Authors

Events: July 9 – 15, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 9

LaborFest 2014 Meet at SW corner of Geary and Laguna, SF; www.laborfest.net. 3-4:30pm, free. “Union Sponsored Affordable Housing in San Francisco: St. Francis Square Cooperative” walking tour.

Kim Stolz Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 12:30pm, free. The author and media personality discusses Unfriending My Ex: And Other Things I’ll Never Do.

THURSDAY 10

Kjerstin Gruys Books Inc, 601 Van Ness, SF; www.booksinc.net. 7pm, free. The sociologist discusses her memoir Mirror, Mirror Off the Wall: How I Learned to Love My Body By Not Looking at It For a Year.

LaborFest 2014 518 Valencia, SF; www.laborfest.net. 7pm, donations accepted. “FilmWorks United: International Working Class Film and Video Festival:” Black and White and Dead All Over (Foster, 2013), followed by a discussion on the newspaper industry. Also: Berkeley City College Auditorium, 2050 Center, Berk; www.laborfest.net. 7pm, free. “FilmWorks United:” Coming for a Visit (Tourette, 2013).

Jervey Tervalon Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The author discusses his new thriller, Monster’s Chef.

FRIDAY 11

LaborFest 2014 First Unitarian Universalist Church, 1187 Franklin, SF; www.laborfest.net. 7pm, donations accepted. “FilmWorks United: International Working Class Film and Video Festival:” ASOTRECOL, The Struggle Against Transnationals in Colombia (2013).

“Off Shore: A Live Drawing Event and Fundraiser” Verdi Club, 2424 Mariposa, SF; www.soex.org. 6pm, $15-20. Southern Exposure’s annual “Monster Drawing Rally” fundraiser presents 120 artists drawing in shifts in front of a live audience.

“Punk: Convulsive Beauty” iHeartNorthBeach Art Gallery and Gifts, 641 Green, SF; www.pmpress.org. 5-11pm, free. PM press presents its new book, Dead Kennedys: Fresh Fruit for Rotting Vegetables, The Early Years, by Alex Ogg, featuring photographs by Ruby Ray and art by Winston Smith. Ray and Smith will also be exhibiting their artwork capturing the punk scene, circa 1977-1981.

SATURDAY 12

Tony Gilbert Green Apple Books, 506 Clement, SF; www.greenapplebooks.com. Noon, free. The author reads from Hannah and the Secret Mermaids of San Francisco Bay, alongside a display of original art from the story painted by Gail Weissman.

LaborFest 2014 Meet at 75 Folsom, SF; www.laborfest.net. 10am, free. “San Francisco Waterfront Labor History Walk,” with Lawrence Shoup and Peter O’Driscoll. Also: meet in front of Bill Graham Auditorium, 99 Grove, SF; www.laborfest.net. 10am, $20. “WPA Bus Tour.” Also: Fellowship of Unitarian Universalists, 1924 Cedar, Berk; www.laborfest.net. 7pm, free. Class War CD release party with Redd Welsh. Also: First Unitarian Universalist Church, 1187 Franklin, SF; www.laborfest.net. 7pm, donations accepted. “People’s Voices for a World of Harmony, Peace, and Justice.”

“Writers With Drinks: An Evening of Oversharing About Money” Make-Out Room, 3225 22nd St, SF; www.writerswithdrinks.com. 7:30pm, $5-20. With J. Bradford DeLong, Carol Queen, Farhad Manjoo, Frances Lefkowitz, and Charlie Jane Anders.

SUNDAY 13

“Bookish Beasts” Center for Sex and Culture, 1349 Mission, SF; www.sexandculture.org. Noon-6pm, free. Zine fest featuring authors whose work takes on sexuality, gender, and erotica.

MP Johnson Borderlands Books, 866 Valencia, SF; www.borderlands-books.com. 3pm, free. The author reads from Dungeons and Drag Queens. Attending in drag encouraged!

LaborFest 2014 ILWU 34 Hall, 801 Second St, SF; www.laborfest.net. 10am, free. “Staples, Our Public Post Office, Privativation, and Trust” panel discussion. Also: Manilatown Center, 868 Kearny, SF; www.laborfest.net. 4-7pm, donations accepted. “Revisiting the History of California Agricultural Workers and Filipino Labor” with a variety of speakers.

TUESDAY 15

Anoop Judge Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author discusses her Bay Area-set novel, The Rummy Club.

LaborFest 2014 Potrero Hill Neighborhood House, Southern Heights at De Haro, SF; www.laborfest.net. 10am, free. Potrero Hill history walk. Also: Modern Times Bookstore, 2919 24th St, SF; www.laborfest.net. 7pm, free. LaborFest Writers read their work. Also: San Jose Improv, 62 Second St, San Jose; www.sjimprov.com. 8pm, donations requested (make free reservations online). “LaborFest Comedy Night” with Will Durst and others. *

 

Events: June 25 – July 1, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 25

Damien Echols and Lorri Davis Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The husband-and-wife authors discuss Yours for Eternity, a collection of letters they exchanged while Echols, a member of the West Memphis Three who was freed in 2011, was imprisoned on Arkansas’ Death Row.

Joyce Goldstein Mechanics’ Institute, 57 Post, Rm 406, SF; www.milibrary.org. 6pm, $15. The chef and cookbook author discusses Inside the California Food Revolution: Thirty Years That Changed Our Culinary Consciousness.

THURSDAY 26

Joshua Weil City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The author reads from The Great Glass Sea.

FRIDAY 27

Ken LaZebnik University Press Books, 2430 Bancroft, Berk; http://universitypressbooks.indiebound.com. 6pm, free. The veteran film and TV writer shares his new book of essays, Hollywood Digs: An Archaeology of Shadows.

“MarinScapes Fine Art Exhibit and Sale” Historic Escalle Winery, 771 Magnolia, Larkspur; www.buckelew.org/marinscapes. Today, 5:30-8pm; Sat/28-Sun/29, noon-6pm. $15. Buckelew Programs (including Family Service Agency of Marin and Helen Vine Recovery Center) benefits from this showcase of work by 30 artists and photographers whose work is inspired by Marin County. Author Anne Lamott gives a talk Sat/28, 12:30pm.

“Pancakes and Booze Art Show” 111 Minna Gallery, 111 Minna, SF; www.pancakesandbooze.com. 8pm-2am, $5. Also Sat/28. Over 100 emerging artists showcase their wares at this party, which also features live body painting, live music, live art battles, and an all-you-can-eat pancake bar.

SATURDAY 28

Jennifer Coburn and Cindy Arora Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 4pm, free. The authors discuss We’ll Always Have Paris and Heartbreak Cake.

“Hand to Mouth/Words Spoken Out #67” Rebound Bookstore, 1611 Fourth St, San Rafael; www.reboundbookstore.com. 4-6pm, donation requested. Poet Gerald Nicosia reads with special guests.

Art Peterson Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 2pm, free. The author discusses his San Francisco tale, Why Is That Bridge Orange?

El Tecolote benefit Cesar’s Latin Palace, 826 26th St, SF; www.accionlatina.org. 9pm-2am, $10. Raise money for Mission district bilingual newspaper El Tecolote at this dance party, featuring music by Cesar’s Latin All-Stars and Bahia Son.

SUNDAY 29

“Reimagining Progress: The Power of Word” David Brower Center, Goldman Theater, 2150 Allston, Berk; www.browercenter.org. 5:30pm, free. Fourteen acclaimed poets, including Patricia Smith and Josh Healey, read works addressing “environmental health, social justice, and the notion of progress.”

“We Shape Our City” Old Mint, 88 Fifth St, SF; www.sfhistory.org. 1-4pm, $5-10. Ongoing every Sunday. The San Francisco Museum and Historical Society hosts docent-led tours of the historic landmark, as well as showcasing a number of exhibits, including photographic explorations of various SF neighborhoods and the new “We Shape Our City,” dedicated to local innovators.

MONDAY 30

Bill Hillman and Tim Kinsella Books Inc., 601 Van Ness, SF; www.booksinc.net. 7pm, free. The authors read from The Old Neighborhood and Let Go and Go on and on.

TUESDAY 1

LaborFest Art Show ILWU Local 34 Hall, 801 Second St, SF; www.laborfest.net. Today through July 12, (4-6pm weekdays; noon-4pm, Sat-Sun). Free. LaborFest honors the 100th year commemoration of the Ludlow mining strike in Colorado with this art exhibit themed around “Extraction.” Artists include Philippe Barmoud, Sherri Craven, Mike Conner, Peter Hudson, and others. *

 

Events: June 25 – July 1, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 25

Damien Echols and Lorri Davis Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The husband-and-wife authors discuss Yours for Eternity, a collection of letters they exchanged while Echols, a member of the West Memphis Three who was freed in 2011, was imprisoned on Arkansas’ Death Row.

Joyce Goldstein Mechanics’ Institute, 57 Post, Rm 406, SF; www.milibrary.org. 6pm, $15. The chef and cookbook author discusses Inside the California Food Revolution: Thirty Years That Changed Our Culinary Consciousness.

THURSDAY 26

Joshua Weil City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The author reads from The Great Glass Sea.

FRIDAY 27

Ken LaZebnik University Press Books, 2430 Bancroft, Berk; http://universitypressbooks.indiebound.com. 6pm, free. The veteran film and TV writer shares his new book of essays, Hollywood Digs: An Archaeology of Shadows.

“MarinScapes Fine Art Exhibit and Sale” Historic Escalle Winery, 771 Magnolia, Larkspur; www.buckelew.org/marinscapes. Today, 5:30-8pm; Sat/28-Sun/29, noon-6pm. $15. Buckelew Programs (including Family Service Agency of Marin and Helen Vine Recovery Center) benefits from this showcase of work by 30 artists and photographers whose work is inspired by Marin County. Author Anne Lamott gives a talk Sat/28, 12:30pm.

“Pancakes and Booze Art Show” 111 Minna Gallery, 111 Minna, SF; www.pancakesandbooze.com. 8pm-2am, $5. Also Sat/28. Over 100 emerging artists showcase their wares at this party, which also features live body painting, live music, live art battles, and an all-you-can-eat pancake bar.

SATURDAY 28

Jennifer Coburn and Cindy Arora Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 4pm, free. The authors discuss We’ll Always Have Paris and Heartbreak Cake.

“Hand to Mouth/Words Spoken Out #67” Rebound Bookstore, 1611 Fourth St, San Rafael; www.reboundbookstore.com. 4-6pm, donation requested. Poet Gerald Nicosia reads with special guests.

Art Peterson Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 2pm, free. The author discusses his San Francisco tale, Why Is That Bridge Orange?

El Tecolote benefit Cesar’s Latin Palace, 826 26th St, SF; www.accionlatina.org. 9pm-2am, $10. Raise money for Mission district bilingual newspaper El Tecolote at this dance party, featuring music by Cesar’s Latin All-Stars and Bahia Son.

SUNDAY 29

“Reimagining Progress: The Power of Word” David Brower Center, Goldman Theater, 2150 Allston, Berk; www.browercenter.org. 5:30pm, free. Fourteen acclaimed poets, including Patricia Smith and Josh Healey, read works addressing “environmental health, social justice, and the notion of progress.”

“We Shape Our City” Old Mint, 88 Fifth St, SF; www.sfhistory.org. 1-4pm, $5-10. Ongoing every Sunday. The San Francisco Museum and Historical Society hosts docent-led tours of the historic landmark, as well as showcasing a number of exhibits, including photographic explorations of various SF neighborhoods and the new “We Shape Our City,” dedicated to local innovators.

MONDAY 30

Bill Hillman and Tim Kinsella Books Inc., 601 Van Ness, SF; www.booksinc.net. 7pm, free. The authors read from The Old Neighborhood and Let Go and Go on and on.

TUESDAY 1

LaborFest Art Show ILWU Local 34 Hall, 801 Second St, SF; www.laborfest.net. Today through July 12, (4-6pm weekdays; noon-4pm, Sat-Sun). Free. LaborFest honors the 100th year commemoration of the Ludlow mining strike in Colorado with this art exhibit themed around “Extraction.” Artists include Philippe Barmoud, Sherri Craven, Mike Conner, Peter Hudson, and others. *

 

Doo-wop (that thing): talking with the cast of ‘Jersey Boys’

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The backstage musical that turned the story of Frankie Valli and the Four Seasons — known for 1960s doo-wop ditties like “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” and a zillion more; you will recognize all of them — into Broadway gold ascends to the big screen Fri/20 thanks to director Clint Eastwood, a seemingly odd choice until you consider Eastwood’s own well-documented love of music. 

Jersey Boys weaves a predictable tale of show biz dreams realized and then nearly dashed, with a gangster element that allows for some Goodfellas-lite action (a pre-fame Joe Pesci is a character here; he was actually from the same ‘hood, and was instrumental in the group’s formation). With songs recorded live on-set, à la 2012’s Les Misérables, there’s some spark to the musical numbers, but Eastwood’s direction is more solid than spontaneous, with zero surprises (even the big finale, clearly an attempt at a fizzy, feel-good farewell, seems familiar). 

Still, the cast — including 2006 Tony winner John Lloyd Young as Valli, and Christopher Walken as a sympathetic mobster — is likable, with Young in particular turning in a textured performance that speaks to his years of experience with the role. I spoke with Young, Michael Lomenda (who plays original Four Season Nick Massi), and Erich Bergen (as Bob Gaudio, the member who wrote most of the group’s hits) when the trio made a recent visit to San Francisco to promote the movie.

https://www.youtube.com/watch?v=6tC1yOUvvMo

SF Bay Guardian This must be a crazy time for you guys.

John Lloyd Young It’s a very exciting time for all three of us, and including our fourth colleague Vincent Piazza [who plays Four Season co-founder Tommy DeVito]. This is our first major studio feature film, and we got to be directed by Clint Eastwood. 

SFBG Did he ever break into song on the set?

Michael Lomenda [Laughs.] It was very interesting, actually, to see him between takes trying to capture that Frankie Valli falsetto. I think it was an ongoing challenge for him the whole 38 days that we shot, to try and figure out how to manipulate his voice in that way.

JLY It was a tongue-in-cheek challenge, because it was all playful. He knew he wasn’t gonna sing like Frankie!

SFBG Few can! Though, you’ve been able to do it for several years. How do you keep your voice in shape to hit those notes?

JLY Well, you either have a falsetto or you don’t. If you have it, you just keep it in shape the same way any singer does. Obviously, singers, there’s certain things we can’t do. We can’t go out and yell all night in a bar. We shouldn’t smoke, we shouldn’t drink. The voice is very delicate. Those are very delicate muscles. Anything you do that’s not good for your body in general won’t be good for your voice. But, basically, just living a clean life. And Frankie Valli himself will tell you the same thing.

SFBG It’s interesting that you bring up clean living. I hadn’t seen the stage show, and I didn’t know much about the group before I saw the movie. But in every show-biz biopic, there’s always some kind of vice (usually drugs or booze, as in Walk the Line) that threatens to ruin the performer’s success. Here, it’s the mobster subplot — mobsters are not the typical vice.

Erich Bergen I think that’s one of the things that’s very interesting is that Frankie didn’t get into [drugs or alcohol]. That’s sort of the reason why he’s still around and he’s still on the road, because he’s been able to preserve not only his gift, but his life. Of course, he went through some harsh things in life. He went through a couple of marriages and divorces, and obviously he lost a daughter. Actually, and we don’t go into this in the movie, but he’s lost two daughters. He’s lived a very hard life. He didn’t need drugs or alcohol; that hard life came to him naturally. 

I think that’s what makes this story so interesting: we’re watching someone whose life is hitting him in the face. And we sort of identify with that. I don’t know about you, but for me personally, when I watch a lot of biopics and they start to get into the drugs and all that type of stuff — that’s where I sort of lose them a little bit, because that’s just sort of the generic story at this point. What makes Jersey Boys work is that we really connect with these guys because we identify with them. It’s written in a way that even when they’re not at their highest point, when they’re doing things that aren’t so great — especially the character of Tommy DeVito — we still root for them, and we still want them to succeed. 

SFBG The movie really shows how hard they had to work to be successful. It’s a stark contrast to the music business of today, where someone can become famous overnight thanks to a YouTube video.

EB That’s exactly what we talk about when we’re asked the question, “What makes this story so interesting?” If you look at the groups of today, whether it’s a One Direction or a Justin Bieber, before we actually know their songs, we know what they had for breakfast. But [the Four Seasons] really came at a time when you were trying to hide your real story and project out a shiny, clean image, because that’s what everyone wanted. That’s why Jersey Boys can exist today, because the story was never known. 

JLY I have a thought about that, too, which is that nowadays — without naming anyone by name — a lot of successful music acts are created as an idea in a marketing boardroom first, and then they find someone to fit that image. You know what I’m saying? It seems like the marketers are the stars nowadays. The more you can get an audience to feel there’s something really exciting there, and then get them there, then you’ve won. But when they get there and they don’t have a great experience, well, you already got their money, so who cares?

But I think at the time of Jersey Boys, to succeed you had to work really hard. There were only three networks, and there were very few print outlets. If you actually got on the cover of a magazine, or you got on a network, you made it. But you had to have something to show for it. You had to have talent, and especially that generation of Baby Boomers — the biggest generation we’ve ever had in American history. That’s a lot of people competing for which of the talented ones among them would become known. And the Four Seasons had the talent, but they also had that special, very distinctly East Coast, riveting-to-an-audience kind of thing, with that Mob connection that makes their story unique among that era of bands.

SFBG The movie makes it clear that they had to succeed, because they didn’t have anything to go back to.

ML It’s true. These guys are from the wrong side of the tracks. You have some choices. You can go in the army, you can get mobbed up, or you can become famous, as they say in the film. We also sort of say that they did two out of the three. But I think their music spoke for itself. They broke when their music had to speak for them, and that’s what made them successful.

EB The proof of that is that everyone knows these songs, but not the band. There are so many songs we don’t even get to in this movie, because we’d run out of time! That tells you how much talent they really had as performers, writers, producers — all of those things. Their catalog is endless, and yet nobody knew they were all by the same group.

JL I just saw Clint Eastwood on the Today show, and when they introduced him, they said the Four Seasons had 71 chart-topping hits. 71! I think that’s incredible for that band, coming out of that decade.

SFBG They were also commercially savvy. The songs were so catchy. No wonder people liked them.

ML I think that’s they key to why their music has stood the test of time. Maybe it’s commercially viable, and it is good pop music. But if you did a little deeper into some of the lyrics — for example, “Dawn” is one of my favorite songs, and they’re singing, “Dawn, go away, I’m no good for you, think about what the future would be with a poor guy like me…” It’s that kind of lyric that brings depth so what initially could be perceived as just pop, bubblegum music. It spoke to an audience that I think was sort of the fabric of America.

JLY Their early attempts at marketing are sort of outlined in the movie. You got [producer] Bob Crewe giving them advice on how to get their songs out there. You have Bob Gaudio figuring out how to get his songs out there. I know, and am friends with, the real Bob Gaudio, and it’s funny, he’s a hugely successful songwriter, but he almost seems more proud of his business successes than he does of his songwriting. He gets pumped by being smart in business as he gets pumped by writing a good song.

SFBG As actors, does it present a particular challenge to play a real person, a famous person, particularly if that person is still living? Or were you able to put your own stamp on the characters?

EB I think John had the most pressure out of all of us, because he’s playing someone that’s so well-known, and John can tell you about that experience. But for the rest of us, we really did invent these characters. Even though they were real people, and while we wanted to pay respect to these people, and their families, we did have the luxury of not having to play John Lennon and Paul McCartney. They’re not well-known to the public. So we did get to use our skills as actors and create characters from the ground up.

JLY One of the benefits as an actor approaching the role of Frankie, even in the beginning in the original cast, is that he is known. People know what he looks like and they know what he sounds like. He did some talk show stuff, so they kind of know how he moves. So I knew that I needed to get his physical attributes down. I needed to evoke his sound, look like him, talk like him. But outside of those physical things, the internal life of Frankie Valli, we don’t really know. We didn’t know. 

When I was researching the original Broadway show, all I could find were maybe 12 minutes of footage of him at the Museum of Television and Radio. That was, like, the year before YouTube broke, so now there’s footage of him everywhere, but I didn’t have the benefit of that. But now I have seen a lot of YouTube and everything. So I thought, as long as I get those physical characteristics down, the story of the Four Seasons, the story of Frankie Valli, is still largely unknown to audiences. So I had free reign to kind of build the psychological reality of the character using my own imagination, and the cues that I had from the script. And knowing Bob Gaudio, Frankie Valli’s real-life best friend, and the things he told me about Frankie, and knowing, of course, the man himself. 

But I didn’t feel pressure so much. The pressure I felt was to honor the people who put this movie together, which was Frankie and Bob, and to portray the character in a way that was compelling and riveting to an audience so that we’d have as successful a show as we could have. And now, I think that I feel very proud of what we’ve accomplished with this movie, and I think it’s an enhancement, actually, of what has been out there all these years, with the successful stage musical across the world. 

SFBG How true is the movie to the stage production?

ML It’s actually very similar. We were lucky to work with [screenwriters and musical authors] Marshall [Brickman] and Rick [Elice] on the film, which I think we were all very grateful for, because it meant that we didn’t have to learn too many new lines. [Laughs.] But it was great. I think when I first found out that the movie was being done, I was really concerned that the final product would be true to the stage, because the script is so fantastic. But beauty of film is that you get to flesh out certain relationships, and certain storylines. I think fans of Jersey Boys are going to love a lot of the scenes that they loved from the stage version, but they’re also going to go crazy over the other stuff, the extra stuff that is put into the film.

The stage production is directed in a very slick fashion, but logistics dictate that you have to move from scene to scene very quickly to keep up the energy going in the two-and-a-half hour show. But what Mr. Eastwood does so beautifully with this movie, and with all of his movies, is create a real environment that’s rich and tangible, that you can really sense in the theater. I think Jersey Boys fans are going to love that as well.

JYL If people love the stage show of Jersey Boys, the movie is going to give then a much deeper, more thorough, and much more detailed experience.

SFBG I did not realize, until I was reading up on the movie, that there were Jersey Boys superfans who have seen the show hundreds of times.

EB Michael and I opened the national tour of Jersey Boys in San Francisco, and six years later Michael closed that tour in the same theater. This was my first discovery with anything remotely like that. I remember seeing these fans come in over and over again. At first I thought, “What are they doing?” and “Where are they getting the money that they’re buying such great seats three times a week?” I remember I got a letter one time, we all got these letters, from a fan who said, “I know you probably think it’s crazy that I’m here all the time, but this is the first time I’ve felt happy in 10 years.”

When we get things like that, we don’t really know what to make of that. But we are so thrilled that it’s had an impact. I don’t know if it can be explained. People often ask us, “What is it about Jersey Boys that keeps people coming back?” I don’t know if I know. I don’t know if anyone knows. I know that when people come to see the show, they’re affected by it for whatever reason. It moves them, it changes them. They are really passionate about it, and we’re just sort of lucky that we got to be a part of that somehow. I don’t really know what else to say about it!

JYL I have something else to say about it, and that is: if a person has seen the stage play of Jersey Boys 100 times, let them know, please, on our behalf, that for the price of one Broadway ticket, they can see this movie 10 times! [All three laugh.] So we hope that they decide to make their investment in 10 tickets for the movie. 

SFBG What’s up next for you guys? More musicals?

ML I think we’ve all been bitten by the movie bug. To start on a Clint Eastwood set, we’ve been a bit blessed and totally spoiled. So, I think certainly, we would all like to dive further into this genre and explore it.

EB I agree. My album comes out next week, some new music that I just recorded down in Nashville, and I’m in a new series on CBS this fall called Madame Secretary. I will also be hosting lots of Jersey Boys viewing parties once the DVD comes out. [Laughs.]

JLY I have a new album that I just released, My Turn — it’s R&B hits from the 60s in my voice, not Frankie’s, and it’s on iTunes and Amazon. I’m also a recent appointee by Barack Obama to the President’s Committee on the Arts and Humanities. So I’ll be working with kids in the lowest-performing schools, re-inserting arts into their curriculum to increase their school performance and their school culture. The actor Kal Penn and I will be sharing a school district in Des Moines, Iowa. I’m really looking forward to it.

JERSEY BOYS opens Fri/20 in Bay Area theaters.

DCCC calls against Prop B did not have desired effect, did raise questions

Chairperson Mary Jung of the San Francisco Democratic County Central Committee, a highly influential political body that governs the San Francisco Democratic Party, has come under fire for “misuse of funds” after authorizing the use of DCCC dollars to make calls to voters just before the June 3 election.

The funds in question, according to DCCC members who raised concerns, came out of a $25,000 check from billionaire venture capital investor Ron Conway, received by the DCCC May 30.

In a June 16 letter – signed by DCCC members Kelly Dwyer, Hene Kelly, Sup. Eric Mar, Sup. David Campos, Sup. John Avalos and Petra DeJesus – Jung is taken to task for directing $11,674.48 from this donation be used for phone calls placed to voters in opposition to Proposition B, which appeared on the June 3 ballot, just before the election.

As previously reported, a complainant cried foul on this action in a filing with the San Francisco Ethics Commission, because callers seemed to be intentionally misleading voters by implying that the No Wall on the Waterfront Campaign, which backed the measure, was opposed to it.

When we phoned Jung for comment on that complaint, she said she did not have the call script and could not comment on the charge that the calls were misleading. She also said Conway’s contribution was not necessarily put toward the No on B calls. Instead, she told us, she could not link any single donation with any single expenditure, because the DCCC had been conducting broad fundraising efforts leading up to the election.

In their letter to Jung, the dissenting DCCC members argued that her decision to authorize the use of funds for the No on B voter calls violated the organization’s bylaws, because “there was never a vote by the members to expend $11,674.48 to make calls for No on B.” 

The letter points to an article within the board’s bylaws, stating that “Disbursements of SFDCCC funds … shall be authorized by a majority vote of the voting members present and voting at a regular meeting.” 

In the end, San Francisco voters overwhelmingly approved Prop. B, which requires voter approval before building heights may be increased above established limits for new waterfront development projects. However, the measure was not popular among real-estate development interests.

In addition to being chair of the DCCC, Jung is employed as a paid lobbyist for the San Francisco Association of Realtors, making her professionally positioned at the center of the San Francisco real-estate community.

“The power that comes with being the Chair does not mean that you can circumvent Bylaws and advocate and raise money for causes that you happen to also work for,” the authors of the letter stated bluntly. “There is a serious conflict of interest here.”

When the Bay Guardian phoned the DCCC to ask if there was an expert on the organization’s bylaws who might be able to comment on whether the rules had been violated, we were directed to Arlo Hale Smith, a 30-year DCCC member and parliamentarian with a deep understanding of the bylaws.

Smith offered an interesting twist on the matter: He said these funds were indeed “properly expended, under the emergency provision.”

The emergency provision? Yes, Smith explained, the DCCC bylaws contain a provision allowing the DCCC chair and treasurer to authorize the use of funds without first calling a vote, “in the event of an emergency.” This provision has been used in the past, he said, to authorize last-minute expenditures when an election imposes a tight deadline.

Since the money arrived three days before the election, there was no time to call a meeting and vote on it, Smith clarified. That’s why it was perfectly legitimate for Jung to authorize the use of funds. He added that disagreement over the content of the calls warranted a separate conversation.

“Because of when the check arrived – it constituted an emergency,” Smith noted, confirming that he was talking about the check from Conway.

That would be the same check from Conway that Jung told us had nothing to do with the No on B calls.

Sounds like the DCCC is going to have lots to talk about on June 25, when the members who submitted the letter asked for a hearing on this matter.

Here’s the full text of the letter.

DCCC members' letter to Chair Mary Jung

American revolution: Smith Henderson talks ‘Fourth of July Creek’

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Smith Henderson is all smiles. His debut novel, Fourth of July Creek, has been receiving rave reviews since its release two weeks ago, has a 100,000 copy pressing from HarperCollins, and was recently called “the best book I’ve read so far this year” by Washington Post critic Ron Charles.

“I was not expecting the Ron Charles thing … that was amazing,” Henderson says, sipping his beer on the outdoor patio of Farley’s East in Oakland. (He’ll be reading from the book Tue/17 at San Francisco’s Book Passage.) While the degree of success that the book is receiving tickles Henderson, he doesn’t pretend to be shocked that people are enjoying his work. “When people tell me ‘I love your book,’ I’m happy, but not chagrined. I wrote the book toward my interests, so of course I like my book.” Henderson smokes a cigarette as he chuckles. 

His novel explores the plight of Pete Snow, a Montana social worker who discovers a feral boy, Benjamin, and his survivalist father Jeremiah Pearl. While dealing with the dissolution of his own family, several other cases, and a tumultuous romance, Snow uncovers Pearl’s revolutionary ideas and begins to question his own safety and that of his entire community, the rural town of Tenmile. Henderson’s intertwining plot confronts a plethora of contemporary societal ailments, including alcoholism, suspicion of government, child neglect, cultural polarization, and the gift and curse of religion. 

Much of our conversation concerned the intricate plot points that Henderson somehow manages to sew together seamlessly. Such a combination of topicality and technical flourish has led Charles and several other high-profile critics to throw around words like “Great American Novel,” meaning work consistent enough and broad enough in  political scope to say something profound and lasting about the nation. 

Henderson isn’t one to label his own work, but he doesn’t entirely laugh off the potential hyperbole either. “I think it’s tricky to use words like ‘Great American Novel’ because it’s set in Montana — it’s a very white state. There’s a lack of diversity that I think is necessary in talking about the whole country.” After a moment of rumination, however, he offers a partial refutation of his own point. “That being said, the novels that come to mind are pretty regional as well; Beloved is pretty focused on a single location and group.”

While Montana might not be the optimal mirror for America, it’s a place that Henderson knows quite well. A native son, he grew up in the state and went to college, like Pete Snow, in Missoula. (He now lives in Portland, Ore.) “My whole family are cowboys and loggers. My dad is still a logger,” he says proudly. “Montana is a weird place … there’s a libertarian streak that is pretty unique in how it manifests itself.” 

Henderson cites the 2004 election, in which Montana voted for George W. Bush, legalized medical marijuana, and constitutionally banned gay marriage all on the same ballot. The odd mix between “live free or die” and socially conservative practices in the state provided an ideal climate for the confrontation between Snow, a government employee with the Department of Family Services, and the fiercely anti-authority Pearl. The eventual escalation between the government and the community is easy to believe. 

“Things are always liable to get a bit wacky and out of control up there,” says Henderson. 

Yet Henderson, while by no means conservative or religious, isn’t trying to write a book about extreme zealots. “At first it’s possible to look at Pearl and think he’s completely insane. But a lot of his paranoia is not entirely unfounded.” 

Near the end of the book, Pearl uses an example of government agencies  replenishing the Montana wolf population as an example of how dangerous Federalism can become. “Pearl basically suggests, ‘You may think your wolves are pretty, but they are liable to eat me.’ That lack of practicality is real.” 

While Henderson set Fourth of July Creek in the early 1980s, he was inspired by the rhetoric going on in national politics today. “Arguments like those of Pearl’s are all over the place right now, and initially they may seem just as paranoid. But when you have unmitigated drone strikes and NSA surveillance it isn’t impossible to see where people are coming from.” 

He does, however, see the value of government intervention — Helena pays his ultimately heroic (or at least likeably anti-heroic) protagonist, after all. “On the other hand, you have health care, gay rights, the environment, all receiving meaningful support.”

Though informed and interested in the modern state of affairs, Henderson was very intentional in his chronological setting of the book. He leans forward and takes on a quieter, more intense tone as he talks about the era directly succeeding Carter’s economic and military failures. “1980 was an inflection point. Obviously Carter, while getting a lot right, struggled a ton in the implementation. And the backlash to that, coming in the form of the Reagan Revolution, has really defined modern society … We learned how to make wealth out of thin air — at least for some people.” 

Reagan’s election and the surrounding rhetoric takes center stage in the book. Judge Dyson, an aging and alcoholic Democrat, openly weeps as he watches the election results with Snow. “It was the death of the LBJ, rural-big-government Democrat. And that’s something I’m not sure we’ll ever get back.” 

In addition to highlighting the philosophical shifts that have led to the urbanization of liberal thought, Henderson also uses the relatively unorganized pre-digital bureaucracy as a major plot device. “There was no concept of secondary trauma in 1980 Montana. There was no social worker to help Pete deal with the horrific things that he sees on a daily basis.” 

The dearth of support systems fuel Snow’s drinking bouts, depression, and difficulty in handling his daughter’s disappearance and ex-wife’s instability; he may be a great social worker, but the state’s inability to track his emotional progress and casework eats away at his life.

A fascinating storyteller and political force, Henderson is also often  technically experimental. The portion of the book that details Snow’s daughter’s descent is done in the form of an anonymous question and answer. “When I write, I almost always write questions to myself: ‘Where is Pete Snow from?’ ‘Choteau.’ ‘Why Choteau?’ For the Rachel section, I just left it in that form.” 

But the section is far from unfinished. Henderson left the section as is because of the intensity of its content — in a pure third-person narrative it felt too stilted. “The voices are full of an anxiety and intensity that couldn’t be captured with the more impartial voice in the rest of the book.”

The frenetic 90 minutes that we spent discussing Fourth of July Creek further convinced me that the book cannot be distilled to one message, but is rather a varied rumination on insecurity, suspicion, and government. When I asked Henderson what he thinks the primary takeaway is, however, he was remarkably candid and quick in his response. He pointed me to the Thoreau quotation that opens the book: “If I knew for a certainty that a man was coming to my house with the conscious design of doing me good, I should run for my life.” 

Henderson then highlighted a passage in which Snow is likened to a priest for how much he gives up to help dysfunctional families. “America in the ‘80s was losing trust for institutions, and continues to. Despite all of his flaws, Pete is worthy of our trust, and hopefully represents a powerful refutation of Thoreau’s instant suspicion for government or those who come to help us.”

Henderson’s creation, while transcending political ideology, powerfully shows the potential for altruism even in a country as broken as the US.

 

Smith Henderson

Tue/17, 12:30pm, free

Book Passage

1 Ferry Building, SF

www.bookpassage.com

Event Listings: June 18-24, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 18

“Exploding Stars, Dark Energy, and the End of the Universe” Randall Museum Theater, 199 Museum Way, SF; www.randallmuseum.org. 7:30pm, free (donations encouraged). UC Berkeley astrophysicist and cosmologist Brad Tucker leads this lecture presented by the San Francisco Amateur Astronomers.

Susan Jane Gilman Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The author reads from her debut novel, The Ice Cream Queen of Orchard Street.

“Peter Orlovsky, A Life in Words” City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The late poet is remembered with Peter Orlovsky, a Life in Words: Intimate Chronicles of a Beat Writer, read by Bill Morgan, Joanne Kluger, and Michael McClure.

Tom Spanbauer Books Inc., 2275 Market, SF; www.booksinc.net. 7:30pm, free. The author reads from his first novel in seven years, I Loved You More.

THURSDAY 19

“Ink: The Enduring Art of Tattoos” Creativity Explored Gallery, 3245 16th St, SF; www.creativityexplored.org. Opening reception tonight, 7-9pm. Free. Exhibit through Aug 6 (Mon-Fri, 10am-3pm; Thu, 10am-7pm; Sat-Sun, noon-5pm). Creativity Explored artists present works inspired by tattoo art in this group exhibition.

FRIDAY 20

Community of Writers at Squaw Valley benefit reading Starr King Room, First Unitarian Universalist Church, 1187 Franklin, SF; www.squawvalleywriters.org. 7pm, $12-24. Readings by poets Don Mee Choi, Robert Hass, Harryette Mullen, C.D. Wright, and Matthew Zapruder.

SATURDAY 21

“Action and Adventure: The Beginning of Modern Comics” Escapist Comic Bookstore, 3090 Claremont, Berk; www.escapistcomics.com. 3-5pm, free. Gerard Jones (Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book) and Nicky Wheeler-Nicholson (granddaughter of the founder of DC Comics) discuss the early days of comics.

“Step Back” Meet in front of City Lights Bookstore, 261 Columbus, SF; www.radarproductions.org. 4pm, free. Radar presents this walking tour (with performances!) through the queer origins of North Beach with author and historian Nan Alamilla Boyd (Wide Open Town: A History of Queer San Francisco to 1965).

San Mateo SummerFest B Street between Tilton and Sixth Aves, San Mateo; www.sresproductions.com. 10am-6pm, free. Also Sun/22. Historic downtown San Mateo hosts this summer fair, with arts and crafts, cooking demos, live entertainment, and more.

“Sexy Summer Dance Party” One Grove Street, SF; www.ftloose.org. 7-11pm, $20-50 donation. Raise money for nonprofit art group Footloose at this event, featuring live music by Stephanie Teel Band and Rasa Vitalia, plus raffles, a silent auction, and more.

“What the Truck?” Jack London Square, Broadway at Embarcadero, Oakl; www.jacklondonsquare.com. 11am-5pm, free. Not just food trucks, though there’ll be plenty of those; this event also boasts art trucks, toy trucks, a mobile photo bus, and fashion boutiques on wheels.

SUNDAY 22

“Sunday Storytime Hour” Cartoon Art Museum, 655 Mission, SF; www.cartoonart.org. 11am-noon, included with museum admission ($4-8). Reading for kids spotlighting the John Klassen books This is Not My Hat and I Want My Hat Back, plus treats from Arizmendi Bakery. Wear your favorite hat!

“We Shape Our City” Old Mint, 88 Fifth St, SF; www.sfhistory.org. 1-4pm, $5-10. Ongoing every Sunday. The San Francisco Museum and Historical Society hosts docent-led tours of the historic landmark, as well as showcasing a number of exhibits, including photographic explorations of various SF neighborhoods and the new “We Shape Our City,” dedicated to local innovators.

MONDAY 23

Kenneth Turan Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The veteran film critic reads from Not to Be Missed.

TUESDAY 24

Jeffrey Renard Allen Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author reads from Song of the Shank.

Joanna Smith Rakoff Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The author shares her memoir, My Salinger Year.

Adam Wilson and Lucy Corin City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The authors share What’s Important Is Feeling and One Hundred Apocalypses. *

 

Events: June 4 – 10, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 4

Anne Germanacos Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author discusses her latest book, Tribute.

“Litquake’s June Epicenter” Hotel Rex, 562 Sutter, SF; www.litquake.org. 7pm, $5-15 suggested donation. Geoff Dyer launches his new nonfiction book, Another Great Day at Sea, and discusses it with Chris Colin.

“Radar Superstar” San Francisco Public Library, Koret Auditorium, 100 Larkin, SF; www.radarproductions.org. 6-8pm, free. Michelle Tea hosts this celebration of the Radar Reading Series’ 11th birthday, with Julian Talamantez Brolaski, Anna Margarita Albelo, Achy Obejas, and Martin Sorrondeguy.

THURSDAY 5

“After Hours: Thursday Night at the Jewseum” Contemporary Jewish Museum, 736 Mission, SF; www.thecjm.org. 6-8pm, free with museum admission, $5 after 5pm. Happy-hour fun with live music, specialty cocktails, a vintage-couture installation using live models, a challah braiding demo, and more.

Robert Dawson Hattery, 414 Brannan, SF; www.eventbrite.com. 7pm, $15. The photographer discusses The Public Library: A Photographic Essay.

Walter Mosely Book Passage, 1 Ferry Bldg, SF; www.bookpassage.com. 6pm, free. The acclaimed novelist reads from his racy new work, Debbie Doesn’t Do It Anymore.

“Shipwreck: Tournament of Champions” Booksmith, 1644 Haight, SF; www.booksmith.com. 7pm, $10 (includes drinks). Six writers “destroy one great book, one great character at a time;” this episode unites a cast of Shipwreck all-stars to take down Gone With the Wind.

FRIDAY 6

“The Sketchbook Project” Classic Cars West, 411 26th St, Oakl; www.sketchbookproject.com (check website for additional dates and locations). 6-10pm. Also Sat/7, 1-5pm. Free. The Sketchbook Project Mobile Library visits First Friday Art Murmur and Saturday Stroll with its collection of thousands of handmade sketchbooks.

SATURDAY 7

Philippine Independence Day Celebration: Lumago Lampas (Grow Beyond) Rhythmix Cultural Works, 2513 Blanding, Alameda; www.rhythmix.org. 7pm, $15-25. Celebrate with performances by Parangal Dance Company, musician Ron Quesada, artist Kristian Kabuay, and more. Presented by the American Center of Philippine Arts.

“Reflections of Me and My World 2014” Oasis Gallery at American Steel Studios, 1960 Mandela, Oakl; www.ahc-oakland.org. 3-6pm, free. ArtEsteem’s 16th annual exhibit highlights work created by local youth in collaboration with West Oakland artists.

Union Street Festival Union between Gough and Steiner, SF; www.unionstreetfestival.com. 10am-6pm, free (tasting tickets, $30-35). Through Sun/8. This 38-year-old festival features tasting pavilions highlighting Bay Area craft beers and wines. Each block of the fest will also have a themed “world,” centered around fashion, culinary arts, tech, locals, crafts, and fitness.

Yerba Buena Art Walk Between Market and Folsom and Second and Fifth Sts, SF; yerbabuena.org/artwalk. 12:30-6pm, free. Yerba Buena Alliance presents this neighborhood showcase, highlighting galleries, exhibitions, and institutions throughout the downtown cultural center.

SUNDAY 8

Haight Ashbury Street Fair Haight between Stanyan and Masonic, SF. www.haightashburystreetfair.org. 11am-8:30pm, free. Live music on two stages, plus over 200 vendor booths, highlight this groovy tradition.

Queer Comics Expo Cartoon Art Museum, 655 Mission, SF; www.cartoonart.org. 11am-5pm, $6-8. Learn about the LGBTQ world of comic books at this first-time event, featuring artists, authors, and costumed fans. Part of the National Queer Arts Festival.

Sunday Streets San Francisco Great Highway, SF; www.sundaystreetsst.com. 11am-4pm, free. Head to the edge of San Francisco and Golden Gate Park to enjoy car-free streets.

MONDAY 9

Cheryl Lu-Lien Tan Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The editor discusses new collection Singapore Noir

TUESDAY 10

Sheila Bapat Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author discusses Part of the Family? Nannies, Housekeepers, Caregivers and the Battle for Domestic Workers’ Rights.

Eric Baus City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The author celebrates The Tranquilized Tongue, the latest in the City Lights Spotlight Poetry series. *

The strange, unique power of San Francisco mayors

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Mayor Ed Lee wields a strange and unique power in San Francisco politics, passed down from Mayor Gavin Newsom, and held by Mayor Willie Brown before him.

No, we’re not talking magic, though mayors have used this ability to almost magically influence the city’s political winds. 

When elected officials leave office in San Francisco and a seat is left vacant, the mayor has the legal power to appoint someone to that empty seat. A study by San Francisco’s Local Agency Formation Commission conducted March last year shows out of 117 jurisdictions in California, and ten major cities nationwide, only seven jurisdictions give their executives (governors, mayors) the ability to appoint an official to a vacant seat. The other jurisdictions hold special elections or allow legislative bodies to vote on a new appointment. 

The power of a San Francisco mayor then is nearly singularly unique, the report found, but especially when seen in the context of the nation’s major cities.

“Of the 10 cities surveyed here,” the study’s authors wrote, “no other city among the most populous grants total discretion for appointments.” 

The study is especially relevant now, as Sup. John Avalos introduced a charter amendment to change this unqiuely San Franciscan mayoral power, and put the power back in the hands of the electorate.

His amendment would require special elections when vacancies appear on public bodies like the community college board, the board of education, or other citywide elected offices. He nicknamed it the “Let’s Elect our Elected Officials Act,” and if approved by the Board of Supervisors it will go to this November’s ballot.

Avalos touched on the LAFCo study while introducing his amendment at the board’s meeting on Tuesday [5/20]. 

“One of the striking results is how unique San Francisco’s appointment process is,” Avalos said. “There’s no democratic process or time constraint when the mayor makes these appointments.”

He pointed to then-Assessor Recorder Phil Ting’s election to California Assembly in 2012. Camen Chu, his successor, was not appointed by the mayor until February 2013, he said, a longstanding vacancy.

So what’s the big deal? Well, voters notoriously tend to vote for the incumbents in any race, so any official with their name on the slot as “incumbent” come election time has a tremendous advantage. In fact, only one supervisor ever appointed by a mayor was ever voted down in a subsequenet district-wide (as opposed to city-wide) election. This dataset of appointed supervisors was culled from the Usual Suspects, a local political-wonk blog:

Supervisor

Appointed

Elected

 

Terry Francois

1964

1967

 

Robert Gonzalez

1969

1971

 

Gordon Lau

1977

1977

 

Jane Murphy

1977

Didn’t run

 

Louise Renne

1978

1980

 

Donald Horanzy

1978

Lost in 1980

Switched from District to

Citywide elections.

Harry Britt

1979

1980

 

Willie B. Kennedy

1981

1984

 

Jim Gonzalez

1986

1988

 

Tom Hsieh

1986

1988

 

Annemarie Conroy

1992

Lost in 1994

 

Susan Leal

1993

1994

 

Amos Brown

1996

1998

 

Leslie Katz

1996

1996

 

Michael Yaki

1996

1996

 

Gavin Newsom

1997

1998

 

Mark Leno

1998

1998

 

Alicia D. Becerril

1999

Lost in 2000

Switched from Citywide to

District elections.

Michela Alioto-Pier

2004

2004

 

Sean Elsbernd

2004

2004

 

Carmen Chu

2007

2008

 

Christina Olague

2012

Lost in 2012

Only loss by a district

appointed supervisor.

Katy Tang

2013

2013


So mayoral appointments effectively sway subsequent elections, giving that mayor two prongs of power: the power to appoint someone who may agree with their politics, and the power to appoint someone who will then owe them.

A San Francisco Chronicle article from 2004 describes the power derived from appointees former Mayor Willie Brown infamously enjoyed.

Once at City Hall, Brown moved quickly to consolidate power, and using the skills he honed during his 31 years in the state Assembly, gained control of the Board of Supervisors. Before the 2000 election, he appointed eight of the 11 members, filling vacancies that he helped orchestrate, as supervisor after supervisor quit to run for higher office or take other jobs.

The board majority was steadfastly loyal, pushing through Brown’s policies and budget priorities with little debate. In a 1996 magazine article, he was quoted as likening the supervisors to “mistresses you have to service.”

Voters may soon choose what elected officials they want in offices. The mistresses of the mayor, or the mistresses of the people.

Graph of the LAFCo study produced by Guardian intern Francisco Alvarado. LAFCo looked at California jurisdictions as well as ten major cities nationwide.

Events: May 14 – 20, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 14

“Carry It Forward: Celebrate the Children of Resistance” Berkeley City College, 2050 Center, Berk; www.mecaforpeace.org. 7pm, $10-20. The Middle East Children’s Alliance hosts this benefit screening of a 2013 performance (featuring Angela Davis, Eve Ensler, and others) marking the 60th anniversary of the execution of Ethel and Julius Rosenberg.

Rayya Elias Book Passage, 1 Ferry Building, SF; www.bookpassage.com. 6pm, free. The author reads from Harley Loco: A Memoir of Hard Living, Hair, and Post-Punk, from the Middle East to the Lower East Side.

Museum of Craft and Design curator tour of current exhibitions Museum of Craft and Design, 2569 Third St, SF; www.sfmcd.org. Noon-1pm, free with admission ($6-8). Curator Marc D’Estout leads a lunchtime walk through the museum’s current exhibits.

“The Wandering Moon” Tenderloin National Forest, 511 Ellis, SF; www.radarproductions.org. 8pm, $5-10. Michelle Tea hosts this Radar Productions reading with Juliana Delgado Lopera, Erin Peterson, K.M. Soehnlein, Ben McCoy, and Gem Top.

THURSDAY 15

California College of the Arts presents the 2014 MFA Thesis Exhibition CCA San Francisco, 111 Eighth St, SF; gradthesis.cca.edu. 6-10pm, free. Exhibit on display through May 24. Fifty MFA students in CCA’s Graduate Program in Fine Arts showcase their works, in forms that include sculptures, paintings, video shorts, wiki platforms, and more.

“DIY Nightlife” California Academy of Sciences, 55 Music Concourse, Golden Gate Park, SF; www.calacademy.org. 6-10pm, $12. Do-it-yourself is the theme, so Maker Faire artists display their wares; the Computer and Technology Resource Center turns recycled e-waste into usable machines; the Crucible and the Green Art Workshop curate creative activities; and more.

“Quick Draw SF” F8 Gallery/Bar, 1192 Folsom, SF; www.paintpenscollective.com. 6-9pm, free. Live-drawing event featuring over 10 artists creating and selling brand-new works.

Gabrielle Selz City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The author discusses her new book Unstill Life: A Daughter’s Memoir of Art and Love in the Age of Abstraction.

Harriet Elinor Smith Mechanics’ Institute, 57 Post, SF; www.milibrary.org. 6pm, $15. The Mark Twain Project editor discusses The Autobiography of Mark Twain, Volume 2: The Complete and Authoritative Edition.

FRIDAY 16

“La Cocina: The Culinary Treasures of Rosa Covarrubias” Mexican Museum, Fort Mason Center, Bldg D, SF; www.mexicanmuseum.org. Noon-4pm, free. Exhibit on display through Jan. 18, 2015. Folk art pottery, paintings, vintage cooking utensils, and other objects from the collection of Rosa and Miguel Covarrubias.

SATURDAY 17

“Free Guided Walking Tour: Introduction to West Oakland Galleries” Meet at Transmission Gallery, 770 W. Grand, Oakl; www.oaklandartmurmur.org. 2-4pm, free. Visit galleries in West Oakland and get to know their curators. The event also includes a poetry reading at Transmission Gallery.

El Tecolote benefit Cesar’s Latin Palace, 826 26th St, SF; www.accionlatina.org. 9:30pm, $10. Cesar’s Latin All-Stars present a benefit dance concert to support bilingual newspaper El Tecolote.

“Yoga in the City” Marina Green, SF; sf.wanderlustfestival.com. 12:30pm, free. Multiple free outdoor yoga classes are offered throughout the day, with live music, healthy food samplings, and more.

SUNDAY 18

“34th Annual Celebration of Old Roses” El Cerrito Community Center, 7007 Moeser Ln, El Cerrito; www.celebrationofoldroses.org. 11am-3:30pm, free. A 100-foot display of rare and heritage roses, plus hundreds of rose-themed products for sale, display tables, activities for kids, and more.

MONDAY 19

Alysia Abbott Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The author reads from Fairyland: A Memoir of My Father.

Breanne Fahs in conversation with Roxanne Dunbar Ortiz Modern Times Bookstore, 2919 24th St, SF; www.moderntimesbookstore.com. 7-9pm, free. The authors discuss their writings on radical women, with a focus on Fahs’ Valerie Solanas: The Defiant Life of the Woman Who Wrote SCUM (and Shot Andy Warhol).

Russell Simmons Book Passage, 1 Ferry Building, SF; www.bookpassage.com. 5pm, free. The Def Jam Recordings founder and meditation enthusiast signs copies of In Success Through Stillness.

TUESDAY 20

David Helvarg Bay Model Visitor Center, 2100 Bridgeway, Sausalito; www.acs-sfbay.org. 7pm, $5. The environmental journalist and activist discusses The Golden Shore: California’s Love Affair with the Sea.

Howard Norman City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The author reads from Next Life Might Be Kinder. *

 

Events: April 23 – 29, 2014

0

Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 23

Susie Hara Green Arcade, 1680 Market, SF; www.thegreenarcade.com. 7pm, free. The author launches her new noir, Finder of Lost Objects.

“101 Vagina” Goforaloop Gallery, 1458 San Bruno, SF; www.101vagina.com. Noon-8pm. Free. Through Sun/27. Exhibit of 101 photographs (by artist Philip Werner) and 101 accompanying stories (by each photo’s subject) celebrating the female body.

Gertrude Stein centennial SF Public Library, Main Branch, 100 Larkin, SF; www.sfpl.org. 6-7pm, free. Celebrate the author’s Tender Buttons with editor Seth Perlow and guests Michelle Tea, Juliana Spahr, and Renate Stendahl.

“Word Performances” Lost Church, 65 Capp, SF; www.wordperformances.com. 8pm, $14. Poetry, prose, comedy, fiction, and memoir reading with Tina D’Elia, John Panzer, Ginger Murray, Tomas Moniz, and others, plus music by the Mark Growden Trio.

THURSDAY 24

Nitza Agam BookShop West Portal, 80 West Portal, SF; (415) 564-8080. 7pm, free. The author discusses her memoir Scent of Jasmine.

Andrew Demcak Books Inc., 2275 Market, SF; (415) 864-6777. 7:30pm, free. The poet and writer shares his latest, Ghost Songs.

Andrew Sean Greer Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The novelist reads from his latest work, The Impossible Lives of Greta Wells.

“Poems Under the Dome” City Hall, North Light Court, 1 Carlton B. Goodlett Place, SF; www.poemdome.net. 5:30-8pm, free. Ninth annual celebration of National Poetry Month, with readings by SF poet laureate Alejandro Murguía and others.

Tony Serra City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The veteran attorney celebrates the release of Tony Serra: The Green, Yellow and Purple Years in the Life of a Radical Lawyer.

FRIDAY 25

Anne Carson San Francisco State University, Humanities Building, Rm 133, 1600 Holloway, SF; moderngreekstudies.sfsu.edu. 7pm, free. The MacArthur-winning scholar, poet, and translator reads from her latest work.

Omnidawn Book Party Pegasus Downtown, 2349 Shattuck, Berk; www.omnidawn.com. 7pm, free. Celebrate National Poetry Month with readings by Robin Caton, Maxine Chernoff, Gillian Conoley, and others.

SATURDAY 26

“Bug Day!” Randall Museum, 199 Museum Wy, SF; www.randallmuseum.org. 10am-2pm, $3. Family fun day all about bugs, with an “Insect Olympics,” honeybee hives, bug-related crafts, edible bugs, and more.

“Make It Reign 2014” Runway Style House Boutique, 1635 Broadway, Oakl; oaklandfashion.wordpress.com. 8pm, $5. Fashion show highlighting 18 Oakland and Bay Area indie designers.

Treasure Island Flea Great Lawn, Treasure Island; www.treasureislandflea.com. 10am-4pm, $3. Through Sun/27. It’s wine month at Treasure Island Flea — because nothing makes shopping more fun than a wine-tasting break. Also new: a produce part, a new section for DIY workshops, and more.

“Wrong’s What I Do Best” Walter and McBean Galleries, San Francisco Art Institute, 800 Chestnut, SF; sfai.edu/walter-and-mcbean-galleries. 7-10pm, free. Exhibit through July 26. Group show examining “the self-searing impulses of artists playing the role of one’s self as someone else.”

SUNDAY 27

Northern California Book Awards SF Public Library, Main Branch, 100 Larkin, SF; www.sfpl.org. 1-4pm, free. This year’s award-winning authors read, discuss, and sign their works.

Pacific Coast Dream Machines Show Half Moon Bay Airport, 9850 N. Cabrillo Hwy, Half Moon Bay; www.miramarevents.com. 10am-4pm, $5-20. Showcase of more than 2,000 antique, classic, custom, and exotic motorized marvels, plus boats, aircraft, live music, a “kidzone,” and more.

SF Native Plant Garden Tour Various locations, SF; www.sfnativegardentour.org. 11am-3pm, free. Check the website for the self-guided tour route, which offers a chance to see San Francisco-specific and Bay Area-native plants in gardens both wild and carefully tended.

MONDAY 28

Tess Taylor and D.A. Powell City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The poets read from their works, including Taylor’s new collection The Forage House.

TUESDAY 29

“Customs and Traditions of Ohlone Natives in the Bay Area” St. Philip’s Catholic Church, 725 Diamond, SF; www.sanfranciscohistory.org. 7:30pm, $5. SF History Association presents this talk by Ruth Orta and her daughter, Ramona Garibay, descendents of the Ohlone/Bay Miwok native people of the Bay Area.

Pamela Turner Saylor’s Restaurant (upstairs room), 2009 Bridgeway, Sausalito; www.acs-sfbay.org. 7-9pm, $5. The science writer, author of The Dolphins of Shark Bay, discusses bottlenose dolphins. *

 

Events: April 16 – 22, 2014

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Listings are compiled by Guardian staff. Submit items for the listings at listings@sfbg.com. For further information on how to submit items for the listings, see Selector.

WEDNESDAY 16

“Globular Clusters of the Milky Way” Randall Museum, 199 Museum Way, SF; www.randallmuseum.org. 7:30pm, free. Calling all Cosmos fans: UC Santa Cruz Professor of Astronomy Graeme Smith delivers this talk as part of the San Francisco Amateur Astronomers’ 2014 lecture series.

Myra McPherson Green Arcade, 1680 Market, SF; www.thegreenarcade.com. 7pm, free. The author discusses The Scarlet Sisters: Sex, Suffrage, and Scandal in the Gilded Age.

Elizabeth Scarboro and Louise Aronson Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. The authors read from My Foreign Cities and A History of the Present Illness, respectively.

“Smack Dab” Magnet, 4122 18th St, SF; www.magnetsf.org. 8pm, free. Open mic for writers and musicians, with featured performer Blair Hansen.

Kevin Young City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. The poet reads from his new collection, Book of Hours.

THURSDAY 17

Kaya Press 20th Anniversary City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm, free. With Sesshu Foster, Gene Oishi, Amamath Rawa, and Shailja Patel.

“The Natural and Cultural History of Yerba Buena Island” Randall Museum, 199 Museum Wy, SF; www.randallmuseum.org. 7:30pm, free. The 2014 SF Natural History Lecture Series continues with this talk about Yerba Buena Island’s ecological secrets by Ruth Gravanis.

FRIDAY 18

“Birding the Hill” Corona Heights Park, behind Randall Museum, 199 Museum Way, SF; www.randallmuseum.org. 8am, free. Beginning birders are welcome to this 2.5 hour walk scouting the park’s avian inhabitants.

SATURDAY 19

Emil DeAndreis Green Apple Books, 506 Clement, SF; www.greenapplebooks.com. 6pm, free. The author reads from Beyond Folly.

Earth Day Bay Area Discovery Museum, Fort Baker, 447 McReynolds, Sausalito; www.baykidsmuseum.org. 9am-5pm, $11. Live music, hands-on craft projects using recycled materials, storytelling, and more for kids and their families.

Earth Day SF UN Plaza, Civic Center, SF; www.earthdaysf.org. 10am-6pm, free. This year’s theme is “A Call to Action,” so look for speakers and booths addressing climate change, green activism, and other social-justice topics. Of course, there will also be plenty of music (by headliners New Monsoon and the Earth Day All Star Band, among others), dance performances, an eco fashion show, a sustainable chef showcase, and more.

“Earth Day on the Bay” Marine Science Institute, 500 Discovery Pkwy, Redwood City; www.sfbaymsi.org. 10am-5pm, free. The Institute opens to the public just once a year, and today’s the day. Families are invited for hands-on science fun (touch a shark!).

“Eggstravaganza 2014” Sharon Meadow, Golden Gate Park, SF; www.sfrecpark.org. 11am-3pm, $8. Egg hunts, carnival rides, games, live entertainment, and a barbecue competition between city agencies highlight this family-friendly Easter event.

“Great Egg Hunt” Dunsmuir Hellman Historic Estate, 2960 Peralta Oaks Court, Oakl; www.dunsmuir-hellman.com. Noon-3pm, $3-5. Oakland’s largest egg hunt (also on tap: a petting zoo, face painting, crafts, and more) covers the grounds of the 1899 mansion.

Northern California Cherry Blossom Festival Japantown, SF; www.sfcherryblossom.org. Times and prices vary. Through Sun/20. Celebrate Japanese culture and the Japanese American community at this 47th annual street fair, boasting food booths, live music, martial arts demonstrations, and more.

“Party for the Planet” Oakland Zoo, 9777 Golf Links Rd, Oakl; www.oaklandzoo.org. 10am-3pm, $11.75-15.75. 50 local environmental organizations participate in this zoo bash, which will feature over 50 “interactive Earth Stations” throughout the facility. Plus: live animal presentations, live music, and more.

“SuperAwesome: Art and Giant Robot” and “Vinyl: The Sound and Culture of Records” Oakland Museum of California, 1000 Oak, Oakl; www.museumca.org. 11am-5pm, $6-20. Through July 27. Two new exhibits open today at OMCA: the first highlighting 15 artists associated with Asian and Asian American pop culture-focused magazine Giant Robot, and the second exploring “the social and cultural phenomenon of listening to, collecting, and sharing records.”

SUNDAY 20

“Easter in Golden Gate Park” Hellman Hollow, Golden Gate Park, SF; www.thesisters.org. Children’s Easter, 10am; main event, noon. Free. Hunky Jesus has risen! And this year, he’s got Foxy Mary with him! It’s the 35th year for the Sisters of Perpetual Indulgence’s flamboyant Easter festivities. Crucial info: the theme is “The Emerald Jubilee, A ‘Trip” to Oz;” and since Dolores Park is temporarily closed, it all goes down in Golden Gate Park.

Jack Kerouac School of Disembodied Poetics 40th Anniversary Party City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 5pm, free. Andrea Rexillus hosts readings by Robert Gluck, Juliana Spahr, Cedar Sigo, Eric Baus, Michelle Naka Pierce, and Chris Pusateri.

“The Szyk HaggadahContemporary Jewish Museum, 736 Mission, SF; www.thecjm.org. 1-2pm, free with museum admission ($10-12). Also April 27, 3-4pm. The Arthur Szyk scholar discusses the artist’s masterwork in this gallery talk.

Union Street Easter Parade and Spring Celebration Union between Gough and Fillmore, SF; www.sresproductions.com. 10am-5pm, free. A parade, an Easter bonnet contest, live entertainment, and lots of kid-friendly fun highlight this 23rd annual event.

TUESDAY 22

Doug Fine Booksmith, 1644 Haight, SF; www.booksmith.com. 7:30pm, free. Celebrate Earth Day with this reading by the author of Hemp Bound: Dispatches from the Front Lines of the Next Agricultural Revolution.

Sixteen Rivers Press reading City Lights Bookstore, 261 Columbus, SF; www.citylights.com. 7pm. With poetry readings by Beverly Burch and Murray Silverstein. *

 

Avalos: Should SFPD officers wear body mounted cameras?

The fatal shooting of Alejandro Nieto, a man who possessed a Taser that was mistaken for a firearm who was killed in Bernal Heights Park, produced a backlash of community anger toward the San Francisco Police Department. It was the first thing Sup. John Avalos mentioned when he called for a hearing on equipping officers with body-mounted video cameras at the April 8 Board of Supervisors meeting.

Avalos knew Nieto, and the incident struck close to home. He mentioned another recent incident of police violence at City College of San Francisco in which officers targeted student protesters; video footage from a bystander shows an officer releasing his nightstick, making a fist, and throwing a punch at someone already being restrained.

“These incidents show that there’s a great deal of work we need to do … to build trust between members of the community and the police department,” Avalos said. “These incidents involved people I knew and it almost makes me feel how widespread the problem can be.”

Police body-mounted cameras have been tried in New York, Los Angeles, New Orleans and other places as a way to shore up police accountability and provide a record of officer interactions with targeted suspects, Avalos said, and there is support for the technology both among law enforcement communities and civil liberties watchdog organizations.

“Many police support these cameras because they can help protect police officers against false accusations,” Avalos noted. “Watchdog groups support police body-mounted cameras because they can help reduce incidents of police misconduct. The [American Civil Liberties Union] supports the cameras because they allow the public to monitor the government, instead of the other way around.”

Avalos’ request called for a review of the feasibility of equipping police officers with body cams, taking concerns about cost and privacy into consideration, plus a cost-benefit analysis to show how the cost of the cameras would compare with potential savings from reductions in citizen complaints and use-of-force lawsuits.

SFPD spokesperson Sgt. Danielle Newman noted that the SFPD is already in contract negotiations for a pilot program that would equip 50 plainclothes sergeants with body-mounted cameras. The program would be funded through a federal grant, Newman said, and the department has not yet received the cameras or hashed out policies spelling out how long data would be stored, how often they would be used, or whether officers would be able to switch them on and off at will.

Newman said the pilot program grew out of allegations that undercover officers had stolen property and violated the civil rights of SRO residents during searches of their units, incidents that were initially brought to light by the San Francisco Public Defender and more recently became the subject of a federal indictment.

“When Chief Suhr took over, he was looking at ways to ensure that those things don’t happen again,” Newman explained. The department was under the leadership of former Police Chief George Gascon when the officers now facing charges were caught on film by SRO surveillance cameras.

Despite the planned pilot, Newman said Suhr was less certain about the idea of equipping 1,500 to 2,000 officers with body cameras, as Avalos’ request is geared toward.

“The concern with the chief is that with San Francisco, we haven’t been able to get crime cams put up,” she said, let alone having all officers record all police contact with the public. “That’s something that would need to be ironed out.”

Newman added that there were cost and logistical concerns associated with storage of bulk data generated by the cameras.

Rachel Lederman, an attorney with the National Lawyers Guild who represented Occupy protester Scott Olsen in a police misconduct case that left Olsen with lasting brain injuries and resulted in a $4.5 million settlement, said she was skeptical of body cams as a “quick fix” for police violence.

Oakland police officers are equipped with personal digital recording devices, she noted, but in the incident the left Olsen permanently injured, “there were 11 police officers with less-lethal weapons who were supposed to have PDRDs on – but didn’t.”

Lederman said that based on her experience, the footage that is captured on body cams is kept under lock and key by police, and remains hidden to all but doggedly persistent criminal attorneys. In practice, “journalists and affected people can’t get it without a lawyer,” she said, because police departments tend to withhold the footage with the excuse that it pertains to ongoing investigations.

In order to serve as an effective tool for holding law enforcement accountable, Lederman said, body-cam videos “have to be produced under the Public Records Act.”

Lederman added that the video quality tends to be low, officers can turn them on and off at will, and “they try to use them as evidence against people they are arresting.”

Still, a study in Rialto, California that was undertaken by a group of Cambridge University researchers determined that police use-of-force and complaints against police officers declined dramatically after officers were outfitted with the recording devices.

“The findings suggest more than a 50 percent reduction in the total number of incidents of use-of-force compared to control-conditions, and nearly ten times more citizens’ complaints in the 12-months prior to the experiment,” the authors concluded.

Lederman believes those findings are somewhat misleading, however. “Rialto has 66 police officers,” she pointed out. “It’s not really comparable to San Francisco or Oakland.”

Report details how brown and black communities are decimated, step by step

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Gentrification is a word so oft-used in conversations about San Francisco that it’s easy to forget what it means.

A report released yesterday by the advocacy group Causa Justa/Just Cause titled “Development Without Displacement” breaks down gentrification into a set of digestible, understandable policy decisions, while identifying which communities even now are still at risk of displacement.

“This report shows that there are many reasonable policies at the local and regional levels that can help hold back the tide of gentrification and modify the worst effects of urban transformation,” said one of its authors, UC Berkeley Geography Professor Richard Walker, in a statement on its site.

The report provides many solutions, but is largely a 100-plus page tale of 20 years of the destruction of brown and black communities in San Francisco, beginning in 1990, and the ripple effects of that displacement on the people of Oakland.

The “Stage of Gentrification” map in particular details San Francisco and Oakland Neighborhoods as being in early, middle, late and ongoing stages of gentrification. Each of these classifications is determined by the population — are they susceptible to displacement? — as well as the housing market prices in the neighborhood. Not surprisingly, the Mission and the panhandle are labeled as ongoing gentrification zones, with the southern neighborhoods of San Francisco are labeled as in early stages of gentrification marked by a rise in property value.

Robbie Clark, 33, the housing rights campaign lead organizer at Causa Justa, said the map details the challenges facing the Latino and African American communities today, a challenge she’s also facing herself.

“For me, I’m born and raised in Oakland, and it’s been a challenge as an adult to find stable affordable housing,” she told the Guardian. She has a huge family that used to live in Oakland right near one another. The displacement broke them up. “Everyone is spread out throughout the greater Bay Area and beyond. It used to be very normal for every weekend to have family dinners, and now that happens much less.”

In recent years she’s moved seven times as rents in both cities skyrocketed, and she was even in the process of moving again while we interviewed her. The need for the report, she said, was stark.

The findings put specific numbers to a story of loss we all know well. Between 1990 and 2011, over 1,400 Latinos left the Mission district. In the same time, white households increased by 2,900 in the Mission. In the same period, Oakland’s black population declined from 43 percent of the city to 26 percent. Many in San Francisco argue that increased affluence helps beautify neighborhoods and makes them safer, but that misses the point: the neighborhoods may be safer for newcomers, but the old residents get kicked out in the process.

The report states that outright: “While gentrification may bring much-needed investment to urban neighborhoods,” it states, “displacement prevents these changes from benefitting residents who may need them the most.”

Causa Justa Just Cause displacement report EXECUTIVE SUMMARY by FitztheReporter

A summary version of the 110 page report.

And the responsibility of these injustices should be laid squarely at the feet of neoliberal policies, the report states, including reduced public funding, privatization of public programs, relying too much on the private sector to drive economic growth, and a political system susceptible to hugely influential private corporations. 

But ultimately, Causa Justa concludes, there is still hope.

“Gentrification can be stopped!” the report states. To right the wrongs done to communities, “We also recommend policies that regulate government, landlord and developer activity to promote equitable investment, affordability and stability, and maximum benefits for existing residents.” 

Causa Justa, Just Cause, is selling the report for $25, but also includes a form for those who cannot afford it to apply for a free copy.

A high resolution version of the “Stage of Gentrification” map: 

map1

 

 

Billionaire helps poke holes in oil industry’s argument for drilling Monterey Shale

“We’ve been told that there’s a great oil boom on the immediate horizon,” billionaire investor and Pac Heights resident Tom Steyer noted at the start of a March 27 talk in Sacramento. 

But Steyer (who has pledged to spend $100 million on ad campaigns for the 2014 election to promote action on climate change) wasn’t there to trumpet the oil industry’s high expectations. Instead, he introduced panelists who dismissed the buzz on drilling the Monterey Shale as pie-in-the-sky hype.

Dr. David Hughes, a geoscientist with the Post Carbon Institute, and researcher Robert Collier had been invited to speak by Next Generation, a policy group focused on climate change that was co-founded by Steyer.

Last year, researchers from the University of Southern California released a study that wound up being cited time and again as the basis for the oil industry’s arguments in the context of a statewide debate on fracking ignited by environmentalists.

Partially funded by the Western States Petroleum Association, oil industry lobbyists, the USC report outlined a rosy economic outlook stemming from oil extraction in the Monterey Shale, a vast geologic formation touted as “a new, economy-spurring natural resource.”

The Monterey Shale spans 1,750 square miles, running beneath much of the San Joaquin Valley and into Southern California. Authors of a private-sector report produced by INTEK, referenced by the USC report, estimated that 15.4 billion barrels of oil could be extracted from the shale formation – mostly through nontraditional methods such as fracking or acidizing, a process that involves pumping acid underground.

But Hughes, the geoscientist, characterized this estimate as unrealistic. “The Monterey Shale certainly will produce more oil and gas, but likely only a very small fraction of what’s been reported in the INTEK report,” he said. “Projections are highly unlikely to be realized.” The Post Carbon Institute and Physicians, Scientists and Engineers for Healthy Energy published their own report, Drilling California: A Reality Check on the Monterey Shale.

Also unlikely to be realized are the optimistic figures on job creation and economic activity, Collier noted.

California is the nation’s fourth largest oil producer, but its production has been on a steady decline for the past two decades. “So the hopes for the Monterey Shale come in the context of a gradual decline, and the hopes that California will echo the big boom of North Dakota and Texas,” he said.

The USC report contained sensational projections, predicting that 2.8 million net new jobs would be created statewide in sectors indirectly or directly associated with oil. The most optimistic scenario predicted 4.4 million net new jobs. The report also predicted that opening up the Monterey Shale for drilling would result in a 14 percent increase in per capita GDP, as well as  $24 billion in state and local tax revenues.

And as the debate about regulating fracking raged on, the findings in this study were “echoed by politicians of both parties,” Collier noted.

But prominent economists, tapped by Next Generation to analyze the study, said they could find no basis for certain claims.

Next Generation researchers turned to University of California economists Jerry Nickelsburg of UCLA, Jesse Rothstein of UC Berkeley and Olivier Deschênes of UC Santa Barbara. “They said: ‘We cannot see any justification for these incredible numbers,” Collier reported. “They seem too big to be believable.”

Instead, the economists believed the potential job creation was closer to 100,000 in total direct and indirect employment, he added. More information is presented in Next Generation’s report.

So arguments that the oil industry has been using in favor of opening up the Monterey Shale might be based on flimsy math. 

Steyer, at the close of the talk, put in a plug for focusing on clean-energy sector growth instead.

“When we sit here and talk about jobs, let’s remember that the clean energy jobs are most likely to solve our employment problems,” he said. “If we want a boom in energy production, then we have a boom in energy production. I think it’s clear, our future is in advanced energy.”