Mezzanine

Disrupting Disrupt

0

A friend and I made a spur-of-the-moment decision to hit the final TechCrunch Disrupt after-party last night. Because, sheer curiosity. So here comes one of those borderline journalistic essays where, no, I didn’t actually formally interview anyone. But a conversation we had offered a fascinating glimpse into attitudes held by folks working in the tech startup sector, so I’m blogging it.

My friend and I just went in (I was allowed in as press after being obnoxious about it; his borrowed badge had a girl’s name on it), drank free Coronas, and talked to people. Unsurprisingly, we soon found ourselves in a heated discussion as we sat in a booth on the top floor of Mezzanine, across from a young, well-dressed tech worker with ties to the venture capitalist world. I’m relaying what he said here without using his name. Is that disruptive or something? Well, fuck it, here goes.

As a San Francisco resident who works at a company at the heart of the tech startup world, he had very strong opinions about tech’s influence on the city’s housing market. He and others were in full agreement that rental prices in San Francisco are utterly ridiculous and out of hand.

But he dismissed critics who single out tech workers as agents of gentrification, calling them unrealistic and out-of-touch. The only way to respond to the crisis is to build taller buildings and increase density, he insisted. But those critics from the far left are just too stubbornly resistant to change, making it impossible to build anything. As he saw it, those shrill critics and their penchant for protesting everything were the reason the housing crisis is as bad as it is.

The techie we met was an impassioned speaker, his face muscles tightening and eyes fixed upon us with intensity as he informed us that change is inevitable. It’s just the way things go, he said. You can’t expect to stop it. For example, it’s unpopular to say that the Tenderloin should be made better, he told us – the critics would just howl about removing poor people – but that location is so critical, given where it is! And even if tech did make a concerted effort to find a solution to the housing crisis, he added, it would never be enough to satisfy those critics, who would only dismiss it. “They would just say, ‘oh look, now the techies are getting their way,’” he practically exploded. “‘Now the city is just going to be just like Manhattan.’”

I started to dig in, pointing out that the city was dotted with construction cranes building mostly market-rate housing that no one with an ordinary income could possibly afford. But my friend kept his cool. He calmly asked the techie if he really wanted to live in a city where everything resembled the Financial District.

Financial districts in nearly every city in America are practically identical to one another, my friend pointed out. “It’s like an algal bloom. It sucks the life out of everything.” The difference between living in a culturally diverse metropolis, and a “company town,” where just about everyone has some financial connection with the venture capitalists who are running the show, is the difference between living in a vibrant city and one where that dead-zone effect extends to every corner. Is that really what we want?

Upon hearing that, our techie softened, and grew a little more contemplative. And he made some remarkably candid remarks about tech culture, something he eats, sleeps, and breathes.

It’s all so “hyperactive,” he told us. He regularly sees people who come to San Francisco and try to accomplish as much as possible, with the greatest expediency, so they can cash in and get out. “It’s not like you’re going to stay here,” he said. Startups come and go literally in a matter of weeks, he added, so you never have a chance to get to know people. “It’s transient,” he acknowledged, but a common refrain is that that’s precisely what makes it so “dynamic.” Yet he acknowledged that at the end of the day, it all amounted to a situation where practically nobody has any lasting connection to the community.

No, a bland, boring, monocultural city isn’t what anybody wants, the techie told us, once we really got into it. To the contrary, he said, people in tech would rather be exposed to art and culture. “I’m an optimist,” he insisted. He’d like to believe that the tech community would never allow that sort of outcome, he added sincerely, that they’d come together to find some solution, for “the greater good.” But I pressed him on this point, asking if he was willing to advance that conversation. Would he warn people that something had to change? “In order to do that,” he said, “I’d have to grow a serious pair!”

I blurted out, “But you’re supposed to disrupt!

It was the comic relief we all needed in what was becoming a seriously emotional exchange, and we all started cracking up. Soon after, we were interrupted by some performance on the main stage, where a guy wearing a gigantic yellow smiley face on his head – like a spherical, 3D emoticon – was lighting the globular thing ablaze. The cartoonish smiley face went sideways while sparks spewed out from it, while blaring techno music thumped along with the spectacle. Applause and hollers arose from the crowd.

Then, promptly at midnight, the lights came on, and any sexy veneer that might have exuded from a gathering of VCs and startup founders faded instantly. Suddenly it was all just tired conference-goers, mostly men, who’d been showered with free beer and wine while continuing to network late into the night, many of them still wearing enormous printed badges that said, “DISRUPT.” Many of the out-of-towners were probably starting to wonder where exactly in San Francisco they even were, and how long it would take for an Uber to show up and ferry them away.

A show a day: Your fall music calendar

0

What’s going on in Bay Area music these next three months? Glad you asked. 

Like a daily multivitamin wards off the sniffles, getting the SFBG’s official recommended dose of live shows is crucial to maintaining optimal mental health, fun levels, and skin tone, especially as the days get shorter and the weather turns ever-so-slightly cooler.

Here’s your musical agenda from Labor Day through Thanksgiving, with highlights from our favorite fall festivals (see this week’s issue for lots more).

Aug. 28 Black Cobra Vipers with French Cassettes The Chapel, SF. www.thechapelsf.com

Aug. 29 Blind Willies Viracocha, SF. www.viracochasf.com

Aug. 30 Mistah F.A.B. Slim’s, SF. www.slimspresents.com

Aug. 31 LIVE 105’s Punk Rock Picnic with The Offspring, Bad Religion, Pennywise, and more. Are you a late-thirties/early-forties punk rock guy or gal who can’t agree on much of anything with your 13-year-old these days? Doesn’t get much better than this lineup. Bonus points for screaming along to all the swearing on The Offspring’s “Bad Habit.” Shoreline Amphitheatre, Mountain View. www.theshorelineamphitheatre.com

Sept. 1 Hiero Day. Souls of Mischief, Del, and the rest of the guys have promised some pretty big guest stars at this week’s fest, but even without ’em — a free block party with beer from Linden Street Brewery and music from some of the Bay Area’s best underground rappers? Guests, schmests. Downtown Oakland, www.hieroday.com

Sept. 2 Ghost & Gale Brick and Mortar, SF. www.brickandmortarmusic.com

Sept. 3 Joey Cape Thee Parkside, SF. www.theeparkside.com

Sept. 4 Carletta Sue Kay Hemlock Tavern, SF. www.hemlocktavern.com

Sept. 4-13 Mission Creek Oakland Music & Arts Festival. With a range of heavy hitters — from B. Hamilton and Bill Baird to Whiskerman — this is a showcase of the fertile ground that is Oakland’s indie rock scene right now, most with door prices you’re not likely to see from these bands again. Venues throughout Oakland,www.mcofest.org.

Sept. 5 Sam Chase with Rin Tin Tiger Uptown, Oakl. www.uptownnightclub.com

Sept. 6 Bart Davenport, Foxtails Brigade, more Block Party, downtown Oakland, www.mcofest.org

Sept. 7 Coheed and Cambria, Fox Theater, Oakl. www.thefoxoakland.com

Sept. 8 The Rentals Slim’s, SF. www.slimspresents.com

Sept. 9 Wild Eyes Knockout, SF. www.theknockoutsf.com

Sept. 10 Kyrsten Bean New Parish, Oakl., www.thenewparish.com

Sept. 11 Sonny & The Sunsets Eagle Tavern, SF. www.sf-eagle.com

Sept. 11-14 Downtown Berkeley MusicFest. A range of bluesy, folky, dancey bands from all over the Bay — especially recommended: the First Person Singular presentation of Beck’s Song Reader Sept. 11 and The Parmesans at Jupiter Sept. 14. Venues all over Berkeley, www.downtownberkeleymusicfest.org

Sept. 12-14, 15th Annual Electronic Music Festival Brava Theater Center, SF. www.sfemf.org

Sept. 13 The Breeders Fillmore, SF. www.thefillmore.com

Sept. 13-14 Forever Never Land, “California’s only 21+ music festival,” Avila Beach Golf Resort, www.foreverneverland.us

Sept. 15 Vulfpeck Brick and Mortar, SF. www.brickandmortar.com

Sept. 16 Lil Dicky Independent, SF. www.theindependentsf.com

Sept. 17 Anais Mitchell The Chapel, SF. www.thechapelsf.com

Sept. 18 Silent Comedy and Strange Vine Bottom of the Hill, SF. www.bottomofthehill.com

Sept. 19 Blake Mills, The Chapel, SF. www.thechapelsf.com

Sept. 20 Old Crow Medicine Show The Masonic, SF. www.masonicauditorium.com

Sept. 20-21 Berkeley World Music Festival All over Berkeley, www.berkeleyworldmusic.org

Sept. 20-21 Russian River Jazz & Blues Festival, with Larry Graham & Graham Central Station, more. www.russianriverfestivals.com

Sept. 21 Oakland Music Festival with The Coup, Kev Choice, more Downtown Oakland, www.oaklandmusicfestival.com.

Sept. 22 La Roux Fox Theater, Oakl. www.thefoxoakland.com

Sept. 23 Cello Joe The Chapel Bar, SF. www.thechapelsf.com

Sept. 24 Skeletonwitch, Black Anvil DNA Lounge, SF. www.dnalounge.com

Sept. 25-28 Philip Glass’ Days and Nights Festival Henry Miller Memorial Library, Big Sur; Sunset Cultural Center, Carmel-by-the-Sea, www.daysandnightsfestival.com

Sept. 26 Bob Mould Fillmore, SF. www.thefillmore.com

Sept. 27 Wu-Tang Clan Warfield, SF. www.thewarfieldtheatre.com

Sept. 27 Redwood City Sala Festival Courthouse Square, Redwood City, www.redwoodcity.org

Sept. 28 Sam Smith Fox Theater, Oakl. www.thefoxoakland.com

Sept. 29 Motown on Mondays Legionnaire Saloon, Oakl. www.legionnairesaloon.com

Sept. 30 Pixies The Masonic, SF. www.masonicauditorium.com

Oct. 1 Rhymesayers presents Brother Ali, Bambu Bottom of the Hill, SF. www.bottomofthehill.com

Oct. 2 Lorde Greek Theatre, Berk. www.thegreektheatreberkeley.com

Oct. 3-5 Berkeley Hawaiian Music Festival Freight and Salvage, Berkl. www.thefreight.org.

Oct. 3-5 Hardly Strictly Bluegrass Festival, Golden Gate Park, SF. www.hardlystrictlybluegrass.com

Oct 3-5 TBD Festival. Emerging Bay Area acts like 8th Grader mingle with the big kids (Blondie, Moby, Danny Brown, Kurt Vile) at this seventh annual celebration of “music, art, design, and food.” A low-key vibe and great chance to see some huge acts in a seemingly unlikely location. Riverfront, West Sacramento. www.tbdfest.com.

Oct. 4 Cibo Matto The Chapel, SF. www.thechapelsf.com

Oct. 5 Bombay Bicycle Club Warfield, SF. www.thewarfieldtheatre.com

Oct. 6 The War on Drugs with Cass McCombs Fillmore, SF. www.thefillmore.com

Oct. 7 Thurston Moore Great American Music Hall, SF. www.slimspresents.com

Oct. 8 The King Khan & BBQ Show Great American Music Hall, SF. www.slimspresents.com

Oct. 9 Imelda May Fillmore, SF. www.thefillmore.com

Oct. 10 Too Short Shoreline Amphitheatre, Mountain View. www.shorelineamphitheatre.com

Oct. 11 Pomplamoose Fillmore, SF. www.thefillmore.com

Oct. 12 Jack Beats Mezzanine, SF. www.mezzaninesf.com

Oct. 13 Mutual Benefit Independent, www.theindependentsf.com

Oct. 14-15 Culture Collide. This new-to-the-Bay-Area party has been rocking LA for the past few years, but it seems to have taken on an appropriately Mission-esque flavor for its first Mission takeover: Local kids like Grmln alongside national acts like Cloud Nothings and Clap Your Hands Say Yeah alongside a whole host of buzzy Korean, Australian, and UK bands? Yeah, we’re there. Up and down Valencia in the Mission, with multiple stages including the Elbo Room. www.culturecollide.com

Oct. 15 Of Montreal Great American Music Hall, SF. www.slimspresents.com

Oct. 16 Russian Red Independent, SF. www.theindependentsf.com

Oct. 17 Pup Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Oct. 18-19 Treasure Island Music Festival, with Outkast, Massive Attack, more Treasure Island. www.treasureislandfestival.com

Oct. 20 Kimbra Independent, SF. www.theindependentsf.com

Oct. 21 Melvins Great American Music Hall, SF. www.slimspresents.com

Oct. 22 Kat Edmonson Great American Music Hall, SF. www.slimspresents.com

Oct. 23 The Blank Tapes Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Oct. 24 Foxygen Fillmore, SF. www.thefillmore.com

Oct. 25 Titan Ups and Carletta Sue Kay DNA Lounge, SF. www.dnalounge.com

Oct. 26 Bridget Everett Independent, SF. www.theindependentsf.com

Oct. 27 Warpaint Regency Ballroom, SF. ww.theregencyballroom.com

Oct. 28 Broken Bells The Masonic, SF. www.masonicauditorium.com

Oct. 29 King Tuff Great American Music Hall, SF. www. slimspresents.com

Oct. 30 Tycho Fox Theater, Oakl. www.thefoxoakland.com

Oct. 31 LIVE 105’s Spookfest with Chromeo, Alesso, more Oracle Arena, Oakl., www.live105.cbslocal.com

Nov. 1 Stone Foxes with Strange Vine The Chapel, SF. www.thechapelsf.com

Nov. 2 Citizen Cope Catalyst, Santa Cruz. www.catalystclub.com

Nov. 3 The Black Keys Oracle Arena, Oakl., www.coliseum.com

Nov. 4 Frankie Rose with Cold Beat Bottom of the Hill, SF. www.bottomofthehill.com

Nov. 5 Finch, Maps & Atlases Slim’s, SF. www.slimspresents.com

Nov. 6 Bleachers Independent, SF. www.theindependent.sf.com

Nov. 7 Slowdive Warfield, SF. www.thewarfieldtheatre.com

Nov. 8 Shovels & Rope Fillmore, SF. www.thefillmore.com

Nov. 9 Mirah Independent, SF. www.theindependentsf.com

Nov. 10 Psychedelic Furs, Lemonheads Fillmore, SF. www.thefillmore.com

Nov. 11 Mac DeMarco Fillmore, SF. www.thefillmore.com

Nov. 12 Shakey Graves Independent, SF. www.theindependentsf.com

Nov. 13 Generationals The Chapel, SF. www.thechapelsf.com

Nov. 14 Deltron 3030 Catalyst, Santa Cruz. www.catalystclub.com

Nov. 15 J. Mascis Independent, SF. www.theindependentsf.com

Nov. 16 Hot Water Music Slim’s, SF. www.slimspresents.com

Nov. 17 Culture Club Fox Theater, Oakl. www.thefoxoakland.com

Nov. 18 The 1975 The Masonic, SF. www.masonicauditorium.com

Nov. 19 Har Mar Superstar Bottom of the Hill, SF. www.bottomofthehill.com

Nov. 20 Minus the Bear Slim’s, SF. www.slimspresents.com

Nov. 21 Seu Jorge Bimbo’s 365 Club, SF. www.bimbos365club.com

Nov. 22 Peanut Butter Wolf Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Nov. 23 Lucero Slim’s, SF. www.slimspresents.com

A show a day: Your fall music calendar

0

FALL ARTS What’s going on in Bay Area music these next three months? Glad you asked.

Here’s your musical agenda from Labor Day through Thanksgiving, with highlights from our favorite fall festivals.

Aug. 27 Terry Malts Brick and Mortar, SF. www.brickand-mortarmusic.com

Aug. 28 Black Cobra Vipers with French Cassettes The Chapel, SF. www.thechapelsf.com

Aug. 29 Blind Willies Viracocha, SF. www.viracochasf.com

Aug. 30 Mistah F.A.B. Slim’s, SF. www.slimspresents.com

Aug. 31 LIVE 105’s Punk Rock Picnic with The Offspring, Bad Religion, Pennywise, and more. Are you a late-thirties/early-forties punk rock guy or gal who can’t agree on much of anything with your 13-year-old these days? Doesn’t get much better than this lineup. Bonus points for screaming along to all the swearing on The Offspring’s “Bad Habit.” Shoreline Amphitheatre, Mountain View. www.theshorelineamphitheatre.com

Sept. 1 Hiero Day. Souls of Mischief, Del, and the rest of the guys have promised some pretty big guest stars at this week’s fest, but even without ’em — a free block party with beer from Linden Street Brewery and music from some of the Bay Area’s best underground rappers? Guests, schmests. Downtown Oakland, www.hieroday.com

Sept. 2 Ghost & Gale Brick and Mortar, SF. www.brickandmortarmusic.com

Sept. 3 Joey Cape Thee Parkside, SF. www.theeparkside.com

Sept. 4 Carletta Sue Kay Hemlock Tavern, SF. www.hemlocktavern.com

Sept. 4-13 Mission Creek Oakland Music & Arts Festival. With a range of heavy hitters — from B. Hamilton and Bill Baird to Whiskerman — this is a showcase of the fertile ground that is Oakland’s indie rock scene right now, most with door prices you’re not likely to see from these bands again. Venues throughout Oakland, www.mcofest.org.

Sept. 5 Sam Chase with Rin Tin Tiger Uptown, Oakl. www.uptownnightclub.com

Sept. 6 Bart Davenport, Foxtails Brigade, more Block Party, downtown Oakland, www.mcofest.org

Sept. 7 Coheed and Cambria, Fox Theater, Oakl. www.thefoxoakland.com

Sept. 8 The Rentals Slim’s, SF. www.slimspresents.com

Sept. 9 Wild Eyes Knockout, SF. www.theknockoutsf.com

Sept. 10 Kyrsten Bean New Parish, Oakl., www.thenewparish.com

Sept. 11 Sonny & The Sunsets Eagle Tavern, SF. www.sf-eagle.com

Sept. 11-14 Downtown Berkeley MusicFest. A range of bluesy, folky, dancey bands from all over the Bay — especially recommended: the First Person Singular presentation of Beck’s Song Reader Sept. 11 and The Parmesans at Jupiter Sept. 14. Venues all over Berkeley, www.downtownberkeleymusicfest.org

Sept. 12-14, 15th Annual Electronic Music Festival Brava Theater Center, SF. www.sfemf.org

Sept. 13 The Breeders Fillmore, SF. www.thefillmore.com

Sept. 13-14 Forever Never Land, “California’s only 21+ music festival,” Avila Beach Golf Resort, www.foreverneverland.us

Sept. 15 Vulfpeck Brick and Mortar, SF. www.brickandmortar.com

Sept. 16 Lil Dicky Independent, SF. www.theindependentsf.com

Sept. 17 Anais Mitchell The Chapel, SF. www.thechapelsf.com

Sept. 18 Silent Comedy and Strange Vine Bottom of the Hill, SF. www.bottomofthehill.com

Sept. 19 Blake Mills, The Chapel, SF. www.thechapelsf.com

Sept. 20 Old Crow Medicine Show The Masonic, SF. www.masonicauditorium.com

Sept. 20-21 Berkeley World Music Festival All over Berkeley, www.berkeleyworldmusic.org

Sept. 20-21 Russian River Jazz & Blues Festival, with Larry Graham & Graham Central Station, more. www.russianriverfestivals.com

Sept. 21 Oakland Music Festival with The Coup, Kev Choice, more Downtown Oakland, www.oaklandmusicfestival.com.

Sept. 22 La Roux Fox Theater, Oakl. www.thefoxoakland.com

Sept. 23 Cello Joe The Chapel Bar, SF. www.thechapelsf.com

Sept. 24 Skeletonwitch, Black Anvil DNA Lounge, SF. www.dnalounge.com

Sept. 25-28 Philip Glass’ Days and Nights Festival Henry Miller Memorial Library, Big Sur; Sunset Cultural Center, Carmel-by-the-Sea, www.daysandnightsfestival.com

Sept. 26 Bob Mould Fillmore, SF. www.thefillmore.com

Sept. 27 Wu-Tang Clan Warfield, SF. www.thewarfieldtheatre.com

Sept. 27 Redwood City Sala Festival Courthouse Square, Redwood City, www.redwoodcity.org

Sept. 28 Sam Smith Fox Theater, Oakl. www.thefoxoakland.com

Sept. 29 Motown on Mondays Legionnaire Saloon, Oakl. www.legionnairesaloon.com

Sept. 30 Pixies The Masonic, SF. www.masonicauditorium.com

Oct. 1 Rhymesayers presents Brother Ali, Bambu Bottom of the Hill, SF. www.bottomofthehill.com

Oct. 2 Lorde Greek Theatre, Berk. www.thegreektheatreberkeley.com

Oct. 3-5 Berkeley Hawaiian Music Festival Freight and Salvage, Berkl. www.thefreight.org.

Oct. 3-5 Hardly Strictly Bluegrass Festival, Golden Gate Park, SF. www.hardlystrictlybluegrass.com

Oct 3-5 TBD Festival, Riverfront, West Sacramento. Emerging Bay Area acts like 8th Grader mingle with the big kids (Blondie, Moby, Danny Brown, Kurt Vile) at this seventh annual celebration of “music, art, design, and food.” A low-key vibe and great chance to see some huge acts in a seemingly unlikely location. www.tbdfest.com.

Oct. 4 Cibo Matto The Chapel, SF. www.thechapelsf.com

Oct. 5 Bombay Bicycle Club Warfield, SF. www.thewarfieldtheatre.com

Oct. 6 The War on Drugs with Cass McCombs Fillmore, SF. www.thefillmore.com

Oct. 7 Thurston Moore Great American Music Hall, SF. www.slimspresents.com

Oct. 8 The King Khan & BBQ Show Great American Music Hall, SF. www.slimspresents.com

Oct. 9 Imelda May Fillmore, SF. www.thefillmore.com

Oct. 10 Too Short Shoreline Amphitheatre, Mountain View. www.shorelineamphitheatre.com

Oct. 11 Pomplamoose Fillmore, SF. www.thefillmore.com

Oct. 12 Jack Beats Mezzanine, SF. www.mezzaninesf.com

Oct. 13 Mutual Benefit Independent, www.theindependentsf.com

Oct. 14-15 Culture Collide. This new-to-the-Bay-Area party has been rocking LA for the past few years, but it seems to have taken on an appropriately Mission-esque flavor for its first Mission takeover: Local kids like Grmln alongside national acts like Cloud Nothings and Clap Your Hands Say Yeah alongside a whole host of buzzy Korean, Australian, and UK bands? Yeah, we’re there. Up and down Valencia in the Mission, with multiple stages including the Elbo Room. www.culturecollide.com

Oct. 15 Of Montreal Great American Music Hall, SF. www.slimspresents.com

Oct. 16 Russian Red Independent, SF. www.theindependentsf.com

Oct. 17 Pup Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Oct. 18-19 Treasure Island Music Festival

Oct. 20 Kimbra Independent, SF. www.theindependentsf.com

Oct. 21 Melvins Great American Music Hall, SF. www.slimspresents.com

Oct. 22 Kat Edmonson Great American Music Hall, SF. www.slimspresents.com

Oct. 23 The Blank Tapes Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Oct. 24 Foxygen Fillmore, SF. www.thefillmore.com

Oct. 25 Titan Ups and Carletta Sue Kay DNA Lounge, SF. www.dnalounge.com

Oct. 26 Bridget Everett Independent, SF. www.theindependentsf.com

Oct. 27 Warpaint Regency Ballroom, SF. ww.theregencyballroom.com

Oct. 28 Broken Bells The Masonic, SF. www.masonicauditorium.com

Oct. 29 King Tuff Great American Music Hall, SF. www. slimspresents.com

Oct. 30 Tycho Fox Theater, Oakl. www.thefoxoakland.com

Oct. 31 LIVE 105’s Spookfest with Chromeo, Alesso, more Oracle Arena, Oakl., www.live105.cbslocal.com

Nov. 1 Stone Foxes with Strange Vine The Chapel, SF. www.thechapelsf.com

Nov. 2 Citizen Cope Catalyst, Santa Cruz. www.catalystclub.com

Nov. 3 The Black Keys Oracle Arena, Oakl., www.coliseum.com

Nov. 4 Frankie Rose with Cold Beat Bottom of the Hill, SF. www.bottomofthehill.com

Nov. 5 Finch, Maps & Atlases Slim’s, SF. www.slimspresents.com

Nov. 6 Bleachers Independent, SF. www.theindependent.sf.com

Nov. 7 Slowdive Warfield, SF. www.thewarfieldtheatre.com

Nov. 8 Shovels & Rope Fillmore, SF. www.thefillmore.com

Nov. 9 Mirah Independent, SF. www.theindependentsf.com

Nov. 10 Psychedelic Furs, Lemonheads Fillmore, SF. www.thefillmore.com

Nov. 11 Mac DeMarco Fillmore, SF. www.thefillmore.com

Nov. 12 Shakey Graves Independent, SF. www.theindependentsf.com

Nov. 13 Generationals The Chapel, SF. www.thechapelsf.com

Nov. 14 Deltron 3030 Catalyst, Santa Cruz. www.catalystclub.com

Nov. 15 J. Mascis Independent, SF. www.theindependentsf.com

Nov. 16 Hot Water Music Slim’s, SF. www.slimspresents.com

Nov. 17 Culture Club Fox Theater, Oakl. www.thefoxoakland.com

Nov. 18 The 1975 The Masonic, SF. www.masonicauditorium.com

Nov. 19 Har Mar Superstar Bottom of the Hill, SF. www.bottomofthehill.com

Nov. 20 Minus the Bear Slim’s, SF. www.slimspresents.com

Nov. 21 Seu Jorge Bimbo’s 365 Club, SF. www.bimbos365club.com

Nov. 22 Peanut Butter Wolf Brick and Mortar Music Hall, www.brickandmortarmusichall.com

Nov. 23 Lucero Slim’s, SF. www.slimspresents.com

This Week’s Picks: August 6 – 12, 2014

0

sockhop in a sheet-metal factory

THURSDAY 7

 

Post:Ballet’s Five High

Most choreographers start small, slowly developing skills — and an audience for their work. In 2010 Robert Dekkers’ Post:Ballet burst onto the local scene like a comet. Dekkers hasn’t stopped since. His choreography can flow like warmed honey; he works with excellent collaborators and, above all, being a very fine dancer himself, he choreographs with the ballet trained body in mind. He doesn’t — yet — have a permanent ensemble, but he gets exceptional dancers who seem to thrive in his contemporary choreography. This year they include four from Smuin Ballet, and two LINES Ballet alumni. The new ourevolution (with a score by Matthew Pierce) will be joined by field the present shifts (2013) — with Robert Gilson and Catherine Caldwell’s spectacular set — and the 2012 quartet Mine is Yours. (Rita Felciano)

Through Sat/9, 8pm, $30+

YBCA Theater

700 Howard, SF

(415) 978-ARTS (2787)

www.tickets.ybca.org

 

 

 

Mikal Cronin

Mikal Cronin is one of the San Francisco garage-rock scene’s most omnipresent figures. Though he was once best-known for his frequent collaborations with Ty Segall (they played together in Epsilons and Ty Segall Band, and they’ve got a collab album awesomely titled Reverse Shark Attack), he’s got two very good solo albums of muscular yet shamelessly catchy power pop that have established him as a formidable presence on the scene in his own right. Unlike most of the scene he’s associated with, Cronin actually moved to San Francisco from Los Angeles, and as such, he’s showing no signs of abandoning his hometown fans. If you can’t catch him at Outside Lands this year, this night show at The Independent might be slightly more intimate. (Daniel Bromfield)

9pm, $20

The Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

 

 

 

“Mythological Bird”

Birds in San Francisco are usually nothing special. Pigeons? Please. But when it comes to the parrots of Telegraph Hill, you admittedly revere them. Extinct birds, for the most part, are cast in the same mould. Under the careful eye of some local artists, they’ve majestically flown back to life. The exhibition is a multimedia experience characterized by digital projection — which creates an alternate world for the birds that viewers can step into and thoroughly engage with the art — and more conventional art mediums. The last time the birds were alive may’ve been in the distant past, but the exhibition is a proper modern tribute to their beauty, spirit, and memory. (Amy Char)

Through Sept. 7

6pm, free

Incline Gallery

766 Valencia, SF

(415) 879-6118

www.inclinegallerysf.com

 

 

 

Beardyman

Beardyman isn’t just a beatboxer. While the London-based performer can lay down rhythmically astonishing beats and juxtapose his lines with melodic or bizarre vocal elements, his ability to use live loops is what makes him such an exhilarating live act. Often, Beardyman will start with a simple pattern that, after some fooling with his one-of-a-kind live rig, the Beardytron 5000 mkll, will grow into a layered and almost impossibly complex musical collage. He still is working on transferring his live chops to recording — uploads of his performances have garnered far more attention than his one album to date — but his new project, the long-awaited Directions, may very well change that. After being forced to cancel his last Mezzanine show because of illness, Beardyman looks to pull out all the stops this time; don’t be surprised if costumes, political invective, and incisive cultural commentary make their way into the act. (David Kurlander)

8pm, $18

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

 

 


FRIDAY 8

 

Crocodiles

One of the key figures in the noisy San Diego rock scene, Crocodiles have come a long way from their Jesus and Mary Chain-aping early days, with four albums and a feud with notorious Arizona sheriff Joe Arpaio under their belt. The band has released an album every year since 2009 (except 2011, but they put out an extra EP in 2010 to make up for it) and are showing no signs of slowing down, gigging relentlessly with a variety of bands. A live Crocodiles show tends to sound like a sockhop in a sheet-metal factory, with rock ‘n’ roll riffs and yelps bouncing around a nightmarish industrial landscape. Their upcoming show on August 8 with Tweens is their second time at the Chapel. (Bromfield)

$15, 9pm

The Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

 

 

 

Youth for Asian Theater’s Perfect Pairs

Following what must be an age-old tradition, adults often don’t take teens seriously. However, this theater company, completely comprised of local youth from a range of ethnic backgrounds, explores different cultures and the experience of growing up Asian-American through writing, directing, and performing original plays — these youth have already accomplished so much more than some adults have! In the midst of a productive summer, the company’s 14th annual production includes promising plays, such as one described as “Austen-tatious” that follows “prideful, sometimes prejudiced” characters. The theater scene is in good hands with these talented — and well-read — teens. (Amy Char)

6:30pm, free

San Francisco LGBT Center

1800 Market, SF

(415) 865-5555

www.yfat.org

 

SATURDAY 9

 

Woods

Mix Best Coast with mid-’70s Eno and you’re left with Woods, the lo-fi Brooklyn outfit that has released a prolific seven albums over seven years. The band’s most recent, With Light and With Love, is their most melodic work yet — generally known for their rampant experimentation and unpredictability, the group isn’t entirely eschewing their eccentricity, but are making their work more accessible. Lead singer Jeremy Earl, whose nasal vocals don’t exactly scream pop, is surprisingly adept at more smooth and singable melodies. The group will likely still be high from their annual Woodsist Festival in Big Sur, which features their friends and occasional collaborators Foxygen and Real Estate. Steve Gunn, the former guitarist in Kurt Vile’s The Violators, will open with cuts off of his acoustic and meditative 2013 release Time Off. (Kurlander)

10pm, $15

Brick & Mortar Music Hall

1710 Mission, SF

(415) 800-8782

www.brickandmortarmusic.com

 

 

 

Gold Panda

Gold Panda hit post-Dilla paydirt five years ago with “Quitter’s Raga,” a brief, volatile single that remains one of the most fascinating works of 21st-century producer music. Since then, he’s established himself as one of the most singular and intriguing producers in the electronic world, merging pristine minimal techno with loping hip-hop rhythms and influences from South and East Asian music. His debut, Lucky Shiner, remains a high-water mark of the last half-decade of electronic music, featuring the absolutely devastating lead single “You” and a host of other speaker-ready songs. Though last year’s Half Of Where You Live found him taking a more Spartan approach to his craft, it’s still comfort-food music, accessible across a wide spectrum of genres, demographics, and consumed substances. (Daniel Bromfield)

10pm, $20

Mezzanine

444 Jessie, SF

(415) 625-8880

www.mezzaninesf.com

 

 

SUNDAY 10

 

 

Darlene Love

Just in case you weren’t already in love with the unsung ’60s girl group singer — who repeatedly got the shaft from producer Phil Spector when she tried to launch a solo career as opposed to singing backup for very little money and even less glory (Spector actually released her work under a different girl group’s name) — last year’s award-winning documentary 20 Feet From Stardom likely did the trick. Her voice sounds strong and joyful as ever, and the warmth and effusiveness that pour from her live performances are undeniable. If the masses at Outside Lands aren’t quite your thing, this free show should bring out a different kind of mass, indeed. (Emma Silvers)

With the Monophonics

2pm, free

Stern Grove

19th Ave. and Sloat, SF

www.sterngrove.org

 

MONDAY 11


The NBA’s Jason Collins

At the end of the 2013 basketball season, after becoming a free agent, with one of the most-discussed Sports Illustrated cover stories of all time (that wasn’t a swimsuit issue), 35-year-old NBA center Jason Collins became the first publicly gay pro athlete in any of the four major American sports leagues. Lauded for his honesty and bravery, Collins signed with the Nets in February, but we’re guessing that little in his life has returned to “normal.” This event, hosted by the Commonwealth Club as part of the 2014 Platforum series The LGBT Journey, will see Collins in conversation with Jose Antonio Vargas, producer-director of the documentary Documented, who has been open about his status as a gay, undocumented Filipino American, for a discussion of American identity that doesn’t fit neatly into any one box. (Silvers)

6:30pm, $10-$20

Castro Theatre

429 Castro, SF

(415) 621-6350

www.castrotheatre.com


TUESDAY 12


The Coathangers

Joking ideas can be surprisingly fruitful. Rather than forming a band to appeal to their musical dreams, these four Atlanta-based women just wanted to have a good time while playing shows (conveniently ignoring how none of them knew how to play a musical instrument), which helps explain why their live energy is just as raw eight years later. The Coathangers eventually warmed up to the musical intricacies behind writing songs. Their efforts culminated in Suck My Shirt, the band’s fourth album, which reflects the newfound, thoughtful spirit while retaining their well-honed DIY garage-punk sound. They’re still as flippant as ever with their song titles: “Love Em and Leave Em.” (Amy Char)

With White Fang, Twin Steps

8pm, $12

Rickshaw Stop

155 Fell, SF

(415) 861-2011

www.rickshawstop.com

Party Radar: Basement Jaxx, Outpost, Clockwork, Bardot A Go Go, more

1

From the wild, wild, wide world of British clubbing: People are calling the video below “the worst club promo ever,” but I kinda want to go. It’s not often you find so much abandon, bounce, tan spray, and just plain this in nightlife these days:

As astute commenters rightly point out, rave was a working class phenomenon in most of Britain. (Here, too, most of the Midwest rave kids I knew were from working class families.) This is a great reminder of it. And hey, at least they’re not all hooliganisming over football, as the stereotypes would have you believe. Besides, yes, the now-famous gabber-gabber-hey at 1:40 is so much more fun that what I’ve been encountering in American clubs lately, alas.In fact! The only place I can thinki of him popping up is in our own sweet, sweet Cali underground. 

I love him. Buzzfeed points out that his name is Sean, and he’s a 41-year-old carpenter, and he loves to dance. Perhaps you’d like to pull off your best imitation at the parties below (click on the titles for more info):

 

FRIDAY

BARDOT A GO GO— So fun. A pre-Bastille Day bash celebrating the Swinging French Sixties at Rickshaw Stop. Yes there will be ooh la la.

HOT CHIP DJ SET— Those loveable introspective electro nerds take to the turntables at Mezzanine, with Juan Maclean and the Lights Down Low crew

CLOCKWORK — Very, very good ‘n thoughtful London dub-techno duo hits Monarch.

CUBCAKE — Cute, sweet, usually quite packed night for chubby young gays and chasers at Lone Star Saloon.

LAST NITE — The next time someone says, “the ’90s are back!” just roll your eyes and reference this 2000s indie dance party, which has been going strong for many a Strokes singalong moon at MakeOut Room.

 

————-

SATURDAY

BASEMENT JAXX — The irresitibly catchy freaks of funky house hijinks return after a too-long absence. Public Works will be bopping.

SF THUMAKDA — A queer Bollywod dance party. ‘Nuff said.

URULU — Nice and easy tech/deep house (diva samples included) from this budding youngster at Audio, with the Modular crew.

POUND PUPPY — Hot, scruffy guys, often in goofy outfits.

TORMENTA TROPICAL — Tropical gooves and deep fuzzy bass bangers, with special guess DJ Blass from Puerto Rico, at Elbo Room.

DARK ENTRIES 5-YEAR ANNIVERSARY — Probably the coolest label in SF, releasing rare minimal wave, proto-goth classics, and new synth tunes, celebrates five years at record store RS94109 with a slew of dark local luminaries taking over the decks.

—————-

SUNDAY

SLOW HANDS – The truly talented tech-house Lothario is back, performing at Monarch: Be warned, there will be spandex (???)

 OUTPOST— Awesome-sounding new garage/bass/techno monthly at Underground SF featuring some real cool cats: Vin Sol, Michael Claus, CM-4.

This Week’s Picks: July 9 – 15, 2014

0

 

WEDNESDAY 9

 

 

‘A Hard Day’s Night’

In 1964, Beatlemania thoroughly swept America. Fifty years after the Fab Four’s stateside and film debuts, San Francisco’s celebrations seem like a blast from the past. Aside from Paul McCartney’s August concert at Candlestick Park — coming full circle to where the Beatles played their last official show — the band’s 1964 film A Hard Day’s Night returns to U.S. theaters this month. Old age may be sneaking up on Macca, but the Liverpudlian boys’ moptops, music, and mockery of Paul’s grandfather are timeless. Stay in your seat for the second feature — the 1978 film I Want to Hold Your Hand chronicles some fans’ Beatlecentric shenanigans. (Amy Char)

5:30pm, 7:30pm, $11

Castro Theatre

429 Castro, SF

(415) 621-6120

www.castrotheatre.com

 

 

THURSDAY 10

 

 

Nicole Kidman Is Fucking Gorgeous at ‘Gorgeous’

Arty art-pop-performance-party mavens Nicole Kidman Is Fucking Gorgeous (John Foster Cartwright, Maryam Rostami, and Mica Sigourney) show up at the Asian Art Museum this week to host one night’s worth of grand gorgeosity on the occasion of the museum’s current exhibit — Gorgeous (June 20–September 14) — which delves into its permanent collection as well as that of SF MOMA for a cache of 72 fabulous pieces ranging across more than two millennia. Who better to “activate the spaces” of the museum with dance and performance than special guests Fauxnique (Monique Jenkinson), Fatima Rude, La Chica Boom, and DJ Hoku Mama Swamp. Casual dress? I don’t think so. But TopCoat Nail Studio will handle the mani with designs inspired by the artwork. (Robert Avila)

6–9pm, free with museum admission, $5 after 5pm

Asian Art Museum

200 Larkin, SF

(415) 581-3500

www.asianart.org

 


FRIDAY 11

 

 

Cynic

The world was not ready for Cynic when they first emerged in the late ’80s. The band’s jazzy prog-metal and anti-macho stage presence (inspired in part by members Paul Masvidal and Sean Reinert’s sexuality — Reinert calls their music “some gay, gay metal”) made them equal parts influential and reviled. On their first national tour opening for Cannibal Corpse, the extreme audience hostility they experienced was enough to make them call it quits for 12 years — during which time their reputation and influence grew. Since the crew’s 2006 reunion, they’ve enjoyed success and reverence, releasing two more albums and playing major festivals in the U.S. and Europe. Their upcoming Fillmore gig is a chance to see one of metal’s coolest influences rock a venue as comfortably and thoroughly as they deserve to. (Daniel Bromfield)

9pm, $22.50

The Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com

 

 

Lia Rose

Formerly of Or, the Whale, San Francisco singer-songwriter Lia Rose has the kind of voice that seems like it could cut steel with its clarity — but instead, she’s going to pick up a guitar and carve you a lovesick, honey-and-whiskey-coated lullaby, with pedal steel or upright bass or banjo or all three helping to lull you under her spell. The timeless quality of her indie-folk pairs well here with opener We Became Owls, an East Bay Americana outfit that’s been gaining devotees like a steam train for the past year, despite not having an album out (this is their record release show). Gritty, Guthrie-esque sing-alongs are a distinct possibility here; maybe do some vocal warm-ups? (Emma Silvers)

9pm, $15

The Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

 

 

 

Hot Chip (DJ set)

Hot Chip’s catchy brand of electro-funk has buoyed the group’s five critically acclaimed albums. Their most recent release, 2012’s In Our Heads, is perhaps their best yet — “Don’t Deny Your Heart,” a harmony-heavy party anthem with irresistible vocals from Alexis Singer that capture all the melody of the Britpop era, was one of the most unique and danceable singles of its year. The group comes to the glitzy Mezzanine for a DJ set that promises to be full of mixing, subtle live instrumentation, and mash-ups of prior releases. The band has a penchant for debuting new music at their gigs (or else subverting their old tunes to an extent that they’re effectively entirely new tracks) and a smaller-scale dance club provides the perfect location for them to run wild. Also performing is local legend and Lights Down Low host Sleazemore and DFA records mainstay The Juan Maclean, who just dropped a stinging new single called “Get Down (With My Love).” (David Kurlander)

8pm, $16-$25

Mezzanine

444 Jessie, SF

(415) 625-8880

 

SATURDAY 12

 

Sonny and the Sunsets

San Francisco’s Sonny Smith is a scattered man. He is a singer-songwriter, playwright, author, and curator who honed his musicianship in piano bars and travelling between the Rocky Mountains, the West Coast, and Central America. The music of Sonny and the Sunsets, his SF-based pop outfit with a revolving-door lineup, reflects the patchwork nature of Smith’s mind and talents, melding aspects of pop, doo-wop, indie rock, surf, and folk. Smith is a gifted storyteller and his compelling and wonderfully strange lyricism lends itself well to the demure Ocean Beach vibes of his music. The Sunsets’ most recent album, Antenna to the Afterworld, reflects on Smith’s experiences with the paranormal, and presents some of his strongest and most wonderfully weird material to date. Tonight’s show will feature a brand new lineup and material that’s never been heard before. (Haley Zaremba)

With The Reds, Pinks, and Purples, Bouquet

9pm, $15

The Chapel

777 Valencia, SF

(415) 551-5157

www.thechapelsf.com

 

 

 

The U.S. Air Guitar Championship Semifinals

The times, they are a-changin’. Now you can put “professional air guitarist” on your LinkedIn profile and actually justify the position. Unlike most artists who usually take the stage at the Independent, tonight’s stars left their instruments at home, but they’re ready to shred. Hear — or see, rather — contestants breathe new life into some of your favorite songs, including hits from years past. It’s time for a classic rock revival. AC/DC’s and Van Halen’s riffs inspire fans to rock out, sans guitars, as past contestants can attest to. No offense to Bob Dylan, but his brand of folk just isn’t that conducive to replicate on air guitar. (Amy Char)

9pm, $20

The Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

 

 

Xavier Rudd

Xavier Rudd is a music festival’s wet dream. He’s a handsome, frequently shirtless, habitually barefoot Australian surrounded by dozens of instruments over which he has complete mastery —and he plays them all at once. Since debuting in 2002 with the album To Let, the one-man band has had a platinum album in Australia (Solace, released in 2004) and gigs at festivals across the Anglophone world, in addition to slots opening for fellow stage hounds like Jack Johnson, Dave Matthews, and Ben Harper. Though he’s been sticking more to indoor venues on this leg of his American tour, his style should be well suited to the Fillmore — home to all manner of hippie-leaning, improv-happy artists since the heyday of the Dead. (Daniel Bromfield)

9pm, $25

The Fillmore

1805 Geary, SF

(415) 346-6000

www.thefillmore.com

 

SUNDAY 13

 

Darryl D.M.C. McDaniels

Neck of the Woods becomes a time machine on Sunday as Darryl McDaniels, better known as D.M.C., drops in for a nostalgic journey through the annals of 1980s rap. One third of the explosive rap innovators Run-D.M.C., McDaniels has kept busy since the dissolution of the group more than ten years ago, playing a full festival circuit, doing extensive charity work, and covering Frank Zappa’s “Willie the Pimp” with Talib Kweli, Mix Master Mike, and Ahmet Zappa for a pulsating track on a birthday compilation put out by the Zappa Family Trust. It’s hard to say whether D.M.C. will pull out anything quite as wild during this set, but expect zeitgeist-defining songs like “It’s Tricky” and “Walk This Way,” and hopefully some deeper cuts from the group’s later work (2001’s Crown Royal has some underrated tracks) and D.M.C.’s only solo album, Checks, Thugs, and Rock and Roll. Joining McDaniels on the mic are local groups the Oakland Mind and Jay Stone, each of whom have decidedly D.M.C.-inspired beats and flows and will offer up both politicized and party-themed bangers centered around the Bay. If you’re feeling like “Raising Hell,” then head over. (Kurlander)

9pm, $18

Neck of the Woods

406 Clement, SF

(415) 387-6343

www.neckofthewoodssf.com

 

MONDAY 14

 

BAASICS.5: Monsters

These aren’t the monsters that haunted your childhood nightmares. No, these monsters have matured alongside you, escaping their fantasy story homes and creeping into the minutiae of everyday life. A group of scientists and artists serve as their caretakers tonight, enthralling audiences with accounts of honey bees’ transformation into “ZomBees,” vampires’ affinity for the best coast (namely, California), Sasquatch sightings (guaranteed to be more terrifying than the music festival), and glow-in-the-dark plants (mundane, yes, but at least you won’t wet your pants in fear). Still, the multi-media presentation finds the delicate balance between artistic and hair-raising, while maintaining a somewhat spooky aura to keep you on your toes until Halloween. (Amy Char)

7pm, free

ODC Theater

3153 17th St., SF

(415) 863-9834

www.odcdance.org

 

TUESDAY 15


The Dwarves

 The Dwarves came into the world as we all do, screaming and covered in blood. Formed in Chicago in the mid-’80s as The Suburban Nightmare, the hardcore punk outfit has since relocated to our fine city to wreak havoc. In their three decades of existence, the Dwarves’ lineup and sound have shifted from hardcore to shock rock. The twin pillars of the Dwarves, singer Blag Dahlia and guitarist He Who Cannot Be Named, however, have stood the test of time, and continue to deliver some of the most insane live shows and stunningly tasteless lyrics punk rock has to offer. Infamous for their short, bloody, and often nude live shows, the Dwarves are a legendary part of punk history and the San Francisco rock scene. Also featuring the equally notorious Queers, this show is going to be a doozie. (Zaremba)

With the Queers, Masked Intruder, the Atom Age

9pm, $20

Bottom of the Hill 1233 17th St., SF

(415) 626-4455

www.bottomofthehill.com

 

Liz Grant

Local stand-up comedian Liz Grant has gotten divorced twice and gone on an astonishing number of dates in the interim. Additionally, she has served as a “ghost online dater” for a busy executive. In her show “Dating Is Comedy,” she breaks down the contemporary SF dating scene and gets brutally honest about her various misadventures and heartbreaks along the way. While the show isn’t expressly designed for singles, Grant hopes that her words of wisdom will resonate with those who “have dated, are dating, or want to date.” With a thematic scope that large, Grant is sure to strike a funny bone (or perhaps a more fragile Achilles’ Heel) for anyone who has survived the rough seas of the dating world. Fresh off a 23-week run of another dating rumination, “Deja Wince: Lessons From a Failed Relationship Expert,” Grant is no stranger to baring her soul about the most universally distressing of all societal practices. (Kurlander)

8pm, $15

Punch Line

444 Battery, SF

(415) 397-7573

www.punchlinecomedyclub.com

 

The Guardian listings deadline is two weeks prior to our Wednesday publication date. To submit an item for consideration, please include the title of the event, a brief description of the event, date and time, venue name, street address (listing cross streets only isn’t sufficient), city, telephone number readers can call for more information, telephone number for media, and admission costs. Send information to Listings, the Guardian, 835 Market Street, Suite 550, SF, CA 94103; or e-mail (paste press release into e-mail body — no attachments, please) to listings@sfbg.com. Digital photos may be submitted in jpeg format; the image must be at least 240 dpi and four inches by six inches in size. We regret we cannot accept listings over the phone.

HARD FRENCH HEARTS LOS HOMOS BRINGS PRIDE TO THE STREETS

0

San Francisco event collective Hard French to celebrate Pride with two stages, one block party and six clubs in six hours!

Hard French, San Francisco’s award winning soul music event, is bringing their annual Pride Party, Hard French Hearts Los Homos, to the streets of downtown San Francisco! After three sold out Pride Events in previous years, they are excited to bring their party to the heart of San Francisco Pride celebrations and host an eight hour danceparty inside Mezzanine and outside on the adjoining Stevenson Alley. Hard French is known for an out of this world dance party experience, and they will keep their attendees on their feet once again with a combination of their classic all vinyl soul and live performances by some of the hottest bands, performers and DJs out right now. 

Headlining the Mezzanine Main Stage will be some of Hard French’s favorite live artists including Brooklyn’s Midnight Magic, LA’s Hi Fashion and San Francisco’s SaturnRising. The stage will be hosted by Persia and Daddies Plastik. In addition to live performances, Daddies Plastik will oversee the return of 6 parties in 6 hours featuring DJs from popular local parties like Go Bang!, Mango, Bearracuda, Esta Noche, Club Fist and a surprise club TBA. 

Outside, the Block Party Stage will be headlined by the sweet all-vinyl soul sounds of DJs Brown Amy & Carnita with smoking hot dance moves from the Hard French Jiggalicious Dance Babes. They will be joined by 60’s soul spinstress extraordinaire, DJ Beyonda who will be brining some of her rarest 45s up from Los Angeles for your dancing pleasure.  

Hard French Hearts Los Homos will be a partial benefit for the Housing Rights Committee of San Francisco.

Pride Sunday, June 29th 2014

3pm – 11pm (Block Party 3pm – 8pm)

$20 General Admission // $25 at the door // private party booths available

Mezzanine (444 Jessie St.)

21+ only

Tickets: https://hardfrenchloshomos2014.eventbrite.com

Website: www.hardfrench.com  

 

 

 

Dark/light

0

marke@sfbg.com

SUPER EGO Vampires beware, or at least grab a pair of killer shades. A recent, very late walk of shame (both heels broken but my rep intact) revealed that afternoon outdoor parties are currently raging full-tilt. So invite me to your dang retro-fidget-yacht-goth-IDM BBQ already! I promise not to spill anything. Everybody looks great in hot sauce, anyway.

Soundtracks for this week: infamous local synth-dance act The Soft Pink Truth’s brain-melting return Why Do the Heathens Rage: Electronic Profanations of Black Metal Classics, Quivver’s groovy (and timely) extended rework of “Ain’t Nothin’ Going On But the Rent,” and DJ Greg Wilson’s psychedelic-funk mixtape Blind Arcade Meets Super Weird Substance In The Morphogenetic Field. OK, let’s go.

 

HI LIFE

Glorious global soul weekly Afrolicious may have moved on to conquer the world as a touring act, but don’t cry: In its place is this tropical beats and live funk jams showcase from key Afrolicious members. “Expect elevation,” say DJs Pleasuremaker and Izzy Wise.

Thursdays starting Thu/12, 9pm, $6. Elbo Room, 647 Valencia, SF. www.elbo.com

 

RANDOM RAB

Beautifully constructed, all-encompassing post-Orb grooves that hit a global ambient-funk sweetspot from this San Franciscan. Support from local bass-tech heroes Justin Martin and J. Phlip (and a dozen more), plus mindbending décor and organic treats from the Symbiosis crew.

Thu/12, 9pm-3am, $15–$20. 1015 Folsom, SF. www.1015.com

 

ADULT.

Live Detroit art-tech darlings were lumped in with electroclash back in the day, but they cut oh so much deeper. With brainy-cute goth-raver Pictureplane, ghostly White Ring, and evil siren/playmate Tamara Sky, this will certainly be an edgy night of stylish Friday 13 dread.

Fri/13, 9pm-late, $15–$20. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

 

DANNY KRIVIT

Body and Soul legend (and my eternal DJ crush) brings his rare Latin house and gorgeously smooth mixing style to the Salted party, with Miguel Miggs, Julius Papp. and much-loved Naked Music vocalist Lisa Shaw.

Sat/14, 10pm-late, $10–$20. Mighty, 119 Utah, SF. www.mighty119.com

 

JACQUES RENAULT

Beam me up! The DFA disco-funk addict possesses one of the sharpest sensibilities out there, sending dancers to truly cosmic places. Hosted by the fantastic, female-powered Isis party.

Sat/14, 9:30pm-3:30am, $10 advance. Public Works, 131 Erie, SF. www.publicsf.com

 

SUNSET ISLAND

Our incomparable summer nightlife season continues, marked by the Sunset crew’s passing annual parties. Time for this “electronic music picnic” on Treasure Island, which — squee!!! — features Phuture, the dudes from Chicago who basically invented acid house. Also on hand: Detroit whiz kid Kyle Hall and Awesome Tapes From Africa, which is exactly what it sounds like. Acid sunshine, y’all.

Sat/14, noon-9pm, $10–$30. Great Lawn, Treasure Island. www.tinyurl.com/sunsetisland2014

 

DAYTIME REALNESS

I admit it, I had my doubts about this monthly afternoon party at first — everyone seemed to be smiling so hard in the pics, I thought they’d eat me. Especially towering drag hostess Heklina (who just bought the old club Oasis at 11th and Folsom, btw.) Then I went and got completely sucked in, in a non-oral way. Gorgeous mixed crowd, insanely good beats from DJs Stanley and Carnita — special guests this month Guy Ruben and beloved Trannyshack regular Pinky Ring — synchronized dance numbers, wild drag shenanigans, and Sneaky’s BBQ. Shit got real.

Sun/15, 2pm-8pm, $6 before 3pm, $8 after. El Rio, 3158 Mission, SF. www.elriosf.com

 

DISCO DADDY

Who knew a gay leather biker bar could get this steamy? If you’re looking for an authentic homosexual disco experience (who isn’t), DJ Bus Station John and his crate of vinyl 12-inches will put some soul in your gloryhole at this monthly get-down.

Sun/15, 7pm-2am, $5. SF Eagle 398 12th St, SF. www.sf-eagle.com

 

Fool me once…

8

rebecca@sfbg.com

As any job seeker knows, it’s tough to compete for a desirable gig if you can’t point to a solid track record. You might think this would be especially true for city contractors who stand to make a killing on lucrative construction projects.

Take, for instance, a $283.2 million San Francisco Public Utilities Commission contract awarded to perform an absolutely essential service: making seismic and hydraulic retrofits to water-treatment units.

With close to $300 million in taxpayer dollars on the line, not to mention the general importance of having a properly functioning water treatment system in the event of an earthquake, you might think the city would kick some tires and make a few inquiries about the company’s track record before signing a deal.

But according to the results of an audit issued May 20 by the Office of the Controller, local agencies do not “consider past performance in the construction contract award process.”

Which is to say, there is no mechanism preventing city agencies from awarding high-paying construction gigs — over and over again — to bidders who have done a terrible job in the past.

For the water-treatment fixes, the SFPUC wound up selecting what the controller’s audit charitably termed a “poor-performing” contractor. It didn’t go well: The company “delivered poor quality control, and applied poor project management,” according to the audit.

It issued 87 “change orders” — adding work beyond what was outlined in the original contract — consequently padding the bill by an additional $2.1 million. And this contractor was hit with 70 noncompliance notices, issued when a contractor isn’t following the obligations spelled out in the contract. Sending out those notices eats up city resources, auditors noted, while following up on them necessitates further inspections and site visits.

Although the audit didn’t name the contractor, the amount allocated and work described suggests that it was Keiwit Infrastructure West Co., hired to take on a water treatment plant retrofit project at the SFPUC’s Harry Tracy facility, which treats drinking water that originates at the Crystal Springs Reservoir System.

According to the project website, “Seismic retrofits and electrical upgrades will allow us to reliably provide up to 140 million gallons of water per day, for 60 days, within 24 hours of a major earthquake. Harry Tracy serves several communities on the Peninsula in addition to San Francisco.” The company didn’t return a call from the Guardian seeking comment.

Why was a problematic contractor entrusted with such a critical project? According to the audit, city law does in fact require a contractor to have “a record of prior timely performance,” and a history of dealing with the city “in good faith.”

But there’s no system for holding contractors to these standards. Since the city has no system in place for evaluating bids based on a contractors’ past performance, it’s anyone’s guess whether this contractor had a poor track record before being hired — and there is nothing to prevent the firm from being hired yet again despite the problems encountered by the SFPUC.

The city contracting process follows a scoring system to ensure that the contract award is impartial and equitable — but since it doesn’t factor in a contractor’s prior track record, that’s never formally considered.

And because the city doesn’t require contractor evaluations, or maintain any centralized database of records showing how well contractors have carried out their duties in the past, “poor-performing contractors — even contractors incapable of performing the work on which they bid — can secure additional city contracts,” auditors found.

This SFPUC contract was just one example. The report also highlighted a case study from the San Francisco International Airport, in which a construction crew botched a welding job performed as part of a $15 million contract to build a pedestrian bridge and mezzanine to an airport terminal. The report outlines what went wrong, citing “inadequate installation and missed steps in the welding procedures; bolt holes were misaligned and measured incorrectly.” As a result, SFO issued 59 noncompliance notices.

A contractor hired by the Department of Public Works, for a $5.2 million neighborhood branch library project, was reportedly “aggressive and argumentative … focused on preparing a claim instead of the project,” and “left the job midway through the project,” the audit notes. After that went south, the city spent $85,000–$100,000 on litigation, finally completing the job with the city’s own workforce.

The coming decade promises to be golden for city contractors who work in the construction sector. San Francisco has budgeted more than $25 billion for ambitious projects under its capital improvement plan, so many lucrative construction opportunities will arise.

The Controller’s City Services auditor has kept a watchful eye on construction over the past couple years, Director of City Audits Tonia Lediju told the Guardian. That led to the discovery that the city lacks a process for tracking contractors’ past performance when making hiring decisions.

“Given what we learned from our previous audits, not to mention … our reliance on contractors to accomplish our city’s capital plan, the Controller’s Office decided to conduct this audit to more formally assess the adequacy of the departments’ contractor evaluation processes,” Lediju explained.

As part of the audit, the Controller’s Office surveyed construction management staff at various city agencies, finding that a full 70 percent of them reported encountering poor-performing contractors “at least occasionally.”

To address the gaping problems in the construction contracting system, the Office of the Controller recommended that city agencies work with the Mayor’s Office, the Board of Supervisors, and the City Attorney’s Office to strengthen the law by requiring contractor performance evaluations to be completed — and to consider those evaluations when awarding contracts. With $25 billion in spending over the next 10 years, this might be a wise move.

Ketchup

0

marke@sfbg.com

SUPER EGO Whoever decided to pack Disclosure (charging $50 for a DJ set!), the adorable Martinez Brothers, Easter with the Sisters of Perpetual Indulgence, 420 in the Park, two insane undergrounds, and 200 bottomless mimosa brunches into one blurred weekend deserves to be packed into a giant pastel plastic egg and rolled down Mt. Tam. My head feels like a gargantuan green Bunnyzilla hopped upon a ketchup packet, not cute. So here are some brief items of interest before I lay down for just a minute.

Stylish Portrero-ish club and gallery Project One is no more. Longtime party people Sean and Isabel Manchester of Wish, Mighty, and Chambers have snatched it up, rejiggered it with a chic vibe, programmed lots of Bay-favorite DJs, and christened it Mercer (251 Rhode Island, SF. www.mercer-sf.com), a lounge and “micro-club” named for the famous street in their beloved native Soho, NYC. The space is still bumping the Turbosound system inherited from 222 Hyde (RIP) Check it out.

Time to cue up — the 2014 DMC San Francisco Regional DJ Battle and Scratch Competition (Sat/26, noon-7pm, $15 advance, $20. Mighty, 119 Utah, SF. www.mighty119.com) will fill Mighty all day long with epic pyrotechnics. The Bay Area holds intimate acquaintance with the all-powerful DMC World DJ Championship title: We’ve won it several times in the past 30 years — once, in fact, with this year’s host, DJ Apollo. This is the first time in three decades that there will be “test run” of a separate scratch competition (scratching was introduced to the DMC in 1986), so I’m itching to see who steps up.

Two new killer fancy cocktails for your face. SF’s been exploding with mezcal bars and

classic Negroni cocktails — combine the two for a knockout mescal Negroni ($11) at the awesome Lolo (3230 22nd St, SF. www.lolosf.com). And, at my new favorite Thai spot, downtown’s Kin Khao (55 Cyril Magnin, SF. www.kinkhao.com), grab the zesty, incredible Kathoey Collins, a.k.a. the “ladyboy” ($12). Flavored with traditional Thai blue flowers, it changes color before your very eyes to a lovely lavender, “for something you don’t quite expect,” says jovial owner Pim Techamuanvivit.

 

SHLOHMO

Aw, known this LA bass-head darling since he was a wee glitcher, chopping up slabs of raw atmosphere and layering on pretty discombobulations. Now he and his sound are all blown up, coming straight from Coachella for two days at Great American. With Purple, Jim-E Stack, and Chad Salty.

Wed/23 and Thur/24, 8pm doors, 9pm show, $20–$25. Great American Music Hall, 859 O’Farrell, SF. www.gamh.com

 

#TURNUP

We love our hometown queer hip-hop heroes and their party crowd of radiant children. Rump-pumping duo Double Duchess will take the floor at this throwdown, with Guardian cover star Micahtron motormouthing on the mic.

Fri/25, 10pm, $10. Elbo Room, 647 Valencia, SF. www.elbo.com

 

FEATHERS AND FEDORAS

The Guardian’s hosting a roaring ’20s evening knees up at the de Young Museum, grab your favorite flapper and hightail it over. With live Parisian speakeasy band Trio Zincalo, Decobelles dance troupe, our very own astrologer Jessica Lanyadoo giving live readings, a full bar, and oodles more.

Fri/25, 6pm-8:30pm, free. De Young Museum, 50 Hagiwara Tea Garden Dr., Golden Gate Park, SF. www.tinyurl.com/SFBGfeathers

 

EDU IMBERNON

So excited to hear Edu again. Valencian hero of Spanish techno, he added some much-needed swing to the Berlin sound of the late 2000s with the classic “”El Baile Alema” (along with another Spanish favorite, Coyu). He easily slips crowds under his spell.

Sat/26, 10pm-late, $10. Audio, 316 11th St., SF. www.audiosf.com

 

6TH BOROUGH PROJECT

Craig Smith and Graeme Clark (a.k.a. The Revenge) are quality re-edit hypnotists from the UK, introducing new audiences to very deep soulful disco, Latin funk, and deliciously strange grooves via their quick-handed cut-and-pastes.

Sat/26, 9:30pm-3am, $10–$15. Monarch, 101 Sixth St, SF. www.monarchsf.com

 

FELIX DA HOUSECAT

The sweet, eccentric Chicagoan may still be revered here mostly for his sassy electroclash output in the early 2000s, but he really does have banging house running through his veins. With the funky pastiche-master Todd Edwards and Australian Tornado Wallace (whose beard rivals our own Jason Kendig’s).

https://www.youtube.com/watch?v=IzR0q1jvstg

Sat/26, 9pm-late, $15–$20. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

 

JUS’ DANCE

Kenny Dope and Mr. V’s beloved NYC party debuts in SF — and will surely show us some masters at work, bopping from soulful house to disco classics, funky hip-hop to Latin jazz and beyond.

Sat/26, 10pm-late, $15–$20. Mighty, 119 Utah, SF. www.mighty119.com

 

Like brothers do

2

SUPER EGO I’ve been a huge, squealing, panty-tossing fan of the Bronx-born Martinez Brothers since they were 14 and 17. Don’t call NAMBLA: If you’ve ever seen Chris and Steve work their supreme magic on the turntables, you know these two bopping, smiling dudes have wise old souls and an infectious spirit of musical joy.

When the brothers burst onto the scene, a new generation was rediscovering disco and house via the Internet: here, suddenly, like Athena springing from Zeus’s brow, appeared two vinyl wunderkinder versed fluently, it seemed, in Warehouse, Loft, and Paradise Garage — thanks, in part, to their club-hopping dad. Now they’re barely in their 20s, have gone through their globetrotting headliner and Ibiza-residency phases, tuned their style to a deeper post-minimal vibe (including some ace hip-hop), and started digging more extensively into their roots.

“You know, we just want to play good music, to treat music as an adventure again for everybody, not play to any tired expectations,” Chris told me over the phone as he headed from the brothers’ studio in Queens back to his house. “But we also want to bring our cultural background into it, keep repping where we and the music are from.”

To that end, the brothers have launched their own label Cuttin Headz, and paired with Detroit’s Seth Troxler for another label, Tuskegee, devoted to releasing dance music from black and Latino origin.

Cuttin’ Headz (the name’s cribbed from an ODB Wu-Tang demo) “is all about freedom for us,” Chris said. “We put so much care into each release, and now we’re taking that to a new level, learning some new skills to put it all in place.” As for Tuskegee, it’s bringing a necessary corrective to the pale, pale dance scene, as well as unearthing some surprising roots.

“Our point of view right now is coming from that moment in the ’90s right before house music became taboo to young kids into hip-hop. We want to bring the ‘urban environment’ feel back into house, real deep house and real techno that feels like the city.”

Meanwhile, they’re hitting Coachella before making it up here. “San Francisco has such a place in my heart,” Chris gushed. “We wish we were there back in the day when SF was so crazy, but luckily there’s still remnants of that spirit to be found. Hang in there, we love you!”

AS YOU LIKE IT WITH THE MARTINEZ BROTHERS Fri/18, 9pm-4am, $20–$25. Monarch, 101 Sixth St, SF. www.monarchsf.com

 

GUY GERBER

My favorite “emotive techno” Israeli wizard returns to up things to another level with his stylish musical chops. Prepare for liftoff. At the Base party.

Thu/17, 10pm, $10. Vessel, 85 Campton Pl., SF. www.vesselsf.com

MINILOGUE

Excellently deep electronic grooves with an intelligent, psychedelic glow from this Swedish duo. This party’s being put on by the Symbiosis folks, so there’ll be a little burner fairy dust in the air.

Thu/17, 10pm-4am, $20. Mighty, 119 Utah, SF. www.mighty119.com

 

INC.

Another brother act, Andrew and Daniel Aged from LA come on like “Black-winged angels of nu-R&B” and head up an evening of pretty darkness at the fantastic 120 Minutes monthly. With Brogan Bentley, S4NtA_MU3rTE, and Chauncey_CC. Fri/18, 10pm, $15 advance. Elbo Room, 647 Valencia, SF. www.elbo.com

 

FLIGHT FACILITIES

Looking back, 2009 was a year of epic (as in actually epic) house records. The dancefloor-devastating treatment these two remixing Australians visited upon the Lowbrows’ “Dream in the Desert” was a high point. They make their own lovely, hugely popular tunes as well.

Fri/18, 9pm, $20. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

 

NINA KRAVIZ

No matter where you fall in the polarizing debate about what she represents in terms of the current state of DJ stardom, Russia’s Nina Kraviz is defintely kinda weird and also definitely kinda magic. And she will make you dance.

Sat/19, 9pm-3am, $25 advance. Harlot, 46 Minna, SF. www.harlotsf.com

 

Queen freak

0

marke@sfbg.com

SUPER EGO Who celebrates her 50th birthday by wallowing in a 40-gallon kiddie pool of chocolate pudding at the city’s oldest gay bar? Who grew so enthusiastic during a drag number at Trannyshack in 2003 that she bent all the way backward and broke her spine? Who flits so deliciously through the spectrum of sexuality and gender that I last heard her identify herself as an MTFTM Nearsighted Bi-Polar Bear With Vampiric Tendencies?

Who is one of our last remaining links to SF’s gloriously weird club past? Phatima Rude, that’s who. The perennial ghoulish go-go and beautiful creature is living history. After moving here in the late ’80s and flirting with the Imperial Court drag dynasty, she dived into the underground — looking, at 300-plus pounds in a blond wig, “like Divine by way of Barbra Streisand” — starting at the legendary Club Uranus among such luminaries as Jerome Caja, Michael Blue, DJ Lewis, and Michael Angelo.

“I walked into that place and knew I had found my family, I had finally found my freaks,” she told me about Uranus. “The wonderful thing about drag is you can be someone else. I never was in the closet — I never knew what that was. But in drag, I no longer had to be Kevin from Minnesota.” Her first drag number, at one of the first Trannyshacks, involved dressing in clothing from dead or dying friends, and stripping each piece off one by one.

Phatima’s also a prime example of what it takes to hold on as an artist in this town. Ladies and Gentlemen: Phatima Rude, a short film by ethnographer Paul King premiering at Peaches Christ’s essential Underground Film Festival, documents the months last year that she spent living in a van on disability insurance, after she had to leave her shared artists’ co-op.

“It was actually a good experience,” Phatima, who’s now happy to have a place in a downtown SRO, said. “It humbled and stabilized me. You become very aware of where you are in the universe when you live on the street. When my mother and I first moved here and were staying in a shelter, I remember the pastor in charge saying, ‘The hardest step is from the gutter to the curb.’ And I never forgot that.”

Now Phatima has hit another creative peak, appearing in challenging Leigh-Bowery-in-a-blender outfits at parties like future-gothy monthly Dark Room at the Stud, and making music with her band The Unicorns R Dying, or T.U.R.D. What has she learned from her journey so far? “Life is tenuous, we’re all so blessed to be here, and drag is the gateway to the world!”

LADIES AND GENTLEMAN: PHATIMA RUDE featuring an all-star drag performance tribute to Phatima, Sat/12, 9:30pm, $15 ($20 for Underground Film Festival pass). Victoria Theatre, 2961 16th St, SF. www.peacheschrist.com

AFTER BIRTH: OFFICIAL UNDERGROUND FILM FESTIVAL AFTERPARTY Sat/12, 10:30pm, $5. Rebel, 1760 Market, SF. www.tinyurl.com/phatimaafterbirth

 

AEROPLANE

Sometimes you just want some engaging, melodic nu-disco house that will make you sweat without tearing out your brain. Like fellow earworm heartthrob the Magician, Italian-Belgian cutie Vito de Luca delivers in spades.

Thu/10, 9pm-late, $10–$15. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com

 

RONE

Smart, fantastical bass-laden soundscapes from this French producer with an excellent ear. (Check new EP Apache and his ace Electronic Beats on Air mix.) With Branchez.

Thu/10, 9pm, free with RSVP at www.1015.com. 1015 Folsom, SF.

 

DENNIS FERRER

When this Chicago afro-centric house master was booted off the decks by idiots in Miami a couple years ago, it pointed up the strange polarity of dance music today. Luckily Ferrer’s deep beat goes on.

Fri/11, 9:30pm-late, $15–$20. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

KINK

The celebrated Bulgarian sage of handmade acid grooves returns — towing crazy new machines, sing-along drum patterns, and balls-out beats, we’re sure. With Matrixxman and Jason Kendig at the fast-growing Isis party.

Fri/11, 9:30-3:30pm, $10–$15. Public Works, 161 Erie, SF. www.publicsf.com

 

DERRICK CARTER

Last weekend was alive with music, celebrating the life of Frankie Knuckles. Beloved Chicago boogie-house wiz Derrick, one of Frankie’s direct heirs, will bring even more of Frankie’s spirit down. With UK ’90s fetishist duo Bicep.

Sat/12, 9pm-5am, $15–$20. Mighty, 119 Utah, www.mighty119.com

 

Peep peep

0

marke@sfbg.com

SUPER EGO Three signs that our nightlife spring has sprung, sure as the annual return of the swallows to Blow Buddies: the Sunset season opener party, Hard French’s outdoor re-emergence, and the star-studly LGBT Center gala Soiree.

Our queer old-school soul treasure Hard French (Sat/5, 2pm-8pm, $8. El Rio, 3158 Mission, SF. www.elriosf.com) will pack El Rio’s patio every first Saturday here on out with the joyous sounds of frugging and jiving. Later, all the drag, queer, and club luminaries will brighten up Soiree (Sat/5, 6:30pm-midnight, $95. City View, 135 Fourth St, SF. sflgbtcenter.eventbrite.com) — the proceeds go for job and economic skills training for LGBT youth, many of them homeless. This year’s theme is “A jazz tribute to the Beat generation,” so don’t forget your beret and bongos. Performances galore.

Sunset (Sun/6, 11am-7pm, $5–$120. Stafford Lake Park, Novato, www.tinyurl.com/sunsetopener2014) is one of our most storied party crews — this is its 20th anniversary. And the huge, yearly season opener blast is like one big, very big, family picnic. There are rave babies, and their own rave babies! And thousands of smiles. And of course special surprise guests and a raging afterparty back in the city. Bring your picnic basket.

PS My column went to press just as I was hearing the sad news of DJ Frankie Knuckles’ passing. Here’s a list of parties this weekend that will be truly great tributes to his spirit and legacy.

 

ANTHONY PARASOLE

Good ol’ four-on-the-floor house, with a bit of ethereal heft behind it, from this prominent, hunky New York DJ. With the UK’s Leon Vynehall, whose glorious “Step or Stone (Breath or Bone)” was one of the best tracks of last year.

Fri/4, 10pm-3am, $10–$15. Public Works, 161 Erie, SF. www.publicsf.com

 

DICK SLAP

High and dirty times at the Eagle whenever this fantastic party from Seattle comes to town courtesy of force of nature DJ Nark. Get into it with DJs Chip Mint and Guy Ruben, towering drag hosteses Jem Jehova and VivvyAnne ForeverMore, “camera in her wig” videographer Drewnicorn, and a dance floor packed with hot scruffs.

Sat/5, 9pm, $7. The Eagle,  398 12th St, SF. dickslaplyfe.tumblr.com

 

VIN SOL

One of our own, coming up fast with his Sooo Wavey label and housey Sade edits. He’s at one of our sweetest (and least expensive!) parties, Push the Feeling, with local player Cherushii, whose excellent recent Queen of Cups EP can get anyone moving.

Sat/5, 9pm, free before 10pm with RSVP online, $6. Underground SF, 424 Haight, SF. www.do415.com/pushthefeeling

 

MARTIN BUTTRICH

Caught this hugely popular German (now based in LA) cat a couple times in the past few years, and he really delivers on that deliciously deep, if now a bit retro, post-minimal Berlin-Ibiza sound. It’s all in his perfect control. With beloved Doc Martin and Francesa Lombardo.

Sat/5, 10pm-4am, $17–$25. Public Works, 161 Erie, SF. www.publicsf.com

 

TRIBUTE TO JOSH EZELLE

One of SF’s foundational house DJs, Josh Ezelle, passed away last month suddenly in Thailand, leaving behind a newborn son and oceans of friends. This tribute fundraiser brings together many of our best players to celebrate his life in music and dance: Jeno, Garth, Markie, Charlotte the Baroness, Toph One, M3, and others.

Sat/5, 9pm-4am, $15–$20. Monarch, 101 Sixth St., SF. www.monarchsf.com

 

SERGE GAINSBOURG DANCE PARTY

Oui, oui, the fab enfants terribles of Bardot A Go Go are back — with a shagadelic shindig featuring the naughty, existentialist, oh-so-cool tunes of Serge and other mod icons of his ilk. Zip up your thigh high boots and get le groovy.

Sat/5, 9pm, $10, all ages. Rickshaw Stop, 155 Fell, SF. www.rickshawstop.com

 

WORLDLY

The Worldly parties have brought a, well, worldly electronic music flavor to the SF scene for more than a decade — this live extravaganza and CD release party will electrify anyone into cutting edge global grooves. With Dub Kirtan Allstars, Janaka Selekta, DJ Dragonfly, and tons more.

Sat/5, 9pm-3am, $15. F8, 1192 Folsom, SF. www.tinyurl.com/worldlysf2014

 

TRENTEMOLLER

Moody Danish techno: it’s catchier than you think. Andres Trentemoller crossed over from the dance floor long ago, pairing with an array of vocalists to create a lilting indie atmosphere with electronic movement around the edges. And he actually makes it work.

Sun/6, 8:30pm, $25. Mezzanine, 444 Jessie, SF. www.mezzaninesf.com