Local

EDITOR’S NOTES

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It still boggles my mind: One of the most significant development issues in years came to a head last week at the City Planning Commission — and none of the news media seem to have noticed. G.W. Schulz describes the situation in depth on page 18, but here’s the short version: City planners have acknowledged they can’t allow any more market-rate housing in the eastern neighborhoods for the indefinite future.

At least they seem to have acknowledged that. The real test is still to come, when the next development comes along, but either way this is pretty big news — and I haven’t read a word about it in the Chron or the Ex.

I shouldn’t be surprised anymore.

Now this: The San Francisco Democratic Party is in a bit of a tizzy over something that ought to be basic common sense.

Sup. Chris Daly has put a measure on the June 6 ballot, Prop. C, that would make the Transbay Joint Powers Authority more directly accountable to voters. The TJPA is pretty important: It controls the Transbay Terminal project, which will determine the city’s transit future for many years to come. But right now, two of the city’s three representatives are basically bureaucrats (one from the Mayor’s Office, one from Muni) who answer (it often seems) to nobody.

Daly wants to make the mayor, the city’s representative to the Metropolitan Transportation Commission (currently Sup. Tom Ammiano), and the supervisor from District 6 (Daly, who’s already on the TJPA) serve on the panel.

Sounds like alphabet soup and nothing to make a fuss over — except that the mayor would suddenly have to focus on this project because he’d be on the board. He might even have to go to a meeting or two. And everyone on that key panel would have to answer directly to the voters.

And for some reason (perhaps the thought of actually sitting through a TJPA meeting) this has Gavin Newsom up in arms. The Democratic County Central Committee, which makes policy for the local party, was set to endorse Prop. C last week until Newsom began twisting arms. Then a bunch of people (including state assemblymember Mark Leno and state senator Carole Migden) couldn’t be counted in the yes camp, so the whole thing was postponed until March 21, when Daly, the Sierra Club, and all of the city’s transit activists were set to square off against Newsom and the San Francisco Planning and Urban Research Association (SPUR).

It will be a nice test: Can the County Committee stand up to the mayor? Will Migden and Leno?

And this: Caroline Grannan, a normally well-meaning and hardworking advocate for the public schools, is having a strange fit of indignation over our articles on school board expenses. The stories focused mostly on how former superintendent Arlene Ackerman pissed away public money on posh dining and accommodations, but Grannan is mad that we even mentioned board member Jill Wynns, who also spends district money on travel (but has run up nowhere near the sort of tab that Ackerman did).

Her complaint is on page 7, and I think she’s way overreacting here, but she makes one valid point: The school board members are essentially volunteers who earn all of $500 a month. That’s silly. A school board member ought to be a full-time job with full-time pay.

And board members’ salaries and expenses should be very much the public’s business. *

Transjobless

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tali@sfbg.com

In the transgender community, to have full-time work is to be in the minority. In fact, a new survey of 194 trans people conducted by the Transgender Law Center (TLC), with support from the Guardian, found that only one out of every four respondents has a full-time job. Another 16 percent work part-time.

What’s more, 59 percent of respondents reported an annual salary of less than $15,333. Only 4 percent reported making more than $61,200, which is about the median income in the Bay Area.

In other words, more than half of local transgender people live in poverty, and 96 percent earn less than the median income. Perhaps it shouldn’t be surprising that 40 percent of those surveyed don’t even have a bank account.

TLC doesn’t claim the study is strictly scientific — all respondents were identified through trans organizations or outreach workers. But the data give a fairly good picture of how hard it is for transgender people to find and keep decent jobs, even in the city that is supposed to be most accepting of them.

It’s been more than a decade since San Francisco expanded local nondiscrimination laws to cover trans people, but transphobic discrimination remains rampant. Fifty-seven percent of survey respondents said they’ve experienced some form of employment discrimination.

And interviews show that job woes are hardly straightforward.

Navigating the job-application process after a gender transition can be extraordinarily difficult. Trans people run up against fairly entrenched biases about what kind of work they’re suited for. Sometimes those who are lucky enough to find work can’t tolerate insensitive, or even abusive, coworkers.

Marilyn Robinson turned tricks for almost 20 years before she decided to look for legal employment. She got her GED and, eventually, a job at an insurance company. The first six months went OK, but then a supervisor "thought he had the right to call me RuPaul," she told us. "And I look nothing like RuPaul." Suddenly the women in the office refused to use the bathroom if Robinson was around. She left within a month.

Once again, Robinson was on the job hunt. She interviewed for a receptionist position, and thought it went well. But on her way out, she saw the interviewer toss her application into the trash with a giggle.

"The reality is, even a hoagie shop in the Castro — they might not hire you," she said.

Still, many activists say the increased attention being paid to trans employment issues is promising.

Cecelia Chung from the Transgender Law Center told us there’s a "silver lining" in the effort the "community is putting into really changing the playing field. We’re in a really different place than we were five years ago."

Activists say true progress will require broad education efforts and the cooperation of business owners throughout the Bay Area. But the project is well under way, with San Francisco Transgender Empowerment, Advocacy and Mentorship, a trans collaborative, hosting its second annual Transgender Job Fair March 22. More than a dozen employers have signed up for the fair, including UCSF, Goodwill Industries, and Bank of America.

HURDLES

Imagine trying to find a job with no references from previous employers. Now envision how it might feel to have interviewer after interviewer look at you askance — or even ask if you’ve had surgery on a fairly private part of your body.

These are just a couple of the predicaments trans job-seekers face.

Kenneth Stram runs the Economic Development Office at the San Francisco LGBT Community Center. "In San Francisco there are the best intentions," he told us. "But when you scratch the surface, there are all these procedural hurdles that need to be addressed." As examples, he pointed to job-training classes where fellow students may act hostile, or arduous application processes.

Giving a prospective employer a reference may seem like a fairly straightforward task, but what if your old employer knew an employee of a different gender? Do you call the old boss and announce your new identity? Even if he or she is supportive, experience can be hard to erase. Will the manager who worked with Jim be able to speak convincingly about Jeanine? And what about your work history — should you eliminate the jobs where you were known as a different gender?

Most trans people can’t make it through the application process without either outing themselves or lying.

Marcus Arana decided to face this issue head-on and wrote about his transition from living as a woman to living as a man in his cover letter.

"It became a matter of curiosity," Arana told us. "I would have employers ask about my surgical status."

It took him a year and a half to find a job. Fortunately, it’s one he loves. Arana investigates most complaints of gender identity–related discrimination that are made to San Francisco’s city government. (Another investigator handles housing-oriented complaints.)

When he started his job, in 2000, about three quarters of the complaints Arana saw were related to public accommodations — a transwoman had been refused service at a restaurant, say, or a bank employee had given a cross-dressing man grief about the gender listed on his driver’s license.

Today, Arana told us, at least half of the cases he looks into are work-related — something he attributes to both progress in accommodations issues and stagnation on the job front.

TG workers, he said, confront two common problems: resistance to a changed name or pronoun preference and controversy over which bathroom they use.

The name and pronoun problems can often be addressed through sensitivity training, though Arana said that even in the Bay Area, it’s not unheard of for some coworkers to simply refuse to alter how they refer to a trans colleague.

Nine out of ten bathroom issues concern male-to-female trans folk — despite the fact that the police department has never gotten a single report of a transwoman harassing another person in a bathroom. One complaint Arana investigated involved a woman sticking a compact mirror under a bathroom stall in an effort to see her trans coworker’s genitalia.

But a hostile workplace is more often made up of dozens of subtle discomforts rather than a single drama-filled incident.

Robinson told us the constant whispering of "is that a man?" can make an otherwise decent job intolerable: "It’s why most of the girls — and I will speak for myself — are prostitutes. Because it’s easier."

The second and third most common forms of work-related discrimination cited by respondents in the TLC survey were sexual harassment and verbal harassment.

But only 12 percent of those who reported discrimination also filed some kind of formal complaint. That may be because of the widespread feeling that doing so can make it that much harder to keep a job — or find another one. Mara Keisling, director of the National Center for Transgender Equality, in Washington, DC, said that "it’s a common understanding within the transgender community that when you lose your job, you generally lose your career."

ANOTHER KIND OF GLASS CEILING

Most of the trans people we spoke to expressed resentment at being tracked into certain jobs — usually related to health care or government.

Part of that is because public entities have been quicker to adopt nondiscriminatory policies. San Francisco city government created a splash in 2001 when it granted trans employees access to full health benefits, including sex-reassignment surgery. The University of California followed suit last year.

But it’s also because of deeply ingrained prejudices about what kind of work transgender people are suited to.

Claudia Cabrera was born in Guatemala but fled to the Bay Area in 2000 to get away from the constant insults and occasional violence that befell her. Despite her education in electrical engineering and business and 13 years of tech work, it was difficult for her to find a job — even after she was granted political asylum. In 2002 a local nonprofit she had originally turned to for help offered her a position doing outreach within the queer community.

Cabrera doesn’t make much money, and she sends some of it back to her two kids in Guatemala. But that’s not the only reason she would like another job. She wants to have broader responsibilities and to employ her tech savvy.

"There is a stereotype here in San Francisco [that] transgender folk are only good for doing HIV work — or just outreach in general," she said.

Whenever she’s gotten an interview for another kind of job, she’s been told she is overqualified. Does she believe that’s why she hasn’t been hired? "No," she laughed. But she also acknowledged, "Even though there is discrimination going on here, this is the safest city for me to be in."

Cabrera is now on the board of TLC and is working to create more job opportunities for herself and others in the trans community. She often repeats this mantra: "As a transsexual woman, I am not asking for anything that doesn’t belong to me. I am demanding my rights to live as a human being." *

TRANSGENDER JOB FAIR

March 22

1–4 p.m.

SF LGBT Community Center, Ceremonial Room

1800 Market, SF

(415) 865-5555

www.sfcenter.org

www.transgenderlawcenter.org

www.sfteam.org

NOISE: Well, we’re here and the SXSW action is just starting…

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If it’s Wednesday, this must be SXSW… sorta. IMHO, the affair is off to a slow start though peeps at the last party I sloshed through were bemoaning missing the interactive part of the conference from March 10-14. Another theory floated around out there: The humongoid, pricey official SXSW dinner that all the industry titans attend is tonight and nothing must detract from the rubber chicken. Ahem.

But that’s OK — we’ll start slow, too. All the better to catch the 1,300 or so artists and bands that are performing at this year’s event. Efficiency geeks out there will be pleased to know that the speed of registration has greatly improved — gone are the long langorous lines that snaked through the second floor of the Austin Convention Center in years past. You got to know your neighbors, but the joint feels a lot more together, organizationally, in 2006, and the mood is catching. Last heard in the press room from a local radio reporter: “Do you want to interact with me or just talk?” Glad there’s a clear option.

At 1 pm, I was still bleary-eyed from the three-hour layover in Phoenix. It always seems like the SXSW air ferries will turn into party jets/soul planes any sec — what with the many musicians, writers, industry-types aboard — but the layover bit didn’t improve anyone’s mood. Nonetheless I dropped into the Riverboat Gamblers/Thrasher/Volcom Party but nada was going on — just the faraway music of a distant jukebox. So I moved on down the street to IUMA’s bash at Emo’s Annex (it’s like restaurant-going in SF; if everything’s quiet or too crowded on one front, just stroll to the next joint). Tim Mitchell of the Decoration (and IUMA, where he works with Noise Pop founder Kevin Arnold) knows how to throw a party! Empenadas, drink ticks, and music by the Herms (singing brainy songs and rocking a noisome organ; they’re ready for the release of their upcoming debut LP) and Phosphorescent (who were doing the zany, mile-long horn section thang as the singer sported strings of holiday lights). All lit up and it’s not even 2 pm.

Note to self: Folks seem psyched about the Beastie Boys’ press conference for their upcoming concert doc, Awesome: I Fuckin’ Shot That! And yo yo yo, the Beasties are giving a press conference shortly. An antidote to the doodness might be Pick Up the Mix, the doc on gay, lesbian, and transgendered hip-hop featuring the Deep Dickollective.

Otherwise, tonight, my untrained eye is roving over and considering Houston hip-hop showcases including sole Oaklandish type Balance; the Birdman Records showcase; Kris Kristofferson and Jessi Colter at the Austin Music Awards; Lesbians on Ecstasy with the Metrosexuals; the Castenets with Wooden Wand; Octopus Project; Field Music with Serena Maneesh and Of Montreal; Jose Gonzalez with Annie, the Presets, and Wolfmother (the hype was turned on full blast for them, with lonnnng-ass infomercials on cable last night); Absolutely Kosher showcase; Cut Chemist with Jean Grae; Austin’s Weird Weeds; Matador Showcase; Immortal Technique; King of France; the excellent Envelopes with the Ponys, the Grates, and standout non-“s” band Art Brut.

What does it all mean to you? I have no idea. But it sure sounds like I’ll be busy.

102_0294 deerhead smaller.JPG
Here, my deer: This comes with your chicken-fried steak
at the Broken Spoke honky-tonk in Austin.

Stone cold cooking

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 Sonic Reducer Wonderful, unforeseen taste combinations are everywhere you look — and they go beyond the mundane peanut butter and chocolate, Tom and Katie, horse and donkey paradigms. Take, for instance, cooking shows and stoner rock. Sure, you wouldn’t trust Ozzy in the kitchen with an electric knife and a puffer fish — that only seems like a recipe for pain, with, I’m sure, Ozzy "I not only bark at the moon; I also act psycho on TV" Osbourne on the receiving end. But hey, dope smoking and the munchies — together they’re both natural and expected. And they can even be good for your reputation — even my crap cooking tastes palatable after a few medicinal MJ snickerdoodles.

Nonetheless, it was a revelation to finally get a looky-loo at the recently released Hot Chick Hot Rod Stoner BBQ DVD (Stroker Productions, www.stonerrock.com), the straight-to-DVD-in-all-its-glorioski sequel to Hot Chick Stoner BBQ. Both projects star Hot Rod Honey — the charismatic, witty, and much more likeable rock ’n’ roll alternative to Rachael Ray.

The latest disc picks you up, throws you in the backseat, and gives you a smokin’ ride to Ace Junkyard in SF, where HRH gently but firmly takes you through the gutbucket basics of barbecuing, from starting a flame to cooking some beer can chicken, while hep, cute, but grittily real-looking metal and stoner rock chicks mill about, show off their shh-weet hot rods, chow down, and get buzzed. HRH lays down the grillable wisdom, urging hot-rodders to "put some time into your ride and some time into your food" before quipping that she’s making her food mild for the party because "I know some folks here have a bad case of honky mouth, so I don’t want anyone’s asshole to blow out."

Between barbecue tips, hip chicks (one, Vicki, works as a mechanic at Oakland Ford and is said to be married to a Drunk Horse) show you how to do elementary work on your machine, like changing the spark plugs. An added bonus: a solid soundtrack by local heavies like Om, Hightower, High on Fire, Acid King, and Dirty Power and cameos of familiar Bay faces and their rides, including Leslie Mah of Tribe 8, Meg of Totimoshi, and Windy Chien, former owner of Aquarius Records (showing off her now-departed Porsche). Toss in some shots of hot girls hot-boxing it and a recipe for "potcorn" with "pot butter," and you can imagine rock kids in Peoria drooling over the high times, good eats, and hip crew in SF.

Hot Chick Hot Rod Stoner BBQ looks that cool, as conceived and directed by Tina "Tankdog" Gordon, drummer of onetime Guardian Goldies winner Lost Goat. The video production teacher, who now drums in Night after Night, found the impetus for the series in Hot Rod Honey herself. "Hot Rod Honey is an old friend of mine. She’s been cooking for rockers for years," says Gordon over the phone. "In fact, she was the reason I stopped being a vegetarian. My old band was playing at Pondathon [in Mendocino County], and she was sitting at the edge of the pond surrounded by a pack of dogs. I said, ‘What are you cooking?’ And she said, ‘Beer Boat Sausage. It’s good. You should try some.’ It was like she put a spell on me. I said, ‘OK,’ and I ate it, and then I ate rattlesnake and steak."

The project took form because, Gordon says, Hot Rod Honey (who apparently not only works on her hot rods but also rides horses, shoots guns, bartends, and barbecues like a bad ass) "needed to be appreciated and kind of honored. I see all these cooking shows, but none of them are interesting to me, y’know. So I wanted to do something I was interested in, in this genre. In general, the stuff I like to document are things that aren’t generally documented. I’m not excited by most of what I see in TV and popular culture; so when you don’t like what you see and you’re someone who makes stuff, you gotta make the stuff you want to see. It’s just like music."

For the Hot Rod shoot in fall 2004, Gordon assembled pals who could understand the project and the vibe "and are down with barbecue." Even her vegan hot chick friends could get with the spirit of the series. "The love of hard rock is a huge thing," Gordon says. "There’s a cross section in there who can appreciate hard rock and who are hungry for that right now." Chomp chomp, there go those crunchy guitars.

Gordon tells me the next DVD will be titled Hot Chick Backwoods Stoner BBQ, and I’m probably not outta line to make a wise crack about seeing a pattern here. But after that, who knows? Gordon and HRH have been invited to film in Mississippi in May with the boys of Yokel, a Jackass-related redneck hipster pride TV series on the Turner South network. Nashville Pussy lovin’—Nascar Nationals meet NorCal hottie headbangers? Bring it on.

Film Picks

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‘Neo-Benshi Night: Move Over, Big Screen’

POETIC CINEMA

Cribbing from Japanese cinema’s early days, last year Konrad Steiner and San Francisco Cinematheque introduced neo-benshi – live narration by local poets of movie scenes. One entertaining highlight of the debut installment was David Larsen’s swaggering oratory for Troy, which proved just how easily, not to mention cheaply, a megamillion dud can be rescued by one person’s wit. Neo-benshi gets another go-round tonight, as (in conjunction with the Poets Theater Jamboree) American Psycho, West Side Story, and early Bette Davis get on-the-spot verbal reinterpretations. Joined by Colter Jacobsen, local lit wonders Dodie Bellamy and Kevin Killian take on William Wellman’s proto-disaster pic The High and the Mighty, while Leslie Scalapino faces down a chapter from the Lone Wolf and Cub series. (Johnny Ray Huston)

NEO-BENSHI NIGHT: MOVE OVER, BIG SCREEN California College of the Arts, Fri/20, 7:30 p.m.

1111 Eighth St., SF. $5-$8. (415) 552-1990, www.sfcinematheque.org

Class act

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With a new full-length on storied UK label Beggars Banquet in their present and a European tour with the National in their recent past, Bay Area band Film School might be assumed to have the world on a guitar string. But think again.

When I last spoke to them two years ago, founder-vocalist-guitarist Krayg Burton was bemoaning his broke state to guitarist-vocalist Nyles Lannon, beneath the posters of Malcolm "By Any Means Necessary" X and the other righteous underdogs at Café Macondo. Film School’s last recording, the EP Alwaysnever (Amazing Grease) had just come out, the tech bubble had burst, and the world was wide open, leaving Burton and Lannon to hawk their Web-related skills on their own.

Now here we are, in early January, tucked into the lamp-lit control room of drummer Donny Newenhouse’s Middle of the Mile basement studio in San Francisco’s Mission District, where Film School recorded about half of the new self-titled second album. The band has been awarded the gift-of-gab buzz at recent SXSWs, praised by NME, and described by BBC 6 host Steve Lemaq as his favorite new band. Next-level stuff. Now if only they can decide how best to approach a set list.

"We fight about the set list every night, every show," the laid-back Newenhouse says from behind the mixing board. He’s the A/V guy of Film School, according to his bandmates. "It’s like the A team – we’re pretty cool, unified, but …"

"We write the set list five minutes before we go on," interjects keyboardist Jason Ruck, Film School’s class clown. So there’s no room for dissention? "But then there is dissention, and we’re discussing it onstage when we’re supposed to be playing. That actually happened once in front of our label head." He looks pleased.

"It kind of ties into going to the next level," bassist Justin LaBo says, curled catlike in an easy chair in the corner. He’s the guy most likely to be expelled from Film School. "Not being, like, I don’t want to say, amateurs or rookies, but having your shit together, being confident and walking onstage knowing what you’re going to play, and not arguing onstage."

You’d be more pro and more polished, but perhaps less … interesting, I offer from the center of the Middle of the Mile booth. "That’s been the argument the whole time," Newenhouse exclaims, miming an irate bandmate. "<\!q>’I don’t want to be one of those fucking bands that has the same set every night and knows what they’re doing when they get onstage!'<\!q>"

"I kind of like winging it a bit," Burton mutters, the "tenured teacher with the vodka in the coffee cup" at this Film School.

"I want to have a rotating set list, written in stone," Newenhouse continues, half-self-mockingly pretending to carry stone tablets engraved with songs to a stage. "<\!q>’Here’s the 10 commandments’ – straight down from the dressing room every night. It’ll be like Spinal Tap’s Stonehenge – we can have midgets dance around them."

Spitballs aside, it’s comforting to know that some things never quite change – be it Film School’s collective, self-deprecating sense of humor or their honest, exploratory doubts – even as one chapter ends and the band appears to be on the brink of graduating into some sort of big time.
GENUINELY GORGEOUS

At first listen, the new Film School is almost off-puttingly polished: It’s one of the best-sounding self-produced, headphones-only albums by a local band I’ve heard of late, blending the poppier hook-and-groove singles-craft of "On and On" and the elastic, massive, 4AD-ish groove of "Pitfalls" with gorgeous wall-of-psych longer pieces such as the airy, multitextured, Floyd-drenched "He’s a Deep Deep Lake," and "11:11," which moves from an almost early U2-like twitch into glitched-up drone before finally ascending into a dervish of guitar noise.

The mixture of tones was deliberate. "We actually value a record that comes from different directions and has a different sound here and there, as long as it’s cohesive, and we spent a lot of time trying to make it cohesive," wise man on campus Lannon says, sprawled in a lounger. "The record actually has, I think, a unique flow to it. It kind of takes you on this ride."

Just don’t call them "shoegazer." "We just like [My Bloody Valentine’s Loveless] because it’s really textured and spacey, not because it’s guys in bowl cuts staring at their shoes," LaBo gripes.
LONG TIME COMING

Much like their six-minute singles, it took a while to get to Film School. The band that began in 2001 as a live ensemble charged with playing ex-Pinq member Burton’s first Film School self-released album, Brilliant Career, has since become a full-fledged collaborative entity, with plenty of production experience courtesy of Lannon, LaBo, and longtime Bottom of the Hill soundperson Newenhouse (who replaced Ben Montesano in Film School when the latter got married about a year ago). Lannon has worked as Azusa Plane and N.Lannon, LaBo has recorded as Technicolor, and Newenhouse has drummed with Holly Golightly and Hammerdown Turpentine.

They started working on Film School in 2004, turning to three different producers before finally deciding to do it themselves in Newenhouse’s studio, where they cut five newer songs and mixed in older dreamier material recorded in Lannon’s bedroom.

"We actually wasted six month’s worth of time on one song," Newenhouse says. "That was a real drag. Technically, it was difficult. I think [the producer’s] idea of what he wanted it to sound like didn’t really mesh with ours. That’s when we realized we should just do this ourselves."

"I haven’t been back here since we recorded," Burton marvels from the corner, a stocking cap pulled over his ears. "I’m starting to remember those eight-hour days, looking round here – it’s like, oh god."

Since the album spans such a long period, one wouldn’t expect the songs to have much in common with each other, though Burton swears they do: "Maybe there’s a little bit of a theme about trying to move forward and feeling a little stuck." And perhaps that has something to do with the long, drawn-out making of Film School? "Maybe!" he says. "I think it might be just getting older and trying to make those next steps in life."

Beggars Banquet first made contact with Film School’s manager two years ago when the band played with TV on the Radio in the UK. It took about a year of e-mails and talk before a deal was struck, around the time when the album was completed. "It took basically all of last year until the dust settled," Lannon says. "Is it even settled yet? I don’t even know. On this last tour we were like OK, it’s official, right? We’re spending money, this advance. I think once the money is in your account, the thing is really happening."

"It’s weird to be working with a label that isn’t worried about going out of business. Not having this dark cloud over you the whole time," Lannon continues, mimicking an imaginary imprint. "<\!q>’Urrrrr, rock music. Records just don’t sell like they used to.’ That’s every other label we talked to. It’s just a recurring theme that you hear as a person in the indie rock world. Every label you talk to has that, starts with that ‘Feel sorry for me, I’m a label’ sob story. But Beggars has figured it out; they’ve been around for a while – it’s a nice situation."

"We can exhale a little," Burton adds gently.

"Now we just have to play well every night!" Ruck cracks.

FILM SCHOOL  Jan. 26, 6 p.m.  Amoeba Music  1855 Haight, SF  Free  (415) 831-1200  With Sound Team and Citizens Here and Abroad  Jan. 26, 9 p.m.  Bottom of the Hill  1233 17th St., SF  $10  (415) 474-0365

Mystic ore

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The roiling ghosts of mercury-tainted miners. Petrified Keebler elves. An entrance to Fingal’s Cave. The One Ring. These are the sorts of magical things any sensible, perhaps slightly stoned backpacker (or Rush fan) could hope to find in a glaciated valley called Mineral King, whose jagged dogwood- and spruce-steeped slopes lie at the southern tip of Sequoia National Park, in the Sierras. Marmots drunk on antifreeze are not. Nor, surely, is a squeaky gaggle of buxom, bleached-blond suburbanite moms gathered in a spirit circle for Sunday Campfire Worship, singing "He’s Got the Whole World in His Hands" and wiping $10 chicken salad sandwiches off their kids’ faces. Yet somehow, on a recent camping trip, the pickled vermin and swaying kumbaya-yas seemed to tie in perfectly with the region’s fool’s gold mythology.

 The sense of accomplishment once you turn off the "main" Mineral King road and into the region itself is overwhelming. Lone, half-starved prospectors in the 1870s used to journey for weeks to reach this ore-rich spot, and you can’t help admiring their greed. The valley now encompasses a loose collection of scattered campgrounds, half-constructed lodges, and broad-chested ranger stations covering 12,600 acres. The campgrounds are first-come, first pitch and, despite the torture of arrival, can fill up quickly with Gwen Stefani-blasting family reunions and that most ubiquitous of modern campground-dwellers, the Loud Nirvana Fan with Acoustic Guitar.

 Hiking is the main draw of Mineral King, and the hiking bible for the area, touted at all the local bookstores, is Day Hiking Sequoia, by Steve Sorensen. Do not buy this book. Although it tells you a lot about the area’s history, after five hours of wrestling with its skeletal mapping system, we eventually just gave up and got lost. (The best bet is to check in at the ranger stations and ask for more detailed directions.) We never made it to the fabled Mosquito Lakes or the treacherous Timber Gap, but we lunched under Mosquito Creek waterfalls, rolled in a zillion wildflowers, sniffed bear droppings on rounded slate outcrops, and picked up Casey, a pale monarch butterfly who hitched with us a couple miles. Most important, we went a whole day without seeing other people. It was heaven.

 Silver City has also undergone a recent plague of cable-chewing marmots, addicted to antifreeze highs. Visitors everywhere are warned ("Warning: Marmots!") to check under their hoods before driving off, potentially transferring dozens of tipsy little mammals out of their natural habitat and into the wilds of Metropolitan Los Angeles. Alas, we saw no neon-lipped marmots, nor entrances to Fingal’s Cave. But Mineral King was still a mythic trip.

Trip planner

Silver City Resort, on Mineral King Road, three miles west of the main ranger station. Open Memorial Day through October. 1-805-528-0730 www.silvercityresort.com.

Film: Critic’s Choice: ‘San Francisco’s Broken Promise’

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Thurs/29, Delancey Street Screening Room

WHEN A GROUP  of Modesto Junior College students began looking into what Bay Guardian editor and publisher Bruce B. Brugmann calls "the biggest scandal in American history involving a city," most of them knew nothing about Hetch Hetchy Valley, and none of them had ever heard of the Raker Act. But spurred by a series of Bay Guardian stories and led by their instructor, Carol Lancaster Mingus, a veteran public television producer, they spent 17 weeks researching the story, doing interviews, and putting together archival footage. The result, San Francisco’s Broken Promise, is a remarkably clear, cogent account of how Pacific Gas and Electric Co. kept public power out of San Francisco. In just half an hour, the documentary summarizes one of the great stories in the city’s history, hitting all the major points. It describes how the fight over the damming of Hetch Hetchy Valley was the first major nationwide environmental battle, how the Sierra Club and John Muir fought to save the spectacular twin of Yosemite Valley twin, and how Congress agreed to let San Francisco build the dam, but only with a very specific condition: The dam had to generate electricity, and that cheap, public power had to be used to keep PG&E’s monopoly out of town. Obviously, the Bay Guardian (and its editor-publisher) play a key role in the doc. But the real star is Joe Neilands, the retired UC Berkeley biochemistry professor who first got onto the story in 1969. Neilands describes in his calm, soft-spoken way how the entire premise behind the Raker Act has been actively violated for more than 80 years. In the end, the film is a bit soft on the "restore Hetch Hetchy" movement, which wants to tear down the dam (a move that would be a deadly blow to public power in the city). And I would have loved to see some Michael Moore-style confrontations of PG&E executives and key public officials (like US senator, and former SF mayor, Dianne Feinstein, who figures prominently in the story but gets away with simply "declining comment." But Mingus and the student crew do a fine job of telling a complex tale without the use of a narrator, just splicing together a series of interviews. The film provides a wonderful public service: It gives a solid primer on the immensely complicated story of a scandal involving hundreds of millions of dollars – and does it in a way that’s entertaining, understandable, and wrapped up in a 30-minute package. Screening this week as part of the San Francisco World Film Festival, San Francisco’s Broken Promise ought to be aired on KQED, on local cable, and in classrooms and meeting rooms all over the city, and it ought be considered a mandatory part of any local activist’s basic political education. Thurs/29, 5 p.m., 600 Embarcadero, SF. $10. Festival runs Thurs/29-Sun/2; call (415) 725-0009 or go to www.sfworldfilmfestival.com/festival.html for a complete schedule. (Tim Redmond)

Cruisin’ for a bruisin’

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EVER SINCE THAT fateful day on the family farm when our stud calf Beauregard threw me from his back and rammed me several times against a large oak, giving me one heck of a concussion, I knew I was destined to become a leather queen. I was only 11 at the time, and the options were few for actual experience, but dammit — if I couldn’t have the sex, then at least I’d have the outfits. “And what are you?” my innocent neighbors would ask when they opened their doors at Halloween. “I’m Freddie Mercury!” I’d reply with a wiggle of my little homemade chaps (Hefty bags and duct tape) for emphasis. And then they’d give me candy.

Nowadays everyone’s got to have at least one kinky fetish on their sexual resume — thanks, Madonna — yet often the men, women, and “other” of that twisted tribe known as the Leather Community still get a bad rap, especially among young gay club patrons. Part of this is fear, of course: Doesn’t all that pain hurt a little? And part of it is shame: The leather generation that came of age in the ’70s and ’80s has had to shoulder not just the burdens of age and rejection, but also a ridiculous cross between jealousy for living through the hedonistic homo heyday and blame for AIDS. And then, of course, there’s the primal terror of turning into one of those old men with cottage-cheese buttocks and a basketball belly who strut around the Eagle wearing nothing but rainbow flip-flops and a leash.

Oh sure, we’ll let them take us home and spank us on weeknights, but when we see them at the disco, we just shudder and throw shade.

In response, it seems, the leather queens closed ranks. No longer feeling welcome, they became a kind of secret society in the ’90s. Once-omnipresent social institutions like the Imperial Court of San Francisco and the Rainbow Motorcycle Club went underground ��� and, sadly, saw their profiles dwindle. Tight-knit contingents like Mama’s Family and the Men of Discipline sprang up, with their unique rituals and dress codes, shunning the clubs in favor of charity Golden Gate potlucks, cabaret fundraisers, and converted-garage play parties promoting safe-sex awareness. (Leatherfolk are all about the benefits, these days.) The sash circuit moved to the suburbs. Half the community morphed into bears. Even the dawn of the Internet connection only increased the generation gap.

But as the first Arab American leather hip-hop disco clubkid muppet queer San Francisco Drummer Boy 2001 (runner-up), I feel it’s my deep responsibility and honorable duty to reprazent my peeps in the hide. If there’s one thing my leather dad (love you, Ray) taught me, it’s respect, and if there’s another, it’s how to keep from passing out after hanging upside-down for 40 minutes. It’s time for all this nonsense to stop. This year may have seen three more local leather haunts — Loading Dock, My Place, and Club Rendez-Vous — close to become upscale, straight-type martini lounges; the baths are still outlawed; and creepy tweekers have invaded the sex clubs; but the leather lifestyle is still brilliant and vital, bouncing back up through the queer underground and swelling its ranks with curious alternaqueers and radical faeries, who fetishize being open-minded.

Today, the only places the whole queer community can come together regularly are our precious few leather bars. Daddy’s, Aunt Charlie’s, Marlena’s, and The Eagle have all undergone recent renaissances, fueled by a combo of renegade young promoters, indulgent owners, and a healthy new lust for the underground. Where else can beef and chicken meet? Not to mention old punks, baby dykes, hustlers, drag queens, bull daggers, grandpas, gymbots, ex-clones, Aberzombies, club kids, A-gays, bikers, circuit boiz, transgendered hotties, Log Cabin Republicans, and the odd closeted TV anchorman. It seems the more the mainstream media bleaches out our filthy abominations, the more we return to our fruitful past, when lust was the glue that held us together, and abomination was a kind of gang handshake. We may be more diverse than ever, but leather’s still our common ground.

Daddy’s. Daily, 9 a.m.-2 a.m., 440 Castro, SF. (415) 621-8732, www.daddysbar.com.

Marlena’s. Mon.-Fri., 3 p.m.-2 a.m.; Sat.-Sun., noon-2 a.m., 488 Hayes, SF. (415) 864-6672.

Aunt Charlie’s. Mon.-Fri., noon-2 a.m.; Sat.-Sun., 10 a.m.-2 a.m., 133 Turk, SF. (415) 441-2922, www.auntcharlieslounge.com.

The Eagle Tavern. Daily, noon-2 a.m., 398 12th St., SF. (415) 626-0880, www.sfeagle.com.

E-mail Marke B. at superego@sfbg.com.

The political puppeteer

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By offering envelope-pushing legal and political advice at key moments in the fall campaign, attorney Jim Sutton was perhaps the single most influential individual behind the victories of Mayor Gavin Newsom and District Attorney Kamala Harris.
In the process, Sutton solidified his reputation as the dark prince of San Francisco elections, a hired gun who helps downtown interests and well-funded campaigns continue to dominate the electoral field even after voters passed reforms that restricted campaign giving and spending and required more official disclosure.
“He knows more election law than anyone, and he knows it better than anyone else,” local political consultant David Looman told the Bay Guardian. “He is the guy you call.”
New era, new player
Sutton, 40, stepped on the political stage just as voters were going to the polls in the fall of 1997 to demand more transparency in campaigns, a reaction to the leadership of Mayor Willie Brown and the dealings of powerhouse consultants like Jack Davis and Robert Barnes. At the time Sutton worked for Nielsen, Merksamer, Parrinello, Mueller, and Naylor, a Mill Valley firm that specializes in election law.
Sutton took on mostly big-money campaigns backed by downtown interests — such as Brown’s 1999 reelection and Pacific Gas and Electric Co.’s successful, multimillion-­dollar bids to squelch the public power movement in 2001 and 2002. Highly versed in the minutia of campaign finance law, he became a major player in electoral politics in San Francisco — and across the state.
“He is one of a small handful of very influential political law attorneys who typically represent moneyed, influential candidates,” California Common Cause executive director Jim Knox told us. “And he seems to be on something of a crusade right now.”
A search of the San Francisco Ethics Commission’s online database shows that over the past six years, Sutton has acted as treasurer or in another legal capacity for at least 20 campaigns and counts such heavily funded political action committees as the Golden Gate Restaurant Association, the Alice B. Toklas Lesbian Gay Bisexual Transgender Democratic Club, and the San Francisco Association of Realtors among his permanent clients. For that work, which doesn’t include the fall election, he earned at least $750,000.
Many of the city’s progressive activists and leaders see him as a dark agent — a tool only well-heeled interests can hire to navigate regulatory loopholes in order to spend as much as possible, even it means pushing the limits of the law, to sway voters.
“He’s an opportunistic lawyer who works against populist issues,” Sup. Tom Ammiano said.
Moreover, activists and state campaign finance experts say, he exerts an extraordinary level of influence over the city’s campaign regulators, including the top staff at the Ethics Commission and the deputy city attorneys who work with that agency.
“He is a high-powered fixer who has relationships with people in power that let him deliver for his clients in a way that leaves the less-connected among us flabbergasted,” said Marc Solomon, a Green Party member who worked on Sup. Matt Gonzalez’s mayoral campaign.
For his part, Sutton says that’s nonsense.
“There’s absolutely no proof or evidence of that,” Sutton told us. “I’m a professional, and I don’t want special access. I don’t need it, because I have a knowledge of the law.”
Rising to the top
By the time Sutton left his old firm last May to create Sutton and Associates, he had sealed his reputation as a go-to guy and counted among his clients the man who would be mayor. Sutton was everywhere. Consider:
• Having lawyered Newsom through the embarrassing flap in early 2003 over the $1 million loan from mentor Gordon Getty that (whoops!) Newsom neglected to disclose on his economic interest statements, Sutton served as treasurer to the Marina District supervisor’s mayoral campaign.
• When district attorney candidate Harris’s consultants realized their client was facing disaster if they couldn’t get her out of a legally binding pledge she signed in January 2003 to abide by the spending limits set in that race, they summoned Sutton, who got her out of the jam. The Ethics Commission’s decision to lift the spending limit was one of the agency’s most egregious acts in years and was truly an extraordinary event, activists say. It allowed Harris to spend hundreds of thousands of dollars to get past Bill Fazio in the runoff and eventually beat incumbent Terence Hallinan.
• Sutton handled the regulatory filing procedures for the California Urban Issues Project, a nonprofit lobbying outfit that churned out campaign mailers slamming Hallinan and mayoral contender Gonzalez for, among other charges, an unwillingness to crack down on the activities of homeless people. Though the group’s status prevents it from taking positions on candidates, the mailers clearly favored one candidate over the other. However, since the pieces didn’t actually include a “vote for candidate X” command, they fell within the bounds of the law as recently interpreted by the appellate courts, Sutton told us.
“What I do is say, ‘I am the lawyer. It’s my job to say this is what the law says. This is what it does or doesn’t allow,’ ” Sutton said. “It’s not about any kind of ideology on my part.”
• Sutton also served as treasurer for the campaigns behind two successful measures funded by downtown interests: the clean-streets initiative (Proposition C) and the controversial anti-panhandling legislation sponsored by Newsom (Proposition M). Interestingly, Harris particularly benefited because of her support for Prop. M. San Francisco pollster David Binder told us in December that her position on Prop. M helped her win over much of Fazio’s base and was key to her victory.
• Sutton’s expertise helped Newsom and Harris raise money in larger chunks during the runoff than they might otherwise have done. That’s because Sutton is keenly aware of a detail in the city’s campaign finance law that says if a candidate carries “accrued expenses” from the general election to the runoff, that candidate can collect $500 (instead of $250) from contributors. He should be — the ruling came as a result of his suggestion to local regulators.
For practical purposes, it can become a matter of shuffling the books. Newsom and Harris had so much cash behind their candidacies that it’s tough to believe they had any real debt. And in the case of at least Newsom, the amount of “debt” certainly seemed to be a moving target.
Shortly after the general election, Newsom campaign manger Eric Jaye told us he thought Newsom bore roughly $30,000 in accrued expenses. But when the campaign filed the paperwork, Newsom showed $225,322 in unpaid bills (see “Tainted Dough,” 12/03/03).
Neither Hallinan’s nor Gonzalez’s campaign took advantage of this provision in the law, even though Gonzalez treasurer Randy Knox brought it to the candidate’s attention. Gonzalez told us at the time that he didn’t consider such a move ethical.
Learning the ropes
A self-described politics nerd who interned in his state assemblymember’s office in high school, Sutton credits the rigors of the tight-knit environment of Pomona College — more than his three years at Stanford University Law School — with influencing the way he works today.
“I learned early I wasn’t going to get away without doing my homework,” he told us.
After clerking for former California Supreme Court Justice Edward Panelli from 1988 to 1989, he searched for a way to combine his legal degree with his keen interest in politics and government. In 1990 he found his way to Nielsen, Merksamer, though he lived, as he still does, in San Francisco.
Since he knew the city, he evolved into the firm’s attorney who dealt with San Francisco matters, he told us, even though he’s a member of the Republican Party — a rare bird here. In fact, he even served a stint as general counsel for the California Republican Party.
His first work in the city was on behalf of large institutions — the M.H. de Young Memorial Museum’s early bond campaigns, for example. He also made a key alliance with consultant Barnes, who was on his way to building a hugely influential career here and becoming closely connected to former mayor Brown.
In spring 1998, Sutton acted as treasurer for Bay Beautiful, a PAC aimed at defeating Proposition K, which former state senator Quentin L. Kopp put on the ballot to restrict Brown’s control of the development of Treasure Island. (Though the measure passed, the Brown-controlled Board of Supervisors failed to implement it.)
In November 1999, Sutton played a role in the orchestrated independent expenditure campaign on behalf of Brown’s reelection efforts in his handling of the Willie Brown Leadership PAC. The PAC directed some $55,000 into Brown’s bid for a second term (see “The Soft Money Shuffle,” 2/16/00).
At the time, Sutton had gone public with his strong opposition to efforts to restrict spending in political campaigns, writing in the San Francisco Examiner, “Not only does a spending cap decrease the quantity and quality of the issues discussed in the campaigns, it also infringes on First Amendment rights.”
One year after Brown’s reelection, the Leadership PAC, together with the pro-downtown Committee on Jobs, pumped some $67,000 into an unsuccessful bid to defeat Proposition O, which reinstated limits on independent expenditures and provided public financing for campaigns. Sutton handled the legal work for No on O.
No surprise there, Sutton’s critics say. Where money seeks to influence politics, that’s where you’ll find him. Sutton, though, says the list of campaigns he’s served doesn’t reflect his ideology as much as it does his skill set. He told us the best-funded campaigns “tend to have the more complicated legal questions, since they’re going to do more stuff.”
Money and politics
Advocates of campaign finance reform say Sutton has taken his opposition to campaign spending limits on the road, seeking to erode local ordinances that restrict spending.
“Sutton is active all over the state in his opposition to campaign finance reform,” said Paul Ryan, political reform project director for the Los Angeles–based Center for Governmental Studies.
Most recently Sutton testified before the San Diego Ethics Commission at a Jan. 21 hearing on a proposal to strengthen local campaign finance law. Sutton argued the commission should repeal the local law and replace it with the state’s version, which happens to be weaker.
“When we wrote the Political Reform Act of 1974, we put in there that local laws could be stronger than the state law,” Center for Governmental Studies director Bob Stern said. “What we have now is about 100 cities and counties that have gone beyond the state law. What [Sutton] is doing is pushing local jurisdictions to follow the state law only. And that’s unfortunate, because each local jurisdiction needs to deal with its own problems.”
Sutton said he just wants a uniform standard, with the minimal local amendments.
“[Cities and counties] keep making more and more laws, which are making things more and more complicated and difficult for anyone who wants to run for election to figure out,” Sutton said. “It has a dampening effect.”
Ryan and others are concerned Sutton might succeed in discouraging officials in municipalities such as Los Angeles and San Francisco from sticking by their stronger local laws. Compounding their concerns is that Sutton appears to have a great deal of influence over regulatory officials — at least in San Francisco.
Charlie Marsteller, who formerly headed up a San Francisco chapter of California Common Cause, believes the Ethics Commission has for more than a year failed to act on a complaint he filed against Sutton in late 2002, because of Sutton’s influence on the agency. (The complaint was over Sutton’s failure to disclose some $800,000 in contributions from PG&E to a committee aimed at defeating Proposition D, another public power measure.)
“It seems to me they are waiting until after February, when a seat on the commission is up and they’ll be able to replace [Bob Planthold] with a Sutton-friendly commissioner,” Marsteller said. (Assessor-Recorder Mabel Teng is expected to name Planthold’s replacement any day now.)
More recent examples activists point to include the Harris spending-cap matter and the latest: a charge made Jan. 16 by two Ethics Commission staffers that director Ginny Vida ordered the destruction of documents accidentally e-mailed to the agency by a secretary in Sutton’s office. Those documents, which were first reported on in the San Francisco Sentinel, strongly suggest that funds raised by the San Francisco Swearing-In Committee (without contribution limits) for Newsom’s inauguration were used to pay off a long list of consultants who worked on the campaign — a charge Sutton has vehemently denied.
On Jan. 28, Sutton filed paperwork for the committee reporting contributions but not expenditures. The total raised was $317,850 and included donations of $10,000 to $20,000 from such downtown players as Shorenstein Co., Gap founder Don Fisher, the San Francisco Association of Realtors, and Clear Channel.
Though Sutton insists he enjoys no undue influence on local regulators, even one of Harris’s consultants told us Sutton was hired for just that reason. “Jim Sutton has a certain amount of influence with Ginny Vida. He doesn’t think [spending limits] are constitutional,” Looman said. “And I believe that worries her too.”
Vida was on medical leave and couldn’t reached for comment, but her deputy, Mabel Ng, said neither she nor Vida give Sutton special treatment.
“I don’t think he has any more or any less influence than anyone else,” Ng said.
Dealing with Ethics
Sutton’s most impressive act in the Harris controversy was convincing Vida and Ng that Harris didn’t know she was bound to the pledge she signed in January 2003 to stay under the spending cap. Had ethics officials concluded that Harris knew her pledge was binding when she blew the cap sometime in September, they could have disqualified her from the race, according to the terms of the city’s campaign finance law.
Instead the Ethics Commission signed onto a settlement agreement stipulating that Harris’s had been an innocent mistake — though there was plenty of evidence that her campaign officials fully knew the pledge was binding (see Campaign Watch, 9/17/03 and 10/08/03). But in buying into Sutton’s version of events, the commission allowed Harris to continue spending money that helped her win the race.
“To facilitate the needs of Sutton’s clients, [Ethics] staffers gave in to Sutton the way he wanted,” Marsteller said. “The commissioners dropped the ball in that they needed to request an audit to check out the veracity of the statements being made by Harris…. They could hardly decide that the violations by the Harris committee were unintentional absent an audit. It’s one of the greatest demonstrations of incompetence I’ve seen, and Sutton led them into it.”
For his part, Sutton disagrees that Vida gave him an easy of time of it. “They fined [Harris] $34,000, and they made sure we printed flyers and ads telling the public of the mistake,” Sutton said.
That’s true. But Ryan and others view the matter as strong evidence of Sutton’s influence.
“It appears as though many of the arguments he makes personally are then likewise made by Ginny Vida and Mabel Ng,” Ryan said. “It appears as though Jim Sutton is influencing the public policy and San Francisco and the interpretation of the city’s finance laws.”

The political puppeteer

0

By offering envelope-pushing legal and political advice at key moments in the fall campaign, attorney Jim Sutton was perhaps the single most influential individual behind the victories of Mayor Gavin Newsom and District Attorney Kamala Harris.
In the process, Sutton solidified his reputation as the dark prince of San Francisco elections, a hired gun who helps downtown interests and well-funded campaigns continue to dominate the electoral field even after voters passed reforms that restricted campaign giving and spending and required more official disclosure.
“He knows more election law than anyone, and he knows it better than anyone else,” local political consultant David Looman told the Bay Guardian. “He is the guy you call.”
New era, new player
Sutton, 40, stepped on the political stage just as voters were going to the polls in the fall of 1997 to demand more transparency in campaigns, a reaction to the leadership of Mayor Willie Brown and the dealings of powerhouse consultants like Jack Davis and Robert Barnes. At the time Sutton worked for Nielsen, Merksamer, Parrinello, Mueller, and Naylor, a Mill Valley firm that specializes in election law.
Sutton took on mostly big-money campaigns backed by downtown interests — such as Brown’s 1999 reelection and Pacific Gas and Electric Co.’s successful, multimillion-­dollar bids to squelch the public power movement in 2001 and 2002. Highly versed in the minutia of campaign finance law, he became a major player in electoral politics in San Francisco — and across the state.
“He is one of a small handful of very influential political law attorneys who typically represent moneyed, influential candidates,” California Common Cause executive director Jim Knox told us. “And he seems to be on something of a crusade right now.”
A search of the San Francisco Ethics Commission’s online database shows that over the past six years, Sutton has acted as treasurer or in another legal capacity for at least 20 campaigns and counts such heavily funded political action committees as the Golden Gate Restaurant Association, the Alice B. Toklas Lesbian Gay Bisexual Transgender Democratic Club, and the San Francisco Association of Realtors among his permanent clients. For that work, which doesn’t include the fall election, he earned at least $750,000.
Many of the city’s progressive activists and leaders see him as a dark agent — a tool only well-heeled interests can hire to navigate regulatory loopholes in order to spend as much as possible, even it means pushing the limits of the law, to sway voters.
“He’s an opportunistic lawyer who works against populist issues,” Sup. Tom Ammiano said.
Moreover, activists and state campaign finance experts say, he exerts an extraordinary level of influence over the city’s campaign regulators, including the top staff at the Ethics Commission and the deputy city attorneys who work with that agency.
“He is a high-powered fixer who has relationships with people in power that let him deliver for his clients in a way that leaves the less-connected among us flabbergasted,” said Marc Solomon, a Green Party member who worked on Sup. Matt Gonzalez’s mayoral campaign.
For his part, Sutton says that’s nonsense.
“There’s absolutely no proof or evidence of that,” Sutton told us. “I’m a professional, and I don’t want special access. I don’t need it, because I have a knowledge of the law.”
Rising to the top
By the time Sutton left his old firm last May to create Sutton and Associates, he had sealed his reputation as a go-to guy and counted among his clients the man who would be mayor. Sutton was everywhere. Consider:
• Having lawyered Newsom through the embarrassing flap in early 2003 over the $1 million loan from mentor Gordon Getty that (whoops!) Newsom neglected to disclose on his economic interest statements, Sutton served as treasurer to the Marina District supervisor’s mayoral campaign.
• When district attorney candidate Harris’s consultants realized their client was facing disaster if they couldn’t get her out of a legally binding pledge she signed in January 2003 to abide by the spending limits set in that race, they summoned Sutton, who got her out of the jam. The Ethics Commission’s decision to lift the spending limit was one of the agency’s most egregious acts in years and was truly an extraordinary event, activists say. It allowed Harris to spend hundreds of thousands of dollars to get past Bill Fazio in the runoff and eventually beat incumbent Terence Hallinan.
• Sutton handled the regulatory filing procedures for the California Urban Issues Project, a nonprofit lobbying outfit that churned out campaign mailers slamming Hallinan and mayoral contender Gonzalez for, among other charges, an unwillingness to crack down on the activities of homeless people. Though the group’s status prevents it from taking positions on candidates, the mailers clearly favored one candidate over the other. However, since the pieces didn’t actually include a “vote for candidate X” command, they fell within the bounds of the law as recently interpreted by the appellate courts, Sutton told us.
“What I do is say, ‘I am the lawyer. It’s my job to say this is what the law says. This is what it does or doesn’t allow,’ ” Sutton said. “It’s not about any kind of ideology on my part.”
• Sutton also served as treasurer for the campaigns behind two successful measures funded by downtown interests: the clean-streets initiative (Proposition C) and the controversial anti-panhandling legislation sponsored by Newsom (Proposition M). Interestingly, Harris particularly benefited because of her support for Prop. M. San Francisco pollster David Binder told us in December that her position on Prop. M helped her win over much of Fazio’s base and was key to her victory.
• Sutton’s expertise helped Newsom and Harris raise money in larger chunks during the runoff than they might otherwise have done. That’s because Sutton is keenly aware of a detail in the city’s campaign finance law that says if a candidate carries “accrued expenses” from the general election to the runoff, that candidate can collect $500 (instead of $250) from contributors. He should be — the ruling came as a result of his suggestion to local regulators.
For practical purposes, it can become a matter of shuffling the books. Newsom and Harris had so much cash behind their candidacies that it’s tough to believe they had any real debt. And in the case of at least Newsom, the amount of “debt” certainly seemed to be a moving target.
Shortly after the general election, Newsom campaign manger Eric Jaye told us he thought Newsom bore roughly $30,000 in accrued expenses. But when the campaign filed the paperwork, Newsom showed $225,322 in unpaid bills (see “Tainted Dough,” 12/03/03).
Neither Hallinan’s nor Gonzalez’s campaign took advantage of this provision in the law, even though Gonzalez treasurer Randy Knox brought it to the candidate’s attention. Gonzalez told us at the time that he didn’t consider such a move ethical.
Learning the ropes
A self-described politics nerd who interned in his state assemblymember’s office in high school, Sutton credits the rigors of the tight-knit environment of Pomona College — more than his three years at Stanford University Law School — with influencing the way he works today.
“I learned early I wasn’t going to get away without doing my homework,” he told us.
After clerking for former California Supreme Court Justice Edward Panelli from 1988 to 1989, he searched for a way to combine his legal degree with his keen interest in politics and government. In 1990 he found his way to Nielsen, Merksamer, though he lived, as he still does, in San Francisco.
Since he knew the city, he evolved into the firm’s attorney who dealt with San Francisco matters, he told us, even though he’s a member of the Republican Party — a rare bird here. In fact, he even served a stint as general counsel for the California Republican Party.
His first work in the city was on behalf of large institutions — the M.H. de Young Memorial Museum’s early bond campaigns, for example. He also made a key alliance with consultant Barnes, who was on his way to building a hugely influential career here and becoming closely connected to former mayor Brown.
In spring 1998, Sutton acted as treasurer for Bay Beautiful, a PAC aimed at defeating Proposition K, which former state senator Quentin L. Kopp put on the ballot to restrict Brown’s control of the development of Treasure Island. (Though the measure passed, the Brown-controlled Board of Supervisors failed to implement it.)
In November 1999, Sutton played a role in the orchestrated independent expenditure campaign on behalf of Brown’s reelection efforts in his handling of the Willie Brown Leadership PAC. The PAC directed some $55,000 into Brown’s bid for a second term (see “The Soft Money Shuffle,” 2/16/00).
At the time, Sutton had gone public with his strong opposition to efforts to restrict spending in political campaigns, writing in the San Francisco Examiner, “Not only does a spending cap decrease the quantity and quality of the issues discussed in the campaigns, it also infringes on First Amendment rights.”
One year after Brown’s reelection, the Leadership PAC, together with the pro-downtown Committee on Jobs, pumped some $67,000 into an unsuccessful bid to defeat Proposition O, which reinstated limits on independent expenditures and provided public financing for campaigns. Sutton handled the legal work for No on O.
No surprise there, Sutton’s critics say. Where money seeks to influence politics, that’s where you’ll find him. Sutton, though, says the list of campaigns he’s served doesn’t reflect his ideology as much as it does his skill set. He told us the best-funded campaigns “tend to have the more complicated legal questions, since they’re going to do more stuff.”
Money and politics
Advocates of campaign finance reform say Sutton has taken his opposition to campaign spending limits on the road, seeking to erode local ordinances that restrict spending.
“Sutton is active all over the state in his opposition to campaign finance reform,” said Paul Ryan, political reform project director for the Los Angeles–based Center for Governmental Studies.
Most recently Sutton testified before the San Diego Ethics Commission at a Jan. 21 hearing on a proposal to strengthen local campaign finance law. Sutton argued the commission should repeal the local law and replace it with the state’s version, which happens to be weaker.
“When we wrote the Political Reform Act of 1974, we put in there that local laws could be stronger than the state law,” Center for Governmental Studies director Bob Stern said. “What we have now is about 100 cities and counties that have gone beyond the state law. What [Sutton] is doing is pushing local jurisdictions to follow the state law only. And that’s unfortunate, because each local jurisdiction needs to deal with its own problems.”
Sutton said he just wants a uniform standard, with the minimal local amendments.
“[Cities and counties] keep making more and more laws, which are making things more and more complicated and difficult for anyone who wants to run for election to figure out,” Sutton said. “It has a dampening effect.”
Ryan and others are concerned Sutton might succeed in discouraging officials in municipalities such as Los Angeles and San Francisco from sticking by their stronger local laws. Compounding their concerns is that Sutton appears to have a great deal of influence over regulatory officials — at least in San Francisco.
Charlie Marsteller, who formerly headed up a San Francisco chapter of California Common Cause, believes the Ethics Commission has for more than a year failed to act on a complaint he filed against Sutton in late 2002, because of Sutton’s influence on the agency. (The complaint was over Sutton’s failure to disclose some $800,000 in contributions from PG&E to a committee aimed at defeating Proposition D, another public power measure.)
“It seems to me they are waiting until after February, when a seat on the commission is up and they’ll be able to replace [Bob Planthold] with a Sutton-friendly commissioner,” Marsteller said. (Assessor-Recorder Mabel Teng is expected to name Planthold’s replacement any day now.)
More recent examples activists point to include the Harris spending-cap matter and the latest: a charge made Jan. 16 by two Ethics Commission staffers that director Ginny Vida ordered the destruction of documents accidentally e-mailed to the agency by a secretary in Sutton’s office. Those documents, which were first reported on in the San Francisco Sentinel, strongly suggest that funds raised by the San Francisco Swearing-In Committee (without contribution limits) for Newsom’s inauguration were used to pay off a long list of consultants who worked on the campaign — a charge Sutton has vehemently denied.
On Jan. 28, Sutton filed paperwork for the committee reporting contributions but not expenditures. The total raised was $317,850 and included donations of $10,000 to $20,000 from such downtown players as Shorenstein Co., Gap founder Don Fisher, the San Francisco Association of Realtors, and Clear Channel.
Though Sutton insists he enjoys no undue influence on local regulators, even one of Harris’s consultants told us Sutton was hired for just that reason. “Jim Sutton has a certain amount of influence with Ginny Vida. He doesn’t think [spending limits] are constitutional,” Looman said. “And I believe that worries her too.”
Vida was on medical leave and couldn’t reached for comment, but her deputy, Mabel Ng, said neither she nor Vida give Sutton special treatment.
“I don’t think he has any more or any less influence than anyone else,” Ng said.
Dealing with Ethics
Sutton’s most impressive act in the Harris controversy was convincing Vida and Ng that Harris didn’t know she was bound to the pledge she signed in January 2003 to stay under the spending cap. Had ethics officials concluded that Harris knew her pledge was binding when she blew the cap sometime in September, they could have disqualified her from the race, according to the terms of the city’s campaign finance law.
Instead the Ethics Commission signed onto a settlement agreement stipulating that Harris’s had been an innocent mistake — though there was plenty of evidence that her campaign officials fully knew the pledge was binding (see Campaign Watch, 9/17/03 and 10/08/03). But in buying into Sutton’s version of events, the commission allowed Harris to continue spending money that helped her win the race.
“To facilitate the needs of Sutton’s clients, [Ethics] staffers gave in to Sutton the way he wanted,” Marsteller said. “The commissioners dropped the ball in that they needed to request an audit to check out the veracity of the statements being made by Harris…. They could hardly decide that the violations by the Harris committee were unintentional absent an audit. It’s one of the greatest demonstrations of incompetence I’ve seen, and Sutton led them into it.”
For his part, Sutton disagrees that Vida gave him an easy of time of it. “They fined [Harris] $34,000, and they made sure we printed flyers and ads telling the public of the mistake,” Sutton said.
That’s true. But Ryan and others view the matter as strong evidence of Sutton’s influence.
“It appears as though many of the arguments he makes personally are then likewise made by Ginny Vida and Mabel Ng,” Ryan said. “It appears as though Jim Sutton is influencing the public policy and San Francisco and the interpretation of the city’s finance laws.”

Street fairs and fall festivals

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IF YOU’VE been wondering where all the headline acts and theater companies go in that long gloomy stretch before the fall season, take a look at some of the entertainment featured in the following fairs and harvest festivals. Not only do Bay Area late-summer and autumn celebrations provide space for artists, craftpeople and nonprofit organizations to peddle their wares, many feature performers like Maxine Howard, Modern Jazz Quartet, the Asian American Dance Collective and many, many more. In part two of our third annual guide to Bay Area street fairs, we’ve listed TK celebrations from the beginning of August through October. Unless otherwise noted, the fairs — and the entertainment — are free. For more information, or in case you’d like to participate, call the telephone number listed at the end of each festival description.

August 1-2

Nihonmachi Street Fair The streets of Japantown come to life with live entertainment, food booths, arts and crafts and games. Headliners on Saturday include the top-40 group Desire, while Sunday features jazz recording artist Deems Tsutakawa. On both days, Spirit of Polynesia, the Asian American Dance Collective and the Chinatown Lion Dance Collective perform ethnic dances. The event also features Children’s World, with activities and arts and crafts designed especially for two-to 12-year-olds. 11 am-5 pm in Japantown, Post and Buchanan, SF. 922-8700.

Aug 7-???

Festiva Latino ALL FURTHER INFORMATION TO COME ON MONDAY BECAUSE I LOST THE FOLDER THAT HAD ALL THE STUFF IN IT. I DON’T KNOW HOW I LOST IT BUT WE NEED AT LEAST TO MENTION ALL THE STARS THAT WILL APPEAR. PHONE NUMBER: 543-3030.

August 7-9

ACC Craft Fair From custom-made saddles and porcelain lamps to cedarwood desks and ornamental jewelry, this fair highlights the distinctive work of 300 artists from across the nation, including 75 from Northern California. All of the artists are chosen on the basis of integrity of design and excellence of execution, and the show’s organizers say they hope to elevate crafts into a major industry and an important art form. Adults, $4; children under 12 free. Fri., 11 am-8 pm; Sat., 11 am-6 pm; Sun., 11 am-5 pm. Fort Mason Center, Piers 2 and 3, Bay and Laguna, SF. 526-5073.

August 15

Reggae Explosion, ’87 Presented in the style and tradition of Jamaica’s famous annual Sun Splash concert, this event features Haitian art, Caribbean crafts and Jamaican cuisine, as well as dance, poetry, raffles and prizes. Musical artists include the internationally known Don Carlos and his Freedom Fighters Band, Strictly Roots and the sweet steel drums of Val Serrant. $8 in advance; $10 at the door. 1-11 pm, Fort Mason Center, Pier 3. Sponsored by the Western Addition Cultural Center. 921-7976.

August 22-23

Palo Alto Celebrates the Arts Festival Wine tasting and dancing in the streets will bring even more sunshine to Palo Alto’s University Avenue. Wares include high-quality ceramics and pottery ranging from dinnerware and stoneware as well as paintings, prints and one-of-a-kind furniture to decorate and distinguish the home. 10 am-6 pm, University Ave., Palo Alto. Sponsored by the Downtown Palo Alto Arts Fair Committee. 346-4446.

August 22-September 27

The Renaissance Pleasure Fairs A large grove of live oaks provides the setting for spirited pageants and merry parades that attempt to recreate a 16th-century Elizabethan country village. The Northern California Renaissance Fair is an autumn harvest festival, with music and dancing, hearty foods and rare hand-made crafts. Queen Elizabeth and her court are among the more than 1,000 costumed entertainers. Visitors are encouraged to arrive in period dress and join the fun. Adults, $10.50; seniors, $8.50; children under 12 free. Weekends and Labor Day, 10 am-6 pm. Located at the Blackpoint Forest in Novato, Hwy 37 to the Blackpoint exit. Sponsored by the Living History Center. 620-0433.

August 27-30

San Francisco Fair and International Exposition This year’s fair has an international flavor with its theme “San Francisco: Gateway to the Pacific.” San Francisco’s sister cities of Manila, Osaka, Shanghai, Sydney, Taipei and Hong Kong each have their own pavilion, to exhibit the individuality and heritage of each city and country, and highlight San Francisco’s thriving relationship with her sister cities. The fair also features a wine pavilion, a San Francisco history exhibit and, of course, the famous contest program, featuring such past favorites as the “Financial District Strut,” the “Impossible Parking Space Race,” the winners of the Bay Guardian Cartoon Contest and new additions including the “SF Safe Sex Button,” and “Freeways to Nowhere.” Adults, $5; seniors, $3; youth aged 5-15, $2; children under 5, free. Aug. 27th is “Youth Day” (all youth 15 and under admitted free); Aug. 28th is “Senior Day” (seniors admitted for $1.50). 11 am-9 pm, Civic Auditorium, Brooks Hall, Civic Center Plaza, SF. 557-8758.

September 4-6

122nd Annual Scottish Gathering and Games Come join 40,000 Scots for three days of music, dancing, food and contests. Highlights include the Highland Dancing Championships and the Caber Tossing Championship (a caber is a log the size of a telephone pole tossed end-over-end for accuracy). More than 50 clans are expected to set up tents and display their family tartans and coats of arms. Tickets for the Friday night Musical Pageant and Twilight Tattoo are $5 grandstand; $6 box seat, 8 pm, at the Sonoma County Fairgrounds. Sat. and Sun., adults, $11 one day, $16 both days; youth 11-16, $6 each day; seniors, $5 each day; children under 11, free. Sponsored by the Caledonian Club of San Francisco. 897-4442.

September 5-6

A la Carte, a la Park Here’s your chance to picnic with more than 60 top Bay Area restaurants — De Paula’s, Firehouse Bar-B-Q, Vanessi’s Nob Hill and Hunan, among others — presenting their specialties at special prices to benefit the San Francisco Shakespeare Festival’s Free-Shakespeare-In-The-Park program. Sample the great cuisines of the world while enjoying a series of classical and jazz performances and samplings from the drama of William Shakespeare. $2.50 voluntary donations encouraged. 11 am-6 pm, in Golden Gate Park’s Sharon Meadow on JFK Drive across from McClaren Lodge, SF. 441-4422.

September 5-7

Concord Fall Fest This fourth annual Labor Day weekend festival, held in Todos Santos Park, features grape stomps, chili cook-offs and a 10K run. Less energetic fairgoers can enjoy an open-air marketplace of arts and crafts, food booths and live music. 10 am-6 pm, Concord (take Willow Pass Road exit from 689). Sponsored by the Concord Chamber of Commerce. 346-4446.

September 5-7

Sausalito Art Festival One of Northern California’s largest outdoor fine arts exhibitions, the 35th annual art festival is held along the beautiful Sausalito waterfront. More than 100 artists and craftsmen from around the world exhibit a total of 4,000 works of art. A variety of non-stop entertainment will be provided, along with 26 international food booths. Festivities begin Friday night, Sept. 4th, with fireworks and a black-tie party. The Breakers to Bay run begins along the Pacific at Fort Cronkhite in Marin at 8:30 am (register by August 18th). Adults, $3; children 6-12, $2; under 6, free. 10 am-6 pm, Bridgeway and Litho, Sausalito. Sponsored by the Sausalito Chamber of Commerce. 332-0505.

September 7

Arts Explosion This Labor Day festival celebrates the end of summer with a bang (fireworks) and launches the fall arts season. Complementing the showcase of outstanding Bay Area musicians and dance companies will be original performance works; “art by the yard” and a sculpture “glue booth” for children of all ages; an “Arts Row” with a variety of opportunities to interact with local arts organizations. Children under 12 free; adults, $1. 11 am-9 pm, Estuary Park on Embarcadero West, Oakl. Sponsored by the Oakland Festival of the Arts. 444-5588.

September 12-13

Russian River Jazz Festival Bring your suntan lotion, beach chairs, blankets and swimsuits, and swing to the sounds of the legendary Nancy Wilson, Maynard Ferguson and High Voltage, the Wayne Shorter Quintet and a host of others. This year, the festival features two stages set at the river’s edge, with a spectacular backdrop of redwood-covered mountains. Food and crafts will also be available. $23 single day; $42 for both days. Located at Midway Beach near Guerneville. (707) 887-1502.

September 12-13

15th Annual San Francisco Blues Festival The oldest ongoing blues festival in the U.S. offers two days of performances by blues greats from around the country, an unmatched view of the Bay and a superb array of New Orleans and Louisiana cuisine. Saturday’s music lineup includes Johnny Winter, Lonnie Brooks and Oakland’s own Maxine Howard, and on Sunday Roomful of Blues, Albert Collins and Memphis Slim play. $10 in advance; $12 at the door; $16 for a special two-day ticket available in advance only. Noon-6 pm at the Great Meadow, Fort Mason Center, Marina at Laguna, SF. 826-6837.

September 13

24th Street Merchants’ Cultural Festival The 24th Street Fair celebrates Latin American Independence as well as creating a community gathering for artists, residents and merchants. Visitors can enjoy Latin American food and arts and crafts with a Latin theme. A plethora of information booths provides literature on community activities and five stages continuous entertainment by local groups. 11 am-6 pm, 24th St. from South Van Ness to Potrero, SF. Sponsored by the Mission Economic and Cultural Association. 826-1401.

September 18-20

30th Annual Monterey Jazz Festival Monterey Jazz Festival swings again, this year featuring more than 25 superstars, including Ray Charles, The Modern Jazz Quartet, B.B. King, Toshiko Akiyoshi, Etta James and Bobby McFerrin. The event also features food and merchandise booths, and the sponsor, MCI Communications, offers visitors the opportunity to call anywhere in the U.S. free of charge. Although the main stage events are sold out, grounds admissions tickets are still available and allow the bearer access to the outdoor Garden Stage and the indoor Nightclub, which host many of the headliners. $15 a day. Fri., 5 pm-midnight; Sat., noon-midnight; Sun., noon-10 pm. 775-2021.

September 19-20

Mill Valley Festival More than 100 artists, selected by a jury, exhibit their wares at this arts-and-crafts fair set in a beautiful redwood grove. Food, continuous on-stage entertainment and activities for children make this one of the premiere fine arts festivals in the country. Voluntary donations requested. 10 am-6 pm, Old Mill Park, Throckmorton and Old Mill, Mill Valley. 381-0525.

September 19-20

Pan-Pacific Exposition Art and Wine Festival This city-wide festival is held on the site of the 1915 World’s Fair. Horse-drawn carriages and vintage cars transport visitors to the glories of bygone days as the festival celebrates the highlights of San Francisco history. Enjoy ragtime music, a historic fashion show and pennyfarthing bicycle races. Several wine gardens offer premium wines from select California vineyards. 10 am-6 pm, Marina Green, Lyon and Marina, across from the Palace of Fine Arts, SF. Sponsored by the San Francisco Council of District Merchants. 346-4446.

September 20

Folsom: Dimension IV! Now in its fourth year, this fair has established itself as the “End of Summer” celebration. Staged on the equinox of 1987, the fair again features the mascot “Megahood,” who breathes fire and smoke over the crowds. Entertainment includes the Folsom All Stars, the Zasu Pitts Memorial Orchestra and Viola Wills. Expect high-energy performances and technological innovations and one of the most diverse display of local artistry and crafts. The fair is a benefit for the San Francisco Aids Emergency fund and the South of Market Community Association. 11 am-7 pm, Folsom between 7th and 12th St., SF. Sponsored by Budweiser Corporation. 863-8579.

September 26-27

The Pacific Coast Fog Fest Visitors to the Pacific coastline are treated to historical and humorous displays at the Fog Fest. Diners may feast on seafood and of course fogcutters are the featured cocktails. Vintage cars, arts, crafts, continuous entertainment and fog-calling contests make this a welcome new Bay Area event. 10 am-6 pm. Located on Palmetto Ave., between Shoreview and Santa Rosa in Pacifica, Hwy 1 to Paloma exit. Sponsored by the City of Pacifica. 346-4446.

October 2-4

Fiesta Italiana A weekend family event, this year’s fair promises to be the “Besta Festa.” The celebration of Italian-American culture features Italian cooking demonstrations, wine tasting and grape stomping. Mayor Dianne Feinstein is scheduled to cut the pasta ribbon to open the ceremonies, Sergio Franchi will headline with two shows a day and the Italian design Ford Concept Car is on display. Fireworks are scheduled for the end of each day. Adults $8; children $1.50; Seniors and disabled $5 (free from noon-6 pm on the 2nd). Noon-midnight, noon-10 pm on Sun. Pier 45, Fisherman’s Wharf, Shed A and C, SF. Sponsors include Pepsi, Ford Motor Co., Budweiser, Sony, Lucky Stores, EFS Savings and the Port of San Francisco. 673-3782.

October 4th

Castro Street Fair Started in the back room of Harvey Milk’s camera store in 1974, this neighborhood fair has become a city-wide event. Musicians, bellydancers and jugglers appear with prom queens, urban cowboys, visitors from outer space and the Gay Freedom Day Marching Band and Twirling Corps. A variety of music, comedy acts and more than 200 arts and crafts displays are also scheduled. Castro between Market and 19th, SF. Sponsored by the Castro Street Fair. 346-2640.

October 9-25

Harvest Festival For three weekends, the nation’s largest touring festival of handmade crafts, fine art, music, theater and cooking transforms Brooks Hall into a colorful 19th-century village. The event features bluegrass and country bands, continuous stage entertainment, jugglers, acrobats and wandering minstrels, as well as the hundreds of unique shops that line the walkways. Center Stage headliners include Riders in the Sky, and the famed musical comedians the Brass Band, winners of the top prize at the Edinburgh, Scotland Performing Arts Festival. Adults $5; children 6-11, $2.50; children under 6, free. Fri., noon-10 pm; Sat., 10 am-10 pm; Sun., 10 am-7 pm, Brooks Hall, Civic Center. 974-4000.

October 10-11

Art and All That Jazz on Fillmore A second-year revival in remembrance of Fillmore Street’s heyday of music, known in the 1940s, ’50s and ’60s for its hot jazz and blues clubs. Two days to celebrate San Francisco’s jazz roots with fine arts, fine food and fine wine in outdoor cafes. 10 am-6 pm, Fillmore between Post and Clay, SF. Sponsored by the Fillmore Street Merchants’ Association, the Pacific Heights Homeowners’ and Merchants’ Association. 346-4446.

October 11

Montclair Village Fair The winding streets of Montclair Village provide a charming locale for this neighborhood fair, where 50 artisans sell crafts and local schools, business and nonprofit organizations sell food. This year’s fair has a circus theme, with strolling flutists and meandering mimes helping to create a carefree atmosphere. A pancake breakfast kicks things off and is followed by hayrides in Montclair park. 11 am-5 pm, LaSalle at Mountain, Oakl. Sponsored by the Montclair Business Association. 339-1000.

October 17-18

Half Moon Bay Art and Pumpkin Festival Artists and craftspeople from across the United States display wares in more than 250 booths and all-day entertainment features blue grass to rock-and-roll at this “something for everyone” festival. As you might expect, pumpkin goodies abound and the fair kicks off with two pie-eating contests. Other events include a Pumpkin Festival Run and a pumpkin-carving contest. 10 am-5 pm, Main Street in Downtown Half Moon Bay. Sponsored by the Coastside Chamber of Commerce. 726-5202. *

What are city officials and the Chamber of Commerce planning behind closed doors?

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San Francisco public officials and the Chamber of Commerce have launched a new Economic Development Corporation with the stated goal of charting and guiding the city’s economic future. But although the decisions the group might make would have dramatic impacts on all of San Francisco, the agency thus far has refused to conduct its business in public.

Although several city officials serve on the EDC’s board of directors in an official capacity and the corporation will be partially funded by the city, the agency’s first meeting, July 16th, was held behind closed doors at the Chamber’s California Street headquarters. A Bay Guardian reporter was told he could not attend the meeting, and no official minutes have been published. The meeting appears to violate the Ralph M. Brown Public Meetings Act.

Paul Wright, deputy executive director of the Chamber of Commerce and acting executive director of the EDC, insisted the meeting did not fall under Brown Act guidelines.

The EDC’s board of directors, however, includes Bill Witte, executive director of the Mayor’s Office of Housing and Economic Development, Rudy Nothenberg, the city’s chief administrative officer and Nancy Walker, president of the Board of Supervisors. The Brown Act defines “legislative body” as “any board, commission, committee, or other body on which officers of of a local agency serve in their official capacity as members.”

Furthermore, the new EDC receives its funding in part from the Chamber and in part from MOHED. Presently, that funding is limited to “in kind” services such as preparing presentations and clerical services. Under the Brown Act definition, a legislative body must be “supported in whole or part by funds provided by such a public agency.”

The EDC was formed jointly by the Chamber and MOHED and will be incorporated as a nonprofit in the fall of this year. According to the agenda from the July 16th planning meeting, the corporation is designed to “help retain employers in San Francisco and attract appropriate new businesses to the City” and to maintain “a close working relationship between the public and private sectors in the economic development activity of the City.”

Terry Francke, legal counsel for the California Newspaper Publishers Association and an expert on the Brown Act, told the Bay Guardian that the new EDC qualifies as a “legislative body” as defined under Government Code Section 54950 and therefore any meetings the EDC holds are subject to Brown Act requirements. “If the meeting is official enough to have public officials in attendance then it’s official enough to be open.”

Supervisor Walker was invited to the meeting but could not attend due to a previous commitment, according to staff aide Jean Mariani. Mariani said Walker’s office was seeking a city attorney’s opinion on the status of the EDC and told the Bay Guardian, “Supervisor Walker is concerned with this issue. We will have the situation resolved before the next meeting.” That meeting is scheduled for September 11th.

City Attorney Louise Renne told the Bay Guardian her staff was looking into the matter.*

Of Lenin and latecomers

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Lenin for lawyers

The 50-year-old San Francisco chapter of the National Lawyers Guild has long worked with local politicians to formulate legislation on issues from South Africa sanctions to rent control, but has always stopped short of endorsing candidates. Two recent events — the Jesse Jackson presidential campaign and Supervisor Harry Britt’s run for Congress — have prompted some members to suggest a policy change. The group’s latest newsletter includes a fascinating pro-and-con debate.

Doris Walker argues against endorsements, pointing to Britt’s divergence with the Guild over support for the PLO. But the choicest bit of writing is contained in a pro-endorsement argument by Thomas Steel, Nancy Clarence and Brian McAffrey: “A live and vibrant organization dealing with issues that matter will have disagreements. If we’re dead or irrelevant, we can avoid disagreement….

The idea that participation in electoral politics would “compromise’ a leftist organization was rejected by no less than Lenin himself 70 years ago. Indeed, he characterized this perspective as “an infantile disorder’ in his famous polemic, Left Wing Communism — An Infantile Disorder….

Lenin [said]: “While you lack the strength to do away with the bourgeois parliments and every other type of reactionary institution, you must work within them because it is there you will still find workers who are duped….

Otherwise you risk turning into windbags.’

“For lawyers, the risk of turning into “nothing but windbags’ is something of an occupational hazard, while infantile disorders are not exactly unprecedented. We should avoid these mistakes and take part in legislative and electoral reforms along with the communities in which we live.”

The Guild will hold a membership meeting to vote on the issue September 16th. Info.: 285-5066.

Mayoral alternatives

In San Francisco, politics has always been too important to leave to the politicians. So it comes as no surprise that a popular local comedian and a flamboyant newspaper columnist have joined nightclub owner Cesar Ascarrunz in the ranks of contenders who hope to start their political careers at the top. Examiner columnist Warren Hinckle symbolically swept the steps of City Hall Friday and submitted a letter of intent to the registrar of voters signifying his official entry into the mayor’s race. Hinckle has impeccable credentials as a Party Loyalist, but based on his record as a magazine editor, we’d hesitate to let him near the city treasury.

Political satirist Will “Vote for me or don’t” Durst, claiming he is “as incapable of doing the job as any other candidate,” has also filed a letter of intent and plans a rousing campaign kick-off at a Julia Morgan Theatre show in Berkeley Aug. 23rd. Durst told the Bay Guardian he is serious about the candidacy and hopes to “pimp the process” to show people the other candidates never say anything of substance. But he added he doesn’t expect to win and is proceeding “with tongue firmly planted in cheek.” Durst says his campaign proposals include turning Broadway, with its boarded-up sex clubs, into a city-subsidized entertainment district and returning Fisherman’s Wharf to those who fish. Was that supposed to be funny? For more information on Durst’s campaign opener, call the Julia Morgan Theatre at 548-2687.

AIDS quilt

NAMES Project organizers have proclaimed Aug. 17th-24th Aid Quilt Week, and are asking people to form quilting bees to make panels bearing the name of someone lost to AIDS. The 3-by-6 foot panels will be sewn into a massive memorial quilt to be displayed at the Capital Mall in Washington, D.C. Oct. 11th, in conjunction with the National March on Washington for Lesbian and Gay Rights. Completed panels must be sent before Sept. 15th to NAMES Project, PO Box 14573, SF 94114. Info.: 626-5725.

SFRG grows

After eight years of battling Manhattanization on its own, San Franciscans for Reasonable Growth has decided to offer public membership. The nonprofit, 13-member citizens board, a major force in the Prop M victory last fall and a successful defender of the measure in court, plans a public outreach campaign on such upcoming issues as Mission Bay, the 101 corridor and regional transit development. A $25 annual basic fee ($100 supporting membership) will entitle members to a quarterly report analyzing urban environmental issues. President Alan Raznick told the Bay Guardian, “New members should provide a solid base for us to disseminate information. We’re building on our past strengths.” For information, contact Alan Raznick or Esther Marks at 870 Market, Room 1119, SF 94102, or call 392-6760.

Short takes:

Sunday/2ndAttendance at the July 12th screening of Iran/Contra: The Story Behind the Scandal, the Christic Institute video about a secret team in the intelligence community and its operations from Cuba to Vietnam to Nicaragua, was so great the Democratic Socialists of America scheduled additional screenings that will also include a second video in which Christic’s lead attorney, Daniel Sheehan, analyzes recent related developments in Washington. 4:30 pm, Noe Valley Ministry, 1021 Sanchez, SF. $2 Info.: 552-1250….

Tuesday/4th — Katya Komisaruk, who damaged a computer at Vandenberg Air Force Base to protest weapons testing, will speak at a War Resisters League/West potluck that will include a discussion of demonstration tactics. 7:00 pm, 942 Market,

701, SF. 433-6676….

Wednesday/5th — Participants at a conference organized by the Center for Third World Organizing will discuss how toxic pollutants disproportionately affect minorities. 8:30 am-4:30 pm, St Paul’s Episcopal Church, Grand at Montecito, Oakl. $10-$15. Info.: 654-9601.

Curchack returns to the roost

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For nine years experimental performance artist Fred Curchack lived in Sebastapol and toiled away just above the obscurity line. As a part-time drama instructor at Sonoma State University he was known for creating daringly original student productions. Bay Area reviewers celebrated him as a theatrical sorcerer whose solo shows — Kathakali Hamlet, Invocation, Stuff as Dreams Are Made On — were magical hybrids of Shakespeare and South Indian dance, Balinese shadowplay and vaudeville ventriloquism, puppetry and poetics. And local audiences could catch him his act at fringy venues like San Francisco’s Intersection and Petaluma’s Cinnabar Theatre — though he was never what you’d call boffo at the box office.

During the last year, however, the 39-year-old Curchack has hit it big on the international festival circuit, and accepted an out-of-town job offer he couldn’t refuse. As a tenured professor of Art and New Performance at the University of Texas in Dallas, he now has a measure of financial security and plenty of off-time to tour his work throughout the U.S. and Europe. Ironically, his new status has allowed him to return to San Francisco this summer for a Victoria Theatre run of The Inquest for Freddy Chickan, a recent piece described by Curchack as a “sci-fi/horror/romance mystery/musical comedy.”

Though he was doing his innovative thing here for years, the increased interest in Curchack has a lot to do with the enthusiastic reception he has received in New York, Baltimore, Philadelphia and Berlin, Germany. Curchack’s break-through show was Stuff as Dreams Are Made On, a spectacular one-man interpretation of Shakespeare’s The Tempest, which he premiered here in 1984 and has been touring extensively ever since. In Dreams he plays all the major characters from The Tempest while creating dazzling low-budget effects with masks, a flashlight and a cigarette lighter, among other items. And he frequently breaks away from the text to talk candidly to the audience about the perilous, schizoid nature of the actor’s art, a feat one reviewer likened to “a show-down between Shakespeare and Artaud.”

Freddy Chickan is a departure from Curchack’s usual mode of “deconstructing” existing texts by Shakespeare, William Blake, Eugene O’Neill and other writers. His original script probes the darker corners of pop-culture by investigating the sinister disappearance of a comedian named Freddy Chickan. In a further attempt to narrow the gap between viewer and actor, Curchack addresses his audience as if they were the murder suspects. The show was inspired, in part, by a scientific analogy. “I was reading The Black Hole: The End of the Universe, a very rhapsodic theoretical physics book that postulates what would happen if we were all sucked into a black hole,” Curchack told the Bay Guardian in a recent conversation. “One of the descriptions of a black hole is that it’s a star that has burned out and used up all its material. It collapses inward at the speed of light, sucking up everything in sight. For me this has something to do with the way a performer sucks up all the attention of the audience.”

With a technique he calls “multiphasic ventriloquism,” Curchack again transforms himself into numerous characters: a slow-witted detective, a Hollywood producer, a female German-Japanese performance artist, a pushy agent and the elusive Freddy. He also pours on the special effects: “light stunts, shadow projections, masks — my usual banquet of theatrical shenanigans.”

But Freddy also poses some exciting new acting challenges for Curchack. For one thing, it marks the first time he has impersonated a woman onstage. “There’s a big taboo there and I had never gotten down with it,” he says. “It’s an incredibly liberating experience to play a woman. I resisted it at first, but now I want to do it more.”

He also involves the audience more intimately than before by urging them to answer some tough philosophical questions. He asked Dallas viewers whether they felt powerless or powerful at the prospect of nuclear obliteration. When someone yelled, “Powerful!” he responded, “Oh, Dallas! I love you! What a can-do city!”

For Curchack, such exchanges are high points. “I’ve always talked to the audience, but it’s a very tenuous and dangerous thing to ask them to talk back. They’ve paid their money and they want to sit and listen. I don’t confront them for sensational purposes at all, or to attract attention to myself. It’s done in the tradition of the jester, the buffoon, in order to get beyond acceptable, civilized limits and awaken a kind of questioning of who we really are. Artistically, politically and perhaps spiritually our culture is at a moment of crisis. If individuals don’t take tremendous responsibility we face the end of the world, just for starters.”

The confrontational style of Freddy has alienated some viewers. Curchack recalls that when he performed the piece at the Theatre of Nations Festival in Baltimore last year several fellow actors found it “so dark and demonic that they walked out.” A German critic who saw it at the National Academy of Art in Berlin also admitted to mixed feelings: “He told me that during the first half he was wondering how the guy who made Stuff as Dreams Are Made On could do anything so shitty. By the end he thought it was the most exciting piece he’d seen that year.”

With all his onstage soul-baring, it’s no surprise to Curchack when people call his work self-indulgent. “I am self-indulgent, to the max!” he crows with pleasure. “I give my self license to indulge in every aspect of myself. I don’t need a defense as long as such cosmic narcissism can be of value to all the other wonderful narcissists sitting in the auditorium. I want to reach into those places which are really frightening in their luminous and dark aspects.”

Curchack is eager to find out how Bay Area theatergoers will respond to Freddy. “In other places even little children have been howling at it,” he contends. “Though it has a very serious and dense level of inquiry it’s actually intended to be quite accessible.”

After the three-week Victoria Theatre run, Curchack heads back to Dallas to a schedule crammed with intruiging projects. In the fall he’ll embark on a month-long performance tour of Norway, Poland and Bulgaria. Next year he’ll be directing an experimental production of Chekhov’s Uncle Vanya at the big-budget Dallas Theatre Center. He’s excited about teaching in the new multi-disciplinary arts graduate program at the University of Texas, and talks about bringing in “some outrageous San Francisco theater people like John O’Keefe to infiltrate academia.”

The fact that he has become a lot better paid and better known since leaving the Bay Area bemuses Curchack, but he seems to take the paradox in stride. “This is still home,” he declares. “That’s what my wife and I said when we pulled into town: “We’re home.’ It’s funny that there’s ten times as much interest in my work here now than when I actually lived here. But maybe that’s just the way things go. If you want a place to become home maybe you should move away.”*

SF’s economic future

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Sometime early this spring, while most of Washington, D.C. was watching the cherry trees bloom and thinking about the impending Iran-contra hearings, a few senior administration officials began discussing a plan to help domestic steel companies shut down underutilized plants by subsidizing some of the huge costs of pension plans for the workers who would be laid off.

The officials, mostly from the Departments of Labor and Commerce, saw the plan as a pragmatic approach to a pressing economic problem. With the steel industry in serious trouble, they argued, plant closures are inevitable — and since the federal government guarantees private pension plans, some companies will simply declare bankruptcy and dump the full liability on the taxpayers. Subsidies, they argued, would be a far cheaper alternative.

But the plan elicited sharp opposition from members of the Council of Economic Advisors, who acknowledged the extent of the problem but said the proposal was inconsistent with the Reagan economic philosophy. The problem, The New York Times reported, was that “such a plan would be tantamount to an industrial policy, an approach the president has long opposed.”

For aspiring conservative politicians, the incident contained a clear message, one that may well affect the terms of the 1988 Republican presidential debate. To the right-wing thinkers who control the party’s economic agenda, the concept of a national industrial policy is still officially off-limits. In San Francisco, the ground rules are very different. All four major mayoral candidates agree that the city needs to plan for its economic future and play a firm, even aggressive role in guiding the local economy. The incumbent, Dianne Feinstein, has established a clear, highly visible — and often controversial — industrial development policy, against which the contenders could easily compare and contrast their own programs.

The mayoral race is taking place at a time when the city is undergoing tremendous economic upheaval. The giant corporations that once anchored the local economy are curtailing expansion plans, moving to the suburbs and in many cases cutting thousands of jobs from the payroll. The once-healthy municipal budget surplus is gone. The infrastructure is crumbling and city services are stressed to the breaking point.

By all rights, the people who seek to lead the city into the 1990s should present San Francisco voters with a detailed vision for the city’s economic future, and a well-developed set of policy alternatives to carry that vision out.

But with the election just three months away, that simply isn’t happening. Generally speaking, for all the serious talk of economic policy we’ve seen thus far, most of the candidates — and nearly all the reporters who cover them — might as well be sniffing cherry blossoms in Ronald Reagan’s Washington.

“San Francisco’s major challenge during the next 15 years will be to regain its stature as a national and international headquarters city. This is crucial to the city because much of its economy is tied to large and medium-sized corporations….The major source of San Francisco’s economic strength is visible in its dramatic skyline of highrise office buildings.”

—San Francisco: Its economic future

Wells Fargo Bank, June 1987

“In San Francisco, you have the phenomenon of a city losing its big-business base and its international pretensions — and getting rich in the process.”

—Joel Kotkin, Inc. Magazine, April 1987

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IN MUCH OF San Francisco’s news media and political and business establishment these days, the debate — or more often, lament — starts with this premise: San Francisco is in a bitter competition with Los Angeles. At stake is the title of financial and cultural headquarters for the Western United States, the right to be called the Gateway to the Pacific Rim. And San Francisco is losing.

The premise is hard to deny. If, indeed, the two cities are fighting for that prize, San Francisco has very nearly been knocked out of the ring. Just a few short years ago, San Francisco’s Bank of America was the largest banking institution in the nation. Now, it’s third — and faltering. Last year, First Interstate — a firm from L.A. — very nearly seized control of the the company that occupies the tallest building in San Francisco. The same problems have, to a greater or lesser extent, beset the city’s other leading financial institutions. A decade ago, San Francisco was the undisputed financial center of the West Coast; today, Los Angeles banks control twice the assets of banks in San Francisco.

It doesn’t stop there. Los Angeles has a world-class modern art museum; San Francisco’s is stumbling along. The Port of San Francisco used to control almost all of the Northern California shipping trade; now it’s not even number one in the Bay Area (Oakland is). Looking for the top-rated theater and dance community west of the Rockies? San Francisco doesn’t have it; try Seattle.

Even the federal government is following the trend. A new federal building is planned for the Bay Area, but not for San Francisco. The building — and hundreds of government jobs — are going to Oakland.

In terms of a civic metaphor, consider what happened to the rock-and-roll museum. San Francisco, the birthplace of much of the country’s best and most important rock music, made a serious pitch for the museum. It went to Cleveland.

For almost 40 years — since the end of World War II — San Francisco’s political and business leaders have been hell-bent on building the Manhattan Island of the West on 49 square miles of land on the tip of the Peninsula. Downtown San Francisco was to be Wall Street of the Pacific Rim. San Mateo, Marin and the East Bay would be the suburbs, the bedroom communities for the executives and support workers who would work in tall buildings from nine to five, then head home for the evening on the bridges, freeways and an electric rail system.

If the idea was to make a few business executives, developers and real estate speculators very rich, the scheme worked well. If the idea was to build a sound, firm and lasting economic base for the city of San Francisco, one could certainly argue that it has failed.

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NOT EVERYONE, however, accepts that argument. Wells Fargo’s chief economist, Joseph Wahed, freely admits he is “a die-hard optimist.” San Francisco, he agrees, has taken its share of punches. But the city’s economy is still very much on its feet, Wahed says; he’s not by any means ready to throw in the towel.

Wahed, who authored the bank’s recent report on the city’s economic future, points to some important — and undeniable — signs of vitality:

* San Francisco’s economic growth has been well above both the national and state average during the 1980s — a healthy 3.67 a year.

* Per-capita income in San Francisco is $21,000 a year, the highest of any of the nation’s 50 largest cities.

* New business starts in the city outpaced business failures by a ratio of 5-1, far better than the rest of the nation. * Unemployment in San Francisco, at 5.57, remains below national and statewide levels (see charts).

San Francisco, Wahed predicts, has a rosy economic future — as long as the city doesn’t throw up any more “obstacles to growth” — like Proposition M, the 1986 ballot measure that limits office development in the city to 475,000 square feet a year.

John Jacobs, the executive director of the San Francisco Chamber of Commerce, came to the same conclusion. In the Chamber’s annual report, issued in January, 1987, Jacobs wrote: “The year 1986 has been an amusing one, with both national and local journalists attempting to compare the incomparable — San Francisco and Los Angeles — and suggesting that somehow San Francisco is losing out in this artificially manufactured competition. Search as one might, no facts can be found to justify that assertion.”

Wahed and Jacobs have more in common than their optimism. Both seem to accept as more or less given the concept of San Francisco as the West Coast Manhattan.

Since the day Mayor Dianne Feinstein took office, she has run the city using essentially the policies and approach championed by Wahed and Jacobs. Before San Franciscans rush to elect a new mayor, they should examine those strategies to see if they make any sense. After nearly a decade under Feinstein’s leadership, is San Francisco a healthy city holding its own through a minor downturn or an economic disaster area? Are San Francisco’s economic problems purely the result of national and international factors, or has the Pacific Rim/West Coast Wall Street strategy failed? Is the economy weathering the storm because of the mayor’s policies, or despite them? And perhaps more important, will Feinstein’s policies guide the city to new and greater prosperity in the changing economy of the next decade? Or is a significant change long overdue?

The questions are clear and obvious. The answers take a bit more work.

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SAN FRANCISCO’S economy is an immensely complex creature, and no single study or analysis can capture the full range of its problems and potential. But after considerable research, we’ve come to a very different conclusion than the leading sages of the city’s business community. Yes, San Francisco can have a rosy economic future — if we stop pursuing the failed policies of the past, cut our losses now and begin developing a new economic development program, one based on reality, not images — and one that will benefit a broad range of San Franciscans, not just a handful of big corporations and investors.

Our analysis of San Francisco’s economy starts at the bottom. Wells Fargo, PG&E and the Chamber see the city first and foremost as a place to do business, a market for goods and a source of labor. We see it as a community, a place where people live and work, eat and drink, shop and play.

The distinction is far more than academic. When you look at San Francisco the way Wells Fargo does, you see a booming market: 745,000 people who will spend roughly $19.1 billion on goods and services this year, up from $15.4 billion in 1980. By the year 2000, Wahed projects, that market could reach $229 billion as the population climbs to 800,000 and per-capita income hits $30,000 (in 1986 dollars), up from $18,811 in 1980. Employment has grown from 563,000 in 1980 to 569,000 in 1986. When you look at San Francisco as a place to live, you see a very different story. Perhaps more people are working in San Francisco — but fewer and fewer of them are San Franciscans. In 1970, 57.47 of the jobs in San Francisco were held by city residents, City Planning Department figures show. By 1980, that number had dropped to 50.77. Although more recent figures aren’t available, it’s almost certainly below 507 today.

Taken from a slightly different perspective, in 1970, 89.17 of the working people in San Francisco worked in the city. Ten years later, only 857 worked in the city; the rest had found jobs elsewhere.

Without question, an increase in per capita income signifies that the city is a better market. It also suggests, however, that thousands of low-income San Franciscans — those who have neither the skills nor the training for high-paying jobs — have been forced to leave the city. It comes as no surprise, for example that San Francisco is the only major city in the country to post a net loss in black residents over the past 15 years.

The displacement of lower-income residents highlights a key area in which San Francisco’s economy is badly deficient: housing. San Francisco’s housing stock simply has not kept pace with the population growth of the past five years. Between 1980 and 1984, while nearly 40,000 more people took up residence in the city, only 3,000 additional housing units were built.

Some of the new residents were immigrants who, lacking resources and glad to be in the country on any terms, crowded in large numbers into tiny apartments. Some were young, single adults, who took over apartments, homes and flats, bringing five of six people into places that once held families of three or four.

But overall, the impact of the population increase has been to place enormous pressure on the limited housing stock. Prices, not surprisingly, have soared. According to a 1985 study prepared for San Franciscans for Reasonable Growth by Sedway Cooke and Associates, the median rent for a one-bedroom apartment in 1985 was $700 a month. The residential vacancy rate was less than 17.

Housing is more than a social issue. A report released this spring by the Association of Bay Area Governments warns the entire Bay Area may face a severe housing crisis within the next two decades — and the lack of affordable housing may discourage new businesses from opening and drive existing ones away. When housing becomes too expensive, the report states, the wages employers have to pay to offset housing and transportation costs make the area an undesirable place to do business.

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WAHED’S WELLS FARGO report shows a modest net employment gain in San Francisco between 1980 and 1986, from 563,000 jobs to 569,000. What the study doesn’t show is that the positive job growth statistic reflects the choice of the study period more than it reflects current trends. In the late 1970s and early 1980s, San Francisco experienced considerable job growth. By 1981, that trend was beginning to reverse.

According to a study by Massachusetts Institute of Technology researcher David Birch, San Francisco actually lost some 6,000 jobs between 1981 and 1985. The study, commissioned by the Bay Guardian, showed that the decline occurred overwhelmingly to large downtown corporations — the firms upon which the Pacific Rim strategy was and is centered. Since 1981, those firms have cost the city thousands of jobs. (See The Monsters that Ate 10,000 jobs, Bay Guardian DATE TKTKTK).

Some of the firms — B of A, for example — were victims of poor management. Some, like Southern Pacific, were caught in the merger mania of the Reagan years. Others, however, simply moved out of town. And no new giants moved in to take their places.

What drove these large employers away? Not, it would appear, a lack of office space or other regulatory “obstacles” to growth: Between 1980 and 1985, San Francisco underwent the largest building boom in its history, with more than 10 million square feet of new office space coming on line. In fact, the city now has abundant vacant space; by some estimates, the vacancy rate for downtown office buildings is between 157 and 207.

The decision to move a business into or out of a city is often very complicated. However, Birch, who has done considerable research into the issue, suggests in the April 1987 issue of Inc. magazine that the most crucial concerns are what he calls “quality of life” factors. Quality-of-life factors include things like affordable family housing for employees; easy, inexpensive transit options and good-quality recreation facilities and schools — and good-quality local government. In many cases, researchers are finding, companies that need a large supply of “back office” labor — that is, workers who do not command executive salaries — are moving to the suburbs, where people who are paid less than executive salaries can actually afford to live.

“Today the small companies, not the large corporations, are the engines of economic growth,” Birch wrote. “And more often than not, small companies are growing in places that pay attention to the public realm, even if higher taxes are needed to pay for it.”

For the past 20 years, San Francisco has allowed, even encouraged, massive new highrise office development, geared to attracting new headquarters companies and helping existing ones expand. In the process, some basic city services and public amenities — the things that make for a good quality of life — have suffered.

The most obvious example is the city’s infrastructure — the roads, sewers, bridges, transit systems and other physical facilities that literally hold a modern urban society together. A 1985 report by then-Chief Administrative Officer Roger Boas suggested that the city needed to spend more than $1 billion just to repair and replace aging and over-used infrastructure facilities. Wells Fargo’s report conceeds that that city may be spending $50 million a year too little on infrastructure maintenance.

Some of that problem, as Boas points out in his report, is due to the fact that many city facilities were built 50 or more years ago, and are simply wearing out. But wear and tear has been greatly increased by the huge growth in downtown office space — and thus daytime workplace population — that took place over the previous two decades.

To take just one example: Between 1980 and 1984, City Planning Department figures show, the number of people traveling into the financial district every day increased by more than 10,000. Nearly 2,000 of those people drove cars. In the meantime, of course, the number of riders on the city’s Municipal Railway also increased dramatically. City figures show more than 2,000 new Muni riders took buses and light rail vehicles into the financial district between 1981 and 1984. Again, city officials resist putting a specific cost figure on that increase — however, during that same period, the Muni budget increased by one-third, from $149 million to $201 million. And the amount of General Fund money the city has had to put into the Muni system to make up for operating deficits rose by some 737 — from $59 million to $102 million.

The new buildings, of course, have meant new tax revenues — between 1981 and 1986, the total assessed value of San Francisco property — the city’s tax base — increased 767, from $20.3 billion to $35.8 billion. But the cost of servicing those buildings and their occupants also increased 437, from $1.3 billion to to $1.9 billion. In 1982, San Francisco had a healthy municipal budget surplus of $153 million; by this year, it was down to virtually nothing.

The city’s general obligation bond debt — the money borrowed to pay for capital improvements — has steadily declined over the past five years, largely because the 1978 Jarvis-Gann tax initiative effectively prevented cities from selling general obligation bonds. In 1982, the city owed $220 million; as of July 1st, 1987, the debt was down to $151 million.

However, under a recent change in the Jarvis-Gann law, the city can sell general obligation bonds with the approval of two-thirds of the voters. The first such bond sale — $31 million — was approved in June, and the bonds were sold this month, raising the city’s debt to $182 million. And this November, voters will be asked to approve another $95 million in bonds, bringing the total debt to $277 million, the highest level in five years.

The city’s financial health is still fairly sound; Standard and Poor’s gives San Francisco municipal bonds a AA rating, among the best of any city in the nation. And even with the new bonds, the ratio of general obligation debt to total assessed value — considered a key indicator of health, much as a debt-to-equity ratio is for a business — is improving.

But the city’s fiscal report card is decidedly mixed. For most residents, signs of the city’s declining financial health show up not in numbers on a ledger but in declining services. Buses are more crowded and run less often. Potholes aren’t fixed. On rainy days, raw sewage still empties into the Bay. High housing costs force more people onto the streets — and the overburdened Department of Social Services can’t afford to take care of all of them.

What those signs suggest is that, in its pell-mell rush to become the Manhattan of the West, San Francisco may have poisoned its quality of life — and thus damaged the very economic climate it was ostensibly trying to create.

MAYOR DIANNE FEINSTEIN’S prescription for San Francisco’s economic problems and her blueprint for its future can be summed up in four words: More of the same. Feinstein, like Wells Fargo, PG&E and the Chamber of Commerce, is looking to create jobs and generate city revenues from the top of the economy down. Her program flies in the face of modern economic reality and virtually ignores the changes that have taken place in the city in the past five years.

Feinstein’s most visible economic development priorities have taken her east, to Washington D.C., and west, to Japan and China. In Washington, Feinstein has lobbied hard to convince the Navy to base the battleship USS Missouri in San Francisco. That, she says, will bring millions of federal dollars to the city and create thousands of new jobs.

In Asia, Feinstein has sought to entice major investors and industries to look favorably on San Francisco. She has expressed hope that she will be able to attract several major Japanese companies to set up manufacturing facilities here, thus rebuilding the city’s manufacturing base and creating jobs for blue-collar workers.

Neither, of course, involves building new downtown highrises. But both are entirely consistent with the Pacific Rim strategy — and both will probably do the city a lot more harm than good.

Feinstein’s programs represent an economic theory which has dominated San Francisco policy-making since the end of World War II. In those days, the nation’s economy was based on manufacturing — iron ore from the ground became steel, which became cars, lawn mowers and refrigerators. Raw materials were plentiful and energy was cheap.

By the early 1970s, it was clear that era was coming to a close. Energy was suddenly scarce. Resources were becoming expensive. The economy began to shift gears, looking for ways to make products that used less materials and less energy yet provided the same service to the consumer.

Today, almost everyone has heard of the “information age” — in fact, the term gets used so often that it’s begun to lose its meaning. But it describes a very real phenomenon; Paul Hawken, the author of The Next Economy, calls it “ephemeralization.” What is means is that the U.S. economy is rapidly changing from one based manufacturing goods to one based on processing information and providing services. In the years ahead, the most important raw materials will be ideas; the goal of businesses will be to provide people with useful tools that require the least possible resources to make and the least possible energy to use.

In the information age, large companies will have no need to locate in a central downtown area. The source of new jobs will not be in manufacturing — giant industrial factories will become increasingly automated, or increasingly obsolete. The highways of the nation’s commerce will be telephone lines and microwave satellite communications, not railroads and waterways.

IF SAN FRANCISCO is going to be prepared for the staggering changes the next economy will bring, we might do well to take a lesson from history — to look at how cities have survived major economic changes in the past. Jane Jacobs, the urban economist and historian, suggests some basic criteria.

Cities that have survived and prospered, Jacobs writes, have built economies from the bottom up. They have relied on a large number of small, diverse enterprises, not a few gigantic ones. And they have encouraged business activities that use local resources to replace imports, instead of looking to the outside for capital investment.

A policy that would tie the city’s economic future to the Pentagon and Japanese manufacturing companies is not only out of synch with the future of the city’s economy — it’s out of touch with the present.

In San Francisco today, the only major economic good news comes from the small business sector — from locally owned independent companies with fewer than 20 employees. All of the net new jobs in the city since 1980 have come from such businesses.

Yet, the city’s policy makers — especially the mayor — have consistently denied that fact. As recently as 1985, Feinstein announced that the only reason the city’s economy was “lively and vibrant” was that major downtown corporations were creating 10,000 new jobs a year.

Almost nothing the city has done in the past ten years has been in the interest of small business. In fact, most small business leaders seem to agree that their astounding growth has come largely despite the city’s economic policy, not because of it. That situation shows no signs of changing under the Feinstein administration; the battleship Missouri alone would force the eviction of some 190 thriving small businesses from the Hunters Point shipyard.

San Francisco’s economic problems have not all been the result of city policies. The financial health of the city’s public and private sector is affected by state and federal policies and by national and international economic trends.

Bank of America, for example, is reeling from the inability of Third World countries to repay outstanding loans. Southern Pacific and Crocker National Bank both were victims of takeovers stemming from relaxed federal merger and antitrust policies. In fact, according to Wells Fargo, 21 San Francisco corporations have been bought or merged since 1975. Meanwhile, deep cutbacks in federal and state spending have crippled the city’s ability to repair its infrastructure, improve transit services, build low cost housing and provide other essential services.

To a great extent, those are factors outside the city’s control. They are unpredictable at best — and over the next ten or 20 years, as the nation enters farther into the Information Age, the economic changes with which the city will have to cope will be massive in scale and virtually impossible to predict accurately.

Again, the experiences of the past contain a lesson for the future. On of San Francisco’s main economic weaknesses over the past five years has been its excess reliance on a small number of large corporations in a limited industrial sector — largely finance, insurance and real estate. When those industries took a beating, the shock waves staggered San Francisco.

Meanwhile, the economic good news has come from a different type of business — businesses that were small able to adapt quickly to changes in the economy and numerous and diverse enough that a blow to one industry would not demolish a huge employment base.

But instead of using city policy to encourage that sector of the city’s economy, Feinstein is proposing to bring in more of the type of business that make the city heavily vulnerable to the inevitable economic shocks that will come with the changes of the next 20 years.

THE CANDIDATES who seek to lead the city into the next decade and the next economy will need thoughtful, innovative programs to keep San Francisco from suffering serious economic problems. Those programs should start with a good hard dose of economic reality — a willingness to understand where the city’s strengths and weaknesses are — mixed with a vision for where the city ought to be ten and 20 years down the road.

Thus far, both are largely missing form the mayoral debate.

For years, San Francisco activists and small business leaders have been complaining about the lack of reliable, up-to-date information on the city’s economy and demographics. The environmental impact report on the Downtown Plan — a program adopted in 1985 — was based largely on data collected in 1980. That same data is still used in EIRs prepared by the City Planning Department, and it’s now more than seven years out of date.

In many areas, even seven-year-old data is simply unavailable. Until the Bay Guardian commissioned the Birch studies in 1985 and 1986, the city had no idea where jobs were being created. Until SFRG commissioned the Sedway-Cooke report in 1985, no accurate data existed on the city’s labor pool and the job needs of San Franciscans.

Today, a researcher who wants to know how much of the city’s business tax revenue comes from small business would face a nearly impossible task. That’s just not available. Neither are figures on how much of the city’s residential or commercial property is owned by absentee landlords who live outside the city. If San Francisco were a country, what would its balance of trade be? Do we import more than we export? Without a huge research staff and six months of work, there is no way to answer those questions.

Bruce Lilienthal, chairman of the Mayor’s Small Business Advisory Commission, argues that the city needs to spend whatever money it takes to create a centralized computerized data base — fully accessable to the public — with which such information can be processed and analyzed.

A sound economic policy would combine that sort of information with a clear vision of what sort of city San Francisco could and should become.

What would a progressive, realistic economic development platform look like? We’ve put together a few suggestions that could serve as the outline for candidates who agree with our perspective — and as an agenda for debate for candidates who don’t.

* ADEQUATE AFFORDABLE HOUSING is essential to a healthy city economy, and in the Reagan Era, cities can’t count on federal subsidies to build publicly financed developments. Progressive housing experts around the country agree that, in a city under such intense pressure as San Francisco, building new housing to keep pace with demand will not solve the crisis alone; the city needs to take action to ensure that existing housing is not driven out of the affordable range.

Economist Derek Shearer, a professor at Occidental College in Los Angeles and a former Santa Monica planning commissioner, suggests that municipalities should treat housing as a scarce public resource, and regulate it as a public utility. Rents should be controlled to allow property owners an adequate return on their investment but prevent speculative price-gouging.

Ideally, new housing — and whenever possible, existing housing — should be taken out of the private sector altogether. Traditional government housing projects have had a poor record; a better alternative is to put housing in what is commonly called a land trust.

A land trust is a private, nonprofit corporation that owns property, but allows that property to be used under certain terms and conditions. A housing trust, for example, might allow an individual or family to occupy a home or apartment at a set monthly rate, and to exercise all rights normally vested in a homeowner — except the right to sell for profit. When the occupant voluntarily vacated the property, it would revert back to the trust, and be given to another occupant. The monthly fee would be set so as to retire the cost of building the property over it’s expected life — say, 50 years. Each new occupant would thus not have to pay the interest costs on a new mortgage. That alone, experts say, could cut as much as 707 off the cost of a home or apartment.

* DEVELOPMENT DECISIONS should be made on the basis of community needs. A developer who promises to provide jobs for San Franciscans should first be required to demonstrate that the jobs offered by project will meet the needs of unemployed residents of the city. Development fees and taxes should fully and accurately reflect the additional costs the project places on city services and infrastructure.

Land use and development decisions should also be geared toward meeting the needs of small, locally owned businesses — encouraging new start-ups and aiding the expansion of existing small firms.

* ECONOMIC DEVELOPMENT programs should encourage local firms to use local resources in developing products and services that bring revenue and wealth into the city instead of sending it to outside absentee owners and that encourage economic self-sufficiency.

Cities have a wide variety of options in pursuing this sort of goal. City contracts, for example, should whenever possible favor locally owned firms and firms that employ local residents and use local resources. Instead of just encouraging sculptured towers and flagpoles on buildings, city planning policies should encourage solar panels that decrease energy imports, rooftop gardens that cut down on food imports and utilize recycled materials that otherwise would become part of the city’s garbage problem. (Using recycled materials is by no means a trivial option; if all of the aluminum thrown away each year in San Francisco were recycled, it would produce more usable aluminum than a small-to-medium sized bauxite mine.)

Other cities have found numerous ways to use creative city policies to encourage local enterprise. In Minneapolis-St. Paul, for example an economic development agency asked the U.S. Patent Office for a list of all the patents issued in the past ten years to people with addresses in the Twin Cities area. The agency contacted those people — there were about 20 — and found that all but one had never made commercial use of the patents, largely for lack of resources. With the agency as a limited partner providing venture capital, more than half the patent owners started businesses that were still growing and expanding five years later. Some of those firms had actually outgrown their urban locations and moved to larger facilities out of town — but since the Twin Cities public development agency had provided the venture capital, it remained a limited partner and the public treasury continued to reap benefits from the profits of the businesses that had left town.

* CITY RESOURCES should be used to maximize budget revenues. For example, San Francisco currently owns a major hydroelectric power generating facility at Hetch Hetchy in Yosemite National Park. A federal law still on the books requires San Francisco to use that facility to generate low-cost public power for its citizens; that law, the Raker Act, has been honored only in the breach. That means every year PG&E takes millions of dollars in profits out of San Francisco (the company is based here, but very few of its major stockholders are San Franciscans). The last time we checked, San Francisco was losing $150 million (CHECK) in city revenue by failing to enforce the Raker Act and municipalize its electric utility system.

Meanwhile, PG&E continues to use city streets and public right-of-ways for its transmission cables at a bargain-basement franchise fee passes in 1932 and never seriously challenged. Other highly profitable private entities, like Viacom cable television, use public property for private purposes and pay highly favorable rates for the right.

Those ideas should be the a starting point, not a conclusion for mayoral debates. But thus far, we’ve seen precious little consideration of the issues, much less concrete solutions, from any of the candidates.

The mayor’s race, however, is still very much open, and the candidates are sensitive to public opinion. If the voters let the candidates know that we want to hear their visions of the city’s economic future — and their plans for carrying those visions out — we may see some productive and useful discussions yet.*

Learn how to solve the Rubik’s Cube with the easiest method, learning only six algorithms.

Seven months late, mainstream media discovers school asbestos problem

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A little known group of teachers, union representatives and parents of school children called the Asbestos Council, has met twice a month since its inception in March to monitor the district’s asbestos program with no attention from the press. But when the Council and staff members met July 23rd with Tom Sammon, executive assistant to the superintendent of schools, and Eduardo Escobedo, head of general services, the superintendent’s stuffy little conference room was packed with television cameras and reporters from just about every major news outlet in town.

Suddenly, asbestos in the schools is big news. The Chronicle and Examiner have run several front-page stories on the problem, and all three TV news shows in the city have given it extensive coverage. KRON’s NewsCenter 4 alone has aired six segments on the problem in the past week.

KRON Reporter Emil Guillermo presented detailed, hard-hitting stories outlining the extent of the potential hazards the substance poses to district students and staff, and forced top district officials to acknowledge that they had misjudged the situation in the past and allowed it to continue unabated.

Overall, however, the rash of news stories have provided very little information that wasn’t published in the Bay Guardian seven months ago. Back in January and February, the rest of the local media, with the exception of KKCY radio and the San Francisco Progress, seemed remarkably uninterested in asbestos in the schools. (Only KKCY even mentioned during the recent rush of reports that the Bay Guardian had broken the story in January).

And even today, with the exception of KRON, none of the newspapers or broadcast outlets with a newfound interest in the crisis have sought to explain why the school district allowed the asbestos problem to go unacknowledged and unabated for so many years — and who is to blame.

The rash of mainstream news reports, however, does raise an interesting question. For months, top school officials, including Superintendent Ramon Cortines and Escobedo, who directly oversees the school district’s facilities, have sought to downplay the extent of the problem. Although district consultants and some staff have recommended that several schools be shut down and fully cleaned up before students are allowed back, only in July did Cortines decide to close McAteer High School. In recent interviews, the superintendent has still dismissed the staff, students and media concerns as “asbestosphobia.”When the Bay Guardian first warned of the serious and pressing asbestos danger, school administrators and some Board members accused the paper of “scare tactics” and “journalistic misrepresentation.” Now that just about every news outlet in town has confirmed our reports, will the district begin to change its tune?*