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Cops on campus

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Historic new protections are now in place for children facing police action in the San Francisco Unified School District.

Reforms include having a parent present when police question a child, tracking police presence in schools, and using a more lenient approach than simply dragging kids off to the police station or juvenile hall. All of these may be strengthened by a new memorandum of understanding (MOU) between the SFUSD and SFPD.

The MOU, passed by the Board of Education at its Feb. 25 meeting, places new restraints on police officers when they come into schools, with specific outlines for when schools should call police, board President Sandra Lee Fewer told the Guardian.

“It’s about changing student behavior, versus punishment,” she said. The agreement dovetails with the district’s new restorative practices initiative aimed to decrease reliance on suspensions to correct behavioral problems (see “Suspending judgment,” 12/3/13).

All sides say the MOU is strong, but one section was weakened shortly before it was voted on. In the final hour before the MOU was brought before the Board of Education, the police revised the language of the agreement.

One important word was changed in a section describing how police are to respond to student crime on school grounds: a “shall” became a “should.” Critics say that change transforms the contract from a legally binding agreement signed in goodwill to a mere suggestion of cooperation from the police.

“To a civilian, those are everyday words. To a police officer, they’re the difference between always and never,” Police Chief Greg Suhr told the Guardian.

At a Jan. 14 Board of Education meeting, members of Coleman Advocates for Children and Youth told the board that this contract was no mere suggestion: It is vital to the safety of children.

Kevine Boggess of Coleman Advocates worked on the agreement for over two years, explaining to the board why “shall” was so important: “We feel like this is something that’s necessary for this document to really stand true, to make sure students are treated with respect and not introduced to the criminal justice system.”

Boggess said cops need stringent rules. But to see why those rules are necessary, we need to revisit a dark day in San Francisco history, when police discretion turned a school brawl into a riot.

 

MELEE PROMPTS REFORMS

To those who remember, that day in 2002 is known as 10/11. Board of Education member Kim-Shree Maufus remembers that day well.

Maufus was sitting at work when her friend, a teacher, emailed her alarming news: Maufus’ daughter was in danger. She was a sophomore at Thurgood Marshall High School, and the entire school was under attack.

Barriers blockaded the streets around Thurgood Marshall and helicopters swarmed the skies. At least 100 armored officers stormed the school, weapons at the ready.

“They were beating them. When my daughter got on the phone, I couldn’t understand her. It wasn’t English. Later, I understood it was a nervous breakdown,” Maufus told the Guardian.

The book Lockdown High recounted the incident in which Maufus’ daughter and dozens of other students, as well as teacher Anthony Peebles, were batoned by police and injured.

The San Francisco Bay View’s article on the incident quoted a student who saw the violence escalate: “‘We were coming out of the office as the fight was going on, and an officer took his gun out at one of the students and told him, ‘Don’t make me use this,’ said Ely Guolio, a student. ‘I was shocked.'”

The police allege they responded to a riot, and although four students and a teacher were arrested, all charges were later dropped, according to a San Francisco Chronicle report from 2003.

In the incident’s wake, Coleman Advocates and other groups called for change. Proposition H was passed by San Francisco voters in 2003, reforming the Police Commission to provide better civilian oversight of the SFPD.

But negotiations around an MOU between the police and the school district stalled for years. The tensions between the two bodies were high.

“Police would come to schools and arrest students, saying the students were re-igniting incidents from Thurgood Marshall,” Maufus told us. “The Thurgood Marshall melee was absolutely the catalyst to get the conversation started on how to structure police on school property.”

In 2005, an MOU was crafted, but many viewed it as ineffectual. Although this new agreement between the SFPD and SFUSD has many strong new rules, one rule was weakened that pertains to the violence of 10/11.

The section in question reads: “Subject to the exception described below, when SFPD officers make a school based arrest they should (emphasis ours) use the graduated response system outlined below.”

The graduated response system sets rules for police officers when they enter a school to make arrests for low-level offenses. It’s a “three strikes” rule: the first offense warrants admonishment or counseling, the second offense asks for the same or a diversionary program, and the third recommends a juvenile be placed in probation or a community counseling program.

“It’s definitely less binding,” Fewer told the Guardian. “But the police chief would not sign it with more binding language.”

Suhr said he doesn’t want his officers restricted in an emergency. “You can’t take all discretion away from a police officer, and expect that officer to assume liability (for the situation),” Suhr said.

Some said the SFPD of today is easier on students than 12 years ago. Juvenile arrests are down, with just over 600 felony juvenile arrests in 2012 compared to 1,100 in 2003, according to SFUSD data.

 

COOPERATIVE APPROACH

Implementing a restorative justice model and new standards for police in the schools isn’t just a matter for the SFPD, but for individual school administrators as well, with Fewer noting that the SFUSD sometimes calls the police for routine disciplinary matters.

The Guardian profiled one such student in “Suspending Judgment,” telling the story of a school official who called on the police to discipline a kindergartner throwing a tantrum. Suhr agreed, “You can’t have police officers enforcing school discipline.”

The MOU now seeks to address that problem in a section directing school administrators to only call the police for public safety concerns and crimes. And though the MOU is not as ironclad as advocates may have wished, there are still many wins for reformers.

One of the authors of the agreement, Public Counsel’s Statewide Education Rights Director Laura Faer, said the new mandate for data collection is one of the key sections of this MOU. Now, the SFPD will report how many times officers have entered school grounds to arrest students.

“There will be a regular dialogue with the community about arrests,” she said. “It’s extraordinary.”

The agreement also has mandates for training with the SFPD on school policies. And, as Fewer reminded the Guardian, this is a living document. All parties now have new promises to live up to.

“This is the beginning,” Faer said, “this is not the end.”

Last chance for Marcus Books, part of SF’s black history

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OPINION

It’s taken decades, but the Mahattanization of San Francisco is nearly complete: The immigrants, artists, and natives who built the City and gave it its unique flavor can no longer afford to live here.

With San Francisco’s African American population largely banished to across the bay, along with the working and artists classes, the freethinking lifestyle that attracted so many people to the Bay Area in the first place has largely been and gone.

“What is crucial, is whether or not the country, the people of the country, the citizenry, is able to recognize that there is no moral distance between the facts of life in San Francisco, and the facts of life in Birmingham,” James Baldwin said on a fact-finding trip to San Francisco in 1963, at the height of the Civil Rights Movement, a time at which he would have also visited Marcus Books.

If buildings could talk, the Marcus Books property on Fillmore Street, the onetime “Harlem of the West,” would tell a tale of two cities for over 50 years. Once the jazz club Bop City (where John Coltrane, Charles Mingus, and Billie Holiday performed), the purple Victorian is central to a neighborhood that survived the internment and return of its Japanese American residents, a botched “redevelopment” project that resulted in the permanent displacement of African Americans, and a blueprint for a “Jazz District” that failed to launch.

Now the neighborhood faces a final act as the oldest seller of books “by and about black people” attempts to uphold a part of the history and culture it had a hand in creating, while the City looks away and toward tech as its future.

Every black writer and intellectual in the US knows the store; celebrities, activists, athletes, and literary giants — including Malcolm X, Rosa Parks, Muhammad Ali, Walter Mosely, Alice Walker, Oprah Winfrey, and Toni Morrison — have all passed through the doors of the San Francisco or Oakland stores.

Founded by Julian and Raye Richardson in 1960, their store served as a sanctuary for thinkers, authors, and community members during watershed moments, from the Voting Rights Act through the Black Power Movement and historic SFSU student strike in 1968 (resulting in the establishment of multicultural study programs which flourish at universities today).

Many of San Francisco’s African American faith, civic, arts, and culture leaders were educated through the program at State, either by the Richardsons or the books they stocked at Marcus. The Richardson family continues that tradition today at the bookstore, engaging visitors in discussions on the journey from Jim Crow to the first black president .

Yet for the past year, Marcus Books has struggled to survive. Community activists, elected supervisors, and appointed commissioners helped attain landmark status for the historic building, while attorneys brokered a buyback after the property was sold at auction and a fundraising effort was launched in December (see “Marcus Books can stay if it can raise $1 million,” SFBG Politics blog, Dec. 5). To contribute, visit www.gofundme.com/6bvqlk.

Marcus is not the only community-serving bookseller forced into crowdfunding and community organizing, diverted from its core mission to enlighten and educate. If a city’s bookstores are any indication of its cultural diversity and intellectual health, San Francisco is on the critical list.

The City’s last gay bookstore, A Different Light, was laid to rest three years ago; while our most progressive political book outlet in the Mission District, Modern Times, is on the brink (see “A Modern tragedy,” Jan. 7). A similar fate for Marcus Books would mean the end to a longstanding black-owned business in the Fillmore.

It seems “The City That Knows How” has forgotten where it came from. Baldwin’s 1963 quote may’ve been specifically about racist ways and laws, but a blow to Marcus Books could mean his message remains the same: San Francisco’s reputation as a kindly city of love, tolerance, and diversity will be forever tarnished; in fact, it may have been false advertising all along.

Denise Sullivan is the author of Keep on Pushing: Black Power Music From Blues to Hip Hop.

Spooked

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rebecca@sfbg.com

The world’s largest computer security conference, RSA, got underway in the Moscone Convention Center on Feb. 24. It’s a huge deal: Speakers will include former Secretary of State Condoleezza Rice, and closing remarks will be given by comedian Stephen Colbert.

Started in 1991, the RSA Conference has grown exponentially. But this year, 13 digital security experts have canceled their scheduled talks in protest of recent revelations that RSA cooperated with the National Security Agency to use a flawed tool for safeguarding sensitive information.

Speakers who are boycotting include technology experts from Google and various security firms. They’re concerned about allegations that RSA, a pioneer in the security software industry, agreed to incorporate a flawed encryption formula into a widely used security product in accordance with a secret $10 million NSA contract.

“In my opinion, RSA has a serious trust issue,” said Jeffrey Carr, CEO of a security firm called Taia Global Inc. and one of the speakers who has decided to cancel his talk and boycott the conference. “I think they’ll just let it die down. There’s been little uproar, even among the security people,” he added.

Carr authored a blog post explaining his decision. He also organized a “town hall” debate, part of an event series called Suits and Spooks, to be held at the Ritz Carlton in San Francisco on Feb. 27, featuring commentary from security industry representatives as well as insiders from the national intelligence community.

RSA used the encryption algorithm as a default for its security products, meaning users would have had to actively switch to a different formula to avoid exposure to the security threat.

According to a Reuters article published in December, the NSA arranged the contract as part of a campaign to embed breakable encryption software into security products that are widely used to safeguard personal devices.

Previous reporting by The New York Times, based on documents leaked by former NSA contractor Edward Snowden, showed that the NSA had generated the weak encryption formula to create a “backdoor.”

EMC, the parent company that owns RSA, issued a response in December that didn’t specifically address the allegations. The company stated that in 2004, when it agreed to use the algorithm, “the NSA had a trusted role in the community-wide effort to strengthen, not weaken, encryption.”

But Carr said researchers within the security industry had suggested the algorithm might be flawed as early as 2006, and RSA did not abandon its use until after the Snowden leaks were publicized.

Other speakers who are boycotting have issued statements publicly condemning RSA. “Your company has issued a statement on the topic, but you have not denied this particular claim. Eventually, NSA’s random number generator was found to be flawed on purpose, in effect creating a back door. You had kept on using the generator for years despite widespread speculation that NSA had backdoored it,” wrote chief researcher Mikko Hypponen of the Finnish company F-Secure.

“As my reaction to this, I’m canceling my talk at the RSA Conference USA 2014 in San Francisco in February 2014,” Hypponen went on. “Aptly enough, the talk I won’t be delivering at RSA 2014 was titled ‘Governments as Malware Authors.'”

Meanwhile, Colbert is also taking some heat for agreeing to speak at the RSA conference.

“We know you, Stephen, and we know you love a good ‘backdoor’ joke as much as we do — but this kind of backdoor is no laughing matter,” activists from Fight for the Future wrote in a petition urging him to join the other speakers who are boycotting the RSA conference. “Companies need to know that they can’t betray our trust without repercussions. We want to hear your speech, but give it somewhere else!”

Speakers boycotting security conference to protest collaboration with NSA

On Feb. 24, the world’s largest computer security conference, RSA, will commence at San Francisco’s Moscone Center. It’s a huge deal: Speakers will include Former U.S. Secretary of State Condoleezza Rice, and closing remarks will be given by comedian Stephen Colbert.

Started in 1991, the RSA Conference has grown exponentially. But this year, 13 digital security experts have canceled their scheduled talks in protest of recent revelations that RSA cooperated with the National Security Agency to use a flawed tool for safeguarding sensitive information.

Speakers who are boycotting include technology experts from Google and various security firms. They’re concerned about allegations that RSA, a pioneer in the security software industry, agreed to incorporate a flawed encryption formula into a widely used security product in accordance with a secret $10 million NSA contract. 

“In my opinion, RSA has a serious trust issue,” said Jeffrey Carr, CEO of a security firm called Taia Global Inc. and one of the speakers who has decided to cancel his talk and boycott the conference. “I think they’ll just let it die down. There’s been little uproar, even among the security people,” he added.

Carr authored a blog post explaining his decision. He also organized a “town hall” debate, part of an event series called Suits and Spooks, to be held at the Ritz Carlton in San Francisco on Feb. 27 featuring commentary from security industry representatives as well as insiders from the national intelligence community.

RSA used the encryption algorithm as a default for its security products, meaning users would have had to actively switch to a different formula to avoid exposure to the security threat.

According to a Reuters article published in December, the NSA arranged the contract as part of a campaign to embed breakable encryption software into security products that are widely used to safeguard personal devices.

Previous reporting by the New York Times, based on documents leaked by former NSA contractor Edward Snowden, showed that the NSA had generated the weak encryption formula to create a “backdoor.”

EMC, the parent company that owns RSA, issued a response in December that didn’t specifically address the allegations. The company stated that in 2004, when it agreed to use the algorithm, “the NSA had a trusted role in the community-wide effort to strengthen, not weaken, encryption.”

But Carr said researchers within the security industry had suggested the algorithm might be flawed as early as 2006, and RSA did not abandon its use until after the Snowden leaks were publicized. 

Other speakers who are boycotting have issued statements publicly condemning RSA.

“Your company has issued a statement on the topic, but you have not denied this particular claim. Eventually, NSA’s random number generator was found to be flawed on purpose, in effect creating a back door. You had kept on using the generator for years despite widespread speculation that NSA had backdoored it,” wrote chief researcher Mikko Hypponen of the Finnish company F-Secure.

“As my reaction to this, I’m cancelling my talk at the RSA Conference USA 2014 in San Francisco in February 2014,” Hypponen went on. “Aptly enough, the talk I won’t be delivering at RSA 2014 was titled ‘Governments as Malware Authors.'”

Meanwhile, Colbert is also taking some heat for agreeing to speak at the RSA conference.

“We know you, Stephen, and we know you love a good ‘backdoor’ joke as much as we do—but this kind of backdoor is no laughing matter,” activists from Fight for the Future wrote in a petition urging him to join the other speakers who are boycotting the RSA conference. “Companies need to know that they can’t betray our trust without repercussions. We want to hear your speech, but give it somewhere else!”

This Week’s Picks: February 12 – 18, 2014

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WEDNESDAY 12

When The Landscape Is Quiet Again: North Dakota’s Oil Boom

In a land far, far away, the greedy hands of oilmongers are ripping apart Sarah Christianson’s home state. “Almost every local person I spoke with out there expressed some version of this sentiment: ‘I’m so glad so-and-so is dead, so they don’t have to see what’s happened to this place,'” says the photographer. Over the past year, Christianson documented the consequences of North Dakota’s newest oil boom: oil wells built on her parent’s mineral acres, drilling rigs planted on desolate horizons, natural gas flare pits disrupting untouched valleys. Her latest project, “When the Landscape is Quiet Again” hosted by SF Camerawork through April 19, examines the lasting repercussions of North Dakota’s 1973 oil boom, the new damages being inflicted today and the dichotomous effects on this economically depressed region. Opening reception will be held the following day at 6pm. (Laura B. Childs)

Free

SFCamerawork

1011 Market, 2nd floor, SF

www.sfcamerawork.org

 

Octopalooza

Are you a two-fisted drinker? Think you can keep up with an eight-armed party animal? Tonight’s your chance to do exactly that, and drink like a fish — literally! Head down to the waterfront tonight for “Octopalooza,” an SF Beer Week event celebrating cephalopods that will allow people to eat, drink and dance, all under the water. Featuring beers from San Francisco’s Pacific Brewing Laboratory (with labels such as “Squid Ink” and “Nautilus”) the fete will also include food from Pier 39 restaurants, octopus talks, squid dissections, squid ink block printing and a silent disco. Price of admission includes four drink tickets. (Sean McCourt)

6:30-9:30pm, $35

Aquarium of the Bay

Pier 39, SF.

www.aquariumofthebay.com

(415) 623-5300


THURSDAY 13

Breakfast: A History

Many modern Americans might have struggled with breakfast in the mid-1800’s, according to author Heather Arndt Anderson: “Bacon and eggs, pancake with syrup, and hot coffee were now considered as ‘injurious’ to one’s health as masturbation.” Anderson explains in her book Breakfast: A History how Americans’ healthy living attitudes at that time spurred the development of granola as a popular food. Anderson’s origin stories and accessible anthropological analysis showcase how the early day cuisine from different eras shape what we eat today. “Breakfast” also explores how culture, linguistics, religion and mass media elevated the morning meal’s status to the most important meal of the day. (Kevin Lee)

6:30pm-7:30pm

Omnivore Books

3885 Cesar Chavez, SF

(415)282-4712

www.omnivorebooks.com

Free

 

Valentine’s Day Gay Romance from Cleis Press

Don’t mind the fogged-up windows at Books Inc. in the Castro on Wednesday night. Cleis Press has a steamy evening in store for you! This pre-Valentine’s Day book reading will celebrate the best parts of gay romance with tales of first times, young love, and longtime commitments. The independent queer publishing company has lined up three celebrated gay erotica authors for a night of hot-and-heavy prose followed by a book signing. Rob Rosen will share a titillating excerpt from one of his recent erotic novels, while Felice Picano and Lewis DeSimone will read from Best Gay Romance 2014, a sexy and lustful anthology that tackles all matters of the heart, soul, and bedroom. (Laura B. Childs)

7:30pm, free

Books Inc. The Castro

2275 Market, SF

www.booksinc.net

 

FRIDAY 14

Thao and The Get Down Stay Down

Hometown hero Thao Nguyen has been very busy of late, touring her band’s newest album We the Common, writing and recording short films with the likes of Ira Glass for Funny or Die, shooting music videos (and getting shut down by the SFPD) on the new Bay Bridge, and volunteering frequently for the California Coalition for Women Prisoners. Thao and the Get Down Stay Down’s music, a folk-rock blend, is simultaneously intimate and socially conscious, with her most recent work featuring themes of community and gratitude. Nguyen has been playing San Francisco shows semi-frequently for years, but this night will see her headlining the beloved and historied Fillmore for the first time, so this gig is sure to be electric. (Haley Zaremba)

With Sonny and the Sunsets

9pm, $20

The Fillmore

1805 Geary, SF

(415) 346-3000

www.thefillmore.com

 

CCR Headcleaner

Does your ideal Valentine’s Day date entail seeing a mixture of psych-infused sludge rock and girl-dominated punk bands, all for thecost of $5? If yes, then consider your plans made. CCR Headcleaner, Quaaludes and Mane are throwing a bash during everybody’s favorite Hallmark holiday at Hemlock Tavern. Local raucous rockers CCR Headcleaner recently made waves with its split EP alongside Ty Segall’s stoner garage rock band, Fuzz, for the “Less Artists More Condos” 7″ series. Playing with CCR Headcleaner is Quaaludes, a San Francisco punk girl band that draws influences from the likes of grunge and riot grrrl. Opening is ’80s goth-tinged post-punk girl band, Mane. Though each band draws from different influences, each band brings an unfiltered, raw quality to its performance. So grab your partner, sweetie, S.O. – or whatever you call them – and march on over to the Hemlock for a grimy punk show. (Erin Dage)

With Quaaludes, Mane

9pm, $5

Hemlock Tavern

1131 Polk, SF

(415) 923-0923

www.hemlocktavern.com

 

Hubba Hubba Revue

Looking for a Valentine’s event that’s sure to blow all the others away? Slip into the world of scandalous speakeasies, flirtatious flappers and gun-toting gangsters tonight when Bay Area burlesque group Hubba Hubba Revue presents a special “St. Valentine’s Day Massacre” themed show. Enjoy bootlegged beverages while watching a bevy of beauties from around the world perform on stage, including Lilly Tiger from Berlin and Fever Blister from LA — expect spats to be stripped, and fedoras to be flung — all giving a racy take on romance from the roaring twenties. (Sean McCourt)

9pm, $15-$30

DNA Lounge

375 11th St., SF

(415) 626-1409

www.dnalounge.com

www.hubbarevue.com

 

Company C Contemporary Ballet

Some 12 years ago, Company C Contemporary Ballet started modestly with student performers; it now has a fine group of professional dancers and an infrastructure that supports it. After this season they’ll change to a “project-based” format that is less financially demanding and artistically more flexible. Artistic Director Charles Anderson has always had a knack for programming his own pieces in conjunction with intriguing works by other. That’s not likely to change. His is and will remain a ballet company featuring choreography that showcases 21st century dance. Among two of Anderson’s works, this program features Charles Moulton’s ingenious Nine Person Precision Ball Passing; Susan Jaffe’s Weather — who knew that the great ABT Ballerina choreographed? — and Yuri Zhukov’s expanded Railroad Joint. (Rita Felciano)

Feb. 13 and 14, 8pm. $25-48

Feb. 15, 6pm Gala. Feb. 16, 3pm

YBCA, LAM Research Center Theater, SF

(415) 978-2787

www.ybca.org

 

SATURDAY 15

Myron & E

The Stones Throw record label is sort of the indie Motown of the 21st century, and their latest output, Myron and E, has instantly become some of the coolest cats on the LA-based cadre of vinyl evangelists. The deliciously soulful duo will be bringing its spunky horns, soothing rhythms, and hypnotic vocals to the Independent in support of their debut LP Broadway. The lead single “If I Gave You My Love” showcases the duo’s one-two punch of Barry White-esque vocals on the chorus, surrounded by peppy falsetto. Myron and E got together in the Bay after Myron escaped from LA, where he was working on the sketch comedy show “In Living Color.” If there ever was an occasion to bust out your special bowtie and fancy dancing shoes, it’s this show. (George McIntire)

9pm, $20 adv, $22 door

The Independent

628 Divisadero, SF

(415) 771-1421

www.theindependentsf.com

 

 

B.A.R.F.

February 15 is the date that many people will join in one area for their common love of BARF (Bay Area Record Label Fair). Vomit word-play aside, here are the details: local organizations Father/Daughter Records and Professional Fans have come together to spearhead the first annual event honoring record labels across the Bay Area. Labels such as Polyvinyl, Castle Face, 1-2-3-4 Go! Records, Slumberland, and many more will be selling their music all under one roof for such an occasion. To sweeten the deal, uber-talented bands representing local labels such as “difficult” punks Twin Steps, pop-punk sister duo Dog Party, power-pop sensations Cocktails, and psych-rocker Al Lover will be performing at the gig! And the best part about this event? There’s no need to cough up cash to get in. (Erin Dage)

With Twin Steps, Dog Party, Cocktails, Al Lover

12pm, Free

Thee Parkside

1600 17th St, SF

(415) 252-1330

www.theeparkside.com

 

John Talabot at Icee Hot

After slow simmering yet heavy hitting releases like ‘Sunshine,’ John Talabot released his debut ƒIN in 2012 to crossover attention. Add in a single live performance with collaborator Pional leading to touring with The xx, the only question would be what 2013 bring. The answer: an equally lauded entry into DJ-Kicks mix series, with Talabot taking his ability to sustain an emotional moment in time — dark, melancholic, tender, whatever — and extended it into a career-up to-here defining set. It’s perhaps the best entry yet into his sound, as much forward looking (including new songs “Without You” and “Siderall”) as tied to the past, with obscurities like Jurgen Paape’s remix of “Kron” by Sillikron reaching back to nights spent as a windowlicking trainspotter in Barcelona clubs, notebook in hand. (Ryan Prendiville)

With Galcher Lustwerk, Ghosts on Tape, Shawn Reynaldo, DJ Will

10pm-4am, $5-15 presale

Public Works

161 Erie, SF

(415) 932-0955

www.publicsf.com

 

SUNDAY 16

East Bay Comic Con

You don’t have to go all the way down to San Diego this year to get your comic book and pop culture fix — just check out East Bay Comic Con, a brand new event that will feature a host of comic book vendors along with several special guests including Richard Kiel (who played “Jaws,” the towering villain with metal teeth in two James Bond films) and John Stanley (author and host of KTVU’s classic TV show “Creature Features”). James O’Barr, the creator of The Crow, will also be on hand, and will kick off the party with a screening of the film based on his comic the night before. (Sean McCourt)

Movie screening and Q&A

7pm Sat/15, Free for first 350 fans

Brenden Theater

1985 Willow Pass Rd., Concord

East Bay Comic Con

10am-4:30pm, $5 (children 8 and under free)

Concord Hilton 1970 Diamond Blvd., Concord

www.eastbaycomiccon.com

 

TUESDAY 18

“Committed Cinema: Tony Buba” Braddock, Penn., got its big-screen moment last year with the release of Out of the Furnace, Scott Cooper’s occasionally overwrought tale of two brothers battling grim destinies in the crumbling steel town. As it turns out, documentarian Tony Buba has been lensing his blue-collar hometown for decades, and the filmmaker dubbed “a national treasure” by the Anthology Film Archives is coming to Berkeley to share his work and converse with USF education professor Rick Ayers. Tonight, “The Braddock Chronicles” compiles shorts from 1972-85. More shorts precede screenings of narrative Lightning Over Braddock: A Rustbowl Fantasy (1988), and his most recent doc, 2013’s We Are Alive! The Fight to Save Braddock Hospital, on consecutive nights. (Cheryl Eddy)

Feb 18-20, 7pm, $5.50-$9.50

Pacific Film Archive

2575 Bancroft, Berk.

bampfa.berkeley.edu

Events: February 12 – 18, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 12

Black History Month programs San Francisco Maritime National Historical Park, aboard the Balclutha, Hyde St Pier, and in the Visitor Center, 499 Jefferson, SF; nps.gov/safr. Daily throughout Feb (9:30am-5pm in the Visitor Center, free): “African Americans in the Maritime Trades: A Photographic Exhibition.” Sat/15-Sun/16 (3pm in the Visitor Center, free): “The Saga of Captain William Shorey,” slide lecture. Sun/16 and Feb 23 (2:15pm aboard the Balclutha, $5): “The Great Migration in Alaska: African Americans, the Alaska Packers Association, and the Politics of Race at Sea, 1896-1929,” interactive program. Feb 22 (1-1:45pm aboard the Balclutha, $5): “Chanteys: The African American and Caribbean Connection,” musical program.

“Darwin Day Celebration” Revolution Books, 2425 Channing, Berk; www.revolutionbooks.org. 7pm, free. Presentations and videos on the topic “Evolution: What it Means for Science and the Struggle to Radically Change the World.”

Habitot Children’s Museum Valentine Play Date Habitot Children’s Museum, 2065 Kittredge, Berk; www.habitot.org. Children with special needs and their families are invited to this free afternoon of hands-on, safe, and accessible fun at the museum.

Cecile Pineda Latino Hispanic Community Room, San Francisco Main Library, 100 Larkin, SF; www.sfpl.org. 6:30pm, free. The Neustadt International Prize for Literature nominee, also a noted anti-war activist, reads from her award-winning first novel, Face.

San Francisco Middle School Science Fair Randall Museum, 199 Museum Wy, SF; www.randallmuseum.org. On display through Feb 21; museum hours Tue-Sat, 10am-5pm. Free. Check out all the exhibits in the 32nd annual fair, with participants hailing from 30 local public and private schools. The 200 projects on display are chosen from 4,000 total entries, with prizes going to the top three winners in each grade. Sat/15, 10am-2pm, visit the “Science Fair Fest,” celebrating the fair and engaging in interactive science experiments.

THURSDAY 13

Falu Bakrania Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author reads from Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain.

Eileen Cronin Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The author reads from Mermaid: A Memoir of Resilience.

“Curator’s Talk with Professor Al Camarillo” California Historical Society, 678 Mission, SF; www.californiahistoricalsociety.org. 6-8pm, $5. The curator and Stanford university prof discusses the exhibit “Juana Briones y Su California: Pionera, Fundadora, Curandera,” as well as the life and legacy of its subject.

“Ricky Vincent: Party Music: The Inside Story of the Black Panthers’ Band” Humanist Hall, 390 27th St, Oakl; www.humanisthall.org. 7:30pm, $15. With hip-hop historian Davey D, Marcus Books proprietor Blanche Richardson, original Black Panthers, and others.

“Valentine’s Day from Cleis Press” Books Inc., 2275 Market, SF; www.booksinc.net. 7:30pm, free. The veteran LGBT publisher visits the indie bookseller for a night of reading and romance, with authors Felice Picano, Lewis DeSimone, and Rob Rosen, plus the releases of the Best Gay Romance 2014 and Best Gay Erotica 2014 anthologies.

FRIDAY 14

Mass wedding Downtown Berkeley BART Plaza, Berk; www.downtownberkeley.com. 5pm, free. Any and all couples (queer and straight, as long as you have your IDs and a valid marriage license) can get hitched at this mass wedding to celebrate Valentine’s Day and the end of Prop 8 and DOMA; three couples will win a mini honeymoon package for dinner, hotel, theater tickets, and more Berkeley-centric gifts. Yes, there will be cake.

SATURDAY 15

Chinese New Year Spring Festival Chinese Culture Center, 750 Kearny, Third Flr, SF; www.c-c-c.org. 11am-3pm, free. This year’s theme, “Old School/New School,” is embodied by performances by Starr King Elementary School students and Pacific Wushu, as well as China Dance Theater, traditional lion dancing, calligraphy art activities, and more. Make sure to visit the exhibit Between Modern and Contemporary: Fong Chung-ray, highlighting the work of the abstract art pioneer.

“Oakland Art Murmur’s Third Saturday Guided Gallery District Tour: Developing a Critical Eye” Meet at Manna Gallery, 473 25th St, Oakl; oaklandartmurmur.org/walking-tours. 2-4pm, free. Free guided walking tour of several galleries in Uptown Oakland.

“Valentine’s Day Weekend at Playland-Not-at-the-Beach” Playland-Not-at-the-Beach, 10979 San Pablo, El Cerrito; www.playland-not-at-the-beach.org. Sat/15-Mon/17, 10am-5pm. $10-15. Special Valentine’s-themed games and prizes in addition to all of the arcade’s usual attractions: pinball, amusement devices, penny arcades, and more.

SUNDAY 16

“Ex Postal Facto Lectures” Koret Auditorium, San Francisco Main Library, 100 Larkin, SF; www.sfpl.org. 1-4:30pm, free. Correspondence art is the topic of this lecture series, with panels entitled “The History of West Coast Mail Art” and “Artistamps and Their Makers: Seeing the World in Miniature,” plus a reception and “passport stamping.” Participants include artists Lowell Darling, Leslie Caldera, Carl Chew, and Anna Banana, as well as James Cline, James Felter, Harley, and Ginny Lloyd.

TUESDAY 18

“Capp Street Project’s 30th Birthday Party” CCA Wattis Institute for Contemporary Arts, 350 Kansas, SF; www.wattis.org. 8pm, free. Celebrate the groundbreaking visual-arts residency program Capp Street Project with 1980s jams, a display of custom-crafted piñatas by Capp Street alum, and more.

Peter Mountford Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author reads from The Dismal Science and discusses his work with Peter Orner. *

 

The language of hope

11

 

By Fernando Andres Torres

arts@sfbg.com

LIT When Alejandro Murguía was named San Francisco’s sixth Poet Laureate in July 2012, he brought a fresh momentum to poesía en español, a movement with historical traction in the city. Murguía, the first Latino appointed to the two-year seat, is a noted bilingual poet whose sharp takes on the city by night, dark notes on tumultuous love, and verses raging against poverty have helped his work rise to prominence. The last lines of his 16th & Valencia: “And we were going to stay angry/And we were not leaving/Not ever leaving/El corazón del corazón de La Mission/El Camino Real ends here.”

Murguía’s post as San Francisco laureate builds on a recent trend, along with Juan Felipe Herrera — California’s current poet laureate — and José Montoya, who was Sacramento’s poet laureate at the time of his death last year. And if we sprinkle in Obama’s second inaugural poet, Richard Blanco, we could say that the national establishment is also paying attention.

Lately, Latino poetry written in both English and Spanish (or “Spanglish”) is blossoming with a vigor not seen since the 1994 passage of Proposition 187 — when many poetas surfaced to protest the vindictive initiative to prohibit undocumented persons from using social services. In this great moment for poesía en español, many fresh voices are rising up and challenging the norms of two intertwined languages.

“There are thoughts in Spanish, and maybe the next one is in English. My poetry is the rhythm of the speech; it is born while I walk, giving me a poetic sense,” says Silvia Parra, also known as Mama Coatl, who strolls the streets of the Mission with her poems and Mayan-Quiché spiritual teachings. Descended from Sonora, Mexico’s Yaqui people, Mama Coatl is also a performance-art activist, and a strong advocate of preventing violence against women; she co-presents Guardianas de la Vida, an annual performance and healing event in honor of San Francisco’s observation of the International Day for the Elimination of Violence Against Women and Girls.

“Poetas have always existed in San Francisco,” says Salvadorean poet Jorge Argueta. Many of us have come from Latin America. Bilingual readings are organized all over the city where poets express themselves in the way they want.”

In 1980, Argueta fled El Salvador’s brutal military regime for San Francisco, where he began mingling with the Mission District’s Chicano poets. He went on to publish his first chapbook, Del Ocaso a la Alborada (From Sundown to Dawn). Several books later, 2001’s award-winning memoir Una Película En Mi Almohada (A Movie in My Pillow) made him one of the top children’s book authors in North America.

According to renowned California poet Francisco X. Alarcón, author of 13 bilingual books, the growing interest in bilingual poetry has turned the genre into “a boom reflecting the linguistic and demographic of the times. Poetry is the only literary genre Latinos continue to write in Spanish. It has to do with life experience and emotions.”

Latino poets reflect their own reality in the language of their intimacy, he says. “Besides, English and Spanish are cousins, sharing the same Roman alphabet.”

But poesía en español is hardly a new phenomenon in San Francisco. By 1959, the beatniks were already looking to the south when Chilean poet Gonzalo Rojas visited City Lights Bookstore to invite several of them to the First Encounter of Writers of the Americas at the Universidad de Concepción. In 1966, Pablo Neruda’s UC Berkeley reading packed the house, with prominent poets and writers (including Lawrence Ferlinghetti, Mario Vargas Llosa, Allen Ginsberg, and Fernando Alegría) in attendance. That night, many ended up at Alegría’s home, and it was a meeting of two different languages with one common denominator: poetry. It was also a historic gathering “of profoundly different movements, the counterculture of the Beats a contrast to the aspirations of Western acclaim of the Latin Americans,” writes author Deborah Cohn, who details the many points of intersection between Latinos and Beat poets since the 1950s in her 2012 book The Latin American Literary Boom and US Nationalism During the Cold War.

And what about those purists alarmed by the Spanglish? “It is ridiculous! Both languages are enriching themselves from each other,” insists Alarcón. Adds Argueta, “Sometimes newcomers are bothered; they see it as an insult. You can call it bilingualism or Chicanismo, but for me it doesn’t denigrate the language — it embellishes the language.”

Late Sacramento laureate Montoya, one of California’s most celebrated poets, mixed English and Spanish with ease. In 1969, he wrote El Louie; along with Corky Gonzales’ 1967 I’m Joaquin, it became one of Chicano poetry’s most famous works. Maximizing the natural rhythms of the languages, words intertwine in a ravishing dance. The poet crosses back and forth between English and his mother tongue, emerging with the language of California.

Which brings us to San Francisco, 2014: el poeta de las corbatas brillantes, the poet of the glittering ties, and the first Latino appointed as the city’s Poet Laureate, Alejandro Murguía. As part of its San Francisco Poet Laureate series, City Lights has just published Stray Poems, a collection of bilingual poems written on napkins, matchboxes, parking tickets and wrinkled pieces of paper over the past 12 years. He’ll celebrate its release at a reading next week, appropriately enough at the very bookstore where Rojas first met the Beats. *

ALEJANDRO MURGUÍA

Feb. 5, 7pm, free

City Lights Bookstore

261 Columbus, SF

www.citylights.com

 

Mumble, mumble, murder

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cheryl@sfbg.com

FILM Joe Swanberg’s latest film to play the Roxie, 24 Exposures, isn’t actually his newest. That’d be family drama Happy Christmas, which just premiered at Sundance. Going by festival reviews, Christmas sounds like it’s in the vein of Swanberg’s Drinking Buddies — last year’s Olivia Wilde-starring tiptoe into the mainstream, a departure for the indie writer-director-actor — with a marquee cast that includes Buddies‘ Anna Kendrick and hipster queen Lena Dunham.

24 Exposures is the busy artist’s 15th flick to play the Roxie in a year (the list includes Buddies, 2012’s acclaimed All the Light in the Sky, 2007 breakout Hannah Takes the Stairs, and the only public screening to date of short Privacy Settings). In some ways, 24 Exposures marks another departure, being an “erotic thriller” (scare quotes needed, because it’s highly aware of its genre) — though it also incorporates Swanberg’s affection for relationships that aren’t working out, no matter how much the principals talk about their problems. His interest in horror (see: his participation in 2012 anthology film V/H/S and 2011 cult hit You’re Next, etc.) flavors 24 Exposures‘ plot: Parallel lives collide when photographer Billy (Adam Wingard), who snaps cute, topless women posed in gruesome death scenes, meets depressed cop Michael (Simon Barrett), who happens to be investigating the actual murder of a cute, topless woman.

Yep, this film stars director Wingard and writer Barrett of You’re Next and V/H/S fame. That slurping sound you hear is the mumblecore snake eating its tail, and not for the first time. (Is there anyone in that scene who hasn’t appeared in or worked on a peer’s film? The answer is no.) In 24 Exposures, it’s less of an in-joke than expected, since Billy and Michael don’t achieve BFF mode until the film’s coda. The relationships that form the core of the film are between Billy and the various women in his life, including girlfriend Alex (Caroline White), who is totes cool with his artistic pursuits as long as she’s included in the process, and any three-ways that occur after the shoots. Inevitably, there’s tension when she returns from a weekend away and realizes Billy’s been “taking smutty pictures when I’m not here.”

Billy is a sleaze, but otherwise he’s basically a harmless dude in a cardigan. If 24 Exposures had been made in early 1980s Europe, the film would pump out more bloody bodies for Michael to find; there’d be way more POV creeping and probably a chase involving an unseen killer wearing black leather gloves. Despite a sleek credit sequence illustrated with pulpy artwork, this is no lo-fi giallo. A better reference point is one from the script itself: Silk Stalkings, that 1990s epitome of basic-cable sexy thrillerdom. That it’s brought up jokingly (as in, “Do you feel like a character in Silk Stalkings right now?”) only enforces 24 Exposures‘ aspirations toward meta-ness.

The self-consciousness doesn’t end there. The film’s synthy score, which swells knowingly during suspenseful moments, is another obviously obvious choice. But if you’re expecting 24 Exposures to descend into full-on camp, you’ll come away disappointed. Lurid is perhaps a better descriptor, since 24 Exposures is bulging with “boobies” — a word Billy uses moments after explaining to a skeptical model that he practices “dress-up mixed with fine art.” Earlier, he’s described his work as “personal fetish photos,” clarifying that they’re “classy.” (Truly, they’re not.) We never see the results displayed anywhere, yet this is apparently his profession, not a private hobby, since the photo shoots involve makeup artists and assistants.

Clearly, 24 Exposures is poking fun at the erotic-thriller genre, and itself by extension. Any haters who cry “misogyny!” — because Swanberg’s camera ogles just as much as Billy’s does — are answered in a scene that’s been planned with them in mind. Photographing death is “way more interesting than taking a picture of a fuckin’ tree in your front yard,” Billy tells Michael, who counters by asking, “Why is it always dead women? Why not a dead old guy?” It’s not about that, Billy insists. “It’s ridiculous for me to try and explain this, because it’s not something that I even think about. You can’t say, ‘Why am I doing this?’ You just have to say, ‘OK, I’m attracted to this, and that’s what I’m gonna do.'”

That’s vague, and — again — Billy is a sleaze, but Swanberg’s careful to make his underlying point visually. When Michael asks Billy, “Have you ever seen a real dead body?”, it foreshadows the film’s second cute-girl murder. A distinction is made when a character we’ve come to sympathize with is brutally killed, and hers is the only crime scene that doesn’t invite us to leer at the victim.

The film’s last act cuts some months ahead; we see aspiring memoirist Michael receiving feedback from a book agent (played by Swanberg), who advises him to rewrite his manuscript. There are too many loose ends, he says, and not enough strong connections between the cop and the photographer. Oh, and the ending needs work, too. 24 Exposures, you’re talking to yourself — and you know it, and we know it, and you know we know you know.

Up next for the prolific, probably sleep-deprived Swanberg, who’s likely also got a dozen or so new movies in the pipeline: helming an episode of the San Francisco-set HBO series Looking. Wonder if there’ll be a scene set at the Roxie? *

 

24 EXPOSURES opens Fri/31 at the Roxie.

 

META WORLD PIECES: CATCHING UP WITH 24 EXPOSURES DIRECTOR JOE SWANBERG

 

SF Bay Guardian How’s Sundance?

Joe Swanberg It’s been amazing. [Happy Christmas] is a pretty small, personal movie, so it’s nice that people seem to be liking it.

 

SFBG When will it be coming out theatrically?

JS We’re probably gonna follow the Drinking Buddies (2013) release pattern of doing VOD and theatrical sometime around July, and then having it come out on DVD around Thanksgiving.

 

SFBG You’ve had 15 movies screen at the Roxie Theater in the past year, which is a pretty astonishing number.

JS They did a retrospective, which was incredible. Not only was it a great chance to hang out in San Francisco for a week, but it was amazing for me to look back at a lot of movies that I hadn’t seen in a long time. It’s also crazy to think that there’s that much stuff. I sort of forget that I’ve made that many movies.

 

SFBG Do you not consider yourself prolific?

JS Because I don’t write, I can very quickly jump from one project right into the next. The first six years I was making movies, I was making around one a year, because I had a day job and that was all the time I could spend on it. As soon as I was able to support myself as a filmmaker, I really was making a lot of them [laughs] — there was one year where I made six, which was really too many by anyone’s standards. It made the following year really strange, trying to actually get all of those out into the world. And also, while they’ve all had some form of distribution, there’s really only four or five of my movies that people have heard of. There’s all of these others that only the hardcore cinephiles have checked out.

 

SFBG When you say you don’t write, do you mean because your films are improvised?

JS Yeah, exactly. I do write, but it’s just an outlining process. I’m working so collaboratively with the actors that it’s not the sort of difficult screenplay process that a lot of filmmakers go through.

 

SFBG With this long filmography, is it weird for you to be suddenly known as “the director of Drinking Buddies”?

JS It’s totally fine. I tend to like the newest film the best, just because it’s the closest to where my head is at. Drinking Buddies would be the one that I would recommend to people, and talk about as well. And probably Happy Christmas will very quickly become the next center of conversations. I haven’t watched a lot of those early ones in a long time, so I don’t even know if I would like them anymore [laughs]. Hopefully, they’re all leading toward something. Getting better. Let me put it this way: It’s great that people are talking about Drinking Buddies and not some movie I made six years ago.

 

SFBG You mentioned that Happy Christmas is a personal movie, and obviously Drinking Buddies ties into your much-documented love of beer. So what inspired 24 Exposures?

JS I had been acting in genre movies a lot, especially with Adam Wingard and Simon Barrett. I was really interested in what motivated them to make those kinds of movies instead of romantic comedies or something [laughs]. Also, I think a lot of what 24 Exposures is about is the responsibility and ownership of that stuff. I wanted to investigate where the women fit in. Are they passive models who are being exploited, or are they willing participants? Are they co-authors of the art? Is it a little bit of all of those things? It’s something that I’ve made other movies about, too. I’m genuinely interested in the collaborative process. Who ends up taking the credit, and who ends up feeling taken advantage of?  

SFBG The film is very meta.  

JS Definitely. I was reading Richard Brody’s book on Jean-Luc Godard at the time, so meta was very much on my mind. I was interested in the way that Godard played around with genre movies, but very atypical genre movies. They were always much more like Godard movies than they were genre movies. It was fun to sort of dabble in that space. The other thing that was exciting to me was how my generation’s sexuality was informed by late-night Cinemax and very cheesy, soft-focus, heavy-music kind of stuff. (I’m 32.) When all of us were in junior high, that was the most erotic thing we had access to. That aesthetic is such a joke now. It’s so dated. So I wanted to investigate that as well.  

SFBG Do you worry that someone will come across the film and not pick up on that subtext?

JS This is an interesting one for that question. Pretty much all of my movies have existed very squarely in the art-house audience, so I haven’t really thought much beyond that sort of space. But that’s changing these days, especially with Drinking Buddies, and, I’m assuming, with Happy Christmas too. So maybe 24 Exposures will be seen by considerably more people than some of those earlier ones. But I feel like the movie’s sort of subverting the genre at every turn. It never fully gains momentum as a pure exploitation thriller. Every five minutes it reminds you that you’re watching a movie, and puts in some sort of criticism or other unsexy thought into your head.  

SFBG Totally changing gears, but I noticed you directed an episode of HBO’s Looking, which all anyone here can talk about right now.  

JS Yeah! It was one of the most fun things I’ve done as a filmmaker. I really like the show, too, so I’m just happy to have had some little piece of involvement. I live in Chicago, so I have hometown pride, but San Francisco is without a doubt the most beautiful city in America. I spent three weeks trying to find a bad view, and I couldn’t. *

SFUSD backs supervisors’ sugary beverage tax, with concerns

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A San Francisco ballot initiative to levy a tax on sugary beverages got a boost last night as the San Francisco Unified School District Board of Education voted 5-2 to endorse it.

“The school district has done amazing work around nutrition for kids,” said Supervisor Scott Wiener, one of the initiative’s authors, shortly after the meeting. “This is a big win.” 

The initiative is proposed by Supervisors Mar, Wiener, Cohen and Avalos, and is estimated to generate up to $31 million annually, according to data from the supervisors, but its main aim is to curb the consumption of beverages they believe contributes to obesity in San Franciscans. The supervisors will be introducing a final, unified measure at the Board of Supervisors in the coming weeks, they said. 

Advocates at the meeting said sugary drinks contribute to a crisis in children’s health. “Our community suffers some of the highest rates of diabetes and hospitalizations from diabetes,” said Roberto Vargas, a Bayview resident and Mission high graduate of 1989. “I ask you to support these policies for San Francisco’s children, and San Francisco’s families.”

The resolution to support the tax initiative passed, but not easily. The ensuing argument may even have given a peek inside the mayor’s insecurities around the upcoming November ballot.

Commissioner Hydra Mendoza McDonald, who works in the Mayor’s Office as his education advisor, thought backing the “soda tax” could put a ballot initiative regarding SFUSD funding in jeopardy. 

“I don’t have a political or personal agenda, but I think we’d be remiss if we didn’t think this would be a political fight,” Mendoza McDonald said. “I have a tremendous amount of respect for Supervisor Wiener… but I have to say my priority right now is the public education enrichment fund, and that’s it.”

She’s referring to the city’s supplemental funding to the school district, PEEF, which the SFUSD depends on to pay for over 50 librarians, 200 PE coaches and more. That fund is about to sunset in 2015 — meaning no more money for the SFUSD from the city. In the 2013-2014 fiscal year, the city is set to provide the SFUSD over $50 million.

A ballot initiative is slated for November that would renew the PEEF funding agreement. That’s a lot of money at stake. 

Mendoza McDonald expressed fear that support of the soda tax would put the SFUSD in the crosshairs of Wiener and Mar’s deep-pocketed opponents, the beverage industry. 

“It makes me nervous,” she said. “It’s in everyone’s mind a slam dunk to pass the (PEEF funding initiative)…People have voted time and time again for children’s issues. But in every single measure, we’ve cleared the field and made sure we haven’t had any opposition, and that’s what makes us successful. I’m worried if the people who have historically supported us would do so again knowing there’s a bigger pot of money going against us.”

This 13 minute audio recording features some of the main arguments made against backing the sugary beverages tax initative. 

The board then asked Wiener to respond.

“If I could be blunt, the arguments that I’m hearing from people not comfortable supporting this are going to be the same in June as they are today,” Wiener said. “The idea that this would generate a campaign against the Children’s Fund and PEEF, has no basis, with respect. This is about the sugary beverage industry.”

“In San Francisco we don’t shy away from big business trying to threaten us,” he added.

Ultimately the board voted to back the sugary beverage tax initiative. Its reasons were many. Some commissioners described the early onset of puberty children are facing due to the effects of sugary drinks, others brought up the growing rates of obesity in children. 

They all echoed the sentiment that the benefits of supporting the resolution outweighed the risks. Commissioner Rachel Norton probably echoed their myriad positions most succinctly. 

“I have no idea whether this legislation will ultimately pass at the ballot box, but I think what’s important is that we support this resolution,” she said. “This is the right thing to do, and be fearless about.”

This Week’s Picks: January 15 – 21, 2014

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Word spears to pierce the stoniest of hearts

THURSDAY 1/16

 

“Ravishing, Radical, and Restored: The Films of Jack Smith”

Legendary underground filmmaker Jack Smith gets the Technicolor-red carpet treatment in this series co-presented with the San Francisco Cinematheque, which screens sparkling 16mm restorations of his films, plus two Smith-centric documentaries. First up is his best-known work, Flaming Creatures (1962-63), a film so “obscene” and “orgiastic” it was, of course, banned upon release. Upcoming programs include Jack Smith and the Destruction of Atlantis (2006), Mary Jordan’s excellent doc, and unfinished extravaganza Normal Love (1963-65), which just may convert you to the church of Maria Montez — Smith icon and star of 1944’s lavishly camp Cobra Woman. (Cheryl Eddy)

Through Jan. 30

Flaming Creatures tonight, 7:30pm, $8-$10

Yerba Buena Center for the Arts

701 Mission, SF

www.ybca.org

 

 

Reflecting China in a California Vision

Tired of hearing the same old techno-dystopian nay-saying about San Francisco’s growth? Get thee to our dear city’s urban planning think tank, SPUR, for some solutions-oriented and original thoughts about how we might skim some brilliant urbanization ideas for another booming place — China. For anyone who’s keeping score on high-speed rails: China, more than 6,000 miles of active tracks; California, zero, but maybe 520 miles in 2029 if we’re lucky? With our state’s population projected to grow about 30 percent by 2050, it’s time we start taking notes. (Rebecca Huval)

6pm, $10 for non-members/free for members

SPUR Urban Center

654 Mission, SF

www.spur.org

 

 

Fresh and Freaky Fiction

George Saunders sits on a make-believe throne as the king of the short story of our time. His writing often takes us into a futuristic, dystopian Midwestern America, where completely average and unusual events converge in dry, hilarious, and sometimes disturbing ways. Karen Russell dances ahead of the Pied Piper to the lyrical composition of her own prose, which flows and sings and rushes like water. Her writing lures readers into her wild imagination, be it the marshes of the deep South or the thorny forest behind Madame Bovary’s backyard. Together, these authors create dynamite, discussing their out-of-bounds genres, surreal realities, and literary inspirations. (Kaylen Baker)

7pm, $25-45

JCCSF Kanbar Hall

3200 California, SF

www.jccsf.org

 

FRIDAY 1/17

 

 

YBCA presents Wayne McGregor

I can’t think of a choreographer, besides Mark Morris, who so easily moves between Ballet — SFB will reprise his Borderlands on Feb. 18 which is influenced by Josef Albers’ color studies—and Modern Dance—he has his own Random Dance Company—as Wayne McGregor. His work is conceptually so far out that your brain begins to vibrate; his dancers are out of this world and yet so very human. It’s a fascinating approach to what the human body—the complete dancer—can do. For its second SF appearance, Random will present the West Coast premiere of Far, based on McGregor’s reading of a historical analysis of the Enlightenment. No need to get out your history books, just stay tuned. (Rita Felciano)

Jan.17/18, 7:30pm, $30-60

Jan. 19, 2pm

Lam Research Theater, YBCA

700 Howard, SF

www.sfperformances.org

 

 

Bad News

Replicant Presents’ electronic and experimental noise reaches into Oakland again with a dose of “weird core,” industrial and straight-up sounds out of a horror-film soundtrack. BR-OOKS will have the home-court advantage and push the boundaries of any genre, then the more palpable Names will bring a dancier, more rhythmic approach, while maintaining roots in the realm of noise. But the true industrial strength will be heard when Bad News takes over. This commanding SF/LA guitar and synth duo, composed of Sarah Bernat and Alex Lukas, should whip you into shape with sounds of precision and perfection. But before they totally slay you, you’ll reflect on any angst past or present and why it feels so right. Look for their new material in 2014! (Andre Torrez)

With Names and BR-OOKS

9pm, $7

The Night Light

311 Broadway, Oakland

www.thenightlightoakland.com

 

 

Big Trouble in Little China

Once upon a time, a big-mouthed big-rig driver named Jack Burton (Kurt Russell) barreled into San Francisco’s Chinatown on the Pork Chop Express — and blundered into a strange world controlled by Lo Pan (James Hong): crusty old businessman by day, evil magician by night. And thus begins Big Trouble in Little China, John Carpenter’s wacky, Western-comedy-martial arts extravaganza, which was way too high-concept (or just too insane) for audiences in 1986 but achieved immortality thanks to the wonders of home video and late-night cable. Fittingly, it has a three-night stand in the Clay’s midnight series, so you’ll have plenty of time to prep your favorite quotes. “The check is in the mail!” (Eddy)

Through Sun/19, midnight, $10

Clay Theatre

2261 Fillmore, SF

www.landmarktheatres.com

 

SATURDAY 1/18

 

 

Edwardian Ball

Legendary illustrator Edward Gorey created a delightfully ominous world full of creepy curiosities out of pen and ink, inspiring and entertaining generations of fans. Celebrating and honoring his work, the 14th Annual Edwardian Ball & World’s Faire offers revelers the chance to travel back in time. Partygoers dress in fantastic Edwardian period fashion, gothic attire, and steam punk costumes that look like they could have stepped from the pages of Gorey’s books. Expect a wide variety of live entertainment, including music, dancing, games, circus performances, and even a stage show re-creation of one of his stories at this truly one-of-a-kind event. (Sean McCourt)

8pm, $40-$95

The Regency Ballroom

1300 Van Ness, SF

www.theregencyballroom.com

www.edwardianball.com

 

 

An Evening with Big Tree, Idea the Artist, and The Parmesans

They may hail from Brooklyn, but Big Tree members have taken root in the Bay Area if the latest single off of their EP My, How You’ve Grown is anything to go by. With the song recorded at Tiny Telephone and the music video shot and edited by local media group Three Thirds Visual, “Like a Fool” is the product of an inspiring setting, as well as the inspiring emotion of frustration. The band is releasing the track for the low price of free, and what better way to say thank you than to join them for a night of some of the best indie music the Bay Area has to offer? With Idea the Artist’s tremulous, heartfelt melodies, and The Parmesans’ harmonious, bluesy folk on strings, listeners are in for an evening of moving tunes. (Kirstie Haruta)

8pm, $7-10

Brick & Mortar Music Hall

1710 Mission, SF

www.brickandmortarmusic.com

 

SUNDAY 1/19

 

 

“In the Name of Love”

Music played a key role in Dr. Martin Luther King Jr.’s teachings, and today, amid his legacy of nonviolent protest and charismatic speechmaking, songs like “We Shall Overcome” remain an important part of his civil rights message. Appropriately, much joyful noise will ensue at Living Jazz’s 12th annual tribute to the humanitarian. Talents on tonight’s bill: “rebel soul” singer-songwriter Martin Luther McCoy; the acclaimed Marcus Shelby Jazz Orchestra with guest vocalist Faye Carol; the 55-member Oakland Interfaith Gospel Choir; the 300-member Oakland Children’s Community Choir; and the Oaktown Jazz Workshops. (Eddy)

7pm, $8-$23

Oakland Scottish Rite Center

1547 Lakeside, Oakl.

www.mlktribute.com

 

 

Queer/Trans* Night

Celebrate being queer in the New Year with Gilman’s first Queer/Trans* Night of 2014, when MC Per Sia hosts a night of hard-hitting punk from some of the coolest queers in Bay Area music. The show features masked trio Moira Scar, San Cha, DADDIE$ PLA$TIC, Oakland punks Didisdead, post-punk duo Bestfriend Grrlfriend, and Alice Cunt all the way from LA. Show goers can also look forward to DJ Johnny Rose and a video booth by Lovewarz. This is a safe and sober show, so leave the booze and drugs at home, as well as any racism, misogyny, transphobia, or homophobia. (Kirstie Haruta)

5pm, $5 + $2 membership

924 Gilman St.

924 Gilman, Berkeley

www.924gilman.org

 

 

MONDAY 1/20

 

 

Winter Fancy Food Show

Three Twins sea salt caramel ice cream. Fava Life hummus. Bacon Hot Sauce. Camembert from Caseificio Dell’Alta Langa. Moon Dance biscotti. Amella caramels. Drooling yet? We’ve only just begun — these food items represent just a handful of the 13,000 producers coming from all over the globe to display their edible wares at the 39th annual Winter Fancy Food Show. This year, 360 food artisans represent California, showing off everything from luscious micro-greens to rainbow-colored, homemade kombucha. Whether you’re a home cook or a Michelin-starred-restaurant buyer, this market is great for stocking up on strange, rare, and quality food items, discovering in-state artisans, and creating new ideas for your next cooking adventure. (Kaylen Baker)

10am-5pm Sun-Mon, 10am-4pm Tues, free entrance

Moscone Center 747 Howard, SF www.specialtyfood.com Bringing the Noise for Dr. Martin Luther King Jr. If you want to feel the power of King’s legacy on MLK Day, look no further than the fierce spoken word from literary organization Youth Speaks. These teens spin rhymes that will make you bristle at the sorry state of the world and might even inspire you to start a protest. They’ll also have you wanting to smack your younger self around for playing video games instead of forging word spears sharp enough to pierce the stoniest of hearts. See the future of activism for yourself at this annual celebration. (Rebecca Huval) 7-9pm, $5 youth/$10 adults Nourse Theater 275 Hayes, SF www.youthspeaks.org TUESDAY 1/21 Armistead Maupin “Mary Ann Singleton was twenty-five years old when she saw San Francisco for the first time.” So begins the famed Tales of the City series by Armistead Maupin, originally a serialized fiction project for The San Francisco Chronicle, depicting the impressions and day-to-day discoveries of a fresh young newcomer to San Francisco in the ’70s. Amassing fans through its humor, quick chapters (the perfect Muni bus-stop read), and on-point depictions of diverse, vibrant characters in three decades and eight novels, Maupin has finally drawn the story to a close, in the recently published The Days of Anna Madrigal. Find out how 92-year-old transgender landlady Anna Madrigal has been keeping busy by coming down to Book Passage, and get a copy signed by Maupin himself. (Kaylen Baker) 12:30pm, free Book Passage 1 Ferry Building, SF www.bookpassage.com

Events: January 15 – 21, 2014

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WEDNESDAY 15

“Lyrics and Dirges: A Monthly Reading Series” Pegasus Books Downtown, 2349 Shattuck, Berk; www.pegasusbookstore.com. 7:30pm, free. With authors Brian Ang, Carmella Fleming, Judy Juanita, Hugh Behm Steinberg, and Harold Terezón.

Peace Corps recruiting event San Francisco Public Library, Mary Louise Strong Conference Room, 100 Larkin, SF; www.peacecorps.gov. 6-7:30pm, free. Learn about opportunities from returned Peace Corps volunteer Jazmian Allen.

THURSDAY 16

Sam Wasson Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author discusses Fosse, his biography of the legendary and influential choreographer.

Michael Shorb poetry reading Books Inc., 3515 California, SF; www.booksinc.net. 7pm, free. Toast the late, award-winning poet with a reading from his collection Whale Walker’s Morning.

FRIDAY 17

“An Afternoon in Conversation with David Broza” Osher Marin JCC, 200 N. San Pedro, San Rafael; www.marinjcc.org. 3:30-5pm, free (pre-register at marinjcc.org/broza). Israeli superstar and activist David Broza sings, signs CDs, and discusses his life and career.

“Literary Foolery Finale Show” Booksmith, 1644 Haight, SF; www.booksmith.com. 8pm, $10. Literary Clown Foolery closes out its series at Booksmith with a performance and interview with the store’s owner, Christin Evans.

“Sea Lion 24th Anniversary: Opening Day” Pier 39, SF; www.pier39.com. Tours at noon, 1, 2, 3, and 4pm, free. Through Mon/20. Gather at the Sea Lion Statue for a free, 20-minute stroll with Aquarium of the Bay naturalists around sea lion central to celebrate the blubbery beasts’ spontaneous arrival at Pier 39. The tour includes a stop at the aquarium’s brand-new, educational Sea Lion Center.

SATURDAY 18

“BAASICS.4: Watershed” ODC Theater, 3153 17th St, SF; baasics.com/baasics-4-watershed/. 9pm, free/sliding scale (seating is limited, so reserve tickets in advance). A diverse group of artists and scientists — including Megan Prelinger, Derek Hitchcock, and Jay Lund — gather to discuss the Bay Area watershed.

“Good Food Awards Marketplace” Ferry Building, 1 Sausalito, SF; www.goodfoodawards.org. 9am-2pm, $5. This year’s Good Food Award winners — in categories that include charcuterie, cheese, and chocolate — showcase blue-ribbon fare at this special marketplace, with tasty treats available for sampling and purchasing.

SUNDAY 19

“Pedestrian Press: A.D. Winans and John Domini” Emerald Tablet, 80 Fresno, SF; www.emtab.org. 7pm, $5. The Pedestrian Press authors read from their works.

“Zeitgeist Press Release Party for Joie Cook Collections” Readers Café and Bookstore, Bldg C, Rm 165, Fort Mason Center, Marina at Laguna, SF; friendssfpl.org/?Readers_FM. 2-4pm, free. The late poet is celebrated with two new collections, read by local literary luminaries including Jack Hirschman, Julia Vinograd, Q.R. Hand, Kathleen Wood, and others.

MONDAY 20

Free square dance lessons St. Paul’s Church Hall, 1399 43rd Ave, SF; www.sfsquaredancing.com. 7-9:30pm, free. Also Jan 27. Caper Cutters, the oldest square dancing club in SF, hosts two free introductory classes for aspiring do-si-do-ers. Wear soft-soled shoes.

“Martin Luther King, Jr. Celebration” Piedmont Community Center, 711 Highland, Piedmont; piedmontdiversity.wordpress.com/about/. 1-4pm, free. The Piedmont Appreciating Diversity Committee hosts the city’s annual MLK Day celebration, with speakers and performances from Piedmont Choirs’ Ensemble Choir, Oakland School for the Art’s One Voice Choir, and others.

“MLK Day with Uhuru Furniture” World Ground Café, 3726 Macarthur, Oakl; uhurufurniture.blogspot.com. 10am-3pm, free. Uhuru Furniture and the African People’s Education and Defense Fund present a one-hour program of historical clips of Martin Luther King, Jr. and the civil rights movement. Volunteers (email apedf.volunteer@yahoo.com) are needed for a community outreach service project that follows. *

 

Article overlooks key findings and new academic research

43

By Corey Cook

I am writing in regard to Reed Nelson’s story “’Poll’ showing 73 percent approval for Mayor Lee was flawed.” As one of the two authors of the survey, I am deeply disappointed in the many insinuations in the article and the author’s cavalier abandonment of evidence or reason in order to make his politically expedient, but otherwise inane, point.

In fact, the author is so quick to dismiss the findings of the study, which is based upon accepted methodology, and which had nothing to do with mayoral approval scores, that he actually misses the entire thrust of the study – that voters in San Francisco are deeply ambivalent about the current environment, concerned about the affordability crisis, and not trusting of local government to come up with a solution.

You’d think the Bay Guardian might find that an interesting subject. Under a previous editor I have little doubt it would have. Instead, the author mind numbingly asserts that the mayor’s approval rate – a largely irrelevant number – is clearly overinflated and the survey must then be “bogus” (meaning fake or phony). While other scholars might find the popular characterization of their work as “fake” somewhat amusing. I do not.

The author relies on two main sources to claim that an on-line panel survey is “bogus”, the New York Times “style guide” and the “website publication” of Southeast Missouri State University Political Scientist Russell D. Renka, who is neither a survey researcher nor a political methodologist, and who does not seem to have published anything in this field (or even in political science based on his on-line vita), but who does seem to have a fairly robust home page that includes cute photos of his grandkids.

It’s not the kind of “source” that I would utilize to deride another academic’s work as “bogus”, and I could suggest some other (actual) publications to consider, including Harvard political scientist Stephen Ansolabehere’s peer reviewed article in Political Analysis titled “Does Survey Mode Still Matter?” from 2011 that compares national surveys fielded at the same time over the Internet (using an opt-in Internet panel), by telephone with live interviews (using a national RDD sample of landlines and cell phones), and by mail (using a national sample of residential addresses).

The authors of that study conclude that “comparing the findings from the modes to each other and the validated benchmarks, we demonstrate that a carefully executed opt-in Internet panel produces estimates that are as accurate as a telephone survey and that the two modes differ little in their estimates of other political indicators and their correlates.” But unfortunately that peer reviewed publication by a Harvard political scientist seems to contradict the simple assertion that a survey result the author doesn’t like must be phony.

Let me say that I don’t considered this issue “settled” in the scholarly community, but it is far from the case that serious on-line panel surveys ought to be derided as “bogus.” My preference would be to do a 1,200 person phone survey. If the Bay Guardian would like to commission such a survey, I would enjoy working with you on that project. But given the various cost limitations that preclude such a robust research design, this is not an altogether bad alternative.

That said, feel free to poke at the methodology and suggest that the numbers for Lee might not reflect that of the overall population because of the timing of the survey or because it was only conducted in English (though I’d disagree with you there – that likely holds down his numbers), or frankly just that surveys do often get it wrong. Even the best random sample is outside the margin of error one time out of 20 according to basic probability theory.

But the other thing I’d like to draw your attention to is that you’ve missed the entire point of the survey. Why do you focus on mayoral approval when it’s a survey about attitudes towards affordability and tech? In fact the article notes that “(i)nterestingly, the USF “poll” also found that 86 percent of respondants (sic) said that lack of affordability was a major issue in the city, while 49.6 percent of that same group considered housing developers to be most at fault for the astronomical real estate prices.” So apparently that part of the survey wasn’t bogus.

Here were our four findings:

* San Franciscans are of two minds: a clear majority of respondents say the city is going in the right direction, yet affordability is seen as a significant, and newly exacerbated problem.

* Most respondents see the tech boom as most strongly helping tech executives and workers. Though there is little sense that respondents and their families benefit from the tech boom, a clear majority say that tech is also good for other white collar workers and the city overall.

* The public strongly supports the idea that the city government ought to enact policies to preserve affordability but were skeptical of public officials’ ability to deal with these issues.

* Despite these concerns, there was little interest in making it harder for tech companies to come to San Francisco. For now, keeping the economy strong appears to be the priority, and we expect that feelings about the economy will likely stave off a substantial political “backlash” at least at the present time.

While Ed Lee has high approval scores, they are tepid – much more “good” than “excellent”. And those numbers erode on affordability, what the voters regard as the city’s most important issue. And we found that people don’t articulate a high degree of trust in mayor in dealing with affordability. Yes, they trust him more than they do others (like developers, or the Board of Supervisors), but not much. This survey help me understand what happened on the 8 Washington vote. Voters like the mayor, as they do Newsom incidentally, but don’t buy their argument that the development would address housing affordability. His popularity didn’t have coattails on this issue.

It strikes me as a real missed opportunity for your journalists to trash the poll, based on really flimsy grounds, rather than address it’s important, and yes, ambivalent findings.

Sincerely,

 

Corey Cook, Ph.D.

“Poll” showing 73 percent approval for Mayor Lee was flawed

78

There was a poll conducted in late November by the University of San Francisco, the results of which were released in conjunction with the San Francisco Chronicle, claiming that 73 percent of San Franciscans approve of Mayor Ed Lee’s performance.

It didn’t take long for Lee’s supporters to begin touting the figure as fact; soon after the poll appeared on SFGate.com on Dec. 9, the results wallpapered the comment section of the Guardian’s website as the answer to any criticism of Mayor Lee, his policies, or the city’s eviction and gentrification crises. 

After all, it was a big number that seems to suggest widespread support. But closer analysis shows this “online poll” wasn’t really a credible poll, and that number is almost certainly way over-inflated. [Editor’s update 1/13: The authors of this survey contest the conclusions of this article, and we have changed the word “bogus” in the original headline to “flawed.” The issue of the reliability of opt-in online surveys is an evolving one, so while we stand by our conclusions in this article that the 73 percent approval figure is misleading and difficult to support, we urge you to read Professor Corey Cook’s response here and our discussion of this issue in this week’s Guardian.]

The problems with the USF “poll” are numerous, but the most glaring of those issues has to do with its lack of random selection. According to the New York Times Style Guide, a poll holds value in what’s called a “probability sample,” or the notion that it represents the beliefs of the larger citizenry.

The USF poll registered responses from 553 San Franciscans. That number itself isn’t the issue, or it wouldn’t be if those 553 individuals were procured through a random process. But they weren’t, and it wasn’t even close.

The survey participants were obtained via an “opt-in” list that, according to David Latterman — a USF professor, co-conductor of the poll, and downtown-friendly political consultant — meaning that anyone who participated in this particular poll had previously stated they were willing to participate in a poll. This phenomenon is known as self-selecting.

“We work with a rather large national firm and they have a whole series of opt-in panels,” Latterman told the Guardian. “So they’ve got lists of thousands of people who have basically said, ‘Yes, we’ll take a poll.’ And the blasts go out to these groups of people.”

That means that even prior to conducting the poll, results had already been tailored toward a certain set of citizens and away from anything that could be classified as “random.” And even the Chronicle acknowledged in the small type that “Poll respondents were more likely to be homeowners,” further narrowing the field down to one-third of city residents, and generally its most affuent third.

Even if pollsters could match the demographics of the polled with the “true demographics” as Latterman called them, it still wouldn’t address the issue of self-selection. But that’s not all: The list of “opt-in” participants, which was acquired through a third party vendor, according to Latterman, only contained English-speaking registered voters. And anyone contacted was contacted via email, another red flag in the world of accurate of polling data.

Interestingly, the USF “poll” also found that 86 percent of respondants said that lack of affordability was a major issue in the city, while 49.6 percent of that same group considered housing developers to be most at fault for the astronomical real estate prices. So, to recap: This poll, touted by many people as gospel in the comment section of this site, found that while the City is totally unaffordable, the man in charge of the City is barely culpable for that situation, and he remains incredibly popular.

According to the NYT Style Guide, “Any survey that relies on the ability and/or availability of respondents to access the Web and choose whether to participate is not representative and therefore not reliable.” 

Uh oh. 

Russell D. Renka, professor of Political Science at Southeast Missouri State, conveyed far stronger feelings on the matter in his paper “The Good, the Bad, and the Ugly of Public Opinion Polling,” saying that a self-selected sample “trashes the principle of random selection… A proper medical experiment never permits someone to choose whether to receive a medication rather than the placebo.”

Strike two.

He then writes, “Any self-selected sample is basically worthless as a source of information about the population beyond itself.”

Strike three.

So then why were such frowned-upon methods used in this poll?

Latterman attributes the tactics to many things, but mostly to the rapidly changing technological landscape of San Francisco, coupled with the high costs of alternative methods and a large renters market. 

“San Francisco is a more difficult model,” Latterman said. “So Internet polling has to get better, because phone polling has gotten really expensive.”

But even if Internet polling needs to improve, it is still important to prominently note that in original source material, lest you give folks the wrong ideas. Or even just misinformed ones. Unless what you’re trying to present is less about polling that trying to sell San Franciscans on the idea that Mayor Lee enjoys widespread support.

 

 

 

 

Local heroes

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joe@sfbg.com

LIT Comics have grown a lot since their humble early days, when superheroes seemed confused as to whether their underwear belonged on the inside or the outside of their tights. Now anti-heroes and tales of personal tragedy guide the ink on the page as often as not, and Berkeley-based publisher Image Comics leads the pack in pushing comic stories to wonderfully dark places.

This year’s Image Expo is an opportunity to rub noses with comic authors whose work is still cool, dammit, even if their work is crossing into the mainstream. We’ll forgive Walking Dead creator Robert Kirkman for letting his comics get turned into a TV show and videogames, if only because they expand the captivatingly complicated, zombie-infested universe he first created on paper.

Image publisher Eric Stephenson attributes the company’s success to its creator-owned model, which might explain why the Telltale-made Walking Dead video games are so good — Kirkman owns the rights to his Walking Dead, allowing all the creative control that entails. Though Kirkman may be one of the shiniest stars at the expo (he gets his own panel, by his lonesome!), he’ll be one of over a dozen comic creators to nerd out over.

Heavy-hitters like Jonathan Hickman (East of West and The Nightly News), Matt Fraction (Sex Criminals and Satellite Sam), Nick Dragotta (East of West), and Kelly Sue DeConnick (Pretty Deadly) will all be on hand. East of West in particular has garnered critical acclaim, and made the New York Times best seller list in October. It has much to love, but the setting is as interesting as any of its characters. It’s an alternate reality-history-dystopian future yarn pitting the Four Horsemen of the Apocalypse against the president of the United States. What’s not to love?

The expo also offers a good opportunity to meet newer artists too, if only to say you knew them before they were a big deal. Ales Kot is one of those up and comers, and his series Zero is an espionage and war story in the near future with disturbing echoes of the present — from Manning’s leaks to our near constant state of war. It’s frank about its brutality, neither glorifying nor hiding it away.

Locals are making their mark with Image as well. Bay Area author Antony Johnston and artist Justin Greenwood’s Fuse concept is “what if a detective story was set on Battlestar Galactica?” (Thanks Johnston, you’ve got me frakkin’ excited now.) It won’t be out until February, but a preview of the comic had my sci-fi loving self drooling over a Babylon 5-like cylindrical space station — but the story is almost Sherlock-like, a genuine whodunit.

With WonderCon’s recent move to SoCal, Image Expo’s Bay Area foothold is more vital than ever. But though it will no doubt yield a handful of cosplayers and swag-hunting fans, Image’s event — now in its second year in its current format — tends to be a lot cozier than WonderCon (or the mightiest behemoth of them all, Comic-Con). With just 600 attendees in 2013, compared to Comic-Con’s 100,000-plus, the comic creators were able to chat with readers at length.

Image’s Stephenson will be my main reason for bum-rushing the expo. Taking time away from his duties as publisher, he penned the recently anthologized Nowhere Men, which rocked, hard. The story of a Beatles-like group of scientists (because science is the new rock ‘n’ roll), it tells a tale similar enough to Frankenstein’s monster — but watching the characters justify their choices is fascinating. Sure, they end up ruining the lives of their test subjects and turning them into twisted super powered monsters, but they meant well, right?

The series will continue through the year, but it can’t come soon enough. (Maybe new Nowhere Men developments will be revealed at the expo?) Though there are only a dozen comic-creator attendees listed on the event’s website, an email from Stephenson hinted that unannounced surprise guests would bring the count of artists and authors to over 20. The slated panels center around the comic artists, the “eccentric” lives of comic authors, and an “interrogation” whose purpose is to deduce where comic creators get their inspiration.

“We have a very ambitious year ahead of us in 2014, and I think some of what we reveal at Image Expo is going to surprise a lot of people,” Stephenson said. *

IMAGE EXPO 2014

Thu/9, 9am, $20-$50

Yerba Buena Center for the Arts

701 Mission, SF

imagecomics.com/expo

Rise of the machines

3

joe@sfbg.com

CAREERS AND ED As digital gizmos invade our pockets and our lives, the fear of machines replacing human work is as pervasive as ever. But of course that fear isn’t unique to the computer age.

As far back as the 1800s folk legend John Henry competed against a great railroad-building machine, hammering holes for railroad tracks in dirt and rock with the power of his arms.

In that tall tale of flesh versus steel, man won against automaton, and time marched on. The industrial revolution’s tech advances put farmers out of jobs, industrial robots put American factory workers out of jobs, calculators put abacuses out of jobs. So what’s new this time around?

Apparently, it’s a matter of speed.

MIT professors Andrew McAfee and Erik Brynjolfsson, authors of Race Against The Machine: How the Digital Revolution is Accelerating Innovation, Driving Productivity, and Irreversibly Transforming Employment and the Economy (Digital Frontier Press) say our modern robots are becoming so advanced, so quickly, that we can’t retrain our workers fast enough to keep up.

“Now the pace is accelerating, it’s faster than ever before in history, as a consequence we’re not creating jobs at the pace we need to,” Brynjolfsson told 60 Minutes anchor Steve Kroft in a segment on robots in November.

The nation’s unemployment rate was 7 percent last November, the most recent number available from the Bureau of Labor Statistics. That’s not counting the millions of underemployed people in the United States, working low or minimum wage jobs that don’t pay the bills.

Those workers are slowly being replaced by machines, from bank tellers (ATMs) to the Golden Gate Bridge toll takers (“pay-by-plate” systems). San Francisco weathered the job loss well, at least on paper. As Mayor Ed Lee is quick to tout, the city’s unemployment rate was at a low of 5.3 percent in September last year.

Maybe that’s because we’re in the eye of the storm. The Bay Area tech boom is a robotics boom too, and even small startups could innovate, upending entire industries.

San Francisco-based Momentum Machines calls its upcoming burger maker the “next generation” of fast food. They don’t mean Captain Picard serving up beef patties; they do mean burger disruption.

Momentum Machines’ burger machine can do everything a human can do, faster. It makes 360 hamburgers per hour, medium rare, or well done (if you please). It slices tomatoes, doles out pickles, and throws everything on a bun. The company promises this will “democratize” fast food — because everything in tech must be itemized, democratized, and then evangelized.

The company said this will, in the words of its website, “free up” all the hamburger line cooks in the restaurant.

Perhaps more telling is this section of its website, tucked well down at the bottom of its page.

“We want to help the people who may transition to a new job as a result of our technology the best way we know how — education. Our goal is to offer discounted technical training to any former line cook of a restaurant that uses our device,” they wrote.

Momentum Machines declined to be interviewed, citing a busy upcoming project. (Double-cheeseburgers?)

We also reached out to Super Duper Burger, and a spokesperson straight-out laughed at the idea of a robot burger cook. But that doesn’t mean economic forces won’t push the machines to eventually take over.

If thousands of fast food workers were replaced by machines, what would their next jobs be?

If the MIT professors are right, the robot revolution will not be stopped. Like the Terminators, they keep coming, and John Connor won’t save us. But maybe we can find peace and coexist.

That’s what they do at Kink.com.

Deep inside the Mission District brick fortress known as the Armory, over 35 robotic porn stars sit on shelves, waiting. They’re the talent of the website Fucking Machines, started by the Bay Area’s fine purveyors of pornographical pleasure, Kink.com.

John Henry has nothing on a fucking machine named Fuckzilla, a “Johnny 5” (from the movie Short Circuit) look-alike whose arms operate as high-power vibrators. While two women mount his appendages and scream for their lives, a webcam mounted in his face gives viewers an up-close view of the action.

The actresses who use them were not available for interview. But the filmmakers say they go gaga over it.

“The directors ask the girls ‘why do you like machines more?’ They always say it’s because (the machines) don’t get tired,” Sam, a videographer at Kink.com told us.

The machines are powerful too. The Intruder MK II has a fucking speed up to 500 RPM and exerts a torque (twist strength) of 3 foot-pounds. “One of our highest counts was a woman who went through 58 orgasms in a four hour period,” Kink.com videographer Aaron Farmer said.

I asked the pornographers if they lost any porn star employees since gaining the high-stamina bots. Turns out it was a noob question: most talent are freelancers and contractors in the industry, unless they run their own website.

So the machines aren’t displacing any jobs there. But they did create some.

“I was hired for Fucking Machines,” Aaron Farmer, the five-year videographer and sometimes director at Kink.com told us. They even have a machine shop in the armory, which while used for other purposes, also helps maintain the nearly 40 Fucking Machines on site, and even builds new ones.

Somewhere along the way, Kink.com outsmarted us all, riding the wave of tech disruption that one day may affect us all. Let’s hope we’re ready.

 

Event Listings: Jan. 1-6, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 8

"Radar Reading Series" San Francisco Public Library, Main Branch, 100 Larkin, SF; www.radarproductions.org. 6pm, free. With Mica Sigourney, Dax Tran-Caffee, Shanthi Sekaran, and Caitlin Donohue.

THURSDAY 9

"Etsy Night at MCD: Super Hero Emblems" Museum of Craft and Design, 2569 Third St, SF; www.sfmcd.org. 7-9:30pm, $10. Create your own wearable super hero emblem using recycled toy and plastic parts, with the help of Accessorize with Toys founder Emiko Oye. For adults 21 and over.

"Shipwreck: Charlie and the Chocolate Factory Edition" Booksmith, 1644 Haight, SF; www.booksmith.com. 7pm, $10 (includes drinks). "Erotic fan fiction for literary perverts" inspired by Roald Dahl’s classic children’s book — written by local authors and recited by actor Steven Westdahl.

FRIDAY 10

Sid Gershgoren and Zara Raab Nefeli Café, 1854 Euclid, Berk; (510) 841-6374. 7pm, free. The poets read as part of the Last Word Reading Series, followed by an open mic.

Chang-Rae Lee Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author reads from his latest novel, On Such a Full Sea.

"Prom Night: Redux" Women’s Building, 3543 18th St, SF; www.sfindie.com. 8pm, $5-10. Celebrate the launch of SF IndieFest’s Sweet 16th year with a prom-themed party, with tunes by DJ Shindog (New Wave City) and DJ Junkyard (Litterbox). Don’t forget to also check out the Roxie’s related film series, "I Was a Teenage Teenager" (Jan 10-14, more info at www.roxie.com).

SATURDAY 11

"Dr. Stephen Barton on Berkeley Mayor J. Stitt Wilson — Social Crusader and Socialist" Berkeley Public Library, Third Floor Community Meeting Room, 2090 Kittredge, Berk; www.berkeleypubliclibrary.org. 2-3:30pm, free. A discussion of the first Socialist mayor in America, elected in Berkeley in 1911.

"Save Our Station! A Benefit Show" Boom Boom Room, 1601 Fillmore, SF; www.kpoo.com. 1-4pm, $10 (no one turned away for lack of funds). Help keep nonprofit community radio station KPOO 89.5 on the air by attending this benefit show, featuring performances by Victor Little, DJ Lamont, SoulGlo DJ Miss J, and more.

"Writers with Drinks" Make-Out Room, 3225 22nd St, SF; www.writerswithdrinks.com. 7:30-9:30pm, $5-10. Readings by Richard Kadrey, Melissa Pritchard, Cheeming Boey, Scott Poole, and Neelanjana Banerjee.

MONDAY 13

"Dog Night with Kira Stackhouse" Books Inc., 1760 Fourth St, Berk; www.booksinc.net. 7pm, free. Dogs and owners (and friends) are welcomed to this event featuring Bay Area photographer Kira Stackhouse (Project DOG: A Celebration of Dogs). Come early for free pooch portraits (5:30-6:30pm).

Grace Marie Grafton Book Passage, One Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The author reads from Jester: A Book of Poetry.

Judy Wells Himalayan Flavors Restaurant, 1585 University, Berk; www.himalayanberkeley.com. 7pm, free. Poets Judy Wells and Dale Jensen read.

TUESDAY 14

Maria Hummel Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. Launch party for the author’s story collection, Motherland, inspired by tales from her father’s German childhood.

Randy Shaw Books Inc., 601 Van Ness, SF; www.booksinc.net. 7pm, free. The executive director of the Tenderloin Housing Clinic shares his revised and updated Activist’s Handbook: Winning Social Change in the 21st Century. *

Music Listings: December 4-10, 2013

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WEDNESDAY 4
ROCK
Bottom of the Hill: 1233 17th St., San Francisco. Odd Owl, James Leste, Andrew Blair & Graham Patzner, Ghost Parade, 9 p.m., $8.
El Rio: 3158 Mission, San Francisco. Alabaster & The Original Bastards, Devon McClive & Sons, Tall Fires, 8 p.m., $10.
Hemlock Tavern: 1131 Polk, San Francisco. Sea Knight, Moon Honey, Build Them to Break, 8:30 p.m., $6.
Milk Bar: 1840 Haight, San Francisco. Vandella, Lee Gallagher & the Hallelujah, Fritz Montana, 8:30 p.m., $5.
Rickshaw Stop: 155 Fell, San Francisco. Crash Kings, The Struts, King Washington, 8 p.m., $10.
DANCE
The Cafe: 2369 Market, San Francisco. “Sticky Wednesdays,” w/ DJ Mark Andrus, 8 p.m., free.
Cat Club: 1190 Folsom, San Francisco. “Bondage A Go Go,” w/ DJs Damon, Tomas Diablo, & guests, 9:30 p.m., $5-$10.
Club X: 715 Harrison, San Francisco. “Electro Pop Rocks,” 18+ dance night with Terravita, 9 p.m.
The EndUp: 401 Sixth St., San Francisco. “Tainted Techno Trance,” 10 p.m.
F8: 1192 Folsom St., San Francisco. “Housepitality,” 9 p.m., $5-$10.
Harlot: 46 Minna, San Francisco. “Qoöl,” 5 p.m.
Infusion Lounge: 124 Ellis, San Francisco. “Indulgence,” 10 p.m.
Lookout: 3600 16th St., San Francisco. “What?,” w/ resident DJ Tisdale and guests, 7 p.m., free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Rock the Spot,” 9 p.m., free.
MatrixFillmore: 3138 Fillmore, San Francisco. “Reload,” w/ DJ Big Bad Bruce, 10 p.m., free.
Q Bar: 456 Castro, San Francisco. “Booty Call,” w/ Juanita More, Joshua J, guests, 9 p.m., $3.
HIP-HOP
Skylark Bar: 3089 16th St., San Francisco. “Mixtape Wednesday,” w/ resident DJs Strategy, Junot, Herb Digs, & guests, 9 p.m., $5.
ACOUSTIC
Bazaar Cafe: 5927 California, San Francisco. Kapali Long, 7 p.m.
Cafe Divine: 1600 Stockton, San Francisco. Craig Ventresco & Meredith Axelrod, 7 p.m., free.
Cafe Du Nord: 2170 Market, San Francisco. The Gundersen Family Holiday Special featuring Le Wrens, 8 p.m., $10-$12.
The Chapel: 777 Valencia St., San Francisco. Brendan Canning, Holly Miranda, 8 p.m., $15.
Club Deluxe: 1511 Haight, San Francisco. Happy Hour Bluegrass, 6:30 p.m., free.
Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, Every other Wednesday, 9:30 p.m., free/donation.
Hotel Utah: 500 Fourth St., San Francisco. Jamie Kent, Cyndi Harvell, 8 p.m., $10.
Plough & Stars: 116 Clement, San Francisco. Jeanie & Chuck’s Bluegrass Country Jam, First Wednesday of every month, 9 p.m., free.
JAZZ
Amnesia: 853 Valencia, San Francisco. Gaucho, Eric Garland’s Jazz Session, The Amnesiacs, 7 p.m., free.
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.
Revolution Cafe: 3248 22nd St., San Francisco. Michael Parsons Trio, Every other Wednesday, 8:30 p.m., free/donation.
Savanna Jazz Club: 2937 Mission, San Francisco. “Cat’s Corner,” 9 p.m., $10.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Ricardo Scales, Wednesdays, 6:30-11:30 p.m., $5.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. The Wee Trio, 8 p.m., $17-$21.
Zingari: 501 Post, San Francisco. Anne O’Brien, First Wednesday of every month, 7:30 p.m., free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. Timba Dance Party, w/ DJ WaltDigz, 10 p.m., $5.
Boom Boom Room: 1601 Fillmore, San Francisco. Cha-Ching, First Wednesday of every month, 9 p.m., $5.
Cafe Cocomo: 650 Indiana, San Francisco. “Bachatalicious,” w/ DJs Good Sho & Rodney, 7 p.m., $5-$10.
Pachamama Restaurant: 1630 Powell, San Francisco. Aguabella, 8 p.m., $10-$12.
Pier 23 Cafe: Pier 23, San Francisco. David Correa & Cascada, 6 p.m., free.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Chris Cain, 7:30 & 9:30 p.m., $20.
SOUL
Lexington Club: 3464 19th St., San Francisco. “Secret Lovers,” w/ DJs Ponyboy, Lil MC, Katie Duck, and Durt, First Wednesday of every month, 9 p.m., free.

THURSDAY 5
ROCK
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Guy Fox, Bonnie & The Bang Bang, Growwler, Benefit show for Public Arts Workshop., 9 p.m., $7-$10.
The Chapel: 777 Valencia St., San Francisco. Escondido, Young Moon, 8 p.m., $12-$15.
S.F. Eagle: 398 12th St., San Francisco. The Intelligence, Dylan Shearer, 9 p.m.
Hemlock Tavern: 1131 Polk, San Francisco. The New Mummies, Books on Fate, Kristian Rodriguez, 8:30 p.m., $5.
The Independent: 628 Divisadero, San Francisco. The Long Winters, Sean Nelson, 8 p.m., $15.
The Knockout: 3223 Mission, San Francisco. Cash Pony, Surplus 1980, BreakArts, 9 p.m.
Mezzanine: 444 Jessie, San Francisco. “Club NSSN,” w/ Portugal. The Man, Chvrches, NoNoNo, The Colourist, Aaron Axelsen, Miles the DJ, 7:30 p.m., $30.
Milk Bar: 1840 Haight, San Francisco. Li Xi, Little Sister, Momotaro, Mashi Mashi, 8:30 p.m., $5.
Red Devil Lounge: 1695 Polk, San Francisco. Dishwalla, Oceanroyal, 9 p.m., $15-$20.
Rickshaw Stop: 155 Fell, San Francisco. Penguin Prison (DJ set), Double Duchess, The Frail, DJ Nick Williams, 9 p.m., $15.
Thee Parkside: 1600 17th St., San Francisco. Rock Bottom, Chrome Eagle, Sweet Chariot, Cop Out, 9 p.m., $5.
DANCE
1015 Folsom: 1015 Folsom St., San Francisco. “A Light in the Attic,” w/ Kaminanda, Kalya Scintilla, Birds of Paradies, Alia, Kitty-D, VNDMG, Balance, Boats, more, 10 p.m., $10 advance.
Abbey Tavern: 4100 Geary, San Francisco. DJ Schrobi-Girl, 10 p.m., free.
Audio Discotech: 316 11th St., San Francisco. “Phonic,” w/ Designer Drugs, Non Sequitur, 9:30 p.m., $10 advance.
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “Tubesteak Connection,” w/ DJ Bus Station John, 9 p.m., $5-$7.
Cafe Du Nord: 2170 Market, San Francisco. Hi Fashion, Bright Light Bright Light, 8 p.m., $10-$12.
The Cafe: 2369 Market, San Francisco. “¡Pan Dulce!,” 9 p.m., $5.
Cat Club: 1190 Folsom, San Francisco. “Throwback Thursdays,” ‘80s night with DJs Damon, Steve Washington, Dangerous Dan, and guests, 9 p.m., $6 (free before 9:30 p.m.).
The Cellar: 685 Sutter, San Francisco. “XO,” w/ DJs Astro & Rose, 10 p.m., $5.
Club X: 715 Harrison, San Francisco. “The Crib,” 9:30 p.m., $10, 18+.
Elbo Room: 647 Valencia, San Francisco. “Afrolicious,” w/ DJs Pleasuremaker, Señor Oz, and live guests, 9:30 p.m., $5-$8.
Infusion Lounge: 124 Ellis, San Francisco. “I Love Thursdays,” 10 p.m., $10.
Lookout: 3600 16th St., San Francisco. “Fluff: A Queer Night of House,” w/ DJs Sissyslap & Dr. Sleep, First Thursday of every month, 9 p.m., $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “Night Fever,” 9 p.m., $5 after 10 p.m.
Pork Store Cafe: 3122 16th St., San Francisco. “Back & Forth,” w/ Ryury & Mr. Rise, 10 p.m., free.
Public Works: 161 Erie, San Francisco. “Black Magic Disko,” w/ Trickski, Shiny Objects, Trev Campbell, Hi-Tem (in the OddJob Loft), 9 p.m., $10-$15.
Q Bar: 456 Castro, San Francisco. “Throwback Thursday,” w/ DJ Jay-R, 9 p.m., free.
Raven: 1151 Folsom St., San Francisco. “1999,” w/ VJ Mark Andrus, 8 p.m., free.
The Tunnel Top: 601 Bush, San Francisco. “Tunneltop,” DJs Avalon and Derek ease you into the weekend with a cool and relaxed selection of tunes spun on vinyl, 10 p.m., free.
Underground SF: 424 Haight, San Francisco. “Bubble,” 10 p.m., free.
Vessel: 85 Campton, San Francisco. “Base,” w/ Tone of Arc, Ean Golden, 10 p.m., $5-$10.
HIP-HOP
Eastside West: 3154 Fillmore, San Francisco. “Throwback Thursdays,” w/ DJ Madison, 9 p.m., free.
The EndUp: 401 Sixth St., San Francisco. “Cypher,” w/ resident DJ Big Von, 10 p.m., $5-$10.
John Colins: 138 Minna, San Francisco. “The Premiere,” video hip-hop party with VDJ T.D. Camp, First Thursday of every month, 9 p.m., $5.
Skylark Bar: 3089 16th St., San Francisco. “Peaches,” w/lady DJs DeeAndroid, Lady Fingaz, That Girl, Umami, Inkfat, and Andre, 10 p.m., free.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. KRS-One, Duckwrth, 10:30 p.m., $25.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. Misisipi Mike & The Midnight Gamblers, Mipso, 9 p.m., $7.
Bazaar Cafe: 5927 California, San Francisco. Acoustic Open Mic, 7 p.m.
Hotel Utah: 500 Fourth St., San Francisco. Highway Hymns, Willy Tea Taylor, Jason Eady, 9 p.m., $10.
The Lost Church: 65 Capp St., San Francisco. Mr. Andrew, J.J. Schultz, 8 p.m., $10.
Musicians Union Local 6: 116 Ninth St., San Francisco. San Francisco Singer-Songwriters’ Workshop, hosted by Robin Yukiko, First Thursday of every month, 6:30 p.m., $25 (free for AFM members).
Plough & Stars: 116 Clement, San Francisco. The Shannon Céilí Band, First Thursday of every month, 9 p.m., free.
Slim’s: 333 11th St., San Francisco. Gaby Moreno, David Garza, Cazadero, Irene Diaz, 8 p.m., $15.
Swedish American Hall: 2174 Market, San Francisco. Kaki King, Jerome Holloway, 8 p.m., $15-$17.
JAZZ
Blush! Wine Bar: 476 Castro, San Francisco. Doug Martin’s Avatar Ensemble, 7:30 p.m., free.
Bottle Cap: 1707 Powell, San Francisco. The North Beach Sound with Ned Boynton, Jordan Samuels, and Tom Vickers, 7 p.m., free.
Cigar Bar & Grill: 850 Montgomery, San Francisco. Jimmy Grant Quartet, First Thursday of every month, 8 p.m., free.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Eugene Pliner Quartet with Tod Dickow, First and Third Thursday of every month, 7:30 p.m., free.
Pier 23 Cafe: Pier 23, San Francisco. Dick Fregulia Band, 7 p.m., free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Jam with Eddy Ramirez, 7:30 p.m., $5.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Stompy Jones, 7:30 p.m., $10.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. NaJe, in Yoshi’s lounge, First Thursday of every month, 6:30 p.m., free; Aga Zaryan: “Remembering Nina & Abbey,” 8 p.m., $19-$25.
Zingari: 501 Post, San Francisco. Barbara Ochoa, 7:30 p.m., free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Pa’Lante!,” w/ Juan G, El Kool Kyle, Mr. Lucky, 10 p.m., $5.
Pachamama Restaurant: 1630 Powell, San Francisco. “Jueves Flamencos,” 8 p.m., free.
Red Poppy Art House: 2698 Folsom, San Francisco. The Nightingale Trio, Tre Sisters, 7:30 p.m., $10-$15.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Gary Flores & Descarga Caliente, 8 p.m.
Verdi Club: 2424 Mariposa, San Francisco. The Verdi Club Milonga, w/ Christy Coté, DJ Emilio Flores, guests, 9 p.m., $10-$15.
REGGAE
Neck of the Woods: 406 Clement St., San Francisco. Natural Vibrations, Native Elements, on the upstairs stage, 9 p.m., $15-$20.
Pissed Off Pete’s: 4528 Mission St., San Francisco. Reggae Thursdays, w/ resident DJ Jah Yzer, 9 p.m., free.
BLUES
50 Mason Social House: 50 Mason, San Francisco. Bill Phillippe, 5:30 p.m., free.
Biscuits and Blues: 401 Mason, San Francisco. Greg Nagy, 8 & 10 p.m., $18.
The Saloon: 1232 Grant, San Francisco. Chris Ford, First Thursday of every month, 4 p.m.
COUNTRY
The Parlor: 2801 Leavenworth, San Francisco. “Twang Honky Tonk & Country Jamboree,” w/ DJ Little Red Rodeo, 7 p.m., free.
EXPERIMENTAL
The Luggage Store: 1007 Market, San Francisco. Cartoon Justice, The Pascucci-Oppenheim Duo, Cloud Shepherd, 8 p.m., $6-$10.
SOUL
Boom Boom Room: 1601 Fillmore, San Francisco. West Grand Boulevard, 9:30 p.m., $5.

FRIDAY 6
ROCK
50 Mason Social House: 50 Mason, San Francisco. Turn Me On Dead, Staring@Stars, Mary Jones’ Lights, Ultra Violent Rays, Waiting Room, 8 p.m.
Amoeba Music: 1855 Haight, San Francisco. Toad the Wet Sprocket, 6 p.m., free.
The Chapel: 777 Valencia St., San Francisco. Patterson Hood, 9 p.m., $22-$25.
DNA Lounge: 375 11th St., San Francisco. Everything Goes Cold, Sorrow Church, Roadside Memorial, DJ Decay, Crashfaster, 9 p.m., $8-$13.
El Rio: 3158 Mission, San Francisco. Friday Live: Boats!, DJ Emotions, 10 p.m., free.
Hemlock Tavern: 1131 Polk, San Francisco. Steel Cranes, Oceanography, Turtle Rising, 9:30 p.m., $6.
Milk Bar: 1840 Haight, San Francisco. High Cliffs, The Wave Commission, Little Smoke, 9 p.m., $8.
Slim’s: 333 11th St., San Francisco. The Aquabats, Kepi Ghoulie, Mike Park, 8 p.m., $20.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. The Tubes, 10:30 p.m., $29-$33.
DANCE
1015 Folsom: 1015 Folsom St., San Francisco. Oliver, Classixx, Shy Girls, Lando Kal, Richie Panic, J-Boogie, DeeJay Theory, Justin Milla, Shawn Steele, 10 p.m., $17.50 advance.
Amnesia: 853 Valencia, San Francisco. “Brass Tax,” w/ resident DJs JoeJoe, Ding Dong, Ernie Trevino, Mace, First Friday of every month, 10 p.m., $5.
Audio Discotech: 316 11th St., San Francisco. Nitin, Silky, J. Remy, 9:30 p.m., $10 advance.
Cafe Flore: 2298 Market, San Francisco. “Kinky Beats,” w/ DJ Sergio, 10 p.m., free.
The Cafe: 2369 Market, San Francisco. “Boy Bar,” w/ DJ Matt Consola, 9 p.m., $5.
Cat Club: 1190 Folsom, San Francisco. “Strangelove: Germany Calling,” w/ DJs Tomas Diablo, Joe Radio, Xander, and Unit 77, 9:30 p.m., $7 ($3 before 10 p.m.).
The Cellar: 685 Sutter, San Francisco. “F.T.S.: For the Story,” 10 p.m.
The EndUp: 401 Sixth St., San Francisco. “Fever,” 10 p.m., free before midnight.
The Grand Nightclub: 520 4th St., San Francisco. “We Rock Fridays,” 9:30 p.m.
Infusion Lounge: 124 Ellis, San Francisco. “Escape Fridays,” 10 p.m., $20.
Lookout: 3600 16th St., San Francisco. “HYSL,” 9 p.m., $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “Dirty Rotten Dance Party,” w/ Kap10 Harris, Shane King, guests, First Friday of every month, 9 p.m., $5.
Manor West: 750 Harrison, San Francisco. “Fortune Fridays,” 10 p.m., free before 11 p.m. with RSVP.
MatrixFillmore: 3138 Fillmore, San Francisco. “F-Style Fridays,” w/ DJ Jared-F, 9 p.m.
Mighty: 119 Utah, San Francisco. “Throwback,” Mighty 10-year anniversary party with DJ Rooz, Tyrel Williams, Miguel Solari, Jayvi Velasco, Lance DeSardi, DJ Gunz, Ren the Vinyl Archaeologist, 9 p.m., free before midnight with RSVP.
Monarch: 101 6th St., San Francisco. “As You Like It,” w/ George FitzGerald, J.Phlip, Galen, Bells & Whistles, 9 p.m., $15-$20 advance.
OMG: 43 6th St., San Francisco. “Release,” 9 p.m., free before 11 p.m.
Powerhouse: 1347 Folsom, San Francisco. “Nasty,” First Friday of every month, 10 p.m., $5.
Public Works: 161 Erie, San Francisco. “Haçeteria,” w/ Cherushii, Glenn Jackson, Ben Deploy, Jason P, Smac, Tristes Tropiques, and Nihar, 9 p.m., $5-$10.
Q Bar: 456 Castro, San Francisco. “Pump: Worq It Out Fridays,” w/ resident DJ Christopher B, 9 p.m., $3.
Rickshaw Stop: 155 Fell, San Francisco. Trapeze X, Featuring music by DJs Delachaux, The Klown, and The Speakeasy Syndicate, plus burlesque by Vienna La Rouge, Kara La Fleur, Fou Fou Ha, and Ze SexBombe Danzeurs., 9 p.m., $10-$15.
Underground SF: 424 Haight, San Francisco. “Bionic,” 10 p.m., $5.
Wish: 1539 Folsom, San Francisco. “Bridge the Gap,” w/ resident DJ Don Kainoa, Fridays, 6-10 p.m., free; “Depth,” w/ resident DJs Sharon Buck & Greg Yuen, First Friday of every month, 10 p.m., free.
HIP-HOP
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Nate the Great, The Kid Rated R, Supreme, plus DJs West Kraven, Beatknoxx, and Okeefe, 9 p.m., $10.
Elbo Room: 647 Valencia, San Francisco. “Swagger Like Us,” w/ Cakes Da Killa, Queens D. Light, plus DJs Lady Ryan, DavO, and Boyfriend, 10 p.m., $8.
EZ5: 682 Commercial, San Francisco. “Decompression,” Fridays, 5-9 p.m.
F8: 1192 Folsom St., San Francisco. “Some Type of Way,” w/ MicahTron, Nanosaur, Sean G, Kool Karlo, Roost Uno, 9 p.m., $9.99 (free before 11 p.m.).
Nickies: 466 Haight, San Francisco. “First Fridays,” w/ The Whooligan & Dion Decibels, First Friday of every month, 11 p.m., free.
Public Works: 161 Erie, San Francisco. Big K.R.I.T. (DJ set), DJ D-Sharp, 9 p.m., $10 advance.
Slate Bar: 2925 16th St., San Francisco. “Remix,” w/ Lando 1, 9:30 p.m.
ACOUSTIC
Atlas Cafe: 3049 20th St., San Francisco. Zach Hing, 7:30 p.m., free.
Dolores Park Cafe: 501 Dolores, San Francisco. StringQuake, 7:30 p.m.
Hotel Utah: 500 Fourth St., San Francisco. Danielia Cotton, RonDre., Venetia Pristavec, Johnny Marnell, 9 p.m., $8-$10.
Plough & Stars: 116 Clement, San Francisco. Avery County, 9 p.m.
The Sports Basement: 610 Old Mason, San Francisco. “Breakfast with Enzo,” w/ Enzo Garcia, 10 a.m., $5.
St. Cyprian’s Episcopal Church: 2097 Turk, San Francisco. First Fridays Song Circle, First Friday of every month, 7 p.m., $5-$10; Alasdair Fraser & Natalie Haas, 8 p.m., $19-$22.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. An Acoustic Evening with Al Stewart, 8 p.m., $24-$28.
JAZZ
Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Johnny Smith, 8 p.m., free.
Bird & Beckett: 653 Chenery, San Francisco. Don Prell’s SeaBop Ensemble, First Friday of every month, 5:30 p.m., free.
Cafe Royale: 800 Post, San Francisco. Wrapped in Plastic, First Friday of every month, 9 p.m.
Center for New Music: 55 Taylor St., San Francisco. Festivus 2013: Night One, w/ Rent Romus’ Life’s Blood, Adam Shulman & Katy Stephan, The Klaxon Mutant Allstars, Patrick Cress’ Telepathy, 7 p.m., $8-$10.
Cliff House: 1090 Point Lobos, San Francisco. John Kalleen Group, 7 p.m.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Charles Unger Experience, 7:30 p.m., free.
The Palace Hotel: 2 New Montgomery, San Francisco. The Klipptones, 8 p.m., free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio, 7 p.m., $8.
SFJAZZ Center: 205 Franklin St., San Francisco. Giulia Valle, 7 & 8:30 p.m., $15-$20.
Top of the Mark: One Nob Hill, 999 California, San Francisco. Black Market Jazz Orchestra, 9 p.m., $10.
Zingari: 501 Post, San Francisco. Joyce Grant, 8 p.m., free.
INTERNATIONAL
Bissap Baobab: 3372 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10 p.m., $5.
Cafe Cocomo: 650 Indiana, San Francisco. Taste Fridays, featuring local cuisine tastings, salsa bands, dance lessons, and more, 7:30 p.m., $15 (free entry to patio).
Croatian American Cultural Center: 60 Onondaga, San Francisco. “Beyond the Borders,” w/ Galbeno Band, 8 p.m., $15.
Pachamama Restaurant: 1630 Powell, San Francisco. Cuban Night with Fito Reinoso, 7:30 & 9:15 p.m., $15-$18.
Red Poppy Art House: 2698 Folsom, San Francisco. Camille Mai Trio, Blind Willies, 7:30 p.m., $10-$20.
REGGAE
Gestalt Haus: 3159 16th St., San Francisco. “Music Like Dirt,” 7:30 p.m., free.
Showdown: 10 Sixth St., San Francisco. “How the West Was Won,” w/ Nowtime Sound, First Friday of every month, 10 p.m., free.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Greg Nagy, 8 & 10 p.m., $20.
Tupelo: 1337 Green St., San Francisco. Jinx Jones & The KingTones, First Friday of every month, 9 p.m.
COUNTRY
Thee Parkside: 1600 17th St., San Francisco. Eddie Spaghetti, The Gravel Spreaders, Benjamin Brown, 9 p.m., $10.
FUNK
Amnesia: 853 Valencia, San Francisco. Swoop Unit, First Friday of every month, 6 p.m., $3-$5.
The Independent: 628 Divisadero, San Francisco. Dragon Smoke (featuring Stanton Moore, Ivan Neville, Eric Lindell, and Robert Mercurio), Mike Dillon, DJ Matt Haze, 9 p.m., $35.
Make-Out Room: 3225 22nd St., San Francisco. “Loose Joints,” w/ DJs Centipede, Damon Bell, & Tom Thump, 10 p.m., $5.
SOUL
Edinburgh Castle: 950 Geary, San Francisco. “Soul Crush,” w/ DJ Serious Leisure, 10 p.m., free.
The Knockout: 3223 Mission, San Francisco. “Oldies Night,” w/ DJs Primo, Daniel, Lost Cat, friends, First Friday of every month, 10 p.m., $5.

SATURDAY 7
ROCK
50 Mason Social House: 50 Mason, San Francisco. Chronic Town, Gang of Forty, 9:30 p.m., $6.
Bender’s: 806 S. Van Ness, San Francisco. Swiftumz, Violent Change, Tony Molina, 10 p.m., $5.
Boom Boom Room: 1601 Fillmore, San Francisco. Roem & The Revival, Kingsborough, Steven Roth Band, 9:30 p.m., $10.
Bottom of the Hill: 1233 17th St., San Francisco. The Flatliners, Living with Lions, Culture Abuse, 9:30 p.m., $12-$15.
Cafe Du Nord: 2170 Market, San Francisco. The Hundred Days, Dangermaker, Bang Bang, Aaron Cuadra, 9 p.m., $8-$10.
El Rio: 3158 Mission, San Francisco. Vulturegeist, Secrets of the Sky, Broken Cities, 9 p.m., $6-$10.
Hemlock Tavern: 1131 Polk, San Francisco. Primitive Hearts, Big Tits, Adam Widener, The Shanghais, 9 p.m., $6.
Hotel Utah: 500 Fourth St., San Francisco. That Ghost, Golden Drugs, Dante Elephante, Crime Novels, 9 p.m., $8.
The Lost Church: 65 Capp St., San Francisco. Castles in Spain, The Unfortunate Bastard, Stella Royale, 8 p.m., $10.
Make-Out Room: 3225 22nd St., San Francisco. Benefit for Alan Forbes with Harderships, Hot Lunch, The Freeks, Ethan Miller, DJ Jello Biafra, 5 p.m., $10.
Milk Bar: 1840 Haight, San Francisco. The Bad Jones, Super Adventure Club, The Stages of Sleep, 9 p.m., $10.
Neck of the Woods: 406 Clement St., San Francisco. People Get Ready, The Trims, Conquistador, on the downstairs stage, 9 p.m., $12.
Slim’s: 333 11th St., San Francisco. The Mowgli’s, Blondfire, Hunter Hunted, 8 p.m., $16.
DANCE
Audio Discotech: 316 11th St., San Francisco. Bixel Boys, Tropicool, 9:30 p.m., $10 advance.
Cafe Flore: 2298 Market, San Francisco. “Bistrotheque,” w/ DJ Ken Vulsion, 8 p.m., free.
Cat Club: 1190 Folsom, San Francisco. “Leisure,” w/ DJs Aaron, Omar, & Jetset James, First Saturday of every month, 10 p.m., $7.
DNA Lounge: 375 11th St., San Francisco. Bootie S.F.: Hubba Hubba Revue Holiday Show, 9 p.m., $10-$15.
The EndUp: 401 Sixth St., San Francisco. “Play: 1-Year Anniversary Party,” w/ Danny Howells & Nikita, 10 p.m., $15-$20.
Harlot: 46 Minna, San Francisco. Lauren Lane, Bones, Troy Kurtz, Shae B, Burn Unit, 9 p.m., $10.
Infusion Lounge: 124 Ellis, San Francisco. “Volume,” First Saturday of every month, 10 p.m., $10-$20.
The Knockout: 3223 Mission, San Francisco. “Debaser,” w/ resident DJs EmDee, Jamie Jams, and Stab Master Arson, First Saturday of every month, 10 p.m., $5 (free before 11 p.m. if wearing flannel).
Lookout: 3600 16th St., San Francisco. “Bounce!,” 9 p.m., $3.
Madrone Art Bar: 500 Divisadero, San Francisco. “The Prince & Michael Experience,” w/ DJs Dave Paul & Jeff Harris, First Saturday of every month, 9 p.m., $5.
Mezzanine: 444 Jessie, San Francisco. “Wonder-Full S.F. X,” w/ DJ Spinna, Proof, Hakobo, King Most, 9 p.m., $25-$35.
Mighty: 119 Utah, San Francisco. Mighty 10-Year Anniversary, w/ 2manydjs, Eug, 9 p.m., $25 advance.
Monarch: 101 6th St., San Francisco. “Lights Down Low,” w/ Deniz Kurtel, Pictureplane, Tyrel Williams, Richie Panic, Marco de la Vega, 10 p.m., $15-$20.
Public Works: 161 Erie, San Francisco. Distrikt: Holidaze – The Koktail Edition, With DJ Kramer, John Early, and more., 9 p.m., $10-$15.
Q Bar: 456 Castro, San Francisco. “Homo Erectus,” w/ DJs MyKill & Dcnstrct, First Saturday of every month, 9 p.m., $5.
Ruby Skye: 420 Mason, San Francisco. Project 46, Carl Kennedy, 9 p.m., $20 advance.
The Stud: 399 Ninth St., San Francisco. “Go Bang!: Celebrating Five Years of Atomic Dancefloor Disco Action,” w/ DJs Ken Vulsion, Nicky B, Steve Fabus, and Sergio Fedasz, 9 p.m., $7 (free before 10 p.m.).
Temple: 540 Howard, San Francisco. D:Fuse, Tall Sasha, Vodka Soda, Ks Thant, Self Destrukt, Mr. Kitt, Jai Unda, Babymuah, 10 p.m., $20.
Underground SF: 424 Haight, San Francisco. “Push the Feeling,” w/ residents Yr Skull & Epicsauce DJs, First Saturday of every month, 9 p.m.
Vessel: 85 Campton, San Francisco. “Swank,” w/ Pheeko Dubfunk, DJ Nile, Lorentzo, 10 p.m., $10-$30.
HIP-HOP
John Colins: 138 Minna, San Francisco. “N.E.W.: Never Ending Weekend,” w/ DJ Jerry Ross, First Saturday of every month, 9 p.m., free before 11 p.m.
Slate Bar: 2925 16th St., San Francisco. “Touchy Feely,” w/ The Wild N Krazy Kids, First Saturday of every month, 10 p.m., $5 (free before 11 p.m.).
ACOUSTIC
Amoeba Music: 1855 Haight, San Francisco. Lissie, 3 p.m., free.
Atlas Cafe: 3049 20th St., San Francisco. Craig Ventresco & Meredith Axelrod, Saturdays, 4-6 p.m., free.
Bazaar Cafe: 5927 California, San Francisco. Jamie Purnell, 7 p.m.
Great Star Theater: 630 Jackson, San Francisco. One Man Band Extravaganza, w/ Jordan B. Wilson, 1 Man Banjo, Shovelman, The Slow Poisoner, Cello Joe, 8 p.m., $5.
The Independent: 628 Divisadero, San Francisco. Lissie, Kopecky Family Band, 9 p.m., $18-$20.
Plough & Stars: 116 Clement, San Francisco. “Americana Jukebox,” w/ The Naked Bootleggers, Kemo Sabe, 9 p.m., $6-$10.
Revolution Cafe: 3248 22nd St., San Francisco. Seth Augustus, First Saturday of every month, 9 p.m., free/donation.
The Riptide: 3639 Taraval, San Francisco. The Low Rollers, 9:30 p.m., free.
Swedish American Hall: 2174 Market, San Francisco. Pomplamoose, Steve Poltz, Griffin House, 8 p.m., $20-$25.
JAZZ
Amnesia: 853 Valencia, San Francisco. Broken Shadows Family Band, 6 p.m.
Center for New Music: 55 Taylor St., San Francisco. Festivus 2013: Night Two, w/ John Shiurba’s 5×5, Lisa Mezzacappa’s Bait & Switch, Noah Phillips, Michael Coleman’s Enjoyer, 7 p.m., $8-$10.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.
Savanna Jazz Club: 2937 Mission, San Francisco. Savanna Jazz Trio, 7 p.m., $8.
SFJAZZ Center: 205 Franklin St., San Francisco. Giulia Valle, 7 & 8:30 p.m., $15-$20.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. The Robert Stewart Experience, 9 p.m.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Mike Stern Band featuring Randy Brecker, Anthony Jackson, and Keith Carlock, 8 & 10 p.m., $22-$28.
Zingari: 501 Post, San Francisco. Lisa Lindsley, 8 p.m., free.
INTERNATIONAL
1015 Folsom: 1015 Folsom St., San Francisco. “Pura,” 9 p.m., $20.
Amnesia: 853 Valencia, San Francisco. Fanfare Zambaleta, Broken Shadows Family Band, 9 p.m.
Bissap Baobab: 3372 19th St., San Francisco. “Paris-Dakar African Mix Coupe Decale,” 10 p.m., $5.
Make-Out Room: 3225 22nd St., San Francisco. “El SuperRitmo,” w/ DJs Roger Mas & El Kool Kyle, 10 p.m., $5.
Old First Presbyterian Church: 1751 Sacramento, San Francisco. Veretski Pass, 8 p.m., $14-$17.
Pachamama Restaurant: 1630 Powell, San Francisco. Peña Eddy Navia & Pachamama Band, 8 p.m., free.
Roccapulco Supper Club: 3140 Mission, San Francisco. Jowell & Randy, 8 p.m., $40 advance.
Space 550: 550 Barneveld, San Francisco. “Club Fuego,” 9:30 p.m.
REGGAE
Red Devil Lounge: 1695 Polk, San Francisco. One Drop, Midnight Raid, Dewey & The Peoples, 9 p.m., $10.
BLUES
Biscuits and Blues: 401 Mason, San Francisco. Karen Lovely, 7:30 & 10 p.m., $22.
AMERICANA
Plough & Stars: 116 Clement, San Francisco. “Americana Jukebox,” First Saturday of every month, 9 p.m., $6-$10.
FREE
Pier 23 Cafe: Pier 23, San Francisco. Danilo y Universal, 8 p.m., free.
SOUL
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Kendra Morris, Binky Griptite, Jordan & The Ritual, DJ heyLove, 9 p.m., $12-$15.
El Rio: 3158 Mission, San Francisco. “Hard French,” w/ DJs Carnita & Brown Amy, First Saturday of every month, 2 p.m., $7.
Elbo Room: 647 Valencia, San Francisco. “Saturday Night Soul Party,” w/ DJs Lucky, Phengren Oswald, & Paul Paul, First Saturday of every month, 10 p.m., $10 ($5 in formal attire).

SUNDAY 8
ROCK
Brick & Mortar Music Hall: 1710 Mission, San Francisco. Rio Rio, Coo Coo Birds, Mission Bells, Koruscant Weekend, Jared Cohen & The Future Proof, 7 p.m., $10.
El Rio: 3158 Mission, San Francisco. Benefit for San Francisco Community Land Trust with Future Twin, Annie Girl & The Flight, Baby Alpaca, 8 p.m., $10-$15 suggested donation.
Thee Parkside: 1600 17th St., San Francisco. My Jerusalem, Know Secrets, High Water, 8 p.m., $10.
DANCE
The Cellar: 685 Sutter, San Francisco. “Replay Sundays,” 9 p.m., free.
The Edge: 4149 18th St., San Francisco. “’80s at 8,” w/ DJ MC2, 8 p.m.
Elbo Room: 647 Valencia, San Francisco. “Dub Mission,” w/ King I-Vier, DJ Sep, Maneesh the Twister, 9 p.m., $6 (free before 9:30 p.m.).
The EndUp: 401 Sixth St., San Francisco. “T.Dance,” 6 a.m.-6 p.m.; “Sunday Sessions,” 8 p.m.; “The Rhythm Room,” Second Sunday of every month, 8 p.m.
F8: 1192 Folsom St., San Francisco. “Stamina Sundays,” w/ DJs Lukeino, Jamal, and guests, 10 p.m., free.
The Knockout: 3223 Mission, San Francisco. “Sweater Funk,” 10 p.m., free.
Lookout: 3600 16th St., San Francisco. “Jock,” Sundays, 3-8 p.m., $2.
MatrixFillmore: 3138 Fillmore, San Francisco. “Bounce,” w/ DJ Just, 10 p.m.
Otis: 25 Maiden, San Francisco. “What’s the Werd?,” w/ resident DJs Nick Williams, Kevin Knapp, Maxwell Dub, and guests, 9 p.m., $5 (free before 11 p.m.).
The Parlor: 2801 Leavenworth, San Francisco. DJ Marc deVasconcelos, 10 p.m., free.
Q Bar: 456 Castro, San Francisco. “Gigante,” 8 p.m., free.
The Stud: 399 Ninth St., San Francisco. “No Parking on the Dancefloor,” w/ resident DJs Dutchboy & Gehno Aviance, 11 p.m., $5.
HIP-HOP
Boom Boom Room: 1601 Fillmore, San Francisco. “Return of the Cypher,” 9:30 p.m., free.
ACOUSTIC
Cafe Du Nord: 2170 Market, San Francisco. Ed Kowalczyk, Callaghan, 8 p.m., $30-$35.
Hotel Utah: 500 Fourth St., San Francisco. Rust & Whiskey, Pirate Radio, The Tough Brothers, 8 p.m., $6.
The Lucky Horseshoe: 453 Cortland, San Francisco. Sunday Bluegrass Jam, 4 p.m., free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Spike’s Mic Night,” Sundays, 4-8 p.m., free.
Make-Out Room: 3225 22nd St., San Francisco. Carolyn Mark, Peter Case with Deep Ellum, Happy Family Singers, 7:30 p.m.
Neck of the Woods: 406 Clement St., San Francisco. “iPlay,” open mic with featured weekly artists, 6:30 p.m., free.
Plough & Stars: 116 Clement, San Francisco. Dave Cory & Friends, 9 p.m.
St. Luke’s Episcopal Church: 1755 Clay, San Francisco. “Sunday Night Mic,” w/ Roem Baur, 5 p.m., free.
JAZZ
Chez Hanny: 1300 Silver, San Francisco. Noel Jewkes Quintet featuring Steve Heckman, 4 p.m., $20 suggested donation.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Bill “Doc” Webster & Jazz Nostalgia, 7:30 p.m., free.
Madrone Art Bar: 500 Divisadero, San Francisco. “Sunday Sessions,” 10 p.m., free.
Martuni’s: 4 Valencia, San Francisco. Madame Jo Trio, second Sunday of every month, 4-6 p.m., free.
Revolution Cafe: 3248 22nd St., San Francisco. Jazz Revolution, 4 p.m., free/donation.
The Royal Cuckoo: 3202 Mission, San Francisco. Lavay Smith & Chris Siebert, 7:30 p.m., free.
SFJAZZ Center: 205 Franklin St., San Francisco. SFJAZZ High School All-Stars Orchestra & Combo, 2 p.m., $5-$20.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Mike Stern Band featuring Randy Brecker, Anthony Jackson, and Keith Carlock, 7 & 9 p.m., $20-$25.
Zingari: 501 Post, San Francisco. Brenda Reed, 7:30 p.m., free.
INTERNATIONAL
Atmosphere: 447 Broadway, San Francisco. “Hot Bachata Nights,” w/ DJ El Guapo, 5:30 p.m., $10 ($18-$25 with dance lessons).
Balancoire: 2565 Mission St., San Francisco. “Tardeadas Tropicales,” 3 p.m.
Bissap Baobab: 3372 19th St., San Francisco. “Brazil & Beyond,” 6:30 p.m., free.
El Rio: 3158 Mission, San Francisco. “Salsa Sundays,” Second and Fourth Sunday of every month, 3 p.m., $8-$10.
New Dehli Restaurant: 160 Ellis St., San Francisco. Bollywood Dance Party, Benefit for the Tenderloin After-School Program with DJ Amar, Dholrhythms dance troupe, Indian food buffet, and more., 6-9 p.m., $50 suggested donation.
Pachamama Restaurant: 1630 Powell, San Francisco. Georges Lammam Ensemble, 8 p.m.
Thirsty Bear Brewing Company: 661 Howard, San Francisco. “The Flamenco Room,” 7:30 & 8:30 p.m.
REGGAE
The Independent: 628 Divisadero, San Francisco. Black Uhuru, Mike Pinto, Revival Sound System, 9 p.m., $25.
BLUES
Revolution Cafe: 3248 22nd St., San Francisco. HowellDevine, 8:30 p.m., free/donation.
The Saloon: 1232 Grant, San Francisco. Blues Power, 4 p.m.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. Bohemian Knuckleboogie, 8 p.m., free.
Swig: 571 Geary, San Francisco. Sunday Blues Jam with Ed Ivey, 9 p.m.
COUNTRY
The Riptide: 3639 Taraval, San Francisco. Joe Goldmark & The Seducers, Second Sunday of every month, 7:30 p.m., free.
EXPERIMENTAL
Musicians Union Local 6: 116 Ninth St., San Francisco. Daniel Pearce/Teddy Rankin-Parker Duo, Lasqo/Adams/Bennett, 7:30 p.m., $8-$10.
SOUL
Delirium Cocktails: 3139 16th St., San Francisco. “Heart & Soul,” w/ DJ Lovely Lesage, 10 p.m., free.
Rickshaw Stop: 155 Fell, San Francisco. Gavin Turek, Midtown Social, DJ Carnita, 8 p.m., $10-$12.

MONDAY 9
ROCK
The Chapel: 777 Valencia St., San Francisco. Basia Bulat, Haunted Summer, 9 p.m., $13-$15.
Elbo Room: 647 Valencia, San Francisco. Capsula, City of Women, 9 p.m., $8.
The Independent: 628 Divisadero, San Francisco. American Authors, The Royal Concept, Misterwives, 8 p.m., $13-$15.
The Knockout: 3223 Mission, San Francisco. Wooden Indian Burial Ground, 9 p.m., $5.
DANCE
DNA Lounge: 375 11th St., San Francisco. “Death Guild,” 18+ dance party with DJs Decay, Joe Radio, Melting Girl, & guests, 9:30 p.m., $3-$5.
Q Bar: 456 Castro, San Francisco. “Wanted,” w/ DJs Key&Kite and Richie Panic, 9 p.m., free.
Underground SF: 424 Haight, San Francisco. “Vienetta Discotheque,” w/ DJs Stanley Frank and Robert Jeffrey, 10 p.m., free.
ACOUSTIC
Amnesia: 853 Valencia, San Francisco. The Pick Bluegrass Jam, Second Monday of every month, 6 p.m., free; Toshio Hirano, Second Monday of every month, 9 p.m., free.
Cafe Du Nord: 2170 Market, San Francisco. Hayden, DonCat, 8 p.m., $15.
The Chieftain: 198 Fifth St., San Francisco. The Wrenboys, 7 p.m., free.
Fiddler’s Green: 1333 Columbus, San Francisco. Terry Savastano, 9:30 p.m., free/donation.
Hotel Utah: 500 Fourth St., San Francisco. Open mic with Brendan Getzell, 8 p.m., free.
The Lost Church: 65 Capp St., San Francisco. The Royal Oui, Big Eagle, 8 p.m., $10.
Osteria: 3277 Sacramento, San Francisco. “Acoustic Bistro,” 7 p.m., free.
The Saloon: 1232 Grant, San Francisco. Peter Lindman, 4 p.m.
JAZZ
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Eugene Pliner Quartet with Tod Dickow, 7:30 p.m., free.
Le Colonial: 20 Cosmo, San Francisco. Le Jazz Hot, 7 p.m., free.
Pier 23 Cafe: Pier 23, San Francisco. Terry Timberlake, 6 p.m., free.
SFJAZZ Center: 205 Franklin St., San Francisco. Monday Night Band Showcase with Adam Theis, 7:30 p.m., free.
Sheba Piano Lounge: 1419 Fillmore, San Francisco. City Jazz Instrumental Jam Session, 8 p.m.
The Union Room at Biscuits and Blues: 401 Mason, San Francisco. The Session: A Monday Night Jazz Series, pro jazz jam with Mike Olmos, 7:30 p.m., $12.
Zingari: 501 Post, San Francisco. Kitt Weagant, 7:30 p.m., free.
REGGAE
Skylark Bar: 3089 16th St., San Francisco. “Skylarking,” w/ I&I Vibration, 10 p.m., free.
BLUES
The Saloon: 1232 Grant, San Francisco. The Bachelors, 9:30 p.m.
SOUL
Madrone Art Bar: 500 Divisadero, San Francisco. “M.O.M. (Motown on Mondays),” w/ DJ Gordo Cabeza & Timoteo Gigante, 8 p.m., free.

TUESDAY 10
ROCK
Hemlock Tavern: 1131 Polk, San Francisco. 3 Leafs, American Cream, 8:30 p.m., $5.
Hotel Utah: 500 Fourth St., San Francisco. Va Va Blume, Watch for Rocks, Worth, 8 p.m., $8.
The Knockout: 3223 Mission, San Francisco. Tender Buttons, Scraper, Silver Shadows, DJ Grody Cody, 9:30 p.m., $7.
DANCE
Aunt Charlie’s Lounge: 133 Turk, San Francisco. “High Fantasy,” w/ DJ Viv, Myles Cooper, & guests, 10 p.m., $2.
Harlot: 46 Minna, San Francisco. “Tutu Tuesday,” w/ resident DJ Atish, Second Tuesday of every month, 9 p.m., $7 ($2 in a tutu before 11 p.m.).
Monarch: 101 6th St., San Francisco. “Soundpieces,” 10 p.m., free-$10.
Q Bar: 456 Castro, San Francisco. “Switch,” w/ DJs Jenna Riot & Andre, 9 p.m., $3.
Underground SF: 424 Haight, San Francisco. “Shelter,” 10 p.m., free.
Wish: 1539 Folsom, San Francisco. “Tight,” w/ resident DJs Michael May & Lito, 8 p.m., free.
HIP-HOP
Brick & Mortar Music Hall: 1710 Mission, San Francisco. “The Show: Holiday Edition,” w/ Smoovie Baby, Show Banga, Troy, Symba, Deltrice, Lyrical Tone, Tonka Boy Dre, more, 8:30 p.m., $10-$15.
Double Dutch: 3192 16th St., San Francisco. “Takin’ It Back Tuesdays,” w/ DJs Mr. Murdock & Roman Nunez, Second Tuesday of every month, 10 p.m., free.
ACOUSTIC
Bazaar Cafe: 5927 California, San Francisco. Songwriter in Residence: Kate Kilbane, 7 p.m. continues through Dec. 31.
Cafe Du Nord: 2170 Market, San Francisco. Erin McKeown & Her Anti-Holiday Spectacular, 9 p.m., $18-$20.
The Chapel: 777 Valencia St., San Francisco. Aiofe O’Donovan, Evie Ladin, 8 p.m., $12-$15.
The Independent: 628 Divisadero, San Francisco. The Lone Bellow, Ivan & Alyosha, 8 p.m., sold out.
Plough & Stars: 116 Clement, San Francisco. Seisiún with Barry O’Connell & Vinnie Cronin, 9 p.m.
JAZZ
Beach Chalet Brewery & Restaurant: 1000 Great Highway, San Francisco. Gerry Grosz Jazz Jam, 7 p.m.
Blush! Wine Bar: 476 Castro, San Francisco. Kally Price & Rob Reich, 7 p.m., free.
Burritt Room: 417 Stockton St., San Francisco. Terry Disley’s Rocking Jazz Trio, 6 p.m., free.
Cafe Divine: 1600 Stockton, San Francisco. Chris Amberger, 7 p.m.
Jazz Bistro at Les Joulins: 44 Ellis, San Francisco. Clifford Lamb, Mel Butts, and Friends, 7:30 p.m., free.
Le Colonial: 20 Cosmo, San Francisco. Lavay Smith & Her Red Hot Skillet Lickers, 7 p.m.
Revolution Cafe: 3248 22nd St., San Francisco. West Side Jazz Club, 5 p.m., free.
Verdi Club: 2424 Mariposa, San Francisco. “Tuesday Night Jump,” w/ Stompy Jones, 9 p.m., $10-$12; “Tuesday Night Jump,” w/ Johnny Boyd, Stompy Jones, Victor & Penny, 9 p.m., $15.
Yoshi’s San Francisco: 1330 Fillmore, San Francisco. Tommy Igoe Big Band, 8 p.m., $22.
Zingari: 501 Post, San Francisco. Amanda King, 7:30 p.m., free.
INTERNATIONAL
Cafe Cocomo: 650 Indiana, San Francisco. “Descarga S.F.,” w/ DJs Hong & Good Sho, 8 p.m., $12.
The Cosmo Bar & Lounge: 440 Broadway, San Francisco. “Conga Tuesdays,” 8 p.m., $7-$10.
F8: 1192 Folsom St., San Francisco. “Underground Nomads,” w/ rotating resident DJs Amar, Sep, and Dulce Vita, plus guests, 9 p.m., $5 (free before 9:30 p.m.).
REGGAE
Milk Bar: 1840 Haight, San Francisco. “Bless Up,” w/ Jah Warrior Shelter Hi-Fi, 10 p.m.
FUNK
Madrone Art Bar: 500 Divisadero, San Francisco. “Boogaloo Tuesday,” w/ Oscar Myers & Steppin’, 9:30 p.m., free.
SOUL
Boom Boom Room: 1601 Fillmore, San Francisco. Soul Mechanix, 9:30 p.m., free.
Make-Out Room: 3225 22nd St., San Francisco. “Lost & Found,” w/ DJs Primo, Lucky, and guests, 9:30 p.m., free. 2

We will survive! Annalee Newitz’s ‘Scatter, Adapt, and Remember’

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Spoiler alert: Humans survive at the end of the world.

It’s a bit more complicated than that, of course, but it’s good to start on a note of hope. It’s a hope we can afford to have, as Annalee Newitz (editor of science and culture site io9.com, and a former Guardian contributor) discovered in the research that yielded her book Scatter, Adapt, and Remember: How Humans Will Survive a Mass Extinction (Doubleday, 320 pp., $26.95). She’s among the participants in tonight’s “Last Things”-themed InsideStoryTime at North Beach’s Glass Door Gallery.

Fascinated with the possibility of future disasters, Newitz set out to learn all there is to learn about the history of mass extinctions on Earth. From megavolcanoes to meteor strikes, the common thread of disaster on this planet is that something has always survived. An impressive amount of work is being done to make it possible for us to continue this streak of survival, and we all possess some tools of survival already.

Given my vague and largely unexplored interest in science and my undying obsession with Pacific Rim and the idea that humans could come together and build giant robots to fight giant monsters, Scatter was the book I didn’t know I needed until it was already in my hands. That’s not to say Newitz proposes that we focus our resources to build Jaegers in preparation of a kaiju apocalypse. But the message of world unity in the face of the threat of extinction that shines through in films like these shouldn’t be taken for granted. As Newitz writes, “We can only meet the challenges of surviving whatever the natural world throws at us by working together as a species in small and large ways.”

Perhaps you’re skeptical of humanity’s ability to get along on that great of a scale. I know I am. But in the face of something as dire as mass extinction, our instincts should kick in. As the title suggests, some of the strategies that may save us are to scatter – diaspora has resulted in the survival of groups of people over generations – adapt – to change our ways for a more sustainable future – and remember – passing on the knowledge that will advance us through the years. The latter is particularly important, because while we’re not all scientists, we’re all capable of telling our stories and doing our part.

But that’s not all we can do. Newitz proposes reshaping cities as we know them, and guess what city is said to be a great template for the “mutated metropolis”? That’s right, our very own City by the Bay. Historically considered a “wide-open city,” meaning that it’s a city “prepared to tolerate,” San Francisco is an ideal site for the types of change that could ultimately save us. So maybe we should be building a Jaeger, since San Francisco is the first city to be destroyed by a kaiju attack. Sorry, did I mention I really loved Pacific Rim?

But in all seriousness, the things we should be thinking about combating are climate change and pandemics. Newitz discusses the work we need to do to regulate the space around us and cool down the planet. And if you haven’t already dismissed anti-vaccination discussions, consider this: biomedical model expert Brian Coburn and his colleagues have found that “vaccinating 80% of children (less than 19 years old) would be almost as effective as vaccinating 80% of the entire population.” Meaning we should really consider how we can vaccinate globally.

But though we should be thinking about terraforming Earth to make it more sustainable, in the long run, we should be looking to the stars and considering terraforming other planets. Did anyone else first learn the word “terraforming” from Firefly? Because I sure did, and to think that Captain Malcolm Reynolds’ opening commentary on the show about the Earth getting used up and having to terraform other planets might actually be nonfiction one day is fascinating. And the space elevators that could make day trips off Earth possible are in the works!

Scatter, Adapt, and Remember is part cautionary tale, part how-to guide, and part super cool and nerdy science. Taken to heart, it’ll leave you more knowledgeable and hopeful for our continued existence, and possibly inspire more great minds to take action to ensure our survival.

InsideStoryTime: Last Things

With Annalee Newitz, Lucy Corin, Ransom Stephens, Guy Benjamin Brookshire, and Angelica Oung, with MC James Warner

Thu/21, 7-9pm, free

Glass Door Gallery

245 Columbus, SF

www.insidestorytime.com

On the Cheap: November 6 – 12, 2013

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On the Cheap listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 6

“The Big Book of Orgasms: 69 Sexy Stories” Good Vibrations, 1620 Polk, SF; www.goodvibes.com. 6:30pm, free. Contributors read from editor Rachel Kramer Bussel’s latest erotica anthology.

David Henry and Joe Henry Diesel, A Bookstore, 5433 College, Oakl; www.dieselbookstore.com. 7pm, free. The brothers (David’s a screenwriter; Joe’s a musician) discuss their new book, Furious Cool: Richard Pryor and the World That Made Him.

THURSDAY 7

Bill Ayers Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author discusses Public Enemy: Confessions of an American Dissident, a sequel to his Fugitive Days that delves into his life after the Weather Underground.

Travis Smith and Chris Bale Books Inc., 2275 Market, SF; www.booksinc.net. 7:30pm, free. The authors discuss their best-selling travel book, Guide for the Modern Bear, at this official SF Bear Pride Week (www.sfbearpride.com) event.

FRIDAY 8

“Last Word Reading Series” Nefeli Caffe, 1834 Euclid, Berk; (510) 841-6374. 7pm, free. Poets Ivan Arguelles and Mary-Marcia Castoly read, followed by an open mic.

“A Planned Disappearance Of” Proxy, 432 Octavia, SF; www.deptofarchitecture.com. 6-9:30pm, free. Also Sat/9, noon-8pm, free. Dept. of Architecture gallery presents this pop-up event with sound performances, temporary exhibitions, talks, music, and more.

SATURDAY 9

Daniel Alarcón Diesel, A Bookstore, 5433 College, Oakl; www.dieselbookstore.com. 7pm, free. The San Francisco-based author discusses his latest novel, At Night We Walk in Circles.

“Celebration of Craftswomen” Festival Pavilion, Fort Mason Center, Buchanan at Marina, SF; www.fortmason.org. 10am-5pm. Through Mon/11. $7-9 (free for children 12 and under; two-day pass, $15). Over 190 female artists showcase their wares and skills at this 35th annual juried event. Proceeds benefit the Women’s Building.

“Come Out & Play Festival” Today: Everett Middle School, 450 Church, SF; www.comeoutandplaysf.org. 11am-7pm (Journey to the End of Night, pre-registration required, 7pm), free. Sun/10, Mission Recreation Center, 2450 Harrison, SF. 11am-4pm, free. Local and visiting designers and street-game enthusiasts take to the Mission for smart phone-based games, alternative sports, sidewalk chalk-based adventures, and more.

“Diwali: The Festival of Lights” Brahma Kumaris Meditation Center, 401 Baker, SF; www.bksanfrancisco.com. 6-8pm, free (register online). Celebrate the Indian festival of Diwali, or “festival of lights,” with music and meditation to envision “the dawn of the era of peace, happiness, and prosperity.” Supervisor London Breed is the special guest.

“Issue in Focus: The Chocolate Industry” Eric Quezada Center for Cultura and Politics, 518 Valencia, SF; www.518valencia.org. 6-9pm, $5-10. Food Empowerment Project screens two short films (The Dark Side of Chocolate and The Shady Side of Chocolate) at its first-ever public event.

San Francisco Opera Free Community Open House War Memorial Opera House, 301 Van Ness, SF; www.sfopera.com. 10:30am-2:30pm, free. Onstage musical demonstrations, stage combat workshops, makeup and costume demos, a costume photo booth, scavenger hunt, food trucks, and more highlight this second annual event. Register online to win tickets to The Barber of Seville or The Barber of Seville for Families at sfopera.com/openhouse.

SF Green Festival Concourse Exhibition Center, 635 Eighth St, SF; www.greenfestivals.org. 10am-6pm; Sun/10, 11am-5pm. $10-15. Two-day festival celebrating sustainability and ecology, with cooking demos, environmental films, speakers, activities for kids, a green-biz marketplace, and more.

SUNDAY 10

Novemberfest in Temescal Alley Temescal Alley, 49th St at Temescal, Oakl; www.temescalalleys.com. Noon-4pm, free (beers, $5; all-you-can-drink tasting glass, $15-25; proceeds benefit Walk Oakland Bike Oakland). Live music and a showcase of local craft brewers, including Linden Street Brewery, Calicraft, Ale Industries, Drakes Brewing Company, and others.

MONDAY 11

Gail Carriger Borderlands Books, 866 Valencia, SF; www.borderlands-books.com. 7pm, free. The steampunk author reads from Curtsies and Conspiracies, the second title in her “Finishing School” series.

TUESDAY 12

Roxanne Dunbar-Ortiz University Press Books, 2430 Bancroft, Berk; www.universitypressbooks.com. 6pm, free. The author discusses indigenous resistance and the re-release of The Great Sioux Nation: Sitting in Judgment on America. There will also be a poetry reading by Julie Thi Underhill, a descendant of the indigenous Cham of Vietnam.

“The Fabulous World of Queer Pulp Yesterday and Today” Koret Auditorium, San Francisco Main Library, 100 Larkin, SF; www.sfpl.org. 6pm, free. Pulp icon Ann Bannon, historians Martin Meeker and Jenny Worey, and authors F. Allen Sawyer and Monica Nolan gather to discuss queer pulp paperbacks.

Warren Lehrer Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The artist and author discusses A Life in Books: The Ride and Fall of Beau Mobley. *