Golden Gate Park

Live Shots: Treasure Island Music Festival 2013

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Maybe people just don’t know how to party anymore, but I didn’t come across vomit once at the Treasure Island Music Festival. The crowd’s vibe was more or less well-behaved all weekend — pretty chill considering how many people were clustered on the island for the fests’ seventh successful installment.

The organizers rely on big names, the unique setting, a variety of vendors, and plenty of distracting flash (including the nearly iconic 60-foot Ferris wheel you can ride at $5 a pop) in order to keep this thing a destination. 

It was my first TIMF experience and I’ll admit the lineup wasn’t exactly the selling point for me. I thought at least I could get nostalgic over Beck, while Detroit-duo ADULT. still holds a degree of allure. I figured I’d spend most of my time milling around (highly recommended for optimal people watching; plenty of fur) and hoped to stuff my face with tons of good food (the mac and cheese hit the spot, the fish and chips got too cold too fast, but the chicken and shrimp paella was a winner).

Kudos to the show’s producers, Another Planet Entertainment and Noise Pop Industries, in their efforts at keeping this ship running tight on many levels. It’s often noted that concertgoers won’t experience any scheduling conflicts between the two stages at this event (Outside Lands, you’ve been one-upped in this category). Plus the purchase of your ticket, which could have cost up to $150 for two-day general admission or $275 for VIP (depending on how you roll) entitled you to a free ride on their massive fleet of shuttle buses that ran back and forth from the island to the Bill Graham Civic Auditorium drop off/pick-up point.

Even the Porta-Potty situation wasn’t anything near the bladder-punishing clusterfuck I’ve experienced at the free Hardly Strictly Bluegrass Festival in Golden Gate Park (that’s free vs. a couple hundred bucks for ya). Entire sections of what resembled fairgrounds were dedicated to ample, underused, and very clean johns. So clean I didn’t think twice about picking up a wadded $20 bill that had another inside of it!

That may sound questionable, but I was too busy enjoying the warmth of my makeshift shelter since the temperature seemed to drop by more than 20 degrees on the island during Night One. Thom Yorke complained during his Atoms for Peace headlining set when he mentioned how he came to the Cali sun to get away from the British cold and gloom. No such luck for the rock star. The winds were relentless. Sunday seemed to grow even colder, and the winds whipped up even earlier than the day before. 

From a curator’s standpoint, the musical difference between days one and two were notable. Saturday was much heavier on the electronic and hip-hop side. That day’s lineup included a ridiculous hype-filled set by duo Major Lazer, which passed out party whistles as soon as it hit the stage, shot t-shirts from a handheld air cannon, and at one point, a member (maybe Diplo?) ran on top of the crowd inside a giant-inflatable ball that resembled a hamster’s toy. It all seemed like an over-budgeted high-school pep rally, but the crowd ate it up. Indeed, it was an impressive spectacle.

Sunday seemed less druggy (the day before, the same man somehow managed to ask me twice at different locations of the largely anonymous-feeling fest, where he could get some “MDMA”) less attended, and more laid back in tone. Children and adults alike ran through a trippy bubble display put on by a carnie-type vendor. Acts like Japandroids, Sleigh Bells, and Animal Collective provided respective returns to rock, power pop, and instrumental intensive sets with a global flare.

Beck’s set relied heavily on post-Midnite Vultures material, but I was happy to hear him sing about those old “hotwax residues.” He brought Sleigh Bells’ Alexis Krauss on stage with him just as I was heading back to the shuttle busses. Apparently I missed the cover of MJ’s “Billie Jean.”  Instead, I rode in luxury through a thick wall of fog to the mainland where a treasure of a local music scene lies waiting, markedly untapped this year. 

Best of the Bay 2013: BEST PLACE TO PADDLE AND WADDLE

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The de Young Museum and the California Academy of Sciences have the giant advertising budgets and thus get all the press, but Golden Gate Park’s hidden gem lies just down JFK from those twin attractions: the Stow Lake Boathouse, perched alongside the built-in-1893 lake. The historic, recently renovated boathouse (it was getting a little creaky) contains a café stocked with handmade piroshkis and serves as the launch spot for Stow Lake’s fleet of boats, including the iconic paddleboats so beloved by tourists — and locals who aren’t too cool to admit it. If hanging out on the water’s not for you, stroll around the lake, dodging rapidly waddling geese and ducks on the paved path. More ambitious hikers can cruise to Strawberry Hill atop Stow Lake’s tiny, wooded island. On days when the fog lifts, the view there is well worth the huffing and puffing.

50 Stow Lake Dr. E., Golden Gate Park, SF. www.stowlakeboathouse.com

Cyclists testify to SFPD bias as supervisors call for reforms

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The cyclists of San Francisco were angry. Sup. Jane Kim was skeptical. Sup. Scott Wiener was unconvinced. Sup. Eric Mar said bikers were “pissed.” Deputy Chief of Police Mike Biel said he was too, but his anger could have just as easily been attributed to the 35 minutes he spent at the stand, acting as a whipping post for frustrations with the SFPD, as it could be to the department’s mistreatment of San Francisco cyclists.

Either way, the cyclists ruled the day.

During Thursday’s (10/3) Board of Supervisors Neighborhood Services and Safety Committee, Sup. David Campos called for a joint Board of Supervisors-Police Commission hearing regarding SFPD investigation protocol for bike accidents, but no immediate timetable has been set for the matter.

Without Police Chief Greg Suhr in attendance — his chiefly presence was required “reading to the children,” as Biel noted multiple times — Biel was left to stand solo in front of both frustrated supervisors and an incensed public.

At one point, following a particularly ambiguous response from Biel regarding accident checklists, Wiener asked bluntly, “Do you think there’s enough traffic cops in San Francisco? I don’t see bike cops, personally.”

To which Biel responded, “I’d like to see more.”

In fact, there was little defense on the part of Biel — and by extension, the Police Department — when it came to the seemingly lax (at best, malicious at worst) approach the SFPD has taken toward bike accidents in the past four years.

He even echoed Mar’s “pissed” comment, saying, “I was pissed too,” in regards to both what Mar called the “supposed investigation” of the Aug. 14 death of 24-year-old Amelie Le Moullac and the flippant attitude some in the department had taken towards cyclists in the days and weeks following. But he also stated that he didn’t think there was a negative bias in the SFPD.

The board’s decision to continue the conversation was bolstered by nearly 40 often-horrific testimonials regarding police treatment of cyclists in the City. And nearly all the stories could make the average person cring with the frustration, anger, and outrage they had the power to illicit.

Leah Shahum, executive director for the San Francisco Bike Coalition, told a story of a woman who was unable to make it to the hearing due to the injuries sustained in an April accident.

The woman, whom she didn’t identify, was biking in Golden Gate Park with her husband and son — the son was on the back of the woman’s bike — when she was hit from behind by a car, while she was stopped in the designated bike lane.

Witnesses stated that the driver was at fault. Her husband said the same thing. The police insisted on questioning the two of them more about their helmet usage — “which they were wearing,” according to Shahum — than they did about the actual events of the accident. Incidentally, adults aren’t required to wear bike helmets in California.

Robin Levitt, a Hayes Valley resident, talked about the strange “culture of blaming the victim” that has seemingly been propagated in the City, and how “in Germany, it’s immediately assumed that the vehicle is at fault, so drivers are safer.”

(And for what it’s worth, when Biel denied that same sentiment’s existence earlier with the committee, supervisors didn’t seem too convinced either. Mar even asked Biel, “Is there a bias or blame-the-victim attitude in the San Francisco Police Department?” which Biel promptly denied.)

And then there was Edward Hasbrouk, a former professional cyclist who has “never owned a motor vehicle.” He was biking home from work one evening when his progress in a Valencia Street bike line was impeded by a double-parked car in line for a valet service.

(Wiener has called for increased police enforcement of laws against double-parking. During today’s (Tues/8) Board of Supervisors meeting, he asked Mayor Ed Lee to support the effort, noting that SFPD rarely issues tickets to double-parkers despite “its impacts on traffic, Muni, cycling, and pedestrians.”)

Hasbrouk said that after a somewhat heated back-and-forth between the valet drivers, he flagged down a police officer to help him resolve the dispute, but the officer instead made Hasbrouk “carry [his] bicycle to the sidewalk.” Hasbrouk then said, “What would I have to do to get you to ticket these cars double-parked?” That comment got him arrested for felony vandalism, according to Hasbrouk. Expunging the arrest cost him nearly $3,000 and a night in jail.

But given the SFPD’s lack of pragmatism when it comes to investigating these accidents (for instance, Biel said SFPD doesn’t require a continuing education for officers assigned to traffic enforcement, despite what Shahum says are complex issues surrounding a rapidly growing population of cyclists), and it’s boorish behavior following the Le Moullac tragedy in August, it’s high time for change.

And a joint hearing could be just the place to start.

Justice for cyclists

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OPINION

It was heartbreaking to hear their stories.

Sarah was hit while riding her bike. Then she was wrongly faulted for the collision, despite multiple witnesses’ testimony and photo evidence to the contrary. A police officer verbally harassed her after the incident.

“The crash was awful,” she said. “But the way I was treated by the police … absolutely compounded the trauma. I was treated, at every turn, like a criminal.”

Dorie was hit from behind while biking in Golden Gate Park with her son in a rear child seat. Thankfully he was fine, but she was injured seriously enough to spend two weeks in the hospital. She was blamed for the incident, despite witnesses’ statements claiming otherwise.

And after Sandrine was hit while biking, she was treated with hostility by police officers while she lay in pain at the hospital. She was shocked to learn witness statements were not included in her incident report, which faulted her. Thousands of dollars in debt later, Sandrine says she is “disheartened and completely disgusted with the attitude and bias of the police” toward people on bikes.

Nearly 40 people spoke up last Thursday at a Board of Supervisors committee hearing into the SF Police Department’s response to traffic incidents involving people biking and walking.

The spotlight is on the SFPD after it botched an investigation last month of a 24-year-old woman who was hit and killed while biking to work on Folsom Street. Police failed to look for video footage in the area, and a police sergeant blocked the bike lane at the memorial to publicly blame the victim for her own death, while forcing bike riders into high speed traffic.

I’m sorry to say that I was not surprised by the sergeant’s “blame the victim” attitude in that recent tragedy. Nor in the dozens of cases people shared at last week’s hearing.

Sadly, we regularly hear about experiences like these: people refused incident reports, despite injuries. Reports being taken inaccurately or incompletely, time and time again blaming the person biking, despite witness statements to the contrary. And officers being ignorant of the law, such as not understanding that people can leave a bike lane to avoid an obstruction or to make a turn.

I believe our police chief when he insists that all road users should be treated fairly, but that message is not being heard by all in the force.

The chief needs to make certain that all collisions resulting in injuries are fully and fairly documented; that training is significantly stepped up to ensure officers’ understanding of bicyclists’ rights and responsibilities on the road; and, finally, that the SFPD uses a data-driven approach to focus limited traffic enforcement resources on the locations and behaviors that are most dangerous.

We are not asking for special treatment for the growing number of people on bikes, but rather fair and equal treatment for all road users.

Leah Shahum is executive director of the San Francisco Bicycle Coalition.

Ain’t nobody who can sing — or bring the progressive fire — like Billy Bragg

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During his set yesterday at the Hardly Strictly Bluegrass Festival, iconic British singer/songwriter Billy Bragg said he doesn’t understand why he was booked for an event devoted to Americana, although he did note that it was Brits like the Beatles and Rolling Stones that first popularized African American roots music for white Americans.

Yet in the spirit of legendary American folk singer Woody Guthrie, whose songs Bragg covered with Wilco on the amazing Mermaid Avenue albums, Bragg yesterday unleashed a righteous lefty diatribe against US political powers who were willing to shut down the government and default on its debts rather than offer universal healthcare to its citizens.

“Health care is the Jim Crow issue of the 21st Century,” Bragg said, also calling healthcare reform the “civil rights issue of this time” and calling for “free health care for every American.”

After closing his set with a rousing rendition of Guthrie’s “All you Fascists Bound to Lose,” he implored the young audience to rise up and “just get true.” Apparently his messages resonated with both the audience and organizers, who allowed him back on stage for an encore and some more fearless truth-talking.

“Socialism is organized compassion,” Bragg said, urging Americans to drop their irrational fears of socialized medicine (not to mention the far more insurance-based Obamacare), before playing his anthem, “There is Power in a Union.”

Bragg closed by saying that our enemy in this struggle isn’t the right-wing crazies shutting down our government, it is our own apprehensions about what can be done in this country, and the fear of advocating for what needs to be done.

“The enemy is cynism,” Bragg said, “and the only antidote to your cyncism is your activism.”

I and others left the show with our political fires stirred, as Sup. John Avalos also confirmed when I ran into him after the show, traipsing through the woods of Golden Gate Park toward the next stage. And I thought about what Hardly Strictly founder Warren Hellmen told me about this festival and form of music when I interviewed him for a profile that ran as a Guardian cover story in 2007.

“I feel very strongly that an important part of our culture is built on the type of music and type of performance that goes on at Hardly Strictly Bluegrass,” Hellman told me. From parables set to music to songs of struggle and the old union standards, “that kind of music is the conscience of our country.”

He considered bluegrass a vital and historically important form of political communication, more so than many of the upscale art forms that he and other rich people have tended to sponsor in San Francisco.

“I’m glad that we have first-rate opera, but it’s equally important that we foster the kind of music, lyrics, etc., that support all this,” he said. “Somebody once said that most of the great Western philosophy is buried in the words of country songs. And that’s closer to the truth than most people think. A big passion of mine is to try to help — and people have defined it too narrowly — the kinds of music that I think have a hell of a lot to do with the good parts of our society.”

And that was something that it took a fiery Brit to remind of us of this weekend.

Party Radar: Tiara Sensation Pageant, Body and Soul, Peter Kruder, Castro Street Fair, Octo Octa, more

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According to recent findings, it would take 4.85×10(15) years to teleport a complete human at 30GHz. That’s 350,000 times longer than the universe has existed. And almost as long as the clothes check line at the Powerhouse. 

How will I ever get to all these parties???

Darn you, science. I’m guessing I’ll still at least have one or two out of body experiences at the following, howevs.

>>MAXXI SOUNDSYSTEM

If you’re any kind of dance maven, you’d know Brit Sam Watts’ 2011 hit “Criticize” in three notes, probably — but I adore his remix work and DJ prowess. Hit him up at the neat, super-affordable-for-this-kind-of-talent  weekly Base party, which seems to have reemerged after a little hiatus.

Thu/3, 10pm, $5-$10. Vessel, 85 Campton Pl., SF. www.vesselsf.com

 

>>TIARA SENSATION PAGEANT

All the glorious queens forever! This beloved little underground drag tradition, brought to us by the creators of the great Some Thing party every Friday at the Stud, is going BIGTIME. This year it’s being held at the De Young Museum’s fun Friday evenings (there will be kids there! and a bar!) Of course, it’s a freakishly lovely runway pageant for freakishly freakish queens — and I’ll be one of the celebrity judges, so you know it will be, er, drinky. My fellow judges, far more legendary than I could ever be, are Candis Cayne, Gina La Divina, Lil Miss Hot Mess, and Honey Mahogany. Expect a raucous, wiggy crowd.

Fri/4, 6pm-10pm, FREEEEE. de Young Museum, 50 Hagiwara tea Garden, Golden Gate Park, SF. Info here

 

>>BODY & SOUL

Three of the world’s greatest house (and Latin, and electrofunk, and disco, and soul) DJs return to resurrect the feeling of their NYC party — wihch changed my life, and the lives of pretty much everyone else on the scene 10 years ago. Golly, I love them! Welcome back, Francois, Joe, and Danny.

Fri/4, 10pm-late, $25. Mighty, 119 Utah, SF. www.mighty119.com


>>PETER KRUDER

One half of infamous Austrian sophiticated house duo Kruder and Dorfmeister, Peter headlines the giant Public Works third anniversary. But wait there’s so much more! Also there: Christian Martin, Jackie House, Afrolicious, J-Boogie, Josh Vincent and a hot-hot crowd. Here’s one of my favorite remixes of all time, btw:

Sat/5, 8:30pm-3:30am, $10. Public Works, 161 Erie, SF. www.publicsf.com 

 

>>OCTO OCTA

100% Silk label cutie blends dreamy classic house sounds with effusive but totally danceable concepts at the ever-awesome Push The Feeling party. (Love the track “His Kiss” of his lovely Between Two Selves LP.) He’ll be joined by Matrixxman (who made me dance till I cried at the deviants party last week) and Yr Skull and Epicsauce DJs. Good times. 

http://www.youtube.com/watch?v=6Cz6PkRs4QM

Sat/5, 9pm, $5 advance. UndergroundSF, 424 Haight, SF. octoocta.eventbrite.com

 

>>#ENDHIV DRAG BALL

Balls are all the rage! This one, MCed by Sister Roma and Pat N Leather and DJed by Guy Ruben, raises money for a possible HIV vaccine — and of course will be loaded with colorful characters.It has an “animal” theme!

Sat/5, 7pm-10pm, $40. Beatbox, 314 11th St, SF. itrulycare.com/events/endhiv-sf-drag-ball

 

>>CASTRO STREET FAIR

This 40th edition of the fair has an INSANE nightlife focus: Peaches (yes that Peaches) is doing a Sylvester tribute! There is a Legends dance stage featuring David Harness, Pete Avila, Rolo, Blackstone, and Page Hodel. And Cookie Dough will bring her kookielicious Monster Show drag party as well. It’ll be nuts + dancing + cute.OH! And don’t miss one of the best things ever that happens in SF — the two-step line–dance stage behind Castro Theatre.

Sun/5, 11am-6pm, donatiion requested. 18th Street and Castro, SF. www.castrostreetfair.org

Weekly Picks: October 2 – 8, 2013

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Among the undead.

WEDNESDAY 10/2

 

“How to Survive the Zombie Apocalypse”

Who hasn’t thought about who they would want on their zombie apocalypse team, how they would escape the city, or where they would go if they got out? But that’s just the first 24 hours. What about some oh, 28 days later? What about 28 weeks? What about doing more than just surviving? The collection of workshops offered by Curiosity Atlas this fall could be the key to your happy post-apocalypse. Join Curiosity Atlas on opening night to preview such workshops as “Defending Against Multiple Attackers,” “MacGyver Night,” “DIY Herbal Apothecary,” “Aging and Collecting Beer,” “Apocalypse Baking,” and other essential skills for living the good life among the undead. The night will feature hands-on demonstrations, live performances, and human-friendly refreshments. (Nina Glasov)

7-10pm, $10

Verdi Club

2424 Mariposa, SF

www.curiosityatlas.com

THURDAY 10/3

 

The Drunken Botanist

For most drinkers, the word “booze” ignites cerebral images of fluorescently-lit bars and the night, however wild or relaxing, to follow. But for Amy Stewart, author of 2013 New York Times bestseller The Drunken Botanist (Algonquin Books), the sloppy story begins much earlier, as the plants involved evolve, grow, reproduce, ferment, and distill in the days, weeks, and even millennia leading up to liquor’s transformation. Amid overhanging vines and tropic air in the Conservatory of Flowers, Stewart will discuss these diverse herbs, flowers, fungi, and fruit that end up our cups, as well as global drinking practices, comical anecdotes, gardening tips, and some of her favorite razzed recipes. After grabbing cocktails mixed by Amanda Victoria of Lillet and Mark Stoddard of Hendrick’s Gin, don’t leave the event wasted — get your own signed copy of The Drunken Bontanist. (Kaylen Baker)

7pm, $35–$40

Conservatory of Flowers

100 John F Kennedy, SF

(415) 831-2090

www.conservatoryofflowers.org

THURDAY 10/3

 

Father John Misty

It’s easy for musicians to hide behind personas, but when Joshua Tillman (formerly of Fleet Foxes) stopped recording under his real name and released an album — last year’s Fear Fun — as Father John Misty, it was a moment of revelation. Contrary to the faux-sincerity that has made the revivalist strain of folk rock damn near unlistenable in the last few years, Misty embraces a vivid self-awareness that avoids the usual mix of solemn preciousness and vain humility, humorously detailing his own mushroom tripping genesis (“I’m Writing a Novel”) and possible legacy (“Now I’m Learning to Love the War”). This solo show, with support from comedian Kate Berlant, should showcase the real Father John Misty. (Ryan Prendiville)

9pm, $25–$30

Slim’s

333 11th St, SF

(415) 255-0333

www.slimspresents.com

FRIDAY 10/4

 

The Wicker Man

Just to get it out of the way: Yeah, the 40th anniversary “definitive new restoration” of British cult-horror classic The Wicker Man (1973) — we shall not speak of the 2006 bee-laden remake — owes its crisp clarity to digital projection. But if the not-on-actual-film tradeoff means seeing the movie uncut, as director Robin Hardy intended, perhaps it’s worth it. A stodgy, Jesus-loving Scottish cop (Edward Woodward) is in for the shock of his life when he travels to pagan stronghold Summerisle, with residents including Christopher Lee (as flamboyant Lord Summerisle) and sexy-dancin’ Britt Ekland. The eerie folk-song soundtrack, which will presumably sound better than ever, is reason enough to catch this DCP event. (Cheryl Eddy)

Through Sat/5, 7 and 9:30pm (also Sat/5, 4:30pm), $8.50–$11

Castro Theatre

429 Castro, SF

www.castrotheatre.com

SATURDAY 10/5

 

WestWave Festival

Balancing ingredients and flavors is a good way to plan a menu. It seems to work in dance as well. At least that’s what the five-member panel, which chose the artists to be commissioned for the second of this year’s West Wave programs, seems to have had in mind. All the choreographers are women but they bring a huge range of tastes to their practice. Moving here after 20 years in the other dance capital, modern dancer Anne-René Petrarca is creating a quartet about the power of female energy. Anandha Ray calls her fusion piece “tribal belly dance,” remembering its birthplace in India. Gorgeous Flamenco artist Holly Shaw is translating her passion into choreography that considers the figure of the outsider. And finally, ballet dancer Casey Lee Thorne is using the kinetic power of light in her contemporary vision of an old language. Bon appétit everyone. (Rita Felciano)

8pm, $15–$20

West Wave Dance Festival

ODC Dance Commons, Studio B

351 Shotwell, SF

www.westwavedance.org

SATURDAY 10/5

 

It’s a Bird… It’s a Plane… It’s Superman

42nd Street Moon kicks off its 2013-2014 season in celebration of 75 years of the Man of Steel. From the songwriters of Bye Bye Birdie and Annie comes the 1966 musical It’s a Bird… It’s a Plane… It’s Superman, opening this month at the Eureka Theatre. Starring Lucas Coleman as the man himself, Jen Brooks as Lois Lane, and Darlene Popovic as Dr. Agnes Sedgwick, the show follows Clark Kent/Superman as he juggles heroics and romance. With such lively tunes as “You’ve Got Possibilities” and “Pow! Bam! Zonk!” audiences are in for some riotous fun featuring one of the most prolific superheroes of all time. (Kirstie Haruta)

Through Oct. 20 (Wed-Thu, 7pm; Fri, 8pm; Sat, 6pm; Sun, 3pm), $21–$75

Eureka Theatre

215 Jackson, SF

(415) 255-8207

www.42ndstmoon.org

SATURDAY 10/5

 

Billy Bragg

British folk-punk rocker Billy Bragg’s debut album, Life’s A Riot With Spy Vs. Spy, came out 30 years ago. If anything, time has only strengthened his writing and resolve, as well as his social activism bent, as evidenced on the troubadour’s latest release, Tooth and Nail, on Essential Music. Fans have two chances to see Bragg this weekend in the city, one at the annual Hardly Strictly Bluegrass festival in Golden Gate Park — and for others who prefer to skip the crowds and dust, you can see him up close and personal tonight, appearing with his friend Jon Langford. (Sean McCourt)

9pm, $35

Great American Music Hall

859 O’Farrell, SF

(415) 885-0750

www.slimspresents.com

SUNDAY 10/6

 

“Bikes to Books”

You admired the artful, informative “Bikes to Books” map, created by Bay Guardian contributor Nicole Gluckstern and local-history buff Burrito Justice, in our Sept. 11 issue. Now comes the map’s official release party. Begin with a group bike tour that visits all 12 San Francisco streets named for notable artists and authors (Jacks London and Kerouac, Isadora Duncan, etc.) with local ties. And since City Lights founder Lawrence Ferlinghetti helped mastermind the street-naming project back in 1988, it’s fitting that the party portion of the day (complete with literary reading hosted by Evan Karp) takes place in Jack Kerouac Alley, just outside the famed bookstore. (Eddy)

Bike tour: 10:30am-2pm, free

Meet at Jack London (north side) and South Park, SF

Reading: 2-4pm, free

Jack Kerouac Alley (near Broadway and Columbus), SF

www.burritojustice.com

MONDAY 10/7

 

Iconic Hair Movie Night

When you think of memorable ‘dos in classic horror films, who else but Elsa Lanchester comes to mind? To honor her famous style, Morphic Salon is screening Bride of Frankenstein for free as part of its Iconic Hair Movie Nights series. Watch as Dr. Frankenstein, revealed to be alive by Mary Shelley, builds a bride for his first monstrous creation. And while you’re at it, perhaps you’ll be inspired to get a shock of white in your own hair to match the leading lady! RSVP for this event at info@morphicbeauty.com. (Haruta)

Free, 7 p.m.

Morphic Salon

660 Market, SF

(415) 789-6682

www.morphicbeauty.com

MONDAY 10/7

 

Tom Odell

Singer-songwriter Tom Odell tends to capture powerful if fleeting feelings of young love and wistfulness, yet with a cheerful energy. Perhaps thanks to bouncy piano chords and Odell’s robust vocals, the British singer’s performances manage to escape the deep, tormented-soul identity adapted by many young acoustic soloists. His 2013 debut album A Long Way Down reached No. 1 on the UK Official Chart earlier this year. And the musician hit an even higher note last month when he reimagined Elton John’s “Tiny Dancer” at the annual BRITs awards program to honor John as the first ever recipient of the BRITs’ Icon Award. This charming singer makes his way to the Chapel tonight, where he’ll share the stage with Australian Vance Joy. (Hillary Smith)

9pm, $15

Chapel

777 Valencia, SF

www.thechapelsf.com

TUESDAY 10/8

 

Fucked Up

Toronto-based hardcore punk outfit Fucked Up has made a career of being unapologetically over-the-top. Look no further than its borderline-corny name (how can it be the first punk band to come up with that one?), its insanely ambitious concept albums, and the unparalleled insanity of its live shows. Always on the verge of taking things too far, Fucked Up flirts with that fine line between insanity and brilliance, and occupies the space between with authority. No other band can create high-minded, multi-instrumental rock operas of this magnitude and get away with it (although Titus Andronicus is sure trying). As if its fervent, fearless creativity wasn’t cause enough to go see this band (co-headlining with Terror) also know that frontperson Damian Abraham is seriously the nicest dude in the entire world. (Haley Zaremba)

With Power Trip, Code Orange Kids

7pm, $16

Oakland Metro Operahouse

630 Third St, Oakl.

(510) 763-1146

www.oaklandmetro.org

TUESDAY 10/8

 

La Tigre e la Neve

Somehow, Italian screenwriter Vincenzo Cerami always succeeded in capturing beauty in his films, through the highs as well as the lowest lows of life. The third and final screening of the IIC’s series “A tribute to Vincenzo Cerami,” features actor Roberto Benigni in Cerami’s La Tigre e la Neve (2005) as Attilio de Giovanni, a besotted Italian poetry teacher. Though Giovanni’s children and students adore him, the woman of his heart, Vittoria, spurns him, leaving Italy with another poet for Iraq. When the second Gulf War erupts and Giovanni hears that Vittoria has been injured, he chases after in an attempt to bring Vittoria to safety. Expect hope, despair, laughs, and underlining it all, a sense of utter, expanding beauty. (Baker)

6:30pm, free

Italian Cultural Institute

814 Montgomery, SF

(415) 788-7142

iicsanfrancisco.esteri.it

TUESDAY 10/8

 

The Babies

The Babies have been pegged as a super-band of sorts from the start, with Cassie Ramone from Vivian Girls on guitar and Kevin Morby from Woods on bass. In their latest release, 2012’s Our House on the Hill, the Babies strive to break free from their lo-fi attachments in previous bands and experiment more with country, blues, and folk elements. The Babies aren’t a side project, as much as an entirely new entity with something different to offer. San Francisco’s Tony Molina, hardcore frontperson turned “punky” indie act also plays this show. His newest record, Dissed and Dismissed, released by Melters this year, is impressive. Loaded with undeniably catchy, fuzzy tunes, the album at times harkens back to an era when bands like Guided by Voices and Pavement were king. Get some drinks and get fuzzed out in more ways than one at the Hemlock Tavern tonight. (Erin Dage)

With Alex Bleeker and the Freaks

8:30pm, $8

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

Alerts: September 25 – October 2, 2013

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WEDNESDAY 25

Radical archiving and cataloging as social history 518 Valencia, SF. 518valencia.org. The Shaping San Francisco public talks series continues with a discussion defining a “radical archive,” exploring the role that nontraditional archives play in the interpretation and preservation of peoples’ history, the role of ordinary people in the preservation of these archives and more. Joining the discussion will be Lincoln Cushing of Docs Populi, as well as Claude Marks and Nathaniel Moore, both of the Freedom Archives.

 

Solar Energy Panel Discussion David Brower Center, 2150 Allston, Berk. https://solarenlightenment.eventbrite.com. 6-9pm, free. Andreas Karelas, the Executive Director of Revolv, and Jackson Koeppel of Soulardarity will lead a panel discussion on the use of solar energy and how it works. They will also attempt to clear up a few common misconceptions about solar power. Doors open at 5:30pm. Those who can’t attend can tune in on Ustream.

 

THURSDAY 26

 

Press up! El Rio, 3158 Mission, SF. 6pm, donations $25 and up. tinyurl.com/sfpmccontribute. An independent press is crucial. Join Tim Redmond, former editor-publisher of the Bay Guardian, as he launches the nonprofit San Francisco Progressive Media Center, dedicated to publishing a new online news source and keeping local journalism alive and independent of corporate, non-local interests. Co-hosts include Tom Ammiano, David Campos, Alicia Garza, Giuliana Milanese and Gabriel Haaland.

Syria: Secrets and lies Unitarian Universalist Center, 1187 Franklin, SF. sanfranpda@aol.com. 7-9pm, free. Dr. Steven Zunes, a professor of politics and international studies at the University of San Francisco and Middle Eastern studies program chair, will examine whether the US is about to go to war again on unverifiable or perhaps false pretexts; why the Administration is so committed to this conflict, and how can we understand the actual facts behind the recently documented atrocities in Syria. Sponsored by the Progressive Democrats of American and Unitarian Universalists for Peace, SF.

 

SATURDAY 28 14th Annual World Veg Festival San Francisco County Fair Building, Lincoln & Ninth, Golden Gate Park, SF. http://worldvegfestival.com. 10am-6:30pm, $10 suggested donation. This festival will feature cooking demonstrations, speakers and live entertainment, including an eco-fashion show. Visitors will have the opportunity to sample and purchase vegetarian cuisine. The event is presented by the SF Vegetarian Society and sponsored by Varnashram, In Defense of Animals and Friends of Animals. An organic vegan dinner will be available each night for $26; sign up online.

SATURDAY 29 Grito De Lares Celebration Mission Cultural Center for Latino Arts, 2868 Mission, SF. tinyurl.com/larescelebration. 4:30-7 p.m., free. Celebrate Grito De Lares, a holiday commemorating the birth of Puerto Rico as a nation, at the MCCLA on Sunday. 145 years ago this past Sept. 23, Puerto Rican revolutionaries entered the town of Lares to proclaim the birth of the Puerto Rican nation. At the bilingual event there will be a commemoration of the revolution, a discussion panel and a poetry reading in addition to Puerto Rican food and music.

Theater Listings: September 18 – 24, 2013

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Stage listings are compiled by Guardian staff. Performance times may change; call venues to confirm. Reviewers are Robert Avila, Rita Felciano, and Nicole Gluckstern. Submit items for the listings at listings@sfbg.com.

THEATER

OPENING

Beautiful: The Carole King Musical Curran Theatre, 445 Geary, SF; www.shnsf.com. $55-210. Opens Tue/24, 8pm. Runs Tue-Sat, 8pm (also Sat and Oct 9 and 16, 2pm); Sun, 2 and 7:30pm (no evening show Oct 13 or 20). Through Oct 20. Pre-Broadway premiere of the musical about the legendary songwriter.

Geezer Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $25-50. Opens Wed/18, 8pm. Runs Wed-Thu, 8pm; Sat, 8:30pm. Through Oct 26. Geoff Hoyle’s hit solo show, a comedic meditation on aging, returns to the Marsh.

To Sleep and Dream Z Below, 470 Florida, SF; www.therhino.org. $15-30. Previews Thu/19-Sat/21, 8pm; Sun/22, 7pm. Opens Sept 25, 8pm. Runs Wed-Sat, 8pm; Sept 29, 7pm; Oct 6, 3pm. Through Oct 6. Theatre Rhinoceros performs writer-director John Fisher’s North Bay-set drama about the challenges of love.

The World’s Funniest Bubble Show Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $8-11. Opens Sun/22, 11am. Runs Sun, 11am. Through Oct 27. Soapy, kid-friendly antics with Louis Pearl, aka “The Amazing Bubble Man.”

BAY AREA

The Tempest Pear Avenue Theatre, 1220 Pear, Mtn View; www.thepear.org. $10-35. Previews Thu/12, 8pm. Opens Sat/13, 8pm. Runs Thu-Sat, 8pm; Sun, 2pm. Through Oct 6. Pear Avenue Theatre performs Shakespeare’s play in a new staging by director Jeanie K. Smith.

ONGOING

Acid Test: The Many Incarnations of Ram Dass Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Fri, 8pm; Sat, 8:30pm. Through Oct 12. Playwright Lynne Kaufman invites you to take a trip with Richard Alpert, a.k.a. Ram Dass (Warren David Keith)—one of the big wigs of the psychedelic revolution and (with his classic book, Be Here Now) contemporary Eastern-looking spirituality—as he recounts times high and low in this thoughtful, funny, and sometimes unexpected biographical rumination on the quest for truth and meaning in a seemingly random life. Directed by Joel Mullennix, the narrative begins with Ram Dass today, in his Hawaiian home and partly paralyzed from a stroke, but Keith (one of the Bay Area’s best stage actors, who is predictably sure and engagingly multilayered in the role) soon shakes off the stiff arm and strained speech and springs to his feet to continue the narrative as the ideal self perhaps only transcendental consciousness and theater allow. Nevertheless, Kaufman’s fun-loving and extroverted Alpert is no saint and no model of perfection, which is the refreshing truth explored in the play. He’s a seeker still, ever imperfect and trying for perfection, or at least the wisdom of acceptance. As the privileged queer child of a wealthy Jewish lawyer and industrialist, Alpert was both insider and outsider from the get-go, and that tension and ambiguity make for an interesting angle on his life, including the complexities of his relationships with a homophobic Leary, for instance, and his conservative but ultimately loving father. Perfection aside, the beauty in the subject and the play is the subtle, shrewd cherishing of what remains unfinished. Note: review from an earlier run of this show. (Avila)

Band Fags! New Conservatory Theatre Center, 25 Van Ness, SF; www.nctcsf.org. $25-45. Wed-Sat, 8pm; Sun, 2pm. Through Oct 13. New Conservatory Theatre Center performs the West Coast premiere of Frank Anthony Polito’s coming-of-age tale, set in 1980s Detroit.

“Bay One Acts Festival” Tides Theatre, 533 Sutter, SF; www.bayoneacts.org. $20-40. Programs One and Two run in repertory Wed-Sun, 8pm. Through Oct 5. The 2013 BOA fest presents the world premieres of 13 short plays in partnership with 13 Bay Area theater companies.

BoomerAging: From LSD to OMG Marsh San Francisco, 1062 Valencia, SF; www.themarsh.org. $15-50. Tue, 8pm. Extended through Oct 29. Will Durst’s hit solo show looks at baby boomers grappling with life in the 21st century.

Buried Child Magic Theatre, Fort Mason Center, Bldg D, Third Flr, SF; www.magictheatre.org. $20-60. Tue, 7pm; Wed-Sat, 8pm; Sun, 2:30. Through Oct 6. Magic Theatre performs a revival of Sam Shepard’s Pulitzer-winning classic.

Foodies! The Musical Shelton Theater, 533 Sutter, SF; www.foodiesthemusical.com. $32-34. Fri-Sat, 8pm. Open-ended. AWAT Productions presents Morris Bobrow’s musical comedy revue all about food.

The Golden Dragon ACT’s Costume Shop, 1117 Market, SF; www.doitliveproductions.com. $15. Thu-Sat, 9:30pm. Through Sept 28. Do It Live! Productions presents Roland Schimmelpfennig’s tragicomic take on globalization, set in and around an Asian restaurant.

Hedwig and the Angry Inch Boxcar Theatre, 505 Natoma, SF; www.boxcartheatre.org. $27-43. Thu-Sat, 8pm. Open-ended. John Cameron Mitchell’s cult musical comes to life with director Nick A. Olivero’s ever-rotating cast.

Macbeth Fort Point, end of Marine Dr, Presidio of San Francisco, SF; www.weplayers.org. $30-60. Thu-Sun, 6pm. Through Oct 6. We Players perform the Shakespeare classic amid Fort Point’s Civil War-era fortress.

“San Francisco Fringe Festival” Exit Theatreplex, 156 Eddy, SF; www.sffringe.org. $12.99 or less (passes, $45-75). Through Sat/21. The 22nd SF Fringe presents 36 shows that explore the boundaries of theater and performance.

1776 ACT’s Geary Theater, 415 Geary, SF; www.act-sf.org. $20-160. Opens Thu/19, 8pm. Runs Tue-Sat, 8pm (also Wed and Sat, 2pm; Tue/24, show at 7pm); Sun, 2pm. Through Oct 6. American Conservatory Theater performs the West Coast premiere of Frank Galati’s new staging of the patriotic musical.

Sex and the City: LIVE! Rebel, 1760 Market, SF; trannyshack.com/sexandthecity. $25. Wed, 7 and 9pm. Open-ended. It seems a no-brainer. Not just the HBO series itself — that’s definitely missing some gray matter — but putting it onstage as a drag show. Mais naturellement! Why was Sex and the City not conceived of as a drag show in the first place? Making the sordid not exactly palatable but somehow, I don’t know, friendlier (and the canned a little cannier), Velvet Rage Productions mounts two verbatim episodes from the widely adored cable show, with Trannyshack’s Heklina in a smashing portrayal of SJP’s Carrie; D’Arcy Drollinger stealing much of the show as ever-randy Samantha (already more or less a gay man trapped in a woman’s body); Lady Bear as an endearingly out-to-lunch Miranda; and ever assured, quick-witted Trixxie Carr as pent-up Charlotte. There’s also a solid and enjoyable supporting cast courtesy of Cookie Dough, Jordan Wheeler, and Leigh Crow (as Mr. Big). That’s some heavyweight talent trodding the straining boards of bar Rebel’s tiny stage. The show’s still two-dimensional, even in 3D, but noticeably bigger than your 50″ plasma flat panel. (Avila)

The Shakespeare Bug Stage Werx Theatre, 446 Valencia, SF; www.killingmylobster.com. $15-30. Thu-Sun, 8pm. Through Sept 29. Killing My Lobster in association with PlayGround perform Ken Slattery’s world-premiere comedy.

BAY AREA

After the Revolution Aurora Theatre, 2081 Addison, Berk; www.auroratheatre.org. $32-60. Tue, 7pm; Wed-Sat, 8pm; Sun, 2 and 7pm. Extended through Oct 6. Aurora Theatre opens its 22nd season with the Bay Area premiere of Amy Herzog’s family drama.

All’s Well That Ends Well Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Presented in repertory Fri-Sun through Sept 28; visit website for performance schedule. Marin Shakespeare Company continues its outdoor season with the Bard’s classic romance.

Bonnie and Clyde Ashby Stage, 1901 Ashby, Berk; www.shotgunplayers.org. $20-35. Wed-Thu, 7pm; Fri-Sat, 8pm; Sun, 5pm. Through Sept 29. Amorous outlaws and Depression-era rebels Bonnie Parker (Megan Trout) and Clyde Barrow (Joe Estlack) remain compelling as heroes and tragic figures in playwright Adam Peck’s 2010 retelling, but it’s their quieter, frailer, more delicate moments in Mark Jackson’s robust, at times transcendent staging that prove most memorable in this Shotgun Players production. It’s a sign of Jackson’s sure intelligence as a director that he can let a moment happen here wordlessly, without recourse to cut-and-dry cues of one sort or another, as happens near the outset of the evening as Barrow and Parker arrive on the run at an abandoned barn. We study them in such moments, and they breathe, like nowhere else. It’s here in this barn that they rest, woo, tussle, and tease for the next 80 enthralling minutes — interrupted only by Barrow’s moment-by-moment delivery to us of their final violent moments alive, channeling a fate awaiting them just down the road. Embodying the play’s only characters, Trout and Estlack are outstanding, dynamic and utterly persuasive. They’d be worth seeing even if the play and production were half as good as they are. Having “chosen to live lives less ordinary,” it turns out to be their palpable vulnerability and wide-ranging yet ordinary yearnings that make them exceptional creatures. (Avila)

Can You Dig It? Back Down East 14th — the 60s and Beyond Marsh Berkeley, 2120 Allston, Berk; www.themarsh.org. $15-50. Sat, 8:30pm; Sun, 7pm. Through Oct 27. Don Reed’s new show offers more stories from his colorful upbringing in East Oakland in the 1960s and ’70s. More hilarious and heartfelt depictions of his exceptional parents, independent siblings, and his mostly African American but ethnically mixed working-class community — punctuated with period pop, Motown, and funk classics, to which Reed shimmies and spins with effortless grace. And of course there’s more too of the expert physical comedy and charm that made long-running hits of Reed’s last two solo shows, East 14th and The Kipling Hotel (both launched, like this newest, at the Marsh). Can You Dig It? reaches, for the most part, into the “early” early years, Reed’s grammar-school days, before the events depicted in East 14th or Kipling Hotel came to pass. But in nearly two hours of material, not all of it of equal value or impact, there’s inevitably some overlap and indeed some recycling. Reed, who also directs the show, may start whittling it down as the run continues. But, as is, there are at least 20 unnecessary minutes diluting the overall impact of the piece, which is thin on plot already — much more a series of often very enjoyable vignettes and some painful but largely unexplored observations, wrapped up at the end in a sentimental moral that, while sincere, feels rushed and inadequate. (Avila)

A Comedy of Errors Forest Meadows Amphitheater, 890 Bella, Dominican University of California, San Rafael; www.marinshakespeare.org. $20-37.50. Presented in repertory Fri-Sun through Sept 29; visit website for performance schedule. Marin Shakespeare Company presents a cowboy-themed spin on the Bard’s classic.

Ella, the Musical Center REPertory Company, 1601 Civic, Walnut Creek; (925) 943-SHOW. $37-64. Wed, 7:30pm; Thu-Sat, 8pm (also Sept 28 and Oct 12, 2:30pm); Sun, 2:30pm. Through Oct 12. Yvette Cason portrays the legendary Ella Fitzgerald in this Center REP presentation.

Woman in Black — A Ghost Play Douglas Morrison Theatre, 22311 N. Third St, Hayward; www.dmtonline.org. $10-29. Fri-Sat and Sept 26, 8pm (also Sat/21, 2pm); Sun, 2pm. Through Sept 29. Douglas Morrison Theatre performs Stephen Mallatratt’s adaptation of Susan Hill’s spooky story.

PERFORMANCE/DANCE

“Broadway Bingo” Feinstein’s at the Nikko, Hotel Nikko, 222 Mason, SF; www.feinsteinssf.com. Wed, 7-9pm. Ongoing. Free. Countess Katya Smirnoff-Skyy and Joe Wicht host this Broadway-flavored night of games and performance.

Caroline Lugo and Carolé Acuña’s Ballet Flamenco Peña Pachamama, 1630 Powell, SF; www.carolinalugo.com. Sat/21, Oct 6, 12, 20, and 26, 6:15pm. $15-19. Flamenco performance by the mother-daughter dance company, featuring live musicians.

Megan Hilty Venetian Room, Fairmont San Francisco, 950 Mason, SF; www.bayareacabaret.org. Sun/21, 8pm. $95. The Broadway and television (Smash) star headlines Bay Area Cabaret’s tenth anniversary season opening gala.

“Mission Position Live” Cinecave, 1034 Valencia, SF; www.missionpositionlive.com. Thu, 8pm. Ongoing. $10. Stand-up comedy with rotating performers.

“Monkey Gone to Heaven” CounterPULSE, 1310 Mission, SF; www.counterpulse.org. Thu/19-Sat/21, 8pm; Sun/22, 7pm. $20. EmSpace Dance performs the world premiere of a dance-theater work inspired by the relationship between primates and prayer.

“Okeanos Intimate” Aquarium of the Bay, Pier 39, SF; www.capacitor.org. Sat, 7pm. Through Sept 28. $20-30 (free aquarium ticket with show ticket). Choreographer Jodi Lomask and her company, Capacitor, revive 2012’s Okeanos — a cirque-dance piece exploring the wonder and fragility of our innate connection to the world’s oceans — in a special “intimate” version designed for the mid-size theater at Pier 39’s Aquarium of the Bay. The show, developed in collaboration with scientists and engineers, comes preceded by a short talk by a guest expert — for a recent Saturday performance it was a down-to-earth and truly fascinating local ecological history lesson by the Bay Institute’s Marc Holmes. In addition to its Cirque du Soleil-like blend of quasi-representational modern dance and circus acrobatics — powered by a synth-heavy blend of atmospheric pop music — Okeanos makes use of some stunning underwater photography and an intermittent narrative that includes testimonials from the likes of marine biologist and filmmaker Dr. Tierney Thys. The performers, including contortionists, also interact with some original physical properties hanging from the flies — a swirling vortex and a spherical shell — as they wrap and warp their bodies in a kind of metamorphic homage to the capacity and resiliency of evolution, the varied ingenuity of all life forms. If the movement vocabulary can seem limited at times, and too derivative, the show also feels a little cramped on the Aquarium Theater stage, whose proscenium arrangement does the piece few favors aesthetically. Nevertheless, the family-oriented Okeanos Intimate spurs a conversation with the ocean that is nothing if not urgent. (Avila)

“San Francisco Magic Parlor” Chancellor Hotel Union Square, 433 Powell, SF; www.sfmagicparlor.com. Thu-Sat, 8pm. Ongoing. $40. Magic vignettes with conjurer and storyteller Walt Anthony.

“San Francisco Stand-Up Comedy Competition: Preliminary Round” Jewish Community Center of San Francisco, 3200 California, SF; www.jccsf.org. Sat/21, 8pm. $25-35. Stand-up comedians battle it out.

“Union Square Live” Union Square, between Post, Geary, Powell, and Stockton, SF; www.unionsquarelive.org. Through Oct 9. Free. Music, dance, circus arts, film, and more; dates and times vary, so check website for the latest.

“Vak: Song of Becoming” Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. Fri/20-Sat/21, 8pm. $20-35. Composer and vocalist Ann Dyer performs a work inspired by Indian goddess Vak, “who creates the world through sound vibration.” The work features choreography by Erika Chong Shuch.

“The Video Game Monologues” Cartoon Art Museum, 655 Mission, SF; www.cartoonart.org. Thu/19, 5-8pm. $5 (suggested donation). Get a sneak preview of the show that’s drawn from real stories of gamers and game characters.

Xitlalli Danza Azteca San Francisco Botanical Gardens, Golden Gate Park (near Ninth Ave at Lincoln), SF; www.sfbotanicalgarden.org. Sat/21, noon-2pm. Free. The group performs traditional ritual Aztec dances to celebrate the blooming of the SF Botanical Garden’s Mesoamerican Cloud Forest Garden.

BAY AREA

“Bay Area Flamenco Festival” La Peña Cultural Center, 3105 Shattuck, Berk; www.bayareaflamencofestival.com. Sun/21, 8pm. $30-50. Gypsy flamenco icon Concha Vargas headlines the first weekend of this eighth annual festival. *

 

On the Cheap: September 18 -24, 2013

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On the Cheap listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 18

Robert Boswell Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author reads from Tumbledown, his first new novel in 10 years.

Tom Kizzia Books Inc., 301 Castro, Mtn. View; www.booksinc.net. 7pm, free. Also Thu/19, 7pm, free, Book Passage, 51 Tamal Vista, Corte Madera; www.bookpassage.com. The Alaska-based author reads from true-crime frontier thriller Pilgrim’s Wilderness.

Antoine Laurain Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The Paris-born author reads from his French bestseller The President’s Hat, a fable set during the Mitterrand years.

Radar Reading Series SF Public Library, 100 Larkin, SF; www.radarproductions.org. 6pm, free. Michelle Tea hosts this series highlighting independent and underground writers and artists. This month: Imogene Binnie, Kevin Simmonds, Wendy C. Ortiz, and Katie Haegele.

THURSDAY 19

“ConVerge” Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. 4-8pm, free. This month’s program features Chris Treggiari and Peter Foucalt’s Mobile Arts Platform project — “an interactive, neighborhood-generated social sculpture” — and its Mobile Screen Print Cart, which explores the history of community posters and enables the creation of new ones.

Molly Haskell Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The film critic discusses her new memoir, My Brother My Sister, which chronicles her younger brother’s transformation into a woman.

“Sights and Sounds of Bayview” Bayview Opera House, 4705 Third St, SF; www.sfartscommission.org. 5:30-9pm (program starts at 7pm), free. This live radio event features multi-media storytelling and music by Bayview residents and workers. Come early for a concert by Pat Wilder and Serious Business and to enjoy the monthly 3rd on Third neighborhood arts party.

“We Heart the Tamale Lady” Knockout, 3223 Mission, SF; indiegogo.com/projects/viva-la-tamale-lady. 9pm, $5-15 sliding scale. Help Virginia Ramos, aka the Tamale Lady, get into the brick-and-mortar biz at this fundraiser, featuring tamales (duh) and live music by Grandma’s Boyfriend, Scraper, Windham Flat, and Quite Polite.

FRIDAY 20

“Bill T. Jones/Arnie Zane Dance Company 30th Anniversary Exhibition” Yerba Buena Center for the Arts, 701 Mission, SF; www.ybca.org. Gallery hours Thu-Sat, noon-8pm, $8-10. Through Nov 3. Alongside a performance series featuring the dance company, YBCA hosts a survey exhibition compiling the sets, props, moving images, and other elements contributed over three decades by visual artists and designers (including Keith Haring, Huck Snyder, and Bjorn Amelan).

Hazel Reading Series 1564mrkt, 1564 Market, SF; www.hazelreadingseries.org. 7pm, $5 suggested donation. Local women writers read “daring and experimental” work.

Sukkot Shabbat Celebration Jewish Community Center of San Francisco, 3200 California, SF; www.jccsf.org. 4:30pm, free. As part of the JCCSF’s weeklong Sukkot celebration, “Outside In,” the organization hosts a free, all-are-welcome holiday Shabbat celebration in its atrium. Visit the web site for related events.

SATURDAY 21

Sarah Clark Cartoon Art Museum, 655 Mission, SF; www.cartoonart.org. 1-3pm, free. The museum’s current cartoonist-in-residence shows and discusses her work, including current project Season Ticket Diaries, based on her experiences as an Oakland A’s fan this season.

“An Evening of Poetry and Prose” San Francisco Buddhist Center, 37 Bartlett, SF; www.sfbuddhistcenter.org. 8pm, $5-30 suggested donation. Bay Area writers Pia Chatterjee, Genny Lim, Kenneth Wong, and Nellie Wong read to benefit Jai Bhim International, a group that provides English lessons and empowerment workshops for Indian youths of all economic backgrounds.

Friends of Duboce Park 16th annual tag sale Duboce Park, Duboce between Steiner and Scott, SF; www.friendsofdubocepark.org. 9am-2pm, free. Support Friends of Duboce Park, which funds improvements to the park — and pick up some sweet bargains! — at this popular annual neighborhood sale.

Mill Valley Fall Arts Festival #57 Old Mill Park, 325 Throckmorton, Mill Valley; www.mvfaf.org. 10am-5pm, $5-10. Also Sun/22. Over 140 artists from around the country showcase their works amid redwood trees. Plus: live music and children’s entertainment.

New Belgium’s Tour de Fat Lindley Meadow, Golden Gate Park, SF; sfbike.org/?fat. 10am-5pm, free. This annual “ballyhoo of bikes and beer” features a bike parade and a bike rodeo, live performances, fire-jumping bike acts, and more. Beer-sale proceeds benefit the San Francisco Bicycle Coalition.

SUNDAY 22

Grady Hendrix and Amanda Cohen Omnivore Books on Food, 3885a Cesar Chavez, SF; www.omnivorebooks.com. 3-4pm, free. The authors present Dirt Candy: A Cookbook, filled with vegetarian recipes from Cohen’s NYC restaurant, creatively illustrated like a graphic novel by artist Ryan Dunlavey. Added bonus: Cohen will be serving Dirt Candy’s famous “Portobello mousse.” *

 

The big Hardly Strictly roster reveal

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After weeks of teasers, Hardly Strictly Bluegrass released its full 2013 lineup this week, and it boasts some fresh young artists and a great many cross-generational acts.

The free weekend-long festival in Golden Gate Park will feature appearances by Nick Lowe, Conor Oberst and friends (including First Aid Kit), Gogol Bordello, Natalie Maines, Emmylou Harris and Rodney Crowell, Bettye LaVette, Allah-Las, Father John Misty, Steve Martin and Steep Canyon Rangers (featuring Edie Brickell), and Bonnie Raitt, among dozens of others.

Hardly Strictly Bluegrass takes place Oct. 4-6 in Golden Gate Park, SF.

Here’s the full roster:

Mike Farris & The Roseland Rhythm Revue

The Brothers Comatose

Mike Scott & Steve Wickham of The Waterboys

Loudon Wainwright III

The Handsome Family

Jesse Dee

The Jerry Douglas Band

Alison Brown

Sallie Ford & The Sound Outside

Justin Townes Earle

The String Cheese Incident

Sonny & The Sunsets

Buddy Miller

The Deep Dark Woods

Pieta Brown

The Flatlanders featuring Joe Ely

Jimmie Dale Gilmore & Butch Hancock

Shovels & Rope

LP

Gogol Bordello

Mark Lanegan

Steve Earle & The Dukes

Supermule

Natalie Maines

Evolfo Doofeht

Calexico

Robert Ellis

Chris Isaak

Conor Brings Friends For Friday Featuring: Whispertown, The Cave Singers, The Felice Brothers, The Evens, First Aid Kit, Conor Oberst

Nick Lowe

Low

The Warren Hood Band

Della Mae

Martha Wainwright

Robert Earl Keen

Holler Down the Hollow: A Hardly Strictly Salute to the Masters

Kieran Kane, Kevin Welch & Fats Kaplin

Buddy Miller & Jim Lauderdale

Ralph Stanley & The Clinch Mountain Boys

Emmylou Harris & Rodney Crowell

The Time Jumpers featuring Brad Albin, Larry Franklin, Paul Franklin, Vince Gill, “Ranger Doug” Green, Andy Reiss, Dawn Sears, Kenny Sears, Joe Spivey, Jeff Taylor & Billy Thomas

Spirit Family Reunion

Nicki Bluhm & The Gramblers

Steve Martin and Steep Canyon Rangers featuring Edie Brickell

Poor Man’s Whiskey (Friday morning middle school program)

Trampled By Turtles

G. Love & Special Sauce

Ryan Bingham

Patty Griffin

The Devil Makes Three

Kat Edmonson

Peter Rowan Bluegrass Band featuring Yungchen Lhamo

Paul Kelly

Dry Branch Fire Squad

Bonnie Raitt

Laurie Lewis & The Right Hands

Boz Scaggs

Seldom Scene

Tumbleweed Wanderers

Manchester Orchestra

Elvin Bishop

The Go To Hell Man Clan

Richard Thompson

Tift Merritt

Jon Langford & Skull Orchard acoustic / FREAKONS

Father John Misty

Billy Bragg

Bettye LaVette

Allah-Las

Tim O’Brien with Bryan Sutton & Mike Bub

Sturgill Simpson

Freakwater

Dave Alvin with Greg Leisz

Moonalice

MC Hammer (Friday morning middle school program)

The Forest Rangers with Katey Sagal

The Wood Brothers

Los Lobos Disconnected

Kate McGarrigle Tribute with Martha & Sloan Wainwright & Special Guests

Jesse DeNatale

Tim O’Brien & Darrell Scott

Joy Kills Sorrow

For more info, see www.hardlystrictlybluegrass.com.


Elegant alchemy

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cheryl@sfbg.com

MUSIC Though San Francisco musician Jill Tracy is deeply fond of the macabre, “gloomy” is not an accurate word to describe her personality. The day I speak to her, she’s in exceptionally high spirits, having just wrapped up a hugely successful Kickstarter campaign.

“It’s really special to feel like it’s a big group effort,” she says. The funds will help complete a pair of videos lensed by Jeremy Carr, who directed Tracy in the 2006 thriller Ice Cream Ants. Appropriately, key scenes were filmed on a spooky night in Red Hook, Brooklyn — former ‘hood of horror author H.P. Lovecraft.

“[Carr] wanted to shoot me walking through these mysterious alleyways, but there was this sudden, intense thunderstorm. Hail coming down the size of golf balls, flooding — it was so dangerous it was like, how are we gonna do this?” she recalls. “But the universe intervened, and the rain finally tapered off. And it was so gorgeous, because there was still lightning in the sky. A lot of that will be kept in the video.”

Also caught on tape was intervention of another kind. “At one point there was this glowing amber light swirling around. I look over — and it was the cops, wondering what we were up to,” she says. “They were really nice and let us keep going, and it turned out that they were responsible for the most beautiful shot.”

Happy accidents, strange coincidences, unexplained phenomena: These are all things the composer-singer-pianist welcomes with delight. Her distinctive sound — she’s often described as a “neo-cabaret artist” — sparked a recent twist of fate, when Showtime contacted her about using a song to promote the final season of Dexter.

“That came out of the blue,” she says. “They said, ‘We think that your music would be perfect for this.’ That’s when being an independent musician is a great thing — because I own my song and my publishing. They just have to contact me and I can give permission [to use it].”

She continues. “I didn’t know what they were going to do with the song. I was so excited — are they just gonna use five seconds of it? But it ended up that it’s almost like a music video. I sing, ‘I’ll tie you up,’ and you see [star] Michael C. Hall tying up a body! I was really thrilled with what they did.”

It’s a testament to Tracy’s unique style that the Dexter song, “Evil Night Together,” dates back to her 1999 sophomore album, Diabolical Streak. (Her diverse discography also includes 2002’s Into the Land of Phantoms, a score for 1922 silent film Nosferatu; and last year’s holiday-themed Silver Smoke, Star of Night.)

“I strive for timelessness in my music,” Tracy says, noting that the Dexter exposure made some listeners assume that “Night” was a brand-new song. “It meant a lot to me because that’s [my intention], that it could be played at any time and still sound unique.”

Without trends to guide her, Tracy has sought inspiration elsewhere. After years of incorporating on-the-spot compositions (she calls it “spontaneous musical combustion”) into her live shows, she had an idea: why not test the vibes at a more off-kilter venue? At one memorable gig, both performer and audience experienced something … extraordinary.

“I was in Victoria, BC at Craigdarroch Castle, which is supposedly haunted,” she says. “At one point, someone in the audience is like, ‘Look at that lamp!’ And this old, brocade-shaded lamp had just started to flicker. So who knows! Strange things will happen like that.”

Tracy’s repertoire also includes “musical séances,” in which audience members bring in objects of personal significance to help her channel music. Along with violinist Paul Mercer, she hosted one such event earlier this year in Los Angeles, “at the mansion of a murderer from the 19th century.” (Clearly, she ain’t no fraidy-cat.) She’s hosted similar events at the Conservatory of Flowers in Golden Gate Park.

“We did a beautiful night tour of the Conservatory, followed by a performance,” she says. “People bring these items — we’ve had everything from cremated remains, to antlers, to a toothbrush. Swords! Haunted portraits! It’s almost like Antiques Roadshow for the netherworld. But the one thing I’ve learned through all of this is that every object, every place, and every person has a story to tell that will break your heart.”

Some of her most memorable tales come courtesy of the Mütter Museum, a medical-oddities collection that’s part of the College of Physicians of Philadelphia. She’s the first musician to receive a grant to compose inside the museum.

“This whole project is, like, the total goth girl dream come true,” Tracy laughs. “I was able to spend nights alone in the museum, writing music among the collection, and I just fell in love with the place. You look around, and you see all these skeletons and specimens in jars, but you don’t realize at first that these were all lives — brave souls who endured these rare afflictions, many of which you never see today. I was so moved, and I wanted to know their stories.”

Not only did the museum allow Tracy overnight access, it also let her do research in its library. She hopes to to spend the next year transforming her Mütter encounters — with subjects like conjoined twins Chang and Eng, and “Ossified Man” Harry Eastlack — into an album as well as an accompanying storybook. “It will probably be the biggest project that I’ve done to date,” she says. “It’s been almost like an excavation, digging into this information and creating pieces to honor these individuals. I want to give emotional context to the people in the collection.”

With all of her site-specific events and ongoing endeavors — in brief: a perfume line; a 7-inch split with Blixa Bargeld based on the writings of a 19th century Polish occultist; a set at Sat/7’s “ManulFest” benefit for wild cats held at a temple in Geyserville; a speaking engagement at LA’s Death Salon later this fall — it’s advisable for SF fans to hit up Café du Nord for what’s becoming an increasingly rare rock-club gig.

“I’m doing fewer shows at places like the du Nord, because I want to do more of a theatrical performance,” she says. “Today, my work is all about honoring the mystery, the beauty, and the romance of the dark side. I strive to transport people into what I refer to as ‘the elegant netherworld,’ and I find that music, that emotion, creates the portal for you to go there. Doing what I do, I feel like kind of a gatekeeper to this other place.”

JILL TRACY

With This Way to Egress and Vagabondage

Sun/8, 7:30pm, $12

Café du Nord

2170 Market, SF

www.cafedunord.com

 

Get to the show, weirdos

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FALL ARTS There are so many things competing for your precious time: long lines for pricey gourmet coffee, civic responsibilities and volunteer work, actual work, glazed fake cronuts or whatever the kids are into these days. Make live music a priority as well — your days will float by on a pink cloud of fuzzy, hangover-fueled memories.

As we’re lucky enough to live in a region stuffed with musicians and venues that take in touring acts, the options for every week are damn near endless. Here are some shows to take note of this season, one for (nearly) every day of the upcoming months. (Note that dates and locations are subject to change, so always check the venue site.)

>>READ MORE FALL ARTS GUIDES HERE

Plug them in to your Google Calendar. Better yet, stick this list to your wall with chewed-up bubblegum. Either way, impress your friends with superior show knowledge:

Aug. 30 [UPDATE: postponed due to illness] Icona Pop: As silly as it’s always been, bubbly Swedish electro-pop duo Icona Pop is in the running for the arbitrary media-hyped “song of the summer” (or as Slate puts it, the yearly “Summer Song–Industrial Complex”) thanks to party track, “I Love It,” featuring fellow up-and-comer Charli XCX. And, get this, the album from which “Love It” springs, This Is… (Record Company Ten/Big Beat Records), isn’t even out until Sept. 24. Squeeze out the last bits of this very poppy season and hold out for the recorded versions by taking in this live set. Fillmore, SF. www.thefillmore.com

Aug. 31 [Here’s another to make up for that cancellation above] Rin Tin Tiger, French Cassettes Great American Music Hall, SF. www.slimspresents.com

Aug. 31 Sonny and the Sunsets, Shannon and the Clams Chapel, SF. www.thechapelsf.com

Sept. 2 Ty Segall Great American Music Hall, SF. www.slimspresents.com

Sept. 3 Superchunk and Mikal Cronin Fillmore, SF. www.thefillmore.com

Sept. 4 Zomby (live) Public Works, SF. www.publicsf.com.

Sept. 5-6 “UnderCover Presents Bob Dylan’s Highway 61 Revisited:” For this event, the UnderCover Presents collective dives deep into the introspective, folk-rock world of Bob Dylan’s ’65 gem (which gave us “Like a Rolling Stone”) with covers by Carletta Sue Kay, Quinn DeVeaux, Whiskerman, Beth Lisick, and guest music director Karina Denike, among others. Freight & Salvage. www.thefreight.org. Also Sept. 8, Contemporary Jewish Museum. www.cjm.org.

Sept. 6 Mission Creek Oakland: The month-long fall music and arts festival packs a punch with dozens of local bands playing 15 East Bay venues, including the Uptown, the Stork Club, and Children’s Fairyland (!). It kicks off with a free opening party tonight at the Uptown with Naytronix, Clipd Beaks, YNGBMS, and Safeword. Various venues, Oakl. www.mcofest.org.

Sept. 7 Push the Feeling with Exray’s Underground SF, www.undergroundsf.com

Sept. 8 Lil Bub book signing with Nobunny: So Lil Bub is this famous Internet cat and Nobunny is the infamous IRL punky masked Bunny-Man; together they’ll claw through the Rickshaw Stop all day and night. This multipart Burger Bub Mini-Fest includes a Lil Bub book signing and doc film screening, plus live sets by Nobunny, Colleen Green, the Monster Women, and the Shanghais. Paws up, everyone. Rickshaw Stop, SF. www.rickshawstop.com.

Sept. 9 Sex Snobs Elbo Room, SF. www.elbo.com

Sept. 10 Bleeding Rainbow Rickshaw Stop, SF. www.rickshawstop.com.

Sept. 11 Moving Units DNA Lounge, SF. www.dnalounge.com.

Sept. 12 Julie Holter Great American Music Hall, SF. www.slimspresents.com.

Sept. 13 120 minutes presents Death in June Mezzanine, SF. www.mezzaninesf.com.

Sept. 14 Rock the Bells: the annual touring hip-hop fest returns, headlined by Kid Cudi, A$AP Mob. feat. A$AP Rocky, E-40, and Too $hort, Common, and Bone Thugs-N-Harmony on Sept. 14; Wu-Tang Clan, Black Hippy feat. Kendrick Lamar, and Deltron 3000 on Sept. 15. Shoreline Amphitheatre, Mtn View. www.livenation.com.

Sept. 16 Kate Boy Rickshaw Stop, SF. www.rickshawstop.com.

Sept 17 Julie Ruin: Kathleen Hanna returns to her pre-Le Tigre output but beefs it up with a full band including fellow Bikini Kill bandmate Kathi Wilcox and is set to release bouncy feminist dancepop record Run Fast Sept. 3. A few weeks later the Brooklyn band lands in SF. Slim’s, SF. www.slimspresents.com.

Sept. 18 Berkeley Old Time Music Convention Various venues, Berk. www.berkeleyoldtimemusic.org

Sept. 19 Hard Skin 1-2-3-4 Go!, Oakl. 1234gorecords.com.

Sept. 20 Foxygen Independent, SF. www.theindependentsf.com

Sept. 21 Tape Deck Mountain and Battlehooch El Rio, SF. www.elriosf.com.

Sept. 22 “Radio Silence presents: Doe Eye performing Arcade Fire” Brick and Mortar Music Hall, SF. www.brickandmortarmusic.com.

Sept. 24 Wax Tailor Mezzanine. www.mezzaninesf.com.

Sept. 26 Zola Jesus Palace of Fine Arts, SF. www.palaceoffinearts.org.

Sept. 27 Peter Hook and the Light Mezzanine, SF. www.mezzaninesf.com.

Sept. 28 “Station to Station:” This train-travelin’ art and music experiment, organized by artist Doug Aitken, pulls a stop in Oakland with live performances by Dan Deacon, Savages, No Age, Sun Araw and the Congos, Twin Shadow, and more. And the train itself is designed as a moving kinetic light sculpture, so expect a bright show. 16th St. Station, Oakl. www.stationtostation.com.

Sept. 30 Chelsea Wolfe Great American Music Hall, SF. www.slimspresents.com

Oct. 1 Peach Kelli Pop Hemlock Tavern, SF. www.hemlocktavern.com.

Oct. 3Brick and Mortar Music Hall, SF. www.brickandmortarmusic.com.

Oct. 4-6 Hardly Strictly Bluegrass: Bonnie Raitt, Bettye LaVette, Nicki Bluhm & the Gramblers, Devil Makes Three, Chris Isaak, Mark Lanegan, First Aid Kit, Sallie Ford & the Sound Outside. As the free annual fest releases lineup names in glorious song medleys, this is who we know for sure will fill GG Park with folk-country-hardly-strictly-bluegrass notes this year, as of press time. There will be more added in the coming weeks, so check the site. Golden Gate Park, SF. www.hardlystrictlybluegrass.com.

Oct. 5 Har Mar Superstar Bottom of the Hill, SF. www.bottomofthehill.com.

Oct. 7 No Joy Brick and Mortar Music Hall, SF. www.brickandmortarmusic.com.

Oct. 8 Fucked Up Terror Oakland Metro Opera House, Oakl. www.oaklandmetro.org.

Oct. 9 Iceage Rickshaw Stop, SF. www.rickshawstop.com.

Oct. 10 Thee Oh Sees Chapel, SF. www.thechapelsf.com

Oct. 11 Extra Action Marching Band Mezzanine, SF. www.mezzaninesf.com

Oct. 12 Marky Ramone with Andrew W.K.: Is this pairing crazy enough that it just might work? While Joey Ramone has sadly passed on to punk rock heaven (lots of leather and skinny jeans), drummer Marky Ramone is carrying on the legacy by enlisting pizza guitar-having party rocker Andrew W.K. as his frontperson. The band known as Marky Ramone’s Blitzkrieg performs classic Ramones songs. Independent, SF. www.theindependentsf.com.

Oct. 13 Legendary Pink Dots DNA Lounge, SF. www.dnalounge.com.

Oct. 14 Langhorne Slim Great American Music Hall, SF. www.slimspresents.com

Oct. 15 Tim Kasher Rickshaw Stop, SF. www.rickshawstop.com.

Oct. 16 Dustin Wong Great American Music Hall, SF. www.slimspresents.com.

Oct. 17 CHVRCHES Fox Theater, Oakl. www.thefoxoakland.com.

Oct. 18 Robert Glasper Experiment SFJazz Center, SF. www.sfjazz.org.

Oct. 19 Treasure Island Music Festival: the forward-thinking two-day fest out on windswept Treasure Island includes Atoms for Peace, Beck, Major Lazer, Little Dragon, Animal Collective, James Blake, Holy Ghost!, Sleigh Bells, and more. Giraffage, and Antwon are the locals on the bill. Treasure Island, SF. www.treasureislandfestival.com.

Oct. 20 Goblin Warfield Theatre, SF. www.thewarfieldtheatre.com.

Oct. 21 Hunx & His Punx Chapel, SF. www.thechapelsf.com.

Oct. 22 Brian Wilson and Jeff Beck Paramount Theater, Oakl. www.paramounttheatre.com.

Oct. 23 Oh Land Independent, SF. www.theindependentsf.com.

Oct. 24 Woodkid Regency Ballroom, SF. www.theregencyballroom.com.

Oct. 25 The Blow Bottom of the Hill. www.bottomofthehill.com.

Oct. 26 Airfield Broadcasts: For this large-scale event, composer Lisa Bielawa will turn Chrissy Field into a giant “musical canvas” in which listeners can interact with broad sounds floating through the area with the help of nearly a thousand professional and student musicians including orchestras, choruses, bands, and experimental new groups. The musicians will begin in the center of the field then slowly move outwards, playing Bielawa’s original score. Chrissy Field, SF. www.airfieldbroadcasts.org.

Oct. 29 The Jazz Coffin Emergency Ensemble El Rio, SF. www.elriosf.com.

Oct. 30 Save Ferris Regency Ballroom, SF. www.theregencyballroom.com.

Oct. 31 Danzig Warfield, SF. www.thewarfieldtheatre.com.

Nov. 1 Janelle Monáe: Futurist soul crooner Janelle Monáe has had a big year, releasing “Q.U.E.E.N.” with Erykah Badu in the spring, and more recently she fired off Miguel duet “PrimeTime.” The last time the pompodoured singer made it to SF she was dancing down the aisles at the SF Symphony’s Spring Gala (earlier this year), but a darkened venue is much more her speed. Think she’ll be wearing black and white? Warfield Theatre, SF. www.thewarfieldtheatre.com.

Nov. 7 Wanda Jackson: The stylish rockabilly queen, and former real life Elvis paramour — and crackling vocalist behind tracks like “Fujiyama Mama” and “Let’s Have a Party” — is still brash and still touring at age 75. And she’s still putting out new tunes too, with her own 2012 LP Unfinished Business, and just before that a collaboration with Jack White on The Party Ain’t Over (2011). Yes, the party continues. Chapel, SF. www.thechapelsf.com.

Nov. 8 Of Montreal Great American Music Hall, SF. www.slimspresents.com.

Nov. 13 Those Darlins Chapel, SF. www.thechapelsf.com.

Nov. 14 Kayhan Kalhor and Ali Bahrami Fard SFJazz Center, SF. www.sfjazz.org.

Nov. 16 Melt Banana Oakland Metro Opera House, Oakl. www.oaklandmetro.org.

Nov. 17 Rhys Chatham: This is vastly bigger than your average rock concert. See, avant-punk composer Rhys Chatham will perform the West Coast premiere of his “A Secret Rose” with an orchestra of 100 electric guitars. That’s right, 100-times the shred. The Other Minds-presented hourlong performance will include musicians from Guided By Voices, Akron/Family, Tristeza, and more. Craneway Pavilion, Richmond. www.brownpapertickets.com.

Nov. 18 Misfits Oakland Metro Opera House, Oakl. www.oaklandmetro.org.

Nov. 22 Kate Nash Fillmore, SF. www.thefillmore.com.

 

Fall fairs and festivals

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Listings are compiled by Guardian staff.

 

Sept. 14-15

Ghirardelli Chocolate Festival Ghirardelli Square, 900 North Point, SF; ghirardellisq.com/chocolate-festival. Noon-5pm, $25 for 15 chocolate tastings. Project Open Hand benefits from the 18th annual incarnation of this delectable festival. New for 2013, there’ll be a “Chocolate and Wine Pavilion” for guests over 21, plus the ever-popular hands-free ice cream eating contest; chef demos; and a talk by Ghirardelli’s “Chocolate Professor,” Steve Genzoli, on the art of chocolate-making.

 

Sept. 15

Comedy Day Sharon Meadow, Golden Gate Park, SF; www.comedyday.com. Noon-5pm, free. The 33rd incarnation of this local tradition boasts “one stage, five hours, 40 comedians, and a million laughs!” Performers include Will Durst, Tom Ammiano, Natasha Muse, Johnny Steele, Tony Sparks, and more.

 

Sept. 20-22

Oktoberfest by the Bay Pier 48, SF; www.oktoberfestbythebay.com. Fri, 5pm-midnight; Sat, 11am-5pm and 6pm-midnight; Sun, 11am-6pm, $25-75 (kids 13-18, $5 for Saturday day session or Sunday only). “Tasty food, cold beer, and sizzling oompah music,” y’all. How do you say y’all in German? Anyway, if you have lederhosen, now’s your chance to wear it. The 21-piece Chico Bavarian Band headlines this annual sudsy bacchanal.

 

Sept. 21-22

Polk Street Blues Festival Polk between Pacific and Union, SF; www.polkstreetbluesfestival.com. 10am-6pm, free. Back for its fourth year, this up-and-coming fest boasts two music stages, arts and crafts vendors, and gourmet eats. Visit the website in the weeks before the event for updated performer information.

 

Sept. 27-29

Eat Real Festival Jack London Square, Oakl; www.eatrealfest.com. Fri, 1-9pm; Sat-Sun, 10:30am-5pm, free. No dish costs more than five bucks at this showcase of sustainable Bay Area cuisine (and local beer and wine, too). The fest also offers up DIY demos (“from home cheese making to backyard chickens”), live music, butchery contests, and more.

 

Sept. 28

Superhero Street Fair Waterfront Boardwalk Oasis overlooking Islais Creek, 1700 Indiana, SF; www.superherosf.com. 2pm-midnight, $20 ($10 in costume). Holding out for a hero? Why not just be one yourself at this fourth annual fiesta? Seven stages with 17 “sound camps” (dubstep, reggae, drum and bass, etc.) set the mood, plus there’ll be bands (including SF’s own pint-sized rockers Haunted By Heroes), robot dancers Anna and the Anadroids, exhibits by the Cartoon Art Museum and Mission Comics, a “Superhero Bootcamp,” and lots more heroic (and villainous!) fun.

 

Sept. 29

Folsom Street Fair Folsom between 7th and 12th Sts, SF; www.folsomstreetfair.com. 11am-6:30pm, free (gate donations benefit charity). In honor of Folsom’s 30th anniversary, the fest goes for 30 extra minutes this year. That means 30 extra minutes of kinky, leather-clad fun with an estimated 400,000 fellow revelers, plus over 200 exhibitor booths (selling gear for every fetish), multiple stages of live music and DJs, and naked butts as far as the eye can see.

 

Oct. 6

Castro Street Fair, Castro at Market, SF; www.castrostreetfair.org. 11am-6pm, free. Celebrating its landmark 40th anniversary, this popular gathering brings pop star Peaches to headline its main stage; her act includes a tribute to late disco legend Sylvester, who performed at the 1975 Castro Street Fair.

 

Oct. 11-19

Litquake Various venues, SF; www.litquake.org. San Francisco’s Literary Festival unfurls for over a week of poetry, fiction, and non-fiction author events, interactive activities, and more — including the insanely popular annual Lit Crawl. Check the website as the event approaches for info on special guests.

 

Oct. 12-13

Alternative Press Expo Concourse Exhibition Center, 635 8th St, SF; comic-con.org/ape. Times and ticket prices TBD. For 20 years, APE has promoted alternative and self-published comics, and this year looks to be a stellar one: guests include Zippy the Pinhead creator Bill Griffith, and there’ll be another edition of “Comic Creator Connection,” helping writers and artists come together to make creative magic.

 

Oct. 19

Potrero Hill Festival 20th St between Wisconsin and Missouri, SF; www.potrerofestival.com. 11am-4pm, free. The 24th celebration of one of SF’s hilliest ‘hoods features local food vendors, historians, entertainment, artists, and more.

 

Oct. 26

Noe Valley Harvest Festival, 24th St between Church and Sanchez, SF; www.noevalleyharvestfestival.com. 10am-5pm, free. This fest offers old-fashioned family fun to kick off the holiday season, with a certain amount of Halloween flair to boot: there’ll be a pumpkin patch (and pumpkin decorating), costume contests for kids and dogs, a pie-eating contest, and more.

 

Nov. 9-10

Green Festival Concourse Exhibition Center, 635 8th St, SF; www.greenfestivals.org. Sat, 10am-6pm; Sun, 11am-5pm, ticket price TBD. Presentations and panel discussions on sustainable living and other green issues, plus “the nation’s largest green marketplace for the conscious consumer” for all your eco-conscious gift-giving needs.

 

Nov. 23-Dec. 22

Great Dickens Christmas Faire Cow Palace, 2600 Geneva, SF; www.dickensfair.com. Nov 23-24, Nov 29-Dec 1, Dec 7-8, 14-15, and 21-22, 10am-7pm, ticket price TBD. Because it wouldn’t be Christmas in San Francisco without this long-running interactive, festively detailed dose of Victorian London. Roasted chestnuts for everyone!

Alerts: August 28 – September 3, 2013

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FRIDAY 30

Pre-Labor Day breakfast Hilton San Francisco, 333 O’Farrell Street, SF. www.sflaborcouncil.org. 8am, $75. Join the San Francisco Labor Council for an annual event, the Pre-Labor Day Breakfast. The keynote speaker will be Assemblyman Tom Ammiano and guests will also hear from Executive Secretary Treasurer of the California Labor Federation, Art Pulaski. Mix around, sip coffee, and get updates on worker campaigns. RSVP to Emily Nelson at emily@sflaborcouncil.org.

 

Summer of Solidarity concert and forum ILWU Local 34, 801 2nd St, SF. www.summerofsolidarity.org. 4:30-10pm, donation. The Summer of Solidarity tour is a 17-day, 13-city nationwide tour of local union activists and community allies aimed at supporting local struggles and connecting them with the broader fight against corporate power. Cosponsored by Laborfest, the event will begin with a forum on labor journalism at 4:30pm, followed by a forum on labor and community struggles at 6pm and a concert at 7:30pm featuring Anne Feeney, Michael O’Brien and others. For more visit www.laborfest.net.

SAT 31

Community forum on transit workers Unitarian Universalists’ Hall, 1924 Cedar, Berk. www.bfuu.org, workweek@kpfa.org. 2-4pm, $5–$10 donation. Join KPFA for a town hall style labor community meeting. The talk will include the voices of transit workers, riders, and researchers about what is happening with our transit systems, and how to solve problems facing workers, communities and the public. Sponsored by KPFA WorkWeek, and the BFUU Social Justice Committee.

 

SUNDAY 1

San Francisco Zinefest 2013 County Fair Building, Golden Gate Park, 1199 9th Ave, SF. sfzinefest.org. 11-5pm, free. This year’s Zinefest convenes over 140 creators of art, comic, and writing zines packed into two exhibition halls, including workshops with local and national zinesters and artists, plus a reading room and library. Off-site poetry readings and post-festival party are open to all. Japan Dolphins Day Fisherman’s Wharf, between Piers 41 and 43, SF. japandolphinsday.net. 11am-2pm, free. Activists will gather to call attention to the slaughter of dolphins in Japan, a cruel practice that was exposed by the award-winning documentary, The Cove. This peaceful gathering will coincide with Japan Dolphins Day, an annual event created by activist Ric O’Barry, who has gathered more than 2 million petitions to put a stop to the dolphin slaughter.

Canned again

6

news@sfbg.com

In the newest of the city’s recycle-pocalypse saga, two Safeway recycling centers are shuttering their services, further narrowing the places in San Francisco where consumers can get their can and bottle deposits back from the government.

The Japantown Safeway on Geary Boulevard already evicted its team of recyclers, and the Safeway at Church and Market streets will soon follow suit.

Early media reports suggested the services would soon be replaced by reverse vending machines, but Safeway spokesperson Wendy Gutshall told the Guardian it’s still exploring all of its options.

“In San Francisco, it is easy to recycle with curbside recycling,” she told us. “The vending machines are a relatively new option and we have been testing them in other locations.”

Safeway has two options for those locations, in lieu of a recycling center: Pay a state-mandated fee to offset a lack of recycling, or to use the reverse vending machines.

The vending machines are a growing problem for San Francisco consumers, advocates say, because they process only one can or bottle at a time, making it nearly impossible for consumers who bring bags full of recyclables to process their buyback in a timely manner.

Ed Dunn, the executive director of the Haight Ashbury Neighborhood Council, which formerly oversaw the recycling center at Kezar Gardens in Golden Gate Park, thinks this is a trend that may not stop.

“This wave of closures will trigger (more closures) in in-store recycling across the northern half of the City,” he said. And the numbers back that up. There were 30 recycling centers in San Francisco as recently as 1990, and the state agency Cal Recycle shows there are now only 20 — an unspecified number of which are recycling vending machines.

Cal Recycle said only two of them are vending machines, but a visit to some of the sites revealed there are more than two, and that there may be a discrepancy in its data.

Safeway’s option of just paying the fee is a growing trend, Cal Recycle said. As recycling centers in San Francisco go the way of the dodo, consumers and small businesses feel the pinch. The lack of recycling centers triggers state laws requiring local businesses to pay fees of up to $100 a day if they don’t provide buyback when a nearby recycling center closes.

Supermarkets who make more than $2 million annually, like the two aforementioned Safeways, serve as “convenience zones,” mandated by California law. Those zones cover a half-mile radius around a supermarket that are convenient places for consumers to bring their recyclables to get back their five or ten cents per can or bottle.

But when large supermarkets like Safeway apply for exemptions with the state at a cost of $100 a day, or $36,000 a year, the burden of recycling falls onto each one of the businesses in a half mile radius around those supermarkets.

That liquor store on the corner? They have to pay people for their bags of recycling, or pay the same fees as the Safeway. Many businesses can’t afford either option, said Regina Dick-Endrizzi, the director of city’s Office of Small Business. That, and they don’t have the space available to put the reverse vending machines as an “out.”

“When you’re a transit-first city, it’s harder. This law was really written for suburbia,” she told the Guardian. “We’re getting denser.”

San Francisco’s density means Safeway’s decision can affect many local businesses. If a convenience zone in Santa Rosa closed, for instance, maybe five businesses would be affected — and they’d have plenty of space in a parking lot to deal with recycling.

But when the Haight Ashbury recycling center closed down, more than 50 businesses were affected.

The state bill was crafted in 1986, which makes it outdated in a number of ways, Dick-Endrizzi said. But the convenience zone requirements need to be amended on a state level, meaning a fix could be months or years away. “This is not going to be a quick solve,” she said.

In the meantime, stores must apply for exemptions, which are numbering too many in San Francisco at this point, said Mark Oldfield, communications director for Cal Recycle.

“The point of the convenience zones to have places for people to recycle,” he told us. “If they’re all exemptions, there’s no place for convenience.”

But even when supermarkets put in recycling machines, consumers and the city still lose out, critics say.

Kevin Drew, the zero waste coordinator at the city’s SF Environment, brought the problem to the Small Business Commission in December. “I’ve heard concerns from homeowners and consumers saying ‘There’s not a place to take my bottles and cans, I’ve got to drive there, and there’s a huge long line when I get there.'”

That’s the rub: When many San Franciscans think of people who collect bottles and cans, they think of the homeless, maybe vagrants, certainly poor, who take them from our curbside bins and trash cans. But even if you don’t identify with those folks, they’re not the only ones depending on these recycling centers.

“My experience in going to the centers and seeing what happens is that where there are certainly is a robust group of scavengers and poachers,” Drew told the Small Business Commission. “There’s a steady flow of people from a restaurant, people coming with kids… You’d be surprised.”

He said that of the $18 million a year in recycling San Francisco produces, two-thirds of that comes from recycling centers. So if you think “everyone” uses curbside recycling, think again. The Guardian’s research bears out the idea that there are still regular folks using recycling centers. As we covered the city’s closure of the Haight Ashbury Recycling Center (see “Canned,” 12/4/12), we met families, kids who brought in recycling for their allowance, bar and restaurant owners who wanted to make money back instead of paying for curbside recycling, and yes, vagrants. One of the customers we talked to was Kristy Zeng, a 30-year-old immigrant from China who worked with her 62-year-old mother to support the family with recycling revenues. “People look at her and say she’s too old [to get another job],” Zeng said. Finally, there’s the impact to the city to consider. Anyone who has ever been in Dolores Park on a sunny afternoon understands the role that recyclers play in keeping San Francisco clean and providing an elegant way for the poor to earn a living. With Safeway’s decision, both benefits are being diminished.

Attorneys debate toxic turf during Beach Chalet project opponents’ last stand

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Opponents of a city plan to install artificial turf soccer fields and stadium lights at the Beach Chalet soccer fields in Golden Gate Park — after losing at every stage of the project’s approval process — had their day in court Friday, beginning what could be their last chance: to have a judge block the project.

“I wouldn’t be surprised if these were the most heavily scrutinized soccer fields in the country,” attorney James Emery, who is representing the city and the project, said as he started off his opening arguments to defeat the lawsuit.

Groups including the SF Coalition for Children’s Outdoor Play and the Sierra Club’s San Francisco Bay Chapter filed a lawsuit based on the claim that the city violated the California Environmental Quality Act when it chose to use what the plaintiffs lawyers describe as “toxic turf.”

The main argument on the plaintiff’s side was that the styrene-butadiene rubber (SBR) that will be used for the fields is inherently toxic. Other arguments included the lack of hybrid alternatives on the Environmental Impact Report conducted for the fields, as well as deletion of emails by a city department.

Plaintiffs attorney Vernon Grigg started off with the assertion that the SBR turf being used for the soccer fields is made from crushed up tires “that aren’t even allowed in a landfill without a permit,” and that the EIR failed to offer other alternatives such as carpet pad rubber or cork.

His co-counsel Richard Drury also pointed out that SBR turf has a 18.8 in a million chance of causing cancer, exceeding the significant threshold of 10 in a million the Bay Area Air Quality Management District (BAAQMD) adopted in 2010.

Attorney Scott Emblidge, another lawyer contracted by the city on the case, said that wasn’t a standard that the city has adopted, criticizing the oft-repeated point by saying, “San Francisco has not formally adopted significance standards, though they have said it 17 times in their opening brief.”

But Drury emphasized that the city is compelled by CEQA to consider a less toxic option. “There are no alternatives to less toxic turf,” Drury said. “It wouldn’t have been hard for them to do that — they just didn’t do it.”

But Emblidge said the EIR didn’t identify the turf choice as significantly toxic, a point Drury disputed.  

“The EIR does mention alternative forms, and does discuss alternative turf composition,” Drury said. “They consistently covered that there were significant health effects. There’s lots of speculation, but nothing that truly shows it.”

Other points were made that people within the Recreation and Parks Department were deleting emails related to the project, but coverage on that subject ran short as Judge Teri L. Jackson had to leave the court because of other engagements.

Attorneys for both sides are scheduleed to meet on Wednesday to be questioned further by Jackson.