened Studio 1, and create a small fleet of deliverable art spaces and platforms that can be used individually, in tandem, or in remote coordination across a wide geographical area as a scalable artist residency program. Made of reclaimed and sustainable materials and entirely solar powered, the flatbed studio offers arts makers and programmers a real-world solution to the increasingly challenging problem of space in the Bay Area’s punishing real estate market, while embracing an ethic of conserving and maximizing material resources.

“And it’s all working!” says Szlasa, still a little surprised by the whole thing.

Studio 1 makes its formal debut this week as part of Yerba Buena Center for the Arts’ Bay Area Now 7 exhibition, which this year assumes an art fair format to showcase a wide range of practices and strategies among the Bay Area’s small to mid-size visual arts organizations. Parked outside YBCA’s downtown edifice, Studio 1 will house a series of micro residencies — with its guest artists on display to, and in various degrees of contact with, the general public. Artists-in-residence temporarily ensconced in the tech’d out trailer include Aaron Landsman (co-creator of last week’s City Council Meeting at Z Space); Dohee Lee; YBCA’s own Marc Bamuthi Joseph; and Keith Hennessy.

It promises to be almost as much of a spectacle as anything an artist inside might be working on. And Szlasa (who’ll be editing video there himself ahead of the Coup’s Shadowbox at YBCA on Aug. 16) readily admits, “It’ll be a hard day’s work to stay focused in there.” Still, with the amenities and accessibility Studio 1 offers, not to mention the spur to the imagination, it’s fair to assume its maker-residents will be happy campers. *

BAY AREA NOW 7

Through Oct. 5

Yerba Buena Center for the Arts

701 Mission, SF

www.ybca.org

 

Locals only: Outside Lands edition

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esilvers@sfbg.com

LEFT OF THE DIAL Can you smell it in the air? It’s that late-summer, chilled pinot grigio-tipsy, organic ice cream-sticky scent of Outside Lands, just around the corner.

Yes, it’s that time in our fair city’s annual trip around the sun when we get the chance to show Austin and Indio and those warm summer New York nights exactly what we here in San Francisco are made of when it comes to music festivals: Namely, expensive, gourmet food, wine, and beer stands, a commitment to slapping the word “green” in front of everything; and a beautiful, natural outdoor venue in which, should you forget to bring three extra layers in an oversized bag, you will absolutely freeze your ass off by nightfall.

All snark aside, one thing I’ve always appreciated about OSL in its six short summers is that, nestled amongst the sometimes overwhelmingly corporate feel of the thing — something that was maybe inevitable, as Another Planet Entertainment grew from little-promoter-offshoot-that-could into perhaps the most influential promotions company in the Bay Area music biz — is a commitment to bringing local bands along for the ride whenever possible.

Sure, everyone’s excited to see Kanye. I’m excited to see Kanye. Anyone who’s going to see Kanye and tries to say anything more intellectual about it than “I’m really fucking amused in advance and very excited to see Kanye” is lying. But nothing fills me with more hometown pride than watching a band I’ve been rooting for since they were playing living rooms or parklets take the stage in Golden Gate Park in front of thousands of paying, attentive potential new fans.

With that in mind, here’s your guide to a few of our favorite local folks representing the Bay Area at this year’s fest. Show up for ’em. In most cases, they’ve been working toward this for a long time. And if you don’t have the funds to make it to this year’s OSL? Lucky for us — unlike Kanye — these kids play around the Bay all year round.

Nicki Bluhm and the Gramblers

The unofficial queen of Bay Area alt-folk has had a good year since August 2013, when her band’s debut LP took to the airwaves and then to the national stage, with Bluhm’s killer vocals and long, tall mishmash of Stevie/Janis appeal at the helm. Fri/8 at 4pm, Sutro Stage

Tycho

SF’s own Scott Hansen has also been riding high this year, since the release of Awake in March propelled him from bedroom artist to something else entirely with its lush, ambitious landscapes of color and sound. We still think we prefer him in headphones to outdoor festival-style, but we’ll take it. Sat/9 at 3:40pm, Twin Peaks Stage

Mikal Cronin

If you don’t know his solo stuff (and you should; last year’s MCII was one of the best local records of the year), you probably know him as Ty Segall’s right-hand man. Either way, Cronin is one of the most authentic voices in the Bay Area’s indie scene right now, with just enough power-pop sweetness and strings coloring even his scratchiest garage-punk anthems. Fri/8 at 4:30pm, Panhandle Stage

Christopher Owens

Did you love Girls (the SF indie powerhouse, RIP, not the HBO show)? Of course you did. Did you love Christopher Owens’ solo debut, Lysandre? We did too. He’s giving us another one in September; now’s your chance for a sneak preview of some likely highly emotional and lushly orchestrated songs. Sat/9 at 2:30, Sutro Stage

Watsky

This 27-year-old rapper and SF University High School graduate has been gaining attention with his whiplash-inducing flow, which he honed in his teens as a slam poetry champion. His most recent album, June’s All You Can Do, is poised to take him from Internet and Ellen-famous to just famous-famous. Sun/10, 2pm, Twin Peaks Stage

Trails & Ways

Bossa nova dream pop, Brazilian shoegaze, whatever you call it: This Oakland quartet (and Bay Guardian Band on the Rise from 2012) draws inspiration from all over the globe for its undeniably catchy, never predictable, harmony-drenched melodies. Sat/9 at 12:40pm, Twin Peaks Stage

Beso Negro

“This is not your father’s gypsy jazz,” warns Beso Negro’s bio, which — while we’re pretty sure our dad doesn’t have a kind of gypsy jazz — does a pretty good job of explaining the modern sounds infused into this Fairfax five-piece’s musical vocabulary. Hell Brew Revue Stage, all three days, check the website for details

Tumbleweed Wanderers

As if we didn’t have a big enough soft spot for this East Bay alt-soul-folk outfit already, there’s the fact that they got their start busking outside of festivals for their first few years — including Outside Lands. Seeing them on the inside will be sweet. Sat/9 at noon, Sutro Stage

El Radio Fantastique

With horns, theremin, and just about every kind of percussion you can think of, this Point Reyes-based eight-piece is a mish-mash of everything dark and dancey and nerdy and weird, describing themselves as “part rumba band in purgatory, part cinematic chamber group, part shipwrecked serenade.” Serious cult following here. Hell Brew Revue Stage, all three days

Slim Jenkins

Sultry, jazzy, rootsy — we’re excited to see what this mainstay of “voodoo blues” nights at small rooms like Amnesia can do on a bigger stage. Hell Brew Revue Stage, all three days

Marty O’Reilly & the Old Soul Orchestra

O’Reilly, a singer-songwriter who’s clearly done his Delta roots, gospel, and traditional folk homework, played OSL last year — well before putting out a debut studio album, the aptly titled Pray For Rain, in March of this year. This is a three-piece with arrangements that make the band seem much bigger. Hell Brew Revue Stage, all three days

Guardian Intelligence: August 6 – 12, 2014

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GOOD VIBES

Jerry Day, when deadheads spanning generations congregate around the Bay Area to celebrate the legacy of SF native Jerry Garcia, should maybe start going by Jerry Week: Friday, Aug. 1 saw sold-out crowds at Berkeley’s Greek Theater and San Rafael’s Terrapin Crossroads for performances led by Warren Haynes and Stu Allen, respectively, while the official 12th annual Jerry Day celebration on Aug. 3 brought the masses to the city for Melvin Seals & the JGB and tons more at McLaren Park. Missed ’em? Don’t worry: Aug. 12 is Jerry Garcia Tribute Night at AT&T Park.

AIRBNB’S GAFFE-STROTURF?

Last week, Airbnb sent out an email blast proclaiming: “Big News: Launching Fair to Share San Fransisco!” [sic]. Misspellings happen, and hey, we all make mistakes. But what is Fair to Share? It’s “working for fair rules for home sharing,” according to the blast, linking to an online petition “urging the Board of Supervisors and San Francisco leaders to enact rules that let people share the home in which they live.” More to the point, this “coalition” seems focused on weakening enforcement provisions in legislation moving forward to regulate short-term rentals. So there you have it, SF’s newest grassroots movement — backed by a company valued at $10 billion.

SENIORS VERSUS SHUTTLES

Octogenarians unite! On the first day of the tech shuttle pilot program, last Friday a group of 25 or so seniors and people with disabilities blocked two Mission tech shuttles from making their morning tech sojourn to Silicon Valley. “Stop the senior evictions!” they shouted, alleging that 70 percent of no-fault evictions since 2011 were within four blocks of the shuttle stops, and two thirds of those evictions were of seniors. The 30-something tech workers looked ignored their elders, smartphones in hand, safely ensconced in their corporate buses.

REMEMBERING THE I-HOTEL

Nearly four decades ago, thousands of San Franciscans blockaded sheriffs from evicting seniors from the International Hotel, the last vestige of the Filipino community known as Manilatown. Eventually the sheriffs were successful, but the shameful displacement helped spur many San Francisco rental protections we enjoy today. Last week, the International Hotel Manilatown Center honored the anniversary of this dark mark on the city’s history. “We fought as long as we could,” Peter Yamamoto told us, who was 23 when he fought the evictions so long ago. “That night was like electricity.”

ON A HIGH NOTE

The San Francisco Opera kicks off its 92nd season Sept. 4 with a new production of Vincenzo Bellini’s Norma, starring soprano Sondra Radvonovsky, pictured, as the Druid priestess who falls in love a Roman soldier (spoiler: it doesn’t end well). The fall season — which also includes the work that started it all for SF Opera back in 1923, Puccini’s La Bohème, in November — continues Sept. 6 with the opening of Carlisle Floyd’s Susannah, with another stellar soprano, Patricia Pacette, playing the falsely accused Appalachian heroine. Opening weekend also includes the ever-popular “Opera in the Park” Sept. 7 in Sharon Meadow, for those who prefer their arias free and open-air. www.sfopera.com. PHOTO BY MARTY SOHL

WEINER TAKES ALL

Did you hear the pitter-patter of little feet over the weekend? If it wasn’t your child (or your pesky biological clock playing tricks on you), it was most likely the Wienerschnitzel Wiener Dog Race Nationals — the Bay Area regionals portion of which drew hundreds to the Santa Clara County Fair. They scampered! They leapt! The totally got distracted and lost interest in that cute little wiener dog way! Who put the most “dash” in “dachshund”? Why, Wally the Wiener of Gilroy, who took home $250 and a trip to San Diego for the national races.

HEY, SUGAR DADDY

We’re normally weirded out by pop culture-food trend tie-ins, but when Tout Sweet Patisserie (Macy’s Union Square, 170 O’Farrell St., 3rd Fl, www.toutsweetsf.com) chef Yigit Pura announced the launch of the “Hedwig Schmidt” macaron — in honor of beloved Tony-sweeper Hedwig and the Angy Inch — we totally bit. Bourbon-orange marmalade ganache with a brandied cherry center, covered in edible red glitter? Danke, mister!

IRON MAN: APP DEVELOPER?

Because San Francisco doesn’t have enough tech CEO megalomaniacs, Marvel Comics had to fictionalize one: Tony Stark, aka Iron Man, is headed to the city by the bay. Okay, not actually (sorry fellow geeks, Iron Man is fictional), but in the comic book world, the Manhattan-based metallic hero will develop apps by day, and rocket about in his new all white, iPod-esque armor by night. But why not an everyman superhero, like say, Spiderman? Remember, Peter Parker is a photographer: He’d probably move to Oakland.

 

This Week’s Picks: July 30 – August 5, 2014

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WEDNESDAY 30

 

 

The Budos Band

If you ever hear someone say they find instrumental music boring, all you need to do is point them in the direction of the Budos Band, a 10- to 13-member (depending on the year) Afro-soul group that collectively, with its energetic meanderings through jazz and deep-pocket funk with just the right smattering of pop sweetness, commands more attention on stage than many a lead singer I’ve seen. Daptone Records labelmate Sharon Jones is having a banner year — and with the Budos’ first album since 2010, Burnt Offering, due out Oct. 21, we imagine the record company is too. Head to the Independent prepared to get sweaty. (Emma Silvers)

8pm, $25

The Independent

628 Divisadero, SF

www.theindependentsf.com

 

 

THURSDAY 31

 

 

 

Matthew Curry

Matthew Curry may only be 19, but the burgeoning blues guitarist has already had a career that many musicians spend their entire lives trying to accumulate. The Normal, Illinois native recently came off of a summer tour with Bay Area legends the Steve Miller Band and has already released an acclaimed album made up entirely of originals. His music isn’t just Stevie Ray Vaughan rehashing either — his first disk, Electric Religion, is made up of tracks that explore dynamics, confessional lyricism, and modern production. “Bad Bad Day,” an almost seven-minute jam with prolonged solos by all members of the band, is exhilarating: When Curry comes in on vocals four minutes in, he sounds like a gruff and aged Southern bluesman of the ’50s; he’s that throwback and that mature. Along with his band, The Fury (which is made up of equally talented players who are, on average, about twice Curry’s age), the group is in the midst of a cross-country odyssey that sees them opening for the Doobie Brothers and Peter Frampton. Yoshi’s will provide a break from larger venues and a chance to see Curry’s intricate guitar work up close. (David Kurlander)

8pm, $12-14

Yoshi’s

1330 Fillmore, SF

(415) 655-5600

www.yoshis.com

 

 

Pretty In Ink

Featuring highlights from the personal archives of comics historian Trina Robbins, Pretty In Ink (Fantagraphic Books) looks at the work of some of the top women cartoonists from the early 20th century, including Ethel Hays, Edwina Dumm, Nell Brinkley, and Ramona Fradon. An exhibit of the same name is currently on display at the Cartoon Art Museum, with original artwork, photographs, and other rare items featuring characters such as Miss Fury and Flapper Fanny — don’t miss your chance to head down tonight for a reception and party celebrating both, where Robbins will be on hand to autograph the toon-filled tome. (Sean McCourt)

6-8pm, free

Cartoon Art Museum

655 Mission, SF

(415) CAR-TOON

www.cartoonart.org

 

 

FRIDAY 1

 

 

 

Omar Souleyman

Though Syrian singer Omar Souleyman’s been performing for two decades and allegedly has over 500 releases to his name, you may not have heard of him until recently. Formerly a regular performer at weddings in Syria, Souleyman performs dabke music, meant to accompany the traditional line dance of the same name. Wild videos of these dances and performances found their way onto YouTube and attracted the attention of Seattle label Sublime Frequencies, which released several compilations of his work and brought him to the attention of the world’s music cognoscenti. A Four Tet-produced album and a few inexplicable Bjork remixes later, he’s become something of an underground star, performing for audiences across the world — including in San Francisco, where he’s set to most likely fill The Independent tonight. (Daniel Bromfield)

9pm, $20

The Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

 

 

 

Xiu Xiu

Twelve albums and 15 years in, Xiu Xiu remains one of the most fearless and uncompromising bands in the American rock underground. Bandleader and songwriter Jamie Stewart speaks to the part of the brain that craves the twisted and taboo, but doesn’t dare make itself known. At best, he’s like that friend you can talk to about just about anything; at worst, he’s like your own fears, screaming in your ears and telling you everything you’re thinking is sick and wrong. Approaching Xiu Xiu’s music takes mental preparation and a certain mindset. But if you think you’re ready, put on one of their records (I’d recommend Knife Play or Fabulous Muscles, but they’re all good) and trek out to see them at Bottom of the Hill. (Daniel Bromfield)

9:30pm, $14

Bottom of the Hill

1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

 

 

 

Real Estate

As members try to shrug off the stereotype of a “beach band,” there’s something about Real Estate’s mellow guitar pop that resonates with listeners, telling them the band definitely isn’t the modern Jersey equivalent of the Beach Boys. Shaking off a reliance on overdubs, the band recorded almost each take on its newest album, Atlas, live, which bodes well for the Fillmore’s audience tonight. Grab a friend who doesn’t babble about housing prices when you ask if they like Real Estate and prepare for a musical journey of sorts, as the tracks on Atlas are meant to compose a personal road map for the listener. (Amy Char)

With Kevin Morby, Corey Cunningham

9pm, $22.50

The Fillmore

1805 Geary, SF

(415) 346-3000

www.thefillmore.com

 

 

Brainwashing The Ride

Seldom has there been a more romantic musical coupling than that of Katie Ann and MC Zill. Ann, an indie singer who recently recorded her debut album, the heart-wrenching The Ride, at Goo Goo Dolls frontman Robbie Takac’s studio in New York, met the socially conscious Zill (his website is mcofpositivity.com) during her recording process, when she hit his car during a stressful day of outtakes. Their friendship morphed into an engagement, and the duo took to the road to spread their music together. The juxtaposition of Ann’s redemptive lyrics and Zill’s existential queries evoke the power pop/hip-hop mashup of later Eminem. The artists have fused the songs from their debuts into alternately sung and rapped tracks that promise an evening of emotional and stylistic fluctuation. (David Kurlander)

8pm, $10

50 Mason Social House

50 Mason, SF

(415) 433-5050

www.50masonsocialhouse.com

 

 

 

SATURDAY 2

 

 

Film Night in the park: Clueless

Watch a movie alone on your couch Saturday night? As if! This week’s free film screening, 1995’s Clueless, is timeless. Way timeless. Forget about feeling like a heifer and happily gorge on ice cream from Bi-Rite, a community partner of the outdoor film series, before the movie begins — don’t forget to bring some herbal refreshments. Tonight’s selection is this summer’s third movie in the series, following mid-July’s Frozen, and let’s be real, Coolio’s “Rollin’ With My Homies” totally has more musical merit than that annoying song about a snowman. And sure, this isn’t LA, but the event still offers valet — bicycle valet, that is. So it’s totally okay if you’re a virgin who can’t drive. (Amy Char)

Dusk, free

Dolores Park

19th St. & Dolores, SF

(415) 554-9521

www.sfntf.squarespace.com

 

 

 

Art + Soul Blues & BBQ Blowout

Live blues music all day in the sunshine, paired with barbecue cooked up by 40 top “pitmasters” from all over California. Need I say more? Oakland’s Art + Soul festival has long been a gem in the city’s cultural crown, with visual art, kids’ activities, and killer musical lineups, this year drawing old-school local favorites like Tommy Castro and the Painkillers and “Oakland Blues Divas” Margie Turner, Ella Pennewell, and more for a showcase presented by the Bay Area Blues Society. How good will the barbecue be? Mayor Jean Quan is presenting California “Chef of the Year” Tanya Holland of Oakland’s Brown Sugar Kitchen and B-Side BBQ with a key to the city. So, you know: Officially, city-decreed, smokin.’ (Emma Silvers)

Through Sun/3, noon to 6pm

$10 adults, $7 seniors and youth, kids 12 and under free

14th and Broadway, Oakl.

www.artandsouloakland.com

 

 

SUNDAY 3


The Sturgeon Queens

This quick documentary, which celebrates the 100th anniversary of iconic Jewish fishmongers/New York deli nosh-purveyors Russ & Daughters, is a must-see for delicatessen aficionados, or food history buffs, or, you know, anyone who likes to get really hungry while watching movies. At the film’s center are 100-year-old Hattie Russ Gold and 92-year-old Anne Russ Federman, the daughters after which the store was named and the heirs to their family’s culinary Lower East Side legacy; guest appearances by loyal celebrity fans of the store include Maggie Gyllenhaal, Mario Batali, and Supreme Court Justice Ruth Bader Ginsberg. (Emma Silvers)

12:15pm, $14 (as part of SFJFF)

The Castro Theatre

429 Castro, SF

www.sfjff.org

 

MONDAY 4

 

Bad Suns

The 2012 release of “Cardiac Arrest” was supposed to be a one-time deal from Bad Suns — the band planned to have only one song to its name. But not surprisingly, the catchy, sleek track caught people’s attention and blew up on the radio. Opening for groups such as Geographer and The 1975 in the past year or so, the LA-based band finally sets out on its own tour to promote its debut LP, Language & Perspective. With a more impressive repertoire than the members might’ve imagined, the album is comprised of sunshine-infused ’80s-tastic New Wave tunes. Fellow Southern California musical compadres Klev and Hunny join Bad Suns tonight. (Amy Char)

With Klev, Hunny

8pm, $15

The Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com


TUESDAY 5


Clap Your Hands Say Yeah

Even Clap Your Hands Say Yeah couldn’t have predicted the impact the unassuming Philly band’s self-titled debut had on the music world when it dropped in 2005. First blogs hopped on the hype, then Bowie and Byrne, then The Office. Seemingly overnight, the band and its leader Alec Ounsworth became one of the most polarizing entities in the indie world, at once beloved and derided for their off-kilter vocals and bizarro art-pop. Their second album, Some Loud Thunder, helped members shake off some of the buzzband backlash they’d accumulated, but now that they’re practically elder statesmen, their fan reputation is only growing. Catch the band at The Independent — before music critics decide they were the Talking Heads of their time in 10 years. (Daniel Bromfield)

9pm, $20

The Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

 

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Events: July 30 – August 5, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 30

“We are CA: Yosemite Stories with Latino Outdoors” California Historical Society, 678 Mission, SF; www.californiahistoricalsociety.org. 6:15pm, $5. Panel discussion featuring Latino Outdoors founder Jose Gonzalez and others sharing stories about Yosemite and other national parks.

THURSDAY 31

“Pretty in Ink: The Trina Robbins Collection” Cartoon Art Museum, 655 Mission, SF; www.cartoonart.org. 6-8pm, free. Reception for the exhibit with a curator-led tour, featuring highlights from the personal archives of comics “herstorian” Trina Robbins. The focus is on North American woman cartoonists from the early 20th century.

FRIDAY 1

“Jack’s Night Market” Webster Plaza, Jack London Square, Broadway at Embarcadero, Oakl; www.jacklondonsquare.com. 6-10pm, free. Outdoor bazaar with street performers celebrating Oakland artists, music, and food. All beer and wine sales benefit the Sustainable Business Alliance and Oakland Grown.

SATURDAY 2

Art + Soul Oakland Downtown Oakland (adjacent to the 12th St/City Center BART station); www.artandsouloakland.com. Noon-6pm, free. Through Sun/3. Live music is Art + Soul’s main draw, but a new event — the Oaktown Throwdown BBQ competition — will surely be a popular addition.

Bay Area Aloha Festival San Mateo County Event Center, 1346 Saratoga, San Mateo; www.pica-org.org. 10am-5pm, free. Through Sun/3. The Pacific Islanders’ Cultural Association showcases Polynesian dance and island cuisine at its annual event.

“Baycation Day” Classic Cars West, 411 26th St, Oakl; http://oaklandartmurmur.org/events/baycation-day. 1-5pm, free. Oakland Art Murmur and Broke-Ass Stuart present this afternoon of beer garden-ing, with arts and crafts by local artists, photo workshops, a display of classic cars, and food and drink, followed by the Saturday Stroll Art Walk at nearby galleries.

“Carnival of Stars” Richmond Auditorium, 403 Civic Center Plaza, Richmond; www.carnivalofstars.com. 10am-10pm (also Sun/3, 10am-8pm), $6-15. Family-friendly fantasy festival with classic horror films, belly dancing, magicians, live music, comics, and more.

Nihonmachi Street Fair Post between Laguna and Fillmore, SF; www.nihonmachistreetfair.org. 11am, free. Through Sun/3. This long-running community event celebrates Asian-Pacific American life with performances, food, activities for kids, and more. Plus: the crowd-pleasing dog pageant and accompanying parade.

“19th Annual Wienerschnitzel Wiener Nationals — Bay Area Regionals” Santa Clara County Fair, 344 Tully, San Jose; http://wwnraces.com. Noon (check-in); 2:30pm (prelims); 4pm (finals). Free for participants (fair admission, $5-8; parking, $5). Dachshunds waddle their way to the finish in the hopes of being crowned “Bay Area’s Top Dog.” The winning wiener gets a trip to the 2014 Wiener National Finals in San Diego.

SUNDAY 3

“Cupcakes and Muffintops v6.0” Humanist Hall, 390 27th St, Oakl; cupcakesandmuffintops.wordpress.com. Noon-4pm, $10 suggested donation (no one turned away). Dance company Big Moves, “fat queer community” NOLOSE, and the FatFriendlyFunders co-host this benefit sale of gender-inclusive clothing — with an emphasis on “size large and up, up, and up” — and baked goods. Bargains galore!

Jerry Day Jerry Garcia Amphitheater, McLaren Park, 45 John F. Shelley, SF; www.jerryday.org. 11:30am, free (donate for reserved seating). Live music (with Melvin Seals and JGB, Stu Allen and Mars Hotel, Tea Leaf Trio, and more) honors the legacy of the Grateful Dead star, who grew up on nearby Harrington Street in the Excelsior.

“Poetry Unbound #15” Art House Gallery, 2905 Shattuck, Berk; http://berkeleyarthouse.wordpress.com. 5pm, $5 (no one turned away). Poetry reading with Daniel Yaryan, Hollie Hardie, and Gary Turchin, plus open mic.

MONDAY 4

“From Ignorance to Acceptance: How the LGBTQ Movement Has Evolved in a Lifetime” Commonwealth Club, 595 Market St, Second Flr, SF; www.commonwealthclub.com. 6pm, $7-20. Political activist and author James Hormel discusses how LGBTQ Americans have gained visibility since 1945.

TUESDAY 5

“Litquake’s Epicenter” Hotel Rex, 562 Sutter, SF; www.litquake.org. 7pm, $5-15. Literary event hosting the launch of Edan Lepucki’s new novel, California. *

 

Smart Bomb goes off in Oakland

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By Micah Dubreuil

As a child, you imagine your toys come to life whenever your back is turned. As an adult in the Bay Area, you imagine that every night you choose to stay in, the bars are all packed with experimental underground DJs, food carts, live visual artists and the kind of freaky electronic jazz you would see in a Blade Runner spinoff series. And yet when you do turn around — at either age — your dreams often fall short (if your toys ever did come to life, please let us know).

This is not the case at Smart Bomb, a bi-monthly multimedia showcase at the Legionnaire Saloon in downtown Oakland; the next edition is this Saturday, July 26. Centered on the East Bay beat scene, the night is a multi-layered affair in every sense: local food outside, fringe producers, controllerists, and DJs downstairs, out-of-the-box grooving live acts upstairs. Here you might find a homemade synthesizer or heavily effected saxophone wailing the night away while a painter furiously creates an accompanying visual spectacle. It’s a creative assault on every sensory input, in the best possible way.

Smart Bomb is the brainchild of the band Secret Sidewalk, which is itself a microcosm of the Smart Bomb smorgasbord: a collection of electronic and acoustic musicians arranged around beat music with backgrounds in turntablism, hip hop, DIY synthesis, and jazz.

“We’re a band, yes, but we’re a collective,” says saxophonist Marcus Stephens, of the collaborative artistic community the band has built. Any night might feature a solo performance or duo experimentation as well as the full group’s mainstay set. (This weekend’s event coincides with and celebrates the release of Secret Sidewalk’s new 7” vinyl single “Cholo Curls” on CB Records.) 

In addition to the ever-changing cast of local performers, Smart Bomb regularly features guests from both the local and national scene, including heavy-hitters such as the Broun Felinis, rapper Kool A.D. (from Das Racist), and Dibia$e. “We wanted to invite other performers and artists as well — MCs and a few live bands that are on our same wavelength in terms of progressive music,” says Stephens. At their last event, Phesto Dee — from the seminal Oakland hip-hop groups Heiroglyphics and Souls of Mischief — performed a solo set with Secret Sidewalk as the backing band, an arrangement of MC and experimental beat ensemble that neither had ever explored before. 

Even with the event’s avant-garde leanings, the experience is decidedly unpretentious; Stephens says they reliably get a positive response from a super diverse room full of people. “We always seem to get a warm crowd — a lot of musicians, a lot of artists, a lot of curious mofos who want to see what the buzz is about.” 

SMART BOMB (w/ record release for Secret Sidewalk)

Sat/26, 9pm-2am, $5

Legionnaire Saloon

2722 Telegraph, Oakl.

www.legionnairesaloon.com

Photo Gallery: Graffiti artists tagging in the sunshine at Precita Park

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Normally the sound of 20 or so artists rattling and spraying aerosol cans would be quickly followed by the sound of sirens. But Sat/19 the fades went up with gusto. 

Artists tagged free standing art boards at Precita Park for the Urban Youth Arts Festival, an event that brings the ultimate underground art into a safe space. Attendees munched on burgers and listened to some good tunes at the festival, which is now in its 18th year.

Many of the street style murals paid homage to the Bay Area, from SF to Oakland. “We’re showing our love to the aesthetic of the community,” Xavier Schmidt, a 25-year-old organizer of the event and SF native, told us. One muralist hand painted a robot adorned in SF Giants and 49ers gear punching out a Google Glass-wearing Godzilla. 

“We’ve been doing this since 1987,” Schmidt said, speaking to the event’s roots. Even the event’s hosts, the Precita Eyes Muralists Association, have deep SF bonafides: they’ve been around since 1977.

“This is for solidarity, for community,” he said. “It’s a family event.”

Kids sprayed paint and played, adults kicked back and kvetched about youngsters, SF natives complained about tech employees, and many chowed down on burgers, hot dogs, and veggies donated by the local YMCA. Local musicians A-1 and Hazel Rose came out to play too, adding the head-banging element to the day. We’ve embedded one of A-1’s tracks below. Consider it your photo gallery soundtrack.

Names of the artists have been withheld because callin’ them out on the internet would be wack. All photos by Joe Fitzgerald Rodriguez. 

https://www.youtube.com/watch?v=YKpwI4aRAzM

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This dude’s head was bangin’ as he sprayed. We’re not sure how he managed to make it look so good.

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This kid was super into it, which was hilarious.

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A San Francisco robot takes down a Google Glass wearing tech-zilla.

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Hazel Rose performed a bombastic set that the crowd, below, felt all sorts of love for. 

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Oakland got plenty of love too.

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Xavier Schmidt, one of the event’s organizers, said this high schooler is a real up and comer in the graffiti scene.

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alienexperience

Some of the art boards were for everyone to paint, leading to some dooby-ous results. (Get it? Ha!)

homer

Mmmm, donuts. 

puppy


Events: July 23 – 29, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 23

Mission Bay Hidden Water Walk Meet at CalTrain station (south side plaza), Fourth St at King, SF; www.laborfest.net. 10am, free. Walking tour of the rapidly-changing Mission Bay area. Part of LaborFest 2014.

James Nestor Mechanics’ Institute, 57 Post, SF; www.milibrary.org. 6pm, $15. The author discusses Deep: Freediving, Renegade Science, and What the Ocean Tells Us About Ourselves.

“Taxi, Tech, and Rideshare” Redstone Building, 2940 16th St, SF; www.laborfest.net. 7pm, donations accepted. Forum and video screening on the subject of Uber and similar companies that are affecting the taxi industry. Part of LaborFest 2014.

THURSDAY 24

Tom Barbash Hattery, 414 Brannan, SF; www.booksinc.net. 7pm, free. The author discusses his work and writing, including Stay Up With Me, his recent short-story collection.

State of the City Forum Modern Times Bookstore Collective, 2919 24th St, SF; www.mtbs.com. 7-9pm, free. Discussion of gentrification issues with SF poet laureate Alejandro Murguia and community guest panelists.

FRIDAY 25

“Bike Design Project Reveal Party SF” PCH Lime Lab, 135 Mississippi, SF; www.oregonmanifest.com. 6-9:30pm, free. Check out next-generation bikes created by top designers and bike craftspeople at this reveal party, featuring custom-brewed, “bike-inspired” beer from Deschutes Brewery.

Gilroy Garlic Festival Christmas Park, Gilroy; www.gilroygarlicfestival.com. 10am-7pm, $10-20. Through Sun/27. Garlic is the pungent star of this annual food fair. Garlic ice cream gets all the press, but don’t sleep on the garlic fries, 2012’s most popular purchase (13,401 servings!)

Squeak Carnwath University Press Books, 2430 Bancroft, Berk; www.universitypressbooks.com. 6pm, free. The Oakland-based painter discusses her new book, Horizon on Fire: Squeak Carnwath Works on Paper, 1977-2013, containing over 90 images of her works from the past 35 years.

SATURDAY 26

Berkeley Kite Festival Cesar E. Chavez Park, Berkeley Marina. www.highlinekites.com. 10am-6pm, free. Through Sun/27. Because where else are you gonna see the world’s largest octopus kite?

Oakland 1946 General Strike Walk Lathan Square (meet at fountain), Telegraph at Broadway, Oakl; www.laborfest.net. Noon, free. Revisit key sites of Oakland’s historic “Work Holiday,” the last general strike ever to occur in the US. Part of LaborFest 2014.

“Off the Wall” Mission Cultural Center for Latino Arts, 2868 Mission, SF; www.missionculturalcenter.org. 7:30pm, free. Mission Grafica hosts this closing reception for its current screenprinting and woodcut exhibition, with a silent auction of pieces from the archives.

Ohtani Summer Bazaar Berkeley Higashi Honganji Buddhist Temple, 1524 Oregon, Berk; www.bombu.org. Today, 4-8pm; Sun/27, noon-5pm. Free. Japanese food is the focus of this two-day fest, with homemade Kushikatsu, sushi, teriyaki chicken, and other tasty treats. The temple is also known for its (American-style) chili.

Pedalfest Jack London Square, Broadway and Embarcadero, Oakl; www.pedalfestjacklondon.com. 11am-7pm, free. Celebrate biking at this festival, with bike-themed entertainment (“daredevils performing in a 30-foot Whiskeydrome”), “pedal-powered food,” a vintage bike show, bike demos, and more.

“Perverts Put Out! Dore Alley Edition” Center for Sex and Culture, 1349 Mission, SF; www.sexandculture.org. 8pm, $10-25. Readings by Jen Cross, Princess Cream Pie, Philip Huang, and others; hosted by Dr. Carol Queen and Simon Sheppard as a benefit for the CSC.

Vintage Paper Fair Hall of Flowers, Golden Gate Park, Ninth Ave at Lincoln, SF; www.vintagepaperfair.com. Today, 10am-6pm; Sun/26, 11am-5pm. Free. Huge vintage paper fair featuring antique postcards, prints, photography, Art Deco items, movie memorabilia, and more.

SUNDAY 27

LaborFest Book Fair Mission Cultural Center for Latino Arts, 2868 Mission, SF; www.laborfest.net. 10:30am, free. Numerous authors share their labor- and union-themed books and this day of readings and discussions. Part of LaborFest 2014.

Up Your Alley Fair Dore between Howard and Folsom, SF; www.folsomstreetfair.com/alley. 11am-6pm, $7 suggested donation. Folsom Street Fair’s naughty little brother fills Dore Alley with leather-clad shenanigans.

TUESDAY 29

Christopher Pollock St. Philip’s Catholic Church, 725 Diamond, SF; www.sanfranciscohistory.org. 7:30pm, $5. San Francisco History Association hosts this talk by the author of Reel San Francisco Stories: An Annotated Filmography of the Bay Area. *

 

Track record

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marke@sfbg.com

SUPER EGO Hitch up your skirt and strap on your skates: It’s another crazy weekend full of too much to do. The bonkers three-day-long Sunset Campout riverside rave and Sunday’s gay fetish pig roast Up Your Alley Fair are only the start. (I’m totally stealing my Seattle buddy DJ Nark’s “inflatable yellow rubber ducky inner tube attached to leather harness suspenders” outfit idea so I can hit both, with a pair of winged Saucony Progrid running shoes — and nothing else — in honor of this weekend’s SF Marathon.)

Sunset Campout (Fri/25-Sun/27, $70–$150, Belden, CA. www.sunsetcampout.com), put on by our own illustrious Sunset crew, is pretty much the electronic dance music festival of my dreams, with a huge roster of acts like Soul Clap, Guillaume and the Coutu Dumonts, Danny Daze, Spacetime Continuum, Traxx, Lovefingers, and dozens of local heroes. And Up Your Alley (Sun/27, 11am-6pm, donation requested. 10th St and Folsom, SF. www.folsomstreetevents.org) is Folsom Street Fair’s gayer little sister, proving that most homosexuals need but a tiny strip of clothing to make a lasting fashion statement. Both events will feature wiener roasts.

 

J.PHLIP

One of my favorite local DJs, dirtybird crewmember J.Phlip, turns her poppin’ bass up for the United Hearts fundraiser, helping to buy school buses for kids in Ghana. DJ Khan from Bristol, UK, and our own Ryuryu of Soundpieces and several members of the Surefire crew will make sure your heart rumbles in the right place.

Thu/24, 9:30pm-2:30am, $15–$50. Public Works, SF. www.publicsf.com

 

BRAZA!

World Cup what? The world may have moved on ever-so-briefly from boys in shorts chasing little white balls. But this regular party, celebrating the funky breaks and beats of Brazil and beyond, will have you waving your arms and singing. Special guest Tom Thump, whose crates run so deep they pierce the Earth’s mantle, presides. With live percussion and DJs Elan and Zamba.

Fri/25, 10pm, $5–$10. Elbo Room, 647 Valencia, SF. www.elbo.com

 

KASTLE

Yummy UK bass and future sounds by way of this LA fave, one of the early players in the ’90s R&B dance floor revival. Support by a host of others, including Elliot Lipp, Lindsay Lowend, and Chiller Whale.

Fri/25, 10pm-4am, $15–$20. 1015 Folsom, SF. www.1015.com

 

PHIL KIERAN

Irish techno, thy name is Phil. Mr. Kieran has spent a couple decades repping Belfast with some truly fun, truly stylish stuff. (Latest killer slice “Computer Games” comes with a video worthy of cult flick The Visitor.) He’ll be making his debut at the Lights Down Low party.

Fri/25, 10pm-3am, $10–$15. Monarch, 101 Sixth St, SF. www.monarchsf.com

 

TOO $HORT

You know you still know all the words to “Money in the Ghetto” — sing out with Oakland’s finest and his full band.

Fri/25, 9pm-3am, $20–$25. Public Works, 161 Erie, SF. www.publicsf.com

 

GUY J

The Israeli technician (with such thick, silky-looking hair!) keeps his tempos at a deep and steady trot — the better for building excellently textured rides through sensual, emotive soundscapes. Good, heady stuff.

Sat/26, 9:30pm, $15. Audio, 316 11th St., SF. www.audiosf.com

 

TEEN WITCH

Those neon sad-emoji kidz from the 120 Minutes monthly are back with special guests Teen Witch, summoning all dark and lovely laptop electro-ghosts, and Banjee Report, an outstanding vogue-rap outfit from Chicago.

Sat/26, 10pm, $5–$10. Elbo Room, 647 Valencia, SF. www.elbo.com

 

PIXEL MEMORY

This awesome local atmospheric electro pop trio just released nifty Night Colors EP. They’ll be kicking it up live with ethereal matriarch Metal Mother and catchy shoegaze-hop Magicks for a truly magickal night of SF sounds.

Sun/27, 8pm, $5–$8. Brick and Mortar, 1710 Mission, SF. www.brickandmortarmusic.com

 

SF and UC systems dragging their feet on fossil fuel divestment

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The San Francisco Employees’ Retirement System and University of California Board of Regents — two local entities targeted by campaigns urging them to divest of their fossil fuel investments — remain resistant to the change despite official statements of support.

In April of last year, the San Francisco Board of Supervisors voted to push SFERS to divest from fossil fuels. Now, more than a year later, sponsoring Sup. John Avalos questioned Mayor Ed Lee during the July 15 Board of Supervisors meeting about what needs to happen to move toward divestment. Groups such as Fossil Free SF and 350 SF are asking the same question since the issue of climate change is nearing a critical threshold.

Kimberly Pikul and Jed Holtzman of 350 SF told the Guardian that now is the time for action. “There is only so much carbon that we can release before we cook the planet beyond a level to which we can adapt,” Holtzman told the Guardian.

Pikul and Holtzman explained that carbon reserves owned by publicly traded fossil fuel companies represent five times what would be required to “cook the planet.” Only 20 percent of owned reserves can actually be used without massive environmental consequences, so they say stock in a fossil fuel companies is overvalued, making it a risky investment.

“To protect the long-term financial health of the pension fund and the benefits of city workers and retirees, it is a certainty that SFERS needs to divest from its fossil fuel holdings,” said Holtzman.

Despite the unstable investments and risk of environmental change, Mayor Lee seemed more concerned with jobs and green projects when Avalos questioned him about the Retirement Board’s progress at the Board of Supervisors meeting.

Lee told Avalos: “Our commitment of $4.5 million a year to GoSolarSF will continue to create local green collar jobs and … contribute [to] the creation of locally produced 100 percent green energy. These are the kinds of meaningful investments that actually deploy dollars, create jobs, and move the needle on green energy.”

Despite SF’s support of green jobs, Avalos, Fossil Free UC and 350 SF see divestment as one of the pathways toward long-term environmental change and more sustainable energy projects.

But, as Avalos pointed out, the Retirement Board has “yet to take any steps to divest from fossil fuels or limit the retirement fund’s exposure to the financial risks posed by climate change.”

The only step taken so far is to initiate “Level 1” shareholder engagement with fossil fuel companies. Pikul and Holtzman explained that Level 1 engagement “is largely cosmetic and only calls for SFERS to vote their proxies on climate-related shareholder votes.” The next step is Level 2: shareholder advocacy and engagement with fossil fuel companies. The ideal is Level 3, or investment restriction/divestment.

SF isn’t the only city to seek divestment. Oakland and Berkeley are also pursuing the cause, as are Portland and Seattle. The University of California has also been deliberating the issue and plans to vote on divestment in September.  

But the UC Board of Regents seems skeptical, despite the push from students. UC President Janet Napolitano told the Daily Bruin, “Using divestment as a tool is something that should be done rarely, if at all.”

An open letter from faculty to the UC Regents, posted on Fossil Free UC’s website, bases the argument for divestment on students’ well-being: “Current students will be at the peak of life in 2050, identified by numerous studies as a point at which the global community will have either adequately responded to climate change, or will be suffering horribly from it.”

When Harvard rejected divestment in 2013, University President Drew Faust told the San Francisco Chronicle that she found “a troubling inconsistency in the notion that, as an investor, we should boycott a whole class of companies at the same time that, as individuals and as a community, we are extensively relying on those companies’ products and services for so much of what we do every day.”

Stanford University had a similar dependence issue, which is why it compromised by divesting from coal companies, instead of all fossil fuel companies. Before divestment, the university received $19 billion from coal-related investments, money that will now be invested in other things.

While the partial divestment is a step in the right direction, Fossil Free UC student organizer Silver Hannon said, in a press release following July 16 Regents meeting, “While partial divestment could stigmatize the dirtiest energy source, we need to see the Regents take a real leadership position on the issue by adopting a comprehensive fossil-free investment strategy.”

As for SF, Mayor Lee promises that divestment will happen after the Retirement Board has considered the consequences. Since there doesn’t seem to be a study currently underway, the best course of action is to keep Lee and other officials accountable for SF’s climate and clean energy goals, said Pukil and Holtzman.

Lee seems confident that SFERs will divest, even if the timeline is currently unclear.

“I know the commission does seriously consider the fiscal consequences of divestment, and sometimes they decide the benefits outweigh the costs,” Lee told the supervisors. “I trust the Retirement Board and staff to make the right decisions in this regard.”